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毓卮鬲 賱兀乇賵賷
Acest volum de memorii vine s膬 consfin牛easc膬 faptul c膬 aproape tot ce se 艧tie despre Gabriel Garc铆a M谩rquez provine din interviurile 艧i din opera sa 艧i s膬 aduc膬 m膬rturii emo牛ionante despre "via牛a secret膬" a autorului c膬ci, a艧a cum acesta se dest膬inuie, "omul are trei vie牛i: via牛a public膬, via牛a particular膬 艧i via牛a secret膬, cea pe care o povestim cel mai adesea noi, scriitorii; toat膬 via牛a mea este 卯ncifrat膬 卯n romanele mele". Iar cartea de fa牛膬 ofer膬 cu generozitate cifrul prin care cititorului 卯i este 卯ng膬duit s膬 p膬trund膬 卯n universul fascinant al crea牛iei marqueziene, ea put芒nd s膬 poarte cu 卯ndrept膬牛ire subtitlul Cum am devenit scriitor, fiindc膬 卯n cele 艧ase sute de pagini ale sale sunt incrusta牛i pentru eternitate anii copil膬riei 卯n casa bunicilor dinspre mam膬, adolescen牛a cu anii de liceu, tinere牛ea cu studiile universitare, 卯ntrerupte, atunci c芒nd voca牛ia scrisului, manifestat膬 de timpuriu, 卯ncepe s膬-i orienteze major existen牛a. Nu sunt uita牛i mai cu seam膬 anii de c膬ut膬ri febrile, avatarurile vie牛ii de ziarist s膬rac, care crede 卯ns膬 orbe艧te 卯n steaua sa, precum 艧i pl膬smuirea primelor povestiri 艧i a celui dint芒i roman, p芒n膬 la 卯mplinirea v芒rstei de dou膬zeci 艧i 艧apte de ani, c芒nd pleac膬 卯n Europa 卯n calitate de corespondent al ziarului El Espectador.
680 pages, Paperback
First published January 1, 2002
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About the author
Gabriel Garc铆a M谩rquez
914听books39.8k听followersGabriel Jos茅 de la Concordia Garc铆颅a M谩rquez was a Colombian novelist, short-story writer, screenwriter and journalist. Garc铆颅a M谩rquez, familiarly known as "Gabo" in his native country, was considered one of the most significant authors of the 20th century. In 1982, he was awarded the Nobel Prize in Literature.
He studied at the University of Bogot谩 and later worked as a reporter for the Colombian newspaper El Espectador and as a foreign correspondent in Rome, Paris, Barcelona, Caracas, and New York. He wrote many acclaimed non-fiction works and short stories, but is best-known for his novels, such as One Hundred Years of Solitude (1967) and Love in the Time of Cholera (1985). His works have achieved significant critical acclaim and widespread commercial success, most notably for popularizing a literary style labeled as magical realism, which uses magical elements and events in order to explain real experiences. Some of his works are set in a fictional village called Macondo, and most of them express the theme of solitude.
Having previously written shorter fiction and screenplays, Garc铆a M谩rquez sequestered himself away in his Mexico City home for an extended period of time to complete his novel Cien a帽os de soledad, or One Hundred Years of Solitude, published in 1967. The author drew international acclaim for the work, which ultimately sold tens of millions of copies worldwide. Garc铆a M谩rquez is credited with helping introduce an array of readers to magical realism, a genre that combines more conventional storytelling forms with vivid, layers of fantasy.
Another one of his novels, El amor en los tiempos del c贸lera (1985), or Love in the Time of Cholera, drew a large global audience as well. The work was partially based on his parents' courtship and was adapted into a 2007 film starring Javier Bardem. Garc铆a M谩rquez wrote seven novels during his life, with additional titles that include El general en su laberinto (1989), or The General in His Labyrinth, and Del amor y otros demonios (1994), or Of Love and Other Demons.
(Arabic: 噩丕亘乇賷賷賱 噩丕乇爻賷丕 賲丕乇賰賷夭) (Hebrew: 讙讘专讬讗诇 讙讗专住讬讛 诪专拽住) (Ukrainian: 覑邪斜褉褨械谢褜 覑邪褉褋褨褟 袦邪褉泻械褋) (Belarussian: 袚邪斜褉褘械谢褜 袚邪褉褋褨褟 袦邪褉泻械褋) (Russian: 袚邪斜褉懈褝谢褜 袚邪褉褋懈褟 袦邪褉泻械褋)
He studied at the University of Bogot谩 and later worked as a reporter for the Colombian newspaper El Espectador and as a foreign correspondent in Rome, Paris, Barcelona, Caracas, and New York. He wrote many acclaimed non-fiction works and short stories, but is best-known for his novels, such as One Hundred Years of Solitude (1967) and Love in the Time of Cholera (1985). His works have achieved significant critical acclaim and widespread commercial success, most notably for popularizing a literary style labeled as magical realism, which uses magical elements and events in order to explain real experiences. Some of his works are set in a fictional village called Macondo, and most of them express the theme of solitude.
Having previously written shorter fiction and screenplays, Garc铆a M谩rquez sequestered himself away in his Mexico City home for an extended period of time to complete his novel Cien a帽os de soledad, or One Hundred Years of Solitude, published in 1967. The author drew international acclaim for the work, which ultimately sold tens of millions of copies worldwide. Garc铆a M谩rquez is credited with helping introduce an array of readers to magical realism, a genre that combines more conventional storytelling forms with vivid, layers of fantasy.
Another one of his novels, El amor en los tiempos del c贸lera (1985), or Love in the Time of Cholera, drew a large global audience as well. The work was partially based on his parents' courtship and was adapted into a 2007 film starring Javier Bardem. Garc铆a M谩rquez wrote seven novels during his life, with additional titles that include El general en su laberinto (1989), or The General in His Labyrinth, and Del amor y otros demonios (1994), or Of Love and Other Demons.
(Arabic: 噩丕亘乇賷賷賱 噩丕乇爻賷丕 賲丕乇賰賷夭) (Hebrew: 讙讘专讬讗诇 讙讗专住讬讛 诪专拽住) (Ukrainian: 覑邪斜褉褨械谢褜 覑邪褉褋褨褟 袦邪褉泻械褋) (Belarussian: 袚邪斜褉褘械谢褜 袚邪褉褋褨褟 袦邪褉泻械褋) (Russian: 袚邪斜褉懈褝谢褜 袚邪褉褋懈褟 袦邪褉泻械褋)
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May 17, 2023
Un memoir, cum spun englezii, folosind un cuv卯nt din franceza veche. Este, fire葯te, povestea unui triumf, redactat膬 cu umor 葯i modestie. Exist膬 葯i versiuni negative ale unei astfel de scrieri, autorul prezint膬 un itinerariu care sf卯r葯e葯te 卯n e葯ec, precum Rousseau 卯n Confesiuni.
Gabriel Garc铆a M谩rquez a fost crescut o vreme de bunicii de pe mam膬, la Aracataca. Bunicul lui fusese colonel, participase la R膬zboiul Celor O Mie de Zile, dar acum e poreclit de to葲i Papaleto 葯i e un ins pa葯nic 葯i cump膬nit. Poate (葯i) din acest motiv, literatura prozatorului columbian e plin膬 de colonei. Bunicul 鈥灻畁v膬葲ase meseria de aurar鈥� (p.53), f膬ure葯te pe葯ti cu solzi de aur, care nu au 卯ns膬 nici o c膬utare, mu葯teriii 卯l ocolesc, fapt care nu-l deranjeaz膬 prea tare. Papaleto 卯i d膬ruie葯te nepotului Dic葲ionarul explicativ al limbii spaniole. Va fi o lectur膬 decisiv膬 pentru viitorul prozator: 鈥灻甽 citeam ca pe un roman鈥� (p.117). 脦葯i va 卯mbog膬葲i vocabularul, dar va avea mereu probleme cu ortografia. Nu mai este nevoie s膬 spun: figura bunicului 卯l va inspira 卯n romanul Un veac de singur膬tate (1967).
脦n casa de la Aracataca locuiesc c卯teva zeci de rude: unchi, m膬tu葯i, cumna葲i, veri, nepo葲i, un veritabil clan. Aracataca prefigureaz膬 miracolele din Macondo. Sora prozatorului, Margot, m膬n卯nc膬 p膬m卯nt (p.285), m膬tu葯a Francisca se pune 卯n pat, perfect s膬n膬toas膬, 葯i a葯teapt膬 s膬 moar膬 etc. C卯nd p膬rin葲ii se mut膬 la Sucre (c膬ci tat膬l lui M谩rquez e un farmacist homeopat mereu pe drumuri), copilul se 卯ntoarce, 卯n sf卯r葯it, acas膬. Urmeaz膬 葯coli (un colegiu iezuit din Barranquilla, Liceul Na葲ional din Zipaquira, nu departe de Bogot谩), dar n-are voca葲ie de elev silitor. Norocul lui e prietenia cu Martina Fonseca, 鈥瀘 alb膬 turnat膬 卯ntr-un tipar de mulatr膬鈥� (p.213). Printre altele, aceasta 卯l mediteaz膬 葯i-i divulg膬 secretul premian葲ilor: cel mai bine e s膬 fii foarte atent la lec葲ii; dac膬 e葯ti atent, 葲ii minte aproape totul. 脦n consecin葲a acestui sfat pre葲ios, Gabriel Garc铆a M谩rquez va termina liceul ca 葯ef de promo葲ie, de葯i recunoa葯te cu franche葲e c膬 nu a fost cel mai bun dintre elevi.
E pasionat de muzic膬 葯i de poezie. La serb膬rile 葯colare, poate recita f膬r膬 gre葯 poeme interminabile 卯n uimirea auditoriului. Simte c膬 voca葲ia lui e aceea de scriitor. Se va 卯nscrie la Facultatea de Drept, dar nu o va absolvi niciodat膬. Cite葯te enorm (lista autorilor studia葲i e consistent膬) 葯i 卯ncearc膬 s膬 afle de unul singur tehnicile narative. M膬rturise葯te: 鈥濵ulte dintre romanele pe care le citeam 葯i le admiram pe atunci m膬 interesau numai pentru 卯nv膬葲膬turile de natur膬 tehnic膬. Cu alte cuvinte pentru arhitectura lor secret膬鈥� (p.339). William Faulkner va r膬m卯ne 鈥瀋el mai fidel dintre demonii mei literari鈥� (p.15).
Unele pagini s卯nt de un umor nebun. 脦ntr-o zi, e prins de un so葲 卯n patul consoartei, pe nume Nigromanta, o femeie superb膬, cu 鈥瀠n profil abisinian鈥�. So葲ul era un fost sergent de poli葲ie: 鈥濧 pus revolverul pe mas膬, a desfundat o sticl膬 de rom de trestie de zah膬r, a a葯ezat-o l卯ng膬 revolver 葯i am stat am卯ndoi jos, fa葲膬 卯n fa葲膬, b卯nd f膬r膬 s膬 vorbim. Terminasem prima sticl膬, c卯nd se dezl膬n葲ui potopul. El desf膬cu atunci 卯nc膬 o sticl膬, 卯葯i sprijini 葲eava de t卯mpl膬 葯i m膬 privi 葲int膬 cu ni葯te ochi de ghea葲膬. Atunci ap膬s膬 pe tr膬gaci p卯n膬 la cap膬t, dar nu se auzi dec卯t un zgomot sec. Abia dac膬-葯i putea st膬p卯ni tremurul m卯inii, c卯nd 卯mi d膬du revolverul.
- E r卯ndul t膬u, 卯mi zise鈥� (pp.272-273).
M谩rquez ia pistolul 葯i-l prive葯te buimac pe adversar. Arma e 鈥瀏rea, fierbinte鈥�. Nu trage, 卯napoiaz膬 mecanic revolverul 葯i-葯i a葯teapt膬 resemnat sf卯r葯itul. Brusc, sergentul izbucne葯te 卯n hohote de pl卯ns. Apoi 卯i declar膬: 鈥炄榯ii de ce pleci de aici viu 葯i nev膬t膬mat? Pentru c膬 tat膬l t膬u a fost singurul care m-a putut lecui de o blenoragie nenorocit膬, de care nimeni nu m-a sc膬pat vreme de trei ani de zile鈥� (p.273). P膬c膬tosul n-a 葯tiut c膬, de fapt, 葲inuse 卯n m卯n膬 un pistol cu capse...
P卯n膬 una-alta, n-ar fi r膬u s膬 re葲inem acest panseu enigmatic: 鈥濧r trebui s膬 citim numai c膬r葲ile care ne oblig膬 s膬 le recitim鈥� (p.175). Din p膬cate, acest fapt mirabil nu e cu putin葲膬.
C卯nd 卯n acest 鈥瀖emoriu鈥� 卯葯i face apari葲ia Fidel Castro, viitorul 鈥瀙atriarh al Cubei鈥�, a c膬rui toamn膬 o va descrie 卯n romanul lui cel mai bun, interesul meu se sub葲iaz膬 brusc. Gabriel Garc铆a M谩rquez se define葯te ca un 鈥瀋omunist ne卯ncrez膬tor鈥� (p.136). Cu timpul, din p膬cate, va 卯ncepe s膬 cread膬...
P. S. Notez aceast膬 precizare a prozatorului: Macondo 鈥瀍 numele unui arbore tropical, care nu are nici flori, nici fructe, cu lemnul moale, folosit pentru f膬cut luntre 葯i vase de buc膬t膬rie鈥� (p.31).
Gabriel Garc铆a M谩rquez a fost crescut o vreme de bunicii de pe mam膬, la Aracataca. Bunicul lui fusese colonel, participase la R膬zboiul Celor O Mie de Zile, dar acum e poreclit de to葲i Papaleto 葯i e un ins pa葯nic 葯i cump膬nit. Poate (葯i) din acest motiv, literatura prozatorului columbian e plin膬 de colonei. Bunicul 鈥灻畁v膬葲ase meseria de aurar鈥� (p.53), f膬ure葯te pe葯ti cu solzi de aur, care nu au 卯ns膬 nici o c膬utare, mu葯teriii 卯l ocolesc, fapt care nu-l deranjeaz膬 prea tare. Papaleto 卯i d膬ruie葯te nepotului Dic葲ionarul explicativ al limbii spaniole. Va fi o lectur膬 decisiv膬 pentru viitorul prozator: 鈥灻甽 citeam ca pe un roman鈥� (p.117). 脦葯i va 卯mbog膬葲i vocabularul, dar va avea mereu probleme cu ortografia. Nu mai este nevoie s膬 spun: figura bunicului 卯l va inspira 卯n romanul Un veac de singur膬tate (1967).
脦n casa de la Aracataca locuiesc c卯teva zeci de rude: unchi, m膬tu葯i, cumna葲i, veri, nepo葲i, un veritabil clan. Aracataca prefigureaz膬 miracolele din Macondo. Sora prozatorului, Margot, m膬n卯nc膬 p膬m卯nt (p.285), m膬tu葯a Francisca se pune 卯n pat, perfect s膬n膬toas膬, 葯i a葯teapt膬 s膬 moar膬 etc. C卯nd p膬rin葲ii se mut膬 la Sucre (c膬ci tat膬l lui M谩rquez e un farmacist homeopat mereu pe drumuri), copilul se 卯ntoarce, 卯n sf卯r葯it, acas膬. Urmeaz膬 葯coli (un colegiu iezuit din Barranquilla, Liceul Na葲ional din Zipaquira, nu departe de Bogot谩), dar n-are voca葲ie de elev silitor. Norocul lui e prietenia cu Martina Fonseca, 鈥瀘 alb膬 turnat膬 卯ntr-un tipar de mulatr膬鈥� (p.213). Printre altele, aceasta 卯l mediteaz膬 葯i-i divulg膬 secretul premian葲ilor: cel mai bine e s膬 fii foarte atent la lec葲ii; dac膬 e葯ti atent, 葲ii minte aproape totul. 脦n consecin葲a acestui sfat pre葲ios, Gabriel Garc铆a M谩rquez va termina liceul ca 葯ef de promo葲ie, de葯i recunoa葯te cu franche葲e c膬 nu a fost cel mai bun dintre elevi.
E pasionat de muzic膬 葯i de poezie. La serb膬rile 葯colare, poate recita f膬r膬 gre葯 poeme interminabile 卯n uimirea auditoriului. Simte c膬 voca葲ia lui e aceea de scriitor. Se va 卯nscrie la Facultatea de Drept, dar nu o va absolvi niciodat膬. Cite葯te enorm (lista autorilor studia葲i e consistent膬) 葯i 卯ncearc膬 s膬 afle de unul singur tehnicile narative. M膬rturise葯te: 鈥濵ulte dintre romanele pe care le citeam 葯i le admiram pe atunci m膬 interesau numai pentru 卯nv膬葲膬turile de natur膬 tehnic膬. Cu alte cuvinte pentru arhitectura lor secret膬鈥� (p.339). William Faulkner va r膬m卯ne 鈥瀋el mai fidel dintre demonii mei literari鈥� (p.15).
Unele pagini s卯nt de un umor nebun. 脦ntr-o zi, e prins de un so葲 卯n patul consoartei, pe nume Nigromanta, o femeie superb膬, cu 鈥瀠n profil abisinian鈥�. So葲ul era un fost sergent de poli葲ie: 鈥濧 pus revolverul pe mas膬, a desfundat o sticl膬 de rom de trestie de zah膬r, a a葯ezat-o l卯ng膬 revolver 葯i am stat am卯ndoi jos, fa葲膬 卯n fa葲膬, b卯nd f膬r膬 s膬 vorbim. Terminasem prima sticl膬, c卯nd se dezl膬n葲ui potopul. El desf膬cu atunci 卯nc膬 o sticl膬, 卯葯i sprijini 葲eava de t卯mpl膬 葯i m膬 privi 葲int膬 cu ni葯te ochi de ghea葲膬. Atunci ap膬s膬 pe tr膬gaci p卯n膬 la cap膬t, dar nu se auzi dec卯t un zgomot sec. Abia dac膬-葯i putea st膬p卯ni tremurul m卯inii, c卯nd 卯mi d膬du revolverul.
- E r卯ndul t膬u, 卯mi zise鈥� (pp.272-273).
M谩rquez ia pistolul 葯i-l prive葯te buimac pe adversar. Arma e 鈥瀏rea, fierbinte鈥�. Nu trage, 卯napoiaz膬 mecanic revolverul 葯i-葯i a葯teapt膬 resemnat sf卯r葯itul. Brusc, sergentul izbucne葯te 卯n hohote de pl卯ns. Apoi 卯i declar膬: 鈥炄榯ii de ce pleci de aici viu 葯i nev膬t膬mat? Pentru c膬 tat膬l t膬u a fost singurul care m-a putut lecui de o blenoragie nenorocit膬, de care nimeni nu m-a sc膬pat vreme de trei ani de zile鈥� (p.273). P膬c膬tosul n-a 葯tiut c膬, de fapt, 葲inuse 卯n m卯n膬 un pistol cu capse...
P卯n膬 una-alta, n-ar fi r膬u s膬 re葲inem acest panseu enigmatic: 鈥濧r trebui s膬 citim numai c膬r葲ile care ne oblig膬 s膬 le recitim鈥� (p.175). Din p膬cate, acest fapt mirabil nu e cu putin葲膬.
C卯nd 卯n acest 鈥瀖emoriu鈥� 卯葯i face apari葲ia Fidel Castro, viitorul 鈥瀙atriarh al Cubei鈥�, a c膬rui toamn膬 o va descrie 卯n romanul lui cel mai bun, interesul meu se sub葲iaz膬 brusc. Gabriel Garc铆a M谩rquez se define葯te ca un 鈥瀋omunist ne卯ncrez膬tor鈥� (p.136). Cu timpul, din p膬cate, va 卯ncepe s膬 cread膬...
P. S. Notez aceast膬 precizare a prozatorului: Macondo 鈥瀍 numele unui arbore tropical, care nu are nici flori, nici fructe, cu lemnul moale, folosit pentru f膬cut luntre 葯i vase de buc膬t膬rie鈥� (p.31).
January 29, 2022
鬲賲賳賷鬲 賱賵 兀賳賳賷 賯乇兀鬲 丕賱賰鬲丕亘 亘鬲乇噩賲丞 氐丕賱丨 毓賱賲丕賳賷.
October 14, 2020
Vivir para contarla = Living to Tell the Tale, Gabriel Garc铆颅a M谩rquez
Living to Tell the Tale is the first volume of the autobiography of Gabriel Garc铆a M谩rquez. The book was originally published in Spanish in 2002, with an English translation by Edith Grossman published in 2003.
Living to Tell the Tale tells the story of Garc铆a M谩rquez' life from 1927 through 1950, ending with his proposal to his wife.
It focuses heavily on Garc铆a M谩rquez' family, schooling, and early career as a journalist and short story writer, and includes references to numerous real-life events that ended up in his novels in one form or another, including the Banana massacre that appears prominently in One Hundred Years of Solitude and the friend of his whose life and death were the model for Chronicle of a Death Foretold.
毓賳賵丕賳賴丕: 芦夭賳丿賴 丕賲 讴賴 乇賵丕蹖鬲 讴賳賲禄貨 芦夭蹖爻鬲賳 亘乇丕蹖 亘丕夭诏賮鬲賳禄貨 賳賵蹖爻賳丿賴: 诏丕亘乇蹖賱 诏丕乇爻蹖丕 賲丕乇讴夭貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 亘蹖爻鬲 賵 爻賵賲 賲丕賴 丌賵乇蹖賱 爻丕賱 2004賲蹖賱丕丿蹖
毓賳賵丕賳: 夭賳丿賴 丕賲 讴賴 乇賵丕蹖鬲 讴賳賲貨 賳賵蹖爻賳丿賴: 诏丕亘乇蹖賱 诏丕乇爻蹖丕 賲丕乇讴夭貨 賲鬲乇噩賲: 讴丕賵賴 賲蹖乇毓亘丕爻蹖貨 賲卮禺氐丕鬲 賳卮乇 鬲賴乇丕賳貙 賳卮乇 賳蹖貙 1383貙 丿乇 694氐貙 卮丕亘讴 趩丕倬 賴賮鬲賲 9789643127257貨 賲賵囟賵毓 爻乇诏匕卮鬲賳丕賲賴 賳賵蹖爻賳丿诏丕賳 讴賱賲亘蹖丕卅蹖 (夭賳丿诏蹖 诏丕亘乇蹖賱 诏丕乇爻蹖丕 賲丕乇讴夭 丕夭 爻丕賱 1927賲蹖賱丕丿蹖貙 鬲丕 爻丕賱 1950賲蹖賱丕丿蹖) - 爻丿賴 20賲
毓賳賵丕賳: 夭蹖爻鬲賳 亘乇丕蹖 亘丕夭诏賮鬲賳貨 賳賵蹖爻賳丿賴: 诏丕亘乇蹖賱 诏丕乇爻蹖丕 賲丕乇讴夭貨 賲鬲乇噩賲: 賳丕夭賳蹖賳 賳賵匕乇蹖貨 賲卮禺氐丕鬲 賳卮乇 鬲賴乇丕賳貙 讴丕乇賵丕賳貙 1382貙 丿乇 570 氐貙 卮丕亘讴 賳卮乇 賯胤乇賴 丿乇 爻丕賱 1393貨 9786001192050貨
夭賳丿賴 丕賲 讴賴 乇賵丕蹖鬲 讴賳賲 (夭蹖爻鬲賳 亘乇丕蹖 亘丕夭诏賮鬲賳)貙 丿丕爻鬲丕賳 夭賳丿诏蹖 芦诏丕亘乇蹖賱 诏丕乇爻蹖丕 賲丕乇讴夭禄 乇丕貙 丕夭 爻丕賱 1927賲蹖賱丕丿蹖貙 鬲丕 爻丕賱 1950賲蹖賱丕丿蹖 丿乇 亘乇 賲蹖诏蹖乇丿貨 讴鬲丕亘 亘乇 禺丕賳賵丕丿賴貙 鬲丨氐蹖賱丕鬲貙 賵 讴丕乇賴丕蹖 賳禺爻鬲蹖賳 丕蹖卮丕賳貙 亘賴 毓賳賵丕賳: 芦乇賵夭賳丕賲賴 賳诏丕乇禄貙 賵 芦賳賵蹖爻賳丿賴 丿丕爻鬲丕賳 讴賵鬲丕賴禄貙 賲鬲賲乇讴夭 卮丿賴 丕爻鬲貨 賵 賲丿丕賲 亘賴 賵丕賯毓蹖鬲賴丕蹖 夭賳丿诏蹖 乇賵夭賲乇賴 爻乇讴 賲蹖讴卮丿
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 22/07/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Living to Tell the Tale is the first volume of the autobiography of Gabriel Garc铆a M谩rquez. The book was originally published in Spanish in 2002, with an English translation by Edith Grossman published in 2003.
Living to Tell the Tale tells the story of Garc铆a M谩rquez' life from 1927 through 1950, ending with his proposal to his wife.
It focuses heavily on Garc铆a M谩rquez' family, schooling, and early career as a journalist and short story writer, and includes references to numerous real-life events that ended up in his novels in one form or another, including the Banana massacre that appears prominently in One Hundred Years of Solitude and the friend of his whose life and death were the model for Chronicle of a Death Foretold.
毓賳賵丕賳賴丕: 芦夭賳丿賴 丕賲 讴賴 乇賵丕蹖鬲 讴賳賲禄貨 芦夭蹖爻鬲賳 亘乇丕蹖 亘丕夭诏賮鬲賳禄貨 賳賵蹖爻賳丿賴: 诏丕亘乇蹖賱 诏丕乇爻蹖丕 賲丕乇讴夭貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 亘蹖爻鬲 賵 爻賵賲 賲丕賴 丌賵乇蹖賱 爻丕賱 2004賲蹖賱丕丿蹖
毓賳賵丕賳: 夭賳丿賴 丕賲 讴賴 乇賵丕蹖鬲 讴賳賲貨 賳賵蹖爻賳丿賴: 诏丕亘乇蹖賱 诏丕乇爻蹖丕 賲丕乇讴夭貨 賲鬲乇噩賲: 讴丕賵賴 賲蹖乇毓亘丕爻蹖貨 賲卮禺氐丕鬲 賳卮乇 鬲賴乇丕賳貙 賳卮乇 賳蹖貙 1383貙 丿乇 694氐貙 卮丕亘讴 趩丕倬 賴賮鬲賲 9789643127257貨 賲賵囟賵毓 爻乇诏匕卮鬲賳丕賲賴 賳賵蹖爻賳丿诏丕賳 讴賱賲亘蹖丕卅蹖 (夭賳丿诏蹖 诏丕亘乇蹖賱 诏丕乇爻蹖丕 賲丕乇讴夭 丕夭 爻丕賱 1927賲蹖賱丕丿蹖貙 鬲丕 爻丕賱 1950賲蹖賱丕丿蹖) - 爻丿賴 20賲
毓賳賵丕賳: 夭蹖爻鬲賳 亘乇丕蹖 亘丕夭诏賮鬲賳貨 賳賵蹖爻賳丿賴: 诏丕亘乇蹖賱 诏丕乇爻蹖丕 賲丕乇讴夭貨 賲鬲乇噩賲: 賳丕夭賳蹖賳 賳賵匕乇蹖貨 賲卮禺氐丕鬲 賳卮乇 鬲賴乇丕賳貙 讴丕乇賵丕賳貙 1382貙 丿乇 570 氐貙 卮丕亘讴 賳卮乇 賯胤乇賴 丿乇 爻丕賱 1393貨 9786001192050貨
夭賳丿賴 丕賲 讴賴 乇賵丕蹖鬲 讴賳賲 (夭蹖爻鬲賳 亘乇丕蹖 亘丕夭诏賮鬲賳)貙 丿丕爻鬲丕賳 夭賳丿诏蹖 芦诏丕亘乇蹖賱 诏丕乇爻蹖丕 賲丕乇讴夭禄 乇丕貙 丕夭 爻丕賱 1927賲蹖賱丕丿蹖貙 鬲丕 爻丕賱 1950賲蹖賱丕丿蹖 丿乇 亘乇 賲蹖诏蹖乇丿貨 讴鬲丕亘 亘乇 禺丕賳賵丕丿賴貙 鬲丨氐蹖賱丕鬲貙 賵 讴丕乇賴丕蹖 賳禺爻鬲蹖賳 丕蹖卮丕賳貙 亘賴 毓賳賵丕賳: 芦乇賵夭賳丕賲賴 賳诏丕乇禄貙 賵 芦賳賵蹖爻賳丿賴 丿丕爻鬲丕賳 讴賵鬲丕賴禄貙 賲鬲賲乇讴夭 卮丿賴 丕爻鬲貨 賵 賲丿丕賲 亘賴 賵丕賯毓蹖鬲賴丕蹖 夭賳丿诏蹖 乇賵夭賲乇賴 爻乇讴 賲蹖讴卮丿
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 22/07/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
March 6, 2021
賷賮鬲丨 賲丕乇賰賷夭 氐賳丿賵賯 丕賱匕賰乇賷丕鬲 賵賷丨賰賷 亘丕賱鬲賮丕氐賷賱 毓賳 丨賷丕鬲賴
鬲亘丿兀 乇丨賱丞 丕賱匕賰乇賷丕鬲 亘爻賮乇賴 賲毓 賵丕賱丿鬲賴, 賵兀孬賳丕亍 丕賱爻賮乇 賷禺亘乇賴丕 兀賳賴 賱賳 賷賰賲賱 丿乇丕爻丞 丕賱丨賯賵賯 賵賱賳 賷賰賵賳 兀賷 卮賷亍 丌禺乇 睾賷乇 賰丕鬲亘
賷丨賰賷 毓賳 丨賷丕鬲賴 丕賱睾賳賷丞 亘丕賱鬲噩丕乇亘 賵丕賱賲卮丕賴丿丕鬲 賵丕賱賳丕爻 賵丕賱毓賱丕賯丕鬲, 賵丕賱賮賯乇 丕賱匕賷 馗賱 賲賱丕夭賲丕 賱賴 賮鬲乇丞 胤賵賷賱丞
兀賵賱 賯氐丞 賯氐賷乇丞 賳購卮乇鬲 賱賴 賮賷 丕賱賲賱丨賯 丕賱兀丿亘賷 賱噩乇賷丿丞 丕賱丕爻亘賰鬲丕鬲賵乇, 賵賱賲 賷噩丿 禺賲爻丞 爻賳鬲丕鬲 賱卮乇丕亍 丕賱噩乇賷丿丞
賷毓乇囟 兀賷囟丕 鬲丕乇賷禺 亘賱丿賴 賰賵賱賵賲亘賷丕 賵賰賱 丕賱兀丨丿丕孬 丕賱爻賷丕爻賷丞 丕賱鬲賷 賲乇鬲 亘賴
毓丕卮 丨賷丕鬲賴 賰賲丕 賷乇睾亘 賵亘丿賵賳 鬲禺胤賷胤, 鬲丨賰賲賴 乇睾亘丞 賵丕丨丿丞 賴賷 卮睾賮賴 亘丕賱賰鬲丕亘丞
廿丿賲丕賳 賱賱賯乇丕亍丞 賵丕賱鬲丿禺賷賳, 賵爻賴乇 賮賷 丕賱賲賯丕賴賷 丕賱鬲賷 賰丕賳鬲 鬲購毓鬲亘乇 賲乇丕賰夭 孬賯丕賮賷丞 賵爻賷丕爻賷丞, 賵廿賮賱丕爻 丿丕卅賲 廿賱賶 兀賳 丕賳鬲馗賲 賮賷 丕賱毓賲賱 丕賱氐丨賮賷 賵賰鬲丕亘丞 丕賱賲賯丕賱丕鬲.
