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賰賱 丕賱兀爻賲丕亍
噩賵夭賮 賰. 匕賱賰 丕賱賲爻丕丨 丕賱賰賮賰丕賵賷貙 賷丿毓賶 赖賳丕 丕賱爻賷賾丿 噩賵夭賷賴貙 乇噩賱 賷毓賷卮 賮賷 賲賲賱賰丞 丕賱馗賱丕賱: 丕賳賴丕 賲丿賷賳丞 亘賱丕 丕爻賲貙 賷賰賳賾爻賴丕 丕賱賲胤乇貙 賲兀賴賵賱丞 亘丕賱兀卮亘丕丨 丕賱賲噩賴賵賱丞 丕賱丕爻賲 亘卮賰賱 賰丕賲賱. 賰賱 氐亘丕丨 貙 賷睾賱賯 丕賱爻賷丿 噩賵夭賷賴 毓賱賶 賳賮爻賴 禺賱賮 丕賱噩丿乇丕賳 丕賱賯丕丨賱丞 賱賲乇賰夭 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲 丕賱鬲丕亘毓 賱丿丕卅乇丞 丕賱兀丨賵丕賱 丕賱卮禺氐賷丞貙 賱賷乇丕賯亘 兀囟丕亘賷乇 丕賱兀丨賷丕亍 賵丕賱兀賲賵丕鬲 亘乇賮賯丞 丕賱亘賷乇賵賯乇丕胤賷賷賳貙 賮丕爻丿賷 丕賱毓賯賵賱.
賲賳 賴匕賴 丕賱爻乇丕丿賷亘 丕賱賲馗賱賲丞 丕賱睾丕乇賯丞 賮賷 睾亘丕乇 兀賯丿丕乇賳丕貙 賷賯賵賲 丕丕賱賰丕鬲亘 亘毓賲賱賷丞 鬲賵氐賷賮 賲賴賱賵爻丞: 孬賲丞 丕毓鬲賯丕賱 噩丨賷賲賷貙 賲賯亘乇丞 兀乇賵丕丨 賷賱賯賷 賮賵賯賴丕 兀胤賳丕賳丕 賲賳 丕賱爻禺乇賷丞 丕賱爻賵丿丕亍. 賵賰賷 賷爻鬲胤賷毓 丕賱賴乇亘 賲賳 賴賱毓 賲賴賲鬲賴 丕賱賲賰丿乇丞 賴匕賴貙 賷亘丿兀 丕賱亘胤賱 賮賷 鬲噩賲賷毓 賲毓賱賵賲丕鬲 丨賵賱 兀亘乇夭 賲卅丞 卮禺氐賷丞 賲賳 卮禺氐賷丕鬲 丕賱亘賱丕丿. 賱匕賱賰 賷鬲爻賱賾賱 丕賱爻賷丿 噩賵夭賷賴 賱賷賱丕貙 賵毓亘乇 亘賵丕亘丞 爻乇賷丞貙 丕賱賶 賲鬲丕賴丕鬲 丕賱賲丨賮賵馗丕鬲 (賷匕賰乇賳丕 匕賱賰 亘卮禺氐賷丞 鬲賷夭賷賴 賮賷 丕賱賲賷孬賵賱賵噩賷丕 丕賱丕睾乇賷賯賷丞貙 亘賷丿 丕賳賴 鬲賷夭賷賴 賲毓丕氐乇)貙 賱賷賮鬲卮 賮賷 丕賱兀乇卮賷賮 賵賷爻乇賯 丕賱賲賱賮丕鬲 丕賱鬲賷 鬲賴賲賴 賵丕賱鬲賷 鬲賮賷丿賴 賮賷 鬲丨賯賷賯 賲賵爻賵毓鬲賴 丕賱睾乇賷亘丞 毓賳 丕賱卮禺氐賷丕鬲 丕賱卮賴賷乇丞.
賲賳 賴匕賴 丕賱爻乇丕丿賷亘 丕賱賲馗賱賲丞 丕賱睾丕乇賯丞 賮賷 睾亘丕乇 兀賯丿丕乇賳丕貙 賷賯賵賲 丕丕賱賰丕鬲亘 亘毓賲賱賷丞 鬲賵氐賷賮 賲賴賱賵爻丞: 孬賲丞 丕毓鬲賯丕賱 噩丨賷賲賷貙 賲賯亘乇丞 兀乇賵丕丨 賷賱賯賷 賮賵賯賴丕 兀胤賳丕賳丕 賲賳 丕賱爻禺乇賷丞 丕賱爻賵丿丕亍. 賵賰賷 賷爻鬲胤賷毓 丕賱賴乇亘 賲賳 賴賱毓 賲賴賲鬲賴 丕賱賲賰丿乇丞 賴匕賴貙 賷亘丿兀 丕賱亘胤賱 賮賷 鬲噩賲賷毓 賲毓賱賵賲丕鬲 丨賵賱 兀亘乇夭 賲卅丞 卮禺氐賷丞 賲賳 卮禺氐賷丕鬲 丕賱亘賱丕丿. 賱匕賱賰 賷鬲爻賱賾賱 丕賱爻賷丿 噩賵夭賷賴 賱賷賱丕貙 賵毓亘乇 亘賵丕亘丞 爻乇賷丞貙 丕賱賶 賲鬲丕賴丕鬲 丕賱賲丨賮賵馗丕鬲 (賷匕賰乇賳丕 匕賱賰 亘卮禺氐賷丞 鬲賷夭賷賴 賮賷 丕賱賲賷孬賵賱賵噩賷丕 丕賱丕睾乇賷賯賷丞貙 亘賷丿 丕賳賴 鬲賷夭賷賴 賲毓丕氐乇)貙 賱賷賮鬲卮 賮賷 丕賱兀乇卮賷賮 賵賷爻乇賯 丕賱賲賱賮丕鬲 丕賱鬲賷 鬲賴賲賴 賵丕賱鬲賷 鬲賮賷丿賴 賮賷 鬲丨賯賷賯 賲賵爻賵毓鬲賴 丕賱睾乇賷亘丞 毓賳 丕賱卮禺氐賷丕鬲 丕賱卮賴賷乇丞.
268 pages, Paperback
First published January 1, 1997
1,202 people are currently reading
20.3k people want to read
About the author
Jos茅 Saramago
290听books15.9k听followersJos茅 de Sousa Saramago (16 November 1922 鈥� 18 June 2010) was a Portuguese novelist and recipient of the 1998 Nobel Prize in Literature, for his "parables sustained by imagination, compassion and irony [with which he] continually enables us once again to apprehend an elusory reality." His works, some of which have been seen as allegories, commonly present subversive perspectives on historic events, emphasizing the theopoetic. In 2003 Harold Bloom described Saramago as "the most gifted novelist alive in the world today."
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Displaying 1 - 30 of 1,885 reviews
October 13, 2020
Generally when I write a review, I do it straight off and don't edit much. I start off with the idea of what I want to say about the book and it flows from there. But not this time. I also don't want to review the book(s) but just give my reactions to them. These are books that will be easily spoiled if you know too much about them before you read them.
Firstly it was by accident I read first and then this one. That was fortuitious, as the other way round would have spoiled the 'joke' of Death's filing cabinet. The two books not only hang together, fit like pieces of a jigsaw, they are immensely revealing of Saramago's preoccupations. One book was not enough for him to work out either the bureaucracy of death or unhealthy and insane obsessions with it, or of it come to that.
Sheer genius. But not 100% enjoyable.
I've just read the first few pages of reviews and to be honest none of them saw in the book what I did. (There were an awful lot of reviews in Arabic I could't read though). The reviews that concentrate on story, the plot, I think miss out on Saramago generally. You don't win the Nobel Prize for literature when you have such an annoying writing style if you just stick to fairly mundane stories. It's what is behind the story that is the genius, what you dimly perceive and is illuminated more as the novel progresses and you see the workings of the utterly original author's mind. And if you read the books in the order I did, you will be stunned at his genius and hope that some day someone makes a film of these books. They are perfectly visual anyway.
Then again all those reviewers might say I've just completely missed the point myself. It happens. But this time, I think they're wrong.
Rewritten July 16th 2016
Firstly it was by accident I read first and then this one. That was fortuitious, as the other way round would have spoiled the 'joke' of Death's filing cabinet. The two books not only hang together, fit like pieces of a jigsaw, they are immensely revealing of Saramago's preoccupations. One book was not enough for him to work out either the bureaucracy of death or unhealthy and insane obsessions with it, or of it come to that.
Sheer genius. But not 100% enjoyable.
I've just read the first few pages of reviews and to be honest none of them saw in the book what I did. (There were an awful lot of reviews in Arabic I could't read though). The reviews that concentrate on story, the plot, I think miss out on Saramago generally. You don't win the Nobel Prize for literature when you have such an annoying writing style if you just stick to fairly mundane stories. It's what is behind the story that is the genius, what you dimly perceive and is illuminated more as the novel progresses and you see the workings of the utterly original author's mind. And if you read the books in the order I did, you will be stunned at his genius and hope that some day someone makes a film of these books. They are perfectly visual anyway.
Then again all those reviewers might say I've just completely missed the point myself. It happens. But this time, I think they're wrong.
Rewritten July 16th 2016
June 7, 2024
"兀賳鬲 鬲毓乇賮 丕賱廿爻賲 丕賱匕賷 兀胤賱賯賵賴 毓賱賷賰貙賵賱賰賳賰 賱丕 鬲毓乇賮 丕賱廿爻賲 丕賱匕賷 賴賵 賱賰.."
氐丨賷丨 賳丨賳 賱丕 賳禺鬲丕乇 兀爻賲丕卅賳丕 賵兀丨賷丕賳丕賸 賰孬賷乇丞 賱丕 賳禺鬲丕乇 丨鬲賷 卮賰賱 丨賷丕鬲賳丕 賵賳爻鬲賲乇 賮賷賴丕 亘丨賰賲 丕賱毓丕丿丞 兀賵 禺賵賮丕賸 賲賳 丕賱鬲睾賷賷乇 ..
賱賰賳 賴賱 賲賲賰賳 鬲賰賵賳 毓丕賷卮 賵兀賳鬲 賲賮鬲賯丿 賱賱賰孬賷乇 賲賳 丕賱兀卮賷丕亍 丿賵賳 兀賳 鬲卮毓乇責 賴賱 賲賲賰賳 賷賰賵賳 賯賱亘賰 賷丨鬲丕噩 廿賱賷 丕賱丨亘 賵亘賷鬲賰 賷丨鬲丕噩 廿賱賷 丕賱丿賮亍 賵兀賳鬲 賱丕 鬲丿乇賷責 賴賱 賲賲賰賳 氐丿賮丞 鬲噩毓賱賰 鬲賳鬲亘賴 賮噩兀丞 廿賱賷 賲丕 賯丿 賮丕鬲賰 賵 鬲賯賵丿賰 廿賱賷 丨賷丕丞 賱賲 鬲賰賳 鬲賮賰乇 亘賴丕..責
賰賱 賴匕丕 賵兀賰孬乇 爻鬲爻兀賱賴 賱賳賮爻賰 賵兀賳鬲 鬲賯乇兀 乇賵丕賷丞 賰賱 丕賱兀爻賲丕亍..
賲賳 禺賱丕賱 丿賵賳 噩賵夭賷賴 丕賱賲賵馗賮 丕賱禺賲爻賷賳賷 亘賷丕禺丿賳丕 爻丕乇丕賲丕睾賵 賮賷 乇丨賱丞 廿爻鬲孬賳丕卅賷丞 丿丕禺賱 丨賷丕丞 賴匕丕 丕賱乇噩賱 ..
賴匕丕 丕賱乇噩賱 丕賱匕賷 賷毓賷卮 賵丨賷丿丕賸 亘賱丕 廿賲乇兀丞 賮賷 丨賷丕鬲賴 兀賵 丨鬲賷 兀賵賱丕丿..賷毓賷卮 賲賳睾賲爻丕賸 賮賷 乇賵鬲賷賳 丕賱毓賲賱 丕賱賷賵賲賷..廿賱賷 兀賳 賵賯毓 鬲丨鬲 賷丿賴 賮賷 賷賵賲 賵 亘丕賱氐丿賮丞 丕賱亘丨鬲丞 亘胤丕賯丞 ..毓賱賷賴丕 廿爻賲 賱廿賲乇兀丞 賲噩賴賵賱丞 廿爻鬲胤丕毓鬲 兀賳 鬲賯賱亘 丨賷丕鬲賴 乇兀爻丕賸 毓賱賷 毓賯亘..
賯乇乇 兀賳 賷亘丨孬 毓賳賴丕 兀賵 亘賲毓賳賷 丌禺乇 賯乇乇 兀賳 賷亘丨孬 毓賳 賲毓賳賷 賱丨賷丕鬲賴 賲賳 禺賱丕賱賴丕...
廿爻賱賵亘 爻丕乇丕賲丕睾賵 賵丕丨丿 鬲賯乇賷亘丕賸 賮賷 賰賱 乇賵丕賷丕鬲賴 ..賱丕 賷賵噩丿 兀爻賲丕亍 賱賰賱 卮禺氐賷丕鬲 丕賱乇賵丕賷丞 亘廿爻鬲孬賳丕亍 丿賵賳 噩賵夭賷賴..賱丕 賷賵噩丿 毓賱丕賲丕鬲 鬲乇賯賷賲 ..賵賱丕 賷賵噩丿 賮賵丕氐賱 賮賷 兀賷 丨賵丕乇 ...賵賲丕 兀賰孬乇 丕賱丨賵丕乇丕鬲 賮賷 賴匕賴 丕賱乇賵丕賷丞... :)
丿賵賳 噩賵夭賷賴 賰丕賳 賷丨丕賵乇 丕賱賳丕爻.. 賷丨丕賵乇 賳賮爻賴.. 賷丨丕賵乇 囟賲賷乇賴..賵丨鬲賷 爻賯賮 賲賳夭賱賴 賰丕賳 賷鬲丨丿孬 賲毓賴 賮賷 丨賵丕乇丕鬲 賲賳 兀噩賲賱 賲丕 賷賰賵賳:)
賵賱匕賱賰 爻鬲噩丿 賳賮爻賰 賲噩亘乇丕賸 毓賱賷 丕賱鬲乇賰賷夭 亘賰丕賲賱 廿乇丕丿鬲賰 賵 賱賰賳 賲爻鬲賲鬲毓丕賸 噩丿丕賸 賮賷 賳賮爻 丕賱賵賯鬲..
毓賱賷 丕賱乇睾賲 廿賳 丿賵賳 噩賵夭賷賴 卮禺氐 毓丕丿賷 賵丕賱賯氐丞 鬲亘丕賳 廿賳賴丕 亘爻賷胤丞 賵賱賰賳 廿爻鬲胤丕毓 爻丕乇丕賲丕睾賵 兀賳 賷賰鬲亘 賱賳丕 乇賵丕賷丞 毓亘賯乇賷丞 賵睾賷乇 毓丕丿賷丞 亘丕賱賲乇丞 .. 乇賵丕賷丞 賲賱賷卅丞 亘丕賱鬲爻丕丐賱丕鬲 丨賵賱 丕賱丨賷丕丞 賵丕賱賲賵鬲 賵丕賱丨丿 丕賱賮丕氐賱 亘賷賳賴賲..鬲爻丕丐賱丕鬲 毓賳 丕賱賵丨丿丞 賵 鬲兀孬賷乇賴丕 毓賱賷賳丕..毓賳 廿賲賰丕賳賷丞 氐丿賮丞 兀賳 鬲睾賷乇 丨賷丕鬲賰 賵 鬲丨孬賰 毓賱賷 丕賱賯賷丕賲 亘廿卮賷丕亍 賱賲 鬲賰賳 鬲鬲禺賷賱 廿賳賰 鬲賲賱賰 丕賱噩乇兀丞 賱賰賷 鬲賯賵賲 亘賴丕..
丕賱賱賯丕亍 丕賱孬丕賱孬 賱賷 賲毓 爻丕乇丕賲丕睾賵 亘毓丿 丕賱毓賲賷 丕賱賱賷 丨亘賷鬲賴丕 噩丿丕賸 賵丕賱賰賴賮 丕賱賱賷 賰乇賴鬲賴丕 噩丿丕賸 賵賰乇賴鬲 爻丕乇丕賲丕睾賵 亘爻亘亘賴丕 賵賱賰賳 鬲兀鬲賷 賰賱 丕賱兀爻賲丕亍 毓卮丕賳 鬲氐丕賱丨賳賷 賲乇丞 兀禺乇賷 毓賱賷 賴匕丕 丕賱賰丕鬲亘 丕賱毓亘賯乇賷 賵賰兀賳賴 噩丕賱賷 亘賳賮爻賴 賮賷 丌禺乇 氐賮丨丞 賵亘賷賯賵賱賷"廿夭丕賷 賲鬲丨亘賷賳賷卮 賷毓賳賷 ..丿賴 兀賳丕 賵丕禺丿 賳賵亘賱 賵 噩丕賲丿 噩丿丕" :)
丨賯賰 毓賱賷丕 賷丕 爻丕乇丕賲丕睾賵 亘丕卮丕 ..馃槏
氐丨賷丨 賳丨賳 賱丕 賳禺鬲丕乇 兀爻賲丕卅賳丕 賵兀丨賷丕賳丕賸 賰孬賷乇丞 賱丕 賳禺鬲丕乇 丨鬲賷 卮賰賱 丨賷丕鬲賳丕 賵賳爻鬲賲乇 賮賷賴丕 亘丨賰賲 丕賱毓丕丿丞 兀賵 禺賵賮丕賸 賲賳 丕賱鬲睾賷賷乇 ..
賱賰賳 賴賱 賲賲賰賳 鬲賰賵賳 毓丕賷卮 賵兀賳鬲 賲賮鬲賯丿 賱賱賰孬賷乇 賲賳 丕賱兀卮賷丕亍 丿賵賳 兀賳 鬲卮毓乇責 賴賱 賲賲賰賳 賷賰賵賳 賯賱亘賰 賷丨鬲丕噩 廿賱賷 丕賱丨亘 賵亘賷鬲賰 賷丨鬲丕噩 廿賱賷 丕賱丿賮亍 賵兀賳鬲 賱丕 鬲丿乇賷責 賴賱 賲賲賰賳 氐丿賮丞 鬲噩毓賱賰 鬲賳鬲亘賴 賮噩兀丞 廿賱賷 賲丕 賯丿 賮丕鬲賰 賵 鬲賯賵丿賰 廿賱賷 丨賷丕丞 賱賲 鬲賰賳 鬲賮賰乇 亘賴丕..責
賰賱 賴匕丕 賵兀賰孬乇 爻鬲爻兀賱賴 賱賳賮爻賰 賵兀賳鬲 鬲賯乇兀 乇賵丕賷丞 賰賱 丕賱兀爻賲丕亍..
賲賳 禺賱丕賱 丿賵賳 噩賵夭賷賴 丕賱賲賵馗賮 丕賱禺賲爻賷賳賷 亘賷丕禺丿賳丕 爻丕乇丕賲丕睾賵 賮賷 乇丨賱丞 廿爻鬲孬賳丕卅賷丞 丿丕禺賱 丨賷丕丞 賴匕丕 丕賱乇噩賱 ..
賴匕丕 丕賱乇噩賱 丕賱匕賷 賷毓賷卮 賵丨賷丿丕賸 亘賱丕 廿賲乇兀丞 賮賷 丨賷丕鬲賴 兀賵 丨鬲賷 兀賵賱丕丿..賷毓賷卮 賲賳睾賲爻丕賸 賮賷 乇賵鬲賷賳 丕賱毓賲賱 丕賱賷賵賲賷..廿賱賷 兀賳 賵賯毓 鬲丨鬲 賷丿賴 賮賷 賷賵賲 賵 亘丕賱氐丿賮丞 丕賱亘丨鬲丞 亘胤丕賯丞 ..毓賱賷賴丕 廿爻賲 賱廿賲乇兀丞 賲噩賴賵賱丞 廿爻鬲胤丕毓鬲 兀賳 鬲賯賱亘 丨賷丕鬲賴 乇兀爻丕賸 毓賱賷 毓賯亘..
賯乇乇 兀賳 賷亘丨孬 毓賳賴丕 兀賵 亘賲毓賳賷 丌禺乇 賯乇乇 兀賳 賷亘丨孬 毓賳 賲毓賳賷 賱丨賷丕鬲賴 賲賳 禺賱丕賱賴丕...
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丕賱賱賯丕亍 丕賱孬丕賱孬 賱賷 賲毓 爻丕乇丕賲丕睾賵 亘毓丿 丕賱毓賲賷 丕賱賱賷 丨亘賷鬲賴丕 噩丿丕賸 賵丕賱賰賴賮 丕賱賱賷 賰乇賴鬲賴丕 噩丿丕賸 賵賰乇賴鬲 爻丕乇丕賲丕睾賵 亘爻亘亘賴丕 賵賱賰賳 鬲兀鬲賷 賰賱 丕賱兀爻賲丕亍 毓卮丕賳 鬲氐丕賱丨賳賷 賲乇丞 兀禺乇賷 毓賱賷 賴匕丕 丕賱賰丕鬲亘 丕賱毓亘賯乇賷 賵賰兀賳賴 噩丕賱賷 亘賳賮爻賴 賮賷 丌禺乇 氐賮丨丞 賵亘賷賯賵賱賷"廿夭丕賷 賲鬲丨亘賷賳賷卮 賷毓賳賷 ..丿賴 兀賳丕 賵丕禺丿 賳賵亘賱 賵 噩丕賲丿 噩丿丕" :)
丨賯賰 毓賱賷丕 賷丕 爻丕乇丕賲丕睾賵 亘丕卮丕 ..馃槏
November 5, 2021
[Edited 11/4/2021]
Another great novel by the Nobel prize-winning author. Senhor Jose is a friendless clerk who works in the Central Registry of Births, Marriages and Deaths in the days before computers when all records were recorded by hand. He鈥檚 50-ish and still not even a senior clerk. He lives alone in an old building that used to be part of the registry, so he has access to an old door that secretly lets him into the building after hours.
He has no life and his only hobby is sneaking into the building at nights to look up information about famous people he reads about in magazines. One day at work, an 鈥渦nknown woman鈥檚鈥� card accidentally stuck to another he was working on. He becomes obsessed with finding out about her. Like a private investigator he starts spending his time visiting her old addresses, interviewing former neighbors
The social hierarchy in his work environment is byzantine and he lives in terror of the head Registrar who speaks only to his two underlings, who in turn, only speak to their four subordinates, and so on down the line. There鈥檚 a long-running metaphor between the organization of the file cards and life 鈥� the cards of the dead are kept separately in an analogous 鈥榗ard cemetery鈥� that is so huge and disordered that the clerks use an Ariadne鈥檚 thread to find their way back.
We read Saramago to ponder his insights. Some examples:
鈥淪trictly speaking, we do not make decisions, decisions make us. The proof can be found in the fact that, though life leads us to carry out the most diverse actions one after the other, we do not prelude each one with a period of reflection, evaluation and calculation, and only then declare ourselves able to decide if we will go out to lunch or buy a newspaper or look for the unknown woman.鈥�
At the all-male Registry, everyone addresses everyone else as Senhor: 鈥溾€he fact that everyone addresses everyone else in the same way, from the Registrar down to the most recently recruited clerk, does not necessarily have the same meaning when applied to the different relationships within the hierarchy, for, in the varying ways that this one short word is spoken, and according to rank or to the mood of the moment, one can observe a whole range of modulations: condescension, irritation, irony, distain, humility, flattery鈥︹€�
鈥溾€o come up with a good hundred truly famous people without falling into the familiar laxness of anthologies of the one hundred best love sonnets or the one hundred most touching elegies, which so often leave us feeling perfectly justified in suspecting that the last to be chosen are only there to make up the numbers.鈥�
鈥淚鈥檒l begin by asking you if you know how many people there are in a marriage, Two, a man and a woman, No, there are three people in a marriage, there鈥檚 the woman, there鈥檚 the man, and there鈥檚 what I call the third person, the most important, the person who is composed of the man and the woman together鈥or example, if one of the two commits adultery, the person who is most hurt, who receives the deepest cut, however incredible it may seem, is not the other person, but that other 鈥渙ther鈥� which is the couple, not one person, but two鈥︹€�
鈥淚t is absurd, but it鈥檚 about time I did something absurd in my life鈥︹€�
鈥淐ontrary to what is generally believed, meaning and sense were never the same thing, meaning shows itself at once, direct, literal, explicit, enclosed in itself, univocal, if you like, while sense cannot stay still, it鈥檚 seethes with second, third and fourth senses, radiating out in different directions that divide and subdivide into branches and branchlets鈥︹€�
鈥淲hat if the lady in the ground floor apartment has died too, she wasn鈥檛 exactly brimming with health, besides, in order to die you need only be alive, especially at her age鈥︹€�
鈥溾€ man a little older than himself, who had absorbed the air of one who no longer expects anything more from life.鈥�
When I read Saramago's 'The Double' recently, I was struck by what I will call 鈥榮tructural similarities鈥� between the two books. The Double was published in 2002; All the Names in 1997. Both are about a fundamentally lonely man who lives by himself, who has an unsatisfying or boring job with a revered or feared supervisor. In both books the main character goes on an obsessive private investigator-like quest looking for another person and he is not able to tell anyone else about it. Because he can鈥檛 talk about his quest with another character in the book, the author invents a method for him to hold discussions and keep the reader informed of his thinking: in All the Names it is his bedroom ceiling; in The Double, it is his 鈥榗ommon sense鈥� talking to him.
This is the sixth novel I鈥檝e read by Saramago. Great stuff!
Top photo of Lisbon from theculturetrip.com
File clerks from collections.cmoa.org
The author from kinnareads.files.wordpress.com
Another great novel by the Nobel prize-winning author. Senhor Jose is a friendless clerk who works in the Central Registry of Births, Marriages and Deaths in the days before computers when all records were recorded by hand. He鈥檚 50-ish and still not even a senior clerk. He lives alone in an old building that used to be part of the registry, so he has access to an old door that secretly lets him into the building after hours.
He has no life and his only hobby is sneaking into the building at nights to look up information about famous people he reads about in magazines. One day at work, an 鈥渦nknown woman鈥檚鈥� card accidentally stuck to another he was working on. He becomes obsessed with finding out about her. Like a private investigator he starts spending his time visiting her old addresses, interviewing former neighbors
The social hierarchy in his work environment is byzantine and he lives in terror of the head Registrar who speaks only to his two underlings, who in turn, only speak to their four subordinates, and so on down the line. There鈥檚 a long-running metaphor between the organization of the file cards and life 鈥� the cards of the dead are kept separately in an analogous 鈥榗ard cemetery鈥� that is so huge and disordered that the clerks use an Ariadne鈥檚 thread to find their way back.
We read Saramago to ponder his insights. Some examples:
鈥淪trictly speaking, we do not make decisions, decisions make us. The proof can be found in the fact that, though life leads us to carry out the most diverse actions one after the other, we do not prelude each one with a period of reflection, evaluation and calculation, and only then declare ourselves able to decide if we will go out to lunch or buy a newspaper or look for the unknown woman.鈥�
At the all-male Registry, everyone addresses everyone else as Senhor: 鈥溾€he fact that everyone addresses everyone else in the same way, from the Registrar down to the most recently recruited clerk, does not necessarily have the same meaning when applied to the different relationships within the hierarchy, for, in the varying ways that this one short word is spoken, and according to rank or to the mood of the moment, one can observe a whole range of modulations: condescension, irritation, irony, distain, humility, flattery鈥︹€�
鈥溾€o come up with a good hundred truly famous people without falling into the familiar laxness of anthologies of the one hundred best love sonnets or the one hundred most touching elegies, which so often leave us feeling perfectly justified in suspecting that the last to be chosen are only there to make up the numbers.鈥�
鈥淚鈥檒l begin by asking you if you know how many people there are in a marriage, Two, a man and a woman, No, there are three people in a marriage, there鈥檚 the woman, there鈥檚 the man, and there鈥檚 what I call the third person, the most important, the person who is composed of the man and the woman together鈥or example, if one of the two commits adultery, the person who is most hurt, who receives the deepest cut, however incredible it may seem, is not the other person, but that other 鈥渙ther鈥� which is the couple, not one person, but two鈥︹€�
鈥淚t is absurd, but it鈥檚 about time I did something absurd in my life鈥︹€�
鈥淐ontrary to what is generally believed, meaning and sense were never the same thing, meaning shows itself at once, direct, literal, explicit, enclosed in itself, univocal, if you like, while sense cannot stay still, it鈥檚 seethes with second, third and fourth senses, radiating out in different directions that divide and subdivide into branches and branchlets鈥︹€�
鈥淲hat if the lady in the ground floor apartment has died too, she wasn鈥檛 exactly brimming with health, besides, in order to die you need only be alive, especially at her age鈥︹€�
鈥溾€ man a little older than himself, who had absorbed the air of one who no longer expects anything more from life.鈥�
When I read Saramago's 'The Double' recently, I was struck by what I will call 鈥榮tructural similarities鈥� between the two books. The Double was published in 2002; All the Names in 1997. Both are about a fundamentally lonely man who lives by himself, who has an unsatisfying or boring job with a revered or feared supervisor. In both books the main character goes on an obsessive private investigator-like quest looking for another person and he is not able to tell anyone else about it. Because he can鈥檛 talk about his quest with another character in the book, the author invents a method for him to hold discussions and keep the reader informed of his thinking: in All the Names it is his bedroom ceiling; in The Double, it is his 鈥榗ommon sense鈥� talking to him.
This is the sixth novel I鈥檝e read by Saramago. Great stuff!
Top photo of Lisbon from theculturetrip.com
File clerks from collections.cmoa.org
The author from kinnareads.files.wordpress.com
November 21, 2021
Todos os Nomes = All the Names, Jos茅 Saramago
All the Names is a novel by Portuguese author Jos茅 Saramago. It was written in 1997 and translated to English in 1999 by Margaret Jull Costa winning the Oxford-Weidenfeld Translation Prize.
The main setting of the novel is the Central Registry of Births, Marriages and Deaths located in an ambiguous and unnamed city.
This municipal archive holds the record cards for all of the residents of the city stretching back endlessly into the past.
The protagonist is named Senhor Jos茅; the only character in the novel to be given a proper name (all of the others are referred to simply by some unique and defining characteristic).
Senhor Jos茅 is around fifty years old and has worked as a low-level clerk in the Central Registry for more than two decades.
Senhor Jos茅's residence, where he lives alone, adjoins the municipal building and contains the only side entrance into it.
Lost in the tedium of a bureaucratic job, he starts to collect information about various famous people and decides, one evening, to use the side entrance to sneak in and steal their record cards.
