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丕賱氐丕賳毓
廿囟賲丕賲丞 鬲丕卅賴丞 丕丨鬲卮丿鬲 賱禺賱賯 賴匕丕 丕賱賲夭賷噩 賲賳 丕賱賲賵囟賵毓丕鬲 丕賱賲賮毓賲丞 亘丕賱鬲兀賲賱丕鬲 賵丕賱鬲賵賱賷丿丕鬲 "丕賱氐丕賳毓 賱丕賴賵鬲" 賰鬲丕亘 爻乇丿賷 賷胤賲丨 亘噩賲毓 丕賱夭賲丕賳 賰賱賴 賵丕賱孬賯丕賮丕鬲 賰賱賴丕 賵丕賱卮毓乇丕亍 賮賷 賰鬲丕亘. 賮賮賵囟賶 丕賱毓丕賱賲 丕賱賲乇爻賵賲丞 賮賷 賴匕賴 丕賱賯胤毓 丕賱賲亘毓孬乇丞 亘賷賳 丕賱賳氐 賵丕賱卮毓乇 賴賷 丕賱賳馗丕賲 丕賱匕賷 賷乇爻賲 氐賵乇丞 禺丕賱賯賴貙 賵廿匕丕 兀乇丿賳丕 兀賳 賳毓亘乇 毓賳 賲囟賲賵賳 丕賱賰鬲丕亘 賰賲丕 氐丕睾賴 亘賵乇禺爻 兀賲孬賵賱賷丕賸 賳噩丿 兀賳賴 賷丨丕賰賷 兀毓賲丕賯 乇噩賱 賷賰鬲卮賮 兀賳賴 賯丿 乇爻賲 氐賵乇丞 賵噩賴賴 賮賷 禺胤賵胤 鬲丕卅賴丞.
140 pages, Paperback
First published January 1, 1960
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About the author
Jorge Luis Borges
1,900听books13.7k听followersJorge Francisco Isidoro Luis Borges Acevedo was an Argentine short-story writer, essayist, poet and translator regarded as a key figure in Spanish-language and international literature. His best-known works, Ficciones (transl.鈥塅ictions) and El Aleph (transl.鈥塗he Aleph), published in the 1940s, are collections of short stories exploring motifs such as dreams, labyrinths, chance, infinity, archives, mirrors, fictional writers and mythology. Borges's works have contributed to philosophical literature and the fantasy genre, and have had a major influence on the magic realist movement in 20th century Latin American literature.
Born in Buenos Aires, Borges later moved with his family to Switzerland in 1914, where he studied at the Coll猫ge de Gen猫ve. The family travelled widely in Europe, including Spain. On his return to Argentina in 1921, Borges began publishing his poems and essays in surrealist literary journals. He also worked as a librarian and public lecturer. In 1955, he was appointed director of the National Public Library and professor of English Literature at the University of Buenos Aires. He became completely blind by the age of 55. Scholars have suggested that his progressive blindness helped him to create innovative literary symbols through imagination. By the 1960s, his work was translated and published widely in the United States and Europe. Borges himself was fluent in several languages.
In 1961, he came to international attention when he received the first Formentor Prize, which he shared with Samuel Beckett. In 1971, he won the Jerusalem Prize. His international reputation was consolidated in the 1960s, aided by the growing number of English translations, the Latin American Boom, and by the success of Gabriel Garc铆a M谩rquez's One Hundred Years of Solitude. He dedicated his final work, The Conspirators, to the city of Geneva, Switzerland. Writer and essayist J.M. Coetzee said of him: "He, more than anyone, renovated the language of fiction and thus opened the way to a remarkable generation of Spanish-American novelists."
Born in Buenos Aires, Borges later moved with his family to Switzerland in 1914, where he studied at the Coll猫ge de Gen猫ve. The family travelled widely in Europe, including Spain. On his return to Argentina in 1921, Borges began publishing his poems and essays in surrealist literary journals. He also worked as a librarian and public lecturer. In 1955, he was appointed director of the National Public Library and professor of English Literature at the University of Buenos Aires. He became completely blind by the age of 55. Scholars have suggested that his progressive blindness helped him to create innovative literary symbols through imagination. By the 1960s, his work was translated and published widely in the United States and Europe. Borges himself was fluent in several languages.
In 1961, he came to international attention when he received the first Formentor Prize, which he shared with Samuel Beckett. In 1971, he won the Jerusalem Prize. His international reputation was consolidated in the 1960s, aided by the growing number of English translations, the Latin American Boom, and by the success of Gabriel Garc铆a M谩rquez's One Hundred Years of Solitude. He dedicated his final work, The Conspirators, to the city of Geneva, Switzerland. Writer and essayist J.M. Coetzee said of him: "He, more than anyone, renovated the language of fiction and thus opened the way to a remarkable generation of Spanish-American novelists."
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September 30, 2024
My complete review of Dreamtigers is published at .
鈥淔or myth is at the beginning of literature, and also at its end.鈥�
Dreamtigers is an unusually personal collection of stories and poetry from Jorge Luis Borges, the master of the literary labyrinth. In this volume, Borges explores the space between dreams and reality, life and death, knowing and unknowing:
鈥淚t must be that I am not made to be a dead man, but these places and this discussion seem like a dream, and not a dream dreamed by me but by someone else still to be born.鈥�
Images of mirrors appear repeatedly throughout Dreamtigers, mirrors that reflect reality and may become reality themselves. Borges seems terrified of optical distortions that are produced by imperfect reflections, and how those imperfections may reflect reality better than the more perfect images within our mind:
鈥淎s a child, I felt before large mirrors that same horror of a spectral duplication or multiplication of reality. Their infallible and continuous functioning, their pursuit of my actions, their cosmic pantomime, were uncanny then, whenever it began to grow dark. One of my persistent prayers to God and my guardian angel was that I not dream about mirrors. I know I watched them with misgivings. Sometimes I feared they might begin to deviate from reality; other times I was afraid of seeing there my own face, disfigured by strange calamities.鈥�
The short stories in Dreamtigers consist mostly of microfiction, culminating with 鈥淏orges and I,鈥� which builds upon the theme of duplication:
鈥淚t鈥檚 the other one, it鈥檚 Borges, that things happen to...News of Borges reaches me through the mail and I see his name on an academic ballot or in a biographical dictionary...Years ago I tried to free myself from him and I passed from lower-middle-class myths to playing games with time to conceive something else. Thus my life is running away, and I lose everything and everything belongs to oblivion, or to the other one. I do not know which of us two is writing this page.鈥�
The philosophical musings and personal analysis continue in the second half of Dreamtigers, which is devoted to poetry. Borges longs for understanding of his family as a means of knowing himself and bringing a more solid connection to the reality of his existence. For example, in 鈥淭he Rain,鈥� the sound of a rainstorm recalls the memory of his late father:
鈥淭his rain that blinds the windows with its mists
Will gladden in suburbs no more to be found
The black grapes on a vine there overhead
In a certain patio that no longer exists.
And the drenched afternoon brings back the sound
How longed for, of my father鈥檚 voice, not dead.鈥�
The Dreamtigers collection is full of gems for the Borges fan, especially those seeking a more personal connection to this author who usually hides behind an impenetrable veil of erudition.
鈥淔or myth is at the beginning of literature, and also at its end.鈥�
Dreamtigers is an unusually personal collection of stories and poetry from Jorge Luis Borges, the master of the literary labyrinth. In this volume, Borges explores the space between dreams and reality, life and death, knowing and unknowing:
鈥淚t must be that I am not made to be a dead man, but these places and this discussion seem like a dream, and not a dream dreamed by me but by someone else still to be born.鈥�
Images of mirrors appear repeatedly throughout Dreamtigers, mirrors that reflect reality and may become reality themselves. Borges seems terrified of optical distortions that are produced by imperfect reflections, and how those imperfections may reflect reality better than the more perfect images within our mind:
鈥淎s a child, I felt before large mirrors that same horror of a spectral duplication or multiplication of reality. Their infallible and continuous functioning, their pursuit of my actions, their cosmic pantomime, were uncanny then, whenever it began to grow dark. One of my persistent prayers to God and my guardian angel was that I not dream about mirrors. I know I watched them with misgivings. Sometimes I feared they might begin to deviate from reality; other times I was afraid of seeing there my own face, disfigured by strange calamities.鈥�
The short stories in Dreamtigers consist mostly of microfiction, culminating with 鈥淏orges and I,鈥� which builds upon the theme of duplication:
鈥淚t鈥檚 the other one, it鈥檚 Borges, that things happen to...News of Borges reaches me through the mail and I see his name on an academic ballot or in a biographical dictionary...Years ago I tried to free myself from him and I passed from lower-middle-class myths to playing games with time to conceive something else. Thus my life is running away, and I lose everything and everything belongs to oblivion, or to the other one. I do not know which of us two is writing this page.鈥�
The philosophical musings and personal analysis continue in the second half of Dreamtigers, which is devoted to poetry. Borges longs for understanding of his family as a means of knowing himself and bringing a more solid connection to the reality of his existence. For example, in 鈥淭he Rain,鈥� the sound of a rainstorm recalls the memory of his late father:
鈥淭his rain that blinds the windows with its mists
Will gladden in suburbs no more to be found
The black grapes on a vine there overhead
In a certain patio that no longer exists.
And the drenched afternoon brings back the sound
How longed for, of my father鈥檚 voice, not dead.鈥�
The Dreamtigers collection is full of gems for the Borges fan, especially those seeking a more personal connection to this author who usually hides behind an impenetrable veil of erudition.
March 3, 2024
鈥�Impressions, momentary and vivid, would wash over him鈥� and then they wash over the reader.
I have the Collected Fictions (with copious translator's notes), but am splitting my review of that into its components, listed in publication order: Collected Fictions - all reviews.
Dreamtigers, aka The Maker, is the fifth, published in 1960, and I鈥檓 including reviews of two pieces published under the title Museum, and the four prose pieces from In Praise of Darkness, published in 1969.
Brevity and Blindness
These pieces have many of the same elements as previous ones, but are mostly short 鈥� very short indeed. Each is a bubble of an idea, rather than a story. They鈥檙e intriguing, enticing and thought-provoking as always, but I slightly prefer the longer forms contained in The Garden of Forking Paths, Artifices and the Aleph. Part way through, I thought this collection may get only 4* from me, but the final pieces tipped me over well into 5* territory.
Those in Dreamtigers were published five years after Borges became completely blind, which may be a factor (he never learned Braille), and the loss and confusion of blindness is mentioned explicitly and tangentially in several. Mentions of mortality feel more imminent and personal than in his earlier writings.
The Afterword anticipates that after a lifetime drawing the world, 鈥�A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face鈥�. (Borges lived another 25 years after this, during which time he continued to write and publish.)
DREAMTIGERS / THE MAKER 6*
This is a collection of impressions, like a prose poem describing a prose poem. It鈥檚 written in the third person, but like many of Borges' writings, the protagonist is a version of the author 鈥� especially as this refers to the (recent) horror of blindness. Although it鈥檚 described in unemotional terms, I wanted to shed a tear on his behalf:
鈥�Gradually, the splendid universe began drawing away from him; a stubborn fog blurred the lines of his hand; the night lost its peopling stars, the earth became uncertain under his feet. Everything grew distant, and indistinct.鈥�
Dreamtigers
Having loved tigers as a child (they're a recurring presence is Borges' writings), he is unable to summon them in his dreams. How much of what we dream of ever comes true? How much of that is fate, and how much our own fault?
A Dialog about a Dialog
A short, recursive discussion, wondering whether suicide is the way to prove (or disprove) immortality.
Toenails
A paragraph comparing their pointlessness with the fact they will outlive the author. But we all die, so are our lives pointless too?
Covered Mirrors
A childhood fear of mirrors is passed on to another, with sad consequences.
鈥�I knew that horror of the special duplication and multiplication of reality鈥� and especially did not want to dream about them. 鈥�The constant, infallible functioning of mirrors, the way they followed my every movement, their cosmic pantomime, would seem eerie to me鈥� I feared sometimes that they would begin to veer off from reality鈥� 鈥� and sometimes they did.
Argumentum Ornithologicum
God exists because Borges does not know how many birds he saw!
Perhaps.
The Captive
Nature versus nurture and the trouble of being torn between two cultures. Is it ever possible to fit in anywhere?
This has echoes of Story of the Warrior and the Captive Maiden (in The Aleph) and The Ethnographer (lower down this review).
The Mountebank
A weird scam involving charging people to view a fake body that may be (but is not) Eva Peron!
Delia Elena San Marco
Remembering a dead lover. 鈥�Men invented farewells because they somehow knew themselves to be immortal even while seeing themselves as contingent and ephemeral.鈥� I鈥檓 not sure I follow the logic of that.
A Dialog Between Dead Men
Thoughts on Argentinian history, comparing fame and their effect on posterity.
The Plot
鈥�Fate is partial to repetitions, variations, symmetries.鈥� Nineteen centuries after Brutus murdered Caesar, a gaucho is murdered by a godson he fails to recognise. 鈥�He does not know that he has died so that a scene can be played out again.鈥� But why is played out again 鈥� is it necessary or inevitable?
A Problem
The innovative conceit about the second part of Don Quixote is that it was published after fraudulent sequels. Cervantes assumes that the original story was true, and that he is writing to set the record straight.
Borges鈥� piece extends the idea of Don Quixote being real. He imagines finding a missing fragment in which Don Quixote kills someone. But it鈥檚 a fragment, and Borges ponders how Quixote would have reacted to such an act.
The Yellow Rose
The impossibility of words to express things 鈥� which is even more poignant when you remember Borges was blind by the time he wrote this.
鈥�He realized that it [the rose] lay within its own eternity, not within his words, and that we might speak about the rose, allude to it, but never truly express it, and that the tall, haughty volumes that made a golden dimness in the corner of his room were not (as his vanity had dreamed them) a mirror of the world, but just another thing added to the world鈥檚 contents.鈥�
He considers those who may have reached full understanding by death 鈥� though he himself, lived another 25 years or so.
The Witness
When the last witness of an event dies, in what sense does it exist? (The falling tree in the empty forest, again.)
Is that a reason to do less 鈥� or more? Borges may not live on through his genes, but his thoughts and some of his memories live on in his writing. He so often pondered immortality, and he鈥檚 far closer to it than I will ever be.
Martin Fierro
Grim glimpses of civil war in Argentina.
Mutations
鈥�Cross, rope, and arrow: ancient implements of mankind, today reduced, or elevated, to symbols.鈥�
It鈥檚 often said that in the 21st century, we live in a very visual age (have those who say it considered Ancient Egypt?). Borges got there first.
鈥�No one knows what sort of image the future may translate it into.鈥�
Parable of Cervantes and the Quixote
鈥�In the beginning of literature, there is myth, as there is also at the end of it.鈥�
Cervantes outlived Don Quixote by only a short time: 鈥�For both the dreamer and the dreamed, that entire adventure had been the clash of two worlds: the unreal world of romances and the common everyday world of the seventeenth century.鈥�
See also Pierre Menard, Author of the Quixote, which is in The Garden of Forking Paths
Paradiso, XXXI, 108
God is fragmented and scattered. Will we recognise God if we see him, or might we misinterpret someone or something else as God?
Parable of the Palace
A poet emperor gets lost in a labyrinth that has possibly magical qualities: 鈥�The real merged and mingled with the dreamed 鈥� or the real, rather, was one of the shapes the dream took.鈥�
A poem becomes a synecdoche for the entire palace 鈥� but what if the world cannot contain two identical things?
Everything and Nothing 6*
Have you ever felt something was missing? An aching emptiness inside? This is an agonising vignette, with a twist.
鈥�There was no one inside him鈥� there was no more than a slight chill, a dream someone had failed to dream... [so] He trained himself to the habit of feigning that he was somebody, so that his 鈥榥obodiness鈥� might not be discovered.鈥�
The man meets God and discovers that God has existential issues too: 鈥�I, who have been so many men in vain, wish to be one, to be myself. God鈥檚 voice answered him out of a whirlwind: I, too, am not I; I dreamed the world as you, dreamed your own work, and among the forms of my dream are you, who like me are many, yet no one.鈥�
Ragnarok
Coleridge said 鈥�We do not feel horror because we are haunted by a sphinx, we dream of a sphinx in order to explain the horror that we feel.鈥�
Does that explain how one can dream the return of banished and corrupted gods?
Inferno, I, 32
If you suffer profoundly in life (perhaps by losing your sight?) would knowing there was some higher purpose to your suffering make it more bearable? Even if it did, if you then forgot the revelation, would any comfort from it remain?
These questions are applied to a captive leopard who inspires a single line of a great poem.
Borges and I
Duality and identity. This opens, 鈥�It鈥檚 Borges, the other one, that things happen to鈥� and ends, 鈥�I鈥檓 not sure which of us it is that鈥檚 writing this page.鈥�
JLB explores this idea in many stories, but it鈥檚 most explicit in this and The Other in The Book of Sand and 鈥淎ugust 25, 1983鈥� in Shakespeare鈥檚 Memory, both of which I prefer to this.
See also Jay Parini's delightful roadtrip memoir, Borges and Me, which I reviewed HERE.
MUSEUM: On Exactitude in Science
The first of two pieces from Museum. A perfect map is unappreciated, thus futile. In this case, it鈥檚 a literal (very literal) map, but what about more metaphorical ones? Perhaps we shouldn鈥檛 always dig so deep.
MUSEUM: In Memorium, JFK
The second of two pieces from Museum. Doom and inevitability: man killing man has happened throughout history and will continue.
IN PRAISE OF DARKNESS, 1969 6*
My edition of the Collected Fictions includes only the four prose elements of In Praise of Darkness, which was evidently mainly poetry.
The Ethnographer 6* (from In Praise of Darkness)
鈥�The secret is not as important as the paths that led me to it.鈥�
A student goes to live with Indians to learn about them and to gather material for his dissertation. The experience changes him. 鈥�He came to think in a fashion that the logic of his mind rejected.鈥�
There鈥檚 a mystical angle, too: he learns their secret doctrine and returns to university, but resolves never to divulge it: he 鈥�could tell it in a hundred different and even contradictory ways鈥� the secret is beautiful, and science, our science, seems mere frivolity to me now.鈥� How can he ever belong anywhere? But if that鈥檚 a problem, is the insularity the logical conclusion?! (I hope not.)
This has echoes of Story of the Warrior and the Captive Maiden (in The Aleph) and The Captive (further up this review).
Pedro Salvadores (from In Praise of Darkness)
鈥�We see the fate of Pedro Salvadores, like all things, as a symbol of something that we are just on the verge of understanding.鈥�
He hides in his cellar 鈥� for nine years - while his wife lives openly above.
Legend (from In Praise of Darkness)
鈥�Forgetting is forgiving鈥� and 鈥�So long as remorse lasts, guilt lasts.鈥�
A Prayer 6* (from In Praise of Darkness)
Almost unbearably poignant, bearing in mind that Borges was aged ~60 and had gone totally blind about 5 years earlier. He is attempting 鈥�a prayer that is personal, not inherited鈥� 鈥� a conundrum he doesn鈥檛 really solve.
鈥�Asking that my eyes not be filled with night would be madness; I know of thousands of people who can see, yet who are not particularly happy, just, or wise.鈥�
鈥�Time鈥檚 march is a web of causes and effects, and asking for any gift of mercy鈥� is to ask for that link to be broken鈥� that it is already broken.鈥� (Shades of Ambrose Bierce鈥檚 famous definition from The Devil鈥檚 Dictionary: Pray, v. To ask that the laws of the universe be annulled in behalf of a single petitioner, confessedly unworthy.)
鈥�Nor can I plead that my trespasses be forgiven; forgiveness is the act of another, and only I can save myself.鈥�
鈥�Free will is perhaps illusory.鈥�
鈥�I want to be remembered less as poet than as friend.鈥�
鈥�I hope that oblivion will not long delay.鈥� (It did.)
His End and His Beginning (from In Praise of Darkness)
More painful beauty about blindness and imagining (hoping for?) death, and ending with acceptance.
鈥�Familiar faces gradually blurred and faded, objects and people slowly abandoned him. His mind seized upon those changing shapes in a frenzy of tenacity.鈥�
And it gets worse: 鈥�He was unable to remember the shapes, sounds, and colors of his dreams鈥� nor were the dreams dreams. They were his reality, a reality beyond silence and sight, and therefore beyond memory.鈥�
For a long time, 鈥�He never suspected the truth; it burst upon him suddenly鈥�, but he came to realise 鈥�It was his duty to leave all these things behind; now he belonged to this new world, removed from past, present, and future.鈥� He endures various agonies and then realises .
Other quotes
鈥� 鈥淗e had listened to the complex stories, which he took in as reality 鈥� without asking whether they were true or false.鈥�
鈥� 鈥淎n actor, that person who stands upon a stage and plays at being another person, for an audience of people who play at taking him for that person.鈥�
I have the Collected Fictions (with copious translator's notes), but am splitting my review of that into its components, listed in publication order: Collected Fictions - all reviews.
Dreamtigers, aka The Maker, is the fifth, published in 1960, and I鈥檓 including reviews of two pieces published under the title Museum, and the four prose pieces from In Praise of Darkness, published in 1969.
Brevity and Blindness
These pieces have many of the same elements as previous ones, but are mostly short 鈥� very short indeed. Each is a bubble of an idea, rather than a story. They鈥檙e intriguing, enticing and thought-provoking as always, but I slightly prefer the longer forms contained in The Garden of Forking Paths, Artifices and the Aleph. Part way through, I thought this collection may get only 4* from me, but the final pieces tipped me over well into 5* territory.
Those in Dreamtigers were published five years after Borges became completely blind, which may be a factor (he never learned Braille), and the loss and confusion of blindness is mentioned explicitly and tangentially in several. Mentions of mortality feel more imminent and personal than in his earlier writings.
The Afterword anticipates that after a lifetime drawing the world, 鈥�A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face鈥�. (Borges lived another 25 years after this, during which time he continued to write and publish.)
DREAMTIGERS / THE MAKER 6*
This is a collection of impressions, like a prose poem describing a prose poem. It鈥檚 written in the third person, but like many of Borges' writings, the protagonist is a version of the author 鈥� especially as this refers to the (recent) horror of blindness. Although it鈥檚 described in unemotional terms, I wanted to shed a tear on his behalf:
鈥�Gradually, the splendid universe began drawing away from him; a stubborn fog blurred the lines of his hand; the night lost its peopling stars, the earth became uncertain under his feet. Everything grew distant, and indistinct.鈥�
Dreamtigers
Having loved tigers as a child (they're a recurring presence is Borges' writings), he is unable to summon them in his dreams. How much of what we dream of ever comes true? How much of that is fate, and how much our own fault?
A Dialog about a Dialog
A short, recursive discussion, wondering whether suicide is the way to prove (or disprove) immortality.
Toenails
A paragraph comparing their pointlessness with the fact they will outlive the author. But we all die, so are our lives pointless too?
Covered Mirrors
A childhood fear of mirrors is passed on to another, with sad consequences.
鈥�I knew that horror of the special duplication and multiplication of reality鈥� and especially did not want to dream about them. 鈥�The constant, infallible functioning of mirrors, the way they followed my every movement, their cosmic pantomime, would seem eerie to me鈥� I feared sometimes that they would begin to veer off from reality鈥� 鈥� and sometimes they did.
Argumentum Ornithologicum
God exists because Borges does not know how many birds he saw!
Perhaps.
The Captive
Nature versus nurture and the trouble of being torn between two cultures. Is it ever possible to fit in anywhere?
This has echoes of Story of the Warrior and the Captive Maiden (in The Aleph) and The Ethnographer (lower down this review).
The Mountebank
A weird scam involving charging people to view a fake body that may be (but is not) Eva Peron!
Delia Elena San Marco
Remembering a dead lover. 鈥�Men invented farewells because they somehow knew themselves to be immortal even while seeing themselves as contingent and ephemeral.鈥� I鈥檓 not sure I follow the logic of that.
A Dialog Between Dead Men
Thoughts on Argentinian history, comparing fame and their effect on posterity.
The Plot
鈥�Fate is partial to repetitions, variations, symmetries.鈥� Nineteen centuries after Brutus murdered Caesar, a gaucho is murdered by a godson he fails to recognise. 鈥�He does not know that he has died so that a scene can be played out again.鈥� But why is played out again 鈥� is it necessary or inevitable?
A Problem
The innovative conceit about the second part of Don Quixote is that it was published after fraudulent sequels. Cervantes assumes that the original story was true, and that he is writing to set the record straight.
Borges鈥� piece extends the idea of Don Quixote being real. He imagines finding a missing fragment in which Don Quixote kills someone. But it鈥檚 a fragment, and Borges ponders how Quixote would have reacted to such an act.
The Yellow Rose
The impossibility of words to express things 鈥� which is even more poignant when you remember Borges was blind by the time he wrote this.
鈥�He realized that it [the rose] lay within its own eternity, not within his words, and that we might speak about the rose, allude to it, but never truly express it, and that the tall, haughty volumes that made a golden dimness in the corner of his room were not (as his vanity had dreamed them) a mirror of the world, but just another thing added to the world鈥檚 contents.鈥�
He considers those who may have reached full understanding by death 鈥� though he himself, lived another 25 years or so.
The Witness
When the last witness of an event dies, in what sense does it exist? (The falling tree in the empty forest, again.)
Is that a reason to do less 鈥� or more? Borges may not live on through his genes, but his thoughts and some of his memories live on in his writing. He so often pondered immortality, and he鈥檚 far closer to it than I will ever be.
Martin Fierro
Grim glimpses of civil war in Argentina.
Mutations
鈥�Cross, rope, and arrow: ancient implements of mankind, today reduced, or elevated, to symbols.鈥�
It鈥檚 often said that in the 21st century, we live in a very visual age (have those who say it considered Ancient Egypt?). Borges got there first.
鈥�No one knows what sort of image the future may translate it into.鈥�
Parable of Cervantes and the Quixote
鈥�In the beginning of literature, there is myth, as there is also at the end of it.鈥�
Cervantes outlived Don Quixote by only a short time: 鈥�For both the dreamer and the dreamed, that entire adventure had been the clash of two worlds: the unreal world of romances and the common everyday world of the seventeenth century.鈥�
See also Pierre Menard, Author of the Quixote, which is in The Garden of Forking Paths
Paradiso, XXXI, 108
God is fragmented and scattered. Will we recognise God if we see him, or might we misinterpret someone or something else as God?
Parable of the Palace
A poet emperor gets lost in a labyrinth that has possibly magical qualities: 鈥�The real merged and mingled with the dreamed 鈥� or the real, rather, was one of the shapes the dream took.鈥�
A poem becomes a synecdoche for the entire palace 鈥� but what if the world cannot contain two identical things?
Everything and Nothing 6*
Have you ever felt something was missing? An aching emptiness inside? This is an agonising vignette, with a twist.
鈥�There was no one inside him鈥� there was no more than a slight chill, a dream someone had failed to dream... [so] He trained himself to the habit of feigning that he was somebody, so that his 鈥榥obodiness鈥� might not be discovered.鈥�
The man meets God and discovers that God has existential issues too: 鈥�I, who have been so many men in vain, wish to be one, to be myself. God鈥檚 voice answered him out of a whirlwind: I, too, am not I; I dreamed the world as you, dreamed your own work, and among the forms of my dream are you, who like me are many, yet no one.鈥�
Ragnarok
Coleridge said 鈥�We do not feel horror because we are haunted by a sphinx, we dream of a sphinx in order to explain the horror that we feel.鈥�
Does that explain how one can dream the return of banished and corrupted gods?
