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丕賱賯氐氐 丕賱賯氐賷乇丞 丕賱賰丕賲賱丞
賷囟賲 丕賱賰鬲丕亘 兀乇亘毓 賲噩賲賵毓丕鬲 賯氐氐賷丞 賰鬲亘賴丕 賲丕乇賰賷夭 賮賷 賮鬲乇丕鬲 賵馗乇賵賮 賲禺鬲賱賮丞
賵賯丿 鬲乇噩賲鬲 亘毓囟 賴匕賴 丕賱賯氐氐 賮賷 賰鬲亘 賲鬲賮乇賯丞 賲孬賱 (噩賳丕夭丞 丕賱兀賲 丕賱賰亘賷乇丞) 賵(廿賷乇賳丿賷乇丕 丕賱亘乇賷卅丞) 賵(丕孬賳鬲丕 毓卮乇丞 賯氐丞 鬲丕卅賴丞)
賵亘毓囟賴丕 卮賰賱鬲 賳賵丕丞 賱乇賵丕賷丕鬲賴 賲孬賱 賯氐丞 (兀丨丿 賴匕賴 丕賱兀賷丕賲) 丕賱鬲賷 鬲丨賵賱鬲 賮賷賲丕 亘毓丿 廿賱賶 乇賵丕賷丞 (爻丕毓丞 丕賱卮丐賲) 丨爻亘 鬲乇噩賲丞 毓賱賲丕賳賷 兀賷囟丕
賵賯丿 鬲乇噩賲鬲 亘毓囟 賴匕賴 丕賱賯氐氐 賮賷 賰鬲亘 賲鬲賮乇賯丞 賲孬賱 (噩賳丕夭丞 丕賱兀賲 丕賱賰亘賷乇丞) 賵(廿賷乇賳丿賷乇丕 丕賱亘乇賷卅丞) 賵(丕孬賳鬲丕 毓卮乇丞 賯氐丞 鬲丕卅賴丞)
賵亘毓囟賴丕 卮賰賱鬲 賳賵丕丞 賱乇賵丕賷丕鬲賴 賲孬賱 賯氐丞 (兀丨丿 賴匕賴 丕賱兀賷丕賲) 丕賱鬲賷 鬲丨賵賱鬲 賮賷賲丕 亘毓丿 廿賱賶 乇賵丕賷丞 (爻丕毓丞 丕賱卮丐賲) 丨爻亘 鬲乇噩賲丞 毓賱賲丕賳賷 兀賷囟丕
First published September 1, 1983
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About the author
Gabriel Garc铆a M谩rquez
912听books39.8k听followersGabriel Jos茅 de la Concordia Garc铆颅a M谩rquez was a Colombian novelist, short-story writer, screenwriter and journalist. Garc铆颅a M谩rquez, familiarly known as "Gabo" in his native country, was considered one of the most significant authors of the 20th century. In 1982, he was awarded the Nobel Prize in Literature.
He studied at the University of Bogot谩 and later worked as a reporter for the Colombian newspaper El Espectador and as a foreign correspondent in Rome, Paris, Barcelona, Caracas, and New York. He wrote many acclaimed non-fiction works and short stories, but is best-known for his novels, such as One Hundred Years of Solitude (1967) and Love in the Time of Cholera (1985). His works have achieved significant critical acclaim and widespread commercial success, most notably for popularizing a literary style labeled as magical realism, which uses magical elements and events in order to explain real experiences. Some of his works are set in a fictional village called Macondo, and most of them express the theme of solitude.
Having previously written shorter fiction and screenplays, Garc铆a M谩rquez sequestered himself away in his Mexico City home for an extended period of time to complete his novel Cien a帽os de soledad, or One Hundred Years of Solitude, published in 1967. The author drew international acclaim for the work, which ultimately sold tens of millions of copies worldwide. Garc铆a M谩rquez is credited with helping introduce an array of readers to magical realism, a genre that combines more conventional storytelling forms with vivid, layers of fantasy.
Another one of his novels, El amor en los tiempos del c贸lera (1985), or Love in the Time of Cholera, drew a large global audience as well. The work was partially based on his parents' courtship and was adapted into a 2007 film starring Javier Bardem. Garc铆a M谩rquez wrote seven novels during his life, with additional titles that include El general en su laberinto (1989), or The General in His Labyrinth, and Del amor y otros demonios (1994), or Of Love and Other Demons.
(Arabic: 噩丕亘乇賷賷賱 噩丕乇爻賷丕 賲丕乇賰賷夭) (Hebrew: 讙讘专讬讗诇 讙讗专住讬讛 诪专拽住) (Ukrainian: 覑邪斜褉褨械谢褜 覑邪褉褋褨褟 袦邪褉泻械褋) (Belarussian: 袚邪斜褉褘械谢褜 袚邪褉褋褨褟 袦邪褉泻械褋) (Russian: 袚邪斜褉懈褝谢褜 袚邪褉褋懈褟 袦邪褉泻械褋)
He studied at the University of Bogot谩 and later worked as a reporter for the Colombian newspaper El Espectador and as a foreign correspondent in Rome, Paris, Barcelona, Caracas, and New York. He wrote many acclaimed non-fiction works and short stories, but is best-known for his novels, such as One Hundred Years of Solitude (1967) and Love in the Time of Cholera (1985). His works have achieved significant critical acclaim and widespread commercial success, most notably for popularizing a literary style labeled as magical realism, which uses magical elements and events in order to explain real experiences. Some of his works are set in a fictional village called Macondo, and most of them express the theme of solitude.
Having previously written shorter fiction and screenplays, Garc铆a M谩rquez sequestered himself away in his Mexico City home for an extended period of time to complete his novel Cien a帽os de soledad, or One Hundred Years of Solitude, published in 1967. The author drew international acclaim for the work, which ultimately sold tens of millions of copies worldwide. Garc铆a M谩rquez is credited with helping introduce an array of readers to magical realism, a genre that combines more conventional storytelling forms with vivid, layers of fantasy.
Another one of his novels, El amor en los tiempos del c贸lera (1985), or Love in the Time of Cholera, drew a large global audience as well. The work was partially based on his parents' courtship and was adapted into a 2007 film starring Javier Bardem. Garc铆a M谩rquez wrote seven novels during his life, with additional titles that include El general en su laberinto (1989), or The General in His Labyrinth, and Del amor y otros demonios (1994), or Of Love and Other Demons.
(Arabic: 噩丕亘乇賷賷賱 噩丕乇爻賷丕 賲丕乇賰賷夭) (Hebrew: 讙讘专讬讗诇 讙讗专住讬讛 诪专拽住) (Ukrainian: 覑邪斜褉褨械谢褜 覑邪褉褋褨褟 袦邪褉泻械褋) (Belarussian: 袚邪斜褉褘械谢褜 袚邪褉褋褨褟 袦邪褉泻械褋) (Russian: 袚邪斜褉懈褝谢褜 袚邪褉褋懈褟 袦邪褉泻械褋)
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June 29, 2022
my becoming-a-genius project, part 22!
the background:
i have decided to become a genius.
to accomplish this, i'm going to work my way through the collected stories of various authors, reading + reviewing 1 story every day until i get bored / lose every single follower / am struck down by a vengeful deity.
i took like a 2 month break from this project because i decided to deal with my reading slump (and then spent 2 months forcing myself to read and ignoring it), and i'm happy to be back!!!
also i want to read some marquez but i'm intimidated by the copy of one hundred years of solitude i've had for, well, a hundred years, so this seems like a good compromise.
PROJECT 1: THE COMPLETE STORIES BY FLANNERY O'CONNOR
PROJECT 2: HER BODY AND OTHER PARTIES BY CARMEN MARIA MACHADO
PROJECT 3: 18 BEST STORIES BY EDGAR ALLAN POE
PROJECT 4: THE LOTTERY AND OTHER STORIES BY SHIRLEY JACKSON
PROJECT 5: HOW LONG 'TIL BLACK FUTURE MONTH? BY N.K. JEMISIN
PROJECT 6: THE SHORT STORIES OF OSCAR WILDE
PROJECT 7: THE BLUE FAIRY BOOK BY ANDREW LANG
PROJECT 8: GRAND UNION: STORIES BY ZADIE SMITH
PROJECT 9: THE BEST OF ROALD DAHL
PROJECT 10: LOVE AND FREINDSHIP BY JANE AUSTEN
PROJECT 11: HOMESICK FOR ANOTHER WORLD BY OTTESSA MOSHFEGH
PROJECT 12: BAD FEMINIST BY ROXANE GAY
PROJECT 12.5: DIFFICULT WOMEN BY ROXANE GAY
PROJECT 13: THE SHORT NOVELS OF JOHN STEINBECK
PROJECT 14: FIRST PERSON SINGULAR BY HARUKI MURAKAMI
PROJECT 15: THE ORIGINAL FOLK AND FAIRY TALES OF THE BROTHERS GRIMM
PROJECT 16: A MANUAL FOR CLEANING WOMEN BY LUCIA BERLIN
PROJECT 17: SELECTED STORIES OF PHILIP K. DICK
PROJECT 18: HIGH LONESOME: SELECTED STORIES BY JOYCE CAROL OATES
PROJECT 19: THE SHORT STORIES OF ANTON CHEKHOV
PROJECT 20: COLLECTED STORIES OF COLETTE
PROJECT 21: JABBERWOCKY AND OTHER NONSENSE: COLLECTED POEMS BY LEWIS CARROLL
PROJECT 22: COLLECTED STORIES BY GABRIEL GARCIA MARQUEZ
DAY 1: THE THIRD RESIGNATION
this is like if someone rewrote an edgar allan poe story to be, like, better.
controversial maybe. but i am not sorry.
rating: 4
DAY 2: THE OTHER SIDE OF DEATH
back to back stories about being obsessed with death. honestly it seems like more content should be about this. we are maybe too okay with the state of our mortal coil as a society.
rating: 4.25
DAY 3: EVA IS INSIDE HER CAT
immediately insane and i love it.
a third death-obsessed story, but this one also about being a woman. these get better and better???
rating: 4.5
DAY 4: BITTERNESS FOR THREE SLEEPWALKERS
confession time: i DID google "bitterness for three sleepwalkers analysis" to see if i got it. and in return i have discovered a class that each had to do a PREZI (!!!) on a GGM story.
remember prezis???
rating: 4
DAY 5: DIALOGUE WITH THE MIRROR
relatable by title alone.
never mind. i've never looked in a mirror to see my dead brother looking back.
rating: 3
DAY 6: EYES OF A BLUE DOG
this is possibly the corniest last line of any short story ever. it reads like those reddit horror stories people post on twitter.
rating: 3
DAY 7: THE WOMAN WHO CAME AT SIX O'CLOCK
something you learn when you read a lot is that women are endlessly interesting, and men are, say, 8 times out of 10 very boring. even when it's an especially interesting woman, up to especially interesting things, if it has a male author and a male narrator...might be a bust.
rating: 3.5
DAY 8: NABO: THE BLACK MAN WHO MADE THE ANGELS WAIT
could tell by title alone this one wouldn't be my favorite.
rating: 3
DAY 9: SOMEONE HAS BEEN DISARRANGING THESE ROSES
now this title...this i like. this is giving alice's adventures in wonderland.
kind of spooky and fun, if you've ever wanted a weird little ghost friend haunting your room and messing with your stuff.
rating: 3.5
DAY 10: THE NIGHT OF THE CURLEWS
kind of have to hand it to a story for being no plot, just bad vibes.
rating: 3
DAY 11: MONOLOGUE OF ISABEL WATCHING IT RAIN IN MACONDO
a woman talking uninterrupted at length is my idea of a good time. fictional or otherwise.
also i am currently watching it rain, and am capable of saying a lot, so...this is going to be like an immersive 4D experience.
it's important to remember that we are all always just one weird thing away from complete breakdown.
rating: 3.75
DAY 12: TUESDAY SIESTA
tuesday goals.
nothing really happens here, which is cool. like this takes place mostly in a graveyard and it's by far the least spooky and death-obsessed story so far.
the tie between siesta and death is fun, and very subtle, relatively.
rating: 3.5
DAY 13: ONE OF THESE DAYS
getting political!
rating: 3.5
DAY 14: THERE ARE NO THIEVES IN THIS TOWN
feels like where the last section was about death, this one is about "the idea of a town."
rating: 3
DAY 15: BALTHAZAR'S MARVELOUS AFTERNOON
title is giving roald dahl. content is giving john steinbeck.
rating: 3.5
DAY 16: MONTIEL'S WIDOW
"Their letters were always happy, and one could see that they had been written in warm, well-lit places, and that the girls saw themselves reflected in many mirrors when they stopped to think." damn that's good.
this takes place in the same universe as the last one, which is fun.
rating: 3.5
DAY 17: ONE DAY AFTER SATURDAY
i do find myself consistently gripped by the stories in this section, even as they feel less...special? i don't know. plenty of days to think about it.
rating: 3.5
DAY 18: ARTIFICIAL ROSES
i love a short one. the analysis goes by quicker.
rating: 3.5
DAY 19: BIG MAMA'S FUNERAL
titular!!!
well, for the section.
the old ways do be dying and leaving garbage in their wake!
rating: 3.5
DAY 20: A VERY OLD MAN WITH ENORMOUS WINGS
part 3!! we're cruising right along.
i think i've read this one before. i have vague memories of analyzing why this story, which is filled with SAT words, would have the subtitle "a tale for children."
or maybe my brain is just giving me that false remembrance as a way to be b*tchy.
anyway this is kind of basic-curriculum fodder but it is good.
rating: 4
DAY 21: THE SEA OF LOST TIME
i love this title extremely.
this has everything i like: time, roses, the ocean, daily occurrences imbued with metaphorical significance.
rating: 4
DAY 22: THE HANDSOMEST DROWNED MAN IN THE WORLD
another alleged "tale for children." which is good because i have roughly 1/2 a brain cell to devote to this.
the first recorded case of a parasocial relationship.
rating: 3.5
DAY 23: DEATH CONSTANT BEYOND LOVE
another short one! thank heaven for small mercies. (these are like...all short, but there's gotta be a big one coming.)
view of woman starting to get supremely grating.
rating: 2
DAY 24: THE LAST VOYAGE OF THE GHOST SHIP
skipped a day. maybe 2 days. maybe 3 days. i am too tired to either figure it out or catch up. at least this story has ghosts in it (one of my top 5 favorite things).
cruel and unusual for my fatigue day to include a story that is ONE FIVE-PAGE SENTENCE LONG.
luckily it's stunningly written.
rating: 4.5
DAY 25: BLACAMAN THE GOOD, VENDOR OF MIRACLES
another cool and fun one...
i am also doomed to never catch up because the next is the last story and it's a hundred thousand million pages long and, in other words, absolutely no way am i doing that right now.
rating: 4
DAY 26: THE INCREDIBLE AND SAD TALE OF INNOCENT ERENDIRA AND HER HEARTLESS GRANDMOTHER
last day! and this story is somehow even longer than its title implies.
this story won me for the first 5 pages, then lost me for like 45, and then won me back in the last paragraph.
rating: 4
OVERALL
i don't feel like this was the best way to start with gabriel garcia marquez (not to contradict the nobel committee), but i did enjoy it, and it did make me even more excited (which is to say less intimidated) to get to a hundred years of solitude.
rating: 3.5
the background:
i have decided to become a genius.
to accomplish this, i'm going to work my way through the collected stories of various authors, reading + reviewing 1 story every day until i get bored / lose every single follower / am struck down by a vengeful deity.
i took like a 2 month break from this project because i decided to deal with my reading slump (and then spent 2 months forcing myself to read and ignoring it), and i'm happy to be back!!!
also i want to read some marquez but i'm intimidated by the copy of one hundred years of solitude i've had for, well, a hundred years, so this seems like a good compromise.
PROJECT 1: THE COMPLETE STORIES BY FLANNERY O'CONNOR
PROJECT 2: HER BODY AND OTHER PARTIES BY CARMEN MARIA MACHADO
PROJECT 3: 18 BEST STORIES BY EDGAR ALLAN POE
PROJECT 4: THE LOTTERY AND OTHER STORIES BY SHIRLEY JACKSON
PROJECT 5: HOW LONG 'TIL BLACK FUTURE MONTH? BY N.K. JEMISIN
PROJECT 6: THE SHORT STORIES OF OSCAR WILDE
PROJECT 7: THE BLUE FAIRY BOOK BY ANDREW LANG
PROJECT 8: GRAND UNION: STORIES BY ZADIE SMITH
PROJECT 9: THE BEST OF ROALD DAHL
PROJECT 10: LOVE AND FREINDSHIP BY JANE AUSTEN
PROJECT 11: HOMESICK FOR ANOTHER WORLD BY OTTESSA MOSHFEGH
PROJECT 12: BAD FEMINIST BY ROXANE GAY
PROJECT 12.5: DIFFICULT WOMEN BY ROXANE GAY
PROJECT 13: THE SHORT NOVELS OF JOHN STEINBECK
PROJECT 14: FIRST PERSON SINGULAR BY HARUKI MURAKAMI
PROJECT 15: THE ORIGINAL FOLK AND FAIRY TALES OF THE BROTHERS GRIMM
PROJECT 16: A MANUAL FOR CLEANING WOMEN BY LUCIA BERLIN
PROJECT 17: SELECTED STORIES OF PHILIP K. DICK
PROJECT 18: HIGH LONESOME: SELECTED STORIES BY JOYCE CAROL OATES
PROJECT 19: THE SHORT STORIES OF ANTON CHEKHOV
PROJECT 20: COLLECTED STORIES OF COLETTE
PROJECT 21: JABBERWOCKY AND OTHER NONSENSE: COLLECTED POEMS BY LEWIS CARROLL
PROJECT 22: COLLECTED STORIES BY GABRIEL GARCIA MARQUEZ
DAY 1: THE THIRD RESIGNATION
this is like if someone rewrote an edgar allan poe story to be, like, better.
controversial maybe. but i am not sorry.
rating: 4
DAY 2: THE OTHER SIDE OF DEATH
back to back stories about being obsessed with death. honestly it seems like more content should be about this. we are maybe too okay with the state of our mortal coil as a society.
rating: 4.25
DAY 3: EVA IS INSIDE HER CAT
immediately insane and i love it.
a third death-obsessed story, but this one also about being a woman. these get better and better???
rating: 4.5
DAY 4: BITTERNESS FOR THREE SLEEPWALKERS
confession time: i DID google "bitterness for three sleepwalkers analysis" to see if i got it. and in return i have discovered a class that each had to do a PREZI (!!!) on a GGM story.
remember prezis???
rating: 4
DAY 5: DIALOGUE WITH THE MIRROR
relatable by title alone.
never mind. i've never looked in a mirror to see my dead brother looking back.
rating: 3
DAY 6: EYES OF A BLUE DOG
this is possibly the corniest last line of any short story ever. it reads like those reddit horror stories people post on twitter.
rating: 3
DAY 7: THE WOMAN WHO CAME AT SIX O'CLOCK
something you learn when you read a lot is that women are endlessly interesting, and men are, say, 8 times out of 10 very boring. even when it's an especially interesting woman, up to especially interesting things, if it has a male author and a male narrator...might be a bust.
rating: 3.5
DAY 8: NABO: THE BLACK MAN WHO MADE THE ANGELS WAIT
could tell by title alone this one wouldn't be my favorite.
rating: 3
DAY 9: SOMEONE HAS BEEN DISARRANGING THESE ROSES
now this title...this i like. this is giving alice's adventures in wonderland.
kind of spooky and fun, if you've ever wanted a weird little ghost friend haunting your room and messing with your stuff.
rating: 3.5
DAY 10: THE NIGHT OF THE CURLEWS
kind of have to hand it to a story for being no plot, just bad vibes.
rating: 3
DAY 11: MONOLOGUE OF ISABEL WATCHING IT RAIN IN MACONDO
a woman talking uninterrupted at length is my idea of a good time. fictional or otherwise.
also i am currently watching it rain, and am capable of saying a lot, so...this is going to be like an immersive 4D experience.
it's important to remember that we are all always just one weird thing away from complete breakdown.
rating: 3.75
DAY 12: TUESDAY SIESTA
tuesday goals.
nothing really happens here, which is cool. like this takes place mostly in a graveyard and it's by far the least spooky and death-obsessed story so far.
the tie between siesta and death is fun, and very subtle, relatively.
rating: 3.5
DAY 13: ONE OF THESE DAYS
getting political!
rating: 3.5
DAY 14: THERE ARE NO THIEVES IN THIS TOWN
feels like where the last section was about death, this one is about "the idea of a town."
rating: 3
DAY 15: BALTHAZAR'S MARVELOUS AFTERNOON
title is giving roald dahl. content is giving john steinbeck.
rating: 3.5
DAY 16: MONTIEL'S WIDOW
"Their letters were always happy, and one could see that they had been written in warm, well-lit places, and that the girls saw themselves reflected in many mirrors when they stopped to think." damn that's good.
this takes place in the same universe as the last one, which is fun.
rating: 3.5
DAY 17: ONE DAY AFTER SATURDAY
i do find myself consistently gripped by the stories in this section, even as they feel less...special? i don't know. plenty of days to think about it.
rating: 3.5
DAY 18: ARTIFICIAL ROSES
i love a short one. the analysis goes by quicker.
rating: 3.5
DAY 19: BIG MAMA'S FUNERAL
titular!!!
well, for the section.
the old ways do be dying and leaving garbage in their wake!
rating: 3.5
DAY 20: A VERY OLD MAN WITH ENORMOUS WINGS
part 3!! we're cruising right along.
i think i've read this one before. i have vague memories of analyzing why this story, which is filled with SAT words, would have the subtitle "a tale for children."
or maybe my brain is just giving me that false remembrance as a way to be b*tchy.
anyway this is kind of basic-curriculum fodder but it is good.
rating: 4
DAY 21: THE SEA OF LOST TIME
i love this title extremely.
this has everything i like: time, roses, the ocean, daily occurrences imbued with metaphorical significance.
rating: 4
DAY 22: THE HANDSOMEST DROWNED MAN IN THE WORLD
another alleged "tale for children." which is good because i have roughly 1/2 a brain cell to devote to this.
the first recorded case of a parasocial relationship.
rating: 3.5
DAY 23: DEATH CONSTANT BEYOND LOVE
another short one! thank heaven for small mercies. (these are like...all short, but there's gotta be a big one coming.)
view of woman starting to get supremely grating.
rating: 2
DAY 24: THE LAST VOYAGE OF THE GHOST SHIP
skipped a day. maybe 2 days. maybe 3 days. i am too tired to either figure it out or catch up. at least this story has ghosts in it (one of my top 5 favorite things).
cruel and unusual for my fatigue day to include a story that is ONE FIVE-PAGE SENTENCE LONG.
luckily it's stunningly written.
rating: 4.5
DAY 25: BLACAMAN THE GOOD, VENDOR OF MIRACLES
another cool and fun one...
i am also doomed to never catch up because the next is the last story and it's a hundred thousand million pages long and, in other words, absolutely no way am i doing that right now.
rating: 4
DAY 26: THE INCREDIBLE AND SAD TALE OF INNOCENT ERENDIRA AND HER HEARTLESS GRANDMOTHER
last day! and this story is somehow even longer than its title implies.
this story won me for the first 5 pages, then lost me for like 45, and then won me back in the last paragraph.
rating: 4
OVERALL
i don't feel like this was the best way to start with gabriel garcia marquez (not to contradict the nobel committee), but i did enjoy it, and it did make me even more excited (which is to say less intimidated) to get to a hundred years of solitude.
rating: 3.5
October 11, 2021
Todos Los Cuentos = 鈥嶤ollected Stories鈥�, Gabriel Garc铆颅a M谩rquez
Collected here are twenty-six of Gabriel Garcia Marquez's most brilliant and enchanting short stories, presented in the chronological order of their publication in Spanish from three volumes: Eyes of a Blue Dog, Big Mama's Funeral, and The Incredible and Sad Tale of innocent Er茅ndira and Her Heartless Grandmother.