毓賳丿賴 賯丿乇丞 毓噩賷亘丞 毓賱賶 賵氐賮 兀丿賯 丕賱鬲賮丕氐賷賱 乇睾賲 賰鬲丕亘鬲賴 賱賴匕賴 丕賱爻賷乇丞 賵賴賵 賮賷 丕賱禺丕賲爻丞 賵丕賱爻亘毓賷賳 賲賳 毓賲乇賴
賰鬲丕亘 胤賵賷賱 賱賰賳賴 賲賲鬲毓, 賵丕賱鬲乇噩賲丞 乇丕卅毓丞
鬲亘丿兀 乇丨賱丞 丕賱匕賰乇賷丕鬲 亘爻賮乇賴 賲毓 賵丕賱丿鬲賴, 賵兀孬賳丕亍 丕賱爻賮乇 賷禺亘乇賴丕 兀賳賴 賱賳 賷賰賲賱 丿乇丕爻丞 丕賱丨賯賵賯 賵賱賳 賷賰賵賳 兀賷 卮賷亍 丌禺乇 睾賷乇 賰丕鬲亘
賷丨賰賷 毓賳 丨賷丕鬲賴 丕賱睾賳賷丞 亘丕賱鬲噩丕乇亘 賵丕賱賲卮丕賴丿丕鬲 賵丕賱賳丕爻 賵丕賱毓賱丕賯丕鬲, 賵丕賱賮賯乇 丕賱匕賷 馗賱 賲賱丕夭賲丕 賱賴 賮鬲乇丞 胤賵賷賱丞
兀賵賱 賯氐丞 賯氐賷乇丞 賳購卮乇鬲 賱賴 賮賷 丕賱賲賱丨賯 丕賱兀丿亘賷 賱噩乇賷丿丞 丕賱丕爻亘賰鬲丕鬲賵乇, 賵賱賲 賷噩丿 禺賲爻丞 爻賳鬲丕鬲 賱卮乇丕亍 丕賱噩乇賷丿丞
賷毓乇囟 兀賷囟丕 鬲丕乇賷禺 亘賱丿賴 賰賵賱賵賲亘賷丕 賵賰賱 丕賱兀丨丿丕孬 丕賱爻賷丕爻賷丞 丕賱鬲賷 賲乇鬲 亘賴
毓丕卮 丨賷丕鬲賴 賰賲丕 賷乇睾亘 賵亘丿賵賳 鬲禺胤賷胤, 鬲丨賰賲賴 乇睾亘丞 賵丕丨丿丞 賴賷 卮睾賮賴 亘丕賱賰鬲丕亘丞
廿丿賲丕賳 賱賱賯乇丕亍丞 賵丕賱鬲丿禺賷賳, 賵爻賴乇 賮賷 丕賱賲賯丕賴賷 丕賱鬲賷 賰丕賳鬲 鬲購毓鬲亘乇 賲乇丕賰夭 孬賯丕賮賷丞 賵爻賷丕爻賷丞, 賵廿賮賱丕爻 丿丕卅賲 廿賱賶 兀賳 丕賳鬲馗賲 賮賷 丕賱毓賲賱 丕賱氐丨賮賷 賵賰鬲丕亘丞 丕賱賲賯丕賱丕鬲.
毓賳丿賴 賯丿乇丞 毓噩賷亘丞 毓賱賶 賵氐賮 兀丿賯 丕賱鬲賮丕氐賷賱 乇睾賲 賰鬲丕亘鬲賴 賱賴匕賴 丕賱爻賷乇丞 賵賴賵 賮賷 丕賱禺丕賲爻丞 賵丕賱爻亘毓賷賳 賲賳 毓賲乇賴
賰鬲丕亘 胤賵賷賱 賱賰賳賴 賲賲鬲毓, 賵丕賱鬲乇噩賲丞 乇丕卅毓丞
April 13, 2016
賴賶 丕賱爻賷乇丞 丕賱匕丕鬲賷丞 賰賲丕 賷噩亘 丕賳 鬲乇賵賶 ..
賲丕乇賰賷夭 賮賶 賰賱 賲乇丞 賷孬亘鬲賱賶 兀賳賴 賰丕鬲亘 賲賳 胤乇丕夭 丌禺乇
賰丕鬲亘 賷毓鬲賲丿 毓賱賶 禺亘乇丕鬲賴 丕賱卮禺氐賷丞 賵禺賷丕賱賴 賱賷禺乇噩 賱賳丕 丕毓賲丕賱賴 丕賱賲亘賴乇丞
賴賶 丕賱賲乇丞 丕賱丕賵賱賶 丕賱鬲賶 丕賰鬲卮賮 賮賷賴丕 丕賳 賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞 乇賵丕賷丞 賵丕賯毓賷丞 賮賶 丕賱賰孬賷乇 賲賳 兀丨丿丕孬賴丕 賵丕賳 夭丕丿賴丕 噩賲丕賱丕賸 亘毓丿 丕賱丕賵氐丕賮 賵丕賱賵丕賯賮 丕賱鬲禺賷賱賷丞
兀亘毓丿 丕賱丕卮賷丕亍 丕賱鬲賶 賱丕 鬲鬲賵賯毓 丕賳賴丕 丨賯賷賯賷丞 賲孬賱 丕賱賮鬲丕賴 丕賱鬲賶 鬲兀賰賱 鬲乇丕亘
爻鬲賰鬲卮賮 賴賳丕 賲毓丕賳丕丞 賲丕乇賰賷夭 賱賱賵氐賵賱 丕賱賶 賲丕 賵氐賱 丕賱賷賴 賵丕賱卮賯丕亍 丕賱匕賶 毓丕卮賴 氐睾賷乇丕賸
爻鬲乇賶 丕賱噩丕賳亘 丕賱丕賳爻丕賳賶 賲賳賴 賵丨賷丕鬲賴 丕賱氐丨賮賷丞 賵丕賱賰孬賷乇 賵丕賱賰孬賷乇 賲賳 丕賱丕丨丿丕孬 賮賶 丨賷丕丞 賲丕乇賰賷夭
賱賰賳 賱賰賶 鬲爻鬲賲鬲毓 亘賴 賱丕 鬲賯乇兀 兀賰孬乇 賲賳 禺賲爻賷賳 氐賮丨丞 賮賶 丕賱噩賱爻丞 丕賱賵丕丨丿丞 丨鬲賶 賱丕 鬲賲賱 賲賳賴
賴匕丕 丕賱賰鬲丕亘 夭丕丿賳賶 丨亘丕賸 賮賶 賲丕乇賰賷夭
賵廿賳 賱賲 賷賰賳 賴賵 丕賱丕賮囟賱 .. 賮賴賵 丕賱賲賮囟賱 亘丕賱賳爻亘丞 丕賱賶
賲丕乇賰賷夭 賮賶 賰賱 賲乇丞 賷孬亘鬲賱賶 兀賳賴 賰丕鬲亘 賲賳 胤乇丕夭 丌禺乇
賰丕鬲亘 賷毓鬲賲丿 毓賱賶 禺亘乇丕鬲賴 丕賱卮禺氐賷丞 賵禺賷丕賱賴 賱賷禺乇噩 賱賳丕 丕毓賲丕賱賴 丕賱賲亘賴乇丞
賴賶 丕賱賲乇丞 丕賱丕賵賱賶 丕賱鬲賶 丕賰鬲卮賮 賮賷賴丕 丕賳 賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞 乇賵丕賷丞 賵丕賯毓賷丞 賮賶 丕賱賰孬賷乇 賲賳 兀丨丿丕孬賴丕 賵丕賳 夭丕丿賴丕 噩賲丕賱丕賸 亘毓丿 丕賱丕賵氐丕賮 賵丕賱賵丕賯賮 丕賱鬲禺賷賱賷丞
兀亘毓丿 丕賱丕卮賷丕亍 丕賱鬲賶 賱丕 鬲鬲賵賯毓 丕賳賴丕 丨賯賷賯賷丞 賲孬賱 丕賱賮鬲丕賴 丕賱鬲賶 鬲兀賰賱 鬲乇丕亘
爻鬲賰鬲卮賮 賴賳丕 賲毓丕賳丕丞 賲丕乇賰賷夭 賱賱賵氐賵賱 丕賱賶 賲丕 賵氐賱 丕賱賷賴 賵丕賱卮賯丕亍 丕賱匕賶 毓丕卮賴 氐睾賷乇丕賸
爻鬲乇賶 丕賱噩丕賳亘 丕賱丕賳爻丕賳賶 賲賳賴 賵丨賷丕鬲賴 丕賱氐丨賮賷丞 賵丕賱賰孬賷乇 賵丕賱賰孬賷乇 賲賳 丕賱丕丨丿丕孬 賮賶 丨賷丕丞 賲丕乇賰賷夭
賱賰賳 賱賰賶 鬲爻鬲賲鬲毓 亘賴 賱丕 鬲賯乇兀 兀賰孬乇 賲賳 禺賲爻賷賳 氐賮丨丞 賮賶 丕賱噩賱爻丞 丕賱賵丕丨丿丞 丨鬲賶 賱丕 鬲賲賱 賲賳賴
賴匕丕 丕賱賰鬲丕亘 夭丕丿賳賶 丨亘丕賸 賮賶 賲丕乇賰賷夭
賵廿賳 賱賲 賷賰賳 賴賵 丕賱丕賮囟賱 .. 賮賴賵 丕賱賲賮囟賱 亘丕賱賳爻亘丞 丕賱賶
May 25, 2014
The 6th book by Gabriel Garcia Marquez (1927-2014) that I've read. This is supposedly the first volume of this 3-part autobiography. I chose this over his other novels or novella in my to-be-read folder because he just recently died and so I thought I would like to know more about him by reading his autobiography.
I am not sure if there is still the second or the third part of this autobiography. This book, published in 2002, was the last published non-fiction of him. For fiction, it was the novella (3 stars) which was published in 2004. Now that G. G. Marquez is dead, I have a feeling that his estate will published his works and there could be some manuscripts for the parts 2 and 3 of this autobiography especially because he contacted dementia only in 2012, ten years after the publication of this book.
I am not really bewildered by this book. Reading this is nice if you've read some of his books particularly (5 stars) because it would make you understand some of the actual events mentioned in the book like the Banana Massacre (Columbia, 1928) that caused the death of many banana plantation workers. You would also have a feeling that some of the characters in One Hundred are based on G. G. Marquez's family particularly his mother and her parents (G. G. Marquez's grandparents). That maternal side of his are really fascinating and the superstitions beliefs during that time are similar to the magical realism that seems to be the legacy-contribution of G. G. Marquez in World Literature.
My favorite part of this autobiography is the young G. G. Marquez's attitude that he wanted to become a writer more than anything else in this world. His father wanted him to become a lawyer or a doctor but G. G. Marquez's was steadfast in what he wanted in life and so when he was 25 he boldly declared to everyone that he would become a writer. Similar to the current situation in the Philippines, writing (especially fiction) is not a money-making profession. There are very few exceptions but if you want to get rich, don't take journalism as a college degree unless you want to become a politician someday or you want to die young because the Philippines is one of the countries with high death mortality for journalists. Likewise for creative writing or literature graduates, since most Filipinos do not read books or if they do, they read foreign-authored books, then being a local writer is not a lucrative profession.
With exactly the same situation in Columbia during the 1940's the young G. G. Marquez went against the wishes of his parents and pursued his ambition of become a writer. Look at what he achieved: he put Latin American in the world's literary map. The world practically wept when he died on April 17, 2014. It was Maundy Thursday when I heard about it and the the gloom of remembering the passion and crucifixion of the Lord Jesus Christ was doubled by the sad news of G. G. Marquez's passing.
We will miss you, G. G. Marquez. God speed and say our regards to Jose Saramago!
Please continue, if you can, writing novels in heaven.
I am not sure if there is still the second or the third part of this autobiography. This book, published in 2002, was the last published non-fiction of him. For fiction, it was the novella (3 stars) which was published in 2004. Now that G. G. Marquez is dead, I have a feeling that his estate will published his works and there could be some manuscripts for the parts 2 and 3 of this autobiography especially because he contacted dementia only in 2012, ten years after the publication of this book.
I am not really bewildered by this book. Reading this is nice if you've read some of his books particularly (5 stars) because it would make you understand some of the actual events mentioned in the book like the Banana Massacre (Columbia, 1928) that caused the death of many banana plantation workers. You would also have a feeling that some of the characters in One Hundred are based on G. G. Marquez's family particularly his mother and her parents (G. G. Marquez's grandparents). That maternal side of his are really fascinating and the superstitions beliefs during that time are similar to the magical realism that seems to be the legacy-contribution of G. G. Marquez in World Literature.
My favorite part of this autobiography is the young G. G. Marquez's attitude that he wanted to become a writer more than anything else in this world. His father wanted him to become a lawyer or a doctor but G. G. Marquez's was steadfast in what he wanted in life and so when he was 25 he boldly declared to everyone that he would become a writer. Similar to the current situation in the Philippines, writing (especially fiction) is not a money-making profession. There are very few exceptions but if you want to get rich, don't take journalism as a college degree unless you want to become a politician someday or you want to die young because the Philippines is one of the countries with high death mortality for journalists. Likewise for creative writing or literature graduates, since most Filipinos do not read books or if they do, they read foreign-authored books, then being a local writer is not a lucrative profession.
With exactly the same situation in Columbia during the 1940's the young G. G. Marquez went against the wishes of his parents and pursued his ambition of become a writer. Look at what he achieved: he put Latin American in the world's literary map. The world practically wept when he died on April 17, 2014. It was Maundy Thursday when I heard about it and the the gloom of remembering the passion and crucifixion of the Lord Jesus Christ was doubled by the sad news of G. G. Marquez's passing.
We will miss you, G. G. Marquez. God speed and say our regards to Jose Saramago!
Please continue, if you can, writing novels in heaven.
May 3, 2014
this has been, without a doubt, the best autobiography that i have ever read. not only that it offers you an endless amount of details about Marquez himself and the influences that made him become a writer, it is also a fine analysis of the political and economical situation of the XXth century Columbia. Alternating between these two very interesting topics, Marquez makes the writer feel what he felt and see what he saw when he was younger.
his life, like most lives of the biggest writers of our world, has been a roller coaster of emotion, putting him through all sorts of situations and giving him the experience of poverty, pain, loneliness and most importantly for a writer, the experience of vision, of dream. i once saw in an interview that he said : "from the moment i was born, i knew i wanted to be a writer". you can clearly see here how early and abnormally his passion for the written word started and how obsessed he became with the mystery of stories.
the autobiography is written in a very objective manner, and there's a very good reason for that. scattered throughout you can find things that different writers or friends of Marquez said to him, about him. in general, these things imply that he is a phenomenal writer, that his future is set to be bright, a prognosis of an influencial literary life and the conclusion that, no matter how tough things might be for him now (in his twenties), his talent can only be explained by a lucky star that nobody can interfere with, all these told to him before he turned 25 years old. no matter how he ended up changing the cultural face of the XXth century, any young man can be easily influenced by these kinds of premature certainties. i'm sure that Marquez himself found solace in those predictions when times were tough, but his constant work and dedication become that much more worthy of praise. years later, when he wrote this biography, he simply had to be objective. anything more than a simple reminder of those lines would have looked too much like infatuation, ruining an otherwise coldly-written tale.
i feel so sorry that it stopped when he was barely thirty, and now we'll probably never have the next parts of Marquez's story written by himself.
and on top of all that is amazing in this book, there's one more thing that makes this a master's work - it doesn't feel like just a biography. its texture is transcending factual matters and revolves around a world that seems almost as mystical as the one who wrote about it. in that sense, if not in others, this is not just a biography.
i sometimes wonder how it feels to be respected and loved by such an extraordinary man as Marquez was. to be a part of his autobiography is to be a part of this world's greatest literature. the men and women who influenced him might never know how they shaped our world's literary boundaries. only we, the ones who read, will ever be in debt to them.
his life, like most lives of the biggest writers of our world, has been a roller coaster of emotion, putting him through all sorts of situations and giving him the experience of poverty, pain, loneliness and most importantly for a writer, the experience of vision, of dream. i once saw in an interview that he said : "from the moment i was born, i knew i wanted to be a writer". you can clearly see here how early and abnormally his passion for the written word started and how obsessed he became with the mystery of stories.
the autobiography is written in a very objective manner, and there's a very good reason for that. scattered throughout you can find things that different writers or friends of Marquez said to him, about him. in general, these things imply that he is a phenomenal writer, that his future is set to be bright, a prognosis of an influencial literary life and the conclusion that, no matter how tough things might be for him now (in his twenties), his talent can only be explained by a lucky star that nobody can interfere with, all these told to him before he turned 25 years old. no matter how he ended up changing the cultural face of the XXth century, any young man can be easily influenced by these kinds of premature certainties. i'm sure that Marquez himself found solace in those predictions when times were tough, but his constant work and dedication become that much more worthy of praise. years later, when he wrote this biography, he simply had to be objective. anything more than a simple reminder of those lines would have looked too much like infatuation, ruining an otherwise coldly-written tale.
i feel so sorry that it stopped when he was barely thirty, and now we'll probably never have the next parts of Marquez's story written by himself.
and on top of all that is amazing in this book, there's one more thing that makes this a master's work - it doesn't feel like just a biography. its texture is transcending factual matters and revolves around a world that seems almost as mystical as the one who wrote about it. in that sense, if not in others, this is not just a biography.
i sometimes wonder how it feels to be respected and loved by such an extraordinary man as Marquez was. to be a part of his autobiography is to be a part of this world's greatest literature. the men and women who influenced him might never know how they shaped our world's literary boundaries. only we, the ones who read, will ever be in debt to them.
June 10, 2011
亘賵丨賹 毓賱賶 亘賵丨.. 賴賷 爻賷乇丞 賲丕乇賰賷夭 丕賱匕丕鬲賷丞.
賲丕乇賰賷夭 丕賱賲賮鬲賵賳 亘爻丨乇 丕賱丨賰丕賷丞貙 賷賯乇乇 兀禺賷乇丕賸 兀賳 賷禺賱毓 毓賳賴 賲毓胤賮 丕賱乇賵丕卅賷 賵賷丨賰賷 賱賳丕 毓賳 賲丕乇賰賷夭 丕賱廿賳爻丕賳貙 賮賷 賲囟賲賵賲丞 賯賵賷丞 賲賳 亘乇丕毓丞 丕賱丨賰賷 -賲丕 賱賲 賷賯丿乇 毓賱賶 丕賱禺賱丕氐 賲賳賴 兀亘丿丕賸- 賲賲夭賵噩丞 亘賮賳 丕賱丕爻鬲賯胤丕亘貙 丕賳賮賱鬲鬲 賮賷 鬲丿丕毓賷賴丕 丕賱丨乇 賲丿賮賵毓丞 亘氐乇丕丨丞 賵氐丿賯 氐丕丿賲賷賳貙 賵賱睾丞 兀丿亘賷丞 丕毓鬲乇丕賮賷丞 丕賱賳夭毓丞.
丨賯賷賯丞賸 賲丕 夭賱鬲 賱丕 兀氐丿賯 賰賷賮 鬲賯丿乇 卮禺氐賷丞 毓丕賲丞 賵匕丕鬲 孬賯賱 -兀賷丕賸 賰丕賳鬲- 毓賱賶 賰鬲丕亘丞 爻賷乇丞 匕丕鬲賷丞 賰丕卮賮丞 賵乇亘賲丕 賮丕囟丨丞 兀賷囟丕賸 賰賴匕賴.. 賱丕 賷毓賲丿賵賳 賮賷賴丕 賱賱鬲乇卮賷丨貙 賵賱丕 賱賲賯氐 乇賯丕亘丞 毓賱賶 毓丕賱賲賴賲 丕賱爻賮賱賷.
賯乇兀鬲 賲賳 賯亘賱 "賲丕匕丕 毓賱賲鬲賳賷 丕賱丨賷丕丞" 賱賭 噩賱丕賱 兀賲賷賳貙 賵 賯乇兀鬲 毓賱賶 毓噩賱 " 丕賱禺亘夭 丕賱丨丕賮賷" 賵 "丕賱卮胤丕乇" 賱賭 賲丨賲丿 卮賰乇賷
賵丕賱丌賳 賷兀鬲賷 賲丕乇賰賷夭..
賮賷 賰賱 賲乇丞 兀禺賵囟 賳賮爻 丕賱鬲噩乇亘丞: 丕賱匕賴賵賱 賵丕賱氐丿賲丞.. 孬賲 丕賱丕賮鬲鬲賳丕賳.
賲毓 賲丕乇賰賷夭.. 丕賱鬲噩乇亘丞 賰丕賳鬲 兀賱胤賮 亘毓囟 丕賱卮賷亍 毓賲丕 賴賵 賮賷 爻賷乇丞 卮賰乇賷 賲孬賱丕賸
賱賰賳 賴賳丕賰 丿丕卅賲丕 賳賮爻 丕賱爻丐丕賱: 賰賷賮 賵丕鬲鬲賴賲 丕賱噩乇兀丞責
賰賷賮 鬲噩乇兀賵丕 毓賱賶 賳亘卮 丕賱賲爻鬲賵乇 賲賳 兀爻賵丿 賵兀睾賲賯 賲丕 賮賷 胤賷丕鬲 丕賱賳賮爻 丕賱噩賵丕賳賷丞責
賯乇亘 丕賳鬲賴丕卅賷 賲賳 丕賱賰鬲丕亘貙 賵賯毓鬲 鬲丨鬲 賷丿賷 賲氐丕丿賮丞賸 賲賯丕賱丞 賮賷 毓丿丿 賯丿賷賲 賲賳 賲噩賱丞 "賵噩賴丕鬲 賳馗乇"貙 賰鬲亘賴丕 丕賱乇賵丕卅賷 禺賷乇賷 卮賱亘賷貙 賵賷丨賰賷 賮賷賴丕 毓賳 丕乇鬲亘丕胤賴 丕賱卮丿賷丿 亘賲丕乇賰賷夭貙 賵丕賱兀孬乇 丕賱匕賷 鬲乇賰鬲賴 兀毓賲丕賱賴 賮賷 毓丕賱賲 禺賷乇賷 卮賱亘賷 丕賱兀丿賷亘貙 賵丕賰鬲賲賱鬲 丕賱氐賵乇丞 亘賲丕 乇丌賴 賮賷 爻賷乇丞 賲丕乇賰賷夭 賲賳 鬲卮丕亘賴 賷賯鬲乇亘 賲賳 丨丿 丕賱鬲胤丕亘賯 亘毓丕賱賲 禺賷乇賷 卮賱亘賷 丕賱廿賳爻丕賳.
賷賯賵賱 禺賷乇賷 卮賱亘賷:
" 賱賯丿 賲乇鬲 亘賷 賱丨馗丕鬲貙 賵兀賳丕 賲爻鬲睾乇賯 賮賷 賯乇丕亍丞 丕賱爻賷乇丞 丕賱匕丕鬲賷丞 賱賲丕乇賰賷夭貙 卮毓乇鬲 禺賱丕賱賴丕 亘兀賳賳賷 毓孬乇鬲 毓賱賷 鬲賵兀賲 賱賷 毓賱賷 卮丕胤卅 丕賱賰丕乇賷亘賷貙 亘賱 卮毓乇鬲 亘兀賳賴 兀賯乇亘 賱賷 賲賳 賷賵爻賮 廿丿乇賷爻 賵賲賳 賰孬賷乇賷賳 賱丕 賷乇亘胤賳賷 亘賴賲 爻賵賷 賲噩賲賵毓丞 賲賳 賮乇囟賷丕鬲 丕噩鬲賲丕毓賷丞 孬賯丕賮賷丞 鬲丕乇賷禺賷丞 毓賯丕卅丿賷丞 毓乇賯賷丞貙 賲賴賲丕 鬲賵孬賯鬲 賳馗乇賷丕賸 賱丕 鬲賲賳毓 賯賷丕賲 丕賱毓丿賵丕賳 亘賷賳賴賲 賱兀鬲賮賴 丕賱兀爻亘丕亘.
廿賳 廿丿賲丕賳賳丕 賱亘爻 丕賱兀賯賳毓丞貙 賯丿 兀賰爻亘 丕賱兀賯賳毓丞 爻賲丕賰丞 賵賲鬲丕賳丞貙 賵禺乇賻賾亘 丿賵丕禺賱賳丕 鬲禺乇賷亘賸丕 賲乇賵毓賸丕.
賵賱兀賳賳丕 賯丿 兀氐亘丨賳丕 賲賲賳賵毓賷賳 賲賳 賲賵丕噩賴丞 丕賱賳賮爻 貙賵鬲毓乇賷囟賴丕 賱賱賴賵丕亍 丕賱賳賯賷 賵賱賱卮賲爻貙 賮廿賳 丿賵丕禺賱賳丕 爻鬲馗賱 乇賰丕賲賸丕 賲賳 丕賱毓丿賵丕賳 賱丕 賷氐賷亘 兀丨丿賸丕 爻賵丕賳丕. "
兀乇亘毓 賳噩賲丕鬲 賱賭 賲丕乇賰賷夭 賱兀賳賴 乇丕卅毓 賵賱兀賳賷 兀丨亘賴 :)
賲丕乇賰賷夭 丕賱賲賮鬲賵賳 亘爻丨乇 丕賱丨賰丕賷丞貙 賷賯乇乇 兀禺賷乇丕賸 兀賳 賷禺賱毓 毓賳賴 賲毓胤賮 丕賱乇賵丕卅賷 賵賷丨賰賷 賱賳丕 毓賳 賲丕乇賰賷夭 丕賱廿賳爻丕賳貙 賮賷 賲囟賲賵賲丞 賯賵賷丞 賲賳 亘乇丕毓丞 丕賱丨賰賷 -賲丕 賱賲 賷賯丿乇 毓賱賶 丕賱禺賱丕氐 賲賳賴 兀亘丿丕賸- 賲賲夭賵噩丞 亘賮賳 丕賱丕爻鬲賯胤丕亘貙 丕賳賮賱鬲鬲 賮賷 鬲丿丕毓賷賴丕 丕賱丨乇 賲丿賮賵毓丞 亘氐乇丕丨丞 賵氐丿賯 氐丕丿賲賷賳貙 賵賱睾丞 兀丿亘賷丞 丕毓鬲乇丕賮賷丞 丕賱賳夭毓丞.
丨賯賷賯丞賸 賲丕 夭賱鬲 賱丕 兀氐丿賯 賰賷賮 鬲賯丿乇 卮禺氐賷丞 毓丕賲丞 賵匕丕鬲 孬賯賱 -兀賷丕賸 賰丕賳鬲- 毓賱賶 賰鬲丕亘丞 爻賷乇丞 匕丕鬲賷丞 賰丕卮賮丞 賵乇亘賲丕 賮丕囟丨丞 兀賷囟丕賸 賰賴匕賴.. 賱丕 賷毓賲丿賵賳 賮賷賴丕 賱賱鬲乇卮賷丨貙 賵賱丕 賱賲賯氐 乇賯丕亘丞 毓賱賶 毓丕賱賲賴賲 丕賱爻賮賱賷.
賯乇兀鬲 賲賳 賯亘賱 "賲丕匕丕 毓賱賲鬲賳賷 丕賱丨賷丕丞" 賱賭 噩賱丕賱 兀賲賷賳貙 賵 賯乇兀鬲 毓賱賶 毓噩賱 " 丕賱禺亘夭 丕賱丨丕賮賷" 賵 "丕賱卮胤丕乇" 賱賭 賲丨賲丿 卮賰乇賷
賵丕賱丌賳 賷兀鬲賷 賲丕乇賰賷夭..
賮賷 賰賱 賲乇丞 兀禺賵囟 賳賮爻 丕賱鬲噩乇亘丞: 丕賱匕賴賵賱 賵丕賱氐丿賲丞.. 孬賲 丕賱丕賮鬲鬲賳丕賳.
賲毓 賲丕乇賰賷夭.. 丕賱鬲噩乇亘丞 賰丕賳鬲 兀賱胤賮 亘毓囟 丕賱卮賷亍 毓賲丕 賴賵 賮賷 爻賷乇丞 卮賰乇賷 賲孬賱丕賸
賱賰賳 賴賳丕賰 丿丕卅賲丕 賳賮爻 丕賱爻丐丕賱: 賰賷賮 賵丕鬲鬲賴賲 丕賱噩乇兀丞責
賰賷賮 鬲噩乇兀賵丕 毓賱賶 賳亘卮 丕賱賲爻鬲賵乇 賲賳 兀爻賵丿 賵兀睾賲賯 賲丕 賮賷 胤賷丕鬲 丕賱賳賮爻 丕賱噩賵丕賳賷丞責
賯乇亘 丕賳鬲賴丕卅賷 賲賳 丕賱賰鬲丕亘貙 賵賯毓鬲 鬲丨鬲 賷丿賷 賲氐丕丿賮丞賸 賲賯丕賱丞 賮賷 毓丿丿 賯丿賷賲 賲賳 賲噩賱丞 "賵噩賴丕鬲 賳馗乇"貙 賰鬲亘賴丕 丕賱乇賵丕卅賷 禺賷乇賷 卮賱亘賷貙 賵賷丨賰賷 賮賷賴丕 毓賳 丕乇鬲亘丕胤賴 丕賱卮丿賷丿 亘賲丕乇賰賷夭貙 賵丕賱兀孬乇 丕賱匕賷 鬲乇賰鬲賴 兀毓賲丕賱賴 賮賷 毓丕賱賲 禺賷乇賷 卮賱亘賷 丕賱兀丿賷亘貙 賵丕賰鬲賲賱鬲 丕賱氐賵乇丞 亘賲丕 乇丌賴 賮賷 爻賷乇丞 賲丕乇賰賷夭 賲賳 鬲卮丕亘賴 賷賯鬲乇亘 賲賳 丨丿 丕賱鬲胤丕亘賯 亘毓丕賱賲 禺賷乇賷 卮賱亘賷 丕賱廿賳爻丕賳.
