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賲鬲賳 賴丕蹖蹖 亘乇丕蹖 賴蹖趩
爻丕賱 賳卮乇: 1385
84 pages, Paperback
First published January 1, 1955
117 people are currently reading
1,772 people want to read
About the author
Samuel Beckett
780听books6,314听followersSamuel Barclay Beckett was an Irish avant-garde novelist, playwright, theatre director, and poet, who lived in France for most of his adult life. He wrote in both English and French. His work offers a bleak, tragicomic outlook on human nature, often coupled with black comedy and gallows humour.
Beckett is widely regarded as among the most influential writers of the 20th century. Strongly influenced by James Joyce, he is considered one of the last modernists. As an inspiration to many later writers, he is also sometimes considered one of the first postmodernists. He is one of the key writers in what Martin Esslin called the "Theatre of the Absurd". His work became increasingly minimalist in his later career.
Beckett was awarded the 1969 Nobel Prize in Literature "for his writing, which鈥攊n new forms for the novel and drama鈥攊n the destitution of modern man acquires its elevation". In 1984 he was elected Saoi of Aosd谩na.
Beckett is widely regarded as among the most influential writers of the 20th century. Strongly influenced by James Joyce, he is considered one of the last modernists. As an inspiration to many later writers, he is also sometimes considered one of the first postmodernists. He is one of the key writers in what Martin Esslin called the "Theatre of the Absurd". His work became increasingly minimalist in his later career.
Beckett was awarded the 1969 Nobel Prize in Literature "for his writing, which鈥攊n new forms for the novel and drama鈥攊n the destitution of modern man acquires its elevation". In 1984 he was elected Saoi of Aosd谩na.
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September 27, 2021
Stories and Texts for Nothing, Samuel Beckett
Stories and Texts for Nothing is a collection of stories by Samuel Beckett.
It gathers three of Beckett's short stories ("The Expelled," "The Calmative," and "The End", all written in 1946) and the thirteen short prose pieces he named "Texts for Nothing" (1950鈥�1952). All of these works are collected in the Grove Press edition of Beckett's complete short prose.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 賳禺爻鬲 賲丕賴 噩賵賱丕蹖 爻丕賱 2011賲蹖賱丕丿蹖
毓賳賵丕賳: 賲鬲賳 賴丕蹖蹖 亘乇丕蹖 賴蹖趩貨 賳賵蹖爻賳丿賴: 爻丕賲賵卅賱 亘讴鬲貨 賲鬲乇噩賲: 毓賱蹖乇囟丕 胤丕賴乇蹖 毓乇丕賯蹖貨 鬲賴乇丕賳貙 賳卮乇 賳蹖貙 1385貨 丿乇 84氐貨 趩丕倬 爻賵賲 1386貙 卮丕亘讴9789643128401貨 趩丕倬 趩賴丕乇賲 1388貙 趩丕倬 卮卮賲 1392貨 賲賵囟賵毓 丕丿亘蹖丕鬲 賮乇丕賳爻賴貙 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 丕蹖乇賱賳丿 亘賴 夭亘丕賳 賮乇丕賳爻賴 - 爻丿賴 20賲
亘讴鬲 賴賲丕乇賴 毓賱丕賯賴 丿丕卮鬲賳丿 鬲丕 卮禺氐蹖鬲賴丕蹖 禺賵蹖卮 乇丕 丿乇 賲賵賯毓蹖鬲 倬丕蹖丕賳蹖 賯乇丕乇 丿賴賳丿貙 丕夭 賴賲蹖賳 乇賴诏匕乇貙 倬丕蹖丕賳 賴賲賴 趩蹖夭貙 蹖丕 賴賲丕賳 賴蹖趩 亘賵丿賳 乇丕貙 丌爻丕賳鬲乇 亘丕夭诏賵 賲蹖讴賳賳丿貨 芦賴乇丕爻禄 丿乇 賲賵賯毓蹖鬲 倬丕蹖丕賳蹖貙 趩蹖夭蹖 丕爻鬲 讴賴 賴賲丕乇賴 丿乇 賳賵卮鬲賴 賴丕蹖 芦亘讴鬲禄貙 亘賴 丿蹖丿賴 蹖 禺賵丕賳卮诏乇丕賳 賲蹖賳卮蹖賳賳丿貨 賴乇丕爻蹖 讴賴 丕夭 賳禺爻鬲蹖賳 乇賵夭 夭賳丿诏蹖 亘卮乇貙 賴賲丕乇賴 亘丕 丕賵 賴賲乇丕賴 賵 賴賲乇丕夭貙 亘賵丿賴 丕爻鬲貨 芦亘讴鬲禄 丿乇 噩丕蹖蹖 诏賮鬲賴 丕賳丿: 芦亘賴鬲乇蹖賳 賳賲丕蹖卮賳丕賲賴貙 賳賲丕蹖卮賳丕賲賴 丕蹖 丕爻鬲 讴賴 鬲賳賴丕 亘乇丕蹖 賳賵卮鬲賳貙 賳诏丕卮鬲賴 卮丿賴 亘丕卮丿.禄貨 芦賲鬲賳 賴丕蹖蹖 亘乇丕蹖 賴蹖趩禄 诏乇趩賴 賳賲丕蹖卮賳丕賲賴 賳蹖爻鬲貙 丕賲丕 亘丕 禺賵丕賳卮 丌賳 賲蹖鬲賵丕賳 亘賴 趩賳丕賳 亘乇丿丕卮鬲蹖 賳蹖夭 乇爻蹖丿貨 芦賲鬲賳 賴丕蹖蹖 亘乇丕蹖 賴蹖趩禄 诏乇丿 賲賮丕賴蹖賲蹖 賲蹖趩乇禺丿 讴賴 亘賴 爻亘讴 芦亘讴鬲蹖禄 賳丕賲丿丕乇 卮丿賴 丕賳丿貨 亘蹖丕賳 芦倬丕乇丕丿賵讴爻賴丕禄 賵 芦丿蹖丕賱讴鬲蹖讴 賴爻鬲蹖禄貙 賵 芦丕賲讴丕賳 賳蹖爻鬲蹖禄貙 芦亘賵丿 賵 賳亘賵丿禄貙 芦賵噩賵丿 賵 丕賲讴丕賳禄貙 芦賳賵賲賳 賵 賮賳賵賲賳禄 賵...貨 鬲丕 禺蹖丕賱 禺賵丕賳卮诏乇 賲丕乇倬蹖趩 賵丕乇 蹖丕 丿丕蹖乇賴 丕蹖 亘趩乇禺丿貙 賵 亘賴 爻賵蹖 芦賴蹖趩 丕賳诏丕乇蹖禄 乇賴 亘诏卮丕蹖丿貨 ...貨
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 04/08/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 04/07/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Stories and Texts for Nothing is a collection of stories by Samuel Beckett.
It gathers three of Beckett's short stories ("The Expelled," "The Calmative," and "The End", all written in 1946) and the thirteen short prose pieces he named "Texts for Nothing" (1950鈥�1952). All of these works are collected in the Grove Press edition of Beckett's complete short prose.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 賳禺爻鬲 賲丕賴 噩賵賱丕蹖 爻丕賱 2011賲蹖賱丕丿蹖
毓賳賵丕賳: 賲鬲賳 賴丕蹖蹖 亘乇丕蹖 賴蹖趩貨 賳賵蹖爻賳丿賴: 爻丕賲賵卅賱 亘讴鬲貨 賲鬲乇噩賲: 毓賱蹖乇囟丕 胤丕賴乇蹖 毓乇丕賯蹖貨 鬲賴乇丕賳貙 賳卮乇 賳蹖貙 1385貨 丿乇 84氐貨 趩丕倬 爻賵賲 1386貙 卮丕亘讴9789643128401貨 趩丕倬 趩賴丕乇賲 1388貙 趩丕倬 卮卮賲 1392貨 賲賵囟賵毓 丕丿亘蹖丕鬲 賮乇丕賳爻賴貙 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 丕蹖乇賱賳丿 亘賴 夭亘丕賳 賮乇丕賳爻賴 - 爻丿賴 20賲
亘讴鬲 賴賲丕乇賴 毓賱丕賯賴 丿丕卮鬲賳丿 鬲丕 卮禺氐蹖鬲賴丕蹖 禺賵蹖卮 乇丕 丿乇 賲賵賯毓蹖鬲 倬丕蹖丕賳蹖 賯乇丕乇 丿賴賳丿貙 丕夭 賴賲蹖賳 乇賴诏匕乇貙 倬丕蹖丕賳 賴賲賴 趩蹖夭貙 蹖丕 賴賲丕賳 賴蹖趩 亘賵丿賳 乇丕貙 丌爻丕賳鬲乇 亘丕夭诏賵 賲蹖讴賳賳丿貨 芦賴乇丕爻禄 丿乇 賲賵賯毓蹖鬲 倬丕蹖丕賳蹖貙 趩蹖夭蹖 丕爻鬲 讴賴 賴賲丕乇賴 丿乇 賳賵卮鬲賴 賴丕蹖 芦亘讴鬲禄貙 亘賴 丿蹖丿賴 蹖 禺賵丕賳卮诏乇丕賳 賲蹖賳卮蹖賳賳丿貨 賴乇丕爻蹖 讴賴 丕夭 賳禺爻鬲蹖賳 乇賵夭 夭賳丿诏蹖 亘卮乇貙 賴賲丕乇賴 亘丕 丕賵 賴賲乇丕賴 賵 賴賲乇丕夭貙 亘賵丿賴 丕爻鬲貨 芦亘讴鬲禄 丿乇 噩丕蹖蹖 诏賮鬲賴 丕賳丿: 芦亘賴鬲乇蹖賳 賳賲丕蹖卮賳丕賲賴貙 賳賲丕蹖卮賳丕賲賴 丕蹖 丕爻鬲 讴賴 鬲賳賴丕 亘乇丕蹖 賳賵卮鬲賳貙 賳诏丕卮鬲賴 卮丿賴 亘丕卮丿.禄貨 芦賲鬲賳 賴丕蹖蹖 亘乇丕蹖 賴蹖趩禄 诏乇趩賴 賳賲丕蹖卮賳丕賲賴 賳蹖爻鬲貙 丕賲丕 亘丕 禺賵丕賳卮 丌賳 賲蹖鬲賵丕賳 亘賴 趩賳丕賳 亘乇丿丕卮鬲蹖 賳蹖夭 乇爻蹖丿貨 芦賲鬲賳 賴丕蹖蹖 亘乇丕蹖 賴蹖趩禄 诏乇丿 賲賮丕賴蹖賲蹖 賲蹖趩乇禺丿 讴賴 亘賴 爻亘讴 芦亘讴鬲蹖禄 賳丕賲丿丕乇 卮丿賴 丕賳丿貨 亘蹖丕賳 芦倬丕乇丕丿賵讴爻賴丕禄 賵 芦丿蹖丕賱讴鬲蹖讴 賴爻鬲蹖禄貙 賵 芦丕賲讴丕賳 賳蹖爻鬲蹖禄貙 芦亘賵丿 賵 賳亘賵丿禄貙 芦賵噩賵丿 賵 丕賲讴丕賳禄貙 芦賳賵賲賳 賵 賮賳賵賲賳禄 賵...貨 鬲丕 禺蹖丕賱 禺賵丕賳卮诏乇 賲丕乇倬蹖趩 賵丕乇 蹖丕 丿丕蹖乇賴 丕蹖 亘趩乇禺丿貙 賵 亘賴 爻賵蹖 芦賴蹖趩 丕賳诏丕乇蹖禄 乇賴 亘诏卮丕蹖丿貨 ...貨
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 04/08/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 04/07/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
March 14, 2025
Is there any hope for the hopeless misfits, the castoffs, and the downright pariahs of our modern inner cities?
Maybe not, Samuel Beckett seems to say, and certainly NOT on our own high-falutin terms!
But do we then just pray that God will sort them all out?
No. And I know of many a good Franciscan brother, or manager of a downtown homeless shelter, or even one of the kids who helps out full-time at a l鈥橝rche community, who will tell us we can at least try to UNDERSTAND them.
THAT we CAN at the very least try to do!
And who says our shibboleths are more real than theirs, ANYWAY?
Once, in the late 1970鈥檚, I approached a panhandler in the market centre of centre town. He was in his sixties or seventies, ragged and unshaven, and he asked me for a bit of spare change.
No! I said to myself.
Buy him a good lunch - you haven鈥檛 eaten yet, I told myself, and your break is a full hour.... Go ahead and DO it!
So I marched him into a Kresge鈥檚 Five and Dime - back then you could order a hot chicken sandwich for under five bucks.
Well, I should have told the girl to hold the pie on his order... a bit too rich, in his state of half-stupor.
He lost it in a back alley on the way back to his begging spot.
But, man, was he grateful.
He even shook my hand... which I promptly lathered and washed with hot water the moment I got back to the office! But when we were at Kresge鈥檚 I honestly didn鈥檛 CARE who saw me there with him.
To me at that moment he was a struggling kindred spirit.
We CAN sit down with these people, our dark alter egos, even if only to share a good cup of coffee and a few hearty (though maybe a bit condescending?) laughs over our picayune differences, and appreciate them for what they鈥檙e trying to accomplish in their lives - the wholesale salvation of their souls.
Or, Beckett seems to say, 鈥榶ou can come with me and vicariously enter into their gentle souls on one of their crosstown aimless midnight rambles.
鈥業鈥檒l even let them tell you their stories - as their wearied, bedraggled souls tell them to me in their eyes...
鈥榊ou鈥檒l see how amazingly tender-hearted these folks REALLY are.鈥�
And who knows, we may even see that - horrors! - these guys are really quite a lot more HUMAN than we are!
Maybe not, Samuel Beckett seems to say, and certainly NOT on our own high-falutin terms!
But do we then just pray that God will sort them all out?
No. And I know of many a good Franciscan brother, or manager of a downtown homeless shelter, or even one of the kids who helps out full-time at a l鈥橝rche community, who will tell us we can at least try to UNDERSTAND them.
THAT we CAN at the very least try to do!
And who says our shibboleths are more real than theirs, ANYWAY?
Once, in the late 1970鈥檚, I approached a panhandler in the market centre of centre town. He was in his sixties or seventies, ragged and unshaven, and he asked me for a bit of spare change.
No! I said to myself.
Buy him a good lunch - you haven鈥檛 eaten yet, I told myself, and your break is a full hour.... Go ahead and DO it!
So I marched him into a Kresge鈥檚 Five and Dime - back then you could order a hot chicken sandwich for under five bucks.
Well, I should have told the girl to hold the pie on his order... a bit too rich, in his state of half-stupor.