Combining mysticism, history, and humor, the stories in this collection span more than two decades, illuminating the development of Marquez's prose and exhibiting the themes of family, poverty, and death that resound throughout his fiction.
The Handsomest Drowned Man in the World: One Wednesday morning, children in a small fishing village of "about twenty-odd wooden houses" find a body on the beach that is covered with "flotsam" and sea debris. The children play by burying him in the sand until the adults discover the corpse and decide that it must be given a small funeral and thrown off the cliff on which their village rests. ...
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 亘蹖爻鬲 賵 倬賳噩賲 賲丕賴 跇丕賳賵蹖賴 爻丕賱 1992 賲蹖賱丕丿蹖
毓賳賵丕賳: 鬲賱禺讴丕賲蹖 亘乇丕蹖 爻賴 禺賵丕亘诏乇丿 - 賲噩賲賵毓賴 丿丕爻鬲丕賳賴丕蹖 讴賵鬲丕賴貨 賳賵蹖爻賳丿賴: 诏丕亘乇蹖賱 诏丕乇爻蹖丕 賲丕乇讴夭貨 賲鬲乇噩賲 讴丕賵賴 亘丕爻賲賳噩蹖貨 鬲賴乇丕賳貙 乇賵卮賳诏乇丕賳貙 1370貨 丿乇253氐貨 毓鈥嵸嗏€嵸堌з嗏€� 丿蹖鈥嵹€嵷� 鬲賱禺讴丕賲蹖 亘乇丕蹖 爻賴 禺賵丕亘诏乇丿 賵 丿丕爻鬲丕賳賴丕蹖 丿蹖诏乇貨 趩丕倬 爻賵賲 1383貨 賲賵囟賵毓 丿丕爻鬲丕賳賴丕蹖 讴賵鬲丕賴 丕夭 賳賵蹖爻賳丿诏丕賳 讴賱賲亘蹖丕 - 爻丿賴 20賲
丕蹖賳 讴鬲丕亘 丕夭 丿丕爻鬲丕賳賴丕蹖 讴賵鬲丕賴 芦賲丕乇讴夭禄貙 丿賵 亘禺卮 丕爻鬲. 亘禺卮 賳禺爻鬲: 芦趩卮賲丕賳 爻诏蹖 丌亘蹖 乇賳诏 亘丕 蹖丕夭丿賴 丿丕爻鬲丕賳 丿蹖诏乇禄貨 賵 亘禺卮 丿賵賲: 芦丿丕爻鬲丕賳 亘丕賵乇 賳讴乇丿賳蹖 丕乇賳丿蹖乇丕蹖 亘蹖 诏賳丕賴 賵 賲丕丿乇亘夭乇诏 爻賳诏丿賱卮 亘丕 賴賮鬲 丿丕爻鬲丕賳 丿蹖诏乇禄貨 芦噩丕賳 丌倬丿丕蹖讴禄 賳賵蹖爻賳丿賴 蹖 芦丌賲乇蹖讴丕蹖蹖禄 賳賵卮鬲賴 丕賳丿: 芦禺賲蹖乇賴 蹖 賯氐賴 賴丕蹖 賲丕乇讴夭 睾賳蹖 賵 鬲讴丕賳 丿賴賳丿賴 賴爻鬲賳丿 賵 卮蹖賵賴 蹖 亘蹖丕賳卮丕賳 賮禺蹖賲 賵 夭蹖亘丕...貨 賯氐賴 賴丕蹖 賲丕乇讴夭 賭 賳賲蹖鬲賵丕賳 丕夭 匕讴乇 丕蹖賳 賵丕跇賴 禺賵丿丿丕乇蹖 讴乇丿 賭 噩丕丿賵蹖蹖 丕賳丿禄貨
丿丕爻鬲丕賳賴丕: 芦鬲爻賱蹖賲 爻賵賲禄貙 芦乇賵蹖 丿蹖诏乇 賲乇诏禄貙 芦丕蹖賵丕 鬲賵蹖 诏乇亘賴 丕卮 丕爻鬲禄貙 芦鬲賱禺讴丕賲蹖 亘乇丕蹖 爻賴 禺賵丕亘诏乇丿禄貙 芦诏賮鬲 賵 诏賵 亘丕 丌蹖賳賴禄貙 芦趩卮賲丕賳 爻诏 丌亘蹖 乇賳诏禄貙 芦夭賳蹖 讴賴 爻乇 爻丕毓鬲 卮卮 丌賲丿禄貙 芦賳丕亘賵禄貙 芦爻蹖丕賴 倬賵爻鬲蹖 讴賴 賮乇卮鬲賴 賴丕 乇丕 賲賳鬲馗乇 诏匕丕卮鬲禄貙 芦讴爻蹖 丕蹖賳 乇夭賴丕 乇丕 亘賴 賴賲 乇蹖禺鬲賴 丕爻鬲禄貙 芦鬲讴 诏賵蹖蹖 丕蹖爻丕亘賱 賴賳诏丕賲 鬲賲丕卮丕蹖 亘丕乇丕賳 賲丕讴丕賳丿賵禄貙 芦賲乇丿蹖 亘爻蹖丕乇 倬蹖乇 亘丕 亘丕賱賴丕蹖 毓馗蹖賲禄貙 芦禺賵卮 爻蹖賲丕鬲乇蹖賳 睾乇蹖賯 噩賴丕賳禄貙 芦賲乇诏 倬丕蹖丿丕乇 丿乇 賮乇丕爻賵蹖 毓卮賯禄貙 芦丌禺乇蹖賳 爻賮乇 讴卮鬲蹖 賲賵賴賵賲 賵 亘賱丕讴丕賲丕賳 賲毓噩夭賴 賮乇賵卮 賳蹖讴 爻乇卮鬲禄貨 芦卮亘 丿乇賳丕賴丕禄貨 芦丿乇蹖丕蹖 夭賲丕賳 诏賲 卮丿賴禄貨 芦丿丕爻鬲丕賳 亘丕賵乇 賳讴乇丿賳蹖 賵 睾賲 丕賳诏蹖夭 丕乇賳丿蹖乇丕蹖 亘蹖诏賳丕賴 賵 賲丕丿乇亘夭乇诏 爻賳诏丿賱卮禄貨
賲鬲賳 丿丕爻鬲丕賳 讴賵鬲丕賴 夭蹖亘丕鬲乇蹖賳 睾乇蹖賯 噩賴丕賳: 賳禺爻鬲蹖賳 讴賵丿讴丕賳蹖 讴賴 卮卅鈥屫й� 鬲蹖乇賴鈥� 诏賵賳 賵 丕睾賵丕讴賳賳丿賴 乇丕 丿蹖丿賳丿 讴賴 丕夭 丿賱 丿乇蹖丕 亘乇丌賲丿 賵 亘賴 爻丕丨賱 賳夭丿蹖讴 卮丿貙 倬蹖卮 禺賵丿 丕賳丿蹖卮蹖丿賳丿 讴賴 卮丕蹖丿 讴卮鬲蹖 丿卮賲賳 亘丕卮丿貙 丕賲丕 趩賵賳 丿蹖丿賳丿 讴賴 倬乇趩賲 賵 丿讴賱蹖 丿乇 賲蹖丕賳 賳蹖爻鬲貙 丕賳丿蹖卮蹖丿賳丿 讴賴 卮丕蹖丿 丕蹖賳 卮卅貙 倬蹖讴乇 賳賴賳诏蹖 丕爻鬲貙 丕賲丕 賵賯鬲蹖 爻乇丕賳噩丕賲 丌亘貙 丌賳 乇丕 乇賵蹖 爻丕丨賱 丌賵乇丿貙 賵 丌賳鈥屬囏� 丿爻鬲賴鈥� 蹖 噩賱亘讴鈥屬囏� 賵 卮丕禺讴鈥屬囏й� 爻鬲丕乇賴鈥� 蹖 丿乇蹖丕蹖蹖 賵 亘賯丕蹖丕蹖 賲丕賴蹖鈥屬囏� 賵 禺乇丿 賵 乇蹖夭賴丕蹖 丿蹖诏乇 乇丕 丕夭 倬蹖讴乇卮 爻鬲乇丿賳丿貙 鬲丕夭賴 蹖丕賮鬲賳丿 讴賴 丌賳 卮卅 倬蹖讴乇 賲乇丿 睾乇蹖賯蹖 丕爻鬲
鬲賲丕賲 丌賳 亘毓丿 丕夭 馗賴乇貙 讴賵丿讴丕賳 亘丕 倬蹖讴乇 賲乇丿 睾乇蹖賯 亘丕夭蹖 鈥屭┴必嗀� 丕賵 乇丕 亘丕 賲丕爻賴 鈥屬囏й� 爻丕丨賱 賲蹖鈥屬举堌簇з嗀嗀� 賵 亘毓丿 丿賵亘丕乇賴 賲丕爻賴鈥� 賴丕 乇丕 讴賳丕乇 賲蹖鈥屫藏嗀� 鬲丕 丌賳鈥屭┵� 乇賴诏匕乇蹖 丕夭 爻乇 丨丕丿孬賴 丌賳鈥屬囏� 乇丕 丿蹖丿 賵 禺亘乇 丿乇 丿賴讴丿賴 倬蹖趩蹖丿.貨 賲乇丿丕賳蹖 讴賴 倬蹖讴乇 丕賵 乇丕 亘賴 賳夭丿蹖讴鈥屫臂屬� 禺丕賳賴 乇爻丕賳丿賳丿貙 丿乇蹖丕賮鬲賳丿 讴賴 丕賵 丕夭 賴乇 噩丕賳 亘丕禺鬲賴鈥� 丕蹖 讴賴 丿蹖丿賴 亘賵丿賳丿貙 爻賳诏蹖賳鈥屫� 丕爻鬲貨 鬲賯乇蹖亘丕 亘賴 爻賳诏蹖賳蹖 蹖讴 丕爻亘.貨 賵 亘丕 禺賵丿 诏賮鬲賳丿 讴賴 卮丕蹖丿 賲乇丿 睾乇蹖賯貙 賲丿鬲鈥屬囏й� 賲丿蹖丿 丿乇 丿乇蹖丕 卮賳丕賵乇 亘賵丿賴 賵 丌亘 丿乇 丕爻鬲禺賵丕賳鈥屬囏й屫� 乇禺賳賴 讴乇丿賴 丕爻鬲.貨 賵 賵賯鬲蹖 丿乇 禺丕賳賴貙 亘乇 讴賮 丕鬲丕賯卮 賳賴丕丿賳丿貙 丿乇蹖丕賮鬲賳丿 讴賴 賯丕賲鬲 丕賵 丕夭 賴賲賴 鈥屰� 賲乇丿丕賳 丿賴讴丿賴貙 亘賱賳丿鬲乇 丕爻鬲貙 夭蹖乇丕 倬蹖讴乇卮 亘賴 爻禺鬲蹖 丿乇 丕鬲丕賯 噩丕蹖 诏乇賮鬲貙 賵 倬蹖卮 禺賵丿 丕賳丿蹖卮蹖丿賳丿 讴賴 卮丕蹖丿 丕蹖賳 丿乇 爻乇卮鬲 賲乇丿丕賳 睾乇蹖賯 丕爻鬲貙 讴賴 倬爻 丕夭 賲乇诏 賴賲 賯丿 賲蹖鈥屭┴促嗀� 丕夭 丕賵 毓胤乇 丿乇蹖丕 亘乇賲蹖鈥屫ж池� 賵 倬賵爻鬲卮 乇丕 賱丕蹖賴鈥� 丕蹖 丕夭 诏賱 賵 賱丕蹖 賵 賮賱爻 賲丕賴蹖 倬賵卮丕賳丿賴 亘賵丿貙 賵 鬲賳賴丕 丕夭 馗丕賴乇 倬蹖讴乇卮貙 賲蹖鈥屫簇� 丿乇蹖丕賮鬲 讴賴 丕賳爻丕賳 丕爻鬲貨 讴賴 倬蹖讴乇 丕賳爻丕賳 丕爻鬲
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丕丿丕賲賴 丿丕爻鬲丕賳 乇丕 丿乇 讴丕賲賳鬲 賴賲蹖賳 乇蹖賵蹖賵 亘禺賵丕賳蹖丿
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 13/09/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 18/07/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Collected here are twenty-six of Gabriel Garcia Marquez's most brilliant and enchanting short stories, presented in the chronological order of their publication in Spanish from three volumes: Eyes of a Blue Dog, Big Mama's Funeral, and The Incredible and Sad Tale of innocent Er茅ndira and Her Heartless Grandmother.
Combining mysticism, history, and humor, the stories in this collection span more than two decades, illuminating the development of Marquez's prose and exhibiting the themes of family, poverty, and death that resound throughout his fiction.
The Handsomest Drowned Man in the World: One Wednesday morning, children in a small fishing village of "about twenty-odd wooden houses" find a body on the beach that is covered with "flotsam" and sea debris. The children play by burying him in the sand until the adults discover the corpse and decide that it must be given a small funeral and thrown off the cliff on which their village rests. ...