Inferno, I, 32
If you suffer profoundly in life (perhaps by losing your sight?) would knowing there was some higher purpose to your suffering make it more bearable? Even if it did, if you then forgot the revelation, would any comfort from it remain?
These questions are applied to a captive leopard who inspires a single line of a great poem.
Borges and I
Duality and identity. This opens, 鈥�It鈥檚 Borges, the other one, that things happen to鈥� and ends, 鈥�I鈥檓 not sure which of us it is that鈥檚 writing this page.鈥�
JLB explores this idea in many stories, but it鈥檚 most explicit in this and The Other in The Book of Sand and 鈥淎ugust 25, 1983鈥� in Shakespeare鈥檚 Memory, both of which I prefer to this.
See also Jay Parini's delightful roadtrip memoir, Borges and Me, which I reviewed HERE.
MUSEUM: On Exactitude in Science
The first of two pieces from Museum. A perfect map is unappreciated, thus futile. In this case, it鈥檚 a literal (very literal) map, but what about more metaphorical ones? Perhaps we shouldn鈥檛 always dig so deep.
MUSEUM: In Memorium, JFK
The second of two pieces from Museum. Doom and inevitability: man killing man has happened throughout history and will continue.
IN PRAISE OF DARKNESS, 1969 6*
My edition of the Collected Fictions includes only the four prose elements of In Praise of Darkness, which was evidently mainly poetry.
The Ethnographer 6* (from In Praise of Darkness)
鈥�The secret is not as important as the paths that led me to it.鈥�
A student goes to live with Indians to learn about them and to gather material for his dissertation. The experience changes him. 鈥�He came to think in a fashion that the logic of his mind rejected.鈥�
There鈥檚 a mystical angle, too: he learns their secret doctrine and returns to university, but resolves never to divulge it: he 鈥�could tell it in a hundred different and even contradictory ways鈥� the secret is beautiful, and science, our science, seems mere frivolity to me now.鈥� How can he ever belong anywhere? But if that鈥檚 a problem, is the insularity the logical conclusion?! (I hope not.)
This has echoes of Story of the Warrior and the Captive Maiden (in The Aleph) and The Captive (further up this review).
Pedro Salvadores (from In Praise of Darkness)
鈥�We see the fate of Pedro Salvadores, like all things, as a symbol of something that we are just on the verge of understanding.鈥�
He hides in his cellar 鈥� for nine years - while his wife lives openly above.
Legend (from In Praise of Darkness)
鈥�Forgetting is forgiving鈥� and 鈥�So long as remorse lasts, guilt lasts.鈥�
A Prayer 6* (from In Praise of Darkness)
Almost unbearably poignant, bearing in mind that Borges was aged ~60 and had gone totally blind about 5 years earlier. He is attempting 鈥�a prayer that is personal, not inherited鈥� 鈥� a conundrum he doesn鈥檛 really solve.
鈥�Asking that my eyes not be filled with night would be madness; I know of thousands of people who can see, yet who are not particularly happy, just, or wise.鈥�
鈥�Time鈥檚 march is a web of causes and effects, and asking for any gift of mercy鈥� is to ask for that link to be broken鈥� that it is already broken.鈥� (Shades of Ambrose Bierce鈥檚 famous definition from The Devil鈥檚 Dictionary: Pray, v. To ask that the laws of the universe be annulled in behalf of a single petitioner, confessedly unworthy.)
鈥�Nor can I plead that my trespasses be forgiven; forgiveness is the act of another, and only I can save myself.鈥�
鈥�Free will is perhaps illusory.鈥�
鈥�I want to be remembered less as poet than as friend.鈥�
鈥�I hope that oblivion will not long delay.鈥� (It did.)
His End and His Beginning (from In Praise of Darkness)
More painful beauty about blindness and imagining (hoping for?) death, and ending with acceptance.
鈥�Familiar faces gradually blurred and faded, objects and people slowly abandoned him. His mind seized upon those changing shapes in a frenzy of tenacity.鈥�
And it gets worse: 鈥�He was unable to remember the shapes, sounds, and colors of his dreams鈥� nor were the dreams dreams. They were his reality, a reality beyond silence and sight, and therefore beyond memory.鈥�
For a long time, 鈥�He never suspected the truth; it burst upon him suddenly鈥�, but he came to realise 鈥�It was his duty to leave all these things behind; now he belonged to this new world, removed from past, present, and future.鈥� He endures various agonies and then realises .
Other quotes
鈥� 鈥淗e had listened to the complex stories, which he took in as reality 鈥� without asking whether they were true or false.鈥�
鈥� 鈥淎n actor, that person who stands upon a stage and plays at being another person, for an audience of people who play at taking him for that person.鈥�
June 30, 2017
丕蹖賳 讴鬲丕亘 丕夭 賲噩賲賵毓賴 "賴夭丕乇 鬲賵蹖 亘賵乇禺爻" 賲賳鬲卮乇 卮丿賴 讴賴 卮丕賲賱 36 丿丕爻鬲丕賳 讴賵鬲丕賴 丕夭 丕蹖賳 賳賵蹖爻賳丿賴 丕爻鬲.丕賵賱蹖賳 讴鬲丕亘蹖 亘賵丿 讴賴 丕夭 亘賵乇禺爻 賲蹖 禺賵賳丿賲 賵 丕賵賱蹖賳 讴賱賲賴 丕蹖 讴賴 丿乇 鬲賵氐蹖賮 丕蹖賳 讴鬲丕亘 賵 爻亘讴 賳賵卮鬲賳 丕蹖賳 賳賵蹖爻賳丿賴 亘賴 匕賴賳賲 乇爻蹖丿 "乇卅丕賱蹖爻賲 噩丕丿賵蹖蹖 "亘賵丿 賵 禺亘貙 丨丿爻賲 賴賲 丕卮鬲亘丕賴 賳亘賵丿
!!讴鬲丕亘 爻賵賲 賵 亘禺卮 丕賳鬲賴丕蹖蹖 讴鬲丕亘 乇賵 亘蹖卮鬲乇 丿賵爻鬲 丿丕卮鬲賲 貙亘賴 賵蹖跇賴 丿丕爻鬲丕賳 爻賳诏 賴丕蹖蹖 讴賴 亘趩賴 賲蹖 讴乇丿賳丿
亘禺卮 賴丕蹖蹖 丕夭 讴鬲丕亘
丌蹖丕 诏賲丕賳 賲蹖讴賳蹖 禺丿丕賵賳丿 賲蹖 鬲賵丕賳丿 噩丕蹖蹖 乇丕 禺賱賯 讴賳丿 讴賴 亘賴卮鬲 賳亘丕卮丿責!丌蹖丕 诏賲丕賳 賲蹖 讴賳蹖 賴亘賵胤 丌丿賲 趩蹖夭蹖 噩夭 鬲卮禺蹖氐 賳丿丕丿賳 丕蹖賳 讴賴 丿乇 亘賴卮鬲 賴爻鬲蹖賲 貙亘賵丿賴責
***
丕讴賳賵賳 賲蹖 丿丕賳賲 讴賴 賵丕賯毓丕 賲乇丕 亘禺卮蹖丿賴 丕蹖 貙 夭蹖乇丕 賮乇丕賲賵卮 讴乇丿賳 貙 亘禺卮蹖丿賳 丕爻鬲
***
禺丿丕丨丕賮馗蹖 讴乇丿賳 賳賮蹖 讴乇丿賳 噩丿丕蹖蹖 丕爻鬲.賲孬賱 丕蹖賳 丕爻鬲 讴賴 亘诏賵蹖蹖賲:丕賲乇賵夭 亘丕 乇賮鬲賳 亘賴 乇丕賴 禺賵丿賲丕賳 賳賯卮 亘丕夭蹖 賲蹖 讴賳蹖賲貙丕賲丕 賮乇丿丕 賴賲丿蹖诏乇 乇丕 禺賵丕賴蹖賲 丿蹖丿.丕賳爻丕賳 賴丕 禺丿丕丨丕賮馗蹖 乇丕 丕亘丿丕毓 讴乇丿賳丿貙夭蹖乇丕 亘賴 賳賵毓蹖貙禺賵丿卮丕賳 乇丕 賮賳丕賳丕倬匕蹖乇 賲蹖 丿丕賳爻鬲賳丿貙丨鬲蹖 賵賯鬲蹖 禺賵丿卮丕賳 乇丕 賵噩賵丿蹖 毓丕乇囟蹖 賵 夭賵丿诏匕乇 賲蹖 丿蹖丿賳丿
***
鬲丕 賵賯鬲蹖 倬卮蹖賲丕賳蹖 亘丕賯蹖 爻鬲 貙 诏賳丕賴 賴賲 亘丕賯蹖 賲蹖 賲丕賳丿
!!讴鬲丕亘 爻賵賲 賵 亘禺卮 丕賳鬲賴丕蹖蹖 讴鬲丕亘 乇賵 亘蹖卮鬲乇 丿賵爻鬲 丿丕卮鬲賲 貙亘賴 賵蹖跇賴 丿丕爻鬲丕賳 爻賳诏 賴丕蹖蹖 讴賴 亘趩賴 賲蹖 讴乇丿賳丿
亘禺卮 賴丕蹖蹖 丕夭 讴鬲丕亘
丌蹖丕 诏賲丕賳 賲蹖讴賳蹖 禺丿丕賵賳丿 賲蹖 鬲賵丕賳丿 噩丕蹖蹖 乇丕 禺賱賯 讴賳丿 讴賴 亘賴卮鬲 賳亘丕卮丿責!丌蹖丕 诏賲丕賳 賲蹖 讴賳蹖 賴亘賵胤 丌丿賲 趩蹖夭蹖 噩夭 鬲卮禺蹖氐 賳丿丕丿賳 丕蹖賳 讴賴 丿乇 亘賴卮鬲 賴爻鬲蹖賲 貙亘賵丿賴責
***
丕讴賳賵賳 賲蹖 丿丕賳賲 讴賴 賵丕賯毓丕 賲乇丕 亘禺卮蹖丿賴 丕蹖 貙 夭蹖乇丕 賮乇丕賲賵卮 讴乇丿賳 貙 亘禺卮蹖丿賳 丕爻鬲
***
禺丿丕丨丕賮馗蹖 讴乇丿賳 賳賮蹖 讴乇丿賳 噩丿丕蹖蹖 丕爻鬲.賲孬賱 丕蹖賳 丕爻鬲 讴賴 亘诏賵蹖蹖賲:丕賲乇賵夭 亘丕 乇賮鬲賳 亘賴 乇丕賴 禺賵丿賲丕賳 賳賯卮 亘丕夭蹖 賲蹖 讴賳蹖賲貙丕賲丕 賮乇丿丕 賴賲丿蹖诏乇 乇丕 禺賵丕賴蹖賲 丿蹖丿.丕賳爻丕賳 賴丕 禺丿丕丨丕賮馗蹖 乇丕 丕亘丿丕毓 讴乇丿賳丿貙夭蹖乇丕 亘賴 賳賵毓蹖貙禺賵丿卮丕賳 乇丕 賮賳丕賳丕倬匕蹖乇 賲蹖 丿丕賳爻鬲賳丿貙丨鬲蹖 賵賯鬲蹖 禺賵丿卮丕賳 乇丕 賵噩賵丿蹖 毓丕乇囟蹖 賵 夭賵丿诏匕乇 賲蹖 丿蹖丿賳丿
***
鬲丕 賵賯鬲蹖 倬卮蹖賲丕賳蹖 亘丕賯蹖 爻鬲 貙 诏賳丕賴 賴賲 亘丕賯蹖 賲蹖 賲丕賳丿
October 8, 2022
#outubrohispanoamericano
Creio que Jorge Luis Borges me interessa mais como figura m铆tica retratada por outros do que como criador dos seus pr贸prios textos. Gostei bastante de 鈥淥s Conjurados鈥�, desisti de 鈥淟ivro de Seres Imagin谩rios鈥� e agora fico no muro com o 鈥淔azedor鈥�.
Borges tem um saber enciclop茅dico que 茅 dif铆cil de acompanhar e apreciar, e foi preciso chegar ao final deste livro para encontrar algo que tivesse vontade de perpetuar numa recens茫o, uma nota final do pr贸prio autor onde explica a ess锚ncia desta compila莽茫o.
Queira Deus que a monotonia essencial desta miscel芒nea (que o tempo compilou, n茫o eu, e que admite pe莽as pret茅ritas que n茫o me atrevi a emendar, porque as escrevi com outro conceito da literatura) seja menos evidente que a diversidade geogr谩fica ou hist贸rica dos temas. De quantos livros entreguei 脿 tipografia, nenhum, creio, 茅 t茫o pessoal como esta colect铆cia e desordenada silva de varia li莽茫o, precisamente porque abunda em reflexos e interpola莽玫es. Poucas coisas me aconteceram e muitas li. Melhor dizendo, poucas coisas me aconteceram mais dignas de mem贸ria que o pensamento de Schopenhauer ou a m煤sica verbal de Inglaterra. Um homem prop玫e-se a tarefa de desenhar o mundo. Ao longo dos anos povoa um espa莽o com imagens de prov铆ncias, de reinos, de montanhas, de ba铆as, de naves, de ilhas, de peixes, de quartos, de instrumentos, de astros, de cavalos e de pessoas. Pouco antes de morrer descubro que esse paciente labirinto de linhas tra莽a a imagem do seu rosto.
(31 de Outubro de 1960)
Creio que Jorge Luis Borges me interessa mais como figura m铆tica retratada por outros do que como criador dos seus pr贸prios textos. Gostei bastante de 鈥淥s Conjurados鈥�, desisti de 鈥淟ivro de Seres Imagin谩rios鈥� e agora fico no muro com o 鈥淔azedor鈥�.
Borges tem um saber enciclop茅dico que 茅 dif铆cil de acompanhar e apreciar, e foi preciso chegar ao final deste livro para encontrar algo que tivesse vontade de perpetuar numa recens茫o, uma nota final do pr贸prio autor onde explica a ess锚ncia desta compila莽茫o.
Queira Deus que a monotonia essencial desta miscel芒nea (que o tempo compilou, n茫o eu, e que admite pe莽as pret茅ritas que n茫o me atrevi a emendar, porque as escrevi com outro conceito da literatura) seja menos evidente que a diversidade geogr谩fica ou hist贸rica dos temas. De quantos livros entreguei 脿 tipografia, nenhum, creio, 茅 t茫o pessoal como esta colect铆cia e desordenada silva de varia li莽茫o, precisamente porque abunda em reflexos e interpola莽玫es. Poucas coisas me aconteceram e muitas li. Melhor dizendo, poucas coisas me aconteceram mais dignas de mem贸ria que o pensamento de Schopenhauer ou a m煤sica verbal de Inglaterra. Um homem prop玫e-se a tarefa de desenhar o mundo. Ao longo dos anos povoa um espa莽o com imagens de prov铆ncias, de reinos, de montanhas, de ba铆as, de naves, de ilhas, de peixes, de quartos, de instrumentos, de astros, de cavalos e de pessoas. Pouco antes de morrer descubro que esse paciente labirinto de linhas tra莽a a imagem do seu rosto.
(31 de Outubro de 1960)
May 19, 2016
Otro gran libro de Borges que tal vez no sea tan famoso y le铆do como 鈥淓l Aleph鈥� o 鈥淔icciones鈥�, pero que tiene su maestr铆a intacta de genio eterno.
El libro se divide en dos partes bien marcadas. La primera consta de relatos y cuentos y la segunda de poemas.
Destaco los que m谩s me agradaron: 鈥淒i谩logo sobre un di谩logo鈥�, 鈥淒i谩logo de muertos鈥� (entre Rosas y Quiroga), 鈥淚nferno, I, 32鈥�, 鈥淧oema de los dones鈥�, 鈥淟os Borges鈥� e incluyo en esta rese帽a una peque帽a muestra que resume claramente lo que Borges representa para letras:
ARGUMENTUM ORNITHOLOGICUM
Cierro los ojos y veo una bandada de p谩jaros. La visi贸n dura un segundo o acaso menos; no s茅 cu谩ntos p谩jaros vi. 驴Era definido o indefinido su n煤mero? El problema involucra el de la existencia de Dios. Si Dios existe, el n煤mero es definido, porque Dios sabe cu谩ntos p谩jaros vi. Si Dios no existe, el n煤mero es indefinido, porque nadie pudo llevar la cuenta. En tal caso, vi menos de diez p谩jaros (digamos) y m谩s de uno, pero no vi nueve, ocho, siete, seis, cinco, cuatro, tres o dos p谩jaros. Vi un n煤mero entre diez y uno, que no es nueve, ocho, siete, seis, cinco, etc茅tera. Ese n煤mero entero es inconcebible; ergo, Dios existe.
El libro se divide en dos partes bien marcadas. La primera consta de relatos y cuentos y la segunda de poemas.
Destaco los que m谩s me agradaron: 鈥淒i谩logo sobre un di谩logo鈥�, 鈥淒i谩logo de muertos鈥� (entre Rosas y Quiroga), 鈥淚nferno, I, 32鈥�, 鈥淧oema de los dones鈥�, 鈥淟os Borges鈥� e incluyo en esta rese帽a una peque帽a muestra que resume claramente lo que Borges representa para letras:
ARGUMENTUM ORNITHOLOGICUM
Cierro los ojos y veo una bandada de p谩jaros. La visi贸n dura un segundo o acaso menos; no s茅 cu谩ntos p谩jaros vi. 驴Era definido o indefinido su n煤mero? El problema involucra el de la existencia de Dios. Si Dios existe, el n煤mero es definido, porque Dios sabe cu谩ntos p谩jaros vi. Si Dios no existe, el n煤mero es indefinido, porque nadie pudo llevar la cuenta. En tal caso, vi menos de diez p谩jaros (digamos) y m谩s de uno, pero no vi nueve, ocho, siete, seis, cinco, cuatro, tres o dos p谩jaros. Vi un n煤mero entre diez y uno, que no es nueve, ocho, siete, seis, cinco, etc茅tera. Ese n煤mero entero es inconcebible; ergo, Dios existe.
July 26, 2015
鈥滻mpressions, momentary and vivid, would wash over him.鈥� and then they wash over the reader.
I have the Collected Fictions (with copious translator's notes), but am splitting my review of that into its components, listed in publication order: Collected Fictions - all reviews.
The Maker is the fifth, published in 1960, but often under the name Dreamtigers, so my review of The Maker is now under that title, here: /review/show...
I have the Collected Fictions (with copious translator's notes), but am splitting my review of that into its components, listed in publication order: Collected Fictions - all reviews.
The Maker is the fifth, published in 1960, but often under the name Dreamtigers, so my review of The Maker is now under that title, here: /review/show...
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September 1, 2014丕賱氐丕賳毓
賵丕丨丿丞 賲賳 乇賵丕卅毓 亘賵乇禺賷爻 丕賱鬲賷 賱丕 鬲賳鬲賴賷
卮賰乇丕 賱賲賳 賯丕賲 亘乇賮毓 丕賱賰鬲丕亘
賵丕丨丿丞 賲賳 乇賵丕卅毓 亘賵乇禺賷爻 丕賱鬲賷 賱丕 鬲賳鬲賴賷
卮賰乇丕 賱賲賳 賯丕賲 亘乇賮毓 丕賱賰鬲丕亘
March 24, 2023
PASTICHE:
"A Paradise From Which Nobody Shall Ever Expel Us"*
When the Emperor鈥檚 labyrinth was finally completed, one of the architects remarked that it had captured infinity. The Emperor didn鈥檛 believe him, because he had not yet entered the labyrinth and experienced its power, but the remark gave the Emperor an idea for a challenge that he would later make to his two favourite court scribes. And that was that they each create a work that captured infinity in words. Being naturally competitive, the two scribes adopted two totally different methods of achieving their goal: one, being a poet, opted for a concise work that imagined the nature of infinity, while the other, a writer of prose as well as a lawyer, conceived of his work as a lengthy, never-ending, descriptive project.
It might come as no surprise that the poet finished his work first. Indeed, the lawyer never finished his work, and it is still being written by his descendents, who are eager to claim the reward, if not of gold (which the Emperor had already given to the poet during his lifetime), then of renown.
Out of fairness, the Emperor did set a deadline by which he expected his scribes to submit, at least, a draft of their work for his consideration.
The Emperor read the poet鈥檚 work first, because it was both complete and shorter. When he had finished reading, the Emperor said that, 鈥淵ou have proven that infinity is not just a number, but a state of mind.鈥�
The Emperor was less generous with the lawyer, to whom he declared, 鈥淭hough it might not have been your intention, you have managed to convince me that infinity is more than mere multitude.鈥�
FOOTNOTES:
SOUNDTRACK:
"A Paradise From Which Nobody Shall Ever Expel Us"*
When the Emperor鈥檚 labyrinth was finally completed, one of the architects remarked that it had captured infinity. The Emperor didn鈥檛 believe him, because he had not yet entered the labyrinth and experienced its power, but the remark gave the Emperor an idea for a challenge that he would later make to his two favourite court scribes. And that was that they each create a work that captured infinity in words. Being naturally competitive, the two scribes adopted two totally different methods of achieving their goal: one, being a poet, opted for a concise work that imagined the nature of infinity, while the other, a writer of prose as well as a lawyer, conceived of his work as a lengthy, never-ending, descriptive project.
It might come as no surprise that the poet finished his work first. Indeed, the lawyer never finished his work, and it is still being written by his descendents, who are eager to claim the reward, if not of gold (which the Emperor had already given to the poet during his lifetime), then of renown.
Out of fairness, the Emperor did set a deadline by which he expected his scribes to submit, at least, a draft of their work for his consideration.
The Emperor read the poet鈥檚 work first, because it was both complete and shorter. When he had finished reading, the Emperor said that, 鈥淵ou have proven that infinity is not just a number, but a state of mind.鈥�
The Emperor was less generous with the lawyer, to whom he declared, 鈥淭hough it might not have been your intention, you have managed to convince me that infinity is more than mere multitude.鈥�
FOOTNOTES:
SOUNDTRACK:
February 5, 2016
乇賷賮賷賵 賮賷丿賷賵 賱賱乇賵丕賷丞:
賱賷爻鬲 乇賵丕賷丞 賵賱賷爻鬲 賲噩賲賵毓丞 賯氐氐賷丞 賰匕賱賰 賵亘丕賱鬲兀賰賷丿 賱賷爻鬲 丿賷賵丕賳丕 卮毓乇賷賸丕.
乇亘賲丕 賴賷 賲夭賷噩 賲賳 賰賱 賴匕丕 賵乇亘賲丕 賴賷 賳賵毓 噩丿賷丿 賲賳 丕賱兀丿亘 賷賰鬲亘賴 亘賵乇禺賷爻 賮丨爻亘.
賯乇丕亍鬲賷 丕賱兀賵賱賶 賱亘賵乇禺賷爻 賵兀爻鬲胤賷毓 兀賳 兀賯賵賱 亘兀賳賴 賱賷爻 賰丕鬲亘 賷爻賴賱 賯乇丕卅鬲賴.
丕賱氐丕賳毓 賴賵 賲噩賲賵毓丞 賲賳 丕賱賳氐賵氐 丕賱兀丿亘賷丞 丕賱鬲賷 鬲禺鬲賱賮 賲丕 亘賷賳 兀卮亘丕賴 丕賱賯氐氐 丕賱賯氐賷乇丞 賵丕賱兀卮毓丕乇. 賷丨丕賵賱 亘賵乇禺賷爻 賲丨丕賰丕丞 賰賱 賲丕 賴賵 賮賷 丕賱毓丕賱賲貙 賮賷丨丕賵賱 賲賳 禺賱丕賱 丕賱乇丕賵賷 兀賳 賷乇爻賲 氐賵乇丞 賱賱毓丕賱賲.
賮賷 丕賱賯爻賲 丕賱兀賵賱 賵賴賵 賯爻賲 丕賱賯氐氐 丕賱賯氐賷乇丞貙 賳噩丿 丕賱賰孬賷乇 賲賳 丕賱賲乇丕噩毓 丕賱鬲丕乇賷禺賷丞 賵丕賱禺賷丕賱賷丞. 賵賳乇賶 賰匕賱賰 賰賷賮 丕賳 丕賱賲賵鬲 賴賵 卮丕賴丿 乇卅賷爻賷 毓賱賶 賲賯丕胤毓 賴匕丕 丕賱賰鬲丕亘貙 丨賷孬 賳乇賶 賲噩賲賵毓丞 賲賳 丕賱卮禺氐賷丕鬲 賵賴賷 鬲賲賵鬲 "賮賷 丌賳 賵丕丨丿". 丕賱賳氐賵氐 鬲乇鬲亘胤 亘亘毓囟賴丕 丕賱亘毓囟 賵鬲爻鬲賯賱 亘匕丕鬲賴丕 賮賷 丌賳 賵丕丨丿.
賮賲丕 亘賷賳 賯賷氐乇 賵卮賰爻亘賷乇 賵乇毓丕丞 睾賳賲 毓丕丿賷賷賷賳貙 賷胤乇丨 賮賰乇丞 丕賱賲賵鬲 賵丕賱賴賵賷丞 賵賮賰乇丞 兀賳 賷賵噩丿 賲丕 鬲禺賱賮 賵乇丕亍賰 毓賳丿 乇丨賷賱賰.
賰賲丕 賷胤乇丨 丕賱賰孬賷乇 賲賳 丕賱卮賰賵賰 丨賵賱 賮賰乇丞 "丕賱廿賱賴" 賲丕 亘賷賳 賵噩賵丿賴 賲賳 毓丿賲賴貙 賵賲丿賶 胤賷亘丞 丕賱丌賱賴丞 .. 賴匕丕 廿賳 賵噩丿鬲.
賷丨丕賵賱 亘賵乇禺爻 鬲賯丿賷賲 賳賮爻賴 亘丕毓鬲亘丕乇賴 卮禺氐賷賳 (賵乇亘賲丕 兀賰孬乇) 賷鬲丿丕賵賱丕賳 丕賱賰鬲丕亘丞 賵丕賱毓賷卮貙 賵鬲賳鬲丕亘賴賲 賲賴丕亘丞 丕賱賲乇丕賷丕 賵丕賱賲賵鬲 賵丕賱賳賲賵乇.
賮賷 丕賱賯爻賲 丕賱孬丕賳賷貙 賵賴賵 賯爻賲 丕賱賯氐丕卅丿 丕賱卮毓乇賷丞貙 丕賱鬲賷 賱丕 鬲亘丿賵 賰賯氐丕卅丿 卮毓乇賷丞 鬲賯賱賷丿賷丞貙 賮賴賷 兀卮亘賴 亘賯氐賷丿丞 丕賱賳孬乇貙 賷鬲丿丕賵賱 丕賱賰孬賷乇 賲賳 丕賱兀賮賰丕乇 賵丕賱賲毓囟賱锟斤拷鬲 毓亘乇 丕夭賲賳丞 賲禺鬲賱賮丞貙 亘賷賳賲丕 鬲丐乇賯賴 賮賰乇丞 丕賱賴賵賷丞 賵丕賱賲賵鬲 賮賷 賴匕丕 丕賱噩夭亍 賰匕賱賰.