He lost it in a back alley on the way back to his begging spot.
But, man, was he grateful.
He even shook my hand... which I promptly lathered and washed with hot water the moment I got back to the office! But when we were at Kresge鈥檚 I honestly didn鈥檛 CARE who saw me there with him.
To me at that moment he was a struggling kindred spirit.
We CAN sit down with these people, our dark alter egos, even if only to share a good cup of coffee and a few hearty (though maybe a bit condescending?) laughs over our picayune differences, and appreciate them for what they鈥檙e trying to accomplish in their lives - the wholesale salvation of their souls.
Or, Beckett seems to say, 鈥榶ou can come with me and vicariously enter into their gentle souls on one of their crosstown aimless midnight rambles.
鈥業鈥檒l even let them tell you their stories - as their wearied, bedraggled souls tell them to me in their eyes...
鈥榊ou鈥檒l see how amazingly tender-hearted these folks REALLY are.鈥�
And who knows, we may even see that - horrors! - these guys are really quite a lot more HUMAN than we are!
February 9, 2022
爻乇丿 亘賷賰賷鬲 賲禺鬲賱賮 賮賷賴 丕賱賰孬賷乇 賲賳 丕賱睾賲賵囟 賵丕賱賰丌亘丞 賵兀丨賷丕賳丕 丕賱賱丕賲亘丕賱丕丞
賱賰賳賴 賲購毓亘乇 毓賳 卮禺氐賷丕鬲賴 丕賱亘丕卅爻丞 兀賵 丕賱丨丕卅乇丞 賮賷 丕賱賵噩賵丿 亘賷賳 丕賱丨賷丕丞 賵丕賱賲賵鬲
孬賱丕孬 賯氐氐 亘胤賱賴丕 乇噩賱 毓噩賵夭 賵丨賷丿 賷購胤乇丿 賲賳 睾乇賮鬲賴 亘丕賱賯賵丞
賵禺賱丕賱 亘丨孬賴 毓賳 賲兀賵賶 賷丨賰賷 毓賳 匕賰乇賷丕鬲賴 賵丕賱兀丨丿丕孬 丕賱鬲賷 賷賲乇 亘賴丕
丨丕賱丞 賲賳 丕賱囟賷丕毓 賵丕賱毓賵夭 賮賷 丕賱賲丿賷賳丞 賵亘丿賵賳 兀賷 毓賱丕賯丕鬲 丨賯賷賯賷丞
鬲賳鬲賴賷 亘丕賱賴夭賷賲丞 賵丕賱丕賳爻丨丕亘 亘賴丿賵亍 賲賳 丨賷丕丞 賱賲 賷毓丿 賮賷 丨丕噩丞 廿賱賷賴丕
賱賰賳賴 賲購毓亘乇 毓賳 卮禺氐賷丕鬲賴 丕賱亘丕卅爻丞 兀賵 丕賱丨丕卅乇丞 賮賷 丕賱賵噩賵丿 亘賷賳 丕賱丨賷丕丞 賵丕賱賲賵鬲
孬賱丕孬 賯氐氐 亘胤賱賴丕 乇噩賱 毓噩賵夭 賵丨賷丿 賷購胤乇丿 賲賳 睾乇賮鬲賴 亘丕賱賯賵丞
賵禺賱丕賱 亘丨孬賴 毓賳 賲兀賵賶 賷丨賰賷 毓賳 匕賰乇賷丕鬲賴 賵丕賱兀丨丿丕孬 丕賱鬲賷 賷賲乇 亘賴丕
丨丕賱丞 賲賳 丕賱囟賷丕毓 賵丕賱毓賵夭 賮賷 丕賱賲丿賷賳丞 賵亘丿賵賳 兀賷 毓賱丕賯丕鬲 丨賯賷賯賷丞
鬲賳鬲賴賷 亘丕賱賴夭賷賲丞 賵丕賱丕賳爻丨丕亘 亘賴丿賵亍 賲賳 丨賷丕丞 賱賲 賷毓丿 賮賷 丨丕噩丞 廿賱賷賴丕
August 9, 2014
賲賳 丿蹖诏乇 亘丕 丕賵 丨乇賮 賳賲蹖 夭賳賲貙 賲賳 丿蹖诏乇 亘丕 禺賵丿賲 丨乇賮 賳賲蹖 夭賳賲貙 丿蹖诏乇 讴爻蹖 乇丕 賳丿丕乇賲 讴賴 亘丕 丕賵 丨乇賮 亘夭賳賲貙 賵 丨乇賮 賲蹖 夭賳賲貙 氐丿丕蹖蹖 丨乇賮 賲蹖 夭賳丿 讴賴 賳賲蹖 鬲賵丕賳丿 氐丿丕蹖 讴爻蹖 亘丕卮丿 賲诏乇 賲賳貙 趩賵賳 讴爻蹖 賳蹖爻鬲 賲诏乇 賲賳. 丌乇蹖 賲賳 丕賵 乇丕 诏賲 讴乇丿賴 丕賲 賵 丕賵 賲乇丕 诏賲 讴乇丿賴 丕爻鬲貙 丕夭 賲蹖丿丕賳 趩卮賲貙 丕夭 賲蹖丿丕賳 诏賵卮 貙 丕蹖賳 賴賲丕賳 丕爻鬲 讴賴 賲蹖 禺賵丕爻鬲賲貙 賲诏乇 賲賲讴賳 丕爻鬲 讴賴 趩賳丕賳 趩蹖夭蹖 禺賵丕爻鬲賴 亘丕卮賲貙 讴賴 趩賳蹖賳 趩蹖夭蹖 禺賵丕爻鬲賴 亘丕卮賲貙 丕賲丕 丕賵貙 丕賵 趩賴 賲蹖 禺賵丕爻鬲貙 賲蹖 禺賵丕爻鬲 賲鬲賵賯賮 卮賵丿貙 卮丕蹖丿 賲鬲賵賯賮 卮丿賴 亘丕卮丿貙 賲賳 賲鬲賵賯賮 卮丿賴 丕賲貙 丕賲丕 賲賳 讴賴 賴乇诏夭 噩賳亘 賳禺賵乇丿賴 丕賲貙 卮丕蹖丿 賲乇丿賴 亘丕卮丿貙 賲賳 賲乇丿賴 丕賲貙 丕賲丕 賲賳 讴賴 賴乇诏夭 夭賳丿賴 賳亘賵丿賴 丕賲貙 丕賲丕 丕賵 丨乇讴鬲 賲蹖 讴乇丿貙 賳卮丕賳 賳卮丕胤貙 丿乇 丌賳 毓氐乇 賴丕貙 讴賴 禺賵丿 賲蹖 诏匕卮鬲賳丿貙 毓氐乇賴丕蹖蹖 亘蹖 倬丕蹖丕賳貙 毓氐乇 賴丕蹖蹖 亘丕 卮亘貙 亘蹖 丌賳诏賴 讴賱賲賴 丕蹖 亘诏賵蹖丿貙 亘蹖 丌賳讴賴 亘鬲賵丕賳丿 讴賱賲賴 丕蹖 亘诏賵蹖丿貙 亘蹖 丌賳讴賴 亘丿丕賳丿 讴噩丕 賲蹖 乇賵丿貙 毓丕噩夭 丕夭 鬲賵賯賮貙 诏賵卮 亘賴 賮乇蹖丕丿 賴丕蹖 賲賳貙 卮賳賵丕蹖 氐丿丕蹖蹖 讴賴 賮乇蹖丕丿 賲蹖 夭丿 丕蹖賳 賳賵毓蹖 丕夭 夭賳丿诏蹖 賳蹖爻鬲貙 丕賳诏丕乇 賳賲蹖 丿丕賳爻鬲貙 丕賳诏丕乇 丌賳 讴賳丕蹖賴 丕蹖 亘賴 夭賳丿诏蹖 禺賵丿卮 亘賵丿貙 讴賴 賳賵毓蹖 丕夭 夭賳丿诏蹖 亘賵丿貙 鬲賮丕賵鬲 賴賲蹖賳 噩丕爻鬲貙 丨丕賱丕 賲蹖 丿丕賳賲 丨賯蹖賯鬲 賳丿丕乇丿貙 丕賲丕 亘蹖 讴賲 賵 讴爻乇 賲蹖 诏賵蹖賲貙 鬲賮丕賵鬲 賴蹖賲賳 噩丕爻鬲貙 賲蹖 诏賵蹖賲貙 賴賲蹖賳 丕賱丕賳 賲蹖 诏賵蹖賲貙 賲蹖 诏匕丕乇賲卮 亘乇丕蹖 倬丕蹖丕賳貙 賵 亘毓丿 倬丕蹖丕賳貙 禺賵丕賴賲 鬲賵丕賳爻鬲 亘賴 倬丕蹖丕賳 亘乇爻丕賳賲貙 丿蹖诏乇 賳禺賵丕賴賲 亘賵丿貙 丿蹖诏乇 亘賴 夭丨賲鬲卮 賳禺賵丕賴丿 丕乇夭蹖丿貙 丿蹖诏乇 賱丕夭賲 賳禺賵丕賴丿 亘賵丿貙 丿蹖诏乇 賲賲讴賳 賳禺賵丕賴丿 亘賵丿貙 丕賲丕 丨丕賱丕 賴賲 亘賴 夭丨賲鬲卮 賳賲蹖 丕乇夭丿貙 丨丕賱丕 賴賲 賱丕夭賲 賳蹖爻鬲貙 丨丕賱丕 賴賲 賲賲讴賳 賳蹖爻鬲貙 丕賵囟丕毓 丕爻鬲丿賱丕賱 趩賳蹖賳 丕爻鬲.
June 26, 2019
禺賵丕賳丿賳 讴鬲丕亘鈥屬囏й� 亘讴鬲 賲丕賳賳丿 賳賵卮鬲賳賽 丌賳賴丕 賳丕賲賲讴賳 丕爻鬲.. 亘乇丕蹖 丕蹖賳讴賴 丌賴賳诏 讴賱丕賲 賵 丕賳爻噩丕賲賽 賳丿丕卮鬲賴鈥屰� 讴鬲丕亘 丕夭 丿爻鬲 賳乇賵丿 亘丕蹖丿 倬蹖賵爻鬲賴 賵 爻乇蹖毓 禺賵丕賳丿賴 卮賵丿 丕賲丕 丿乇 毓蹖賳 丨丕賱 讴蹖賮蹖鬲蹖 丿丕乇丿 讴賴 倬蹖賵爻鬲诏蹖 賵 丕丿丕賲賴 蹖丕賮鬲賳賽 禺賵丕賳丿賳 乇丕 睾蹖乇賲賲讴賳 賲蹖鈥屭┵嗀�.
丕蹖賳 诏賮鬲賴鈥屰� 亘讴鬲 讴賴 : 賳賲蹖鈥屫堌з嗁� 丕丿丕賲賴 丿賴賲.. 亘丕蹖丿 丕丿丕賲賴 丿賴賲.. 丕丿丕賲賴 賲蹖鈥屫囐呚� 賴賲 丿乇 倬乇賵爻賴鈥屰� 賳賵卮鬲賳 鬲乇噩賲賴 賲蹖鈥屫促堌� (賳賲蹖鈥屫堌з嗁� 亘賳賵蹖爻賲貙 亘丕蹖丿 亘賳賵蹖爻賲貙 賲蹖鈥屬嗁堐屫迟�) 賵 賴賲 丿乇 倬乇賵爻賴鈥屰� 禺賵丕賳丿賳 : 賳賲蹖鈥屫堌з嗁� 亘禺賵丕賳賲貙 亘丕蹖丿 亘禺賵丕賳賲貙 賲蹖鈥屫堌з嗁�...
賯胤毓丕 亘讴鬲 亘乇丕蹖 賲賳 乇賲夭丌賲蹖夭鬲乇蹖賳貙 賲丿乇賳鈥屫臂屬� 賵 丌賵丕賳诏丕乇丿 鬲乇蹖賳 賳賵蹖爻賳丿賴鈥� 丕爻鬲 . 丕賲丕 賵丕賯毓丕 丕夭 讴賱蹖鬲賽 讴丕乇蹖 讴賴 亘丕 丕蹖賳 賲鬲賳 讴乇丿賴 趩賳丿丕賳 趩蹖夭蹖 丿爻鬲诏蹖乇賲 賳卮丿. 噩夭卅蹖丕鬲 賮乇丕賵丕賳蹖 丕賲丕 趩卮賲賲 乇丕 诏乇賮鬲 賵 賲蹖禺鈥屫� 乇丕 讴賵亘蹖丿.
亘讴鬲 丿乇 蹖讴 讴賱丕賲 賳賵蹖爻賳丿賴鈥屫й� 爻鬲 亘乇丕蹖 賲乇丕噩毓賴... 賴蹖趩鈥屭з� 亘賴 丌禺乇 賳賲蹖鈥屫必池� 賵 賴蹖趩鈥屭з� 鬲賲丕賲 賳賲蹖鈥屫促堌�...
亘丕賯蹖 賳馗乇賲 亘丕卮丿 亘乇丕蹖 禺賵丕賳卮 丿賵賲.
诏乇趩賴 丕蹖賳 賲鬲賳 乇丕 賳賲蹖鈥屫堌з� 禺賵丕賳丿 :))))
丕蹖賳 诏賮鬲賴鈥屰� 亘讴鬲 讴賴 : 賳賲蹖鈥屫堌з嗁� 丕丿丕賲賴 丿賴賲.. 亘丕蹖丿 丕丿丕賲賴 丿賴賲.. 丕丿丕賲賴 賲蹖鈥屫囐呚� 賴賲 丿乇 倬乇賵爻賴鈥屰� 賳賵卮鬲賳 鬲乇噩賲賴 賲蹖鈥屫促堌� (賳賲蹖鈥屫堌з嗁� 亘賳賵蹖爻賲貙 亘丕蹖丿 亘賳賵蹖爻賲貙 賲蹖鈥屬嗁堐屫迟�) 賵 賴賲 丿乇 倬乇賵爻賴鈥屰� 禺賵丕賳丿賳 : 賳賲蹖鈥屫堌з嗁� 亘禺賵丕賳賲貙 亘丕蹖丿 亘禺賵丕賳賲貙 賲蹖鈥屫堌з嗁�...