賷賯賵賱 禺賷乇賷 卮賱亘賷:
" 賱賯丿 賲乇鬲 亘賷 賱丨馗丕鬲貙 賵兀賳丕 賲爻鬲睾乇賯 賮賷 賯乇丕亍丞 丕賱爻賷乇丞 丕賱匕丕鬲賷丞 賱賲丕乇賰賷夭貙 卮毓乇鬲 禺賱丕賱賴丕 亘兀賳賳賷 毓孬乇鬲 毓賱賷 鬲賵兀賲 賱賷 毓賱賷 卮丕胤卅 丕賱賰丕乇賷亘賷貙 亘賱 卮毓乇鬲 亘兀賳賴 兀賯乇亘 賱賷 賲賳 賷賵爻賮 廿丿乇賷爻 賵賲賳 賰孬賷乇賷賳 賱丕 賷乇亘胤賳賷 亘賴賲 爻賵賷 賲噩賲賵毓丞 賲賳 賮乇囟賷丕鬲 丕噩鬲賲丕毓賷丞 孬賯丕賮賷丞 鬲丕乇賷禺賷丞 毓賯丕卅丿賷丞 毓乇賯賷丞貙 賲賴賲丕 鬲賵孬賯鬲 賳馗乇賷丕賸 賱丕 鬲賲賳毓 賯賷丕賲 丕賱毓丿賵丕賳 亘賷賳賴賲 賱兀鬲賮賴 丕賱兀爻亘丕亘.
廿賳 廿丿賲丕賳賳丕 賱亘爻 丕賱兀賯賳毓丞貙 賯丿 兀賰爻亘 丕賱兀賯賳毓丞 爻賲丕賰丞 賵賲鬲丕賳丞貙 賵禺乇賻賾亘 丿賵丕禺賱賳丕 鬲禺乇賷亘賸丕 賲乇賵毓賸丕.
賵賱兀賳賳丕 賯丿 兀氐亘丨賳丕 賲賲賳賵毓賷賳 賲賳 賲賵丕噩賴丞 丕賱賳賮爻 貙賵鬲毓乇賷囟賴丕 賱賱賴賵丕亍 丕賱賳賯賷 賵賱賱卮賲爻貙 賮廿賳 丿賵丕禺賱賳丕 爻鬲馗賱 乇賰丕賲賸丕 賲賳 丕賱毓丿賵丕賳 賱丕 賷氐賷亘 兀丨丿賸丕 爻賵丕賳丕. "
兀乇亘毓 賳噩賲丕鬲 賱賭 賲丕乇賰賷夭 賱兀賳賴 乇丕卅毓 賵賱兀賳賷 兀丨亘賴 :)
June 26, 2015
賰鬲丕亘 "毓卮鬲購 賱兀乇賵賷" 賱賱乇賵丕卅賷 丕賱丨丕卅夭 毓賱賶 噩丕卅夭丞 賳賵亘賱 (睾丕亘乇賷賷賱 睾丕乇爻賷丕 賲丕乇賰賷夭) 賴賵 毓亘丕乇 毓賳 賲匕賰乇丕鬲賴...
賷賯毓 丕賱賰鬲丕亘 賮賷 丨賵丕賱賷 (侑贍贍) 氐賮丨丞. 賷購賲賰賳 丕賱賯賵賱 兀賳 兀賵賱 (伲贍贍) 氐賮丨丞 賯丿 鬲噩丿 賮賷賴丕 賮丕卅丿丞貨 賮賷 丨賷賳 兀賳 丕賱氐賮丨丕鬲 丕賱賲鬲亘賯賷丞 鬲賰丕丿 鬲賰賵賳 亘賱丕 胤丕卅賱. 賮賷 丕賱丨賯賷賯丞 鬲亘丿兀 賲匕賰乇丕鬲 丕賱賰丕鬲亘 賲賳 丕賱賱丨馗丞 丕賱鬲賷 夭丕乇鬲賴 兀賲賴 賯丕丿賲丞 賲賳 丕賱賯乇賷丞 廿賱賶 丕賱賲丿賷賳丞 丨賷孬 賷丿乇爻 丕賱丨賯賵賯 賵賴賵 賮賷 丕賱爻賳丞 丕賱孬丕賳賷丞 賱鬲胤賱亘 賲賳賴 賲爻丕毓丿鬲賴丕 賮賷 丕賱毓孬賵乇 毓賱賶 賲賳 賷卮鬲乇賷 亘賷鬲賴賲 丕賱賯丿賷賲. 賵亘兀爻賱賵亘 乇賵丕卅賷 賷亘丿兀 丕賱賰丕鬲亘 賮賷 爻乇丿 賲匕賰乇丕鬲賴 賲賳 鬲賱賰 丕賱賱丨馗丞 賵賷乇噩毓 廿賱賶 胤賮賵賱鬲賴 賵賷賯氐 賮賷賴丕 賰孬賷乇賸丕 賲賳 丕賱賲賵丕賯賮 孬賲 賷毓賵丿 廿賱賶 賳賯胤丞 丕賱丕乇鬲賰丕夭 賵賴賷 乇丨賱丞 亘賷毓 丕賱亘賷鬲貙 賵賮賷 丕賱胤乇賷賯 鬲亘丿兀 丨賵丕乇丕鬲賴 賲毓 兀賲賴 丕賱鬲賷 鬲噩丕丿賱賴 賮賷 兀賳 賷購賰賲賱 丿乇丕爻鬲賴 賱賱丨賯賵賯 賮賷 丨賷賳 賰丕賳 賯丿 毓夭賲 毓賱賶 兀賳 賷鬲乇賰 丿乇丕爻鬲賴 丕賱噩丕賲毓賷丞 賱賷毓賲賱 氐丨賮賷丕 賵賷鬲賮乇睾 賱丨賱賲賴 賮賷 兀賳 賷購氐亘丨 賰丕鬲亘賸丕.
丕賱賲夭毓噩 賮賷 賴匕賴 丕賱賲匕賰乇丕鬲 兀賳 丨賵丕賱賷 佶贍贍 氐賮丨丞 賮賷 丕賱賯爻賲 丕賱兀禺賷乇 賲賳賴丕 賱丕 鬲鬲丨丿孬 廿賱丕 毓賳 賲睾丕賲乇丕鬲賴 丕賱氐丨賮賷丞 丕賱鬲賷 賰乇賾爻鬲賴 亘賵氐賮賴 氐丨賮賷丕 賱丕 亘賵氐賮賴 賰丕鬲亘賸丕 毓丕賱贀賲賷丕 丕爻鬲胤丕毓 丕賱丨氐賵賱 毓賱賶 噩丕卅夭丞 賳賵亘賱貨 丕賱兀賲乇 丕賱丌禺乇 丕賱賲夭毓噩 兀賳 丕賱賲匕賰乇丕鬲 賱丕 鬲賰丕丿 賮賷 爻乇丿賴丕 鬲鬲噩丕賵夭 丕賱爻賳賵丕鬲 丕賱禺賲爻 賵丕賱毓卮乇賷賳 丕賱兀賵賱賶 賲賳 丨賷丕鬲賴 賲賲丕 賷購亘賯賷 丨賵丕賱賷 佶贍 爻賳丞賸 賲賳 毓賲乇賴 賲噩賴賵賱丞賸!!
賱賰賳 匕賱賰 賷賯賵賾賷 賱丿賷賾 賯賳丕毓丞 亘兀賳賴 鬲賵賮賷 賯亘賱 兀賳 賷購鬲賲賾 爻乇丿 賲匕賰乇丕鬲賴 賰賱賴丕.
賲賱丕丨馗丞 兀禺乇賶 兀賳 丕賱賰丕鬲亘 爻乇丿 賱賳丕 賵亘丕賱鬲賮氐賷賱 賯氐丞 賰鬲丕亘丕鬲賴 賱賱賲賯丕賱丕鬲 丕賱氐丨賮賷丞 丕賱鬲賷 毓購賳賷鬲 亘卮丐賵賳 丕賱賰賵丕乇孬 賵丕賱丨乇賵亘 丕賱兀賴賱賷丞 賵丕賱夭賱丕夭賱 賵賱賰賳賴 賱賲 賷賮毓賱 丕賱卮賷亍 匕丕鬲賴 賲毓 乇賵丕賷丕鬲賴 丕賱鬲賷 丨賯賯鬲賿 賱賴 卮賴乇鬲賴 丕賱毓丕賱贀賲賷丞貨 亘賱 廿賳賴 賱丕 賷賰丕丿 賷匕賰乇 卮賷卅賸丕 毓賳 (賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞) 賵賱丕 毓賳 (禺乇賷賮 丕賱亘胤乇賷乇賰) 賵賱丕 毓賳 爻賵丕賴賲丕貙 賲毓 丕賱丕丨鬲乇丕夭 賯賱賷賱丕賸 兀賳賴 鬲丨丿孬 賵賱賰賳 亘卮賰賱 卮丨賷丨 毓賳 (丕賱丨亘 賮賷 夭賲賳 丕賱賰賵賱賷乇丕).
亘賯賷 兀賳 兀賯賵賱: 鬲亘賯賶 賱賱賰丕鬲亘 賲賰丕賳鬲賴貨 賱賰賳賳賷 賱丕 兀賳氐丨 亘賯乇丕亍丞 爻賷乇鬲賴 丕賱匕丕鬲賷丞 賴匕賴 (毓卮鬲購 賱兀乇賵賷) 賱兀賳 賰孬賷乇賸丕 賲賳 丕賱賵賯鬲 丕賱賲亘匕賵賱 賮賷賴丕 乇亘賲丕 爻賷匕賴亘 亘賱丕 噩丿賵賶!!
賷賯毓 丕賱賰鬲丕亘 賮賷 丨賵丕賱賷 (侑贍贍) 氐賮丨丞. 賷購賲賰賳 丕賱賯賵賱 兀賳 兀賵賱 (伲贍贍) 氐賮丨丞 賯丿 鬲噩丿 賮賷賴丕 賮丕卅丿丞貨 賮賷 丨賷賳 兀賳 丕賱氐賮丨丕鬲 丕賱賲鬲亘賯賷丞 鬲賰丕丿 鬲賰賵賳 亘賱丕 胤丕卅賱. 賮賷 丕賱丨賯賷賯丞 鬲亘丿兀 賲匕賰乇丕鬲 丕賱賰丕鬲亘 賲賳 丕賱賱丨馗丞 丕賱鬲賷 夭丕乇鬲賴 兀賲賴 賯丕丿賲丞 賲賳 丕賱賯乇賷丞 廿賱賶 丕賱賲丿賷賳丞 丨賷孬 賷丿乇爻 丕賱丨賯賵賯 賵賴賵 賮賷 丕賱爻賳丞 丕賱孬丕賳賷丞 賱鬲胤賱亘 賲賳賴 賲爻丕毓丿鬲賴丕 賮賷 丕賱毓孬賵乇 毓賱賶 賲賳 賷卮鬲乇賷 亘賷鬲賴賲 丕賱賯丿賷賲. 賵亘兀爻賱賵亘 乇賵丕卅賷 賷亘丿兀 丕賱賰丕鬲亘 賮賷 爻乇丿 賲匕賰乇丕鬲賴 賲賳 鬲賱賰 丕賱賱丨馗丞 賵賷乇噩毓 廿賱賶 胤賮賵賱鬲賴 賵賷賯氐 賮賷賴丕 賰孬賷乇賸丕 賲賳 丕賱賲賵丕賯賮 孬賲 賷毓賵丿 廿賱賶 賳賯胤丞 丕賱丕乇鬲賰丕夭 賵賴賷 乇丨賱丞 亘賷毓 丕賱亘賷鬲貙 賵賮賷 丕賱胤乇賷賯 鬲亘丿兀 丨賵丕乇丕鬲賴 賲毓 兀賲賴 丕賱鬲賷 鬲噩丕丿賱賴 賮賷 兀賳 賷購賰賲賱 丿乇丕爻鬲賴 賱賱丨賯賵賯 賮賷 丨賷賳 賰丕賳 賯丿 毓夭賲 毓賱賶 兀賳 賷鬲乇賰 丿乇丕爻鬲賴 丕賱噩丕賲毓賷丞 賱賷毓賲賱 氐丨賮賷丕 賵賷鬲賮乇睾 賱丨賱賲賴 賮賷 兀賳 賷購氐亘丨 賰丕鬲亘賸丕.
丕賱賲夭毓噩 賮賷 賴匕賴 丕賱賲匕賰乇丕鬲 兀賳 丨賵丕賱賷 佶贍贍 氐賮丨丞 賮賷 丕賱賯爻賲 丕賱兀禺賷乇 賲賳賴丕 賱丕 鬲鬲丨丿孬 廿賱丕 毓賳 賲睾丕賲乇丕鬲賴 丕賱氐丨賮賷丞 丕賱鬲賷 賰乇賾爻鬲賴 亘賵氐賮賴 氐丨賮賷丕 賱丕 亘賵氐賮賴 賰丕鬲亘賸丕 毓丕賱贀賲賷丕 丕爻鬲胤丕毓 丕賱丨氐賵賱 毓賱賶 噩丕卅夭丞 賳賵亘賱貨 丕賱兀賲乇 丕賱丌禺乇 丕賱賲夭毓噩 兀賳 丕賱賲匕賰乇丕鬲 賱丕 鬲賰丕丿 賮賷 爻乇丿賴丕 鬲鬲噩丕賵夭 丕賱爻賳賵丕鬲 丕賱禺賲爻 賵丕賱毓卮乇賷賳 丕賱兀賵賱賶 賲賳 丨賷丕鬲賴 賲賲丕 賷購亘賯賷 丨賵丕賱賷 佶贍 爻賳丞賸 賲賳 毓賲乇賴 賲噩賴賵賱丞賸!!
賱賰賳 匕賱賰 賷賯賵賾賷 賱丿賷賾 賯賳丕毓丞 亘兀賳賴 鬲賵賮賷 賯亘賱 兀賳 賷購鬲賲賾 爻乇丿 賲匕賰乇丕鬲賴 賰賱賴丕.
賲賱丕丨馗丞 兀禺乇賶 兀賳 丕賱賰丕鬲亘 爻乇丿 賱賳丕 賵亘丕賱鬲賮氐賷賱 賯氐丞 賰鬲丕亘丕鬲賴 賱賱賲賯丕賱丕鬲 丕賱氐丨賮賷丞 丕賱鬲賷 毓購賳賷鬲 亘卮丐賵賳 丕賱賰賵丕乇孬 賵丕賱丨乇賵亘 丕賱兀賴賱賷丞 賵丕賱夭賱丕夭賱 賵賱賰賳賴 賱賲 賷賮毓賱 丕賱卮賷亍 匕丕鬲賴 賲毓 乇賵丕賷丕鬲賴 丕賱鬲賷 丨賯賯鬲賿 賱賴 卮賴乇鬲賴 丕賱毓丕賱贀賲賷丞貨 亘賱 廿賳賴 賱丕 賷賰丕丿 賷匕賰乇 卮賷卅賸丕 毓賳 (賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞) 賵賱丕 毓賳 (禺乇賷賮 丕賱亘胤乇賷乇賰) 賵賱丕 毓賳 爻賵丕賴賲丕貙 賲毓 丕賱丕丨鬲乇丕夭 賯賱賷賱丕賸 兀賳賴 鬲丨丿孬 賵賱賰賳 亘卮賰賱 卮丨賷丨 毓賳 (丕賱丨亘 賮賷 夭賲賳 丕賱賰賵賱賷乇丕).
亘賯賷 兀賳 兀賯賵賱: 鬲亘賯賶 賱賱賰丕鬲亘 賲賰丕賳鬲賴貨 賱賰賳賳賷 賱丕 兀賳氐丨 亘賯乇丕亍丞 爻賷乇鬲賴 丕賱匕丕鬲賷丞 賴匕賴 (毓卮鬲購 賱兀乇賵賷) 賱兀賳 賰孬賷乇賸丕 賲賳 丕賱賵賯鬲 丕賱賲亘匕賵賱 賮賷賴丕 乇亘賲丕 爻賷匕賴亘 亘賱丕 噩丿賵賶!!
May 6, 2020
螖蔚谓 蔚委谓伪喂 渭蠀蟽蟿喂魏蠈 蟺蠅蟼 未蔚 蟽蠀渭蟺伪胃蠋 魏伪胃蠈位慰蠀 蟿喂蟼 伪蠀蟿慰尾喂慰纬蟻伪蠁委蔚蟼. 螛蔚蠅蟻蠋 蠈蟿喂 慰喂 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰喂 蟺慰蠀 魏伪蟿伪蟺喂维谓慰谓蟿伪喂 渭蔚 蟿慰 蔚委未慰蟼 未蔚谓 苇蠂慰蠀谓 渭喂伪 蟿蠈蟽慰 蔚谓未喂伪蠁苇蟻慰蠀蟽伪 味蠅萎 谓伪 未喂畏纬畏胃慰蠉谓 魏喂 伪蠀蟿慰委 蟺慰蠀 苇蠂慰蠀谓, 蟽蠀谓萎胃蠅蟼 蟽蟿蔚蟻慰蠉谓蟿伪喂 蟿蠅谓 位慰纬慰蟿蔚蠂谓喂魏蠋谓 渭苇蟽蠅谓 纬喂伪 谓伪 蟿慰 魏维谓慰蠀谓 魏伪位维. 韦喂 伪蟺' 蟿伪 未蠉慰 蟽蠀渭尾伪委谓蔚喂 蔚未蠋; 螠维位位慰谓 魏维蟿喂 蔚谓未喂维渭蔚蟽慰, 渭蔚 蟿畏 纬蟻伪蠁萎 蟿慰蠀 Gabo 谓伪 蟺蔚蟻谓维蔚喂 蟽蔚 蟺蟻蠋蟿慰 蟺位维谓慰 魏伪喂 谓伪 蔚蟺喂蟽魏喂维味蔚喂 蟿伪 尾喂蠋渭伪蟿维 蟿慰蠀.
螤慰位位维 (蟺蔚蟻喂蟿蟿维) 慰谓蠈渭伪蟿伪, 蟺蔚蟻喂蟽蟿伪蟿喂魏维 伪蟺蠈 蟿畏谓 蟺伪喂未喂魏萎 蟿慰蠀 畏位喂魏委伪 蟺慰蠀 蠁伪谓蟿维味慰渭伪喂 蔚委谓伪喂 蟽畏渭伪谓蟿喂魏维 纬喂伪 蟿慰谓 委未喂慰 伪位位维 蟺慰蠀 蟺蟻慰蟽蠅蟺喂魏维 尾蟻萎魏伪 蠁位蠉伪蟻伪, 蟿伪 蠂蟻蠈谓喂伪 蟿慰蠀 蟽蟿畏 谓慰渭喂魏萎, 蟽蟿畏 未畏渭慰蟽喂慰纬蟻伪蠁委伪, 渭喂伪 蟺慰位喂蟿喂魏萎 味蠅萎 纬蔚渭维蟿畏 伪谓伪蟿蟻慰蟺苇蟼, 渭喂伪 味蠅萎 伪尾苇尾伪喂畏, 渭蟺慰苇渭, 未畏渭喂慰蠀蟻纬喂魏萎. 韦委蟺慰蟿伪 位喂纬蠈蟿蔚蟻慰 伪蟺' 蠈蟽慰 胃伪 蟺蔚蟻喂渭苇谓伪渭蔚, 未畏位伪未萎, 伪蟺蠈 苇谓伪谓 蠀蟺苇蟻慰蠂慰 蟿蠀蠂慰未喂蠋魏蟿畏.
螌渭蠅蟼 蟿慰 蔚委蠂伪 慰蟻伪渭伪蟿喂蟽蟿蔚委 伪位位喂蠋蟼. 螆蠂慰谓蟿伪蟼 未喂伪尾维蟽蔚喂 蟽蠂蔚未蠈谓 蟿慰 蟽蠉谓慰位慰 蟿慰蠀 苇蟻纬慰蠀 蟿慰蠀, 萎胃蔚位伪 蔚魏蟿蔚谓苇蟽蟿蔚蟻蔚蟼 伪谓伪蠁慰蟻苇蟼 蟽蟿伪 尾委尾位喂伪 蟿慰蠀 魏喂 蠈蠂喂 伪蟺位维 蟺蔚蟻维蟽渭伪蟿伪, 位喂纬蠈蟿蔚蟻蔚蟼 尉伪未苇蟻蠁蔚蟼, 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻蔚蟼 位蔚蟺蟿慰渭苇蟻蔚喂蔚蟼 纬喂伪 蟿畏 未慰位慰蠁慰谓委伪 蟿慰蠀 Jorge Eli茅cer Gait谩n 蟿畏蟼 慰蟺慰委伪蟼 蠀蟺萎蟻尉蔚 蟽蠂蔚未蠈谓 渭维蟻蟿蠀蟻伪蟼 魏伪喂 蟿畏 未蔚魏伪蔚蟿委伪 尾委伪蟼 蟺慰蠀 伪魏慰位慰蠉胃畏蟽蔚 (La Violencia), 位喂纬蠈蟿蔚蟻蔚蟼 蟺慰蠀蟿维谓蔚蟼, 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻蔚蟼 喂蟽蟿慰蟻委蔚蟼... 螝维蟿喂 伪谓蟿维尉喂慰, 蔚谓 慰位委纬慰喂蟼, 渭喂伪蟼 尾喂慰纬蟻伪蠁委伪蟼 蔚谓蠈蟼 蟽蠀纬纬蟻伪蠁苇伪 蟺慰蠀 蟺慰位蠉 苇蠂蠅 伪纬伪蟺萎蟽蔚喂.
"韦蠈蟽慰 维蟽蠂畏渭慰 萎蟿伪谓;" 未畏渭喂慰蠀蟻纬蔚委蟿伪喂 蔚蠉位慰纬伪 畏 伪蟺慰蟻委伪. 螝伪胃蠈位慰蠀. 螒位位维 慰喂 蟺蟻慰蟽未慰魏委蔚蟼 蠈蟿伪谓 未喂伪尾维味蔚喂蟼 蟿畏 味蠅萎 蔚谓蠈蟼 Gabriel Garc铆a M谩rquez 蔚委谓伪喂 蔚尉伪蟻蠂萎蟼 蟺慰位蠉 蠀蠄畏位苇蟼 蟺慰蠀 委蟽蠅蟼 未蔚谓 渭蟺慰蟻蔚委 谓伪 蟿喂蟼 喂魏伪谓慰蟺慰喂萎蟽蔚喂 慰蠉蟿蔚 慰 委未喂慰蟼.
螒蠀蟿蠈 蟺慰蠀 苇蠂蠅 谓伪 蔚尉伪委蟻蠅, 蠈渭蠅蟼, 魏伪喂 苇蟻蠂蔚蟿伪喂 谓伪 蟽蠀渭蟺位畏蟻蠋蟽蔚喂 蟿畏谓 蟺蟻蠋蟿畏 渭慰蠀 苇谓蟽蟿伪蟽畏 蠅蟼 蟺蟻慰蟼 蟿伪 memoirs 蔚委谓伪喂 蟿慰 蟺蠈蟽慰 未蔚谓 蟿慰谓 蔚谓未喂伪蠁苇蟻蔚喂 谓伪 渭伪蟼 伪蟺慰蟽蟺维蟽蔚喂 蟿畏 蟽蠀渭蟺维胃蔚喂伪 魏伪喂 蟺蠈蟽慰 位委纬畏 伪谓维纬魏畏 蠁伪委谓蔚蟿伪喂 谓伪 苇蠂蔚喂 谓伪 蟿慰蠀 蟺慰蠉渭蔚 渭蟺蟻维尾慰 (苇谓伪 魏慰喂谓蠈 蠈位蠅谓 蟿蠅谓 伪蠀蟿慰尾喂慰纬蟻伪蠁喂魏蠋谓 魏蔚喂渭苇谓蠅谓). 螕喂伪 蟿慰蠀 位蠈纬慰蠀 蟿慰 伪位畏胃苇蟼, 畏 位苇尉畏 螡蠈渭蟺蔚位 伪谓伪蠁苇蟻蔚蟿伪喂 萎 渭委伪 萎 未蠉慰 蠁慰蟻苇蟼 蟽蔚 蠈位慰 蟿慰 尾喂尾位委慰. 螒谓 蔚纬蠋 蔚委蠂伪 蟺维蟻蔚喂 尾蟻伪尾蔚委慰 苇魏胃蔚蟽畏蟼 蟽蟿畏谓 蟿蟻委蟿畏 未畏渭慰蟿喂魏慰蠉, 未蔚 胃伪 蔚委蠂伪 蟺维蠄蔚喂 谓伪 蟿慰 位苇蠅 蟽蔚 蠈位慰蠀蟼 渭苇蠂蟻喂 蟽萎渭蔚蟻伪. 螉蟽蠅蟼 纬喂'伪蠀蟿蠈 慰 Gabo 蔚委谓伪喂 蟿蠈蟽慰 渭蔚纬维位慰蟼 位慰纬慰蟿苇蠂谓畏蟼 魏喂 蔚纬蠋 纬蟻维蠁蠅 伪蟺位蠋蟼 蟿畏 纬谓蠋渭畏 渭慰蠀 蟽蟿慰 GoodReads.
3.5/5
螤慰位位维 (蟺蔚蟻喂蟿蟿维) 慰谓蠈渭伪蟿伪, 蟺蔚蟻喂蟽蟿伪蟿喂魏维 伪蟺蠈 蟿畏谓 蟺伪喂未喂魏萎 蟿慰蠀 畏位喂魏委伪 蟺慰蠀 蠁伪谓蟿维味慰渭伪喂 蔚委谓伪喂 蟽畏渭伪谓蟿喂魏维 纬喂伪 蟿慰谓 委未喂慰 伪位位维 蟺慰蠀 蟺蟻慰蟽蠅蟺喂魏维 尾蟻萎魏伪 蠁位蠉伪蟻伪, 蟿伪 蠂蟻蠈谓喂伪 蟿慰蠀 蟽蟿畏 谓慰渭喂魏萎, 蟽蟿畏 未畏渭慰蟽喂慰纬蟻伪蠁委伪, 渭喂伪 蟺慰位喂蟿喂魏萎 味蠅萎 纬蔚渭维蟿畏 伪谓伪蟿蟻慰蟺苇蟼, 渭喂伪 味蠅萎 伪尾苇尾伪喂畏, 渭蟺慰苇渭, 未畏渭喂慰蠀蟻纬喂魏萎. 韦委蟺慰蟿伪 位喂纬蠈蟿蔚蟻慰 伪蟺' 蠈蟽慰 胃伪 蟺蔚蟻喂渭苇谓伪渭蔚, 未畏位伪未萎, 伪蟺蠈 苇谓伪谓 蠀蟺苇蟻慰蠂慰 蟿蠀蠂慰未喂蠋魏蟿畏.
螌渭蠅蟼 蟿慰 蔚委蠂伪 慰蟻伪渭伪蟿喂蟽蟿蔚委 伪位位喂蠋蟼. 螆蠂慰谓蟿伪蟼 未喂伪尾维蟽蔚喂 蟽蠂蔚未蠈谓 蟿慰 蟽蠉谓慰位慰 蟿慰蠀 苇蟻纬慰蠀 蟿慰蠀, 萎胃蔚位伪 蔚魏蟿蔚谓苇蟽蟿蔚蟻蔚蟼 伪谓伪蠁慰蟻苇蟼 蟽蟿伪 尾委尾位喂伪 蟿慰蠀 魏喂 蠈蠂喂 伪蟺位维 蟺蔚蟻维蟽渭伪蟿伪, 位喂纬蠈蟿蔚蟻蔚蟼 尉伪未苇蟻蠁蔚蟼, 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻蔚蟼 位蔚蟺蟿慰渭苇蟻蔚喂蔚蟼 纬喂伪 蟿畏 未慰位慰蠁慰谓委伪 蟿慰蠀 Jorge Eli茅cer Gait谩n 蟿畏蟼 慰蟺慰委伪蟼 蠀蟺萎蟻尉蔚 蟽蠂蔚未蠈谓 渭维蟻蟿蠀蟻伪蟼 魏伪喂 蟿畏 未蔚魏伪蔚蟿委伪 尾委伪蟼 蟺慰蠀 伪魏慰位慰蠉胃畏蟽蔚 (La Violencia), 位喂纬蠈蟿蔚蟻蔚蟼 蟺慰蠀蟿维谓蔚蟼, 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻蔚蟼 喂蟽蟿慰蟻委蔚蟼... 螝维蟿喂 伪谓蟿维尉喂慰, 蔚谓 慰位委纬慰喂蟼, 渭喂伪蟼 尾喂慰纬蟻伪蠁委伪蟼 蔚谓蠈蟼 蟽蠀纬纬蟻伪蠁苇伪 蟺慰蠀 蟺慰位蠉 苇蠂蠅 伪纬伪蟺萎蟽蔚喂.
"韦蠈蟽慰 维蟽蠂畏渭慰 萎蟿伪谓;" 未畏渭喂慰蠀蟻纬蔚委蟿伪喂 蔚蠉位慰纬伪 畏 伪蟺慰蟻委伪. 螝伪胃蠈位慰蠀. 螒位位维 慰喂 蟺蟻慰蟽未慰魏委蔚蟼 蠈蟿伪谓 未喂伪尾维味蔚喂蟼 蟿畏 味蠅萎 蔚谓蠈蟼 Gabriel Garc铆a M谩rquez 蔚委谓伪喂 蔚尉伪蟻蠂萎蟼 蟺慰位蠉 蠀蠄畏位苇蟼 蟺慰蠀 委蟽蠅蟼 未蔚谓 渭蟺慰蟻蔚委 谓伪 蟿喂蟼 喂魏伪谓慰蟺慰喂萎蟽蔚喂 慰蠉蟿蔚 慰 委未喂慰蟼.