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 亘蹖爻鬲 賵 倬賳噩賲 賲丕賴 跇丕賳賵蹖賴 爻丕賱 1992 賲蹖賱丕丿蹖
毓賳賵丕賳: 鬲賱禺讴丕賲蹖 亘乇丕蹖 爻賴 禺賵丕亘诏乇丿 - 賲噩賲賵毓賴 丿丕爻鬲丕賳賴丕蹖 讴賵鬲丕賴貨 賳賵蹖爻賳丿賴: 诏丕亘乇蹖賱 诏丕乇爻蹖丕 賲丕乇讴夭貨 賲鬲乇噩賲 讴丕賵賴 亘丕爻賲賳噩蹖貨 鬲賴乇丕賳貙 乇賵卮賳诏乇丕賳貙 1370貨 丿乇253氐貨 毓鈥嵸嗏€嵸堌з嗏€� 丿蹖鈥嵹€嵷� 鬲賱禺讴丕賲蹖 亘乇丕蹖 爻賴 禺賵丕亘诏乇丿 賵 丿丕爻鬲丕賳賴丕蹖 丿蹖诏乇貨 趩丕倬 爻賵賲 1383貨 賲賵囟賵毓 丿丕爻鬲丕賳賴丕蹖 讴賵鬲丕賴 丕夭 賳賵蹖爻賳丿诏丕賳 讴賱賲亘蹖丕 - 爻丿賴 20賲
丕蹖賳 讴鬲丕亘 丕夭 丿丕爻鬲丕賳賴丕蹖 讴賵鬲丕賴 芦賲丕乇讴夭禄貙 丿賵 亘禺卮 丕爻鬲. 亘禺卮 賳禺爻鬲: 芦趩卮賲丕賳 爻诏蹖 丌亘蹖 乇賳诏 亘丕 蹖丕夭丿賴 丿丕爻鬲丕賳 丿蹖诏乇禄貨 賵 亘禺卮 丿賵賲: 芦丿丕爻鬲丕賳 亘丕賵乇 賳讴乇丿賳蹖 丕乇賳丿蹖乇丕蹖 亘蹖 诏賳丕賴 賵 賲丕丿乇亘夭乇诏 爻賳诏丿賱卮 亘丕 賴賮鬲 丿丕爻鬲丕賳 丿蹖诏乇禄貨 芦噩丕賳 丌倬丿丕蹖讴禄 賳賵蹖爻賳丿賴 蹖 芦丌賲乇蹖讴丕蹖蹖禄 賳賵卮鬲賴 丕賳丿: 芦禺賲蹖乇賴 蹖 賯氐賴 賴丕蹖 賲丕乇讴夭 睾賳蹖 賵 鬲讴丕賳 丿賴賳丿賴 賴爻鬲賳丿 賵 卮蹖賵賴 蹖 亘蹖丕賳卮丕賳 賮禺蹖賲 賵 夭蹖亘丕...貨 賯氐賴 賴丕蹖 賲丕乇讴夭 賭 賳賲蹖鬲賵丕賳 丕夭 匕讴乇 丕蹖賳 賵丕跇賴 禺賵丿丿丕乇蹖 讴乇丿 賭 噩丕丿賵蹖蹖 丕賳丿禄貨
丿丕爻鬲丕賳賴丕: 芦鬲爻賱蹖賲 爻賵賲禄貙 芦乇賵蹖 丿蹖诏乇 賲乇诏禄貙 芦丕蹖賵丕 鬲賵蹖 诏乇亘賴 丕卮 丕爻鬲禄貙 芦鬲賱禺讴丕賲蹖 亘乇丕蹖 爻賴 禺賵丕亘诏乇丿禄貙 芦诏賮鬲 賵 诏賵 亘丕 丌蹖賳賴禄貙 芦趩卮賲丕賳 爻诏 丌亘蹖 乇賳诏禄貙 芦夭賳蹖 讴賴 爻乇 爻丕毓鬲 卮卮 丌賲丿禄貙 芦賳丕亘賵禄貙 芦爻蹖丕賴 倬賵爻鬲蹖 讴賴 賮乇卮鬲賴 賴丕 乇丕 賲賳鬲馗乇 诏匕丕卮鬲禄貙 芦讴爻蹖 丕蹖賳 乇夭賴丕 乇丕 亘賴 賴賲 乇蹖禺鬲賴 丕爻鬲禄貙 芦鬲讴 诏賵蹖蹖 丕蹖爻丕亘賱 賴賳诏丕賲 鬲賲丕卮丕蹖 亘丕乇丕賳 賲丕讴丕賳丿賵禄貙 芦賲乇丿蹖 亘爻蹖丕乇 倬蹖乇 亘丕 亘丕賱賴丕蹖 毓馗蹖賲禄貙 芦禺賵卮 爻蹖賲丕鬲乇蹖賳 睾乇蹖賯 噩賴丕賳禄貙 芦賲乇诏 倬丕蹖丿丕乇 丿乇 賮乇丕爻賵蹖 毓卮賯禄貙 芦丌禺乇蹖賳 爻賮乇 讴卮鬲蹖 賲賵賴賵賲 賵 亘賱丕讴丕賲丕賳 賲毓噩夭賴 賮乇賵卮 賳蹖讴 爻乇卮鬲禄貨 芦卮亘 丿乇賳丕賴丕禄貨 芦丿乇蹖丕蹖 夭賲丕賳 诏賲 卮丿賴禄貨 芦丿丕爻鬲丕賳 亘丕賵乇 賳讴乇丿賳蹖 賵 睾賲 丕賳诏蹖夭 丕乇賳丿蹖乇丕蹖 亘蹖诏賳丕賴 賵 賲丕丿乇亘夭乇诏 爻賳诏丿賱卮禄貨
賲鬲賳 丿丕爻鬲丕賳 讴賵鬲丕賴 夭蹖亘丕鬲乇蹖賳 睾乇蹖賯 噩賴丕賳: 賳禺爻鬲蹖賳 讴賵丿讴丕賳蹖 讴賴 卮卅鈥屫й� 鬲蹖乇賴鈥� 诏賵賳 賵 丕睾賵丕讴賳賳丿賴 乇丕 丿蹖丿賳丿 讴賴 丕夭 丿賱 丿乇蹖丕 亘乇丌賲丿 賵 亘賴 爻丕丨賱 賳夭丿蹖讴 卮丿貙 倬蹖卮 禺賵丿 丕賳丿蹖卮蹖丿賳丿 讴賴 卮丕蹖丿 讴卮鬲蹖 丿卮賲賳 亘丕卮丿貙 丕賲丕 趩賵賳 丿蹖丿賳丿 讴賴 倬乇趩賲 賵 丿讴賱蹖 丿乇 賲蹖丕賳 賳蹖爻鬲貙 丕賳丿蹖卮蹖丿賳丿 讴賴 卮丕蹖丿 丕蹖賳 卮卅貙 倬蹖讴乇 賳賴賳诏蹖 丕爻鬲貙 丕賲丕 賵賯鬲蹖 爻乇丕賳噩丕賲 丌亘貙 丌賳 乇丕 乇賵蹖 爻丕丨賱 丌賵乇丿貙 賵 丌賳鈥屬囏� 丿爻鬲賴鈥� 蹖 噩賱亘讴鈥屬囏� 賵 卮丕禺讴鈥屬囏й� 爻鬲丕乇賴鈥� 蹖 丿乇蹖丕蹖蹖 賵 亘賯丕蹖丕蹖 賲丕賴蹖鈥屬囏� 賵 禺乇丿 賵 乇蹖夭賴丕蹖 丿蹖诏乇 乇丕 丕夭 倬蹖讴乇卮 爻鬲乇丿賳丿貙 鬲丕夭賴 蹖丕賮鬲賳丿 讴賴 丌賳 卮卅 倬蹖讴乇 賲乇丿 睾乇蹖賯蹖 丕爻鬲
鬲賲丕賲 丌賳 亘毓丿 丕夭 馗賴乇貙 讴賵丿讴丕賳 亘丕 倬蹖讴乇 賲乇丿 睾乇蹖賯 亘丕夭蹖 鈥屭┴必嗀� 丕賵 乇丕 亘丕 賲丕爻賴 鈥屬囏й� 爻丕丨賱 賲蹖鈥屬举堌簇з嗀嗀� 賵 亘毓丿 丿賵亘丕乇賴 賲丕爻賴鈥� 賴丕 乇丕 讴賳丕乇 賲蹖鈥屫藏嗀� 鬲丕 丌賳鈥屭┵� 乇賴诏匕乇蹖 丕夭 爻乇 丨丕丿孬賴 丌賳鈥屬囏� 乇丕 丿蹖丿 賵 禺亘乇 丿乇 丿賴讴丿賴 倬蹖趩蹖丿.貨 賲乇丿丕賳蹖 讴賴 倬蹖讴乇 丕賵 乇丕 亘賴 賳夭丿蹖讴鈥屫臂屬� 禺丕賳賴 乇爻丕賳丿賳丿貙 丿乇蹖丕賮鬲賳丿 讴賴 丕賵 丕夭 賴乇 噩丕賳 亘丕禺鬲賴鈥� 丕蹖 讴賴 丿蹖丿賴 亘賵丿賳丿貙 爻賳诏蹖賳鈥屫� 丕爻鬲貨 鬲賯乇蹖亘丕 亘賴 爻賳诏蹖賳蹖 蹖讴 丕爻亘.貨 賵 亘丕 禺賵丿 诏賮鬲賳丿 讴賴 卮丕蹖丿 賲乇丿 睾乇蹖賯貙 賲丿鬲鈥屬囏й� 賲丿蹖丿 丿乇 丿乇蹖丕 卮賳丕賵乇 亘賵丿賴 賵 丌亘 丿乇 丕爻鬲禺賵丕賳鈥屬囏й屫� 乇禺賳賴 讴乇丿賴 丕爻鬲.貨 賵 賵賯鬲蹖 丿乇 禺丕賳賴貙 亘乇 讴賮 丕鬲丕賯卮 賳賴丕丿賳丿貙 丿乇蹖丕賮鬲賳丿 讴賴 賯丕賲鬲 丕賵 丕夭 賴賲賴 鈥屰� 賲乇丿丕賳 丿賴讴丿賴貙 亘賱賳丿鬲乇 丕爻鬲貙 夭蹖乇丕 倬蹖讴乇卮 亘賴 爻禺鬲蹖 丿乇 丕鬲丕賯 噩丕蹖 诏乇賮鬲貙 賵 倬蹖卮 禺賵丿 丕賳丿蹖卮蹖丿賳丿 讴賴 卮丕蹖丿 丕蹖賳 丿乇 爻乇卮鬲 賲乇丿丕賳 睾乇蹖賯 丕爻鬲貙 讴賴 倬爻 丕夭 賲乇诏 賴賲 賯丿 賲蹖鈥屭┴促嗀� 丕夭 丕賵 毓胤乇 丿乇蹖丕 亘乇賲蹖鈥屫ж池� 賵 倬賵爻鬲卮 乇丕 賱丕蹖賴鈥� 丕蹖 丕夭 诏賱 賵 賱丕蹖 賵 賮賱爻 賲丕賴蹖 倬賵卮丕賳丿賴 亘賵丿貙 賵 鬲賳賴丕 丕夭 馗丕賴乇 倬蹖讴乇卮貙 賲蹖鈥屫簇� 丿乇蹖丕賮鬲 讴賴 丕賳爻丕賳 丕爻鬲貨 讴賴 倬蹖讴乇 丕賳爻丕賳 丕爻鬲
賱丕夭賲 賳亘賵丿 鬲丕 爻蹖賲丕蹖卮 乇丕 丕夭 丕蹖賳 賱丕蹖賴鈥� 賴丕 亘夭丿丕蹖賳丿 鬲丕 丿乇蹖丕亘賳丿 讴賴 噩丕賳 亘丕禺鬲賴貙 睾乇蹖亘賴 丕爻鬲 賵 賳丕丌卮賳丕.貨 丿賴讴丿賴鈥� 蹖 丌賳鈥屬囏ж� 鬲賳賴丕 亘蹖爻鬲 鈥屫й屰� 禺丕賳賴 蹖 趩賵亘蹖 丿丕卮鬲貨 丕蹖賳鈥屫� 賵 丌賳鈥屫� 倬乇丕讴賳丿賴貙 亘丕 丨蹖丕胤鈥屬囏й屰� 丕夭 爻賳诏貙 讴賴 丿乇 丌賳鈥屬囏� 诏賱蹖 賳賲蹖鈥屫辟堐屰屫� 丿賴讴丿賴 鈥屫й� 丿乇 丕賳鬲賴丕蹖 丿賲丕睾賴鈥� 丕蹖 亘蹖鈥屫⒇� 賵 毓賱賮貨 丿賴讴丿賴 丌賳賯丿乇 讴賵趩讴 亘賵丿貙 讴賴 賲丕丿乇丕賳 賴賲蹖卮賴 亘丕 鬲乇爻 賵 賵丨卮鬲 丕夭 丕蹖賳爻賵 亘賴 丌賳爻賵蹖 爻乇讴 賲蹖鈥屭┴篡屫嗀� 賲亘丕丿丕 讴賴 讴賵丿讴丕賳卮丕賳 乇丕 亘丕丿 亘乇丿賴 亘丕卮丿貙 賵 丿乇 爻丕賱鈥屬囏й� 诏匕卮鬲賴貙 亘丕丿 讴賵丿讴丕賳蹖 乇丕 亘乇丿賴 賵 讴卮鬲賴 亘賵丿貙 賵 賲乇丿賲丕賳 丿賴讴丿賴 倬蹖讴乇 丌賳鈥屬囏� 乇丕 丕夭 賮乇丕夭 氐禺乇賴鈥屬囏� 亘賴 丿乇蹖丕 爻倬乇丿賴 亘賵丿賳丿 夭蹖乇丕 丿乇蹖丕 丌乇丕賲 賵 爻禺丕賵鬲賲賳丿 亘賵丿貨 鬲賲丕賲 賲乇丿丕賳 丿賴讴丿賴 丿乇 賴賮鬲 賯丕蹖賯 噩丕 賲蹖鈥屫簇嗀� 亘賳丕亘乇丕蹖賳 賵賯鬲蹖貙 賲乇丿 睾乇蹖賯 乇丕 蹖丕賮鬲賳丿貙 鬲賳賴丕 賳诏丕賴蹖 亘賴 蹖讴丿蹖诏乇 丕賳丿丕禺鬲賳丿 賵 夭賵丿 丿乇蹖丕賮鬲賳丿 讴賴 讴爻蹖 丕夭 賲蹖丕賳 丌賳鈥屬囏� 賳丕倬丿蹖丿 賳卮丿賴 丕爻鬲
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丕丿丕賲賴 丿丕爻鬲丕賳 乇丕 丿乇 讴丕賲賳鬲 賴賲蹖賳 乇蹖賵蹖賵 亘禺賵丕賳蹖丿
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 13/09/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 18/07/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
January 11, 2022
Though I've only thus far experienced two years in solitude, rather than the full one hundred, I felt it was time to treat myself to a Gabriel Garc铆a M谩rquez pick-me-up (he is, after all, one of my top three literary idols).
But, alas, the stories herein were initially aimless and bereft of structure. I'll even go so far as to whisper it here... they really weren't very good at all.. : (
Rather than the silky smooth magical realism for which 'Gabo' is venerated, these were esoteric and Kafkaesque, but in a ham-fisted, experimental kind of way.
After scratching my head long enough to invite splinters, I did some research and discovered that the stories had been planted in chronological order.
A-ha! Thought I. So he was evidently finding his feet as he transitioned from journalist to author鈥� That explains it! He was still scrabbling in the foothills on his ascent to greatness.
And soon enough, joy of all joys, the tales grew in artistry and stature. Here at last was the unquenchable creativity and authorial control that I'd come to expect from the Colombian maestro.
The sky above me burgeoned into the most handsome of blues and all was right with the world. A pretty nightingale flew down from a tree and perched upon my shoulder, at which point we launched into a tuneful duet that brought creatures running from the forest just to listen to us. So entranced were they by our intonation that they favoured us with rapturous applause as soon as the last word was sung.
"Hooray for Kevin and the sweet-sounding nightingale!" they cheered. "And hooray for Gabriel Garc铆a M谩rquez and his wonderful collection of short stories!"
But, alas, the stories herein were initially aimless and bereft of structure. I'll even go so far as to whisper it here... they really weren't very good at all.. : (
Rather than the silky smooth magical realism for which 'Gabo' is venerated, these were esoteric and Kafkaesque, but in a ham-fisted, experimental kind of way.
After scratching my head long enough to invite splinters, I did some research and discovered that the stories had been planted in chronological order.
A-ha! Thought I. So he was evidently finding his feet as he transitioned from journalist to author鈥� That explains it! He was still scrabbling in the foothills on his ascent to greatness.
And soon enough, joy of all joys, the tales grew in artistry and stature. Here at last was the unquenchable creativity and authorial control that I'd come to expect from the Colombian maestro.
The sky above me burgeoned into the most handsome of blues and all was right with the world. A pretty nightingale flew down from a tree and perched upon my shoulder, at which point we launched into a tuneful duet that brought creatures running from the forest just to listen to us. So entranced were they by our intonation that they favoured us with rapturous applause as soon as the last word was sung.
"Hooray for Kevin and the sweet-sounding nightingale!" they cheered. "And hooray for Gabriel Garc铆a M谩rquez and his wonderful collection of short stories!"
March 20, 2019
Marquez is pure magic. It's been a long time since I've read him, except for the novella No One Writes to the Colonel two years back, so this was in effect a reintroduction to his work. And the enchantment has not faded.
Marquez resembles three of my favourite authors - William Faulkner, Franz Kafka and Ernest Hemingway. His decadent town of Macondo, where most of the stories happen in a connected universe, owes much to Faulkner's Yoknapatawpha County. And his prose, moving on in sentence after impressionistic sentence without a pause for breath so that you get lost in its cadence without caring for its meaning, is pure Faulkner. The heartbeat of his fictitious universe soon starts melding into that of the reader and he/ she sees, hears, smells, touches and tastes through the author's creations.
But unlike Faulkner, Marquez moves effortlessly into fantasy without advertising the fact: like Gregor Samsa in Kafka's , his characters can find themselves in any weird situation (in fact, Marquez has openly admitted Kafka's influence). They die, live, move across time and space, get transformed into ghosts and spirits and involved in myriad other weird situations in the space of a few pages.
But in some stories, the author suddenly drops all his flowery phrases and parabolic descriptions and goes for a hard-bitten narrative, where life and death walk the streets of the somnolent Latin American towns. Here, he resembles Hemingway with his spare prose and hard-hitting plotlines.
***
The book is a compendium of three collections: Eyes of a Blue Dog, Big Mama's Funeral and The Incredible and Sad Tale of Innocent Erendira and Her Heartless Grandmother. Of these, the first one contains mostly surrealist pieces which reads more like prose poems than stories (except for 'The Woman Who Came at Six O' Clock', a classic tale in the Hemingway mould, about a woman who may have committed a murder). My favourite from this collection is 'Monologue of Isobel Watching It Rain in Macondo', about a young woman whose sense of existence starts slowly dissolving in incessant rain. (I experienced it recently in Kerala!)
The title story, 'Big Mama's Funeral', is undoubtedly the star of the second collection. By delineating the death of a matriarch and its aftermath, it attains the level of the mythological: in this, it foreshadows , I felt. It also contains many Hemingway-esque tales ('Tuesday Siesta', 'There Are No Thieves in This Town', 'Balthazar's Marvelous Afternoon', 'One of These Days') - all filled with a sense of fatalism and quiet brutality.
The third collection contains two of my favourite fables - 'A Very Old Man with Enormous Wings', about an aged and destitute angel who falls down to earth and becomes a village curiosity; and 'The Handsomest Drowned Man in the World', about a corpse which becomes the icon of a fishing community. 'Innocent Erendira' is a frightening fairy tale about a young, prepubescent girl cruelly exploited by her grandmother, a rehash of the evil stepmother trope - but much more malignant. Every fairy tale motif is inverted here. Almost all the tales in this collection are surreal, and engrossing.
***
An exquisite collection.
P.S: A suggestion - if you are new to Marquez, don't try to "get" the stories. Most of the time, they may not make logical sense. Just get lost in the telling. You will enjoy it. ( If you don't, then maybe Marquez is not for you.)
Marquez resembles three of my favourite authors - William Faulkner, Franz Kafka and Ernest Hemingway. His decadent town of Macondo, where most of the stories happen in a connected universe, owes much to Faulkner's Yoknapatawpha County. And his prose, moving on in sentence after impressionistic sentence without a pause for breath so that you get lost in its cadence without caring for its meaning, is pure Faulkner. The heartbeat of his fictitious universe soon starts melding into that of the reader and he/ she sees, hears, smells, touches and tastes through the author's creations.
But unlike Faulkner, Marquez moves effortlessly into fantasy without advertising the fact: like Gregor Samsa in Kafka's , his characters can find themselves in any weird situation (in fact, Marquez has openly admitted Kafka's influence). They die, live, move across time and space, get transformed into ghosts and spirits and involved in myriad other weird situations in the space of a few pages.
But in some stories, the author suddenly drops all his flowery phrases and parabolic descriptions and goes for a hard-bitten narrative, where life and death walk the streets of the somnolent Latin American towns. Here, he resembles Hemingway with his spare prose and hard-hitting plotlines.
***
The book is a compendium of three collections: Eyes of a Blue Dog, Big Mama's Funeral and The Incredible and Sad Tale of Innocent Erendira and Her Heartless Grandmother. Of these, the first one contains mostly surrealist pieces which reads more like prose poems than stories (except for 'The Woman Who Came at Six O' Clock', a classic tale in the Hemingway mould, about a woman who may have committed a murder). My favourite from this collection is 'Monologue of Isobel Watching It Rain in Macondo', about a young woman whose sense of existence starts slowly dissolving in incessant rain. (I experienced it recently in Kerala!)
The title story, 'Big Mama's Funeral', is undoubtedly the star of the second collection. By delineating the death of a matriarch and its aftermath, it attains the level of the mythological: in this, it foreshadows , I felt. It also contains many Hemingway-esque tales ('Tuesday Siesta', 'There Are No Thieves in This Town', 'Balthazar's Marvelous Afternoon', 'One of These Days') - all filled with a sense of fatalism and quiet brutality.
The third collection contains two of my favourite fables - 'A Very Old Man with Enormous Wings', about an aged and destitute angel who falls down to earth and becomes a village curiosity; and 'The Handsomest Drowned Man in the World', about a corpse which becomes the icon of a fishing community. 'Innocent Erendira' is a frightening fairy tale about a young, prepubescent girl cruelly exploited by her grandmother, a rehash of the evil stepmother trope - but much more malignant. Every fairy tale motif is inverted here. Almost all the tales in this collection are surreal, and engrossing.
***
An exquisite collection.
P.S: A suggestion - if you are new to Marquez, don't try to "get" the stories. Most of the time, they may not make logical sense. Just get lost in the telling. You will enjoy it. ( If you don't, then maybe Marquez is not for you.)
August 18, 2021
賯氐氐 賲丕乇賰賷夭 賰丕賲賱丞 亘鬲乇噩賲丞 賵賱丕 兀乇賵毓 賲賳 氐丕賱丨 毓賱賲丕賳賷 乇丨賲賴 丕賱賱賴
鬲鬲乇丕賵丨 丕賱賯氐氐 亘賷賳 丕賱噩賷丿丞 賵丕賱賲鬲賵爻胤丞 賵丕賱賲賲鬲丕夭丞
賱賰鬲 鬲馗賱 兀賯乇亘賴丕 廿賱賶 賯賱亘賷 賴賷
"乇噩賱 毓噩賵夭 亘噩賳丕丨賷賳 賰亘賷乇賷賳"
March 2, 2025
Opini贸n impopular
En realidad 2,5
Leer a Gabriel Garc铆a M谩rquez es un gran desaf铆o. Puede que sus obras sean aclamadas por el mundo entero y, que aqu铆, en Colombia, se haya convertido en el m谩ximo referente de la literatura colombiana; sin embargo, sus libros no son tan sencillos para leer como parece, ni siquiera para lectores experimentados. Considero que aunque sus historias pueden llegar a ser profundas y m谩gicas, tambi茅n pueden tornarse muy confusas para cualquier lector. El contexto de sus obras, estilo literario y singular prosa transforman la experiencia de leer a Gabo en un verdadero reto. Para leer y disfrutar a Gabo se requiere paciencia y mucha tolerancia a la frustraci贸n. Es un autor que puede producir bloqueos, causarte pereza por el realismo m谩gico, o simplemente hacerte sentir que no eres capaz de disfrutar y comprender un contenido escrito con excentricidad y ambig眉edad. Dir铆a que leer a Gabo es un reto para valientes o para aquellos que quieren probar a s铆 mismos su capacidad de superar cualquier reto. La experiencia puede llegar a ser genial, s铆, pero no hay garant铆a que el pr贸ximo libro que leas del autor te genere buenas sensaciones. S茅 que muchos aman a Gabo incluso llegando a la idolatr铆a, pero yo, personalmente, pienso que es un autor dif铆cil de comprender.
Ahora bien, esta recopilaci贸n de todos sus cuentos (Doce cuentos peregrinos no se incluye en la edici贸n que le铆 porque es una versi贸n de 1983 y en ese entonces no se hab铆a publicado), nos demuestra la faceta multifac茅tica que ten铆a Gabo para escribir porque aqu铆 encontramos cuentos on铆ricos, crudos, violentos, cr铆ticos, c铆nicos y cotidianos. Si tuviera que elegir una palabra para describir el com煤n denominador de todos sus cuentos, simplemente no podr铆a elegirla porque sus cuentos son muy diferentes entre s铆, tanto por su tem谩tica, como por su composici贸n. Aunque algunos cuentos no me gustaron, lo confieso, debo reconocer que es impresionante como escrib铆a Gabo. Su riqueza l茅xica, su variedad de tonos y estilos, y la singularidad de sus ideas, crea una imagen en tu mente de un se帽or muy inteligente, con mucha informaci贸n, que simplemente hacia lo que se le daba la gana con las palabras. S铆, dif铆cil de comprender por momentos, por su tendencia a escribir como si para 茅l los libros significasen un ejercicio avanzado de criptolog铆a; sin embargo, m谩s all谩 de sus excentricidades, considero que su prosa es muy creativa y no la tiene ning煤n otro autor. Sinceramente, es para aplaudir su talento.