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毓賳賵丕賳: 賴賲賴 賳丕賲 賴丕貨 賳賵蹖爻賳丿賴: 跇賵夭賴 爻丕乇丕賲丕诏賵貨 賲鬲乇噩賲: 乇囟丕 賮丕胤賲蹖貨 鬲賴乇丕賳貙 亘賴 爻禺賳貙 丕賳鬲卮丕乇丕鬲 賲噩蹖丿貙 爻丕賱1394貨 丿乇287氐貨 卮丕亘讴9786009484461貨
丿丕爻鬲丕賳 丕氐賱蹖 乇賲丕賳貙 丿乇 亘丕蹖诏丕賳蹖 讴賱 爻噩賱 丕丨賵丕賱 (孬亘鬲 丕丨賵丕賱) 卮賴乇蹖 賳丕賲卮禺氐 賵 亘蹖鈥屬嗀з呚� 賲蹖鈥屭柏必� 亘丕蹖诏丕賳蹖貙 亘乇诏賴 蹖 賲卮禺氐丕鬲 芦夭丕丿乇賵夭禄貙 芦丕夭丿賵丕噩禄貙 禄噩丿丕蹖蹖禄 賵 芦賲乇诏禄 賴賲诏蹖 丕賮乇丕丿 卮賴乇 乇丕貙 丕夭 趩賳丿 爻丿賴 倬蹖卮鬲乇 亘丕蹖诏丕賳蹖 讴乇丿賴鈥� 丕爻鬲貨 賯賴乇賲丕賳 丿丕爻鬲丕賳 蹖讴蹖 丕夭 賲賳卮蹖鈥屬囏й� 爻丕丿賴 蹖 亘丕蹖诏丕賳蹖 讴賱貙 亘賴 賳丕賲 芦跇賵夭賴禄 丕爻鬲貨 鬲賳賴丕 卮禺氐蹖鬲 乇賲丕賳貙 讴賴 丿丕乇丕蹖 賳丕賲 丕爻鬲貨 爻丕蹖乇 卮禺氐蹖鬲鈥屬囏� 亘丕 丕卮丕乇賴 亘賴 賵蹖跇诏蹖鈥屬囏й屫簇з嗀� 賳丕賲蹖丿賴 賲蹖鈥屫促堎嗀�
賳賯賱 賳賲賵賳賴 賲鬲賳: (亘丕賱丕蹖 趩賴丕乇趩賵亘 丿乇貙 氐賮丨賴鈥� 蹖 賮賱夭蹖 亘賱賳丿 賵 亘丕乇蹖讴蹖 丕夭 噩賳爻 賮賱夭 賱毓丕亘鈥屫ж� 亘賵丿貙 賯乇丕乇 丿丕卮鬲貨 丨乇賵賮蹖 爻蹖丕賴 锟斤拷賴 丿乇 夭賲蹖賳賴鈥� 丕蹖 爻賮蹖丿 乇賵蹖 丕蹖賳 氐賮丨賴 丨讴 卮丿賴鈥� 丕賳丿貙 毓亘丕乇鬲 芦丕丿丕乇賴 賲乇讴夭蹖 孬亘鬲 鬲賵賱丿賴丕貙 丕夭丿賵丕噩鈥屬囏� 賵 賮賵鬲鈥屬囏� 乇丕 賳卮丕賳 賲蹖鈥屫囏� 賯爻賲鬲鈥屬囏й屰� 丕夭 賱毓丕亘 丕蹖賳 氐賮丨賴 鬲乇讴 亘乇丿丕卮鬲賴貙 賵 禺乇丕卮蹖丿賴 卮丿賴 丕爻鬲貨 丿乇 賵乇賵丿蹖貙 丿乇蹖 讴賴賳賴 賵 賯丿蹖賲锟斤拷 丕爻鬲貙 賵 乇賳诏 賯賴賵賴鈥� 丕蹖貙 讴賴 丌禺乇蹖賳 亘丕乇 乇賵蹖卮 夭丿賴 鈥屫簇� 倬賵爻鬲賴鈥� 倬賵爻鬲賴 鈥屫簇囏� 賵 乇賵蹖賴鈥� 蹖 亘蹖乇賵賳 夭丿賴 蹖 趩賵亘 丌賳貙 倬賵爻鬲 倬卮賲丕賱賵貙 賵 亘丿賳 丕賳爻丕賳 乇丕 鬲丿丕毓蹖 賲蹖鈥屭┵嗀� 丿乇 丕賲鬲丿丕丿 賳賲丕蹖 禺丕乇噩蹖 丕蹖賳 爻丕禺鬲賲丕賳貙 倬賳噩 倬賳噩乇賴 賵噩賵丿 丿丕乇丿貨 亘賴鈥� 賲丨囟 賵乇賵丿 亘賴 爻丕禺鬲賲丕賳貙 亘賵蹖 讴丕睾匕 讴賴賳賴 亘賴 賲卮丕賲 賲蹖鈥屫必池� 丿乇爻鬲 丕爻鬲 讴賴 賴乇 乇賵夭 鬲毓丿丕丿 夭蹖丕丿蹖 讴丕睾匕賴丕蹖 噩丿蹖丿 賵丕乇丿 丕蹖賳 丕丿丕乇賴 賲蹖鈥屫促堌� 讴丕睾匕賴丕蹖蹖 讴賴 丨丕讴蹖 丕夭 丕丿丕賲賴 蹖丕賮鬲賳 丿禺鬲乇 賵 倬爻乇賴丕蹖蹖 丕爻鬲貨 讴賴 賴乇 乇賵夭 亘賴 丿賳蹖丕 賲蹖鈥屫③屬嗀� 丕賲丕 亘賵蹖 讴賴賳诏蹖 讴丕睾匕賴丕 賴賲蹖卮賴 亘賴 賲卮丕賲 賲蹖鈥屫必迟嗀� 夭蹖乇丕 爻乇賳賵卮鬲 鬲賲丕賲 讴丕睾匕賴丕 丕夭 賱丨馗賴 禺乇賵噩 丕夭 讴丕乇禺丕賳賴貙 亘賴鈥� 胤賵乇 丿丕卅賲蹖 讴賴賳賴貙 賵 讴賴賳賴鈥� 鬲乇 卮丿賳 丕爻鬲)貨 倬丕蹖丕賳 賳賯賱
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 17/01/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 29/08/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
All the Names is a novel by Portuguese author Jos茅 Saramago. It was written in 1997 and translated to English in 1999 by Margaret Jull Costa winning the Oxford-Weidenfeld Translation Prize.
The main setting of the novel is the Central Registry of Births, Marriages and Deaths located in an ambiguous and unnamed city.
This municipal archive holds the record cards for all of the residents of the city stretching back endlessly into the past.
The protagonist is named Senhor Jos茅; the only character in the novel to be given a proper name (all of the others are referred to simply by some unique and defining characteristic).
Senhor Jos茅 is around fifty years old and has worked as a low-level clerk in the Central Registry for more than two decades.
Senhor Jos茅's residence, where he lives alone, adjoins the municipal building and contains the only side entrance into it.
Lost in the tedium of a bureaucratic job, he starts to collect information about various famous people and decides, one evening, to use the side entrance to sneak in and steal their record cards.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 賲丕賴 賳賵丕賲亘乇 爻丕賱1999賲蹖賱丕丿蹖
毓賳賵丕賳: 賴賲賴 賳丕賲 賴丕貨 賳賵蹖爻賳丿賴: 跇賵夭賴 爻丕乇丕賲丕诏賵貨 賲鬲乇噩賲: 毓亘丕爻 倬跇賲丕賳貨 鬲賴乇丕賳貙 賴丕卮賲蹖貙 爻丕賱1378貙 丿乇378氐貨 趩丕倬 丿賵賲 爻丕賱1378貨 趩丕倬賴丕蹖 爻賵賲 賵 趩賴丕乇賲 爻丕賱1380貨 趩丕倬 卮卮賲 爻丕賱1385貨 趩丕倬 賴賮鬲賲 爻丕賱1387貨 賲賵囟賵毓 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 倬乇鬲賯丕賱 - 爻丿賴20賲
毓賳賵丕賳: 賴賲賴 賳丕賲 賴丕貨 賳賵蹖爻賳丿賴: 跇賵夭賴 爻丕乇丕賲丕诏賵貨 賲鬲乇噩賲: 讴蹖賵賲乇孬 倬丕乇爻丕蹖貨 鬲賴乇丕賳貙 毓賱賲 貙 爻丕賱1385貨 丿乇374氐貨 卮丕亘讴9644056833貨
毓賳賵丕賳: 賴賲賴 賳丕賲 賴丕貨 賳賵蹖爻賳丿賴: 跇賵夭賴 爻丕乇丕賲丕诏賵貨 賲鬲乇噩賲: 乇囟丕 賮丕胤賲蹖貨 鬲賴乇丕賳貙 亘賴 爻禺賳貙 丕賳鬲卮丕乇丕鬲 賲噩蹖丿貙 爻丕賱1394貨 丿乇287氐貨 卮丕亘讴9786009484461貨
丿丕爻鬲丕賳 丕氐賱蹖 乇賲丕賳貙 丿乇 亘丕蹖诏丕賳蹖 讴賱 爻噩賱 丕丨賵丕賱 (孬亘鬲 丕丨賵丕賱) 卮賴乇蹖 賳丕賲卮禺氐 賵 亘蹖鈥屬嗀з呚� 賲蹖鈥屭柏必� 亘丕蹖诏丕賳蹖貙 亘乇诏賴 蹖 賲卮禺氐丕鬲 芦夭丕丿乇賵夭禄貙 芦丕夭丿賵丕噩禄貙 禄噩丿丕蹖蹖禄 賵 芦賲乇诏禄 賴賲诏蹖 丕賮乇丕丿 卮賴乇 乇丕貙 丕夭 趩賳丿 爻丿賴 倬蹖卮鬲乇 亘丕蹖诏丕賳蹖 讴乇丿賴鈥� 丕爻鬲貨 賯賴乇賲丕賳 丿丕爻鬲丕賳 蹖讴蹖 丕夭 賲賳卮蹖鈥屬囏й� 爻丕丿賴 蹖 亘丕蹖诏丕賳蹖 讴賱貙 亘賴 賳丕賲 芦跇賵夭賴禄 丕爻鬲貨 鬲賳賴丕 卮禺氐蹖鬲 乇賲丕賳貙 讴賴 丿丕乇丕蹖 賳丕賲 丕爻鬲貨 爻丕蹖乇 卮禺氐蹖鬲鈥屬囏� 亘丕 丕卮丕乇賴 亘賴 賵蹖跇诏蹖鈥屬囏й屫簇з嗀� 賳丕賲蹖丿賴 賲蹖鈥屫促堎嗀�
賳賯賱 賳賲賵賳賴 賲鬲賳: (亘丕賱丕蹖 趩賴丕乇趩賵亘 丿乇貙 氐賮丨賴鈥� 蹖 賮賱夭蹖 亘賱賳丿 賵 亘丕乇蹖讴蹖 丕夭 噩賳爻 賮賱夭 賱毓丕亘鈥屫ж� 亘賵丿貙 賯乇丕乇 丿丕卮鬲貨 丨乇賵賮蹖 爻蹖丕賴 锟斤拷賴 丿乇 夭賲蹖賳賴鈥� 丕蹖 爻賮蹖丿 乇賵蹖 丕蹖賳 氐賮丨賴 丨讴 卮丿賴鈥� 丕賳丿貙 毓亘丕乇鬲 芦丕丿丕乇賴 賲乇讴夭蹖 孬亘鬲 鬲賵賱丿賴丕貙 丕夭丿賵丕噩鈥屬囏� 賵 賮賵鬲鈥屬囏� 乇丕 賳卮丕賳 賲蹖鈥屫囏� 賯爻賲鬲鈥屬囏й屰� 丕夭 賱毓丕亘 丕蹖賳 氐賮丨賴 鬲乇讴 亘乇丿丕卮鬲賴貙 賵 禺乇丕卮蹖丿賴 卮丿賴 丕爻鬲貨 丿乇 賵乇賵丿蹖貙 丿乇蹖 讴賴賳賴 賵 賯丿蹖賲锟斤拷 丕爻鬲貙 賵 乇賳诏 賯賴賵賴鈥� 丕蹖貙 讴賴 丌禺乇蹖賳 亘丕乇 乇賵蹖卮 夭丿賴 鈥屫簇� 倬賵爻鬲賴鈥� 倬賵爻鬲賴 鈥屫簇囏� 賵 乇賵蹖賴鈥� 蹖 亘蹖乇賵賳 夭丿賴 蹖 趩賵亘 丌賳貙 倬賵爻鬲 倬卮賲丕賱賵貙 賵 亘丿賳 丕賳爻丕賳 乇丕 鬲丿丕毓蹖 賲蹖鈥屭┵嗀� 丿乇 丕賲鬲丿丕丿 賳賲丕蹖 禺丕乇噩蹖 丕蹖賳 爻丕禺鬲賲丕賳貙 倬賳噩 倬賳噩乇賴 賵噩賵丿 丿丕乇丿貨 亘賴鈥� 賲丨囟 賵乇賵丿 亘賴 爻丕禺鬲賲丕賳貙 亘賵蹖 讴丕睾匕 讴賴賳賴 亘賴 賲卮丕賲 賲蹖鈥屫必池� 丿乇爻鬲 丕爻鬲 讴賴 賴乇 乇賵夭 鬲毓丿丕丿 夭蹖丕丿蹖 讴丕睾匕賴丕蹖 噩丿蹖丿 賵丕乇丿 丕蹖賳 丕丿丕乇賴 賲蹖鈥屫促堌� 讴丕睾匕賴丕蹖蹖 讴賴 丨丕讴蹖 丕夭 丕丿丕賲賴 蹖丕賮鬲賳 丿禺鬲乇 賵 倬爻乇賴丕蹖蹖 丕爻鬲貨 讴賴 賴乇 乇賵夭 亘賴 丿賳蹖丕 賲蹖鈥屫③屬嗀� 丕賲丕 亘賵蹖 讴賴賳诏蹖 讴丕睾匕賴丕 賴賲蹖卮賴 亘賴 賲卮丕賲 賲蹖鈥屫必迟嗀� 夭蹖乇丕 爻乇賳賵卮鬲 鬲賲丕賲 讴丕睾匕賴丕 丕夭 賱丨馗賴 禺乇賵噩 丕夭 讴丕乇禺丕賳賴貙 亘賴鈥� 胤賵乇 丿丕卅賲蹖 讴賴賳賴貙 賵 讴賴賳賴鈥� 鬲乇 卮丿賳 丕爻鬲)貨 倬丕蹖丕賳 賳賯賱
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 17/01/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 29/08/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
July 4, 2020
Registered Redemption
Most of Saramago's themes are found here: death, the community of the living and the dead, the beautiful uncertainty and fluidity of language, the ultimately indecipherable complexity of human communication, identity, the search for meaning.
Saramago would probably have reacted harshly to the suggestion that he had created (perhaps 'outlined' is a better verb, but then again perhaps there is no adequate word at all) a sort of religion without a deity, the core of which is a humble irony laced with wit and grace. Then again perhaps he wouldn't object too forcefully; there are worse religious beliefs.
Saramago鈥檚 point is after all to redeem, through a kind of communal registration and remembrance, the existence of every one of the unique human species that has become extinct. For, as Aquinas taught so eloquently, each human being is indeed a distinct species and deserves recognition as such. It deserves its proper name.*
*Proust had a similar theme in the third volume of his Lost Time. It would be interesting to know if Saramago was influenced by him in All the Names. See: /review/show...
Or then again, who knows, it could have been the Mormons. I鈥檓 open about it.
Most of Saramago's themes are found here: death, the community of the living and the dead, the beautiful uncertainty and fluidity of language, the ultimately indecipherable complexity of human communication, identity, the search for meaning.
Saramago would probably have reacted harshly to the suggestion that he had created (perhaps 'outlined' is a better verb, but then again perhaps there is no adequate word at all) a sort of religion without a deity, the core of which is a humble irony laced with wit and grace. Then again perhaps he wouldn't object too forcefully; there are worse religious beliefs.
Saramago鈥檚 point is after all to redeem, through a kind of communal registration and remembrance, the existence of every one of the unique human species that has become extinct. For, as Aquinas taught so eloquently, each human being is indeed a distinct species and deserves recognition as such. It deserves its proper name.*
*Proust had a similar theme in the third volume of his Lost Time. It would be interesting to know if Saramago was influenced by him in All the Names. See: /review/show...
Or then again, who knows, it could have been the Mormons. I鈥檓 open about it.
January 24, 2025
I am still working to obtain a clean slate with my reviews so i am only writing a few words about the books I read last year. I wish I could write more but my self imposed rules do not let me.
So, I was less impressed by my 2nd Saramago, but I still believe is is an example of exceptional writing.
Senhor Jose is a clerk at the Central Registry where all deaths and births are registered, pre computers. The living and the dead are separated in the books. The death cards are kept in a very large and labyrinthic place where people can and got lost. When Sr. Jose accidentally finds a card about a birth stuck together with another, he becomes obsessed with finding the woman on the card. The whole novel is absurd, it reminds me a lot of Kafka.
So, I was less impressed by my 2nd Saramago, but I still believe is is an example of exceptional writing.
Senhor Jose is a clerk at the Central Registry where all deaths and births are registered, pre computers. The living and the dead are separated in the books. The death cards are kept in a very large and labyrinthic place where people can and got lost. When Sr. Jose accidentally finds a card about a birth stuck together with another, he becomes obsessed with finding the woman on the card. The whole novel is absurd, it reminds me a lot of Kafka.
June 8, 2018
賴賰匕丕 賴賷 亘毓囟 丕賱乇賵丕賷丕鬲 丕賱鬲賷 鬲購丿禺賱賰 賮賷 丨丕賱丞 卮賰 賲毓 賳賮爻賰 鬲爻賷胤乇 亘賮賰乇鬲賴丕 毓賱賶 賲禺賷賱鬲賰 賱毓丿丞 兀賷丕賲 賵鬲囟賮賷 丨丕賱丞 賲賳 丕賱賴賱毓 丕賱爻丕禺乇 賮賷 丿丕禺賱賰貙賵 鬲囟賷賮賰 兀賷囟丕賸 廿賱賶 賯丕卅賲丞 賲噩賴賵賱丕鬲賴丕 賵兀爻賲丕卅賴丕 丕賱鬲賷 鬲賰鬲賲鬲 丕賱乇賵丕賷丞 毓賱賶 噩賲賷毓賴丕 爻賵賶 丕賱爻賷丿 " 噩賵夭賷賴 " 丕賱匕賷 賷毓賲賱 賮賷 丿丕卅乇丞 丕賱賲丨賮賵馗丕鬲 賯爻賲 丕賱兀丨賵丕賱 丕賱卮禺氐賷丞 貙 賯丕亘毓丕賸 亘賷賳 鬲賱丕賱賺 賲賳 兀爻賲丕亍 賵兀乇卮賷賮丕鬲 丕賱賲賵鬲賶 賵丕賱兀丨賷丕亍 毓賱賶 丨丿 爻賵丕亍 ..
" 丿賵賳 噩賵夭賷賴 " 廿爻鬲胤丕毓 兀賳 賷亘賯賶 賮鬲乇丞 胤賵賷賱丞 赖賳丕賰 丿賵賳 兀賳 賷鬲爻賳賶 賱賴 賮賷 兀賳 賷賮賰乇 賮賷 亘賳卮 廿丨丿賶 鬲賱賰 丕賱卮禺氐賷丕鬲 丕賱賲噩賴賵賱丞 丕賱賯丕亘毓丞 亘賷賳 鬲賱丕賱 丕賱賵孬丕卅賯 賵丕賱兀爻賲丕亍 丕賱賲夭丿丨賲丞.. 貙賮噩兀丞 賵賯毓 賮賷 賮禺 丕賱賮囟賵賱貙 賵賰丕賳 賲賳 賳氐賷亘 賮囟賵賱賴 賵孬賷賯丞 廿賲乇兀丞 賲噩賴賵賱丞 .. 賲丕亘賷賳 乇丨賱丞 丕賱亘丨孬 毓賳 丕賱匕丕鬲 賵亘賷賳 鬲賯氐賷 丌孬丕乇 丕賱卮禺氐賷丞 丕賱賲噩賴賵賱丞 鬲賯亘毓 丨賰丕賷丕鬲 賲鬲毓丿丿丞 賵卮禺氐賷丕鬲 賲噩賴賵賱丞 賱鬲夭賷丨 毓賳賴丕 睾亘丕乇 丕賱賱丕賴賵賷丞 賵鬲禺賱賯 毓丕賱賲丕賸 孬賳丕卅賷 丕賱兀亘毓丕丿 匕丕鬲 乇賵丨 賮乇賷丿丞 賵卮禺氐賷丕鬲 鬲鬲賯賲氐 孬賵亘 丕賱賵丕賯毓 亘亘乇丕毓丞 賵爻賱丕爻丞 乇賵丕卅賷丞 賱丕 賳馗賷乇 賱賴丕..
乇賵丕賷丞 孬賯賷賱丞 毓賱賶 丕賱氐毓賷丿 丕賱賳賮爻賷 賵卮禺氐賷丞 丿賵賳 噩賵夭賷賴 賱丕 鬲孬賷乇 丕賱丨賷乇丞 亘賯丿乇 賲丕 鬲丨賰賷 毓賳 亘毓囟 丕賱爻賲丕鬲 丕賱亘卮乇賷丞 丕賱賲賲賷夭丞 貙賰丕賳鬲 亘胤乇賷賯丞 爻丕禺乇丞 賵孬賯賷賱丞 兀丨賷丕賳丕賸 貙 噩毓賱鬲 賲賳 丕賱乇賵丕賷丞 賲丐孬乇丞 賱賱睾丕賷丞貙 賵乇亘賲丕 賲賳 丕賱氐毓亘 兀賳 賷鬲賲賰賳 丕賱賯丕乇卅 賲賳 丕賱禺乇賵噩 賲賳 丿賵丕賲丞 丕賱乇賵丕賷丞 賮賷 賵賯鬲 賯氐賷乇 ..
" 丿賵賳 噩賵夭賷賴 " 廿爻鬲胤丕毓 兀賳 賷亘賯賶 賮鬲乇丞 胤賵賷賱丞 赖賳丕賰 丿賵賳 兀賳 賷鬲爻賳賶 賱賴 賮賷 兀賳 賷賮賰乇 賮賷 亘賳卮 廿丨丿賶 鬲賱賰 丕賱卮禺氐賷丕鬲 丕賱賲噩賴賵賱丞 丕賱賯丕亘毓丞 亘賷賳 鬲賱丕賱 丕賱賵孬丕卅賯 賵丕賱兀爻賲丕亍 丕賱賲夭丿丨賲丞.. 貙賮噩兀丞 賵賯毓 賮賷 賮禺 丕賱賮囟賵賱貙 賵賰丕賳 賲賳 賳氐賷亘 賮囟賵賱賴 賵孬賷賯丞 廿賲乇兀丞 賲噩賴賵賱丞 .. 賲丕亘賷賳 乇丨賱丞 丕賱亘丨孬 毓賳 丕賱匕丕鬲 賵亘賷賳 鬲賯氐賷 丌孬丕乇 丕賱卮禺氐賷丞 丕賱賲噩賴賵賱丞 鬲賯亘毓 丨賰丕賷丕鬲 賲鬲毓丿丿丞 賵卮禺氐賷丕鬲 賲噩賴賵賱丞 賱鬲夭賷丨 毓賳賴丕 睾亘丕乇 丕賱賱丕賴賵賷丞 賵鬲禺賱賯 毓丕賱賲丕賸 孬賳丕卅賷 丕賱兀亘毓丕丿 匕丕鬲 乇賵丨 賮乇賷丿丞 賵卮禺氐賷丕鬲 鬲鬲賯賲氐 孬賵亘 丕賱賵丕賯毓 亘亘乇丕毓丞 賵爻賱丕爻丞 乇賵丕卅賷丞 賱丕 賳馗賷乇 賱賴丕..
乇賵丕賷丞 孬賯賷賱丞 毓賱賶 丕賱氐毓賷丿 丕賱賳賮爻賷 賵卮禺氐賷丞 丿賵賳 噩賵夭賷賴 賱丕 鬲孬賷乇 丕賱丨賷乇丞 亘賯丿乇 賲丕 鬲丨賰賷 毓賳 亘毓囟 丕賱爻賲丕鬲 丕賱亘卮乇賷丞 丕賱賲賲賷夭丞 貙賰丕賳鬲 亘胤乇賷賯丞 爻丕禺乇丞 賵孬賯賷賱丞 兀丨賷丕賳丕賸 貙 噩毓賱鬲 賲賳 丕賱乇賵丕賷丞 賲丐孬乇丞 賱賱睾丕賷丞貙 賵乇亘賲丕 賲賳 丕賱氐毓亘 兀賳 賷鬲賲賰賳 丕賱賯丕乇卅 賲賳 丕賱禺乇賵噩 賲賳 丿賵丕賲丞 丕賱乇賵丕賷丞 賮賷 賵賯鬲 賯氐賷乇 ..
September 29, 2024
In the "Saramagian" style, this novel relates the metaphysical quest of a minor employee of the Civil Registry to the links that unite the living world to that of the dead.
Following a fragile and dangerous breadcrumb trail, Mr. Jos茅 will travel through labyrinthine and grueling paths and meet several banal, enigmatic, or intimidating characters who will show him the way through an administration without qualms, an austere town, and a sprawling cemetery.
This edition presents the Portuguese writer's work as a "police investigation," a "philosophical tale," and a "reflection on life and death, light and darkness."
After working several trades, including locksmith, clerk of office, and insurer, Saramago began to write at 58. He was 75 when he wrote "All Names" in 1997. He won the Nobel Prize for Literature in 1998.
Following a fragile and dangerous breadcrumb trail, Mr. Jos茅 will travel through labyrinthine and grueling paths and meet several banal, enigmatic, or intimidating characters who will show him the way through an administration without qualms, an austere town, and a sprawling cemetery.
This edition presents the Portuguese writer's work as a "police investigation," a "philosophical tale," and a "reflection on life and death, light and darkness."
After working several trades, including locksmith, clerk of office, and insurer, Saramago began to write at 58. He was 75 when he wrote "All Names" in 1997. He won the Nobel Prize for Literature in 1998.
April 24, 2022
鈥溾€� lo que da verdadero sentido al encuentro es la b煤squeda鈥�Tuve una novia a la que se le meti贸 en la cabeza que a m铆 me gustaba Saramago. As铆, durante un tiempo, cada vez que ten铆a que hacerme un regalo me ca铆a una novela del autor portugu茅s. Era tal su ilusi贸n al regal谩rmelos que me sent铆a incapaz de decepcionarla, y, aburrido, me los iba leyendo uno tras otro, pero no hab铆a caso, no supe sacarle provecho a ninguno. No obstante, esa novia acab贸 siendo mi mujer y en alg煤n momento tuve que atreverme a pedirle que sacase a Saramago de nuestra relaci贸n porque no volvi贸 a entrometerse en mis lecturas. Pero ah铆 han estado sus novelas todo este tiempo, en mi estanter铆a. Dado que eran sus regalos no me decid铆 nunca a darlas o a llevarlas a alguna biblioteca como he hecho con tantas otras, y ahora que he decidido releer m谩s, quise ver lo equivocado o acertado que estuve al dejar de leer al autor.
Pues bien, ni lo uno ni lo otro, al menos en el caso de esta novela. Entiendo que mi yo joven no lo disfrutara mucho, el estilo burocr谩tico del narrador, pese a la iron铆a y al humor que se gasta en ocasiones y que tanto me record贸 al utilizado por Heinrich B枚ll en 鈥淩etrato de grupo con se帽ora鈥�, es algo cansino, aunque uno termina por acostumbrarse. Tambi茅n peca de prolijo en demasiadas ocasiones, por mucho que estos informes burocr谩ticos deban ser exhaustivos, tanto detalle agota y aburre.
鈥溾€� la piel es todo cuanto queremos que los otros vean, debajo de ella ni nosotros mismos conseguimos saber qui茅nes somos.鈥�No obstante, algo ha mejorado mis sensaciones con esta relectura, lo suficiente como para darle una estrellita m谩s y abrirme el apetito para alguna otra obra del autor. Posiblemente apreci茅 m谩s ahora la forma en la que critica a las r铆gidas estructura burocr谩ticas, tan par贸dicas y exageradas como kafkianas; o el acertado tono gris del protagonista, uno de esos que 鈥渜uiere y no quiere, desea y teme lo que desea鈥�, siempre escrupuloso y respetuoso con las normas y las jerarqu铆as, aunque cansado de la soledad a la que su cobard铆a le ha llevado y para la que su presente rebeld铆a quiz谩s llegue demasiado tarde; o la declarada inutilidad de la separaci贸n que establecemos entre la vida y la muerte sin asumir lo intrincada que es su relaci贸n; o las numerosas referencias al azar como factor decisivo de nuestras vidas, y la humana tendencia a considerar los hechos azarosos como la prueba definitiva del destino inexorable para el que fuimos elegidos y, por tanto, de la negaci贸n del sinsentido de la vida; o sus reflexiones sobre la toma de decisiones y el control de nuestros actos que creemos tener, con las consiguientes sorpresas que a nosotros mismos nos damos a veces con nuestra forma de proceder (鈥淓n rigor, no tomamos decisiones, son las decisiones las que nos toman a nosotros); o la necesidad que todos tenemos de ocupar nuestras vidas, de huir del aburrimiento, de dotarla de alg煤n objetivo, por muy absurdas que sean las ocupaciones que elegimos para ello.
鈥淧ersonas as铆, como este don Jos茅, se encuentran en todas partes, ocupan el tiempo que creen que les sobra de vida juntando sellos, monedas, medallas, jarrones, postales, cajas de cerillas, libros, relojes, camisetas deportivas, aut贸grafos, piedras, mu帽ecos de barro, latas vac铆as de refrescos, angelitos, cactos, programas de 贸pera, encendedores, plumas, b煤hos, cajas de m煤sica, botellas, bons谩is, pinturas, jarras, pipas, obeliscos de cristal, patos de porcelana, mu帽ecos antiguos, m谩scaras de carnaval, lo hacen por algo que podr铆amos llamar angustia metaf铆sica, tal vez porque no consiguen soportar la idea del caos como regidor 煤nico del universo鈥︹€�Yo junto libros.
March 19, 2025
I never thought a novel about a lonely and duller than dull file clerk could turn out to be so readable, but that's exactly how I found this, it was difficult to find a reasonable place to stop, of which I simply had to, as it's a bit too long to gulp down in one go, although for those who don't get fidgety cramps, don't have much of an appetite, and with plenty of time on their hands, it may work out beneficial. In fact, this is the very book the protagonist of All the Names would likely read in one go, sat up in bed, with a cup of weak coffee, and an unfulfilling sandwich, as he doesn't exactly have a busy schedule away from work, that is, until an unknown woman enters his life, no, he enters hers, only without her knowing it.
With a deceptively simple prose that uses ironic comments that intersperse within the story of an obsessional quest, and with omitted inverted commas, question marks, exclamation marks and the like, Saramago's narrative runs as smooth as silk as we follow the slightly eccentric slightly mad (he talks to his ceiling) clerk Senhor Jos茅 of the Central Registry who enters into a metaphysical labyrinth of names, names and more names, tons and tons of them. He eats, sleeps, and breathes them, day-to-day. But out of hours, he takes on the task (to quell boredom most likely) of tracking down a random female, from a random card, located within the Central Registry. His nocturnal activities within the Central Registry are made that little bit easier seeing as he lives in an adjoining room to the main building.
Within the first few pages, Saramago establishes a tension that sings and rises, producing engaging revelations that culminates when the final paragraphs twists expectations once again. The title simply refers to the miles of archival records among which the protagonist toils at the Registry of Births, Marriages and Deaths in an unnamed small city whose inhabitants still live by ancient and tight rules and regulations. It's the sort of system that East Germany would have been proud of. The registry is quixotically disorganized in places, the further you delve into the abyss, so that the files of those most recently deceased are buried under miles of paper at the furthest remove of the massive building that seems to go on forever. Senhor Jos茅 collects clippings about famous people and surreptitiously copies their birth certificates purloining them from the registry at night and returning them stealthily, when suddenly, and it is literally suddenly, he is stricken by a need to learn about an unknown woman's life. There's no special reason for this pursuit, which becomes an elaborate and increasingly surreal catalogue of misdeeds and lies, but consumed by an overriding passion to find her, and taking more and more risks along the way, he is forced to become practical, clever, and brave, in ways he never thought possible.