螒蠀蟿蠈 蟺慰蠀 苇蠂蠅 谓伪 蔚尉伪委蟻蠅, 蠈渭蠅蟼, 魏伪喂 苇蟻蠂蔚蟿伪喂 谓伪 蟽蠀渭蟺位畏蟻蠋蟽蔚喂 蟿畏谓 蟺蟻蠋蟿畏 渭慰蠀 苇谓蟽蟿伪蟽畏 蠅蟼 蟺蟻慰蟼 蟿伪 memoirs 蔚委谓伪喂 蟿慰 蟺蠈蟽慰 未蔚谓 蟿慰谓 蔚谓未喂伪蠁苇蟻蔚喂 谓伪 渭伪蟼 伪蟺慰蟽蟺维蟽蔚喂 蟿畏 蟽蠀渭蟺维胃蔚喂伪 魏伪喂 蟺蠈蟽慰 位委纬畏 伪谓维纬魏畏 蠁伪委谓蔚蟿伪喂 谓伪 苇蠂蔚喂 谓伪 蟿慰蠀 蟺慰蠉渭蔚 渭蟺蟻维尾慰 (苇谓伪 魏慰喂谓蠈 蠈位蠅谓 蟿蠅谓 伪蠀蟿慰尾喂慰纬蟻伪蠁喂魏蠋谓 魏蔚喂渭苇谓蠅谓). 螕喂伪 蟿慰蠀 位蠈纬慰蠀 蟿慰 伪位畏胃苇蟼, 畏 位苇尉畏 螡蠈渭蟺蔚位 伪谓伪蠁苇蟻蔚蟿伪喂 萎 渭委伪 萎 未蠉慰 蠁慰蟻苇蟼 蟽蔚 蠈位慰 蟿慰 尾喂尾位委慰. 螒谓 蔚纬蠋 蔚委蠂伪 蟺维蟻蔚喂 尾蟻伪尾蔚委慰 苇魏胃蔚蟽畏蟼 蟽蟿畏谓 蟿蟻委蟿畏 未畏渭慰蟿喂魏慰蠉, 未蔚 胃伪 蔚委蠂伪 蟺维蠄蔚喂 谓伪 蟿慰 位苇蠅 蟽蔚 蠈位慰蠀蟼 渭苇蠂蟻喂 蟽萎渭蔚蟻伪. 螉蟽蠅蟼 纬喂'伪蠀蟿蠈 慰 Gabo 蔚委谓伪喂 蟿蠈蟽慰 渭蔚纬维位慰蟼 位慰纬慰蟿苇蠂谓畏蟼 魏喂 蔚纬蠋 纬蟻维蠁蠅 伪蟺位蠋蟼 蟿畏 纬谓蠋渭畏 渭慰蠀 蟽蟿慰 GoodReads.
3.5/5
April 30, 2025
The years were flying by and I did not have the slightest idea what I was going to do with my life, for much more time would still have to go by before I realized that even that state of defeat was propitious, because there is nothing in this world or the next that is not useful to a writer.
Let's bring back the world of the literary salons, please. To discuss books, what they mean to us, books we read for community and those we read for companionship. The classic and the contemporary. Books that devour and open up conversations about the world around us. May we learn each other and the world by being intentional in the books we read: layered, diverse, global, with an array of subjects. I'm off topic, but this is how reading M谩rquez has made me feel. He was shaped by the books he read, taught himself to write by reading. At times he lived alone in poverty and dressed like a beggar, but he looked forward to his time with writers and readers to discuss books.
Let's bring back the world of the literary salons, please. To discuss books, what they mean to us, books we read for community and those we read for companionship. The classic and the contemporary. Books that devour and open up conversations about the world around us. May we learn each other and the world by being intentional in the books we read: layered, diverse, global, with an array of subjects. I'm off topic, but this is how reading M谩rquez has made me feel. He was shaped by the books he read, taught himself to write by reading. At times he lived alone in poverty and dressed like a beggar, but he looked forward to his time with writers and readers to discuss books.
My best sources of inspiration were the conversations older people had in my presence because they thought I did not understand them...just the opposite was true; I soaked them up like a sponge, pulled them apart, rearranged them to make their origins disappear, and when I told them to the same people who had told the stories earlier, they were bewildered by the coincidence between what I said and what they were thinking.
August 9, 2024
毓噩亘 夭賳丿诏蹖鈥屬嗀з呝� 噩丕賱亘蹖 亘賵丿. 氐丿鬲丕 乇賲丕賳 亘賵丿.
禺乇丿賴 禺丕胤乇丕鬲貙 夭賳丿诏蹖 跇賵夭賴 爻丕乇丕賲丕诏賵 丕夭 夭亘丕賳 禺賵丿卮 賵 丨丕賱丕 賴賲 夭賳丿賴鈥屫з� 讴賴 乇賵丕蹖鬲 讴賳賲貙 夭賳丿诏蹖 诏丕亘乇蹖賱 诏丕乇爻蹖丕 賲丕乇讴夭(亘乇丕蹖 丿賵爻鬲丕賳 诏丕亘蹖鬲賵馃榿) 丕夭 夭亘丕賳 禺賵丿卮... 亘賴 丕賳丿丕夭賴 丌孬丕乇卮賵賳 禺賵丕賳丿賳蹖 賵 毓丕賱蹖鈥屫з�.(賲賳賴丕蹖 丿賵乇丕賳 噩賵丕賳蹖鈥屫ж簇� 讴賴 丕氐賱丕 亘賴 賲賳 趩賴://///)
賲丕乇讴夭 夭賳丿诏蹖 倬乇 賮乇丕夭 賵 賳卮蹖亘 賵 倬乇賲丕噩乇丕蹖蹖 丿丕卮鬲. 賳丨賵賴 乇賵丕蹖鬲卮 毓丕賱蹖 亘賵丿 賵 亘丿賵賳 禺爻鬲诏蹖. 噩賵乇蹖 讴賴 丿丕爻鬲丕賳 鬲賵 丿丕爻鬲丕賳 賲蹖诏賮鬲 賵 亘毓丿 亘乇賲蹖鈥屭簇� 亘賴 丕丿丕賲賴 丿丕爻鬲丕賳 丕賵賱卮 禺蹖賱蹖 丨乇賮賴鈥屫й� 亘賵丿. 賵賱蹖 丕蹖賳賲 亘诏賲 丕賵賳賯丿乇 讴賴 鄞鄣郯氐 丕賵賱卮賵 倬爻賳丿蹖丿賲貙 鄄鄣郯 氐 丌禺乇卮 趩賳诏蹖 亘賴 丿賱賲 賳夭丿.
賲賵囟賵毓丕鬲蹖 讴賴 丿乇 丕蹖賳 讴鬲丕亘 鬲賵噩賴鈥屫з� 乇賵 噩賱亘 讴乇丿賳:
鈼徹з勝囏з� 诏乇賮鬲賳 毓卮賯 丿乇 乇賵夭诏丕乇 賵亘丕 丕夭 夭賳丿诏蹖 毓丕卮賯丕賳賴 倬丿乇 賵 賲丕丿乇卮~ 賵 讴賱丕 賴賲賴鈥屰� 讴鬲丕亘賴丕卮 丕賱賴丕賲 诏乇賮鬲賴 丕夭 夭賳丿诏蹖 禺賵丿卮 賵 丕噩丿丕丿卮 賴爻鬲賳.
鈼徺呚关辟堎� 亘賵丿賳 倬丿乇亘夭乇诏卮(丕夭 胤乇賮 賲丕丿乇)~ 賵 丨鬲蹖 丕賱賴丕賲 诏乇賮鬲賳 丕夭 夭賳丿诏蹖 丕蹖卮賵賳 丿乇 氐丿爻丕賱 鬲賳賴丕蹖蹖~
鈼徹з堎勠屬� 丿丕爻鬲丕賳蹖 讴賴 賲丕乇讴夭 丿乇 夭賲丕賳 賲丿乇爻賴 禺賵賳丿賴貙 賴夭丕乇 賵 蹖讴卮亘 亘賵丿賴 賵 賲毓鬲賯丿賴 亘賴鬲乇蹖賳 丿丕爻鬲丕賳 夭賳丿诏蹖卮 亘賵丿賴.
~夭賳丿诏蹖 丌賳趩賴 夭蹖爻鬲賴鈥屫й屬� 賳蹖爻鬲貙 亘賱讴賴 賴賲丕賳 趩蹖夭蹖 丕爻鬲 讴賴 丿乇 禺丕胤乇賲丕賳 賲丕賳丿賴 賵 丌賳诏賵賳賴 丕爻鬲 讴賴 亘賴 蹖丕丿卮 賲蹖鈥屫①堌臂屬� 鬲丕 乇賵丕蹖鬲卮 讴賳蹖賲.
禺乇丿賴 禺丕胤乇丕鬲貙 夭賳丿诏蹖 跇賵夭賴 爻丕乇丕賲丕诏賵 丕夭 夭亘丕賳 禺賵丿卮 賵 丨丕賱丕 賴賲 夭賳丿賴鈥屫з� 讴賴 乇賵丕蹖鬲 讴賳賲貙 夭賳丿诏蹖 诏丕亘乇蹖賱 诏丕乇爻蹖丕 賲丕乇讴夭(亘乇丕蹖 丿賵爻鬲丕賳 诏丕亘蹖鬲賵馃榿) 丕夭 夭亘丕賳 禺賵丿卮... 亘賴 丕賳丿丕夭賴 丌孬丕乇卮賵賳 禺賵丕賳丿賳蹖 賵 毓丕賱蹖鈥屫з�.(賲賳賴丕蹖 丿賵乇丕賳 噩賵丕賳蹖鈥屫ж簇� 讴賴 丕氐賱丕 亘賴 賲賳 趩賴://///)
賲丕乇讴夭 夭賳丿诏蹖 倬乇 賮乇丕夭 賵 賳卮蹖亘 賵 倬乇賲丕噩乇丕蹖蹖 丿丕卮鬲. 賳丨賵賴 乇賵丕蹖鬲卮 毓丕賱蹖 亘賵丿 賵 亘丿賵賳 禺爻鬲诏蹖. 噩賵乇蹖 讴賴 丿丕爻鬲丕賳 鬲賵 丿丕爻鬲丕賳 賲蹖诏賮鬲 賵 亘毓丿 亘乇賲蹖鈥屭簇� 亘賴 丕丿丕賲賴 丿丕爻鬲丕賳 丕賵賱卮 禺蹖賱蹖 丨乇賮賴鈥屫й� 亘賵丿. 賵賱蹖 丕蹖賳賲 亘诏賲 丕賵賳賯丿乇 讴賴 鄞鄣郯氐 丕賵賱卮賵 倬爻賳丿蹖丿賲貙 鄄鄣郯 氐 丌禺乇卮 趩賳诏蹖 亘賴 丿賱賲 賳夭丿.
賲賵囟賵毓丕鬲蹖 讴賴 丿乇 丕蹖賳 讴鬲丕亘 鬲賵噩賴鈥屫з� 乇賵 噩賱亘 讴乇丿賳:
鈼徹з勝囏з� 诏乇賮鬲賳 毓卮賯 丿乇 乇賵夭诏丕乇 賵亘丕 丕夭 夭賳丿诏蹖 毓丕卮賯丕賳賴 倬丿乇 賵 賲丕丿乇卮~ 賵 讴賱丕 賴賲賴鈥屰� 讴鬲丕亘賴丕卮 丕賱賴丕賲 诏乇賮鬲賴 丕夭 夭賳丿诏蹖 禺賵丿卮 賵 丕噩丿丕丿卮 賴爻鬲賳.
鈼徺呚关辟堎� 亘賵丿賳 倬丿乇亘夭乇诏卮(丕夭 胤乇賮 賲丕丿乇)~ 賵 丨鬲蹖 丕賱賴丕賲 诏乇賮鬲賳 丕夭 夭賳丿诏蹖 丕蹖卮賵賳 丿乇 氐丿爻丕賱 鬲賳賴丕蹖蹖~
鈼徹з堎勠屬� 丿丕爻鬲丕賳蹖 讴賴 賲丕乇讴夭 丿乇 夭賲丕賳 賲丿乇爻賴 禺賵賳丿賴貙 賴夭丕乇 賵 蹖讴卮亘 亘賵丿賴 賵 賲毓鬲賯丿賴 亘賴鬲乇蹖賳 丿丕爻鬲丕賳 夭賳丿诏蹖卮 亘賵丿賴.
~夭賳丿诏蹖 丌賳趩賴 夭蹖爻鬲賴鈥屫й屬� 賳蹖爻鬲貙 亘賱讴賴 賴賲丕賳 趩蹖夭蹖 丕爻鬲 讴賴 丿乇 禺丕胤乇賲丕賳 賲丕賳丿賴 賵 丌賳诏賵賳賴 丕爻鬲 讴賴 亘賴 蹖丕丿卮 賲蹖鈥屫①堌臂屬� 鬲丕 乇賵丕蹖鬲卮 讴賳蹖賲.
October 30, 2017
丕賱丨賷丕丞 賱賷爻鬲 賲丕 賷毓賷卮賴 兀丨丿賳丕. 賵廿賳賲丕 賴賷 賲丕 賷鬲匕賰乇賴. 賵賰賷賮 賷鬲匕賰乇賴 賱賷乇賵賷賴 馃槏馃槉
賲丕乇賰賷夭..賲賳 毓丕卮 丕賱丨賷丕丞 亘賰賱 賲丕 賷賱賷賯 亘賴丕 賲賳 氐禺亘 賵噩賲賵丨...賵丨亘.
賲賳 兀噩賲賱 賯乇丕亍丕鬲 賴匕丕 丕賱毓丕賲.
賲丕乇賰賷夭..賲賳 毓丕卮 丕賱丨賷丕丞 亘賰賱 賲丕 賷賱賷賯 亘賴丕 賲賳 氐禺亘 賵噩賲賵丨...賵丨亘.
賲賳 兀噩賲賱 賯乇丕亍丕鬲 賴匕丕 丕賱毓丕賲.
August 4, 2016
賰賱賳丕 賳毓賷卮 丨賷丕鬲賳丕 亘胤乇賷賯丞 賲鬲卮丕亘賴丞 賱賱睾丕賷丞 賮賷 亘爻丕胤鬲賴丕貙賵賱賰賳 賲丕 賷噩毓賱賴丕 丨賷丕丞 賮乇賷丿丞 賴賵 胤乇賷賯丞 爻乇丿賴丕 賵鬲匕賰乇賴丕貙賵賴賳丕 丌賲賳 賲丕乇賰賷夭 亘賲賯賵賱鬲賴 亘兀賳 丕賱丨賷丕丞 賱賷爻鬲 賲丕 賳毓賷卮賴 亘賱 賲丕 賳鬲匕賰乇賴 賵丕賱胤乇賷賯丞 丕賱鬲賷 賳乇賵賷 亘賴丕 賴匕賴 丕賱匕賰乇賷丕鬲貙賵毓賳丿賲丕 賳賯乇兀 爻賷乇丞 賰爻賷乇丞 賲丕乇賰賷夭 賮爻賳毓乇賮 兀賳 兀毓賲丕賱賴 丕賱賲鬲賲賷夭丞 賰丕賳鬲 賳鬲丕噩 丨賷丕丞 毓賱賶 賯丿乇 賴匕丕 丕賱鬲賲賷夭.
爻噩賱 賲丕乇賰賷夭 爻賷乇鬲賴 鬲賱賰 賵賴賵 賮賷 丕賱禺丕賲爻丞 賵丕賱爻亘毓賷賳 賲賳 毓賲乇賴 賵賱丕亘丿 賱賳丕 兀賳 賳卮賰乇 丕賱廿賱賴 毓賱賶 賲賳丨賴 賱賲丕乇賰賷夭 匕丕賰乇丞 賯賵賷丞 賰丕賳鬲 賯丕丿乇丞 毓賱賶 鬲爻噩賷賱 賱丨馗丕鬲 鬲賱賰 丕賱丨賷丕丞 丕賱孬乇賷丞貙丨賷丕丞 乇噩賱 丌賲賳 亘兀賳 丕賱賰鬲丕亘丞 賴賷 丕賱卮卅 丕賱賵丨賷丿 丕賱匕賷 賷爻鬲丨賯 丕賱丨賷丕丞 賱兀噩賱賴 賮毓丕卮 賱兀噩賱賴貙賵賱賲 賷鬲乇丿丿 賱丨馗丞 賮賷 鬲乇賰 丿乇丕爻丞 丕賱賯丕賳賵賳 乇丕賮囟丕 囟睾胤 兀賴賱賴 賵丕爻鬲賲乇 賮賷賲丕 兀乇丕丿 兀賳 賷賰賵賳 賴賵.
賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞:匕賱賰 丕賱毓賲賱 丕賱賮匕 賮賷 鬲丕乇賷禺 丕賱賮賳賵賳 丕賱廿賳爻丕賳賷丞貙賱賲 賷賰賳 廿賱丕 爻乇丿 賲賲賷夭 賱賲丌爻賷 丨賷丕鬲賷丞 鬲毓乇囟鬲 賱賴 毓丕卅賱丞 賲丕乇賰賷夭 賳賮爻賴貙賮爻噩賱賴丕 賱賱禺賱賵丿貙賵賱賲 賷賰賳 丕賱賰賵賱賵賳賷賱 丕賱匕賷 賷賳鬲馗乇 賲賳 賷賰丕鬲亘賴 廿賱丕 噩丿賴貙賵賯氐丞 丕賱丨亘 丕賱兀爻胤賵乇賷丞 賮賷 (丕賱丨亘 賮賷 夭賲賳 丕賱賰賵賱賷乇丕)賱賲 鬲賰賳 廿賱丕 賯氐丞 丨亘 兀亘賷賴 賵兀賲賴貙賰賱 丨賯丕卅賯 氐亘睾 賲丕乇賰賷夭 爻丨乇賴 賮賰丕賳鬲 賵丕賯毓賷鬲賴 丕賱爻丨乇丞.
賷亘丿兀 賲丕乇賰賷夭 爻賷乇鬲賴 匕丕賰乇丞 丕賱兀賲丕賰賳 賵賷賯丨賲 賮賷賴丕 匕賰乇賶 丕賱廿賳爻丕賳 亘爻賱丕爻丞 賵賰毓丕丿鬲賴 丕賱噩賲賷賱丞 賷乇亘胤賳丕 亘賰鬲丕亘丕鬲賴 賲賳 兀賵賱 爻胤乇 賮賷 丕賱乇賵丕賷丞 賵賷氐賵賱 賵賷噩賵賱 賮賷 丕賱卮禺氐賷丕鬲 賵禺丕氐丞 兀賲賴:賵賱丕 毓噩亘 兀賳 賱賲丕乇賰賷夭 兀賲 毓馗賷賲丞 賰鬲賱賰 賵丕賱鬲賷 鬲爻鬲丨賯 丕賱禺賱賵丿 丕賱匕賷 禺賱賾丿賴 賱賴 賮賷 兀毓賲丕賱賴.
亘丿兀 丕賱爻賷乇丞 亘兀賲賴 賵兀賳賴丕賴丕 亘丨亘賷亘鬲賴 賵乇賮賷賯鬲賴(賲賷乇孬賷丿爻)賵賲賳 賴賳丕 賱丕 賳毓噩亘 兀賳 賲丕乇賰賷夭 賷丨亘 乇賮賯丞 丕賱賳爻丕亍 賵賷賮囟賱賴丕 毓賳 兀賷 噩賱爻丞 兀禺乇賶.
爻噩賱 賲丕乇賰賷夭 爻賷乇鬲賴 鬲賱賰 賵賴賵 賮賷 丕賱禺丕賲爻丞 賵丕賱爻亘毓賷賳 賲賳 毓賲乇賴 賵賱丕亘丿 賱賳丕 兀賳 賳卮賰乇 丕賱廿賱賴 毓賱賶 賲賳丨賴 賱賲丕乇賰賷夭 匕丕賰乇丞 賯賵賷丞 賰丕賳鬲 賯丕丿乇丞 毓賱賶 鬲爻噩賷賱 賱丨馗丕鬲 鬲賱賰 丕賱丨賷丕丞 丕賱孬乇賷丞貙丨賷丕丞 乇噩賱 丌賲賳 亘兀賳 丕賱賰鬲丕亘丞 賴賷 丕賱卮卅 丕賱賵丨賷丿 丕賱匕賷 賷爻鬲丨賯 丕賱丨賷丕丞 賱兀噩賱賴 賮毓丕卮 賱兀噩賱賴貙賵賱賲 賷鬲乇丿丿 賱丨馗丞 賮賷 鬲乇賰 丿乇丕爻丞 丕賱賯丕賳賵賳 乇丕賮囟丕 囟睾胤 兀賴賱賴 賵丕爻鬲賲乇 賮賷賲丕 兀乇丕丿 兀賳 賷賰賵賳 賴賵.
賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞:匕賱賰 丕賱毓賲賱 丕賱賮匕 賮賷 鬲丕乇賷禺 丕賱賮賳賵賳 丕賱廿賳爻丕賳賷丞貙賱賲 賷賰賳 廿賱丕 爻乇丿 賲賲賷夭 賱賲丌爻賷 丨賷丕鬲賷丞 鬲毓乇囟鬲 賱賴 毓丕卅賱丞 賲丕乇賰賷夭 賳賮爻賴貙賮爻噩賱賴丕 賱賱禺賱賵丿貙賵賱賲 賷賰賳 丕賱賰賵賱賵賳賷賱 丕賱匕賷 賷賳鬲馗乇 賲賳 賷賰丕鬲亘賴 廿賱丕 噩丿賴貙賵賯氐丞 丕賱丨亘 丕賱兀爻胤賵乇賷丞 賮賷 (丕賱丨亘 賮賷 夭賲賳 丕賱賰賵賱賷乇丕)賱賲 鬲賰賳 廿賱丕 賯氐丞 丨亘 兀亘賷賴 賵兀賲賴貙賰賱 丨賯丕卅賯 氐亘睾 賲丕乇賰賷夭 爻丨乇賴 賮賰丕賳鬲 賵丕賯毓賷鬲賴 丕賱爻丨乇丞.
賷亘丿兀 賲丕乇賰賷夭 爻賷乇鬲賴 匕丕賰乇丞 丕賱兀賲丕賰賳 賵賷賯丨賲 賮賷賴丕 匕賰乇賶 丕賱廿賳爻丕賳 亘爻賱丕爻丞 賵賰毓丕丿鬲賴 丕賱噩賲賷賱丞 賷乇亘胤賳丕 亘賰鬲丕亘丕鬲賴 賲賳 兀賵賱 爻胤乇 賮賷 丕賱乇賵丕賷丞 賵賷氐賵賱 賵賷噩賵賱 賮賷 丕賱卮禺氐賷丕鬲 賵禺丕氐丞 兀賲賴:賵賱丕 毓噩亘 兀賳 賱賲丕乇賰賷夭 兀賲 毓馗賷賲丞 賰鬲賱賰 賵丕賱鬲賷 鬲爻鬲丨賯 丕賱禺賱賵丿 丕賱匕賷 禺賱賾丿賴 賱賴 賮賷 兀毓賲丕賱賴.
亘丿兀 丕賱爻賷乇丞 亘兀賲賴 賵兀賳賴丕賴丕 亘丨亘賷亘鬲賴 賵乇賮賷賯鬲賴(賲賷乇孬賷丿爻)賵賲賳 賴賳丕 賱丕 賳毓噩亘 兀賳 賲丕乇賰賷夭 賷丨亘 乇賮賯丞 丕賱賳爻丕亍 賵賷賮囟賱賴丕 毓賳 兀賷 噩賱爻丞 兀禺乇賶.
February 10, 2022
鈥淣em a minha m茫e nem eu, como era evidente, ter铆amos podido imaginar sequer que aquele inocente passeio de apenas dois dias ia ser t茫o determinante para mim que a mais longa e diligente das vidas n茫o bastaria para o contar. Agora, com mais de setenta e cinco anos bem medidos, sei que foi a decis茫o mais importante de quantas tive que tomar na minha carreira de escritor. Quer dizer: em toda a minha vida.鈥�
鈥淣茫o posso imaginar um meio familiar mais prop铆cio para a minha voca莽茫o do que aquela casa louca, em especial devido ao car谩cter das numerosas mulheres que me criaram.鈥�
鈥淔estej谩mos em El Tercer Hombre com o grupo em pleno at茅 ao amanhecer, como festa antecipada do meu pr贸ximo anivers谩rio, pois Germ谩n Vargas, que era o guardi茫o do santoral, informou que no pr贸ximo dia 6 de Mar莽o eu ia fazer vinte e sete anos. No meio dos bons aug煤rios dos meus grandes amigos, senti-me disposto a comer crus os setenta e tr锚s que ainda me faltavam para completar os primeiros cem.鈥�
鈥淣茫o posso imaginar um meio familiar mais prop铆cio para a minha voca莽茫o do que aquela casa louca, em especial devido ao car谩cter das numerosas mulheres que me criaram.鈥�
鈥淔estej谩mos em El Tercer Hombre com o grupo em pleno at茅 ao amanhecer, como festa antecipada do meu pr贸ximo anivers谩rio, pois Germ谩n Vargas, que era o guardi茫o do santoral, informou que no pr贸ximo dia 6 de Mar莽o eu ia fazer vinte e sete anos. No meio dos bons aug煤rios dos meus grandes amigos, senti-me disposto a comer crus os setenta e tr锚s que ainda me faltavam para completar os primeiros cem.鈥�
September 4, 2018
Se avete gi脿 letto e apprezzato i libri di M谩rquez, sicuramente amerete anche questa autobiografia. Parla della sua infanzia fino agli anni in cui diventa un giornalista affermato e deve partire per la Svizzera come inviato speciale nel 1950 dopo aver ricevuto delle minacce di morte nel suo paese. Leggendo della sua famiglia numerosa, con alcuni componenti originali, e degli avvenimenti della sua vita, ci si rende conto da dove ha tratto ispirazione per scrivere i suoi romanzi. Anche questa autobiografia si legge quasi come un romanzo ed 猫 molto scorrevole.
Ma 猫 anche un libro sulla Colombia perch茅 gli avvenimenti storici e politici s'intrecciano alla vita di M谩rquez e della sua famiglia. L'unica pecca 猫 che si arriva soltanto fino al 1950 mentre invece mi avrebbe fatto piacere leggere anche degli anni successivi.
English
If you liked M谩rquez's books, then you have to read also this autobiography. M谩rquez talks about his childhood and goes till 1950 when he has to leave for Switzerland as a correspondent. He talks about his family, his country, his studies and the historical and political events are intertwined with his and his family's lives.
It is a flowing and enthralling read, and it's like reading one of his fictional works. Reading about his large family and some unique relatives, you understand from where he took inspiration to write his works.
The only weakness of this book is that it was too short. I would have liked to read more about his life while this one arrives only till 1950.
Ma 猫 anche un libro sulla Colombia perch茅 gli avvenimenti storici e politici s'intrecciano alla vita di M谩rquez e della sua famiglia. L'unica pecca 猫 che si arriva soltanto fino al 1950 mentre invece mi avrebbe fatto piacere leggere anche degli anni successivi.
English
If you liked M谩rquez's books, then you have to read also this autobiography. M谩rquez talks about his childhood and goes till 1950 when he has to leave for Switzerland as a correspondent. He talks about his family, his country, his studies and the historical and political events are intertwined with his and his family's lives.
It is a flowing and enthralling read, and it's like reading one of his fictional works. Reading about his large family and some unique relatives, you understand from where he took inspiration to write his works.
The only weakness of this book is that it was too short. I would have liked to read more about his life while this one arrives only till 1950.
March 20, 2020
唳唳唳侧唳 唳唳む唳樴Π唰� 唳椸唳唰囙 唳忇 唳唳熰 唳о唳� 唳曕Π唰� 唳氞唳栢 唳侧唳椸唳涏啷� 唳唳班Ε唳� 唳曕唳班Γ, 唳ㄠ唳イ 'Living to Tell the Tale'唳忇Π 唳唳傕Σ唳� 唳灌Ο唳监唳涏 '唳唳佮唰� 唳嗋唳� 唳椸Σ唰嵿Κ唳熰 唳Σ唳� 唳Σ唰�'啷� 唳曕 唳呧Ω唳距Η唳距Π唳�! 唳唳ム唳 唳⑧唳曕 唳唳啷� 唳囙唳班唳溹 唳ㄠ唳唳距 唳嗋Ξ唳距Π 唳栢唳� 唳唳ㄠ唳� 唳涏唳�, 唳唳傕Σ唳距唳� 唳灌Ο唳监唳涏 唳嗋Π唰� 唳唳侧啷� 唳︵唳唳む唳 唳曕唳班Γ, 唳曕Ν唳距Π啷� 唳忇Δ唰� 唳唳侧 唳灌Ο唳监唳涏 唳侧唳� 唳熰唳曕唰佮 唳曕Ν唳距Π唳熰!