Mi problema con esta recopilaci贸n de cuentos es que, a pesar de que Gabo tiene habilidades espectaculares como escritor, no lo he disfrutado tanto como lo esperaba. No puedo negar que tiene cuentos buenos entre los que destaco Los funerales de la Mam谩 Grande, y La incre铆ble y triste historia de la c谩ndida Er茅ndira y de su abuela desalmada, pero muchos no son tan interesantes. De hecho, hay cuentos que te dejan pasmado, no por su profundidad, sino porque son inconclusos, aburridos y raros. Claramente, como eso no es lo que esperaba de Gabo entonces me sent铆 confundido y cavilaba: 驴Ser谩 que no le铆 bien? 驴Ser茅 yo el problema? Pero no, yo no era el problema. El problema es que muchos de aquellos cuentos no me impactaron, ni me sorprendieron, ni mucho menos me emocionaron. Mi ego me exigi贸 disfrutar obligatoria y forzosamente cada cuento porque tengo grabado en mi mente la creencia de que Gabo es un excelente escritor, pero mi conciencia grit贸 en muchos tramos su insatisfacci贸n. Por tanto, mi experiencia la describo como una guerra sin sentido contra mi ego que irracionalmente pretend铆a que la realidad fuera conforme a sus expectativas. De Gabo disfrut茅 mucho El amor en los tiempos del c贸lera porque su historia tiene un inicio, nudo y desenlace muy interesantes y evidentes. Lamentablemente, ese detalle no lo presentan muchos de estos cuentos porque empiezan y terminan en cualquier parte, como si solo fueran fragmentos de un proyecto inconcluso. Eso no me gust贸.
A pesar de la guerra que libr茅 he decidido terminar este libro para, acostumbrarme nuevamente, a las extra帽ezas y estilo de Gabo, ya que, mi verdadero objetivo, es aventurarme en el dif铆cil reto llamado Cien a帽os de soledad. Antes de embaucarme en esta empresa necesitaba ganar confianza, tomar experiencia y estar preparado para lo que pueda venir. Afortunadamente, en esta recopilaci贸n hay algunas historias de Macondo, pueblo ficticio creado por el autor donde se desarrolla el argumento de Cien a帽os de soledad, por lo que aquellos fragmentos me han ayudado como reconocimiento del terreno en el que morar茅 en los pr贸ximos meses. Espero tener una buena experiencia.
En resumen, una recopilaci贸n que solo recomiendo para los fan谩ticos de Gabo. Este libro no es una buena elecci贸n si lo que buscas es conocer por primera vez al autor porque entonces, existe la posibilidad, de que tu aburrimiento y enojo provoque que este libro salga "misteriosamente" volando directo contra la pared de tu habitaci贸n. Gabo escribe muy bien, eso no tiene discusi贸n, pero recomiendo sus historias con m谩s extensi贸n. Son m谩s entretenidas, profundas y cr铆ticas. En cambio estos cuentos tienen poco de eso. Mi calificaci贸n de 2,5 refleja mi reconocimiento por la prosa del autor, pero mi insatisfacci贸n personal por la gran mayor铆a de sus peque帽os relatos. Querido Gabo, nos encontraremos en una pr贸xima ocasi贸n, espero disfrutar m谩s de tu compa帽铆a para entonces.
En realidad 2,5
Leer a Gabriel Garc铆a M谩rquez es un gran desaf铆o. Puede que sus obras sean aclamadas por el mundo entero y, que aqu铆, en Colombia, se haya convertido en el m谩ximo referente de la literatura colombiana; sin embargo, sus libros no son tan sencillos para leer como parece, ni siquiera para lectores experimentados. Considero que aunque sus historias pueden llegar a ser profundas y m谩gicas, tambi茅n pueden tornarse muy confusas para cualquier lector. El contexto de sus obras, estilo literario y singular prosa transforman la experiencia de leer a Gabo en un verdadero reto. Para leer y disfrutar a Gabo se requiere paciencia y mucha tolerancia a la frustraci贸n. Es un autor que puede producir bloqueos, causarte pereza por el realismo m谩gico, o simplemente hacerte sentir que no eres capaz de disfrutar y comprender un contenido escrito con excentricidad y ambig眉edad. Dir铆a que leer a Gabo es un reto para valientes o para aquellos que quieren probar a s铆 mismos su capacidad de superar cualquier reto. La experiencia puede llegar a ser genial, s铆, pero no hay garant铆a que el pr贸ximo libro que leas del autor te genere buenas sensaciones. S茅 que muchos aman a Gabo incluso llegando a la idolatr铆a, pero yo, personalmente, pienso que es un autor dif铆cil de comprender.
Ahora bien, esta recopilaci贸n de todos sus cuentos (Doce cuentos peregrinos no se incluye en la edici贸n que le铆 porque es una versi贸n de 1983 y en ese entonces no se hab铆a publicado), nos demuestra la faceta multifac茅tica que ten铆a Gabo para escribir porque aqu铆 encontramos cuentos on铆ricos, crudos, violentos, cr铆ticos, c铆nicos y cotidianos. Si tuviera que elegir una palabra para describir el com煤n denominador de todos sus cuentos, simplemente no podr铆a elegirla porque sus cuentos son muy diferentes entre s铆, tanto por su tem谩tica, como por su composici贸n. Aunque algunos cuentos no me gustaron, lo confieso, debo reconocer que es impresionante como escrib铆a Gabo. Su riqueza l茅xica, su variedad de tonos y estilos, y la singularidad de sus ideas, crea una imagen en tu mente de un se帽or muy inteligente, con mucha informaci贸n, que simplemente hacia lo que se le daba la gana con las palabras. S铆, dif铆cil de comprender por momentos, por su tendencia a escribir como si para 茅l los libros significasen un ejercicio avanzado de criptolog铆a; sin embargo, m谩s all谩 de sus excentricidades, considero que su prosa es muy creativa y no la tiene ning煤n otro autor. Sinceramente, es para aplaudir su talento.
Mi problema con esta recopilaci贸n de cuentos es que, a pesar de que Gabo tiene habilidades espectaculares como escritor, no lo he disfrutado tanto como lo esperaba. No puedo negar que tiene cuentos buenos entre los que destaco Los funerales de la Mam谩 Grande, y La incre铆ble y triste historia de la c谩ndida Er茅ndira y de su abuela desalmada, pero muchos no son tan interesantes. De hecho, hay cuentos que te dejan pasmado, no por su profundidad, sino porque son inconclusos, aburridos y raros. Claramente, como eso no es lo que esperaba de Gabo entonces me sent铆 confundido y cavilaba: 驴Ser谩 que no le铆 bien? 驴Ser茅 yo el problema? Pero no, yo no era el problema. El problema es que muchos de aquellos cuentos no me impactaron, ni me sorprendieron, ni mucho menos me emocionaron. Mi ego me exigi贸 disfrutar obligatoria y forzosamente cada cuento porque tengo grabado en mi mente la creencia de que Gabo es un excelente escritor, pero mi conciencia grit贸 en muchos tramos su insatisfacci贸n. Por tanto, mi experiencia la describo como una guerra sin sentido contra mi ego que irracionalmente pretend铆a que la realidad fuera conforme a sus expectativas. De Gabo disfrut茅 mucho El amor en los tiempos del c贸lera porque su historia tiene un inicio, nudo y desenlace muy interesantes y evidentes. Lamentablemente, ese detalle no lo presentan muchos de estos cuentos porque empiezan y terminan en cualquier parte, como si solo fueran fragmentos de un proyecto inconcluso. Eso no me gust贸.
A pesar de la guerra que libr茅 he decidido terminar este libro para, acostumbrarme nuevamente, a las extra帽ezas y estilo de Gabo, ya que, mi verdadero objetivo, es aventurarme en el dif铆cil reto llamado Cien a帽os de soledad. Antes de embaucarme en esta empresa necesitaba ganar confianza, tomar experiencia y estar preparado para lo que pueda venir. Afortunadamente, en esta recopilaci贸n hay algunas historias de Macondo, pueblo ficticio creado por el autor donde se desarrolla el argumento de Cien a帽os de soledad, por lo que aquellos fragmentos me han ayudado como reconocimiento del terreno en el que morar茅 en los pr贸ximos meses. Espero tener una buena experiencia.
En resumen, una recopilaci贸n que solo recomiendo para los fan谩ticos de Gabo. Este libro no es una buena elecci贸n si lo que buscas es conocer por primera vez al autor porque entonces, existe la posibilidad, de que tu aburrimiento y enojo provoque que este libro salga "misteriosamente" volando directo contra la pared de tu habitaci贸n. Gabo escribe muy bien, eso no tiene discusi贸n, pero recomiendo sus historias con m谩s extensi贸n. Son m谩s entretenidas, profundas y cr铆ticas. En cambio estos cuentos tienen poco de eso. Mi calificaci贸n de 2,5 refleja mi reconocimiento por la prosa del autor, pero mi insatisfacci贸n personal por la gran mayor铆a de sus peque帽os relatos. Querido Gabo, nos encontraremos en una pr贸xima ocasi贸n, espero disfrutar m谩s de tu compa帽铆a para entonces.
June 14, 2017
I am not a fan of short stories but Marques' are an enchanting exception.
August 28, 2023
I really enjoyed Love in the time of cholera but there was too much soul searching, too much avant-garde jazz and not enough lived life in these stories for me. That said, Marquez writes a beautiful sentence, has a poetic sensibility and a sharp powerful intelligence.
November 11, 2021
Daniel Salvidor Trueba de Clausen, the town book reviewer, lived ten steps from the town church in a small house of an ancient lineage with a door that was never locked. It was said that the town priest would set his watch to the reviewer's morning walks which he conducted with an accountant's regularity.
For many years he worked tirelessly at his craft, turning out book reviews with a machine that would tint the paper with the yellowed residue of old books as if his reviews were of some ancient vintage.
Around the time of his Gabriela Garcia Marquez book review, his habits became irregular, almost primitive, and so the town was thrown into a great confusion when the priest could no longer time his watch properly and sermons were held at ludicrous times based on the whims of a fickle timepiece rendered useless by the change in the mood of the town book reviewer.
Town gossip said that a woman was the cause.
The day of the fabled book review an oppressive heat settled on the town. Even the town whores settled on the patios for respite, unwilling to brave a deadly heat. On that day, de Clausen continued to work away at his review machine, typing the various keys that produced the words that would pass unholy judgment on the art of others.
That day, the priest wandered out of the church vaguely. His walk was unusually muddled. News that the illustrious book review would soon be finished passed from ear to ear, but the priest seemed unequal to the moment. Unaware how he should appear at de Clausen's family home, whether to sanctify the review as if the birth of a profit with Holy water and bread, or whether to call the town's mayor to arrange some small festivities for that evening, he arrived with nothing at all but his humble confusion.
Seated on de Clausen's porch he let the heat overtake him. As he unbuttoned his robe he realized that he had never been so hot in his life. One by one he removed his clothing until he was in his underwear. And still the sounds of the machine churning words would not stop. He lay his head down and enjoyed a moment of respite. The oppressive heat eventually broke in the dull purple of dusk.
As he woke, he reached to gather his clothing but realized with a shock that they were gone. In their place was the review with pages gilded in the yellow residue of ancient texts. As the priest looked up, he saw a man in a priestly robe leaving town by the main street on a horse with three of the town's most revered whores.
On the last line of the review was a note to the priest.
"I leave my review machine to you. May it bring you joys beyond imagination, Padre, in this review and the next."
Signed.
Daniel Salvidor Trueba de Clausen
Read the exciting conclusion here:
For many years he worked tirelessly at his craft, turning out book reviews with a machine that would tint the paper with the yellowed residue of old books as if his reviews were of some ancient vintage.
Around the time of his Gabriela Garcia Marquez book review, his habits became irregular, almost primitive, and so the town was thrown into a great confusion when the priest could no longer time his watch properly and sermons were held at ludicrous times based on the whims of a fickle timepiece rendered useless by the change in the mood of the town book reviewer.
Town gossip said that a woman was the cause.
The day of the fabled book review an oppressive heat settled on the town. Even the town whores settled on the patios for respite, unwilling to brave a deadly heat. On that day, de Clausen continued to work away at his review machine, typing the various keys that produced the words that would pass unholy judgment on the art of others.
That day, the priest wandered out of the church vaguely. His walk was unusually muddled. News that the illustrious book review would soon be finished passed from ear to ear, but the priest seemed unequal to the moment. Unaware how he should appear at de Clausen's family home, whether to sanctify the review as if the birth of a profit with Holy water and bread, or whether to call the town's mayor to arrange some small festivities for that evening, he arrived with nothing at all but his humble confusion.
Seated on de Clausen's porch he let the heat overtake him. As he unbuttoned his robe he realized that he had never been so hot in his life. One by one he removed his clothing until he was in his underwear. And still the sounds of the machine churning words would not stop. He lay his head down and enjoyed a moment of respite. The oppressive heat eventually broke in the dull purple of dusk.
As he woke, he reached to gather his clothing but realized with a shock that they were gone. In their place was the review with pages gilded in the yellow residue of ancient texts. As the priest looked up, he saw a man in a priestly robe leaving town by the main street on a horse with three of the town's most revered whores.
On the last line of the review was a note to the priest.
"I leave my review machine to you. May it bring you joys beyond imagination, Padre, in this review and the next."
Signed.
Daniel Salvidor Trueba de Clausen
Read the exciting conclusion here:
April 19, 2017
You have to stay with this collection for awhile before it starts to grow on you, for it is compiled in chronological order, and throws the spotlight on the evolution of this writer and his craft as he matures towards winning the Nobel Prize for Literature.
The 26-story collection is comprised of selections from three volumes of short stories that were published in the 1960鈥檚 and 鈥�70鈥檚. The stories in the first volume, Eyes of Blue Dog, are the hardest to read as they are interior monologues and reminiscences with very little action or movement, the protagonists often pre-occupied with death. The characters feel and sense their world viscerally, and the titles bear little resemblance to the content of the pieces, and yet, given that the author was in his twenties when these stories were written, it foreshadows the literary maturity that was to develop later. We see some dialogue and movement appear in the later stories in this volume. There is a tendency to repeat lines like 鈥淭he curlews pecked out our eyes鈥� or 鈥淎 horse kicked me in the head鈥� to emphasise the direness of the characters鈥� situations. And when the Negro who sang in the park comes to take our protagonist away to 鈥渟ing in the choir鈥� we realize that the latter is dying; when the torrential rains run for days, floods the town and addles the mind, we are 鈥渟hown鈥� this by the townspeople seeing and smelling bodies from the graveyard floating in the streets - great imagery!
The second volume, Big Mama鈥檚 Funeral, is set in Macondo, Garcia Marquez鈥檚 fictional hometown and the one he immortalized in his novel, One Hundred Years of Solitude. The corrupt mayor, the rich industrialist, the thief and other characters like the Buendia family flit in and out of the stories playing different roles. The writer鈥檚 irony begins to appear in these stories: the widow of the rich man who believes her dead spouse was noble when he was a mass murderer, the artist who gets beaten up for exposing the rich man鈥檚 corrupt soul, the blind grandmother who 鈥渟ees鈥� everything in her granddaughter鈥檚 life. The author even has his take on the Wandering Jew story, a metaphor used throughout literature. The final story, from which this volume gets its title, is a grand metaphor to the death of the old way of life and the birth of the new one, the rule of the landed gentry giving way to democracy. It is also a story in which Garcia Marquez鈥檚 fiction, in this collection, transcends the micro view to take on the macro one.
The third volume, The Incredible and Sad Tale of Innocent Erendira and Her Heartless Grandmother, seems pre-occupied with taking the author鈥檚 vision down to the level of children. Two of the tales are subtitled 鈥淎 Tale for Children,鈥� and speak of strange people and ships that appear from out of the sea to teach us lessons. Yet, other pre-occupations, not necessarily juvenile in content, emerge: the dying and corrupt senator who sacrifices his reputation to feast on the body of a young girl, a theme that Garcia Marquez fully developed in his final novel, Memories of My Melancholy Whores; the balance of good and evil, both needing each other to survive. The final story from which the volume gets it鈥檚 name, is the longest in the entire collection, and its title says it all: poor Erendira the 14 year-old virgin is exploited to the fullest by her wicked grandmother and is indentured to the old whore for life. Despite the exaggerated situations that are typical of magic realism, some interesting truths emerge: smugglers do not interfere with the Church - wrong enemy to take on!; those who are abused and manipulated will abuse and manipulate; when one is focused on escape, one often leaves loved ones behind. The imagery is also magical: the wind is always howling outside Erendira鈥檚 tent as she travels the desert country selling her body, the wind of her misfortune, we think; the grandmother鈥檚 blood is green, with envy of her granddaughter鈥檚 youth and promise, we wonder: glass changes colour when the love-struck Ulises (Erendira鈥檚 lover) touches it, testament to seeing things with rose-tinted glasses, perhaps?
Although the geography we travel through in this collection is around coastal Colombia, our travels through human experience is far, wide and deep. This is a great collection to understand the evolution of a writer from his narrow beginnings to the expansive weave and heft he achieved in his later writing.
The 26-story collection is comprised of selections from three volumes of short stories that were published in the 1960鈥檚 and 鈥�70鈥檚. The stories in the first volume, Eyes of Blue Dog, are the hardest to read as they are interior monologues and reminiscences with very little action or movement, the protagonists often pre-occupied with death. The characters feel and sense their world viscerally, and the titles bear little resemblance to the content of the pieces, and yet, given that the author was in his twenties when these stories were written, it foreshadows the literary maturity that was to develop later. We see some dialogue and movement appear in the later stories in this volume. There is a tendency to repeat lines like 鈥淭he curlews pecked out our eyes鈥� or 鈥淎 horse kicked me in the head鈥� to emphasise the direness of the characters鈥� situations. And when the Negro who sang in the park comes to take our protagonist away to 鈥渟ing in the choir鈥� we realize that the latter is dying; when the torrential rains run for days, floods the town and addles the mind, we are 鈥渟hown鈥� this by the townspeople seeing and smelling bodies from the graveyard floating in the streets - great imagery!
The second volume, Big Mama鈥檚 Funeral, is set in Macondo, Garcia Marquez鈥檚 fictional hometown and the one he immortalized in his novel, One Hundred Years of Solitude. The corrupt mayor, the rich industrialist, the thief and other characters like the Buendia family flit in and out of the stories playing different roles. The writer鈥檚 irony begins to appear in these stories: the widow of the rich man who believes her dead spouse was noble when he was a mass murderer, the artist who gets beaten up for exposing the rich man鈥檚 corrupt soul, the blind grandmother who 鈥渟ees鈥� everything in her granddaughter鈥檚 life. The author even has his take on the Wandering Jew story, a metaphor used throughout literature. The final story, from which this volume gets its title, is a grand metaphor to the death of the old way of life and the birth of the new one, the rule of the landed gentry giving way to democracy. It is also a story in which Garcia Marquez鈥檚 fiction, in this collection, transcends the micro view to take on the macro one.
The third volume, The Incredible and Sad Tale of Innocent Erendira and Her Heartless Grandmother, seems pre-occupied with taking the author鈥檚 vision down to the level of children. Two of the tales are subtitled 鈥淎 Tale for Children,鈥� and speak of strange people and ships that appear from out of the sea to teach us lessons. Yet, other pre-occupations, not necessarily juvenile in content, emerge: the dying and corrupt senator who sacrifices his reputation to feast on the body of a young girl, a theme that Garcia Marquez fully developed in his final novel, Memories of My Melancholy Whores; the balance of good and evil, both needing each other to survive. The final story from which the volume gets it鈥檚 name, is the longest in the entire collection, and its title says it all: poor Erendira the 14 year-old virgin is exploited to the fullest by her wicked grandmother and is indentured to the old whore for life. Despite the exaggerated situations that are typical of magic realism, some interesting truths emerge: smugglers do not interfere with the Church - wrong enemy to take on!; those who are abused and manipulated will abuse and manipulate; when one is focused on escape, one often leaves loved ones behind. The imagery is also magical: the wind is always howling outside Erendira鈥檚 tent as she travels the desert country selling her body, the wind of her misfortune, we think; the grandmother鈥檚 blood is green, with envy of her granddaughter鈥檚 youth and promise, we wonder: glass changes colour when the love-struck Ulises (Erendira鈥檚 lover) touches it, testament to seeing things with rose-tinted glasses, perhaps?
Although the geography we travel through in this collection is around coastal Colombia, our travels through human experience is far, wide and deep. This is a great collection to understand the evolution of a writer from his narrow beginnings to the expansive weave and heft he achieved in his later writing.
