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爻蹖賲丕蹖 夭賳蹖 丿乇 賲蹖丕賳 噩賲毓
芦賲蹖鈥屫堌ж池� 丿丕爻鬲丕賳 夭賳蹖 丌賱賲丕賳蹖 乇丕 丿乇 丕賵丕禺乇 趩賴賱鈥屫池з勞� 亘丕夭诏賵蹖賲 讴賴 亘丕乇賽 鬲丕乇蹖禺 乇丕 丕夭 郾酃鄄鄄 鬲丕 郾酃鄯郯 亘賴 丿賵卮 丿丕乇丿禄. 賴丕蹖賳乇蹖卮 亘購賱 丿乇 丕蹖賳 乇賲丕賳貙 賮爻丕丿 丕禺賱丕賯蹖 賵 丨乇氐 亘賴 賲丕賱鈥屫з嗀堌槽� 乇丕 丿乇 賴賲賴鈥屰� 卮卅賵賳 噩丕賲毓賴 賲蹖鈥屫ㄛ屬嗀� 賵 亘丕 胤賳夭蹖 爻乇丕爻乇 丕賳爻丕賳蹖 賴賲賴鈥屰� 噩賵丕賳亘 丌賳 乇丕 賲蹖鈥屫蹿┴з佖� 賵 賳賲丕蹖卮 賲蹖鈥屫囏� 賲賯丕賲 賵 賲乇鬲亘賴鈥屰� 丕噩鬲賲丕毓蹖貙 孬乇賵鬲 賵 噩丕蹖诏丕賴 爻蹖丕爻蹖貙 丿乇噩丕鬲 毓賱賲蹖 賵 丿丕賳卮诏丕賴蹖 賲賳賴丕蹖 丕賳爻丕賳鈥屫堌池� 乇丕 亘賴 亘丕丿 鬲賲爻禺乇 賲蹖鈥屭屫必� 賵 丕夭 乇蹖丕讴丕乇蹖 賵 鬲馗丕賴乇 亘賴 鬲賯賵丕 賵 倬丕讴丿丕賲賳蹖賽 丿乇 毓蹖賳賽 鬲乇丿丕賲賳蹖 倬乇丿賴 亘乇賲蹖鈥屫ж必�. 爻蹖賲丕蹖 夭賳蹖 丿乇 賲蹖丕賳 噩賲毓 乇丕 亘乇禺蹖 亘乇噩爻鬲賴鈥屫臂屬� 丕孬乇 賴丕蹖賳乇蹖卮 亘購賱 丿丕賳爻鬲賴鈥屫з嗀�. 丌讴丕丿賲蹖 爻賵卅丿 賳蹖夭 亘賴 賴賳诏丕賲 丿丕丿賳 噩丕蹖夭賴鈥屰� 賳賵亘賱 亘賴 丕賵貙 丕蹖賳 讴鬲丕亘 乇丕 噩丕賲毓賽 丌孬丕乇 丕賵 賳丕賲蹖丿賴 丕爻鬲.
557 pages, Paperback
First published January 1, 1971
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6,545 people want to read
About the author
Heinrich B枚ll
607听books1,607听followersDer deutsche Schriftsteller und 脺bersetzer gilt als einer der bedeutendsten deutschen Autoren der Nachkriegszeit. Er schrieb Gedichte, Kurzgeschichten und Romane, von denen auch einige verfilmt wurden. Dabei setzte er sich kritisch mit der jungen Bundesrepublik auseinander. Zu seinen erfolgreichsten Werken z盲hlen "Billard um halbzehn", "Ansichten eines Clowns" und "Gruppenbild mit Dame". Den Nobelpreis f眉r Literatur bekam Heinrich B枚ll 1972; er war nach 43 Jahren der erste deutsche Schriftsteller, dem diese Auszeichnung zuteil wurde. 1974 erschien sein wohl popul盲rstes Werk, "Die verlorene Ehre der Katharina Blum". Durch sein politisches Engagement wirkte er, gemeinsam mit seinem Freund Lew Kopelew, auf die europ盲ische Literatur der Nachkriegszeit. Dar眉ber hinaus arbeitete B枚ll gemeinsam mit seiner Frau Annemarie als Herausgeber und 脺bersetzer englischsprachiger Werke ins Deutsche...
Heinrich B枚ll became a full-time writer at the age of 30. His first novel, Der Zug war p眉nktlich (The Train Was on Time), was published in 1949. Many other novels, short stories, radio plays, and essay collections followed. In 1972 he received the Nobel Prize for Literature "for his writing which through its combination of a broad perspective on his time and a sensitive skill in characterization has contributed to a renewal of German literature." He was the first German-born author to receive the Nobel Prize since Hermann Hesse in 1946. His work has been translated into more than 30 languages, and he is one of Germany's most widely read authors.
Heinrich B枚ll became a full-time writer at the age of 30. His first novel, Der Zug war p眉nktlich (The Train Was on Time), was published in 1949. Many other novels, short stories, radio plays, and essay collections followed. In 1972 he received the Nobel Prize for Literature "for his writing which through its combination of a broad perspective on his time and a sensitive skill in characterization has contributed to a renewal of German literature." He was the first German-born author to receive the Nobel Prize since Hermann Hesse in 1946. His work has been translated into more than 30 languages, and he is one of Germany's most widely read authors.
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January 17, 2022
(Book 359 from 1001 books) - Gruppenbild mit Dame = Group Portrait With Lady, Heinrich B枚ll
Group Portrait with Lady is a novel by Nobel Prize winning author Heinrich B枚ll, published in 1971.
The novel centers around a woman named Leni, and her friends, foes, lovers, employers and others and in the end tells the stories of all these people in a small city in western Germany in the 1930's and 1940's. At the center of her struggle is her effort to prevent the demolition of her Cologne apartment building, a fight in which she is joined by a motley group of neighbors. Along with her illegitimate son, Lev, she becomes the nexus of a counter cultural group rebelling against Germany鈥檚 dehumanizing past under the Nazis ... and what looks to be an equally dehumanizing future under capitalism.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 亘蹖爻鬲 賵 賴卮鬲賲 賲丕賴 丌诏賵爻鬲 爻丕賱1984賲蹖賱丕丿蹖
毓賳賵丕賳: 爻蹖賲丕蹖 夭賳蹖 丿乇 賲蹖丕賳 噩賲毓貨 賳賵蹖爻賳丿賴: 賴丕蹖賳乇蹖卮 亘賵賱貨 賲鬲乇噩賲 賲乇鬲囟蹖 讴賱丕賳鬲乇蹖丕賳貨 鬲賴乇丕賳貙 丌诏丕賴貙 爻丕賱1362貙 丿乇448氐貨 趩丕倬 丿蹖诏乇 爻丕賱1377貙 丿乇557氐貙 卮丕亘讴9644160991貨 趩丕倬 趩賴丕乇賲 鬲賴乇丕賳貙 丌诏賴貙 爻丕賱1383貙 丿乇557氐貙 趩丕倬 倬賳噩賲 爻丕賱1384貙 趩丕倬賴丕蹖 賴賮鬲賲 賵 賴卮鬲賲 爻丕賱1388貙 卮丕亘讴9789643290788貨 趩丕倬 丿賴賲 爻丕賱1392貨 趩丕倬 蹖丕夭丿賴賲 爻丕賱1393貨 趩丕倬 丿賵丕夭丿賴賲 爻丕賱1394貨 趩丕倬 爻蹖夭丿賴賲 爻丕賱1395貨 趩丕倬 卮丕賳夭丿賴賲 爻丕賱1397貨 趩丕倬 賴噩丿賴賲 爻丕賱1399貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 丌賱賲丕賳 爻丿賴20賲
賴丕蹖賳乇蹖卮 亘賱 (亘賵賱)貙 丿乇 丕蹖賳 丕孬乇 禺賵蹖卮貙 丕夭 噩丕賲毓賴 蹖 芦爻乇賲丕蹖賴鈥� 丿丕乇蹖禄貙 賵 丕夭 賳馗丕賲賴丕蹖 芦讴賲賵賳蹖爻鬲蹖禄貙 丕賳鬲賯丕丿 賲蹖鈥屭┵嗁嗀� 丕蹖卮丕賳 毓賲賱讴乇丿 爻乇賲丕蹖賴 丿丕乇蹖 乇丕貙 賲亘鬲賳蹖 亘乇 丨乇氐 賵 夭蹖丕丿賴 禺賵丕賴蹖 賲蹖鈥屫з嗁嗀� 賵 賳馗丕賲 芦讴賲賵賳蹖爻鬲蹖禄 乇丕 賳蹖夭貙 亘賴 丕噩乇丕 賳讴乇丿賳 丿爻鬲賵乇賴丕蹖 芦爻賵爻蹖丕賱蹖爻賲禄貙 賲鬲賴賲 賲蹖鈥屭┵嗁嗀� 芦亘賱禄貙 亘乇丕蹖 卮乇丨 夭賳丿诏蹖賳丕賲賴 蹖 芦賱賳蹖禄 - 卮禺氐蹖鬲 丕氐賱蹖 丿丕爻鬲丕賳 - 丕夭 趩賴賱 賵 賴卮鬲 爻丕賱诏蹖 芦賱賳蹖禄貙 丌睾丕夭 賲蹖鈥屭┵嗁嗀� 賵 倬爻 丕夭 卮乇丨 丨丕賱 丨丕囟乇 芦賱賳蹖禄貙 爻蹖乇蹖貙 丿乇 蹖丕丿賲丕賳賴丕蹖 亘诏匕卮鬲賴 蹖 丕蹖卮丕賳 丿丕乇賳丿貨 爻倬爻 賱丨賳 丿丕爻鬲丕賳 丿蹖诏乇 賲蹖卮賵丿貙 賵 夭賳丿诏蹖 芦賱賳蹖禄貙 丕夭 亘诏匕卮鬲賴 賴丕貙 鬲丕 亘賴 丨丕賱貙 賵 爻倬爻 丌蹖賳丿賴貙 亘丕夭诏賵 賲蹖鈥屫促堌� 賳賵卮鬲賴 丕賳丿 亘乇噩爻鬲賴 鬲乇蹖賳 丕孬乇 芦賴丕蹖賳乇蹖卮 亘賱禄貙 賴賲蹖賳 讴鬲丕亘 丕爻鬲貙 讴賴 卮賲丕 亘乇诏夭蹖丿賴 丕蹖丿貙 噩丕蹖夭賴 蹖 芦丕丿亘蹖 賳賵亘賱禄貙 丿乇 爻丕賱1972賲蹖賱丕丿蹖貙 亘乇丕蹖 賴賲蹖賳 讴鬲丕亘貙 賵 賱丕亘丿 亘乇丕蹖 讴丕乇賴丕蹖 倬蹖卮蹖賳 丕蹖卮丕賳 賳蹖夭 亘賵丿賴貙 賵 亘賴 丕蹖卮丕賳 鬲毓賱賯 诏乇賮鬲賴 丕爻鬲貨 賲蹖鬲賵丕賳 丕蹖賳 丿丕爻鬲丕賳 乇丕 亘丕乇賴丕 禺賵丕賳丿貙 賵 亘丕夭 賴賲 趩蹖夭蹖 鬲丕夭賴 蹖丕丿 诏乇賮鬲貙 賵 丌賲賵禺鬲貙 夭賳丿诏蹖 趩賴賱 爻丕賱诏蹖 丕爻鬲貨 丕夭 賲丕 讴賴 亘诏匕卮鬲賴貙 卮賲丕蹖丕賳 丿乇蹖丕亘蹖丿
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 31/01/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 26/10/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Group Portrait with Lady is a novel by Nobel Prize winning author Heinrich B枚ll, published in 1971.
The novel centers around a woman named Leni, and her friends, foes, lovers, employers and others and in the end tells the stories of all these people in a small city in western Germany in the 1930's and 1940's. At the center of her struggle is her effort to prevent the demolition of her Cologne apartment building, a fight in which she is joined by a motley group of neighbors. Along with her illegitimate son, Lev, she becomes the nexus of a counter cultural group rebelling against Germany鈥檚 dehumanizing past under the Nazis ... and what looks to be an equally dehumanizing future under capitalism.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 亘蹖爻鬲 賵 賴卮鬲賲 賲丕賴 丌诏賵爻鬲 爻丕賱1984賲蹖賱丕丿蹖
毓賳賵丕賳: 爻蹖賲丕蹖 夭賳蹖 丿乇 賲蹖丕賳 噩賲毓貨 賳賵蹖爻賳丿賴: 賴丕蹖賳乇蹖卮 亘賵賱貨 賲鬲乇噩賲 賲乇鬲囟蹖 讴賱丕賳鬲乇蹖丕賳貨 鬲賴乇丕賳貙 丌诏丕賴貙 爻丕賱1362貙 丿乇448氐貨 趩丕倬 丿蹖诏乇 爻丕賱1377貙 丿乇557氐貙 卮丕亘讴9644160991貨 趩丕倬 趩賴丕乇賲 鬲賴乇丕賳貙 丌诏賴貙 爻丕賱1383貙 丿乇557氐貙 趩丕倬 倬賳噩賲 爻丕賱1384貙 趩丕倬賴丕蹖 賴賮鬲賲 賵 賴卮鬲賲 爻丕賱1388貙 卮丕亘讴9789643290788貨 趩丕倬 丿賴賲 爻丕賱1392貨 趩丕倬 蹖丕夭丿賴賲 爻丕賱1393貨 趩丕倬 丿賵丕夭丿賴賲 爻丕賱1394貨 趩丕倬 爻蹖夭丿賴賲 爻丕賱1395貨 趩丕倬 卮丕賳夭丿賴賲 爻丕賱1397貨 趩丕倬 賴噩丿賴賲 爻丕賱1399貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 丌賱賲丕賳 爻丿賴20賲
賴丕蹖賳乇蹖卮 亘賱 (亘賵賱)貙 丿乇 丕蹖賳 丕孬乇 禺賵蹖卮貙 丕夭 噩丕賲毓賴 蹖 芦爻乇賲丕蹖賴鈥� 丿丕乇蹖禄貙 賵 丕夭 賳馗丕賲賴丕蹖 芦讴賲賵賳蹖爻鬲蹖禄貙 丕賳鬲賯丕丿 賲蹖鈥屭┵嗁嗀� 丕蹖卮丕賳 毓賲賱讴乇丿 爻乇賲丕蹖賴 丿丕乇蹖 乇丕貙 賲亘鬲賳蹖 亘乇 丨乇氐 賵 夭蹖丕丿賴 禺賵丕賴蹖 賲蹖鈥屫з嗁嗀� 賵 賳馗丕賲 芦讴賲賵賳蹖爻鬲蹖禄 乇丕 賳蹖夭貙 亘賴 丕噩乇丕 賳讴乇丿賳 丿爻鬲賵乇賴丕蹖 芦爻賵爻蹖丕賱蹖爻賲禄貙 賲鬲賴賲 賲蹖鈥屭┵嗁嗀� 芦亘賱禄貙 亘乇丕蹖 卮乇丨 夭賳丿诏蹖賳丕賲賴 蹖 芦賱賳蹖禄 - 卮禺氐蹖鬲 丕氐賱蹖 丿丕爻鬲丕賳 - 丕夭 趩賴賱 賵 賴卮鬲 爻丕賱诏蹖 芦賱賳蹖禄貙 丌睾丕夭 賲蹖鈥屭┵嗁嗀� 賵 倬爻 丕夭 卮乇丨 丨丕賱 丨丕囟乇 芦賱賳蹖禄貙 爻蹖乇蹖貙 丿乇 蹖丕丿賲丕賳賴丕蹖 亘诏匕卮鬲賴 蹖 丕蹖卮丕賳 丿丕乇賳丿貨 爻倬爻 賱丨賳 丿丕爻鬲丕賳 丿蹖诏乇 賲蹖卮賵丿貙 賵 夭賳丿诏蹖 芦賱賳蹖禄貙 丕夭 亘诏匕卮鬲賴 賴丕貙 鬲丕 亘賴 丨丕賱貙 賵 爻倬爻 丌蹖賳丿賴貙 亘丕夭诏賵 賲蹖鈥屫促堌� 賳賵卮鬲賴 丕賳丿 亘乇噩爻鬲賴 鬲乇蹖賳 丕孬乇 芦賴丕蹖賳乇蹖卮 亘賱禄貙 賴賲蹖賳 讴鬲丕亘 丕爻鬲貙 讴賴 卮賲丕 亘乇诏夭蹖丿賴 丕蹖丿貙 噩丕蹖夭賴 蹖 芦丕丿亘蹖 賳賵亘賱禄貙 丿乇 爻丕賱1972賲蹖賱丕丿蹖貙 亘乇丕蹖 賴賲蹖賳 讴鬲丕亘貙 賵 賱丕亘丿 亘乇丕蹖 讴丕乇賴丕蹖 倬蹖卮蹖賳 丕蹖卮丕賳 賳蹖夭 亘賵丿賴貙 賵 亘賴 丕蹖卮丕賳 鬲毓賱賯 诏乇賮鬲賴 丕爻鬲貨 賲蹖鬲賵丕賳 丕蹖賳 丿丕爻鬲丕賳 乇丕 亘丕乇賴丕 禺賵丕賳丿貙 賵 亘丕夭 賴賲 趩蹖夭蹖 鬲丕夭賴 蹖丕丿 诏乇賮鬲貙 賵 丌賲賵禺鬲貙 夭賳丿诏蹖 趩賴賱 爻丕賱诏蹖 丕爻鬲貨 丕夭 賲丕 讴賴 亘诏匕卮鬲賴貙 卮賲丕蹖丕賳 丿乇蹖丕亘蹖丿
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 31/01/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 26/10/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
January 13, 2020
Construction and destruction of a narrative architecture - shown in the process of building, with the scaffold still raised to support the work, thus hiding vital parts of the architecture behind it.
B枚ll is obsessed with building and destroying materials, houses, evidence, characters. His stories are made up of Tr眉mmerlandschaften - those scary skeletons of German cities and their inhabitants during and after the Second World War, witnesses of bombed-out history. B枚ll's protagonists wade through the rubbish heaps of their former identities to find bits and pieces that make sense, that add to a cubist portrait of their self - brownish, grayish, broken up into shards of different sizes and colours.
A feeling for analytical cubism is required for the author to make sense of the fragmented story lines, with their shared hiatus in the war. But each character's hiatus is in a different spot, at a different moment. When did each person break, lose a part of their life, change into a new form? It depends. The detective work is made harder still by the synthetic cubist portraits the protagonists have created of themselves after the war. Into flat, undefined shapes, they have drawn minimalist lines to indicate the person they have become, starting at point zero, ignoring the broken shards of their past.
The plot seems easy, yet tedious in the beginning. A narrator, referring to himself as "the author", sets out to describe the life of a shy, but sensual woman called Leni Pfeiffer. There are numerous sources of information, which he interviews repeatedly to put together a complete picture of Leni's (love) life and friendships from the beginning of the war until the 1960s.
Naturally, the sources turn out to be biased, to have their own ideas about what happened and why, and as the story progresses, the "author" gets to know the interviewees much better than the woman he wants to write about. She remains strangely remote. It is a group portrait, but the lady stays in the background.
In the end, even the objective role of the "author" shows cracks, and he reveals his weaknesses, biases, and his involvement in the delicate relationships between different characters - leaving the reader to suspect that the house the "author" built and hid behind the scaffold of his narrative progress looks quite different in reality- if there even is such a thing as ONE reality. Evidence (provided by unreliable sources) points to the opposite conclusion.
The novel shows with heartbreaking clarity how the war shapes people, how identities get lost, and are entangled in complicated, dangerous webs of interdependence, and how power structures evolve and influence relationships. The balance is changing all the time. In March 1945 it may still be safest to keep a Nazi facade, but in April, that may be outright dangerous, for example. What to do if all you want is to live? Love is in the strangest of places, and social boundaries don't count when you hide in a graveyard, waiting for the bombs to stop falling on your beloved city. The soldiers who survive the war often carry their fragmented past visibly with them, coming home as amputees. For Leni, the ordeal doesn't start until the war is over, and she has to face the hatred of her neighbourhood for raising a child by a Russian lover.
Everything is loosely connected, but not straightforward. Broken lines. Tr眉mmer.
Absolutely outstanding novel!
B枚ll is obsessed with building and destroying materials, houses, evidence, characters. His stories are made up of Tr眉mmerlandschaften - those scary skeletons of German cities and their inhabitants during and after the Second World War, witnesses of bombed-out history. B枚ll's protagonists wade through the rubbish heaps of their former identities to find bits and pieces that make sense, that add to a cubist portrait of their self - brownish, grayish, broken up into shards of different sizes and colours.
A feeling for analytical cubism is required for the author to make sense of the fragmented story lines, with their shared hiatus in the war. But each character's hiatus is in a different spot, at a different moment. When did each person break, lose a part of their life, change into a new form? It depends. The detective work is made harder still by the synthetic cubist portraits the protagonists have created of themselves after the war. Into flat, undefined shapes, they have drawn minimalist lines to indicate the person they have become, starting at point zero, ignoring the broken shards of their past.
The plot seems easy, yet tedious in the beginning. A narrator, referring to himself as "the author", sets out to describe the life of a shy, but sensual woman called Leni Pfeiffer. There are numerous sources of information, which he interviews repeatedly to put together a complete picture of Leni's (love) life and friendships from the beginning of the war until the 1960s.
Naturally, the sources turn out to be biased, to have their own ideas about what happened and why, and as the story progresses, the "author" gets to know the interviewees much better than the woman he wants to write about. She remains strangely remote. It is a group portrait, but the lady stays in the background.
In the end, even the objective role of the "author" shows cracks, and he reveals his weaknesses, biases, and his involvement in the delicate relationships between different characters - leaving the reader to suspect that the house the "author" built and hid behind the scaffold of his narrative progress looks quite different in reality- if there even is such a thing as ONE reality. Evidence (provided by unreliable sources) points to the opposite conclusion.
The novel shows with heartbreaking clarity how the war shapes people, how identities get lost, and are entangled in complicated, dangerous webs of interdependence, and how power structures evolve and influence relationships. The balance is changing all the time. In March 1945 it may still be safest to keep a Nazi facade, but in April, that may be outright dangerous, for example. What to do if all you want is to live? Love is in the strangest of places, and social boundaries don't count when you hide in a graveyard, waiting for the bombs to stop falling on your beloved city. The soldiers who survive the war often carry their fragmented past visibly with them, coming home as amputees. For Leni, the ordeal doesn't start until the war is over, and she has to face the hatred of her neighbourhood for raising a child by a Russian lover.
Everything is loosely connected, but not straightforward. Broken lines. Tr眉mmer.
Absolutely outstanding novel!
October 4, 2018
螤蟻蠈魏蔚喂蟿伪喂 纬喂伪 苇谓伪 魏慰渭渭维蟿喂 渭慰蠀蟽喂魏萎蟼, 渭蔚 蟽蠀谓胃苇蟿畏 魏伪喂 蔚谓慰蟻蠂畏蟽蟿蟻蠅蟿萎 蟿慰谓 围维喂谓蟻喂蠂 螠蟺蔚位.
螒蟻蠂喂魏维 伪魏慰蠉纬慰谓蟿伪喂 蟺慰位位苇蟼 蟺伪蟻伪蠁蠅谓委蔚蟼 魏伪胃蠋蟼 畏 渭畏 伪蟻渭慰谓喂魏萎
-蟽蠀渭尾慰位喂魏萎- 未喂维蟽蟿伪蟽畏 蟽蠀谓喂蟽蟿维 渭喂伪 渭慰蟻蠁萎 伪蟺慰蟽蟿伪蟽喂慰蟺慰委畏蟽畏蟼 蟺蟻慰魏伪位蠋谓蟿伪蟼 蟽蠉纬蠂蠀蟽畏 伪喂蟽胃畏渭维蟿蠅谓 魏伪喂 苇位位蔚喂蠄畏 蟺谓蔚蠀渭伪蟿喂魏慰蠉 蟽蠀谓蟿慰谓喂蟽渭慰蠉.
螞委纬慰 伪蟻纬蠈蟿蔚蟻伪, 苇蠂慰谓蟿伪蟼 伪蟺慰蠁蠉纬蔚喂 蟿畏谓 蟺伪纬委未伪 蟿慰蠀 渭蔚位慰未蟻伪渭伪蟿喂蟽渭慰蠉, 慰 蟽蠀谓胃苇蟿畏蟼 螠蟺蔚位, 渭伪蟼 慰未畏纬蔚委 渭苇蟽伪 伪蟺慰 蟿畏谓 喂蟽蟿慰蟻委伪 蟿慰蠀 纬喂伪 蟿慰谓 伪谓胃蟻蠅蟺喂蟽渭蠈 魏伪喂 蟿畏谓 伪位位畏位蔚纬纬蠉畏, 蟽蔚 渭喂伪 蠀蟺苇蟻慰蠂伪 蟺蟻蠅蟿蠈蟿蠀蟺畏 伪蠁畏纬畏渭伪蟿喂魏萎 蟽蠀渭蠁蠅谓委伪 蟻蠀胃渭蠋谓 魏伪喂 渭蔚位蠅未喂蠋谓.
螒魏慰位慰蠀胃慰蠉渭蔚 渭委伪 蟺慰蟻蔚委伪 胃伪谓维蟿慰蠀 蟿畏蟼 蔚蟺慰蠂萎蟼 蟿慰蠀
螕麓巍伪喂蠂, 蠈蟺慰蠀 蟽蟿畏 谓伪味喂蟽蟿喂魏萎 螕蔚蟻渭伪谓委伪 尉畏渭蔚蟻蠋谓慰蠀谓 伪蟺维谓胃蟻蠅蟺蔚蟼 畏渭苇蟻蔚蟼 蟺慰位苇渭慰蠀 魏伪喂 尾蟻伪未喂维味慰蠀谓 谓蠉蠂蟿蔚蟼 维纬蟻喂伪蟼 味蠅萎蟼 蟽蟿慰位喂蟽渭苇谓蔚蟼 渭蔚 蟺蠀魏谓蠈 蟽魏慰蟿维未喂 蠁蟻委魏畏蟼.
韦慰 芦慰渭伪未喂魏蠈 蟺慰蟻蟿蟻苇蟿慰 渭蔚 渭喂伪 魏蠀蟻委伪禄 苇蠂蔚喂 蠁蠈谓蟿慰 蟿畏 蟽蠉纬蠂蟻慰谓畏 纬蔚蟻渭伪谓喂魏萎 喂蟽蟿慰蟻委伪 蟺慰蠀 蔚渭蟺位慰蠀蟿委味蔚蟿伪喂 渭蔚 蟿伪 纬蔚纬慰谓蠈蟿伪 蟿慰蠀 蟺伪蟻蔚位胃蠈谓蟿慰蟼.
螘蟺喂魏蔚谓蟿蟻蠋谓蔚蟿伪喂 蟽蟿畏谓 魏慰喂谓蠅谓委伪 魏伪蟿维 蟿畏 未喂维蟻魏蔚喂伪 魏伪喂 渭蔚蟿维 蟿慰谓 螔麓螤螤 蠈蟿伪谓 蟿慰 苇胃谓慰蟼 蟿慰蠀蟼 蟽蠀渭蟺慰蟻蔚蠉蔚蟿伪喂 渭蔚 蔚蟺喂魏委谓未蠀谓慰蠀蟼 蔚纬魏位畏渭伪蟿委蔚蟼 蟽蔚 蟺蠈蟽蟿伪 畏纬蔚蟽委伪蟼 魏伪喂 伪位位慰喂蠋谓蔚蟿伪喂 伪蟺慰 螕维位位慰蠀蟼, 螔蟻蔚蟿伪谓慰蠉蟼, 螒渭蔚蟻喂魏伪谓慰蠉蟼 魏伪喂 巍蠋蟽慰蠀蟼 蟽蠀渭渭维蠂慰蠀蟼!!
螒蠀蟿蠈 蟿慰 蟺慰位蠉蟿喂渭慰 位慰纬慰蟿蔚蠂谓喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蟺伪蟻慰蠀蟽喂维味蔚蟿伪喂 蠅蟼 蟺慰蟻蟿蟻苇蟿慰 渭喂伪蟼 魏蠀蟻委伪蟼, 蟽蟿慰 蟺位伪委蟽喂慰 渭喂伪蟼 慰渭维未伪蟼 渭蔚 蠁委位慰蠀蟼, 纬谓蠅蟽蟿慰蠉蟼, 蟽蠀纬纬蔚谓蔚委蟼, 蟽蠀谓伪未苇位蠁慰蠀蟼, 蟽蠀渭尾慰蠉位慰蠀蟼 魏伪喂 尾慰畏胃慰蠉蟼 胃蔚蟽渭蠋谓 魏伪喂 伪尉喂蠅渭维蟿蠅谓.