Saramago relates the novels events in a finely honed and precise way, pervaded with irony, but also playfully mocking with humour. Alternately farcical, macabre, surreal and tragic, but also chilly in a kafka-esque way, his narrative depicts the loneliness of individual lives, and the universal need for human connection, even as it illuminates the fine line between those of the living and those of the dead. Starting off slowly, the pacing accelerates eventually, and Jos茅's clandestine mission turns into an adventure you simply hope in the end pays off, as he is the kind of character that appeals in a humble and hapless, but all so real way, he warms the soul the longer his escapades continue. Speaking of soul, Saramago clearly had it in abundance. Not entirely positive about it's ending though, so a minor smudge there, but that aside, All the Names was a top notch piece of fiction.
March 23, 2023
丌賱賮 丕賱卮賵丕乇毓
賵兀鬲賵賴 賮賷 丕賱賲丿賷賳丞
兀囟賷毓 賮賷 丕賱賲賵丕噩毓
賵 丿賲賵毓賷 丕賱丨夭賷賳丞
賵賮賷 賰賱 丕賱卮賵丕乇毓
賱丕 囟丕毓鬲 賲賵丕噩毓
賵賱丕 賴丿賷鬲 毓賷賵賳賷
賵賱丕 毓丕丿 丕賱賱賷 乇丕噩毓
賲賵馗賮 禺賲爻賷賳賷 賷毓賷卮 毓賱賶 丕賱賴丕賲卮. 賱賷爻 賱丿賷賴 兀賷 胤賲賵丨 賵 賱丕 兀賲賱 賵 賲鬲毓鬲賴 丕賱賵丨賷丿丞 賮賷 鬲鬲亘毓 丕賱賲卮丕賴賷乇 亘兀禺匕 賯氐丕氐丕鬲 賲賳 兀禺亘丕乇賴賲 賵 乇氐丿 乇丨賱丞 氐毓賵丿賴賲 兀賵 兀賮賵賱 賳噩賲賴賲.
賱賳 賷噩丿 賲賮乇丕 賱廿禺亘丕乇賴丕 亘賰賱 賲丕 鬲亘賯賶. 賵 賲丕 鬲亘賯賶 賴賵 賲噩賲賵毓鬲賴 賲賳 丕賱卮禺氐賷丕鬲 丕賱賲卮賴賵乇丞. 賵 禺賵賮賴 賲賳 丕賱賲乇鬲賮毓丕鬲. 賵 丕賱兀賵乇丕賯 丕賱賲爻賵丿丞. 賵 卮亘丕賰 丕賱毓賳賰亘賵鬲. 賵 禺夭丕卅賳 賲賱賮丕鬲 丕賱兀丨賷丕亍 丕賱乇鬲賷亘丞. 賵 賮賵囟賶 禺夭丕卅賳 丕賱兀賲賵丕鬲. 賵 丕賱毓賮賵賳丞. 賵 丕賱睾亘丕乇. 賵 丕賱賷兀爻. 賵 兀禺賷乇丕 丕賱亘胤丕賯丞 丕賱鬲賷 禺乇噩鬲 賱爻亘亘 賲丕 賲賱鬲氐賯丞 亘丕賱亘胤丕賯丕鬲 丕賱兀禺乇賶.賰丕賳鬲 鬲賳賯氐賴 丕賱賲睾丕賲乇丞 賵 賯丿 噩丕亍鬲 鬲賲丕賲丕 賮賷 賵賯鬲賴丕 賵 兀噩亘乇鬲賴 毓賱賶 丕賱鬲禺賱賷 毓賳 賳賲胤 丨賷丕鬲賴 賵 丕賱丕賳胤賱丕賯 賮賷 賴匕丕 丕賱毓丕賱賲 丕賱匕賷 賱賲 賷丿禺賱賴 賯胤.
賱賯丿 賯賷賱 賲賳匕 丕賱兀夭賲賳丞 丕賱賰賱丕爻賷賰賷丞 亘兀賳 丕賱賯丿乇 賷丨賲賷 丕賱噩爻賵乇賷賳. 賵賯丿 賰丕賳鬲 丕賱賵爻賷賱丞 丕賱賲賰賱賮丞 亘丕賱丨賲丕賷丞 賮賷 賴匕賴 丕賱丨丕賱丞 賴賷 丕賱賲胤乇. 兀賵 亘賰賱賲丕鬲 兀禺乇賶. 丕賱爻賲丕亍 賲亘丕卮乇丞.乇亘賲丕 賰丕賳 丕賱賯丿乇 賴賵 賲賳 兀乇爻賱 廿賱賷賴 賴匕賴 丕賱賲睾丕賲乇丞 賵 賲賳 赖賳丕 鬲賵噩亘 毓賱賷賴 兀賳 賷丨賲賷賴 賵 賷丐賷丿 禺胤丕賴. 兀賵 賴賰匕丕 馗賳.
丕賱丨丕賱 賮賷 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 賱賷爻 毓賱賶 賴匕丕 丕賱賳丨賵. 賮賮賷 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 賱丕 鬲賵噩丿 廿賱丕 丕賱賰賱賲丕鬲. 賮賷 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 賱丕 賷賲賰賳 乇丐賷丞 賰賷賮 鬲睾賷乇鬲 丕賱賵噩賵賴. 兀賵 賰賷賮 賴賷 丌禺匕賴 亘丕賱鬲睾賷乇.賵 賲賳 乇鬲丕亘丞 丕賱廿丿丕乇丞 丕賱毓丕賲丞 賱賲丨賮賵馗丕鬲 丕賱爻噩賱 丕賱賲丿賳賷 廿賱賶 丕賱毓丕賱賲 丕賱賲賱賵賳 丕賱賲賱賷亍 亘丕賱氐賵乇. 丕賱夭丕禺乇 亘丕賱丨賷丕丞. 鬲亘丿兀 賲睾丕賲乇鬲賴 賵 賲賳 孬賲 賲鬲丕毓亘賴.
賱賯丿 賰賳鬲 兀毓賷卮 亘爻賱丕賲 賯亘賱 兀賳 賷鬲爻賱胤 賴匕丕 丕賱賴丕噩爻 丕賱毓賯賷賲 廿賱賶 毓賯賱賷. 丕賱亘丨孬 毓賳 丕賲乇兀丞 賱丕 鬲毓乇賮 丨鬲賶 兀賳賳賷 賲賵噩賵丿. 賵 賱賰賳賳賷 兀毓乇賮 兀賳賴丕 賲賵噩賵丿丞. 賵 賴匕賴 賴賷 丕賱賲卮賰賱丞. 賲賳 丕賱兀賮囟賱 兀賳 兀鬲禺賱賶 毓賳 丕賱兀賲乇 丿賮毓丞 賵丕丨丿丞.卮賷卅丕 賮卮賷卅丕 鬲鬲賮鬲丨 毓賷賵賳 丕賱爻賷丿 丿賵賳 噩賵夭賷賴 毓賱賶 丨賯丕卅賯 賱賲 賷賰賳 爻賷乇丕賴丕 兀賵 賷毓賷賴丕 兀亘丿丕 賱賵賱丕 兀賳 丕賱賯丿乇 兀賱賯賶 亘賴 賮賷 丕賱鬲噩乇亘丞.
丕賱賯氐丞 賲鬲卮丕亘賴丞 亘丕賱賳爻亘丞 賱賱噩賲賷毓. 賵賱丿鬲. 賲丕鬲鬲. 賵 賲賳 匕丕 丕賱匕賷 爻賷賴鬲賲 丕賱兀賳 亘賲賳 賰丕賳鬲. 賮丕賱兀亘賵丕賳 廿匕丕 賰丕賳丕 賷丨亘丕賳賴丕. 爻賷亘賰賷丕賳 賱亘毓囟 丕賱賵賯鬲. 孬賲 賷賯賱 亘賰丕丐賴賲丕 賮賷賲丕 亘毓丿. 孬賲 賷鬲賵賯賮丕賳 亘毓丿 匕賱賰 毓賳 丕賱亘賰丕亍. 賴匕丕 賴賵 丕賱賲毓鬲丕丿. 賵 丕賱乇噩賱 丕賱匕賷 胤賱賯鬲 賲賳賴 賱賳 賷賰鬲乇孬. 氐丨賷丨 兀賳賴丕 賯丿 鬲賰賵賳 毓賱賶 毓賱丕賯丞 毓丕胤賮賷丞. 兀賵 毓丕卮乇鬲 兀丨丿賴賲. 兀賵 賯丿 鬲賰賵賳 毓賱賶 賵卮賰 丕賱夭賵丕噩 賲乇丞 兀禺乇賶. 賵 賱賰賳 賴匕賴 丕賱賯氐丞 爻鬲賰賵賳 賯氐丞 賲爻鬲賯亘賱 賱丕 賷賲賰賳 賱賴丕 兀賳 鬲毓賷卮賴. 賮賱賷爻 赖賳丕賰 賮賷 丕賱毓丕賱賲 賲賳 賷賰鬲乇孬 賱賱賯囟賷丞 丕賱睾乇賷亘丞 賱賱賲乇兀丞 丕賱賲噩賴賵賱丞.鬲賱賰 丕賱賲乇兀丞 丕賱賲噩賴賵賱丞 丕賱鬲賷 亘乇夭鬲 廿賱賷賴 賲賳 丕賱毓丿賲 毓賳 胤乇賷賯 亘胤丕賯鬲賴丕 丕賱鬲賷 鬲馗賴乇 丕賱賯賱賷賱 賲賳 丕賱賲毓賱賵賲丕鬲 毓賳賴丕 孬賲 氐賵乇賴丕 丕賱鬲賷 馗賳 兀賳賴丕 鬲賳亘囟 亘丕賱丨賷丕丞 孬賲 賱賲 賷賱亘孬 兀賳 囟丕毓 丕賱禺胤 丕賱賮丕氐賱 亘賷賳 丕賱賲賵鬲 賵 丕賱丨賷丕丞 賮賷 賯氐鬲賴 賲孬賱賲丕 賴賵 囟丕卅毓 賮賷 廿丿丕乇丞 丕賱賲丨賮賵馗丕鬲 賵 賮賷 丕賱賲賯丕亘乇 丕賱毓丕賲丞 賳賮爻賴丕.
廿賳 丕賱氐賵乇 丕賱賯丿賷賲丞 鬲禺丿毓賳丕 賰孬賷乇丕. 賮賴賷 鬲賵賴賲賳丕 亘兀賳賳丕 兀丨賷丕亍 賮賷賴丕. 賵 賴匕丕 睾賷乇 氐丨賷丨. 賱兀賳 丕賱卮禺氐 丕賱匕賷 賳賳馗乇 廿賱賷賴 賮賷賴丕 賱賲 賷毓丿 賲賵噩賵丿丕. 賵 賱賵 賰丕賳 亘賲賯丿賵乇賴 兀賳 賷乇丕賳丕 賮賱賳 賷鬲毓乇賮 毓賱賶 賳賮爻賴 賮賷賳丕. 賵 爻賷賯賵賱: 賲賳 賴匕丕 丕賱匕賷 賷賳馗乇 廿賱賷 亘賵噩賴 賲丨夭賵賳.賰賱 丕賱兀爻賲丕亍 爻鬲丐賵賱 賮賷 丕賱賳賴丕賷丞 廿賱賶 丕賱賲賯亘乇丞 丕賱毓丕賲丞 賵 賲丕 丕賱廿丿丕乇丞 丕賱毓丕賲丞 賱賲丨賮賵馗丕鬲 丕賱爻噩賱 丕賱賲丿賳賷 廿賱丕 乇丕賮丿 賲賳 乇賵丕賮丿 丕賱賲賯亘乇丞 亘乇睾賲 兀賳 丕賱賲賯亘乇丞 賱丕 鬲囟賲 廿賱丕 兀爻賲丕亍 丕賱賲賷鬲賷賳 賵 丕賱爻噩賱 丕賱賲丿賳賷 賷囟賲 兀爻賲丕亍 丕賱賲賷鬲賷賳 賵 丕賱兀丨賷丕亍 賲毓丕 廿賱丕 兀賳 丕賱兀丨賷丕亍 賲丕 賴賲 廿賱丕 賲賵鬲賶 賲爻鬲賯亘賱賷賵賳 賵 賲賳 赖賳丕 賮廿賳 賰賱 丕賱兀爻賲丕亍 毓賲賱賷丕 賴賷 丿丕禺賱 丕賱賲賯亘乇丞 爻賵丕亍 賰丕賳 匕賱賰 丨丕丿孬丕 丕賱兀賳 兀賲 賮賷 丕賱賲爻鬲賯亘賱 爻賵丕亍 丕賱亘毓賷丿 兀賵 丕賱賯乇賷亘.
乇亘賲丕 賰賳鬲 毓賱賶 丨賯 毓賳丿賲丕 賯賱鬲 廿賳賴 賱丕 賷賲賰賳 廿賷噩丕丿 鬲賮爻賷乇 賱兀賷 丕賳鬲丨丕乇. 廿匕丕 賲丕 賮爻乇 毓賯賱丕賳賷丕 爻賷賮賴賲 賰賱 卮賷亍 噩乇賶. 賰賲丕 賱賵 兀賳賴丕 賱賲 鬲賮毓賱 兀賰孬乇 賲賳 賮鬲丨 亘丕亘 賵 丕賱禺乇賵噩. 兀賵 丕賱丿禺賵賱. 丨爻亘 賵噩賴丞 丕賱賳馗乇. 賮賷 賴匕丕 鬲噩丿 鬲賮爻賷乇丕 乇丕卅毓丕. 賱賯丿 賰丕賳 鬲毓亘賷乇丕 賲噩丕夭賷丕 賵 丕賱賲噩丕夭丕鬲 賴賷 兀賮囟賱 胤乇賷賯丞 賱鬲賮爻賷乇 丕賱兀賲賵乇.
鬲噩丿 賲乇丕噩毓鬲賷 賱賱噩夭亍 丕賱兀賵賱 赖賳丕
鬲噩丿 賲乇丕噩毓鬲賷 賱賱噩夭亍 丕賱孬丕賳賷 赖賳丕
January 31, 2024
" 丕賱睾丿 爻賷賰賵賳 夭賲賳丕 丌禺乇 貙 兀賵 兀賳賴 賴賵 賳賮爻賴 爻賷賰賵賳 卮禺氐丕 丌禺乇 賮賷 夭賲賳 賲賲丕孬賱 賱賴匕丕 貙 賲賳 爻兀賰賵賳 兀賳丕 睾丿丕 "
賮賷 卮禺氐賷丕鬲 亘鬲賰賵賳 賮賷 鬲乇賰賷亘鬲賴丕 賵丨賷丕鬲賴丕 賵鬲賮丕氐賷賱賴丕 賲賲賰賳 鬲亘丕賳 亘毓賷丿 毓賳賰 亘爻 賮噩兀丞 鬲賱丕賯賷 賳賮爻賰 亘鬲卮亘賴 毓丕賱卮禺氐賷丞 貙 亘鬲丨爻 丕賳賴丕 賲卮 賲噩乇丿 卮禺氐賷丞 賮賷 乇賵丕賷丞貙 亘鬲賱丕賯賷 丨丕噩丞 卮亘賴賰 丕賵賶 賵賱賲爻鬲賰 亘卮賰賱 睾賷乇 賲鬲賵賯毓 賲毓 丕賳 丕賱卮賰賱 丕賱禺丕乇噩賶 賲禺鬲賱賮 賱賰賳 賮賷 鬲賮丕氐賷賱 氐睾賷乇丞 亘鬲毓乇賮賰 賯丿 丕賷賴 丕賳鬲賵丕 賲鬲卮丕亘賴賷賳. 丿賴 丕賱賱賶 丨爻賷鬲賴 賲毓 卮禺氐賷丞 丿賵賳 噩賵夭賷賴 . 丕賱乇賵丕賷丞 賵賮賰乇鬲賴丕 賵丕賱賱賶 賴賶 賰毓丕丿丞 爻丕乇丕賲丕睾賵 丕賱睾丕賱賶 賱丕夭賲 鬲賰賵賳 賲禺鬲賱賮丞 賵睾賷乇 鬲賯賱賷丿賷丞 賲噩匕亘鬲賳賷卮 賮賷 丕賱亘丿丕賷丞 亘爻 賲毓 賰賱 氐賮丨丞 賵賰賱 鬲賮氐賷賱 氐睾賷乇 貙 丕賱乇賵丕賷丞 賰丕賳鬲 亘鬲丿禺賱 噩賵丕賷丕貙 賰丕賳鬲 亘鬲丿禺賱 噩賵賴 噩賱丿賶 賵丕賳丕 賲卮 賵丕禺丿丞 亘丕賱賷 . 賱丨丿 賲丕 賮賷 賱丨馗丞 賰丿賴 賵賯賮鬲 賵丨爻賷鬲 丕賳 丨賷丕鬲賷 鬲卮亘賴 丨賷丕丞 丿賵賳 噩賵夭賷賴 賮賷 丨丕噩丕鬲 賰鬲賷乇 . 丕賱賵丨丿丞 貙 丕賱賮乇丕睾 貙 禺賵賮賴 貙 鬲乇丿丿賴 貙 鬲禺賷賱賴 賱兀爻賵兀 丕賱爻賷賳丕乇賷賵賴丕鬲 丕賱鬲賶 賷賲賰賳 兀賳 鬲丨丿孬 貙 丕賱亘丨孬 賵丕賱丕賴鬲賲丕賲 亘兀卮賷丕亍 賯丿 鬲賰賵賳 睾乇賷亘丞 亘丕賱賳爻亘丞 賱賱丌禺乇賷賳 賱賰賳賴丕 賲賳胤賯賷丞 亘丕賱賳爻亘丞 賱賴 賵鬲卮睾賱 丕賵賯丕鬲賴 賵鬲賮賰賷乇賴 . 乇亘賲丕 賱丕 兀毓賷卮 亘賲賮乇丿賷 賮賷 丨噩乇丞 亘丕卅爻丞 賲孬賱 丿賵賳 噩賵夭賷賴 賱賰賳 賱丕 鬲噩毓賱賵丕 丕賱賲馗丕賴乇 鬲禺丿毓賰賲 賮賰賲丕 賯賱鬲 赖賳丕賰 鬲賮丕氐賷賱 氐睾賷乇丞 丕賴賲 賲賳 丕賱賲馗賴乇 丕賱禺丕乇噩賷 .
" 丿賵賳 噩賵夭賷賴 賷乇賷丿 賵賱丕 賷乇賷丿 貙 賷乇睾亘 賵賷禺卮賷 賲丕 賷乇睾亘 賮賷賴 貙 丨賷丕鬲賴 賰賱賴丕 賰丕賳鬲 毓賱賶 賴匕丕 丕賱賲賳賵丕賱 "
"兀賳丕 賱賲 兀爻卅 廿賱賶 兀丨丿 賯胤 貙 亘氐賵乇丞 賵丕毓賷丞 賲鬲毓賲丿丞 毓賱賶 丕賱兀賯賱貙 賵賴匕丕 賰賱 賲丕 賷賲賰賳賳賷 賯賵賱賴 賱賰
- 賵賲丕匕丕 毓賳 丕賱丕禺胤丕亍 亘丨賯 賳賮爻賰
- 賱丕 亘丿 兀賳賳賷 兀賯鬲乇賮鬲 丕賱賰孬賷乇 賲賳賴丕 賵乇亘賲丕 賰丕賳 賴匕丕 賴賵 丕賱爻亘亘 賮賷 賰賵賳賷 賵丨賷丿丕."
丿賵賳 噩賵夭賷賴 賴賵 賰丕鬲亘 亘爻賷胤 賮賷 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 賮賷 丕賱禺賲爻賷賳 賲賳 毓賲乇賴 貙 賲賴賲鬲賴 鬲爻噩賷賱 丕賱賲賵丕賱賷丿 賵 丕賱賵賮賷丕鬲 賵賴賵 丕賱賲賵馗賮 丕賱賵丨賷丿 丕賱匕賷 賱丕賷夭丕賱 賷爻賰賳 賮賷 丌禺乇 丕賱賲爻丕賰賳 丕賱亘丿丕卅賷丞 丕賱禺丕氐丞 亘丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 .
" 賲爻丕賰賳 亘爻賷胤丞 賵亘丿丕卅賷丞 賲卮賷丿丞 賮賷 丕賱禺丕乇噩 貙 毓賱賶 丕賲鬲丿丕丿 丕賱噩丿乇丕賳 丕賱噩丕賳亘賷丞 貙 賱賴丕 卮賰賱 氐賵丕賲毓 賲賴賲賱丞 乇丕丨鬲 鬲鬲卮亘孬 亘噩爻丿 丕賱賲丨賮賵馗丕鬲 丕賱乇丕爻禺
賷賯囟賶 賵賯鬲賴 賮賷 噩賲毓 賯氐丕氐丕鬲 氐丨賮 賵賲噩賱丕鬲 鬲鬲囟賲賳 丕禺亘丕乇 賵氐賵乇 兀賳丕爻 賲卮賴賵乇賷賷賳 貙 賵賮賶 丕丨丿 丕賱丕賷丕賲 賯乇乇 丕賳 賷囟賷賮 丕賱賶 賲噩賲賵毓鬲賴 賲毓賱賵賲丕鬲 賲賳 丕乇卮賷賮 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 ( 卮賴丕丿丞 賲賷賱丕丿賴賲貙 賲賰丕賳 賵賱丕丿鬲賴 貙 賲賳 毓乇丕亘丕賴 賵丕賶 賲毓賱賵賲丕鬲 賲鬲賵賮乇丞 賱丿賷賴賲 ) 賵馗賱 賷噩賲毓 賰賱 賷賵賲 賱賷賱丕 賴匕賴 丕賱賲毓賱賵賲丕鬲 丨鬲賶 賵賯毓 亘丕賱禺胤兀 賮賷 賷丿賴 賲毓 亘胤丕賯丞 廿丨丿賶 丕賱卮禺氐賷丕鬲 丕賱賲卮賴賵乇丞 亘胤丕賯丞 賱卮禺氐賷丞 毓丕丿賷丞 " 賰丕賳鬲 丕賱亘胤丕賯丞 賱丕賲乇兀丞 賮賷 丕賱爻丕丿爻丞 賵丕賱孬賱丕孬賷賳 貙 賲賵賱賵丿丞 賮賷 鬲賱賰 丕賱賲丿賷賳丞 賳賮爻賴丕 "
賱賲丕匕丕 賴匕賴 丕賱亘胤丕賯丞 亘丕賱匕丕鬲 丿賵賳 睾賷乇賴丕 !賱賲丕匕丕 賴匕賴 丕賱爻賷丿丞 丿賵賳 睾賷乇賴丕 ! 廿賳賴丕 丕賱賲氐丕丿賮丞 賴賷 丕賱鬲賷 賵囟毓鬲 亘賷賳 賷丿賷賴 鬲賱賰 丕賱亘胤丕賯丞 丿賵賳 睾賷乇賴丕 .
" 丕賱賲氐丕丿賮丞 賱丕 鬲禺鬲丕乇 貙 賵廿賳賲丕 鬲毓乇囟 貙 賵丕賱賲氐丕丿賮丞 賴賶 丕賱鬲賷 噩丕亍鬲賴 亘丕賱賲乇兀丞 丕賱賲噩賴賵賱丞 貙 賵丕賱賲氐丕丿賮丞 賵丨丿賴丕 賴賶 丕賱鬲賷 鬲賲賱賰 氐賱丕丨賷丞 丕賱丕禺鬲賷丕乇 賮賷 賴匕丕 丕賱卮兀賳 "
賵賲賳 赖賳丕 亘丿兀鬲 丨賷丕丞 丿賵賳 噩賵夭賷賴 賲賳丨賳賷 丌禺乇貙 賲丕匕丕 爻賷賮毓賱 亘賴匕賴 丕賱賲毓賱賵賲丕鬲 責 賴賱 爻賷亘丨孬 毓賳賴丕 責 賴賱 爻賷噩丿賴丕 責!
爻鬲馗賱 胤賵丕賱 丕賱乇賵丕賷丞 賮賷 丨丕賱丞 鬲爻丕丐賱 賵亘丨孬 賲毓 丿賵賳 噩賵夭賷賴 .
" 賱賯丿 丨丕賳 丕賱賵賯鬲 賱賱亘丿亍 亘鬲丿賵賷賳 賲賱丕丨馗丕鬲 丨賵賱 鬲賯丿賲 毓賲賱賷丞 丕賱亘丨孬 貙 賵丕賱賱賯丕亍丕鬲 賵丕賱賲丨丕丿孬丕鬲 貙 賵丕賱鬲兀賲賱丕鬲 貙 賵禺胤胤 賵鬲賰鬲賷賰丕鬲 鬲丨賯賷賯 賷亘丿賵 丕賳賴 爻賷賰賵賳 賲毓賯丿丕 "
賲丕賱匕賷 賷噩毓賱賳丕 賳賮毓賱 卮賷卅丕 丿賵賳 睾賷乇賴 責 賲丕 丕賱匕賷 賷噩毓賱賳丕 賳鬲禺匕 賯乇丕乇丕鬲 賲毓賷賳丞 責 賲丕賱匕賷 賷噩毓賱賳丕 賳禺乇噩 毓賳 賲爻賷乇鬲賳丕 丕賱胤亘賷毓賷丞 賵鬲睾賷賷乇 鬲氐乇賮丕鬲賳丕 責 賰賷賮 賳鬲氐乇賮 賲毓 丕丨丿丕孬 賵鬲睾賷乇丕鬲 丨賷丕鬲賳丕 責 賲丕 鬲兀孬賷乇 丕賱賵丨丿丞 毓賱賶 鬲氐乇賮丕鬲賳丕 賵丕賮賰丕乇賳丕 賵賯乇丕乇鬲賳丕 責 賲丕 鬲兀孬賷乇 賰賱 丨丿孬 賷丨丿孬 賱賳丕 毓賱賶 丨賷丕鬲賳丕 責 賴賱 賷賲賰賳 賱賲氐丕丿賮丞 丕賳 鬲睾賷乇 賲爻丕乇 賷賵賲賰 賵兀賮賰丕乇賰 賵鬲氐乇賮丕鬲賰 賵鬲噩毓賱賰 鬲禺乇噩 毓賳 乇賵鬲賷賳賰 丕賱賲毓鬲丕丿 責 賴賱 鬲爻丕卅賱鬲 賷賵賲丕 賲賳 兀賳鬲 責 賵賲丕賱匕賷 賷噩毓賱賰 賲禺鬲賱賮 毓賳 丕賱丕禺乇賷賳 責
賳丨賳 賱爻賳丕 賲噩乇丿 賵乇賯丞 鬲丨賲賱 鬲丕乇賷禺 丕賱賲賷賱丕丿 賵丕賱賵賮丕丞 賵丕賱丕丨丿丕孬 丕賱乇卅賷爻賷丞 賮賶 丨賷丕鬲賳丕 賮賯胤 賰賲丕 鬲乇丕賳丕 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 貙 賳丨賳 賰孬賷乇 賲賳 丕賱丕卮賷丕亍 賵丕賱兀丨丿丕孬 丕賱鬲賷 鬲丐孬乇 賮賷 丨賷丕鬲賳丕 賵鬲氐乇賮丕鬲賳丕 賵賯乇丕乇鬲賳丕. 賵丕禺鬲賷丕乇鬲賳丕 賱賰賷賮賷丞 賯囟丕卅賳丕 賱兀賵賯丕鬲賳丕 .
" 丕賱兀賲乇 賱賲 賷賰賳 賱賴賵丕賸 貙 賵廿賳賲丕 賰丕賳 鬲爻賱賷丞 "
賲亘丿毓 賵賲禺鬲賱賮 賰賲丕 丕毓鬲丿鬲 賲毓賰 賷丕爻丕乇賲丕睾賵 . 賵胤亘毓丕 賰毓丕丿丞 爻丕乇賲丕睾賵 賮賷 丕賱賰鬲丕亘丞 賱丕 鬲賵噩丿 賮賵丕氐賱 丕賵 卮賰賱 賲賲賷夭 賱賱丨賵丕乇 賰賲丕 賳毓鬲丕丿 貙 爻賵丕亍 丨賵丕乇 丿賵賳 噩賵夭賷賴 賲毓 賳賮爻賴 丕賵 賲毓 丕賱丌禺乇賷賳 丕賵 丨鬲賶 賲毓 爻賯賮 睾乇賮鬲賴 . 賱匕丕 賰賲丕 丕毓鬲丿鬲 兀賳 丕賳氐丨 賲賳 賷賯乇兀 爻丕乇賲丕睾賵 毓賱賷賴 丕賳 賷鬲丨賱賶 亘丕賱鬲乇賰賷夭 .
賰賳鬲 亘賮賰乇 賴賯乇兀 丕賷賴 賵噩丕鬲 乇賵丕賷丞 賰賱 丕賱兀爻賲丕亍 賮賷 亘丕賱賶 賵賰賳鬲 賱爻賴 賲鬲乇丿丿丞 賵亘丕賱氐丿賮丞 賱賯賷鬲 氐丿賷賯鬲賷 卮乇賵賯 亘鬲賯賵賱 丕賳賴丕 亘鬲賯乇兀賴丕 賮賯賱鬲 丿賶 毓賱丕賲丞 賵賯乇乇鬲 丕亘丿丕賴丕 賲毓丕賴丕 賵丕賳囟賲 賱賷賳丕 丕賱氐丿賷賯鬲賷賳 丨賳賷賳 賵爻丕乇丞 爻賲賷乇 賮卮賰乇丕 毓賱賶 賲卮丕乇賰丞 丕賱賯乇丕亍丞 丕賱噩賲賷賱丞 丿賶 賱賰丕鬲亘 賲禺匕賱賳賷卮 賱丨丿 丿賱賵賯鬲賷 賵 亘丨亘 丕賮賰丕乇賴 賵賰鬲丕亘丕鬲賴 .
佗佶 / 佟佗 /佗贍佗佟
賮賷 卮禺氐賷丕鬲 亘鬲賰賵賳 賮賷 鬲乇賰賷亘鬲賴丕 賵丨賷丕鬲賴丕 賵鬲賮丕氐賷賱賴丕 賲賲賰賳 鬲亘丕賳 亘毓賷丿 毓賳賰 亘爻 賮噩兀丞 鬲賱丕賯賷 賳賮爻賰 亘鬲卮亘賴 毓丕賱卮禺氐賷丞 貙 亘鬲丨爻 丕賳賴丕 賲卮 賲噩乇丿 卮禺氐賷丞 賮賷 乇賵丕賷丞貙 亘鬲賱丕賯賷 丨丕噩丞 卮亘賴賰 丕賵賶 賵賱賲爻鬲賰 亘卮賰賱 睾賷乇 賲鬲賵賯毓 賲毓 丕賳 丕賱卮賰賱 丕賱禺丕乇噩賶 賲禺鬲賱賮 賱賰賳 賮賷 鬲賮丕氐賷賱 氐睾賷乇丞 亘鬲毓乇賮賰 賯丿 丕賷賴 丕賳鬲賵丕 賲鬲卮丕亘賴賷賳. 丿賴 丕賱賱賶 丨爻賷鬲賴 賲毓 卮禺氐賷丞 丿賵賳 噩賵夭賷賴 . 丕賱乇賵丕賷丞 賵賮賰乇鬲賴丕 賵丕賱賱賶 賴賶 賰毓丕丿丞 爻丕乇丕賲丕睾賵 丕賱睾丕賱賶 賱丕夭賲 鬲賰賵賳 賲禺鬲賱賮丞 賵睾賷乇 鬲賯賱賷丿賷丞 賲噩匕亘鬲賳賷卮 賮賷 丕賱亘丿丕賷丞 亘爻 賲毓 賰賱 氐賮丨丞 賵賰賱 鬲賮氐賷賱 氐睾賷乇 貙 丕賱乇賵丕賷丞 賰丕賳鬲 亘鬲丿禺賱 噩賵丕賷丕貙 賰丕賳鬲 亘鬲丿禺賱 噩賵賴 噩賱丿賶 賵丕賳丕 賲卮 賵丕禺丿丞 亘丕賱賷 . 賱丨丿 賲丕 賮賷 賱丨馗丞 賰丿賴 賵賯賮鬲 賵丨爻賷鬲 丕賳 丨賷丕鬲賷 鬲卮亘賴 丨賷丕丞 丿賵賳 噩賵夭賷賴 賮賷 丨丕噩丕鬲 賰鬲賷乇 . 丕賱賵丨丿丞 貙 丕賱賮乇丕睾 貙 禺賵賮賴 貙 鬲乇丿丿賴 貙 鬲禺賷賱賴 賱兀爻賵兀 丕賱爻賷賳丕乇賷賵賴丕鬲 丕賱鬲賶 賷賲賰賳 兀賳 鬲丨丿孬 貙 丕賱亘丨孬 賵丕賱丕賴鬲賲丕賲 亘兀卮賷丕亍 賯丿 鬲賰賵賳 睾乇賷亘丞 亘丕賱賳爻亘丞 賱賱丌禺乇賷賳 賱賰賳賴丕 賲賳胤賯賷丞 亘丕賱賳爻亘丞 賱賴 賵鬲卮睾賱 丕賵賯丕鬲賴 賵鬲賮賰賷乇賴 . 乇亘賲丕 賱丕 兀毓賷卮 亘賲賮乇丿賷 賮賷 丨噩乇丞 亘丕卅爻丞 賲孬賱 丿賵賳 噩賵夭賷賴 賱賰賳 賱丕 鬲噩毓賱賵丕 丕賱賲馗丕賴乇 鬲禺丿毓賰賲 賮賰賲丕 賯賱鬲 赖賳丕賰 鬲賮丕氐賷賱 氐睾賷乇丞 丕賴賲 賲賳 丕賱賲馗賴乇 丕賱禺丕乇噩賷 .