January 31, 2018
6. Collected Stories by Gabriel Garc铆a M谩rquez
translators: Gregory Rabassa & J. S. Bernstein
published: 1984
format: 343 page paperback
acquired: December
read: Jan 18-25
rating: 4陆
M谩rquez spent his youngest years away from his parents, living in the Columbia coastal town of Aracataca with his grandparents, who he explains were both great story tellers. His grandmother would mix in fanciful aspects to her stories without breaking her tone, as if she was telling all fact. He has explained these were huge influences on his writing. And it seems he was always writing.
This is my first step into M谩rquez. I will follow him in mostly a chronological manner, and this collection includes some of his earliest published work. The first story, The Third Resignation, was published in 1947 when M谩rquez was 20 years old. What this collection offers in an evolution in the writing of talented and creative story teller.
, the first collection, is weakest and yet the one I find I have the most to say about, because of how his writing changes from story to story. Several things are notable about the earliest stories, The Third Resignation, The Other Side of Death, and Eva is inside her cat. They have striking opening lines, with words like "sharp", and phrases like "cold, cutting, vertical noise", they are psychoanalytical, idea heavy, and rather dull to read, leaving this reader interested, but counting pages till the end. The Other Side of Death ends "in the other world, the mistaken and absurd world of rational creatures,鈥� A phrase that is maybe revealing as to where M谩rquez was headed. These stories all have very different approaches, and strengths. In the title story a man has an intimate conversations with a woman in his dreams, one he can see, but can't touch, and who he completely forgets as soon as he wakes, even as she keeps telling him how to find her. It's an exploration of desire and relationships. It's a good story, but most notable because of different way to approaching what he is exploring. Whereas the most compelling story for me, the first one where I forgot to count the pages, was straight forward. Titled The Woman Who Came at Six O鈥機lock, it's only a conversation, a flirtatious and manipulative one between between a woman and a bar tender in an empty bar. There are five more stories after that, and I would say each one is just a much better story, much more readable, then the earlier ones, but still very imaginative. And, in each story, it seems he's getting closer to home.
Every story in is well developed. One might say a maturing author developing into mastering his abilities. The stories are starting to feel like pieces of a larger worlds, like M谩rquez is just giving us a window and that he could keep going on and I wouldn't have minded. Most of these stories are very much his world in small town coastal Columbia, in Aracataca, which gets mentioned in the last story, the title story. Characters reoccur, the tone changes, and there is a heavy, if dark or darkly tinted, humor. In the title story the tone is hyper-formal. "...and for the third time in twenty centuries there was an hour of confusion, chagrin, and bustle in the limitless empire of Christendom...
The author of is not experimenting so much as making his points through story telling. In the opening story, A Very Old Man With Enormous Wings, an angel falls into a town and becomes something like a zoo attraction. He doesn't speak and doesn't interact with anyone, just stoically bides his time until his wings heal and he wordlessly flies off. What is M谩rquez saying? The main sense in all these stories is of a fairy tale, but with all the dark elements, with wonderful characters, usually leaving us with a sense of how small they are in a strange wider world they will never understand. When the outside world comes, it seems everyone always ends up losing something to them, and when they branch out, the characters just disappear. Several of these are really quote terrific, and they all leave something to think about, even if it seems mostly through the authors restraint. He just has a way of writing up strange or fantastic events in the same flat fairy tale tone and it leaves the reader wondering.
So, a fun a collection and a good start for my tour through his work.
translators: Gregory Rabassa & J. S. Bernstein
published: 1984
format: 343 page paperback
acquired: December
read: Jan 18-25
rating: 4陆
Original collections:
: stories 1947-1955, English translation 1968. Translated by Gregory Rabassa
: stories 1962, English translation 1972. Translated by J. S. Bernstein
: stories 1968-1972, English translation 1978. Translated by Gregory Rabassa
M谩rquez spent his youngest years away from his parents, living in the Columbia coastal town of Aracataca with his grandparents, who he explains were both great story tellers. His grandmother would mix in fanciful aspects to her stories without breaking her tone, as if she was telling all fact. He has explained these were huge influences on his writing. And it seems he was always writing.
This is my first step into M谩rquez. I will follow him in mostly a chronological manner, and this collection includes some of his earliest published work. The first story, The Third Resignation, was published in 1947 when M谩rquez was 20 years old. What this collection offers in an evolution in the writing of talented and creative story teller.
, the first collection, is weakest and yet the one I find I have the most to say about, because of how his writing changes from story to story. Several things are notable about the earliest stories, The Third Resignation, The Other Side of Death, and Eva is inside her cat. They have striking opening lines, with words like "sharp", and phrases like "cold, cutting, vertical noise", they are psychoanalytical, idea heavy, and rather dull to read, leaving this reader interested, but counting pages till the end. The Other Side of Death ends "in the other world, the mistaken and absurd world of rational creatures,鈥� A phrase that is maybe revealing as to where M谩rquez was headed. These stories all have very different approaches, and strengths. In the title story a man has an intimate conversations with a woman in his dreams, one he can see, but can't touch, and who he completely forgets as soon as he wakes, even as she keeps telling him how to find her. It's an exploration of desire and relationships. It's a good story, but most notable because of different way to approaching what he is exploring. Whereas the most compelling story for me, the first one where I forgot to count the pages, was straight forward. Titled The Woman Who Came at Six O鈥機lock, it's only a conversation, a flirtatious and manipulative one between between a woman and a bar tender in an empty bar. There are five more stories after that, and I would say each one is just a much better story, much more readable, then the earlier ones, but still very imaginative. And, in each story, it seems he's getting closer to home.
Every story in is well developed. One might say a maturing author developing into mastering his abilities. The stories are starting to feel like pieces of a larger worlds, like M谩rquez is just giving us a window and that he could keep going on and I wouldn't have minded. Most of these stories are very much his world in small town coastal Columbia, in Aracataca, which gets mentioned in the last story, the title story. Characters reoccur, the tone changes, and there is a heavy, if dark or darkly tinted, humor. In the title story the tone is hyper-formal. "...and for the third time in twenty centuries there was an hour of confusion, chagrin, and bustle in the limitless empire of Christendom...
The author of is not experimenting so much as making his points through story telling. In the opening story, A Very Old Man With Enormous Wings, an angel falls into a town and becomes something like a zoo attraction. He doesn't speak and doesn't interact with anyone, just stoically bides his time until his wings heal and he wordlessly flies off. What is M谩rquez saying? The main sense in all these stories is of a fairy tale, but with all the dark elements, with wonderful characters, usually leaving us with a sense of how small they are in a strange wider world they will never understand. When the outside world comes, it seems everyone always ends up losing something to them, and when they branch out, the characters just disappear. Several of these are really quote terrific, and they all leave something to think about, even if it seems mostly through the authors restraint. He just has a way of writing up strange or fantastic events in the same flat fairy tale tone and it leaves the reader wondering.
So, a fun a collection and a good start for my tour through his work.
December 20, 2018
賵爻兀賱賳賷 亘毓丿 匕賱賰 賲丕 丕賱匕賷 鬲賮毓賱賴 賮賷 丕賱丨賷丕丞 責 貙 賮兀噩亘鬲賴 亘兀賳賳賷 賱丕 兀毓賮賱 卮賷卅丕賸 爻賵賷 兀賳賳賷 兀毓賷卮 貙 賱兀賳 賰賱 賲丕 毓丿丕 匕賱賰 賱丕 賷爻鬲丨賯 兀賷 毓賳丕亍
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賲噩賲賵毓丞 囟禺賲丞 賵賰亘賷乇丞 貙 賱賲 賷賰賳 賴賳丕賰 亘丿丕賸 賲賳 鬲賯爻賷賲賴丕 丨鬲賷 兀賯乇兀賴丕 丿賵賳 卮鬲丕鬲
賮賯爻賲鬲賴丕 廿賱賷 兀乇亘毓丞 鬲賱賰 孬賱丕孬 貙 賵賲噩賲賵毓丞 賯氐氐 賲鬲賳賵毓丞 噩毓賱鬲賴丕 亘卮賰賱 毓卮賵丕卅賷 貙 兀賲丕 丕賱孬賱丕孬 賮賰丕賳鬲 鬲賱賰 賲乇丕噩毓鬲賴賲 :
丕孬賳鬲丕 毓卮乇丞 賯氐丞 賯氐賷乇丞 賲賴丕噩乇丞
丕乇賳丿賷乇丕 丕賱亘乇賷卅丞 賵噩丿鬲賴丕 丕賱賯丕爻賷丞
丕賱兀賲 丕賱賰亘賷乇丞
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丕賱賰孬賷乇 賲賳 丕賱賯氐氐 廿丨鬲乇丕賮賷丞 賵賲賲鬲毓丞 賵賱丕 卮賰 兀賳 噩丕乇爻賷丕 賷爻鬲胤賷毓 丕賱鬲賵丕噩丿 賮賷 兀賷 賲賷丿丕賳 兀丿亘賷 貙 賵亘毓囟 丕賱賯氐氐 賱賲 兀賮賴賲賴 亘丕賱胤亘毓
兀賲丕 丕賱孬賲丕賳 賯氐氐 丕賱鬲賷 噩毓賱鬲賴丕 賱賲乇丕噩毓丞 賴匕丕 丕賱噩夭兀 賮賯丿 兀毓噩亘賳賷 賲賳賴丕 毓賱賷 丕賱鬲乇鬲賷亘 :
兀噩賲賱 睾乇賷賯 賮賷 丕賱毓丕賱賲
锟斤拷賱乇丨賱丞 丕賱兀禺賷乇丞 賱賱爻賮賷賳丞 丕賱卮亘丨
賲賵賳賵賱噩 廿賷夭丕亘賷賱
賷鬲囟丨 賲賳 丌禺乇 孬賲丕賳 賯氐氐 兀賳 噩丕乇爻賷丕 賯丿 賲賴丿 丕賱爻亘賷賱 賱兀爻胤賵乇丞 賲丕賰賵賳丿賵 賯亘賱 賳卮乇 賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞 亘賭 12 爻賳丞 賵兀爻胤賵乇丞 丕賱賲胤乇 丕賱匕賷 賷賳賴賲乇 賵賱丕 賷鬲賵賯賮 賮賷 賲賵賳賵賱賵噩 廿賷夭丕亘賷賱 貙 賵賲賴丿 賱睾乇丕卅亘賷丞 丕賱兀賲賵乇 賮賷 賲丕賰賵賳丿賵 賵賵丕賯毓賷鬲賴 丕賱爻丨乇賷丞 賵賰賱 鬲賱賰 丕賱兀賲賵乇 賰丕賳鬲 賵丕囟丨丞 賮賷 賲賵賳賵賱賵噩 廿賷夭丕亘賷賱
丿丕卅賲丕賸 亘丨亘 噩丕乇爻賷丕 兀賳 賷鬲丨丿孬 毓賳 賲賵丕囟賷毓 廿賳爻丕賳賷丞 賲禺鬲賱賮丞 貙 賮賵噩丿賳丕賴丕 賲賳 噩丿賷丿 賷氐賳毓 卮禺氐賷丞 賲賳 兀卮禺丕氐賴 鬲亘丨孬 毓賳 廿孬亘丕鬲 丕賱匕丕鬲 賵丕賱賵噩賵丿 亘兀賷 卮賰賱 貙 鬲賱賰 丕賱卮禺氐賷丞 丕賱兀賵乇賷賱賷丕賳賷丞 賮賷 丕賱爻賮賷賳丞 丕賱卮亘丨 貙 賵鬲丨丿孬 賰孬賷乇丕賸 賮賷 丕賱孬賲丕賳 賯氐氐 毓賳 丕賱賲賵鬲 賵丕賱賵丨丿丞 賵兀賴鬲賲 噩丿丕賸 亘鬲胤賵賷毓 丕賱賵丕賯毓 賱賱爻丨乇 賱賷禺乇噩 鬲賱賰 丕賱丿乇乇 丕賱兀丿亘賷丞 丕賱鬲賷 鬲賲鬲毓賰 兀孬賳丕亍 賯乇丕卅鬲賴丕 貙 賵賰兀賳賰 鬲賯乇兀賴丕 廿賱賷 丕賱兀亘丿
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廿賱賷 丕賱賱賯丕亍 兀賷賴丕 丕賱乇賮賷賯 貙 賰丕賳鬲 乇丨賱丞 囟禺賲丞 丿丕禺賱 毓丕賱賲賰 丕賱賯氐氐賷 貙 賵賯乇賷亘丕賸 兀賱鬲賯賷賰 賮賷 乇賵丕賷丞
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賲噩賲賵毓丞 囟禺賲丞 賵賰亘賷乇丞 貙 賱賲 賷賰賳 賴賳丕賰 亘丿丕賸 賲賳 鬲賯爻賷賲賴丕 丨鬲賷 兀賯乇兀賴丕 丿賵賳 卮鬲丕鬲
賮賯爻賲鬲賴丕 廿賱賷 兀乇亘毓丞 鬲賱賰 孬賱丕孬 貙 賵賲噩賲賵毓丞 賯氐氐 賲鬲賳賵毓丞 噩毓賱鬲賴丕 亘卮賰賱 毓卮賵丕卅賷 貙 兀賲丕 丕賱孬賱丕孬 賮賰丕賳鬲 鬲賱賰 賲乇丕噩毓鬲賴賲 :
丕孬賳鬲丕 毓卮乇丞 賯氐丞 賯氐賷乇丞 賲賴丕噩乇丞
丕乇賳丿賷乇丕 丕賱亘乇賷卅丞 賵噩丿鬲賴丕 丕賱賯丕爻賷丞
丕賱兀賲 丕賱賰亘賷乇丞
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丕賱賰孬賷乇 賲賳 丕賱賯氐氐 廿丨鬲乇丕賮賷丞 賵賲賲鬲毓丞 賵賱丕 卮賰 兀賳 噩丕乇爻賷丕 賷爻鬲胤賷毓 丕賱鬲賵丕噩丿 賮賷 兀賷 賲賷丿丕賳 兀丿亘賷 貙 賵亘毓囟 丕賱賯氐氐 賱賲 兀賮賴賲賴 亘丕賱胤亘毓
兀賲丕 丕賱孬賲丕賳 賯氐氐 丕賱鬲賷 噩毓賱鬲賴丕 賱賲乇丕噩毓丞 賴匕丕 丕賱噩夭兀 賮賯丿 兀毓噩亘賳賷 賲賳賴丕 毓賱賷 丕賱鬲乇鬲賷亘 :
兀噩賲賱 睾乇賷賯 賮賷 丕賱毓丕賱賲
锟斤拷賱乇丨賱丞 丕賱兀禺賷乇丞 賱賱爻賮賷賳丞 丕賱卮亘丨
賲賵賳賵賱噩 廿賷夭丕亘賷賱
賷鬲囟丨 賲賳 丌禺乇 孬賲丕賳 賯氐氐 兀賳 噩丕乇爻賷丕 賯丿 賲賴丿 丕賱爻亘賷賱 賱兀爻胤賵乇丞 賲丕賰賵賳丿賵 賯亘賱 賳卮乇 賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞 亘賭 12 爻賳丞 賵兀爻胤賵乇丞 丕賱賲胤乇 丕賱匕賷 賷賳賴賲乇 賵賱丕 賷鬲賵賯賮 賮賷 賲賵賳賵賱賵噩 廿賷夭丕亘賷賱 貙 賵賲賴丿 賱睾乇丕卅亘賷丞 丕賱兀賲賵乇 賮賷 賲丕賰賵賳丿賵 賵賵丕賯毓賷鬲賴 丕賱爻丨乇賷丞 賵賰賱 鬲賱賰 丕賱兀賲賵乇 賰丕賳鬲 賵丕囟丨丞 賮賷 賲賵賳賵賱賵噩 廿賷夭丕亘賷賱
丿丕卅賲丕賸 亘丨亘 噩丕乇爻賷丕 兀賳 賷鬲丨丿孬 毓賳 賲賵丕囟賷毓 廿賳爻丕賳賷丞 賲禺鬲賱賮丞 貙 賮賵噩丿賳丕賴丕 賲賳 噩丿賷丿 賷氐賳毓 卮禺氐賷丞 賲賳 兀卮禺丕氐賴 鬲亘丨孬 毓賳 廿孬亘丕鬲 丕賱匕丕鬲 賵丕賱賵噩賵丿 亘兀賷 卮賰賱 貙 鬲賱賰 丕賱卮禺氐賷丞 丕賱兀賵乇賷賱賷丕賳賷丞 賮賷 丕賱爻賮賷賳丞 丕賱卮亘丨 貙 賵鬲丨丿孬 賰孬賷乇丕賸 賮賷 丕賱孬賲丕賳 賯氐氐 毓賳 丕賱賲賵鬲 賵丕賱賵丨丿丞 賵兀賴鬲賲 噩丿丕賸 亘鬲胤賵賷毓 丕賱賵丕賯毓 賱賱爻丨乇 賱賷禺乇噩 鬲賱賰 丕賱丿乇乇 丕賱兀丿亘賷丞 丕賱鬲賷 鬲賲鬲毓賰 兀孬賳丕亍 賯乇丕卅鬲賴丕 貙 賵賰兀賳賰 鬲賯乇兀賴丕 廿賱賷 丕賱兀亘丿
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廿賱賷 丕賱賱賯丕亍 兀賷賴丕 丕賱乇賮賷賯 貙 賰丕賳鬲 乇丨賱丞 囟禺賲丞 丿丕禺賱 毓丕賱賲賰 丕賱賯氐氐賷 貙 賵賯乇賷亘丕賸 兀賱鬲賯賷賰 賮賷 乇賵丕賷丞
February 20, 2023
乇賵毓丞 毓噩亘賳賷 賯氐氐 賰孬賷乇 噩丿賸丕 亘丕賱匕丕鬲 丕賱孬賱丕孬 賲噩賲賵毓丕鬲 丕賱兀賵賱賷 賱兀賳 毓賵丕賱賲賴賲 賰丕賳鬲 爻丨乇賷丞 兀賰孬乇 賵 丕賱賯氐氐 賰丕賳鬲 賲乇鬲亘胤丞 亘亘毓囟 亘禺賷胤 乇賮賷毓 噩丿賸丕
亘爻 賰丕賳 賲賵噩賵丿!!
亘爻 賰丕賳 賲賵噩賵丿!!
September 5, 2015
賷丨鬲賵賷 丕賱賰鬲丕亘 毓賱賶 兀乇亘毓 賲噩賲賵毓丕鬲 賯氐氐賷丞 -(毓賷賳丕 賰賱亘 兀夭乇賯)貙 (噩賳丕夭丞 丕賱兀賲 丕賱賰亘賷乇丞)貙 (丕賱賯氐丞 丕賱丨夭賷賳丞 丕賱鬲賷 賱丕 鬲氐丿賯 賱廿賷乇賳丿賷乇丕 丕賱亘乇賷卅丞 賵噩丿鬲賴丕 丕賱賯丕爻賷丞) 賵(丕孬賳鬲丕 毓卮乇丞 賯氐丞 賯氐賷乇丞 賲賴丕噩乇丞)- 賲賰鬲賵亘丞 丨爻亘 丕賱鬲爻賱爻賱賱 丕賱鬲丕乇賷禺賷..
賱賲 鬲毓噩亘賳賷 丕賱賲噩賲賵毓丞 丕賱兀賵賱賶..
丕賱孬丕賳賷丞 賰丕賳鬲 兀賮囟賱 賯賱賷賱丕賸..
兀禺乇 賲噩賲賵毓鬲賷賳 鬲爻鬲丨賯丕賳 丕賱賯乇丕亍丞貙 賵鬲賰卮賮丕賳 毓馗賲丞 賲丕乇賰賷夭 賰兀丿賷亘 兀氐賷賱..
賱賲 鬲毓噩亘賳賷 丕賱賲噩賲賵毓丞 丕賱兀賵賱賶..
丕賱孬丕賳賷丞 賰丕賳鬲 兀賮囟賱 賯賱賷賱丕賸..
兀禺乇 賲噩賲賵毓鬲賷賳 鬲爻鬲丨賯丕賳 丕賱賯乇丕亍丞貙 賵鬲賰卮賮丕賳 毓馗賲丞 賲丕乇賰賷夭 賰兀丿賷亘 兀氐賷賱..