賰鬲丕亘 噩賷丿貙 賷毓噩 亘丕賱兀賮賰丕乇 賵丕賱鬲爻丕丐賱丕鬲貙 賷購賯乇兀 毓賱賶 賲賴賱 噩丿賸丕貙 賵賱賰賳賴 賱賲 賷亘賴乇賳賷. 乇亘賲丕 兀爻賱賵亘 賰鬲丕亘丞 亘賵乇禺賷爻 賱賷爻 賲賱丕卅賲賸丕 賱賷貙 賵乇亘賲丕 丕賱鬲乇噩賲丞 兀賳賯氐鬲 賲賳賴 卮賷卅賸丕.
賱賷爻鬲 乇賵丕賷丞 賵賱賷爻鬲 賲噩賲賵毓丞 賯氐氐賷丞 賰匕賱賰 賵亘丕賱鬲兀賰賷丿 賱賷爻鬲 丿賷賵丕賳丕 卮毓乇賷賸丕.
乇亘賲丕 賴賷 賲夭賷噩 賲賳 賰賱 賴匕丕 賵乇亘賲丕 賴賷 賳賵毓 噩丿賷丿 賲賳 丕賱兀丿亘 賷賰鬲亘賴 亘賵乇禺賷爻 賮丨爻亘.
賯乇丕亍鬲賷 丕賱兀賵賱賶 賱亘賵乇禺賷爻 賵兀爻鬲胤賷毓 兀賳 兀賯賵賱 亘兀賳賴 賱賷爻 賰丕鬲亘 賷爻賴賱 賯乇丕卅鬲賴.
丕賱氐丕賳毓 賴賵 賲噩賲賵毓丞 賲賳 丕賱賳氐賵氐 丕賱兀丿亘賷丞 丕賱鬲賷 鬲禺鬲賱賮 賲丕 亘賷賳 兀卮亘丕賴 丕賱賯氐氐 丕賱賯氐賷乇丞 賵丕賱兀卮毓丕乇. 賷丨丕賵賱 亘賵乇禺賷爻 賲丨丕賰丕丞 賰賱 賲丕 賴賵 賮賷 丕賱毓丕賱賲貙 賮賷丨丕賵賱 賲賳 禺賱丕賱 丕賱乇丕賵賷 兀賳 賷乇爻賲 氐賵乇丞 賱賱毓丕賱賲.
賮賷 丕賱賯爻賲 丕賱兀賵賱 賵賴賵 賯爻賲 丕賱賯氐氐 丕賱賯氐賷乇丞貙 賳噩丿 丕賱賰孬賷乇 賲賳 丕賱賲乇丕噩毓 丕賱鬲丕乇賷禺賷丞 賵丕賱禺賷丕賱賷丞. 賵賳乇賶 賰匕賱賰 賰賷賮 丕賳 丕賱賲賵鬲 賴賵 卮丕賴丿 乇卅賷爻賷 毓賱賶 賲賯丕胤毓 賴匕丕 丕賱賰鬲丕亘貙 丨賷孬 賳乇賶 賲噩賲賵毓丞 賲賳 丕賱卮禺氐賷丕鬲 賵賴賷 鬲賲賵鬲 "賮賷 丌賳 賵丕丨丿". 丕賱賳氐賵氐 鬲乇鬲亘胤 亘亘毓囟賴丕 丕賱亘毓囟 賵鬲爻鬲賯賱 亘匕丕鬲賴丕 賮賷 丌賳 賵丕丨丿.
賮賲丕 亘賷賳 賯賷氐乇 賵卮賰爻亘賷乇 賵乇毓丕丞 睾賳賲 毓丕丿賷賷賷賳貙 賷胤乇丨 賮賰乇丞 丕賱賲賵鬲 賵丕賱賴賵賷丞 賵賮賰乇丞 兀賳 賷賵噩丿 賲丕 鬲禺賱賮 賵乇丕亍賰 毓賳丿 乇丨賷賱賰.
賰賲丕 賷胤乇丨 丕賱賰孬賷乇 賲賳 丕賱卮賰賵賰 丨賵賱 賮賰乇丞 "丕賱廿賱賴" 賲丕 亘賷賳 賵噩賵丿賴 賲賳 毓丿賲賴貙 賵賲丿賶 胤賷亘丞 丕賱丌賱賴丞 .. 賴匕丕 廿賳 賵噩丿鬲.
賷丨丕賵賱 亘賵乇禺爻 鬲賯丿賷賲 賳賮爻賴 亘丕毓鬲亘丕乇賴 卮禺氐賷賳 (賵乇亘賲丕 兀賰孬乇) 賷鬲丿丕賵賱丕賳 丕賱賰鬲丕亘丞 賵丕賱毓賷卮貙 賵鬲賳鬲丕亘賴賲 賲賴丕亘丞 丕賱賲乇丕賷丕 賵丕賱賲賵鬲 賵丕賱賳賲賵乇.
賮賷 丕賱賯爻賲 丕賱孬丕賳賷貙 賵賴賵 賯爻賲 丕賱賯氐丕卅丿 丕賱卮毓乇賷丞貙 丕賱鬲賷 賱丕 鬲亘丿賵 賰賯氐丕卅丿 卮毓乇賷丞 鬲賯賱賷丿賷丞貙 賮賴賷 兀卮亘賴 亘賯氐賷丿丞 丕賱賳孬乇貙 賷鬲丿丕賵賱 丕賱賰孬賷乇 賲賳 丕賱兀賮賰丕乇 賵丕賱賲毓囟賱锟斤拷鬲 毓亘乇 丕夭賲賳丞 賲禺鬲賱賮丞貙 亘賷賳賲丕 鬲丐乇賯賴 賮賰乇丞 丕賱賴賵賷丞 賵丕賱賲賵鬲 賮賷 賴匕丕 丕賱噩夭亍 賰匕賱賰.
賰鬲丕亘 噩賷丿貙 賷毓噩 亘丕賱兀賮賰丕乇 賵丕賱鬲爻丕丐賱丕鬲貙 賷購賯乇兀 毓賱賶 賲賴賱 噩丿賸丕貙 賵賱賰賳賴 賱賲 賷亘賴乇賳賷. 乇亘賲丕 兀爻賱賵亘 賰鬲丕亘丞 亘賵乇禺賷爻 賱賷爻 賲賱丕卅賲賸丕 賱賷貙 賵乇亘賲丕 丕賱鬲乇噩賲丞 兀賳賯氐鬲 賲賳賴 卮賷卅賸丕.
January 25, 2015
賯氐丞 賯氐賷乇丞責 賳賵毓丕 賲丕.
賲賯丕賱責 廿賱賶 丨丿 賲丕.
兀丨噩賷丞責 乇亘賲丕.
兀丿亘 兀賲 毓賱賲 賵鬲丕乇賷禺責 賰賱賴丕 賲毓丕.
孬丕賳賷 賯乇丕亍丞 賱賱賰丕鬲亘 丕賱毓噩賷亘 亘賵乇禺賷爻. 賱丕 兀丨丿 賷賰鬲亘 賲孬賱賴. 賴匕丕 氐丨賷丨. 賵賱賰賳賴 賱丕 賷賰鬲亘 賱賷. 賱丕 賷賳丕爻亘賳賷 賰孬賷乇丕. 睾賲賵囟貙 廿睾乇丕賯 賮賷 丕賱廿卮丕乇丕鬲 丕賱鬲丕乇賷禺賷丞貙 賷睾賵氐 賮賷 鬲兀賲賱丕鬲賴 賵賰兀賳賴 賱丕 賷毓亘兀 廿賳 賰丕賳 丕賱賯丕乇卅 爻賷爻鬲賵毓亘 賲丕 賷乇賲賷 廿賱賷賴. 賱亘賵乇禺賷爻 賴賵丕賷丕鬲 賰鬲丕亘賷丞 賷丿賲賳 毓賱賷賴丕: 賲夭噩 丕賱賵丕賯毓 亘丕賱兀丨賱丕賲貙 賲賱丕毓亘丞 丕賱賳賲賵乇 丕賱亘賳睾丕賱賷丞貙 鬲卮亘賷賴 丕賱賰賵賳 亘丕賱賲賰鬲亘丞 賵賲夭丕賵噩丞 丕賱毓賱賲 亘丕賱兀丿亘 賵丕賱賲賯丕賱 亘丕賱賯氐丞 賵丕賱卮毓乇. 毓亘賯乇賷 賴賵 賱匕賱賰 賱丕 賷爻亘乇 睾賵乇賴 囟賷賯賷 丕賱兀賮賯 賲孬賱賷. 賲賳 賳氐 賱丌禺乇 賷賮鬲丨 丕賱賱賴 毓賱賷 亘丕賱賳匕乇 丕賱賷爻賷乇 賲賳 丕賱廿賱賴丕賲 賮兀睾賵氐 賮賷賲丕 賷賯賵賱 賵兀匕賵亘 賵兀鬲兀孬乇. 賱賰賳賴丕 丨丕賱丞 賲賵爻賲賷丞 賵賱賷爻鬲 賲夭賲賳丞. 賱匕丕 孬賱丕孬丞 賳噩賵賲 賴賷 兀賯乇亘 鬲賯賷賷賲 賱賷 賲毓 賴匕丕 丕賱賰鬲丕亘 賵賲毓 賰鬲丕亘丕鬲 亘賵乇禺賷爻 亘氐賮丞 毓丕賲丞
賲賯丕賱責 廿賱賶 丨丿 賲丕.
兀丨噩賷丞責 乇亘賲丕.
兀丿亘 兀賲 毓賱賲 賵鬲丕乇賷禺責 賰賱賴丕 賲毓丕.
孬丕賳賷 賯乇丕亍丞 賱賱賰丕鬲亘 丕賱毓噩賷亘 亘賵乇禺賷爻. 賱丕 兀丨丿 賷賰鬲亘 賲孬賱賴. 賴匕丕 氐丨賷丨. 賵賱賰賳賴 賱丕 賷賰鬲亘 賱賷. 賱丕 賷賳丕爻亘賳賷 賰孬賷乇丕. 睾賲賵囟貙 廿睾乇丕賯 賮賷 丕賱廿卮丕乇丕鬲 丕賱鬲丕乇賷禺賷丞貙 賷睾賵氐 賮賷 鬲兀賲賱丕鬲賴 賵賰兀賳賴 賱丕 賷毓亘兀 廿賳 賰丕賳 丕賱賯丕乇卅 爻賷爻鬲賵毓亘 賲丕 賷乇賲賷 廿賱賷賴. 賱亘賵乇禺賷爻 賴賵丕賷丕鬲 賰鬲丕亘賷丞 賷丿賲賳 毓賱賷賴丕: 賲夭噩 丕賱賵丕賯毓 亘丕賱兀丨賱丕賲貙 賲賱丕毓亘丞 丕賱賳賲賵乇 丕賱亘賳睾丕賱賷丞貙 鬲卮亘賷賴 丕賱賰賵賳 亘丕賱賲賰鬲亘丞 賵賲夭丕賵噩丞 丕賱毓賱賲 亘丕賱兀丿亘 賵丕賱賲賯丕賱 亘丕賱賯氐丞 賵丕賱卮毓乇. 毓亘賯乇賷 賴賵 賱匕賱賰 賱丕 賷爻亘乇 睾賵乇賴 囟賷賯賷 丕賱兀賮賯 賲孬賱賷. 賲賳 賳氐 賱丌禺乇 賷賮鬲丨 丕賱賱賴 毓賱賷 亘丕賱賳匕乇 丕賱賷爻賷乇 賲賳 丕賱廿賱賴丕賲 賮兀睾賵氐 賮賷賲丕 賷賯賵賱 賵兀匕賵亘 賵兀鬲兀孬乇. 賱賰賳賴丕 丨丕賱丞 賲賵爻賲賷丞 賵賱賷爻鬲 賲夭賲賳丞. 賱匕丕 孬賱丕孬丞 賳噩賵賲 賴賷 兀賯乇亘 鬲賯賷賷賲 賱賷 賲毓 賴匕丕 丕賱賰鬲丕亘 賵賲毓 賰鬲丕亘丕鬲 亘賵乇禺賷爻 亘氐賮丞 毓丕賲丞
October 24, 2009
University of Texas has the distinction of being the only US school at which Borges was a permanent faculty member. He fell in love with Austin. His mother became an obsessive fan of UT football. In poetry and interview, Borges compared central Texas to the country of his birth, Argentina. Later in life--after he was all but blind--he claimed Austin was the most beautiful city in North America. When asked by a reporter how he could know that... Borges replied, "Because I have beautiful dreams in Austin."
As a token of gratitude, Borges gave the exclusive publishing rights for Dreamtigers to the Texas imprint. Dreamtigers is arguably the crowning jewel of an excellent university press catalog (Dobie, Brammer, etc). Composed in two parts--the first prose and second poetry--Dreamtigers interweaves themes of mirrors, innocence/remembrance, symbolic mutation, and the limits of form into a text that he claimed was his most intensely personal. The intertextual fakes and dodges of this book give it the feel of a highly compressed novel. There is something remarkably feline about the narrative twists... the prose at times seems to crouch in wait... the poetry springs!
If Dreamtigers lacks for emotional drama, Borges is striving for something beyond intellectual understanding. His words are aimed for a deeper, subconscious point of impact. When the reader is open to such an understanding, they will find Dreamtigers very compelling. I'm sure it is a text I will return to over and over. This is also Borges at his writer's writerly-est. He drops in several keys to his narrative architecture as well as philosophical musings about the meaning of fiction and creation.
As a token of gratitude, Borges gave the exclusive publishing rights for Dreamtigers to the Texas imprint. Dreamtigers is arguably the crowning jewel of an excellent university press catalog (Dobie, Brammer, etc). Composed in two parts--the first prose and second poetry--Dreamtigers interweaves themes of mirrors, innocence/remembrance, symbolic mutation, and the limits of form into a text that he claimed was his most intensely personal. The intertextual fakes and dodges of this book give it the feel of a highly compressed novel. There is something remarkably feline about the narrative twists... the prose at times seems to crouch in wait... the poetry springs!
If Dreamtigers lacks for emotional drama, Borges is striving for something beyond intellectual understanding. His words are aimed for a deeper, subconscious point of impact. When the reader is open to such an understanding, they will find Dreamtigers very compelling. I'm sure it is a text I will return to over and over. This is also Borges at his writer's writerly-est. He drops in several keys to his narrative architecture as well as philosophical musings about the meaning of fiction and creation.
September 8, 2016
My favorite collection of Borges in English.
Borges is the most engaging philosopher I have ever read. He was a man who read every book. His imagination was infinite.
How do you classify a piece like 'Toenails' for instance? A poem. A remarkable fragment of contemplation. A story. A prose piece in the tradition of Walser.
Borges did not have to write long books because he could place eons in a sentence. A continent in a handful of words.
Foucault was inspired to write 'The Order of Things' by a line in a Borges story.
Borges lectured briefly at UT. I wish I could have been there to listen to his talks.
This book is published by the University of Texas Press. All of their volumes are sturdy, and printed on high quality paper.
This one even has woodblock art.
One of Borges favorite authors was G.K. Chesterton.
Borges was obsessed with Don Quixote.
He was from Argentina.
He was a librarian.
One of his pieces on Monk Eastman is used as a preface to newer editions of Asbury's 'Gangs of New York'.
Late in his life he went blind, so he began to compose entire stories in his mind.
JLB was a neat man.
Borges is the most engaging philosopher I have ever read. He was a man who read every book. His imagination was infinite.
How do you classify a piece like 'Toenails' for instance? A poem. A remarkable fragment of contemplation. A story. A prose piece in the tradition of Walser.
Borges did not have to write long books because he could place eons in a sentence. A continent in a handful of words.
Foucault was inspired to write 'The Order of Things' by a line in a Borges story.
Borges lectured briefly at UT. I wish I could have been there to listen to his talks.
This book is published by the University of Texas Press. All of their volumes are sturdy, and printed on high quality paper.
This one even has woodblock art.
One of Borges favorite authors was G.K. Chesterton.
Borges was obsessed with Don Quixote.
He was from Argentina.
He was a librarian.
One of his pieces on Monk Eastman is used as a preface to newer editions of Asbury's 'Gangs of New York'.
Late in his life he went blind, so he began to compose entire stories in his mind.
JLB was a neat man.
October 22, 2021
亘賵乇禺爻 賲乇夭賴丕蹖 鬲禺蹖賱 丌丿賲 乇丕 噩丕亘賴鈥屫� 賲蹖鈥屭┵嗀� 賵 丕蹖賳 賴賲丕賳 趩蹖夭蹖 丕爻鬲 讴賴 丌丿賲 诏乇賮鬲丕乇 丕蹖乇丕賳蹖 丕蹖賳 乇賵夭賴丕 亘賴 丌賳 丕丨鬲蹖丕噩 丿丕乇丿. 蹖毓賳蹖 鬲禺蹖賱 氐賵乇鬲蹖 丿蹖诏乇 丕夭 夭賳丿诏蹖 讴乇丿賳 賵 丿趩丕乇 亘賵丿賳.
December 29, 2020
芦亘丕 丕蹖賳讴賴 賵丕賯毓蹖鬲 丿賯蹖賯 丕爻鬲貙 丨丕賮馗賴 丿賯蹖賯 賳蹖爻鬲.禄
趩賯丿乇 賮讴乇 讴乇丿蹖賲 賵丕賯毓蹖鬲蹖 乇賵 丿丕乇蹖賲 丕亘乇丕夭 賲蹖讴賳蹖賲 賵賱蹖 丨丕賮馗賴鈥屰� 賳丕禺賵丿丌诏丕賴丕賳賴 丿爻鬲讴丕乇蹖 卮丿賴 乇賵 亘丕夭诏賵 讴乇丿蹖賲.
趩賯丿乇 賮讴乇 讴乇丿蹖賲 賵丕賯毓蹖鬲蹖 乇賵 丿丕乇蹖賲 丕亘乇丕夭 賲蹖讴賳蹖賲 賵賱蹖 丨丕賮馗賴鈥屰� 賳丕禺賵丿丌诏丕賴丕賳賴 丿爻鬲讴丕乇蹖 卮丿賴 乇賵 亘丕夭诏賵 讴乇丿蹖賲.
June 7, 2018
Borges'in "en ki艧isel kitab谋m" dedi臒i Yaratan, k谋sa hik芒yelerden, 艧iirlerden ve ancak Borgesvari diye tan谋mlayabilece臒im tuhaf metinlerden olu艧uyor.
Her zamanki gibi yer yer anlamas谋, yakalamas谋 g眉莽 metinlerden olsa da, ortalama bir Borges kitab谋na k谋yasla daha kolay metinlerden olu艧tu臒unu s枚ylemek m眉mk眉n. K谋sa metinlerden olu艧tu臒u i莽in labirentvari hik芒yeler burada ayn谋 heybetle olu艧am谋yor. Daha 枚nce Alef i莽in de s枚ylemi艧tim, Borges basit 艧eyler yazm谋yor, ama tamamen kapal谋, i莽ine girilemez metinler de de臒il bunlar. Borges'in neyi iyi yapt谋臒谋n谋 g枚rmek i莽in ona ve yazd谋klar谋na 艧efkatle yakla艧mak gerekiyor, 莽眉nk眉 dedi臒im gibi, okuyucuya kolayl谋k sa臒lamak gibi bir derdi yok. Bu k谋sa kitap, Borges'e 艧efkat duymak i莽in, onu biraz olsun sevebilmek i莽in g眉zel bir ba艧lang谋莽 noktas谋. Daha 枚nce hi莽 Borges okumam谋艧lar bu kitapla ba艧layabilirler okumaya.
Bir de kitab谋n i莽inde 艧iir b枚l眉m眉 var. Ben 艧iir sevmeyen, okumayan biri olarak birka莽 艧iiri 莽ok be臒endim. Arma臒anlar 艦iiri bunlardan biriydi. Ama birka莽 艧iirden de neredeyse hi莽bir 艧ey anlamad谋m. Hem Borges, hem 艧iir, olur b枚yle 艧eyler deyip ge莽tim a莽谋k莽as谋, 莽ok da pe艧ine d眉艧esim gelmedi.
Her zamanki gibi yer yer anlamas谋, yakalamas谋 g眉莽 metinlerden olsa da, ortalama bir Borges kitab谋na k谋yasla daha kolay metinlerden olu艧tu臒unu s枚ylemek m眉mk眉n. K谋sa metinlerden olu艧tu臒u i莽in labirentvari hik芒yeler burada ayn谋 heybetle olu艧am谋yor. Daha 枚nce Alef i莽in de s枚ylemi艧tim, Borges basit 艧eyler yazm谋yor, ama tamamen kapal谋, i莽ine girilemez metinler de de臒il bunlar. Borges'in neyi iyi yapt谋臒谋n谋 g枚rmek i莽in ona ve yazd谋klar谋na 艧efkatle yakla艧mak gerekiyor, 莽眉nk眉 dedi臒im gibi, okuyucuya kolayl谋k sa臒lamak gibi bir derdi yok. Bu k谋sa kitap, Borges'e 艧efkat duymak i莽in, onu biraz olsun sevebilmek i莽in g眉zel bir ba艧lang谋莽 noktas谋. Daha 枚nce hi莽 Borges okumam谋艧lar bu kitapla ba艧layabilirler okumaya.
Bir de kitab谋n i莽inde 艧iir b枚l眉m眉 var. Ben 艧iir sevmeyen, okumayan biri olarak birka莽 艧iiri 莽ok be臒endim. Arma臒anlar 艦iiri bunlardan biriydi. Ama birka莽 艧iirden de neredeyse hi莽bir 艧ey anlamad谋m. Hem Borges, hem 艧iir, olur b枚yle 艧eyler deyip ge莽tim a莽谋k莽as谋, 莽ok da pe艧ine d眉艧esim gelmedi.
April 20, 2015
亘賵乇禺賷爻貙亘賱丕 卮賰貙 賴賭賵 "廿賱賴" 爻賭乇丿賺 丌禺賭乇..
賷鬲賷賭賴 賮賶 賱丕賴賭賵鬲賴 亘丕丨孬賸丕 毓賳 丨賯丕卅賯 賲禺賮賷賾丞 賵廿噩丕亘丕鬲 賱兀爻卅賱賭丞 鬲丐乇賾賯 乇賵丨賴..
賷丨賵賾賱 禺賷丕賱賴 丕賱禺丕氐 廿賱賶 丨賯賷賯丞 賵賷噩亘賭乇賰 毓賱賶 丕賱廿賷賲丕賳 亘賴賭丕..
賱丕 賷賯亘賭賱 賴匕丕 丕賱賵丕賯毓 賵賱丕 賷毓賷卮賴貙 賵賲丕 兀噩賲賭賱 丕賱禺賷丕賱 丨賷賳 賷賲鬲賱賰賴 賲賳 賱丿賷賴 賲賱賰丞 丕賱廿亘丿丕毓!
賯丕賱 賷賵賲賸丕 : "丕賱毓丕賱賲貙 賱爻賵亍 丕賱丨馗貙 賵丕賯毓賶 .. 賵兀賳丕貙 賱爻賭賵亍 丕賱丨馗貙 亘賵乇禺賷爻"
賲噩賲賵毓丞 賯氐氐賷丞 賵卮毓乇賷丞 賲賰鬲賵亘丞 亘賱睾丞 毓匕亘丞 乇卮賷賯丞 賵兀爻賱賵亘 噩匕丕亘..
兀丨亘亘鬲 賰孬賷賭乇賸丕 噩夭亍 丕賱賯氐氐貙 賵乇兀賷鬲購 賮賷賴 鬲兀賲賱丕鬲 睾乇賷亘賭丞 賵賳丕丿乇丞 賵乇丐賷丞 賲禺鬲賱賮丞 賱毓丕賱賲 丕賱禺賷丕賱 丕賱賲賲夭賵噩 亘兀丨丿丕孬 賲丕囟賷丞 賵丨丕囟乇丞 賵賲爻鬲賯亘賱賷丞..
賱賲 兀丨亘 賰孬賷賭乇賸丕 噩夭亍 丕賱卮毓賭乇 賱兀賳賶 賱賲 兀賮賴賲賴 賵賱賲 兀爻鬲爻賷睾賴 .. 賮賶 乇兀賷賶貙 賱賰賶 鬲鬲匕賵賯 丕賱卮毓賭乇 賷噩亘 兀賳 鬲賯賭乇兀賴 亘賱睾鬲賴 丕賱兀氐賱賷賭丞..
鬲噩乇亘鬲賶 丕賱兀賵賱賶 賲毓 "亘賵乇禺賷爻"貙 賵賯賭丿 賳噩丨鬲 鬲賲丕賲賸丕..
賷鬲賷賭賴 賮賶 賱丕賴賭賵鬲賴 亘丕丨孬賸丕 毓賳 丨賯丕卅賯 賲禺賮賷賾丞 賵廿噩丕亘丕鬲 賱兀爻卅賱賭丞 鬲丐乇賾賯 乇賵丨賴..
賷丨賵賾賱 禺賷丕賱賴 丕賱禺丕氐 廿賱賶 丨賯賷賯丞 賵賷噩亘賭乇賰 毓賱賶 丕賱廿賷賲丕賳 亘賴賭丕..
賱丕 賷賯亘賭賱 賴匕丕 丕賱賵丕賯毓 賵賱丕 賷毓賷卮賴貙 賵賲丕 兀噩賲賭賱 丕賱禺賷丕賱 丨賷賳 賷賲鬲賱賰賴 賲賳 賱丿賷賴 賲賱賰丞 丕賱廿亘丿丕毓!
賯丕賱 賷賵賲賸丕 : "丕賱毓丕賱賲貙 賱爻賵亍 丕賱丨馗貙 賵丕賯毓賶 .. 賵兀賳丕貙 賱爻賭賵亍 丕賱丨馗貙 亘賵乇禺賷爻"
賲噩賲賵毓丞 賯氐氐賷丞 賵卮毓乇賷丞 賲賰鬲賵亘丞 亘賱睾丞 毓匕亘丞 乇卮賷賯丞 賵兀爻賱賵亘 噩匕丕亘..
兀丨亘亘鬲 賰孬賷賭乇賸丕 噩夭亍 丕賱賯氐氐貙 賵乇兀賷鬲購 賮賷賴 鬲兀賲賱丕鬲 睾乇賷亘賭丞 賵賳丕丿乇丞 賵乇丐賷丞 賲禺鬲賱賮丞 賱毓丕賱賲 丕賱禺賷丕賱 丕賱賲賲夭賵噩 亘兀丨丿丕孬 賲丕囟賷丞 賵丨丕囟乇丞 賵賲爻鬲賯亘賱賷丞..
賱賲 兀丨亘 賰孬賷賭乇賸丕 噩夭亍 丕賱卮毓賭乇 賱兀賳賶 賱賲 兀賮賴賲賴 賵賱賲 兀爻鬲爻賷睾賴 .. 賮賶 乇兀賷賶貙 賱賰賶 鬲鬲匕賵賯 丕賱卮毓賭乇 賷噩亘 兀賳 鬲賯賭乇兀賴 亘賱睾鬲賴 丕賱兀氐賱賷賭丞..