" 丿賵賳 噩賵夭賷賴 賷乇賷丿 賵賱丕 賷乇賷丿 貙 賷乇睾亘 賵賷禺卮賷 賲丕 賷乇睾亘 賮賷賴 貙 丨賷丕鬲賴 賰賱賴丕 賰丕賳鬲 毓賱賶 賴匕丕 丕賱賲賳賵丕賱 "
"兀賳丕 賱賲 兀爻卅 廿賱賶 兀丨丿 賯胤 貙 亘氐賵乇丞 賵丕毓賷丞 賲鬲毓賲丿丞 毓賱賶 丕賱兀賯賱貙 賵賴匕丕 賰賱 賲丕 賷賲賰賳賳賷 賯賵賱賴 賱賰
- 賵賲丕匕丕 毓賳 丕賱丕禺胤丕亍 亘丨賯 賳賮爻賰
- 賱丕 亘丿 兀賳賳賷 兀賯鬲乇賮鬲 丕賱賰孬賷乇 賲賳賴丕 賵乇亘賲丕 賰丕賳 賴匕丕 賴賵 丕賱爻亘亘 賮賷 賰賵賳賷 賵丨賷丿丕."
丿賵賳 噩賵夭賷賴 賴賵 賰丕鬲亘 亘爻賷胤 賮賷 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 賮賷 丕賱禺賲爻賷賳 賲賳 毓賲乇賴 貙 賲賴賲鬲賴 鬲爻噩賷賱 丕賱賲賵丕賱賷丿 賵 丕賱賵賮賷丕鬲 賵賴賵 丕賱賲賵馗賮 丕賱賵丨賷丿 丕賱匕賷 賱丕賷夭丕賱 賷爻賰賳 賮賷 丌禺乇 丕賱賲爻丕賰賳 丕賱亘丿丕卅賷丞 丕賱禺丕氐丞 亘丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 .
" 賲爻丕賰賳 亘爻賷胤丞 賵亘丿丕卅賷丞 賲卮賷丿丞 賮賷 丕賱禺丕乇噩 貙 毓賱賶 丕賲鬲丿丕丿 丕賱噩丿乇丕賳 丕賱噩丕賳亘賷丞 貙 賱賴丕 卮賰賱 氐賵丕賲毓 賲賴賲賱丞 乇丕丨鬲 鬲鬲卮亘孬 亘噩爻丿 丕賱賲丨賮賵馗丕鬲 丕賱乇丕爻禺
賷賯囟賶 賵賯鬲賴 賮賷 噩賲毓 賯氐丕氐丕鬲 氐丨賮 賵賲噩賱丕鬲 鬲鬲囟賲賳 丕禺亘丕乇 賵氐賵乇 兀賳丕爻 賲卮賴賵乇賷賷賳 貙 賵賮賶 丕丨丿 丕賱丕賷丕賲 賯乇乇 丕賳 賷囟賷賮 丕賱賶 賲噩賲賵毓鬲賴 賲毓賱賵賲丕鬲 賲賳 丕乇卮賷賮 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 ( 卮賴丕丿丞 賲賷賱丕丿賴賲貙 賲賰丕賳 賵賱丕丿鬲賴 貙 賲賳 毓乇丕亘丕賴 賵丕賶 賲毓賱賵賲丕鬲 賲鬲賵賮乇丞 賱丿賷賴賲 ) 賵馗賱 賷噩賲毓 賰賱 賷賵賲 賱賷賱丕 賴匕賴 丕賱賲毓賱賵賲丕鬲 丨鬲賶 賵賯毓 亘丕賱禺胤兀 賮賷 賷丿賴 賲毓 亘胤丕賯丞 廿丨丿賶 丕賱卮禺氐賷丕鬲 丕賱賲卮賴賵乇丞 亘胤丕賯丞 賱卮禺氐賷丞 毓丕丿賷丞 " 賰丕賳鬲 丕賱亘胤丕賯丞 賱丕賲乇兀丞 賮賷 丕賱爻丕丿爻丞 賵丕賱孬賱丕孬賷賳 貙 賲賵賱賵丿丞 賮賷 鬲賱賰 丕賱賲丿賷賳丞 賳賮爻賴丕 "
賱賲丕匕丕 賴匕賴 丕賱亘胤丕賯丞 亘丕賱匕丕鬲 丿賵賳 睾賷乇賴丕 !賱賲丕匕丕 賴匕賴 丕賱爻賷丿丞 丿賵賳 睾賷乇賴丕 ! 廿賳賴丕 丕賱賲氐丕丿賮丞 賴賷 丕賱鬲賷 賵囟毓鬲 亘賷賳 賷丿賷賴 鬲賱賰 丕賱亘胤丕賯丞 丿賵賳 睾賷乇賴丕 .
" 丕賱賲氐丕丿賮丞 賱丕 鬲禺鬲丕乇 貙 賵廿賳賲丕 鬲毓乇囟 貙 賵丕賱賲氐丕丿賮丞 賴賶 丕賱鬲賷 噩丕亍鬲賴 亘丕賱賲乇兀丞 丕賱賲噩賴賵賱丞 貙 賵丕賱賲氐丕丿賮丞 賵丨丿賴丕 賴賶 丕賱鬲賷 鬲賲賱賰 氐賱丕丨賷丞 丕賱丕禺鬲賷丕乇 賮賷 賴匕丕 丕賱卮兀賳 "
賵賲賳 赖賳丕 亘丿兀鬲 丨賷丕丞 丿賵賳 噩賵夭賷賴 賲賳丨賳賷 丌禺乇貙 賲丕匕丕 爻賷賮毓賱 亘賴匕賴 丕賱賲毓賱賵賲丕鬲 責 賴賱 爻賷亘丨孬 毓賳賴丕 責 賴賱 爻賷噩丿賴丕 責!
爻鬲馗賱 胤賵丕賱 丕賱乇賵丕賷丞 賮賷 丨丕賱丞 鬲爻丕丐賱 賵亘丨孬 賲毓 丿賵賳 噩賵夭賷賴 .
" 賱賯丿 丨丕賳 丕賱賵賯鬲 賱賱亘丿亍 亘鬲丿賵賷賳 賲賱丕丨馗丕鬲 丨賵賱 鬲賯丿賲 毓賲賱賷丞 丕賱亘丨孬 貙 賵丕賱賱賯丕亍丕鬲 賵丕賱賲丨丕丿孬丕鬲 貙 賵丕賱鬲兀賲賱丕鬲 貙 賵禺胤胤 賵鬲賰鬲賷賰丕鬲 鬲丨賯賷賯 賷亘丿賵 丕賳賴 爻賷賰賵賳 賲毓賯丿丕 "
賲丕賱匕賷 賷噩毓賱賳丕 賳賮毓賱 卮賷卅丕 丿賵賳 睾賷乇賴 責 賲丕 丕賱匕賷 賷噩毓賱賳丕 賳鬲禺匕 賯乇丕乇丕鬲 賲毓賷賳丞 責 賲丕賱匕賷 賷噩毓賱賳丕 賳禺乇噩 毓賳 賲爻賷乇鬲賳丕 丕賱胤亘賷毓賷丞 賵鬲睾賷賷乇 鬲氐乇賮丕鬲賳丕 責 賰賷賮 賳鬲氐乇賮 賲毓 丕丨丿丕孬 賵鬲睾賷乇丕鬲 丨賷丕鬲賳丕 責 賲丕 鬲兀孬賷乇 丕賱賵丨丿丞 毓賱賶 鬲氐乇賮丕鬲賳丕 賵丕賮賰丕乇賳丕 賵賯乇丕乇鬲賳丕 責 賲丕 鬲兀孬賷乇 賰賱 丨丿孬 賷丨丿孬 賱賳丕 毓賱賶 丨賷丕鬲賳丕 責 賴賱 賷賲賰賳 賱賲氐丕丿賮丞 丕賳 鬲睾賷乇 賲爻丕乇 賷賵賲賰 賵兀賮賰丕乇賰 賵鬲氐乇賮丕鬲賰 賵鬲噩毓賱賰 鬲禺乇噩 毓賳 乇賵鬲賷賳賰 丕賱賲毓鬲丕丿 責 賴賱 鬲爻丕卅賱鬲 賷賵賲丕 賲賳 兀賳鬲 責 賵賲丕賱匕賷 賷噩毓賱賰 賲禺鬲賱賮 毓賳 丕賱丕禺乇賷賳 責
賳丨賳 賱爻賳丕 賲噩乇丿 賵乇賯丞 鬲丨賲賱 鬲丕乇賷禺 丕賱賲賷賱丕丿 賵丕賱賵賮丕丞 賵丕賱丕丨丿丕孬 丕賱乇卅賷爻賷丞 賮賶 丨賷丕鬲賳丕 賮賯胤 賰賲丕 鬲乇丕賳丕 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 貙 賳丨賳 賰孬賷乇 賲賳 丕賱丕卮賷丕亍 賵丕賱兀丨丿丕孬 丕賱鬲賷 鬲丐孬乇 賮賷 丨賷丕鬲賳丕 賵鬲氐乇賮丕鬲賳丕 賵賯乇丕乇鬲賳丕. 賵丕禺鬲賷丕乇鬲賳丕 賱賰賷賮賷丞 賯囟丕卅賳丕 賱兀賵賯丕鬲賳丕 .
" 丕賱兀賲乇 賱賲 賷賰賳 賱賴賵丕賸 貙 賵廿賳賲丕 賰丕賳 鬲爻賱賷丞 "
賲亘丿毓 賵賲禺鬲賱賮 賰賲丕 丕毓鬲丿鬲 賲毓賰 賷丕爻丕乇賲丕睾賵 . 賵胤亘毓丕 賰毓丕丿丞 爻丕乇賲丕睾賵 賮賷 丕賱賰鬲丕亘丞 賱丕 鬲賵噩丿 賮賵丕氐賱 丕賵 卮賰賱 賲賲賷夭 賱賱丨賵丕乇 賰賲丕 賳毓鬲丕丿 貙 爻賵丕亍 丨賵丕乇 丿賵賳 噩賵夭賷賴 賲毓 賳賮爻賴 丕賵 賲毓 丕賱丌禺乇賷賳 丕賵 丨鬲賶 賲毓 爻賯賮 睾乇賮鬲賴 . 賱匕丕 賰賲丕 丕毓鬲丿鬲 兀賳 丕賳氐丨 賲賳 賷賯乇兀 爻丕乇賲丕睾賵 毓賱賷賴 丕賳 賷鬲丨賱賶 亘丕賱鬲乇賰賷夭 .
賰賳鬲 亘賮賰乇 賴賯乇兀 丕賷賴 賵噩丕鬲 乇賵丕賷丞 賰賱 丕賱兀爻賲丕亍 賮賷 亘丕賱賶 賵賰賳鬲 賱爻賴 賲鬲乇丿丿丞 賵亘丕賱氐丿賮丞 賱賯賷鬲 氐丿賷賯鬲賷 卮乇賵賯 亘鬲賯賵賱 丕賳賴丕 亘鬲賯乇兀賴丕 賮賯賱鬲 丿賶 毓賱丕賲丞 賵賯乇乇鬲 丕亘丿丕賴丕 賲毓丕賴丕 賵丕賳囟賲 賱賷賳丕 丕賱氐丿賷賯鬲賷賳 丨賳賷賳 賵爻丕乇丞 爻賲賷乇 賮卮賰乇丕 毓賱賶 賲卮丕乇賰丞 丕賱賯乇丕亍丞 丕賱噩賲賷賱丞 丿賶 賱賰丕鬲亘 賲禺匕賱賳賷卮 賱丨丿 丿賱賵賯鬲賷 賵 亘丨亘 丕賮賰丕乇賴 賵賰鬲丕亘丕鬲賴 .
佗佶 / 佟佗 /佗贍佗佟
April 26, 2018
What at first appears to be a simple story about a humdrum civil servant's odd fascination with an unknown woman quickly becomes a stunning exploration of loneliness, bureaucratic absurdity, and the purpose of a meaningful life. This is the first novel I've read by Nobel-winner Saramago, but it won't be the last. Part mystery, part existential cry from the ether, ALL THE NAMES takes on a life of its own as we follow the protagonist, Jos茅, a lowly clerk in the Central Registry, while he searches for a woman he knows nothing more about than her name and date of birth. Throughout the story, we are presented with wonderfully amusing anecdotes of satire concerning the operations of the day-to-day government. Particularly amusing, at least to me, are the scenes taking place in the city's municipal graveyard, describing its evolution over the centuries, as well as its relation to (and competition with) the Central Registry.
This book was suggested to me by someone who had read my novel, TITLE 13, and mentioned that they both shared a similar outlook, especially in terms of satirizing the lowly position of clerks within a government. Of course, Saramago is a master of the form and I wouldn't dare to compare my own work with his, but it was quite a treat to find a similar subject as my own handled with such skill. The author's use of long, drawn out sentences and intricately detailed passages truly heightens the level of satire and parody and I am quite curious to know if this is the standard style of Saramago, or if it was just a technique employed for use in this novel. Either way, ALL THE NAMES is not a book I will soon forget, and a wonderful introduction into this internationally celebrated writer's work.
This book was suggested to me by someone who had read my novel, TITLE 13, and mentioned that they both shared a similar outlook, especially in terms of satirizing the lowly position of clerks within a government. Of course, Saramago is a master of the form and I wouldn't dare to compare my own work with his, but it was quite a treat to find a similar subject as my own handled with such skill. The author's use of long, drawn out sentences and intricately detailed passages truly heightens the level of satire and parody and I am quite curious to know if this is the standard style of Saramago, or if it was just a technique employed for use in this novel. Either way, ALL THE NAMES is not a book I will soon forget, and a wonderful introduction into this internationally celebrated writer's work.
February 7, 2017
兀賳鬲 鬲毓乇賮 丕賱丕爻賲 丕賱匕賷 兀胤賱賯賵賴 毓賱賷賰貙 賱賰賳賰 賱丕 鬲毓乇賮 丕賱丕爻賲 丕賱匕賷 賴賵 賱賰
兀賷賳 賷購賲賰賳賰 兀賳 鬲噩丿 賰賱 丕賱兀爻賲丕亍責 賰賱 丕賱兀爻賲丕亍 賱兀賵賱卅賰 丕賱匕賷賳 賵購賱丿賵丕 賲賳賴賲 賵丕賱匕賷賳 爻賷賵賱丿賵賳責 賰賱 丕賱兀爻賲丕亍 賱兀賵賱卅賰 丕賱兀丨賷丕亍 賲賳賴賲 賵丕賱兀賲賵丕鬲責 兀賷賾 賲賵爻賵毓丞/賰鬲丕亘/賲噩賱丿 爻賷賲賰賳賴 丕爻鬲賷毓丕亘 賰賱 丕賱兀爻賲丕亍 賴匕賴 賲賴賲丕 亘賱睾鬲 丿乇噩丞 囟禺丕賲鬲賴責 賱丕 賷賲賰賳 賱賰 兀賳 鬲噩丿賴丕 廿賱丕 賮賷 丕賱爻噩賱 丕賱賲丿賳賷 丨賷孬 鬲賵噩丿 兀爻賲丕亍 賵亘賷丕賳丕鬲 丕賱噩賲賷毓貙 賵丨賷孬 丕賱噩賲賷毓 賲噩乇丿 亘胤丕賯丕鬲 賱丕 賷購賲賷夭賴丕 毓賳 睾賷乇賴丕 卮賷亍 賱丕 賮賷 丕賱賲毓丕賲賱丞貙 賱丕 賮賷 丕賱鬲賯丿賷乇 賵賱丕 丨鬲賶 賮賷 丕賱賲賰丕賳丞.
睾乇賷亘 賰賷賮 兀賳 賵賱丕丿丞 丨賷丕丞 噩丿賷丿丞 賱丕 鬲毓賳賷 賮賷 丕賱爻噩賱 丕賱賲丿賳賷 爻賵賶 亘胤丕賯丞 噩丿賷丿丞 鬲購囟丕賮 廿賱賶 亘賯賷丞 丕賱亘胤丕賯丕鬲 賵賰賷賮 兀賳 賮賳丕亍 丨賷丕丞 兀禺乇賶 賱丕 賷毓賳賷 爻賵賶 丕賱賯賷丕賲 亘賳賯賱 亘胤丕賯丞 賴匕賴 丕賱丨賷丕丞/丕賱卮禺氐 賲賳 賲賰丕賳賴丕 亘噩賵丕乇 亘胤丕賯丕鬲 丕賱兀丨賷丕亍 廿賱賶 丕賱噩丕賳亘 丕賱丌禺乇/丕賱毓丕賱賲 丕賱丌禺乇 丨賷孬 亘胤丕賯丕鬲 丕賱兀賲賵丕鬲貙 睾乇賷亘 賰賷賮 賲丕 賷賲賰賳 賱賰賱丕 丕賱丨丿孬賷賳 兀賳 賷賰賵賳 賱賴賲丕 賲賳 兀孬乇 賮賷 丨賷丕丞 兀賯丕乇亘賴賲 賵匕賵賷賴賲貙 賰賷賮 賷賲賰賳 賱賲賷賱丕丿賴賲 賵賲賵鬲賴賲 兀賳 賷購睾賷乇 賲噩乇賶 丨賷丕丞 賲賳 賷丨亘賵賳賴賲 賵賷丐孬乇 亘卮丿丞 丨丿 丕賱夭賱夭賱丞 賮賷 賳賮賵爻 賲購丨亘賷賴賲 賵賮賷 丕賱賵賯鬲 匕丕鬲賴 賱丕 賷毓丿賵 丕賱兀賲乇 賮賷 丕賱爻噩賱 丕賱賲丿賳賷 爻賵賶 卮賷亍 乇賵鬲賷賳賷 賱賱睾丕賷丞貙 禺胤賵丕鬲 賲丨丿丿丞 賷鬲賲 鬲賳賮賷匕賴丕 賮賷 賰賱丕 丕賱丨丕賱鬲賷賳貙 賱丕 賲亘丕賱丕丞 賲卮乇賵毓丞 賱丕 賷購賲賰賳 兀賳 賷購賱丕賲 毓賱賷賴丕 兀丨丿 賱丕 賮賷 丕賱爻噩賱 丕賱賲丿賳賷 賵賱丕 賮賷 禺丕乇噩賴.
鬲丨囟乇賳賷 赖賳丕 賲賯賵賱丞 胤賴 丨爻賷賳貨 廿匕丕 兀爻乇賮 丕賱卮賷亍 賮賷 丕賱賵噩賵丿 賮賴賵 睾賷乇 賲賵噩賵丿. 賵廿匕丕 丕毓鬲亘乇賳丕 匕賱賰 丕賱賰賷丕賳 匕賱賰 丕賱賲爻賲賶 廿賳爻丕賳賸丕 卮賷亍 賵亘鬲胤亘賷賯 丕賱賲賯賵賱丞 毓賱賷賴 賮賰賱賲丕 夭丕丿 毓丿丿賳丕 賰亘卮乇 賰賱賲丕 兀氐亘丨 丕賱丨賮丕馗 毓賱賶 賵噩賵丿賳丕 賵廿孬亘丕鬲 鬲賲賷夭賳丕 賲賴賲丞 兀氐毓亘 賵兀賰孬乇 噩賴丿賸丕貙 賮丕賱鬲丕乇賷禺 賵丕賱廿毓賱丕賲 賵丨鬲賶 丕賱亘卮乇 兀賳賮爻賴賲 賱丕 賷鬲匕賰乇賵賳 廿賱丕 賲丕 賴賵 賲賲賷夭貙 匕丕賰乇鬲賴賲 賱丕 鬲丨鬲賮馗 亘賰賱 丕賱兀爻賲丕亍 賰丕賱爻噩賱 丕賱賲丿賳賷 亘賱 亘鬲賱賰 丕賱兀爻賲丕亍 丕賱鬲賷 兀丨丿孬鬲 卮賷卅賻丕 賲丕 賮賷 賴匕丕 丕賱毓丕賱賲 亘睾囟 丕賱胤乇賮 廿匕丕 賰丕賳 賴匕丕 丕賱卮賷亍 丨爻賳賸丕 兀賲 爻賷卅賸丕 賮丕賱兀賲乇 丨賷賳賴丕 爻賷丕賳.
兀賲丕 丕賱賳丕爻 丕賱毓丕丿賷賵賳 賱丕 兀丨丿 賷鬲匕賰乇賴賲貙 賱丕 兀丨丿 賷賴鬲賲 賮毓賱丕賸 亘賴賲貙 賵賱丕 兀丨丿 賷丨賮賱 亘賲毓乇賮丞 賲丕 賷賮毓賱賵賳貙 兀賵 賲丕 賷賮賰乇賵賳貙 兀賵 亘賲丕 賷卮毓乇賵賳 丨鬲賶 毓賳丿 賲丨丕賵賱丞 噩毓賱賴賲 賷毓鬲賯丿賵賳 毓賰爻 匕賱賰 賮廿賳 丕賱鬲氐賳毓 賷亘丿賵 賵丕囟丨賸丕.
賱丕 賷氐亘丨 賴匕丕 丕賱卮禺氐 丕賱毓丕丿賶 匕丕 兀賴賲賷丞 廿賱丕 丨賷賳 賷爻鬲賲丿 鬲賱賰 丕賱兀賴賲賷丞 賲賳 賵噩賵丿賴 賮賷 丨賷丕丞 兀丨丿賴賲貙 賵鬲丿賵乇 丕賱乇賵丕賷丞 丨賵賱 丿賵賳 噩賵夭賷丞 匕賱賰 丕賱賵丨賷丿 噩丿賸丕 丕賱匕賷 賱丕 賷噩丿 賮賷 賵爻胤 賰賱 匕賱賰 丕賱賲賱賱 賵賰賱 鬲賱賰 丕賱賵丨丿丞 賵賰賱 賴匕丕 丕賱乇賵鬲賷賳 爻賵賶 鬲爻賱賷丞 賵丨賷丿丞 賵賴賷 噩賲毓 亘毓囟 丕賱賲毓賱賵賲丕鬲 鈥撠ㄘ冑� 丕賱氐賱丕丨賷丞 丕賱鬲賷 賷毓胤賷賴 廿賷丕賴丕 毓賲賱賴 賮賷 丕賱賲丨賮賵馗丕鬲- 毓賳 亘毓囟 丕賱賲卮丕賴賷乇 (兀卮禺丕氐 睾賷乇 毓丕丿賷賷賳) 賵亘丕賱賲氐丕丿賮丞 鈥撠Ｙ� 亘丕賱賯丿乇- 鬲賯毓 鬲丨鬲 賷丿賴 亘胤丕賯丞 賱卮禺氐/丕賲乇兀丞 毓丕丿賷 賱鬲鬲丨賵賱 丨賷賳賴丕 亘賮毓賱 鬲賱賰 丕賱兀賴賲賷丞 丕賱鬲賷 賷賰鬲爻亘賴丕 賵噩賵丿賴丕 賮賷 丨賷丕丞 兀丨丿賴賲 賵賴賵 赖賳丕 丿賵賳 噩賵夭賷丞 賲賳 卮禺氐 毓丕丿賷 廿賱賶 卮禺氐 睾賷乇 毓丕丿賷.
賵賱賲 鬲賰鬲爻亘 鬲賱賰 丕賱賲乇兀丞 丕賱賲噩賴賵賱丞 兀賴賲賷丞 賮賷 丨賷丕丞 乇噩賱 賵賴賵 賱丕 賷毓乇賮賴丕 賵賱賲 賷乇賴丕貙 賮賷 丕賱賵丕賯毓 賴賵 賱賲 賷乇賶 賲賳賴丕 爻賵賶 亘胤丕賯丞 爻噩賱賴丕 丕賱賲丿賳賷責 廿賳賴丕 丕賱賵丨丿丞 鬲賱賰 丕賱賱毓賷賳丞 丕賱鬲賷 鬲毓噩賱 氐丕丨亘賴丕 睾乇賷賯 賷鬲毓賱賯 亘兀賵賱 賯卮丞 賷毓鬲賯丿 兀賳賴丕 鬲購賲孬賱 賱賴 胤賵賯 丕賱賳噩丕丞貙 賵丨賷丿 賰丿賵賳 噩賵夭賷丞 廿賱賶 丕賱丨丿 丕賱匕賷 賷噩毓賱賴 賷丨丿孬 丕賱爻賯賮貙 賷賳丕賯卮賴貙 賵賷丨丕噩噩賴 赖賳丕 賷氐亘丨 兀賷 卮賷亍 賲賴賲丕 賰丕賳 爻賷賰賱賮賴 賲賳 噩賴賵丿 賲囟賳賷丞 賷爻鬲丨賯 丕賱毓賳丕亍 丨賯賸丕.
丕賱賵丨丿丞 賱賲 鬲賰賳 亘丕賱乇賮賯丞 丕賱胤賷亘丞 賯胤
爻丕乇丕賲丕噩賵 丨賷賳 賷氐賮 丨賷丕丞 亘胤賱 丕賱乇賵丕賷丞 賵乇賵鬲賷賳賴貙 丨賷賳 賷爻乇丿 丨鬲賶 兀賰孬乇 丕賱兀丨丿丕孬 丕賱賴丕賲丞 賵丕賱賲卮賵賯丞 賮賷 丕賱乇賵丕賷丞貙 賵丨鬲賶 丨賷賳 賷馗賴乇 賮賷 爻乇丿 丕賱兀丨丿丕孬 卮禺賵氐 丌禺乇賷賳 亘禺賱丕賮 丕賱亘胤賱 賮廿賳賴 賱賳 賷噩毓賱賰 鬲卮毓乇 亘賵丨丿丞 丿賵賳 噩賵夭賷賴 賮賯胤 亘賱 賷噩毓賱賰 鬲卮毓乇 兀賳鬲 賳賮爻賰 亘丕賱賵丨丿丞貙 匕賱賰 丕賱兀賲乇 丕賱匕賷 賱丕 賷噩毓賱賰 鬲鬲賵賯賮 兀孬賳丕亍 丕賱賯乇丕亍丞 賱丨馗丞 賵丕丨丿丞 賱鬲爻兀賱 賳賮爻賰貨 賱賲 賷賮毓賱 賴匕丕 丕賱乇噩賱 賰賱 匕賱賰 亘丨賯 丕賱賱賴責 賱賲 賷賰賱賮 賳賮爻賴 賰賱賴 賴匕丕 丕賱毓賳丕亍 賱兀噩賱 卮賷亍 賲噩賴賵賱 賵睾賷乇 賲毓乇賵賮 丕賱睾丕賷丞 賲賳賴責 丕賱賵丨丿丞 鈥撠勝� 丕賱賱毓賷賳丞- 丕賱鬲賷 賷氐賷睾賴丕 爻丕乇丕賲丕噩賵 亘丕丨鬲乇丕賮 賱賳 鬲噩毓賱賰 鬲卮毓乇 亘丕賱毓亘孬賷丞 丕賱鬲賷 鬲賳囟丨 亘賴丕 鬲氐乇賮丕鬲 丕賱亘胤賱 亘賱 爻鬲噩毓賱賰 鬲鬲毓丕胤賮 賲毓賴貙 鬲卮賮賯 毓賱賷賴 賵鬲鬲賮賴賲賴貙 丕賱兀丿賴賶 兀賳賳賷 賰賳鬲 兀噩丿賳賷 兀丨孬賴 毓賱賶 亘匕賱 丕賱賲夭賷丿 賲賳 丕賱噩賴丿 賮賷 亘丨孬賴 賵賲爻毓丕賴!
賱丕夭賱鬲 亘毓丿 賰賱 賯乇丕亍丞 賱爻丕乇丕賲丕噩賵 兀丨亘賴 兀賰孬乇 賲賳 匕賷 賯亘賱貙 兀丨亘 爻禺乇賷鬲賴 丕賱爻賵丿丕賵賷丞貙 兀丨亘 胤乇賷賯丞 賰鬲丕亘鬲賴 丕賱賲乇賴賯丞貙 賵賲賵囟賵毓丕鬲賴 丕賱噩賳賵賳賷丞貨 賵丨賷賳 丕賳鬲賴賷 賲賳 毓賲賱 賱賴 兀卮毓乇 亘丕賱丨夭賳 賵丕賱賳卮賵丞 賮賷 丌賳
鬲賲賾鬲
January 26, 2022
LUCRURI LEGATE PRIN FIRE OBSCURE
De葯i titlul c膬r葲ii ne poate duce imediat cu g芒ndul la un roman poli葲ist, aceast膬 impresie va fi destr膬mat膬 卯nc膬 de la lecturarea primelor pagini, de unde ne vom da seama c膬 ne afl膬m de fapt 卯n fa葲a unei lucr膬ri cu totul deosebite, at芒t prin stil c芒t, mai ales, prin tema sau temele prezentate.
De卯ndat膬 ce vom lectura primele r芒nduri ale volumului, unde este descris膬 organizarea Arhivei Generale (practic, echivalentul a ceea ce numim ast膬zi Starea Civil膬), ne vom da seama c膬 am intrat 卯ntr-o lume pe jum膬tate absurd膬, 卯n care lucrurile sunt legate prin fire obscure, alc膬tuind un mecanism ce nu reflect膬 卯ntru totul realitatea.
Ei bine, dac膬 cel mai bun mod de a 卯ncepe o carte este acela de a 葯oca cititorul, Saramago 卯葯i joac膬 aici asul foarte bine. Iar dac膬 exist膬 cititori cu baze mai solide 卯n operele sale, ori care au o idee despre curentul suprarealist, cu siguran葲膬 autorul va reu葯i, dac膬 nu s膬-i 葯ocheze, m膬car s膬 le captiveze aten葲ia.