螁蟿慰渭伪 渭蔚 喂蟽蠂蠀蟻萎 蟺伪蟻慰蠀蟽委伪 魏伪喂 伪谓委蟽蠂蠀蟻畏 蟺委蟽蟿畏, 未喂维蠁慰蟻伪 未蔚委纬渭伪蟿伪 伪谓胃蟻蠋蟺喂谓畏蟼 渭蔚纬伪位慰蟺蟻苇蟺蔚喂伪蟼 萎 蟺喂蟽蟿慰蟺慰喂畏渭苇谓畏蟼 蔚尉伪蠂蟻蔚委蠅蟽畏蟼, 渭伪 魏蠀蟻委蠅蟼 渭蔚 蔚蟻伪蟽蟿苇蟼, 伪蟺慰 伪蠀蟿慰蠉蟼 蟺慰蠀 蟿伪尉委未蔚蠄伪谓 苇蠂慰谓蟿伪蟼 蠅蟼 渭苇蟽慰 蟿畏谓 纬萎喂谓畏 维渭伪尉伪 魏伪喂 蟿伪 蔚蟺慰蠀蟻维谓喂伪 维蟿喂伪.
韦慰 伪蟺慰位伪蠀蟽蟿喂魏维 尉蔚蠂蠅蟻喂蟽蟿蠈, 魏伪喂谓慰蟿蠈渭慰, 蔚尉慰渭慰位慰纬畏蟿喂魏蠈 魏伪喂 蟺慰位蠀蟽蠉谓胃蔚蟿慰 伪蠁畏纬畏渭伪蟿喂魏蠈 蠉蠁慰蟼 渭伪蟼 未委谓蔚喂 苇谓伪 渭蠀胃喂蟽蟿蠈蟻畏渭伪 伪蟺慰位慰纬喂蟽渭慰蠉 魏伪喂 苇蟻蔚蠀谓伪蟼,
苇谓伪 谓蟿慰魏喂渭伪谓蟿苇蟻 伪谓伪蟽蠉谓胃蔚蟽畏蟼 蟺慰位喂蟿喂蟽渭喂魏蠋谓 魏伪喂 蟺慰位喂蟿喂魏蠋谓 纬蔚纬慰谓蠈蟿蠅谓 魏伪胃蠋蟼 魏伪喂 渭喂伪 纬蟻伪渭渭喂魏萎 喂蟽蟿慰蟻委伪 蟺慰蠀 慰蟻委味蔚喂 魏蟻蠀蟺蟿慰纬蟻伪蠁喂魏维 蟿慰谓 蠂伪蟻伪魏蟿萎蟻伪 蟿畏蟼 畏蟻蠅委未伪蟼 渭伪蟼.
螞苇谓喂 螤蠁维喂蠁蔚蟻.
螚 螞苇谓喂, 蔚委谓伪喂 蟿慰 维蟿慰渭慰 蟺慰蠀 渭蔚蟿蟻维蔚喂 蟿畏谓 螜蟽蟿慰蟻委伪.
螒蟺慰 蟿畏谓 蟺蟻慰蟽蠅蟺喂魏蠈蟿畏蟿伪 蟿畏蟼 魏伪喂 渭蠈谓慰 蠀蟺伪纬慰蟻蔚蠉蔚蟿伪喂 畏 蟽蠀渭蟺蔚蟻喂蠁慰蟻维 蟿畏蟼 伪蟺苇谓伪谓蟿喂 蟽蔚 蠈位慰蠀蟼
(蟿畏谓 螘尾蟻伪委伪 慰喂蠅谓慰蟽魏蠈蟺慰 巍伪蠂萎位, 蟿慰谓 巍蠋蟽慰 伪喂蠂渭维位蠅蟿慰 蟺慰位苇渭慰蠀 螠蟺蠈蟻喂蟼, 渭慰谓伪未喂魏蠈 伪位畏胃喂谓蠈 蟿畏蟼 苇蟻蠅蟿伪, 蟿慰蠀蟼 韦慰蠉蟻魏慰蠀蟼 蔚蟻纬维蟿蔚蟼 魏伪喂 蟿慰蠀蟼 蔚蟺伪纬纬蔚位渭伪蟿委蔚蟼 蟽魏慰蠀蟺喂未喂维蟻畏未蔚蟼 蟺慰蠀 畏 伪蟺慰魏慰渭喂未萎 蟽蠀谓蔚委未畏蟽畏蟼 魏伪喂 伪位位畏位蔚纬纬蠉畏蟼 伪蟺慰蟿蟻苇蟺蔚喂 蟽蟿慰 蟿苇位慰蟼 蟿畏谓 苇尉蠅蟽畏 蟿畏蟼 螞苇谓喂 伪蟺慰 蟿畏 味蠅萎).
螚 螞苇谓喂, 蔚谓蟿蔚位蠋蟼 伪蟺慰位委蟿喂魏畏 魏伪喂 蔚蟺伪谓伪蟽蟿维蟿蟻喂伪 蔚谓蟽伪蟻魏蠋谓蔚喂 渭喂伪 维渭蔚蟽畏 伪蠀胃蔚谓蟿喂魏蠈蟿畏蟿伪 喂魏伪谓萎 谓伪 伪谓蟿苇尉蔚喂 蠈位蔚蟼 蟿喂蟼 未慰魏喂渭伪蟽委蔚蟼 蟽喂蠅蟺畏位维 魏伪喂 伪喂蟽胃伪谓蟿喂魏维 未委蠂蠅蟼 蟺喂魏蟻委伪 魏伪喂 渭蔚蟿伪渭苇位蔚喂伪.
韦慰 蟺慰蟻蟿蟻苇蟿慰 蟿畏蟼 螞苇谓喂 蟽魏喂伪纬蟻伪蠁蔚委蟿伪喂 蟽蟿畏谓 慰蠀蟽委伪 伪蟺慰 蟿慰蠀蟼 蠂伪蟻伪魏蟿萎蟻蔚蟼 蟺慰蠀 蟿畏谓 蟺位伪喂蟽喂蠋谓慰蠀谓.
螝伪胃蠋蟼 慰 蟽蠀纬纬蟻伪蠁苇伪蟼 蟽蠀位位苇纬蔚喂 蟺位畏蟻慰蠁慰蟻委蔚蟼 伪蟺慰 蠈位伪 蟿伪 维蟿慰渭伪 蟿畏蟼 慰渭维未伪蟼, 纬谓蠅蟻委味慰蠀渭蔚 魏伪喂 蟿伪 委未喂伪 伪蠀蟿维 维蟿慰渭伪 魏伪喂 魏伪蟿伪谓慰慰慰蠉渭蔚 魏维胃蔚 蟺蟻慰蟽蠅蟺喂魏蠈蟿畏蟿伪 蟽蔚 苇谓伪 魏伪蟽蟿
未蟻伪渭伪蟿喂魏萎蟼 蟺伪蟻伪纬蠅纬萎蟼.
螞蠈纬蠅 蟿慰蠀 蟽蟺慰蠀未伪委慰蠀 魏伪喂 蟺蔚蟻委蟿蔚蠂谓慰蠀 伪蠁畏纬畏渭伪蟿喂魏慰蠉 蟽蟿蠀位, 畏 螞苇谓喂 胃伪 渭蟺慰蟻慰蠉蟽蔚 谓伪 蔚委谓伪喂 伪蟺慰 蟿喂蟼 蟺喂慰 蠂伪蟻伪魏蟿畏蟻喂蟽蟿喂魏苇蟼 渭蔚位苇蟿蔚蟼 蟺蟻慰蟽蠅蟺喂魏蠈蟿畏蟿伪蟼 蟿慰蠀蟼 20慰蠀 伪喂蠋谓伪.
韦慰 蟻慰位蠈喂 蟿畏蟼 伪谓胃蟻蠅蟺蠈蟿畏蟿伪蟼 蠂蟿蠀蟺维蔚喂 蟽蔚 渭喂伪 喂未喂伪喂蟿苇蟻蠅蟼 苇谓蟿慰谓畏 蠂蟻慰谓喂魏萎 蟺蔚蟻委慰未慰 蠈蟺慰蠀 畏 苇谓蟿伪蟽畏 蟿畏蟼 伪谓蟿喂魏伪蟿慰蟺蟿蟻委味蔚蟿伪喂 蟽蟿慰谓 蟿蟻蠈蟺慰 渭蔚 蟿慰谓 慰蟺慰委慰 慰喂 蠂伪蟻伪魏蟿萎蟻蔚蟼 未蟻慰蠀谓 魏伪喂 伪喂蟽胃维谓慰谓蟿伪喂.
螘蟺委蟽畏蟼 蟺伪蟻慰蠀蟽喂维味蔚蟿伪喂 未蠀谓伪渭喂魏维 慰喂 伪谓蟿喂未蟻维蟽蔚喂蟼 蟿慰蠀蟼 伪蟺慰 蟿慰 蟺谓蔚蠉渭伪, 蟿畏谓 蔚蟺喂谓慰畏蟿喂魏蠈蟿畏蟿伪, 蟿畏谓 伪魏蔚蟻伪喂蠈蟿畏蟿伪 魏伪喂 蟿畏谓 谓慰畏渭慰蟽蠉谓畏 蠀蟺蠈 蟺委蔚蟽畏.
螣 螠蟺蔚位 喂蟽蠂蠀蟻委味蔚蟿伪喂 蟺蠅蟼 渭苇蟽伪 伪蟺慰 蟿畏谓 喂蟽蟿慰蟻委伪 蟿慰蠀 尉蔚蟺畏未慰蠉谓 蟿蟻喂蟽未喂维蟽蟿伪蟿慰喂 蠂伪蟻伪魏蟿萎蟻蔚蟼 慰喂 慰蟺慰喂慰委 蔚委谓伪喂 喂魏伪谓慰委 位蠈纬蠅 蟿畏蟼 伪蠁畏纬畏渭伪蟿喂魏萎蟼 蟿蔚蠂谓喂魏萎蟼 谓伪 渭伪蟼 慰未畏纬萎蟽慰蠀谓 蟽蔚 渭喂伪 胃蔚伪渭伪蟿喂魏萎 未畏渭喂慰蠀蟻纬委伪 蠂蟻畏蟽喂渭慰蟺慰喂蠋谓蟿伪蟼 伪位畏胃喂谓维 蟽蟿慰喂蠂蔚委伪 魏伪喂 蟺蟻伪纬渭伪蟿喂魏维 纬蔚纬慰谓蠈蟿伪 蟿慰蠀 螔鈥櫸犖�.
螚 位慰纬慰蟿蔚蠂谓委伪 蔚未蠋 伪谓伪味畏蟿维 魏伪喂 尾蟻委蟽魏蔚喂 渭喂伪 渭慰谓伪未喂魏萎 蟺慰喂蠈蟿畏蟿伪, 尉蔚蟺蔚蟻谓维蔚喂 蟿畏 渭喂味苇蟻喂伪 蟿慰蠀 魏伪胃喂蔚蟻蠅渭苇谓慰蠀 蔚蠀蟻蠅蟺伪蠆魏慰蠉 蠉蠁慰蠀蟼 纬蟻伪蠁萎蟼. 螤伪蟻维纬蔚喂 未蟻伪渭伪蟿喂魏萎 伪蠁萎纬畏蟽畏 蠂蠅蟻委蟼 渭蔚位慰未蟻伪渭伪蟿喂魏萎 蔚蟺委魏位畏蟽畏. 螠喂伪 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪 蟺慰蠀 尾蟻委蟽魏蔚蟿伪喂 渭苇蟽伪 蟽蟿畏 蟽魏苇蠄畏, 尾伪胃喂维 蟻喂味蠅渭苇谓畏 蟽蟿畏谓 蠄蠀蠂萎 蟺慰蠀 未蔚谓 尉蔚蠂谓维蔚喂 魏伪喂 未蔚谓 渭慰喂蟻慰位伪蟿蟻蔚委.
螤慰蟻蟿蟻苇蟿慰 慰渭伪未喂魏萎蟼 蠄蠀蠂慰纬蟻伪蠁委伪蟼 魏伪喂 伪蟿慰渭喂魏萎蟼 蟽蠀谓蔚委未畏蟽畏蟼. 螒谓伪味萎蟿畏蟽畏 渭喂伪蟼 蔚尉蔚喂未伪谓委魏蔚蠀蟽畏蟼 蟺慰蠀 蔚委谓伪喂 伪位畏胃喂谓萎 渭蠈谓慰 蟽蟿伪 伪蟻喂蟽蟿慰蠀蟻纬萎渭伪蟿伪 位慰纬慰蟿蔚蠂谓喂魏蠋谓 渭蠀胃喂蟽蟿慰蟻喂慰纬蟻维蠁蠅谓.
螝伪位萎 伪谓维纬谓蠅蟽畏!!
螤慰位位慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼!!
螒蟻蠂喂魏维 伪魏慰蠉纬慰谓蟿伪喂 蟺慰位位苇蟼 蟺伪蟻伪蠁蠅谓委蔚蟼 魏伪胃蠋蟼 畏 渭畏 伪蟻渭慰谓喂魏萎
-蟽蠀渭尾慰位喂魏萎- 未喂维蟽蟿伪蟽畏 蟽蠀谓喂蟽蟿维 渭喂伪 渭慰蟻蠁萎 伪蟺慰蟽蟿伪蟽喂慰蟺慰委畏蟽畏蟼 蟺蟻慰魏伪位蠋谓蟿伪蟼 蟽蠉纬蠂蠀蟽畏 伪喂蟽胃畏渭维蟿蠅谓 魏伪喂 苇位位蔚喂蠄畏 蟺谓蔚蠀渭伪蟿喂魏慰蠉 蟽蠀谓蟿慰谓喂蟽渭慰蠉.
螞委纬慰 伪蟻纬蠈蟿蔚蟻伪, 苇蠂慰谓蟿伪蟼 伪蟺慰蠁蠉纬蔚喂 蟿畏谓 蟺伪纬委未伪 蟿慰蠀 渭蔚位慰未蟻伪渭伪蟿喂蟽渭慰蠉, 慰 蟽蠀谓胃苇蟿畏蟼 螠蟺蔚位, 渭伪蟼 慰未畏纬蔚委 渭苇蟽伪 伪蟺慰 蟿畏谓 喂蟽蟿慰蟻委伪 蟿慰蠀 纬喂伪 蟿慰谓 伪谓胃蟻蠅蟺喂蟽渭蠈 魏伪喂 蟿畏谓 伪位位畏位蔚纬纬蠉畏, 蟽蔚 渭喂伪 蠀蟺苇蟻慰蠂伪 蟺蟻蠅蟿蠈蟿蠀蟺畏 伪蠁畏纬畏渭伪蟿喂魏萎 蟽蠀渭蠁蠅谓委伪 蟻蠀胃渭蠋谓 魏伪喂 渭蔚位蠅未喂蠋谓.
螒魏慰位慰蠀胃慰蠉渭蔚 渭委伪 蟺慰蟻蔚委伪 胃伪谓维蟿慰蠀 蟿畏蟼 蔚蟺慰蠂萎蟼 蟿慰蠀
螕麓巍伪喂蠂, 蠈蟺慰蠀 蟽蟿畏 谓伪味喂蟽蟿喂魏萎 螕蔚蟻渭伪谓委伪 尉畏渭蔚蟻蠋谓慰蠀谓 伪蟺维谓胃蟻蠅蟺蔚蟼 畏渭苇蟻蔚蟼 蟺慰位苇渭慰蠀 魏伪喂 尾蟻伪未喂维味慰蠀谓 谓蠉蠂蟿蔚蟼 维纬蟻喂伪蟼 味蠅萎蟼 蟽蟿慰位喂蟽渭苇谓蔚蟼 渭蔚 蟺蠀魏谓蠈 蟽魏慰蟿维未喂 蠁蟻委魏畏蟼.
韦慰 芦慰渭伪未喂魏蠈 蟺慰蟻蟿蟻苇蟿慰 渭蔚 渭喂伪 魏蠀蟻委伪禄 苇蠂蔚喂 蠁蠈谓蟿慰 蟿畏 蟽蠉纬蠂蟻慰谓畏 纬蔚蟻渭伪谓喂魏萎 喂蟽蟿慰蟻委伪 蟺慰蠀 蔚渭蟺位慰蠀蟿委味蔚蟿伪喂 渭蔚 蟿伪 纬蔚纬慰谓蠈蟿伪 蟿慰蠀 蟺伪蟻蔚位胃蠈谓蟿慰蟼.
螘蟺喂魏蔚谓蟿蟻蠋谓蔚蟿伪喂 蟽蟿畏谓 魏慰喂谓蠅谓委伪 魏伪蟿维 蟿畏 未喂维蟻魏蔚喂伪 魏伪喂 渭蔚蟿维 蟿慰谓 螔麓螤螤 蠈蟿伪谓 蟿慰 苇胃谓慰蟼 蟿慰蠀蟼 蟽蠀渭蟺慰蟻蔚蠉蔚蟿伪喂 渭蔚 蔚蟺喂魏委谓未蠀谓慰蠀蟼 蔚纬魏位畏渭伪蟿委蔚蟼 蟽蔚 蟺蠈蟽蟿伪 畏纬蔚蟽委伪蟼 魏伪喂 伪位位慰喂蠋谓蔚蟿伪喂 伪蟺慰 螕维位位慰蠀蟼, 螔蟻蔚蟿伪谓慰蠉蟼, 螒渭蔚蟻喂魏伪谓慰蠉蟼 魏伪喂 巍蠋蟽慰蠀蟼 蟽蠀渭渭维蠂慰蠀蟼!!
螒蠀蟿蠈 蟿慰 蟺慰位蠉蟿喂渭慰 位慰纬慰蟿蔚蠂谓喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蟺伪蟻慰蠀蟽喂维味蔚蟿伪喂 蠅蟼 蟺慰蟻蟿蟻苇蟿慰 渭喂伪蟼 魏蠀蟻委伪蟼, 蟽蟿慰 蟺位伪委蟽喂慰 渭喂伪蟼 慰渭维未伪蟼 渭蔚 蠁委位慰蠀蟼, 纬谓蠅蟽蟿慰蠉蟼, 蟽蠀纬纬蔚谓蔚委蟼, 蟽蠀谓伪未苇位蠁慰蠀蟼, 蟽蠀渭尾慰蠉位慰蠀蟼 魏伪喂 尾慰畏胃慰蠉蟼 胃蔚蟽渭蠋谓 魏伪喂 伪尉喂蠅渭维蟿蠅谓.
螁蟿慰渭伪 渭蔚 喂蟽蠂蠀蟻萎 蟺伪蟻慰蠀蟽委伪 魏伪喂 伪谓委蟽蠂蠀蟻畏 蟺委蟽蟿畏, 未喂维蠁慰蟻伪 未蔚委纬渭伪蟿伪 伪谓胃蟻蠋蟺喂谓畏蟼 渭蔚纬伪位慰蟺蟻苇蟺蔚喂伪蟼 萎 蟺喂蟽蟿慰蟺慰喂畏渭苇谓畏蟼 蔚尉伪蠂蟻蔚委蠅蟽畏蟼, 渭伪 魏蠀蟻委蠅蟼 渭蔚 蔚蟻伪蟽蟿苇蟼, 伪蟺慰 伪蠀蟿慰蠉蟼 蟺慰蠀 蟿伪尉委未蔚蠄伪谓 苇蠂慰谓蟿伪蟼 蠅蟼 渭苇蟽慰 蟿畏谓 纬萎喂谓畏 维渭伪尉伪 魏伪喂 蟿伪 蔚蟺慰蠀蟻维谓喂伪 维蟿喂伪.
韦慰 伪蟺慰位伪蠀蟽蟿喂魏维 尉蔚蠂蠅蟻喂蟽蟿蠈, 魏伪喂谓慰蟿蠈渭慰, 蔚尉慰渭慰位慰纬畏蟿喂魏蠈 魏伪喂 蟺慰位蠀蟽蠉谓胃蔚蟿慰 伪蠁畏纬畏渭伪蟿喂魏蠈 蠉蠁慰蟼 渭伪蟼 未委谓蔚喂 苇谓伪 渭蠀胃喂蟽蟿蠈蟻畏渭伪 伪蟺慰位慰纬喂蟽渭慰蠉 魏伪喂 苇蟻蔚蠀谓伪蟼,
苇谓伪 谓蟿慰魏喂渭伪谓蟿苇蟻 伪谓伪蟽蠉谓胃蔚蟽畏蟼 蟺慰位喂蟿喂蟽渭喂魏蠋谓 魏伪喂 蟺慰位喂蟿喂魏蠋谓 纬蔚纬慰谓蠈蟿蠅谓 魏伪胃蠋蟼 魏伪喂 渭喂伪 纬蟻伪渭渭喂魏萎 喂蟽蟿慰蟻委伪 蟺慰蠀 慰蟻委味蔚喂 魏蟻蠀蟺蟿慰纬蟻伪蠁喂魏维 蟿慰谓 蠂伪蟻伪魏蟿萎蟻伪 蟿畏蟼 畏蟻蠅委未伪蟼 渭伪蟼.
螞苇谓喂 螤蠁维喂蠁蔚蟻.
螚 螞苇谓喂, 蔚委谓伪喂 蟿慰 维蟿慰渭慰 蟺慰蠀 渭蔚蟿蟻维蔚喂 蟿畏谓 螜蟽蟿慰蟻委伪.
螒蟺慰 蟿畏谓 蟺蟻慰蟽蠅蟺喂魏蠈蟿畏蟿伪 蟿畏蟼 魏伪喂 渭蠈谓慰 蠀蟺伪纬慰蟻蔚蠉蔚蟿伪喂 畏 蟽蠀渭蟺蔚蟻喂蠁慰蟻维 蟿畏蟼 伪蟺苇谓伪谓蟿喂 蟽蔚 蠈位慰蠀蟼
(蟿畏谓 螘尾蟻伪委伪 慰喂蠅谓慰蟽魏蠈蟺慰 巍伪蠂萎位, 蟿慰谓 巍蠋蟽慰 伪喂蠂渭维位蠅蟿慰 蟺慰位苇渭慰蠀 螠蟺蠈蟻喂蟼, 渭慰谓伪未喂魏蠈 伪位畏胃喂谓蠈 蟿畏蟼 苇蟻蠅蟿伪, 蟿慰蠀蟼 韦慰蠉蟻魏慰蠀蟼 蔚蟻纬维蟿蔚蟼 魏伪喂 蟿慰蠀蟼 蔚蟺伪纬纬蔚位渭伪蟿委蔚蟼 蟽魏慰蠀蟺喂未喂维蟻畏未蔚蟼 蟺慰蠀 畏 伪蟺慰魏慰渭喂未萎 蟽蠀谓蔚委未畏蟽畏蟼 魏伪喂 伪位位畏位蔚纬纬蠉畏蟼 伪蟺慰蟿蟻苇蟺蔚喂 蟽蟿慰 蟿苇位慰蟼 蟿畏谓 苇尉蠅蟽畏 蟿畏蟼 螞苇谓喂 伪蟺慰 蟿畏 味蠅萎).
螚 螞苇谓喂, 蔚谓蟿蔚位蠋蟼 伪蟺慰位委蟿喂魏畏 魏伪喂 蔚蟺伪谓伪蟽蟿维蟿蟻喂伪 蔚谓蟽伪蟻魏蠋谓蔚喂 渭喂伪 维渭蔚蟽畏 伪蠀胃蔚谓蟿喂魏蠈蟿畏蟿伪 喂魏伪谓萎 谓伪 伪谓蟿苇尉蔚喂 蠈位蔚蟼 蟿喂蟼 未慰魏喂渭伪蟽委蔚蟼 蟽喂蠅蟺畏位维 魏伪喂 伪喂蟽胃伪谓蟿喂魏维 未委蠂蠅蟼 蟺喂魏蟻委伪 魏伪喂 渭蔚蟿伪渭苇位蔚喂伪.
韦慰 蟺慰蟻蟿蟻苇蟿慰 蟿畏蟼 螞苇谓喂 蟽魏喂伪纬蟻伪蠁蔚委蟿伪喂 蟽蟿畏谓 慰蠀蟽委伪 伪蟺慰 蟿慰蠀蟼 蠂伪蟻伪魏蟿萎蟻蔚蟼 蟺慰蠀 蟿畏谓 蟺位伪喂蟽喂蠋谓慰蠀谓.
螝伪胃蠋蟼 慰 蟽蠀纬纬蟻伪蠁苇伪蟼 蟽蠀位位苇纬蔚喂 蟺位畏蟻慰蠁慰蟻委蔚蟼 伪蟺慰 蠈位伪 蟿伪 维蟿慰渭伪 蟿畏蟼 慰渭维未伪蟼, 纬谓蠅蟻委味慰蠀渭蔚 魏伪喂 蟿伪 委未喂伪 伪蠀蟿维 维蟿慰渭伪 魏伪喂 魏伪蟿伪谓慰慰慰蠉渭蔚 魏维胃蔚 蟺蟻慰蟽蠅蟺喂魏蠈蟿畏蟿伪 蟽蔚 苇谓伪 魏伪蟽蟿
未蟻伪渭伪蟿喂魏萎蟼 蟺伪蟻伪纬蠅纬萎蟼.
螞蠈纬蠅 蟿慰蠀 蟽蟺慰蠀未伪委慰蠀 魏伪喂 蟺蔚蟻委蟿蔚蠂谓慰蠀 伪蠁畏纬畏渭伪蟿喂魏慰蠉 蟽蟿蠀位, 畏 螞苇谓喂 胃伪 渭蟺慰蟻慰蠉蟽蔚 谓伪 蔚委谓伪喂 伪蟺慰 蟿喂蟼 蟺喂慰 蠂伪蟻伪魏蟿畏蟻喂蟽蟿喂魏苇蟼 渭蔚位苇蟿蔚蟼 蟺蟻慰蟽蠅蟺喂魏蠈蟿畏蟿伪蟼 蟿慰蠀蟼 20慰蠀 伪喂蠋谓伪.
韦慰 蟻慰位蠈喂 蟿畏蟼 伪谓胃蟻蠅蟺蠈蟿畏蟿伪蟼 蠂蟿蠀蟺维蔚喂 蟽蔚 渭喂伪 喂未喂伪喂蟿苇蟻蠅蟼 苇谓蟿慰谓畏 蠂蟻慰谓喂魏萎 蟺蔚蟻委慰未慰 蠈蟺慰蠀 畏 苇谓蟿伪蟽畏 蟿畏蟼 伪谓蟿喂魏伪蟿慰蟺蟿蟻委味蔚蟿伪喂 蟽蟿慰谓 蟿蟻蠈蟺慰 渭蔚 蟿慰谓 慰蟺慰委慰 慰喂 蠂伪蟻伪魏蟿萎蟻蔚蟼 未蟻慰蠀谓 魏伪喂 伪喂蟽胃维谓慰谓蟿伪喂.
螘蟺委蟽畏蟼 蟺伪蟻慰蠀蟽喂维味蔚蟿伪喂 未蠀谓伪渭喂魏维 慰喂 伪谓蟿喂未蟻维蟽蔚喂蟼 蟿慰蠀蟼 伪蟺慰 蟿慰 蟺谓蔚蠉渭伪, 蟿畏谓 蔚蟺喂谓慰畏蟿喂魏蠈蟿畏蟿伪, 蟿畏谓 伪魏蔚蟻伪喂蠈蟿畏蟿伪 魏伪喂 蟿畏谓 谓慰畏渭慰蟽蠉谓畏 蠀蟺蠈 蟺委蔚蟽畏.
螣 螠蟺蔚位 喂蟽蠂蠀蟻委味蔚蟿伪喂 蟺蠅蟼 渭苇蟽伪 伪蟺慰 蟿畏谓 喂蟽蟿慰蟻委伪 蟿慰蠀 尉蔚蟺畏未慰蠉谓 蟿蟻喂蟽未喂维蟽蟿伪蟿慰喂 蠂伪蟻伪魏蟿萎蟻蔚蟼 慰喂 慰蟺慰喂慰委 蔚委谓伪喂 喂魏伪谓慰委 位蠈纬蠅 蟿畏蟼 伪蠁畏纬畏渭伪蟿喂魏萎蟼 蟿蔚蠂谓喂魏萎蟼 谓伪 渭伪蟼 慰未畏纬萎蟽慰蠀谓 蟽蔚 渭喂伪 胃蔚伪渭伪蟿喂魏萎 未畏渭喂慰蠀蟻纬委伪 蠂蟻畏蟽喂渭慰蟺慰喂蠋谓蟿伪蟼 伪位畏胃喂谓维 蟽蟿慰喂蠂蔚委伪 魏伪喂 蟺蟻伪纬渭伪蟿喂魏维 纬蔚纬慰谓蠈蟿伪 蟿慰蠀 螔鈥櫸犖�.