鬲噩乇亘鬲賶 丕賱兀賵賱賶 賲毓 "亘賵乇禺賷爻"貙 賵賯賭丿 賳噩丨鬲 鬲賲丕賲賸丕..
October 21, 2016
Es la primera vez que leo algo de Borges. Me gust贸 su manera de escribir y como transmite tanta sabidur铆a a trav茅s de sus palabras, es incre铆ble.
Sin dudas, fue un gran comienzo, espero leer m谩s de este gran autor.
Sin dudas, fue un gran comienzo, espero leer m谩s de este gran autor.
December 20, 2018
in una pagina memorabile (una delle pi霉 belle cose che abbia mai letto in tutta la mia vita - mezza pagina!!!) de L'artefice (tra i 10 libri pi霉 belli di sempre), Borges immagina il cavalier Marino che si dispera in quanto il mondo che lo circonda 猫 troppo difficile e complesso ed egli non ha potuto e saputo restituirlo con i suoi stanchi versi, che ripete quasi con fastidio: porpora del giardino, pompa dei prati,/ gemma di primavera, occhio d'aprile. Il suo libro non potr脿 mai essere variegato e multiforme come il mondo; e anche se riuscisse a sovrapporsi per un solo luminoso istante, il mondo avr脿 sopravanzato l'Adone di un capello: come nel paradosso di Zenone dove Achille non potr脿 mai raggiungere la tartaruga. Pensa questo il cavalier Marino, carico di anni e di gloria, e mentre 猫 in un "vasto letto spagnolo", guarda il giardino attraverso un sereno balcone e una donna che ha posto in un vaso una rosa gialla. e allora accade la rivelazione. Per la prima volta vede quella rosa "come pot猫 vederla Adamo nel Paradiso, e sent矛 che essa stava nella propria eternit脿 e non nelle sue parole". E capisce tutto. (Borges insinua che questa rivelazione poterono scorgerla anche Dante o Omero alla fine della loro vita). Quello che ha scritto non 猫 uno specchio del mondo, ma una cosa aggiunta al mondo. La Rosa gialla dell'Adone non 猫 una copia della rosa del mondo ma un'altra rosa. Qualcosa che nel mondo non esisteva prima di lui e che la sua parola ha creato. Emozione.
Quando leggo io voglio scorgere l'altra rosa, quella rosa che gli scrittori che ho amato hanno creato, esaltato, venerato e visto come nessuno ha visto mai. La letteratura non 猫 lo specchio del mondo, ma 猫 una cosa che si aggiunge al mondo, lo arricchisce, lo commuove, lo smuove, lo rende pi霉 vivo: possiamo abitarla come si abita la cima di una montagna, o una vasta pianura, una citt脿 antica. Io la abito, ma essa mi abita con altrettanta intensit脿; mi tocca fisicamente; mi possiede, da sempre.
Quando leggo io voglio scorgere l'altra rosa, quella rosa che gli scrittori che ho amato hanno creato, esaltato, venerato e visto come nessuno ha visto mai. La letteratura non 猫 lo specchio del mondo, ma 猫 una cosa che si aggiunge al mondo, lo arricchisce, lo commuove, lo smuove, lo rende pi霉 vivo: possiamo abitarla come si abita la cima di una montagna, o una vasta pianura, una citt脿 antica. Io la abito, ma essa mi abita con altrettanta intensit脿; mi tocca fisicamente; mi possiede, da sempre.
September 20, 2022
Borges y yo.
"Al otro, a Borges, es a quien le ocurren las cosas. Yo camino por Buenos Aires y
me demoro, acaso ya mec谩nicamente, para mirar el arco de un zagu谩n y la puerta
cancel; de Borges tengo noticias por el correo y veo su nombre en una terna de
profesores o en un diccionario bibliogr谩fico. Me gustan los relojes de arena, los
mapas, la tipograf铆a del siglo XVIII, las etimolog铆as, el sabor del caf茅 y la prosa de
Stevenson; el otro comparte esas preferencias, pero de un modo vanidoso que las
convierte en atributos de un actor. Ser铆a exagerado afirmar que nuestra relaci贸n es
hostil; yo vivo, yo me dejo vivir, para que Borges pueda tramar su literatura y esa
literatura me justifica. Nada me cuesta confesar que ha logrado ciertas p谩ginas
v谩lidas, pero esas p谩ginas no me pueden salvar, quiz谩 porque lo bueno ya no es de
nadie, ni siquiera del otro, sino del lenguaje o la tradici贸n. Por lo dem谩s yo estoy
destinado a perderme, definitivamente, y s贸lo alg煤n instante de m铆 podr谩 sobrevivir
en el otro. Poco a poco voy cedi茅ndole todo, aunque me consta su perversa
costumbre de falsear y magnificar. Spinoza entendi贸 que todas las cosas quieren
perseverar en su ser; la piedra eternamente quiere ser piedra y el tigre un tigre. Yo
he de quedar en Borges, no en m铆 (si es que alguien soy), pero me reconozco menos
en sus libros que en muchos otros o que en el laborioso rasgueo de una guitarra.
Hace a帽os yo trat茅 de librarme de 茅l y pas茅 de las mitolog铆as del arrabal a los
juegos con el tiempo y lo infinito, pero esos juegos son de Borges y ahora tendr茅
que idear otras cosas. As铆 mi vida es una fuga y todo lo pierdo y todo es del olvido,
o del otro.
No s茅 cual de los dos escribe esta p谩gina"
"Poco antes de morir, descubre que ese paciente laberinto de l铆neas traza la imagen de su cara."
"Al otro, a Borges, es a quien le ocurren las cosas. Yo camino por Buenos Aires y
me demoro, acaso ya mec谩nicamente, para mirar el arco de un zagu谩n y la puerta
cancel; de Borges tengo noticias por el correo y veo su nombre en una terna de
profesores o en un diccionario bibliogr谩fico. Me gustan los relojes de arena, los
mapas, la tipograf铆a del siglo XVIII, las etimolog铆as, el sabor del caf茅 y la prosa de
Stevenson; el otro comparte esas preferencias, pero de un modo vanidoso que las
convierte en atributos de un actor. Ser铆a exagerado afirmar que nuestra relaci贸n es
hostil; yo vivo, yo me dejo vivir, para que Borges pueda tramar su literatura y esa
literatura me justifica. Nada me cuesta confesar que ha logrado ciertas p谩ginas
v谩lidas, pero esas p谩ginas no me pueden salvar, quiz谩 porque lo bueno ya no es de
nadie, ni siquiera del otro, sino del lenguaje o la tradici贸n. Por lo dem谩s yo estoy
destinado a perderme, definitivamente, y s贸lo alg煤n instante de m铆 podr谩 sobrevivir
en el otro. Poco a poco voy cedi茅ndole todo, aunque me consta su perversa
costumbre de falsear y magnificar. Spinoza entendi贸 que todas las cosas quieren
perseverar en su ser; la piedra eternamente quiere ser piedra y el tigre un tigre. Yo
he de quedar en Borges, no en m铆 (si es que alguien soy), pero me reconozco menos
en sus libros que en muchos otros o que en el laborioso rasgueo de una guitarra.
Hace a帽os yo trat茅 de librarme de 茅l y pas茅 de las mitolog铆as del arrabal a los
juegos con el tiempo y lo infinito, pero esos juegos son de Borges y ahora tendr茅
que idear otras cosas. As铆 mi vida es una fuga y todo lo pierdo y todo es del olvido,
o del otro.
No s茅 cual de los dos escribe esta p谩gina"
"Poco antes de morir, descubre que ese paciente laberinto de l铆neas traza la imagen de su cara."
January 16, 2018
丕丨爻丕爻 賲蹖鈥屭┵嗁� 爻賴 爻鬲丕乇賴 亘乇丕蹖 丕蹖賳 讴鬲丕亘 讴賲賴 丕賲丕 丿乇 丕蹖賳 夭賲丕賳 鬲賵丕賳 賲賳 賴賲蹖賳 賯丿乇 亘賵丿.賭
亘丕夭 禺賵亘賴 讴賴 賯亘賱 丕夭 乇賮鬲賳 爻乇丕睾 丕蹖賳 讴鬲丕亘貙 乇賵 禺賵賳丿賴 亘賵丿賲 賵 鬲丕 丨丿蹖 亘丕 爻亘讴 亘賵乇禺爻 賵 賲爻丕卅賱 丕賱賴丕賲鈥屫ㄘ� 丌孬丕乇卮 丌卮賳丕 卮丿賴 亘賵丿賲.賭
丕賲丕 亘丕夭 賴賲 讴丕賮蹖 賳亘賵丿貙 卮讴蹖 賳蹖爻鬲 讴賴 賴乇賯丿乇 賴賲 讴賲 亘丿賵賳蹖 丕夭 丕蹖賳 夭丕賵蹖賴鈥屰� 丿蹖丿鈥屬囏й� 睾乇蹖亘 賵 禺賱丕賯 賱匕鬲 賲蹖鈥屫ㄘ臂屫� 丕賲丕 賳賴丕蹖鬲 賱匕鬲 乇賵 賵賯鬲蹖 賲蹖卮賴 鬲噩乇亘賴 讴乇丿 讴賴 亘丿賵賳蹖 丕蹖賳 丿丕爻鬲丕賳鈥屬囏� 乇賵 讴賽蹖 賵 趩乇丕 诏賮鬲賴貙 賵賯鬲蹖 丕賳賯丿乇 讴鬲丕亘 禺賵賳丿賴 亘丕卮蹖 讴賴 賲鬲賵噩賴 丕卮丕乇丕鬲 賵 丕乇噩丕毓丕鬲 馗乇蹖賮 亘卮蹖貨 賵 丕蹖賳 禺蹖賱蹖 讴丕乇 賲蹖鈥屫ㄘ辟�.賭
丕賲蹖丿賵丕乇賲 丿賵亘丕乇賴 乇賵夭蹖 亘蹖丕賲 爻乇丕睾 丌孬丕乇 亘賵乇禺爻 賵 丕賵賳 乇賵夭 亘蹖卮鬲乇 賱匕鬲 亘亘乇賲.賭
亘丕夭 禺賵亘賴 讴賴 賯亘賱 丕夭 乇賮鬲賳 爻乇丕睾 丕蹖賳 讴鬲丕亘貙 乇賵 禺賵賳丿賴 亘賵丿賲 賵 鬲丕 丨丿蹖 亘丕 爻亘讴 亘賵乇禺爻 賵 賲爻丕卅賱 丕賱賴丕賲鈥屫ㄘ� 丌孬丕乇卮 丌卮賳丕 卮丿賴 亘賵丿賲.賭
丕賲丕 亘丕夭 賴賲 讴丕賮蹖 賳亘賵丿貙 卮讴蹖 賳蹖爻鬲 讴賴 賴乇賯丿乇 賴賲 讴賲 亘丿賵賳蹖 丕夭 丕蹖賳 夭丕賵蹖賴鈥屰� 丿蹖丿鈥屬囏й� 睾乇蹖亘 賵 禺賱丕賯 賱匕鬲 賲蹖鈥屫ㄘ臂屫� 丕賲丕 賳賴丕蹖鬲 賱匕鬲 乇賵 賵賯鬲蹖 賲蹖卮賴 鬲噩乇亘賴 讴乇丿 讴賴 亘丿賵賳蹖 丕蹖賳 丿丕爻鬲丕賳鈥屬囏� 乇賵 讴賽蹖 賵 趩乇丕 诏賮鬲賴貙 賵賯鬲蹖 丕賳賯丿乇 讴鬲丕亘 禺賵賳丿賴 亘丕卮蹖 讴賴 賲鬲賵噩賴 丕卮丕乇丕鬲 賵 丕乇噩丕毓丕鬲 馗乇蹖賮 亘卮蹖貨 賵 丕蹖賳 禺蹖賱蹖 讴丕乇 賲蹖鈥屫ㄘ辟�.賭
丕賲蹖丿賵丕乇賲 丿賵亘丕乇賴 乇賵夭蹖 亘蹖丕賲 爻乇丕睾 丌孬丕乇 亘賵乇禺爻 賵 丕賵賳 乇賵夭 亘蹖卮鬲乇 賱匕鬲 亘亘乇賲.賭
June 4, 2020
El hacedor se postula como la amalgama perfecta de la tem谩tica borgesiana: sue帽os, inmortalidad, tigres, espejos, tableros de ajedrez, laberintos, el tiempo y el infinito, la literatura, la historia y Dios pueblan sus p谩ginas en una recopilaci贸n miscel谩nea de breves cuentos, poemas y reflexiones que no son sino un canto al anhelo y la memoria de uno de los mejores escritores en lengua espa帽ola de todos los tiempos. De manera concisa y certera, Borges logr贸 con El hacedor una de sus obras m谩s personales, profundas y reveladoras.
September 19, 2016
賯賷賾賲鬲 (丕賱氐丕賳毓) 亘賳噩賲丞 賵丕丨丿丞貙 孬賲 毓丿鬲 丕賱賷賴 賮賷 丕賱賱賷賱丞 匕丕鬲賴丕 亘丕賱賳爻禺丞 丕賱毓乇亘賷丞貙 賮賴匕丕 賳氐 丨亘賰賴 "亘賵乇禺賷爻" 亘賲禺賷賱鬲賴 賵 孬賯丕賮鬲賴 丕賱賵丕爻毓丞 賵 兀乇丿鬲 丕賱鬲兀賰丿 兀賳 丕賱禺胤亘 賷賰賲賳 賮賷 賯乇丕亍鬲賷 丕賱賲夭丕噩賷丞 (亘丕毓鬲賯丕丿賷 賷賰賲賳 賮賷 賰賱 賯乇丕亍丞 丨丕賱丞 賲夭丕噩賷丞) 賱賱賳氐貙 賵 丕賱丕賾 賮丨乇賷賾 亘賷 丕賳 丕賲鬲賱賰 丨噩丞 賯賵賷丞 賱賴噩丕亍 賲購丐賱賻賾賮賴.
賯乇兀鬲 毓賱賶 丕賱賴丕賲卮 賲賵丕丿 賳賯丿賷丞 賲亘毓孬乇丞貙 孬賲 毓丿鬲 丕賱賶 賲賯丿賲丞 丕賱鬲乇噩賲丞 丕賱毓乇亘賷丞貙 賱賷鬲亘賷賾賳 賱賷 兀賴賲賷丞 丕賯鬲亘丕爻 丕賱賲鬲乇噩賲 賱賲賯鬲胤賮 賲賳 賳賯丿 "賲丕卮賷乇賷" (氐賮丨丞 佟贍 賵 佟佟) 賰賲賮鬲丕丨 賱賮賰賮賰丞 亘毓囟 兀亘毓丕丿 賳氐賵氐賴貙 賮兀賰賲賱鬲賴 賵 兀毓丿鬲 鬲賯賷賷賲賴 賲乇丞 孬丕賳賷丞貙 亘兀乇亘毓 賳噩賲丕鬲貙 賵 賱丕 兀匕賰乇 兀賳賴 賰丕賳 賱賷 鬲噩乇亘丞 賲賲丕孬賱丞 賲賳 賯亘賱.
鬲亘丕丿乇鬲 丕賱賶 匕賴賳賷 毓亘丕乇丞 "賳丕亘賵賰賵賮" 丕賱卮賴賷乇丞 : "丕賱卮禺氐 賱丕 賷爻鬲胤賷毓 賯乇丕亍丞 賰鬲丕亘貙 亘賱 賷爻鬲胤賷毓 賮賯胤 廿毓丕丿丞 賯乇丕亍鬲賴. 丕賱賯丕乇卅 丕賱噩賷丿貙 丕賱賯丕乇卅 丕賱毓馗賷賲貙 丕賱賯丕乇卅 丕賱賳卮胤 賵丕賱禺賱丕賯 賴賵 賯丕乇卅 賷毓賷丿 賲丕 賷賯乇兀"..
胤亘毓丕賸 亘睾賷乇 胤賲毓賺 亘賲丿賷丨 賮囟賮丕囟 亘廿爻賯丕胤 丕賱賲賯賵賱丞 毓賱賶 匕丕鬲賷 :))
賲賯鬲胤賮 賲賳 賲賯丿賲丞 丕賱賰鬲丕亘 丕賱爻丕賱賮 匕賰乇賴丕 丨賵賱 賲賯鬲胤賮 賲賳 賳賯丿 "賲丕卮賷乇賷":
"".. 賮賴賵 (丕賱賰鬲丕亘) 賷賵噩丿貙 賵 賷兀禺匕 賲賰丕賳賴 丕賱賲爻賲賵丨 亘賴 賮賷 毓丕賱賲 丕賱賰鬲亘貙 賱兀賳賴 毓賳氐乇 賲賳 賲噩賲賵毓 賰賱賷. 賵 賷賳爻噩 亘賵乇禺賷爻 丨賵賱 賴匕賴 丕賱賲賵囟賵毓丞 噩賲賷毓 賲賮丕乇賯丕鬲賴 毓賳 丕賱賱丕賲鬲賳丕賴賷. 賱丕 賷賵噩丿 丕賱賰鬲丕亘 廿賱丕 毓賳 胤乇賷賯 丕夭丿賵丕噩丕鬲賴 賵 賲囟丕毓賮丕鬲賴 丕賱賲賲賰賳丞: 兀賷 氐賱鬲賴 亘亘賯賷丞 丕賱賰鬲亘 賲賳 丕賱禺丕乇噩貙 賵 亘賵氐賮賴 賲亘賳賷丕賸 亘賳丕亍 丕賱賲賰鬲亘丞 賲賳 丕賱丿丕禺賱. 丕賳 噩賵賴乇 丕賱賰鬲丕亘 賴賵 賴賵賷鬲賴 丕賱匕丕鬲賷丞貙 睾賷乇 丕賳 丕賱賴賵賷丞 賱賷爻鬲 爻賵賶 卮賰賱 賲賳 兀卮賰丕賱 丕賱鬲丨賵賾賱.. 賷馗賱 賰賱 賰鬲丕亘 賲禺鬲賱賮丕賸 毓賳 賳賮爻賴 亘毓賲賯 賱兀賳賴 賷囟賲 匕禺賷乇丞 賱丕 丨氐乇 賱賴丕 賲賳 丕賱鬲卮毓亘丕鬲". 賵 賴匕丕 賷毓賳賷 丕賳 賰賱 賰鬲丕亘 亘丨丕噩丞 丕賱賶 賰鬲丕亘 丌禺乇 賱賷鬲毓乇賾賮 毓賱賶 賳賮爻賴. 賴賰匕丕 賷丐丿賷 丕賱鬲兀賲賱 亘丕賱匕丕鬲 丕賱賶 丕賱鬲兀賲賱 亘丕賱丌禺乇貙 賵 丕賱鬲毓乇賮 毓賱賶 丕賱匕丕鬲 丕賱賶 鬲囟賷賷毓賴丕 賮賷 爻賱爻賱丞 丕賱丌禺乇賷賳 丕賱賱丕賲鬲賳丕賴賷丞. 丕匕 賲丕 丿丕賲 賰賱 卮禺氐 賰鬲丕亘丕賸貙 賮廿賳 匕丕鬲賴 亘丨丕噩丞 兀賷囟丕賸 丕賱賶 匕丕鬲 兀禺乇賶 賵 賰鬲丕亘 丌禺乇. 賵 賴匕丕 丕賱囟賷丕毓 丕賱賲爻鬲賲乇 亘賷賳 丕賱匕丕鬲 賵 丕賱丌禺乇貙 賵 丕賱丕丨丕賱丞 丕賱賲鬲賵丕氐賱丞 亘賷賳賴賲丕 賴賵 丕賱賱毓亘丞 丕賱兀孬賷乇丞 賮賷 賳氐賵氐 亘賵乇禺賷爻".
(丕賱氐丕賳毓) 賲賳 兀氐毓亘 丕賱賰鬲亘 丕賱兀丿亘賷丞 丕賱鬲賷 賯乇兀鬲賴丕 賲丐禺乇丕賸. 賰鬲丕亘 鬲噩乇賷亘賷貙 兀乇丕丿賴 "亘賵乇禺賷爻" 賲鬲賲丕賷夭丕賸 毓賳 賯氐丿.
兀毓賳賷 丕賳賴 賰鬲丕亘 賷賲毓賳 賮賷 孬賳丕卅賷丞 丕賱賲毓丕賳賷 賵 丕毓鬲賲丕丿賴 丕賱乇賲夭賷丞貙 賱匕賷匕 賮賷 氐毓賵亘鬲賴貙 氐毓亘 賮賷 賱匕鬲賴 .. 毓賱賶 兀賳賷 賰賳鬲 賰賱賲丕 兀賱鬲賲爻 賲丕 鬲囟賲乇賴 毓亘丕乇丕鬲賴 賵 丕爻鬲毓丕乇丕鬲賴 賲賳 乇賲賵夭 賵 丿賱丕賱丕鬲 賵 兀鬲賲毓賳 賮賷 賲丕 鬲丨鬲賵賷賴 賲賳 賲爻鬲賳爻禺丕鬲 鬲賳丕氐賷賾丞 賵賮賷乇丞 賰賱賲丕 賰丕賮兀賳賷.
賰鬲丕亘 賲孬賱 亘賯毓丞 鬲賳賯賷亘 兀乇賰賷賵賱賵噩賷貙 毓賳丿 賰賱 毓賲賯 鬲鬲賰卮賮 丨賯亘丞 毓賴丿 賲胤賲賵爻貙 鬲丨賮乇 兀亘毓丿 賱鬲胤丕賱 賲爻鬲賵賷丕鬲 兀毓賲賯 賱丨賯亘丞 兀亘毓丿貙 賵 廿賳 丕丨鬲噩亘鬲 兀禺賮鬲 兀孬乇丕賸 賷賳丿孬乇 賵 賲丿賱賵賱 賲胤賲賵乇.
廿賳賴 賰鬲丕亘 賷鬲賲丿丿 賮賷 賰鬲亘 兀禺乇賶貙 賰噩夭亍 賲賳 賰賱賾賷丞貙 賲賳爻賵噩 亘兀睾賱亘賴 賲賳 鬲賮丕毓賱丕鬲 鬲賳丕氐賷丞 賵 鬲丿丕禺賱丕鬲 賵 賲爻鬲賳爻禺丕鬲貙 毓亘乇 丕賱丕賷丿丕毓 賵 丕賱丕爻鬲卮賴丕丿 賵 丕賱鬲賴噩賷賳 賵 丕賱鬲囟賲賷賳..
賮賮賷 賰鬲丕亘 (丕賱氐丕賳毓) 丕亘鬲丿毓 "亘賵乇禺賷爻" 賳氐賵氐 鬲賲鬲氐 賵 鬲丨丕賰賷 賳氐賵氐 賲丐賱賮賷賳 賵 卮毓乇丕亍 賰亘丕乇貙 賵 丕禺鬲賱賯 丕爻鬲毓丕乇丕鬲 賲噩丕夭賷丞 毓亘乇 丌賱賷丕鬲 丕賱鬲丿丕禺賱 賵 丕賱鬲賴噩賷賳 賵 丕賱鬲囟賲賷賳貙 鬲丨賷賱 亘丕賱廿賱賲丕丨 禺氐賵氐丕賸 丕賱賶 賳氐賵氐 賵 丕爻鬲毓丕乇丕鬲 賵 兀賮賰丕乇 賵 氐賵乇 卮毓乇賷丞 鬲兀孬乇 亘賴丕 賮氐賴乇賴丕 賮賷 賳氐賵氐賴貙 賵 賰孬賷乇 賲賳賴丕 氐毓購亘賻 鬲毓賯亘賴丕 賳爻亘賷丕賸 賵 鬲爻鬲賵噩亘 賲賳 丕賱賯丕乇賶亍 噩賴丿丕賸 賮賷 丕賱鬲賳賯賷亘 毓賳賴丕. 賵 賴賳丕 賰丕賳鬲 賲鬲毓鬲賷 兀孬賳丕亍 丕賱賯乇丕亍丞.
賵 丕賱廿賱賲丕丨 鬲賯賳賷丞 兀爻丕爻賷丞 賮賷 兀爻賱賵亘 "亘賵乇禺賷爻" 賰賲丕 兀鬲賶 匕賱賰 毓賱賶 賱爻丕賳賴 賮賷 廿丨丿賶 賲丨丕囟乇丕鬲賴 丨賵賱 丕賱卮毓乇: "賱賲 兀毓丿 兀丐賲賳 亘丕賱鬲毓亘賷乇. 廿賳賷 兀丐賲賳 亘丕賱鬲賱賲賷丨 賮賯胤. 賮賲丕 賴賷 丕賱賰賱賲丕鬲 賮賷 賳賴丕賷丞 丕賱賲胤丕賮責 丕賱賰賱賲丕鬲 賴賷 乇賲賵夭 賱匕賰乇賷丕鬲 賲卮鬲乇賰丞".
兀賵乇丿 賴賳丕 賰賲孬丕賱 賲賯丕賱賴 丕賱賯氐賷乇 丕賱賲毓賳賵賳 ( 丕賱噩丨賷賲 佟貙 伲佗) 丨賵賱 賮賴丿 賮賷 賯賮氐貙 賵 賴賵 賷丨賷賱賳丕 丕賱賶 丕賱賮賴丿 匕丕鬲賴 賲賵囟賵毓 賯氐賷丿丞 "乇賷賱賰賴" 丕賱乇丕卅毓丞.