De葯i titlul c膬r葲ii ne poate duce imediat cu g芒ndul la un roman poli葲ist, aceast膬 impresie va fi destr膬mat膬 卯nc膬 de la lecturarea primelor pagini, de unde ne vom da seama c膬 ne afl膬m de fapt 卯n fa葲a unei lucr膬ri cu totul deosebite, at芒t prin stil c芒t, mai ales, prin tema sau temele prezentate.
De卯ndat膬 ce vom lectura primele r芒nduri ale volumului, unde este descris膬 organizarea Arhivei Generale (practic, echivalentul a ceea ce numim ast膬zi Starea Civil膬), ne vom da seama c膬 am intrat 卯ntr-o lume pe jum膬tate absurd膬, 卯n care lucrurile sunt legate prin fire obscure, alc膬tuind un mecanism ce nu reflect膬 卯ntru totul realitatea.
Ei bine, dac膬 cel mai bun mod de a 卯ncepe o carte este acela de a 葯oca cititorul, Saramago 卯葯i joac膬 aici asul foarte bine. Iar dac膬 exist膬 cititori cu baze mai solide 卯n operele sale, ori care au o idee despre curentul suprarealist, cu siguran葲膬 autorul va reu葯i, dac膬 nu s膬-i 葯ocheze, m膬car s膬 le captiveze aten葲ia.
Want to read
February 21, 2023Thinking about still gives me chills. Hope this will be as good as that one.
August 1, 2023
In Jose Saramago's All the Names, we encounter a character named Senhor Jose, age 50, who seems to be suffering from something akin to existential angst. After many years of service in the records department, he is still a low-level clerk rather than a senior clerk, occupying the bottom rung in the hierarchy at the Central Registry.
Meanwhile, the Registrar serves as the grand master of the governmental bureau that lists births, marriages & deaths in an exceedingly methodical manner, with the cards of the still living distinctly separate from the cards of the dead, a system unchanged for centuries, with its own semi-mythological language, all housed within a dungeon-like building.
There is something rather Kafkaesque about Jose's plight, a sense that others are in charge of his every move, excepting when he resides in his very small house, the last of its kind, attached to the Central Registry but with a direct entrance by a door that he is not officially permitted to use. While at home, Jose collects clippings & data on the lives of famous people he has selected, with the data obsessively recorded on file cards.
In fact, everything about Jose's regimented life seems obsessive, until one evening, having snuck into the Central Registry via his private entryway while in search of documentation for those on his collection of notecards, he accidentally takes hold of a card from an anonymous woman.
Jose gradually takes a keen interest in locating & documenting her life, much as he has the lives of the famous people on his notecards. It is said that "strictly speaking, we do not make decisions but rather our decisions make us." The search for the mysterious woman becomes a life-changing quest & it may be the first time that Jose is free to chart the course of his own actions.
There seems a common theme in Saramago novels of characters cutting loose from their past in search of redefinition. There is also a kind of residual spirit of a very discordant fellow Portuguese man named Fernando Pessoa, someone whose rambling, journal-like jottings in his Book of Disquiet seems an enigmatic influence on the author. Another novel by Saramago, The Year of the Death of Robert Rais borrows the heteronym for one of Pessoa's alternate voices, separate identities rather than merely pseudonyms, as the name for its main character.
It is said that not doing things according to the format prescribed by the Central Registry rules is akin to attempting to envision a square circle and in an odd but very imaginative way, that is what the author, via the character of Jose, has the reader attempt to do, perhaps what we presently describe as "thinking outside the box.". Jose intones "Its about time I did something absurd in my life". In fact, Jose strives to redefine himself:
Beyond that, there is virtually no punctuation & what occurs is quite non-standard, much like overhearing a mix of voices that seem to blend together but which in time takes on a rhythm of its own for the reader.
The quest for the woman whose name is affixed to the Central Registry card causes Jose to break in to a school she once attended & where she later taught, secretly interview a few who knew the woman in the guise of official registry work & in time visit the General Cemetery, where the entry building architecture seems to resemble that of the Central Registry, while undertaking (so to speak) his search for her missing spirit.
There is even a curious shepherd who informs Jose that there is no real pattern to the layout of the graves or the names on them, something that completely contradicts the inflexible design of the Central Registry.
The Registrar is a complex figure but one who in my own interpretation of the Saramago novel eventually finds Jose's quixotic quest, which he seems to have known about for some time, one that may have altered his own masterful rigidity. It is the Registrar who seems to give an unstated seal of approval to Jose's curious pattern of misbehavior, quite out of keeping with his normal role as a sort of papal guardian of everything deemed sacred at the Central Registry.
Admittedly, All the Names & Saramago's other works as well, may not have a wide appeal but I enjoyed this imaginative novel very much, seeing it as a look at life from a different angle, perhaps one that attempts to separate the living from the living-dead in much the same way that the Central Registry does with the living & the dead but in a far more rigid manner.
*Within my review of All the Names are 3 photo images of Jose Saramago, including one of the author displaying his Nobel Prize for Literature medal.
Meanwhile, the Registrar serves as the grand master of the governmental bureau that lists births, marriages & deaths in an exceedingly methodical manner, with the cards of the still living distinctly separate from the cards of the dead, a system unchanged for centuries, with its own semi-mythological language, all housed within a dungeon-like building.
There is something rather Kafkaesque about Jose's plight, a sense that others are in charge of his every move, excepting when he resides in his very small house, the last of its kind, attached to the Central Registry but with a direct entrance by a door that he is not officially permitted to use. While at home, Jose collects clippings & data on the lives of famous people he has selected, with the data obsessively recorded on file cards.
In fact, everything about Jose's regimented life seems obsessive, until one evening, having snuck into the Central Registry via his private entryway while in search of documentation for those on his collection of notecards, he accidentally takes hold of a card from an anonymous woman.
Jose gradually takes a keen interest in locating & documenting her life, much as he has the lives of the famous people on his notecards. It is said that "strictly speaking, we do not make decisions but rather our decisions make us." The search for the mysterious woman becomes a life-changing quest & it may be the first time that Jose is free to chart the course of his own actions.
There seems a common theme in Saramago novels of characters cutting loose from their past in search of redefinition. There is also a kind of residual spirit of a very discordant fellow Portuguese man named Fernando Pessoa, someone whose rambling, journal-like jottings in his Book of Disquiet seems an enigmatic influence on the author. Another novel by Saramago, The Year of the Death of Robert Rais borrows the heteronym for one of Pessoa's alternate voices, separate identities rather than merely pseudonyms, as the name for its main character.
It is said that not doing things according to the format prescribed by the Central Registry rules is akin to attempting to envision a square circle and in an odd but very imaginative way, that is what the author, via the character of Jose, has the reader attempt to do, perhaps what we presently describe as "thinking outside the box.". Jose intones "Its about time I did something absurd in my life". In fact, Jose strives to redefine himself:
The fact that psychological time is not the same as mathematical time was something that Senhor Jose had learned in exactly the same way as, over a lifetime, he had acquired other types of useful knowledge, drawing first of all, of course, on his own experiences, despite never having risen higher than the post of clerk, he does not merely follow where others go, but drawing too on the formative influence of a few books & magazines of a scientific nature in which one can put one's trust or faith, depending on the feeling of the moment, and also, why not, a number of popular works of fiction of an introspective kind, which also tackled the subject, though employing different methods & with an added dash of imagination.Throughout All the Names there is a strange blending of voices, with an occasional humorous authorial comment parenthetically included, a conglomeration of Jose seeming to speak aloud to himself, then responding with his own inner voice but also blending in the voices of people he encounters either at the Central Registry or en route to learning more about the woman he seems compelled to find or at least to document, for the data card he has unwittingly captured states only that she is 36 years old & divorced.
Beyond that, there is virtually no punctuation & what occurs is quite non-standard, much like overhearing a mix of voices that seem to blend together but which in time takes on a rhythm of its own for the reader.
The quest for the woman whose name is affixed to the Central Registry card causes Jose to break in to a school she once attended & where she later taught, secretly interview a few who knew the woman in the guise of official registry work & in time visit the General Cemetery, where the entry building architecture seems to resemble that of the Central Registry, while undertaking (so to speak) his search for her missing spirit.
There is even a curious shepherd who informs Jose that there is no real pattern to the layout of the graves or the names on them, something that completely contradicts the inflexible design of the Central Registry.
The Registrar is a complex figure but one who in my own interpretation of the Saramago novel eventually finds Jose's quixotic quest, which he seems to have known about for some time, one that may have altered his own masterful rigidity. It is the Registrar who seems to give an unstated seal of approval to Jose's curious pattern of misbehavior, quite out of keeping with his normal role as a sort of papal guardian of everything deemed sacred at the Central Registry.
Admittedly, All the Names & Saramago's other works as well, may not have a wide appeal but I enjoyed this imaginative novel very much, seeing it as a look at life from a different angle, perhaps one that attempts to separate the living from the living-dead in much the same way that the Central Registry does with the living & the dead but in a far more rigid manner.
*Within my review of All the Names are 3 photo images of Jose Saramago, including one of the author displaying his Nobel Prize for Literature medal.
June 19, 2010
Forward: I'm sorry Jos茅! You didn't need to give up the will to live just because I didn't like your writing style. Lots of people did like you. More people liked you than like me. Really! You shouldn't have cared so much about what I thought. Now I feel like an asshole for killing you. Fine. I guess I can live with that, but it was a real douche bag move, dying the week I write a bad review about you just to add to my excessive guilt complexes. You know what, I'm sorry that your dead and all, but fuck you, this was a low shot Saramago. Jeez.
Review
When you've won the Nobel Prize for Literature you are above the criticisms of some schmuck who works for a corporate bookstore and writes reviews for books on the internet. You also get a validation of sorts for any and all of your earlier little pretensions that, Do you really think you are the type of person who can call someone else's writing style pretentious, Well yes I do, But how can you, Well one can say that writing dialog in this style is pretty fucking pretentious, One could, but one can also be a philistine, do you not realize that this is decentering the text, making, Yes I get it, it's making me pay attention to the text in a manner that I'm not used to doing, thus making me realize that I am reading a book and am in fact engaged in a text, as opposed to getting lost in the text and possibly thinking that the text is a surrogate for reality, I wasn't going to say that, No I'm sure you weren't, there are probably a slew of other reasons why one can write this way, but seriously it's so reeking of High Modernism silly gobbledygook that in 1998 it might work as a parody, but there is never the sign that this is supposed to be a parody, instead it just feels forced, contrived, like, Yawn, where is your Nobel Prize for Literature, Good question, since Nobel Prizes are given out for good intentions without action these days I'm making it my intention to write the greatest fucking body of work that anyone has ever fucking seen, smelled, or read and it will be so awesome, and appeal to the dumbest dumbass and the most head up their ass snob and everyone in between.
So now send me my check.
Please.
Saramago should be smacked around with the pretentious stick. His prose style is so heavy handed and derivative in it's originality that it turned me off of the book after only a handful of pages.
The book could have been pretty fucking awesome. It's Borgesian in it's paradoxical portrait of archives (read "Library of Babel"-esque without hexagons); and the atmosphere and setting of the novel is Kafkaian (as opposed to Kafkaesque, which is a nonsensical and overused phrase that has lost all meaning, just rest assured that Kafkaian is legitimate, in the same manner that Orwell-esque is now the only acceptable manner for one to speak of doublespeak type situations, but only in an appropriate manner and may not be used for any kind of paranoid conspiracy Big Brother bullshit, if you want to say something about that the proper phrase is "the government is watching me", there is no Big Brother, until such time that a cult of personality figure is in fact watching you, then it will be fine to use the term Orwell-esque to talk about the situation you find yourself in). One (I) would think that a book that mixes the two great tastes of Borges and Kafka could do no wrong, but how wrong I (one) would be. Maybe if the writing style hadn't been so heavy handed and Kafka-like (aka, German) in it's dense paragraphs. Maybe once one enters into the Borges realm one needs to have a lighter hand on the old pen. Maybe this is the kind of story that should have been a story and not a novel and that there are reasons why Borges never wrote a novel. Or maybe there is something about the philosophical whimsy of Borges that meshes with the short story / parables of Kafka but not with the stifling and asphyxiating world of his novels.
If you like clunky prose and interesting ideas this book might just tickle you in that special spot. If not, then there are probably many finer books to read in the short time we have to spend reading on this mortal coil.
Review
When you've won the Nobel Prize for Literature you are above the criticisms of some schmuck who works for a corporate bookstore and writes reviews for books on the internet. You also get a validation of sorts for any and all of your earlier little pretensions that, Do you really think you are the type of person who can call someone else's writing style pretentious, Well yes I do, But how can you, Well one can say that writing dialog in this style is pretty fucking pretentious, One could, but one can also be a philistine, do you not realize that this is decentering the text, making, Yes I get it, it's making me pay attention to the text in a manner that I'm not used to doing, thus making me realize that I am reading a book and am in fact engaged in a text, as opposed to getting lost in the text and possibly thinking that the text is a surrogate for reality, I wasn't going to say that, No I'm sure you weren't, there are probably a slew of other reasons why one can write this way, but seriously it's so reeking of High Modernism silly gobbledygook that in 1998 it might work as a parody, but there is never the sign that this is supposed to be a parody, instead it just feels forced, contrived, like, Yawn, where is your Nobel Prize for Literature, Good question, since Nobel Prizes are given out for good intentions without action these days I'm making it my intention to write the greatest fucking body of work that anyone has ever fucking seen, smelled, or read and it will be so awesome, and appeal to the dumbest dumbass and the most head up their ass snob and everyone in between.
So now send me my check.
Please.
Saramago should be smacked around with the pretentious stick. His prose style is so heavy handed and derivative in it's originality that it turned me off of the book after only a handful of pages.
The book could have been pretty fucking awesome. It's Borgesian in it's paradoxical portrait of archives (read "Library of Babel"-esque without hexagons); and the atmosphere and setting of the novel is Kafkaian (as opposed to Kafkaesque, which is a nonsensical and overused phrase that has lost all meaning, just rest assured that Kafkaian is legitimate, in the same manner that Orwell-esque is now the only acceptable manner for one to speak of doublespeak type situations, but only in an appropriate manner and may not be used for any kind of paranoid conspiracy Big Brother bullshit, if you want to say something about that the proper phrase is "the government is watching me", there is no Big Brother, until such time that a cult of personality figure is in fact watching you, then it will be fine to use the term Orwell-esque to talk about the situation you find yourself in). One (I) would think that a book that mixes the two great tastes of Borges and Kafka could do no wrong, but how wrong I (one) would be. Maybe if the writing style hadn't been so heavy handed and Kafka-like (aka, German) in it's dense paragraphs. Maybe once one enters into the Borges realm one needs to have a lighter hand on the old pen. Maybe this is the kind of story that should have been a story and not a novel and that there are reasons why Borges never wrote a novel. Or maybe there is something about the philosophical whimsy of Borges that meshes with the short story / parables of Kafka but not with the stifling and asphyxiating world of his novels.
If you like clunky prose and interesting ideas this book might just tickle you in that special spot. If not, then there are probably many finer books to read in the short time we have to spend reading on this mortal coil.
April 15, 2018
賲賱賱..賲賱賱...賲賱賱賱賱賱賱賱...賲賱賱
賲毓 丕丨鬲乇丕賲賷 賱噩賲賷毓 丕乇丕亍 丕氐丿賯丕卅賷 貙 賱兀賳賶 毓丕乇賮 丕賳賶 丕賱賵丨賷丿 鬲賯乇賷亘丕 丕賱賱賶 賮賶 賲氐乇 賵丕賱毓丕賱賲 賲賯賷賷賲賴丕 賳噩賲丞
丕賱乇賵丕賷丞 爻賷卅丞 賲賲賱丞 丕賴 賲丕卮賷 賲賲賰賳 賮賱爻賮賷丞 賱賰賳 賲賲賰賳 鬲賰賵賳 丕丨爻賳 賲賳 賰丿丕 亘賰鬲賷乇 賲丕賴賶 丕賱毓賲賶 賷毓賳賶 亘乇丿賵 賲卮 賲噩乇丿 賯氐丞 毓賳 賳丕爻 丕鬲氐丕亘賵丕 亘丕賱毓賲賷 賱兀 亘乇丿賵 賮賱爻賮賷丞 賱賰賳 賲卮 亘丕賱賲賱賱 丿賴
丕賱賲賱賱 丕賱賲乇丞 丿賴 丕賵賮乇 丕賱氐乇丕丨丞 貙 賲卮 賰賮丕賷丞 賲爻鬲丨賲賱賷賳 丕爻賱賵亘賴 丕賱氐毓亘 丕賳 丕賱賰賱丕賲 丕賱卮禺氐賷丕鬲 丿丕禺賱 毓賱賶 亘毓囟賴 賲卮 毓丕乇賮賷賳 賲賷賳 亘賷賰賱賲 賲賷賳 貙 賵賲賲賰賳 賳爻鬲丨賲賱 卮賵賷丞 賲賱賱 貙 賱賰賳 賲賱賱 賱丿乇噩丞 丕賳賴 賷賯毓丿 賷丨賰賶 賮賶 毓卮乇 氐賮丨 丕賳 丕賱亘胤賱 毓丕賷夭 賷禺卮 賲丿乇爻丞 賵毓卮乇 氐賮丨 賷賵氐賮 丕賱賲賯亘乇丞 貙 賵禺賲爻鬲丕卮乇 氐賮丨丞 毓卮丕賳 賷兀禺丿 賷賵賲 兀噩丕夭丞 賲賳 丕賱卮睾賱
丿賴 賰乇赖賳丕 賮賶 丕賱丕噩丕夭丞 賵丕賱卮睾賱 賵丕賱賱賴 賵卮賵賷丞 丕賱亘胤賱 賷賰賱賲 賳賮爻賴 賵賷鬲禺賷賱 丨丕噩丕鬲 賲丨氐賱鬲卮 貙 賱睾丕賷丞 賲丕 賵氐賱 丕賳賴 亘賷賰賱賲 丕賱爻賯賮.
賵丕賱賱賴 賲卮 亘賴乇噩 亘賷賰賱賲 丕賱爻賯賮 賵賲卮 賮賶 賲卮賴丿 賵丕丨丿 賱兀 賲卮賴丿賷賳 貙 賵丕賱爻賯賮 毓賲丕賱 賷乇丿 賵丿丕禺賱 丨賵丕乇 賲毓 丕賱亘胤賱 貙 賳丕賯氐 賷丕禺丿賵丕 賳賲乇 亘毓囟
賯氐丞 丕賱乇賵丕賷丞 亘丿賵賳 丨乇賯 丕賱丕丨丿丕孬 丕賱亘胤賱 丿賵賳 噩賵夭賷賴 卮睾丕賱 賮賶 丿丕乇 丕賱賲丨賮賵馗丕鬲 賯丕毓丿 亘賷賯賷丿 賮賶 丕爻賲丕亍 賳丕爻 丕鬲賵賱丿鬲 賵賳丕爻 賲丕鬲鬲 貙 賮賲丕 賲賳 賰鬲乇 丕賱賮囟丕 丕賱賱賶 毓賳丿賴 賯丕賱 賴賷禺卮 丿丕乇 丕賱賲丨賮賵馗丕鬲 亘賱賷賱 貙 賲丕 丕賳丕 賳爻賷鬲 丕賯賵賱 丕賳賴 爻丕賰賳 赖賳丕賰 貙 賷禺卮 賷毓賲賱 丕賷賴 亘賯賷 賷噩賷亘 賰乇賵鬲 賲賵丕賱賷丿 賱賳丕爻 賲卮賴賵乇丞
賮賮賶 賰丕乇鬲 丕賱賱賴 賷丨乇賯 丕賲 丕賱賰丕乇鬲 丿賴 賱夭賯 賮賶 丕賷丿賴 胤賱毓 亘鬲丕毓 賵丕丨丿丞 爻鬲 貙 賮丕賱亘胤賱 賯丕賱 賱丕夭賲 賷丿賵乇 毓賱賷賴丕 賵毓賱賶 丕賱賱賴 丨丿 賷爻兀賱 賷丿賵乇 毓賱賷賴丕 賱賷賴 貙 賴賵 賯乇乇 賷丿賵乇 毓賱賷賴丕
亘爻 丿賵乇 毓賱賷賴丕 賮賶 賲賰丕賳賷賳 丕賱賲丿乇爻丞 賵丕賱亘賷鬲 賮賶 200 氐賮丨丞 賵胤賱毓鬲 賮賶 丕賱丕禺乇 賲卮 毓丕賷夭 丕丨乇賯 丕賱賳賴丕賷丞 賱賰賳
賱賵 丕賱賳賴丕賷丞 丕賳 丕賱爻鬲 丿賴 胤賱毓鬲 賲乇丕鬲 毓賲賴 賰賳鬲 賴鬲亘爻胤 毓賳 丕賱賳賴丕賷丞 丿賴
亘爻 賵禺賱氐鬲 丕賱乇賵丕賷丞 貙 賰丕賳 賳賮爻賷 賷賲賵鬲 丿賵賳 噩賵夭賷賴 賲丨乇賵賯 賮賶 丕賱丕禺乇 賴賵 賵賲丿賷乇 丕賱賲丨賮賵馗丕鬲
賲賷夭丞 爻丕乇賲丕噩賵 丕賳 丕賮賰丕乇賴 賲噩賳賵賳丞 貙 賷毓賲賱 乇賵丕賷丞 賲賳 賮賰乇丞 睾乇賷亘丞 貙 夭賷 丕賱毓賲賷 賵丕賳賯胤丕毓丕鬲 丕賱賲賵鬲 賵丕賱亘氐賷乇丞 賵 賱賰賳 賰丕賳賵丕 丕丨爻賳 亘賰鬲賷乇 賲賳 丕賱乇賵丕賷丞 丿賴
賲賲賰賳 丕賱賮賰乇丞 丕賱賮賱爻賮賷丞 丿賴 鬲鬲毓賲賱 賮賶 30 氐賮丨丞 賰丿丕 鬲亘賯賶 賰賵賷爻丞.
卮賰賱賶 賴丕乇賷丨 卮賵賷丞 賲賳 爻丕乇賲丕噩賵 丕賱賮鬲乇丞 丕賱噩丕賷丞..賯丿丕賲賷 賲卮 丕賯賱 賲賳 爻賳丞 毓卮丕賳 丕賳爻賷 丿賵賳 噩賵夭賷丞 毓賱賶 丿丕乇 丕賱賲丨賮賵馗丕鬲
賲毓 丕丨鬲乇丕賲賷 賱噩賲賷毓 丕乇丕亍 丕氐丿賯丕卅賷 貙 賱兀賳賶 毓丕乇賮 丕賳賶 丕賱賵丨賷丿 鬲賯乇賷亘丕 丕賱賱賶 賮賶 賲氐乇 賵丕賱毓丕賱賲 賲賯賷賷賲賴丕 賳噩賲丞
丕賱乇賵丕賷丞 爻賷卅丞 賲賲賱丞 丕賴 賲丕卮賷 賲賲賰賳 賮賱爻賮賷丞 賱賰賳 賲賲賰賳 鬲賰賵賳 丕丨爻賳 賲賳 賰丿丕 亘賰鬲賷乇 賲丕賴賶 丕賱毓賲賶 賷毓賳賶 亘乇丿賵 賲卮 賲噩乇丿 賯氐丞 毓賳 賳丕爻 丕鬲氐丕亘賵丕 亘丕賱毓賲賷 賱兀 亘乇丿賵 賮賱爻賮賷丞 賱賰賳 賲卮 亘丕賱賲賱賱 丿賴
丕賱賲賱賱 丕賱賲乇丞 丿賴 丕賵賮乇 丕賱氐乇丕丨丞 貙 賲卮 賰賮丕賷丞 賲爻鬲丨賲賱賷賳 丕爻賱賵亘賴 丕賱氐毓亘 丕賳 丕賱賰賱丕賲 丕賱卮禺氐賷丕鬲 丿丕禺賱 毓賱賶 亘毓囟賴 賲卮 毓丕乇賮賷賳 賲賷賳 亘賷賰賱賲 賲賷賳 貙 賵賲賲賰賳 賳爻鬲丨賲賱 卮賵賷丞 賲賱賱 貙 賱賰賳 賲賱賱 賱丿乇噩丞 丕賳賴 賷賯毓丿 賷丨賰賶 賮賶 毓卮乇 氐賮丨 丕賳 丕賱亘胤賱 毓丕賷夭 賷禺卮 賲丿乇爻丞 賵毓卮乇 氐賮丨 賷賵氐賮 丕賱賲賯亘乇丞 貙 賵禺賲爻鬲丕卮乇 氐賮丨丞 毓卮丕賳 賷兀禺丿 賷賵賲 兀噩丕夭丞 賲賳 丕賱卮睾賱
丿賴 賰乇赖賳丕 賮賶 丕賱丕噩丕夭丞 賵丕賱卮睾賱 賵丕賱賱賴 賵卮賵賷丞 丕賱亘胤賱 賷賰賱賲 賳賮爻賴 賵賷鬲禺賷賱 丨丕噩丕鬲 賲丨氐賱鬲卮 貙 賱睾丕賷丞 賲丕 賵氐賱 丕賳賴 亘賷賰賱賲 丕賱爻賯賮.
賵丕賱賱賴 賲卮 亘賴乇噩 亘賷賰賱賲 丕賱爻賯賮 賵賲卮 賮賶 賲卮賴丿 賵丕丨丿 賱兀 賲卮賴丿賷賳 貙 賵丕賱爻賯賮 毓賲丕賱 賷乇丿 賵丿丕禺賱 丨賵丕乇 賲毓 丕賱亘胤賱 貙 賳丕賯氐 賷丕禺丿賵丕 賳賲乇 亘毓囟
賯氐丞 丕賱乇賵丕賷丞 亘丿賵賳 丨乇賯 丕賱丕丨丿丕孬 丕賱亘胤賱 丿賵賳 噩賵夭賷賴 卮睾丕賱 賮賶 丿丕乇 丕賱賲丨賮賵馗丕鬲 賯丕毓丿 亘賷賯賷丿 賮賶 丕爻賲丕亍 賳丕爻 丕鬲賵賱丿鬲 賵賳丕爻 賲丕鬲鬲 貙 賮賲丕 賲賳 賰鬲乇 丕賱賮囟丕 丕賱賱賶 毓賳丿賴 賯丕賱 賴賷禺卮 丿丕乇 丕賱賲丨賮賵馗丕鬲 亘賱賷賱 貙 賲丕 丕賳丕 賳爻賷鬲 丕賯賵賱 丕賳賴 爻丕賰賳 赖賳丕賰 貙 賷禺卮 賷毓賲賱 丕賷賴 亘賯賷 賷噩賷亘 賰乇賵鬲 賲賵丕賱賷丿 賱賳丕爻 賲卮賴賵乇丞
賮賮賶 賰丕乇鬲 丕賱賱賴 賷丨乇賯 丕賲 丕賱賰丕乇鬲 丿賴 賱夭賯 賮賶 丕賷丿賴 胤賱毓 亘鬲丕毓 賵丕丨丿丞 爻鬲 貙 賮丕賱亘胤賱 賯丕賱 賱丕夭賲 賷丿賵乇 毓賱賷賴丕 賵毓賱賶 丕賱賱賴 丨丿 賷爻兀賱 賷丿賵乇 毓賱賷賴丕 賱賷賴 貙 賴賵 賯乇乇 賷丿賵乇 毓賱賷賴丕
亘爻 丿賵乇 毓賱賷賴丕 賮賶 賲賰丕賳賷賳 丕賱賲丿乇爻丞 賵丕賱亘賷鬲 賮賶 200 氐賮丨丞 賵胤賱毓鬲 賮賶 丕賱丕禺乇 賲卮 毓丕賷夭 丕丨乇賯 丕賱賳賴丕賷丞 賱賰賳
賱賵 丕賱賳賴丕賷丞 丕賳 丕賱爻鬲 丿賴 胤賱毓鬲 賲乇丕鬲 毓賲賴 賰賳鬲 賴鬲亘爻胤 毓賳 丕賱賳賴丕賷丞 丿賴
亘爻 賵禺賱氐鬲 丕賱乇賵丕賷丞 貙 賰丕賳 賳賮爻賷 賷賲賵鬲 丿賵賳 噩賵夭賷賴 賲丨乇賵賯 賮賶 丕賱丕禺乇 賴賵 賵賲丿賷乇 丕賱賲丨賮賵馗丕鬲
賲賷夭丞 爻丕乇賲丕噩賵 丕賳 丕賮賰丕乇賴 賲噩賳賵賳丞 貙 賷毓賲賱 乇賵丕賷丞 賲賳 賮賰乇丞 睾乇賷亘丞 貙 夭賷 丕賱毓賲賷 賵丕賳賯胤丕毓丕鬲 丕賱賲賵鬲 賵丕賱亘氐賷乇丞 賵 賱賰賳 賰丕賳賵丕 丕丨爻賳 亘賰鬲賷乇 賲賳 丕賱乇賵丕賷丞 丿賴
賲賲賰賳 丕賱賮賰乇丞 丕賱賮賱爻賮賷丞 丿賴 鬲鬲毓賲賱 賮賶 30 氐賮丨丞 賰丿丕 鬲亘賯賶 賰賵賷爻丞.