October 8, 2018
亘賴丿賮 丕賱廿胤賱丕毓 毓賱賶 賮賳 賰鬲丕亘丞 丕賱賯氐丞 丕賱賯氐賷乇丞 賮賷 兀賲乇賷賰丕 丕賱賱丕鬲賷賳賷丞... 廿賲鬲丕夭 賲丕乇賰賷夭 亘兀爻賱賵亘賴 丕賱禺丕氐 賲賳 丨賷孬 丕賱賰孬丕賮丞 賵丕賱鬲賵鬲乇 賵丕賱亘毓丿 毓賳 丕賱丨卮賵 賵丕賱丨賵丕乇丕鬲 丕賱胤賵賷賱丞貙 賰賲丕 賷賱丕丨馗 兀賷囟丕賸 兀賳 賴賳丕賰 乇賲夭賷丞 毓丕賱賷丞 賮賷 賯氐氐賴 賯丿 鬲丿賮毓賰 賱廿毓丕丿丞 賯乇丕亍丞 丕賱賯氐丞 賱爻亘乇 兀睾賵丕乇賴丕... 賷毓丿 賲丕乇賰賷夭 賲鬲賲乇丿丕賸 毓賱賶 賲亘丕丿卅 丕賱賯氐丞 丕賱賯氐賷乇丞 賮兀爻賱賵亘賴 禺丕乇噩 賮賷 賰孬賷乇 賲賳 丕賱兀丨賷丕賳 毓賳 丕賱賳賲胤 丕賱匕賷 賳乇丕賴 兀賵 賳鬲賵賯毓賴 毓賳丿 賰鬲丕亘 丕賱賯氐丞 賵乇亘賲丕 賰丕賳 鬲賲乇丿賴 賴匕丕 爻乇 鬲賲賷夭賴... 賱賱兀爻賮 兀賳 賲丕乇賰賷夭 賱賲 賷賳馗乇 賱兀爻賱賵亘賴 賴匕丕 賵賱賲 賷囟毓 賱賴 禺胤賵胤丕賸 毓乇賷囟丞 賮賯丿 鬲乇賰賴 賱鬲賮爻賷乇丕鬲 賲賳 亘毓丿賴 賵賯丿 兀氐丕亘 亘毓囟賴賲 賵兀禺胤兀 丌禺乇賵賳 賲賲賳 丨賲賱賵丕 賳氐賵氐賴 賲丕 賱丕 鬲丨鬲賲賱.. 賷爻噩賱 賱賴 亘兀賳賴 氐丕丨亘 賲丿乇爻丞 禺丕氐丞 賵賱賰賳 賷丐禺匕 毓賱賷賴 亘兀賳賴 賱賲 賷囟毓 賱賴丕 禺胤胤丕賸 廿丿丕乇賷丞 賳丕噩丨丞 賱鬲胤賵賷乇賴丕 賵兀禺匕賴丕 賰賳賯胤丞 廿賳胤賱丕賯 賱賲賳 亘毓丿賴...
September 17, 2022
Essential to those who have read his novels, these odd and beautiful stories show chronologically the slow development of his confidence and skill. Even his earliest writings, quirky meditations on death and what it means to be dead, are not as well fleshed out but still have passages that floor me and the imagination that awes me. Many of the stories add to the world of Macondo from One Hundred Years of Solitude, one of the greatest novels I have ever read.
June 28, 2009
Reading Gabriel Garcia Marquez is like coming home, a home crammed with the most wondrous oddities. Birds of wild plumage. Winds that scrape against sanity. Seas that overcome and drown you. But there's not a trace of cold heart-stopping fear. Marquez's realms are Sublime.
Collected Stories is a compilation of three collections: Eyes of A Blue Dog, Big Mama's Funeral, and The Tale of Innocent Erendira and Her Heartless Grandmother. Respectively, each of these collections were originally published in: No One Writes to the Colonel and Other Stories, Leaf Storm and Other Stories, and Innocent Erendira and Other Stories, and I believe the difference between initial published collections and this compilation is that this text doesn't include the title novellas, save for "Innocent Erendira." Spanning work from 1947 to 1972, the first two stories of this compilation, from Eyes of a Blue Dog, are preoccupied with death. Though highly abstract, and, at the same time, visceral, the details twitch and flitter, making the skin crawl. Death elicits unease, yet this macabre obsession shows hints more toward a writer's meager canvas. The characters embody smallness of mind. An ego coddling itself? Much of the first collection is filled with amorphous plots and insulated characters. As the stories progress, and, as we move from one collection to another, we see Marquez step outside of his own neuroses and evolve as artist. His maturation is one of literature's greatest treasures. As the writer strengthens his style, the tales grow sophisticated with multiple characters, interaction, dialogue, and wild tangles of narrative.
Most often, on the first read, Marquez may be difficult to analyze for literal meaning. We simply can't. Our instinct may be to kick back and enjoy the imagery, the sound of the language and the accumulation of tones and hues. What Marquez may lack in characterization and narrative, he certainly makes up for in description and imagery of time and space. From "Monologue of Isabel":
From the collection Big Mama's Funeral, Marquez lends from Shakespeare in "There are no Thieves in this Town"; when husband and wife plot against their small home town in South America, they're soon torn asunder from guilt. The burden of masquerading as innocent proves too much for them. "One Day After Saturday" honors Woolf and Joyce. Marquez jumps from characters' thoughts and reveals how each are bound, in a small town, by a mysterious phenomena. We slip through them like wisps of air, feeling and knowing every individual breath and spirit. Marquez, in the spirit of the Modernists, challenges the singularity of existence. He affirms the beauty of fiction, the power of fiction, and the danger of stories in that we can find connection though we may feel estranged from even our closest loved ones.
Death is still prominent but holds more meaning in the last collection The Incredible and Sad Tale of Innocent Erendira and Her Heartless Grandmother. Instead of a single pitiful life hanging in the balance, towards the end of the collection, mortality signifies the ruin of a country, the decay of a culture, and the corruptness of a civilization. "The Sea of Roses" is utterly intoxicating. A story that will hold you. Hunger and death are close siblings, clambering for our attention. "The Handsomest Drowned Man in the World" an absolute gem, the imagery and characters are embedded into my artistic DNA. A Christ-like tale, but not really, in this story, a stranger washes up on shore, and the town people's hearts grow wider, their faith and compassion, stronger. Instead of focusing on the afflicted man who inspired hope, we turn our gaze to the people themselves and revel in their own strength and beauty, their fatally exquisite flaws, which mean more collectively than the death, or life, for that matter, of a single man. "The Last Voyage of the Ghost Ship," another homage to the Modernists of Woolf and Joyce, is complete stream-of-consciousness, no punctuation. Thoughts bleed into each other. Readers, take your time with this one and be sure to come up for air so you can marvel in this tale that will consume you. This work must be kin to another of Marquez's from the collection, Strange Pilgrims, "Light is Like Water" where young boys push the boundaries of imagination and rebel against the pedestrian adult world. "A Very Old Man with Enormous Wings" is another tale burned to memory. All I can say is if you haven't read it, or any of the tales from Innocent Erendira, then you haven't really known how wonderful literature can be.
As I read these tales, I grew hungry to learn their back stories. Where did Marquez get his characters? What snippets of conversations, snatches of songs and tidbits of heresy inspired these wonderful pieces of Art? Which ones were lifted from newspapers? Are the kernels of each from yarns his grandparents spun for him? How many are slips of childhood memories? Marquez's words are imprinted in the genetic makeup of all my writerly endeavors. I look to him as all life seeks bright rays of light.
Collected Stories is a compilation of three collections: Eyes of A Blue Dog, Big Mama's Funeral, and The Tale of Innocent Erendira and Her Heartless Grandmother. Respectively, each of these collections were originally published in: No One Writes to the Colonel and Other Stories, Leaf Storm and Other Stories, and Innocent Erendira and Other Stories, and I believe the difference between initial published collections and this compilation is that this text doesn't include the title novellas, save for "Innocent Erendira." Spanning work from 1947 to 1972, the first two stories of this compilation, from Eyes of a Blue Dog, are preoccupied with death. Though highly abstract, and, at the same time, visceral, the details twitch and flitter, making the skin crawl. Death elicits unease, yet this macabre obsession shows hints more toward a writer's meager canvas. The characters embody smallness of mind. An ego coddling itself? Much of the first collection is filled with amorphous plots and insulated characters. As the stories progress, and, as we move from one collection to another, we see Marquez step outside of his own neuroses and evolve as artist. His maturation is one of literature's greatest treasures. As the writer strengthens his style, the tales grow sophisticated with multiple characters, interaction, dialogue, and wild tangles of narrative.
Most often, on the first read, Marquez may be difficult to analyze for literal meaning. We simply can't. Our instinct may be to kick back and enjoy the imagery, the sound of the language and the accumulation of tones and hues. What Marquez may lack in characterization and narrative, he certainly makes up for in description and imagery of time and space. From "Monologue of Isabel":
"the notion of time, upset since the day before, disappeared completely then there was no Thursday. What should have been Thursday was a physical, jelly-like substance thing that could have been parted with the hands in order to look into Friday" (100).
"Then it rained. And the sky was a gray, jellyfish-like substance that flapped its wings a hand away from our heads" (94).
From "The Other Side of Death", "Gently wrapped in the warm climate of a covered serenity, he felt the lightness of his artificial and daily death. He sank into a loving geography, into an easy, ideal world, a world like one drawn by a child, with no algebriac equations, with no living farewells, no force of gravity" (17).
From the collection Big Mama's Funeral, Marquez lends from Shakespeare in "There are no Thieves in this Town"; when husband and wife plot against their small home town in South America, they're soon torn asunder from guilt. The burden of masquerading as innocent proves too much for them. "One Day After Saturday" honors Woolf and Joyce. Marquez jumps from characters' thoughts and reveals how each are bound, in a small town, by a mysterious phenomena. We slip through them like wisps of air, feeling and knowing every individual breath and spirit. Marquez, in the spirit of the Modernists, challenges the singularity of existence. He affirms the beauty of fiction, the power of fiction, and the danger of stories in that we can find connection though we may feel estranged from even our closest loved ones.
Death is still prominent but holds more meaning in the last collection The Incredible and Sad Tale of Innocent Erendira and Her Heartless Grandmother. Instead of a single pitiful life hanging in the balance, towards the end of the collection, mortality signifies the ruin of a country, the decay of a culture, and the corruptness of a civilization. "The Sea of Roses" is utterly intoxicating. A story that will hold you. Hunger and death are close siblings, clambering for our attention. "The Handsomest Drowned Man in the World" an absolute gem, the imagery and characters are embedded into my artistic DNA. A Christ-like tale, but not really, in this story, a stranger washes up on shore, and the town people's hearts grow wider, their faith and compassion, stronger. Instead of focusing on the afflicted man who inspired hope, we turn our gaze to the people themselves and revel in their own strength and beauty, their fatally exquisite flaws, which mean more collectively than the death, or life, for that matter, of a single man. "The Last Voyage of the Ghost Ship," another homage to the Modernists of Woolf and Joyce, is complete stream-of-consciousness, no punctuation. Thoughts bleed into each other. Readers, take your time with this one and be sure to come up for air so you can marvel in this tale that will consume you. This work must be kin to another of Marquez's from the collection, Strange Pilgrims, "Light is Like Water" where young boys push the boundaries of imagination and rebel against the pedestrian adult world. "A Very Old Man with Enormous Wings" is another tale burned to memory. All I can say is if you haven't read it, or any of the tales from Innocent Erendira, then you haven't really known how wonderful literature can be.
As I read these tales, I grew hungry to learn their back stories. Where did Marquez get his characters? What snippets of conversations, snatches of songs and tidbits of heresy inspired these wonderful pieces of Art? Which ones were lifted from newspapers? Are the kernels of each from yarns his grandparents spun for him? How many are slips of childhood memories? Marquez's words are imprinted in the genetic makeup of all my writerly endeavors. I look to him as all life seeks bright rays of light.
September 17, 2013
Brilliant! Loved it. Will write more later.
___
Gabriel Garcia Marquez, Collected Stories.
I loved them! I really did.
I came in with no expectations...and was hit immediately by the jarring realization that this book falls entirely outside the realm of the genre of book I have been occupying myself with thus far. In a good way. What did the bus driver call it? Enchanted realism. (I can't remember). But whatever the official term for it is...the stories are poised as if set in reality, but with huge swathes of it are whimsical and mystical and fantastical...but conveyed as matter-of-factly as every day life.
I've come to realize...I love short stories. As much as the pace of them takes some getting used to. In the beginning of the book, the stories were completely separate and stood alone (though with a common thread of time and death and dreams running through). Some of the stories toward the end gave hints of a common story world - primary characters from one story would come up as tertiary characters in another. I liked both techniques! The former method kind of reminds me of Sum (yes, Eagleman), where a new world was invented from scratch at the start of every new chapter. The latter method gave the stories more continuity, and it was easier to let go of the characters from one, and transition to the next.
Also, the beauty of short stories (when done well) is that they convey so much meaning in so few words. Every line must be deeply intentional. Someone's entire character is encapsulated in a matter of sentences. Imagine if every line of every novel were so intentional! What would that be like? Now that I'm changing gears and swapping over to an Atwood novel, the style seems so tranquil and...meandering. Layers are slooowly being peeled away one...by one. It's a new thing for me to talk about the "pace" of a piece of writing, but it seems valid, doesn't it?
Anyways, here are some of my very favorite quotes, that will hopefully inspire you to read this book too:
"There was no one at the station...On the other side of the street, on the sidewalk shaded by the almond trees, only the pool hall was open. The town was floating in the heat" (101).
"The alcohol was leaving him, in concentric waves, and he assumed once more the weight, the volume, and the responsibility of his limbs" (113).
"The world had been sad since Tuesday. Sea and sky were a single ash-gray thing and the sands of the beach, which on March nights glimmered like powdered light, had become a stew of mud and rotten shellfish" (203).
"When they heard the music, distant but distinct, the people stopped chatting. They looked at one another and for a moment had nothing to say, for only then did they realize how old they had become since the last time they'd heard music" (217).
___
Gabriel Garcia Marquez, Collected Stories.
I loved them! I really did.
I came in with no expectations...and was hit immediately by the jarring realization that this book falls entirely outside the realm of the genre of book I have been occupying myself with thus far. In a good way. What did the bus driver call it? Enchanted realism. (I can't remember). But whatever the official term for it is...the stories are poised as if set in reality, but with huge swathes of it are whimsical and mystical and fantastical...but conveyed as matter-of-factly as every day life.
I've come to realize...I love short stories. As much as the pace of them takes some getting used to. In the beginning of the book, the stories were completely separate and stood alone (though with a common thread of time and death and dreams running through). Some of the stories toward the end gave hints of a common story world - primary characters from one story would come up as tertiary characters in another. I liked both techniques! The former method kind of reminds me of Sum (yes, Eagleman), where a new world was invented from scratch at the start of every new chapter. The latter method gave the stories more continuity, and it was easier to let go of the characters from one, and transition to the next.
Also, the beauty of short stories (when done well) is that they convey so much meaning in so few words. Every line must be deeply intentional. Someone's entire character is encapsulated in a matter of sentences. Imagine if every line of every novel were so intentional! What would that be like? Now that I'm changing gears and swapping over to an Atwood novel, the style seems so tranquil and...meandering. Layers are slooowly being peeled away one...by one. It's a new thing for me to talk about the "pace" of a piece of writing, but it seems valid, doesn't it?
Anyways, here are some of my very favorite quotes, that will hopefully inspire you to read this book too:
"There was no one at the station...On the other side of the street, on the sidewalk shaded by the almond trees, only the pool hall was open. The town was floating in the heat" (101).
"The alcohol was leaving him, in concentric waves, and he assumed once more the weight, the volume, and the responsibility of his limbs" (113).
"The world had been sad since Tuesday. Sea and sky were a single ash-gray thing and the sands of the beach, which on March nights glimmered like powdered light, had become a stew of mud and rotten shellfish" (203).
"When they heard the music, distant but distinct, the people stopped chatting. They looked at one another and for a moment had nothing to say, for only then did they realize how old they had become since the last time they'd heard music" (217).
January 31, 2012
丕賱賯氐氐 丕賱賯氐賷乇丞 丕賱賰丕賲賱丞
賷囟賲 賴匕丕 丕賱賰鬲丕亘 丕賱賲噩賲賵毓丕鬲 丕賱賯氐氐賷丞 丕賱鬲丕賱賷丞 (毓賷賳丕 賰賱亘 兀夭乇賯)貙 (噩賳丕夭丞 丕賱兀賲 丕賱賰亘賷乇丞)貙 (丕賱賯氐丞 丕賱丨夭賷賳丞 丕賱鬲賷 賱丕 鬲氐丿賯 賱廿賷乇賳丿賷乇丕 丕賱亘乇賷卅丞 賵噩丿鬲賴丕 丕賱賯丕爻賷丞) 賵(丕孬賳鬲丕 毓卮乇丞 賯氐丞 賯氐賷乇丞 賲賴丕噩乇丞).
丕賮鬲鬲丨鬲 亘賴匕丕 丕賱賰鬲丕亘 丕賱毓丕賲 丕賱噩丿賷丿貙 賰賳鬲 丌賲賱 兀賳 賲丕乇賰賷夭 爻賷賲賳丨賳賷 丿賮毓丞 噩賲賷賱丞貙 賵賱賰賳 賱賱兀爻賮 鬲噩乇毓鬲 丕賱賰鬲丕亘 亘亘胤亍 胤賷賱丞 丕賱卮賴乇貙 賱丕 兀丿乇賷 賲丕 丕賱匕賷 丨丿孬責 賴賱 賰丕賳 賲夭丕噩賷 賱丕 賷鬲賳丕爻亘 賲毓 丕賱賵丕賯毓賷丞 丕賱爻丨乇賷丞 賴匕賴 丕賱兀賷丕賲責 兀賲 兀賳 丕賱賲噩賲賵毓丞 賵賱兀賳賴丕 賰鬲亘鬲 毓賱賶 賲丿賶 34 毓丕賲丕賸 噩毓賱賴丕 孬賯賷賱丞貙 兀乇噩丨 賴匕丕 丕賱丕丨鬲賲丕賱貙 賱兀賳賷 丕爻鬲賲鬲毓鬲 亘丕賱賲噩賲賵毓鬲賷賳 丕賱兀禺賷乇鬲賷賳 兀賰孬乇 賲賲丕 賮毓賱鬲 賲毓 丕賱兀賵賱賷賷賳.
丨賷孬 睾賱亘 毓賱賶 丕賱賲噩賲賵毓丞 丕賱兀賵賱賶 丕賱兀卮亘丕丨貙 賵賱賲 賷毓噩亘賳賷 賲賳賴丕 廿賱丕 賯氐丞 (丕賱賲乇兀丞 丕賱鬲賷 鬲氐賱 賮賷 丕賱爻丕丿爻丞)貙 賲賳 丕賱賲噩賲賵毓丞 丕賱孬丕賱孬丞 賰丕賳鬲 賯氐丞 廿賷乇賳丿賷乇丕 賵噩丿鬲賴丕 丕賱兀亘乇夭貙 兀賲丕 丕賱賲噩賲賵毓丞 丕賱兀禺賷乇丞 賮賰丕賳鬲 賴賷 丕賱兀亘乇夭 賵禺丕氐丞 賯氐氐 (胤丕卅乇丞 丕賱丨爻賳丕亍 丕賱賳丕卅賲丞)貙 (噩卅鬲 賱兀鬲賰賱賲 賮賷 丕賱賴丕鬲賮 賮賯胤)貙 (乇毓亘 丌亘) 賵賴丕鬲賷賳 丕賱賯氐鬲賷賳 賳賲賵匕噩賷賳 乇丕賯賷賷賳 賱兀丿亘 丕賱乇毓亘貙 (賵兀孬乇 丿賲賰 毓賱賶 丕賱孬賱噩) 賯氐丞 丕賱丨亘 丕賱鬲賷 賮鬲賳鬲賳賷 賵丌賱賲鬲賳賷 賳賴丕賷鬲賴丕.
賷囟賲 賴匕丕 丕賱賰鬲丕亘 丕賱賲噩賲賵毓丕鬲 丕賱賯氐氐賷丞 丕賱鬲丕賱賷丞 (毓賷賳丕 賰賱亘 兀夭乇賯)貙 (噩賳丕夭丞 丕賱兀賲 丕賱賰亘賷乇丞)貙 (丕賱賯氐丞 丕賱丨夭賷賳丞 丕賱鬲賷 賱丕 鬲氐丿賯 賱廿賷乇賳丿賷乇丕 丕賱亘乇賷卅丞 賵噩丿鬲賴丕 丕賱賯丕爻賷丞) 賵(丕孬賳鬲丕 毓卮乇丞 賯氐丞 賯氐賷乇丞 賲賴丕噩乇丞).
丕賮鬲鬲丨鬲 亘賴匕丕 丕賱賰鬲丕亘 丕賱毓丕賲 丕賱噩丿賷丿貙 賰賳鬲 丌賲賱 兀賳 賲丕乇賰賷夭 爻賷賲賳丨賳賷 丿賮毓丞 噩賲賷賱丞貙 賵賱賰賳 賱賱兀爻賮 鬲噩乇毓鬲 丕賱賰鬲丕亘 亘亘胤亍 胤賷賱丞 丕賱卮賴乇貙 賱丕 兀丿乇賷 賲丕 丕賱匕賷 丨丿孬責 賴賱 賰丕賳 賲夭丕噩賷 賱丕 賷鬲賳丕爻亘 賲毓 丕賱賵丕賯毓賷丞 丕賱爻丨乇賷丞 賴匕賴 丕賱兀賷丕賲責 兀賲 兀賳 丕賱賲噩賲賵毓丞 賵賱兀賳賴丕 賰鬲亘鬲 毓賱賶 賲丿賶 34 毓丕賲丕賸 噩毓賱賴丕 孬賯賷賱丞貙 兀乇噩丨 賴匕丕 丕賱丕丨鬲賲丕賱貙 賱兀賳賷 丕爻鬲賲鬲毓鬲 亘丕賱賲噩賲賵毓鬲賷賳 丕賱兀禺賷乇鬲賷賳 兀賰孬乇 賲賲丕 賮毓賱鬲 賲毓 丕賱兀賵賱賷賷賳.