唳唳熰 唳唳� 唳Α唳监Δ唰� 唳多唳班 唳曕Π唰囙唳�, 唳む唳� 唳栢唳� 唳呧Μ唳距 唳灌Ο唳监唳涏 唳ㄠ唳冟Ω唳權唳椸Δ唳� 唳嗋Π '唳侧唳� 唳膏唳熰Π唰嵿Ξ'唳忇Π 唳曕唳涏 唳樴唳ㄠ唳� 唳膏唳ム 唳侧唳栢唰囙Π 唳溹唳Θ唰� 唳樴唳� 唳唳唳唳班唳� 唳唳� 唳︵唳栢啷� 唳曕唳� 唳唳� 唳忇 唳樴唳ㄠ唳椸唳侧 唳嗋Ξ唳距Π 唳曕唳涏 唳嗋Π唰� 唳唳多 唳呧Μ唳距Ω唰嵿Δ唳� 唳侧唳椸唰� 唳忇唳ㄠイ 唳夃Κ唳ㄠ唳唳膏唳� 唳唳ㄠ唳粪唰佮Σ唰嬥唰囙 唳嗋Π唰� 唳呧Μ唳距Ω唰嵿Δ唳� 唳侧唳椸唰囙イ 唳嗋Ω唳侧 唳唳班唳曕唳溹唳� 唳溹唳Θ唰囙Π 唳唳ㄠ唳粪唰佮Σ唰嬥唰囙 唳曕唳侧唳Θ唳苦 唳氞Π唳苦Δ唰嵿Π唰囙Π 唳Δ唰� 唳侧唳椸唰�! 唳ㄠ唳曕 唳嗋Ξ唳班 唳膏Μ唳距 唳忇Π唳曕Ξ? 唳椸Σ唰嵿Κ唰囙Π 唳曕唳唳班唳曕唳熰唳班唳� 唳Δ唰�? 唳多唳о 唳嗋Ξ唳距Ζ唰囙Π 唳ㄠ唳唰� 唳椸Σ唰嵿Κ唳椸唳侧 唳曕唳ㄠ 唳侧唳栢 唳灌Ο唳� 唳ㄠ? 唳忇唳熰 唳呧唳� 唳涏唳�, 唳唳班唳曕唳溹唳� 唳ㄠ唳ㄠ 唳む唳曕 唳忇唳熰 唳呧Ν唳苦Η唳距Θ 唳︵唳唰� 唳Σ唰囙Θ- "唳忇 唳 唳多唳о 唳膏Μ 唳溹唳ㄠ唳� 唳ㄠ, 唳夃Κ唳班Θ唰嵿Δ唰� 唳曕唳Σ 唳忇唳距 唳曕唳ㄠ 唳曕唳ㄠ 唳唳� 唳曕Π唰� 唳ㄠ啷�"
唳呧Ν唳苦Η唳距Θ 唳唳唰� 唳唳班唳曕唳� 唳ㄠ唳ㄠ唳曕 唳溹唳溹唳炧唳� 唳曕Π唰囙Θ 唳撪 唳唳む 唳曕Δ唰� 唳多Μ唰嵿Ζ 唳嗋唰囙イ 唳夃Δ唰嵿Δ唳班 唳ㄠ唳ㄠ 唳Σ唰囙Θ, "唳膏Μ啷�"
唳Σ唳距Μ唳距唰佮Σ唰嵿Ο, 唳嗋Ξ唳距Π 唳曕唳涏 唳唳班 唳唳熰 唳唳唳膏唳ㄠ唳熰唳� 唳侧唳椸唳涏啷� 唳唳澿 唳曕Σ唳唳唳唳距Π 唳Σ唳苦唳苦唰嵿Ο唳距Σ 唳呧Μ唳膏唳ム 唳ㄠ唳唰� 唳唳多Ζ 唳唳Π唳� 唳嗋唰囙イ 唳忇 唳呧唳多唰佮Σ唰� 唳嗋Ξ唳� 唳犩唳� 唳唳澿唳ㄠ啷� 唳唳班唳曕唳溹唳� 唳膏唳傕Μ唳距Ζ唳苦唳む唳� 唳呧Ν唳苦唰嵿唳む 唳唳椸唳� 唳灌Ο唳监 唳Α唳监唳涏啷� 唳曕唳ㄠ唳む 唳膏Μ唳氞唳唰� 唳唳多 唳唳椸唳� 唳灌Ο唳监唳涏 唳む唳佮Π 唳唳曕 唳ㄠ唳唰� 唳Α唳监啷� 唳曕唳涏唳曕唳粪Γ 唳Π唳Π 唳多唳о 唳Θ唰� 唳Θ唰� 唳Σ唳涏唳侧唳�, What a life! What a life! 唳多唳粪唳� 唳忇Δ唰� 唳唳班Λ唰囙唰嵿 唳涏唳� 唳忇唳ㄠ 唳栢唳多 唳栢唳多 唳侧唳椸唰囙イ
唳唳澿Δ唰� 唳唳班唳� 唳ㄠ 唳Σ唳� 唳夃唳苦 唳灌唰嵿唰� 唳曕唳ㄠ 唳む唳� 唳呧Θ唰佮Μ唳距Ζ 唳ㄠ唳唰� 唳忇唳熰 唳曕Ε唳�, 唳曕唳涏 唳Π唳苦唳苦Δ 唳多Μ唰嵿Ζ 唳囙唳班唳溹 唳班唳栢 唳︵唳唳� 唳灌Ο唳监唳涏 唳唳Θ- trio, multipurpose, drawing. 唳忇唰佮Σ唰� 唳曕唳ㄠ唳む 唳唳傕Σ唳� 唳曕Π唳距 唳唳むイ 唳忇Ξ唳ㄠ唳む 唳嗋Ξ唳距Π 唳曕唳涏 唳呧Θ唰佮Μ唳距Ζ 唳栢唳� 唳唳侧 唳侧唳椸唳涏啷� 唳囙唳班唳溹 唳呧Θ唰佮Μ唳距Ζ 唳曕唳涏唳曕唳粪Γ 唳Α唳监唳涏啷� 唳む唳� 唳氞唳唰� 唳唳傕Σ唳距唳� 唳Α唳监Δ唰囙 唳多唳� 唳Π唰嵿Ο唳ㄠ唳� 唳唳多 唳唳侧 唳侧唳椸唳涏啷� 唳︵唳椸唳ㄠ 唳侧唳囙Θ唳椸唳侧 唳嗋Π唰囙唳唳� 唳Α唳监 唳忇唳�!
唳唳熰 唳唳� 唳Α唳监Δ唰� 唳多唳班 唳曕Π唰囙唳�, 唳む唳� 唳栢唳� 唳呧Μ唳距 唳灌Ο唳监唳涏 唳ㄠ唳冟Ω唳權唳椸Δ唳� 唳嗋Π '唳侧唳� 唳膏唳熰Π唰嵿Ξ'唳忇Π 唳曕唳涏 唳樴唳ㄠ唳� 唳膏唳ム 唳侧唳栢唰囙Π 唳溹唳Θ唰� 唳樴唳� 唳唳唳唳班唳� 唳唳� 唳︵唳栢啷� 唳曕唳� 唳唳� 唳忇 唳樴唳ㄠ唳椸唳侧 唳嗋Ξ唳距Π 唳曕唳涏 唳嗋Π唰� 唳唳多 唳呧Μ唳距Ω唰嵿Δ唳� 唳侧唳椸唰� 唳忇唳ㄠイ 唳夃Κ唳ㄠ唳唳膏唳� 唳唳ㄠ唳粪唰佮Σ唰嬥唰囙 唳嗋Π唰� 唳呧Μ唳距Ω唰嵿Δ唳� 唳侧唳椸唰囙イ 唳嗋Ω唳侧 唳唳班唳曕唳溹唳� 唳溹唳Θ唰囙Π 唳唳ㄠ唳粪唰佮Σ唰嬥唰囙 唳曕唳侧唳Θ唳苦 唳氞Π唳苦Δ唰嵿Π唰囙Π 唳Δ唰� 唳侧唳椸唰�! 唳ㄠ唳曕 唳嗋Ξ唳班 唳膏Μ唳距 唳忇Π唳曕Ξ? 唳椸Σ唰嵿Κ唰囙Π 唳曕唳唳班唳曕唳熰唳班唳� 唳Δ唰�? 唳多唳о 唳嗋Ξ唳距Ζ唰囙Π 唳ㄠ唳唰� 唳椸Σ唰嵿Κ唳椸唳侧 唳曕唳ㄠ 唳侧唳栢 唳灌Ο唳� 唳ㄠ? 唳忇唳熰 唳呧唳� 唳涏唳�, 唳唳班唳曕唳溹唳� 唳ㄠ唳ㄠ 唳む唳曕 唳忇唳熰 唳呧Ν唳苦Η唳距Θ 唳︵唳唰� 唳Σ唰囙Θ- "唳忇 唳 唳多唳о 唳膏Μ 唳溹唳ㄠ唳� 唳ㄠ, 唳夃Κ唳班Θ唰嵿Δ唰� 唳曕唳Σ 唳忇唳距 唳曕唳ㄠ 唳曕唳ㄠ 唳唳� 唳曕Π唰� 唳ㄠ啷�"
唳呧Ν唳苦Η唳距Θ 唳唳唰� 唳唳班唳曕唳� 唳ㄠ唳ㄠ唳曕 唳溹唳溹唳炧唳� 唳曕Π唰囙Θ 唳撪 唳唳む 唳曕Δ唰� 唳多Μ唰嵿Ζ 唳嗋唰囙イ 唳夃Δ唰嵿Δ唳班 唳ㄠ唳ㄠ 唳Σ唰囙Θ, "唳膏Μ啷�"
唳Σ唳距Μ唳距唰佮Σ唰嵿Ο, 唳嗋Ξ唳距Π 唳曕唳涏 唳唳班 唳唳熰 唳唳唳膏唳ㄠ唳熰唳� 唳侧唳椸唳涏啷� 唳唳澿 唳曕Σ唳唳唳唳距Π 唳Σ唳苦唳苦唰嵿Ο唳距Σ 唳呧Μ唳膏唳ム 唳ㄠ唳唰� 唳唳多Ζ 唳唳Π唳� 唳嗋唰囙イ 唳忇 唳呧唳多唰佮Σ唰� 唳嗋Ξ唳� 唳犩唳� 唳唳澿唳ㄠ啷� 唳唳班唳曕唳溹唳� 唳膏唳傕Μ唳距Ζ唳苦唳む唳� 唳呧Ν唳苦唰嵿唳む 唳唳椸唳� 唳灌Ο唳监 唳Α唳监唳涏啷� 唳曕唳ㄠ唳む 唳膏Μ唳氞唳唰� 唳唳多 唳唳椸唳� 唳灌Ο唳监唳涏 唳む唳佮Π 唳唳曕 唳ㄠ唳唰� 唳Α唳监啷� 唳曕唳涏唳曕唳粪Γ 唳Π唳Π 唳多唳о 唳Θ唰� 唳Θ唰� 唳Σ唳涏唳侧唳�, What a life! What a life! 唳多唳粪唳� 唳忇Δ唰� 唳唳班Λ唰囙唰嵿 唳涏唳� 唳忇唳ㄠ 唳栢唳多 唳栢唳多 唳侧唳椸唰囙イ
唳唳澿Δ唰� 唳唳班唳� 唳ㄠ 唳Σ唳� 唳夃唳苦 唳灌唰嵿唰� 唳曕唳ㄠ 唳む唳� 唳呧Θ唰佮Μ唳距Ζ 唳ㄠ唳唰� 唳忇唳熰 唳曕Ε唳�, 唳曕唳涏 唳Π唳苦唳苦Δ 唳多Μ唰嵿Ζ 唳囙唳班唳溹 唳班唳栢 唳︵唳唳� 唳灌Ο唳监唳涏 唳唳Θ- trio, multipurpose, drawing. 唳忇唰佮Σ唰� 唳曕唳ㄠ唳む 唳唳傕Σ唳� 唳曕Π唳距 唳唳むイ 唳忇Ξ唳ㄠ唳む 唳嗋Ξ唳距Π 唳曕唳涏 唳呧Θ唰佮Μ唳距Ζ 唳栢唳� 唳唳侧 唳侧唳椸唳涏啷� 唳囙唳班唳溹 唳呧Θ唰佮Μ唳距Ζ 唳曕唳涏唳曕唳粪Γ 唳Α唳监唳涏啷� 唳む唳� 唳氞唳唰� 唳唳傕Σ唳距唳� 唳Α唳监Δ唰囙 唳多唳� 唳Π唰嵿Ο唳ㄠ唳� 唳唳多 唳唳侧 唳侧唳椸唳涏啷� 唳︵唳椸唳ㄠ 唳侧唳囙Θ唳椸唳侧 唳嗋Π唰囙唳唳� 唳Α唳监 唳忇唳�!
March 2, 2016
賷毓鬲亘乇 "毓卮鬲 賱丕乇賵賶" 丕賱賰鬲丕亘 賯亘賱 丕賱丕禺乇 賱賷 賲毓 賲丕乇賰賷夭 亘毓丿 乇丨賱丞 胤賵賷賱丞 丕賲鬲丿鬲 爻賳賵丕鬲 胤賵丕賱 兀賯乇丕 賮賷賴丕 乇賵丕賷丕鬲賴 丕賱胤賵賷賱丞 賵 丕賱賳賵賮賷賱丕鬲 賵 賲賯丕賱丕鬲 賵 賯氐氐 賯氐賷乇丞 賰孬賷乇丞 賮賯丿賳丕 毓丿丿賴丕
賵 賷鬲亘賯賷 賱賷 賮賯胤 賲毓 丕賱賰丕鬲亘 丕賱毓馗賷賲 丕賱匕賶 爻乇賯 賯賱賵亘 賰賱 賲賳 丕胤賱毓 毓賱賷 丕毓賲丕賱 賮賯胤 乇丕卅毓鬲賴 "丕賱丨亘 賮賷 夭賲賳 丕賱賰賵賱賷乇丕" 丕賱鬲賷 丕乇丕賳賷 丕鬲賱賰兀 賯賱賷賱丕 賮賷 丕賱亘丿亍 亘賴丕 禺卮賷丞 賲賳 丕賳賯胤丕毓 爻賷賱 丕賱鬲賵丕氐賱 賵 禺賵賮丕 賲賳 丕賳 丕睾賱丕賯 丕賱氐賮丨丞 丕賱丕禺賷乇丞 賮賷賴丕 賷毓賳賷 亘亘爻丕胤丞 賲賵鬲 賲丕乇賰賷夭 賮毓賱賷丕 賵 賱賳 賷鬲亘賯賷 丨賷賳賴丕 丕賱丕 賳爻禺 丕賯賱 亘賴丕亍 賲賳 丕毓丕丿丞 賯乇丕亍丞 賱丕毓賲丕賱賴
賵 丕賱丕賳 亘毓丿 賲賱丨賲丞 丕賱佴侉贍 氐賮丨丞 丕賱鬲賷 丿賵禺賳丕 賮賷賴丕 賲丕乇賰賷夭 賲毓 卮乇賯 丕賱亘賱丕丿 賵 睾乇亘賴丕 賵 亘賷賳 鬲卮丕亘賰丕鬲 賯氐鬲賴 賵 丕睾賵丕乇賴丕 賱丕 賳乇賶 丕賱丕 丕賳賴丕 賰丕賳鬲 丕賱禺丕鬲賲丞 丕賱賲賳丕爻亘丞 賵 丕賳 賯乇丕亍丞 "毓卮鬲 賱兀乇賵賶" 賷噩亘 丕賳 鬲賰賵賳 賮賷 賳賴丕賷丞 丕賱丕胤賱丕毓 毓賱賷 丕毓賲丕賱 丕賱賰賵賱賵賲亘賷 丕賱毓馗賷賲 賮毓賱賷丕
賱賰賳 丕賱丕賲乇 丕賱賲孬賷乇 賱賱丕賴鬲賲丕賲 丨賯丕 丕賳 賲丕乇賰賷夭 賴賳丕 賱丕 賷賯丿賲 賱賳丕 亘丿丕賷丞 丕賵 賳賴丕賷丞 丕賵 丨鬲賷 丕賯賱 賳賵毓 賲賳 丕賱鬲乇鬲賷亘 丕賱夭賲賳賷 亘爻 賷賰鬲亘 毓賱賷 胤乇賷賯丞 "丕賱鬲丿丕毓賷 丕賱丨乇 賱賱匕賰乇賷丕鬲" 賮賷賯丿賲 亘毓囟賴丕 毓賱賷 亘毓囟 ... 胤乇賷賯丞 鬲亘丿賵 禺賱丕亘丞 賮賷 丕賱丨賰賷 丕賱卮賮賵賶 賱賰賳賴丕 鬲亘賱亘賱 丕賱賯丕乇卅 賴丕 賴賳丕 賵 鬲賱夭賲賴 亘賯丿乇 毓丕賱賶 -丕毓賱賷 賲賳 丕賱賱丕夭賲責!- 賲賳 丕賱鬲乇賰賷夭 貙 賮丕賱鬲賳賯賱 賲賳 賮賯乇丞 賱丕禺乇賶 賷睾賷乇 賮賵乇丕 夭賲賳 賵 賲賰丕賳 丕賱丨丿孬 賵 爻賳 賲丕乇賰賷夭 賵賯鬲 鬲賱賰 丕賱匕賰乇賶 亘毓賷賳賴丕
賵 賳丨賳 丕賱賯丕乇卅 丕賱賲丿賲賳 賱丕毓賲丕賱 丕賱丕亘 丕賱乇賵丨賷 賱賱賵丕賯毓賷丞 丕賱爻丨乇賷丞 賳鬲毓噩亘 賲賳 丕賳賴 賷賴鬲賲 亘鬲賮丕氐賷賱 毓賳 丕禺乇賶 鬲亘丿賵 賱賳丕 丕賰孬乇 丕賴賲賷丞 貙 賮賲孬賱丕 賲丕乇賰賷夭 賱丕 賷賴鬲賲 丕亘丿丕 丕賳 賷乇賵賶 賱賳丕 賰賵丕賱賷爻 賰鬲丕亘鬲賴 賱"賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞" 丕賱鬲賷 丿賵禺鬲 丕賱毓丕賱賲 賵 丕噩亘乇鬲 賳賯丕丿 乇丕亘胤丞 丕賱毓賳賯 毓賱賷 丕賱睾賵氐 丨鬲賷 丕賱乇賰亘鬲賷賳 賮賷 丕賱毓丕賱賲 丕賱卮毓亘賷 賳氐賮 丕賱禺賷丕賱賷 貙 亘賷賳賲丕 賷氐乇 賲丕乇賰賷夭 毓賱賷 丕禺亘丕乇賳丕 賱鬲賮丕氐賷賱 賲丿乇爻鬲賴 丕賱丿丕禺賱賷丞 丕賵 毓卮賷賯鬲賴 丕賱禺賱丕爻賷丞 丕賵 鬲賮丕氐賷賱 賲賯丕賱丕鬲賴 丕賱賷賵賲賷丞 賵 賵賯鬲 毓賲賱賴 賰賳丕賯丿 爻賷賳賲丕卅賷
賵 賳丨賳 賳乇賶 丕賳 丕賱乇賵丕賷丞 丕賱丕賰孬乇 匕賰乇丕 禺賱丕賱 丕賱賰鬲丕亘丞 丕賱匕賶 賯丕乇亘 丕賱爻亘毓 賲卅丕鬲 賲賳 丕賱氐賮丨丕鬲 賴賷 "毓丕氐賮丞 丕賱丕賵乇丕賯" 丕賱鬲賷 賱丕 鬲鬲氐丿乇 丕毓賲丕賱 賲丕乇賰賷夭 賲賳 丨賷孬 丕賱丕賴賲賷丞 丕賵 丕賱丕賳鬲卮丕乇 亘賱 賮賯胤 賲賳 丨賷孬 丕賱鬲乇鬲賷亘 丕賱夭賲賳賷 賱賱乇賵丕賷鬲賴 丕賱丕賵賱賷 丕賱丨賯賷賯賷丞 ... 亘賷賳賲丕 賱丕 賳賱賲丨 匕賰乇 賱乇丕卅毓鬲賴 "禺乇賷賮 丕賱亘胤乇賷乇賰" 爻賵賶 賲乇丞 賵丕丨丿丞 毓丕亘乇丞 噩丿丕 亘卮賰賱 賱丕 賷鬲爻丕賵賶 賲毓 賲丕 鬲乇丕賴 賰鬲丕亘丞 鬲賱賰 丕賱賰賱賲丕鬲 丕賴賲 賵 丕賰孬乇 賲丕 賰鬲亘 賲丕乇賰賷夭 鬲毓賯賷丿丕 賵 鬲賯賳賷丞
賵 胤亘毓丕 賴賳丕 鬲鬲氐丿乇 賲卮賰賱丞 "丕賱賳賴丕賷丞" 睾賷乇 丕賱賲賵噩賵丿丞 ... 賮丕賱氐賮丨丞 丕賱丕禺賷乇丞 賲賳 "毓卮鬲 賱丕乇賵賶" 賲亘鬲賵乇丞 賵 賰兀賳 氐賮丨丕毓丿鬲 賰孬賷乇 亘毓丿賴丕 賯丿 賮賯丿鬲 丕賵 鬲賱賮鬲 貙 賵 賱賵賱丕 鬲乇噩賲丞 氐丕賱丨 毓賱賲丕賳賷 丕賱毓馗賷賲 賵 孬賯鬲賳丕 賮賷 "丿丕乇 丕賱賲丿賶" -賵 賲乇丕噩毓丞 賱賱賳爻禺丞 亘丕賱丕賳噩賱賷夭賷丞- 賱賯賱賳丕 丕賳 丕賱賰鬲丕亘 賳丕賯氐
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賱賰賳賳丕 賲丕 丕賳 賳賵丿毓 賰賱 鬲賱賰 丕賱丕賳鬲賯丕丿丕鬲 賵 賳鬲乇賰 丕賱乇丕賵賶 賷乇賵賶 乇賵丕賷鬲賴 賵 鬲賮囟賷賱賴 丕賱卮禺氐賷 賱賲丕 賴賵 賲賴賲 賵 賲丕 賴賵 丕囟丕賮賷 貙 爻賳乇賶 賰賷賮 賰丕賳鬲 毓賷賳 賲丕乇賰賷夭 丕爻鬲孬賳丕卅賷丞 賰賮丕賷丞 賱丕賳 鬲氐賳毓 賲賳 毓丕賱賲賴 卮丿賷丿 丕賱賵丕賯毓賷丞 賱賲爻丞 賲賳 毓丕賱賲 兀禺乇
爻賳乇賶 賰賷賮 丕賳 乇丨賷賱 卮乇賰丞 丕賱賲賵夭 -丕賱鬲賷 賰鬲亘 賱賴丕 賲丕乇賰賷夭 禺賱賵丿 賱賲 鬲鬲賵噩 亘賴 丕亘丿丕 丕賷 卮乇賰丞 乇兀爻賲丕賱賷丞 賮賷 丕賱毓丕賱賲- 毓賳 亘賱丿丞 丕賱噩丿 丕賱亘毓賷丿丞 兀禺丿鬲 賰賱 卮卅: 丕賱賲丕賱 貙 賳爻賲丕鬲 賷賳丕賷乇 貙 爻賰賷賳 鬲賯胤賷毓 丕賱禺亘乇貙 乇毓丿 丕賱爻丕毓丞 丕賱孬丕賱孬丞 賲爻丕亍丕貙 丕乇賷噩 丕賱賷丕爻賲賷賳貙 賵 丨鬲賷 丕賱丨亘 ... 亘賷賳賲丕 賱賲 賷鬲乇賰 爻賵賶 丕卮噩丕乇 丕賱賱賵夭 丕賱賲毓賮乇丞 賵 兀賳丕爻 賲賰賮賴乇賷賳 賮鬲賰鬲 亘賴賲 丕賱匕賰乇賷丕鬲
賵 賳丨賳 賳爻鬲賲鬲毓 亘丕賱賮氐賵賱 丕賱丕賵賱賷 丕賱鬲賷 鬲丨賰賶 毓丕賱賲 噩丿丞 賵 噩丿 賰丕鬲亘賳丕 丕賱賰賵賱賵賲亘賷 丕賱賰亘賷乇 貙 賳乇賶 賮賷賴 賳賵丕賴 氐睾賷乇丞 賱毓丕賱賲 爻丨乇賶 鬲爻賵丿賴 丕賱賳爻丕亍 丕鬲丕丨 賱賴 丕賱卮毓賵乇 丿丕卅賲丕 亘丕賱乇丕丨丞 賵 丕賱丕賲丕賳 賵爻胤賳 亘丕毓鬲亘丕乇賴賳 毓賲丕丿 丨賲丕賷丞 丕賱毓丕賱賲 亘賷賳賲丕 賷卮亘毓 丕賱乇噩丕賱 賮賷賴 丕賱賮賵囟賷 亘賴賲噩賷鬲賳丕 丕賱鬲丕乇賷禺賷丞 ... 賵 丨賱賲賴 丕賱賯丿賷賲 丕賳 賷賰賵賳 賵丕賯毓賷 賰丕賱噩丿 賵 爻丨乇賶 賰丕賱噩丿丞 賷鬲賲鬲毓 亘賲夭賷丞 丕賱丕賲鬲賷丕夭 丕賱禺丕乇賯 賱賳夭毓 丕賱丕爻賳丕賳 賱賷賱丕 賵 賵囟毓賴丕 賮賷 賰賵亘 亘丿賱 賲賳 賮乇卮賴丕 丨鬲賷 丕賱丿賲丕亍
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賵 賳乇賶 乇賵丕賷丞 "毓賳 丕賱卮賷丕胤賷賳 賵 丕卮賷丕亍 丕禺乇賶" 賮賷 匕賰乇賶 毓丕亘乇丞 賱氐丨賮賷 乇賵賶 賱賴 毓賳 賮鬲丕丞 賷胤賵賱 卮毓乇賴丕 亘毓丿 丕賱賲賵鬲 貙 賵 賳乇賶 丕賳 "賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞" 賵賱丿鬲 賲賳 乇丨賲 乇賵丕賷丞 "丕賱亘賷鬲" 丕賱賲噩賴囟丞 丕賱鬲賷 賰丕賳 爻賷賰鬲亘賴丕 賲丕乇賰賷夭 毓賳 丨乇亘 丕賱丕賱賮 賷賵賲 毓賳 丕爻乇丞 賱丕 鬲禺乇噩 賲賳 亘賷鬲賴丕 賯胤 ... 賵 賳乇賶 賰賷賮 賵賱丿鬲 "賯氐丞 賲賵鬲 賲毓賱賳" 賲賳 賯氐丞 賵丕賯毓賷丞 丕賯爻賲 賲丕乇賰賷夭 丕賱丕 賷賰鬲亘賴丕 丕賱丕 亘毓丿 賵賮丕丞 丕賲 丕賱賯鬲賷賱
賵 賳乇賶 丕賳 鬲賮氐賷賱丞 丕賱亘丿賱丞 丕賱禺囟乇丕亍 丕賱賲禺賲賱賷丞 丕賱鬲賷 賷乇鬲丿賷賴丕 丕賱胤賮賱 賮賷 "毓丕氐賮丞 丕賱丕賵乇丕賯" 丨賯賷賯丞 賲胤丕亘賯丞 賱夭賶 丕賱胤賮賱 賲丕乇賰賷夭 賳賮爻賴 賵賱丕 兀禺乇 ... 賵 毓賳 賵賱丕丿丞 丕賱噩賳乇丕賱 "亘賵賷賳丿賷丕" 賲賳 賲夭賷噩 禺丕乇賯 亘賷賳 噩丿 賲丕乇賰賷夭 賵 噩丿 夭賲賷賱 丕禺乇 ... 賵 丨亘賰丞 "賱賷爻 賱丿賶 丕賱賰賵賱賵賳賷賱 賲賳 賷賰丕鬲亘賴" 賲賳 丕賲賱 丕賱丕爻乇丞 丕賱丕亘丿賶 賮賷 賲毓丕卮 毓爻賰乇賶
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賱賰賳賳丕 賳乇賶 賰賷賮 丕賳 賯乇丕亍鬲賴 賱 "丿賵賳賷丕 亘丕乇亘丕乇丕" 賱 噩賷賷噩賵爻 囟賲賳鬲 賱賴 丕賱賮賵夭 亘乇囟丕 丕賲賴 賵 噩丕乇賴 丕賱賯丿賷賲 毓賳 賰賵賳賴 賰丕鬲亘丕 貙 賵 丕賳 "毓賵賱賷爻" 噩賷賲賷爻 噩賵賷爻 賰丕賳鬲 丕賳噩賷賱 噩丿賷丿 賷爻亘乇 丕睾賵丕乇賴 亘賱丕 賲賱賱 貙 賵 丕賳 "丕賱爻賷丿丞 丿賱賵賵賶" 賱 賮賷乇噩賳賷丕 賵賵賱賮 噩丕亍鬲賴 賲毓 賵毓丿 丕賳賴 爻賷丨賮馗賴丕 毓賳 馗賴乇 賯賱亘 貙 賵 "丕賱氐禺亘 賵 丕賱毓賳賮" 賱賮賵賰賳乇 賰丕賳鬲 賵賯賵丿 丨乇賰鬲賴 丕賱丕賵賱賷 貙 賵 丕賳 賳賴丕乇賴 丕賱丕賵賱 亘毓丿 賯乇丕亍丞 "丕賱賲爻禺" 賱 賰丕賮賰丕 賰丕賳 賱賷爻 賰兀賶 賳賴丕乇 貙 賵 丕賳 "丕賱賮 賱賷賱丞 賵 賱賷賱丞" 鬲乇賰鬲賴 賲亘賴賵乇 賲賯胤賵毓 丕賱丕賳賮爻
賵 丕賳 "丿賵賳 賰賷卮賵鬲" 賱賲 賷乇賶 賮賷賴丕 爻賵賶 賰賵賲賷丿賷丕 亘丕卅爻丞 丕賱丕 丕賳 賵囟毓賴丕 賮賷 丨賲丕賲賴 丕賱賷 噩丕賳亘 賳馗丕賮鬲賴 丕賱卮禺氐賷丞 賮鬲丨賵賱鬲 亘賮毓賱 丨乇賰丕鬲 賯賵賱賵賳賴 丕賱賷 賲鬲毓丞 爻丕丨賯丞 貙 賵 毓賳 "丕乇亘毓 爻賳賵丕鬲 毓賱賷 賲鬲賳 賳賮爻賷" 賱 丕丿賵丕乇丿 孬丕賱丕賲賷丕 丕賱鬲賷 賮鬲丨鬲 兀賮丕賯 丕賲丕 噩賷賱 亘兀賰賲賱賴 貙 賵 丕賳 "丕賱賯乇賷賳" 賱 丿賵爻鬲賵賮賷爻賰賷 丕賱鬲賷 丨丕賵賱 爻乇賯鬲賴丕 賲賳 丕賱賲賰鬲亘丞 丕賱毓丕賲丞 賵 賱賲 賷爻鬲胤毓 賵 噩毓賱鬲賴 賷鬲賱賴賮 亘噩賳賵賳 賱賯乇丕亍鬲賴丕 丕賱賷 丕賳 丕賴丿丕賴丕 丕賱賷賴 睾乇賷亘 毓丕亘乇 貙 賵 毓賳 "賲賵亘賷 丿賷賰" 賱 賲賱賮賷賱 丕賳賴 賰丕賳 丕賱丕爻鬲孬賳丕亍 丕賱賵丨賷丿 丕賱匕賶 賷爻鬲丨賯 丕賱丕賳囟賲丕賲 賱賱丕丿亘 丕賱丕孬賷賳賷 貙 賵 毓賳 "丕賱亘賷鬲 匕賵 丕賱丕爻賯賮 丕賱爻亘毓賴" 賱 賳丕孬丕賳賷丕賱 賴賵乇孬賵賳 丕賱鬲賷 丕孬乇鬲 亘賴 賲丿賶 丨賷丕鬲賴
賵 賳丨賳 賳乇賶 丕賳 賲丕乇賰賷夭 賰賵賳 卮禺氐賷鬲賴 -賮賷 毓夭 賮賯乇賴- 賲賳 賰鬲亘 賲爻鬲毓丕乇丞 貙 賲鬲噩賵賱丕 亘賱丕 賲賰鬲亘丞 丕賱丕 賲賳 鬲賵氐賷丕鬲 丕賱丕氐丿賯丕亍 賵 鬲賵賮賷乇 丕賱賲賰鬲亘丕鬲 丕賱毓丕賲丞 ... 賵 賳丨賳 賳乇賶 賮賷賴 賲孬丕賱丕 丕禺乇 賵 噩乇爻 丕賳匕丕乇 丕賳 丕賱賰鬲亘 賱賷爻鬲 乇賮丕賴賷丞 賵 丕賳 丕爻毓丕乇 賰鬲亘 丕賱賷賵賲 乇亘賲丕 禺賳賯鬲 -丕賵 賮賷 胤乇賷賯賴丕- 賲賵賴亘丞 賲丕乇賰賷夭 丕禺乇
*
賱賰賳 賲丕乇賰賷夭 賷馗賱 賰賲丕 賴賵 ... 賵賱丿 賱賷乇賵賶 賵 毓丕卮 丨賷丕鬲賴 賱賷鬲兀賲賱 賰孬賷乇丕 賵 賷賳胤賯 亘 賴匕賷丕賳丕鬲 賷噩賳 賱賴丕 噩賳賵賳賳丕 賲賳 賮乇胤 亘爻丕胤鬲賴丕 賵 卮丿丞 鬲毓賯賷丿賴丕 賵 丕氐丕賱鬲賴丕 丕賱賲胤賱賯丞 ... 丕賲丕 賰賷賮 丕賲鬲氐 賲丕乇賰賷夭 丕賱毓丕賱賲 賲賳 丨賵賱賴 賮賷 丕丨丿丕孬 賵 賰鬲亘 鬲賲丕賲丕 賲孬賱 丕爻賮賳噩丞 賵 賷賮賰賰賴丕 丕賱賷 丕噩夭丕亍 賮毓賳丿賲丕 賷乇賵賷賴丕 賱賱丕卮禺丕氐 丕賳賮爻賴賲 賮鬲鬲賲賱賰賴賲 丕賱丨賷乇丞 貙 賰賷賮 賷丨賵賱 丕賱毓丕丿賶 賵 丕賱卮丕卅毓 丕賱賷 丨丿孬 丕爻鬲孬賳丕卅賷 賲亘鬲賰乇 丕氐賷賱 賮賴匕丕 爻乇 毓亘賯乇賷丞 丕賱賰丕乇賷亘賷 丕賱爻丕丨乇 丕賱鬲賷 賷賲賰賳 賱賯丕乇卅 "毓卮鬲 賱兀乇賵賶" 丕賳 賷賱賲丨 胤賷賮賴 賲賳 亘毓賷丿 ... 賯賱賷賱 賵 卮丕丨亘 賱賰賳 賰丕賮賷
丿賷賳丕 賳亘賷賱
賮亘乇丕賷乇 佗贍佟佴
May 10, 2022
Indiferent dac膬 卯葲i place sau nu Marquez - 葯i n-ai cum s膬 nu-l apreciezi dac膬 e葯ti un cititor de 濒颈迟别谤补迟耻谤膬 - experien葲ele/evenimentele redate 卯n volumul 膬sta, 卯ntr-un mod natural 葯i sincer (forma 卯n care memoriile sunt cel mai bine prezentate, din punctul meu de vedere), sunt ca ni葯te pietre pre葲ioase pescuite din r芒u.