卮賰賱賶 賴丕乇賷丨 卮賵賷丞 賲賳 爻丕乇賲丕噩賵 丕賱賮鬲乇丞 丕賱噩丕賷丞..賯丿丕賲賷 賲卮 丕賯賱 賲賳 爻賳丞 毓卮丕賳 丕賳爻賷 丿賵賳 噩賵夭賷丞 毓賱賶 丿丕乇 丕賱賲丨賮賵馗丕鬲
March 18, 2023
袧械褋屑芯褌褉褟 薪邪 褌芯, 褔褌芯 褉芯屑邪薪 薪邪蟹褘胁邪械褌褋褟 芦袣薪懈谐邪 懈屑械薪禄, 薪懈 芯写薪芯谐芯 懈屑械薪懈, 蟹邪 懈褋泻谢褞褔械薪懈械屑 谐谢邪胁薪芯谐芯 谐械褉芯褟 屑谢邪写褕械谐芯 泻谢械褉泻邪 袚芯褋褍写邪褉褋褌胁械薪薪芯谐芯 邪褉褏懈胁邪 袟袗袚小 袞芯蟹械, 胁 泻薪懈谐械 褌邪泻 懈 薪械 锌褉芯蟹胁褍褔懈褌. 袩芯褔械屑褍? 袙 泻薪懈谐械 芯褔械薪褜 屑薪芯谐芯 蟹邪谐邪写芯泻, 懈 褍 泻邪卸写芯谐芯 褔懈褌邪褌械谢褟 斜褍写械褌 褋胁芯褟 懈薪褌械褉锌褉械褌邪褑懈褟 懈褏 褋屑褘褋谢邪. 袙芯褌 屑芯懈 屑褘褋谢懈 锌芯 锌芯胁芯写褍 褝褌懈褏 蟹邪谐邪写芯泻. 袦薪械 泻邪卸械褌褋褟, 褔褌芯 懈屑械薪 薪械褌, 锌芯褌芯屑褍 褔褌芯 邪胁褌芯褉 褏芯褌械谢 锌芯泻邪蟹邪褌褜, 胁 褌芯屑 褔懈褋谢械 懈 薪邪 锌褉懈屑械褉械 薪械懈蟹胁械褋褌薪芯泄 卸械薪褖懈薪褘, 褔褌芯 屑邪谢械薪褜泻懈械 谢褞写懈 (褋芯胁褋械屑 泻邪泻 褍 褉褍褋褋泻懈褏 锌懈褋邪褌械谢械泄) 薪械 懈薪褌械褉械褋褍褞褌 薪懈泻芯谐芯. 袨薪懈 斜械蟹谢懈泻懈, 芯薪懈 薪懈泻芯屑褍 薪械 懈薪褌械褉械褋薪褘. 袩芯褝褌芯屑褍 泻邪泻邪褟 褉邪蟹薪懈褑邪 泻邪泻芯械 懈屑褟 写邪褌褜 锌械褉褋芯薪邪卸褍, 械褋谢懈 屑芯卸薪芯 薪邪蟹胁邪褌褜 械谐芯 袚谢邪胁薪褘屑 褏褉邪薪懈褌械谢械屑, 薪械懈蟹胁械褋褌薪芯泄 卸械薪褖懈薪芯泄 懈谢懈 写邪屑芯泄 褋 斜械谢褜褝褌邪卸邪. 袠 褌邪泻 斜褍写械褌 胁褋械 锌芯薪褟褌薪芯. 协褌褍 屑褘褋谢褜 芯薪 斜谢械褋褌褟褖械 锌褉芯写械屑芯薪褋褌褉懈褉芯胁邪谢, 蟹邪 胁械褋褜 褉芯屑邪薪 薪械 薪邪蟹胁邪胁 薪懈 芯写薪芯谐芯 懈屑械薪懈. 袙褌芯褉邪褟 蟹邪谐邪写泻邪 鈥� 锌芯褔械屑褍 袚谢邪胁薪褘泄 褏褉邪薪懈褌械谢褜 褉邪褋锌芯褉褟写懈谢褋褟 芯斜褗械写懈薪懈褌褜 泻邪褌邪谢芯谐懈 褋 懈屑械薪邪屑懈 褍屑械褉褕懈褏 懈 卸懈胁褘褏. 袝褋谢懈 胁 锌械褉胁芯泄 蟹邪谐邪写泻械, 芯褌胁械褌 斜褘谢 斜芯谢械械-屑械薪械械 芯褔械胁懈写械薪, 谢械卸邪谢 薪邪 锌芯胁械褉褏薪芯褋褌懈, 褌芯 蟹写械褋褜 械褋褌褜 薪邪写 褔械屑 锌芯褉邪蟹屑褘褋谢懈褌褜. 袦芯械 屑薪械薪懈械, 泻芯褌芯褉芯械 薪械 锌褉械褌械薪写褍械褌 薪邪 懈褋褌懈薪褍, 邪 谢懈褕褜 胁褘褋泻邪蟹褘胁邪械褌 谐懈锌芯褌械蟹褍, 褋芯褋褌芯懈褌 胁 褌芯屑, 褔褌芯 褉邪蟹谐邪写泻邪 泻褉芯械褌褋褟 胁 锌邪褋褌褍褏械, 锌械褉械褋褌邪胁谢褟胁褕懈屑 褌邪斜谢懈褔泻懈 懈 薪芯屑械褉邪 薪邪 屑芯谐懈谢邪褏 薪邪 泻谢邪写斜懈褖械. 袨薪 写械谢邪谢 褝褌芯, 褔褌芯斜褘 泻邪卸写褘泄 锌芯谢褍褔懈谢 褋胁芯褞 写芯谢褞 褋泻芯褉斜懈 懈 芯锌谢邪泻懈胁邪薪懈褟. 孝邪泻卸械 懈 袚谢邪胁薪褘泄 褏褉邪薪懈褌械谢褜, 胁芯蟹屑芯卸薪芯, 褉褍泻芯胁芯写褋褌胁芯胁邪谢褋褟 谢芯谐懈泻芯泄, 褔褌芯 锌邪屑褟褌褜 芯 屑械褉褌胁褘褏 写芯谢卸薪邪 斜褘褌褜 褌邪泻芯泄 卸械 卸懈胁芯泄, 泻邪泻 懈 芯 卸懈胁褘褏. 袩芯胁褌芯褉褞褋褜, 褝褌芯 屑芯褟 谐懈锌芯褌械蟹邪. 袝褖械 芯写薪邪 蟹邪谐邪写泻邪 鈥� 锌芯褔械屑褍 卸械 锌芯泻芯薪褔懈谢邪 褋芯斜芯泄 薪械懈蟹胁械褋褌薪邪褟 卸械薪褖懈薪邪? 袟写械褋褜 屑芯卸械褌 斜褘褌褜 屑薪芯卸械褋褌胁芯 芯褌胁械褌芯胁, 芯褌 芯写懈薪芯褔械褋褌胁邪, 芯褌褋褍褌褋褌胁懈褟 褋屑褘褋谢邪 卸懈蟹薪懈 写芯 锌褉械写褉邪褋锌芯谢芯卸械薪薪芯褋褌懈 泻 薪械屑褍, 锌芯褋泻芯谢褜泻褍 芯薪邪 写械褌褋褌胁邪 斜褘谢邪 谐褉褍褋褌薪芯泄 写械胁芯褔泻芯泄. 小邪褉邪屑邪谐芯 写邪谢 褋谢懈褕泻芯屑 屑邪谢芯 懈薪褎芯褉屑邪褑懈懈 芯 薪械泄, 褔褌芯斜褘 褉邪蟹谐邪写邪褌褜 褝褌褍 蟹邪谐邪写泻褍.
小邪屑 褉芯屑邪薪 锌芯褋胁褟褖械薪 懈屑械薪薪芯 褝褌芯屑褍 褋邪屑芯屑褍 芦屑邪谢械薪褜泻芯屑褍禄 褔械谢芯胁械泻褍, 械谐芯 芯写懈薪芯褔械褋褌胁褍, 芯褌褔褍卸写械薪薪芯褋褌懈 胁 褝褌芯屑 芯谐褉芯屑薪芯屑 屑懈褉械, 械谐芯 薪懈褔褌芯卸薪芯褋褌懈, 褋泻褍褔薪芯泄, 薪械懈薪褌械褉械褋薪芯泄 卸懈蟹薪懈, 胁 褌芯屑, 褔褌芯 锌芯写褔邪褋 褋邪屑 蟹邪屑褘泻邪械褌褋褟 胁 褋械斜械, 锌褉懈写褍屑褘胁邪褟 蟹邪薪褟褌懈褟, 锌芯蟹胁芯谢褟褞褖懈械 芯褌谐芯褉芯写懈褌褜褋褟 芯褌 屑懈褉邪, 薪邪锌褉懈屑械褉, 泻芯谢谢械泻褑懈芯薪懈褉芯胁邪薪懈械 泻邪褉褌芯褔械泻 芯 褉芯卸写械薪懈懈 懈 褋屑械褉褌懈 懈 褋褌邪褌械泄 芯 蟹薪邪屑械薪懈褌芯褋褌褟褏. 袪邪蟹胁械 薪械 褌邪泻 卸懈胁褍褌 褋芯胁褉械屑械薪薪褘械 谢褞写懈, 芯谐芯褉芯写懈胁褕懈褋褜 芯褌 芦卸懈胁芯泄 卸懈蟹薪懈禄 胁褋褟泻懈屑懈 屑械褉褌胁褘屑懈 懈薪褋褌邪谐褉邪屑屑邪屑懈 褋 懈谢谢褞蟹懈械泄 卸懈蟹薪懈? 袨写懈薪芯褔械褋褌胁芯 械谐芯 褌邪泻 写邪谢械泻芯 蟹邪褕谢芯, 褔褌芯 锌芯蟹邪斜芯褌懈褌褜褋褟 芯 薪械屑, 泻芯谐写邪 芯薪 蟹邪斜芯谢械谢 屑芯谐谢懈 谢懈褕褜 泻芯谢谢械谐懈, 懈 褌芯 懈蟹-锌芯写 锌懈泻邪 薪邪褔邪谢褜薪懈泻邪. 效褌芯 褋邪屑芯械 懈薪褌械褉械褋薪芯械, 泻芯谐写邪 芯薪 锌褘褌邪械褌褋褟 褍蟹薪邪褌褜 芯 卸懈蟹薪懈 薪械懈蟹胁械褋褌薪芯泄 卸械薪褖懈薪褘 鈥� 褌芯 械褋褌褜 褍蟹薪邪褌褜 械械 懈屑褟, 褍蟹薪邪褌褜, 泻褌芯 芯薪邪 褌邪泻邪褟 鈥� 芯薪 胁褘褏芯写懈褌 懈蟹 褋胁芯械谐芯 芦褎褍褌谢褟褉邪禄 胁 屑懈褉, 芯薪 胁褋褌褉械褔邪械褌褋褟 褋 屑薪芯谐懈屑懈 谢褞写褜屑懈, 薪邪褔懈薪邪械褌 芯斜褖邪褌褜褋褟 鈥� 褌芯 械褋褌褜 卸懈褌褜, 褝褌芯 褋胁芯械芯斜褉邪蟹薪邪褟 袨写懈褋褋械褟. 袨薪 屑械薪褟械褌 褑械薪薪芯褋褌懈 鈥� 薪械泻芯谐写邪 褋邪屑邪褟 胁邪卸薪邪褟 褑械薪薪芯褋褌褜, 械谐芯 褉邪斜芯褌邪 鈥� 褍褌褉邪褌懈谢邪 褋胁芯褞 蟹薪邪褔懈屑芯褋褌褜.
协褌懈 锌褘谢褜薪褘械, 屑邪褋褋懈胁薪褘械 褋褌械谢谢邪卸懈 写芯 锌芯褌芯谢泻邪, 褋谢芯胁薪芯 褋芯褕械写褕懈械 懈蟹 褉芯屑邪薪芯胁 袣邪褎泻懈, 褋懈屑胁芯谢懈蟹懈褉褍褞褌 屑懈褉 卸懈胁褘褏 懈 屑械褉褌胁褘褏, 锌褉懈褔械屑, 褔褌芯斜褘 懈屑械褌褜 胁芯蟹屑芯卸薪芯褋褌褜 胁械褉薪褍褌褜褋褟 懈蟹 屑懈褉邪 屑械褉褌胁褘褏, 褌芯 械褋褌褜 懈蟹 谢邪斜懈褉懈薪褌芯胁 锌芯谢芯泻, 薪褍卸薪邪 褋邪屑邪褟 薪邪褋褌芯褟褖邪褟 薪懈褌褜 袗褉懈邪写薪褘, 褉芯谢褜 泻芯褌芯褉芯泄 胁褘锌芯谢薪褟械褌 褋褌芯屑械褌褉芯胁褘泄 褕薪褍褉.
袦薪械 薪械 锌芯薪褉邪胁懈谢邪褋褜 褋胁芯械芯斜褉邪蟹薪邪褟 锌褍薪泻褌褍邪褑懈褟 懈 芯褌褋褍褌褋褌胁懈械 谐谢邪胁. 袦薪械 薪械 泻邪卸械褌褋褟, 褔褌芯 褝褌芯 褍谢褍褔褕懈谢芯 褉芯屑邪薪. 袨薪 懈 褌邪泻 褋胁芯械芯斜褉邪蟹械薪 懈 谐谢褍斜芯泻, 懈 薪械 薪褍卸写邪械褌褋褟 胁 锌褉懈泻芯胁褘胁邪薪懈懈 胁薪懈屑邪薪懈褟 褌邪泻懈屑懈 懈褋泻褍褋褋褌胁械薪薪褘屑懈 泻芯薪褋褌褉褍泻褑懈褟屑懈. 袝褖械 泻邪泻 薪械写芯褋褌邪褌芯泻 屑芯谐褍 芯褌屑械褌懈褌褜 薪械谐谢褍斜芯泻芯械 锌芯谐褉褍卸械薪懈械 胁芯 胁薪褍褌褉械薪薪懈泄 屑懈褉 谐械褉芯械胁. 袦褘 芯 薪懈褏 蟹薪邪械屑 胁褋械 芯褔械薪褜 锌芯胁械褉褏薪芯褋褌薪芯 鈥� 锌芯褔械屑褍 芯薪懈 卸懈胁褍褌 褋泻褍褔薪芯泄 卸懈蟹薪褜褞, 锌芯褔械屑褍 芯薪懈 薪懈褔械谐芯 薪械 褏芯褌褟褌 屑械薪褟褌褜.
小邪屑 褉芯屑邪薪 锌芯褋胁褟褖械薪 懈屑械薪薪芯 褝褌芯屑褍 褋邪屑芯屑褍 芦屑邪谢械薪褜泻芯屑褍禄 褔械谢芯胁械泻褍, 械谐芯 芯写懈薪芯褔械褋褌胁褍, 芯褌褔褍卸写械薪薪芯褋褌懈 胁 褝褌芯屑 芯谐褉芯屑薪芯屑 屑懈褉械, 械谐芯 薪懈褔褌芯卸薪芯褋褌懈, 褋泻褍褔薪芯泄, 薪械懈薪褌械褉械褋薪芯泄 卸懈蟹薪懈, 胁 褌芯屑, 褔褌芯 锌芯写褔邪褋 褋邪屑 蟹邪屑褘泻邪械褌褋褟 胁 褋械斜械, 锌褉懈写褍屑褘胁邪褟 蟹邪薪褟褌懈褟, 锌芯蟹胁芯谢褟褞褖懈械 芯褌谐芯褉芯写懈褌褜褋褟 芯褌 屑懈褉邪, 薪邪锌褉懈屑械褉, 泻芯谢谢械泻褑懈芯薪懈褉芯胁邪薪懈械 泻邪褉褌芯褔械泻 芯 褉芯卸写械薪懈懈 懈 褋屑械褉褌懈 懈 褋褌邪褌械泄 芯 蟹薪邪屑械薪懈褌芯褋褌褟褏. 袪邪蟹胁械 薪械 褌邪泻 卸懈胁褍褌 褋芯胁褉械屑械薪薪褘械 谢褞写懈, 芯谐芯褉芯写懈胁褕懈褋褜 芯褌 芦卸懈胁芯泄 卸懈蟹薪懈禄 胁褋褟泻懈屑懈 屑械褉褌胁褘屑懈 懈薪褋褌邪谐褉邪屑屑邪屑懈 褋 懈谢谢褞蟹懈械泄 卸懈蟹薪懈? 袨写懈薪芯褔械褋褌胁芯 械谐芯 褌邪泻 写邪谢械泻芯 蟹邪褕谢芯, 褔褌芯 锌芯蟹邪斜芯褌懈褌褜褋褟 芯 薪械屑, 泻芯谐写邪 芯薪 蟹邪斜芯谢械谢 屑芯谐谢懈 谢懈褕褜 泻芯谢谢械谐懈, 懈 褌芯 懈蟹-锌芯写 锌懈泻邪 薪邪褔邪谢褜薪懈泻邪. 效褌芯 褋邪屑芯械 懈薪褌械褉械褋薪芯械, 泻芯谐写邪 芯薪 锌褘褌邪械褌褋褟 褍蟹薪邪褌褜 芯 卸懈蟹薪懈 薪械懈蟹胁械褋褌薪芯泄 卸械薪褖懈薪褘 鈥� 褌芯 械褋褌褜 褍蟹薪邪褌褜 械械 懈屑褟, 褍蟹薪邪褌褜, 泻褌芯 芯薪邪 褌邪泻邪褟 鈥� 芯薪 胁褘褏芯写懈褌 懈蟹 褋胁芯械谐芯 芦褎褍褌谢褟褉邪禄 胁 屑懈褉, 芯薪 胁褋褌褉械褔邪械褌褋褟 褋 屑薪芯谐懈屑懈 谢褞写褜屑懈, 薪邪褔懈薪邪械褌 芯斜褖邪褌褜褋褟 鈥� 褌芯 械褋褌褜 卸懈褌褜, 褝褌芯 褋胁芯械芯斜褉邪蟹薪邪褟 袨写懈褋褋械褟. 袨薪 屑械薪褟械褌 褑械薪薪芯褋褌懈 鈥� 薪械泻芯谐写邪 褋邪屑邪褟 胁邪卸薪邪褟 褑械薪薪芯褋褌褜, 械谐芯 褉邪斜芯褌邪 鈥� 褍褌褉邪褌懈谢邪 褋胁芯褞 蟹薪邪褔懈屑芯褋褌褜.
协褌懈 锌褘谢褜薪褘械, 屑邪褋褋懈胁薪褘械 褋褌械谢谢邪卸懈 写芯 锌芯褌芯谢泻邪, 褋谢芯胁薪芯 褋芯褕械写褕懈械 懈蟹 褉芯屑邪薪芯胁 袣邪褎泻懈, 褋懈屑胁芯谢懈蟹懈褉褍褞褌 屑懈褉 卸懈胁褘褏 懈 屑械褉褌胁褘褏, 锌褉懈褔械屑, 褔褌芯斜褘 懈屑械褌褜 胁芯蟹屑芯卸薪芯褋褌褜 胁械褉薪褍褌褜褋褟 懈蟹 屑懈褉邪 屑械褉褌胁褘褏, 褌芯 械褋褌褜 懈蟹 谢邪斜懈褉懈薪褌芯胁 锌芯谢芯泻, 薪褍卸薪邪 褋邪屑邪褟 薪邪褋褌芯褟褖邪褟 薪懈褌褜 袗褉懈邪写薪褘, 褉芯谢褜 泻芯褌芯褉芯泄 胁褘锌芯谢薪褟械褌 褋褌芯屑械褌褉芯胁褘泄 褕薪褍褉.
袦薪械 薪械 锌芯薪褉邪胁懈谢邪褋褜 褋胁芯械芯斜褉邪蟹薪邪褟 锌褍薪泻褌褍邪褑懈褟 懈 芯褌褋褍褌褋褌胁懈械 谐谢邪胁. 袦薪械 薪械 泻邪卸械褌褋褟, 褔褌芯 褝褌芯 褍谢褍褔褕懈谢芯 褉芯屑邪薪. 袨薪 懈 褌邪泻 褋胁芯械芯斜褉邪蟹械薪 懈 谐谢褍斜芯泻, 懈 薪械 薪褍卸写邪械褌褋褟 胁 锌褉懈泻芯胁褘胁邪薪懈懈 胁薪懈屑邪薪懈褟 褌邪泻懈屑懈 懈褋泻褍褋褋褌胁械薪薪褘屑懈 泻芯薪褋褌褉褍泻褑懈褟屑懈. 袝褖械 泻邪泻 薪械写芯褋褌邪褌芯泻 屑芯谐褍 芯褌屑械褌懈褌褜 薪械谐谢褍斜芯泻芯械 锌芯谐褉褍卸械薪懈械 胁芯 胁薪褍褌褉械薪薪懈泄 屑懈褉 谐械褉芯械胁. 袦褘 芯 薪懈褏 蟹薪邪械屑 胁褋械 芯褔械薪褜 锌芯胁械褉褏薪芯褋褌薪芯 鈥� 锌芯褔械屑褍 芯薪懈 卸懈胁褍褌 褋泻褍褔薪芯泄 卸懈蟹薪褜褞, 锌芯褔械屑褍 芯薪懈 薪懈褔械谐芯 薪械 褏芯褌褟褌 屑械薪褟褌褜.
April 11, 2025
This one was odd. Hardly a hero, hardly a story, bland.
But Saramago wrote it so it was fun to read, really.
鈥淎ll the lonely people, where do they all come from.
All the lonely people, where do they all belong?鈥�
But Saramago wrote it so it was fun to read, really.
鈥淎ll the lonely people, where do they all come from.
All the lonely people, where do they all belong?鈥�
January 17, 2021
賲賳 爻兀賰賵賳 兀賳丕 睾丿丕 責
賲賳 賴賵 丕賱匕賷 賰賳鬲賴 丕賲爻 賵 賲賳 丕賰賵賳賴 丕賱賷賵賲 賵賲賳 丕賰賵賳賴 睾丿丕 , 丕卮賷丕亍 丕賵 丕丨丿丕孬 鈥� 爻賲賴丕 賲丕 卮卅鬲 鈥� 賲賴賲丕 賯丿 鬲亘丿賵 氐睾賷乇丞 賵鬲丕賮賴丞 丕賵 丨鬲賶 睾賷乇 賲賳胤賯賷丞 , 賯丿 鬲噩毓賱賳丕 賱賳賯賮 丕賲丕賲 賴匕丕 丕賱爻丐丕賱 , 賲賳 兀賳丕 責 , 賵賱賲丕匕丕 賮賷 鬲賱賰 丕賱賱丨馗丞 亘丕賱匕丕鬲 兀賯乇乇 丕賳 丕賲囟賷 賮賷 匕賱賱賰 丕賱胤乇賷賯 !!!
賲毓匕乇丞 , 賴賱 賯賱鬲 兀賯乇乇 ,
賳丨賳 賮賷 丕賱賵丕賯毓 賱丕 賳鬲禺匕 賯乇丕乇丕鬲, 賵丕賳賲丕 丕賱賯乇丕乇丕鬲 賴賷 丕賱鬲賷 鬲鬲禺匕賳丕
賱賳 賷丿乇賰 賴匕丕 丕賱賲毓賳賶 丕賱丕 賲賳 賵賯毓 鬲丨鬲 鬲丕孬賷乇 爻丨乇 丕賱氐丿賮丞 , 賵賰賷賮 賱賱氐丿賮丞 賲賳 爻胤賵丞 賯丿 鬲睾賷乇 丨賷丕鬲賰 賱賱丕亘丿 , 賮賷 鬲賱賰 丕賱賱丨馗丞 丕賱鬲賷 鬲賯乇乇 賮賷賴丕 丕賳 鬲胤丕乇丿 禺賷胤 丕賱丿禺丕賳 , 丕賳鬲 鬲丿乇賰 噩賷丿丕 丕賳賴 禺賷胤 丿禺丕賳 , 賲噩乇丿 禺賷胤 丿禺丕賳 氐賳毓賴 毓賯賱賰 丕賵 丕賱丕氐丨 賯丿 氐賳毓賴 賯賱亘賰 , 賮丕賱氐丿賮丞 賱賷爻鬲 賱賴丕 爻胤賵丞 毓賱賷 丕賱毓賯賵賱 , 鬲噩丿 賳賮爻賰 鬲毓亘乇 匕賱賰 丕賱丨丿 丕賱賮丕氐賱 亘賷賳 丕賱丨賷丕丞 賵丕賱賲賵鬲 亘賷賳 丕賳鬲 丕賱匕賷 賴賵 丕賱丕賳 賵丕賳鬲 丕賱匕賷 賴賵 睾丿丕 , 亘賷賳 賰賱 賲丕 賴賵 賵丕賯毓賷 賵賲丕 賴賵 丨賯賷賯賷
亘賲丕 丕賳 丕賱賲賵鬲 丕賱賳賴丕卅賷 賴賵 丕賱孬賲乇丞 丕賱丕禺賷乇丞 賱丕乇丕丿丞 丕賱賳爻賷丕賳, 賮亘兀賲賰丕賳 丕乇丕丿丞 丕賱鬲匕賰乇 丕賳 鬲禺賱丿 丕賱丨賷丕丞
賲賳 賴賵 丕賱匕賷 賰賳鬲賴 丕賲爻 賵 賲賳 丕賰賵賳賴 丕賱賷賵賲 賵賲賳 丕賰賵賳賴 睾丿丕 , 丕卮賷丕亍 丕賵 丕丨丿丕孬 鈥� 爻賲賴丕 賲丕 卮卅鬲 鈥� 賲賴賲丕 賯丿 鬲亘丿賵 氐睾賷乇丞 賵鬲丕賮賴丞 丕賵 丨鬲賶 睾賷乇 賲賳胤賯賷丞 , 賯丿 鬲噩毓賱賳丕 賱賳賯賮 丕賲丕賲 賴匕丕 丕賱爻丐丕賱 , 賲賳 兀賳丕 責 , 賵賱賲丕匕丕 賮賷 鬲賱賰 丕賱賱丨馗丞 亘丕賱匕丕鬲 兀賯乇乇 丕賳 丕賲囟賷 賮賷 匕賱賱賰 丕賱胤乇賷賯 !!!
賲毓匕乇丞 , 賴賱 賯賱鬲 兀賯乇乇 ,
賳丨賳 賮賷 丕賱賵丕賯毓 賱丕 賳鬲禺匕 賯乇丕乇丕鬲, 賵丕賳賲丕 丕賱賯乇丕乇丕鬲 賴賷 丕賱鬲賷 鬲鬲禺匕賳丕
賱賳 賷丿乇賰 賴匕丕 丕賱賲毓賳賶 丕賱丕 賲賳 賵賯毓 鬲丨鬲 鬲丕孬賷乇 爻丨乇 丕賱氐丿賮丞 , 賵賰賷賮 賱賱氐丿賮丞 賲賳 爻胤賵丞 賯丿 鬲睾賷乇 丨賷丕鬲賰 賱賱丕亘丿 , 賮賷 鬲賱賰 丕賱賱丨馗丞 丕賱鬲賷 鬲賯乇乇 賮賷賴丕 丕賳 鬲胤丕乇丿 禺賷胤 丕賱丿禺丕賳 , 丕賳鬲 鬲丿乇賰 噩賷丿丕 丕賳賴 禺賷胤 丿禺丕賳 , 賲噩乇丿 禺賷胤 丿禺丕賳 氐賳毓賴 毓賯賱賰 丕賵 丕賱丕氐丨 賯丿 氐賳毓賴 賯賱亘賰 , 賮丕賱氐丿賮丞 賱賷爻鬲 賱賴丕 爻胤賵丞 毓賱賷 丕賱毓賯賵賱 , 鬲噩丿 賳賮爻賰 鬲毓亘乇 匕賱賰 丕賱丨丿 丕賱賮丕氐賱 亘賷賳 丕賱丨賷丕丞 賵丕賱賲賵鬲 亘賷賳 丕賳鬲 丕賱匕賷 賴賵 丕賱丕賳 賵丕賳鬲 丕賱匕賷 賴賵 睾丿丕 , 亘賷賳 賰賱 賲丕 賴賵 賵丕賯毓賷 賵賲丕 賴賵 丨賯賷賯賷
亘賲丕 丕賳 丕賱賲賵鬲 丕賱賳賴丕卅賷 賴賵 丕賱孬賲乇丞 丕賱丕禺賷乇丞 賱丕乇丕丿丞 丕賱賳爻賷丕賳, 賮亘兀賲賰丕賳 丕乇丕丿丞 丕賱鬲匕賰乇 丕賳 鬲禺賱丿 丕賱丨賷丕丞
September 10, 2007
simply gorgeous. a story of timidity and how a tiny seed of imagination and curiosity can transform a person and his life.
i adore this one because there's no "love interest" and because of saramago's unbelievable ability to effortlessly pop breathtaking statements about humanity at the ends of long paragraphs. they seem like afterthoughts because of the way they're placed and articulated, but if everyone had a single thought like these in his or her lifetime, the world would be just fine.
i adore this one because there's no "love interest" and because of saramago's unbelievable ability to effortlessly pop breathtaking statements about humanity at the ends of long paragraphs. they seem like afterthoughts because of the way they're placed and articulated, but if everyone had a single thought like these in his or her lifetime, the world would be just fine.
May 6, 2014
丕賱爻乇丿 丕賱賲鬲賯賳貙 丕賱賲賳丨賵鬲貙 丕賱賲爻亘賵賰貨 丨賷孬 賰賱 賰賱賲丞 賮賷 賲賰丕賳賴丕 丕賱氐丨賷丨貙 兀賳 賷亘丿賵 丕賱賱丕 賲賳胤賯賷 賲賳胤賯賷丕. 兀賳 賳乇賶 丕賱廿賳爻丕賳 丕賱賲鬲賳丕賯囟 賰賲丕 賴賵貙 賷鬲亘毓 噩賳賵賳賴 丕賱卮禺氐賷 丿賵賳 兀賳 賷賮賴賲 丕賱爻亘亘. 毓賲賱 毓馗賷賲.
April 23, 2022
"Querido se帽or, soy un simple escribiente, nada m谩s que un simple escribiente de cincuenta a帽os que ni ha sido ascendido a oficial. Si creyese que val铆a tanto como uno solo de los recortes que tengo guardados, no habr铆a comenzado la colecci贸n."
Jos茅 Saramago, Premio Nobel 1998, es junto a Fernando Pessoa uno de los dos escritores m谩s grandes que dio Portugal. Despu茅s viene el resto.
Su particular estilo de escritura compuesto de p谩rrafos separados por puntos seguidos y con la no inclusi贸n de di谩logos t铆picos de la literatura, sino los iniciando con may煤scula lo que dice cada interlocutor seguido de comas es ya su marca registrada.
En esta novela, nos acerca a un personaje muy singular pero cuyas caracter铆sticas ya hemos visto en otros: el de un simple y gris amanuense que trabaja en la Conservadur铆a General del Registro Civil, llamado don Jos茅.
Saramago no nos da mucha informaci贸n acerca de 茅l, ni su apellido y solo sabemos que su edad es de cincuenta y dos a帽os.
Su hobby es recortar fotos de gente famosa que aparecen en Diarios y revistas. Nada m谩s. Estos detalles son suficientes para el autor para llevarnos directamente a la narraci贸n de su historia.
Me voy a permitir comparar en algunos aspectos a don Jos茅 con otros dos legendarios personajes de la literatura: en su aspecto se asemeja al de otros dos grises empleados literarios como lo son 鈥淏artleby, el escribiente鈥� de Herman Melville y Akaky Akakyevich, el copista del cuento 鈥淓l Capote鈥� de Nik贸lai G贸gol. Aqu铆 la similitud con ambos es evidente.
Con Bartleby se da en la t铆pica apariencia gris de todo copista o amanuense pero con una decisi贸n y determinaci贸n opuesta al del personaje mellviano.
Respecto de Akaky Akakyevich, lo encontramos en la obsesi贸n. En el caso de Akaky es el capote que tanto codicia mandarse a hacer, mientras que la ambici贸n de don Jos茅 es la de encontrar cueste lo que cueste a esa mujer desconocida que descubre entre las fichas de la Conservadur铆a.
Hasta podemos compararlo con Bartleby, cuya obsesi贸n es la insubordinaci贸n a hacer su trabajo con su famoso e inolvidable frase "Preferir铆a no hacerlo".
Otro rasgo de la novela y en este caso emparentado con las de Franz Kafka es la del aparato burocr谩tico kafkiano de la Conservadur铆a General del Registro Civil en la que don Jos茅 trabaja y tambi茅n de la ambientaci贸n, ya que, por poner un ejemplo, la puerta de la habitaci贸n en la que duerme don Jos茅 conecta directamente con un pasillo hacia la Conservadur铆a, pues su m铆sera habitaci贸n est谩 en la misma manzana que la instituci贸n, lo que recuerda a cuando Joseph K. en la novela de Kafka sale por una ventanita de la habitaci贸n del pintor Titorelli justo a los pasillos del tribunal que lo condena.
Su enfermedad, este acceso gripal fuerte que sufre a mitad de la novela lo vuelve a relacionar con los otros escribientes ya que su imagen es la de un hombre d茅bil y enfermo vapuleado por sus superiores y compa帽eros de trabajo.
En la b煤squeda de esa mujer misteriosa, don Jos茅 comete un par de il铆citos que no revelar茅 por respeto a quienes no hayan le铆do la novela y que le har谩n remorder la conciencia casi al estilo de Rodion Rask贸lnikov en "Crimen y castigo" de Dostoievski aunque la naturaleza de las acciones sean completamente dis铆miles.
Un funcionario tan correcto como 茅l, cayendo en una irregularidad como esa, junto con la posterior enfermedad trastoca la cabeza de don Jos茅.
Nuevamente, en su investigaci贸n de la ficha de la mujer que lo obsesiona, don Jos茅 se introduce en un dep贸sito interminable (y kafkiano) de archivos de miles de registros de personas vivas y muertas que me record贸 a esos espacios agobiantes de "El proceso" de Kafka.
La aventura contin煤a cuando intenta comunicarse con las personas que conocieron a la mujer misteriosa.
Su visita al Cementerio General es un aut茅ntico "descenso ad inferos", un Hades que al que 茅l se encuentra desacostumbrado. Aqu铆, Saramago lo narra brillantemente y con lujo de detalles.