螚 位慰纬慰蟿蔚蠂谓委伪 蔚未蠋 伪谓伪味畏蟿维 魏伪喂 尾蟻委蟽魏蔚喂 渭喂伪 渭慰谓伪未喂魏萎 蟺慰喂蠈蟿畏蟿伪, 尉蔚蟺蔚蟻谓维蔚喂 蟿畏 渭喂味苇蟻喂伪 蟿慰蠀 魏伪胃喂蔚蟻蠅渭苇谓慰蠀 蔚蠀蟻蠅蟺伪蠆魏慰蠉 蠉蠁慰蠀蟼 纬蟻伪蠁萎蟼. 螤伪蟻维纬蔚喂 未蟻伪渭伪蟿喂魏萎 伪蠁萎纬畏蟽畏 蠂蠅蟻委蟼 渭蔚位慰未蟻伪渭伪蟿喂魏萎 蔚蟺委魏位畏蟽畏. 螠喂伪 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪 蟺慰蠀 尾蟻委蟽魏蔚蟿伪喂 渭苇蟽伪 蟽蟿畏 蟽魏苇蠄畏, 尾伪胃喂维 蟻喂味蠅渭苇谓畏 蟽蟿畏谓 蠄蠀蠂萎 蟺慰蠀 未蔚谓 尉蔚蠂谓维蔚喂 魏伪喂 未蔚谓 渭慰喂蟻慰位伪蟿蟻蔚委.
螤慰蟻蟿蟻苇蟿慰 慰渭伪未喂魏萎蟼 蠄蠀蠂慰纬蟻伪蠁委伪蟼 魏伪喂 伪蟿慰渭喂魏萎蟼 蟽蠀谓蔚委未畏蟽畏蟼. 螒谓伪味萎蟿畏蟽畏 渭喂伪蟼 蔚尉蔚喂未伪谓委魏蔚蠀蟽畏蟼 蟺慰蠀 蔚委谓伪喂 伪位畏胃喂谓萎 渭蠈谓慰 蟽蟿伪 伪蟻喂蟽蟿慰蠀蟻纬萎渭伪蟿伪 位慰纬慰蟿蔚蠂谓喂魏蠋谓 渭蠀胃喂蟽蟿慰蟻喂慰纬蟻维蠁蠅谓.
螝伪位萎 伪谓维纬谓蠅蟽畏!!
螤慰位位慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼!!
June 22, 2024
Apparently, this is the novel that was singled out by the Nobel Prize committee when analysing B枚ll's work up to this point, describing it as his "most grandly conceived work" of which, I wouldn't argue. From what I've of read him thus far, this is certainly the most challenging and broadest in scope, as by tracing Leni Pfeiffer's life through half a century of German history, he paints with such scrutinizing detail a portrait of a woman, a city, and a nation. But I asked myself on completion did I prefer it to 'The Clown', 'Billiards at Half-Past Nine', or 'And Never Said a Word', and the conclusion is no. Two main reasons why - first, certain parts of it dragged on too long for me: it felt like walking up an escalator that was heading in the opposite direction. And second, he at times indulges in sort of sentimental whimsiness to my surprise, and forces a too easy, optimistic conclusion to his story. If I push these issues aside though, I still found much to like about it, mostly down to the fact that B枚ll has seldom moved any distance from writing realistic narratives of his homeland. He has shown less aptitude and interest in experimenting than many other writers who are left their mark on modern literature, in Germany and elsewhere.
Though she rents out rooms, Leni Pfeiffer, 48, faces eviction from her apartment in Cologne. She cannot keep her creditors away, and as a war widow, with her only son is in jail for forging checks to get her off the hook, she cannot hold on without his income. Her total indifference to profit and property are anomalous. The building she is in doesn't yield enough income, her roomers are foreign laborers, and despite the fact she has lived here all her life, that she's known the landlord for thirty years, that his grandson was her son's godfather when he was christened at the tail end of the war, times are changing and loyalties shift.
Folk gossip about Leni as a loose woman, because she has taken up with one of her renters, yet she has had only four lovers in her nearly 50 years, including a love affair with a Russian prisoner, and much of the novel tells this tale. But with a difference. To paint what he pretends is a purely factual portrait of Leni, B枚ll himself appears in the book as 'The Au.' (the Author) working as a combination investigative reporter, sociologist and detective. In this guise he interviews the sixty characters who know or have known Leni at various points in her life, and what emerges from this wry pseudo鈥恉ocumentary is also a social portrait of Cologne from the 1920's to his present, a Joycean style evocation of a city and its assorted people.
B枚ll gathers his material to exhibit that, even in Germany, life goes on under the surface and the lies of history, despite the concussive power of ideologies and individual rapacity. By taking a biographical route, he dramatizes the impossibility of generalizing about people, and makes us feel the vast gaps that exist between political slogans and moral actualities, between those who slyly ride with the times, and those like Leni who could possibly lose their wealth, their family, and social position. B枚ll's decision to put a woman at the heart of Group Portrait with Lady could be seen as a more direct expression of his strong erotic and moral affection for women, which could be the result of a previously blocked energy due to the anger he so often feels toward German men and masculine society in general. In a way, compared to his earlier novels, Group Portrait with Lady can be seen as his anti-novel, and the more I think about it, the more it closely resembles a researched report. It's an impressive work for sure, and maybe his best achievement; but that doesn't mean it's my favourite.
May 6, 2021
La novela, que se podr铆a haber titulado de igual manera "Retrato de se帽ora a trav茅s de los ojos del grupo", trata unos cuantos temas muy propios del autor como es el servilismo a las normas sociales, bien por beneficio propio, bien por mera cortedad de miras; las instituciones religiosas en sus aspectos m谩s desagradables; las peque帽as, medianas y grandes miserias morales y vitales que un conflicto b茅lico es capaz de intensificar hasta lo inconcebible; la hipocres铆a (con sus vertientes postb茅licas de un pasado nazi o colaborador o la-cosa-no-va-conmigo); o la frialdad pol铆tica y econ贸mica del capitalismo, siempre propenso a la corrupci贸n y a la inclemencia. Todo ello muy bien mezclado y condimentado con una bonita historia de amor y hermosos sentimientos como la solidaridad, la amistad o el compromiso.
El estilo de la obra es particular, parodiando un informe policial confeccionado por un autor inocente unas veces, sarc谩stico otras, cada vez m谩s comprometido con la historia y los personajes investigados y cuyo 谩rido lenguaje va a ir suaviz谩ndose a medida que avanza la novela. No obstante, a pesar del fino humor que a veces despliega este bur贸crata entra帽able y de la ternura que en ocasiones en 茅l aflora, se agradece el cambio de estilo en la parte intermedia de la novela, donde son los testigos los que, con sus declaraciones, toman la voz narrativa.
Una novela amarga, dura a veces, tierna otras tantas, pesimista, que, por ponerle un pero, yo dir铆a que habr铆a tenido un mejor remate unas cuantas p谩ginas antes del final.
El estilo de la obra es particular, parodiando un informe policial confeccionado por un autor inocente unas veces, sarc谩stico otras, cada vez m谩s comprometido con la historia y los personajes investigados y cuyo 谩rido lenguaje va a ir suaviz谩ndose a medida que avanza la novela. No obstante, a pesar del fino humor que a veces despliega este bur贸crata entra帽able y de la ternura que en ocasiones en 茅l aflora, se agradece el cambio de estilo en la parte intermedia de la novela, donde son los testigos los que, con sus declaraciones, toman la voz narrativa.
Una novela amarga, dura a veces, tierna otras tantas, pesimista, que, por ponerle un pero, yo dir铆a que habr铆a tenido un mejor remate unas cuantas p谩ginas antes del final.
November 14, 2017
亘蹖丕蹖蹖丿 賴賲賴 毓丕卮賯 丕蹖賳 夭賳 亘卮賵蹖賲. 賱賳蹖 賮丕蹖賮乇. 丕蹖賳 卮丕蹖丿 賴賲丕賳 丕鬲賮丕賯蹖 亘丕卮丿 讴賴 亘賴鈥屫臂屫� 乇禺 賲蹖鈥屫囏�. 讴鬲丕亘 乇丕 丨丕賱丕 讴賴 鬲賲丕賲 卮丿賴貙 賲孬賱 蹖讴 倬丕夭賱 賴夭丕乇 鬲讴賴鈥� 賲蹖鈥屫ㄛ屬嗁� 讴賴 賳賵蹖爻賳丿賴 賵 乇丕賵蹖 丌賳 鬲讴賴鈥屬囏� 乇丕 丿乇 賳賴丕蹖鬲 氐亘乇 賵 丨賵氐賱賴 讴賳丕乇 賴賲 賲蹖鈥屭柏ж辟嗀� 鬲丕 丿乇 賳賴丕蹖鬲 爻蹖賲丕蹖 夭賳蹖 丿乇 賲蹖丕賳 噩賲毓 賲孬賱 蹖讴 鬲丕亘賱賵蹖 賳賯丕卮蹖 噩賱賵蹖 趩卮賲鈥屬呚з� 馗丕賴乇 卮賵丿. 丌丿賲鈥屬囏й� 亘蹖鈥屫促呚ж� 丕蹖賳 乇賲丕賳 賴賲诏蹖 乇賵丕蹖鬲鈥屬囏й� 禺賵丿卮丕賳 乇丕 丕夭 賱賳蹖 賲孬賱 卮丕賴丿丕賳蹖 亘乇 蹖讴 賲丕噩乇丕 丿乇 丕禺鬲蹖丕乇 乇丕賵蹖 賲蹖鈥屭柏ж辟嗀�. 賴乇 讴丿丕賲 丕夭 丕蹖賳 丌丿賲鈥屬囏� 亘乇賴賴鈥屫й� 丕夭 夭賳丿诏蹖 夭賳 乇丕 鬲賵氐蹖賮 賲蹖鈥屭┵嗁嗀�. 夭賳蹖 讴賴 夭賳丿诏蹖鈥屫ж� 亘丕 亘禺卮 賲賴賲蹖 丕夭 鬲丕乇蹖禺 讴卮賵乇卮 丕丿睾丕賲 卮丿賴 賵 噩賳诏 賲毓卮賵賯鈥屬囏й屫� 乇丕 賲蹖鈥屫ㄙ勜关�. 乇賵丕蹖鬲 鬲丕乇蹖禺 丕夭 乇賴诏匕乇 夭賳丿诏蹖 賱賳蹖 讴賴 賮乇丕夭賴丕 賵 賳卮蹖亘鈥屬囏й屫� 睾賲賳丕讴 賵 毓丕卮賯丕賳賴鈥屫з嗀� 亘乇丕蹖 禺賵丕賳賳丿 賴賲 禺賵卮丕蹖賳丿 丕爻鬲. 卮丕蹖丿 鬲賳賴丕 毓卮賯 亘鬲賵丕賳丿 噩賳诏 乇丕 丿乇 禺賵丿 丨賱 讴賳丿貙 丌賳鈥屬傌� 讴賴 毓丕卮賯 賵 賲毓卮賵賯 趩卮賲 丕賳鬲馗丕乇 亘賲亘丕乇丕賳 賴賵丕蹖蹖 亘丕卮賳丿 賵 丕蹖賳 賱丨馗丕鬲 倬乇 丿賱賴乇賴 亘乇丕蹖 丌賳丕賳 鬲賳賴丕 賱丨馗賴鈥屬囏й� 鬲亘丕丿賱 亘賵爻賴 賵 丌睾賵卮 亘丕卮丿.
爻蹖賲丕蹖 夭賳蹖 丿乇 賲蹖丕賳 噩賲毓 賲孬賱 亘丕賯蹖 讴鬲丕亘鈥屬囏й屰� 讴賴 丕夭 賴丕蹖賳乇蹖卮 亘賱 禺賵丕賳丿賲 賲賳 乇丕 倬卮蹖賲丕賳 賳讴乇丿賴 賵 鬲乇噩蹖丨 賲蹖鈥屫ж� 賯亘賱鈥屫� 丕夭 丕蹖賳鈥屬囏� 亘賴 爻乇丕睾卮 乇賮鬲賴 亘賵丿賲.
爻蹖賲丕蹖 夭賳蹖 丿乇 賲蹖丕賳 噩賲毓 賲孬賱 亘丕賯蹖 讴鬲丕亘鈥屬囏й屰� 讴賴 丕夭 賴丕蹖賳乇蹖卮 亘賱 禺賵丕賳丿賲 賲賳 乇丕 倬卮蹖賲丕賳 賳讴乇丿賴 賵 鬲乇噩蹖丨 賲蹖鈥屫ж� 賯亘賱鈥屫� 丕夭 丕蹖賳鈥屬囏� 亘賴 爻乇丕睾卮 乇賮鬲賴 亘賵丿賲.
February 27, 2021
(indagine su una cittadina al di sopra di ogni sospetto. nel senso che 猫 lei, leni pfeiffer nata gruyten, che sembra non aver mai percezione piena della fatica di vivere nel mondo che attraversa. con i suoi quarantotto anni che potrebbero esser portati meglio, con la sua semplicit脿 che sfiora l鈥檌ncoscienza, con gli sconti che la storia (quella inventata da b枚ll, per il tramite di quella della germania nei primi due quarti del 鈥�900) non le ha mai fatto.
il finto cronista che raccoglie materiale e testimonianze su di lei, finendo poi per impigliarsi lui stesso nella vicenda narrativa, prende una donna formalmente poco significante e la trasforma, con la sua indagine allargata, in uno dei personaggi pi霉 impastati di significato che io abbia incontrato da molto tempo in qua).
il finto cronista che raccoglie materiale e testimonianze su di lei, finendo poi per impigliarsi lui stesso nella vicenda narrativa, prende una donna formalmente poco significante e la trasforma, con la sua indagine allargata, in uno dei personaggi pi霉 impastati di significato che io abbia incontrato da molto tempo in qua).
Read
June 20, 2023This is a book for your inner cow, something to chew over and digest multiple times. Lets walk through a gallery, glancing at the pictures around us until we reach this one; a group portrait with a lady. The central figure is a lady of a certain age neither poor nor wealthy, she isn't exactly obscure, but she is elusive. We look at the people around her, some affectionate, some critical, others conflicted, to try to understand her. We look for symbols and repetitions, anything to help us understand the picture better.
That is what this book is like. Except we are a little more removed from it than if we visited a gallery and admire the picture directly, the experience is more like listening to someone describe the picture, and talking about each figure in turn as we listen to their words.
B枚ll in this novel does not write to us directly, instead there is a Verfasser who is in the novel, at first an indirect presence, but eventually a person that we see travelling around, taking a bath at the end of the day, and always interviewing the people in the life of the central figure Leni Pfeiffer, war widow and single mother, retired and mostly living on the income from the rooms in her apartment that she sublets to a German couple, a Portuguese family, and three Turkish guest-workers (the latter have to share one room).
The Verfasser is mostly a self-effacing presence but this directly my attention more firmly on to his silences - who is he? why is he compiling this information about this woman? What is his relationship to her? Is he B枚ll or is he not? His presence reminded me of and the nameless representative of the Bishop with his tape recorder. Here the Verfasser works with pen and paper, there is no intention to create an illusion of word perfect precision and veracity. This kind of experiment in style will be developed in a different direction in .
The book consists of interviews with people who know Leni Pfeiffer, these are arranged chronologically, so we read through her childhood, schooling, wartime experiences, post-war life, the novel culminates with the resolution of a threatened crisis which has the potential to disrupt the lives of Leni and those closest to her.
One aspect to the novel are the repeated references to Kleist's short story Leni also has a mysterious war time pregnancy, the father is a Russian prisoner of war, but in the novel Leni wrote an essay about the Kleist story which was so memorable the nuns who taught her mention it repeatedly to the Verfasser. Is there an idea her that literature can influence us, and if we engage too strongly with it at a sensitive age that sub-consciously that narrative may come to shape our lives? I also wondered why nuns were teaching that story anyway since it is about a conception out of wedlock, I had best warn you that this is a story with a lot of nuns in it, it has more nuns than in all the other books I've read this year put together.
The Verfasser never interviews Leni herself, we see only the moments when her life touched other peoples, but she does not get to speak for herself, there is a two and half page section towards the end of one chapter in which all her recorded utterances are gathered together. This left me thinking of the gospels - possibly though that was a side effect of all those nuns - are we meant to understand this Rhineland separatist, who knows one Kleist story quite well and can play two Schubert sonatas as a Christ figure, or possibly a Mary figure?
Well that is obviously crazy, but she does stand for community and communion, before of which lead her towards communism - though of her own sort I hasten to add. Religion and politics in her merge into a basic attitude towards oneself in society. She emerges, or not, in the context of her social network. The method of narration makes her into a still, silent centre of a novel full of the hustle and bustle of other people's daily lives. She is rather like an icon.
This would go well with reading which has a different take on living through the Nazi period, the war, and having to live in a new society formed by such violent recent experiences.
That is what this book is like. Except we are a little more removed from it than if we visited a gallery and admire the picture directly, the experience is more like listening to someone describe the picture, and talking about each figure in turn as we listen to their words.
B枚ll in this novel does not write to us directly, instead there is a Verfasser who is in the novel, at first an indirect presence, but eventually a person that we see travelling around, taking a bath at the end of the day, and always interviewing the people in the life of the central figure Leni Pfeiffer, war widow and single mother, retired and mostly living on the income from the rooms in her apartment that she sublets to a German couple, a Portuguese family, and three Turkish guest-workers (the latter have to share one room).
The Verfasser is mostly a self-effacing presence but this directly my attention more firmly on to his silences - who is he? why is he compiling this information about this woman? What is his relationship to her? Is he B枚ll or is he not? His presence reminded me of and the nameless representative of the Bishop with his tape recorder. Here the Verfasser works with pen and paper, there is no intention to create an illusion of word perfect precision and veracity. This kind of experiment in style will be developed in a different direction in .
The book consists of interviews with people who know Leni Pfeiffer, these are arranged chronologically, so we read through her childhood, schooling, wartime experiences, post-war life, the novel culminates with the resolution of a threatened crisis which has the potential to disrupt the lives of Leni and those closest to her.
One aspect to the novel are the repeated references to Kleist's short story Leni also has a mysterious war time pregnancy, the father is a Russian prisoner of war, but in the novel Leni wrote an essay about the Kleist story which was so memorable the nuns who taught her mention it repeatedly to the Verfasser. Is there an idea her that literature can influence us, and if we engage too strongly with it at a sensitive age that sub-consciously that narrative may come to shape our lives? I also wondered why nuns were teaching that story anyway since it is about a conception out of wedlock, I had best warn you that this is a story with a lot of nuns in it, it has more nuns than in all the other books I've read this year put together.
The Verfasser never interviews Leni herself, we see only the moments when her life touched other peoples, but she does not get to speak for herself, there is a two and half page section towards the end of one chapter in which all her recorded utterances are gathered together. This left me thinking of the gospels - possibly though that was a side effect of all those nuns - are we meant to understand this Rhineland separatist, who knows one Kleist story quite well and can play two Schubert sonatas as a Christ figure, or possibly a Mary figure?
Well that is obviously crazy, but she does stand for community and communion, before of which lead her towards communism - though of her own sort I hasten to add. Religion and politics in her merge into a basic attitude towards oneself in society. She emerges, or not, in the context of her social network. The method of narration makes her into a still, silent centre of a novel full of the hustle and bustle of other people's daily lives. She is rather like an icon.
This would go well with reading which has a different take on living through the Nazi period, the war, and having to live in a new society formed by such violent recent experiences.
April 6, 2022
爻蹖賲丕蹖 夭賳蹖 丿乇 賲蹖丕賳 噩賲毓責 賳賴! 卮丕蹖丿 賲毓丕丿賱 丕賳诏賱蹖爻蹖 诏賵蹖丕鬲乇 亘丕卮丿 賴賲趩賵 "倬乇鬲乇賴 诏乇賵賴蹖 蹖丕 毓讴爻 丿爻鬲賴 噩賲毓蹖 亘丕 夭賳 噩賵丕賳" 趩乇丕 讴賴 丕賳诏丕乇 亘丕 鬲氐賵蹖乇蹖 丕夭 丿蹖诏乇丕賳 乇賵亘乇賵 賴爻鬲蹖賲 讴賴 氐乇賮丕 丿乇 倬蹖乇丕賲賵賳 夭賳 噩賵丕賳 卮讴賱 賲蹖 诏蹖乇丿. 蹖毓賳蹖 賲禺丕胤亘 丕夭 丕亘鬲丿丕 鬲丕 丕賳鬲賴丕 丨爻 賲蹖 讴賳丿 鬲賲丕賲 乇丕賴 乇丕 亘乇毓讴爻 乇賮鬲賴 丕爻鬲貨 丕夭 丕賵賱 賯乇丕乇 亘賵丿 鬲氐賵蹖乇 夭賳 乇丕 丿乇 賲蹖丕賳賴 噩賲毓 亘蹖丕亘丿貙 丿乇 丕賳鬲賴丕 丕賲丕 鬲氐賵蹖乇蹖 丕夭 噩賲毓 丿乇 匕賴賳 丿丕卮鬲 讴賴 賲蹖 禺賵丕爻鬲賳丿 鬲氐賵蹖乇蹖 丕夭 夭賳 亘爻丕夭賳丿貙 賵 丕蹖賳 乇賵丕蹖鬲 禺賵丿卮 丨乇賮 丿賱 賳賵蹖爻賳丿賴 丕爻鬲
丕夭 丕蹖賳 賯賱賲 亘爻蹖丕乇 蹖丕丿 诏乇賮鬲賲貙 亘丕 丨賵氐賱賴貙 噩夭卅蹖丕鬲 賵 鬲氐賵蹖乇倬乇丿丕夭蹖 讴賴 賴賲趩賵 丌孬丕乇 讴賱丕爻蹖讴 亘夭乇诏 丨賵氐賱賴 賲丕 乇丕 賴賲 賲丨讴 賲蹖 夭賳丿. 夭亘丕賳 賴賲乇丕賴 亘丕 趩丕卮賳蹖 胤賳夭 賳賴 鬲賳賴丕 爻乇诏乇賲 讴賳賳丿賴 亘賵丿貙 亘賱讴賴 丨鬲蹖 丿乇 賲賵丕乇丿蹖 亘丕毓孬 卮丿 丕夭 鬲賴 丿賱 亘禺賳丿賲貙 賵 丕蹖賳 賲爻丕賱賴 賵賯鬲蹖 卮诏賮鬲 丕賳诏蹖夭 賲蹖卮賵丿 讴賴 蹖丕丿賲丕賳 亘丕卮丿 鬲蹖睾 爻丕賳爻賵乇 鬲讴 鬲讴 亘乇诏賴丕蹖 讴鬲丕亘 乇丕 禺胤 禺胤蹖 讴乇丿賴 丕爻鬲. 胤賳夭蹖 讴賴 亘賴 丿乇爻鬲蹖 亘賴 讴丕乇 诏乇賮鬲賴 卮丿賴 鬲丕 賴賲 爻蹖爻鬲賲 乇丕蹖噩 賵 賮乇賴賳诏 毓賲賵賲蹖 乇丕 亘賴 趩丕賱卮 亘讴卮丿 賵 賴賲 乇賵丕蹖鬲蹖 亘诏賵蹖丿 讴賴 夭賳蹖 讴賴 丿乇 丕亘鬲丿丕蹖 丿丕爻鬲丕賳 亘丕 亘乇趩爻亘 蹖丕 丿丕睾 賳賳诏蹖 乇賵亘乇賵 亘賵丿賴貙 亘賴 賲乇賵乇 鬲亘丿蹖賱 亘賴 夭賳蹖 賲蹖 卮賵丿 讴賴 亘賴 賲乇賵乇 賲丨亘鬲卮 丿乇 丿賱 禺賵丕賳賳丿賴 噩丕蹖 賲蹖 诏蹖乇丿.
賲诏乇 丌丿賲 丕夭 蹖讴 丿丕爻鬲丕賳 亘賱賳丿貙 噩夭 爻乇诏乇賲蹖 賵 蹖丕丿诏蹖乇蹖 賵 賮賴賲 鬲丕乇蹖禺 趩賴 丕賳鬲馗丕乇蹖 賲蹖 鬲賵丕賳丿 丿丕卮鬲賴 亘丕卮丿責 诏乇趩賴 丕毓鬲乇丕賮 讴賳賲貙 丨賵氐賱賴 賲賳 賴賲 賲禺氐賵氐丕 丿乇 賮氐賵賱 丕亘鬲丿丕蹖蹖 亘爻蹖丕乇 賲丨讴 禺賵乇丿 賵 賲蹖 亘丕蹖爻鬲 亘乇丕蹖 诏匕乇 丕夭 丕蹖賳 亘禺卮 賴丕 夭乇賴 丌賴賳蹖賳 亘乇 鬲賳 讴乇丿
丕夭 丕蹖賳 賯賱賲 亘爻蹖丕乇 蹖丕丿 诏乇賮鬲賲貙 亘丕 丨賵氐賱賴貙 噩夭卅蹖丕鬲 賵 鬲氐賵蹖乇倬乇丿丕夭蹖 讴賴 賴賲趩賵 丌孬丕乇 讴賱丕爻蹖讴 亘夭乇诏 丨賵氐賱賴 賲丕 乇丕 賴賲 賲丨讴 賲蹖 夭賳丿. 夭亘丕賳 賴賲乇丕賴 亘丕 趩丕卮賳蹖 胤賳夭 賳賴 鬲賳賴丕 爻乇诏乇賲 讴賳賳丿賴 亘賵丿貙 亘賱讴賴 丨鬲蹖 丿乇 賲賵丕乇丿蹖 亘丕毓孬 卮丿 丕夭 鬲賴 丿賱 亘禺賳丿賲貙 賵 丕蹖賳 賲爻丕賱賴 賵賯鬲蹖 卮诏賮鬲 丕賳诏蹖夭 賲蹖卮賵丿 讴賴 蹖丕丿賲丕賳 亘丕卮丿 鬲蹖睾 爻丕賳爻賵乇 鬲讴 鬲讴 亘乇诏賴丕蹖 讴鬲丕亘 乇丕 禺胤 禺胤蹖 讴乇丿賴 丕爻鬲. 胤賳夭蹖 讴賴 亘賴 丿乇爻鬲蹖 亘賴 讴丕乇 诏乇賮鬲賴 卮丿賴 鬲丕 賴賲 爻蹖爻鬲賲 乇丕蹖噩 賵 賮乇賴賳诏 毓賲賵賲蹖 乇丕 亘賴 趩丕賱卮 亘讴卮丿 賵 賴賲 乇賵丕蹖鬲蹖 亘诏賵蹖丿 讴賴 夭賳蹖 讴賴 丿乇 丕亘鬲丿丕蹖 丿丕爻鬲丕賳 亘丕 亘乇趩爻亘 蹖丕 丿丕睾 賳賳诏蹖 乇賵亘乇賵 亘賵丿賴貙 亘賴 賲乇賵乇 鬲亘丿蹖賱 亘賴 夭賳蹖 賲蹖 卮賵丿 讴賴 亘賴 賲乇賵乇 賲丨亘鬲卮 丿乇 丿賱 禺賵丕賳賳丿賴 噩丕蹖 賲蹖 诏蹖乇丿.
賲诏乇 丌丿賲 丕夭 蹖讴 丿丕爻鬲丕賳 亘賱賳丿貙 噩夭 爻乇诏乇賲蹖 賵 蹖丕丿诏蹖乇蹖 賵 賮賴賲 鬲丕乇蹖禺 趩賴 丕賳鬲馗丕乇蹖 賲蹖 鬲賵丕賳丿 丿丕卮鬲賴 亘丕卮丿責 诏乇趩賴 丕毓鬲乇丕賮 讴賳賲貙 丨賵氐賱賴 賲賳 賴賲 賲禺氐賵氐丕 丿乇 賮氐賵賱 丕亘鬲丿丕蹖蹖 亘爻蹖丕乇 賲丨讴 禺賵乇丿 賵 賲蹖 亘丕蹖爻鬲 亘乇丕蹖 诏匕乇 丕夭 丕蹖賳 亘禺卮 賴丕 夭乇賴 丌賴賳蹖賳 亘乇 鬲賳 讴乇丿
February 4, 2016
螆谓伪 蟺慰位蠉 喂未喂伪委蟿蔚蟻慰 魏伪喂 未喂伪蠁慰蟻蔚蟿喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪. 螚 伪蠁畏纬畏渭伪蟿喂魏萎 喂魏伪谓蠈蟿畏蟿伪 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 蔚委谓伪喂 蔚谓蟿蠀蟺蠅蟽喂伪魏萎. 危蟿畏谓 慰蠀蟽委伪 渭苇蟽蠅 未喂伪蠁慰蟻蔚蟿喂魏蠋谓 伪谓胃蟻蠋蟺蠅谓 蟺慰蠀 伪蠁畏纬慰蠉谓蟿伪喂 伪蟺蠈 蟿畏 未喂魏萎 蟿慰蠀蟼 蟺位蔚蠀蟻维, 蠁蟿喂维蠂谓蔚喂 蟿慰 蟺慰蟻蟿蟻苇蟿慰 蟿畏蟼 畏蟻蠅委未伪蟼, 蟿畏蟼 螞苇谓喂. 螤伪蟻维位位畏位伪 渭蔚 蟿畏 螞苇谓喂 伪蟺慰魏蟿慰蠉渭蔚 渭喂伪 蟽伪蠁萎 蔚喂魏蠈谓伪 蟿畏蟼 谓伪味喂蟽蟿喂魏萎蟼 螕蔚蟻渭伪谓委伪蟼 蟿畏谓 蟺蔚蟻委慰未慰 蟿慰蠀 螔鈥� 螤.螤.