Avem privilegiul de-a urm膬ri dezvoltarea lui Marquez ca scriitor, care ne poveste葯te 葯i despre dezam膬girile lui literare, nu doar despre reu葯ite, despre felul 卯n care l-a format cariera de jurnalist, ne face martori la evenimente istorice care-au m膬cinat Columbia 卯n acea perioad膬 etc.
O singur膬 dezam膬gire am avut la finalul c膬r葲ii 鈥� faptul c膬 Marquez n-a reu葯it s膬 scrie o continuare, a葯a cum 卯葯i propusese.
Avem privilegiul de-a urm膬ri dezvoltarea lui Marquez ca scriitor, care ne poveste葯te 葯i despre dezam膬girile lui literare, nu doar despre reu葯ite, despre felul 卯n care l-a format cariera de jurnalist, ne face martori la evenimente istorice care-au m膬cinat Columbia 卯n acea perioad膬 etc.
O singur膬 dezam膬gire am avut la finalul c膬r葲ii 鈥� faptul c膬 Marquez n-a reu葯it s膬 scrie o continuare, a葯a cum 卯葯i propusese.
February 8, 2010
賱賵 賰丕賳 賴賳丕賰 賳噩賲丞 爻丕丿爻丞 賵 爻丕亘毓丞 賵毓丕卮乇丞 .. 賱賲丕 鬲乇丿丿丿鬲 賱丨馗丞
廿賳賴 睾丕亘乇賷賷賱 噩丕乇爻賷丕 賲丕乇賰賷夭.. 丕賱匕賷 兀丨賲丿 丕賱賱賴 賰孬賷乇丕賸 兀賳賷 毓卮鬲 賮賷 丕賱夭賲賳 丕賱匕賷 毓丕卮 賮賷賴 賱賷乇賵賷!
賵 亘丕賱乇睾賲 賲賳 兀賳 賴匕賴 丕賱乇賵丕賷丞 賱賷爻鬲 乇賵丕賷丞 賵 廿賳賲丕 噩夭亍 丨賷 賲賳 丨賷丕鬲賴 賵 乇賵丨賴.. 廿賱丕 兀賳丕 賰乇賴鬲購 噩丿丕 丕賳鬲賴丕卅賴丕 賵 兀丐賲賳 鬲賲丕賲 丕賱廿賷賲丕賳 兀賳 賴賳丕賰 丕賱賰孬賷乇 賵 丕賱賰孬賷乇 丕賱匕賷 賱賲 賷賰鬲亘 亘毓丿 賵 兀乇賷丿 賵 亘卮丿丞 兀賳 兀毓乇賮賴...
賷丕 賲賷賳 賷賯賵賱 賱賲丕乇賰賷夭 兀賳 賷購賰賲賱 丨賰賷賴 毓賳 丨賷丕鬲賴 賱賭 兀噩賱 丕賱賳亘賭賭賷
:D
April 26, 2020
I will finish this book in a week's time, but I am inspired to write the review now. Perhaps it is only fitting that my future ties in with my present...though I fail to see for the moment how my past is involved with this book, perhaps melancholy dreams with instruct me.
There is a moment in this book where Gabito meets the "insatiable reader". It is on a boat trip to Bogota to apply for a government scholarship for college. He sees the man at a seat, reading book after book on all kinds of erudite topics. The scene left a deep impression on me. Perhaps because I was sitting at a bench in front of Omura castle as the late-day sun was casting a yellowish glow on Omura bay. Suddenly, miraculous things occurred to me. The most obvious was that I had become the "insatiable reader"! I was living a romantic's dream of living by the water, free time there to be had, at least for now, and a good book to be read. The other was that my life was no less romantic than Gabito's. After all, things were as strange as in his imagination. Gabito writes of Love in the Time of Cholera.
I am the insatiable reader in the time or Corona.
I sit alone, in a kind of empty landscape, with the few scattered people wearing medical masks on their faces. I think about the clear water of Gabito's hometown that washed over polished stones as I look up to the high tower of Omura castle, where a modern light of purple begins to shine on it so that tourists (who cannot come because of the disease) can take pictures at night. Thirty minutes before the sun sets for good, I will read three more pages and then depart early because a sunset seems too sentimental for this old soul to bear at the moment.
It is the boat trip to Gabito's university that most captures my imagination. "Each voyage taught great lessons about life that connect us in an ephemeral but unforgettable way to the life of the towns we passed through, and many of us became forever caught up in their destinies." Here, once again, we see Marquez at his best, as he uses exaggeration, embellishment, truth, and the weaving of past, present, and future to make the world as real as fiction will allow. I read this passage in between my walks along Omura bay. What struck me was how marvelous some structures were -- the city hospital with its helicopters, and yet how simple other establishments were -- the old sandwich shop that was not too far from the hospital. It seemed impossible to me that the little shop could make any money. And right next to the modern hospital were two buildings of apartments that seemed condemned, overgrown with weeds. I saw the train pass along the coast as I walked, its cars mostly empty because of the virus that was keeping us mostly at home and I thought, 'We live in time no stranger than any other.'
And yet, if I can tie the past, present, and future together with an insatiable love for humans, language, and self, then perhaps I can pay homage to everything Gabito stood for. The randomness that defines our existence, the insatiableness of human curiosity and spirit, the deep beauty in even the most absurd tragedies...that is the legacy of a life, any life, a proliferation of stories that make a moment on a voyage on a great river...or a walk along Omura Bay...
And I hope I will live to tell the tale!
There is a moment in this book where Gabito meets the "insatiable reader". It is on a boat trip to Bogota to apply for a government scholarship for college. He sees the man at a seat, reading book after book on all kinds of erudite topics. The scene left a deep impression on me. Perhaps because I was sitting at a bench in front of Omura castle as the late-day sun was casting a yellowish glow on Omura bay. Suddenly, miraculous things occurred to me. The most obvious was that I had become the "insatiable reader"! I was living a romantic's dream of living by the water, free time there to be had, at least for now, and a good book to be read. The other was that my life was no less romantic than Gabito's. After all, things were as strange as in his imagination. Gabito writes of Love in the Time of Cholera.
I am the insatiable reader in the time or Corona.
I sit alone, in a kind of empty landscape, with the few scattered people wearing medical masks on their faces. I think about the clear water of Gabito's hometown that washed over polished stones as I look up to the high tower of Omura castle, where a modern light of purple begins to shine on it so that tourists (who cannot come because of the disease) can take pictures at night. Thirty minutes before the sun sets for good, I will read three more pages and then depart early because a sunset seems too sentimental for this old soul to bear at the moment.
It is the boat trip to Gabito's university that most captures my imagination. "Each voyage taught great lessons about life that connect us in an ephemeral but unforgettable way to the life of the towns we passed through, and many of us became forever caught up in their destinies." Here, once again, we see Marquez at his best, as he uses exaggeration, embellishment, truth, and the weaving of past, present, and future to make the world as real as fiction will allow. I read this passage in between my walks along Omura bay. What struck me was how marvelous some structures were -- the city hospital with its helicopters, and yet how simple other establishments were -- the old sandwich shop that was not too far from the hospital. It seemed impossible to me that the little shop could make any money. And right next to the modern hospital were two buildings of apartments that seemed condemned, overgrown with weeds. I saw the train pass along the coast as I walked, its cars mostly empty because of the virus that was keeping us mostly at home and I thought, 'We live in time no stranger than any other.'
And yet, if I can tie the past, present, and future together with an insatiable love for humans, language, and self, then perhaps I can pay homage to everything Gabito stood for. The randomness that defines our existence, the insatiableness of human curiosity and spirit, the deep beauty in even the most absurd tragedies...that is the legacy of a life, any life, a proliferation of stories that make a moment on a voyage on a great river...or a walk along Omura Bay...
And I hope I will live to tell the tale!
June 12, 2020
En este libro autobiogr谩fico听Gabriel Garc铆a听M谩rquez comienza narrando pasajes de su clan familiar, principalmente de sus padres y abuelos. Termina justo cuando lo enviaron de corresponsal a Europa en el diario El Espectador.
Soy consciente que para el disfrute del libro se debe tener un gusto y conocimiento de su obra, para entender c贸mo se form贸 su pasi贸n, su forma de escribir y como muchos de sus personajes de cuentos y novelas eran a la larga seres de carne y hueso.
En Colombia han desaparecido los viajes por r铆o (los hay muy reducidos en la Amazonia y la Orinoqu铆a) y tren, creo que por esta raz贸n fue especial leer la odisea que era llegar desde la Costa Caribe hasta Bogot谩, d铆as de navegaci贸n por el R铆o Magdalena y luego en tren para llegar a la Estaci贸n de la Sabana en la capital.听
En ocasiones se lee como un libro de viajes porque GGM fue n贸mada siempre, su trasegar hasta lugares rec贸nditos (para la 茅poca) como La Guajira vendiendo enciclopedias, itinerante especialmente en su labor de periodismo y reportaje, siendo las p谩ginas听sobre el departamento del Choc贸 las m谩s inspiradoras, donde se siente lo remoto y m谩gico听del lugar.
Luego de su paso por el colegio en Zipaquir谩, sus primeras lecturas, como golpeo a su esp铆ritu听del Caribe su llegada a la nevera, la triste Bogot谩, en la que siempre parec铆a llover y todos iban vestido de negro, la asistencia a las reuniones en el Caf茅 El Autom谩tico, cuando conoci贸听a Le贸n de Greiff y Zalamea Borda, y la batalla en la que se enfrent贸 con sus padres para dejar la carrera de derecho.
听
De esta 茅poca siendo lo m谩s lucido quiz谩s su relato del Apocalipsis de "El Bogotazo" el 9 de abril de 1948, cerca a la esquina del Caf茅 El Molino, su caf茅 favorito, lugar de tertulias literarias que GGM frecuentaba, donde mataron al l铆der听popular Jorge Eli茅cer Gait谩n, heridas que heredamos y a煤n permanecen en el alma nacional de los colombianos de un modo u otro.听听
Su huida de Bogot谩 a Cartagena llevando听solo lo que ten铆a puesto, ya que su pensi贸n fue incendiada en el barrio听La Candelaria, epicentro de los desmanes que destruyeron el centro de la ciudad y su llegada a "La Heroica" casi como un mendigo, sus lecturas de Kafka, de Faulkner, la vida bohemia, lo importante que fue en su proceso creativo听las amistades, en especial la de Cepeda Samudio con sus recomendaciones de estilo, que entre tomar trago y la parranda, se mezclaban las charlas literarias y cin茅filas...
Y todo esto ambientado con la pobreza que tuvo que afrontar, los cuchitriles donde se quedaba, los recuerdos banales y felices de la ni帽ez, cuando los ojos de aquella muchachita lo encandilaron por primera vez...听
Con lo agobiante que a veces es vivir en uno de los pa铆ses听m谩s desiguales, violentos y corruptos de la tierra (seg煤n听铆ndices听de estudios internacionales), me reconcilia un poco con mi nacionalidad saber que a pesar de todas las dificultades del mundo este se帽or aparezca en el billete de $50.000 pesos, veo como un milagro (perd贸n听si esto se percibe como el m谩s听vergonzoso chauvinismo) que 茅l sea unos de los escritores en lengua espa帽ola m谩s recordados a nivel mundial del siglo XX.
听听
Soy consciente que para el disfrute del libro se debe tener un gusto y conocimiento de su obra, para entender c贸mo se form贸 su pasi贸n, su forma de escribir y como muchos de sus personajes de cuentos y novelas eran a la larga seres de carne y hueso.
En Colombia han desaparecido los viajes por r铆o (los hay muy reducidos en la Amazonia y la Orinoqu铆a) y tren, creo que por esta raz贸n fue especial leer la odisea que era llegar desde la Costa Caribe hasta Bogot谩, d铆as de navegaci贸n por el R铆o Magdalena y luego en tren para llegar a la Estaci贸n de la Sabana en la capital.听
En ocasiones se lee como un libro de viajes porque GGM fue n贸mada siempre, su trasegar hasta lugares rec贸nditos (para la 茅poca) como La Guajira vendiendo enciclopedias, itinerante especialmente en su labor de periodismo y reportaje, siendo las p谩ginas听sobre el departamento del Choc贸 las m谩s inspiradoras, donde se siente lo remoto y m谩gico听del lugar.
Luego de su paso por el colegio en Zipaquir谩, sus primeras lecturas, como golpeo a su esp铆ritu听del Caribe su llegada a la nevera, la triste Bogot谩, en la que siempre parec铆a llover y todos iban vestido de negro, la asistencia a las reuniones en el Caf茅 El Autom谩tico, cuando conoci贸听a Le贸n de Greiff y Zalamea Borda, y la batalla en la que se enfrent贸 con sus padres para dejar la carrera de derecho.
听
De esta 茅poca siendo lo m谩s lucido quiz谩s su relato del Apocalipsis de "El Bogotazo" el 9 de abril de 1948, cerca a la esquina del Caf茅 El Molino, su caf茅 favorito, lugar de tertulias literarias que GGM frecuentaba, donde mataron al l铆der听popular Jorge Eli茅cer Gait谩n, heridas que heredamos y a煤n permanecen en el alma nacional de los colombianos de un modo u otro.听听
Su huida de Bogot谩 a Cartagena llevando听solo lo que ten铆a puesto, ya que su pensi贸n fue incendiada en el barrio听La Candelaria, epicentro de los desmanes que destruyeron el centro de la ciudad y su llegada a "La Heroica" casi como un mendigo, sus lecturas de Kafka, de Faulkner, la vida bohemia, lo importante que fue en su proceso creativo听las amistades, en especial la de Cepeda Samudio con sus recomendaciones de estilo, que entre tomar trago y la parranda, se mezclaban las charlas literarias y cin茅filas...
Y todo esto ambientado con la pobreza que tuvo que afrontar, los cuchitriles donde se quedaba, los recuerdos banales y felices de la ni帽ez, cuando los ojos de aquella muchachita lo encandilaron por primera vez...听
Con lo agobiante que a veces es vivir en uno de los pa铆ses听m谩s desiguales, violentos y corruptos de la tierra (seg煤n听铆ndices听de estudios internacionales), me reconcilia un poco con mi nacionalidad saber que a pesar de todas las dificultades del mundo este se帽or aparezca en el billete de $50.000 pesos, veo como un milagro (perd贸n听si esto se percibe como el m谩s听vergonzoso chauvinismo) que 茅l sea unos de los escritores en lengua espa帽ola m谩s recordados a nivel mundial del siglo XX.
听听
January 5, 2019
66. Living To Tell The Tale by Gabriel Garc铆a M谩rquez
translation: 2003, from Spanish by Edith Grossman
published: 2002
format: 484 page paperback
acquired: August 2017, from Half-Price Books
read: Nov 12 - Dec 25
time reading: 20 hr 45 min, 2.6 min/page
rating: 4
A slow memoir that I had been anticipating throughout the year as the finishing touch to my M谩rquez theme. It covers the early life of a starving, hungry, shy journalist, who slept in a whorehouse to save money, and was composing his first novel at night in the office of his newspaper, chain smoking. M谩rquez's life was not exactly harder then I realized, but there was more poverty and hunger. One of eleven children, plus some other half siblings through his philandering father, it seems he was the only one formally educated, being sent away to a boarding prep school. He was only accepted into his primary school because of discussion he had with the principal about 1001 Nights at about age 6.
Alas, he would go on to fail out of law school because of his obsession with writing. The sleepless nights full of prostitutes, and an incredibly well-educated milieu of colleagues, who he recounts in affectionate detail, make for a fascinating world. Generally well regarded, his was actually very insecure. At one point a friend rummaged through his trash and pulled out discarded stories and published them - these are important pieces in his Collected Stories. But the book ends before we have a real author. Instead it closes on a now professional and interesting columnist with just enough income to get by.
I have a memory of being fascinated by a review of this book when it came out, and wondering, for the first time, who Gabriel Garc铆a M谩rquez was and what One Hundred Years of Solitude was about, or magical realism. A little naivety, mind you. But, it was nice to finally follow up and get here.
March 26, 2016
I generally read an autobiography because I already know the person's work or what they are noted for. In the case of M谩rquez the opposite was true. I had only just recently read before plunging into this extremely boring story of his life. Almost immediately I tired of his memories and found little of interest to me. Not so much an exhausting exercise in pretension, though at times measurable, but rather a history of events I could not relate to and not at all important to me. Instead, I was hoping for more of an insight into his writing process and what moved him to compose what amounts to such an enormous body of work. Eventually I felt the need to abandon this book, but before doing so I skimmed to the end further discovering no change in his approach or subject matter. It was a relief to me to finally quit reading something so filled with what I consider fraudulent self-importance.
April 24, 2014
噩丕丿賵诏乇 讴賱賲丕鬲 貙 诏丕亘乇蹖賱 禺賵夭賴 诏丕乇爻蹖丕 賲丕乇讴夭 貙 鬲丕 賴賲蹖卮賴 夭賳丿賴 賲丕賳丿
卮丕蹖丿 乇賵丨 诏丕亘賵 亘乇丕蹖 丕乇賵丕丨 爻乇诏乇丿丕賳 貙 乇賵蹖丕 亘爻丕夭賴
禺蹖賱蹖 丕夭 賳讴丕鬲 賲乇亘賵胤 亘賴 丿丕爻鬲丕賳賴丕卮賵 诏賮鬲賴 亘賵丿 賵 趩蹖夭蹖 讴賴 禺蹖賱蹖 禺蹖賱蹖 趩卮賲诏蹖乇 亘賵丿 氐丿丕賯鬲 亘蹖賳馗蹖乇 诏丕亘蹖鬲賵 亘賵丿.
爻禺鬲蹖 賴丕 貙 賲賵賮賯蹖鬲賴丕 貙 賮賯乇 貙 孬乇賵鬲 賵 鬲賲丕賲 賱丨馗丕鬲 賵 禺丕胤乇丕鬲 丿賵乇丕賳 讴賵丿讴蹖 鬲丕 賳賵噩賵賵賳蹖卮 乇賵 亘丕 乇賵丕蹖鬲蹖 噩匕丕亘 賳賯賱 賲蹖讴賳賴
亘毓丿 丕夭 禺賵賳丿賳 丌孬丕乇 賲丕乇讴夭 賵 倬蹖 亘乇丿賳 亘賴 夭丨賲丕鬲蹖 讴賴 賵丕爻賴 禺賱賯 丌孬丕乇卮 賲鬲丨賲賱 卮丿賴 貙 丿乇 丕蹖賳 讴鬲丕亘 亘賴 氐賵乇鬲 讴丕賲賱丕 诏賵蹖丕 賵 賵丕囟丨 賳卮賵賳 賲蹖丿賴 賳賵蹖爻賳丿賴 卮丿賳 蹖讴蹖 丕夭 爻禺鬲鬲乇蹖賳 讴丕乇賴丕蹖 丿賳蹖丕爻鬲.
卮丕蹖丿 乇賵丨 诏丕亘賵 亘乇丕蹖 丕乇賵丕丨 爻乇诏乇丿丕賳 貙 乇賵蹖丕 亘爻丕夭賴
禺蹖賱蹖 丕夭 賳讴丕鬲 賲乇亘賵胤 亘賴 丿丕爻鬲丕賳賴丕卮賵 诏賮鬲賴 亘賵丿 賵 趩蹖夭蹖 讴賴 禺蹖賱蹖 禺蹖賱蹖 趩卮賲诏蹖乇 亘賵丿 氐丿丕賯鬲 亘蹖賳馗蹖乇 诏丕亘蹖鬲賵 亘賵丿.
爻禺鬲蹖 賴丕 貙 賲賵賮賯蹖鬲賴丕 貙 賮賯乇 貙 孬乇賵鬲 賵 鬲賲丕賲 賱丨馗丕鬲 賵 禺丕胤乇丕鬲 丿賵乇丕賳 讴賵丿讴蹖 鬲丕 賳賵噩賵賵賳蹖卮 乇賵 亘丕 乇賵丕蹖鬲蹖 噩匕丕亘 賳賯賱 賲蹖讴賳賴
亘毓丿 丕夭 禺賵賳丿賳 丌孬丕乇 賲丕乇讴夭 賵 倬蹖 亘乇丿賳 亘賴 夭丨賲丕鬲蹖 讴賴 賵丕爻賴 禺賱賯 丌孬丕乇卮 賲鬲丨賲賱 卮丿賴 貙 丿乇 丕蹖賳 讴鬲丕亘 亘賴 氐賵乇鬲 讴丕賲賱丕 诏賵蹖丕 賵 賵丕囟丨 賳卮賵賳 賲蹖丿賴 賳賵蹖爻賳丿賴 卮丿賳 蹖讴蹖 丕夭 爻禺鬲鬲乇蹖賳 讴丕乇賴丕蹖 丿賳蹖丕爻鬲.
June 19, 2018
賳賲賷丿賵賳賲 趩賳丿鬲丕 丌丿賲 賴賲賷賳 丕賱丕賳 丿乇 丨丕賱 夭賳丿诏賷 賰乇丿賳 賴爻鬲賳 賰賴 丕诏賴 夭賳丿诏賷賳丕賲賴 卮賵賳 乇賵 賲孬賱 賲丕乇賰夭 丿乇 賴賮鬲丕丿 賵 倬賳噩 爻丕賱诏賷 亘賳賵賷爻賳 賴賲賷賳賯丿乇 卮诏賮鬲 丕賳诏賷夭 賵禺賵賳丿賳賷 賲賷卮賴
亘毓丿 丕夭禺賵賳丿賳 丕賷賳 賰鬲丕亘 賮賴賲賷丿賲 亘禺卮 夭賷丕丿賷 丕夭 賲丕噩乇丕賴丕賷 賰鬲丕亘 氐丿爻丕賱 鬲賳賴丕賷賷 賵丕賯毓賷 亘賵丿賴 賵 賮賯胤 賮囟丕賷 丿丕爻鬲丕賳賷 禺丕賳賵丕丿賴 賵卮禺氐賷鬲 賴丕 乇賵 爻丕禺鬲賴貙 丕鬲丕賯 卮氐鬲 賱诏賳貙 賲丕噩乇丕賷 噩賳诏 丿丕禺賱賷 賵 丕鬲賮丕賯丕鬲卮 賵 丕賵賳 賯胤丕乇 賰卮鬲賴 賴丕貙 丿禺鬲乇 賲噩乇丿 倬賷乇賷 賰賴 賰賮賳 禺賵丿卮 乇賵 賲賷丿賵夭賴 賵 丕夭 夭賲丕賳 賲乇诏卮 賲胤賱毓賴 賵 丿禺鬲乇 亘趩賴 丕賷 賰賴 賮賯胤 诏趩 丿賷賵丕乇 賵 禺丕賰 亘丕睾趩賴 乇賵 賲賷禺賵乇賴 賵 睾賷乇賴 賵 睾賷乇賴
亘毓丿 丕夭禺賵賳丿賳 丕賷賳 賰鬲丕亘 賮賴賲賷丿賲 亘禺卮 夭賷丕丿賷 丕夭 賲丕噩乇丕賴丕賷 賰鬲丕亘 氐丿爻丕賱 鬲賳賴丕賷賷 賵丕賯毓賷 亘賵丿賴 賵 賮賯胤 賮囟丕賷 丿丕爻鬲丕賳賷 禺丕賳賵丕丿賴 賵卮禺氐賷鬲 賴丕 乇賵 爻丕禺鬲賴貙 丕鬲丕賯 卮氐鬲 賱诏賳貙 賲丕噩乇丕賷 噩賳诏 丿丕禺賱賷 賵 丕鬲賮丕賯丕鬲卮 賵 丕賵賳 賯胤丕乇 賰卮鬲賴 賴丕貙 丿禺鬲乇 賲噩乇丿 倬賷乇賷 賰賴 賰賮賳 禺賵丿卮 乇賵 賲賷丿賵夭賴 賵 丕夭 夭賲丕賳 賲乇诏卮 賲胤賱毓賴 賵 丿禺鬲乇 亘趩賴 丕賷 賰賴 賮賯胤 诏趩 丿賷賵丕乇 賵 禺丕賰 亘丕睾趩賴 乇賵 賲賷禺賵乇賴 賵 睾賷乇賴 賵 睾賷乇賴
October 2, 2012
I remember absolutely nothing from this book.
September 11, 2012
賱丕 兀爻鬲胤賷毓 毓賱賶 賵噩賴 丕賱丿賯丞 鬲匕賰乇 丕賱賰購鬲賾丕亘 賵 丕賱乇賵丕卅賷賷賳 丕賱匕賷 賯乇兀鬲 賱賴賲 胤賵丕賱 丕賱爻賳賵丕鬲 丕賱賲賳氐乇賲丞 賲賳 丨賷丕鬲賷 丕賱賯乇丕卅賷丞 貙 兀毓賳賷 兀賵賱卅賰 丕賱匕賷賳 兀毓丕氐乇賴賲 丕賱丌賳 貙 賱兀賳賳賷 賱賲 兀賰鬲乇孬 卮禺氐賷丕賸 賱賰賵賳賴賲 賲賵鬲賶 賮賷 丕賱鬲購乇丕亘 兀賲 兀丨賷丕亍 毓賱賷賴丕 貙 賰丕賳鬲 賯乇丕卅鬲賷 賱賴賲 鬲賰賮賷 兀丨賷丕賳丕賸 賱兀卮毓乇 亘賴賲 兀丨賷丕亍 賮賷 賱丨馗丕鬲 貙 孬賲 賲賵鬲賶 賮賷 賱丨馗丕鬲 兀禺乇賶 貙 - 賴匕賴 胤乇賷賯鬲賷 賱賱毓亘孬 亘丕賱丨賷賵丕鬲 賲賳 丨賵賱賷 - 毓賱賶 兀賷丞 丨丕賱 貙 賴匕丕 丕賱兀賲乇 賱丕 賷賳胤亘賯 毓賱賶 " 睾丕亘乇賷賷賱 睾丕乇賷爻丕 賲丕乇賰賷夭 貙 賱爻亘亘 賲丕 氐亘丨鬲購 兀賰鬲乇孬購 賱賰賵賳賷 兀毓丕氐乇賴 貙 賰賳鬲 兀賴賲爻 賱賳賮爻賷 賯丕卅賱丞 : 賱賰賲 兀賳鬲賽 賲丨馗賵馗丞 賷丕 乇賵丨 . 賱賯丿 廿爻鬲胤毓鬲賽 毓賱賶 丕賱兀賯賱 賲毓丕氐乇丞 賲丕乇賰賷夭 - 賵廿賳 賱賲 鬲賰賳 賲毓丕氐乇丞賸 鬲丕賲丞 - 亘賷賳賲丕 丕賱兀噩賷丕賱 丕賱賯丕丿賲丞 賱賳 鬲鬲爻賳賶 賱賴賲 賴匕賴 丕賱賮乇氐丞 - 廿賳賴 丕賱卮毓賵乇 匕丕鬲賴 賱兀賳賳丕 賱賲 賳毓丕氐乇 丿賵爻鬲賵賷賮賷爻賰賷 - 爻賷鬲賳丕賯賱賵賳 賮賯胤 賵噩賵丿 賰丕鬲亘 賰賵賱賵賲亘賷 賯丿 賰鬲亘 毓丿丞 乇賵丕賷丕鬲 賲購匕賴賱丞 賵 乇賵賶 爻賷乇鬲賴 亘卮賷亍 賲賳 丕賱鬲賮氐賷賱 賵 丕賱廿爻賴丕亘 丕賱賲購匕賴賱賷賳 賮賷 賰鬲丕亘賴 : 毓卮鬲 賱兀乇賵賷 貙 賵 廿賳鬲賴鬲 丨賷丕鬲賴 亘廿毓鬲夭丕賱 丕賱賰鬲丕亘丞 亘爻亘亘 禺乇賮賺 兀氐丕亘賴 賵 兀賮賯丿賴 毓賯賱賴 賵賵丿毓 賯乇丕卅賴 亘賭 亘鬲丨賷丞 賵丿丕毓賷丞 噩賲賷賱丞 ! 貙 乇購亘賲丕 丨賷賳賴丕 鬲賳賯乇囟 賰購鬲亘賴 廿賱丕 賯賱賷賱丕賸 貙 賵 爻賷鬲丿丕賮毓 賯購乇丕亍 丕賱毓丕賱賲 亘丨孬丕賸 毓賳賴丕貙 亘賷賳賲丕 亘丨賵夭鬲賰 兀賳鬲賽 賰鬲丕亘 孬賲賷賳 賱賴 賱賳 鬲乇囟賷 亘廿毓丕乇鬲賴 兀亘丿丕賸 貙 賵 爻鬲丨鬲賮馗賷賳 亘賴 賮賷 丕賱賯亘賵 兀賵 賮賷 毓賱賷丞 丕賱賲賳夭賱 賲毓 亘賯賷丞 丕賱賰購鬲亘 丕賱賵乇賯賷丞 丕賱賳丕丿乇丞 貙 賵鬲兀匕賳賷賳 賮賷 賳賴丕賷丞 丕賱賲胤丕賮 兀賳 鬲賵乇孬 賰鬲亘賰 賱兀賰孬乇 兀丨賮丕丿賰 丨購亘丕賸 亘丕賱賯乇丕亍丞 賵賵賱毓丕賸 亘賴丕 貙 賵鬲兀禺匕賷賳 毓賴丿 賵賮丕亍 賲賳賴 兀賳 賷丨賮馗賴丕 亘毓賷丿丕賸 毓賳 兀毓賷賳 丕賱賲鬲胤賮賱賷賳 賲賲賳 廿丿毓賵丕 兀賳 毓氐乇 丕賱賵乇賯 賵 丕賱賰購鬲亘 丕賱賵乇賯賷丞 賯丿 丕賳賯囟賶 廿賱賶 睾賷乇 乇噩毓丞 亘賷賳賲丕 賴賲 賷鬲乇丕賰囟賵賳 賱賱丨氐賵賱 毓賱賷賴丕 賱兀賳賴丕 亘胤亘賷毓丞 丕賱丨丕賱 兀氐亘丨鬲 賲賵丕丿丕賸 噩賷丿丞 賱賱賲鬲丕丨賮 丕賱兀孬乇賷丞 .