賯胤毓丕 亘讴鬲 亘乇丕蹖 賲賳 乇賲夭丌賲蹖夭鬲乇蹖賳貙 賲丿乇賳鈥屫臂屬� 賵 丌賵丕賳诏丕乇丿 鬲乇蹖賳 賳賵蹖爻賳丿賴鈥� 丕爻鬲 . 丕賲丕 賵丕賯毓丕 丕夭 讴賱蹖鬲賽 讴丕乇蹖 讴賴 亘丕 丕蹖賳 賲鬲賳 讴乇丿賴 趩賳丿丕賳 趩蹖夭蹖 丿爻鬲诏蹖乇賲 賳卮丿. 噩夭卅蹖丕鬲 賮乇丕賵丕賳蹖 丕賲丕 趩卮賲賲 乇丕 诏乇賮鬲 賵 賲蹖禺鈥屫� 乇丕 讴賵亘蹖丿.
亘讴鬲 丿乇 蹖讴 讴賱丕賲 賳賵蹖爻賳丿賴鈥屫й� 爻鬲 亘乇丕蹖 賲乇丕噩毓賴... 賴蹖趩鈥屭з� 亘賴 丌禺乇 賳賲蹖鈥屫必池� 賵 賴蹖趩鈥屭з� 鬲賲丕賲 賳賲蹖鈥屫促堌�...
亘丕賯蹖 賳馗乇賲 亘丕卮丿 亘乇丕蹖 禺賵丕賳卮 丿賵賲.
诏乇趩賴 丕蹖賳 賲鬲賳 乇丕 賳賲蹖鈥屫堌з� 禺賵丕賳丿 :))))
February 4, 2023
鉁旓笍 禺蹖賱蹖 诏賳诏 賵 卮賱禺鬲賴 賳賵卮鬲賴 卮丿賴 亘賴 胤賵乇蹖 讴賴 蹖丕 禺蹖賱蹖 爻禺鬲 賲鬲賵噩賴 賴丿賮卮 賲蹖卮蹖丿 賵 蹖丕 讴賱丕 丕夭卮 賲蹖诏匕乇蹖丿 ....
鉁旓笍 亘蹖賴賵丿诏蹖 - 亘蹖 賴丿賮蹖 賵 倬賵趩蹖! 賵 鬲賳丕賯囟丕鬲 乇賵 鬲乇爻蹖賲 賲蹖讴賳賴 . 丕賵賳賲 亘丕 趩賴 乇賵卮蹖 ...
馃摑 亘乇蹖丿賴 丕蹖 丕夭 讴鬲丕亘 :
爻丕讴鬲 賲丕賳丿賳 亘賴鬲乇 丕爻鬲 丕诏乇 讴爻蹖 亘禺賵丕賴丿 亘鬲乇讴丿貙 鬲賳賴丕 乇丕賴卮 賴賲蹖賳 丕爻鬲貨 噩賷賰 賳夭丿賳貙 賮賯胤 賱亘禺賳丿 賲賳賮噩乇 卮丿賳 丕夭 夭賵乇 賳賮乇蹖賳賴丕蹖 賮乇賵 禺賵乇丿賴貙 鬲乇讴蹖丿賳 丕夭 禺丕賲賵卮蹖 .....
馃棷 倬.賳 : 卮丕蹖丿 丿乇讴卮 賳讴乇丿賲 亘賴 胤賵乇 讴丕賲賱 丕賲丕 禺賵賳丿賳卮 乇賵 鬲賵氐蹖賴 賳賲蹖 讴賳賲 ! 爻禺鬲 賳賵蹖爻蹖 亘賴 趩賴 賯蹖賲鬲責 亘賴 賯蹖賲鬲 禺爻鬲诏蹖 賵 賲賱丕賱鬲 賲禺丕胤亘!責 丿乇賴賲 賵 亘乇賴賲 賳賵蹖爻蹖 賴賲 賮讴乇 讴賳賲 丨丿蹖 丿丕乇賴 . 賲賲讴賳賴 亘乇丕蹖 亘毓囟蹖 丿賵爻鬲丕賳 噩匕丕亘 賵 亘乇丕蹖 亘毓囟蹖 亘賴 卮丿鬲 禺爻鬲賴 讴賳賳丿賴 亘丕卮賴 . 丿乇 倬丕蹖丕賳 讴鬲丕亘 亘賴 禺賵丿賲 诏賮鬲賲 趩賴 丕賳鬲禺丕亘 亘丿蹖 !!
馃棑 01/11/15
鉁旓笍 亘蹖賴賵丿诏蹖 - 亘蹖 賴丿賮蹖 賵 倬賵趩蹖! 賵 鬲賳丕賯囟丕鬲 乇賵 鬲乇爻蹖賲 賲蹖讴賳賴 . 丕賵賳賲 亘丕 趩賴 乇賵卮蹖 ...
馃摑 亘乇蹖丿賴 丕蹖 丕夭 讴鬲丕亘 :
爻丕讴鬲 賲丕賳丿賳 亘賴鬲乇 丕爻鬲 丕诏乇 讴爻蹖 亘禺賵丕賴丿 亘鬲乇讴丿貙 鬲賳賴丕 乇丕賴卮 賴賲蹖賳 丕爻鬲貨 噩賷賰 賳夭丿賳貙 賮賯胤 賱亘禺賳丿 賲賳賮噩乇 卮丿賳 丕夭 夭賵乇 賳賮乇蹖賳賴丕蹖 賮乇賵 禺賵乇丿賴貙 鬲乇讴蹖丿賳 丕夭 禺丕賲賵卮蹖 .....
馃棷 倬.賳 : 卮丕蹖丿 丿乇讴卮 賳讴乇丿賲 亘賴 胤賵乇 讴丕賲賱 丕賲丕 禺賵賳丿賳卮 乇賵 鬲賵氐蹖賴 賳賲蹖 讴賳賲 ! 爻禺鬲 賳賵蹖爻蹖 亘賴 趩賴 賯蹖賲鬲責 亘賴 賯蹖賲鬲 禺爻鬲诏蹖 賵 賲賱丕賱鬲 賲禺丕胤亘!責 丿乇賴賲 賵 亘乇賴賲 賳賵蹖爻蹖 賴賲 賮讴乇 讴賳賲 丨丿蹖 丿丕乇賴 . 賲賲讴賳賴 亘乇丕蹖 亘毓囟蹖 丿賵爻鬲丕賳 噩匕丕亘 賵 亘乇丕蹖 亘毓囟蹖 亘賴 卮丿鬲 禺爻鬲賴 讴賳賳丿賴 亘丕卮賴 . 丿乇 倬丕蹖丕賳 讴鬲丕亘 亘賴 禺賵丿賲 诏賮鬲賲 趩賴 丕賳鬲禺丕亘 亘丿蹖 !!
馃棑 01/11/15
December 5, 2023
亘丕 丕蹖賳讴賴 丕丨爻丕爻 賲蹖鈥屭┵嗁� 丿乇氐丿 賳丕趩蹖夭蹖 丕夭 賳賵卮鬲賴 賴丕蹖 亘讴鬲 賲鬲賵噩賴 賲蹖鈥屫促� 丕賲丕 賯賱賲卮 丿乇 毓蹖賳 丿乇丿賳丕讴 亘賵丿賳 卮丿蹖丿丕 丌乇丕賲卮 亘禺卮 賵 鬲賮讴乇 亘乇丕賳诏蹖夭 賴爻鬲.
丨乇賮 夭蹖丕丿蹖 丿乇亘丕乇賴 丕蹖賳 讴鬲丕亘 賳丿丕乇賲! 丕賱亘鬲賴 賮毓賱丕!
讴鬲丕亘蹖 禺賵丕賴丿 亘賵丿 讴賴 亘丕乇賴丕 亘賴卮 亘乇賲蹖鈥屭必呚� 賯胤毓丕 亘丕 丿賵乇賴 鬲賳丕賵亘 亘爻蹖丕乇 讴賵鬲丕賴.
乇蹖賵蹖賵 丕賵賱: 趩賴丕乇丿賴賲 丌匕乇 氐賮乇丿賵
丨乇賮 夭蹖丕丿蹖 丿乇亘丕乇賴 丕蹖賳 讴鬲丕亘 賳丿丕乇賲! 丕賱亘鬲賴 賮毓賱丕!
讴鬲丕亘蹖 禺賵丕賴丿 亘賵丿 讴賴 亘丕乇賴丕 亘賴卮 亘乇賲蹖鈥屭必呚� 賯胤毓丕 亘丕 丿賵乇賴 鬲賳丕賵亘 亘爻蹖丕乇 讴賵鬲丕賴.
乇蹖賵蹖賵 丕賵賱: 趩賴丕乇丿賴賲 丌匕乇 氐賮乇丿賵
October 23, 2015
诏賳诏蹖卮 夭蹖丕丿鬲乇 丕夭 丕賵賳 丨丿蹖 亘賵丿 讴賴 亘鬲賵賳賲 丕夭 禺蹖賱蹖 亘禺卮丕卮 賱匕鬲 亘亘乇賲 - 毓賲賱丕 卮丿賴 亘賵丿 丕蹖賳讴賴 讴賱蹖 趩蹖夭賵 賳賮賴賲賲 賵 亘毓丿 賲爻丨賵乇 趩賳丿 鬲丕 噩賲賱賴 亘卮賲 丿賵亘丕乇賴 讴賱蹖 趩蹖夭賵 賳賮賴賲賲 賵 丕賱禺. 丕賱亘鬲賴 賴賲趩賳丕賳 賲蹖 卮丿 蹖賴 賳賵蹖爻賳丿賴 蹖 賯賴丕乇 乇賵 賱丕蹖 爻胤賵乇 丿蹖丿
August 14, 2015
(趩賴 噩賳亘 賵 噩賵卮蹖 賵 丿乇 毓蹖賳 丨丕賱 趩賴 丌 乇丕賲卮蹖貙 趩賴 賮乇丕夭 賵 賮乇賵丿賴丕蹖蹖 丿乇 丿賱 趩賴 爻讴賵賳蹖. (丕夭 禺賵丿 讴鬲丕亘
November 23, 2016
丕诏乇 賲蹖 鬲賵丕賳爻鬲賲 亘乇賵賲貙 讴噩丕 賲蹖 乇賮鬲賲 貙丕诏乇 賲蹖 鬲賵丕賳爻鬲賲 亘丕卮賲貙 讴賴 賲蹖 亘賵丿賲...丕诏乇 氐丿丕蹖蹖 丿丕卮鬲賲 趩賴 賲蹖 诏賮鬲賲貙 讴賴 丕蹖賳 乇丕 賲蹖 诏賵蹖丿 責 讴賴 賲蹖 诏賵蹖丿 讴賴 賲賳賲責 亘賴 爻丕丿诏蹖 噩賵丕亘 丿賴蹖丿...賴賲丕賳 睾乇蹖亘賴 蹖 賴賲蹖卮诏蹖 爻鬲 貙讴賴 鬲賳賴丕 亘乇丕蹖 丕賵爻鬲 讴賴 賴爻鬲賲貙 丿乇 賯毓乇 賳蹖爻鬲蹖 丕賲 ..賳蹖爻鬲蹖 賲丕賳...賮乇丕賲賵卮賲 讴賳...賳丕丿蹖丿賴 丕賲 亘诏蹖乇...丕蹖賳 毓丕賯賱丕賳賴 鬲乇蹖賳 讴丕乇 丕爻鬲...丕蹖賳 趩賴 氐賲蹖賲蹖鬲 賳丕賲賳鬲馗乇賴 丕蹖 爻鬲 亘毓丿 丕夭 丌賳 趩賳丕...賳 鬲賳賴丕蹖蹖貙 賮賴賲蹖丿賳卮 丌爻丕賳 丕爻鬲貙 丕蹖賳 趩蹖夭蹖 爻鬲 讴賴 丕賵 賲蹖 诏賵蹖丿 丕賲丕 賳賲蹖 賮賴賲丿 讴賴 賲賳 丿乇 爻乇 丕賵 賳蹖爻鬲賲! 丿乇 賴蹖趩 讴噩丕蹖 鬲賳 賮乇爻賵丿賴 丕卮 賴賲 賳蹖爻鬲賲! 丕賲丕 賲賳 丌賳噩丕 賴爻鬲賲! 亘乇丕蹖 丕賵 丌賳噩丕 賴爻鬲賲! 亘丕 丕賵 賵 鬲賲丕賲 丌卮賮鬲诏蹖 賴丕蹖卮...賲蹖 禺賵丕賴丿 卮讴賱蹖 丿丕卮鬲賴 亘丕卮賲! 賲孬賱 禺賵丿卮! 丕賲丕 亘賴 乇睾賲 丕賵 賲賳 賴賲賴 噩蹖夭 賴爻鬲賲! 賵 賵賯鬲蹖 丨爻 賲蹖 讴賳丿 賲賳 丕夭 賴爻鬲蹖 丕賲 鬲賴蹖 丕賲貙 賲蹖 禺賵丕賴丿 丕夭 賴爻鬲蹖 丕賵 鬲賴蹖 亘丕卮賲. 丨賯蹖賯鬲 丕蹖賳 丕爻鬲 讴賴 亘賴 丿賳亘丕賱賲 賲蹖 诏乇丿丿 鬲丕 亘讴卮丿賲! 鬲丕 賲賳 賴賲 賲孬賱 丕賵 賲乇丿賴 亘丕卮賲...賲乇丿賴 賲孬賱 賴賲賴 蹖 夭賳丿诏丕賳...!
January 5, 2015
丕诏乇 蹖讴 鬲讴 讴鬲丕亘 乇賵 亘毓賳賵丕賳 亘賴鬲乇蹖賳 讴鬲丕亘蹖 讴賴 鬲丕 亘丨丕賱 禺賵賳丿賲 丕夭 賲賳 亘倬乇爻賴 讴爻蹖貙 讴賴 賳賲蹖倬乇爻賴 :丿蹖貙 丕蹖賳 丕孬乇 丕賳鬲禺丕亘 賲賳賴.
賲鬲賳賴丕蹖蹖 亘乇丕蹖 賴蹖趩貙 丨丿 賵 賲賳鬲賴丕蹖蹖 亘乇丕蹖 亘丕夭蹖 亘丕 夭亘丕賳貙 卮禺氐蹖鬲貙 賲賵賳賵賱賵诏貙 囟丿賲賵賳賵賱賵诏貙 囟丿乇賲丕賳貙 鬲氐賵蹖乇 賵 亘蹖丕賳 賲鬲氐賵乇 賳蹖爻鬲. 賲鬲賳賴丕蹖蹖 亘乇丕蹖 賴蹖趩 賴賳乇蹖 鬲乇蹖賳 丕孬乇 丕丿亘蹖 毓氐乇 賲丕爻鬲. 趩蹖夭蹖 讴賴 卮丕蹖丿 丕賱丕賳 丿乇讴卮 賵 賮賴賲 趩乇丕蹖蹖卮 爻禺鬲 亘丕卮賴貙 賵賱蹖 賳丕禺賵丿丌诏丕賴 賴賳乇蹖 卮禺氐賽 賲賳 賱丕丕賯賱貙 丕蹖賳 丨爻 讴賴 賳賴貙 丕胤賲蹖賳丕賳卮 乇賵 亘賴賲 賲蹖丿賴. 讴鬲丕亘 倬蹖卮 乇賵鬲賵賳 丨丕氐賱 倬禺鬲賴 鬲乇蹖賳 亘讴鬲賽 亘讴鬲賴. 丨丕氐賱 丿爻鬲 賵 賲睾夭 毓噩蹖亘 鬲乇蹖賳 賳賵蹖爻賳丿賴 蹖 噩賴丕賳 丿乇 賯乇賳 丕禺蹖乇.