危蔚 魏维蟺慰喂伪 蟽畏渭蔚委伪 胃伪 蠂伪蟻伪魏蟿萎蟻喂味伪 蟿慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蠅蟼 蠁喂位慰蟽慰蠁喂魏蠈. 螠慰蠀 胃蠉渭喂蟽蔚 蟿慰蠀蟼 芦螝喂尾未畏位慰蟺慰喂慰蠉蟼禄 蟿慰蠀 Andre Gide. 螝蠀蟻委蠅蟼 蠈渭蠅蟼 蟺蟻蠈魏蔚喂蟿伪喂 纬喂伪 苇谓伪 蟺慰位喂蟿喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪, 伪谓蟿维尉喂慰 蟿畏蟼 蟿蟻喂位慰纬委伪蟼 蟿慰蠀 Manes Sperber.
危蟺慰蠀未伪委慰 苇蟻纬慰, 纬喂伪蟿委 魏伪蟿伪蠁苇蟻谓蔚喂 谓伪 蟺蔚蟻维蟽蔚喂 渭喂伪 蔚喂魏蠈谓伪 蔚谓蠈蟼 位伪慰蠉 蟺慰蠀 蟺蟻慰蟽蟺伪胃蔚委 谓伪 蔚蟺喂尾喂蠋蟽蔚喂 渭苇蟽伪 蟽蔚 苇谓伪 蟺蠈位蔚渭慰, 渭蔚 蟿慰谓 慰蟺慰委慰 蔚委谓伪喂 伪谓蟿委胃蔚蟿慰蟼. 螠苇蟽伪 伪蟺蠈 蟿畏谓 魏伪胃畏渭蔚蟻喂谓蠈蟿畏蟿伪 蟿畏蟼 螞苇谓喂 魏伪喂 蟿蠅谓 维位位蠅谓, 尾位苇蟺慰蠀渭蔚 蟿喂蟼 蟺慰位位苇蟼 蟺蟿蠀蠂苇蟼 蟿慰蠀 蟺慰位苇渭慰蠀: 蟿伪 魏慰蠀蟺蠈谓喂伪 纬喂伪 蟿慰 蠁伪纬畏蟿蠈, 蟿畏谓 渭伪蠉蟻畏 伪纬慰蟻维, 蟿慰谓 蟺位畏胃蠅蟻喂蟽渭蠈 (10 渭维蟻魏伪 纬喂伪 苇谓伪 蟿蟽喂纬维蟻慰) 魏蟿位. 螢蔚魏维胃伪蟻伪 蠁伪委谓蔚蟿伪喂 畏 蟺蟻慰蟽蟺维胃蔚喂伪 渭喂伪蟼 纬蠀谓伪委魏伪蟼 谓伪 蟽蠀谓蔚蠂委蟽蔚喂 蟿畏 味蠅萎 蟿畏蟼, 苇蟽蟿蠅 蠀蟺蠈 伪蠀蟿苇蟼 蟿喂蟼 蟽蠀谓胃萎魏蔚蟼, 蟺蟻慰蟽蟺伪胃蠋谓蟿伪蟼 谓伪 蟿畏 纬蔚渭委蟽蔚喂 渭蔚 伪纬维蟺畏.
螘委谓伪喂 苇谓伪 未蠉蟽魏慰位慰 魏伪喂 伪蟺伪喂蟿畏蟿喂魏蠈 尾喂尾位委慰, 蟺慰蠀 蟽委纬慰蠀蟻伪 蠂蟻萎味蔚喂 未蔚蠉蟿蔚蟻畏蟼 伪谓维纬谓蠅蟽畏蟼. 螒蟺蠈 蟿喂蟼 位委纬蔚蟼 蟺蔚蟻喂蟺蟿蠋蟽蔚喂蟼 尾喂尾位委蠅谓 蟺慰蠀 苇蠂蔚喂 谓伪 蟽慰蠀 蟺蟻慰蟽蠁苇蟻蔚喂 蟺慰位位维, 未畏渭喂慰蠀蟻纬蠋谓蟿伪蟼 蟿蟻慰蠁萎 纬喂伪 蟽魏苇蠄畏 蠈蟽慰谓 伪蠁慰蟻维 蟿畏谓 喂蟽蟿慰蟻委伪 蟿畏蟼 螘蠀蟻蠋蟺畏蟼.
危蔚 魏维蟺慰喂伪 蟽畏渭蔚委伪 胃伪 蠂伪蟻伪魏蟿萎蟻喂味伪 蟿慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蠅蟼 蠁喂位慰蟽慰蠁喂魏蠈. 螠慰蠀 胃蠉渭喂蟽蔚 蟿慰蠀蟼 芦螝喂尾未畏位慰蟺慰喂慰蠉蟼禄 蟿慰蠀 Andre Gide. 螝蠀蟻委蠅蟼 蠈渭蠅蟼 蟺蟻蠈魏蔚喂蟿伪喂 纬喂伪 苇谓伪 蟺慰位喂蟿喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪, 伪谓蟿维尉喂慰 蟿畏蟼 蟿蟻喂位慰纬委伪蟼 蟿慰蠀 Manes Sperber.
危蟺慰蠀未伪委慰 苇蟻纬慰, 纬喂伪蟿委 魏伪蟿伪蠁苇蟻谓蔚喂 谓伪 蟺蔚蟻维蟽蔚喂 渭喂伪 蔚喂魏蠈谓伪 蔚谓蠈蟼 位伪慰蠉 蟺慰蠀 蟺蟻慰蟽蟺伪胃蔚委 谓伪 蔚蟺喂尾喂蠋蟽蔚喂 渭苇蟽伪 蟽蔚 苇谓伪 蟺蠈位蔚渭慰, 渭蔚 蟿慰谓 慰蟺慰委慰 蔚委谓伪喂 伪谓蟿委胃蔚蟿慰蟼. 螠苇蟽伪 伪蟺蠈 蟿畏谓 魏伪胃畏渭蔚蟻喂谓蠈蟿畏蟿伪 蟿畏蟼 螞苇谓喂 魏伪喂 蟿蠅谓 维位位蠅谓, 尾位苇蟺慰蠀渭蔚 蟿喂蟼 蟺慰位位苇蟼 蟺蟿蠀蠂苇蟼 蟿慰蠀 蟺慰位苇渭慰蠀: 蟿伪 魏慰蠀蟺蠈谓喂伪 纬喂伪 蟿慰 蠁伪纬畏蟿蠈, 蟿畏谓 渭伪蠉蟻畏 伪纬慰蟻维, 蟿慰谓 蟺位畏胃蠅蟻喂蟽渭蠈 (10 渭维蟻魏伪 纬喂伪 苇谓伪 蟿蟽喂纬维蟻慰) 魏蟿位. 螢蔚魏维胃伪蟻伪 蠁伪委谓蔚蟿伪喂 畏 蟺蟻慰蟽蟺维胃蔚喂伪 渭喂伪蟼 纬蠀谓伪委魏伪蟼 谓伪 蟽蠀谓蔚蠂委蟽蔚喂 蟿畏 味蠅萎 蟿畏蟼, 苇蟽蟿蠅 蠀蟺蠈 伪蠀蟿苇蟼 蟿喂蟼 蟽蠀谓胃萎魏蔚蟼, 蟺蟻慰蟽蟺伪胃蠋谓蟿伪蟼 谓伪 蟿畏 纬蔚渭委蟽蔚喂 渭蔚 伪纬维蟺畏.
螘委谓伪喂 苇谓伪 未蠉蟽魏慰位慰 魏伪喂 伪蟺伪喂蟿畏蟿喂魏蠈 尾喂尾位委慰, 蟺慰蠀 蟽委纬慰蠀蟻伪 蠂蟻萎味蔚喂 未蔚蠉蟿蔚蟻畏蟼 伪谓维纬谓蠅蟽畏蟼. 螒蟺蠈 蟿喂蟼 位委纬蔚蟼 蟺蔚蟻喂蟺蟿蠋蟽蔚喂蟼 尾喂尾位委蠅谓 蟺慰蠀 苇蠂蔚喂 谓伪 蟽慰蠀 蟺蟻慰蟽蠁苇蟻蔚喂 蟺慰位位维, 未畏渭喂慰蠀蟻纬蠋谓蟿伪蟼 蟿蟻慰蠁萎 纬喂伪 蟽魏苇蠄畏 蠈蟽慰谓 伪蠁慰蟻维 蟿畏谓 喂蟽蟿慰蟻委伪 蟿畏蟼 螘蠀蟻蠋蟺畏蟼.
November 6, 2017
賴丕蹖賳乇蹖卮 亘賱 丿乇 爻丕賱 郾酃鄯郾貙 乇賲丕賳 賯胤賵乇蹖 亘賴 賳丕賲 芦爻蹖賲丕蹖 夭賳蹖 丿乇 賲蹖丕賳 噩賲毓禄 賲賳鬲卮乇 讴乇丿 讴賴 卮丕賲賱 丨丿賵丿 郾鄢郯 卮禺氐蹖鬲 賲蹖鈥屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屫促堌�. 乇丕賵蹖貙 禺亘乇賳诏丕乇蹖
丕爻鬲 讴賴 鬲丕 賮氐賵賱 丌禺乇 噩丕賳亘丿丕乇丕賳賴 丕夭 夭賳丿诏蹖 夭賳 鄞鄹爻丕賱賴 賵 夭蹖亘丕蹖蹖 亘賴 賳丕賲 芦賱賳蹖禄 诏夭丕乇卮 鬲賴蹖賴 賲蹖鈥屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屭┵嗀�.芦賱賳蹖禄 丿乇 丨丕賱蹖 讴賴 丿乇 賲乇讴夭 乇賲丕賳 賯乇丕乇 丿丕乇丿 賵 乇卮鬲踿 賴賲踿 丨賱賯賴鈥屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屬囏й� 鬲卮讴蹖賱鈥屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屫囐嗀€ 丕孬乇 丕爻鬲貙 亘蹖卮 丕夭 蹖讴蹖 丿賵 亘丕乇 丌賳 賴賲 亘爻蹖丕乇 讴賵鬲丕賴貙 丨囟賵乇 賲爻鬲賯蹖賲 賳丿丕乇丿. .爻蹖賲丕蹖 芦賱賳蹖禄 丿乇 丕蹖賳 乇賲丕賳 丕夭 趩賴乇賴鈥屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屬囏й� 賮乇丕賲賵卮鈥屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屬嗀簇嗃� 夭賳丕賳 丿乇 乇賲丕賳鈥屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屬囏й� 倬爻 丕夭 噩賳诏 丕爻鬲.
丕夭 賯爻賲鬲賴丕蹖 夭蹖亘丕 賵 鬲讴丕賳 丿賴賳丿賴 賵 亘丕賲夭賴 讴鬲丕亘:
亘賵爻蹖丿賳 乇丕賴亘賴 讴賱賲丕賳鬲蹖賳 鬲賵爻胤 賳賵蹖爻賳丿賴 賵 丕蹖賳讴賴 毓丕卮賯 丕蹖賳 夭賳 賲蹖卮賴
賲乇诏 倬丿乇 賱賳蹖 亘丕 丕賮鬲丕丿賳 亘乇賵蹖 賲蹖賱賴 賴丕蹖 爻丕禺鬲賲丕賳蹖 丿乇 丨丕賱 鬲禺乇蹖亘
爻賵丕乇 卮丿賳 賱賳蹖 亘乇 丿賵趩乇禺賴 賵 倬蹖賲賵丿賳 賲爻蹖乇蹖 胤賵賱丕賳蹖 亘乇丕蹖 倬蹖丿丕 讴乇丿賳 亘賵乇蹖爻 賵 诏匕卮鬲賳 丕夭 賲乇夭賴丕 賵 丕蹖賳讴賴 亘丕賱丕禺乇賴 丕賵賳賵 鬲賵蹖 賯亘乇爻鬲丕賳 丿乇 禺丕賳賴 丕亘丿蹖卮 倬蹖丿丕 賲蹖讴賳賴
丕蹖賳讴賴 賱賳蹖 丿賲 丿乇 丿爻鬲卮賵蹖蹖 诏賱禺賵賳賴 亘賴 亘賵乇蹖爻 賲蹖诏賴 丿賵爻卮 丿丕乇賴 賵 亘賵乇爻 賴賲 賲蹖诏賴 賲賳賲 賴賲蹖賳胤賵乇 丕賲丕 賳賵蹖爻賳丿賴 丕毓鬲賯丕丿 丿丕乇賴 丕夭 賱丨丕馗 丿爻鬲賵乇 夭亘丕賳蹖 丕卮鬲亘丕爻鬲 賵 亘丕蹖丿 亘诏賴 賲賳賲 丿賵爻鬲鬲 丿丕乇賲
丕蹖賳讴賴 倬爻乇 賱賳蹖 亘丕 丕蹖賳 賴賲賴 亘丿亘禺鬲蹖 亘夭乇诏 卮丿賴 丕賲丕 賱賳蹖 丕賵賳賵 賳賲蹖賮乇爻鬲賴 賲丿乇爻賴 賵 丕賵賳 卮丿賴 夭亘丕賱賴 噩賲毓 讴賳!!!!
倬丕乇賴 卮丿賳 丿讴賲賴 讴鬲 賳賵蹖爻賳丿賴 鬲賵爻胤 賴賵蹖夭乇 倬蹖乇 賵丕賯毓丕 亘丕賲夭賴 亘賵丿
丕爻鬲 讴賴 鬲丕 賮氐賵賱 丌禺乇 噩丕賳亘丿丕乇丕賳賴 丕夭 夭賳丿诏蹖 夭賳 鄞鄹爻丕賱賴 賵 夭蹖亘丕蹖蹖 亘賴 賳丕賲 芦賱賳蹖禄 诏夭丕乇卮 鬲賴蹖賴 賲蹖鈥屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屭┵嗀�.芦賱賳蹖禄 丿乇 丨丕賱蹖 讴賴 丿乇 賲乇讴夭 乇賲丕賳 賯乇丕乇 丿丕乇丿 賵 乇卮鬲踿 賴賲踿 丨賱賯賴鈥屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屬囏й� 鬲卮讴蹖賱鈥屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屫囐嗀€ 丕孬乇 丕爻鬲貙 亘蹖卮 丕夭 蹖讴蹖 丿賵 亘丕乇 丌賳 賴賲 亘爻蹖丕乇 讴賵鬲丕賴貙 丨囟賵乇 賲爻鬲賯蹖賲 賳丿丕乇丿. .爻蹖賲丕蹖 芦賱賳蹖禄 丿乇 丕蹖賳 乇賲丕賳 丕夭 趩賴乇賴鈥屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屬囏й� 賮乇丕賲賵卮鈥屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屬嗀簇嗃� 夭賳丕賳 丿乇 乇賲丕賳鈥屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屸€屬囏й� 倬爻 丕夭 噩賳诏 丕爻鬲.
丕夭 賯爻賲鬲賴丕蹖 夭蹖亘丕 賵 鬲讴丕賳 丿賴賳丿賴 賵 亘丕賲夭賴 讴鬲丕亘:
亘賵爻蹖丿賳 乇丕賴亘賴 讴賱賲丕賳鬲蹖賳 鬲賵爻胤 賳賵蹖爻賳丿賴 賵 丕蹖賳讴賴 毓丕卮賯 丕蹖賳 夭賳 賲蹖卮賴
賲乇诏 倬丿乇 賱賳蹖 亘丕 丕賮鬲丕丿賳 亘乇賵蹖 賲蹖賱賴 賴丕蹖 爻丕禺鬲賲丕賳蹖 丿乇 丨丕賱 鬲禺乇蹖亘
爻賵丕乇 卮丿賳 賱賳蹖 亘乇 丿賵趩乇禺賴 賵 倬蹖賲賵丿賳 賲爻蹖乇蹖 胤賵賱丕賳蹖 亘乇丕蹖 倬蹖丿丕 讴乇丿賳 亘賵乇蹖爻 賵 诏匕卮鬲賳 丕夭 賲乇夭賴丕 賵 丕蹖賳讴賴 亘丕賱丕禺乇賴 丕賵賳賵 鬲賵蹖 賯亘乇爻鬲丕賳 丿乇 禺丕賳賴 丕亘丿蹖卮 倬蹖丿丕 賲蹖讴賳賴
丕蹖賳讴賴 賱賳蹖 丿賲 丿乇 丿爻鬲卮賵蹖蹖 诏賱禺賵賳賴 亘賴 亘賵乇蹖爻 賲蹖诏賴 丿賵爻卮 丿丕乇賴 賵 亘賵乇爻 賴賲 賲蹖诏賴 賲賳賲 賴賲蹖賳胤賵乇 丕賲丕 賳賵蹖爻賳丿賴 丕毓鬲賯丕丿 丿丕乇賴 丕夭 賱丨丕馗 丿爻鬲賵乇 夭亘丕賳蹖 丕卮鬲亘丕爻鬲 賵 亘丕蹖丿 亘诏賴 賲賳賲 丿賵爻鬲鬲 丿丕乇賲
丕蹖賳讴賴 倬爻乇 賱賳蹖 亘丕 丕蹖賳 賴賲賴 亘丿亘禺鬲蹖 亘夭乇诏 卮丿賴 丕賲丕 賱賳蹖 丕賵賳賵 賳賲蹖賮乇爻鬲賴 賲丿乇爻賴 賵 丕賵賳 卮丿賴 夭亘丕賱賴 噩賲毓 讴賳!!!!
倬丕乇賴 卮丿賳 丿讴賲賴 讴鬲 賳賵蹖爻賳丿賴 鬲賵爻胤 賴賵蹖夭乇 倬蹖乇 賵丕賯毓丕 亘丕賲夭賴 亘賵丿
December 26, 2013
It is often the mark of a truly great book that style is at least as important as other aspects such a story line or character definition. I have found this literary quality to be true in masterpieces by James Joyce, Proust, Faulkner, Gaddis, Gass, Virginia Woolf and many other genius literary novelists. In fact, telling a tale in a new literary style distinguishes a good writer from a great one in my book. So much so that I tend to discount straight-ahead narrative styles as mundane and seek out novelists engaged in stylistic innovation. Heinrich Boll is a novelist who wants to narrate in a new way. He is focused upon German society during and after World War II when that nation was obliterated by Russian, American, British and French allies. Boll's story is presented as a portrait of a lady, Leni Pfeiffer, against the backdrop of a group her friends, family, colleagues, religious advisers and lovers. The Author (Au.) presents this portrait in such a way that we see the protagonist with incredibly precise brush strokes from the point-of-view of the Author making a bureaucratic inquiry of Leni and through his research we come to know her by way of what others tell him about her. In this sense we also come to know the Group based upon their perspectives in their narrations about the lady. Leni may well be one of the finest character studies of the 20th century because of the narrative style driving the story line. The story itself primarily has to do with members of German society, high and low, as they cope with the advance of American and Russian troops toward the close of World War II inside Germany. This time period was so intense that its impact became telling in the way it defined the characters by their wit, intelligence,resourcefulness and integrity under pressure. Boll introduces a cast at the outset as if the novel were a dramatic production. To gain the most from your reading I would advise you to spend a few minutes understanding the players at the start and then refer back to them a few times as you move forward. There are two Heinrich's, for example, in the cast and the Au. likes to abbreviate the players so that they sometimes may seem unclear as references in the narration. The author seems determined that you'll know his characters so well that you'll follow them even when he refers only to their initials. William Gaddis took a similar approach when in "JR" he declined to define any of the speakers in his National Book Award Winning Novel. Boll manages to create a 3D person from the 2D pages of his book in his narrative technique and is able to drive a story line through his use of actual events in WWII in Germany. The view from inside Germany during its capitulation is intriguing as told by Boll who fought in and lived through the war. The intensity of human experience tends to ramp-up exponentially, of course, when an Au. has witnessed first-hand what Boll actually saw inside Germany during WWII. At first I was a bit taken aback by the literary style and translation but with a modicum of patience it drove me into interiors of consciousness of the group and the lady in an uncommonly penetrating narrative. Of course, Boll became a Nobel Prize Winner and leading light within PEN International in large part because of the densely rich and enlightening narrative style of this novel. If you like literary novels, then odds are you will love this one: I would consider it a masterpiece by virtue of its invention in literary style.
September 6, 2016
Ecco un vero capolavoro, un libro che racconta un'epoca storica ben precisa, ma al tempo stesso valido ed attuale in ogni epoca.
Boll (l' Autore) racconta la storia di Leni attraverso le testimonianze di chi l'ha conosciuta negli anni terribili del nazismo e della guerra, raccolte con teutonica metodicit脿 e con discreti interventi in prima persona.
Gli intervistati, come sempre accade, pi霉 che della protagonista di cui dovrebbero parlare, parlano di loro stessi sebbene in relazione a Leni.
Ed 猫 cos矛 che si sviluppa 鈥渓a foto di Gruppo鈥�: galleria di ritratti indimenticabili, abbastanza 鈥渄iversamente tedeschi鈥� e spesso paradossali, primo fra tutti quello della suora ebrea coprofila che muore in odore di santit脿 dopo le privazioni e la segregazione cui le consorelle la obbligano per salvarla dall'olocausto (!).
Al centro della foto Leni, che non compare quasi mai e non prende mai la parola, ma nondimeno 猫 uno dei personaggi indimenticabili della letteratura: prima benestante figlia di famiglia collusa con il nazismo, poi caduta in disgrazia, due volte vedova durante la guerra, ha un figlio da un prigioniero russo, nel dopoguerra affitta la casa a 鈥済astarbeiter鈥� turchi ed italiani a prezzo irrisorio attirando le censure dei parenti proiettati nella nuovamente opulenta Germania. Leni attraversa tutte queste vicende con naturalezza ignorando la parola pregiudizio e paura del diverso.
Lettura salutare e sempre attuale. Oggi pi霉 che mai.
Boll (l' Autore) racconta la storia di Leni attraverso le testimonianze di chi l'ha conosciuta negli anni terribili del nazismo e della guerra, raccolte con teutonica metodicit脿 e con discreti interventi in prima persona.
Gli intervistati, come sempre accade, pi霉 che della protagonista di cui dovrebbero parlare, parlano di loro stessi sebbene in relazione a Leni.
Ed 猫 cos矛 che si sviluppa 鈥渓a foto di Gruppo鈥�: galleria di ritratti indimenticabili, abbastanza 鈥渄iversamente tedeschi鈥� e spesso paradossali, primo fra tutti quello della suora ebrea coprofila che muore in odore di santit脿 dopo le privazioni e la segregazione cui le consorelle la obbligano per salvarla dall'olocausto (!).
Al centro della foto Leni, che non compare quasi mai e non prende mai la parola, ma nondimeno 猫 uno dei personaggi indimenticabili della letteratura: prima benestante figlia di famiglia collusa con il nazismo, poi caduta in disgrazia, due volte vedova durante la guerra, ha un figlio da un prigioniero russo, nel dopoguerra affitta la casa a 鈥済astarbeiter鈥� turchi ed italiani a prezzo irrisorio attirando le censure dei parenti proiettati nella nuovamente opulenta Germania. Leni attraversa tutte queste vicende con naturalezza ignorando la parola pregiudizio e paura del diverso.
Lettura salutare e sempre attuale. Oggi pi霉 che mai.
May 1, 2023
B枚ll: il premio Nobel delle macerie e della ricostruzione del dopoguerra tedesco.
Nel'anno del suo Nobel, correva il 1972, al pi霉 prestigioso riconoscimento letterario mondiale erano candidati anche ben tre autori italiani: Riccardo Bacchelli, Eugenio Montale, e Alberto Moravia.
Probabilmente la forza, il tema e l'originalit脿 di architettura stilistica di questo romanzo deve invece avere dato un contributo importante all'assegnazione del premio a Heinrich Theodor B枚ll.
E ridendo e scherzando, anche se quando si legge B枚ll c'猫 sempre veramente poco da ridere e pure i tempi nostri di oggi cos矛 cupi, direi quasi apocalittici, mal si coniugano ad alcun tentativo di letizia o serenit脿, comunque dicevo vabb猫 che, ridendo e scherzando, sono arrivata al mio quarto Boll.
Con Foto di gruppo con signora(titolo assolutamente cinematografico) siamo pi霉 dalla parte de L'onore perduto di Katharina Blum piuttosto che di E non disse nemmeno una parola, che invece 猫 pervaso da una dolenza che, all'et脿 in cui lo lessi, mi aveva totalmente sopraffatto, laddove invece abbandonai proprio Opinioni di un clown che peraltro desidero riprendere.
Oggi invece mi sentirei di affermare di essere una Bolliana di ritorno.
Appunto siamo pi霉 dalla parte de L'onore perduto di Katharina Blum perch茅 questo romanzo ha un' atmosfera quasi da spy story, tiene in sospeso il lettore infondendo quella sensazione che qualcosa di sconvolgente debba accadere, lasciandolo quasi fino all'epilogo sulla soglia psicologica di un'attesa.
Se poi accadr脿, non accadr脿, si verificher脿 quel qualcosa, qui e ora non mi 猫 dato dirlo, nemmeno sotto le torture pi霉 spietata dell'inquisizione spagnola.
In realt脿 猫 una ricostruzione documentaria paziente, pedante, meticolosa in cui un giornalista A. (P.s. B枚ll utilizza le iniziali per identificare i personaggi che affollano il romanzo e che sono piuttosto numerosi ingenerando anche una bella confusione pertanto consiglio di farsi uno specchietto) ricostruisce la personalit脿 di una donna Leni Gruyten.
Di lei B枚ll dir脿:
Ho tentato di descrivere, o di scrivere il destino di una donna tedesca che si avvicina alla cinquantina, e che ha dovuto portare tutto il peso della Storia tra il 1922 e il 1970.
Perch茅 猫 un romanzo intriso della storia delle due Guerre e soprattutto del dopoguerra tedesco, visto e vissuto dall'interno del popolo invasore, con il peso anche inconsapevole della colpa.
Paradossalmente Leni, di cui B枚ll scrive per circa 350 pagine, 猫 in realt脿 la grande assente perch茅 di lei si parla quasi sempre per interposta persona, ma ugualmente di lei si sapr脿 tutto.
E Leni 猫 una donna a cui mi sono affezionata particolarmente, che B枚ll ricopre di una colata di sospetta intensa ambigua sensualit脿, con il paradosso che era sensuale, proprio perch茅 non lo era del tutto.
Nel'anno del suo Nobel, correva il 1972, al pi霉 prestigioso riconoscimento letterario mondiale erano candidati anche ben tre autori italiani: Riccardo Bacchelli, Eugenio Montale, e Alberto Moravia.
Probabilmente la forza, il tema e l'originalit脿 di architettura stilistica di questo romanzo deve invece avere dato un contributo importante all'assegnazione del premio a Heinrich Theodor B枚ll.
E ridendo e scherzando, anche se quando si legge B枚ll c'猫 sempre veramente poco da ridere e pure i tempi nostri di oggi cos矛 cupi, direi quasi apocalittici, mal si coniugano ad alcun tentativo di letizia o serenit脿, comunque dicevo vabb猫 che, ridendo e scherzando, sono arrivata al mio quarto Boll.
Con Foto di gruppo con signora(titolo assolutamente cinematografico) siamo pi霉 dalla parte de L'onore perduto di Katharina Blum piuttosto che di E non disse nemmeno una parola, che invece 猫 pervaso da una dolenza che, all'et脿 in cui lo lessi, mi aveva totalmente sopraffatto, laddove invece abbandonai proprio Opinioni di un clown che peraltro desidero riprendere.
Oggi invece mi sentirei di affermare di essere una Bolliana di ritorno.
Appunto siamo pi霉 dalla parte de L'onore perduto di Katharina Blum perch茅 questo romanzo ha un' atmosfera quasi da spy story, tiene in sospeso il lettore infondendo quella sensazione che qualcosa di sconvolgente debba accadere, lasciandolo quasi fino all'epilogo sulla soglia psicologica di un'attesa.
Se poi accadr脿, non accadr脿, si verificher脿 quel qualcosa, qui e ora non mi 猫 dato dirlo, nemmeno sotto le torture pi霉 spietata dell'inquisizione spagnola.