丨賷孬 睾賱亘 毓賱賶 丕賱賲噩賲賵毓丞 丕賱兀賵賱賶 丕賱兀卮亘丕丨貙 賵賱賲 賷毓噩亘賳賷 賲賳賴丕 廿賱丕 賯氐丞 (丕賱賲乇兀丞 丕賱鬲賷 鬲氐賱 賮賷 丕賱爻丕丿爻丞)貙 賲賳 丕賱賲噩賲賵毓丞 丕賱孬丕賱孬丞 賰丕賳鬲 賯氐丞 廿賷乇賳丿賷乇丕 賵噩丿鬲賴丕 丕賱兀亘乇夭貙 兀賲丕 丕賱賲噩賲賵毓丞 丕賱兀禺賷乇丞 賮賰丕賳鬲 賴賷 丕賱兀亘乇夭 賵禺丕氐丞 賯氐氐 (胤丕卅乇丞 丕賱丨爻賳丕亍 丕賱賳丕卅賲丞)貙 (噩卅鬲 賱兀鬲賰賱賲 賮賷 丕賱賴丕鬲賮 賮賯胤)貙 (乇毓亘 丌亘) 賵賴丕鬲賷賳 丕賱賯氐鬲賷賳 賳賲賵匕噩賷賳 乇丕賯賷賷賳 賱兀丿亘 丕賱乇毓亘貙 (賵兀孬乇 丿賲賰 毓賱賶 丕賱孬賱噩) 賯氐丞 丕賱丨亘 丕賱鬲賷 賮鬲賳鬲賳賷 賵丌賱賲鬲賳賷 賳賴丕賷鬲賴丕.
May 13, 2014
Collected Stories contains twenty six short stories divided into three sections. The stories are in chronological order of their publication. You read Gabriel Marquez from his very early days to his more seasoned tenure as a writer.
Gabriel Marquez writings as a whole clearly improves over time, this collection proves this point. The earlier stories were nothing spectacular and as the collection grows so does Marquez and his writing.
I have enjoyed Gabriel Marquez in both short stories and novel length. He can be a bit redundant but when this man hits his stride at full speed there is no stopping him. This is a wonderful collection to introduce yourself to his writings or even as a refresher, maybe see just how his writing has evolved. Excellent sampler of Gabriel Marquez.
Gabriel Marquez writings as a whole clearly improves over time, this collection proves this point. The earlier stories were nothing spectacular and as the collection grows so does Marquez and his writing.
I have enjoyed Gabriel Marquez in both short stories and novel length. He can be a bit redundant but when this man hits his stride at full speed there is no stopping him. This is a wonderful collection to introduce yourself to his writings or even as a refresher, maybe see just how his writing has evolved. Excellent sampler of Gabriel Marquez.
August 21, 2021
this is hands down one of the most impressive short story collections I've ever read. it's taken me months to complete, coz I have read it only when I'm at my most Attentive which hasn't been much lately. but wow! what a literary masterpiece this collection was. a masterpiece.
June 15, 2007
So, first of all, I have been reading this off and on for about three years now and I finally decided about two weeks ago to give it a serious effort from the beginning. This is more than just an interesting collection of stories; it's a document of Marquez's growth as a writer. The first third of the book is frankly pretty terrible. It's filled with failed experiments in which Marquez grows closer to developing his signature magical realism, but these experiments instead come off as ghost stories that get bogged down in maudlin torpor. Then, something clicks. The next two thirds of the book are incredible. Marquez finds his voice and more importantly, he starts to serve the story. The characters go somewhere instead of stagnating in their own ghastliness. The stories themselves are richer and they say something. The three standouts are "A Very Old Man With Enormous Wings", "The Handsomest Drowned Man in the World" and "The Incredible and Sad Tale of Innocent Erendira and Her Heartless Grandmother".
June 27, 2016
賱丕 賷賲賰賳 丕賳 鬲禺爻乇 兀亘丿丕 賵丕賳鬲 鬲賯乇丕 賱賲丕乇賰賷夭
乇丨賱丞 乇丕卅毓丞 賮賷 毓賵丕賱賲 賲丕乇賰賷夭 丕賱爻丨乇賷丞
賳鬲亘毓 賮賷賴丕 鬲胤賵乇 丕購爻賱賵亘 賲丕乇賰賷夭 賵鬲氐丕毓丿賴
鬲亘丿賵 丕賱賯氐氐 丕賱丕賵賱賶 賲鬲兀孬乇丞 亘丕賱噩賵 丕賱匕賷 禺賱賯賴 賰丕賮賰丕 賮賷 丕賱爻乇丿 丕賱丨丿賷孬 孬賲 賷禺鬲胤 賲丕乇賰賷夭 賱賳賮爻賴 毓丕賱賲賴 丕賱廿亘丿丕毓賷 賮賷 丕賱賯氐氐 丕賱賱丕丨賯丞 丕賵 賲丕 爻賷爻賲賶 亘丕賱賵丕賯毓賷丞 丕賱爻丨乇賷丞
賵賮賷 丕賱噩夭亍 丕賱兀禺賷乇 賵丕賱兀丨丿孬 賲賳 賲賳噩夭 賲丕乇賰賷夭 ( 賵禺丕氐丞 賮賷 丕孬賳鬲丕 毓卮乇 丨賰丕賷丞 鬲丕卅賴丞 ) 賷亘丿賵 丕賱鬲賵丕夭賳 賵 丕賱鬲夭丕賵噩 亘賷賳 丕賱亘丿丕賷丕鬲 亘兀爻卅賱鬲賴丕 丕賱賲賮鬲賵丨丞 賵丕賱爻賵乇賷丕賱賷丞 賵賲乇丨賱丞 丕賱匕乇賵丞 亘賵丕賯毓賷鬲賴丕 丕賱爻丨乇賷丞 ..
丕賯鬲乇丕丨賷 丕賱賵丨賷丿 丕賳 賷賯乇丕 丕賱賰鬲丕亘 賲賳 賳賴丕賷鬲賴 賱賷賰賵賳 丕賰孬乇 丕賲鬲丕毓丕 賵噩匕亘丕 賱賱賯丕乇卅 丕賱毓噩賵賱
乇丨賱丞 乇丕卅毓丞 賮賷 毓賵丕賱賲 賲丕乇賰賷夭 丕賱爻丨乇賷丞
賳鬲亘毓 賮賷賴丕 鬲胤賵乇 丕購爻賱賵亘 賲丕乇賰賷夭 賵鬲氐丕毓丿賴
鬲亘丿賵 丕賱賯氐氐 丕賱丕賵賱賶 賲鬲兀孬乇丞 亘丕賱噩賵 丕賱匕賷 禺賱賯賴 賰丕賮賰丕 賮賷 丕賱爻乇丿 丕賱丨丿賷孬 孬賲 賷禺鬲胤 賲丕乇賰賷夭 賱賳賮爻賴 毓丕賱賲賴 丕賱廿亘丿丕毓賷 賮賷 丕賱賯氐氐 丕賱賱丕丨賯丞 丕賵 賲丕 爻賷爻賲賶 亘丕賱賵丕賯毓賷丞 丕賱爻丨乇賷丞
賵賮賷 丕賱噩夭亍 丕賱兀禺賷乇 賵丕賱兀丨丿孬 賲賳 賲賳噩夭 賲丕乇賰賷夭 ( 賵禺丕氐丞 賮賷 丕孬賳鬲丕 毓卮乇 丨賰丕賷丞 鬲丕卅賴丞 ) 賷亘丿賵 丕賱鬲賵丕夭賳 賵 丕賱鬲夭丕賵噩 亘賷賳 丕賱亘丿丕賷丕鬲 亘兀爻卅賱鬲賴丕 丕賱賲賮鬲賵丨丞 賵丕賱爻賵乇賷丕賱賷丞 賵賲乇丨賱丞 丕賱匕乇賵丞 亘賵丕賯毓賷鬲賴丕 丕賱爻丨乇賷丞 ..
丕賯鬲乇丕丨賷 丕賱賵丨賷丿 丕賳 賷賯乇丕 丕賱賰鬲丕亘 賲賳 賳賴丕賷鬲賴 賱賷賰賵賳 丕賰孬乇 丕賲鬲丕毓丕 賵噩匕亘丕 賱賱賯丕乇卅 丕賱毓噩賵賱
June 2, 2017
賮賷 丨囟乇丞 賲丕乇賰賷夭 賲賳 噩丿賷丿..
兀賮囟賱 賲丕 賰鬲亘 賮賷 賴匕丕 丕賱賰鬲丕亘..賴賵 兀禺乇 賲丕 噩丕亍 亘賴
鬲丨丿賷丿丕 賲噩賲賵毓鬲賷 丕孬賳鬲丕 毓卮乇 賯氐丞 賯氐賷乇丞 賲賴丕噩乇丞..賵丕賱賯氐丞 丕賱毓噩賷亘丞 賵丕賱丨夭賷賳丞 賱丕賷乇賷賳丿賷乇丕 丕賱亘乇賷卅丞 賵噩丿鬲賴丕 丕賱賯丕爻賷丞..
兀爻賵丕 賲丕 賷賲賰賳 兀賳 鬲亘丿丕 亘賴 噩丕亍 賮賷 亘丿丕賷丞 丕賱賰鬲丕亘 鬲噩丿賷丿丕 賲噩賲賵毓丞 毓賷賳丕 賰賱亘 兀夭乇賯..賲噩賲賵毓丞 睾乇丕卅亘賷丞 亘丕賲鬲賷丕夭 鬲賳丕賵賱鬲 丕賱賲賵鬲 亘爻乇賷丕賱賷丞 賱賲 鬲乇賯 賱賷 兀亘丿丕..
..
賵賱賰賳 兀賴賲 賲丕 賵囟毓鬲賳賷 賴匕賴 丕賱賲噩賲賵毓丞 兀賲丕賲賴 賴賵 兀賳賷 賱丕 兀氐賱丨 賱賯乇丕亍丞 丕賱賯氐氐 丕賱賯氐賷乇丞..賵賱爻鬲 賲睾乇賲丞 亘賴匕丕 丕賱賱賵賳 賲賳 丕賱兀丿亘 兀亘丿丕 .丨鬲賷 賵賱賵 賰丕賳 賰丕鬲亘賴丕 丕賱毓夭賷夭 賲丕乇賰賷夭 賳賮爻賴..乇睾賲 噩賵丿丞 丕賱毓丿賷丿 賲賳 丕賱賯氐氐 丕賱鬲賷 賯乇兀鬲賴丕 賮賷 賴匕賴 丕賱賲噩賲賵毓丞 ..丕賱丕 兀賳賷 賱賲 兀賳丿賲噩 賲毓 丕賷 賯氐丞 賲賳賴丕 亘丕爻鬲孬賳丕亍 賯氐丞 丕賷乇賷賳丿賷乇丕 丕賱亘乇賷卅丞..賵乇丨賱丞 賲賵賮賯丞 爻賷丿賷 丕賱乇卅賷爻..賱胤賵賱賴賲丕 丕賱賳爻亘賷 亘噩丕賳亘 噩賵丿丞 丕賱賰鬲丕亘丞 兀賷囟丕...
賱匕丕 乇亘賲丕 爻賷賰賵賳 賴匕丕 丕賱賰鬲丕亘 賴賵 賳賴丕賷丞 賯乇丕亍丕鬲賷 賱賱賯氐氐 丕賱賯氐賷乇丞...丨鬲賷 丕卮毓丕乇 丌禺乇..
兀賮囟賱 賲丕 賰鬲亘 賮賷 賴匕丕 丕賱賰鬲丕亘..賴賵 兀禺乇 賲丕 噩丕亍 亘賴
鬲丨丿賷丿丕 賲噩賲賵毓鬲賷 丕孬賳鬲丕 毓卮乇 賯氐丞 賯氐賷乇丞 賲賴丕噩乇丞..賵丕賱賯氐丞 丕賱毓噩賷亘丞 賵丕賱丨夭賷賳丞 賱丕賷乇賷賳丿賷乇丕 丕賱亘乇賷卅丞 賵噩丿鬲賴丕 丕賱賯丕爻賷丞..
兀爻賵丕 賲丕 賷賲賰賳 兀賳 鬲亘丿丕 亘賴 噩丕亍 賮賷 亘丿丕賷丞 丕賱賰鬲丕亘 鬲噩丿賷丿丕 賲噩賲賵毓丞 毓賷賳丕 賰賱亘 兀夭乇賯..賲噩賲賵毓丞 睾乇丕卅亘賷丞 亘丕賲鬲賷丕夭 鬲賳丕賵賱鬲 丕賱賲賵鬲 亘爻乇賷丕賱賷丞 賱賲 鬲乇賯 賱賷 兀亘丿丕..
..
賵賱賰賳 兀賴賲 賲丕 賵囟毓鬲賳賷 賴匕賴 丕賱賲噩賲賵毓丞 兀賲丕賲賴 賴賵 兀賳賷 賱丕 兀氐賱丨 賱賯乇丕亍丞 丕賱賯氐氐 丕賱賯氐賷乇丞..賵賱爻鬲 賲睾乇賲丞 亘賴匕丕 丕賱賱賵賳 賲賳 丕賱兀丿亘 兀亘丿丕 .丨鬲賷 賵賱賵 賰丕賳 賰丕鬲亘賴丕 丕賱毓夭賷夭 賲丕乇賰賷夭 賳賮爻賴..乇睾賲 噩賵丿丞 丕賱毓丿賷丿 賲賳 丕賱賯氐氐 丕賱鬲賷 賯乇兀鬲賴丕 賮賷 賴匕賴 丕賱賲噩賲賵毓丞 ..丕賱丕 兀賳賷 賱賲 兀賳丿賲噩 賲毓 丕賷 賯氐丞 賲賳賴丕 亘丕爻鬲孬賳丕亍 賯氐丞 丕賷乇賷賳丿賷乇丕 丕賱亘乇賷卅丞..賵乇丨賱丞 賲賵賮賯丞 爻賷丿賷 丕賱乇卅賷爻..賱胤賵賱賴賲丕 丕賱賳爻亘賷 亘噩丕賳亘 噩賵丿丞 丕賱賰鬲丕亘丞 兀賷囟丕...
賱匕丕 乇亘賲丕 爻賷賰賵賳 賴匕丕 丕賱賰鬲丕亘 賴賵 賳賴丕賷丞 賯乇丕亍丕鬲賷 賱賱賯氐氐 丕賱賯氐賷乇丞...丨鬲賷 丕卮毓丕乇 丌禺乇..
September 19, 2024
a collection of three of marquez's short stories collections. I feel like this big bindup is really the best way to begin with marquez. it gives the same magical feelings of most of his novels, but at the same time since these are all short stories (with a couple of novellas), it's more compact and packs a punch with the endings.
trying to choose a favorite collection is hard, but truly this book had some of the best literary/magical realism stories i've ever read. no wonder he is the godfather of the genre (to me, at least). also the english translation conveyed that better than the arabic translations i read almost 10 years ago, or maybe my taste in literature has just matured.
1- The Third Resignation:
2- The Other Side of Death:
3- Eva is inside her Cat:
4- Bitterness for Three Sleepwalkers:
5- Dialogue with the Mirror:
6- Eyes of a Blue Dog:
7- The Woman who Came at Six O'clock:
8- Nabo:
9- Someone has been disarranging these Roses:
10- The Night of the Curlews:
11- Monologue of Isabel watching it rain in Macondo:
--------
12- Tuesday Siesta:
13- One of These Days:
14- There are no Thieves in this Town:
15- Balthazar's Marvelous Afternoon:
16- Montiel's Widow:
17- One Day after Saturday:
18- Artifical Roses:
19- Big Mama's Funeral:
-------
20- A Very Old Man with Enormous Wings:
21- The Sea of Lost Time:
22- The Handsomest Drowned Man in the World:
23- Death Constant Beyond Love:
24- The Last Voyage of the Ghost Ship:
25- Blacaman the Good, Vendor of Miracles:
26- The Incredible and Sad Tale of Innocent Erendira and her heartless Grandmother:
trying to choose a favorite collection is hard, but truly this book had some of the best literary/magical realism stories i've ever read. no wonder he is the godfather of the genre (to me, at least). also the english translation conveyed that better than the arabic translations i read almost 10 years ago, or maybe my taste in literature has just matured.
1- The Third Resignation:
2- The Other Side of Death:
3- Eva is inside her Cat:
4- Bitterness for Three Sleepwalkers:
5- Dialogue with the Mirror:
6- Eyes of a Blue Dog:
7- The Woman who Came at Six O'clock:
8- Nabo:
9- Someone has been disarranging these Roses:
10- The Night of the Curlews:
11- Monologue of Isabel watching it rain in Macondo:
--------
12- Tuesday Siesta:
13- One of These Days:
14- There are no Thieves in this Town:
15- Balthazar's Marvelous Afternoon:
16- Montiel's Widow:
17- One Day after Saturday:
18- Artifical Roses:
19- Big Mama's Funeral:
-------
20- A Very Old Man with Enormous Wings:
21- The Sea of Lost Time:
22- The Handsomest Drowned Man in the World:
23- Death Constant Beyond Love:
24- The Last Voyage of the Ghost Ship:
25- Blacaman the Good, Vendor of Miracles:
26- The Incredible and Sad Tale of Innocent Erendira and her heartless Grandmother:
July 10, 2014
賲噩賲賵毓丞 賯氐氐 賲丕乇賰賷夭 丕賱賯氐賷乇丞 卮亘賷賴丞 賱丿乇噩丞 賰亘賷乇丞 亘乇賵丕賷丕鬲賴 丨鬲賶 賮賷 廿爻賴丕亘賴丕 賵鬲賮丕氐賷賱賴丕 丕賱賰孬賷乇丞 賵胤賵賱賴丕 賮賷 丨丕賱丞 亘毓囟 丕賱賯氐氐貙 賱丿乇噩丞 噩毓賱鬲賳賷 兀鬲匕賰乇 乇賵丕賷丕鬲賴 丕賱賲匕賴賱丞.
賵賯亘賱 鬲毓賱賷賯賷 毓賱賶 丕賱賯氐氐貙 兀亘丿賷 丨夭賳賷 毓賱賶 丕賱鬲乇噩賲丞貙 毓賱賶 乇睾賲 賰賵賳賴丕 噩賷丿丞 亘毓囟 丕賱卮卅 廿賱丕 兀賳 賴賳丕賰 丕賱賰孬賷乇 賲賳 丕賱兀禺胤丕亍 賮賷 鬲乇噩賲丞 丕賱賰賱賲丕鬲 賱亘毓囟 丕賱賯氐氐 丕賱鬲賷 賯乇兀鬲賴丕 亘丕賱丕賳噩賱賷夭賷丞 賲賳 賯亘賱 賵丕賱鬲賷 兀毓乇賮賴丕貙 賱匕賱賰 賱丕丨馗鬲 丕賱賰孬賷乇 賲賳 丕賱兀禺胤丕亍 賵賴匕丕 爻卅貙 賱兀賳 丕賱賯氐氐 噩賷丿丞 賮毓賱丕!
亘丕賱毓賵丿丞 廿賱賶 丕賱賯氐氐貙 兀毓噩亘賳賷 賲毓馗賲賴丕 賲孬賱:
"毓賷賳丕 賰賱亘 兀夭乇賯" 賵賰賷賮 兀賳賴丕 鬲丿賵乇 賮賷 丨賱賲賷 卮禺氐賷賳 賲禺鬲賱賮賷賳 毓賱賶 賲丕 賷亘丿賵 賵賷鬲賯丕亘賱丕賳 賮賷 丕賱丨賱賲 賵乇亘賲丕 賮賷 丕賱賵丕賯毓 兀賷囟丕賸 丿賵賳 兀賳 賷毓乇賮 匕賱賰
兀賵 "丕賱廿匕毓丕賳 丕賱孬丕賱孬" 丕賱賲乇毓亘丞 賵丕賱鬲賷 鬲丿賵乇 兀丨丿丕孬賴丕 賲賳 賵噩賴丞 賳馗乇 卮禺氐 "賲賷鬲" 賯囟賶 丨賷丕鬲賴 亘兀賰賲賱賴丕 賲賲丿丕賸 賮賷 鬲丕亘賵鬲.
賵 "噩賳丕夭丞 丕賱兀賲 丕賱賰亘乇賶" 賵丕賱鬲賷 卮毓乇鬲 賰賲丕 賱賵 兀賳賴丕 丕賲鬲丿丕丿 賱乇賵丕賷丞 "賲丕卅丞 毓丕賲 賲賳 丕賱毓夭賱丞" 賰賲丕 賱賵 兀賳賴丕 賮氐賱賴丕 丕賱兀禺賷乇 兀賵 賲丕 卮丕亘賴.