[鬲爻噩賷賱 賵 鬲乇噩賲丞 賱賯乇丕亍鬲賴丕: ]
賰鬲亘 "乇賷賱賰賴" 賯氐賷丿鬲賴 賮賷 丨丿賷賯丞 丕賱丨賷賵丕賳丕鬲 亘毓丿 賲乇丕賯亘丞 賯賮氐賴 賱兀賷丕賲貙 廿孬乇 丨賵丕乇 毓賲賷賯 賲胤賵賱 賲毓 丕賱賳丨丕鬲 "乇賵丿丕賳" 賯亘賱 禺氐丕賲賴賲丕 丕賱賵丿賷 (丕賱匕賷 夭乇鬲 賲鬲丨賮賴 賵 兀毓賲丕賱賴 賲卅丕鬲 丕賱賲乇丕鬲貙 亘賯毓鬲賷 丕賱賲賮囟賱丞 兀孬賳丕亍 爻賳賵丕鬲 丕賯丕賲鬲賷 丕賱胤賵賷賱丞 賮賷 亘丕乇賷爻) 丨賷賳 賰丕賳 賲爻丕毓丿賴 賵 亘丕丨孬丕賸 賷丿乇爻 丕賱丨噩乇 賵 丕賱丨乇賰丞 賵 丕賱囟賵亍 毓亘乇 賲賳丨賵鬲丕鬲賴 (毓丕賱噩賴丕 賮賷 賰鬲丕亘賴 "乇賵丿丕賳") 賵 賴賷 鬲噩乇亘丞 鬲乇賰鬲 兀孬乇丕賸 賳賮爻賷丕賸 賰亘賷乇丕賸 賮賷賴 賵 胤亘毓鬲 乇丐賷鬲賴 賮賷 丕賱賮賳 賵 丕賱卮毓乇 賰賲丕 鬲亘賷賾賳 乇爻丕卅賱賴 丕賱毓丿賷丿丞 丕賱賶 "賱賵 爻丕賱賵賲賷" (兀匕賰乇賴丕 賱丕丨賯丕賸 賮賷 賲乇丕噩毓丞 賲胤賵賱丞 兀賳賴賷賴丕 賱賯氐丕卅丿 "乇賷賱賰賴".. 賲賯丕賱 賲賯鬲囟亘 丨賵賱 丕賱賲賵囟賵毓
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賮賷 丕賱賲賯胤毓 丕賱孬丕賳賷 賲賳賴貙 賷賳鬲賯賱 "亘賵乇禺賷爻" 丕賱賶 "丿丕賳鬲賷賴" 賵 賴賷 廿卮丕乇丞 兀禺乇賶 丕賱賶 賲賳丨賵鬲丞 "乇賵丿丕賳" 丕賱囟禺賲丞 丕賱賲毓乇賵賮丞 亘 "丕賱賲賮賰賾乇"貙 賵 丕賱鬲賷 賷噩爻丿 賮賷賴丕 卮禺氐 "丿丕賳鬲賷賴" (賴賷 亘丕賱兀氐賱 賲爻賵丿丞 賱賲噩爻賲 賲氐睾賾乇 賷毓賱賵 賲賳丨賵鬲鬲賴 丕賱賰亘乇賶 "亘賵丕亘丞 丕賱噩丨賷賲" 賵 丕賱鬲賷 丕爻鬲賱賴賲 毓賳丕氐乇賴丕 賲賳 賲賱丨賲丞 "丿丕賳鬲賷" 匕丕鬲賴)貙 賵 "亘賵乇禺賷爻" 賴賳丕 賷丨賷賱 丕賱賷賴丕 亘丿賵乇賴 亘丿亍丕賸 賲賳 毓賳賵賳鬲賴 賱賲賯丕賱賴 賴匕丕 亘(丕賱噩丨賷賲)..
[賲賳丨賵鬲丞 丕賱噩丨賷賲: ]
兀毓乇賮 兀賳 "亘賵乇禺賷爻" 賱丕 賷丨亘匕 廿賯丨丕賲 丕賱丨賵丕卮賷 丕賱鬲賷 鬲兀孬乇 毓賱賶 丕賱賯丕乇賶亍貙 丕賳賲丕 賱賰丕賳 賯賱賷賱 賲賳 丕賱鬲丨賯賷賯 賵 丕賱噩賴丿 賲賳 丕賱賲鬲乇噩賲 賲乇丨亘 亘賴貙 賵 鬲丿賵賷賳 賴賵丕賲卮 賵 賲賱丕丨馗丕鬲 賲毓賷賳丞貙 鬲毓乇賾賮 亘賲丨胤丕鬲 賲賳 丨賷丕鬲賴 賵 卮禺氐賷丕鬲 賷卮丕乇 丕賱賷賴丕貙 賵 鬲丿賱賾 毓賱賶 丕賱賲毓丕乇賰 賵 丕賱乇賲賵夭 丕賱鬲丕乇賷禺賷丞 賵 丕賱賲賷孬賵賱賵噩賷丞 賵 丕賱兀毓賲丕賱 丕賱賮賳賷丞 賵 丕賱賯氐丕卅丿 丕賱鬲賷 賷爻鬲丿毓賷賴丕.. 廿匕 賱爻丕賴賲鬲 賮賷 鬲爻賴賷賱 乇氐丿 丕賱賯丕乇賶亍 賱賱賲賳丕氐 兀孬賳丕亍 賲賯丕乇亘鬲賴 賱賱賳氐 丕賱兀丿亘賷 (丕賱賲賳丕氐 賮賷 鬲毓乇賷賮 丕賱丿. 丨賲丿丕賵賷: " 賷賳胤賱賯 丕賱賲亘丿毓 賲賳 毓賲賱 兀賵 丨丿孬 兀賵 賮賰乇丞 兀賵 賲乇噩毓 兀賵 賲氐丿乇 賱賲亘丿毓 丌禺乇 賮賷丨丕賵賱 賲丨丕賰丕鬲賴 兀賵 賳賯丿賴 賵丨賵丕乇賴").
廿卮賰丕賱賷丞 兀爻丕爻賷丞 鬲胤乇丨 賳賮爻賴丕 賴賳丕: 睾賷丕亘 賲丕 賷丿毓賵賴 丕賱爻賷賲賷丕卅賷賵賳 亘丕賱賲毓乇賮丞 丕賱禺賱賮賷賾丞 賱丿賶 丕賱賯丕乇賶亍貙 賮賷 丨丕賱 毓丿賲 毓賱賲賴 亘丕賱鬲乇丕亘胤 亘賱 賵 丕賱鬲賵丕卮噩 賮賷 (丕賱氐丕賳毓) 亘賷賳 賳氐 "亘賵乇禺賷爻" 賵 丕賱賳氐賵氐 丕賱鬲賷 賷爻鬲丿毓賷賴丕貙 亘亘爻丕胤丞 賱毓丿賲 丕胤賱丕毓賴 毓賱賷賴 賲爻亘賯丕賸貙 賵 兀賳丕 賲鬲兀賰丿 賮丕鬲賳賷 賲賳賴丕 丕賱賰孬賷乇貙 兀賱丕 賷丐丿賷 賴匕丕 丕賱賶 丕噩鬲孬丕孬 毓賲賯賴丕 丕賱鬲毓亘賷乇賷 賵 丨噩亘 賲賯丕氐丿賴丕 賵 亘丕賱鬲丕賱賷 丕賱丕賳鬲賯丕氐 賲賳 噩賲丕賱賷鬲賴丕責
兀鬲匕賰乇 賴賳丕 毓乇囟賷丕賸 丕賱毓馗賷賲賷賳 "賳丕亘賵賰賵冥" 賵 "亘丕乇鬲" 賮賷 賰鬲丕亘丕鬲賴賲丕 丕賱賲爻鬲賮賷囟丞 丨賵賱 賵馗賷賮丞 賯丕乇賶亍 丕賱賳氐貙 毓賳 丿賵乇賴 賵 賲賯賵賲丕鬲賴貙 亘賱 賵 賵囟毓 賲毓丕賷賷乇 毓丕賲丞 鬲賯賵賲 毓賱賶 鬲賯賷賷賲 丕賱賯丕乇賶亍 亘賷賳 乇丿賷亍 賵 賲噩鬲賴丿 賮賷 丕賱鬲賮賰賷賰 賵 丕賱鬲兀賵賷賱 賵 丕賱賮賴賲 賵 丕賱賲賯丕乇賳丞 賵 丕爻鬲賰賳丕賴 丕賱亘賵丕胤賳 賵 丕賱丿賱丕賱丕鬲 賵 丕賱賲賯丕氐丿..賵 丕賱賲賷夭丞 丕賱兀賰孬乇 鬲胤賱亘丕賸 賱賱賯丕乇賶亍 "丕賱賲亘丿毓"賮賷 乇兀賷 "賳丕亘賵賰賵賮" 賴賷 丕賱禺賷丕賱貙 賵 兀賰孬乇 鬲丨丿賷丿丕賸 "丕爻鬲禺丿丕賲 丕賱匕丕卅賯丞 丕賱賮賳賷丞 亘丕賱丕囟丕賮丞 丕賱賶 丕賱禺賷丕賱 丕賱賲噩乇丿" (賲賳 賲丨丕囟乇丕鬲 賳丕亘賵賰賵賮 )
賱毓賱賴 賲賳馗賵乇 賳禺亘賵賷賾 賮賷 鬲氐賳賷賮 丕賱賯乇丕亍 賱賲乇鬲亘丕鬲 丿賳賷丕 賵 毓賱賷丕 賱賰賳賴 賱毓賲乇賷 氐丨賷丨. 丕賱賯乇丕亍丞 噩賴丿 丕乇鬲賯丕亍賷 賵 丕賱賱匕丞 丕賱鬲賷 賷卮鬲乇胤賴丕 賯乇丕亍 賰孬乇 賴賷 賲賰丕賮兀丞 亘丕賱賳爻亘丞 賱賷貙 賱丕 賲胤賱亘 賲購爻亘賯.
丕賳賴 丕匕丕賸 (丕賱氐丕賳毓) 丕賱匕賷 賷賱賲賱賲 丕賱兀卮賷丕亍 丕賱賲亘毓孬乇丞 賰賲丕 賴賷 賲卮乇匕賲丞 丕賱丨賯賷賯丞 丕賱鬲丕卅賴丞 賮賷 賮賵囟賶 丕賱毓丕賱賲貙 賷噩賲賾毓賴丕 賮賷 賳氐賵氐賴 賰賲丕 丕賱卮丕毓乇 賷賵囟賾亘 丕賱賳孬乇.. 鬲鬲卮馗賾賶 賮賷賴 匕丕鬲 "亘賵乇禺賷爻" 賱鬲鬲匕亘匕亘 亘賷賳 丕賱兀噩賳丕爻 丕賱兀丿亘賷丞貙 鬲禺丕賱胤賴丕 賵 鬲賲鬲夭噩 賵 鬲禺鬲賱賯 兀卮賰丕賱 賵 氐賵乇 賲亘鬲賰乇丞 賮賷 丕賱爻乇丿 賵 丕賱卮毓乇..
賷賳鬲賯賷 賮賷 丕賱賳氐賵氐 匕賵丕鬲 賲鬲丨乇賰丞 賵 賲鬲亘丿賱丞 亘賷賳 賴賵賷丕鬲 賲禺鬲賱賮丞貨 賲賯鬲胤賮 賲賳 (亘賵乇禺爻 賵 兀賳丕):
"丕賳賴 丕賱卮禺氐 丕賱丌禺乇貙 亘賵乇禺爻貙 賲賳 噩乇鬲 賱賴 賴匕賴 丕賱兀卮賷丕亍 (..) 賲賳 丕賱賲亘丕賱睾丞 丕賱賯賵賱 丕賳 毓賱丕賯鬲賳丕 毓丿丕卅賷丞貙 賮兀賳丕 兀毓賷卮貙 賵 兀爻賲丨 賱賳賮爻賷 兀賳 兀毓賷卮 丨鬲賶 賷亘鬲丿毓 亘賵乇禺爻 兀丿亘賴貙 賵 賷亘乇乇 兀丿亘賴 賵噩賵丿賷".
亘賵乇禺賷爻 賷亘丨孬 毓賳 亘賵乇禺賷爻貙 賷胤賮賵 亘賷賳 賲乇丕丨賱 鬲丕乇賷禺賷丞貙 賷毓賰爻 匕丕鬲賴 賮賷 丕賱賲乇丌丞 賱賷胤賱賾 毓亘乇 毓丕賱賲 賲鬲賵丕夭賺 賱賱賵丕賯毓 賱賰賳賴 賱丕 賷賯賱賾丿賴貙 賮賷賴 毓賵賱賷爻 賵 賯賷氐乇 賵 賳丕亘賱賷賵賳 賵 丿賵賳 賰賷禺賵鬲賴 賵 卮禺氐賷丕鬲 賰孬賷乇丞 噩丿丕賸 鬲賯亘毓 賮賷 賲禺賷賱鬲賴貙 賷賮乇丿 賱賴丕 丨賷夭丕賸 賮賷 馗乇賮 賲賰丕賳賷 兀賵 兀禺賱丕賯賷 兀賵 夭賲丕賳賷 賷禺鬲賱賯賴貙 賷賳賮匕 亘賷賳 胤賷賾丕鬲 丕賱氐賮丨丕鬲 賱賷丨丕賵乇賴丕 賵 賷鬲賯賲賾氐賴丕.
賷賳爻噩 "亘賵乇禺賷爻" 賲賳 賳氐賵氐 兀丿亘賷丞 賵 卮毓乇賷丞 賲鬲乇丕賲賷丞 丕賱噩匕賵乇貙 賲賳 丕賱丕乇噩賳鬲賷賳 丕賱賶 丕賱兀賳丿賱爻 丕賱賶 亘賱丕丿 丕賱毓乇亘 丨鬲賶 丕賱賴賳丿貙 賷禺氐賾亘賴丕 亘賲噩丕夭 賮丕賳鬲丕夭賷 賵 毓噩丕卅亘賷 賵 睾乇丕卅亘賷貙 賮鬲氐亘丨 禺賱丕爻賷丞 賲鬲噩丕賵夭丞 賱賱丨丿賵丿 丕賱賱睾賵賷丞 賵 賲賳賮鬲丨丞 丕賱兀亘毓丕丿 賵 丕賱賲毓賳賶 兀賲丕賲 賱丕賳賴丕卅賷丞 丕賱丕丨鬲賲丕賱丕鬲 賵 丕賱賲丿賱賵賱丕鬲 賵 丕賱賲賯丕氐丿 ..
廿賳 "亘賵乇禺賷爻" 賷丿兀亘 毓亘乇 賯氐氐賴 毓賱賶 鬲氐賵賷乇 丕賱鬲囟丕丿 亘賷賳 丕賱賵丕賯毓 賵 亘賷賳 丕賱乇丐賷丞 賵 丕賱鬲賵賴賲 賵 丕賱丨賱賲貙 丕賱匕賷 賲賴賲丕 亘賱睾鬲 賯丿乇鬲賴 毓賱賶 丕賱丕亘鬲丿丕毓 賵 丕賱丕禺鬲賱丕賯貙 丕賳賲丕 賴賵 毓丕噩夭 毓賳 鬲噩爻賷丿 丕賱丨賯賷賯賷 丕賱賲乇卅賷 賵 丕賱賲賱賲賵爻. 賰賲丕 賲孬賱丕賸 賮賷 賳氐賴 丕賱賯氐賷乇 (賳賲賵乇 丕賱兀丨賱丕賲).. 丕賱賳賲乇 兀賰孬乇 丕賱賲禺賱賵賯丕鬲 丕賱鬲賷 賷匕賰乇賴丕 賵 兀賰孬乇賴丕 廿孬丕乇丞 賱賮囟賵賱賴 賵 廿毓噩丕亘賴 (賱匕丕 丕毓鬲賲丿鬲 亘毓囟 丕賱胤亘毓丕鬲 丕賱兀賲賷乇賰賷丞 毓賳賵丕賳 賴匕丕 丕賱賳氐 賰毓賳賵丕賳 賱賱賰鬲丕亘)貨 廿賳賴 賰丕卅賳 賲禺胤胤 亘禺胤賵胤 賮丕鬲丨丞 賵 丿丕賰賳丞 賲鬲亘丕賷賳丞 賲賳賯爻賲丞 毓丕賲賵丿賷丕賸貙 賷乇丕賵丿 "亘賵乇禺賷爻" 賮賷 氐賵乇 鬲丨丕賰賷 丕賱賮氐賱 亘賷賳 丕賱賵丕賯毓 賵 丕賱丨賱賲 賵 亘賷賳 丕賱卮賷亍 賵 乇賲夭賴..
賵 賳氐賵氐 (丕賱氐丕賳毓) 爻賵丕亍 賮賷 丕賱賳孬乇 兀賵 丕賱卮毓乇 鬲賳囟丨 亘賰孬賷乇 賲賳 丕賱丕爻鬲毓丕乇丕鬲 丕賱睾乇丕卅亘賷丞 丕賱鬲賷 賯丿 鬲孬賳 亘毓囟 丕賱賯乇丕亍 毓賳 丕賱丕賳丿賲丕噩 賮賷 卮丕毓乇賷丞 丕賱賳氐. 毓賱賶 兀賳賴 賲賴賲丕 亘賱睾鬲 丿乇噩丞 爻乇賷丕賱賷鬲賴丕 賵 賱丕賲毓賯賵賱賷鬲賴丕 賴賷 賲賴賲丞 賮賷 亘賳賷丞 賳氐賵氐 亘賵乇禺賷爻 賱丕賳賴丕貙 賰賲丕 賷丐賰丿 賱賳丕 賮賷 丕丨丿賶 賲丨丕囟乇丕鬲賴 賮賷 (氐賳毓丞 丕賱卮丕毓乇)貙 丕賳毓賰丕爻 亘賵丕爻胤丞 賱睾丞 丕賱賰丕鬲亘 丕賱禺丕氐丞 賱丕賳賮毓丕賱丕鬲 賵 鬲賴賷丐丕鬲 賵 賲卮丕毓乇 賰丕賲賳丞 賮賷 毓賯賱賴 賵 賵毓賷賴 賵 賷毓亘乇 毓賳賴丕 亘氐賵乇丞 禺丕氐丞 賰賲丕 丕賳胤亘毓鬲 賮賷 丕丨爻丕爻賴 賵 丕丿乇丕賰賴:
"丕賱丕爻鬲毓丕乇丕鬲 賱丕 鬲爻鬲丿毓賷 丕賱廿賷賲丕賳 亘賴丕. 賲丕 賷賴賲 丨賯丕賸 賴賵 丕賳 賳賮賰乇 賮賷 兀賳賴丕 鬲爻锟斤拷噩賷亘 賱丕賳賮毓丕賱 丕賱賰丕鬲亘 賵 毓丕胤賮鬲賴 (..) 毓賳丿賲丕 賷賰鬲亘 賱賵睾賵賳賷爻 兀賳 睾乇賵亘 丕賱卮賲爻 賰丕賳 "胤丕賵賵爻丕賸 兀禺囟乇 賮丕賯毓丕賸 賲賳鬲卮賷丕賸 賮賷 丕賱匕賴亘" 賷噩亘 毓丿賲 丕賱丕賴鬲賲丕賲 亘丕賱鬲卮丕亘賴- 兀賵 亘丕賱兀氐丨貙 丕賳毓丿丕賲 丕賱鬲卮丕亘賴- 亘賷賳 丕賱睾乇賵亘 賵 丕賱胤丕賵賵爻. 丕賱賲賴賲 賴賵 兀賳賴 噩毓賱賳丕 賳卮毓乇 亘兀賳 賱賵睾賵賳賷爻 丕賱賲亘賴賵乇 亘丕賱睾乇賵亘貙 丕丨鬲丕噩 丕賱賶 賴匕賴 丕賱丕爻鬲毓丕乇丞 賰賷 賷賳賯賱 丕賱賷賳丕 兀丨丕爻賷爻賴."
毓賲賷賯丞 賵 賰孬賷賮丞 氐賵乇賴 丕賱賲卮乇匕賲丞 賮賷 乇賰丕賲 丕賱賳氐賵氐 丕賱賯氐賷乇丞 賵 丕賱賯氐丕卅丿 丕賱鬲賷 鬲馗賳賴丕 賲賱賲賵賲丞 賵 賲賰賵賲丞貙 賮賷賲丕 乇賵賷丿丕賸 鬲鬲乇丕亘胤 賱鬲賳爻噩 賲賳 賲賮丕賴賷賲 賮賱爻賮賷丞 賵 兀丿亘賷丞 賲賮丕氐賱 鬲卮丿賴丕 丕賱賶 亘毓囟賴丕 賰噩爻丿 賵丕丨丿..
賮鬲鬲賰乇乇 賮賷 丕賱賰鬲丕亘 毓賱賳丕賸 賵 丕爻鬲鬲丕乇丕賸貙 亘丕賱賲賵丕乇亘丞 賵 丕賱賲氐丕乇丨丞貙 賲賳 丿丕禺賱 賯氐氐 睾乇賷亘丞貙 賲賮丕賴賷賲 賵 毓賱丕賲丕鬲 丕爻鬲賮賴丕賲 賵 鬲爻丕丐賱丕鬲 賲賷鬲丕賮賷夭賷賯賷丞: 丕賱賯丿乇賷賾丞.. 丕賱丨賯賷賯丞 丕賱鬲賷 鬲鬲賵丕賱丿 賵 鬲鬲賳丕爻賱貙 亘賷賳 丕賱賲丕囟賷 賵 丕賱丌鬲賷 丕賱賲噩賴賵賱貙 亘賷賳 丕賱賴賳丕 賵 丕賱賴賳丕賰.. 丕賱賯賱賯 賵 丕賱毓噩夭 丕賱毓賯賱賷 賵 丕賱丕丿乇丕賰賷 兀賲丕賲 睾賲賵囟 丕賱賵丕賯毓 賵 丕賱鬲亘丕爻賴 .. 丕賱丕賮鬲鬲丕賳 亘丕賱禺丕賱賯 .. 丕賱兀禺賱丕賯 亘賷賳 丕賱馗乇賮 賵 丕賱賲胤賱賯 (賰賲丕 賮賷 賳氐賴 丨賷孬 賷胤乇丨 丕卮賰丕賱賷丕鬲 賯賷賲賷賾丞 賷爻賯胤賴丕 毓賱賶 "丿賵賳 賰賷禺賵鬲賴")..丕賱賮丕氐賱 亘賷賳 丕賱丨賷丕丞 賵 丕賱賲賵鬲.. 丕賱丕賳賲丨丕亍 丕賱匕丕鬲賷 賮賷 丕賱賲胤賱賯 賵 丕賱鬲毓丿丿.. 賲丨丕賰丕丞 丕賱鬲丕乇賷禺 賮賷 賲賳毓胤賮丕鬲 丕賱丨丕囟乇.. 鬲賲丕賴賷 丕賱賳賴丕卅賷 賵 丕賱賱丕賳賴丕卅賷.. 鬲賯丕乇亘 賵 鬲亘丕毓丿 丕賱卮賷亍 賵 氐賵乇鬲賴 賮賷 丕賱賲丿乇賰 丕賱丕賳爻丕賳賷 (賴匕賴 丕賱賲乇丌丞 丕賱鬲賷 賷賵乇丿賴丕 賲乇丕乇丕賸 賵 鬲賰乇丕乇丕賸 賮賷 丕賱賳氐賵氐貙 鬲丕乇丞 鬲禺亘賾兀 毓丕賱賲丕賸 賲賳 丕賱睾賷亘 兀賵 賴賷 賲賳賮匕 賴乇賵亘 丕賱賷賴貙 賵 鬲丕乇丞 賴賷 賰丕卮賮丞 賱丨賯賷賯鬲賳丕 鬲丿賮毓賳丕 丕賱賶 賲賵丕噩賴丞 兀賳賮爻賳丕).. 鬲卮丕亘賰 賵 丕賳賮氐丕賱 亘賷賳 丕賱丨丕囟乇貙 賲丕囟賷 丕賱賲爻鬲賯亘賱 丕賱匕賷 賷丨賲賱 賮賷 匕丕鬲賴 匕丕賰乇丞 丕賱賲丕囟賷貙 賵 丕賱賲爻鬲賯亘賱 丕賱匕賷 爻賷賰乇乇 賲丕囟賷賴貙 丕賱賶 丨賷賳 鬲鬲賰卮賾賮 丕賱丕爻鬲賲乇丕乇賷丞 賰賵賴賲 賷爻鬲鬲乇 丕賱鬲賰乇丕乇..
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賲賳 (賲乇丕賷丕)
兀賳丕 丕賱匕賷 賰賳鬲 兀卮毓乇 亘丕賱乇毓亘 賲賳 丕賱賲乇丕賷丕
賱丕 兀賲丕賲 丕賱亘賱賵乇 丕賱賲氐賲鬲 賮丨爻亘貙
丨賷孬 賷亘丿兀 賴賳丕賰 賵 賷賳鬲賴賷 賮囟丕亍 亘賱賯毓
賵 賲鬲毓匕乇 賲賳 丕賱丕賳毓賰丕爻丕鬲貙
亘賱 兀賷囟丕賸 賲賳 丕賱鬲丨丿賷賯 賮賷 丕賱賲丕亍
丕賱匕賷 賷丨丕賰賷 鬲賱賰 丕賱夭乇賯丞 丕賱兀禺乇賶 賮賷 毓賲賯 爻賲丕卅賴貙
丕賱夭乇賯丞 丕賱鬲賷 鬲毓賷丿 廿賷賲丕囟 丕賱鬲丨賱賷賯 丕賱賵賴賲賷
賱胤丕卅乇 賲賯賱賵亘貙 兀賵 鬲鬲賲賵噩 (..)
兀爻兀賱 賳賮爻賷 丕賱賷賵賲貙 毓賱賶 卮賮丕 爻賳賵丕鬲 鬲噩賵丕賱 賰孬賷乇丞
賵 賲丨賷賾乇丞貙 鬲丨鬲 丕賱賯賲乇 丕賱賲鬲丨賵賱貙
兀賷丞 賳夭賵丞 賯丿乇
噩毓賱鬲賳賷 禺丕卅賮丕賸 丕賱賶 賴匕丕 丕賱丨丿賾 賲賳 鬲賲賱賾賷 丕賱賲乇丕賷丕.
(..)
賲賳 丕賱睾乇賷亘 兀賳 賳丨賱賲貙 賵 丕賳 賷賰賵賳 賱丿賷賳丕 賲乇丕賷丕
丨賷孬 賷賳胤賵賷 丕賱賲爻鬲賵丿毓 丕賱乇孬 丕賱毓丕丿賷
賱賰賱 賷賵賲貙 毓賱賶 丕賱毓丕賱賲 丕賱賵賴賲賷 丕賱毓賲賷賯
丕賱匕賷 鬲禺賱賮賴 丕賱丕賳毓賰丕爻丕鬲.
賲丕 兀賰亘乇 毓賳丕亍 丕賱賱賴 (兀賵丕氐賱 丕賱鬲賮賰賷乇) 賮賷 鬲氐賲賷賲
賴匕丕 丕賱賳氐亘 丕賱賲賳賮賱鬲
丕賱匕賷 賷卮賷丿賴 賰賱 賮噩乇 賲賳 丕賱鬲賲丕毓丞 賲乇丌丞
賵 鬲卮賷丿賴 馗賱賲丞 賲賳 丨賱賲
賱賯丿 禺賱賯 丕賱賱賴 丕賱賱賷賱貙 賵 丿乇賾毓賴 亘丕賱兀丨賱丕賲 賵 丕賱賲乇丕賷丕貙
賱賷賵囟丨 賱賱丕賳爻丕賳貙
亘兀賳賴 賲噩乇丿 丕賳毓賰丕爻 賵 賲丨囟 亘丕胤賱.
賱賴匕丕 鬲孬賷乇賴 丕賱兀丨賱丕賲 賵 丕賱賲乇丕賷丕."
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賲賳 (賲乇丕賷丕 丕賱夭賷賳丞 丕賱賲鬲丿賱賷丞)
"..胤賮賱丕賸 卮毓乇鬲 兀賲丕賲 賲乇丕賷丕 囟禺賲丞 亘匕賱賰 丕賱乇毓亘 賳賮爻賴 賲賳 丕賱賲囟丕毓賮丞 丕賱亘氐乇賷丞 兀賵 鬲毓丿丿 丕賱賵丕賯毓. 賮毓賲賱賴丕 丕賱賲毓氐賵賲 丕賱賲鬲賵丕氐賱貙 賲鬲丕亘毓鬲賴丕 賱兀賮毓丕賱賷貙 丕賷賲丕亍丕鬲賴丕 丕賱賰賵賳賷丞貙 鬲氐賷乇 兀匕賳 禺丕乇賯丞 賲鬲賶 賲丕 禺賷賾賲 丕賱馗賱丕賲. 賵 賰丕賳 賲賳 氐賱賵丕鬲賷 丕賱丿丕卅賲丞 丕賱賶 丕賱賱賴 賵 丕賱賶 賲賱丕賰賷 丕賱丨丕乇爻 兀賳 賱丕 兀丨賱賲 亘丕賱賲乇丕賷丕. 兀毓乇賮 丕賳賷 乇丕賯亘鬲賴丕 亘馗賳賵賳 爻賷卅丞. 兀丨賷丕賳丕賸 賰賳鬲 兀禺卮賶 丕賳 鬲賳丨乇賮 毓賳 丕賱賵丕賯毓貙 賵 丕丨賷丕賳丕賸 兀禺乇賶 賰賳鬲 兀禺丕賮 兀賳 兀乇賶 賵噩賴賷 賴賳丕賰 賵 賯丿 卮賵賴鬲賴 賮噩丕卅毓 睾乇賷亘丞."