In realt脿 猫 una ricostruzione documentaria paziente, pedante, meticolosa in cui un giornalista A. (P.s. B枚ll utilizza le iniziali per identificare i personaggi che affollano il romanzo e che sono piuttosto numerosi ingenerando anche una bella confusione pertanto consiglio di farsi uno specchietto) ricostruisce la personalit脿 di una donna Leni Gruyten.
Di lei B枚ll dir脿:
Ho tentato di descrivere, o di scrivere il destino di una donna tedesca che si avvicina alla cinquantina, e che ha dovuto portare tutto il peso della Storia tra il 1922 e il 1970.
Perch茅 猫 un romanzo intriso della storia delle due Guerre e soprattutto del dopoguerra tedesco, visto e vissuto dall'interno del popolo invasore, con il peso anche inconsapevole della colpa.
Paradossalmente Leni, di cui B枚ll scrive per circa 350 pagine, 猫 in realt脿 la grande assente perch茅 di lei si parla quasi sempre per interposta persona, ma ugualmente di lei si sapr脿 tutto.
E Leni 猫 una donna a cui mi sono affezionata particolarmente, che B枚ll ricopre di una colata di sospetta intensa ambigua sensualit脿, con il paradosso che era sensuale, proprio perch茅 non lo era del tutto.
September 6, 2022
卮丕蹖丿 亘賴鬲乇 亘賵丿 讴賴 亘乇丕蹖 讴鬲丕亘 丕爻賲 丕賳诏賱蹖爻蹖 丕賵賳 蹖毓賳蹖芦倬乇鬲乇賴 诏乇賵賴蹖 丕夭 蹖讴 夭賳禄诏匕丕卮鬲賴 賲蹖 卮丿 讴賴 讴丕賲賱丕 賲賳丕爻亘卮 賴爻鬲貙丿丕爻鬲丕賳 丿乇 賲賵乇丿 夭賳蹖 丌賱賲丕賳蹖 亘賴 賳丕賲 賱賳蹖 賮丕蹖賮乇 丿乇 胤賵賱 噩賳诏 噩賴丕賳蹖 丿賵賲 賴爻鬲 貙賵 丌丿賲 賴丕蹖 賲禺鬲賱賮 賳賯胤賴 賳馗乇賴丕 賵 丿丕爻鬲丕賳 賴丕蹖 禺賵丿卮賵賳 乇賵 丕夭 賱賳蹖 鬲毓乇蹖賮 賲蹖 讴賳賳丿 鬲丕 倬丕夭賱 卮禺氐蹖鬲蹖 賱賳蹖 丿乇 胤賵賱 丿丕爻鬲丕賳 讴丕賲賱 亘卮賴貙卮禺氐蹖鬲 倬乇丿丕夭蹖 禺蹖賱蹖 毓丕賱蹖 亘賵丿 賵 丿丕爻鬲丕賳 賮乇丕賲賵卮 賳卮丿賳蹖 賴爻鬲 貙賵 丕蹖賳 卮蹖賵賴 丿丕爻鬲丕賳 賳賵蹖爻蹖 賴丕賳乇蹖卮 亘賱 賴爻鬲 讴賴 卮禺氐蹖鬲 賴丕蹖蹖 爻丕丿賴 賵 亘蹖 睾賱 賵 睾卮 乇賵 丕夭 噩丕賲毓賴 丕賳鬲禺丕亘 讴賳賴 貙乇丕賵蹖 丿丕爻鬲丕賳 丌诏丕賴 賵 亘蹖 胤乇賮 丿丕爻鬲丕賳 乇賵 亘丕爻丕夭蹖 賲蹖讴賳賴 賵 卮賲丕 亘丕 夭賳蹖 乇賵亘賴 乇賵 賲蹖 卮蹖丿 讴賴 卮丕蹖丿 丿乇 賳诏丕賴 丕賵賱 亘賴 賳馗乇 亘乇爻賴 亘丕 賲爻丕卅賱 爻蹖丕爻蹖 賵 丕噩鬲賲丕毓蹖 夭賲丕賳 禺賵丿卮 讴丕乇蹖 賳丿丕乇賴 丕賲丕 亘毓丿 賲鬲賵噩賴 賲蹖卮蹖賲 讴賴 夭賳 趩賯丿乇 亘賴 賲爻丕卅賱 夭賲丕賳卮 丌诏丕賴 亘賵丿鈥� 賵 賳賯卮 賮毓丕賱蹖 丿丕卮鬲貙
丕夭 夭賲丕賳 賲丿乇爻賴 賵 夭賳丿诏蹖卮 亘丕 乇丕賴亘賴 賴丕 賵 鬲賮讴乇丕鬲 诏丕賴丕 毓噩蹖亘 賵 睾乇蹖亘 賱賳蹖 賵 賴賲賴 賲丕噩乇丕賴丕蹖 丿賵爻鬲 丿丕卮鬲賳蹖 丕賵賳 亘丕 乇丕賴亘賴 乇丕卮賱 賵 卮禺氐蹖鬲 倬乇丿丕夭蹖 禺蹖賱蹖 毓丕賱蹖 乇丕卮賱 鬲丕 賲丕噩乇丕賴丕蹖 毓丕卮賯丕賳賴 賱賳蹖貙讴丕乇 讴乇丿賳卮 丿乇 夭賲丕賳 噩賳诏 賵 賳亘賵睾卮 丿乇 丕丿丕乇賴 诏賱賮乇賵卮蹖 賴賲賴 趩蹖夭 禺蹖賱蹖 毓丕賱蹖 賵 丿賵爻鬲 丿丕卮鬲賳蹖 倬蹖卮 乇賮鬲....賵 賲蹖亘蹖賳蹖賲 讴賴 賱賳蹖 賴乇 讴丕乇蹖 乇賵 卮乇賵毓 賲蹖 讴賳賴 亘賴 毓丕賱蹖 鬲乇蹖賳 卮讴賱 賲賲讴賳 丕賳噩丕賲卮 賲蹖 丿賴 倬爻 賱賳蹖 禺蹖賱蹖 亘丕賴賵卮 賴爻鬲貙賵 噩丕賴丕蹖蹖 丕夭 讴鬲丕亘 賵丕賯毓丕 鬲氐賵乇賲賵賳 丕夭 賱賳蹖 亘賴 賴賲 賲蹖 乇蹖夭賴 賵 鬲賳丕賯囟 賴丕蹖 賯卮賳诏蹖 乇賵 丿乇 丿丕爻鬲丕賳 賲蹖 亘蹖賳蹖賲貙丕诏賴 亘賴 丿丕爻鬲丕賳 賴丕蹖蹖 讴賴 丿乇 夭賲蹖賳賴 噩賳诏 賴爻鬲 毓賱丕賯賴 丿丕乇蹖丿 賲賳 丕蹖賳 讴鬲丕亘 乇賵 禺蹖賱蹖 禺蹖賱蹖 倬蹖卮賳賴丕丿 賲蹖丿賲 趩賵賳 賳賵毓 乇賵丕蹖鬲 賴賲 禺卮讴 賳蹖爻鬲 貙丿乇 亘毓囟蹖 噩丕賴丕 丕蹖賳 讴鬲丕亘 亘丕 胤亘賱 丨賱亘蹖 賵 爻丕賱 賴丕蹖 爻诏 诏賵賳鬲乇 诏乇丕爻 賴賲 賲賯丕蹖爻賴 卮丿賴 賵 賲賳 亘賴 毓賳賵丕賳 讴爻蹖 讴賴 爻丕賱 賴丕蹖 爻诏 乇賵 禺賵賳丿賴 亘丕蹖丿 亘诏賲 丕蹖賳 乇賵丕蹖鬲 亘乇丕賲 丿賱趩爻亘 鬲乇 亘賵丿 賵 禺賵賳丿賳卮 乇丕丨鬲 鬲乇 賴乇趩賳丿 賴賳賵夭 賵丕賯毓丕 卮禺氐蹖鬲 賴丕蹖 爻丕賱 賴丕蹖 爻诏 丿乇 匕賴賳賲 夭賳丿賴 賴爻鬲賳丿貙丕賲丕 爻丕賱 賴丕蹖 爻诏 禺蹖賱蹖 爻禺鬲 禺賵丕賳 亘賵丿 ...
噩丕賴丕蹖蹖 丕夭 丿丕爻鬲丕賳 賲蹖 亘蹖賳蹖賲 讴賴 賱賳蹖 趩胤賵乇 亘丕 禺卮賲 丌丿賲 賴丕 賵 賳賮乇鬲 賵乇夭蹖 丕賵賳 賴丕 乇賵 亘賴 乇賵 賲蹖卮賴 貙亘賴 胤賵乇蹖 讴賴 賲噩亘賵乇 賲蹖卮賴 亘乇丕蹖 蹖讴蹖 丕夭 賱匕鬲 賴丕蹖 夭賳丿诏蹖卮 讴賴 禺賵乇丿賳 賳丕賳 鬲丕夭賴 賴爻鬲 貙賲爻鬲丕噩乇卮 乇賵 亘賮乇爻鬲賴 亘乇丕卮 鬲賴蹖賴 讴賳賴 趩賵賳 鬲賵蹖 禺蹖丕亘賵賳 賴丕 賳丕爻夭丕 賲蹖卮賳賵賴 賵 丿丕爻鬲丕賳 噩賵乇蹖 倬蹖卮 賲蹖乇賴 讴賴 賱賳蹖 丕夭 蹖讴 卮禺氐蹖鬲 鬲乇爻賵 鬲亘丿蹖賱 亘賴 蹖讴 賳賲丕丿 賲蹖卮賴 讴賴 丨鬲蹖 賵賯鬲蹖 賲蹖禺賵丕賴賳丿 丕賵賳 乇賵 丕夭 禺賵賳賴 丕卮 亘蹖乇賵賳 亘蹖賳丿丕夭賳丿 貙賲乇丿賲 鬲氐丕丿賮蹖 爻丕禺鬲诏蹖 亘賴 賵噩賵丿 賲蹖丕乇賳 鬲丕 丕蹖賳 讴丕乇 亘丕 賲卮讴賱 賲賵丕噩賴 亘卮賴 賵 丕賳丨胤丕胤 賴丕蹖蹖 讴賴 丿乇 胤賵賱 乇賲丕賳 亘丕賴丕卮 賲賵丕噩賴 賲蹖卮蹖賲 讴賴 趩胤賵乇 丿乇 夭賲丕賳 噩賳诏 亘毓囟蹖 賴丕 亘丕 丕賳亘丕乇 讴乇丿賳 丌賴賳 賵 禺乇蹖丿 禺賵賳賴 賴丕 貙禺賵丿卮賵賳 乇賵 亘乇丕蹖 孬乇賵鬲 亘毓丿 丕夭 噩賳诏 丌賲丕丿賴 賲蹖讴賳賳丿 賵 亘丕夭賴賲 賳賯卮 賱賳蹖 讴賴 賴乇 丌丿賲蹖 讴賴 丕夭 噩丕賲毓賴 胤乇丿 賲蹖卮賴 乇賵 亘賴 毓賳賵丕賳 賲爻鬲丕噩乇 賯亘賵賱 賲蹖讴賳賴 亘丿賵賳 卮讴 賱賳蹖 夭賳蹖 賮乇丕賲賵卮 賳卮丿賳蹖 亘乇丕蹖 賴賲賴 亘賵丿賴 賵 賴賲賴 鬲氐賵蹖乇賴丕蹖蹖 讴賴 丕夭 賲乇丿賲 毓丕丿蹖 丿乇 夭賲丕賳 噩賳诏 賵噩賵丿 丿丕卮鬲貙讴丕乇诏乇蹖貙睾匕丕蹖 讴賲讴貙亘蹖賲丕乇蹖 賵 賲乇诏 賵 賮乇爻鬲丕丿賴 卮丿賳 亘賴 丕乇丿賵诏丕賴 賴丕蹖 賲乇诏 貙賴賲賴 丿丕爻鬲丕賳 亘賴 賳賵毓 賲賱賲賵爻蹖 乇賵丕蹖鬲 賲蹖卮賴 賵 賲賳 賵丕賯毓丕 丕蹖賳 乇賵丕蹖鬲 乇賵 丿賵爻鬲 丿丕卮鬲賲鈦κ暵丰触路蕯鈦�
丕夭 夭賲丕賳 賲丿乇爻賴 賵 夭賳丿诏蹖卮 亘丕 乇丕賴亘賴 賴丕 賵 鬲賮讴乇丕鬲 诏丕賴丕 毓噩蹖亘 賵 睾乇蹖亘 賱賳蹖 賵 賴賲賴 賲丕噩乇丕賴丕蹖 丿賵爻鬲 丿丕卮鬲賳蹖 丕賵賳 亘丕 乇丕賴亘賴 乇丕卮賱 賵 卮禺氐蹖鬲 倬乇丿丕夭蹖 禺蹖賱蹖 毓丕賱蹖 乇丕卮賱 鬲丕 賲丕噩乇丕賴丕蹖 毓丕卮賯丕賳賴 賱賳蹖貙讴丕乇 讴乇丿賳卮 丿乇 夭賲丕賳 噩賳诏 賵 賳亘賵睾卮 丿乇 丕丿丕乇賴 诏賱賮乇賵卮蹖 賴賲賴 趩蹖夭 禺蹖賱蹖 毓丕賱蹖 賵 丿賵爻鬲 丿丕卮鬲賳蹖 倬蹖卮 乇賮鬲....賵 賲蹖亘蹖賳蹖賲 讴賴 賱賳蹖 賴乇 讴丕乇蹖 乇賵 卮乇賵毓 賲蹖 讴賳賴 亘賴 毓丕賱蹖 鬲乇蹖賳 卮讴賱 賲賲讴賳 丕賳噩丕賲卮 賲蹖 丿賴 倬爻 賱賳蹖 禺蹖賱蹖 亘丕賴賵卮 賴爻鬲貙賵 噩丕賴丕蹖蹖 丕夭 讴鬲丕亘 賵丕賯毓丕 鬲氐賵乇賲賵賳 丕夭 賱賳蹖 亘賴 賴賲 賲蹖 乇蹖夭賴 賵 鬲賳丕賯囟 賴丕蹖 賯卮賳诏蹖 乇賵 丿乇 丿丕爻鬲丕賳 賲蹖 亘蹖賳蹖賲貙丕诏賴 亘賴 丿丕爻鬲丕賳 賴丕蹖蹖 讴賴 丿乇 夭賲蹖賳賴 噩賳诏 賴爻鬲 毓賱丕賯賴 丿丕乇蹖丿 賲賳 丕蹖賳 讴鬲丕亘 乇賵 禺蹖賱蹖 禺蹖賱蹖 倬蹖卮賳賴丕丿 賲蹖丿賲 趩賵賳 賳賵毓 乇賵丕蹖鬲 賴賲 禺卮讴 賳蹖爻鬲 貙丿乇 亘毓囟蹖 噩丕賴丕 丕蹖賳 讴鬲丕亘 亘丕 胤亘賱 丨賱亘蹖 賵 爻丕賱 賴丕蹖 爻诏 诏賵賳鬲乇 诏乇丕爻 賴賲 賲賯丕蹖爻賴 卮丿賴 賵 賲賳 亘賴 毓賳賵丕賳 讴爻蹖 讴賴 爻丕賱 賴丕蹖 爻诏 乇賵 禺賵賳丿賴 亘丕蹖丿 亘诏賲 丕蹖賳 乇賵丕蹖鬲 亘乇丕賲 丿賱趩爻亘 鬲乇 亘賵丿 賵 禺賵賳丿賳卮 乇丕丨鬲 鬲乇 賴乇趩賳丿 賴賳賵夭 賵丕賯毓丕 卮禺氐蹖鬲 賴丕蹖 爻丕賱 賴丕蹖 爻诏 丿乇 匕賴賳賲 夭賳丿賴 賴爻鬲賳丿貙丕賲丕 爻丕賱 賴丕蹖 爻诏 禺蹖賱蹖 爻禺鬲 禺賵丕賳 亘賵丿 ...
噩丕賴丕蹖蹖 丕夭 丿丕爻鬲丕賳 賲蹖 亘蹖賳蹖賲 讴賴 賱賳蹖 趩胤賵乇 亘丕 禺卮賲 丌丿賲 賴丕 賵 賳賮乇鬲 賵乇夭蹖 丕賵賳 賴丕 乇賵 亘賴 乇賵 賲蹖卮賴 貙亘賴 胤賵乇蹖 讴賴 賲噩亘賵乇 賲蹖卮賴 亘乇丕蹖 蹖讴蹖 丕夭 賱匕鬲 賴丕蹖 夭賳丿诏蹖卮 讴賴 禺賵乇丿賳 賳丕賳 鬲丕夭賴 賴爻鬲 貙賲爻鬲丕噩乇卮 乇賵 亘賮乇爻鬲賴 亘乇丕卮 鬲賴蹖賴 讴賳賴 趩賵賳 鬲賵蹖 禺蹖丕亘賵賳 賴丕 賳丕爻夭丕 賲蹖卮賳賵賴 賵 丿丕爻鬲丕賳 噩賵乇蹖 倬蹖卮 賲蹖乇賴 讴賴 賱賳蹖 丕夭 蹖讴 卮禺氐蹖鬲 鬲乇爻賵 鬲亘丿蹖賱 亘賴 蹖讴 賳賲丕丿 賲蹖卮賴 讴賴 丨鬲蹖 賵賯鬲蹖 賲蹖禺賵丕賴賳丿 丕賵賳 乇賵 丕夭 禺賵賳賴 丕卮 亘蹖乇賵賳 亘蹖賳丿丕夭賳丿 貙賲乇丿賲 鬲氐丕丿賮蹖 爻丕禺鬲诏蹖 亘賴 賵噩賵丿 賲蹖丕乇賳 鬲丕 丕蹖賳 讴丕乇 亘丕 賲卮讴賱 賲賵丕噩賴 亘卮賴 賵 丕賳丨胤丕胤 賴丕蹖蹖 讴賴 丿乇 胤賵賱 乇賲丕賳 亘丕賴丕卮 賲賵丕噩賴 賲蹖卮蹖賲 讴賴 趩胤賵乇 丿乇 夭賲丕賳 噩賳诏 亘毓囟蹖 賴丕 亘丕 丕賳亘丕乇 讴乇丿賳 丌賴賳 賵 禺乇蹖丿 禺賵賳賴 賴丕 貙禺賵丿卮賵賳 乇賵 亘乇丕蹖 孬乇賵鬲 亘毓丿 丕夭 噩賳诏 丌賲丕丿賴 賲蹖讴賳賳丿 賵 亘丕夭賴賲 賳賯卮 賱賳蹖 讴賴 賴乇 丌丿賲蹖 讴賴 丕夭 噩丕賲毓賴 胤乇丿 賲蹖卮賴 乇賵 亘賴 毓賳賵丕賳 賲爻鬲丕噩乇 賯亘賵賱 賲蹖讴賳賴 亘丿賵賳 卮讴 賱賳蹖 夭賳蹖 賮乇丕賲賵卮 賳卮丿賳蹖 亘乇丕蹖 賴賲賴 亘賵丿賴 賵 賴賲賴 鬲氐賵蹖乇賴丕蹖蹖 讴賴 丕夭 賲乇丿賲 毓丕丿蹖 丿乇 夭賲丕賳 噩賳诏 賵噩賵丿 丿丕卮鬲貙讴丕乇诏乇蹖貙睾匕丕蹖 讴賲讴貙亘蹖賲丕乇蹖 賵 賲乇诏 賵 賮乇爻鬲丕丿賴 卮丿賳 亘賴 丕乇丿賵诏丕賴 賴丕蹖 賲乇诏 貙賴賲賴 丿丕爻鬲丕賳 亘賴 賳賵毓 賲賱賲賵爻蹖 乇賵丕蹖鬲 賲蹖卮賴 賵 賲賳 賵丕賯毓丕 丕蹖賳 乇賵丕蹖鬲 乇賵 丿賵爻鬲 丿丕卮鬲賲鈦κ暵丰触路蕯鈦�
May 6, 2016
螚 喂蟽蟿慰蟻委伪 渭喂伪蟼 纬蠀谓伪委魏伪蟼 伪位位维 蠈蠂喂 渭蠈谓慰. 螤蟻慰蟽蟺伪胃蠋谓蟿伪蟼 谓伪 蠁蟿喂维尉蔚喂 蟿慰 蟺慰蟻蟿蟻伪委蟿慰 蟿畏蟼, 慰 蟽蠀纬纬蟻伪蠁苇伪蟼 蠂蟻畏蟽喂渭慰蟺慰喂蔚委 魏蠀蟻委蠅蟼 蟿喂蟼 渭伪蟻蟿蠀蟻委蔚蟼 蟿蠅谓 伪谓胃蟻蠋蟺蠅谓 纬蠉蟻蠅 蟿畏蟼 魏伪喂 渭苇蟽伪 伪蟺蠈 伪蠀蟿苇蟼 尾位苇蟺慰蠀渭蔚 谓伪 味蠅纬蟻伪蠁委味蔚蟿伪喂 渭蔚 蠂蔚喂蟻慰蠀蟻纬喂魏萎 伪魏蟻委尾蔚喂伪 畏 未蠀蟽蟿蠀蠂委伪 魏伪喂 慰喂 未喂伪位蠀渭苇谓蔚蟼 味蠅苇蟼 伪谓胃蟻蠋蟺蠅谓 蟺慰蠀 蟽蠉蟻胃畏魏伪谓 蟽蔚 苇谓伪谓 蟺蠈位蔚渭慰, 萎 蟿慰谓 蔚蟺苇位蔚尉伪谓, 蟿苇蟿慰喂蠅谓 蟿蟻慰渭伪魏蟿喂魏蠋谓 未喂伪蟽蟿维蟽蔚蠅谓 魏伪胃蠋蟼 魏伪喂 蟿伪 渭蔚胃蔚蠈蟻蟿喂维 蟿慰蠀. 围蟻畏蟽喂渭慰蟺慰喂蠋谓蟿伪蟼 渭喂伪 谓蟿慰魏慰蠀渭蔚谓蟿伪蟻委蟽蟿喂魏畏 纬蟻伪蠁萎, 慰 螠蟺蔚位 未蔚谓 蟺伪蟻伪蟽蠉蟻蔚蟿伪喂 慰蠉蟿蔚 蟽蟿慰 蟿蠈蟽慰 蟽蔚 纬位蠀魏蔚蟻慰蠉蟼 蟽蠀谓伪喂蟽胃畏渭伪蟿喂蟽渭慰蠉蟼 蠂蠅蟻委蟼 蠈渭蠅蟼 谓伪 蟽蟿蔚蟻蔚委蟿伪喂 蟿慰 魏蔚委渭蔚谓慰 伪谓胃蟻蠅蟺喂蟽渭慰蠉 魏伪喂 蔚谓蟽蠀谓伪委蟽胃畏蟽畏蟼. 螒蟺委蟽蟿蔚蠀蟿畏 蟿慰喂蠂慰纬蟻伪蠁委伪 蠈蠂喂 渭蠈谓慰 蟿畏蟼 螕蔚蟻渭伪谓委伪蟼 伪位位维 魏伪喂 魏伪蟿维 魏维蟺慰喂慰 蟿蟻蠈蟺慰 蟿畏蟼 螘蠀蟻蠋蟺畏蟼 蠈位畏蟼. 螆谓伪 尾喂尾位委慰 蟺慰蠀 蟿伪 蟺苇谓蟿蔚 伪蟽蟿蔚蟻维魏喂伪 未蔚谓 蔚委谓伪喂 伪蟻魏蔚蟿维 魏伪喂 蟽委纬慰蠀蟻伪 苇谓伪 尾喂尾位委慰 蟺慰位蠀蔚蟺委蟺蔚未慰 蟺慰蠀 蟽蔚 尾蠀胃委味蔚喂 蟽蔚 蟽魏苇蠄蔚喂蟼, 魏伪喂 蟺慰蠀 蟽蔚 魏维谓蔚喂 谓伪 胃蔚蟼 谓伪 蟿慰 尉伪谓伪未喂伪尾维蟽蔚喂蟼.
违螕 螝伪蟿伪蟺位畏魏蟿喂魏萎 渭蔚蟿维蠁蟻伪蟽畏 伪蟺蠈 蟿畏 螠伪蟻纬伪蟻委蟿伪 螙伪蠂伪蟻喂维未慰蠀.
违螕 螝伪蟿伪蟺位畏魏蟿喂魏萎 渭蔚蟿维蠁蟻伪蟽畏 伪蟺蠈 蟿畏 螠伪蟻纬伪蟻委蟿伪 螙伪蠂伪蟻喂维未慰蠀.
June 5, 2016
賷賰 賰鬲丕亘 亘丕 賷賰 爻亘賰 賳诏丕乇卮 賲鬲賮丕賵鬲 !!
卮禺氐蹖鬲 丕氐賱蹖 丿丕爻鬲丕賳 賱賳蹖 賮丕蹖賮乇 48 爻丕賱賴 賲蹖 亘丕卮丿 .丿丕爻鬲丕賳 丕夭 賲賳馗乇 诏夭丕乇卮 诏賵賳賴 蹖 卮禺氐蹖鬲 賴丕蹖 賳夭丿蹖讴 亘賴 賱賳蹖 賵 亘丕噩賲毓 丌賵乇蹖 丕胤賱丕毓丕鬲 賳賵蹖爻賳丿賴 乇丕噩毓 亘賴 丕賵 亘蹖丕賳 賲蹖 卮賵丿 .賳賵蹖爻賳丿賴 亘丕 诏賮鬲诏賵 亘丕 卮禺氐蹖鬲 賴丕蹖 丿丕爻鬲丕賳 賵 亘丕 讴賳丕乇 賴賲 賳賴丕丿賳 丕蹖賳 诏賮鬲诏賵賴丕 亘丕 爻丕禺鬲 卮禺氐蹖鬲 賱賳蹖 賲蹖 倬乇丿丕夭丿 .賴乇 卮禺氐蹖鬲 亘賳丕 亘賴 賳馗乇 禺賵丿 亘賴 亘蹖丕賳 诏賵卮賴 丕蹖 丕夭 禺丕胤乇丕鬲 賱賳蹖 賵 禺氐賵氐蹖丕鬲 丕禺賱丕賯蹖 丕賵 丕夭 丿蹖丿 禺賵丿 讴賴 氐丨鬲 賵 爻賯賲 丌賳 诏賮鬲丕乇 丿賯蹖賯丕 賲卮禺氐 賳蹖爻鬲 诏賵卮賴 丕蹖 丕夭 倬丕夭賱 卮禺氐蹖鬲 丕氐賱蹖 乇丕 賲蹖 爻丕夭丿 .讴鬲丕亘 丿乇 賲噩賲賵毓 卮亘蹖賴 蹖讴 倬丕夭賱 丕爻鬲 亘丕 丕胤賱丕毓丕鬲 賮乇丕賵丕賳 丕夭 诏賮鬲丕乇 丕胤乇丕賮蹖丕賳 賱賳蹖 讴賴 亘丕 讴賳丕乇 賴賲 賯乇丕乇 丿丕丿賳 丌賳賴丕 賲蹖 鬲賵丕賳 亘賴 丿賵乇丕賳 讴賵丿讴蹖 ,丿賵乇丕賳 鬲丨氐蹖賱 ,毓卮賯 賴丕 賵 賳丕讴丕賲蹖 賴丕 賵 .... 丕賵 倬蹖 亘乇丿 .
卮禺氐蹖鬲 丕氐賱蹖 丿丕爻鬲丕賳 賱賳蹖 賮丕蹖賮乇 48 爻丕賱賴 賲蹖 亘丕卮丿 .丿丕爻鬲丕賳 丕夭 賲賳馗乇 诏夭丕乇卮 诏賵賳賴 蹖 卮禺氐蹖鬲 賴丕蹖 賳夭丿蹖讴 亘賴 賱賳蹖 賵 亘丕噩賲毓 丌賵乇蹖 丕胤賱丕毓丕鬲 賳賵蹖爻賳丿賴 乇丕噩毓 亘賴 丕賵 亘蹖丕賳 賲蹖 卮賵丿 .賳賵蹖爻賳丿賴 亘丕 诏賮鬲诏賵 亘丕 卮禺氐蹖鬲 賴丕蹖 丿丕爻鬲丕賳 賵 亘丕 讴賳丕乇 賴賲 賳賴丕丿賳 丕蹖賳 诏賮鬲诏賵賴丕 亘丕 爻丕禺鬲 卮禺氐蹖鬲 賱賳蹖 賲蹖 倬乇丿丕夭丿 .賴乇 卮禺氐蹖鬲 亘賳丕 亘賴 賳馗乇 禺賵丿 亘賴 亘蹖丕賳 诏賵卮賴 丕蹖 丕夭 禺丕胤乇丕鬲 賱賳蹖 賵 禺氐賵氐蹖丕鬲 丕禺賱丕賯蹖 丕賵 丕夭 丿蹖丿 禺賵丿 讴賴 氐丨鬲 賵 爻賯賲 丌賳 诏賮鬲丕乇 丿賯蹖賯丕 賲卮禺氐 賳蹖爻鬲 诏賵卮賴 丕蹖 丕夭 倬丕夭賱 卮禺氐蹖鬲 丕氐賱蹖 乇丕 賲蹖 爻丕夭丿 .讴鬲丕亘 丿乇 賲噩賲賵毓 卮亘蹖賴 蹖讴 倬丕夭賱 丕爻鬲 亘丕 丕胤賱丕毓丕鬲 賮乇丕賵丕賳 丕夭 诏賮鬲丕乇 丕胤乇丕賮蹖丕賳 賱賳蹖 讴賴 亘丕 讴賳丕乇 賴賲 賯乇丕乇 丿丕丿賳 丌賳賴丕 賲蹖 鬲賵丕賳 亘賴 丿賵乇丕賳 讴賵丿讴蹖 ,丿賵乇丕賳 鬲丨氐蹖賱 ,毓卮賯 賴丕 賵 賳丕讴丕賲蹖 賴丕 賵 .... 丕賵 倬蹖 亘乇丿 .