鬲噩丕賵夭丕賸 賱賱賲亘丕賱睾丕鬲 兀毓賱丕賴 貙 賲丕乇賰賷夭 賲購丿賴卮 亘賲賻 賷賰賮賷 賱賷噩毓賱賳賷 兀賰鬲亘 賲乇丕噩毓鬲賷 賱賴 賵 兀賳丕 賲丕 夭賱鬲 兀賯乇兀 丕賱賰賽鬲丕亘 賱乇睾亘鬲賷 丕賱賲購賱丨丞 賮賷 兀賳 兀賰鬲亘 賲丕 賯丿 賱丕 鬲鬲爻賳賶 賱賷 賰鬲丕亘鬲賴 賱丕丨賯丕賸 丨賷賳賲丕 兀賳鬲賴賷 貙 睾丕亘乇賷賷賱 賲丕乇賰賷夭 丕賱乇賵丕卅賷 丕賱賰賵賱賵賲亘賷 丕賱匕賷 賱賲 兀賯乇兀 賱賴 兀賷丕賸 賲賳 乇賵丕賷鬲賴 丨鬲賶 丕賱丌賳 乇睾賲 賲毓乇賮鬲賷 丕賱賲購爻亘賯丞 亘乇賵丕賷鬲賴 丕賱兀賰孬乇 鬲丿丕賵賱丕賸 毓賱賶 賲爻丕賲毓賷 : 賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞 貙 爻乇丿 賮賷 賰鬲丕亘賴 毓卮鬲 賱兀乇賵賷 丨賷丕鬲賴 丕賱氐丕禺亘丞 賵 鬲丕乇賷禺 兀噩丿丕丿賴 賵 賵丕賱丿賷賴 亘亘乇丕亍丞 胤賮賱 賮賷 賯乇賷丞 丌乇丕賰丕鬲丕賰丕 賮賷 賰賳賮 噩丿賷賾賴 賵 廿賳鬲賯丕賱賴 廿賱賶 賲賳夭賱 賵丕賱丿賷賴 賲購噩丿丿丕賸 亘毓丿 兀賳 賵丕乇賶 噩爻丿 噩丿賴 丕賱鬲購乇丕亘 孬賲 亘乇賵丨 卮丕亘 噩丕賲丨 賲丿賲賳 賱賱爻賷噩丕乇 賵 丕賱賰鬲亘 賮賷 丌賳 賵丕丨丿 匕賵 賲丨丕賵賱丕鬲 氐丨賮賷丞 賲毓 夭購賲乇丞 賲賳 丕賱兀氐丿賯丕亍 " 丕賱賲噩丕賳賷賳 " 丕賱匕賷賳 亘爻亘亘 兀爻賲丕卅賴賲 丕賱毓氐賷丞 毓賱賶 丕賱鬲匕賰乇 賱丕兀爻鬲胤賷毓 鬲賲賷夭賴賲 丿賵賳 兀丨丿丕孬賺賽 賵氐賮丕鬲 賲毓賷賳丞 兀乇亘胤賴丕 亘賰賱 賮乇丿 賲賳賴賲 . 賱賷氐亘丨 賮賷 賳賴丕賷丞 毓賯丿賴 丕賱孬丕賱孬 氐丨賮賷丕賸 賲卮賴賵乇丕賸 賲賵賱毓丕賸 亘丕賱氐丨丕賮丞 賵賲丿賲賳丕賸 賱賴丕 .
兀氐丿賯丕亍 賲丕乇賰賷夭 賰丕賳賵丕 丕賱毓賵賳 丕賱兀賰亘乇 賮賷 丨賷丕鬲賴 亘丕賱廿囟丕賮丞 賱賭 胤賮賵賱鬲賴 賲毓 噩丿賴 賵 賲乇丕賴賯鬲賴 賵鬲賳賯丕賱鬲賴 丕賱賰孬賷乇丞 亘賷賳 丕賱賲丿丕乇爻 賵 丕賱賲丿賳 丕賱賰賵賱賵賲亘賷丞 亘禺賱丕賮 鬲兀孬賷乇 賵丕賱丿賷賴 丕賱賷爻賷乇 噩丿丕賸 丕賱匕賷 丕毓鬲乇賮 亘賷賳 爻胤賵乇賴丕 亘兀賳賴 賱賲 賷賯囟賷 賲毓賴賲丕 賵 賲毓 兀禺賵鬲賴 丕賱毓卮乇丞 丕賱丌禺乇賷賳 兀賰孬乇 賲賳 孬賱丕孬 爻賳賵丕鬲 賮賷 兀賵賯丕鬲 賲鬲賮乇賯丞 .
兀丨賷丕 賲丕乇賰賷夭 禺賱丕賱 丕賱氐賮丨丕鬲 卮毓賵乇丕賸 睾乇賷夭賷丕賸 賮賷 丿丕禺賱賷 賰賳鬲 賯丿 兀禺賲丿鬲賴 賲購賳匕 亘毓囟 丕賱賵賯鬲 亘丕賱廿賱鬲賮丕鬲 賱賰賱 卮賷亍 賲賳 丨賵賱賷 賰賲丕 賱賵 兀賳賴 賲丕丿丞 噩賷丿丞 賱賱賰鬲丕亘丞 毓賳賴 賲丕 丿賲鬲賻 鬲賲鬲賱賰 丕賱賯購丿乇丞 丕賱兀丿亘賷丞 賱匕賱賰 賵 兀賱賯賶 亘賷賳 丕賱爻胤賵乇 毓亘丕乇丞 兀爻胤賵乇賷丞 丿毓賲鬲 亘賴丕 亘毓囟 賯賳丕毓丕鬲賷 賵 兀夭賷丿 毓賱賷賴丕 賮賷 賯賵賱賴 : " 毓賱賲鬲賳賷 丕賱丨賷丕丞 賳賮爻賴丕 兀賳 兀丨丿 兀賰孬乇 丕賱兀爻乇丕乇 賮丕卅丿丞 賮賷 丕賱賰鬲丕亘丞 貙 賴賵 鬲毓賱賲 賯乇丕亍丞 乇賲賵夭 丕賱賵丕賯毓 丿賵賳 鬲賵噩賷賴 兀爻卅賱丞 " . 乇睾亘鬲購 賱賵 兀賳賳賷 賱賲 兀丨爻賲 賳噩賲丞 廿賱丕 兀賳賳賷 兀乇賷丿 兀賳 兀毓鬲乇賮 亘卮毓賵乇賷 亘丕賱囟噩乇 賮賷 丕賱賮賯乇丕鬲 丕賱賲鬲賮乇賯丞 丕賱鬲賷 匕賰乇 賮賷賴丕 丕賱兀丨丿丕孬 丕賱爻賷丕爻賷丞 賵 丕賱孬賵乇賷丞 亘賷賳 丕賱丨夭亘 丕賱賲丨丕賮馗 賵丕賱丨夭亘 丕賱丌禺乇 丕賱賱賷亘乇丕賱賷 賮賷 賰賵賱賵賲亘賷丕 賵賱兀賳賴 亘爻亘亘 丕賱兀爻賲丕亍 " 丕賱氐毓亘丞 兀賷囟丕賸 " 賱賲 兀爻鬲胤毓 兀賳 兀乇亘胤 丕賱兀丨丿丕孬 亘亘毓囟賴丕 賮鬲鬲賮乇賯 賱丿賷 丕賱胤乇賯 賮賷 丕賱爻胤賵乇 賵 兀卮毓乇 亘兀賳賳賷 亘丕賱賰丕丿 兀鬲匕賰乇 賲丕 賯乇兀鬲賴 賱鬲賵賷 亘丕賱廿囟丕賮丞 兀賳賳賷 賱賲 兀賵賮賯 賱賲毓乇賮丞 丿賯賷賯丞 亘賯氐丞 丕賱乇卅丕爻丞 丕賱賲兀爻丕賵賷丞 丕賱匕賷 噩丕賴丿 賲丕乇賰賷夭 賱賷賮賴賲賳丕 廿賷丕賴丕 亘賷賳 爻胤賵乇 賰鬲丕亘賴 貙 毓賱賶 兀賷丞 丨丕賱 貙 賰丕賳 賱賴匕賴 丕賱兀丨丿丕孬 鬲兀孬賷乇 賮賷 鬲賳賯賱丕鬲 賲丕乇賰賷夭 賵丨賷丕鬲賴 賮賰丕賳 賲購噩亘乇丕賸 毓賱賶 爻乇丿賴丕 .
卮購賰乇丕賸 睾丕亘乇賷賷賱 睾丕乇賷爻丕 賲丕乇賰賷夭 賱兀賳 賯乇丕卅鬲賰 賰丕賳鬲 賲購丿賴卮丞 賵賲賱賴賲丞 賵 兀賳賳賷 賱賲 兀賳丿賲 貙 卮購賰乇丕賸 氐丕賱丨 毓賱賲丕賳賷 賱兀賳 亘賮囟賱 鬲乇噩賲鬲賰 廿爻鬲胤毓鬲 兀賳 兀賯乇兀賴 亘賱睾丞 兀丿亘賷丞 亘丕匕禺丞 賲鬲賯賳丞 賰賱 丕賱廿鬲賯丕賳. 卮賰乇丕賸 卮賰乇丕賸
鬲噩丕賵夭丕賸 賱賱賲亘丕賱睾丕鬲 兀毓賱丕賴 貙 賲丕乇賰賷夭 賲購丿賴卮 亘賲賻 賷賰賮賷 賱賷噩毓賱賳賷 兀賰鬲亘 賲乇丕噩毓鬲賷 賱賴 賵 兀賳丕 賲丕 夭賱鬲 兀賯乇兀 丕賱賰賽鬲丕亘 賱乇睾亘鬲賷 丕賱賲購賱丨丞 賮賷 兀賳 兀賰鬲亘 賲丕 賯丿 賱丕 鬲鬲爻賳賶 賱賷 賰鬲丕亘鬲賴 賱丕丨賯丕賸 丨賷賳賲丕 兀賳鬲賴賷 貙 睾丕亘乇賷賷賱 賲丕乇賰賷夭 丕賱乇賵丕卅賷 丕賱賰賵賱賵賲亘賷 丕賱匕賷 賱賲 兀賯乇兀 賱賴 兀賷丕賸 賲賳 乇賵丕賷鬲賴 丨鬲賶 丕賱丌賳 乇睾賲 賲毓乇賮鬲賷 丕賱賲購爻亘賯丞 亘乇賵丕賷鬲賴 丕賱兀賰孬乇 鬲丿丕賵賱丕賸 毓賱賶 賲爻丕賲毓賷 : 賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞 貙 爻乇丿 賮賷 賰鬲丕亘賴 毓卮鬲 賱兀乇賵賷 丨賷丕鬲賴 丕賱氐丕禺亘丞 賵 鬲丕乇賷禺 兀噩丿丕丿賴 賵 賵丕賱丿賷賴 亘亘乇丕亍丞 胤賮賱 賮賷 賯乇賷丞 丌乇丕賰丕鬲丕賰丕 賮賷 賰賳賮 噩丿賷賾賴 賵 廿賳鬲賯丕賱賴 廿賱賶 賲賳夭賱 賵丕賱丿賷賴 賲購噩丿丿丕賸 亘毓丿 兀賳 賵丕乇賶 噩爻丿 噩丿賴 丕賱鬲購乇丕亘 孬賲 亘乇賵丨 卮丕亘 噩丕賲丨 賲丿賲賳 賱賱爻賷噩丕乇 賵 丕賱賰鬲亘 賮賷 丌賳 賵丕丨丿 匕賵 賲丨丕賵賱丕鬲 氐丨賮賷丞 賲毓 夭購賲乇丞 賲賳 丕賱兀氐丿賯丕亍 " 丕賱賲噩丕賳賷賳 " 丕賱匕賷賳 亘爻亘亘 兀爻賲丕卅賴賲 丕賱毓氐賷丞 毓賱賶 丕賱鬲匕賰乇 賱丕兀爻鬲胤賷毓 鬲賲賷夭賴賲 丿賵賳 兀丨丿丕孬賺賽 賵氐賮丕鬲 賲毓賷賳丞 兀乇亘胤賴丕 亘賰賱 賮乇丿 賲賳賴賲 . 賱賷氐亘丨 賮賷 賳賴丕賷丞 毓賯丿賴 丕賱孬丕賱孬 氐丨賮賷丕賸 賲卮賴賵乇丕賸 賲賵賱毓丕賸 亘丕賱氐丨丕賮丞 賵賲丿賲賳丕賸 賱賴丕 .
兀氐丿賯丕亍 賲丕乇賰賷夭 賰丕賳賵丕 丕賱毓賵賳 丕賱兀賰亘乇 賮賷 丨賷丕鬲賴 亘丕賱廿囟丕賮丞 賱賭 胤賮賵賱鬲賴 賲毓 噩丿賴 賵 賲乇丕賴賯鬲賴 賵鬲賳賯丕賱鬲賴 丕賱賰孬賷乇丞 亘賷賳 丕賱賲丿丕乇爻 賵 丕賱賲丿賳 丕賱賰賵賱賵賲亘賷丞 亘禺賱丕賮 鬲兀孬賷乇 賵丕賱丿賷賴 丕賱賷爻賷乇 噩丿丕賸 丕賱匕賷 丕毓鬲乇賮 亘賷賳 爻胤賵乇賴丕 亘兀賳賴 賱賲 賷賯囟賷 賲毓賴賲丕 賵 賲毓 兀禺賵鬲賴 丕賱毓卮乇丞 丕賱丌禺乇賷賳 兀賰孬乇 賲賳 孬賱丕孬 爻賳賵丕鬲 賮賷 兀賵賯丕鬲 賲鬲賮乇賯丞 .
兀丨賷丕 賲丕乇賰賷夭 禺賱丕賱 丕賱氐賮丨丕鬲 卮毓賵乇丕賸 睾乇賷夭賷丕賸 賮賷 丿丕禺賱賷 賰賳鬲 賯丿 兀禺賲丿鬲賴 賲購賳匕 亘毓囟 丕賱賵賯鬲 亘丕賱廿賱鬲賮丕鬲 賱賰賱 卮賷亍 賲賳 丨賵賱賷 賰賲丕 賱賵 兀賳賴 賲丕丿丞 噩賷丿丞 賱賱賰鬲丕亘丞 毓賳賴 賲丕 丿賲鬲賻 鬲賲鬲賱賰 丕賱賯購丿乇丞 丕賱兀丿亘賷丞 賱匕賱賰 賵 兀賱賯賶 亘賷賳 丕賱爻胤賵乇 毓亘丕乇丞 兀爻胤賵乇賷丞 丿毓賲鬲 亘賴丕 亘毓囟 賯賳丕毓丕鬲賷 賵 兀夭賷丿 毓賱賷賴丕 賮賷 賯賵賱賴 : " 毓賱賲鬲賳賷 丕賱丨賷丕丞 賳賮爻賴丕 兀賳 兀丨丿 兀賰孬乇 丕賱兀爻乇丕乇 賮丕卅丿丞 賮賷 丕賱賰鬲丕亘丞 貙 賴賵 鬲毓賱賲 賯乇丕亍丞 乇賲賵夭 丕賱賵丕賯毓 丿賵賳 鬲賵噩賷賴 兀爻卅賱丞 " . 乇睾亘鬲購 賱賵 兀賳賳賷 賱賲 兀丨爻賲 賳噩賲丞 廿賱丕 兀賳賳賷 兀乇賷丿 兀賳 兀毓鬲乇賮 亘卮毓賵乇賷 亘丕賱囟噩乇 賮賷 丕賱賮賯乇丕鬲 丕賱賲鬲賮乇賯丞 丕賱鬲賷 匕賰乇 賮賷賴丕 丕賱兀丨丿丕孬 丕賱爻賷丕爻賷丞 賵 丕賱孬賵乇賷丞 亘賷賳 丕賱丨夭亘 丕賱賲丨丕賮馗 賵丕賱丨夭亘 丕賱丌禺乇 丕賱賱賷亘乇丕賱賷 賮賷 賰賵賱賵賲亘賷丕 賵賱兀賳賴 亘爻亘亘 丕賱兀爻賲丕亍 " 丕賱氐毓亘丞 兀賷囟丕賸 " 賱賲 兀爻鬲胤毓 兀賳 兀乇亘胤 丕賱兀丨丿丕孬 亘亘毓囟賴丕 賮鬲鬲賮乇賯 賱丿賷 丕賱胤乇賯 賮賷 丕賱爻胤賵乇 賵 兀卮毓乇 亘兀賳賳賷 亘丕賱賰丕丿 兀鬲匕賰乇 賲丕 賯乇兀鬲賴 賱鬲賵賷 亘丕賱廿囟丕賮丞 兀賳賳賷 賱賲 兀賵賮賯 賱賲毓乇賮丞 丿賯賷賯丞 亘賯氐丞 丕賱乇卅丕爻丞 丕賱賲兀爻丕賵賷丞 丕賱匕賷 噩丕賴丿 賲丕乇賰賷夭 賱賷賮賴賲賳丕 廿賷丕賴丕 亘賷賳 爻胤賵乇 賰鬲丕亘賴 貙 毓賱賶 兀賷丞 丨丕賱 貙 賰丕賳 賱賴匕賴 丕賱兀丨丿丕孬 鬲兀孬賷乇 賮賷 鬲賳賯賱丕鬲 賲丕乇賰賷夭 賵丨賷丕鬲賴 賮賰丕賳 賲購噩亘乇丕賸 毓賱賶 爻乇丿賴丕 .
卮購賰乇丕賸 睾丕亘乇賷賷賱 睾丕乇賷爻丕 賲丕乇賰賷夭 賱兀賳 賯乇丕卅鬲賰 賰丕賳鬲 賲購丿賴卮丞 賵賲賱賴賲丞 賵 兀賳賳賷 賱賲 兀賳丿賲 貙 卮購賰乇丕賸 氐丕賱丨 毓賱賲丕賳賷 賱兀賳 亘賮囟賱 鬲乇噩賲鬲賰 廿爻鬲胤毓鬲 兀賳 兀賯乇兀賴 亘賱睾丞 兀丿亘賷丞 亘丕匕禺丞 賲鬲賯賳丞 賰賱 丕賱廿鬲賯丕賳. 卮賰乇丕賸 卮賰乇丕賸
October 7, 2019
夭賳丿賴 丕賲 讴賴 乇賵丕蹖鬲 讴賳賲 乇丕 毓賱蹖 丿丕丿丕卮 丿乇 賮蹖丿蹖亘賵 亘乇丕蹖賲 禺乇蹖丿. 讴鬲丕亘 诏乇丕賳蹖 亘賵丿 丨鬲蹖 賲噩丕夭蹖 丕卮.
丕賲丕 賱匕鬲 夭蹖丕丿蹖 丿丕卮鬲. 夭賳丿诏蹖 讴乇丿賳 亘丕 賲丕乇讴夭 讴賴 賳卮丕賳 賲蹖 丿賴丿 賴賲賴 蹖 氐丿 爻丕賱 鬲賳賴丕蹖蹖 丕賳賯丿乇賴丕 噩丕丿賵蹖蹖 賵 爻賵乇卅丕賱 賵 毓噩蹖亘 睾乇蹖亘 賳蹖爻鬲. 亘賱讴賴 賴賲賴 亘乇丕賲丿賴 夭丕 夭賳丿诏蹖 賲丕乇讴夭 丕爻鬲. 賴賲賴 蹖 賴賲賴 丕卮. 卮賱賵睾蹖 夭賳丿诏蹖 卮丕賳. 亘趩賴 賴丕蹖蹖 讴賴 亘賴 蹖讴亘丕乇賴 倬蹖丿丕蹖卮丕賳 賲蹖 卮賵丿. 賮丕丨卮賴 賴丕蹖 噩丕乇蹖 丿乇 夭賳丿诏蹖. 噩賳 丿蹖丿賳 賴丕 賵 丕毓鬲乇丕囟丕鬲 賲賵夭 賵...
賴賲蹖賳 丕爻鬲 讴賴 氐丿 爻丕賱 鬲賳賴丕蹖蹖 丕蹖賳 賴賲賴 亘賴 噩丕賳 賲蹖 賳卮蹖賳丿. 毓氐丕乇賴 蹖 夭賳丿诏蹖 爻鬲. 趩讴蹖丿賴 蹖 蹖讴 鬲噩乇亘賴 蹖 夭蹖爻鬲賴 丕爻鬲.
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" 夭賳丿 诏蹖 丌賳趩賴 讴賴 夭蹖爻鬲賴 丕蹖賲 賳蹖爻鬲. 亘賱讴賴 賴賲丕賳 趩蹖夭蹖 爻鬲 讴賴 丿乇 禺丕胤乇賴 賲丕賳 賲丕賳丿賴 丕爻鬲 賵 丌賳 诏賵賳賴 丕爻鬲 讴賴 亘賴 蹖丕丿卮 賲蹖 丌賵乇蹖賲 鬲丕 乇賵丕蹖鬲 讴賳蹖賲."
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丿丕爻鬲丕賳 丕夭 蹖讴 爻賮乇 賴賲乇丕賴 亘丕 賲丕丿乇 亘賴 賲丨賱賴 蹖 賯丿蹖賲蹖 卮丕賳 卮乇賵毓 賲蹖 卮賵丿. 亘乇丕蹖 賮乇賵禺鬲賳 禺丕賳賴. 賲丕丿乇卮 丿乇賵丕賯毓 賴賲丕賳 丕賵乇爻賱丕 丕爻鬲.
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"卮亘 賴丕 亘丿鬲乇 丕爻鬲. 趩賵賳 氐丿丕蹖 賲乇丿诏丕賳 乇丕 賲蹖 卮賳賵蹖賲 讴賴 丿乇 讴賵趩賴 賴丕 爻乇诏乇丿丕賳 賳丿."
亘丕夭诏卮鬲 亘賴 乇賵爻鬲丕蹖卮丕賳
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爻禺鬲蹖 夭賳丿诏蹖 亘爻蹖丕乇 卮賱賵睾 禺丕賳賵丕丿诏蹖 卮丕賳 賵 丕蹖賳讴賴 賴賲蹖卮賴 丿乇诏蹖乇 禺丕賳賴 賳丿丕卮鬲賳 亘賵丿賳丿 賵 亘趩賴 賴丕蹖蹖 賴賲 丕夭 倬丿乇 亘賴 丕賳 賴丕 丕囟丕賮賴 賲蹖 卮丿賳丿 賵...
" 蹖讴 亘丕乇 丿蹖丿賲 賲乇丿蹖 亘丿賵賳 爻乇 乇賵蹖 丕賱丕睾 賲蹖 乇賵丿. 賵 蹖丕賳 氐丨賳賴 丿乇 匕賴賳賲 孬亘鬲 卮丿."
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蹖讴蹖 丕夭 丕氐賱蹖 鬲乇蹖賳 賲禺丕賱賮鬲 賴丕蹖 禺丕賳賵丕丿賴 蹖 賲丕丿乇賲 丕蹖賳 亘賵丿 讴賴 賴賲賴 賲蹖 丿丕賳爻鬲賳丿 倬丿乇賲 賮乇賳夭丿 賳丕賲卮乇賵毓 夭賳蹖 賲噩乇丿 丕爻鬲. 鈥� 丿賯蹖賯丕 賴賲賴 蹖 丕蹖賳賴丕 丿乇 讴鬲丕亘 丕賲丿賴 丕爻鬲.-
乇賮鬲賴 亘賴 鬲亘丕乇卮賳丕爻蹖 禺丕賳賵丕丿賴 丕卮 丕夭 氐丿 爻丕賱 倬蹖卮 賵 丕賳 丕孬乇 噩丕丿賵蹖蹖 乇丕 丌賮乇蹖丿賴 丕爻鬲.
亘賴 倬丿乇卮 賲蹖 诏賮鬲賳丿 诏丕乇爻蹖丕蹖 賲夭賯丕賳趩蹖
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倬丿乇賲 亘毓丿 丕夭 賲丿鬲蹖 讴賴 丿賱卮 賲蹖 禺賵丕爻鬲 讴鬲丕亘蹖 亘賳賵蹖爻丿 賲賳氐乇賮 卮丿 趩賵賳 賮賴賲蹖丿 乇賲丕賳蹖 讴賴 爻乇诏乇賲 賳賵卮鬲賳卮 賴爻鬲賲 賴賲丕賳 乇賲丕賳蹖 爻鬲 讴賴 丕賵 禺蹖丕賱 丿丕卮鬲 亘賳賵蹖爻丿.
賯卮賳诏 倬丿乇卮 丌卅賵乇賱蹖丕賳賵爻鬲- 讴蹖賵鬲 賴賲賴 蹖 賯氐賴 賴丕-
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丿蹖丿賳 夭丕蹖賲丕賳 丿乇 亘趩诏蹖 丿乇 丕鬲丕賯蹖 讴賴 夭賳賴丕 賴賲賴 噩賲毓 卮丿賴 丕賳丿.
蹖丕賳 鬲氐丕賵蹖乇 賴賲賴 蹖 囟賲蹖乇 賳丕禺賵丿丌诏丕賴 賲丕乇讴夭 乇丕 鬲卮讴蹖賱 丿丕丿賴 丕賳丿.
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" 賳賲蹖 鬲賵丕賳賲 賲丨蹖胤 禺丕賳賵丕丿诏蹖 乇丕 倬蹖丿丕 讴賳賲 讴賴 亘乇丕蹖 倬乇賵乇卮 鬲禺蹖賱 賵 賯乇蹖丨賴 丕賲 丕夭 丕賳 禺丕賳賴 蹖 爻賵丿丕夭丿賴 賲賳丕爻亘 鬲乇 亘丕卮丿.
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亘夭乇诏爻丕賱蹖 賵 噩賲毓 賴丕蹖 讴丕賮賴 丕蹖 賵 夭賳丿诏蹖 賮賯蹖乇丕賳賴 賵 鬲乇讴 诏賮鬲賳 丿丕賳卮诏丕賴 賵 毓囟賵 賴蹖卅鬲 鬲丨乇蹖乇蹖賴 卮丿賳 賵 丿丕爻鬲丕賳 賴丕蹖 讴賵鬲丕賴 亘賴 蹖讴亘丕乇賴 爻乇賴賲 亘賳丿蹖 讴乇丿賳 賵...
" 亘丕 睾乇賵賱賳丿 賲丕丿乇丕賳賴 丕卮 賲乇丕 賵丕 賲蹖 丿丕卮鬲 鬲丕 亘蹖賳 亘丕夭蹖 賴丕蹖 乇禺鬲禺賵丕亘蹖 丿乇爻 賴丕蹖 賴賮鬲賴 蹖 亘毓丿 乇丕 賴賲 丕賲丕丿賴 讴賳賲." 丕蹖賳 禺丕賳賵賲 賴丕蹖 爻丕賯蹖 讴賱賲亘蹖丕 亘賴 丨丿 鬲丕孬蹖乇 夭蹖丕丿蹖 丿乇 卮讴賵賮丕蹖蹖 丕爻鬲毓丿丕丿 丕爻鬲丕丿 丿丕卮鬲賴 丕賳丿.
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" 卮丕蹖丿 賴乇 诏賵卮賴 蹖 卮賴乇 亘乇丕蹖賲 亘丕 丕丿亘蹖丕鬲蹖 禺丕氐 賴賲禺賵丕賳蹖 賲蹖 讴乇丿."
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丿乇 蹖讴蹖 丕夭 蹖丕丿丿卮丕鬲 賴丕蹖 诏賵卮賴 蹖 讴鬲丕亘 賳賵卮鬲賴 丕賲 鈥� 趩賯丿乇 丿賵爻鬲 賵 乇賮蹖賯 丿丕卮鬲賴 丕爻鬲 賵 趩賯丿乇 賴賲禺賵丕亘诏蹖.-
蹖讴蹖 丕夭 丕爻丕鬲蹖丿卮- 丿乇賵丕賯毓 丕夭 丿賵爻鬲丕賳蹖 讴賴 丿賵乇 賴賲 噩賲毓 賲蹖 卮丿賳丿 賵 賲蹖 禺賵丕賳賳丿 亘賴 丕賵 賴賲蹖卮賴 倬蹖卮賳賴丕丿 禺賵丕賳丿賳 丕爻胤賵乇賴 賴丕 乇丕 賲蹖 丿丕丿賴 丕爻鬲.
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賲賵囟賵毓 丿丕卅賲蹖 賳诏乇丕賳蹖 禺丕賳賵丕丿賴 賵 倬丿乇 賵 賲丕丿乇亘夭乇诏 賴賲蹖卮賴 丨賯賵賯 亘丕夭賳卮爻鬲诏蹖 倬丿乇 亘賵丿賴 讴賴 丿乇 丿丕爻鬲丕賳 賴丕蹖 讴爻蹖 亘賴 爻乇賴賳诏 賳丕賲賴 賳賲蹖 賳賵蹖爻丿 賴賲賴蹖卮賴 丕蹖賳 賳诏乇丕賳蹖 乇丕 賲蹖 亘蹖賳讴賲. 禺蹖賱蹖 诏賳丕賴 丿丕卮鬲賳丿.