賮乇丕賲賵卮 賳讴賳蹖賲 丕丨爻丕爻蹖 乇賵 讴賴貙 賵 丕丨鬲乇丕賲蹖 乇賵 讴賴 蹖讴 賳賯丕卮 亘丕 丿蹖丿賳 賲賵賳丕賱蹖夭丕蹖 丿丕賵蹖賳趩蹖 蹖丕 丌孬丕乇 乇丕賮丕卅賱 賵 賵賳诏賵诏 丨爻 賲蹖讴賳賴 賲丕 亘丕蹖丿 亘丕 禺賵賳丿賳 丕蹖賳 丕孬乇 賵 賴賲賴 蹖 丌孬丕乇 亘夭乇诏 賳賵蹖爻賳丿賴 賴丕蹖 亘夭乇诏 丨爻 讴賳蹖賲.
賲鬲賳賴丕蹖蹖 亘乇丕蹖 賴蹖趩貙 丨丿 賵 賲賳鬲賴丕蹖蹖 亘乇丕蹖 亘丕夭蹖 亘丕 夭亘丕賳貙 卮禺氐蹖鬲貙 賲賵賳賵賱賵诏貙 囟丿賲賵賳賵賱賵诏貙 囟丿乇賲丕賳貙 鬲氐賵蹖乇 賵 亘蹖丕賳 賲鬲氐賵乇 賳蹖爻鬲. 賲鬲賳賴丕蹖蹖 亘乇丕蹖 賴蹖趩 賴賳乇蹖 鬲乇蹖賳 丕孬乇 丕丿亘蹖 毓氐乇 賲丕爻鬲. 趩蹖夭蹖 讴賴 卮丕蹖丿 丕賱丕賳 丿乇讴卮 賵 賮賴賲 趩乇丕蹖蹖卮 爻禺鬲 亘丕卮賴貙 賵賱蹖 賳丕禺賵丿丌诏丕賴 賴賳乇蹖 卮禺氐賽 賲賳 賱丕丕賯賱貙 丕蹖賳 丨爻 讴賴 賳賴貙 丕胤賲蹖賳丕賳卮 乇賵 亘賴賲 賲蹖丿賴. 讴鬲丕亘 倬蹖卮 乇賵鬲賵賳 丨丕氐賱 倬禺鬲賴 鬲乇蹖賳 亘讴鬲賽 亘讴鬲賴. 丨丕氐賱 丿爻鬲 賵 賲睾夭 毓噩蹖亘 鬲乇蹖賳 賳賵蹖爻賳丿賴 蹖 噩賴丕賳 丿乇 賯乇賳 丕禺蹖乇.
賮乇丕賲賵卮 賳讴賳蹖賲 丕丨爻丕爻蹖 乇賵 讴賴貙 賵 丕丨鬲乇丕賲蹖 乇賵 讴賴 蹖讴 賳賯丕卮 亘丕 丿蹖丿賳 賲賵賳丕賱蹖夭丕蹖 丿丕賵蹖賳趩蹖 蹖丕 丌孬丕乇 乇丕賮丕卅賱 賵 賵賳诏賵诏 丨爻 賲蹖讴賳賴 賲丕 亘丕蹖丿 亘丕 禺賵賳丿賳 丕蹖賳 丕孬乇 賵 賴賲賴 蹖 丌孬丕乇 亘夭乇诏 賳賵蹖爻賳丿賴 賴丕蹖 亘夭乇诏 丨爻 讴賳蹖賲.
October 28, 2014
爻丕讴鬲 賲丕賳丿賳 亘賴鬲乇 丕爻鬲. 丕诏乇 讴爻蹖 亘禺賵丕賴丿 亘鬲乇讴丿 鬲賳賴丕 乇丕賴卮 賴賲蹖賳 丕爻鬲貙 噩蹖讴 賳夭丿賳. 賮賯胤 賱亘禺賳丿貙 賲賳賮噩乇 卮丿賳 丕夭 夭賵乇 賳賮乇蹖賳 賴丕蹖 賮乇賵禺賵乇丿賴貙 鬲乇讴蹖丿賳 丕夭 禺丕賲賵卮蹖貙 賴賲賴 趩蹖夭 賲賲讴賳 丕爻鬲.
May 5, 2019
Actually I've only--this time through, so far--read the "Stories" (of this book's title) as I'm in the midst of a project to read Beckett's complete oeuvres in chronological order. That's harder than it seems, given the author's switch from composing in English to French, his rag-tag approach to publishing his works (along with some early reluctance among editors to publish his works), and then his non-chronological translation of his French works into English.
So, what I believe to be true is that "First Love", "The Expelled", "The Calmative", and "The End" were Beckett's first texts written in French, around 1946, after the novel Watt and before the relatively short novel Mercier and Camier. I've also read that Beckett began to write in his third language (I believe Italian to have been his second, given his having studied in Florence and his early devotion to Dante and so many Italian words in the earlier novels and the stories of More Pricks than Kicks) because it was easier, in another language, he says, to write without style. I've also read that part of this conversion of sorts began in his mother's bedroom in Dublin where he had a realization that he was never going to out-Joyce his employer/mentor Joyce so he decided that he would have to forge a new type of text and leave behind the intricate and referential style of the master.
Well, that's all well and good for literary critics (of which I am one only in name, having long given up the game for the writing of actual literature, although it's still my day job). Emerging from the fragments or notes to the composition of a proposed novel called Watt, which is of what the novel Watt consists, the language changes, the game changes, and suddenly Beckett's texts focus, shorten, and move into the first person exclusively. It's an interesting shift only partially explicable by the above-cited historical and self-revealed explanations. Oh, and the texts also get much, much better--in my opinion--and of course usher in the so-called golden period of the author's work wherein adherents of the Iowa writer's workshop would certainly proclaim the Irish nihilist finds his true voice.
In all 4 of the stories mentioned (I know that "First Love" is published in its own collection with later prose and theatre pieces, but really it bears examination along with these other three--heaven knows why the author held it back from publication here as the four stories are pretty much identical in their basic outlines and in the homeless/home-seeking "I" who narrates each) we do find the simpler sentences and aplomb of a foreign speaker in a language not his own. Although I could facetiously argue that such lack of stylistic flourish is really only another style, that of simplicity and aplomb. However, there is garish style--really only an obvious embellishment of language--and the lack of embellishment that we associate with non-style. There is a certain non-style here that goes well with the non-plot and the non-moral and the barely existent, tenuous narrative "I" who has no discerning features of his own besides bodily illness and decomposition--which, arguably, is only one more of the things fostered upon him from outside. I mean, these narrators claim to have no desires, no aims, and barely manage to put up with what happens to them, almost completely by chance. They in no way participate in the foibles of the willing world and that world, for the most part, shuns them. Their company are rats, their lives are spent in basements, their voices heard only here in their texts as they have mostly lost the power of speech.
For me these stories have two greatly valuable qualities: Being about nothing in particular, they changed the possibilities of Modernist literature in a way that no other author had then managed to do--and very few authors today can come close to this level of rejection of character, plot, and moral and still manage to get published--despite Beckett's popularity. Secondly, even though I have to ask myself why this middle class Irishman enjoying a middle class French existence would choose to create characters who are, by bourgeois standards, bums, the mere fact of creating characters in the Western World who are neither citizens nor workers, and who do not participate in any way in either the capitalist system or the modern nation state is utterly remarkable. More than that, it's incendiary, revolutionary. These voices never even consider the myriad day-to-day assumptions of capitalist citizen-slaves. They simply do not play.
Since this is an election year, I kept thinking of the joy I would have forcing the various candidates to read these tales so that I could watch their confusion and discomfiture. Only Bernie Sanders could handle them without freaking out, I imagine. But he would try to start some social program to save them--and that, while a wonderful expression of human empathy, is also clearly not the point of these revolutionary texts. They tell us what is wrong with our world through anti-example. We would destroy all those who do not play despite the fact that the game is barely a hundred years old and is so very clearly rigged against us all. For these voices there is only the calmative of a story, a tale ill seen and ill said.
* * *
OK, so now I've also read "Texts for Nothing," in their proper chronological order with Beckett's oeuvres, after The Unnamable. I've not too much to say about them. It's clear that they were written at the same time, or alternately, in the same years, anyway, as The Unnamable since they deal with similar literary problems that Beckett's work was confronting more and more in the progression of this second, French, phase of his writing--who is this speaking voice and why/how does/can the voice speak. There are even several re-occurring phrases within both texts so perhaps they could have been combined even into a single volume somehow. But more than complimentary I found them a bit at odds in terms of style, even if the subject matter was so similar.
There's no easy (or even eventually definitive) answer to these literary questions the two texts ask, they merely become the motor for much musing upon--and apparent suffering over--topics dealing with voice, character, narration, and the anguish inherent in uttering anything into the posterity of the written page. While the "Texts" cover pretty much the same ground as The Unnamable, they're far more disciplined, organized, concise, and artistic than the novel. That is not at all to say they are better. Actually I found them a bit trite after the undisciplined take-no-prisoners attitude of the novel. I would recommend that you read them before you read The Unnamable.
So, what I believe to be true is that "First Love", "The Expelled", "The Calmative", and "The End" were Beckett's first texts written in French, around 1946, after the novel Watt and before the relatively short novel Mercier and Camier. I've also read that Beckett began to write in his third language (I believe Italian to have been his second, given his having studied in Florence and his early devotion to Dante and so many Italian words in the earlier novels and the stories of More Pricks than Kicks) because it was easier, in another language, he says, to write without style. I've also read that part of this conversion of sorts began in his mother's bedroom in Dublin where he had a realization that he was never going to out-Joyce his employer/mentor Joyce so he decided that he would have to forge a new type of text and leave behind the intricate and referential style of the master.
Well, that's all well and good for literary critics (of which I am one only in name, having long given up the game for the writing of actual literature, although it's still my day job). Emerging from the fragments or notes to the composition of a proposed novel called Watt, which is of what the novel Watt consists, the language changes, the game changes, and suddenly Beckett's texts focus, shorten, and move into the first person exclusively. It's an interesting shift only partially explicable by the above-cited historical and self-revealed explanations. Oh, and the texts also get much, much better--in my opinion--and of course usher in the so-called golden period of the author's work wherein adherents of the Iowa writer's workshop would certainly proclaim the Irish nihilist finds his true voice.
In all 4 of the stories mentioned (I know that "First Love" is published in its own collection with later prose and theatre pieces, but really it bears examination along with these other three--heaven knows why the author held it back from publication here as the four stories are pretty much identical in their basic outlines and in the homeless/home-seeking "I" who narrates each) we do find the simpler sentences and aplomb of a foreign speaker in a language not his own. Although I could facetiously argue that such lack of stylistic flourish is really only another style, that of simplicity and aplomb. However, there is garish style--really only an obvious embellishment of language--and the lack of embellishment that we associate with non-style. There is a certain non-style here that goes well with the non-plot and the non-moral and the barely existent, tenuous narrative "I" who has no discerning features of his own besides bodily illness and decomposition--which, arguably, is only one more of the things fostered upon him from outside. I mean, these narrators claim to have no desires, no aims, and barely manage to put up with what happens to them, almost completely by chance. They in no way participate in the foibles of the willing world and that world, for the most part, shuns them. Their company are rats, their lives are spent in basements, their voices heard only here in their texts as they have mostly lost the power of speech.
For me these stories have two greatly valuable qualities: Being about nothing in particular, they changed the possibilities of Modernist literature in a way that no other author had then managed to do--and very few authors today can come close to this level of rejection of character, plot, and moral and still manage to get published--despite Beckett's popularity. Secondly, even though I have to ask myself why this middle class Irishman enjoying a middle class French existence would choose to create characters who are, by bourgeois standards, bums, the mere fact of creating characters in the Western World who are neither citizens nor workers, and who do not participate in any way in either the capitalist system or the modern nation state is utterly remarkable. More than that, it's incendiary, revolutionary. These voices never even consider the myriad day-to-day assumptions of capitalist citizen-slaves. They simply do not play.
Since this is an election year, I kept thinking of the joy I would have forcing the various candidates to read these tales so that I could watch their confusion and discomfiture. Only Bernie Sanders could handle them without freaking out, I imagine. But he would try to start some social program to save them--and that, while a wonderful expression of human empathy, is also clearly not the point of these revolutionary texts. They tell us what is wrong with our world through anti-example. We would destroy all those who do not play despite the fact that the game is barely a hundred years old and is so very clearly rigged against us all. For these voices there is only the calmative of a story, a tale ill seen and ill said.
* * *
OK, so now I've also read "Texts for Nothing," in their proper chronological order with Beckett's oeuvres, after The Unnamable. I've not too much to say about them. It's clear that they were written at the same time, or alternately, in the same years, anyway, as The Unnamable since they deal with similar literary problems that Beckett's work was confronting more and more in the progression of this second, French, phase of his writing--who is this speaking voice and why/how does/can the voice speak. There are even several re-occurring phrases within both texts so perhaps they could have been combined even into a single volume somehow. But more than complimentary I found them a bit at odds in terms of style, even if the subject matter was so similar.
There's no easy (or even eventually definitive) answer to these literary questions the two texts ask, they merely become the motor for much musing upon--and apparent suffering over--topics dealing with voice, character, narration, and the anguish inherent in uttering anything into the posterity of the written page. While the "Texts" cover pretty much the same ground as The Unnamable, they're far more disciplined, organized, concise, and artistic than the novel. That is not at all to say they are better. Actually I found them a bit trite after the undisciplined take-no-prisoners attitude of the novel. I would recommend that you read them before you read The Unnamable.
December 16, 2022
賴賲蹖卮賴 賲蹖卮賳蹖丿賲 爻丕賲賵卅賱 亘讴鬲 爻丕賲賵卅賱 亘讴鬲...
丨丕賱丕 賮賴賲蹖丿賲 趩蹖 賲蹖诏賳!