丕匕丕賸貙 賰孬賷乇丞 賴賷 丕賳卮睾丕賱丕鬲 "亘賵乇禺賷爻" 丕賱鬲賷 賷丨丕賵賱 丕賱鬲賯丕胤賴丕 賮賷 賴匕賴 丕賱賲噩賲賵毓丞 丕賱賴噩賷賳丞 賲賳 禺賵丕胤乇 毓丕亘乇丞 丨賵賱 賰鬲亘 兀丿亘賷丞貙 賵 賯氐丕卅丿 賵 卮匕乇丕鬲 卮丕毓乇賷丞 賵 丨賵丕丿孬 鬲丕乇賷禺賷丞 賵 丕爻丕胤賷乇 賲賳 丕賱賲賷鬲賵賱賵噩賷丕. 丕賱兀爻胤乇丞 孬乇賷丞 賲鬲賰乇乇丞 賮賷 丕賱賳氐賵氐貙 賴賷 賲賵乇賵孬賳丕 丕賱賱睾賵賷 丕賱賲鬲卮丕乇賰 賮賷 丕賱孬賯丕賮丕鬲貙 鬲囟胤賱毓 亘賵馗賷賮丞 丕賱賯丕爻賲 丕賱賲卮鬲乇賰 丕賱毓丕亘乇 賱鬲丕乇賷禺 賰賱 丕賱卮毓賵亘.. 丕賱兀爻丕胤賷乇 賴賷 賲丨丕賵賱丞 丕賱丕賳爻丕賳 鬲噩丕賵夭 賯氐乇 丕賱毓賯賱 賮賷 丕丿乇丕賰 丕賱胤亘賷毓丞 賵 丕爻鬲賷毓丕亘賴丕貙 賷禺鬲賱賯 毓亘乇賴丕 丌賱賴丞 鬲噩爻丿賴 亘氐賵乇丞 賲孬丕賱賷丞 賱賳 賷丿乇賰賴丕貙 鬲丨乇賰 丕賱胤亘賷毓丞 賵 丕賱賲賵噩賵丿丕鬲 賱賷毓亘丿賴丕 賵 賷賯賱丿賴丕 賵 賷鬲乇賮賾毓 丕賱賷賴丕 毓賱賵丕賸 賲賳 賲賵賯毓賴 丕賱丿賵賳賷..
兀賰孬乇 賲賳 丕賱兀亘丕胤賷賱 賵 丕賱爻丨乇 賵 丕賱賲亘丕賱睾丞貙 賴匕賴 丕賱兀爻丕胤賷乇 賴賷 賱噩賵亍 丕賱賶 丕賱禺賷丕賱 丕賱丕賳賯丕匕賷賾 亘毓丿 丕賱丕氐胤丿丕賲 亘賲丨丿賵丿賷丞 丕賱賲毓乇賮丞 賵 丕賱丨賯賷賯丞貙 丕賳賴丕 鬲毓亘賷乇 毓賳 氐睾乇 丕賱丕賳爻丕賳 兀賲丕賲 丕賱爻乇賲丿賷丞貙 毓賳 丨賷乇鬲賴 丕賱賵噩賵丿賷賾丞 兀賲丕賲 丕賱賱丕賳賴丕卅賷 賵 丕賱賵丕爻毓 賵 丕賱賲毓賯丿..
賰賱 兀賴賵丕亍賷 毓丕亘乇丞 賱賱丨丿賵丿 賵 賲賷賵賱賷 兀賲賲賷丞 賵 賱爻鬲 賲賳 賴賵丕丞 丕賱賵胤賳賷丞 丕賱賲賵乇賵孬丞 賵 賵賱賷丿丞 丕賱氐丿賮丞 丕賱噩睾乇丕賮賷丞 賵 賱丕 兀爻鬲馗乇賮 丕賱賯賵賲賷丞 毓賱賶 兀賳賵丕毓賴丕 賵 賱丕 兀亘氐乇 丨鬲賶 丕賱賮賵丕乇賯 丕賱廿孬賳賷丞貙 丕賳賲丕 (賯氐賷丿丞 賲賳馗賵賲丞 毓丕賲 佟侃佴贍) 丕賱鬲賷 鬲賳卮丿 賵胤賳 丕賱賲賳卮兀 丕爻鬲賵賯賮鬲賳賷貙 賮丕賯鬲 亘乇賵毓鬲賴丕 賲丕 賮賷 賲禺夭賵賳賷 賲賳 賲氐胤賱丨丕鬲 賱兀丨賷胤 亘噩賲丕賱賷丕鬲賴丕.. 賱毓賱賾賴 賱兀賳賴丕 鬲賳鬲賯氐 丕賱卮賵賮賷賳賷丞貙 禺氐賷氐丞賻 丕賱賲丿丕卅丨 丕賱賵胤賳賷丞 丕賱賲賲噩賵噩丞 賮賷 兀賳馗賲鬲賳丕 丕賱毓乇亘賷丞..
兀賳賯賱賴丕 賴賳丕 賰丕賲賱丞 (鬲乇噩賲賴丕 "爻毓賷丿 丕賱睾丕賳賲賷"):
亘賲噩乇丿 賲氐丕丿賮丞貙 兀賲 亘賯丕賳賵賳 爻乇賷貙
賷丨賰賲 賴匕丕 丕賱丨賱賲貙 賲氐賷乇賷 賵 丕乇丕丿鬲賷
-兀賷鬲賴丕 丕賱兀乇囟 丕賱毓夭賷夭丞 丕賱毓匕亘丞
丕賱鬲賷 鬲囟賲 賱賷爻 亘睾賷乇 賲丕 賲噩丿賺 兀賵 毓丕乇
賲卅丞 賵 禺賲爻賷賳 爻賳丞 毓噩賮丕亍-
兀賳 兀鬲賰賱賲貙 兀賳丕 丕賱賯胤乇丞貙 丕賱賷賰 兀賷賴丕 丕賱賳賴乇
兀賳 兀鬲賰賱賲貙 兀賳丕 丕賱賱丨馗丞貙 丕賱賷賰 兀賷賴丕 丕賱夭賲賳 賰賱賴
賵 兀賳 賷氐亘 匕賱賰 丕賱丨乇丕乇 丕賱丨賲賷賲
賲孬賱賲丕 賴賷 丕賱毓丕丿丞貙 賮賷 丕賱胤賯賵爻 賵 丕賱兀賱賵丕賳 丕賱賲馗賱賲丞
丕賱鬲賷 鬲毓卮賯賴丕 丕賱丌賱賴丞貙 賵 賮賷 鬲兀賳賯 丕賱賯氐丕卅丿.
亘賱丿賷貙 賱賯丿 兀丨爻爻鬲 亘賰 賮賷 鬲禺賱賮
丕賱囟賵丕丨賷 丕賱卮丕爻毓丞貙
賵 賮賷 丕賱夭睾亘 丕賱匕賷 鬲丨賲賱賴 乇賷丨 丕賱倬丕賲倬丕
丨賷賳 鬲賴亘賾 毓賱賶 氐丕賱丞 丕賱賲丿禺賱貙 賮賷 丕賱賲胤乇 丕賱氐丕亘乇貙
賮賷 丿賵乇丕賳 丕賱賳噩賵賲 丕賱亘胤賷亍貙
賮賷 丕賱兀賷丿賷 丕賱鬲賷 鬲囟亘胤 賯賷孬丕乇丕賸貙
賮賷 噩丕匕亘賷丞 丕賱爻賴賱貙 丕賱鬲賷 賲賴賲丕 賰丕賳鬲 亘毓賷丿丞
賮丕賳 丿賲丕亍賳丕 鬲丨爻 亘賴丕貙 賲孬賱賲丕 賷丨爻 亘乇賷鬲賵賳 丕賱亘丨乇貙
賮賷 乇賲賵夭 丕賱鬲賯賵賶 賵 噩乇丕乇 丕賱賲丿丕賮賳貙
賮賷 丨亘 丕賱賷丕爻賲賷賳 丕賱卮賴賲貙
賮賷 賮囟丞 廿胤丕乇 賱賵丨丞貙
賮賷 丕賱賲爻丨 丕賱氐賯賷賱 毓賱賶 禺卮亘 丕賱賲丕賴賵睾丕賳賷 丕賱氐丕賲鬲貙
賮賷 賳賰賴丞 丕賱賱丨賵賲 賵 丕賱賮賵丕賰賴貙
賮賷 毓賱賲 賲賳 丕賱兀夭乇賯 賵 丕賱兀亘賷囟 賷賴賮賴賮
毓賱賶 丕賱賯乇丕賲賷丿貙
賮賷 賯氐氐 賲賯乇賮丞
毓賳 毓乇丕賰 丕賱爻賰丕賰賷賳 賮賷 夭賵丕賷丕 丕賱卮丕乇毓貙
賮賷 鬲卮丕亘賴 丕賱丌氐丕亘 丕賱鬲賷 鬲賳胤賲爻 賵 鬲鬲乇賰賳丕貙
賮賷 匕賰乇賶 賲乇賷丨丞 睾丕賲囟丞
毓賳 賮賳丕亍丕鬲 鬲毓噩賾 亘丕賱毓亘賷丿(*) 丕賱匕賷賳 賷丨賲賱賵賳 兀爻賲丕亍 爻丕丿丕鬲賴賲貙
賮賷 兀賵乇丕賯 鬲亘丿丿賴丕 丕賱賳丕乇
賲賳 亘毓囟 丕賱賰鬲亘 丕賱亘丕卅爻丞 賱兀毓賲賶貙
賮賷 賴胤賵賱 鬲賱賰 丕賱兀賲胤丕乇 丕賱賲賱丨賲賷丞 賮賷 兀賷賱賵賱貙
丕賱鬲賷 賱賳 賷賳爻丕賴丕 兀丨丿-
賱賰賳 賴匕賴 丕賱兀卮賷丕亍 賱賷爻鬲 兀賳鬲 賰賱賾賰 賵 賱丕 丨鬲賶 乇賲賵夭賰
兀賳鬲 兀賰孬乇 賲賳 廿賯賱賷賲賰 丕賱卮丕爻毓
賵 兀賰孬乇 賲賳 兀賷丕賲 夭賲賳賰 丕賱毓氐賷 毓賱賶 丕賱賲賯丕賷賷爻貙
兀賳鬲 兀賰孬乇 賲賳 丕賱賲噩賲賵毓 丕賱匕賷 賱丕 賷賲賰賳 鬲禺賷賱賴
賲賳 兀胤賮丕賱賰 丕賱亘丕丨孬賷賳 賵乇丕亍賰.
賳丨賳 賱丕 賳毓乇賮 賲丕 兀賳鬲 亘丕賱賳爻亘丞 賱賱賴 賮賷 賯賱亘 丕賱賳賲丕匕噩
丕賱禺丕賱丿丞 丕賱丨賷貙
賱賰賳賳丕 賳毓賷卮 賵 賳賲賵鬲 賮賷 鬲賱賰 丕賱胤賱毓丞 丕賱鬲賷 鬲賱賲丨 禺胤賮丕賸
賷丕 賲賳 賱爻鬲 賲賳賷貙 兀賷賴丕 丕賱睾丕賲囟貙 賷丕 亘賱丿賷.
(*) 賷賯氐丿 賮賷 夭賲賳 丕賱毓亘賵丿賷丞 賮賷 丕賱賯丕乇丞 丕賱賱丕鬲賷賳賷丞貙 賱丕 鬲賵氐賷賮 賱廿孬賳賷丞 丕賱兀賮丕乇賯丞
賯乇兀鬲 毓賱賶 丕賱賴丕賲卮 賲賵丕丿 賳賯丿賷丞 賲亘毓孬乇丞貙 孬賲 毓丿鬲 丕賱賶 賲賯丿賲丞 丕賱鬲乇噩賲丞 丕賱毓乇亘賷丞貙 賱賷鬲亘賷賾賳 賱賷 兀賴賲賷丞 丕賯鬲亘丕爻 丕賱賲鬲乇噩賲 賱賲賯鬲胤賮 賲賳 賳賯丿 "賲丕卮賷乇賷" (氐賮丨丞 佟贍 賵 佟佟) 賰賲賮鬲丕丨 賱賮賰賮賰丞 亘毓囟 兀亘毓丕丿 賳氐賵氐賴貙 賮兀賰賲賱鬲賴 賵 兀毓丿鬲 鬲賯賷賷賲賴 賲乇丞 孬丕賳賷丞貙 亘兀乇亘毓 賳噩賲丕鬲貙 賵 賱丕 兀匕賰乇 兀賳賴 賰丕賳 賱賷 鬲噩乇亘丞 賲賲丕孬賱丞 賲賳 賯亘賱.
鬲亘丕丿乇鬲 丕賱賶 匕賴賳賷 毓亘丕乇丞 "賳丕亘賵賰賵賮" 丕賱卮賴賷乇丞 : "丕賱卮禺氐 賱丕 賷爻鬲胤賷毓 賯乇丕亍丞 賰鬲丕亘貙 亘賱 賷爻鬲胤賷毓 賮賯胤 廿毓丕丿丞 賯乇丕亍鬲賴. 丕賱賯丕乇卅 丕賱噩賷丿貙 丕賱賯丕乇卅 丕賱毓馗賷賲貙 丕賱賯丕乇卅 丕賱賳卮胤 賵丕賱禺賱丕賯 賴賵 賯丕乇卅 賷毓賷丿 賲丕 賷賯乇兀"..
胤亘毓丕賸 亘睾賷乇 胤賲毓賺 亘賲丿賷丨 賮囟賮丕囟 亘廿爻賯丕胤 丕賱賲賯賵賱丞 毓賱賶 匕丕鬲賷 :))
賲賯鬲胤賮 賲賳 賲賯丿賲丞 丕賱賰鬲丕亘 丕賱爻丕賱賮 匕賰乇賴丕 丨賵賱 賲賯鬲胤賮 賲賳 賳賯丿 "賲丕卮賷乇賷":
"".. 賮賴賵 (丕賱賰鬲丕亘) 賷賵噩丿貙 賵 賷兀禺匕 賲賰丕賳賴 丕賱賲爻賲賵丨 亘賴 賮賷 毓丕賱賲 丕賱賰鬲亘貙 賱兀賳賴 毓賳氐乇 賲賳 賲噩賲賵毓 賰賱賷. 賵 賷賳爻噩 亘賵乇禺賷爻 丨賵賱 賴匕賴 丕賱賲賵囟賵毓丞 噩賲賷毓 賲賮丕乇賯丕鬲賴 毓賳 丕賱賱丕賲鬲賳丕賴賷. 賱丕 賷賵噩丿 丕賱賰鬲丕亘 廿賱丕 毓賳 胤乇賷賯 丕夭丿賵丕噩丕鬲賴 賵 賲囟丕毓賮丕鬲賴 丕賱賲賲賰賳丞: 兀賷 氐賱鬲賴 亘亘賯賷丞 丕賱賰鬲亘 賲賳 丕賱禺丕乇噩貙 賵 亘賵氐賮賴 賲亘賳賷丕賸 亘賳丕亍 丕賱賲賰鬲亘丞 賲賳 丕賱丿丕禺賱. 丕賳 噩賵賴乇 丕賱賰鬲丕亘 賴賵 賴賵賷鬲賴 丕賱匕丕鬲賷丞貙 睾賷乇 丕賳 丕賱賴賵賷丞 賱賷爻鬲 爻賵賶 卮賰賱 賲賳 兀卮賰丕賱 丕賱鬲丨賵賾賱.. 賷馗賱 賰賱 賰鬲丕亘 賲禺鬲賱賮丕賸 毓賳 賳賮爻賴 亘毓賲賯 賱兀賳賴 賷囟賲 匕禺賷乇丞 賱丕 丨氐乇 賱賴丕 賲賳 丕賱鬲卮毓亘丕鬲". 賵 賴匕丕 賷毓賳賷 丕賳 賰賱 賰鬲丕亘 亘丨丕噩丞 丕賱賶 賰鬲丕亘 丌禺乇 賱賷鬲毓乇賾賮 毓賱賶 賳賮爻賴. 賴賰匕丕 賷丐丿賷 丕賱鬲兀賲賱 亘丕賱匕丕鬲 丕賱賶 丕賱鬲兀賲賱 亘丕賱丌禺乇貙 賵 丕賱鬲毓乇賮 毓賱賶 丕賱匕丕鬲 丕賱賶 鬲囟賷賷毓賴丕 賮賷 爻賱爻賱丞 丕賱丌禺乇賷賳 丕賱賱丕賲鬲賳丕賴賷丞. 丕匕 賲丕 丿丕賲 賰賱 卮禺氐 賰鬲丕亘丕賸貙 賮廿賳 匕丕鬲賴 亘丨丕噩丞 兀賷囟丕賸 丕賱賶 匕丕鬲 兀禺乇賶 賵 賰鬲丕亘 丌禺乇. 賵 賴匕丕 丕賱囟賷丕毓 丕賱賲爻鬲賲乇 亘賷賳 丕賱匕丕鬲 賵 丕賱丌禺乇貙 賵 丕賱丕丨丕賱丞 丕賱賲鬲賵丕氐賱丞 亘賷賳賴賲丕 賴賵 丕賱賱毓亘丞 丕賱兀孬賷乇丞 賮賷 賳氐賵氐 亘賵乇禺賷爻".
(丕賱氐丕賳毓) 賲賳 兀氐毓亘 丕賱賰鬲亘 丕賱兀丿亘賷丞 丕賱鬲賷 賯乇兀鬲賴丕 賲丐禺乇丕賸. 賰鬲丕亘 鬲噩乇賷亘賷貙 兀乇丕丿賴 "亘賵乇禺賷爻" 賲鬲賲丕賷夭丕賸 毓賳 賯氐丿.
兀毓賳賷 丕賳賴 賰鬲丕亘 賷賲毓賳 賮賷 孬賳丕卅賷丞 丕賱賲毓丕賳賷 賵 丕毓鬲賲丕丿賴 丕賱乇賲夭賷丞貙 賱匕賷匕 賮賷 氐毓賵亘鬲賴貙 氐毓亘 賮賷 賱匕鬲賴 .. 毓賱賶 兀賳賷 賰賳鬲 賰賱賲丕 兀賱鬲賲爻 賲丕 鬲囟賲乇賴 毓亘丕乇丕鬲賴 賵 丕爻鬲毓丕乇丕鬲賴 賲賳 乇賲賵夭 賵 丿賱丕賱丕鬲 賵 兀鬲賲毓賳 賮賷 賲丕 鬲丨鬲賵賷賴 賲賳 賲爻鬲賳爻禺丕鬲 鬲賳丕氐賷賾丞 賵賮賷乇丞 賰賱賲丕 賰丕賮兀賳賷.
賰鬲丕亘 賲孬賱 亘賯毓丞 鬲賳賯賷亘 兀乇賰賷賵賱賵噩賷貙 毓賳丿 賰賱 毓賲賯 鬲鬲賰卮賮 丨賯亘丞 毓賴丿 賲胤賲賵爻貙 鬲丨賮乇 兀亘毓丿 賱鬲胤丕賱 賲爻鬲賵賷丕鬲 兀毓賲賯 賱丨賯亘丞 兀亘毓丿貙 賵 廿賳 丕丨鬲噩亘鬲 兀禺賮鬲 兀孬乇丕賸 賷賳丿孬乇 賵 賲丿賱賵賱 賲胤賲賵乇.
廿賳賴 賰鬲丕亘 賷鬲賲丿丿 賮賷 賰鬲亘 兀禺乇賶貙 賰噩夭亍 賲賳 賰賱賾賷丞貙 賲賳爻賵噩 亘兀睾賱亘賴 賲賳 鬲賮丕毓賱丕鬲 鬲賳丕氐賷丞 賵 鬲丿丕禺賱丕鬲 賵 賲爻鬲賳爻禺丕鬲貙 毓亘乇 丕賱丕賷丿丕毓 賵 丕賱丕爻鬲卮賴丕丿 賵 丕賱鬲賴噩賷賳 賵 丕賱鬲囟賲賷賳..
賮賮賷 賰鬲丕亘 (丕賱氐丕賳毓) 丕亘鬲丿毓 "亘賵乇禺賷爻" 賳氐賵氐 鬲賲鬲氐 賵 鬲丨丕賰賷 賳氐賵氐 賲丐賱賮賷賳 賵 卮毓乇丕亍 賰亘丕乇貙 賵 丕禺鬲賱賯 丕爻鬲毓丕乇丕鬲 賲噩丕夭賷丞 毓亘乇 丌賱賷丕鬲 丕賱鬲丿丕禺賱 賵 丕賱鬲賴噩賷賳 賵 丕賱鬲囟賲賷賳貙 鬲丨賷賱 亘丕賱廿賱賲丕丨 禺氐賵氐丕賸 丕賱賶 賳氐賵氐 賵 丕爻鬲毓丕乇丕鬲 賵 兀賮賰丕乇 賵 氐賵乇 卮毓乇賷丞 鬲兀孬乇 亘賴丕 賮氐賴乇賴丕 賮賷 賳氐賵氐賴貙 賵 賰孬賷乇 賲賳賴丕 氐毓購亘賻 鬲毓賯亘賴丕 賳爻亘賷丕賸 賵 鬲爻鬲賵噩亘 賲賳 丕賱賯丕乇賶亍 噩賴丿丕賸 賮賷 丕賱鬲賳賯賷亘 毓賳賴丕. 賵 賴賳丕 賰丕賳鬲 賲鬲毓鬲賷 兀孬賳丕亍 丕賱賯乇丕亍丞.
賵 丕賱廿賱賲丕丨 鬲賯賳賷丞 兀爻丕爻賷丞 賮賷 兀爻賱賵亘 "亘賵乇禺賷爻" 賰賲丕 兀鬲賶 匕賱賰 毓賱賶 賱爻丕賳賴 賮賷 廿丨丿賶 賲丨丕囟乇丕鬲賴 丨賵賱 丕賱卮毓乇: "賱賲 兀毓丿 兀丐賲賳 亘丕賱鬲毓亘賷乇. 廿賳賷 兀丐賲賳 亘丕賱鬲賱賲賷丨 賮賯胤. 賮賲丕 賴賷 丕賱賰賱賲丕鬲 賮賷 賳賴丕賷丞 丕賱賲胤丕賮責 丕賱賰賱賲丕鬲 賴賷 乇賲賵夭 賱匕賰乇賷丕鬲 賲卮鬲乇賰丞".
兀賵乇丿 賴賳丕 賰賲孬丕賱 賲賯丕賱賴 丕賱賯氐賷乇 丕賱賲毓賳賵賳 ( 丕賱噩丨賷賲 佟貙 伲佗) 丨賵賱 賮賴丿 賮賷 賯賮氐貙 賵 賴賵 賷丨賷賱賳丕 丕賱賶 丕賱賮賴丿 匕丕鬲賴 賲賵囟賵毓 賯氐賷丿丞 "乇賷賱賰賴" 丕賱乇丕卅毓丞.
[鬲爻噩賷賱 賵 鬲乇噩賲丞 賱賯乇丕亍鬲賴丕: ]
賰鬲亘 "乇賷賱賰賴" 賯氐賷丿鬲賴 賮賷 丨丿賷賯丞 丕賱丨賷賵丕賳丕鬲 亘毓丿 賲乇丕賯亘丞 賯賮氐賴 賱兀賷丕賲貙 廿孬乇 丨賵丕乇 毓賲賷賯 賲胤賵賱 賲毓 丕賱賳丨丕鬲 "乇賵丿丕賳" 賯亘賱 禺氐丕賲賴賲丕 丕賱賵丿賷 (丕賱匕賷 夭乇鬲 賲鬲丨賮賴 賵 兀毓賲丕賱賴 賲卅丕鬲 丕賱賲乇丕鬲貙 亘賯毓鬲賷 丕賱賲賮囟賱丞 兀孬賳丕亍 爻賳賵丕鬲 丕賯丕賲鬲賷 丕賱胤賵賷賱丞 賮賷 亘丕乇賷爻) 丨賷賳 賰丕賳 賲爻丕毓丿賴 賵 亘丕丨孬丕賸 賷丿乇爻 丕賱丨噩乇 賵 丕賱丨乇賰丞 賵 丕賱囟賵亍 毓亘乇 賲賳丨賵鬲丕鬲賴 (毓丕賱噩賴丕 賮賷 賰鬲丕亘賴 "乇賵丿丕賳") 賵 賴賷 鬲噩乇亘丞 鬲乇賰鬲 兀孬乇丕賸 賳賮爻賷丕賸 賰亘賷乇丕賸 賮賷賴 賵 胤亘毓鬲 乇丐賷鬲賴 賮賷 丕賱賮賳 賵 丕賱卮毓乇 賰賲丕 鬲亘賷賾賳 乇爻丕卅賱賴 丕賱毓丿賷丿丞 丕賱賶 "賱賵 爻丕賱賵賲賷" (兀匕賰乇賴丕 賱丕丨賯丕賸 賮賷 賲乇丕噩毓丞 賲胤賵賱丞 兀賳賴賷賴丕 賱賯氐丕卅丿 "乇賷賱賰賴".. 賲賯丕賱 賲賯鬲囟亘 丨賵賱 丕賱賲賵囟賵毓
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賮賷 丕賱賲賯胤毓 丕賱孬丕賳賷 賲賳賴貙 賷賳鬲賯賱 "亘賵乇禺賷爻" 丕賱賶 "丿丕賳鬲賷賴" 賵 賴賷 廿卮丕乇丞 兀禺乇賶 丕賱賶 賲賳丨賵鬲丞 "乇賵丿丕賳" 丕賱囟禺賲丞 丕賱賲毓乇賵賮丞 亘 "丕賱賲賮賰賾乇"貙 賵 丕賱鬲賷 賷噩爻丿 賮賷賴丕 卮禺氐 "丿丕賳鬲賷賴" (賴賷 亘丕賱兀氐賱 賲爻賵丿丞 賱賲噩爻賲 賲氐睾賾乇 賷毓賱賵 賲賳丨賵鬲鬲賴 丕賱賰亘乇賶 "亘賵丕亘丞 丕賱噩丨賷賲" 賵 丕賱鬲賷 丕爻鬲賱賴賲 毓賳丕氐乇賴丕 賲賳 賲賱丨賲丞 "丿丕賳鬲賷" 匕丕鬲賴)貙 賵 "亘賵乇禺賷爻" 賴賳丕 賷丨賷賱 丕賱賷賴丕 亘丿賵乇賴 亘丿亍丕賸 賲賳 毓賳賵賳鬲賴 賱賲賯丕賱賴 賴匕丕 亘(丕賱噩丨賷賲)..