Mismo caso para la Conservadur铆a, que muestra la objetiva y seca manera de transformar la vida y la muerte de las personas en simples papeles, en fichas de nacimiento y actas de defunci贸n.
La naturaleza del trabajo de don Jos茅 en donde las personas sean famosas, importantes o no devienen en grises fichas con informaci贸n fr铆a.
Otro dato para destacar es la interesante la manera en que Saramago transforma al techo de la habitaci贸n de su humilde habitaci贸n en la de su propia conciencia. Los di谩logos de don Jos茅 con el techo son de antolog铆a.
Realmente siempre es atrapante leer las novelas de Jos茅 Saramago, tal es el caso de 鈥淭odos los nombres鈥�.
Esto me alienta a seguir leyendo sus novelas que nunca me decepcionan e invito a aquellos lectores que a煤n no probaron leer algo de su obra que lo hagan, ya que les aseguro que no se van arrepentir.
Jos茅 Saramago, Premio Nobel 1998, es junto a Fernando Pessoa uno de los dos escritores m谩s grandes que dio Portugal. Despu茅s viene el resto.
Su particular estilo de escritura compuesto de p谩rrafos separados por puntos seguidos y con la no inclusi贸n de di谩logos t铆picos de la literatura, sino los iniciando con may煤scula lo que dice cada interlocutor seguido de comas es ya su marca registrada.
En esta novela, nos acerca a un personaje muy singular pero cuyas caracter铆sticas ya hemos visto en otros: el de un simple y gris amanuense que trabaja en la Conservadur铆a General del Registro Civil, llamado don Jos茅.
Saramago no nos da mucha informaci贸n acerca de 茅l, ni su apellido y solo sabemos que su edad es de cincuenta y dos a帽os.
Su hobby es recortar fotos de gente famosa que aparecen en Diarios y revistas. Nada m谩s. Estos detalles son suficientes para el autor para llevarnos directamente a la narraci贸n de su historia.
Me voy a permitir comparar en algunos aspectos a don Jos茅 con otros dos legendarios personajes de la literatura: en su aspecto se asemeja al de otros dos grises empleados literarios como lo son 鈥淏artleby, el escribiente鈥� de Herman Melville y Akaky Akakyevich, el copista del cuento 鈥淓l Capote鈥� de Nik贸lai G贸gol. Aqu铆 la similitud con ambos es evidente.
Con Bartleby se da en la t铆pica apariencia gris de todo copista o amanuense pero con una decisi贸n y determinaci贸n opuesta al del personaje mellviano.
Respecto de Akaky Akakyevich, lo encontramos en la obsesi贸n. En el caso de Akaky es el capote que tanto codicia mandarse a hacer, mientras que la ambici贸n de don Jos茅 es la de encontrar cueste lo que cueste a esa mujer desconocida que descubre entre las fichas de la Conservadur铆a.
Hasta podemos compararlo con Bartleby, cuya obsesi贸n es la insubordinaci贸n a hacer su trabajo con su famoso e inolvidable frase "Preferir铆a no hacerlo".
Otro rasgo de la novela y en este caso emparentado con las de Franz Kafka es la del aparato burocr谩tico kafkiano de la Conservadur铆a General del Registro Civil en la que don Jos茅 trabaja y tambi茅n de la ambientaci贸n, ya que, por poner un ejemplo, la puerta de la habitaci贸n en la que duerme don Jos茅 conecta directamente con un pasillo hacia la Conservadur铆a, pues su m铆sera habitaci贸n est谩 en la misma manzana que la instituci贸n, lo que recuerda a cuando Joseph K. en la novela de Kafka sale por una ventanita de la habitaci贸n del pintor Titorelli justo a los pasillos del tribunal que lo condena.
Su enfermedad, este acceso gripal fuerte que sufre a mitad de la novela lo vuelve a relacionar con los otros escribientes ya que su imagen es la de un hombre d茅bil y enfermo vapuleado por sus superiores y compa帽eros de trabajo.
En la b煤squeda de esa mujer misteriosa, don Jos茅 comete un par de il铆citos que no revelar茅 por respeto a quienes no hayan le铆do la novela y que le har谩n remorder la conciencia casi al estilo de Rodion Rask贸lnikov en "Crimen y castigo" de Dostoievski aunque la naturaleza de las acciones sean completamente dis铆miles.
Un funcionario tan correcto como 茅l, cayendo en una irregularidad como esa, junto con la posterior enfermedad trastoca la cabeza de don Jos茅.
Nuevamente, en su investigaci贸n de la ficha de la mujer que lo obsesiona, don Jos茅 se introduce en un dep贸sito interminable (y kafkiano) de archivos de miles de registros de personas vivas y muertas que me record贸 a esos espacios agobiantes de "El proceso" de Kafka.
La aventura contin煤a cuando intenta comunicarse con las personas que conocieron a la mujer misteriosa.
Su visita al Cementerio General es un aut茅ntico "descenso ad inferos", un Hades que al que 茅l se encuentra desacostumbrado. Aqu铆, Saramago lo narra brillantemente y con lujo de detalles.
Mismo caso para la Conservadur铆a, que muestra la objetiva y seca manera de transformar la vida y la muerte de las personas en simples papeles, en fichas de nacimiento y actas de defunci贸n.
La naturaleza del trabajo de don Jos茅 en donde las personas sean famosas, importantes o no devienen en grises fichas con informaci贸n fr铆a.
Otro dato para destacar es la interesante la manera en que Saramago transforma al techo de la habitaci贸n de su humilde habitaci贸n en la de su propia conciencia. Los di谩logos de don Jos茅 con el techo son de antolog铆a.
Realmente siempre es atrapante leer las novelas de Jos茅 Saramago, tal es el caso de 鈥淭odos los nombres鈥�.
Esto me alienta a seguir leyendo sus novelas que nunca me decepcionan e invito a aquellos lectores que a煤n no probaron leer algo de su obra que lo hagan, ya que les aseguro que no se van arrepentir.
April 16, 2024
3.5 賳噩賲丕鬲 賮賯胤 賱亘毓囟 丕賱賲賱賱 賮賷 丕賱丕丨丿丕孬
丿賵賳 噩賵夭賷賴 賴賵 乇賮賷賯 乇丨賱鬲賳丕 丕賱爻丕乇丕賲丕睾賵賷丞 丕賱噩丿賷丿丞 .. 賰丕鬲亘 賮賷 丕賱賲丨賮賵馗丕鬲 亘丕賱爻噩賱 丕賱賲丿賳賷 .. 丿賵乇賴 賮賷 丕賱丨賷丕丞 鬲爻噩賷賱 丕賱賲賵丕賱賷丿 賵丕賱賵賮賷丕鬲 賵賰賱 丕賱丕爻賲丕亍 丕賱鬲賷 鬲賲乇 毓賱賷賴賲 亘丕賱賰丕賲賱 賲賳匕 賱丨馗丞 丕賱賵賱丕丿丞 賲賳 胤亘賷亘 賵賲賲乇囟丞 賵賲丿乇爻丞 賵睾賷乇賴丕 賲賳 丕賱兀爻賲丕亍 賱賷氐亘丨 丕賱賲爻丐賵賱 毓賳 賰賱 丕賱丕爻賲丕亍
亘丕賱氐丿賮丞 賷賯乇乇 丕賱丕丨鬲賮丕馗 亘亘毓囟 丕賱亘胤丕賯丕鬲 賱亘毓囟 丕賱兀卮禺丕氐 賱鬲賱賮鬲 賳馗乇賴 亘胤丕賯丞 爻賷丿丞 賲噩賴賵賱丞 賱賷賯乇乇 丕賳 鬲氐亘丨 賴賷 丨賷丕鬲賴 亘毓丿 賴匕丕 丕賱乇賵鬲賷賳 丕賱賯丕鬲賱 胤賵丕賱 毓賲乇賴 丕賱賲賰賵賳 賲賳 禺賲爻賷賳 乇亘賷毓丕 賮賯胤
鬲氐亘丨 鬲賮丕氐賷賱 賷賵賲賴 賵丨賷丕鬲賴 亘丕賱賰丕賲賱 鬲鬲賲丨賵乇 丨賵賱 鬲賱賰 丕賱爻賷丿丞 丕賱賲噩賴賵賱丞 賱賷鬲睾賷乇 鬲賲丕賲丕 賵賷賳賯賱亘 丕賱賷 丕賱囟丿 賵賷鬲賴賵乇 賱鬲氐亘丨 丕賱丨賷丕丞 賲睾丕賲乇丞 賰亘賷乇丞 亘丕賱賳爻亘丞 賱賴 賱賷毓乇賮 丕賳 丕賱噩賲賷毓 賲噩乇丿 丕爻賲丕亍 賰孬賷乇丞 賵賱丕 鬲賴賲 爻賵丕亍 賮賷 丕賱丨賷丕丞 丕賵 亘毓丿 丕賱賲賲丕鬲 賮賯胤 丕爻賲丕亍
賴賰匕丕 賴賷 丕賱丨賷丕丞 賳兀鬲賷 賱賴丕 賱賷毓胤賵賳丕 丕爻賲丕 賲毓 亘毓囟 丕賱丕爻賲丕亍 丕賱賰孬賷乇丞 賱丿賵乇丞 丕賱丨賷丕丞 亘丕賱賰丕賲賱 賱賳毓賷卮 亘乇賵鬲賷賳 賯丕鬲賱 賵賲賲賱 賱丕 賳賳馗乇 丨賵賱賳丕 賵賱丕 賳毓乇賮 丨鬲賶 丕賳賮爻賳丕 丨鬲賶 鬲賳鬲賴賷 丕賱丨賷丕丞 賵賷賳賲丨賷 賴匕丕 丕賱丕爻賲 賱賳氐亘丨 賲噩賴賵賱賷賳 賲賵丕噩賴賷賳 賱賲氐賷乇賳丕 賵丨丿賳丕 鬲賲丕賲丕
乇賵丕賷丞 賲丐賱賲丞 賲噩賳賵賳丞 賰毓丕丿丞 爻丕乇丕賲丕睾賵 亘丕賱胤亘毓 鬲丨賲賱 賮賷 胤賷丕鬲賴丕 丕賱賰孬賷乇 賲賳 丕賱兀賱賲 賵丕賱賰孬賷乇 賲賳 丕賱賲賵丕噩賴丞 丕賱氐乇賷丨丞 賲毓 丕賳賮爻賳丕
卮賰乇丕 氐丿賷賯丕鬲 丕賱賯乇丕亍丞 丕賱噩賲賷賱丞 丕賱賲噩賳賵賳丞 卮乇賵賯 賵丿丕賱賷丕 賵丨賳賷賳 毓賱賶 丕賱賯乇丕亍丞 丕賱賲賲賷夭丞 亘賵噩賵丿賰賲 丕賵賱丕 賵爻丕乇丕賲丕睾賵 孬丕賳賷丕 馃尮馃挅
鈥溫ベ� 丕賱氐賵乇 丕賱賯丿賷賲丞 鬲禺丿毓賳丕 賰孬賷乇賸丕貙 賮賴賷 鬲賵賴賲賳丕 亘兀賳賳丕 兀丨賷丕亍 賮賷賴丕貙 賵賴匕丕 睾賷乇 氐丨賷丨貙 賱兀賳 丕賱卮禺氐 丕賱匕賷 賳賳馗乇 廿賱賷賴 賮賷賴丕 賱賲 賷毓丿 賲賵噩賵丿賸丕貙 賵賱賵 賰丕賳 亘賲賯丿賵乇賴 兀賳 賷乇丕賳丕 賮賱賳 賷鬲毓乇賮 毓賱賶 賳賮爻賴 賮賷賳丕貙 賵爻賷賯賵賱 賲賳 賴匕丕 丕賱匕賷 賷賳馗乇 廿賱賷賾 亘賵噩賴 賲丨夭賵賳責.鈥�
丿賵賳 噩賵夭賷賴 賴賵 乇賮賷賯 乇丨賱鬲賳丕 丕賱爻丕乇丕賲丕睾賵賷丞 丕賱噩丿賷丿丞 .. 賰丕鬲亘 賮賷 丕賱賲丨賮賵馗丕鬲 亘丕賱爻噩賱 丕賱賲丿賳賷 .. 丿賵乇賴 賮賷 丕賱丨賷丕丞 鬲爻噩賷賱 丕賱賲賵丕賱賷丿 賵丕賱賵賮賷丕鬲 賵賰賱 丕賱丕爻賲丕亍 丕賱鬲賷 鬲賲乇 毓賱賷賴賲 亘丕賱賰丕賲賱 賲賳匕 賱丨馗丞 丕賱賵賱丕丿丞 賲賳 胤亘賷亘 賵賲賲乇囟丞 賵賲丿乇爻丞 賵睾賷乇賴丕 賲賳 丕賱兀爻賲丕亍 賱賷氐亘丨 丕賱賲爻丐賵賱 毓賳 賰賱 丕賱丕爻賲丕亍
亘丕賱氐丿賮丞 賷賯乇乇 丕賱丕丨鬲賮丕馗 亘亘毓囟 丕賱亘胤丕賯丕鬲 賱亘毓囟 丕賱兀卮禺丕氐 賱鬲賱賮鬲 賳馗乇賴 亘胤丕賯丞 爻賷丿丞 賲噩賴賵賱丞 賱賷賯乇乇 丕賳 鬲氐亘丨 賴賷 丨賷丕鬲賴 亘毓丿 賴匕丕 丕賱乇賵鬲賷賳 丕賱賯丕鬲賱 胤賵丕賱 毓賲乇賴 丕賱賲賰賵賳 賲賳 禺賲爻賷賳 乇亘賷毓丕 賮賯胤
鈥溫官嗀呚� 鬲丨賷賳 丕賱賮乇氐丞貙 賷賲賰賳 丨鬲賶 賱賱胤賷亘賷賳 兀賳 賷鬲丨賵賱賵丕 廿賱賶 賲鬲氐賱亘賷賳 賵賲鬲噩亘乇賷賳鈥�
鬲氐亘丨 鬲賮丕氐賷賱 賷賵賲賴 賵丨賷丕鬲賴 亘丕賱賰丕賲賱 鬲鬲賲丨賵乇 丨賵賱 鬲賱賰 丕賱爻賷丿丞 丕賱賲噩賴賵賱丞 賱賷鬲睾賷乇 鬲賲丕賲丕 賵賷賳賯賱亘 丕賱賷 丕賱囟丿 賵賷鬲賴賵乇 賱鬲氐亘丨 丕賱丨賷丕丞 賲睾丕賲乇丞 賰亘賷乇丞 亘丕賱賳爻亘丞 賱賴 賱賷毓乇賮 丕賳 丕賱噩賲賷毓 賲噩乇丿 丕爻賲丕亍 賰孬賷乇丞 賵賱丕 鬲賴賲 爻賵丕亍 賮賷 丕賱丨賷丕丞 丕賵 亘毓丿 丕賱賲賲丕鬲 賮賯胤 丕爻賲丕亍
鈥溫з勝堌� 賱賲 鬲賰賳 賯胤 亘丕賱乇賮賯丞 丕賱胤賷亘丞貙 賮丕賱兀丨夭丕賳 丕賱賰亘賷乇丞貙 賵丕賱廿睾賵丕亍丕鬲 丕賱賰亘賷乇丞貙 賵丕賱兀禺胤丕亍 丕賱賰亘賷乇丞 賴賷 毓賱賶 丕賱丿賵丕賲 鬲賯乇賷亘賸丕 賳鬲賷噩丞 亘賯丕亍 丕賱賲乇亍 賵丨賷丿賸丕 賮賷 賴匕賴 丕賱丨賷丕丞.鈥� <\b>
賴賰匕丕 賴賷 丕賱丨賷丕丞 賳兀鬲賷 賱賴丕 賱賷毓胤賵賳丕 丕爻賲丕 賲毓 亘毓囟 丕賱丕爻賲丕亍 丕賱賰孬賷乇丞 賱丿賵乇丞 丕賱丨賷丕丞 亘丕賱賰丕賲賱 賱賳毓賷卮 亘乇賵鬲賷賳 賯丕鬲賱 賵賲賲賱 賱丕 賳賳馗乇 丨賵賱賳丕 賵賱丕 賳毓乇賮 丨鬲賶 丕賳賮爻賳丕 丨鬲賶 鬲賳鬲賴賷 丕賱丨賷丕丞 賵賷賳賲丨賷 賴匕丕 丕賱丕爻賲 賱賳氐亘丨 賲噩賴賵賱賷賳 賲賵丕噩賴賷賳 賱賲氐賷乇賳丕 賵丨丿賳丕 鬲賲丕賲丕
乇賵丕賷丞 賲丐賱賲丞 賲噩賳賵賳丞 賰毓丕丿丞 爻丕乇丕賲丕睾賵 亘丕賱胤亘毓 鬲丨賲賱 賮賷 胤賷丕鬲賴丕 丕賱賰孬賷乇 賲賳 丕賱兀賱賲 賵丕賱賰孬賷乇 賲賳 丕賱賲賵丕噩賴丞 丕賱氐乇賷丨丞 賲毓 丕賳賮爻賳丕
卮賰乇丕 氐丿賷賯丕鬲 丕賱賯乇丕亍丞 丕賱噩賲賷賱丞 丕賱賲噩賳賵賳丞 卮乇賵賯 賵丿丕賱賷丕 賵丨賳賷賳 毓賱賶 丕賱賯乇丕亍丞 丕賱賲賲賷夭丞 亘賵噩賵丿賰賲 丕賵賱丕 賵爻丕乇丕賲丕睾賵 孬丕賳賷丕 馃尮馃挅
June 25, 2022
3.5
Vale a pena ler "Todos os Nomes" por ser de Saramago, pela sua marca caracter铆stica e pelas reflex玫es que irremediavelmente suscita, embora esteja aqu茅m de outros livros seus, em meu entender.
A hist贸ria 茅 a de Jos茅, um funcion谩rio da Conservat贸ria de Registo Civil preso numa rotina enfadonha em torno dos nomes dos vivos e dos mortos, nomes esses necessariamente "desligados" das imagens, da biografia, das emo莽玫es e das raz玫es que d茫o sentido 脿 vida e 脿 morte.
Profundamente s贸, Jos茅 encontra na sua cole莽茫o de not铆cias sobre famosos uma distra莽茫o para o t茅dio dos seus dias, at茅 que fica obcecado pela ideia de encontrar uma desconhecida cujo nome lhe "cai" acidentalmente nas m茫os. Essa busca ir谩 motiv谩-lo a mergulhar em aventuras mirabolantes, confrontando-o com os seus pr贸prios medos e ang煤stias.
"(...) j谩 n茫o teria mais nada para fazer na vida, se, como havia raz玫es para recear, a busca da mulher desconhecida havia terminado."
A classifica莽茫o 茅 injusta, sei-o bem, porque estou a comparar com outros livros do autor e n茫o com livros de outros autores. Comparando com outros, Saramago seria sempre 5 estrelas.
Vale a pena ler "Todos os Nomes" por ser de Saramago, pela sua marca caracter铆stica e pelas reflex玫es que irremediavelmente suscita, embora esteja aqu茅m de outros livros seus, em meu entender.
A hist贸ria 茅 a de Jos茅, um funcion谩rio da Conservat贸ria de Registo Civil preso numa rotina enfadonha em torno dos nomes dos vivos e dos mortos, nomes esses necessariamente "desligados" das imagens, da biografia, das emo莽玫es e das raz玫es que d茫o sentido 脿 vida e 脿 morte.
Profundamente s贸, Jos茅 encontra na sua cole莽茫o de not铆cias sobre famosos uma distra莽茫o para o t茅dio dos seus dias, at茅 que fica obcecado pela ideia de encontrar uma desconhecida cujo nome lhe "cai" acidentalmente nas m茫os. Essa busca ir谩 motiv谩-lo a mergulhar em aventuras mirabolantes, confrontando-o com os seus pr贸prios medos e ang煤stias.
"(...) j谩 n茫o teria mais nada para fazer na vida, se, como havia raz玫es para recear, a busca da mulher desconhecida havia terminado."
A classifica莽茫o 茅 injusta, sei-o bem, porque estou a comparar com outros livros do autor e n茫o com livros de outros autores. Comparando com outros, Saramago seria sempre 5 estrelas.
June 7, 2024
Viemos antes de acabar o nosso tempo, trouxe-nos a nossa pr贸pria vontade, mas o que percebia dentro de si parecia-se muito mais com uma indecis茫o, com uma d煤vida, como se, crendo ter chegado ao fim de tudo, a sua busca ainda n茫o tivesse terminado, como se ter aqui vindo n茫o representasse sen茫o um ponto de passagem, sem mais import芒ncia que a casa da senhora idosa do r茅s-do-ch茫o direito, ou o col茅gio, ou a farm谩cia aonde tinha ido fazer perguntas, ou o arquivo em que, l谩 na Conservat贸ria, se guardavam os pap茅is dos mortos.
Foi interessante acompanhar a busca do Sr. Jos茅 que, gra莽as a um autocarro, envidou uma miss茫o detectivesca de alto calibre.
Foi interessante acompanhar a busca do Sr. Jos茅 que, gra莽as a um autocarro, envidou uma miss茫o detectivesca de alto calibre.
March 2, 2018
丨爻賳丕.....兀賰孬乇 賲賳 兀乇亘毓 爻丕毓丕鬲 賲賳匕 丕賳鬲賴丕卅賷 賲賳 丕賱乇賵丕賷丞...賲賲爻賰丞 亘賯賱賲賷 賵賲賮賰乇鬲賷 賮賷 賲丨丕賵賱丞 賲賳賷 賱賰鬲丕亘丞 賲乇丕噩毓賴 噩丿賷乇丞 亘賲丕 賯乇兀鬲賴 .....丕賱丌賳 賵亘毓丿 毓丿丞 賲丨丕賵賱丕鬲 賮丕卮賱丞 ...鬲兀賰丿 賱賷 賲丕 鬲賵氐賱鬲 廿賱賷賴 爻丕亘賯丕...賲賳 兀賳 兀毓馗賲 丕賱賰鬲亘 丕賱鬲賷 賳賯乇兀賴丕 賵賳睾乇賲 亘賴丕 賴賷 賲丕 賳毓噩夭 鬲丨丿賷丿丕 毓賳 賵氐賮 賲丕 賲乇乇賳丕 亘賴 兀孬賳丕亍 賯乇丕亍鬲賴丕....
賵賱賰賳 賰亘丿丕賷丞 賲賵噩夭丞 噩丿丕 ...乇亘賲丕 賷賲賰賳賳丕 _亘賰賱 兀乇賷丨賷丞_兀賳 賳爻鬲亘丿賱 毓賳賵丕賳 丕賱乇賵丕賷丞 丕賱賲禺丕丿毓 丕賱匕賷 賵囟毓賴 賱賳丕 爻丕乇丕賲丕睾賵 賱賳囟毓 亘丿賱丕 賲賳賴 毓賳賵丕賳 兀賰孬乇 賵囟賵丨丕... (丕賱賲噩賴賵賱).!!
廿賳 丕賱噩賵賴乇 丕賱丨賯賷賯賷 賱賳馗丕賲 丕賱賯賵賷 丕賱匕賷 賷丨賰賲 賲賳匕 亘丿丕賷丞 丕賱兀夭賲賳丞 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞.赖賳丕賰 丨賷孬 賰賱 卮賷卅丕 賰丕賳 ..賵賲丕夭丕賱..賵爻賷亘賯賷 廿賱賷 丕賱兀亘丿 賲乇鬲亘胤丕 亘賰賱 卮卅.匕丕賰 丕賱匕賷 賲丕 賷夭丕賱 丨賷丕 亘匕賱賰 丕賱賲賷鬲.賵匕丕賰 丕賱匕賷 賷丨鬲囟乇 亘匕丕賰 丕賱匕賷 賷賵賱丿.賰賱 丕賱賰丕卅賳丕鬲 亘賰賱 丕賱兀卮賷丕亍.賵賰賱 丕賱兀卮賷丕亍 亘賰賱 丕賱兀卮賷丕亍 .丨鬲賷 毓賳丿賲丕 賷亘丿賵 兀賳賴 賱賷爻 孬賲丞 賲丕 賷噩賲毓.亘賷賳賴賲 賵亘賷賳賴賳 廿賱丕 匕丕賰 丕賱匕賷 賷賮乇賯賴賲 賮賷 丕賱馗丕賴乇.
丿賵賳 噩賵夭賷賴..丕賱賰丕鬲亘 丕賱禺賲爻賷賳賷 亘廿丿丕乇丞 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞...丕賱賲賰丕賳 丕賱匕賷 賷賲孬賱 丕賱爻噩賱 丕賱賲丿賳賷 丕賱賲丿賵賳 賮賷賴 賰賱 丕賱兀爻賲丕亍....丕賱兀丨賷丕亍 賵丕賱兀賲賵丕鬲...
乇噩賱 亘爻賷胤. 毓丕丿賷..賱丕 卮卅 賲賲賷夭 賮賷賴 賰兀睾賱亘 丕賱亘卮乇 ....丕賱賱賴賲 廿賱丕 賴賵丕賷丞 睾乇賷亘丞 鬲鬲賲賱賰賴 亘噩賲毓 兀爻賲丕亍 丕賱賲卮賴賵乇賷賳 賵賳爻禺 亘胤丕賯丕鬲賴賲 賵賲賱賮丕鬲賴賲 賲賳 廿丿丕乇丞 丕賱賲丨賮賵馗丕鬲 賱賷賱丕_賵丕賱鬲賷 賱丨馗賴 賷鬲氐賱 亘賷鬲賴 亘賴丕 亘亘丕亘 丿丕禺賱賷 _ 賵丕賱丕丨鬲賮丕馗 亘賴丕 毓賳丿賴..
賷賳賯賱亘 匕賱賰 丕賱乇賵鬲賷賳 丕賱毓丕丿賷 丕賱賷賵賲賷 丨賷賳賲丕 賷毓孬乇 亘丕賱賲氐丕丿賮丞 毓賱賷 亘胤丕賯丞 鬲禺氐 丕賲乇兀賴 賲噩賴賵賱丞 賵毓丕丿賷丞....賷賳鬲丕亘賴 乇睾亘丞 卮丿賷丿丞 賵睾賷乇 賲賮爻乇丞 賱賱亘丨孬 毓賳 鬲丕乇賷禺 鬲賱賰 丕賱賲乇兀丞 賵鬲鬲亘毓 賲爻丕乇 丨賷丕鬲賴丕 賲丨丕賵賱丕 丕賱賵氐賵賱 廿賱賷賴丕.....賲乇鬲賰亘丕 賮賷 爻亘賷賱 匕賱賰 鬲氐乇賮丕鬲 賴賵噩丕亍 睾賷乇 賲賮賴賵賲丞 賱卮禺氐 亘胤亘賷毓鬲賴 ..
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-爻賷丿賷 丕賱毓夭賷夭 :兀賳丕 賲噩乇丿 賰丕鬲亘 亘爻賷胤.賱爻鬲 兀賰孬乇 賲賳 賰丕鬲亘 亘爻賷胤 賮賷 丕賱禺賲爻賷賳 賱賲 賷乇賮毓 廿賱賷 賲乇鬲亘丞 賲兀賲賵乇.賵賱賵 賰賳鬲 兀馗賳 兀賳賷 兀爻丕賵賷 賵丕丨丿 賮賯胤 賲賳 兀賵賱卅賰 丕賱賲卮賴賵乇賷賳 丕賱匕賷賳 兀丨鬲賮馗 亘賴賲.兀賵 兀賷 賵丕丨丿 賲賳 賴丐賱丕亍 丕賱禺賲爻丞 丕賱兀賯賱 卮賴乇丞.賱賲丕 亘丿兀鬲 亘噩賲毓 賴匕賴 丕賱賲噩賲賵毓丞.
-賱賲丕匕丕 賱丕 鬲鬲賵賯賮 丕匕丕 毓賳 丕賱賳馗乇 廿賱賷 賴匕賴 丕賱賲乇兀丞 丕賱賲噩賴賵賱丞 賰賲丕 賱賵 兀賳賴丕 鬲賰鬲爻亘 賮噩兀丞 兀賴賲賷丞 兀賰亘乇 賲賳 賰賱 丕賱丌禺乇賷賳.
- 賱賴匕丕 丕賱爻亘亘 鬲丨丿賷丿丕 爻賷丿賷 丕賱毓夭賷夭 .賱兀賳賴丕 賲噩賴賵賱丞!
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鬲鬲丿丕賮毓 亘丿丕禺賱賰 丕賱兀賮賰丕乇 丕賱賲丨卮賵乇丞 亘賷賳 丕賱爻胤賵乇 賵兀賳鬲 鬲賯乇兀 乇賵丕賷丞 爻丕乇丕賲丕睾賵.....賵賴賵 賷氐賮 賱賰 賮賷 噩賵 賮賱爻賮賷 睾乇賷亘 兀賮賰丕乇賴 丨賵賱 丕賱丨賷丕丞 賵丕賱賲賵鬲 ..
丕賱丨賷丕丞 丕賱鬲賷 賷乇丕賴丕 賲噩乇丿 賲賲乇 亘賷賳 丕賱毓丿賲 賵丕賱毓丿賲 賰賲丕 賷賯賵賱 毓賱賷 賱爻丕賳 兀丨丿 卮禺氐賷丕鬲賴.
丨賷丕丞 卮亘賷賴丞 亘賲亘賳賷 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 丕賱賲丿賵賳 賮賷賴 兀爻賲丕亍 丕賱兀丨賷丕亍 賵丕賱兀賲賵丕鬲 鬲賳鬲賴賷 兀賷囟丕 賮賷 賲賯亘乇丞 毓丕賲丞 鬲丿賵賳 毓賱賷 卮賵丕賴丿 賯亘賵乇賴丕 丕賱兀爻賲丕亍...賲噩乇丿 兀爻賲丕亍 賲爻噩賱丞 賱兀卮禺丕氐 賲噩賴賵賱賷賳...丕匕丕 賯乇乇鬲 兀賳 鬲亘丨孬 賮賷賲丕 賵乇丕卅賴丕 爻鬲噩丿 丨賷丕丞 賳爻噩鬲 亘兀賰賲賱賴丕 賱鬲禺鬲夭賱 賮賷 丕賱賳賴丕賷丞 廿賱賷 賲噩乇丿 丕爻賲..
丕賱賱丕賲毓賳賷 兀賵 丕賱廿賮賱丕爻 丕賱匕賷 賷賳毓鬲 亘賴 爻丕乇丕賲丕睾賵 賴匕賴 丕賱丨賷丕丞 賴賵 賲丕 賷丨丕賵賱 丿賵賳 噩賵夭賷賴 丕賱禺乇賵噩 賲賳賴 亘噩賲毓 氐賵乇 賱賲卮賴賵乇賷賳...兀賵賱卅賰 丕賱匕賷賳 毓亘乇賵丕 丕賱丨賷丕丞 賱賷賰賵賳賵丕 賮賷賴丕 兀賰孬乇 賲賳 賲噩乇丿 兀爻賲丕亍....丕賱匕賷賳 賷馗賱 氐丿賷 兀爻賲丕卅賴賲 賮賷 丕賱丨賷丕丞 丨鬲賷 亘毓丿 賵賮丕鬲賴賲 賮賱丕 賷氐亘丨賵丕 賲噩賴賵賱賷賳 賰賲丕 賷乇賷 亘胤賱 丕賱乇賵丕賷丞.
賳馗乇丞 爻賵丿丕賵賷丞 賱賱丨賷丕丞 賷毓乇囟賴丕 爻丕乇丕賲丕睾賵 賮賷 乇賵丕賷鬲賴..