毓噩亘 賯賱賲 倬乇亘丕乇貙 賲鬲賮丕賵鬲 賵 倬乇夭丨賲鬲蹖!
賴賲賵賳賯丿乇 讴賴 睾蹖乇賯丕亘賱 禺賵賳丿賳賴 睾蹖乇賯丕亘賱 賳賵卮鬲賳賴...賮賯胤 讴丕乇 禺賵丿卮賴 丕蹖賳 賴賲賴 讴賱賲丕鬲 卮賱賵睾 乇賵 丕夭 丕賵賳 匕賴賳 卮賱賵睾 亘賴 丕蹖賳 賯卮賳诏蹖 亘蹖乇賵賳 讴卮蹖丿賳...
亘賴 卮丿鬲 賲毓鬲丕丿 讴賳賳丿賴 賵 賱匕鬲 亘禺卮賴 趩賵賳 亘賴 胤乇夭 丕賮鬲囟丕丨 賵 丿丕乇讴蹖 賯丕亘賱 丿乇讴 賵 賮賴賲賴馃拃
賵 丕夭 賴賲賴 賲賴賲 鬲乇 禺賵卮亘禺鬲丕賳賴 丨乇賮丕卮賵 賵賯鬲蹖 卮賳蹖丿賲 讴賴 丿賯蹖賯丕 賳蹖丕夭 丿丕卮鬲賲 亘卮賳賵賲...
賲鬲賳鈥屬囏й屰� 丕夭 噩賳爻 賲毓賳丕 賵 亘蹖鈥屬呚官嗀й屰�...
鬲乇卮丨丕鬲 賲睾夭蹖 讴賴 鬲乇讴蹖亘 夭蹖亘丕蹖蹖 丿丕卮鬲賳...
賲鬲賳 賴丕蹖蹖 亘乇丕蹖 賴蹖趩 賵 賴賲賴 趩蹖夭.
鬲讴賴鈥屸€屫й� 丕夭 讴鬲丕亘:
丕睾賱亘 丨爻 賲蹖鈥屭┵嗁� 丿乇丕夭 讴卮蹖丿賴鈥屫з呚屰屭┷� 丕夭 丕蹖賳 爻賴 鬲丕爻鬲貙蹖丕 丕蹖賳讴賴 夭丕賳賵 夭丿賴鈥屫з�.丌賳趩賴 賲賴賲 丕爻鬲 丿乇 丿賳蹖丕 亘賵丿賳 丕爻鬲貙丨丕賱鬲 賲賴賲 賳蹖爻鬲貙鬲丕 賵賯鬲蹖 丌丿賲 乇賵蹖 夭賲蹖賳 丕爻鬲.賳賮爻 讴卮蹖丿賳貙鬲賳賴丕 趩蹖夭蹖 丕爻鬲 讴賴 賱丕夭賲 丕爻鬲貙丕噩亘丕乇蹖 亘賴 賵賱诏乇丿蹖 賳蹖爻鬲貙蹖丕 賲毓丕卮乇鬲貙丨鬲蹖 賲蹖.鬲賵丕賳蹖 禺賵丿鬲 乇丕 賲乇丿賴 亘丿丕賳蹖 亘賴 卮乇胤蹖 讴賴 倬賳賴丕賳 讴丕乇蹖 賳讴賳蹖貙趩賴 丨讴賵賲鬲蹖 賱蹖亘乇丕賱 鬲乇 丕夭 丕蹖賳 賲蹖鈥屫堌з� 鬲氐賵乇 讴乇丿貙賳賲蹖鈥屫з嗁呚屫蒂堌� 賳賲蹖鈥屭┵嗁�.趩賴 賮丕蹖丿賴 丿乇 丕蹖賳 卮乇丕蹖胤 讴賴 亘诏賵蹖賲 噩丕蹖 丿蹖诏乇蹖 賴爻鬲賲貙讴爻 丿蹖诏乇蹖 賴爻鬲賲貙賴賲蹖賳 胤賵乇 讴賴 賴爻鬲賲 賴乇 趩賴 賱丕夭賲 丿丕乇賲 丿賲 丿爻鬲 丕爻鬲貙讴賴 趩賴 讴丕乇 讴賳賲貙賳賲蹖鈥屫з嗁呚屬囏壁┴ж臂� 讴賴 亘丕蹖丿 亘讴賳賲貙亘丕賱丕禺乇賴 亘丕夭 鬲賳賴丕 卮丿賲貙趩賴 鬲爻讴蹖賳蹖 亘丕蹖丿 亘丕卮丿.
丨丕賱丕 賮賴賲蹖丿賲 趩蹖 賲蹖诏賳!
毓噩亘 賯賱賲 倬乇亘丕乇貙 賲鬲賮丕賵鬲 賵 倬乇夭丨賲鬲蹖!
賴賲賵賳賯丿乇 讴賴 睾蹖乇賯丕亘賱 禺賵賳丿賳賴 睾蹖乇賯丕亘賱 賳賵卮鬲賳賴...賮賯胤 讴丕乇 禺賵丿卮賴 丕蹖賳 賴賲賴 讴賱賲丕鬲 卮賱賵睾 乇賵 丕夭 丕賵賳 匕賴賳 卮賱賵睾 亘賴 丕蹖賳 賯卮賳诏蹖 亘蹖乇賵賳 讴卮蹖丿賳...
亘賴 卮丿鬲 賲毓鬲丕丿 讴賳賳丿賴 賵 賱匕鬲 亘禺卮賴 趩賵賳 亘賴 胤乇夭 丕賮鬲囟丕丨 賵 丿丕乇讴蹖 賯丕亘賱 丿乇讴 賵 賮賴賲賴馃拃
賵 丕夭 賴賲賴 賲賴賲 鬲乇 禺賵卮亘禺鬲丕賳賴 丨乇賮丕卮賵 賵賯鬲蹖 卮賳蹖丿賲 讴賴 丿賯蹖賯丕 賳蹖丕夭 丿丕卮鬲賲 亘卮賳賵賲...
賲鬲賳鈥屬囏й屰� 丕夭 噩賳爻 賲毓賳丕 賵 亘蹖鈥屬呚官嗀й屰�...
鬲乇卮丨丕鬲 賲睾夭蹖 讴賴 鬲乇讴蹖亘 夭蹖亘丕蹖蹖 丿丕卮鬲賳...
賲鬲賳 賴丕蹖蹖 亘乇丕蹖 賴蹖趩 賵 賴賲賴 趩蹖夭.
鬲讴賴鈥屸€屫й� 丕夭 讴鬲丕亘:
丕睾賱亘 丨爻 賲蹖鈥屭┵嗁� 丿乇丕夭 讴卮蹖丿賴鈥屫з呚屰屭┷� 丕夭 丕蹖賳 爻賴 鬲丕爻鬲貙蹖丕 丕蹖賳讴賴 夭丕賳賵 夭丿賴鈥屫з�.丌賳趩賴 賲賴賲 丕爻鬲 丿乇 丿賳蹖丕 亘賵丿賳 丕爻鬲貙丨丕賱鬲 賲賴賲 賳蹖爻鬲貙鬲丕 賵賯鬲蹖 丌丿賲 乇賵蹖 夭賲蹖賳 丕爻鬲.賳賮爻 讴卮蹖丿賳貙鬲賳賴丕 趩蹖夭蹖 丕爻鬲 讴賴 賱丕夭賲 丕爻鬲貙丕噩亘丕乇蹖 亘賴 賵賱诏乇丿蹖 賳蹖爻鬲貙蹖丕 賲毓丕卮乇鬲貙丨鬲蹖 賲蹖.鬲賵丕賳蹖 禺賵丿鬲 乇丕 賲乇丿賴 亘丿丕賳蹖 亘賴 卮乇胤蹖 讴賴 倬賳賴丕賳 讴丕乇蹖 賳讴賳蹖貙趩賴 丨讴賵賲鬲蹖 賱蹖亘乇丕賱 鬲乇 丕夭 丕蹖賳 賲蹖鈥屫堌з� 鬲氐賵乇 讴乇丿貙賳賲蹖鈥屫з嗁呚屫蒂堌� 賳賲蹖鈥屭┵嗁�.趩賴 賮丕蹖丿賴 丿乇 丕蹖賳 卮乇丕蹖胤 讴賴 亘诏賵蹖賲 噩丕蹖 丿蹖诏乇蹖 賴爻鬲賲貙讴爻 丿蹖诏乇蹖 賴爻鬲賲貙賴賲蹖賳 胤賵乇 讴賴 賴爻鬲賲 賴乇 趩賴 賱丕夭賲 丿丕乇賲 丿賲 丿爻鬲 丕爻鬲貙讴賴 趩賴 讴丕乇 讴賳賲貙賳賲蹖鈥屫з嗁呚屬囏壁┴ж臂� 讴賴 亘丕蹖丿 亘讴賳賲貙亘丕賱丕禺乇賴 亘丕夭 鬲賳賴丕 卮丿賲貙趩賴 鬲爻讴蹖賳蹖 亘丕蹖丿 亘丕卮丿.
July 9, 2017
丕丨爻丕爻 賲蹖讴乇丿賲 讴賴 丿乇賵賳 蹖讴 丕爻鬲賵丕賳賴 蹖 賳丕賲鬲賳丕賴蹖 丕賲 讴賴 亘丕 爻乇毓鬲 禺蹖賱蹖 禺蹖賱蹖 夭蹖丕丿 丿乇 丨丕賱 趩乇禺蹖丿賳賴... 讴鬲丕亘蹖 倬乇 丕夭 鬲卮賳噩 賴丕蹖 匕賴賳蹖... 賱匕鬲 亘乇丿賲 禺蹖賱蹖. 诏丕賴蹖 蹖丕丿 賲睾夭 禺賵丿賲 賲蹖 丕賮鬲丕丿賲 讴賴 賲蹖乇賴 乇賵 丿賵乇 鬲賳丿 賵 卮乇賵毓 賲蹖讴賳賴 亘丕 爻乇毓鬲 賵 賲鬲賳丕賯囟 丨乇賮 夭丿賳 賵 賳诏賴 丿丕卮鬲賳卮 睾蹖乇賲賲讴賳 賲蹖卮賴.
'' 丕诏乇 讴爻蹖 亘禺賵丕賴丿 亘鬲乇讴丿貙 鬲賳賴丕 乇丕賴卮 賴賲蹖賳 丕爻鬲 貙 噩蹖讴 賳夭丿賳貙 賮賯胤 賱亘禺賳丿貙 賲賳賮噩乇 卮丿賳 丕夭 夭賵乇 賳賮乇蹖賳鈥屬囏й� 賮乇賵禺賵乇丿賴貙 鬲乇讴蹖丿賳 丕夭 禺丕賲賵卮蹖... 賴賲賴 趩蹖夭 賲賲讴賳 丕爻鬲.''
'' 丕诏乇 讴爻蹖 亘禺賵丕賴丿 亘鬲乇讴丿貙 鬲賳賴丕 乇丕賴卮 賴賲蹖賳 丕爻鬲 貙 噩蹖讴 賳夭丿賳貙 賮賯胤 賱亘禺賳丿貙 賲賳賮噩乇 卮丿賳 丕夭 夭賵乇 賳賮乇蹖賳鈥屬囏й� 賮乇賵禺賵乇丿賴貙 鬲乇讴蹖丿賳 丕夭 禺丕賲賵卮蹖... 賴賲賴 趩蹖夭 賲賲讴賳 丕爻鬲.''
January 6, 2020
丨丕賱丕 丕夭 賲賳 讴賴 诏匕卮鬲貙 丕賲丕 卮賲丕 丕蹖賳 讴鬲丕亘 乇賵 賵丕爻賴 卮亘丕蹖 丕賲鬲丨丕賳貙 丕賳鬲禺丕亘 賳讴賳蹖丿! 馃槄
賲睾夭賲 丿乇 丨丕賱 丕賳賮噩丕乇賴 丕夭 賯賱賲賽 亘讴鬲貨 丕夭 丕蹖賳 讴鬲丕亘...
賴乇趩蹖夭蹖 讴賴 鬲賵 爻乇卮 亘賵丿賴 丌賵乇丿賴 乇賵蹖 讴丕睾匕 賵 趩賯丿乇 趩蹖夭丕蹖蹖 讴賴 鬲賵 爻乇卮 亘賵丿賴 禺賵賳丿賳蹖 賵 噩匕丕亘賴!
蹖賴 亘丕乇 禺賵賳丿賳卮 讴丕賮蹖 賳蹖爻鬲貨 丕夭 丕賵賳 讴鬲丕亘丕爻鬲 讴賴 賴乇丕夭诏丕賴蹖 亘丕蹖丿 乇賮鬲 爻乇丕睾卮馃憣
賲睾夭賲 丿乇 丨丕賱 丕賳賮噩丕乇賴 丕夭 賯賱賲賽 亘讴鬲貨 丕夭 丕蹖賳 讴鬲丕亘...
賴乇趩蹖夭蹖 讴賴 鬲賵 爻乇卮 亘賵丿賴 丌賵乇丿賴 乇賵蹖 讴丕睾匕 賵 趩賯丿乇 趩蹖夭丕蹖蹖 讴賴 鬲賵 爻乇卮 亘賵丿賴 禺賵賳丿賳蹖 賵 噩匕丕亘賴!
蹖賴 亘丕乇 禺賵賳丿賳卮 讴丕賮蹖 賳蹖爻鬲貨 丕夭 丕賵賳 讴鬲丕亘丕爻鬲 讴賴 賴乇丕夭诏丕賴蹖 亘丕蹖丿 乇賮鬲 爻乇丕睾卮馃憣
November 28, 2024
丿賵爻鬲丕賳 賯乇丕乇賴 乇丕噩毓 亘賴 芦賲鬲賳 賴丕蹖蹖 亘乇丕蹖 賴蹖趩禄 丕夭 芦爻丕賲賵卅賱 亘讴鬲禄 丨乇賮 亘夭賳蹖賲.
亘賴 丕氐胤賱丕丨 乇賲丕賳蹖 讴賴 亘丕蹖丿 丌禺乇蹖賳 丕孬乇蹖 亘丕卮賴 讴賴 丕夭 亘讴鬲 賲蹖禺賵賳蹖賳. (賵 賲賳 丕卮鬲亘丕賴賲 丕蹖賳 亘賵丿 讴賴 丕賵賱蹖賳 讴丕乇蹖 亘賵丿 讴賴 丕夭 亘讴鬲 禺賵賳丿賲)
禺蹖賱蹖 讴賵鬲丕賴 亘诏賲 貨 賮乇賲 丕孬乇 禺蹖賱蹖 亘丿賴.禺賵丕賳賳丿賴 丿乇 氐賮丨丕鬲 丕賵賱 亘丕 蹖賴 讴賱丕賮 爻乇丿乇诏賲 乇賵亘賴 乇賵 賴爻鬲 讴賴 賴乇趩蹖 噩賱賵鬲乇 賲蹖乇賴 賳賴 鬲賳賴丕 亘丕夭 賳賲蹖卮賴 亘賱讴賴 倬蹖趩蹖丿賴 鬲乇 賲蹖卮賴.