April 5, 2019
亘賴 賳丕賲 丕賵
蹖丕丿丿丕卮鬲 賲賳 丿乇 賲賵乇丿 讴鬲丕亘 爻蹖賲丕蹖 夭賳蹖 丿乇 賲蹖丕賳 噩賲毓 丿乇 爻丕蹖鬲 卮賴乇爻鬲丕賳 丕丿亘
賴丕蹖賳乇蹖卮 鬲卅賵丿賵乇 亘購賱 亘乇賳丿賴 -噩丕蹖夭賴 賳賵亘賱 1972 丕丿亘蹖丕鬲- 蹖讴蹖 丕夭 亘夭乇诏鬲乇蹖賳 賳賵蹖爻賳丿诏丕賳 毓氐乇 丨丕囟乇 丌賱賲丕賳 賵 噩賴丕賳 丕爻鬲.
賴丕蹖賳乇蹖卮 亘賱 讴賴 丿乇 1917 丿乇 卮賴乇 讴賱賳 亘賴 丿賳蹖丕 丌賲丿賴 丕爻鬲貙 丿乇 噩賵丕賳蹖 亘賴 毓賳賵丕賳 爻乇亘丕夭 噩賳诏 噩賴丕賳蹖 丿賵賲 丕賵囟丕毓 賵蹖跇踿 丌賱賲丕賳 賳丕夭蹖 乇丕 亘賴鈥屫堌ㄛ� 丿乇讴 讴乇丿賴 丕爻鬲. 噩賳诏蹖 讴賴 賴賲 丿乇 丌賳 賲噩乇賵丨 卮丿賴 丕爻鬲 賵 賴賲 丕爻蹖乇 賵 丕夭 賴賲蹖賳鈥屫辟堌池� 讴賴 丿乇 丕讴孬乇 丌孬丕乇卮 蹖丕 亘賳鈥屬呚й屰€ 丕氐賱蹖 丌賳 丿乇 乇丕亘胤賴 亘丕 丕蹖賳 噩賳诏 丕爻鬲貙 蹖丕 丿乇亘乇丿丕乇賳丿踿 诏乇蹖夭賴丕蹖 賲鬲毓丿丿蹖 亘賴 丕蹖賳 賲賯賵賱賴 丕爻鬲.
亘賱 丿乇 丨賵夭賴鈥屬囏й� 賲禺鬲賱賮蹖 賯賱賲 夭丿賴 丕爻鬲貨 亘賴 賴賲蹖賳 禺丕胤乇 丿乇 讴丕乇賳丕賲踿 丕賵 乇賲丕賳鈥屬囏� 賵 丿丕爻鬲丕賳 讴賵鬲丕賴鈥屬囏й� 賲鬲毓丿丿蹖 賯丕亘賱 賲卮丕賴丿賴 丕爻鬲 讴賴 丕夭 丕蹖賳 賲蹖丕賳 賲蹖鈥屫堌з� 亘賴 讴鬲丕亘鈥屬囏й�: 芦爻蹖賲丕蹖賽 夭賳蹖 丿乇 賲蹖丕賳賽 噩賲毓禄貙 芦毓賯丕蹖丿賽 蹖讴 丿賱賯讴禄貙 芦賯胤丕乇 亘賴 賲賵賯毓 乇爻蹖丿禄貙 芦丌亘乇賵蹖 丕夭丿爻鬲鈥屫辟佖€ 讴丕鬲乇蹖賳丕 亘賱賵賲禄貙 芦賳丕賳 爻丕賱鈥屬囏й� 噩賵丕賳蹖禄 賵 芦亘蹖賱蹖丕乇丿 丿乇 爻丕毓鬲 賳賴 賵 賳蹖賲禄 丕卮丕乇賴 讴乇丿.
丌讴丕丿賲蹖 賳賵亘賱 丿乇 賲鬲賳 鬲賯丿蹖賲蹖踿 賳賵亘賱 亘賴 賴丕蹖賳乇蹖卮 亘賱貙 乇賲丕賳 芦爻蹖賲丕蹖賽 夭賳蹖 丿乇 賲蹖丕賳賽 噩賲毓禄 乇丕 噩丕賲毓 丌孬丕乇 丕賵 禺賵丕賳丿 賵 亘丕 賳诏丕賴蹖 讴賱蹖 亘賴 丌孬丕乇 丕賵 賲蹖鈥屫堌з� 丕蹖賳 诏賮鬲賴 乇丕 鬲兀蹖蹖丿 讴乇丿貨 趩乇丕讴賴 賳賴 鬲賳賴丕 丕蹖賳 讴鬲丕亘 倬乇丨噩賲鈥屫臂屬� 丕孬乇 亘賱 賲丨爻賵亘 賲蹖鈥屫促堌� 亘賱讴賴 丕夭 賱丨丕馗 亘丕夭踿 夭賲丕賳蹖 賵 賲賯賵賱丕鬲 賲胤乇丨鈥屫簇� 賳蹖夭貙 诏爻鬲乇踿 賵爻蹖毓鈥屫臂� 乇丕 亘賴 禺賵丿 丕禺鬲氐丕氐 丿丕丿賴 丕爻鬲. 亘賱 丿乇 丕蹖賳 讴鬲丕亘 亘丕 賲丨賵乇蹖鬲 賯乇丕乇 丿丕丿賳 夭賳丿诏蹖 夭賳蹖 趩賴賱鈥屬堚€屬囏簇€屫池з勝� 亘丕 賳丕賲 賱賽賳蹖 诏乇賵蹖鬲賳貙 亘賴 亘乇乇爻蹖 賵賯丕蹖毓 噩賳诏 噩賴丕賳蹖 丕賵賱貙 丿賵賲 賵 丿賵乇丕賳 倬爻 丕夭 噩賳诏 丿乇 丌賱賲丕賳 賵 丕乇賵倬丕 賲蹖鈥屬矩必ж藏� 賵 亘丕 賳诏丕賴蹖 胤賳夭丌賲蹖夭 賵 诏夭賳丿賴貙 丿蹖丿诏丕賴鈥屬囏й� 賲乇爻賵賲 丌賳 爻丕賱鈥屬囏ж� 賳馗蹖乇賽 爻乇賲丕蹖賴鈥屫ж臂� 賵 爻賵爻蹖丕賱蹖爻賲 乇丕 賲賵乇丿 賳賯丿 賯乇丕乇 賲蹖鈥屫囏�.
鬲賳賴丕 鬲乇噩賲踿 乇賲丕賳 芦爻蹖賲丕蹖賽 夭賳蹖 丿乇 賲蹖丕賳賽 噩賲毓禄 鬲賵爻胤 賲乇鬲囟蹖 讴賱丕賳鬲乇蹖丕賳 丿乇 爻丕賱 1369 亘賴 亘丕夭丕乇 毓乇囟賴 卮丿 賵 丿乇 胤賵賱 丕蹖賳 爻丕賱鈥屬囏� 亘丕 丕爻鬲賯亘丕賱 禺賵亘 賲禺丕胤亘丕賳 毓乇氐踿 丕丿亘蹖丕鬲 乇賵亘乇賵 卮丿賴 丕爻鬲.
丿乇 丕丿丕賲賴 賯爻賲鬲蹖 丕夭 乇賲丕賳 丌賵乇丿賴 卮丿賴 丕爻鬲貨 丿乇 丕蹖賳 亘禺卮 亘購賱 亘丕 胤賳夭蹖 讴賲鈥屬嗀港屫� 亘賴 鬲賵氐蹖賮 賮毓丕賱蹖鬲鈥屬囏й屬� 睾蹖乇賯丕賳賵賳蹖賽 爻賵丿噩賵蹖丕賳賽 丕賯鬲氐丕丿蹖 丿乇 爻丕賱鈥屬囏й屬� 噩賳诏 賲蹖鈥屬矩必ж藏�:
芦诏乇賵蹖鬲賳 亘乇丕蹖 乇爻蹖丿賳 亘賴 賲賯氐賵丿卮貙 丿乇 蹖讴蹖 丕夭 卮賴乇賴丕蹖 賵丕賯毓 丿乇 卮氐鬲 讴蹖賱賵賲鬲乇蹖賽 賲丨賱 丕賯丕賲鬲卮貙 卮乇讴鬲蹖 亘賴 賳丕賲 卮乇讴鬲 芦卮賱賲 賵 倬爻乇丕賳禄 鬲兀爻蹖爻 賲蹖鈥屭┵嗀�. 亘乇丕蹖 丕蹖賳 讴丕乇 丕賵乇丕賯 賴賵蹖鬲 噩毓賱蹖貙 丕賵乇丕賯 爻賮丕乇卮賽 禺乇蹖丿 讴丕賱丕 亘丕 丕賲囟丕賴丕蹖 噩毓賱蹖貙 亘乇丕蹖 禺賵丿卮 丿乇爻鬲 賲蹖鈥屭┵嗀�. 芦丕賵 賴賲蹖卮賴 亘賴 丕爻賳丕丿 乇爻賲蹖 賵 丕丿丕乇蹖 丿爻鬲乇爻蹖 丿丕卮鬲賴 丕爻鬲 賵 亘賴 賴賲蹖賳 噩賴鬲 丕賴賲蹖鬲 趩賳丿丕賳蹖 亘乇丕蹖 丕賲囟丕蹖賽 匕蹖賱 丕蹖賳 丕賵乇丕賯 賯丕卅賱 賳亘賵丿賴 丕爻鬲. 亘賴 賴賲蹖賳 鬲乇鬲蹖亘 亘賵丿 讴賴 丿乇 賮賵丕氐賱 亘丨乇丕賳 爻丕賱鈥屬囏й� 1929 鬲丕 1933 丕賵 亘丕乇賴丕 丕賲囟丕蹖 夭賳卮 乇丕 丿乇 倬丕蹖 丕爻賳丕丿 鬲噩丕乇蹖 賲乇亘賵胤 亘賴 丕賵 噩毓賱 賲蹖鈥屭┵嗀� 丕賵 賲蹖鈥屭佖�: 芦夭賳賲 賵囟毓 賲乇丕 丿乇讴 禺賵丕賴丿 讴乇丿貙 倬爻 趩賴 賳蹖丕夭蹖 丿丕乇丿 丨丕賱丕 丕賵 乇丕 亘蹖賴賵丿賴 賳丕乇丕丨鬲 讴賳賲.禄禄 (賴賵蹖夭乇 亘夭乇诏).
禺賱丕氐賴貙 賯賲丕乇貙 賲丕噩乇丕 丿乇 丨丿賵丿 賴賮鬲-賴卮鬲 賲丕賴 胤賵賱 賲蹖鈥屭┴簇� 賵 丿乇 亘蹖賳 卮乇讴鬲鈥屬囏й� 爻丕禺鬲賲丕賳蹖 亘賴 芦噩賳噩丕賱賽 賳賮賵爻賽 賲乇丿賴禄 賲卮賴賵乇 賲蹖鈥屫促堌�. 丕爻丕爻賽 丕蹖賳 賲丕噩乇丕 芦賳賵毓蹖 亘丕夭蹖 亘丕 丕爻丕賲蹖 亘賵丿 讴賴 丿乇 丿賮鬲乇 蹖丕丿丿丕卮鬲 诏乇賵蹖鬲賳 鬲卮乇蹖丨 卮丿賴 亘賵丿.禄 (賱賵鬲. 賴賵蹖夭乇)貨 禺賱丕氐踿 賲丕噩乇丕 丕夭 丕蹖賳 賯乇丕乇 亘賵丿 讴賴 卮乇讴鬲 賲匕讴賵乇 丿乇 賮賵賯貙 亘丕 禺乇蹖丿 賵 丨鬲蹖 賮乇賵卮賽 賲賯丕丿蹖乇 夭蹖丕丿蹖 爻蹖賲丕賳 賵 賲氐乇賮賽 丌賳 丿乇 亘丕夭丕乇賽 爻蹖丕賴貙 鬲毓丿丕丿賽 賯丕亘賱 賲賱丕丨馗賴鈥屫й� 芦讴丕乇诏乇 禺丕乇噩蹖禄貙 丌乇卮蹖鬲讴鬲貙 倬蹖賲丕賳讴丕乇貙 賲賴賳丿爻 丕賲賵乇 爻丕禺鬲賲丕賳蹖貙 讴丕乇诏乇 賵 爻乇讴丕乇诏乇貙 丨爻丕亘丿丕乇 鈥撠呝勞� 禺蹖丕賱蹖- 丿乇 丕爻鬲禺丿丕賲 丿丕卮鬲 讴賴 丨賯賵賯 禺蹖丕賱蹖 賴賲诏蹖 賲卮禺氐 卮丿賴 亘賵丿貨 丨鬲蹖 丕蹖賳 讴丕乇賲賳丿丕賳 禺蹖丕賱蹖 賲丨賱 睾匕丕禺賵乇蹖 賵 丌卮倬夭 丿乇 丕禺鬲蹖丕乇 丿丕卮鬲賳丿 讴賴 賴夭蹖賳踿 禺蹖丕賱蹖 丌賳鈥屬囏� 賴賲 賲毓蹖賳 卮丿賴 亘賵丿貨 丿乇 丕蹖賳 賳賯卮踿 丿賯蹖賯 鬲賳馗蹖賲鈥屫簇囏� 讴賴 賮賯胤 丕賮乇丕丿卮 丿乇 丿賮鬲乇 蹖丕丿丿丕卮鬲 诏乇賵蹖鬲賳 賵噩賵丿 丿丕卮鬲賳丿貙 丨鬲蹖 賯乇丕乇丿丕丿賴丕蹖 鬲賳馗蹖賲蹖 亘丕 丕賲囟丕 胤乇賮蹖賳賽 賯乇丕乇丿丕丿 賵 倬賵賱鈥屬囏й屰� 讴賴 亘賴 丨爻丕亘鈥屬囏й� 禺蹖丕賱蹖 賲禺鬲賱賮 乇蹖禺鬲賴 賲蹖鈥屫簇� 賲亘賱睾蹖 讴賴 丕夭 丨爻丕亘鈥屬囏й� 禺蹖丕賱蹖 亘乇丿丕卮鬲 賲蹖鈥屫簇� 賯蹖丿 卮丿賴 亘賵丿. 芦賴賲賴鈥屭嗃屫� 賯丕賳賵賳蹖 賵 氐丨蹖丨 蹖丕 丿乇 馗丕賴乇 丕蹖賳鈥屫焚堌� 亘賴 賳馗乇 賲蹖鈥屫必驰屫� (丕馗賴丕乇丕鬲 丿讴鬲乇 卮賱爻丿賵乇賮 丿乇 亘乇丕亘乇 丿丕丿诏丕賴).
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禺賱丕氐賴 卮賱爻丿賵乇賮 鈥撢┵� 亘丿賵賳 夭丨賲鬲 賲蹖鈥屫堌з嗀池� 鬲毓蹖蹖賳 讴賳丿 鬲毓丿丕丿 讴丕卮蹖鈥屬囏й屬� 亘賴 讴丕乇 乇賮鬲賴 丿乇 丕鬲丕賯賽 乇丕爻讴賵賱賳蹖讴賮 賵 賲爻丕丨鬲 丌賳 趩賴 丕賳丿丕夭賴 丕爻鬲 賵 蹖丕 丕蹖賳鈥屭┵� 乇丕爻讴賵賱賳蹖讴賮 丿賯蹖賯丕賸 丕夭 趩賳丿鬲丕 倬賱賴 賲蹖鈥屫ㄘй屫池� 倬丕蹖蹖賳 亘乇賵丿 鬲丕 賵丕乇丿 丨蹖丕胤 卮賵丿 鈥� 丿乇 亘乇乇爻蹖 丨賯賵賯鈥屬囏й� 倬乇丿丕禺鬲蹖 卮乇讴鬲賽 芦卮賱賲 賵 倬爻乇丕賳禄貙 賳丕诏賴丕賳 丿乇 賱蹖爻鬲 趩卮賲卮 亘賴 賳丕賲賽 乇丕爻讴賵賱賳蹖讴賮 賲蹖鈥屫з佖� 讴賴 丿乇 賲丨賱蹖 丿乇 丿丕賳賲丕乇讴 亘賴 讴丕乇 爻丕禺鬲賳賽 爻蹖賲丕賳 亘乇丕蹖 卮乇讴鬲 賲匕讴賵乇 丕卮鬲睾丕賱 丿丕乇丿 賵 丿乇 賲丨賱 睾匕丕禺賵乇蹖 卮乇讴鬲 睾匕丕蹖卮 乇丕 賲蹖鈥屫堌必�. 亘毓丿貙 亘丿賵賳 丌賳鈥屭┵� 爻賵亍鈥屫纲嗀� 鬲丨乇蹖讴 卮賵丿貙 芦禺蹖賱蹖 亘賴 賴蹖噩丕賳 丌賲丿賴禄貙 賳丕賲 丕爻賵蹖丿乇蹖诏丕蹖賱賮貙 乇丕夭賵賲蹖卮蹖賳貙 讴賲蹖 倬丕蹖蹖賳鈥屫� 趩蹖趩蹖讴賵賮貙 爻賵亘丕讴賵蹖趩 賵 亘丕賱丕禺乇賴 丿乇 乇丿蹖賮 亘蹖爻鬲 賵 爻賵賲 丨賯賵賯 亘诏蹖乇賴丕 賳丕賲 诏賵乇亘丕趩賮 亘賴 趩卮賲卮 賲蹖鈥屫堌必�. 讴賲蹖 乇賳诏卮 賲蹖鈥屬矩必� 賵賱蹖 賴賳賵夭 丕亘鬲丿丕蹖賽 讴丕乇 丕爻鬲... 賵賯鬲蹖 讴賴 丿乇 賱蹖爻鬲 芦讴丕乇诏乇丕賳 禺丕乇噩蹖禄貙 讴賴 丨賯賵賯 亘禺賵乇 賵 賳賲蹖乇蹖 丕夭 乇丕蹖卮 倬蹖乇賵夭賲賳丿 丿乇蹖丕賮鬲 賲蹖鈥屭┵嗁嗀� 趩卮賲卮 亘賴 倬賵卮讴蹖賳貙 诏賵诏賵賱貙 賱乇賲賵賳鬲賵賮 賲蹖鈥屫з佖� 丿蹖诏乇 賳賲蹖鈥屫堌з嗀� 禺卮賲卮 乇丕 賲賴丕乇 讴賳丿. 丨鬲蹖 丕夭 丌賵乇丿賳 賳丕賲 鬲賵賱爻鬲賵蹖 賴賲 丿乇 賱蹖爻鬲 禺賵丿丿丕乇蹖 賳卮丿賴 亘賵丿!... 禄
蹖丕丿丿丕卮鬲 賲賳 丿乇 賲賵乇丿 讴鬲丕亘 爻蹖賲丕蹖 夭賳蹖 丿乇 賲蹖丕賳 噩賲毓 丿乇 爻丕蹖鬲 卮賴乇爻鬲丕賳 丕丿亘
賴丕蹖賳乇蹖卮 鬲卅賵丿賵乇 亘購賱 亘乇賳丿賴 -噩丕蹖夭賴 賳賵亘賱 1972 丕丿亘蹖丕鬲- 蹖讴蹖 丕夭 亘夭乇诏鬲乇蹖賳 賳賵蹖爻賳丿诏丕賳 毓氐乇 丨丕囟乇 丌賱賲丕賳 賵 噩賴丕賳 丕爻鬲.
賴丕蹖賳乇蹖卮 亘賱 讴賴 丿乇 1917 丿乇 卮賴乇 讴賱賳 亘賴 丿賳蹖丕 丌賲丿賴 丕爻鬲貙 丿乇 噩賵丕賳蹖 亘賴 毓賳賵丕賳 爻乇亘丕夭 噩賳诏 噩賴丕賳蹖 丿賵賲 丕賵囟丕毓 賵蹖跇踿 丌賱賲丕賳 賳丕夭蹖 乇丕 亘賴鈥屫堌ㄛ� 丿乇讴 讴乇丿賴 丕爻鬲. 噩賳诏蹖 讴賴 賴賲 丿乇 丌賳 賲噩乇賵丨 卮丿賴 丕爻鬲 賵 賴賲 丕爻蹖乇 賵 丕夭 賴賲蹖賳鈥屫辟堌池� 讴賴 丿乇 丕讴孬乇 丌孬丕乇卮 蹖丕 亘賳鈥屬呚й屰€ 丕氐賱蹖 丌賳 丿乇 乇丕亘胤賴 亘丕 丕蹖賳 噩賳诏 丕爻鬲貙 蹖丕 丿乇亘乇丿丕乇賳丿踿 诏乇蹖夭賴丕蹖 賲鬲毓丿丿蹖 亘賴 丕蹖賳 賲賯賵賱賴 丕爻鬲.
亘賱 丿乇 丨賵夭賴鈥屬囏й� 賲禺鬲賱賮蹖 賯賱賲 夭丿賴 丕爻鬲貨 亘賴 賴賲蹖賳 禺丕胤乇 丿乇 讴丕乇賳丕賲踿 丕賵 乇賲丕賳鈥屬囏� 賵 丿丕爻鬲丕賳 讴賵鬲丕賴鈥屬囏й� 賲鬲毓丿丿蹖 賯丕亘賱 賲卮丕賴丿賴 丕爻鬲 讴賴 丕夭 丕蹖賳 賲蹖丕賳 賲蹖鈥屫堌з� 亘賴 讴鬲丕亘鈥屬囏й�: 芦爻蹖賲丕蹖賽 夭賳蹖 丿乇 賲蹖丕賳賽 噩賲毓禄貙 芦毓賯丕蹖丿賽 蹖讴 丿賱賯讴禄貙 芦賯胤丕乇 亘賴 賲賵賯毓 乇爻蹖丿禄貙 芦丌亘乇賵蹖 丕夭丿爻鬲鈥屫辟佖€ 讴丕鬲乇蹖賳丕 亘賱賵賲禄貙 芦賳丕賳 爻丕賱鈥屬囏й� 噩賵丕賳蹖禄 賵 芦亘蹖賱蹖丕乇丿 丿乇 爻丕毓鬲 賳賴 賵 賳蹖賲禄 丕卮丕乇賴 讴乇丿.
丌讴丕丿賲蹖 賳賵亘賱 丿乇 賲鬲賳 鬲賯丿蹖賲蹖踿 賳賵亘賱 亘賴 賴丕蹖賳乇蹖卮 亘賱貙 乇賲丕賳 芦爻蹖賲丕蹖賽 夭賳蹖 丿乇 賲蹖丕賳賽 噩賲毓禄 乇丕 噩丕賲毓 丌孬丕乇 丕賵 禺賵丕賳丿 賵 亘丕 賳诏丕賴蹖 讴賱蹖 亘賴 丌孬丕乇 丕賵 賲蹖鈥屫堌з� 丕蹖賳 诏賮鬲賴 乇丕 鬲兀蹖蹖丿 讴乇丿貨 趩乇丕讴賴 賳賴 鬲賳賴丕 丕蹖賳 讴鬲丕亘 倬乇丨噩賲鈥屫臂屬� 丕孬乇 亘賱 賲丨爻賵亘 賲蹖鈥屫促堌� 亘賱讴賴 丕夭 賱丨丕馗 亘丕夭踿 夭賲丕賳蹖 賵 賲賯賵賱丕鬲 賲胤乇丨鈥屫簇� 賳蹖夭貙 诏爻鬲乇踿 賵爻蹖毓鈥屫臂� 乇丕 亘賴 禺賵丿 丕禺鬲氐丕氐 丿丕丿賴 丕爻鬲. 亘賱 丿乇 丕蹖賳 讴鬲丕亘 亘丕 賲丨賵乇蹖鬲 賯乇丕乇 丿丕丿賳 夭賳丿诏蹖 夭賳蹖 趩賴賱鈥屬堚€屬囏簇€屫池з勝� 亘丕 賳丕賲 賱賽賳蹖 诏乇賵蹖鬲賳貙 亘賴 亘乇乇爻蹖 賵賯丕蹖毓 噩賳诏 噩賴丕賳蹖 丕賵賱貙 丿賵賲 賵 丿賵乇丕賳 倬爻 丕夭 噩賳诏 丿乇 丌賱賲丕賳 賵 丕乇賵倬丕 賲蹖鈥屬矩必ж藏� 賵 亘丕 賳诏丕賴蹖 胤賳夭丌賲蹖夭 賵 诏夭賳丿賴貙 丿蹖丿诏丕賴鈥屬囏й� 賲乇爻賵賲 丌賳 爻丕賱鈥屬囏ж� 賳馗蹖乇賽 爻乇賲丕蹖賴鈥屫ж臂� 賵 爻賵爻蹖丕賱蹖爻賲 乇丕 賲賵乇丿 賳賯丿 賯乇丕乇 賲蹖鈥屫囏�.
鬲賳賴丕 鬲乇噩賲踿 乇賲丕賳 芦爻蹖賲丕蹖賽 夭賳蹖 丿乇 賲蹖丕賳賽 噩賲毓禄 鬲賵爻胤 賲乇鬲囟蹖 讴賱丕賳鬲乇蹖丕賳 丿乇 爻丕賱 1369 亘賴 亘丕夭丕乇 毓乇囟賴 卮丿 賵 丿乇 胤賵賱 丕蹖賳 爻丕賱鈥屬囏� 亘丕 丕爻鬲賯亘丕賱 禺賵亘 賲禺丕胤亘丕賳 毓乇氐踿 丕丿亘蹖丕鬲 乇賵亘乇賵 卮丿賴 丕爻鬲.
丿乇 丕丿丕賲賴 賯爻賲鬲蹖 丕夭 乇賲丕賳 丌賵乇丿賴 卮丿賴 丕爻鬲貨 丿乇 丕蹖賳 亘禺卮 亘購賱 亘丕 胤賳夭蹖 讴賲鈥屬嗀港屫� 亘賴 鬲賵氐蹖賮 賮毓丕賱蹖鬲鈥屬囏й屬� 睾蹖乇賯丕賳賵賳蹖賽 爻賵丿噩賵蹖丕賳賽 丕賯鬲氐丕丿蹖 丿乇 爻丕賱鈥屬囏й屬� 噩賳诏 賲蹖鈥屬矩必ж藏�:
芦诏乇賵蹖鬲賳 亘乇丕蹖 乇爻蹖丿賳 亘賴 賲賯氐賵丿卮貙 丿乇 蹖讴蹖 丕夭 卮賴乇賴丕蹖 賵丕賯毓 丿乇 卮氐鬲 讴蹖賱賵賲鬲乇蹖賽 賲丨賱 丕賯丕賲鬲卮貙 卮乇讴鬲蹖 亘賴 賳丕賲 卮乇讴鬲 芦卮賱賲 賵 倬爻乇丕賳禄 鬲兀爻蹖爻 賲蹖鈥屭┵嗀�. 亘乇丕蹖 丕蹖賳 讴丕乇 丕賵乇丕賯 賴賵蹖鬲 噩毓賱蹖貙 丕賵乇丕賯 爻賮丕乇卮賽 禺乇蹖丿 讴丕賱丕 亘丕 丕賲囟丕賴丕蹖 噩毓賱蹖貙 亘乇丕蹖 禺賵丿卮 丿乇爻鬲 賲蹖鈥屭┵嗀�. 芦丕賵 賴賲蹖卮賴 亘賴 丕爻賳丕丿 乇爻賲蹖 賵 丕丿丕乇蹖 丿爻鬲乇爻蹖 丿丕卮鬲賴 丕爻鬲 賵 亘賴 賴賲蹖賳 噩賴鬲 丕賴賲蹖鬲 趩賳丿丕賳蹖 亘乇丕蹖 丕賲囟丕蹖賽 匕蹖賱 丕蹖賳 丕賵乇丕賯 賯丕卅賱 賳亘賵丿賴 丕爻鬲. 亘賴 賴賲蹖賳 鬲乇鬲蹖亘 亘賵丿 讴賴 丿乇 賮賵丕氐賱 亘丨乇丕賳 爻丕賱鈥屬囏й� 1929 鬲丕 1933 丕賵 亘丕乇賴丕 丕賲囟丕蹖 夭賳卮 乇丕 丿乇 倬丕蹖 丕爻賳丕丿 鬲噩丕乇蹖 賲乇亘賵胤 亘賴 丕賵 噩毓賱 賲蹖鈥屭┵嗀� 丕賵 賲蹖鈥屭佖�: 芦夭賳賲 賵囟毓 賲乇丕 丿乇讴 禺賵丕賴丿 讴乇丿貙 倬爻 趩賴 賳蹖丕夭蹖 丿丕乇丿 丨丕賱丕 丕賵 乇丕 亘蹖賴賵丿賴 賳丕乇丕丨鬲 讴賳賲.禄禄 (賴賵蹖夭乇 亘夭乇诏).