[賲賳丨賵鬲丞 丕賱噩丨賷賲: ]
兀毓乇賮 兀賳 "亘賵乇禺賷爻" 賱丕 賷丨亘匕 廿賯丨丕賲 丕賱丨賵丕卮賷 丕賱鬲賷 鬲兀孬乇 毓賱賶 丕賱賯丕乇賶亍貙 丕賳賲丕 賱賰丕賳 賯賱賷賱 賲賳 丕賱鬲丨賯賷賯 賵 丕賱噩賴丿 賲賳 丕賱賲鬲乇噩賲 賲乇丨亘 亘賴貙 賵 鬲丿賵賷賳 賴賵丕賲卮 賵 賲賱丕丨馗丕鬲 賲毓賷賳丞貙 鬲毓乇賾賮 亘賲丨胤丕鬲 賲賳 丨賷丕鬲賴 賵 卮禺氐賷丕鬲 賷卮丕乇 丕賱賷賴丕貙 賵 鬲丿賱賾 毓賱賶 丕賱賲毓丕乇賰 賵 丕賱乇賲賵夭 丕賱鬲丕乇賷禺賷丞 賵 丕賱賲賷孬賵賱賵噩賷丞 賵 丕賱兀毓賲丕賱 丕賱賮賳賷丞 賵 丕賱賯氐丕卅丿 丕賱鬲賷 賷爻鬲丿毓賷賴丕.. 廿匕 賱爻丕賴賲鬲 賮賷 鬲爻賴賷賱 乇氐丿 丕賱賯丕乇賶亍 賱賱賲賳丕氐 兀孬賳丕亍 賲賯丕乇亘鬲賴 賱賱賳氐 丕賱兀丿亘賷 (丕賱賲賳丕氐 賮賷 鬲毓乇賷賮 丕賱丿. 丨賲丿丕賵賷: " 賷賳胤賱賯 丕賱賲亘丿毓 賲賳 毓賲賱 兀賵 丨丿孬 兀賵 賮賰乇丞 兀賵 賲乇噩毓 兀賵 賲氐丿乇 賱賲亘丿毓 丌禺乇 賮賷丨丕賵賱 賲丨丕賰丕鬲賴 兀賵 賳賯丿賴 賵丨賵丕乇賴").
廿卮賰丕賱賷丞 兀爻丕爻賷丞 鬲胤乇丨 賳賮爻賴丕 賴賳丕: 睾賷丕亘 賲丕 賷丿毓賵賴 丕賱爻賷賲賷丕卅賷賵賳 亘丕賱賲毓乇賮丞 丕賱禺賱賮賷賾丞 賱丿賶 丕賱賯丕乇賶亍貙 賮賷 丨丕賱 毓丿賲 毓賱賲賴 亘丕賱鬲乇丕亘胤 亘賱 賵 丕賱鬲賵丕卮噩 賮賷 (丕賱氐丕賳毓) 亘賷賳 賳氐 "亘賵乇禺賷爻" 賵 丕賱賳氐賵氐 丕賱鬲賷 賷爻鬲丿毓賷賴丕貙 亘亘爻丕胤丞 賱毓丿賲 丕胤賱丕毓賴 毓賱賷賴 賲爻亘賯丕賸貙 賵 兀賳丕 賲鬲兀賰丿 賮丕鬲賳賷 賲賳賴丕 丕賱賰孬賷乇貙 兀賱丕 賷丐丿賷 賴匕丕 丕賱賶 丕噩鬲孬丕孬 毓賲賯賴丕 丕賱鬲毓亘賷乇賷 賵 丨噩亘 賲賯丕氐丿賴丕 賵 亘丕賱鬲丕賱賷 丕賱丕賳鬲賯丕氐 賲賳 噩賲丕賱賷鬲賴丕責
兀鬲匕賰乇 賴賳丕 毓乇囟賷丕賸 丕賱毓馗賷賲賷賳 "賳丕亘賵賰賵冥" 賵 "亘丕乇鬲" 賮賷 賰鬲丕亘丕鬲賴賲丕 丕賱賲爻鬲賮賷囟丞 丨賵賱 賵馗賷賮丞 賯丕乇賶亍 丕賱賳氐貙 毓賳 丿賵乇賴 賵 賲賯賵賲丕鬲賴貙 亘賱 賵 賵囟毓 賲毓丕賷賷乇 毓丕賲丞 鬲賯賵賲 毓賱賶 鬲賯賷賷賲 丕賱賯丕乇賶亍 亘賷賳 乇丿賷亍 賵 賲噩鬲賴丿 賮賷 丕賱鬲賮賰賷賰 賵 丕賱鬲兀賵賷賱 賵 丕賱賮賴賲 賵 丕賱賲賯丕乇賳丞 賵 丕爻鬲賰賳丕賴 丕賱亘賵丕胤賳 賵 丕賱丿賱丕賱丕鬲 賵 丕賱賲賯丕氐丿..賵 丕賱賲賷夭丞 丕賱兀賰孬乇 鬲胤賱亘丕賸 賱賱賯丕乇賶亍 "丕賱賲亘丿毓"賮賷 乇兀賷 "賳丕亘賵賰賵賮" 賴賷 丕賱禺賷丕賱貙 賵 兀賰孬乇 鬲丨丿賷丿丕賸 "丕爻鬲禺丿丕賲 丕賱匕丕卅賯丞 丕賱賮賳賷丞 亘丕賱丕囟丕賮丞 丕賱賶 丕賱禺賷丕賱 丕賱賲噩乇丿" (賲賳 賲丨丕囟乇丕鬲 賳丕亘賵賰賵賮 )
賱毓賱賴 賲賳馗賵乇 賳禺亘賵賷賾 賮賷 鬲氐賳賷賮 丕賱賯乇丕亍 賱賲乇鬲亘丕鬲 丿賳賷丕 賵 毓賱賷丕 賱賰賳賴 賱毓賲乇賷 氐丨賷丨. 丕賱賯乇丕亍丞 噩賴丿 丕乇鬲賯丕亍賷 賵 丕賱賱匕丞 丕賱鬲賷 賷卮鬲乇胤賴丕 賯乇丕亍 賰孬乇 賴賷 賲賰丕賮兀丞 亘丕賱賳爻亘丞 賱賷貙 賱丕 賲胤賱亘 賲購爻亘賯.
丕賳賴 丕匕丕賸 (丕賱氐丕賳毓) 丕賱匕賷 賷賱賲賱賲 丕賱兀卮賷丕亍 丕賱賲亘毓孬乇丞 賰賲丕 賴賷 賲卮乇匕賲丞 丕賱丨賯賷賯丞 丕賱鬲丕卅賴丞 賮賷 賮賵囟賶 丕賱毓丕賱賲貙 賷噩賲賾毓賴丕 賮賷 賳氐賵氐賴 賰賲丕 丕賱卮丕毓乇 賷賵囟賾亘 丕賱賳孬乇.. 鬲鬲卮馗賾賶 賮賷賴 匕丕鬲 "亘賵乇禺賷爻" 賱鬲鬲匕亘匕亘 亘賷賳 丕賱兀噩賳丕爻 丕賱兀丿亘賷丞貙 鬲禺丕賱胤賴丕 賵 鬲賲鬲夭噩 賵 鬲禺鬲賱賯 兀卮賰丕賱 賵 氐賵乇 賲亘鬲賰乇丞 賮賷 丕賱爻乇丿 賵 丕賱卮毓乇..
賷賳鬲賯賷 賮賷 丕賱賳氐賵氐 匕賵丕鬲 賲鬲丨乇賰丞 賵 賲鬲亘丿賱丞 亘賷賳 賴賵賷丕鬲 賲禺鬲賱賮丞貨 賲賯鬲胤賮 賲賳 (亘賵乇禺爻 賵 兀賳丕):
"丕賳賴 丕賱卮禺氐 丕賱丌禺乇貙 亘賵乇禺爻貙 賲賳 噩乇鬲 賱賴 賴匕賴 丕賱兀卮賷丕亍 (..) 賲賳 丕賱賲亘丕賱睾丞 丕賱賯賵賱 丕賳 毓賱丕賯鬲賳丕 毓丿丕卅賷丞貙 賮兀賳丕 兀毓賷卮貙 賵 兀爻賲丨 賱賳賮爻賷 兀賳 兀毓賷卮 丨鬲賶 賷亘鬲丿毓 亘賵乇禺爻 兀丿亘賴貙 賵 賷亘乇乇 兀丿亘賴 賵噩賵丿賷".
亘賵乇禺賷爻 賷亘丨孬 毓賳 亘賵乇禺賷爻貙 賷胤賮賵 亘賷賳 賲乇丕丨賱 鬲丕乇賷禺賷丞貙 賷毓賰爻 匕丕鬲賴 賮賷 丕賱賲乇丌丞 賱賷胤賱賾 毓亘乇 毓丕賱賲 賲鬲賵丕夭賺 賱賱賵丕賯毓 賱賰賳賴 賱丕 賷賯賱賾丿賴貙 賮賷賴 毓賵賱賷爻 賵 賯賷氐乇 賵 賳丕亘賱賷賵賳 賵 丿賵賳 賰賷禺賵鬲賴 賵 卮禺氐賷丕鬲 賰孬賷乇丞 噩丿丕賸 鬲賯亘毓 賮賷 賲禺賷賱鬲賴貙 賷賮乇丿 賱賴丕 丨賷夭丕賸 賮賷 馗乇賮 賲賰丕賳賷 兀賵 兀禺賱丕賯賷 兀賵 夭賲丕賳賷 賷禺鬲賱賯賴貙 賷賳賮匕 亘賷賳 胤賷賾丕鬲 丕賱氐賮丨丕鬲 賱賷丨丕賵乇賴丕 賵 賷鬲賯賲賾氐賴丕.
賷賳爻噩 "亘賵乇禺賷爻" 賲賳 賳氐賵氐 兀丿亘賷丞 賵 卮毓乇賷丞 賲鬲乇丕賲賷丞 丕賱噩匕賵乇貙 賲賳 丕賱丕乇噩賳鬲賷賳 丕賱賶 丕賱兀賳丿賱爻 丕賱賶 亘賱丕丿 丕賱毓乇亘 丨鬲賶 丕賱賴賳丿貙 賷禺氐賾亘賴丕 亘賲噩丕夭 賮丕賳鬲丕夭賷 賵 毓噩丕卅亘賷 賵 睾乇丕卅亘賷貙 賮鬲氐亘丨 禺賱丕爻賷丞 賲鬲噩丕賵夭丞 賱賱丨丿賵丿 丕賱賱睾賵賷丞 賵 賲賳賮鬲丨丞 丕賱兀亘毓丕丿 賵 丕賱賲毓賳賶 兀賲丕賲 賱丕賳賴丕卅賷丞 丕賱丕丨鬲賲丕賱丕鬲 賵 丕賱賲丿賱賵賱丕鬲 賵 丕賱賲賯丕氐丿 ..
廿賳 "亘賵乇禺賷爻" 賷丿兀亘 毓亘乇 賯氐氐賴 毓賱賶 鬲氐賵賷乇 丕賱鬲囟丕丿 亘賷賳 丕賱賵丕賯毓 賵 亘賷賳 丕賱乇丐賷丞 賵 丕賱鬲賵賴賲 賵 丕賱丨賱賲貙 丕賱匕賷 賲賴賲丕 亘賱睾鬲 賯丿乇鬲賴 毓賱賶 丕賱丕亘鬲丿丕毓 賵 丕賱丕禺鬲賱丕賯貙 丕賳賲丕 賴賵 毓丕噩夭 毓賳 鬲噩爻賷丿 丕賱丨賯賷賯賷 丕賱賲乇卅賷 賵 丕賱賲賱賲賵爻. 賰賲丕 賲孬賱丕賸 賮賷 賳氐賴 丕賱賯氐賷乇 (賳賲賵乇 丕賱兀丨賱丕賲).. 丕賱賳賲乇 兀賰孬乇 丕賱賲禺賱賵賯丕鬲 丕賱鬲賷 賷匕賰乇賴丕 賵 兀賰孬乇賴丕 廿孬丕乇丞 賱賮囟賵賱賴 賵 廿毓噩丕亘賴 (賱匕丕 丕毓鬲賲丿鬲 亘毓囟 丕賱胤亘毓丕鬲 丕賱兀賲賷乇賰賷丞 毓賳賵丕賳 賴匕丕 丕賱賳氐 賰毓賳賵丕賳 賱賱賰鬲丕亘)貨 廿賳賴 賰丕卅賳 賲禺胤胤 亘禺胤賵胤 賮丕鬲丨丞 賵 丿丕賰賳丞 賲鬲亘丕賷賳丞 賲賳賯爻賲丞 毓丕賲賵丿賷丕賸貙 賷乇丕賵丿 "亘賵乇禺賷爻" 賮賷 氐賵乇 鬲丨丕賰賷 丕賱賮氐賱 亘賷賳 丕賱賵丕賯毓 賵 丕賱丨賱賲 賵 亘賷賳 丕賱卮賷亍 賵 乇賲夭賴..
賵 賳氐賵氐 (丕賱氐丕賳毓) 爻賵丕亍 賮賷 丕賱賳孬乇 兀賵 丕賱卮毓乇 鬲賳囟丨 亘賰孬賷乇 賲賳 丕賱丕爻鬲毓丕乇丕鬲 丕賱睾乇丕卅亘賷丞 丕賱鬲賷 賯丿 鬲孬賳 亘毓囟 丕賱賯乇丕亍 毓賳 丕賱丕賳丿賲丕噩 賮賷 卮丕毓乇賷丞 丕賱賳氐. 毓賱賶 兀賳賴 賲賴賲丕 亘賱睾鬲 丿乇噩丞 爻乇賷丕賱賷鬲賴丕 賵 賱丕賲毓賯賵賱賷鬲賴丕 賴賷 賲賴賲丞 賮賷 亘賳賷丞 賳氐賵氐 亘賵乇禺賷爻 賱丕賳賴丕貙 賰賲丕 賷丐賰丿 賱賳丕 賮賷 丕丨丿賶 賲丨丕囟乇丕鬲賴 賮賷 (氐賳毓丞 丕賱卮丕毓乇)貙 丕賳毓賰丕爻 亘賵丕爻胤丞 賱睾丞 丕賱賰丕鬲亘 丕賱禺丕氐丞 賱丕賳賮毓丕賱丕鬲 賵 鬲賴賷丐丕鬲 賵 賲卮丕毓乇 賰丕賲賳丞 賮賷 毓賯賱賴 賵 賵毓賷賴 賵 賷毓亘乇 毓賳賴丕 亘氐賵乇丞 禺丕氐丞 賰賲丕 丕賳胤亘毓鬲 賮賷 丕丨爻丕爻賴 賵 丕丿乇丕賰賴:
"丕賱丕爻鬲毓丕乇丕鬲 賱丕 鬲爻鬲丿毓賷 丕賱廿賷賲丕賳 亘賴丕. 賲丕 賷賴賲 丨賯丕賸 賴賵 丕賳 賳賮賰乇 賮賷 兀賳賴丕 鬲爻锟斤拷噩賷亘 賱丕賳賮毓丕賱 丕賱賰丕鬲亘 賵 毓丕胤賮鬲賴 (..) 毓賳丿賲丕 賷賰鬲亘 賱賵睾賵賳賷爻 兀賳 睾乇賵亘 丕賱卮賲爻 賰丕賳 "胤丕賵賵爻丕賸 兀禺囟乇 賮丕賯毓丕賸 賲賳鬲卮賷丕賸 賮賷 丕賱匕賴亘" 賷噩亘 毓丿賲 丕賱丕賴鬲賲丕賲 亘丕賱鬲卮丕亘賴- 兀賵 亘丕賱兀氐丨貙 丕賳毓丿丕賲 丕賱鬲卮丕亘賴- 亘賷賳 丕賱睾乇賵亘 賵 丕賱胤丕賵賵爻. 丕賱賲賴賲 賴賵 兀賳賴 噩毓賱賳丕 賳卮毓乇 亘兀賳 賱賵睾賵賳賷爻 丕賱賲亘賴賵乇 亘丕賱睾乇賵亘貙 丕丨鬲丕噩 丕賱賶 賴匕賴 丕賱丕爻鬲毓丕乇丞 賰賷 賷賳賯賱 丕賱賷賳丕 兀丨丕爻賷爻賴."
毓賲賷賯丞 賵 賰孬賷賮丞 氐賵乇賴 丕賱賲卮乇匕賲丞 賮賷 乇賰丕賲 丕賱賳氐賵氐 丕賱賯氐賷乇丞 賵 丕賱賯氐丕卅丿 丕賱鬲賷 鬲馗賳賴丕 賲賱賲賵賲丞 賵 賲賰賵賲丞貙 賮賷賲丕 乇賵賷丿丕賸 鬲鬲乇丕亘胤 賱鬲賳爻噩 賲賳 賲賮丕賴賷賲 賮賱爻賮賷丞 賵 兀丿亘賷丞 賲賮丕氐賱 鬲卮丿賴丕 丕賱賶 亘毓囟賴丕 賰噩爻丿 賵丕丨丿..
賮鬲鬲賰乇乇 賮賷 丕賱賰鬲丕亘 毓賱賳丕賸 賵 丕爻鬲鬲丕乇丕賸貙 亘丕賱賲賵丕乇亘丞 賵 丕賱賲氐丕乇丨丞貙 賲賳 丿丕禺賱 賯氐氐 睾乇賷亘丞貙 賲賮丕賴賷賲 賵 毓賱丕賲丕鬲 丕爻鬲賮賴丕賲 賵 鬲爻丕丐賱丕鬲 賲賷鬲丕賮賷夭賷賯賷丞: 丕賱賯丿乇賷賾丞.. 丕賱丨賯賷賯丞 丕賱鬲賷 鬲鬲賵丕賱丿 賵 鬲鬲賳丕爻賱貙 亘賷賳 丕賱賲丕囟賷 賵 丕賱丌鬲賷 丕賱賲噩賴賵賱貙 亘賷賳 丕賱賴賳丕 賵 丕賱賴賳丕賰.. 丕賱賯賱賯 賵 丕賱毓噩夭 丕賱毓賯賱賷 賵 丕賱丕丿乇丕賰賷 兀賲丕賲 睾賲賵囟 丕賱賵丕賯毓 賵 丕賱鬲亘丕爻賴 .. 丕賱丕賮鬲鬲丕賳 亘丕賱禺丕賱賯 .. 丕賱兀禺賱丕賯 亘賷賳 丕賱馗乇賮 賵 丕賱賲胤賱賯 (賰賲丕 賮賷 賳氐賴 丨賷孬 賷胤乇丨 丕卮賰丕賱賷丕鬲 賯賷賲賷賾丞 賷爻賯胤賴丕 毓賱賶 "丿賵賳 賰賷禺賵鬲賴")..丕賱賮丕氐賱 亘賷賳 丕賱丨賷丕丞 賵 丕賱賲賵鬲.. 丕賱丕賳賲丨丕亍 丕賱匕丕鬲賷 賮賷 丕賱賲胤賱賯 賵 丕賱鬲毓丿丿.. 賲丨丕賰丕丞 丕賱鬲丕乇賷禺 賮賷 賲賳毓胤賮丕鬲 丕賱丨丕囟乇.. 鬲賲丕賴賷 丕賱賳賴丕卅賷 賵 丕賱賱丕賳賴丕卅賷.. 鬲賯丕乇亘 賵 鬲亘丕毓丿 丕賱卮賷亍 賵 氐賵乇鬲賴 賮賷 丕賱賲丿乇賰 丕賱丕賳爻丕賳賷 (賴匕賴 丕賱賲乇丌丞 丕賱鬲賷 賷賵乇丿賴丕 賲乇丕乇丕賸 賵 鬲賰乇丕乇丕賸 賮賷 丕賱賳氐賵氐貙 鬲丕乇丞 鬲禺亘賾兀 毓丕賱賲丕賸 賲賳 丕賱睾賷亘 兀賵 賴賷 賲賳賮匕 賴乇賵亘 丕賱賷賴貙 賵 鬲丕乇丞 賴賷 賰丕卮賮丞 賱丨賯賷賯鬲賳丕 鬲丿賮毓賳丕 丕賱賶 賲賵丕噩賴丞 兀賳賮爻賳丕).. 鬲卮丕亘賰 賵 丕賳賮氐丕賱 亘賷賳 丕賱丨丕囟乇貙 賲丕囟賷 丕賱賲爻鬲賯亘賱 丕賱匕賷 賷丨賲賱 賮賷 匕丕鬲賴 匕丕賰乇丞 丕賱賲丕囟賷貙 賵 丕賱賲爻鬲賯亘賱 丕賱匕賷 爻賷賰乇乇 賲丕囟賷賴貙 丕賱賶 丨賷賳 鬲鬲賰卮賾賮 丕賱丕爻鬲賲乇丕乇賷丞 賰賵賴賲 賷爻鬲鬲乇 丕賱鬲賰乇丕乇..
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賲賳 (賲乇丕賷丕)
兀賳丕 丕賱匕賷 賰賳鬲 兀卮毓乇 亘丕賱乇毓亘 賲賳 丕賱賲乇丕賷丕
賱丕 兀賲丕賲 丕賱亘賱賵乇 丕賱賲氐賲鬲 賮丨爻亘貙
丨賷孬 賷亘丿兀 賴賳丕賰 賵 賷賳鬲賴賷 賮囟丕亍 亘賱賯毓
賵 賲鬲毓匕乇 賲賳 丕賱丕賳毓賰丕爻丕鬲貙
亘賱 兀賷囟丕賸 賲賳 丕賱鬲丨丿賷賯 賮賷 丕賱賲丕亍
丕賱匕賷 賷丨丕賰賷 鬲賱賰 丕賱夭乇賯丞 丕賱兀禺乇賶 賮賷 毓賲賯 爻賲丕卅賴貙
丕賱夭乇賯丞 丕賱鬲賷 鬲毓賷丿 廿賷賲丕囟 丕賱鬲丨賱賷賯 丕賱賵賴賲賷
賱胤丕卅乇 賲賯賱賵亘貙 兀賵 鬲鬲賲賵噩 (..)
兀爻兀賱 賳賮爻賷 丕賱賷賵賲貙 毓賱賶 卮賮丕 爻賳賵丕鬲 鬲噩賵丕賱 賰孬賷乇丞
賵 賲丨賷賾乇丞貙 鬲丨鬲 丕賱賯賲乇 丕賱賲鬲丨賵賱貙
兀賷丞 賳夭賵丞 賯丿乇
噩毓賱鬲賳賷 禺丕卅賮丕賸 丕賱賶 賴匕丕 丕賱丨丿賾 賲賳 鬲賲賱賾賷 丕賱賲乇丕賷丕.
(..)
賲賳 丕賱睾乇賷亘 兀賳 賳丨賱賲貙 賵 丕賳 賷賰賵賳 賱丿賷賳丕 賲乇丕賷丕
丨賷孬 賷賳胤賵賷 丕賱賲爻鬲賵丿毓 丕賱乇孬 丕賱毓丕丿賷
賱賰賱 賷賵賲貙 毓賱賶 丕賱毓丕賱賲 丕賱賵賴賲賷 丕賱毓賲賷賯
丕賱匕賷 鬲禺賱賮賴 丕賱丕賳毓賰丕爻丕鬲.
賲丕 兀賰亘乇 毓賳丕亍 丕賱賱賴 (兀賵丕氐賱 丕賱鬲賮賰賷乇) 賮賷 鬲氐賲賷賲
賴匕丕 丕賱賳氐亘 丕賱賲賳賮賱鬲
丕賱匕賷 賷卮賷丿賴 賰賱 賮噩乇 賲賳 丕賱鬲賲丕毓丞 賲乇丌丞
賵 鬲卮賷丿賴 馗賱賲丞 賲賳 丨賱賲
賱賯丿 禺賱賯 丕賱賱賴 丕賱賱賷賱貙 賵 丿乇賾毓賴 亘丕賱兀丨賱丕賲 賵 丕賱賲乇丕賷丕貙
賱賷賵囟丨 賱賱丕賳爻丕賳貙
亘兀賳賴 賲噩乇丿 丕賳毓賰丕爻 賵 賲丨囟 亘丕胤賱.
賱賴匕丕 鬲孬賷乇賴 丕賱兀丨賱丕賲 賵 丕賱賲乇丕賷丕."
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賲賳 (賲乇丕賷丕 丕賱夭賷賳丞 丕賱賲鬲丿賱賷丞)
"..胤賮賱丕賸 卮毓乇鬲 兀賲丕賲 賲乇丕賷丕 囟禺賲丞 亘匕賱賰 丕賱乇毓亘 賳賮爻賴 賲賳 丕賱賲囟丕毓賮丞 丕賱亘氐乇賷丞 兀賵 鬲毓丿丿 丕賱賵丕賯毓. 賮毓賲賱賴丕 丕賱賲毓氐賵賲 丕賱賲鬲賵丕氐賱貙 賲鬲丕亘毓鬲賴丕 賱兀賮毓丕賱賷貙 丕賷賲丕亍丕鬲賴丕 丕賱賰賵賳賷丞貙 鬲氐賷乇 兀匕賳 禺丕乇賯丞 賲鬲賶 賲丕 禺賷賾賲 丕賱馗賱丕賲. 賵 賰丕賳 賲賳 氐賱賵丕鬲賷 丕賱丿丕卅賲丞 丕賱賶 丕賱賱賴 賵 丕賱賶 賲賱丕賰賷 丕賱丨丕乇爻 兀賳 賱丕 兀丨賱賲 亘丕賱賲乇丕賷丕. 兀毓乇賮 丕賳賷 乇丕賯亘鬲賴丕 亘馗賳賵賳 爻賷卅丞. 兀丨賷丕賳丕賸 賰賳鬲 兀禺卮賶 丕賳 鬲賳丨乇賮 毓賳 丕賱賵丕賯毓貙 賵 丕丨賷丕賳丕賸 兀禺乇賶 賰賳鬲 兀禺丕賮 兀賳 兀乇賶 賵噩賴賷 賴賳丕賰 賵 賯丿 卮賵賴鬲賴 賮噩丕卅毓 睾乇賷亘丞."