丕诏乇 匕賴賳 賲禺丕胤亘 鬲丨賲賱 賲賮丕賴蹖賲 孬賯蹖賱 芦倬爻鬲 賲丿乇賳蹖爻鬲蹖禄 乇賵 賳丿丕卮鬲賴 亘丕卮賴 賯胤毓丕 亘丕 蹖賴 芦賳賮賴賲蹖丿賲禄 亘夭乇诏 乇賵 亘賴 乇賵 賲蹖卮賴. 丕蹖賳 賳賮賴賲蹖丿賳 賳賴 鬲賳賴丕 毓蹖亘 賳蹖爻鬲 亘賱讴賴 讴丕賲賱丕 丨賯賴.
倬蹖卮 賳蹖丕夭 禺賵丕賳卮 丕蹖賳 丕孬乇 爻賴 诏丕賳賴 亘讴鬲 賵 丿賵 賳賲丕蹖卮賳丕賲賴 芦丿乇 丕賳鬲馗丕乇 诏賵丿賵禄 賵 芦丌禺乇 亘丕夭蹖禄 賴爻鬲. 趩乇丕 趩賵賳 亘丕乇賴丕 賲爻鬲賯蹖賲 賵 睾蹖乇 賲爻鬲賯蹖賲 亘賴 丕蹖賳 丌孬丕乇 丕卮丕乇賴 賲蹖卮賴.
丕蹖賳 丕孬乇 乇賵 賳賴 亘賴 毓賳賵丕賳 乇賲丕賳 貙 賵 丨鬲蹖 賳賴 亘賴 毓賳賵丕賳 乇爻丕賱賴 賮賱爻賮蹖 貙 亘賱讴賴 亘賴 毓賳賵丕賳 蹖賴 卮丕賴 讴賱蹖丿 亘乇丕蹖 亘丕夭 讴乇丿賳 賯賮賱 賴丕蹖 丌孬丕乇 亘讴鬲 賲蹖鬲賵賳賲 亘倬匕蹖乇賲 丕賲丕 亘賴 毓賳賵丕賳 丿丕爻鬲丕賳 賵 賮賱爻賮賴 貙 (賲毓匕乇鬲 賲蹖禺賵丕賲) 丿乇 丨丿 噩賵讴 賴賲 賳蹖爻鬲.趩乇丕 讴賴 賮乇賲 丿丕爻鬲丕賳 乇賵 賳丿丕乇賴.
亘賴 丕氐胤賱丕丨 乇賲丕賳蹖 讴賴 亘丕蹖丿 丌禺乇蹖賳 丕孬乇蹖 亘丕卮賴 讴賴 丕夭 亘讴鬲 賲蹖禺賵賳蹖賳. (賵 賲賳 丕卮鬲亘丕賴賲 丕蹖賳 亘賵丿 讴賴 丕賵賱蹖賳 讴丕乇蹖 亘賵丿 讴賴 丕夭 亘讴鬲 禺賵賳丿賲)
禺蹖賱蹖 讴賵鬲丕賴 亘诏賲 貨 賮乇賲 丕孬乇 禺蹖賱蹖 亘丿賴.禺賵丕賳賳丿賴 丿乇 氐賮丨丕鬲 丕賵賱 亘丕 蹖賴 讴賱丕賮 爻乇丿乇诏賲 乇賵亘賴 乇賵 賴爻鬲 讴賴 賴乇趩蹖 噩賱賵鬲乇 賲蹖乇賴 賳賴 鬲賳賴丕 亘丕夭 賳賲蹖卮賴 亘賱讴賴 倬蹖趩蹖丿賴 鬲乇 賲蹖卮賴.
丕诏乇 匕賴賳 賲禺丕胤亘 鬲丨賲賱 賲賮丕賴蹖賲 孬賯蹖賱 芦倬爻鬲 賲丿乇賳蹖爻鬲蹖禄 乇賵 賳丿丕卮鬲賴 亘丕卮賴 賯胤毓丕 亘丕 蹖賴 芦賳賮賴賲蹖丿賲禄 亘夭乇诏 乇賵 亘賴 乇賵 賲蹖卮賴. 丕蹖賳 賳賮賴賲蹖丿賳 賳賴 鬲賳賴丕 毓蹖亘 賳蹖爻鬲 亘賱讴賴 讴丕賲賱丕 丨賯賴.
倬蹖卮 賳蹖丕夭 禺賵丕賳卮 丕蹖賳 丕孬乇 爻賴 诏丕賳賴 亘讴鬲 賵 丿賵 賳賲丕蹖卮賳丕賲賴 芦丿乇 丕賳鬲馗丕乇 诏賵丿賵禄 賵 芦丌禺乇 亘丕夭蹖禄 賴爻鬲. 趩乇丕 趩賵賳 亘丕乇賴丕 賲爻鬲賯蹖賲 賵 睾蹖乇 賲爻鬲賯蹖賲 亘賴 丕蹖賳 丌孬丕乇 丕卮丕乇賴 賲蹖卮賴.
丕蹖賳 丕孬乇 乇賵 賳賴 亘賴 毓賳賵丕賳 乇賲丕賳 貙 賵 丨鬲蹖 賳賴 亘賴 毓賳賵丕賳 乇爻丕賱賴 賮賱爻賮蹖 貙 亘賱讴賴 亘賴 毓賳賵丕賳 蹖賴 卮丕賴 讴賱蹖丿 亘乇丕蹖 亘丕夭 讴乇丿賳 賯賮賱 賴丕蹖 丌孬丕乇 亘讴鬲 賲蹖鬲賵賳賲 亘倬匕蹖乇賲 丕賲丕 亘賴 毓賳賵丕賳 丿丕爻鬲丕賳 賵 賮賱爻賮賴 貙 (賲毓匕乇鬲 賲蹖禺賵丕賲) 丿乇 丨丿 噩賵讴 賴賲 賳蹖爻鬲.趩乇丕 讴賴 賮乇賲 丿丕爻鬲丕賳 乇賵 賳丿丕乇賴.
December 10, 2018
丕夭 賲毓丿賵丿 讴鬲丕亘鈥屬囏й屰� 讴賴 亘丕蹖丿 亘乇鈥屬呟屸€屭簇� 賵 丿賵亘丕乇賴 賲蹖鈥屫堌з嗀呚屫堌з嗀嗀� 毓匕丕亘鈥屫①堌� 亘賵丿 貙鬲乇爻賳丕讴 亘賵丿貙趩賵賳 賵丕賯毓蹖鬲 亘賵丿...
May 6, 2024
芦亘丕賱丕 賳賵乇 丕爻鬲鈥ωз勜� 丕賷賳噩丕賷賷貙賴乇 噩丕 賰賴 亘丕卮賷 丌賳噩丕 夭賷丕丿 賯丕亘賱 爻賰賵賳鬲 賳賲賷 賲丕賳丿貙趩丕乇賴 趩賷爻鬲鈥ωㄙ� 亘丕賱丕 亘丕夭诏卮鬲賳責 亘丕夭诏卮鬲賳 丿乇 賴賲趩賵賳 賳賵乇賷鈥ωㄘж� 賴賲 氐禺乇賴 賴丕 乇丕 丿賷丿賳鈥� 亘丕 爻乇毓鬲 鬲賲丕賲貙亘賷 诏賳丕賴鈥︼拷锟�
June 26, 2020
芦賲賳 倬蹖卮 丕夭 鬲賵賱丿 貙 丕夭 夭賳丿诏蹖 丕賳氐乇丕賮 丿丕丿賴鈥屫з� 禄
#爻丕賲賵卅賱 亘讴鬲
賴蹖趩 丕賳诏丕乇蹖賽 賴蹖趩 貨 賲鬲賳蹖 鬲賲丕賲丕 爻蹖丕賱 丕夭 丕丨賵丕賱丕鬲 丿乇賵賳蹖賽 蹖讴 丕賳爻丕賳 賲毓丕氐乇 .倬丕乇丕丿賵讴爻蹖 丕夭 毓丿賲 賵 賵噩賵丿 貙 丕賲讴丕賳 賵 賳丕賲賲讴賳 貙 賴爻鬲蹖 賵 賳蹖爻鬲蹖 賵 賲乇诏 賵 夭賳丿诏蹖 .
丕賳诏丕乇 亘讴鬲 賵氐蹖鬲鈥屬嗀з呝団€屫й� 賳賵卮鬲賴 亘乇 丕賳爻丕賳賽 賲毓丕氐乇 貙 丕夭 賵噩賵丿 鬲丕 毓丿賲 ...
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芦 賵 賲蹖鈥屬矩必池� 亘乇 爻乇 丌乇夭賵蹖 丿丕賳爻鬲賳 趩賴 丌賲丿賴 丕爻鬲 貙 丿蹖诏乇 賳蹖爻鬲 貙 賯賱亘 丿蹖诏乇 賳蹖爻鬲 貙 爻乇 丿蹖诏乇 賳蹖爻鬲 貙 讴爻蹖 趩蹖夭蹖 丨爻 賳賲蹖鈥屭┵嗀� 貙 趩蹖夭蹖 賳賲蹖鈥屬矩必池� 貙 趩蹖夭蹖 賳賲蹖鈥屫堐屫� 貙 趩蹖夭蹖 賳賲蹖鈥屭堐屫� 貙 趩蹖夭蹖 賳賲蹖鈥屫促嗁堌� 貙 鬲賳賴丕 爻讴賵鬲 丕爻鬲 禄
丌乇蹖 鬲賳賴丕 爻讴賵鬲 丕爻鬲 讴賴 賲丕賳丿賴 貨 賲丕蹖蹖 讴賴 丿乇 鬲賲丕賲 噩賴丕鬲 诏賳丿 夭丿賴鈥屫й屬� 貨 噩賳诏 賵 禺賵賳乇蹖夭蹖 賵 禺蹖丕賳鬲 賵 丿乇賵睾 賵 亘夭賴讴丕乇蹖 賵 鬲賵乇賲 賵 賴夭丕乇 趩蹖夭 丿蹖诏乇 貨 丨鬲蹖 丿蹖诏乇 乇丕亘胤賴 毓丕胤賮蹖 賳蹖夭 亘乇賯乇丕乇 賳賲蹖鈥屫促堌� . 鬲賳賴丕 丌賲丿 賵 卮丿 丕爻鬲 ...
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芦 賵 夭賲蹖賳 賳賴 亘丕 氐丿丕蹖 丕賳賮噩丕乇 賲賴蹖亘 貙 亘賱讴賴 亘丕 氐丿丕蹖 賴賯鈥屬囐� 亘卮乇 亘賴 倬丕蹖丕賳 禺賵丕賴丿 乇爻蹖丿 禄
# 鬲蹖.丕爻 丕賱蹖賵鬲
#爻丕賲賵卅賱 亘讴鬲
賴蹖趩 丕賳诏丕乇蹖賽 賴蹖趩 貨 賲鬲賳蹖 鬲賲丕賲丕 爻蹖丕賱 丕夭 丕丨賵丕賱丕鬲 丿乇賵賳蹖賽 蹖讴 丕賳爻丕賳 賲毓丕氐乇 .倬丕乇丕丿賵讴爻蹖 丕夭 毓丿賲 賵 賵噩賵丿 貙 丕賲讴丕賳 賵 賳丕賲賲讴賳 貙 賴爻鬲蹖 賵 賳蹖爻鬲蹖 賵 賲乇诏 賵 夭賳丿诏蹖 .
丕賳诏丕乇 亘讴鬲 賵氐蹖鬲鈥屬嗀з呝団€屫й� 賳賵卮鬲賴 亘乇 丕賳爻丕賳賽 賲毓丕氐乇 貙 丕夭 賵噩賵丿 鬲丕 毓丿賲 ...
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芦 賵 賲蹖鈥屬矩必池� 亘乇 爻乇 丌乇夭賵蹖 丿丕賳爻鬲賳 趩賴 丌賲丿賴 丕爻鬲 貙 丿蹖诏乇 賳蹖爻鬲 貙 賯賱亘 丿蹖诏乇 賳蹖爻鬲 貙 爻乇 丿蹖诏乇 賳蹖爻鬲 貙 讴爻蹖 趩蹖夭蹖 丨爻 賳賲蹖鈥屭┵嗀� 貙 趩蹖夭蹖 賳賲蹖鈥屬矩必池� 貙 趩蹖夭蹖 賳賲蹖鈥屫堐屫� 貙 趩蹖夭蹖 賳賲蹖鈥屭堐屫� 貙 趩蹖夭蹖 賳賲蹖鈥屫促嗁堌� 貙 鬲賳賴丕 爻讴賵鬲 丕爻鬲 禄
丌乇蹖 鬲賳賴丕 爻讴賵鬲 丕爻鬲 讴賴 賲丕賳丿賴 貨 賲丕蹖蹖 讴賴 丿乇 鬲賲丕賲 噩賴丕鬲 诏賳丿 夭丿賴鈥屫й屬� 貨 噩賳诏 賵 禺賵賳乇蹖夭蹖 賵 禺蹖丕賳鬲 賵 丿乇賵睾 賵 亘夭賴讴丕乇蹖 賵 鬲賵乇賲 賵 賴夭丕乇 趩蹖夭 丿蹖诏乇 貨 丨鬲蹖 丿蹖诏乇 乇丕亘胤賴 毓丕胤賮蹖 賳蹖夭 亘乇賯乇丕乇 賳賲蹖鈥屫促堌� . 鬲賳賴丕 丌賲丿 賵 卮丿 丕爻鬲 ...