禺賱丕氐賴貙 賯賲丕乇貙 賲丕噩乇丕 丿乇 丨丿賵丿 賴賮鬲-賴卮鬲 賲丕賴 胤賵賱 賲蹖鈥屭┴簇� 賵 丿乇 亘蹖賳 卮乇讴鬲鈥屬囏й� 爻丕禺鬲賲丕賳蹖 亘賴 芦噩賳噩丕賱賽 賳賮賵爻賽 賲乇丿賴禄 賲卮賴賵乇 賲蹖鈥屫促堌�. 丕爻丕爻賽 丕蹖賳 賲丕噩乇丕 芦賳賵毓蹖 亘丕夭蹖 亘丕 丕爻丕賲蹖 亘賵丿 讴賴 丿乇 丿賮鬲乇 蹖丕丿丿丕卮鬲 诏乇賵蹖鬲賳 鬲卮乇蹖丨 卮丿賴 亘賵丿.禄 (賱賵鬲. 賴賵蹖夭乇)貨 禺賱丕氐踿 賲丕噩乇丕 丕夭 丕蹖賳 賯乇丕乇 亘賵丿 讴賴 卮乇讴鬲 賲匕讴賵乇 丿乇 賮賵賯貙 亘丕 禺乇蹖丿 賵 丨鬲蹖 賮乇賵卮賽 賲賯丕丿蹖乇 夭蹖丕丿蹖 爻蹖賲丕賳 賵 賲氐乇賮賽 丌賳 丿乇 亘丕夭丕乇賽 爻蹖丕賴貙 鬲毓丿丕丿賽 賯丕亘賱 賲賱丕丨馗賴鈥屫й� 芦讴丕乇诏乇 禺丕乇噩蹖禄貙 丌乇卮蹖鬲讴鬲貙 倬蹖賲丕賳讴丕乇貙 賲賴賳丿爻 丕賲賵乇 爻丕禺鬲賲丕賳蹖貙 讴丕乇诏乇 賵 爻乇讴丕乇诏乇貙 丨爻丕亘丿丕乇 鈥撠呝勞� 禺蹖丕賱蹖- 丿乇 丕爻鬲禺丿丕賲 丿丕卮鬲 讴賴 丨賯賵賯 禺蹖丕賱蹖 賴賲诏蹖 賲卮禺氐 卮丿賴 亘賵丿貨 丨鬲蹖 丕蹖賳 讴丕乇賲賳丿丕賳 禺蹖丕賱蹖 賲丨賱 睾匕丕禺賵乇蹖 賵 丌卮倬夭 丿乇 丕禺鬲蹖丕乇 丿丕卮鬲賳丿 讴賴 賴夭蹖賳踿 禺蹖丕賱蹖 丌賳鈥屬囏� 賴賲 賲毓蹖賳 卮丿賴 亘賵丿貨 丿乇 丕蹖賳 賳賯卮踿 丿賯蹖賯 鬲賳馗蹖賲鈥屫簇囏� 讴賴 賮賯胤 丕賮乇丕丿卮 丿乇 丿賮鬲乇 蹖丕丿丿丕卮鬲 诏乇賵蹖鬲賳 賵噩賵丿 丿丕卮鬲賳丿貙 丨鬲蹖 賯乇丕乇丿丕丿賴丕蹖 鬲賳馗蹖賲蹖 亘丕 丕賲囟丕 胤乇賮蹖賳賽 賯乇丕乇丿丕丿 賵 倬賵賱鈥屬囏й屰� 讴賴 亘賴 丨爻丕亘鈥屬囏й� 禺蹖丕賱蹖 賲禺鬲賱賮 乇蹖禺鬲賴 賲蹖鈥屫簇� 賲亘賱睾蹖 讴賴 丕夭 丨爻丕亘鈥屬囏й� 禺蹖丕賱蹖 亘乇丿丕卮鬲 賲蹖鈥屫簇� 賯蹖丿 卮丿賴 亘賵丿. 芦賴賲賴鈥屭嗃屫� 賯丕賳賵賳蹖 賵 氐丨蹖丨 蹖丕 丿乇 馗丕賴乇 丕蹖賳鈥屫焚堌� 亘賴 賳馗乇 賲蹖鈥屫必驰屫� (丕馗賴丕乇丕鬲 丿讴鬲乇 卮賱爻丿賵乇賮 丿乇 亘乇丕亘乇 丿丕丿诏丕賴).
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丿乇 囟賲賳賽 蹖讴 讴賳鬲乇賱 爻丕丿賴 賵 毓丕丿蹖 亘賵丿 讴賴 卮賱爻丿賵乇賮 倬蹖 亘賴 賵噩賵丿 芦賲丐爻爻踿 卮賱賲 賵 倬爻乇丕賳禄 賲蹖鈥屫ㄘ必�. 賴蹖趩-趩蹖夭 睾蹖乇毓丕丿蹖 丿乇 丨爻丕亘鈥屬囏й屬� 丌賳 倬蹖丿丕 賳賲蹖鈥屭┵嗀� 丕亘丿丕賸 賴蹖趩鈥屭嗃屫藏� 亘乇丕蹖 丕胤賲蹖賳丕賳 鬲氐賲蹖賲 賲蹖鈥屭屫必� 讴賴 亘賴 倬乇丿丕禺鬲鈥屬囏й� 丌賳 賴賲 鬲賵噩賴 讴賳丿... 芦賳賲蹖鈥屫з嗃屫� 亘賴鬲 賵 丨蹖乇鬲賲貙 丕蹖賳 趩賴 丨乇賮蹖 丕爻鬲 讴賴 賲蹖鈥屫操嗁呚� 亘賱讴賴 毓氐亘丕賳蹖鬲賲 鬲丕 趩賴 倬丕蹖賴 亘賵丿貙 賵賯鬲蹖 讴賴 亘賴 賳丕賲鈥屬囏й屰� 亘乇禺賵乇丿賲 讴賴 賳賴 鬲賳賴丕 亘乇丕蹖 賲賳 丌卮賳丕 亘賵丿賳丿貙 亘賱讴賴 賲賳 卮亘 賵 乇賵夭 賵 丿乇 鬲賲丕賲 夭賳丿诏蹖 亘丕 丌賳鈥屬囏� 賲蹖鈥屫槽屫池� 賵 丿乇 丕乇鬲亘丕胤 亘賵丿賲!禄 毓丿丕賱鬲 丕蹖噩丕亘 賲蹖鈥屭┵嗀� 讴賴 丿乇 賴賲蹖賳鈥屫� 亘诏賵蹖蹖賲 讴賴 卮賱爻丿賵乇賮貙 丿乇 毓賲賯 賵噩賵丿卮貙 賳賵毓蹖 丿卮賲賳蹖貙 賳賴 賳爻亘鬲 亘賴 卮禺氐 诏乇賵蹖鬲賳貙 亘賱讴賴 亘賴鈥屫焚堌壁┵勠� 賳爻亘鬲 亘賴 氐賳毓鬲 爻丕禺鬲賲丕賳鈥屫池ж槽� 賵 卮乇讴鬲鈥屬囏й� 爻丕禺鬲賲丕賳蹖 丕丨爻丕锟斤拷 賲蹖鈥屭┴必�. 丿乇 丕孬乇 丿禺丕賱鬲 丿賵爻鬲 亘丕賳賮賵匕卮貙 讴賴 賯亘賱丕賸 亘賴 丕賵 丕卮丕乇賴 讴乇丿賴鈥屫й屬呚� 賯亘賱 丕夭 卮睾賱 賮毓賱蹖 丕賵 丿乇 丕丿丕乇踿 丿丕乇丕蹖蹖貙 讴丕乇 賳诏賴丿丕乇蹖 丿賮鬲乇 倬乇丿丕禺鬲 乇丕 丿乇 蹖讴 卮乇讴鬲 爻丕禺鬲賲丕賳蹖 亘賴 丕賵 賲丨賵賱 賲蹖鈥屭┵嗁嗀� 丕賲丕 賵賯鬲蹖 亘賴 賳亘賵睾 丕賵 丿乇 夭賲蹖賳踿 丕毓丿丕丿 賵 丕乇賯丕賲 倬蹖 賲蹖鈥屫ㄘ辟嗀� 亘蹖鈥屫辟嗂� 亘丕 鬲卮讴乇 亘爻蹖丕乇 丕夭 夭丨賲丕鬲卮 毓匕乇卮 乇丕 賲蹖鈥屫堌з囐嗀�. 亘賴 賴賲蹖賳 鬲乇鬲蹖亘 趩賳丿 卮乇讴鬲 爻丕禺鬲賲丕賳蹖賽 丿蹖诏乇 賴賲 毓匕乇卮 乇丕 賲蹖-禺賵丕賴丿貨 趩賵賳 賴蹖趩 卮乇讴鬲 爻丕禺鬲賲丕賳蹖 賵噩賵丿 賳丿丕卮鬲 讴賴 丿賱卮 亘禺賵丕賴丿 讴賴 蹖讴 夭亘丕賳鈥屫促嗀ж� 鈥撢┵� 馗丕賴乇丕賸 讴爻蹖 賳卮賳蹖丿賴 丕爻鬲 讴賴 亘诏賵蹖賳丿 趩蹖夭蹖 丕夭 賲爻丕卅賱 賲丕賱蹖 賵 丨爻丕亘丿丕乇蹖 爻乇 丿乇賲蹖鈥屫①堌必�- 賳诏丕賴蹖 趩賳丕賳 讴賳噩讴丕賵 賵 鬲蹖夭亘蹖賳 亘賴 丿賮丕鬲乇卮 亘蹖賳丿丕夭丿. 丿讴鬲乇 卮賱爻丿賵乇賮貙 丿乇 爻丕丿诏蹖 睾蹖乇賯丕亘賱 鬲賵氐蹖賮卮貙 鬲氐賵乇 賲蹖鈥屭┴必� 讴賴 卮乇讴鬲鈥屬囏� 鬲賲丕蹖賱 丿丕乇賳丿 鈥撠必з勠屸€屭┵� 賳賴 鬲賳賴丕 鬲賲丕蹖賱 賳丿丕乇賳丿貙 亘賱讴賴 亘賴鈥屫簇� 丕夭 丌賳 賵丨卮鬲 丿丕乇賳丿 -讴賴 讴丕賲賱丕賸 丕夭 丨蹖孬 禺丿毓賴 賵 鬲夭賵蹖乇 賲賵乇丿 亘乇乇爻蹖 賯乇丕乇 诏蹖乇賳丿 鬲丕 讴賱丕賴蹖 爻乇卮丕賳 賳乇賵丿 賵 亘賴 賴賲蹖賳 禺丕胤乇 賴賲 丕蹖賳 夭亘丕賳鈥屫促嗀ж迟� 讴賲蹖 禺購賱 賵 丿蹖賵丕賳賴 賵 亘丿賵賳 鬲噩乇亘賴 乇丕 丕爻鬲禺丿丕賲 讴乇丿賴 亘賵丿賳丿 芦讴賴 賴賲 賳诏匕丕乇賳丿 丕夭 诏乇爻賳诏蹖 亘賲蹖乇丿 賵 賴賲 賲丕賳毓 卮賵賳丿 讴賴 丕賵 乇丕 亘賴 禺丿賲鬲 爻乇亘丕夭蹖 亘亘乇賳丿.禄 (丕馗賴丕乇丕鬲 丌賯丕蹖 賮賱丕讴爻 氐丕丨亘 卮乇讴鬲蹖 亘賴 賴賲蹖賳 賳丕賲 讴賴 丨鬲蹖 丕賲乇賵夭 賴賲 讴爻亘 賵 讴丕乇卮 乇賵賳賯 賮乇丕賵丕賳蹖 丿丕乇丿). 賵賱蹖 亘賴 倬丕丿丕卮 丕蹖賳 讴丕乇 亘卮乇丿賵爻鬲丕賳賴 爻乇賵讴丕乇賲丕賳 亘丕 卮禺氐蹖 丕賮鬲丕丿 讴賴 丨鬲蹖 丕夭 倬丕倬 賴賲 讴丕鬲賵賱蹖讴鈥屫� 亘賵丿 賵 丕夭 賲賵卮讴丕賮鈥屫臂屬� 賲兀賲賵乇丕賳 賲丕賱蹖丕鬲蹖 賴賲 趩蹖夭蹖 讴賲 賳丿丕卮鬲!禄
禺賱丕氐賴 卮賱爻丿賵乇賮 鈥撢┵� 亘丿賵賳 夭丨賲鬲 賲蹖鈥屫堌з嗀池� 鬲毓蹖蹖賳 讴賳丿 鬲毓丿丕丿 讴丕卮蹖鈥屬囏й屬� 亘賴 讴丕乇 乇賮鬲賴 丿乇 丕鬲丕賯賽 乇丕爻讴賵賱賳蹖讴賮 賵 賲爻丕丨鬲 丌賳 趩賴 丕賳丿丕夭賴 丕爻鬲 賵 蹖丕 丕蹖賳鈥屭┵� 乇丕爻讴賵賱賳蹖讴賮 丿賯蹖賯丕賸 丕夭 趩賳丿鬲丕 倬賱賴 賲蹖鈥屫ㄘй屫池� 倬丕蹖蹖賳 亘乇賵丿 鬲丕 賵丕乇丿 丨蹖丕胤 卮賵丿 鈥� 丿乇 亘乇乇爻蹖 丨賯賵賯鈥屬囏й� 倬乇丿丕禺鬲蹖 卮乇讴鬲賽 芦卮賱賲 賵 倬爻乇丕賳禄貙 賳丕诏賴丕賳 丿乇 賱蹖爻鬲 趩卮賲卮 亘賴 賳丕賲賽 乇丕爻讴賵賱賳蹖讴賮 賲蹖鈥屫з佖� 讴賴 丿乇 賲丨賱蹖 丿乇 丿丕賳賲丕乇讴 亘賴 讴丕乇 爻丕禺鬲賳賽 爻蹖賲丕賳 亘乇丕蹖 卮乇讴鬲 賲匕讴賵乇 丕卮鬲睾丕賱 丿丕乇丿 賵 丿乇 賲丨賱 睾匕丕禺賵乇蹖 卮乇讴鬲 睾匕丕蹖卮 乇丕 賲蹖鈥屫堌必�. 亘毓丿貙 亘丿賵賳 丌賳鈥屭┵� 爻賵亍鈥屫纲嗀� 鬲丨乇蹖讴 卮賵丿貙 芦禺蹖賱蹖 亘賴 賴蹖噩丕賳 丌賲丿賴禄貙 賳丕賲 丕爻賵蹖丿乇蹖诏丕蹖賱賮貙 乇丕夭賵賲蹖卮蹖賳貙 讴賲蹖 倬丕蹖蹖賳鈥屫� 趩蹖趩蹖讴賵賮貙 爻賵亘丕讴賵蹖趩 賵 亘丕賱丕禺乇賴 丿乇 乇丿蹖賮 亘蹖爻鬲 賵 爻賵賲 丨賯賵賯 亘诏蹖乇賴丕 賳丕賲 诏賵乇亘丕趩賮 亘賴 趩卮賲卮 賲蹖鈥屫堌必�. 讴賲蹖 乇賳诏卮 賲蹖鈥屬矩必� 賵賱蹖 賴賳賵夭 丕亘鬲丿丕蹖賽 讴丕乇 丕爻鬲... 賵賯鬲蹖 讴賴 丿乇 賱蹖爻鬲 芦讴丕乇诏乇丕賳 禺丕乇噩蹖禄貙 讴賴 丨賯賵賯 亘禺賵乇 賵 賳賲蹖乇蹖 丕夭 乇丕蹖卮 倬蹖乇賵夭賲賳丿 丿乇蹖丕賮鬲 賲蹖鈥屭┵嗁嗀� 趩卮賲卮 亘賴 倬賵卮讴蹖賳貙 诏賵诏賵賱貙 賱乇賲賵賳鬲賵賮 賲蹖鈥屫з佖� 丿蹖诏乇 賳賲蹖鈥屫堌з嗀� 禺卮賲卮 乇丕 賲賴丕乇 讴賳丿. 丨鬲蹖 丕夭 丌賵乇丿賳 賳丕賲 鬲賵賱爻鬲賵蹖 賴賲 丿乇 賱蹖爻鬲 禺賵丿丿丕乇蹖 賳卮丿賴 亘賵丿!... 禄
October 3, 2018
Farsi un'idea su qualcuno 猫 una attivit脿 che mette sempre in moto il nostro consolidato sistema di pregiudizi.
Ci portiamo sempre appresso un filtro, uno scanner a cui pi霉 o meno consapevolmente sottoponiamo le nuove conoscenze.
Ma davanti ai personaggi di un libro questo filtro fa irrimediabilmente cilecca. In genere ce li beviamo cos矛 come sono, e pi霉 difetti hanno pi霉 vanno gi霉.
Heinrich B枚ll, uno scrittore che vale molto di pi霉 del premio Nobel che gli diedero nel '72, in questo gagliardissimo libro (di lettura non sempre fluida, ad esser onesti), ci getta fumo negli occhi dalla prima all'ultima pagina.
Noi che tentiamo di catalogare, identificare un soggetto, ci troviamo in imbarazzo davanti all'antieroina Leni Gruyten-Pfeiffer e al gruppo di personaggi, vera e propria corte dei miracoli, che le orbita attorno.
Siamo provocati a farci un'idea. E' perfetta o 猫 una sporcacciona? Ha ragione o ha torto? E' buona o 猫 cattiva? Nazista o comunista?
Sguscia ad ogni categoria, la bella e silenziosa Leni, misteriosa ma con semplicit脿. Danza leggera in un romanzo dove l'autore (che compare nella storia come l'A.) pone l'accento sulle controversie pi霉 futili, sui dettagli pi霉 oziosi. Sulle ghirlande per i morti, sulla miscela del caff猫, sull'esame mattutino degli escrementi in un collegio femminile.
Apoteosi del superfluo, dell'indagine bislacca, delle testimonianze pi霉 ridicole, pi霉 pedantemente e dettagliatamente marginali. Un tappeto che si srotola tra macheccefrega e sticazzi assortiti, una gran collezione di sabbia.
Un machimmelofaff脿 che ronza di continuo in testa, minacciando l'interruzione della lettura. Eppure...
Quando qualcuno sostiene che in mezzo alla merda c'猫 un diamante, io in genero per lo meno diffido (e non mi tuffo a pesce). Non mi piace chi volendo fare il controintellettuale arriva a sostenere che in un quadro totalmente bianco vi sia chiss脿 quale recondita profondit脿 artistica.
In un libro come Foto di gruppo con signora - che per certi versi assomiglia molto all'Opera galleggiante di Barth - c'猫 il sottinteso rischio di non saper giustificare l'inesorabile fascino che ne abbiamo sub矛to davanti a chi per esempio ha b枚llato il libro di giochetto avanguardista da quattro soldi.
Ma io prover貌 a stilare ein klein unn枚tig Dekalog dei motivi che mi spingono a considerare questo libro una bizzarra meraviglia:
1) l'A.: l'io narrante della storia 猫 un tizio davvero simpatico. Non 猫 una voce fuori dal coro, non resta affatto dietro le quinte. Muove le fila della storia immergendovisi con passione, con enorme interesse verso i dettagli oziosi di cui sopra. In genere l'io narrante 猫 solo un espediente narrativo, qui invece 猫 tanto centrale quanto caustico, divertente, tenero;
2) La Storia della Germania vista attraverso il prisma delle vicende di personaggi assolutamente secondari: l'esperimento 猫 ovviamente gi脿 visto - v. la nostra Ginzburg - ma 猫 qui rielaborato in questa forma documentaristica ricca di humour che lo rende speciale;
3) Per B枚ll, i personaggi pi霉 inetti (o presunti tali) sopravvivono a tutto; i perfetti (o presunti tali) sono destinati a breve vita;
4) Non c'猫 retorica; non c'猫 traccia di rivendicazione nei confronti di nessuno, nazisti o sovietici che siano, non ci sono "cattivi" da disprezzare n猫 buoni per cui parteggiare;
5) Il pi霉 basso, il pi霉 "corporale", il pi霉 amorale e il meno nobile trovano qui una certa santit脿;
6) B枚ll non strizza l'occhio al lettore, non lo alliscia mai; anzi lo fa passare pi霉 volte per fesso, con garbo ma senza mezzi termini;
7) Sembra che B枚ll voglia far sue, quasi con amore paterno, tutte le pecche del "cattivo romanzo"; "didascalico" vi suona storto? Beh, lui adora sfacciatamente la didascalia. Secondo voi l'autore non dovrebbe entrare ad ingombrare una storia con le sue riflessioni? Beh, leggetevi questo libro, vi far脿 rabbrividire.
8) Lo diceva Ges霉 di Nazareth, che si sta meglio in compagnia dei peccatori e delle prostitute; B枚ll 猫 perfettamente in linea, 猫 scandalosamente cattolico. Nel senso di cattolico che crea scandalo. Suor Rahel - di indubbia genealogia ebraica, proprio come Ges霉 in fondo - 猫 il personaggio che racchiude in s茅 questo tratto meraviglioso; disprezzata, trova nelle occupazioni pi霉 infime (e quando dico infime...) una gioiosa occasione per amare;
9) La 'scena madre' della tazza di caff猫 offerta da Leni al russo Boris - mentre l'avanzata tedesca si sbriciolava a Stalingrado - 猫 uno degli esempi pi霉 alti di dissacrazione del nazionalismo;
10)Questo vale pi霉 per l'autore che per il libro in s猫. Dopo dodici anni di nazismo la Germania era giunta al suo anno zero letterario. Gli scrittori si erano ammutoliti, dopo anni di assordante propaganda in stile G枚bbels. Quest'uomo ha rappresentato, col suo inconfondibile umorismo, la Fenice della letteratura tedesca contemporanea. Non 猫 poco, direi.
n.b. B枚ll si pronuncia B'll, come una linguaccia. Fate finta che quella "o" non esiste. E spargete la voce.
Ci portiamo sempre appresso un filtro, uno scanner a cui pi霉 o meno consapevolmente sottoponiamo le nuove conoscenze.
Ma davanti ai personaggi di un libro questo filtro fa irrimediabilmente cilecca. In genere ce li beviamo cos矛 come sono, e pi霉 difetti hanno pi霉 vanno gi霉.
Heinrich B枚ll, uno scrittore che vale molto di pi霉 del premio Nobel che gli diedero nel '72, in questo gagliardissimo libro (di lettura non sempre fluida, ad esser onesti), ci getta fumo negli occhi dalla prima all'ultima pagina.
Noi che tentiamo di catalogare, identificare un soggetto, ci troviamo in imbarazzo davanti all'antieroina Leni Gruyten-Pfeiffer e al gruppo di personaggi, vera e propria corte dei miracoli, che le orbita attorno.
Siamo provocati a farci un'idea. E' perfetta o 猫 una sporcacciona? Ha ragione o ha torto? E' buona o 猫 cattiva? Nazista o comunista?
Sguscia ad ogni categoria, la bella e silenziosa Leni, misteriosa ma con semplicit脿. Danza leggera in un romanzo dove l'autore (che compare nella storia come l'A.) pone l'accento sulle controversie pi霉 futili, sui dettagli pi霉 oziosi. Sulle ghirlande per i morti, sulla miscela del caff猫, sull'esame mattutino degli escrementi in un collegio femminile.
Apoteosi del superfluo, dell'indagine bislacca, delle testimonianze pi霉 ridicole, pi霉 pedantemente e dettagliatamente marginali. Un tappeto che si srotola tra macheccefrega e sticazzi assortiti, una gran collezione di sabbia.
Un machimmelofaff脿 che ronza di continuo in testa, minacciando l'interruzione della lettura. Eppure...
Quando qualcuno sostiene che in mezzo alla merda c'猫 un diamante, io in genero per lo meno diffido (e non mi tuffo a pesce). Non mi piace chi volendo fare il controintellettuale arriva a sostenere che in un quadro totalmente bianco vi sia chiss脿 quale recondita profondit脿 artistica.
In un libro come Foto di gruppo con signora - che per certi versi assomiglia molto all'Opera galleggiante di Barth - c'猫 il sottinteso rischio di non saper giustificare l'inesorabile fascino che ne abbiamo sub矛to davanti a chi per esempio ha b枚llato il libro di giochetto avanguardista da quattro soldi.
Ma io prover貌 a stilare ein klein unn枚tig Dekalog dei motivi che mi spingono a considerare questo libro una bizzarra meraviglia:
1) l'A.: l'io narrante della storia 猫 un tizio davvero simpatico. Non 猫 una voce fuori dal coro, non resta affatto dietro le quinte. Muove le fila della storia immergendovisi con passione, con enorme interesse verso i dettagli oziosi di cui sopra. In genere l'io narrante 猫 solo un espediente narrativo, qui invece 猫 tanto centrale quanto caustico, divertente, tenero;
2) La Storia della Germania vista attraverso il prisma delle vicende di personaggi assolutamente secondari: l'esperimento 猫 ovviamente gi脿 visto - v. la nostra Ginzburg - ma 猫 qui rielaborato in questa forma documentaristica ricca di humour che lo rende speciale;
3) Per B枚ll, i personaggi pi霉 inetti (o presunti tali) sopravvivono a tutto; i perfetti (o presunti tali) sono destinati a breve vita;
4) Non c'猫 retorica; non c'猫 traccia di rivendicazione nei confronti di nessuno, nazisti o sovietici che siano, non ci sono "cattivi" da disprezzare n猫 buoni per cui parteggiare;
5) Il pi霉 basso, il pi霉 "corporale", il pi霉 amorale e il meno nobile trovano qui una certa santit脿;
6) B枚ll non strizza l'occhio al lettore, non lo alliscia mai; anzi lo fa passare pi霉 volte per fesso, con garbo ma senza mezzi termini;
7) Sembra che B枚ll voglia far sue, quasi con amore paterno, tutte le pecche del "cattivo romanzo"; "didascalico" vi suona storto? Beh, lui adora sfacciatamente la didascalia. Secondo voi l'autore non dovrebbe entrare ad ingombrare una storia con le sue riflessioni? Beh, leggetevi questo libro, vi far脿 rabbrividire.
8) Lo diceva Ges霉 di Nazareth, che si sta meglio in compagnia dei peccatori e delle prostitute; B枚ll 猫 perfettamente in linea, 猫 scandalosamente cattolico. Nel senso di cattolico che crea scandalo. Suor Rahel - di indubbia genealogia ebraica, proprio come Ges霉 in fondo - 猫 il personaggio che racchiude in s茅 questo tratto meraviglioso; disprezzata, trova nelle occupazioni pi霉 infime (e quando dico infime...) una gioiosa occasione per amare;
9) La 'scena madre' della tazza di caff猫 offerta da Leni al russo Boris - mentre l'avanzata tedesca si sbriciolava a Stalingrado - 猫 uno degli esempi pi霉 alti di dissacrazione del nazionalismo;
10)Questo vale pi霉 per l'autore che per il libro in s猫. Dopo dodici anni di nazismo la Germania era giunta al suo anno zero letterario. Gli scrittori si erano ammutoliti, dopo anni di assordante propaganda in stile G枚bbels. Quest'uomo ha rappresentato, col suo inconfondibile umorismo, la Fenice della letteratura tedesca contemporanea. Non 猫 poco, direi.
n.b. B枚ll si pronuncia B'll, come una linguaccia. Fate finta che quella "o" non esiste. E spargete la voce.
May 12, 2015
*Spoilers here.*
This must be called Experimental Fiction, conflicted and preoccupied as it is with 'equivalent' ways of telling the story.. Let's start again.
For some reason author B枚ll hits on the idea that mindless categorizing, cross-filing, a relentless focus on hierarchies and designations... an accountant's myopia, of receipts and stubs .. well, no, there is some method to all that.. Once again.