丕匕丕賸貙 賰孬賷乇丞 賴賷 丕賳卮睾丕賱丕鬲 "亘賵乇禺賷爻" 丕賱鬲賷 賷丨丕賵賱 丕賱鬲賯丕胤賴丕 賮賷 賴匕賴 丕賱賲噩賲賵毓丞 丕賱賴噩賷賳丞 賲賳 禺賵丕胤乇 毓丕亘乇丞 丨賵賱 賰鬲亘 兀丿亘賷丞貙 賵 賯氐丕卅丿 賵 卮匕乇丕鬲 卮丕毓乇賷丞 賵 丨賵丕丿孬 鬲丕乇賷禺賷丞 賵 丕爻丕胤賷乇 賲賳 丕賱賲賷鬲賵賱賵噩賷丕. 丕賱兀爻胤乇丞 孬乇賷丞 賲鬲賰乇乇丞 賮賷 丕賱賳氐賵氐貙 賴賷 賲賵乇賵孬賳丕 丕賱賱睾賵賷 丕賱賲鬲卮丕乇賰 賮賷 丕賱孬賯丕賮丕鬲貙 鬲囟胤賱毓 亘賵馗賷賮丞 丕賱賯丕爻賲 丕賱賲卮鬲乇賰 丕賱毓丕亘乇 賱鬲丕乇賷禺 賰賱 丕賱卮毓賵亘.. 丕賱兀爻丕胤賷乇 賴賷 賲丨丕賵賱丞 丕賱丕賳爻丕賳 鬲噩丕賵夭 賯氐乇 丕賱毓賯賱 賮賷 丕丿乇丕賰 丕賱胤亘賷毓丞 賵 丕爻鬲賷毓丕亘賴丕貙 賷禺鬲賱賯 毓亘乇賴丕 丌賱賴丞 鬲噩爻丿賴 亘氐賵乇丞 賲孬丕賱賷丞 賱賳 賷丿乇賰賴丕貙 鬲丨乇賰 丕賱胤亘賷毓丞 賵 丕賱賲賵噩賵丿丕鬲 賱賷毓亘丿賴丕 賵 賷賯賱丿賴丕 賵 賷鬲乇賮賾毓 丕賱賷賴丕 毓賱賵丕賸 賲賳 賲賵賯毓賴 丕賱丿賵賳賷..
兀賰孬乇 賲賳 丕賱兀亘丕胤賷賱 賵 丕賱爻丨乇 賵 丕賱賲亘丕賱睾丞貙 賴匕賴 丕賱兀爻丕胤賷乇 賴賷 賱噩賵亍 丕賱賶 丕賱禺賷丕賱 丕賱丕賳賯丕匕賷賾 亘毓丿 丕賱丕氐胤丿丕賲 亘賲丨丿賵丿賷丞 丕賱賲毓乇賮丞 賵 丕賱丨賯賷賯丞貙 丕賳賴丕 鬲毓亘賷乇 毓賳 氐睾乇 丕賱丕賳爻丕賳 兀賲丕賲 丕賱爻乇賲丿賷丞貙 毓賳 丨賷乇鬲賴 丕賱賵噩賵丿賷賾丞 兀賲丕賲 丕賱賱丕賳賴丕卅賷 賵 丕賱賵丕爻毓 賵 丕賱賲毓賯丿..
賰賱 兀賴賵丕亍賷 毓丕亘乇丞 賱賱丨丿賵丿 賵 賲賷賵賱賷 兀賲賲賷丞 賵 賱爻鬲 賲賳 賴賵丕丞 丕賱賵胤賳賷丞 丕賱賲賵乇賵孬丞 賵 賵賱賷丿丞 丕賱氐丿賮丞 丕賱噩睾乇丕賮賷丞 賵 賱丕 兀爻鬲馗乇賮 丕賱賯賵賲賷丞 毓賱賶 兀賳賵丕毓賴丕 賵 賱丕 兀亘氐乇 丨鬲賶 丕賱賮賵丕乇賯 丕賱廿孬賳賷丞貙 丕賳賲丕 (賯氐賷丿丞 賲賳馗賵賲丞 毓丕賲 佟侃佴贍) 丕賱鬲賷 鬲賳卮丿 賵胤賳 丕賱賲賳卮兀 丕爻鬲賵賯賮鬲賳賷貙 賮丕賯鬲 亘乇賵毓鬲賴丕 賲丕 賮賷 賲禺夭賵賳賷 賲賳 賲氐胤賱丨丕鬲 賱兀丨賷胤 亘噩賲丕賱賷丕鬲賴丕.. 賱毓賱賾賴 賱兀賳賴丕 鬲賳鬲賯氐 丕賱卮賵賮賷賳賷丞貙 禺氐賷氐丞賻 丕賱賲丿丕卅丨 丕賱賵胤賳賷丞 丕賱賲賲噩賵噩丞 賮賷 兀賳馗賲鬲賳丕 丕賱毓乇亘賷丞..
兀賳賯賱賴丕 賴賳丕 賰丕賲賱丞 (鬲乇噩賲賴丕 "爻毓賷丿 丕賱睾丕賳賲賷"):
亘賲噩乇丿 賲氐丕丿賮丞貙 兀賲 亘賯丕賳賵賳 爻乇賷貙
賷丨賰賲 賴匕丕 丕賱丨賱賲貙 賲氐賷乇賷 賵 丕乇丕丿鬲賷
-兀賷鬲賴丕 丕賱兀乇囟 丕賱毓夭賷夭丞 丕賱毓匕亘丞
丕賱鬲賷 鬲囟賲 賱賷爻 亘睾賷乇 賲丕 賲噩丿賺 兀賵 毓丕乇
賲卅丞 賵 禺賲爻賷賳 爻賳丞 毓噩賮丕亍-
兀賳 兀鬲賰賱賲貙 兀賳丕 丕賱賯胤乇丞貙 丕賱賷賰 兀賷賴丕 丕賱賳賴乇
兀賳 兀鬲賰賱賲貙 兀賳丕 丕賱賱丨馗丞貙 丕賱賷賰 兀賷賴丕 丕賱夭賲賳 賰賱賴
賵 兀賳 賷氐亘 匕賱賰 丕賱丨乇丕乇 丕賱丨賲賷賲
賲孬賱賲丕 賴賷 丕賱毓丕丿丞貙 賮賷 丕賱胤賯賵爻 賵 丕賱兀賱賵丕賳 丕賱賲馗賱賲丞
丕賱鬲賷 鬲毓卮賯賴丕 丕賱丌賱賴丞貙 賵 賮賷 鬲兀賳賯 丕賱賯氐丕卅丿.
亘賱丿賷貙 賱賯丿 兀丨爻爻鬲 亘賰 賮賷 鬲禺賱賮
丕賱囟賵丕丨賷 丕賱卮丕爻毓丞貙
賵 賮賷 丕賱夭睾亘 丕賱匕賷 鬲丨賲賱賴 乇賷丨 丕賱倬丕賲倬丕
丨賷賳 鬲賴亘賾 毓賱賶 氐丕賱丞 丕賱賲丿禺賱貙 賮賷 丕賱賲胤乇 丕賱氐丕亘乇貙
賮賷 丿賵乇丕賳 丕賱賳噩賵賲 丕賱亘胤賷亍貙
賮賷 丕賱兀賷丿賷 丕賱鬲賷 鬲囟亘胤 賯賷孬丕乇丕賸貙
賮賷 噩丕匕亘賷丞 丕賱爻賴賱貙 丕賱鬲賷 賲賴賲丕 賰丕賳鬲 亘毓賷丿丞
賮丕賳 丿賲丕亍賳丕 鬲丨爻 亘賴丕貙 賲孬賱賲丕 賷丨爻 亘乇賷鬲賵賳 丕賱亘丨乇貙
賮賷 乇賲賵夭 丕賱鬲賯賵賶 賵 噩乇丕乇 丕賱賲丿丕賮賳貙
賮賷 丨亘 丕賱賷丕爻賲賷賳 丕賱卮賴賲貙
賮賷 賮囟丞 廿胤丕乇 賱賵丨丞貙
賮賷 丕賱賲爻丨 丕賱氐賯賷賱 毓賱賶 禺卮亘 丕賱賲丕賴賵睾丕賳賷 丕賱氐丕賲鬲貙
賮賷 賳賰賴丞 丕賱賱丨賵賲 賵 丕賱賮賵丕賰賴貙
賮賷 毓賱賲 賲賳 丕賱兀夭乇賯 賵 丕賱兀亘賷囟 賷賴賮賴賮
毓賱賶 丕賱賯乇丕賲賷丿貙
賮賷 賯氐氐 賲賯乇賮丞
毓賳 毓乇丕賰 丕賱爻賰丕賰賷賳 賮賷 夭賵丕賷丕 丕賱卮丕乇毓貙
賮賷 鬲卮丕亘賴 丕賱丌氐丕亘 丕賱鬲賷 鬲賳胤賲爻 賵 鬲鬲乇賰賳丕貙
賮賷 匕賰乇賶 賲乇賷丨丞 睾丕賲囟丞
毓賳 賮賳丕亍丕鬲 鬲毓噩賾 亘丕賱毓亘賷丿(*) 丕賱匕賷賳 賷丨賲賱賵賳 兀爻賲丕亍 爻丕丿丕鬲賴賲貙
賮賷 兀賵乇丕賯 鬲亘丿丿賴丕 丕賱賳丕乇
賲賳 亘毓囟 丕賱賰鬲亘 丕賱亘丕卅爻丞 賱兀毓賲賶貙
賮賷 賴胤賵賱 鬲賱賰 丕賱兀賲胤丕乇 丕賱賲賱丨賲賷丞 賮賷 兀賷賱賵賱貙
丕賱鬲賷 賱賳 賷賳爻丕賴丕 兀丨丿-
賱賰賳 賴匕賴 丕賱兀卮賷丕亍 賱賷爻鬲 兀賳鬲 賰賱賾賰 賵 賱丕 丨鬲賶 乇賲賵夭賰
兀賳鬲 兀賰孬乇 賲賳 廿賯賱賷賲賰 丕賱卮丕爻毓
賵 兀賰孬乇 賲賳 兀賷丕賲 夭賲賳賰 丕賱毓氐賷 毓賱賶 丕賱賲賯丕賷賷爻貙
兀賳鬲 兀賰孬乇 賲賳 丕賱賲噩賲賵毓 丕賱匕賷 賱丕 賷賲賰賳 鬲禺賷賱賴
賲賳 兀胤賮丕賱賰 丕賱亘丕丨孬賷賳 賵乇丕亍賰.
賳丨賳 賱丕 賳毓乇賮 賲丕 兀賳鬲 亘丕賱賳爻亘丞 賱賱賴 賮賷 賯賱亘 丕賱賳賲丕匕噩
丕賱禺丕賱丿丞 丕賱丨賷貙
賱賰賳賳丕 賳毓賷卮 賵 賳賲賵鬲 賮賷 鬲賱賰 丕賱胤賱毓丞 丕賱鬲賷 鬲賱賲丨 禺胤賮丕賸
賷丕 賲賳 賱爻鬲 賲賳賷貙 兀賷賴丕 丕賱睾丕賲囟貙 賷丕 亘賱丿賷.
(*) 賷賯氐丿 賮賷 夭賲賳 丕賱毓亘賵丿賷丞 賮賷 丕賱賯丕乇丞 丕賱賱丕鬲賷賳賷丞貙 賱丕 鬲賵氐賷賮 賱廿孬賳賷丞 丕賱兀賮丕乇賯丞
April 2, 2014
丕賳 鬲丨丕賵賱 乇爻賲 氐賵乇丞 丕賱毓丕賱賲 亘賰賱 卮賷亍 賮賷賴
兀賳 鬲丨丕賵賱 賰鬲丕亘丞 丨賰丕賷丞 丕賱賲賰丕賳 丕賱匕賷 噩賲毓 賰賱 丕賱兀賲賰賳丞
兀賳 鬲丨丕賵賱 丕賳 鬲禺鬲夭賱 丕賱夭賲賳 丕賱匕賷 賲丕 兀賳鬲 爻賵賶 賱丨馗丞 賲賳賴
賱鬲賰鬲卮賮 賮賷 丕賱賳賴丕賷丞 丕賳賰 賲丕 賰賳鬲 鬲賮毓賱賴 賱賷爻 廿賱丕 乇爻賲 氐賵乇丞 賵噩賴賰
賵鬲噩賲賷毓賰 兀賳鬲 賵丕賱丌禺乇 賮賷賰
" 賱賵 兀賳 匕丕賰乇丞 丕賱丕賳爻丕賳 鬲氐賵睾 噩賳丞 毓丿賳賴丕 賮賷 丿丕禺賱賴丕 賮賱丕 亘丿 兀賳 鬲賵噩丿 丕賱丌賳 賮賷 丕賱賲噩丿"
May 28, 2022
Out of the five books by Jorge Luis Borges I've read so far, this is probably the one I find hardest to categorize. It is certainly the most autobiographical of his short story collections, yet also the one that is most mythological in character. The overall impression is that it's Borges himself reflecting back upon both his personal life, literary legacy and all of human history that leads up to this with the consideration of what will happen then. Borges' own internal spiritual life then comes to appear as a microcosm of cultural history, as much as his own use of that literary heritage seeming to unfold as a macrocosm of his own life.
The first half of this volume is taken up by short texts that are one or two pages in length each, that are difficult to categorize into any specific genre but somewhere in the borderland between literary essays, autobiography and the magical realist fiction Borges by then had become celebrated for. The imagery and themes used seem to draw upon the author's life and early literary inspirations, often alluding to them in a direct personal manner when compared to the elaborate "mind game"-type narratives found in "Ficciones" or "The Aleph". Indeed, as the anthology's English-language title suggests, the stories are peculiarly dream-like with the symbolism often coming from recurring dream Borges had as a young man especially one revolving around tigers. Others reflect in turn upon his friendships and other relations to people in the Argentine cultural sphere at the time.
The second half contains more mock epic poetry, perhaps following the premise that Borges' blindness having become total at this point making him even more of a Homer of late modernity than before. As a result, Borges' writing style seems here to more focus on the musical and lyrical rhythm as well as exploration of literature's adaptation to the sonic realm when read aloud, a dimension that is somewhat altered when translated into other languages. Indeed, some of the pieces herein deal with linguistic/cultural barriers in the context of learning or exploring languages from a completely oral and audial perspective, in particular those drawing from mythological traditions outside Borges' own cultural background. I've dealt with the oft-neglected continuity of influence from Edgar Allan Poe to Jorge Luis Borges, in the sense of the puzzle-like aspect of Borges' writing being inspired by a similar quality in Poe's stories only extrapolated even further. Here, it seems like Borges instead follows up not just Poe's inclusion of his poetic work in prose fiction to a similar extrapolation but also the "campfire storytelling" aspect... which is no doubt also how the epic mythological poetry Borges alludes to in many of the stories here was originally meant to be read.
Overall, this is not where I would recommend anyone to start with Borges, even if some literary historians most notably Harold Bloom consider "Dreamtigers" his most important work. If anything "Dreamtigers" should be read as a sort of companion piece to his better known work, which it both builds upon and illuminates further by adding an autobiographical angle to Borges' literary oeuvre.
The first half of this volume is taken up by short texts that are one or two pages in length each, that are difficult to categorize into any specific genre but somewhere in the borderland between literary essays, autobiography and the magical realist fiction Borges by then had become celebrated for. The imagery and themes used seem to draw upon the author's life and early literary inspirations, often alluding to them in a direct personal manner when compared to the elaborate "mind game"-type narratives found in "Ficciones" or "The Aleph". Indeed, as the anthology's English-language title suggests, the stories are peculiarly dream-like with the symbolism often coming from recurring dream Borges had as a young man especially one revolving around tigers. Others reflect in turn upon his friendships and other relations to people in the Argentine cultural sphere at the time.
The second half contains more mock epic poetry, perhaps following the premise that Borges' blindness having become total at this point making him even more of a Homer of late modernity than before. As a result, Borges' writing style seems here to more focus on the musical and lyrical rhythm as well as exploration of literature's adaptation to the sonic realm when read aloud, a dimension that is somewhat altered when translated into other languages. Indeed, some of the pieces herein deal with linguistic/cultural barriers in the context of learning or exploring languages from a completely oral and audial perspective, in particular those drawing from mythological traditions outside Borges' own cultural background. I've dealt with the oft-neglected continuity of influence from Edgar Allan Poe to Jorge Luis Borges, in the sense of the puzzle-like aspect of Borges' writing being inspired by a similar quality in Poe's stories only extrapolated even further. Here, it seems like Borges instead follows up not just Poe's inclusion of his poetic work in prose fiction to a similar extrapolation but also the "campfire storytelling" aspect... which is no doubt also how the epic mythological poetry Borges alludes to in many of the stories here was originally meant to be read.
Overall, this is not where I would recommend anyone to start with Borges, even if some literary historians most notably Harold Bloom consider "Dreamtigers" his most important work. If anything "Dreamtigers" should be read as a sort of companion piece to his better known work, which it both builds upon and illuminates further by adding an autobiographical angle to Borges' literary oeuvre.
March 2, 2023
Como admirador ac茅rrimo de Borges, tengo sin embargo que confesar que este es el que menos me ha gustado de todos sus libros. El Borges poeta no me acaba de convencer (esa man铆a por la rima consonante...) y los otros textos son quiz谩 demasiado breves para mostrar todo su potencial.
August 21, 2023
Borges quintaesencial
December 21, 2018
Bu kitap bana 艧unu g枚sterdi: edebiyat zaman zaman 莽ok lokal, 莽ok samimi bir 艧ey olabiliyor, bu samimiyet de okura yans谋mad谋臒谋nda felaket bir sonu莽la kar艧谋la艧abiliyorsunuz.
Kitaptaki 艧iirler 枚rne臒in. Ben normalde 艧iir sevmeyen bir insan谋m, zaman谋nda 莽ok 艧iir okurdum ama 艧u s谋ralar sevdi臒im toplasan 眉莽 d枚rt tane 艧iir vard谋r, bu kitaptaki 艧iirlerin de bir tanesi (Borgesler) hari莽 hepsi k枚t眉yd眉 bence. Ama yukar谋da s枚yledi臒im gibi, k枚t眉 ya da iyi demek 莽ok i莽imden gelmiyor, 莽眉nk眉 Borges'in de dedi臒i gibi, bu kitap 莽ok i莽ten bir kitap, ama o i莽tenli臒i kendinde bir i莽tenlik, okura bunu ge莽irmek i莽in hi莽bir 莽abada bulunulmam谋艧 (bulunulmal谋 m谋 da ayr谋 bir soru tabii). Bunlar谋n 眉st眉ne bir de 艧iirlerin 莽eviri olu艧unu, 眉stelik 陌spanyolca'dan 莽eviri olu艧unu ve bizimkine pek de yak谋n olmayan bir k眉lt眉rden izler bar谋nd谋rd谋臒谋n谋 eklersek neden be臒enmedi臒im anla艧谋l谋r san谋r谋m.
D眉z yaz谋lardan birka莽 tanesi 莽ok ho艧tu, bir de Borges Al莽akl谋臒谋n Evrensel Tarihi'ni okudu臒umdan beri bende 枚nemli bir yer edinmi艧ti ama yine de iki y谋ld谋z vermekten alamad谋m kendimi. D眉艧sel Varl谋klar Kitab谋'yla a艧a臒谋 yukar谋 ayn谋 seviyede, ki o kitapta 莽ok fazla mitoloji g枚ndermesi oldu臒u ve ben konuya 莽ok hakim olmad谋臒谋m i莽in, aram谋zda nispeten anlayabildi臒im bir engel vard谋, Yaratan i莽in ayn谋 艧ey s枚z konusu de臒il.
Bu kitapla beraber uzun bir s眉re Borges okumam san谋yorum ki.
Kitaptaki 艧iirler 枚rne臒in. Ben normalde 艧iir sevmeyen bir insan谋m, zaman谋nda 莽ok 艧iir okurdum ama 艧u s谋ralar sevdi臒im toplasan 眉莽 d枚rt tane 艧iir vard谋r, bu kitaptaki 艧iirlerin de bir tanesi (Borgesler) hari莽 hepsi k枚t眉yd眉 bence. Ama yukar谋da s枚yledi臒im gibi, k枚t眉 ya da iyi demek 莽ok i莽imden gelmiyor, 莽眉nk眉 Borges'in de dedi臒i gibi, bu kitap 莽ok i莽ten bir kitap, ama o i莽tenli臒i kendinde bir i莽tenlik, okura bunu ge莽irmek i莽in hi莽bir 莽abada bulunulmam谋艧 (bulunulmal谋 m谋 da ayr谋 bir soru tabii). Bunlar谋n 眉st眉ne bir de 艧iirlerin 莽eviri olu艧unu, 眉stelik 陌spanyolca'dan 莽eviri olu艧unu ve bizimkine pek de yak谋n olmayan bir k眉lt眉rden izler bar谋nd谋rd谋臒谋n谋 eklersek neden be臒enmedi臒im anla艧谋l谋r san谋r谋m.
D眉z yaz谋lardan birka莽 tanesi 莽ok ho艧tu, bir de Borges Al莽akl谋臒谋n Evrensel Tarihi'ni okudu臒umdan beri bende 枚nemli bir yer edinmi艧ti ama yine de iki y谋ld谋z vermekten alamad谋m kendimi. D眉艧sel Varl谋klar Kitab谋'yla a艧a臒谋 yukar谋 ayn谋 seviyede, ki o kitapta 莽ok fazla mitoloji g枚ndermesi oldu臒u ve ben konuya 莽ok hakim olmad谋臒谋m i莽in, aram谋zda nispeten anlayabildi臒im bir engel vard谋, Yaratan i莽in ayn谋 艧ey s枚z konusu de臒il.
Bu kitapla beraber uzun bir s眉re Borges okumam san谋yorum ki.
March 26, 2025
Una joya literaria.
January 16, 2016
毓亘孬丕 廿乇丕丿丞 丕賱廿賳爻丕賳 丕賱毓賳賷丿丞 丕賱鬲賷 賱丕 鬲賱亘孬 爻賵賷 賷賵賲 囟卅賷賱
賮賱賱夭賲賳 丕賱丕賳鬲氐丕乇丕鬲 貙 賵賱賱廿賳爻丕賳 丕賱賴夭锟斤拷卅賲
賱賯丿 氐丿兀 丕賱爻賷賮 丕賱匕賷 噩乇丨賰
賵鬲丨賵賱鬲 兀賳鬲 - 賵爻賳鬲丨賵賱 賳丨賳 兀賷囟丕賸 - 廿賱賷 鬲乇丕亘 !!
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丕賱賯乇丕亍丞 丕賱孬丕賱孬丞 賲毓賰 亘賵乇禺賷爻 ..
賵賱丕 賷禺鬲賱賮 丕賱兀賲乇 賰孬賷乇丕賸 毓賳 丕賱賲乇鬲賷賳 丕賱爻丕亘賯鬲賷賳 ..
賮賱賯丿 毓卮鬲 賲毓賰 賮賷 毓丕賱賲 睾乇賷亘 鬲賲鬲夭噩 丕賱兀爻胤賵乇丞 賮賷賴 亘丕賱賵丕賯毓 .. 賮賱丕 兀毓賱賲 廿賱賷 丕賱兀賳 賴賱 賴匕丕 丕賱匕賷 賯乇丕鬲賴 禺賷丕賱 兀賲 丨賯賷賯丞 責
賴賱 丨丿孬 亘丕賱賮毓賱 責 兀賲 鬲鬲禺賷賱賴 責
賴賱 賴賷 兀賮賰丕乇 賮賱爻賮賷丞 賵禺賷丕賱 兀丿亘賷 毓賲賷賯 丕賱乇賲夭賷丞 責
兀賲 賴賵 賵丕賯毓 兀睾乇亘 賲賳 丕賱禺賷丕賱 責
亘賵乇禺賷爻 .. 丕賱兀賲乇 丕賱兀賰賷丿 丕賱匕賷 兀丨爻爻鬲賴 賲毓賰 賴賵 囟賷丕毓賳丕 賵爻胤 賲賰鬲亘丞 毓丕賱賷丞 丕賱噩丿乇丕賳 鬲丨賷胤 亘賳丕 賲賳 賰賱 噩丕賳亘 .. 賴賷 毓丕賱賲 賮賷 丨丿 匕丕鬲賴 ..
賮丨賯丕 賴匕丕 丕賱毓丕賱賲 賴賵 丕賱賲賰鬲亘丞 丕賱賱丕賳賴丕卅賷丞 丕賱鬲賷 鬲丨鬲賵賷賳丕 賵鬲囟賲賳丕 亘賷賳 睾賱丕賮賷賳 賷胤亘賯丕賳 毓賱賷賳丕 ..
賮賳囟賷毓 賵爻胤 鬲丕乇賷禺 賷鬲賰乇乇 .. 賵兀禺胤丕亍 鬲購氐丨丨 .. 孬賲 鬲氐丨賷丨 丕賱鬲氐丨賷丨 !!
賮賳丨賳 賮毓賱丕 賱丕 賳賳夭賱 丕賱賳賴乇 丕賱賵丕丨丿 賲乇鬲賷賳 賰賲丕 賯丕賱 賴賷乇丕賯賱賷胤爻 ...
賵賱賰賳賳丕 賳睾乇賯 賮賷賴 亘賲賱亍 廿乇丕丿鬲賳丕 ..
賮兀賷賳 丕賱賲賮乇 廿匕賳 責責
賮賱賯丿 賰購鬲亘 毓賱賷賳丕 兀賳 賳丨丕賵賱 賵兀賳 賳賱賴孬 賱毓賱賳丕 賳毓賱賲 ..
賵賱賳 賳毓賱賲 廿賱丕 賯賱賷賱丕賸
!
May 29, 2016
卮禺氐蹖 鬲乇蹖賳 讴鬲丕亘 亘賵乇禺爻 讴賴 亘蹖卮鬲乇 丕夭 亘賯蹖賴 讴鬲丕亘鈥屬囏й屫� 亘丕 乇賵蹖丕 賵 亘亘乇 賵 卮讴爻倬蹖乇 賵 賴賲夭丕丿 乇賵亘乇賵蹖蹖賲. 丿乇 賲賵乇丿 丿乇 爻鬲丕蹖卮 鬲丕乇蹖讴蹖 禺賱丕氐賴 亘诏賵蹖賲: 丕賳诏丕乇 讴賴 丿乇 亘蹖丿丕乇蹖 乇賵蹖丕 賲蹖鈥屫屫�
亘賴 丿賱蹖賱 丕蹖賳讴賴 丿丕爻鬲丕賳鈥屬囏й� 丕蹖賳 讴鬲丕亘 丕睾賱亘 爻賴 氐賮丨賴鈥屫й� 賵 讴賵鬲丕賴 丕爻鬲貙 禺賵丿 丕夭 爻賴 讴鬲丕亘 鬲卮讴蹖賱 卮丿賴: 丿乇 爻鬲丕蹖卮 鬲丕乇蹖讴蹖貙 讴鬲丕亘 爻丕夭賳丿賴 賵 丨丕賮馗賴 卮讴爻倬蹖乇 讴賴 亘禺卮 丿賵賲 賯爻賲鬲 毓賲丿賴鈥屰� 讴鬲丕亘 乇丕 鬲卮讴蹖賱 丿丕丿賴
亘賴 丿賱蹖賱 丕蹖賳讴賴 丿丕爻鬲丕賳鈥屬囏й� 丕蹖賳 讴鬲丕亘 丕睾賱亘 爻賴 氐賮丨賴鈥屫й� 賵 讴賵鬲丕賴 丕爻鬲貙 禺賵丿 丕夭 爻賴 讴鬲丕亘 鬲卮讴蹖賱 卮丿賴: 丿乇 爻鬲丕蹖卮 鬲丕乇蹖讴蹖貙 讴鬲丕亘 爻丕夭賳丿賴 賵 丨丕賮馗賴 卮讴爻倬蹖乇 讴賴 亘禺卮 丿賵賲 賯爻賲鬲 毓賲丿賴鈥屰� 讴鬲丕亘 乇丕 鬲卮讴蹖賱 丿丕丿賴
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