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芦 賵 夭賲蹖賳 賳賴 亘丕 氐丿丕蹖 丕賳賮噩丕乇 賲賴蹖亘 貙 亘賱讴賴 亘丕 氐丿丕蹖 賴賯鈥屬囐� 亘卮乇 亘賴 倬丕蹖丕賳 禺賵丕賴丿 乇爻蹖丿 禄
# 鬲蹖.丕爻 丕賱蹖賵鬲
November 13, 2015
丿乇 丌睾賵卮賲 賴爻鬲賲貙 賲賳 禺賵丿 乇丕 丿乇 丌睾賵卮 诏乇賮鬲賴鈥屫з呚� 賳賴 趩賳丿丕賳 亘丕 賱胤丕賮鬲貙 丕賲丕 賵賮丕丿丕乇貙 賵賮丕丿丕乇.丨丕賱丕 亘禺賵丕亘貙 诏賵蹖蹖 夭蹖乇 丌賳 趩乇丕睾 賯丿蹖賲蹖貙 亘賴 賴賲 乇蹖禺鬲賴貙 禺爻鬲賴 賵 讴賵賮鬲賴貙 丕夭 丕蹖賳 賴賲賴 丨乇賮 夭丿賳貙 丕蹖賳 賴賲賴 卮賳蹖丿賳貙 丕蹖賳 賴賲賴 賲卮賯鬲貙 丕蹖賳 賴賲賴 亘丕夭蹖
October 25, 2020
"亘乇 爻乇 丌乇夭賵蹖 丿丕賳爻鬲賳 趩賴 丌賲丿賴 丕爻鬲貙 丿蹖诏乇 賳蹖爻鬲貙 賯賱亘 丿蹖诏乇 賳蹖爻鬲貙 爻乇 丿蹖诏乇 賳蹖爻鬲貙 讴爻蹖 趩蹖夭蹖 丨爻 賳賲蹖鈥屭┵嗀� 趩蹖夭蹖 賳賲蹖鈥屬矩必池� 趩蹖夭蹖 賳賲蹖鈥屫堐屫� 趩蹖夭蹖 賳賲蹖鈥屭堐屫� 趩蹖夭蹖 賳賲蹖鈥屫促嗁堌� 鬲賳賴丕 爻讴賵鬲 丕爻鬲貙 丿乇爻鬲 賳蹖爻鬲貙 趩乇丕貙 丿乇爻鬲 丕爻鬲貙 丿乇爻鬲 丕爻鬲 賵 丿乇爻鬲 賳蹖爻鬲貙 爻讴賵鬲 賴爻鬲 賵 爻讴賵鬲 賳蹖爻鬲貙 讴爻蹖 賳蹖爻鬲 賵 讴爻蹖 賴爻鬲貙 趩蹖夭蹖 賲丕賳毓 趩蹖夭蹖 賳蹖爻鬲..."
December 6, 2017
丿乇 賵氐賮 蹖丕 卮乇丨 丕蹖賳 讴鬲丕亘 趩蹖夭蹖 亘乇丕蹖 诏賮鬲賳 賳丿丕乇賲 夭蹖乇丕 讴賴 亘丕 賳賵卮鬲賴 丕蹖 賲賳丨氐乇 亘賴 賮乇丿 賲賵丕噩賴 卮丿賲 賳賵卮鬲賴 丕蹖 亘乇丕蹖 賴蹖趩 亘丕 賲丨賵乇蹖鬲 賴蹖趩 ! 賳亘丕蹖丿 丿賳亘丕賱 賴蹖趩 賴丿賮蹖 丿乇 丕蹖賳 讴鬲丕亘 诏卮鬲 賳賵蹖爻賳丿賴 賮賯胤 賲蹖禺賵丕賴丿 讴賴 亘賳賵蹖爻丿 :
"丨乇賮 賲蹖夭賳賲 夭丕蹖蹖丿賴 賴丕蹖 禺蹖丕賱賲 乇丕 亘賴 丨乇賮 賵丕賲蹖丿丕乇賲"
"賴乇 诏賵卮賴 賵 讴賳丕乇 禺賵丿賲 乇丕 亘賴 賲乇诏 賵丕诏匕丕卮鬲賴 丕賲"
"賲賳 賲乇丿賴 丕賲; 丕賲丕 賲賳 讴賴 賴乇诏夭 夭賳丿賴 賳亘賵丿賴 丕賲"
賲賮賴賵賲 亘丕夭蹖 賵 丕蹖賳讴賴 丕毓賲丕賱 丕賳爻丕賳賴丕 氐乇賮丕 亘丕夭蹖 亘蹖 賴丿賮蹖 丕爻鬲 讴賴 丕夭 禺賵丿 爻丕禺鬲賴 丕賳丿 鬲丕 亘賴 夭賳丿诏蹖 亘蹖 賴丿賮 賲毓賳丕 亘丿賴賳丿 賴賲趩賵賳 讴鬲丕亘 "賲丕賱賵賳 賲蹖賲蹖乇丿" 丿乇 丕蹖賳 讴鬲丕亘 賳蹖夭 丿蹖丿賴 賲蹖卮賵丿.丿乇 丕蹖賳 亘蹖 賴丿賮蹖 亘讴鬲 賳賴 鬲賳賴丕 亘賴 睾賳蹖賲鬲 卮賲乇丿賳 賵賯鬲 賮讴乇 賳賲蹖讴賳丿 亘賱讴賴 诏匕乇丕 亘賵丿賳 爻乇蹖毓 丌賳 乇丕 胤賱亘 丿丕乇丿 :
"亘诏匕丕乇 賮乇蹖亘 禺賵乇丿賴 亘丕卮蹖賲 賮乇蹖亘 禺賵乇丿賴 蹖 夭賲丕賳 賵 夭賲丕賳賴 鬲丕 賵賯鬲蹖 亘诏匕乇丿 賴賲賴 趩蹖夭 亘诏匕乇丿 賵 鬲賲丕賲 卮賵丿 賵 氐丿丕 賴丕 爻丕讴鬲 卮賵賳丿"
"趩賴 禺賵亘 讴賴 賴丿乇 乇賮鬲 讴賴 賴乇诏夭 賴蹖趩 趩蹖夭 卮乇賵毓 賳卮丿 賴乇诏夭 賴蹖趩 趩蹖夭 亘賴 噩夭 賴乇诏夭 賵 賴蹖趩 趩蹖夭 賴乇诏夭 賴蹖趩 趩蹖夭 亘賴 噩夭 讴賱賲丕鬲 亘蹖 噩丕賳"
賵 丿乇 噩丕蹖蹖 丿蹖诏乇 丕蹖賳 诏匕乇 毓賲乇 乇丕 禺蹖賱蹖 夭蹖亘丕 亘賴 鬲氐賵蹖乇 賲蹖讴卮丿 诏匕乇蹖 鬲賱禺 賵 卮丕蹖丿 亘蹖 賴丿賮 :
"倬丿乇賲 乇賮鬲 丕賲丕 丌蹖賳賴 賲丕賳丿 丌蹖賳賴 丕蹖 讴賴 倬丿乇 丌賳賴賲賴 丿乇 丌賳 鬲睾蹖蹖乇 讴乇丿賴 亘賵丿 讴賴 賲丕丿乇賲 賲賵賴丕蹖卮 乇丕 丿乇 丌賳 賲乇鬲亘 賲蹖讴乇丿"
賳賵蹖爻賳丿賴 丨鬲蹖 亘賴 賵噩賵丿 禺賵丿 賴賲 卮讴 賲蹖讴賳丿 , 亘丨乇丕賳 賴賵蹖鬲 , 丕賲丕 賳賲蹖鬲賵丕賳丿 禺賵丿 乇丕 丕夭 賯毓乇 賳蹖爻鬲蹖 賳噩丕鬲 丿賴丿 賵 賲丕賳賳丿 丿讴丕乇鬲 倬丕爻禺蹖 亘乇丕蹖 丕蹖賳 倬乇爻卮 賮賱爻賮蹖 丕乇丕蹖賴 丿賴丿!賴賲趩賳蹖賳 丕賵 丕毓鬲乇丕賮 噩丕賱亘蹖 賲蹖讴賳丿 讴賴 賲乇丕 蹖丕丿 卮毓乇 夭蹖亘丕蹖 丕禺賵丕賳 孬丕賱孬 賲蹖丕賳丿丕夭丿 "賴蹖 賮賱丕賳蹖 夭賳丿诏蹖 卮丕蹖丿 賴賲蹖賳 亘丕卮丿..." :
"丿丕爻鬲丕賳 丕噩亘丕乇蹖 賳蹖爻鬲.賮賯胤 蹖讴 夭賳丿诏蹖. 丕卮鬲亘丕賴蹖 讴賴 讴乇丿賲 賴賲蹖賳 亘賵丿 讴賴 賲蹖禺賵丕爻鬲賲 亘乇丕蹖 禺賵丿賲 丿丕爻鬲丕賳蹖 丿丕卮鬲賴 亘丕卮賲 丿乇 丨丕賱蹖讴賴 鬲賳賴丕 夭賳丿诏蹖 讴丕賮蹖 丕爻鬲"
倬乇爻卮 賵 倬丕爻禺 賴丕蹖 爻丕賲賵蹖賱 亘讴鬲 丿乇 丕蹖賳 讴鬲丕亘 亘爻蹖丕乇 夭蹖亘丕爻鬲 丿乇 亘禺卮蹖 丕夭 讴鬲丕亘 丨鬲蹖 禺賵丿 乇丕 賴賲 賲丨丕讴賲賴 賲蹖讴賳丿 ! 夭蹖亘丕鬲乇蹖賳 賯爻賲鬲 丕蹖賳 倬乇爻卮賴丕蹖 丿乇賵賳蹖 亘賴 毓賯蹖丿賴 蹖 賲賳 亘禺卮 賴賮鬲賲 讴鬲丕亘 丕爻鬲 :
"丌蹖丕 賴賲賴 乇丕 丕賲鬲丨丕賳 讴乇丿賴 丕賲 鬲賵蹖 賴乇 爻賵乇丕禺蹖 爻乇讴 讴卮蹖丿賴 丕賲責! 賲蹖禺賵丕賴賲 賯亘賱 丕夭 丌賳讴賴 禺亘乇 诏賲 卮丿賳賲 乇丕 亘丿賴賲 賵 丿爻鬲 亘讴卮賲 賲胤賲蹖賳 卮賵賲 亘賴 賴乇 丿乇蹖 夭丿賴 丕賲"
丿乇 賲爻蹖乇 倬乇蹖卮丕賳蹖 卮禺氐蹖鬲 丌丿賲蹖 丿爻鬲禺賵卮 鬲睾蹖蹖乇 賲蹖诏乇丿丿 賵 亘丕 诏匕卮鬲 夭賲丕賳 亘蹖卮鬲乇 丿乇 禺賵丿 賮乇賵 賲蹖乇賵丿 賵 丕夭 丿賳蹖丕蹖 丕胤乇丕賮 丿賵乇 賲蹖诏乇丿丿 :
"丕賲丕 賲賳 爻丕讴鬲賲 .丌乇丕賲 鬲乇 丨乇賮 賲蹖夭賳賲 賴乇 爻丕賱 讴賲蹖 丌乇丕賲 鬲乇 卮丕蹖丿 讴賳丿 鬲乇賴賲 賴乇 爻丕賱 讴賲蹖 讴賳丿 鬲乇"
賲乇诏 賴丕賱賴 丕蹖 丕爻鬲 讴賴 丕賮讴丕乇 賳賵蹖爻賳丿賴 乇丕 賮乇丕 诏乇賮鬲賴 丕賵 鬲賳賴丕 賲賳鬲馗乇 賲乇诏 丕爻鬲 趩乇丕 讴賴 賲乇诏 鬲賳賴丕 乇丕賴 賮乇丕乇 丕爻鬲 :
"丕蹖賳 乇賵蹖丕蹖 賲賳 丕爻鬲 , 乇賵蹖丕蹖 卮亘 亘蹖 賮乇丿丕"
"丌賳趩賴 亘賴 讴賱賲丕鬲 賲毓賳丕 賲蹖丿賴丿 倬丕蹖丕賳 丕爻鬲"
"丨乇賮 賲蹖夭賳賲 夭丕蹖蹖丿賴 賴丕蹖 禺蹖丕賱賲 乇丕 亘賴 丨乇賮 賵丕賲蹖丿丕乇賲"
"賴乇 诏賵卮賴 賵 讴賳丕乇 禺賵丿賲 乇丕 亘賴 賲乇诏 賵丕诏匕丕卮鬲賴 丕賲"
"賲賳 賲乇丿賴 丕賲; 丕賲丕 賲賳 讴賴 賴乇诏夭 夭賳丿賴 賳亘賵丿賴 丕賲"
賲賮賴賵賲 亘丕夭蹖 賵 丕蹖賳讴賴 丕毓賲丕賱 丕賳爻丕賳賴丕 氐乇賮丕 亘丕夭蹖 亘蹖 賴丿賮蹖 丕爻鬲 讴賴 丕夭 禺賵丿 爻丕禺鬲賴 丕賳丿 鬲丕 亘賴 夭賳丿诏蹖 亘蹖 賴丿賮 賲毓賳丕 亘丿賴賳丿 賴賲趩賵賳 讴鬲丕亘 "賲丕賱賵賳 賲蹖賲蹖乇丿" 丿乇 丕蹖賳 讴鬲丕亘 賳蹖夭 丿蹖丿賴 賲蹖卮賵丿.丿乇 丕蹖賳 亘蹖 賴丿賮蹖 亘讴鬲 賳賴 鬲賳賴丕 亘賴 睾賳蹖賲鬲 卮賲乇丿賳 賵賯鬲 賮讴乇 賳賲蹖讴賳丿 亘賱讴賴 诏匕乇丕 亘賵丿賳 爻乇蹖毓 丌賳 乇丕 胤賱亘 丿丕乇丿 :
"亘诏匕丕乇 賮乇蹖亘 禺賵乇丿賴 亘丕卮蹖賲 賮乇蹖亘 禺賵乇丿賴 蹖 夭賲丕賳 賵 夭賲丕賳賴 鬲丕 賵賯鬲蹖 亘诏匕乇丿 賴賲賴 趩蹖夭 亘诏匕乇丿 賵 鬲賲丕賲 卮賵丿 賵 氐丿丕 賴丕 爻丕讴鬲 卮賵賳丿"
"趩賴 禺賵亘 讴賴 賴丿乇 乇賮鬲 讴賴 賴乇诏夭 賴蹖趩 趩蹖夭 卮乇賵毓 賳卮丿 賴乇诏夭 賴蹖趩 趩蹖夭 亘賴 噩夭 賴乇诏夭 賵 賴蹖趩 趩蹖夭 賴乇诏夭 賴蹖趩 趩蹖夭 亘賴 噩夭 讴賱賲丕鬲 亘蹖 噩丕賳"
賵 丿乇 噩丕蹖蹖 丿蹖诏乇 丕蹖賳 诏匕乇 毓賲乇 乇丕 禺蹖賱蹖 夭蹖亘丕 亘賴 鬲氐賵蹖乇 賲蹖讴卮丿 诏匕乇蹖 鬲賱禺 賵 卮丕蹖丿 亘蹖 賴丿賮 :
"倬丿乇賲 乇賮鬲 丕賲丕 丌蹖賳賴 賲丕賳丿 丌蹖賳賴 丕蹖 讴賴 倬丿乇 丌賳賴賲賴 丿乇 丌賳 鬲睾蹖蹖乇 讴乇丿賴 亘賵丿 讴賴 賲丕丿乇賲 賲賵賴丕蹖卮 乇丕 丿乇 丌賳 賲乇鬲亘 賲蹖讴乇丿"