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丿乇賵丕賯毓 爻賮乇 亘丕 賲丕丿乇 丌賳 乇賵卮賳诏乇蹖 賲丨囟 亘賵丿賴 讴賴 乇丕賴 乇丕 亘乇丕蹖 賳賵卮鬲賳 乇賲丕賳卮 亘丕夭 讴乇丿賴 丕爻鬲.
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丿乇禺蹖丕亘丕賳 蹖讴蹖 賲蹖 倬乇爻丿: 亘丕 爻乇賴賳诏 賳蹖讴賵賱丕爻 賲丕乇讴夭 賳爻亘鬲蹖 丿丕乇蹖丿責
- 倬丿乇亘夭乇诏賲 賴爻鬲賳丿.
- - 亘丕 丕蹖賳 丨爻丕亘 倬丿乇亘夭乇诏 卮賲丕 倬丿乇亘夭乇诏 賲乇丕 讴卮鬲賴 丕爻鬲.
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" 亘乇丕蹖 丕賵賱蹖賳 亘丕乇 丿乇 夭賳丿诏蹖 丕夭 乇賮丕賴 賲丕賱蹖 亘乇禺賵乇丿丕乇 亘賵丿賲 丕賲丕 賮乇氐鬲 賳丿丕卮鬲賲 丕夭 丕賳 賱匕鬲 亘亘乇賲."
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" 鬲氐賵乇 賲蹖 讴乇丿賲 丿禺鬲乇丕賳 讴賱賲亘蹖丕蹖蹖 亘丿賵賳 毓卮賯 亘丕 讴乇丕賳賴 賳卮蹖賳 賴丕 賴賲蹖爻鬲乇 賲蹖 卮賵賳丿 賮賯胤 亘乇丕蹖 丕蹖賳讴賴 乇賵蹖丕蹖 夭賳丿诏蹖 丿乇 讴賳丕乇 丿乇蹖丕 乇丕 鬲丨賯賯 亘亘禺卮賳丿."
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賵 丿乇 賳賴丕蹖鬲 亘丕 乇賮鬲賳 亘賴 丕鬲乇蹖卮 賵 毓卮賯蹖 讴賴 亘賴 賲乇爻丿賴 丿丕卮鬲賴 丕爻鬲 夭賲丕賳蹖 讴賴 丕賵 爻蹖夭丿賴 爻丕賱 丿丕卮鬲賴 丿賯蹖賯丕 卮亘蹖賴 賲丕噩乇丕蹖 爻乇賴賳诏 賵 毓卮賯蹖 讴賴 亘賴 乇賲丿蹖賵爻 丿丕卮鬲賴 丿乇 亘趩诏蹖.
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禺賵丕賳丿賳 丕蹖賳 讴鬲丕亘 賱匕鬲 亘禺卮 鬲乇 丕夭 賴賲賴 丕鬲賵亘蹖賵诏乇丕賮蹖 賴丕 亘賵丿 丕夭 賲蹖毓丕丿 丿乇 爻倬蹖丿賴 丿賲 賵 倬丿乇 丨囟丕賳鬲蹖 賵 ...
丕賲丕 賱匕鬲 夭蹖丕丿蹖 丿丕卮鬲. 夭賳丿诏蹖 讴乇丿賳 亘丕 賲丕乇讴夭 讴賴 賳卮丕賳 賲蹖 丿賴丿 賴賲賴 蹖 氐丿 爻丕賱 鬲賳賴丕蹖蹖 丕賳賯丿乇賴丕 噩丕丿賵蹖蹖 賵 爻賵乇卅丕賱 賵 毓噩蹖亘 睾乇蹖亘 賳蹖爻鬲. 亘賱讴賴 賴賲賴 亘乇丕賲丿賴 夭丕 夭賳丿诏蹖 賲丕乇讴夭 丕爻鬲. 賴賲賴 蹖 賴賲賴 丕卮. 卮賱賵睾蹖 夭賳丿诏蹖 卮丕賳. 亘趩賴 賴丕蹖蹖 讴賴 亘賴 蹖讴亘丕乇賴 倬蹖丿丕蹖卮丕賳 賲蹖 卮賵丿. 賮丕丨卮賴 賴丕蹖 噩丕乇蹖 丿乇 夭賳丿诏蹖. 噩賳 丿蹖丿賳 賴丕 賵 丕毓鬲乇丕囟丕鬲 賲賵夭 賵...
賴賲蹖賳 丕爻鬲 讴賴 氐丿 爻丕賱 鬲賳賴丕蹖蹖 丕蹖賳 賴賲賴 亘賴 噩丕賳 賲蹖 賳卮蹖賳丿. 毓氐丕乇賴 蹖 夭賳丿诏蹖 爻鬲. 趩讴蹖丿賴 蹖 蹖讴 鬲噩乇亘賴 蹖 夭蹖爻鬲賴 丕爻鬲.
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" 夭賳丿 诏蹖 丌賳趩賴 讴賴 夭蹖爻鬲賴 丕蹖賲 賳蹖爻鬲. 亘賱讴賴 賴賲丕賳 趩蹖夭蹖 爻鬲 讴賴 丿乇 禺丕胤乇賴 賲丕賳 賲丕賳丿賴 丕爻鬲 賵 丌賳 诏賵賳賴 丕爻鬲 讴賴 亘賴 蹖丕丿卮 賲蹖 丌賵乇蹖賲 鬲丕 乇賵丕蹖鬲 讴賳蹖賲."
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丿丕爻鬲丕賳 丕夭 蹖讴 爻賮乇 賴賲乇丕賴 亘丕 賲丕丿乇 亘賴 賲丨賱賴 蹖 賯丿蹖賲蹖 卮丕賳 卮乇賵毓 賲蹖 卮賵丿. 亘乇丕蹖 賮乇賵禺鬲賳 禺丕賳賴. 賲丕丿乇卮 丿乇賵丕賯毓 賴賲丕賳 丕賵乇爻賱丕 丕爻鬲.
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"卮亘 賴丕 亘丿鬲乇 丕爻鬲. 趩賵賳 氐丿丕蹖 賲乇丿诏丕賳 乇丕 賲蹖 卮賳賵蹖賲 讴賴 丿乇 讴賵趩賴 賴丕 爻乇诏乇丿丕賳 賳丿."
亘丕夭诏卮鬲 亘賴 乇賵爻鬲丕蹖卮丕賳
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爻禺鬲蹖 夭賳丿诏蹖 亘爻蹖丕乇 卮賱賵睾 禺丕賳賵丕丿诏蹖 卮丕賳 賵 丕蹖賳讴賴 賴賲蹖卮賴 丿乇诏蹖乇 禺丕賳賴 賳丿丕卮鬲賳 亘賵丿賳丿 賵 亘趩賴 賴丕蹖蹖 賴賲 丕夭 倬丿乇 亘賴 丕賳 賴丕 丕囟丕賮賴 賲蹖 卮丿賳丿 賵...
" 蹖讴 亘丕乇 丿蹖丿賲 賲乇丿蹖 亘丿賵賳 爻乇 乇賵蹖 丕賱丕睾 賲蹖 乇賵丿. 賵 蹖丕賳 氐丨賳賴 丿乇 匕賴賳賲 孬亘鬲 卮丿."
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蹖讴蹖 丕夭 丕氐賱蹖 鬲乇蹖賳 賲禺丕賱賮鬲 賴丕蹖 禺丕賳賵丕丿賴 蹖 賲丕丿乇賲 丕蹖賳 亘賵丿 讴賴 賴賲賴 賲蹖 丿丕賳爻鬲賳丿 倬丿乇賲 賮乇賳夭丿 賳丕賲卮乇賵毓 夭賳蹖 賲噩乇丿 丕爻鬲. 鈥� 丿賯蹖賯丕 賴賲賴 蹖 丕蹖賳賴丕 丿乇 讴鬲丕亘 丕賲丿賴 丕爻鬲.-
乇賮鬲賴 亘賴 鬲亘丕乇卮賳丕爻蹖 禺丕賳賵丕丿賴 丕卮 丕夭 氐丿 爻丕賱 倬蹖卮 賵 丕賳 丕孬乇 噩丕丿賵蹖蹖 乇丕 丌賮乇蹖丿賴 丕爻鬲.
亘賴 倬丿乇卮 賲蹖 诏賮鬲賳丿 诏丕乇爻蹖丕蹖 賲夭賯丕賳趩蹖
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倬丿乇賲 亘毓丿 丕夭 賲丿鬲蹖 讴賴 丿賱卮 賲蹖 禺賵丕爻鬲 讴鬲丕亘蹖 亘賳賵蹖爻丿 賲賳氐乇賮 卮丿 趩賵賳 賮賴賲蹖丿 乇賲丕賳蹖 讴賴 爻乇诏乇賲 賳賵卮鬲賳卮 賴爻鬲賲 賴賲丕賳 乇賲丕賳蹖 爻鬲 讴賴 丕賵 禺蹖丕賱 丿丕卮鬲 亘賳賵蹖爻丿.
賯卮賳诏 倬丿乇卮 丌卅賵乇賱蹖丕賳賵爻鬲- 讴蹖賵鬲 賴賲賴 蹖 賯氐賴 賴丕-
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丿蹖丿賳 夭丕蹖賲丕賳 丿乇 亘趩诏蹖 丿乇 丕鬲丕賯蹖 讴賴 夭賳賴丕 賴賲賴 噩賲毓 卮丿賴 丕賳丿.
蹖丕賳 鬲氐丕賵蹖乇 賴賲賴 蹖 囟賲蹖乇 賳丕禺賵丿丌诏丕賴 賲丕乇讴夭 乇丕 鬲卮讴蹖賱 丿丕丿賴 丕賳丿.
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" 賳賲蹖 鬲賵丕賳賲 賲丨蹖胤 禺丕賳賵丕丿诏蹖 乇丕 倬蹖丿丕 讴賳賲 讴賴 亘乇丕蹖 倬乇賵乇卮 鬲禺蹖賱 賵 賯乇蹖丨賴 丕賲 丕夭 丕賳 禺丕賳賴 蹖 爻賵丿丕夭丿賴 賲賳丕爻亘 鬲乇 亘丕卮丿.
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亘夭乇诏爻丕賱蹖 賵 噩賲毓 賴丕蹖 讴丕賮賴 丕蹖 賵 夭賳丿诏蹖 賮賯蹖乇丕賳賴 賵 鬲乇讴 诏賮鬲賳 丿丕賳卮诏丕賴 賵 毓囟賵 賴蹖卅鬲 鬲丨乇蹖乇蹖賴 卮丿賳 賵 丿丕爻鬲丕賳 賴丕蹖 讴賵鬲丕賴 亘賴 蹖讴亘丕乇賴 爻乇賴賲 亘賳丿蹖 讴乇丿賳 賵...
" 亘丕 睾乇賵賱賳丿 賲丕丿乇丕賳賴 丕卮 賲乇丕 賵丕 賲蹖 丿丕卮鬲 鬲丕 亘蹖賳 亘丕夭蹖 賴丕蹖 乇禺鬲禺賵丕亘蹖 丿乇爻 賴丕蹖 賴賮鬲賴 蹖 亘毓丿 乇丕 賴賲 丕賲丕丿賴 讴賳賲." 丕蹖賳 禺丕賳賵賲 賴丕蹖 爻丕賯蹖 讴賱賲亘蹖丕 亘賴 丨丿 鬲丕孬蹖乇 夭蹖丕丿蹖 丿乇 卮讴賵賮丕蹖蹖 丕爻鬲毓丿丕丿 丕爻鬲丕丿 丿丕卮鬲賴 丕賳丿.
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" 卮丕蹖丿 賴乇 诏賵卮賴 蹖 卮賴乇 亘乇丕蹖賲 亘丕 丕丿亘蹖丕鬲蹖 禺丕氐 賴賲禺賵丕賳蹖 賲蹖 讴乇丿."
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丿乇 蹖讴蹖 丕夭 蹖丕丿丿卮丕鬲 賴丕蹖 诏賵卮賴 蹖 讴鬲丕亘 賳賵卮鬲賴 丕賲 鈥� 趩賯丿乇 丿賵爻鬲 賵 乇賮蹖賯 丿丕卮鬲賴 丕爻鬲 賵 趩賯丿乇 賴賲禺賵丕亘诏蹖.-
蹖讴蹖 丕夭 丕爻丕鬲蹖丿卮- 丿乇賵丕賯毓 丕夭 丿賵爻鬲丕賳蹖 讴賴 丿賵乇 賴賲 噩賲毓 賲蹖 卮丿賳丿 賵 賲蹖 禺賵丕賳賳丿 亘賴 丕賵 賴賲蹖卮賴 倬蹖卮賳賴丕丿 禺賵丕賳丿賳 丕爻胤賵乇賴 賴丕 乇丕 賲蹖 丿丕丿賴 丕爻鬲.
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賲賵囟賵毓 丿丕卅賲蹖 賳诏乇丕賳蹖 禺丕賳賵丕丿賴 賵 倬丿乇 賵 賲丕丿乇亘夭乇诏 賴賲蹖卮賴 丨賯賵賯 亘丕夭賳卮爻鬲诏蹖 倬丿乇 亘賵丿賴 讴賴 丿乇 丿丕爻鬲丕賳 賴丕蹖 讴爻蹖 亘賴 爻乇賴賳诏 賳丕賲賴 賳賲蹖 賳賵蹖爻丿 賴賲賴蹖卮賴 丕蹖賳 賳诏乇丕賳蹖 乇丕 賲蹖 亘蹖賳讴賲. 禺蹖賱蹖 诏賳丕賴 丿丕卮鬲賳丿.
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丿乇賵丕賯毓 爻賮乇 亘丕 賲丕丿乇 丌賳 乇賵卮賳诏乇蹖 賲丨囟 亘賵丿賴 讴賴 乇丕賴 乇丕 亘乇丕蹖 賳賵卮鬲賳 乇賲丕賳卮 亘丕夭 讴乇丿賴 丕爻鬲.
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丿乇禺蹖丕亘丕賳 蹖讴蹖 賲蹖 倬乇爻丿: 亘丕 爻乇賴賳诏 賳蹖讴賵賱丕爻 賲丕乇讴夭 賳爻亘鬲蹖 丿丕乇蹖丿責
- 倬丿乇亘夭乇诏賲 賴爻鬲賳丿.
- - 亘丕 丕蹖賳 丨爻丕亘 倬丿乇亘夭乇诏 卮賲丕 倬丿乇亘夭乇诏 賲乇丕 讴卮鬲賴 丕爻鬲.
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" 亘乇丕蹖 丕賵賱蹖賳 亘丕乇 丿乇 夭賳丿诏蹖 丕夭 乇賮丕賴 賲丕賱蹖 亘乇禺賵乇丿丕乇 亘賵丿賲 丕賲丕 賮乇氐鬲 賳丿丕卮鬲賲 丕夭 丕賳 賱匕鬲 亘亘乇賲."
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" 鬲氐賵乇 賲蹖 讴乇丿賲 丿禺鬲乇丕賳 讴賱賲亘蹖丕蹖蹖 亘丿賵賳 毓卮賯 亘丕 讴乇丕賳賴 賳卮蹖賳 賴丕 賴賲蹖爻鬲乇 賲蹖 卮賵賳丿 賮賯胤 亘乇丕蹖 丕蹖賳讴賴 乇賵蹖丕蹖 夭賳丿诏蹖 丿乇 讴賳丕乇 丿乇蹖丕 乇丕 鬲丨賯賯 亘亘禺卮賳丿."
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賵 丿乇 賳賴丕蹖鬲 亘丕 乇賮鬲賳 亘賴 丕鬲乇蹖卮 賵 毓卮賯蹖 讴賴 亘賴 賲乇爻丿賴 丿丕卮鬲賴 丕爻鬲 夭賲丕賳蹖 讴賴 丕賵 爻蹖夭丿賴 爻丕賱 丿丕卮鬲賴 丿賯蹖賯丕 卮亘蹖賴 賲丕噩乇丕蹖 爻乇賴賳诏 賵 毓卮賯蹖 讴賴 亘賴 乇賲丿蹖賵爻 丿丕卮鬲賴 丿乇 亘趩诏蹖.
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禺賵丕賳丿賳 丕蹖賳 讴鬲丕亘 賱匕鬲 亘禺卮 鬲乇 丕夭 賴賲賴 丕鬲賵亘蹖賵诏乇丕賮蹖 賴丕 亘賵丿 丕夭 賲蹖毓丕丿 丿乇 爻倬蹖丿賴 丿賲 賵 倬丿乇 丨囟丕賳鬲蹖 賵 ...
November 7, 2013
丕毓鬲賲丕丿丕 毓賱賶 乇兀賷 賲禺鬲賱賮 毓賳 丕賱毓丕丿丞 丌孬乇鬲 兀賳 兀亘丿兀 賯乇丕卅鬲賷 賱賲丕乇賰賷夭 亘丿亍丕 賲賳 賲匕賰乇丕鬲賴 賯亘賱 乇賵丕賷丕鬲賴 丕賱鬲賷 賴賷 兀卮賴乇 賲賳 賳丕乇 毓賱賶 毓賱賲貙 丕賱丨亘 賮賷 夭賲賳 丕賱賰賵賱賷乇丕 賵賲丕卅丞 毓丕賲 賲賳 丕賱毓夭賱丞 賵睾賷乇賴丕貙 胤賻乇賯 賴匕丕 丕賱賲賵囟賵毓 丿丕禺賱 丕賱賲匕賰乇丕鬲: 賴賱 賱賱賰丕鬲亘 兀賳 賷賰鬲亘 賲匕賰乇丕鬲賴 賯亘賱 兀賳 賷卮賷禺 賵賷賳鬲噩 丨賷賳賴丕 賮賷 匕賱賰 丕賱賵賯鬲 賱賳 賷鬲匕賰乇 賰賱 卮卅 賷乇賷丿 兀賳 賷鬲匕賰乇賴貙 兀賲 賷爻胤乇賴丕 賵賴賵 賳丕囟噩 賵賮賷 賵丿丕毓 丨賷丕鬲賴貙 丕賱賲賴賲 賮賷 丕賱賳賴丕賷丞 賯乇兀鬲賴丕 賵丕賳 賰丕賳 賯乇丕卅鬲賴丕 毓賱賶 賲丕 賮賷賴 賲賳 賲鬲毓丞 賷毓鬲乇賷賴 卮卅 賲賳 丕賱賲賱賱貙 賮賰鬲丕亘 亘丨噩賲 500 賵夭賷丕丿丞 賱賷爻 賲賳 丕賱爻賴賱 廿賳賴丕亍賴 賵賱賰賳 廿丨爻丕爻 丕賱廿賳噩丕夭 賷亘賯賶 乇丕卅毓丕 賰賱賲丕 囟禺賲鬲 丕賱氐賮丨丕鬲貙 賰賱 賴匕丕 賱丕 賷賻亘毓丿 丕賱賲鬲毓丞 丕賱賮賰乇賷丞 丕賱賯乇丕卅賷丞 賱丿賶 賯丕乇卅 丕賱匕賰乇賷丕鬲
賴匕丕 毓賳 丕賱胤賯爻 丕賱賯乇丕卅賷 賱賴匕賴 丕賱賲匕賰乇丕鬲貙 丨亘爻鬲 賳賮爻賷 毓賱賷賴丕 賮亘毓丿 兀賳 賰賳鬲 賲賳 兀賳氐丕乇 丕賱賲卮丕乇賷毓 丕賱賲賮鬲賵丨丞 鬲睾賷乇 乇兀賷賷 賱兀賰賵賳 亘賰鬲丕亘 賵丕丨丿 賮賯胤 賱丨丿 廿賳賴丕亍賴貙 兀賲丕 毓賳 丕賱賲匕賰乇丕鬲 賮賱賳 賳噩丿 兀賳賮爻賳丕 兀賲丕賲 鬲爻賱爻賱 夭賲賳賷 賱丨賷丕丞 賲丕乇賰賷夭貙 賷丨賯 賱賷 兀賳 兀胤賱賯 毓賱賶 丕賱賲匕賰乇丕鬲 : 賰賷賮 氐乇鬲賻 賰丕鬲亘丕責貙 丕賱廿乇賴丕氐丕鬲 賵丕賱賲丨丕賵賱丕鬲貙 丕賱亘丿丕賷丕鬲 丕賱賲鬲毓孬乇丞 賵丕賱廿賳噩丕夭丕鬲 丕賱氐睾賷乇丞 賵賰匕賱賰 丕賱廿禺賮丕賯丕鬲 丕賱賲乇賷乇丞 爻丕賴賲鬲 賲賳 囟賲賳 毓賵丕賲賱 賰孬賷乇丞 賮賷 禺賱賯 賰丕鬲亘 賲亘丿毓貙 丕賱賯乇丕亍丞 丕賱賳賴賲丞 賵丕賱賳賴賲丞 賵丕賱賳賴賲丞 賴賷 毓丕賲賱 乇卅賷爻 賮賲賳 兀賵賱 丕賱氐賮丨丕鬲 廿賱賶 丌禺乇賴丕貙 賲賳 爻賳賷 丕賱胤賮賵賱丞 賵亘毓丿賴丕 賵賴賵 賲睾乇賲 賲賵賱毓 賲孬丕乇 亘丨亘 丕賱賯乇丕亍丞 賵丕賱鬲賱賴賮 賱賰賱 賰鬲丕亘 賷乇丕賴 賵賷氐賱賴 "賰賳鬲 兀賯乇兀 賰賱 賲丕 賷賯毓 鬲丨鬲 賷丿賷" 賴賳丕賱賰 賲賯胤毓 賮賷 丕賱賲卅丞 丕賱氐賮丨丞 丕賱兀禺賷乇丞 賷氐賵乇 賰賷賮 賵氐賱鬲賴 毓丿丞 賰鬲亘 賴丿賷丞 賲賳 氐丿賷賯 賮賷氐賵乇 胤乇賷賯丞 毓乇囟賴丕 賵鬲賮賯丿賴丕 毓賳丿 賵氐賵賱賴 賱賱賲賳夭賱 賰兀孬賲賳 卮卅 賷賻賴丿賶 廿賱賷賴 賵賰賷賮 兀賮乇丿賴丕 毓賱賶 丕賱胤丕賵賱丞 賵丕賱氐睾丕乇 賷鬲賮乇噩賵賳 毓賱賷賴丕 亘睾賷丞 丕賱丨氐賵賱 毓賱賶 氐賵乇 賲賳賴丕 賵乇爻賵賲丕鬲貙 賵賰賷賮 賰丕賳 賷胤賱毓 毓賱賶 賲賯丕胤毓 賲賳 賰賱 賰鬲丕亘貙 兀氐丿賯丕亍 丕賱毓賲乇 賲賳 賰丕賳 賷卮丕胤乇賴 丨亘 丕賱賲毓乇賮丞 賵丕賱毓賱賲 賵丕賱賯乇丕亍丞 毓賳氐乇 乇卅賷爻 賰匕賱賰 賮賷 噩毓賱賴 賷禺胤 賴丿賮 丕賱賰鬲丕亘丞 賱丿賷賴貙 丕賱氐丨丕賮丞 賵鬲賳賯賱賴 賲賳 丕賴鬲賲丕賲 賱丌禺乇 丕丨鬲賱 賳氐賷亘丕 賰亘賷乇丕 賲賳 丕賱匕賰乇賷丕鬲
賮賷 丕賱賲匕賰乇丕鬲 氐賵乇丞 賲氐睾乇丞 鬲卮賷 毓賳 丕賱丨丕賱丞 丕賱丕噩鬲賲丕毓賷丞 丕賱爻丕卅丿丞 賮賷 匕賱賰 丕賱毓氐乇 賲賳鬲氐賮 丕賱賯乇賳 丕賱賲丕囟賷貙 賵氐賵乇丞 賵丕囟丨丞 毓賳 兀賳馗賲丞 丕賱丨賰賲 丕賱賲鬲毓丕賯亘丞 賵丕賱氐乇丕毓 丕賱丿丕卅賲 丕賱兀亘丿賷 亘賷賳 丕賱賲丨丕賮馗賷賳 賵丕賱賱賷亘乇丕賱賷賷賳
賲丕乇賰賷夭 丨爻亘 乇賵丕賷丞 兀禺賷賴 賯亘賱 毓丕賲 氐乇丨 兀賳賴 賷毓丕賳賷 賲賳 丕賱禺乇賮 賵丕囟胤乇丕亘丕鬲 匕丕賰乇丞貙 賵賴賵 毓賱賶 賲卮丕乇賮 丕賱孬賲丕賳賷賳貙 賵丨賯 賱賴 兀賳 賷乇鬲丕丨 亘毓丿 兀賳 鬲乇賰 賵乇丕亍賴 兀孬乇丕 賱丿賶 賯丕乇卅賷賴 爻賷禺賱丿 丕爻賲賴 賮賷 丕賱毓丕賱賲賷賳
賴匕丕 毓賳 丕賱胤賯爻 丕賱賯乇丕卅賷 賱賴匕賴 丕賱賲匕賰乇丕鬲貙 丨亘爻鬲 賳賮爻賷 毓賱賷賴丕 賮亘毓丿 兀賳 賰賳鬲 賲賳 兀賳氐丕乇 丕賱賲卮丕乇賷毓 丕賱賲賮鬲賵丨丞 鬲睾賷乇 乇兀賷賷 賱兀賰賵賳 亘賰鬲丕亘 賵丕丨丿 賮賯胤 賱丨丿 廿賳賴丕亍賴貙 兀賲丕 毓賳 丕賱賲匕賰乇丕鬲 賮賱賳 賳噩丿 兀賳賮爻賳丕 兀賲丕賲 鬲爻賱爻賱 夭賲賳賷 賱丨賷丕丞 賲丕乇賰賷夭貙 賷丨賯 賱賷 兀賳 兀胤賱賯 毓賱賶 丕賱賲匕賰乇丕鬲 : 賰賷賮 氐乇鬲賻 賰丕鬲亘丕責貙 丕賱廿乇賴丕氐丕鬲 賵丕賱賲丨丕賵賱丕鬲貙 丕賱亘丿丕賷丕鬲 丕賱賲鬲毓孬乇丞 賵丕賱廿賳噩丕夭丕鬲 丕賱氐睾賷乇丞 賵賰匕賱賰 丕賱廿禺賮丕賯丕鬲 丕賱賲乇賷乇丞 爻丕賴賲鬲 賲賳 囟賲賳 毓賵丕賲賱 賰孬賷乇丞 賮賷 禺賱賯 賰丕鬲亘 賲亘丿毓貙 丕賱賯乇丕亍丞 丕賱賳賴賲丞 賵丕賱賳賴賲丞 賵丕賱賳賴賲丞 賴賷 毓丕賲賱 乇卅賷爻 賮賲賳 兀賵賱 丕賱氐賮丨丕鬲 廿賱賶 丌禺乇賴丕貙 賲賳 爻賳賷 丕賱胤賮賵賱丞 賵亘毓丿賴丕 賵賴賵 賲睾乇賲 賲賵賱毓 賲孬丕乇 亘丨亘 丕賱賯乇丕亍丞 賵丕賱鬲賱賴賮 賱賰賱 賰鬲丕亘 賷乇丕賴 賵賷氐賱賴 "賰賳鬲 兀賯乇兀 賰賱 賲丕 賷賯毓 鬲丨鬲 賷丿賷" 賴賳丕賱賰 賲賯胤毓 賮賷 丕賱賲卅丞 丕賱氐賮丨丞 丕賱兀禺賷乇丞 賷氐賵乇 賰賷賮 賵氐賱鬲賴 毓丿丞 賰鬲亘 賴丿賷丞 賲賳 氐丿賷賯 賮賷氐賵乇 胤乇賷賯丞 毓乇囟賴丕 賵鬲賮賯丿賴丕 毓賳丿 賵氐賵賱賴 賱賱賲賳夭賱 賰兀孬賲賳 卮卅 賷賻賴丿賶 廿賱賷賴 賵賰賷賮 兀賮乇丿賴丕 毓賱賶 丕賱胤丕賵賱丞 賵丕賱氐睾丕乇 賷鬲賮乇噩賵賳 毓賱賷賴丕 亘睾賷丞 丕賱丨氐賵賱 毓賱賶 氐賵乇 賲賳賴丕 賵乇爻賵賲丕鬲貙 賵賰賷賮 賰丕賳 賷胤賱毓 毓賱賶 賲賯丕胤毓 賲賳 賰賱 賰鬲丕亘貙 兀氐丿賯丕亍 丕賱毓賲乇 賲賳 賰丕賳 賷卮丕胤乇賴 丨亘 丕賱賲毓乇賮丞 賵丕賱毓賱賲 賵丕賱賯乇丕亍丞 毓賳氐乇 乇卅賷爻 賰匕賱賰 賮賷 噩毓賱賴 賷禺胤 賴丿賮 丕賱賰鬲丕亘丞 賱丿賷賴貙 丕賱氐丨丕賮丞 賵鬲賳賯賱賴 賲賳 丕賴鬲賲丕賲 賱丌禺乇 丕丨鬲賱 賳氐賷亘丕 賰亘賷乇丕 賲賳 丕賱匕賰乇賷丕鬲
賮賷 丕賱賲匕賰乇丕鬲 氐賵乇丞 賲氐睾乇丞 鬲卮賷 毓賳 丕賱丨丕賱丞 丕賱丕噩鬲賲丕毓賷丞 丕賱爻丕卅丿丞 賮賷 匕賱賰 丕賱毓氐乇 賲賳鬲氐賮 丕賱賯乇賳 丕賱賲丕囟賷貙 賵氐賵乇丞 賵丕囟丨丞 毓賳 兀賳馗賲丞 丕賱丨賰賲 丕賱賲鬲毓丕賯亘丞 賵丕賱氐乇丕毓 丕賱丿丕卅賲 丕賱兀亘丿賷 亘賷賳 丕賱賲丨丕賮馗賷賳 賵丕賱賱賷亘乇丕賱賷賷賳
賲丕乇賰賷夭 丨爻亘 乇賵丕賷丞 兀禺賷賴 賯亘賱 毓丕賲 氐乇丨 兀賳賴 賷毓丕賳賷 賲賳 丕賱禺乇賮 賵丕囟胤乇丕亘丕鬲 匕丕賰乇丞貙 賵賴賵 毓賱賶 賲卮丕乇賮 丕賱孬賲丕賳賷賳貙 賵丨賯 賱賴 兀賳 賷乇鬲丕丨 亘毓丿 兀賳 鬲乇賰 賵乇丕亍賴 兀孬乇丕 賱丿賶 賯丕乇卅賷賴 爻賷禺賱丿 丕爻賲賴 賮賷 丕賱毓丕賱賲賷賳
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