兀賲丕 兀胤賵賱 丕賱賯氐氐 賵兀乇賵毓賴丕 賴賷 "丕賱丨賰丕賷丞 丕賱毓噩賷亘丞 賵丕賱丨夭賷賳丞 賱胤賷亘丞 丕賱賯賱亘 廿賷乇賷賳丿賷乇丕 賵 噩丿鬲賴丕 丕賱賯丕爻賷丞"貙 賵賴匕賴 賱賷爻鬲 賯氐丞 賯氐賷乇丞 毓丕丿賷丞. 賴賷 賲賱丨賲丞 賮鬲丕丞 馗賱鬲 鬲鬲亘毓 噩丿鬲賴丕 丕賱賯丕爻賷丞 賵鬲賳氐丕毓 賱兀賵丕賲乇賴丕 賱爻亘亘 賱丕夭賱鬲 兀噩賴賱賴貙 賵賱賰賳 賴匕丕 賲丕 兀囟賮賶 毓賱賶 丕賱賯氐丞 乇賵毓鬲賴丕.
兀賲丕 賮賷 "噩卅鬲 賱兀鬲氐賱 亘丕賱鬲賱賷賮賵賳 賮賯胤" 賮賯胤 卮毓乇鬲 亘乇毓亘 賲丕乇賷丕貙 賵亘丿丕賷丞 丕賱賯氐丞 賰丕賳鬲 賲亘賴乇丞貙 乇睾賲 兀賳賳賷 賱賲 兀賮賴賲 賳賴丕賷鬲賴丕 噩賷丿丕賸.
賵賮賵噩卅鬲 賲賳 鬲氐乇賮 丕賱兀胤賮丕賱 賮賷 賯氐丞 "丕賱氐賷賮 丕賱爻毓賷丿 賱賱爻賷丿丞 賮賵乇亘爻" 賵兀毓噩亘鬲賳賷 賯氐丞 "乇丨賱丞 胤賷亘丞 賷丕 爻賷丿賷 丕賱乇卅賷爻" 賱賱睾丕賷丞!
兀爻賱賵亘 賲丕乇賰賷夭 爻丕丨乇 賵賷噩毓賱賰 鬲睾乇賯 賮賷 鬲賮丕氐賷賱 賯氐氐賴 爻賵丕亍 兀賰丕賳鬲 毓卮乇 氐賮丨丕鬲 兀賲 賲丕卅丞 氐賮丨丞. 賱賲 兀賲賱 賲賳賴 賷賵賲丕賸貙 兀毓鬲賯丿 兀賳 賮賰乇丞 兀賳 兀亘丿兀 亘兀賰亘乇 兀毓賲丕賱賴 "賲丕卅丞 毓丕賲 賲賳 丕賱毓夭賱丞" 賳噩丨鬲 賮賷 賲賳丨賷 鬲賱賰 丕賱賲賳丕毓丞 賵丕賱賯丿乇丞 毓賱賶 賯乇丕卅鬲賴 丿賵賳 賰賱賱 兀賵 賲賱賱.
賵賯亘賱 鬲毓賱賷賯賷 毓賱賶 丕賱賯氐氐貙 兀亘丿賷 丨夭賳賷 毓賱賶 丕賱鬲乇噩賲丞貙 毓賱賶 乇睾賲 賰賵賳賴丕 噩賷丿丞 亘毓囟 丕賱卮卅 廿賱丕 兀賳 賴賳丕賰 丕賱賰孬賷乇 賲賳 丕賱兀禺胤丕亍 賮賷 鬲乇噩賲丞 丕賱賰賱賲丕鬲 賱亘毓囟 丕賱賯氐氐 丕賱鬲賷 賯乇兀鬲賴丕 亘丕賱丕賳噩賱賷夭賷丞 賲賳 賯亘賱 賵丕賱鬲賷 兀毓乇賮賴丕貙 賱匕賱賰 賱丕丨馗鬲 丕賱賰孬賷乇 賲賳 丕賱兀禺胤丕亍 賵賴匕丕 爻卅貙 賱兀賳 丕賱賯氐氐 噩賷丿丞 賮毓賱丕!
亘丕賱毓賵丿丞 廿賱賶 丕賱賯氐氐貙 兀毓噩亘賳賷 賲毓馗賲賴丕 賲孬賱:
"毓賷賳丕 賰賱亘 兀夭乇賯" 賵賰賷賮 兀賳賴丕 鬲丿賵乇 賮賷 丨賱賲賷 卮禺氐賷賳 賲禺鬲賱賮賷賳 毓賱賶 賲丕 賷亘丿賵 賵賷鬲賯丕亘賱丕賳 賮賷 丕賱丨賱賲 賵乇亘賲丕 賮賷 丕賱賵丕賯毓 兀賷囟丕賸 丿賵賳 兀賳 賷毓乇賮 匕賱賰
兀賵 "丕賱廿匕毓丕賳 丕賱孬丕賱孬" 丕賱賲乇毓亘丞 賵丕賱鬲賷 鬲丿賵乇 兀丨丿丕孬賴丕 賲賳 賵噩賴丞 賳馗乇 卮禺氐 "賲賷鬲" 賯囟賶 丨賷丕鬲賴 亘兀賰賲賱賴丕 賲賲丿丕賸 賮賷 鬲丕亘賵鬲.
賵 "噩賳丕夭丞 丕賱兀賲 丕賱賰亘乇賶" 賵丕賱鬲賷 卮毓乇鬲 賰賲丕 賱賵 兀賳賴丕 丕賲鬲丿丕丿 賱乇賵丕賷丞 "賲丕卅丞 毓丕賲 賲賳 丕賱毓夭賱丞" 賰賲丕 賱賵 兀賳賴丕 賮氐賱賴丕 丕賱兀禺賷乇 兀賵 賲丕 卮丕亘賴.
兀賲丕 兀胤賵賱 丕賱賯氐氐 賵兀乇賵毓賴丕 賴賷 "丕賱丨賰丕賷丞 丕賱毓噩賷亘丞 賵丕賱丨夭賷賳丞 賱胤賷亘丞 丕賱賯賱亘 廿賷乇賷賳丿賷乇丕 賵 噩丿鬲賴丕 丕賱賯丕爻賷丞"貙 賵賴匕賴 賱賷爻鬲 賯氐丞 賯氐賷乇丞 毓丕丿賷丞. 賴賷 賲賱丨賲丞 賮鬲丕丞 馗賱鬲 鬲鬲亘毓 噩丿鬲賴丕 丕賱賯丕爻賷丞 賵鬲賳氐丕毓 賱兀賵丕賲乇賴丕 賱爻亘亘 賱丕夭賱鬲 兀噩賴賱賴貙 賵賱賰賳 賴匕丕 賲丕 兀囟賮賶 毓賱賶 丕賱賯氐丞 乇賵毓鬲賴丕.
兀賲丕 賮賷 "噩卅鬲 賱兀鬲氐賱 亘丕賱鬲賱賷賮賵賳 賮賯胤" 賮賯胤 卮毓乇鬲 亘乇毓亘 賲丕乇賷丕貙 賵亘丿丕賷丞 丕賱賯氐丞 賰丕賳鬲 賲亘賴乇丞貙 乇睾賲 兀賳賳賷 賱賲 兀賮賴賲 賳賴丕賷鬲賴丕 噩賷丿丕賸.
賵賮賵噩卅鬲 賲賳 鬲氐乇賮 丕賱兀胤賮丕賱 賮賷 賯氐丞 "丕賱氐賷賮 丕賱爻毓賷丿 賱賱爻賷丿丞 賮賵乇亘爻" 賵兀毓噩亘鬲賳賷 賯氐丞 "乇丨賱丞 胤賷亘丞 賷丕 爻賷丿賷 丕賱乇卅賷爻" 賱賱睾丕賷丞!
兀爻賱賵亘 賲丕乇賰賷夭 爻丕丨乇 賵賷噩毓賱賰 鬲睾乇賯 賮賷 鬲賮丕氐賷賱 賯氐氐賴 爻賵丕亍 兀賰丕賳鬲 毓卮乇 氐賮丨丕鬲 兀賲 賲丕卅丞 氐賮丨丞. 賱賲 兀賲賱 賲賳賴 賷賵賲丕賸貙 兀毓鬲賯丿 兀賳 賮賰乇丞 兀賳 兀亘丿兀 亘兀賰亘乇 兀毓賲丕賱賴 "賲丕卅丞 毓丕賲 賲賳 丕賱毓夭賱丞" 賳噩丨鬲 賮賷 賲賳丨賷 鬲賱賰 丕賱賲賳丕毓丞 賵丕賱賯丿乇丞 毓賱賶 賯乇丕卅鬲賴 丿賵賳 賰賱賱 兀賵 賲賱賱.
August 10, 2010
毓賳丿賲丕 鬲賯乇兀 賱兀丿賷亘 毓賲賱丕賯 賲孬賱 賲丕乇賰賷夭 賮廿賳 爻賯賮 胤賲賵丨丕鬲賰 賷胤丕賵賱 丕賱爻賲丕亍貙 賱賰賳賰 鬲賰賵賳 賲賴賲賵賲丕 亘毓賵丕賲賱 兀禺乇賶 賰丕賱鬲乇噩賲丞貙 禺氐賵氐丕 賵兀賳 丕賱乇賵丕賷丕鬲 丕賱賲賰鬲賵亘丞 亘睾賷乇 丕賱丕賳噩賱賷夭賷丞 賱丕 鬲賰賵賳 毓丕丿丞 賲鬲乇噩賲丞 廿賱賶 丕賱毓乇亘賷丞 賲賳 賱睾鬲賴丕 丕賱兀賲貙 賵廿賳賲丕 鬲賰賵賳 賲鬲乇噩賲丞 賲賳 鬲乇噩賲丕鬲 兀禺乇賶 賵爻賷胤丞 賰丕賱丕賳噩賱賷夭賷丞 賵 丕賱賮乇賳爻賷丞.
賱賰賳 賴匕丕 丕賱賰鬲丕亘 賲禺鬲賱賮貙 賮賯丿 丕噩鬲賲毓鬲 賮賷賴 丕賱鬲乇噩賲丞 丕賱噩賷丿丞 噩丿丕 - 丕賱賲亘丕卮乇丞 賵 丕賱兀丿亘賷丞 - 賱賱賲賳賵賮賷 賲毓 丕賱兀丿亘 丕賱兀氐賷賱 丕賱匕賴亘賷 賱賲丕乇賰賷夭 賲毓 睾賱丕賮 噩賲賷賱 賱賱賮賳丕賳丞 賮丕胤賲丞 丕賱毓乇丕乇噩賷貙 亘丕賱廿囟丕賮丞 廿賱賶 胤亘丕毓丞 噩賷丿丞 賵 爻毓乇 夭賴賷丿 賱賱睾丕賷丞.
丕賱賰鬲丕亘 賷囟賲 丕孬賳鬲丕 毓卮乇丞 賯氐丞 賯氐賷乇丞 賲賳 丕賱賳丕丨賷丞 丕賱賮賳賷丞貙 賱賰賳 賰賱 賯氐丞 賲賳賴丕 賴賷 毓氐丕乇丞 鬲噩乇亘丞 睾賳賷丞 賵 賮賰乇丞 賲匕賴賱丞. 賵丕賱乇丕卅毓 賮賷 兀毓賲丕賱 賲丕乇賰賷夭 兀賳賴丕 賮賷 賲賳鬲賴賶 丕賱亘爻丕胤丞 丕賱卮賰賱賷丞 鈥� 爻賴賱丞 丕賱鬲賳丕賵賱 賵 賲卮賵賯丞 鈥� 賱賰賳賴丕 丿爻賲丞 丕賱賲毓賳賶貙 賮鬲卮毓乇 兀賳 賵乇丕亍 賰賱 賯胤毓丞 賲毓丕賳 賲禺鬲賱賮丞貙 賮鬲毓賷丿 賯乇丕亍鬲賴丕 賲乇丕乇丕 亘賳賮爻 丕賱賲鬲毓丞 賵 丕賱丿賴卮丞 丕賱兀賵賱鬲賷賳. 賵賷鬲爻賲 兀爻賱賵亘 賲丕乇賰賷夭 賮賷 賴匕賴 丕賱賲噩賲賵毓丞 亘丕賱爻禺乇賷丞 丕賱賱丕匕毓丞貙 丕賱鬲賷 賯丿 鬲丿賮毓賰 賱賱丕亘鬲爻丕賲 賵賵噩賴賰 賲亘賱賱 亘丿賲賵毓 丕賱賲兀爻丕丞 丕賱賲乇賵賷丞貙 賵賴匕丕 噩丕賳亘 丌禺乇 賲賳 噩賵丕賳亘 毓馗賲鬲賴.
亘賴乇鬲賳賷 孬賱丕孬 賯氐氐 鬲爻鬲丨賯 丕賱賳噩賵賲 丕賱禺賲爻: "噩賳丕夭丞 丕賱兀賲 丕賱賰亘乇賶" 丕賱鬲賷 鬲氐賵乇 賲卮丕賰賱 丕賱毓丕賱賲 丕賱孬丕賱孬 丕賱賲賯賲賵毓 賵 丕賱賲賯賴賵乇貙 "廿賷乇賷賳丿賷乇丕 賵噩丿鬲賴丕 丕賱賯丕爻賷丞" 丕賱鬲賷 鬲氐賵乇 廿匕賱丕賱 丕賱廿賳爻丕賳 丕賱賲賮夭毓 賱賱廿賳爻丕賳 賵 賲丕 賷鬲亘毓賴貙 "乇丨賱丞 胤賷亘丞 賷丕 爻賷丿賷 丕賱乇卅賷爻" 丕賱鬲賷 鬲馗賴乇 兀賳 囟毓賮 丕賱廿賳爻丕賳 賵丕丨丿 賲賴賲丕 毓賱丕 卮兀賳賴.
賷賱賷 匕賱賰 孬賱丕孬 賯氐氐 賯賷賲鬲賴丕 亘兀乇亘毓 賳噩賲丕鬲: "賯賷賱賵賱丞 丕賱孬賱丕孬丕亍"貙 "丕賱賲賵鬲 丕賱丿丕卅賲 賯賷賲丕 賵乇丕亍 丕賱丨亘"貙 "噩卅鬲 賱兀鬲氐賱 亘丕賱鬲賱賷賮賵賳 賮賯胤".
賰鬲丕亘 噩賲賷賱 賷爻鬲丨賯 丕賱賯乇丕亍丞.
賱賰賳 賴匕丕 丕賱賰鬲丕亘 賲禺鬲賱賮貙 賮賯丿 丕噩鬲賲毓鬲 賮賷賴 丕賱鬲乇噩賲丞 丕賱噩賷丿丞 噩丿丕 - 丕賱賲亘丕卮乇丞 賵 丕賱兀丿亘賷丞 - 賱賱賲賳賵賮賷 賲毓 丕賱兀丿亘 丕賱兀氐賷賱 丕賱匕賴亘賷 賱賲丕乇賰賷夭 賲毓 睾賱丕賮 噩賲賷賱 賱賱賮賳丕賳丞 賮丕胤賲丞 丕賱毓乇丕乇噩賷貙 亘丕賱廿囟丕賮丞 廿賱賶 胤亘丕毓丞 噩賷丿丞 賵 爻毓乇 夭賴賷丿 賱賱睾丕賷丞.
丕賱賰鬲丕亘 賷囟賲 丕孬賳鬲丕 毓卮乇丞 賯氐丞 賯氐賷乇丞 賲賳 丕賱賳丕丨賷丞 丕賱賮賳賷丞貙 賱賰賳 賰賱 賯氐丞 賲賳賴丕 賴賷 毓氐丕乇丞 鬲噩乇亘丞 睾賳賷丞 賵 賮賰乇丞 賲匕賴賱丞. 賵丕賱乇丕卅毓 賮賷 兀毓賲丕賱 賲丕乇賰賷夭 兀賳賴丕 賮賷 賲賳鬲賴賶 丕賱亘爻丕胤丞 丕賱卮賰賱賷丞 鈥� 爻賴賱丞 丕賱鬲賳丕賵賱 賵 賲卮賵賯丞 鈥� 賱賰賳賴丕 丿爻賲丞 丕賱賲毓賳賶貙 賮鬲卮毓乇 兀賳 賵乇丕亍 賰賱 賯胤毓丞 賲毓丕賳 賲禺鬲賱賮丞貙 賮鬲毓賷丿 賯乇丕亍鬲賴丕 賲乇丕乇丕 亘賳賮爻 丕賱賲鬲毓丞 賵 丕賱丿賴卮丞 丕賱兀賵賱鬲賷賳. 賵賷鬲爻賲 兀爻賱賵亘 賲丕乇賰賷夭 賮賷 賴匕賴 丕賱賲噩賲賵毓丞 亘丕賱爻禺乇賷丞 丕賱賱丕匕毓丞貙 丕賱鬲賷 賯丿 鬲丿賮毓賰 賱賱丕亘鬲爻丕賲 賵賵噩賴賰 賲亘賱賱 亘丿賲賵毓 丕賱賲兀爻丕丞 丕賱賲乇賵賷丞貙 賵賴匕丕 噩丕賳亘 丌禺乇 賲賳 噩賵丕賳亘 毓馗賲鬲賴.
亘賴乇鬲賳賷 孬賱丕孬 賯氐氐 鬲爻鬲丨賯 丕賱賳噩賵賲 丕賱禺賲爻: "噩賳丕夭丞 丕賱兀賲 丕賱賰亘乇賶" 丕賱鬲賷 鬲氐賵乇 賲卮丕賰賱 丕賱毓丕賱賲 丕賱孬丕賱孬 丕賱賲賯賲賵毓 賵 丕賱賲賯賴賵乇貙 "廿賷乇賷賳丿賷乇丕 賵噩丿鬲賴丕 丕賱賯丕爻賷丞" 丕賱鬲賷 鬲氐賵乇 廿匕賱丕賱 丕賱廿賳爻丕賳 丕賱賲賮夭毓 賱賱廿賳爻丕賳 賵 賲丕 賷鬲亘毓賴貙 "乇丨賱丞 胤賷亘丞 賷丕 爻賷丿賷 丕賱乇卅賷爻" 丕賱鬲賷 鬲馗賴乇 兀賳 囟毓賮 丕賱廿賳爻丕賳 賵丕丨丿 賲賴賲丕 毓賱丕 卮兀賳賴.
賷賱賷 匕賱賰 孬賱丕孬 賯氐氐 賯賷賲鬲賴丕 亘兀乇亘毓 賳噩賲丕鬲: "賯賷賱賵賱丞 丕賱孬賱丕孬丕亍"貙 "丕賱賲賵鬲 丕賱丿丕卅賲 賯賷賲丕 賵乇丕亍 丕賱丨亘"貙 "噩卅鬲 賱兀鬲氐賱 亘丕賱鬲賱賷賮賵賳 賮賯胤".
賰鬲丕亘 噩賲賷賱 賷爻鬲丨賯 丕賱賯乇丕亍丞.
January 5, 2015
丕賵賱丕 丕賱鬲乇噩賲丞 噩賷丿丞 賵賷鬲賳丕賵賱 丕賱賰鬲丕亘 賲禺鬲丕乇丕鬲 賯氐氐賷丞 賲賳鬲賯丕丞 亘丿賯丞 毓丕賱賷丞 賮兀賵賱丕 賳噩丿 賯氐氐 賲孬賱 : 丕賱氐賷賮 丕賱爻毓賷丿 賱賱爻賷丿丞 賮賵乇亘爻 , 賵賴賷 丕賵賱 賯氐丞 賷噩亘 兀賳 鬲賯乇兀賴丕 賮賷 賴匕丕 丕賱賰鬲丕亘. 孬賲 乇賷丨 丕賱卮賲丕賱 , 賵亘毓丿 匕賱賰 賱賰 丕賱丨乇賷丞 , 賵丕禺鬲乇鬲 丕賱賯氐鬲賷賳 丿賵賳 睾賷乇賴賲丕 賱丕賳賴賲丕 賷賲孬賱丕賳 丿賮毓丞 噩賷丿丞 賱賯乇丕亍丞 賰丕賮丞 丕賱賯氐氐 ,毓賱賶 毓賰爻 賲丕 亘丿兀 亘賴 丕賱賰鬲丕亘 , 賵丕賱匕賷 賷丐丿賷 廿賱賶 賮鬲賵乇 丕賴鬲賲丕賲賰 亘丕賱賰鬲丕亘 , 丨賷孬 亘丿兀 亘賯氐丞 賷丕 廿賲丕 賲賲賱丞 , 賷丕 廿賲丕 爻賷卅丞 丕賱鬲乇噩賲丞 , 丕賵 亘賰賱 亘爻丕胤丞 賱賲 丕賮賴賲賴丕 丕賵 丕鬲匕賵賯賴丕 .賱匕賶 賵噩亘 毓賱賷 丕賱鬲賳賵賷賴.
January 2, 2018
The bestest short stories from Marquez. Some just 5 pages long but packed with so much fervor and flavor.
Artificial Roses and The Sea of Lost Time were my favorites.
Artificial Roses and The Sea of Lost Time were my favorites.
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