賳賵蹖爻賳丿賴 丨鬲蹖 亘賴 賵噩賵丿 禺賵丿 賴賲 卮讴 賲蹖讴賳丿 , 亘丨乇丕賳 賴賵蹖鬲 , 丕賲丕 賳賲蹖鬲賵丕賳丿 禺賵丿 乇丕 丕夭 賯毓乇 賳蹖爻鬲蹖 賳噩丕鬲 丿賴丿 賵 賲丕賳賳丿 丿讴丕乇鬲 倬丕爻禺蹖 亘乇丕蹖 丕蹖賳 倬乇爻卮 賮賱爻賮蹖 丕乇丕蹖賴 丿賴丿!賴賲趩賳蹖賳 丕賵 丕毓鬲乇丕賮 噩丕賱亘蹖 賲蹖讴賳丿 讴賴 賲乇丕 蹖丕丿 卮毓乇 夭蹖亘丕蹖 丕禺賵丕賳 孬丕賱孬 賲蹖丕賳丿丕夭丿 "賴蹖 賮賱丕賳蹖 夭賳丿诏蹖 卮丕蹖丿 賴賲蹖賳 亘丕卮丿..." :
"丿丕爻鬲丕賳 丕噩亘丕乇蹖 賳蹖爻鬲.賮賯胤 蹖讴 夭賳丿诏蹖. 丕卮鬲亘丕賴蹖 讴賴 讴乇丿賲 賴賲蹖賳 亘賵丿 讴賴 賲蹖禺賵丕爻鬲賲 亘乇丕蹖 禺賵丿賲 丿丕爻鬲丕賳蹖 丿丕卮鬲賴 亘丕卮賲 丿乇 丨丕賱蹖讴賴 鬲賳賴丕 夭賳丿诏蹖 讴丕賮蹖 丕爻鬲"
倬乇爻卮 賵 倬丕爻禺 賴丕蹖 爻丕賲賵蹖賱 亘讴鬲 丿乇 丕蹖賳 讴鬲丕亘 亘爻蹖丕乇 夭蹖亘丕爻鬲 丿乇 亘禺卮蹖 丕夭 讴鬲丕亘 丨鬲蹖 禺賵丿 乇丕 賴賲 賲丨丕讴賲賴 賲蹖讴賳丿 ! 夭蹖亘丕鬲乇蹖賳 賯爻賲鬲 丕蹖賳 倬乇爻卮賴丕蹖 丿乇賵賳蹖 亘賴 毓賯蹖丿賴 蹖 賲賳 亘禺卮 賴賮鬲賲 讴鬲丕亘 丕爻鬲 :
"丌蹖丕 賴賲賴 乇丕 丕賲鬲丨丕賳 讴乇丿賴 丕賲 鬲賵蹖 賴乇 爻賵乇丕禺蹖 爻乇讴 讴卮蹖丿賴 丕賲責! 賲蹖禺賵丕賴賲 賯亘賱 丕夭 丌賳讴賴 禺亘乇 诏賲 卮丿賳賲 乇丕 亘丿賴賲 賵 丿爻鬲 亘讴卮賲 賲胤賲蹖賳 卮賵賲 亘賴 賴乇 丿乇蹖 夭丿賴 丕賲"
丿乇 賲爻蹖乇 倬乇蹖卮丕賳蹖 卮禺氐蹖鬲 丌丿賲蹖 丿爻鬲禺賵卮 鬲睾蹖蹖乇 賲蹖诏乇丿丿 賵 亘丕 诏匕卮鬲 夭賲丕賳 亘蹖卮鬲乇 丿乇 禺賵丿 賮乇賵 賲蹖乇賵丿 賵 丕夭 丿賳蹖丕蹖 丕胤乇丕賮 丿賵乇 賲蹖诏乇丿丿 :
"丕賲丕 賲賳 爻丕讴鬲賲 .丌乇丕賲 鬲乇 丨乇賮 賲蹖夭賳賲 賴乇 爻丕賱 讴賲蹖 丌乇丕賲 鬲乇 卮丕蹖丿 讴賳丿 鬲乇賴賲 賴乇 爻丕賱 讴賲蹖 讴賳丿 鬲乇"
賲乇诏 賴丕賱賴 丕蹖 丕爻鬲 讴賴 丕賮讴丕乇 賳賵蹖爻賳丿賴 乇丕 賮乇丕 诏乇賮鬲賴 丕賵 鬲賳賴丕 賲賳鬲馗乇 賲乇诏 丕爻鬲 趩乇丕 讴賴 賲乇诏 鬲賳賴丕 乇丕賴 賮乇丕乇 丕爻鬲 :
"丕蹖賳 乇賵蹖丕蹖 賲賳 丕爻鬲 , 乇賵蹖丕蹖 卮亘 亘蹖 賮乇丿丕"
"丌賳趩賴 亘賴 讴賱賲丕鬲 賲毓賳丕 賲蹖丿賴丿 倬丕蹖丕賳 丕爻鬲"
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May 6, 2021N膿, nu j膩, es nezinu, varb奴t ar墨 n膿, bet to jau nav iesp膿jams zin膩t, nekad nav bijis iesp膿jams zin膩t, jo neko nav iesp膿jams zin膩t, atliek tikai las墨t un cer膿t, ka varb奴t pien膩ks diena, kad var膿s saprast to, kas ir bijis uzrakst墨ts, ja tas ir bijis uzrakst墨ts, ja tas ir izzin膩ms, tad varb奴t ar墨 var膿s pateikt j膩 vai n膿, vienu vai otru, jo tam galu gal膩 ir j膩b奴t vienam vai otram, vai varb奴t ar墨 n膿, es nezinu.
August 8, 2024
爻蹖丕賴趩丕賱賴鈥屫й� 丕夭 毓丕噩鈥屬€賭賭鈥屭┵勝呚ж�. 讴購賳丿. 讴購賳丿 賮丕毓賱 賯亘賱 丕夭 乇爻蹖丿賳 亘賴 賮毓賱 賲蹖鈥屬呟屫必�. 讴賱賲丕鬲 賴賲 丿丕乇賳丿 賲鬲賵賯賮 賲蹖鈥屫促堎嗀�.
February 2, 2011
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May 31, 2011
賴賲蹖卮賴 亘丕 噩賲賱賴 賴丕蹖 讴賵鬲丕賴 讴賴 賲爻賱爻賱 賵丕乇 卮賱蹖讴 卮丿賴 亘丕卮賳 賲卮讴賱 丿丕卮鬲賲. 丨鬲蹖 丕诏賴 賳賵蹖爻賳丿賴 丕卮 亘讴鬲 亘丕卮賴
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February 1, 2016
氐乇賮丕 亘賴 丕蹖賳 丿賱蹖賱 讴賴 賳賵蹖爻賳丿賴 亘讴鬲賴貙 賳賲蹖卮賴 诏賮鬲 丨賯 丕蹖賳 讴鬲丕亘 亘蹖卮鬲乇 丕夭 丿賵 爻鬲丕乇賴 爻鬲... 丿乇 賳馗乇 賲賳 丕賱亘鬲賴...卮禺氐丕 趩賳丿丕賳 丕乇鬲亘丕胤 亘乇賯乇丕乇 賳讴乇丿賲
May 8, 2016
亘賴 丕蹖賳 讴鬲丕亘 趩賴丕乇 爻鬲丕乇賴 賲蹖丿賲 貙 趩賵賳 丨爻蹖 賳夭丿蹖讴 亘賴 丌賱亘賵賲 爻讴賵鬲賽 亘賴乇丕賲 亘賴賲 賲賳鬲賯賱 讴乇丿 貙 丨爻蹖 賳夭丿蹖讴 亘賴 爻乇蹖丕賱 诏賲卮丿賴 ( 蹖丕 賴賲賵賳 賱丕爻鬲 ) 鬲賵氐蹖賮 卮 爻禺鬲賴 .
噩丕賱亘賴 讴賴 丌卮賳丕蹖蹖 賲賳 亘丕 亘讴鬲 貙 丕夭 胤乇蹖賯 丿賵爻鬲蹖 亘丕卮蹖 讴賴 丕賳鬲禺丕亘 賴丕蹖 賲胤丕賱毓丕鬲蹖 卮 亘乇丕賲 賴賲蹖卮賴 賲鬲賮丕賵鬲 亘賵丿賴 . 丕蹖賳 亘丕乇 賴賲 賴賲蹖賳胤賵乇 亘賵丿 貙 亘賴賲 诏賮鬲 賲賴乇夭丕丿 貙 丕蹖賳 讴鬲丕亘 乇賵 爻賴 亘丕乇 禺賵賳丿賲 貙 丿賵 亘丕乇 丕賵賱 賴蹖趩蹖 賳賮賴賲蹖丿賲 貙 亘丕乇 爻賵賲 亘丕 氐丿丕蹖 亘賱賳丿 亘乇丕蹖 禺賵丿賲 禺賵賳丿賲 賵 鬲丕夭賴 賮賴賲蹖丿賲 趩蹖 賳賵卮鬲賴 ... 賲賳 賴賲 丕夭 賴賲賵賳 丕賵賱 亘賴 卮蹖賵賴 倬蹖卮賳賴丕丿蹖 禺賵丿卮 倬蹖卮 乇賮鬲賲 . 賵丕賯毓丕賸 丕夭 讴鬲丕亘 賱匕鬲 亘乇丿賲 .
讴鬲丕亘 賮賵賯 丕賱毓丕丿賴 诏賳诏蹖 賴爻鬲 貙 卮丕蹖丿 亘賴 禺丕胤乇 賵囟毓 賵 丨丕賱 丕蹖賳 乇賵夭賴丕賲 亘蹖卮鬲乇 亘乇丕賲 賲賱賲賵爻 亘賵丿賴 . 禺蹖賱蹖 丿賵爻鬲 丿丕乇賲 禺丕胤乇賲 亘賲賵賳賴 賵 丕诏賴 毓賲乇蹖 亘丕卮賴 貙 亘蹖爻鬲 爻丕賱 亘毓丿 賴賲 爻乇丕睾 丕蹖賳 讴鬲丕亘 亘乇賲... 亘亘蹖賳賲 丕賵賳 賲賵賯毓 丨爻 賵 丨丕賱 賲 趩胤賵乇 亘丕 讴鬲丕亘 賴賲禺賵賳蹖 賲蹖 鬲賵賳賴 丿丕卮鬲賴 亘丕卮賴 ...
讴鬲丕亘 乇賵 鬲賵 夭賲丕賳 禺賵卮丨丕賱蹖 賵 禺賵卮蹖 賲胤丕賱毓賴 賳讴賳蹖丿 ...
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噩丕賱亘賴 讴賴 丌卮賳丕蹖蹖 賲賳 亘丕 亘讴鬲 貙 丕夭 胤乇蹖賯 丿賵爻鬲蹖 亘丕卮蹖 讴賴 丕賳鬲禺丕亘 賴丕蹖 賲胤丕賱毓丕鬲蹖 卮 亘乇丕賲 賴賲蹖卮賴 賲鬲賮丕賵鬲 亘賵丿賴 . 丕蹖賳 亘丕乇 賴賲 賴賲蹖賳胤賵乇 亘賵丿 貙 亘賴賲 诏賮鬲 賲賴乇夭丕丿 貙 丕蹖賳 讴鬲丕亘 乇賵 爻賴 亘丕乇 禺賵賳丿賲 貙 丿賵 亘丕乇 丕賵賱 賴蹖趩蹖 賳賮賴賲蹖丿賲 貙 亘丕乇 爻賵賲 亘丕 氐丿丕蹖 亘賱賳丿 亘乇丕蹖 禺賵丿賲 禺賵賳丿賲 賵 鬲丕夭賴 賮賴賲蹖丿賲 趩蹖 賳賵卮鬲賴 ... 賲賳 賴賲 丕夭 賴賲賵賳 丕賵賱 亘賴 卮蹖賵賴 倬蹖卮賳賴丕丿蹖 禺賵丿卮 倬蹖卮 乇賮鬲賲 . 賵丕賯毓丕賸 丕夭 讴鬲丕亘 賱匕鬲 亘乇丿賲 .
讴鬲丕亘 賮賵賯 丕賱毓丕丿賴 诏賳诏蹖 賴爻鬲 貙 卮丕蹖丿 亘賴 禺丕胤乇 賵囟毓 賵 丨丕賱 丕蹖賳 乇賵夭賴丕賲 亘蹖卮鬲乇 亘乇丕賲 賲賱賲賵爻 亘賵丿賴 . 禺蹖賱蹖 丿賵爻鬲 丿丕乇賲 禺丕胤乇賲 亘賲賵賳賴 賵 丕诏賴 毓賲乇蹖 亘丕卮賴 貙 亘蹖爻鬲 爻丕賱 亘毓丿 賴賲 爻乇丕睾 丕蹖賳 讴鬲丕亘 亘乇賲... 亘亘蹖賳賲 丕賵賳 賲賵賯毓 丨爻 賵 丨丕賱 賲 趩胤賵乇 亘丕 讴鬲丕亘 賴賲禺賵賳蹖 賲蹖 鬲賵賳賴 丿丕卮鬲賴 亘丕卮賴 ...
讴鬲丕亘 乇賵 鬲賵 夭賲丕賳 禺賵卮丨丕賱蹖 賵 禺賵卮蹖 賲胤丕賱毓賴 賳讴賳蹖丿 ...
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May 15, 2014
丕蹖賳 讴鬲丕亘 鬲噩乇亘賴鈥屰� 賱賲爻 讴乇丿賳 賮讴乇 蹖賴 卮禺氐蹖鬲 丿蹖诏賴鈥屫ж池� 丕賵賳賲 丕夭 賳賵毓 爻丕賲賵卅賱 亘讴鬲卮! 亘丿賵賳 賵丕爻胤賴鈥屰� 讴賱賲丕鬲.
噩乇蹖丕賳 亘蹖 賵賯賮賴鈥屫й屫池� 丕夭 丕卮讴 賵 讴賱賲賴.
噩乇蹖丕賳 亘蹖 賵賯賮賴鈥屫й屫池� 丕夭 丕卮讴 賵 讴賱賲賴.
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