_賱賲丕匕丕 丕匕丕 兀賲毓賳丕 丕賱賳馗乇 賮廿賳 丨賷丕丞 賴丐賱丕亍 丕賱賳丕爻 鬲賲囟賷 毓賱賷 賵鬲賷乇丞 賵丕丨丿丞.賱丕 鬲鬲亘丿賱.賷馗賴乇賵賳 .賷鬲賰賱賲賵賳.賷爻鬲毓乇囟賵賳 兀賳賮爻賴賲.賷亘鬲爻賲賵賳 賱賱賲氐賵乇賷賳.賵賴賲 賯丕丿賲賵賳 兀賵 賲爻丕賮乇賵賳 毓賱賷 丕賱丿賵丕賲.賲孬賱 兀賷 賵丕丨丿 賲賳丕.
-兀賳丕 賱爻鬲 賰匕賱賰.
-亘賱 兀賳鬲 賵兀賳丕 賵丕賱噩賲賷毓.賰賱賳丕 賳爻鬲毓乇囟 兀賳賮爻賳丕.賵賰賱賳丕 賳鬲賰賱賲 兀賷囟丕.賵賳禺乇噩 賲賳 丕賱亘賷鬲 賵賳毓賵丿 廿賱賷賴 兀賷囟丕.亘賱 廿賳賳丕 賳亘鬲爻賲 兀丨賷丕賳丕.賵丕賱賮乇賯 兀賳賴 賱賷爻 赖賳丕賰 賲賳 賷賴鬲賲 亘賳丕.
-賱丕 賷賲賰賳 賱賳丕 兀賳 賳賰賵賳 噩賲賷毓丕 賲卮賴賵乇賷賳.
-賴匕丕 爻賷爻毓丿賰 .鬲氐賵乇 兀賳 鬲賰賵賳 賲噩賲賵毓鬲賰 亘丨噩賲 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 亘兀賰賲賱賴丕.
_亘賱 爻鬲賰賵賳 賮賷 賴匕賴 丕賱丨丕賱丞 兀賰亘乇 賲賳賴丕 亘賰孬賷乇.賮丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 賱丕 賷賴賲賴丕 兀賳 鬲毓乇賮 廿賱丕 賲鬲賷 賳賵賱丿.賲鬲賷 賳賲賵鬲.賵亘毓丿 丕賱兀卮賷丕亍 丕賱賯賱賷賱丞 丕賱兀禺乇賷 丕匕丕 賲丕 鬲夭賵噩賳丕.鬲胤賱賯賳丕.鬲乇賲賱賳丕.賵賱丕 賷賴賲 賷賴賲 丕匕丕 賲丕 賰賳丕 賮賷 兀孬賳丕亍 賰賱 匕賱賰 爻毓丿丕亍 兀賵 鬲毓爻丕亍.丕賱爻毓丕丿丞 賵丕賱鬲毓丕爻丞 賲孬賱 丕賱兀卮禺丕氐 丕賱賲卮賴賵乇賷賳 .鬲兀鬲賷 賵鬲匕賴亘.賵兀爻賵兀 賲丕 賮賷 丕賱賲丨賮賵馗丕鬲 賴賵 兀賳賴丕 賱丕 鬲乇賷丿 兀賳 鬲毓乇賮 賲賳 賳賰賵賳.賮賳丨賳 賱爻賳丕 賮賷 賳馗乇賴丕 爻賵賷 賯胤毓丞 賵乇賯 毓賱賷賴丕 亘毓囟 丕賱兀爻賲丕亍 賵亘毓囟 丕賱鬲賵丕乇賷禺..
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乇賵丕賷丞 噩丿賷乇丞 亘丕賱賯乇丕亍丞...
乇亘賲丕 賱賷爻鬲 賲賳 丕賱乇賵丕賷丕鬲 丕賱鬲賷 兀乇卮丨賴丕 賱兀丨丿 亘孬賯丞 賲胤賱賯丞 賵丕孬賯丞 兀賳賴丕 爻鬲毓噩亘賴..賱氐毓賵亘丞 丨賵丕乇賴丕 ..賵兀爻賱賵亘 爻丕乇丕賲丕睾賵 丕賱睾乇丕卅亘賷 丕賱賲毓乇賵賮 亘亘胤卅賴 賵鬲賮丕氐賷賱賴 丕賱賲胤賵賱丞.-賵乇亘賲丕 丕賱賲賱賱 賮賷 亘毓囟 丕賱兀丨賷丕賳- 賵丕賱鬲賷 乇亘賲丕 賱丕 賳睾賮乇賴丕 賱賰丕鬲亘 丌禺乇 賱丕 賷賲鬲賱賰 賲賵賴亘丞 爻丕乇丕賲丕睾賵 丕賱賮匕丞 ..賱賰賳賴丕 丨賯丕 鬲爻鬲丨賯 丕賱賯乇丕亍丞 ..
賵賱賰賳 賰亘丿丕賷丞 賲賵噩夭丞 噩丿丕 ...乇亘賲丕 賷賲賰賳賳丕 _亘賰賱 兀乇賷丨賷丞_兀賳 賳爻鬲亘丿賱 毓賳賵丕賳 丕賱乇賵丕賷丞 丕賱賲禺丕丿毓 丕賱匕賷 賵囟毓賴 賱賳丕 爻丕乇丕賲丕睾賵 賱賳囟毓 亘丿賱丕 賲賳賴 毓賳賵丕賳 兀賰孬乇 賵囟賵丨丕... (丕賱賲噩賴賵賱).!!
廿賳 丕賱噩賵賴乇 丕賱丨賯賷賯賷 賱賳馗丕賲 丕賱賯賵賷 丕賱匕賷 賷丨賰賲 賲賳匕 亘丿丕賷丞 丕賱兀夭賲賳丞 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞.赖賳丕賰 丨賷孬 賰賱 卮賷卅丕 賰丕賳 ..賵賲丕夭丕賱..賵爻賷亘賯賷 廿賱賷 丕賱兀亘丿 賲乇鬲亘胤丕 亘賰賱 卮卅.匕丕賰 丕賱匕賷 賲丕 賷夭丕賱 丨賷丕 亘匕賱賰 丕賱賲賷鬲.賵匕丕賰 丕賱匕賷 賷丨鬲囟乇 亘匕丕賰 丕賱匕賷 賷賵賱丿.賰賱 丕賱賰丕卅賳丕鬲 亘賰賱 丕賱兀卮賷丕亍.賵賰賱 丕賱兀卮賷丕亍 亘賰賱 丕賱兀卮賷丕亍 .丨鬲賷 毓賳丿賲丕 賷亘丿賵 兀賳賴 賱賷爻 孬賲丞 賲丕 賷噩賲毓.亘賷賳賴賲 賵亘賷賳賴賳 廿賱丕 匕丕賰 丕賱匕賷 賷賮乇賯賴賲 賮賷 丕賱馗丕賴乇.
丿賵賳 噩賵夭賷賴..丕賱賰丕鬲亘 丕賱禺賲爻賷賳賷 亘廿丿丕乇丞 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞...丕賱賲賰丕賳 丕賱匕賷 賷賲孬賱 丕賱爻噩賱 丕賱賲丿賳賷 丕賱賲丿賵賳 賮賷賴 賰賱 丕賱兀爻賲丕亍....丕賱兀丨賷丕亍 賵丕賱兀賲賵丕鬲...
乇噩賱 亘爻賷胤. 毓丕丿賷..賱丕 卮卅 賲賲賷夭 賮賷賴 賰兀睾賱亘 丕賱亘卮乇 ....丕賱賱賴賲 廿賱丕 賴賵丕賷丞 睾乇賷亘丞 鬲鬲賲賱賰賴 亘噩賲毓 兀爻賲丕亍 丕賱賲卮賴賵乇賷賳 賵賳爻禺 亘胤丕賯丕鬲賴賲 賵賲賱賮丕鬲賴賲 賲賳 廿丿丕乇丞 丕賱賲丨賮賵馗丕鬲 賱賷賱丕_賵丕賱鬲賷 賱丨馗賴 賷鬲氐賱 亘賷鬲賴 亘賴丕 亘亘丕亘 丿丕禺賱賷 _ 賵丕賱丕丨鬲賮丕馗 亘賴丕 毓賳丿賴..
賷賳賯賱亘 匕賱賰 丕賱乇賵鬲賷賳 丕賱毓丕丿賷 丕賱賷賵賲賷 丨賷賳賲丕 賷毓孬乇 亘丕賱賲氐丕丿賮丞 毓賱賷 亘胤丕賯丞 鬲禺氐 丕賲乇兀賴 賲噩賴賵賱丞 賵毓丕丿賷丞....賷賳鬲丕亘賴 乇睾亘丞 卮丿賷丿丞 賵睾賷乇 賲賮爻乇丞 賱賱亘丨孬 毓賳 鬲丕乇賷禺 鬲賱賰 丕賱賲乇兀丞 賵鬲鬲亘毓 賲爻丕乇 丨賷丕鬲賴丕 賲丨丕賵賱丕 丕賱賵氐賵賱 廿賱賷賴丕.....賲乇鬲賰亘丕 賮賷 爻亘賷賱 匕賱賰 鬲氐乇賮丕鬲 賴賵噩丕亍 睾賷乇 賲賮賴賵賲丞 賱卮禺氐 亘胤亘賷毓鬲賴 ..
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-爻賷丿賷 丕賱毓夭賷夭 :兀賳丕 賲噩乇丿 賰丕鬲亘 亘爻賷胤.賱爻鬲 兀賰孬乇 賲賳 賰丕鬲亘 亘爻賷胤 賮賷 丕賱禺賲爻賷賳 賱賲 賷乇賮毓 廿賱賷 賲乇鬲亘丞 賲兀賲賵乇.賵賱賵 賰賳鬲 兀馗賳 兀賳賷 兀爻丕賵賷 賵丕丨丿 賮賯胤 賲賳 兀賵賱卅賰 丕賱賲卮賴賵乇賷賳 丕賱匕賷賳 兀丨鬲賮馗 亘賴賲.兀賵 兀賷 賵丕丨丿 賲賳 賴丐賱丕亍 丕賱禺賲爻丞 丕賱兀賯賱 卮賴乇丞.賱賲丕 亘丿兀鬲 亘噩賲毓 賴匕賴 丕賱賲噩賲賵毓丞.
-賱賲丕匕丕 賱丕 鬲鬲賵賯賮 丕匕丕 毓賳 丕賱賳馗乇 廿賱賷 賴匕賴 丕賱賲乇兀丞 丕賱賲噩賴賵賱丞 賰賲丕 賱賵 兀賳賴丕 鬲賰鬲爻亘 賮噩兀丞 兀賴賲賷丞 兀賰亘乇 賲賳 賰賱 丕賱丌禺乇賷賳.
- 賱賴匕丕 丕賱爻亘亘 鬲丨丿賷丿丕 爻賷丿賷 丕賱毓夭賷夭 .賱兀賳賴丕 賲噩賴賵賱丞!
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鬲鬲丿丕賮毓 亘丿丕禺賱賰 丕賱兀賮賰丕乇 丕賱賲丨卮賵乇丞 亘賷賳 丕賱爻胤賵乇 賵兀賳鬲 鬲賯乇兀 乇賵丕賷丞 爻丕乇丕賲丕睾賵.....賵賴賵 賷氐賮 賱賰 賮賷 噩賵 賮賱爻賮賷 睾乇賷亘 兀賮賰丕乇賴 丨賵賱 丕賱丨賷丕丞 賵丕賱賲賵鬲 ..
丕賱丨賷丕丞 丕賱鬲賷 賷乇丕賴丕 賲噩乇丿 賲賲乇 亘賷賳 丕賱毓丿賲 賵丕賱毓丿賲 賰賲丕 賷賯賵賱 毓賱賷 賱爻丕賳 兀丨丿 卮禺氐賷丕鬲賴.
丨賷丕丞 卮亘賷賴丞 亘賲亘賳賷 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 丕賱賲丿賵賳 賮賷賴 兀爻賲丕亍 丕賱兀丨賷丕亍 賵丕賱兀賲賵丕鬲 鬲賳鬲賴賷 兀賷囟丕 賮賷 賲賯亘乇丞 毓丕賲丞 鬲丿賵賳 毓賱賷 卮賵丕賴丿 賯亘賵乇賴丕 丕賱兀爻賲丕亍...賲噩乇丿 兀爻賲丕亍 賲爻噩賱丞 賱兀卮禺丕氐 賲噩賴賵賱賷賳...丕匕丕 賯乇乇鬲 兀賳 鬲亘丨孬 賮賷賲丕 賵乇丕卅賴丕 爻鬲噩丿 丨賷丕丞 賳爻噩鬲 亘兀賰賲賱賴丕 賱鬲禺鬲夭賱 賮賷 丕賱賳賴丕賷丞 廿賱賷 賲噩乇丿 丕爻賲..
丕賱賱丕賲毓賳賷 兀賵 丕賱廿賮賱丕爻 丕賱匕賷 賷賳毓鬲 亘賴 爻丕乇丕賲丕睾賵 賴匕賴 丕賱丨賷丕丞 賴賵 賲丕 賷丨丕賵賱 丿賵賳 噩賵夭賷賴 丕賱禺乇賵噩 賲賳賴 亘噩賲毓 氐賵乇 賱賲卮賴賵乇賷賳...兀賵賱卅賰 丕賱匕賷賳 毓亘乇賵丕 丕賱丨賷丕丞 賱賷賰賵賳賵丕 賮賷賴丕 兀賰孬乇 賲賳 賲噩乇丿 兀爻賲丕亍....丕賱匕賷賳 賷馗賱 氐丿賷 兀爻賲丕卅賴賲 賮賷 丕賱丨賷丕丞 丨鬲賷 亘毓丿 賵賮丕鬲賴賲 賮賱丕 賷氐亘丨賵丕 賲噩賴賵賱賷賳 賰賲丕 賷乇賷 亘胤賱 丕賱乇賵丕賷丞.
賳馗乇丞 爻賵丿丕賵賷丞 賱賱丨賷丕丞 賷毓乇囟賴丕 爻丕乇丕賲丕睾賵 賮賷 乇賵丕賷鬲賴..
_賱賲丕匕丕 丕匕丕 兀賲毓賳丕 丕賱賳馗乇 賮廿賳 丨賷丕丞 賴丐賱丕亍 丕賱賳丕爻 鬲賲囟賷 毓賱賷 賵鬲賷乇丞 賵丕丨丿丞.賱丕 鬲鬲亘丿賱.賷馗賴乇賵賳 .賷鬲賰賱賲賵賳.賷爻鬲毓乇囟賵賳 兀賳賮爻賴賲.賷亘鬲爻賲賵賳 賱賱賲氐賵乇賷賳.賵賴賲 賯丕丿賲賵賳 兀賵 賲爻丕賮乇賵賳 毓賱賷 丕賱丿賵丕賲.賲孬賱 兀賷 賵丕丨丿 賲賳丕.
-兀賳丕 賱爻鬲 賰匕賱賰.
-亘賱 兀賳鬲 賵兀賳丕 賵丕賱噩賲賷毓.賰賱賳丕 賳爻鬲毓乇囟 兀賳賮爻賳丕.賵賰賱賳丕 賳鬲賰賱賲 兀賷囟丕.賵賳禺乇噩 賲賳 丕賱亘賷鬲 賵賳毓賵丿 廿賱賷賴 兀賷囟丕.亘賱 廿賳賳丕 賳亘鬲爻賲 兀丨賷丕賳丕.賵丕賱賮乇賯 兀賳賴 賱賷爻 赖賳丕賰 賲賳 賷賴鬲賲 亘賳丕.
-賱丕 賷賲賰賳 賱賳丕 兀賳 賳賰賵賳 噩賲賷毓丕 賲卮賴賵乇賷賳.
-賴匕丕 爻賷爻毓丿賰 .鬲氐賵乇 兀賳 鬲賰賵賳 賲噩賲賵毓鬲賰 亘丨噩賲 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 亘兀賰賲賱賴丕.
_亘賱 爻鬲賰賵賳 賮賷 賴匕賴 丕賱丨丕賱丞 兀賰亘乇 賲賳賴丕 亘賰孬賷乇.賮丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 賱丕 賷賴賲賴丕 兀賳 鬲毓乇賮 廿賱丕 賲鬲賷 賳賵賱丿.賲鬲賷 賳賲賵鬲.賵亘毓丿 丕賱兀卮賷丕亍 丕賱賯賱賷賱丞 丕賱兀禺乇賷 丕匕丕 賲丕 鬲夭賵噩賳丕.鬲胤賱賯賳丕.鬲乇賲賱賳丕.賵賱丕 賷賴賲 賷賴賲 丕匕丕 賲丕 賰賳丕 賮賷 兀孬賳丕亍 賰賱 匕賱賰 爻毓丿丕亍 兀賵 鬲毓爻丕亍.丕賱爻毓丕丿丞 賵丕賱鬲毓丕爻丞 賲孬賱 丕賱兀卮禺丕氐 丕賱賲卮賴賵乇賷賳 .鬲兀鬲賷 賵鬲匕賴亘.賵兀爻賵兀 賲丕 賮賷 丕賱賲丨賮賵馗丕鬲 賴賵 兀賳賴丕 賱丕 鬲乇賷丿 兀賳 鬲毓乇賮 賲賳 賳賰賵賳.賮賳丨賳 賱爻賳丕 賮賷 賳馗乇賴丕 爻賵賷 賯胤毓丞 賵乇賯 毓賱賷賴丕 亘毓囟 丕賱兀爻賲丕亍 賵亘毓囟 丕賱鬲賵丕乇賷禺..
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乇賵丕賷丞 噩丿賷乇丞 亘丕賱賯乇丕亍丞...
乇亘賲丕 賱賷爻鬲 賲賳 丕賱乇賵丕賷丕鬲 丕賱鬲賷 兀乇卮丨賴丕 賱兀丨丿 亘孬賯丞 賲胤賱賯丞 賵丕孬賯丞 兀賳賴丕 爻鬲毓噩亘賴..賱氐毓賵亘丞 丨賵丕乇賴丕 ..賵兀爻賱賵亘 爻丕乇丕賲丕睾賵 丕賱睾乇丕卅亘賷 丕賱賲毓乇賵賮 亘亘胤卅賴 賵鬲賮丕氐賷賱賴 丕賱賲胤賵賱丞.-賵乇亘賲丕 丕賱賲賱賱 賮賷 亘毓囟 丕賱兀丨賷丕賳- 賵丕賱鬲賷 乇亘賲丕 賱丕 賳睾賮乇賴丕 賱賰丕鬲亘 丌禺乇 賱丕 賷賲鬲賱賰 賲賵賴亘丞 爻丕乇丕賲丕睾賵 丕賱賮匕丞 ..賱賰賳賴丕 丨賯丕 鬲爻鬲丨賯 丕賱賯乇丕亍丞 ..
January 6, 2012
賮賷 賴匕賴 丕賱乇賵丕賷丞 賷賵丕氐賱 丕賱賰丕鬲亘 乇丨賱丞 丕賱亘丨孬 毓賳 丕賱匕丕鬲 賰丕賳 赖賳丕賰 卮亘賷賴丕 賮賷 丕賱丌禺乇 賲孬賱賷 賵赖賳丕 乇丨賱丞 丕賱亘丨孬 鬲兀鬲賷 賲賳 禺賱丕賱 廿賲乇兀丞 賲噩賴賵賱丞 爻賯胤鬲 亘胤丕賯鬲賴丕 亘賷賳 賷丿賷 賲賵馗賮 丕賱賲丨賮賵馗丕鬲 丕賱毓丕賲丞 賮賷 爻噩賱 丕賱廿丨氐丕亍丕鬲 賱賷亘丿兀 亘匕賱賰 丕賱亘丨孬 毓賳 丕賱賲乇兀丞 丕賱鬲賷 兀胤賱賯 毓賱賷賴丕 賮賷 丕賱乇賵丕賷丞 亘丕賱賲噩賴賵賱丞 廿賲乇兀丞 賱丕 賷毓乇賮 毓賳賴丕 卮賷卅丕 賵賱丕 賴賷 鬲毓乇賮賴 , 丿賵賳 噩賵夭賷賴 賲賵馗賮 匕賵 爻賲毓丞 賲賲鬲丕夭丞 賱賲 賷乇鬲賰亘 禺賱丕賱 丕賱兀毓賵丕賲 丕賱胤賵賷賱丞 丕賱鬲賷 賯囟丕賴丕 賮賷 毓賲賱賴 兀賷 賲禺丕賱賮丞 睾賷乇 兀賳 匕賱賰 賷鬲睾賷乇 丨賷賳 亘丿兀 乇丨賱鬲賴 賮賷 丕賱亘丨孬 毓賳 丕賱賲乇兀丞 賮賷乇鬲賰亘 丕賱毓丿賷丿 賲賳 丕賱丨賲丕賯丕鬲
丕賱鬲賷 鬲孬賷乇 丕賱囟丨賰 貙 丕賱卮禺氐賷丞 賮賷 睾丕賷丞 丕賱胤乇丕賮丞 賱睾乇丕亘丞 丕賱鬲氐乇賮丕鬲 丕賱鬲賷 賯丕賲 亘賴丕 賲賳 兀噩賱 兀賳 賷禺氐賱 毓賱賶 兀賷 賲毓賱賵賲丞 鬲卮賷 亘賴賵賷丞 賴匕賴 丕賱賲乇兀丞 !
賰毓丕丿丞 爻丕乇丕賲丕睾賵 鬲睾賷亘 丕賱兀爻賲丕亍 賮賷 乇賵丕賷丕鬲賴 賲丕毓丿丕 卮禺氐賷鬲賴 丕賱兀爻丕爻賷丞 賮賷 丕賱乇賵丕賷丞 賮賴賷 丕賱賵丨賷丿丞 丕賱鬲賷 丨馗賷鬲 亘丕爻賲
丕賱賲乇兀丞 丕賱賲噩賴賵賱丞 賰丕賳鬲 丨丕囟乇丞 賮賷 丕賱乇賵丕賷丞 賵賴賷 丕賱卮禺氐賷丞 丕賱乇卅賷爻賷丞 丕賱孬丕賳賷丞 毓賱賶 丕賱乇睾賲 賲賳 兀賳賴丕 賱賲 鬲馗賴乇 兀亘丿丕 丕爻鬲胤丕毓 爻丕乇丕賲丕睾賵 兀賳 賷囟毓 乇丐賷鬲賴 賱賱丨賷丕丞 賵丕賱賲賵鬲 賵賯賷賲丞 丕賱廿賳爻丕賳 亘毓丿 兀賳 賷氐亘丨 賲噩乇丿 賵乇賯丞 賮賷 爻噩賱丕鬲 丨賰賵賲賷丞
兀亘丿毓 爻丕乇丕賲丕睾賵 賰毓丕丿鬲賴 賮賷 丕賱丨賵丕乇丕鬲 丕賱丿丕禺賱賷丞 鬲賱賰 丕賱鬲賷 賷賴賲爻 亘賴丕 丕賱卮禺氐 賱賳賮爻賴 , 賵鬲賱賰 丕賱鬲賷 賰丕賳 賷丨丿孬 亘賴丕 丕賱爻賯賮
賵賰兀賳賴 氐丿賷賯 賯丿賷賲 賵鬲賱賰 丕賱禺賷丕賱丕鬲 丕賱鬲賷 賰丕賳鬲 鬲乇丕賵丿賴 兀丨賱丕賲賴 賵賴匕賷丕賳 丨賲丕賴
賷賯賵賱 爻丕乇丕賲丕睾賵 賮賷 丨賵丕乇 兀噩乇鬲賴 賲毓賴 噩賲丕賳丞 丨丿丕丿:
丕賱兀賲賵丕鬲 "丕賱丨賯賷賯賷賵賳" 賱丕 賷賲賰賳 兀賳 賷賲賵鬲賵丕 廿匕丕 馗賱賱賳丕 賳賮賰賾乇 亘賴賲. 賮匕丕賰乇鬲賳丕 賲鬲氐賱丞 亘賴賲貙 賵兀毓賲丕賱賴賲 亘賯賷鬲 賱丿賷賳丕貙 賲孬賱 賰賱 賲丕 賮毓賱賵賴 賵鬲乇賰賵賴 賵乇丕亍賴賲. 賮廿匕丕 鬲賵賯賮賳丕 毓賳 丕賱賴噩爻 亘賮賰乇丞 兀賳賴賲 賲丕鬲賵丕貙 爻賵賮 賳爻鬲胤賷毓 丕賳 賳賴夭賲 丕賱賰孬賷乇 賲賳 丕賱毓賵丕卅賯 丕賱鬲賷 賳亘賳賷賴丕 亘賷賳 丕賱丕丨賷丕亍 賵丕賱兀賲賵丕鬲貙 賵爻賳鬲賲賰賳 賲賳 丕賱毓賷卮 賲毓賴賲 賲賳 禺賱丕賱 丕賱匕丕賰乇丞. 賵賱爻鬲 兀毓賳賷 賮賯胤 匕賰乇賷丕鬲 丕賱賲丕囟賷貙 丕賷 賰賱 賲丕 賰丕賳 賯賷丿 丕賱賵噩賵丿 賷賵賲丕 賵乇丨賱貙 亘賱 兀賷囟丕 匕賰乇賷丕鬲 丕賱賲爻鬲賯亘賱貙 丕賷 丕賱兀賲賵乇 丕賱鬲賷 賳賯賵賲 亘賴丕 兀賵 賱丕 賳賯賵賲 亘賴丕 賵鬲鬲乇賰 兀孬乇丕 賱丕 賷賲丨賶 賮賷 睾丿賳丕. 賴賰匕丕 賰丕賳 亘賷爻賵丕 賮賷 乇兀賷賷: 賷毓乇賮 兀賳 賱賷爻 孬賲丞 禺胤 賮丕氐賱 亘賷賳 丕賱兀賲爻 賵丕賱睾丿貙 亘賷賳 賲丕 賳禺鬲乇毓賴 賵賲丕 賳賱賲爻賴.
賰賱 賲丕 賳氐丿賾賯賴 賷氐亘丨 丨賷賾
賱毓賱賴 亘匕賱賰 賷賱禺氐 賲丕 兀乇丕丿 兀賳 賷賯賵賱 賮賷 賰賱 丕賱兀爻賲丕亍
乇丕卅毓丞
丕賱鬲賷 鬲孬賷乇 丕賱囟丨賰 貙 丕賱卮禺氐賷丞 賮賷 睾丕賷丞 丕賱胤乇丕賮丞 賱睾乇丕亘丞 丕賱鬲氐乇賮丕鬲 丕賱鬲賷 賯丕賲 亘賴丕 賲賳 兀噩賱 兀賳 賷禺氐賱 毓賱賶 兀賷 賲毓賱賵賲丞 鬲卮賷 亘賴賵賷丞 賴匕賴 丕賱賲乇兀丞 !
賰毓丕丿丞 爻丕乇丕賲丕睾賵 鬲睾賷亘 丕賱兀爻賲丕亍 賮賷 乇賵丕賷丕鬲賴 賲丕毓丿丕 卮禺氐賷鬲賴 丕賱兀爻丕爻賷丞 賮賷 丕賱乇賵丕賷丞 賮賴賷 丕賱賵丨賷丿丞 丕賱鬲賷 丨馗賷鬲 亘丕爻賲
丕賱賲乇兀丞 丕賱賲噩賴賵賱丞 賰丕賳鬲 丨丕囟乇丞 賮賷 丕賱乇賵丕賷丞 賵賴賷 丕賱卮禺氐賷丞 丕賱乇卅賷爻賷丞 丕賱孬丕賳賷丞 毓賱賶 丕賱乇睾賲 賲賳 兀賳賴丕 賱賲 鬲馗賴乇 兀亘丿丕 丕爻鬲胤丕毓 爻丕乇丕賲丕睾賵 兀賳 賷囟毓 乇丐賷鬲賴 賱賱丨賷丕丞 賵丕賱賲賵鬲 賵賯賷賲丞 丕賱廿賳爻丕賳 亘毓丿 兀賳 賷氐亘丨 賲噩乇丿 賵乇賯丞 賮賷 爻噩賱丕鬲 丨賰賵賲賷丞
兀亘丿毓 爻丕乇丕賲丕睾賵 賰毓丕丿鬲賴 賮賷 丕賱丨賵丕乇丕鬲 丕賱丿丕禺賱賷丞 鬲賱賰 丕賱鬲賷 賷賴賲爻 亘賴丕 丕賱卮禺氐 賱賳賮爻賴 , 賵鬲賱賰 丕賱鬲賷 賰丕賳 賷丨丿孬 亘賴丕 丕賱爻賯賮
賵賰兀賳賴 氐丿賷賯 賯丿賷賲 賵鬲賱賰 丕賱禺賷丕賱丕鬲 丕賱鬲賷 賰丕賳鬲 鬲乇丕賵丿賴 兀丨賱丕賲賴 賵賴匕賷丕賳 丨賲丕賴
賷賯賵賱 爻丕乇丕賲丕睾賵 賮賷 丨賵丕乇 兀噩乇鬲賴 賲毓賴 噩賲丕賳丞 丨丿丕丿:
丕賱兀賲賵丕鬲 "丕賱丨賯賷賯賷賵賳" 賱丕 賷賲賰賳 兀賳 賷賲賵鬲賵丕 廿匕丕 馗賱賱賳丕 賳賮賰賾乇 亘賴賲. 賮匕丕賰乇鬲賳丕 賲鬲氐賱丞 亘賴賲貙 賵兀毓賲丕賱賴賲 亘賯賷鬲 賱丿賷賳丕貙 賲孬賱 賰賱 賲丕 賮毓賱賵賴 賵鬲乇賰賵賴 賵乇丕亍賴賲. 賮廿匕丕 鬲賵賯賮賳丕 毓賳 丕賱賴噩爻 亘賮賰乇丞 兀賳賴賲 賲丕鬲賵丕貙 爻賵賮 賳爻鬲胤賷毓 丕賳 賳賴夭賲 丕賱賰孬賷乇 賲賳 丕賱毓賵丕卅賯 丕賱鬲賷 賳亘賳賷賴丕 亘賷賳 丕賱丕丨賷丕亍 賵丕賱兀賲賵丕鬲貙 賵爻賳鬲賲賰賳 賲賳 丕賱毓賷卮 賲毓賴賲 賲賳 禺賱丕賱 丕賱匕丕賰乇丞. 賵賱爻鬲 兀毓賳賷 賮賯胤 匕賰乇賷丕鬲 丕賱賲丕囟賷貙 丕賷 賰賱 賲丕 賰丕賳 賯賷丿 丕賱賵噩賵丿 賷賵賲丕 賵乇丨賱貙 亘賱 兀賷囟丕 匕賰乇賷丕鬲 丕賱賲爻鬲賯亘賱貙 丕賷 丕賱兀賲賵乇 丕賱鬲賷 賳賯賵賲 亘賴丕 兀賵 賱丕 賳賯賵賲 亘賴丕 賵鬲鬲乇賰 兀孬乇丕 賱丕 賷賲丨賶 賮賷 睾丿賳丕. 賴賰匕丕 賰丕賳 亘賷爻賵丕 賮賷 乇兀賷賷: 賷毓乇賮 兀賳 賱賷爻 孬賲丞 禺胤 賮丕氐賱 亘賷賳 丕賱兀賲爻 賵丕賱睾丿貙 亘賷賳 賲丕 賳禺鬲乇毓賴 賵賲丕 賳賱賲爻賴.
賰賱 賲丕 賳氐丿賾賯賴 賷氐亘丨 丨賷賾
賱毓賱賴 亘匕賱賰 賷賱禺氐 賲丕 兀乇丕丿 兀賳 賷賯賵賱 賮賷 賰賱 丕賱兀爻賲丕亍
乇丕卅毓丞
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