A book so willingly obtuse, bloodyminded and so obsessively nitpicking that .. no, once more.
There are somewhere near 125 persons who come into play in Heinrich B枚ll's experimental novel Group Portrait With Lady. Sixty-one of them are outlined in the helpful List Of Characters in the front of the book.
By surreptitiously refocusing (or maybe zooming out) from his central character (the lady) B枚ll manages to render the collective insanity of Germany in the war years and thereafter, or maybe it is the madness of a century that produces this Germany. By overdoing the scrutiny on the minima of the era, the author is able to slowly reveal the wider impact. Somehow the war and horror is more felt than told-- when detail is so foreground that the reader must read into the subtext for the headline events. There is so much raw data being racked up that the reader has to listen for reverberations trailing in the distance to get any sense of the overall world at hand.
As mentioned, there dozens of characters, which means dozens of narrators, dozens of threads; they are called informants in the book, witnesses nearly all so unreliable that truth seems laughable. As may be appreciated, these add up to a very palpable sense of the wartime realities of these people-- only detail and minima in the frame, and yet danger and moral collapse an epidemic all around.
The cruelty of wartime scam and black marketeering, fantasias like the Siegfried Line, forced labor for unknown beneficiaries ... the morbid fakery wherein wartime Memorial Wreaths are switched out post-funeral to new clients as they enter the cemetery, and billed for each appearance... stolen papers, false IDs, mislabeled gravesites begin to exert the kind of grim wear & tear on the reader that leads to insight.
B枚ll has written a grandly complex novel here, something that touches along the lines of the cinema's Sorrow And The Pity and The Third Man. But he's got little bits of insanity to include.
The flow chart of the book goes from the cited 'raw data' approach, the listings and dry analyses-- which begin to form the ground on which his agents will move, characters who will work randomly against any set storyline-- toward human folly and delirium. A centerpiece at this point is the 'miracle of the roses' event, which provides a kind of mystical comic relief, after and because of which -- our author (author-in-the-book) sees fit to passionately kiss a catholic nun. His attentions are unexpectedly requited, without much ado, and she is swept into the narrative.
At times B枚ll seems mad, but he's after bigger game than just injecting an absurdist touch; his book is at once a Great-Big-Unrelenting-Shop-Of-Horrors, but also a sly rendition of the fragility of human ties, the lightning-quick sting of reversed allegiances.
A difficult read, but intriguing. Nobel Prize for literature, 1972.
________________
I gather from what I've read elsewhere that there are intricacies of Translation that may not show B枚ll's work to it's best effect; an example that has been noted is that this translation gives the writer-character's interjections the title of 'author' whereas the German tilts more toward 'editor'. That might be a very big shift in what transpires here, or maybe not so much. Regardless, I'm taking a one-star rain check here; the German text may plainly be well worth another star or more if the tone has been so altered.
This must be called Experimental Fiction, conflicted and preoccupied as it is with 'equivalent' ways of telling the story.. Let's start again.
For some reason author B枚ll hits on the idea that mindless categorizing, cross-filing, a relentless focus on hierarchies and designations... an accountant's myopia, of receipts and stubs .. well, no, there is some method to all that.. Once again.
A book so willingly obtuse, bloodyminded and so obsessively nitpicking that .. no, once more.
There are somewhere near 125 persons who come into play in Heinrich B枚ll's experimental novel Group Portrait With Lady. Sixty-one of them are outlined in the helpful List Of Characters in the front of the book.
By surreptitiously refocusing (or maybe zooming out) from his central character (the lady) B枚ll manages to render the collective insanity of Germany in the war years and thereafter, or maybe it is the madness of a century that produces this Germany. By overdoing the scrutiny on the minima of the era, the author is able to slowly reveal the wider impact. Somehow the war and horror is more felt than told-- when detail is so foreground that the reader must read into the subtext for the headline events. There is so much raw data being racked up that the reader has to listen for reverberations trailing in the distance to get any sense of the overall world at hand.
As mentioned, there dozens of characters, which means dozens of narrators, dozens of threads; they are called informants in the book, witnesses nearly all so unreliable that truth seems laughable. As may be appreciated, these add up to a very palpable sense of the wartime realities of these people-- only detail and minima in the frame, and yet danger and moral collapse an epidemic all around.
The cruelty of wartime scam and black marketeering, fantasias like the Siegfried Line, forced labor for unknown beneficiaries ... the morbid fakery wherein wartime Memorial Wreaths are switched out post-funeral to new clients as they enter the cemetery, and billed for each appearance... stolen papers, false IDs, mislabeled gravesites begin to exert the kind of grim wear & tear on the reader that leads to insight.
B枚ll has written a grandly complex novel here, something that touches along the lines of the cinema's Sorrow And The Pity and The Third Man. But he's got little bits of insanity to include.
The flow chart of the book goes from the cited 'raw data' approach, the listings and dry analyses-- which begin to form the ground on which his agents will move, characters who will work randomly against any set storyline-- toward human folly and delirium. A centerpiece at this point is the 'miracle of the roses' event, which provides a kind of mystical comic relief, after and because of which -- our author (author-in-the-book) sees fit to passionately kiss a catholic nun. His attentions are unexpectedly requited, without much ado, and she is swept into the narrative.
At times B枚ll seems mad, but he's after bigger game than just injecting an absurdist touch; his book is at once a Great-Big-Unrelenting-Shop-Of-Horrors, but also a sly rendition of the fragility of human ties, the lightning-quick sting of reversed allegiances.
A difficult read, but intriguing. Nobel Prize for literature, 1972.
________________
I gather from what I've read elsewhere that there are intricacies of Translation that may not show B枚ll's work to it's best effect; an example that has been noted is that this translation gives the writer-character's interjections the title of 'author' whereas the German tilts more toward 'editor'. That might be a very big shift in what transpires here, or maybe not so much. Regardless, I'm taking a one-star rain check here; the German text may plainly be well worth another star or more if the tone has been so altered.
May 9, 2016
郾. 毓賱蹖乇睾賲 丕蹖賳讴賴 讴鬲丕亘 倬乇噩賲毓蹖鬲蹖鈥屬� 賵 蹖賴 讴賲蹖 賲蹖鈥屫必驰屫� 讴賴 胤亘賯 賲毓賲賵賱 蹖丕丿賲 亘乇賴 讴賴 讴蹖貙 讴蹖 亘賵丿貙 鬲丕 丕蹖賳噩丕蹖 讴丕乇 禺賵亘 讴賳丕乇 丕賵賲丿蹖賲 亘丕賴賲. 丕賱亘鬲賴 倬蹖卮賳賴丕丿 賲蹖鈥屭┵嗁� 爻乇 賮乇氐鬲 賵 蹖賴 讴賱賴 亘禺賵賳蹖丿卮 鬲丕 丕賳爻噩丕賲 賯囟蹖賴 丨賮馗 卮賴. 賳賴 賲孬 賲賳 卮亘蹖 鄞 氐賮賴 :-|
鄄. 禺亘 讴鬲丕亘 鬲丕 氐賮丨賴 郾鄱郯 倬蹖卮 乇賮鬲賴 亘賵丿 讴賴 讴賳丕乇 诏匕丕卮鬲賴 卮丿 賵 讴賱丕 蹖丕丿賲 乇賮鬲 趩蹖 亘賴 趩蹖 亘賵丿 :))
丕夭 丿蹖乇賵夭 卮乇賵 讴乇丿賲 丿賵亘丕乇賴 亘禺賵賳賲卮. 丕賱丕賳 氐賮丨賴 鄢鄢 丕賲 :丿蹖
鄢. 倬賳噩丕賴 氐賮丨賴 賲賵賳丿賴 讴賴 讴鬲丕亘 鬲賲賵賲 卮賴. 讴鬲丕亘蹖 讴賴 賲蹖鈥屫堎嗁� 亘诏賲 乇賮鬲 鬲賵 賱蹖爻鬲 丿賴 讴鬲丕亘 亘乇鬲乇 賲賳. 亘乇禺賱丕賮 毓賯丕蹖丿 蹖讴 丿賱賯讴 -讴賴 丕賱亘鬲賴 丕賵賳 乇賵 賴賲 禺蹖賱蹖 丿賵爻 丿丕卮鬲賲 賵 丿丕乇賲- 讴鬲丕亘 亘蹖卮鬲乇 噩賳亘賴 鬲丕乇蹖禺蹖 丿丕乇賴 賵 乇賵丕蹖鬲蹖 丕夭 噩賳诏 丿賵賲 噩賴丕賳蹖鈥屬�. 賵 丕賱亘鬲賴 讴賴 禺胤 賮讴乇蹖 賴丕蹖賳乇蹖卮 亘賱 鬲賵蹖 丕蹖賳 乇賵丕蹖鬲 鬲丕乇蹖禺蹖 賴賲 讴丕賲賱丕 賲卮賴賵丿賴. 賵賱蹖 禺亘 讴鬲丕亘貙 賲噩賲賵毓賴鈥屫й� 丕夭 毓亘丕乇丕鬲 賵 噩賲賱丕鬲 賯丕亘賱 讴賵鬲 賳蹖爻鬲. 亘賱讴賴 蹖讴 噩乇蹖丕賳 爻蹖丕賱賴 丕夭 丕鬲賮丕賯丕鬲 夭賳丿诏蹖 蹖讴 丕賳爻丕賳.
亘賴 賳馗乇賲 賳賵卮鬲賳 丕蹖賳 讴鬲丕亘 亘丕 丕蹖賳 賲禺鬲氐丕鬲 賮賯胤 丕夭 毓賴丿賴 蹖讴 賳丕亘睾賴 亘乇賲蹖丕丿. 倬乇賵乇賵賳丿賳 丿丕爻鬲丕賳蹖 亘丕 丕蹖賳鈥屬囐呝� 卮禺氐蹖鬲 丿乇 匕賴賳 賵 乇賵蹖 讴丕睾匕 丌賵乇丿賳卮 賵丕賯毓丕 匕賴賳 禺賱丕賯 賵 鬲賵丕賳賲賳丿蹖 賲蹖鈥屫ж� 讴賴 賴丕蹖賳乇蹖卮 亘賱 亘賴鈥屫堌ㄛ� 丕夭 毓賴丿卮 亘乇 丕賵賲丿賴 賵 亘丕 丕蹖賳鈥屬囐呝� 卮禺氐蹖鬲貙 蹖讴 丿丕爻鬲丕賳 禺賵卮 趩賮鬲 賵 亘爻鬲 乇賵 禺賵丕賴蹖丿 禺賵賳丿. 丕诏賴 賴賳賵 賳禺賵賳丿蹖賳卮 丨鬲賲丕 亘匕丕乇蹖丿卮 鬲賵 賱蹖爻鬲. 賵 倬蹖卮賳賴丕丿 丕讴蹖丿賲 丕蹖賳賴 讴賴 賵賯鬲蹖 丕蹖賳 讴鬲丕亘 乇賵 賲蹖鈥屫堎嗃屬� 賲賵丕夭蹖 禺賵丕賳蹖 賳讴賳蹖賳. 爻乇 鬲丕 鬲賴卮 乇賵 亘禺賵賳蹖賳 賵 亘毓丿 亘乇蹖賳 爻乇丕睾 亘賯蹖賴 讴鬲丕亘丕.
鄞. 噩賲賱賴 丌禺乇 讴鬲丕亘 乇賵 禺蹖賱蹖 禺賵亘 賲蹖鈥屬佡囐呝� 賲鬲丕爻賮丕賳賴!
鄄. 禺亘 讴鬲丕亘 鬲丕 氐賮丨賴 郾鄱郯 倬蹖卮 乇賮鬲賴 亘賵丿 讴賴 讴賳丕乇 诏匕丕卮鬲賴 卮丿 賵 讴賱丕 蹖丕丿賲 乇賮鬲 趩蹖 亘賴 趩蹖 亘賵丿 :))
丕夭 丿蹖乇賵夭 卮乇賵 讴乇丿賲 丿賵亘丕乇賴 亘禺賵賳賲卮. 丕賱丕賳 氐賮丨賴 鄢鄢 丕賲 :丿蹖
鄢. 倬賳噩丕賴 氐賮丨賴 賲賵賳丿賴 讴賴 讴鬲丕亘 鬲賲賵賲 卮賴. 讴鬲丕亘蹖 讴賴 賲蹖鈥屫堎嗁� 亘诏賲 乇賮鬲 鬲賵 賱蹖爻鬲 丿賴 讴鬲丕亘 亘乇鬲乇 賲賳. 亘乇禺賱丕賮 毓賯丕蹖丿 蹖讴 丿賱賯讴 -讴賴 丕賱亘鬲賴 丕賵賳 乇賵 賴賲 禺蹖賱蹖 丿賵爻 丿丕卮鬲賲 賵 丿丕乇賲- 讴鬲丕亘 亘蹖卮鬲乇 噩賳亘賴 鬲丕乇蹖禺蹖 丿丕乇賴 賵 乇賵丕蹖鬲蹖 丕夭 噩賳诏 丿賵賲 噩賴丕賳蹖鈥屬�. 賵 丕賱亘鬲賴 讴賴 禺胤 賮讴乇蹖 賴丕蹖賳乇蹖卮 亘賱 鬲賵蹖 丕蹖賳 乇賵丕蹖鬲 鬲丕乇蹖禺蹖 賴賲 讴丕賲賱丕 賲卮賴賵丿賴. 賵賱蹖 禺亘 讴鬲丕亘貙 賲噩賲賵毓賴鈥屫й� 丕夭 毓亘丕乇丕鬲 賵 噩賲賱丕鬲 賯丕亘賱 讴賵鬲 賳蹖爻鬲. 亘賱讴賴 蹖讴 噩乇蹖丕賳 爻蹖丕賱賴 丕夭 丕鬲賮丕賯丕鬲 夭賳丿诏蹖 蹖讴 丕賳爻丕賳.
亘賴 賳馗乇賲 賳賵卮鬲賳 丕蹖賳 讴鬲丕亘 亘丕 丕蹖賳 賲禺鬲氐丕鬲 賮賯胤 丕夭 毓賴丿賴 蹖讴 賳丕亘睾賴 亘乇賲蹖丕丿. 倬乇賵乇賵賳丿賳 丿丕爻鬲丕賳蹖 亘丕 丕蹖賳鈥屬囐呝� 卮禺氐蹖鬲 丿乇 匕賴賳 賵 乇賵蹖 讴丕睾匕 丌賵乇丿賳卮 賵丕賯毓丕 匕賴賳 禺賱丕賯 賵 鬲賵丕賳賲賳丿蹖 賲蹖鈥屫ж� 讴賴 賴丕蹖賳乇蹖卮 亘賱 亘賴鈥屫堌ㄛ� 丕夭 毓賴丿卮 亘乇 丕賵賲丿賴 賵 亘丕 丕蹖賳鈥屬囐呝� 卮禺氐蹖鬲貙 蹖讴 丿丕爻鬲丕賳 禺賵卮 趩賮鬲 賵 亘爻鬲 乇賵 禺賵丕賴蹖丿 禺賵賳丿. 丕诏賴 賴賳賵 賳禺賵賳丿蹖賳卮 丨鬲賲丕 亘匕丕乇蹖丿卮 鬲賵 賱蹖爻鬲. 賵 倬蹖卮賳賴丕丿 丕讴蹖丿賲 丕蹖賳賴 讴賴 賵賯鬲蹖 丕蹖賳 讴鬲丕亘 乇賵 賲蹖鈥屫堎嗃屬� 賲賵丕夭蹖 禺賵丕賳蹖 賳讴賳蹖賳. 爻乇 鬲丕 鬲賴卮 乇賵 亘禺賵賳蹖賳 賵 亘毓丿 亘乇蹖賳 爻乇丕睾 亘賯蹖賴 讴鬲丕亘丕.
鄞. 噩賲賱賴 丌禺乇 讴鬲丕亘 乇賵 禺蹖賱蹖 禺賵亘 賲蹖鈥屬佡囐呝� 賲鬲丕爻賮丕賳賴!
January 5, 2016
螕喂伪 蠂蟻蠈谓喂伪 芦螣喂 伪蟺蠈蠄蔚喂蟼 蔚谓蠈蟼 魏位蠈慰蠀谓禄 蟿慰蠀 围维喂谓蟻喂蠂 螠蟺蔚位 萎蟿伪谓 蟽蟿喂蟼 位委蟽蟿蔚蟼 蟿蠅谓 蟺喂慰 伪纬伪蟺畏渭苇谓蠅谓 渭慰蠀 尾喂尾位委蠅谓- 蟽蔚 魏维蟺慰喂蔚蟼 伪魏蠈渭伪 蔚委谓伪喂. 螣 螝位蠈慰蠀谓 蟿慰蠀 螠蟺蔚位, 蟺慰蠀 蔚蟺喂位苇纬蔚喂 谓伪 渭蔚委谓蔚喂 苇谓伪蟼 伪蟻位蔚魏委谓慰蟼 渭蔚 蟿畏谓 伪喂蟻蔚蟿喂魏萎 渭伪蟿喂维 蟿慰蠀 魏伪喂 谓伪 渭畏谓 伪蟺慰蠂蠅蟻喂蟽蟿蔚委 蟿畏谓 蟽蟿慰位萎 蟿慰蠀, 苇蠂蔚喂 蟺慰位位维 魏慰喂谓维 蟽蟿慰喂蠂蔚委伪 渭蔚 蟿畏谓 魏蔚谓蟿蟻喂魏萎 畏蟻蠅委未伪 蟽蟿慰 芦螣渭伪未喂魏蠈 蟺慰蟻蟿蟻苇蟿慰 渭蔚 渭喂伪 魏蠀蟻委伪禄, 蟿畏谓 螞苇谓喂. 螝喂 畏 螞苇谓喂 未蔚谓 渭喂位维蔚喂, 未蔚谓 蠀蟺伪魏慰蠉蔚喂, 蠈渭蠅蟼 蔚魏蔚委谓畏 蔚谓蟿维蟽蟽蔚蟿伪喂路 蟽蔚 渭喂伪 慰渭维未伪 伪谓胃蟻蠋蟺蠅谓 蟺慰蠀 蟿畏谓 伪纬伪蟺慰蠉谓 魏喂 伪蟼 蔚委谓伪喂 蟿蠈蟽慰 未喂伪蠁慰蟻蔚蟿喂魏慰委 渭蔚蟿伪尉蠉 蟿慰蠀蟼.
螇未畏 伪蟺蠈 蟿畏谓 伪蟻蠂萎 伪蠀蟿慰蠉 蟿慰蠀 喂未喂蠈渭慰蟻蠁慰蠀 渭蠀胃喂蟽蟿慰蟻萎渭伪蟿慰蟼 慰 伪谓伪纬谓蠋蟽蟿畏蟼 魏伪蟿伪位伪尾伪委谓蔚喂 蟺蠅蟼 胃伪 蟿伪 尾蟻蔚喂 蟽魏慰蠉蟻伪. 螒蠁畏纬畏蟿萎蟼 蔚委谓伪喂 慰 蟽蠀纬纬蟻., 未畏位伪未萎 慰 蟽蠀纬纬蟻伪蠁苇伪蟼 蟿畏蟼 尾喂慰纬蟻伪蠁委伪蟼 蟿畏蟼 螞苇谓喂, 蟺慰蠀 渭蔚 蔚尉伪谓蟿位畏蟿喂魏萎 伪魏蟻委尾蔚喂伪 渭伪蟼 渭蔚蟿伪蠁苇蟻蔚喂 蟿喂蟼 蔚谓蟿蠀蟺蠋蟽蔚喂蟼 蟿慰蠀 纬喂伪 蟿畏谓 螞苇谓喂 魏伪喂 渭喂伪 蟿慰喂蠂慰纬蟻伪蠁委伪 伪谓胃蟻蠋蟺蠅谓 蟺慰蠀 魏喂谓慰蠉谓蟿伪喂 萎 魏喂谓慰蠉谓蟿伪谓 纬蠉蟻蠅 蟿畏蟼. 危伪谓 谓伪 未喂伪尾维味慰蠀渭蔚 蟿喂蟼 蟽蟿蔚谓慰纬蟻伪蠁畏渭苇谓蔚蟼 蟽畏渭蔚喂蠋蟽蔚喂蟼 伪蟺蠈 蟿喂蟼 蟽蠀谓蔚谓蟿蔚蠉尉蔚喂蟼 蟿慰蠀 蟽蠀纬纬蟻., 慰 螠蟺蔚位 蔚谓慰蟻蠂畏蟽蟿蟻蠋谓蔚喂 苇谓伪 伪魏蟻伪委伪 蟺慰位蠀蠁蠅谓喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪, 蠈蟺慰蠀 魏维胃蔚 蠂伪蟻伪魏蟿萎蟻伪蟼 苇蠂蔚喂 蟿畏 未喂魏萎 蟿慰蠀 蠁蠅谓萎 魏伪喂 蟿伪 未喂魏维 蟿慰蠀 未委魏喂伪. 桅蠈谓蟿慰 魏伪喂 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎蟼 蔚委谓伪喂 蟺维位喂 畏 谓伪味喂蟽蟿喂魏萎 螕蔚蟻渭伪谓委伪 蟿慰蠀 螤慰位苇渭慰蠀. 螖蔚谓 渭蟺慰蟻蔚委 谓伪 尉蔚蠁蠉纬蔚喂 伪蟺蠈 伪蠀蟿蠈.
螛畏位蠀魏蠈 魏蔚谓蟿蟻喂魏蠈 蟺蟻蠈蟽蠅蟺慰 蟽蟿慰 蟺蟻蠋蟿慰 渭苇蟻慰蟼 蔚委谓伪喂 渭喂伪 纬蠀谓伪委魏伪 蟽伪蟻维谓蟿伪 慰魏蟿蠋 蔚蟿蠋谓, 螕蔚蟻渭伪谓委未伪路 苇蠂蔚喂 蠉蠄慰蟼 1,71, 味蠀纬委味蔚喂 68,8 魏喂位维 (渭蔚 蟿伪 蟻慰蠉蠂伪), 未畏位伪未萎 纬蠉蟻蠅 蟽蟿伪 300-400 纬蟻伪渭渭维蟻喂伪 魏维蟿蠅 伪蟺蠈 蟿慰 喂未蔚蠋未蔚蟼 尾维蟻慰蟼路 蟿慰 蠂蟻蠋渭伪 蟿蠅谓 渭伪蟿喂蠋谓 蟿畏蟼 魏蠀渭伪委谓蔚蟿伪喂 渭蔚蟿伪尉蠉 蟽魏慰蠉蟻慰蠀 渭蟺位蔚 魏伪喂 渭伪蠉蟻慰蠀, 苇蠂蔚喂 蟺慰位蠉 蟺蠀魏谓维 尉伪谓胃维 渭伪位位喂维 蔚位伪蠁蟻蠋蟼 纬魏蟻喂味伪蟻喂蟽渭苇谓伪, 蟿伪 慰蟺慰委伪 伪蠁萎谓蔚喂 魏维蟿蠅路 蟺蔚蟻喂尾维位位慰蠀谓 蟿慰 魏蔚蠁维位喂 蟿畏蟼 慰位蠈喂蟽喂伪, 魏维蟺蠅蟼 蟽伪谓 魏蟻维谓慰蟼.
螒蟺蠈 蟿喂蟼 蟺蟻蠋蟿蔚蟼 纬蟻伪渭渭苇蟼 伪谓蟿喂位伪渭尾伪谓蠈渭伪蟽蟿蔚 蟺蠅蟼 慰 位蠈纬慰蟼 蔚委谓伪喂 渭伪魏蟻慰蟺蔚蟻委慰未慰蟼 魏伪喂 蔚尉伪谓蟿位畏蟿喂魏蠈蟼. 螚 螞苇谓喂, 蟺慰蠀 未蔚谓 渭喂位维 蟽蠂蔚未蠈谓 蟺慰蟿苇, 蔚委谓伪喂 苇谓伪蟼 蠂伪蟻伪魏蟿萎蟻伪蟼 蔚尉蠅蠁蟻蔚谓喂魏维 魏伪位蠈蟼, 蟿慰 蟽蠂慰位喂维味蔚喂 魏喂 慰 委未喂慰蟼 慰 蟽蠀纬纬蟻. 螠喂伪 纬蠀谓伪委魏伪 蟺慰位蠉 蠈渭慰蟻蠁畏 魏伪喂 伪喂蟽胃畏蟽喂伪魏萎, 蟺慰蠀 未蔚谓 蠀蟺慰魏蠉蟺蟿蔚喂 蟽蟿伪 蟽伪蟻魏喂魏维 蟺维胃畏 蟺伪蟻维 渭蠈谓慰谓 纬喂伪 蟿慰谓 苇蟻蠅蟿伪, 伪蟺慰位委蟿喂魏畏 蟺慰蠀 蠈渭蠅蟼 蟽蟿慰谓 蟺蠈位蔚渭慰 魏维谓蔚喂 伪魏蟻伪委蔚蟼 蟺蟻维尉蔚喂蟼 伪谓蟿委蟽蟿伪蟽畏蟼 蠈蟺蠅蟼 谓伪 蠁苇蟻蔚喂 苇谓伪 蠁位喂蟿味维谓喂 伪位畏胃喂谓慰蠉 魏伪蠁苇 蟽蔚 巍蠋蟽慰 伪喂蠂渭维位蠅蟿慰. 螠喂伪 纬蠀谓伪委魏伪 蟺慰蠀 未慰蠀位蔚蠉蔚喂 蟺维谓蟿伪 蠅蟼 伪谓蔚喂未委魏蔚蠀蟿畏 蔚蟻纬维蟿蟻喂伪, 魏伪蟿伪蠁苇蟻谓蔚喂 蠈渭蠅蟼 蟿慰 伪蠁蔚谓蟿喂魏蠈 魏伪喂 慰喂 蟽蠀谓蔚蟻纬维蟿蔚蟼 蟿畏蟼 谓伪 蟿畏谓 伪纬伪蟺慰蠉谓 魏伪喂 谓伪 魏维谓慰蠀谓 胃蠀蟽委蔚蟼 纬喂伪 魏蔚委谓畏. 韦蔚位喂魏维 蟽蟿伪 蟺蔚谓萎谓蟿伪 蟿畏蟼 魏慰谓蟿维 魏伪蟿伪位萎纬蔚喂 谓伪 渭苇谓蔚喂 蠁喂位慰尉蔚谓慰蠉渭蔚谓畏 蟽蟿慰 渭慰谓伪未喂魏蠈 蟽蟺委蟿喂 蟺慰蠀 蟿畏蟼 维蠁畏蟽蔚 慰 蟺伪蟿苇蟻伪蟼 蟿畏蟼 魏伪喂 蟺慰蠀 蟺慰蠉位畏蟽蔚 蟽蟿慰谓 螤蠈位蔚渭慰 纬喂伪 苇谓伪 魏慰渭渭维蟿喂 蠄蠅渭委 魏伪喂 谓伪 魏喂谓未蠀谓蔚蠉蔚喂 渭蔚 苇尉蠅蟽畏. 危蟿慰 蟺位维喂 蟿畏蟼 胃伪 蟽蟿伪胃慰蠉谓 伪位位慰未伪蟺慰委 蟽魏慰蠀蟺喂未喂维蟻畏未蔚蟼. 螒位位维 胃伪 蟽蟿伪胃慰蠉谓.
螠蔚 伪蠁慰蟻渭萎 蟿畏谓 螞苇谓喂, 慰 螠蟺蔚位 未喂伪蟿蟻苇蠂蔚喂 蟽蠂蔚未蠈谓 蠈位慰蠀蟼 蟿慰蠀蟼 蟿蠉蟺慰蠀蟼 伪谓胃蟻蠋蟺蠅谓 魏伪喂 蟿喂蟼 蟽蠀渭蟺蔚蟻喂蠁慰蟻苇蟼 蟽蟿慰谓 螤蠈位蔚渭慰. 螘未蠋 蟽蠀谓蠀蟺维蟻蠂慰蠀谓 慰 伪魏蟻伪委慰蟼 渭伪蠀蟻伪纬慰蟻委蟿畏蟼, 渭蔚 蟿慰谓 谓伪味委 蟺慰蠀 蟿蔚位蔚蠀蟿伪委伪 蟽蟿喂纬渭萎 尾慰萎胃畏蟽蔚 蟿畏谓 伪谓蟿委蟽蟿伪蟽畏, 慰 谓伪味委 蟺慰蠀 蔚尉慰谓蟿蠋胃畏魏蔚 渭蔚 蟿慰谓 巍蠋蟽慰 伪喂蠂渭维位蠅蟿慰 蟺慰蠀 苇蠂伪蟽蔚 蟿畏谓 味蠅萎 蟿慰蠀 魏伪蟿维 位维胃慰蟼, 蟿伪 伪纬蠈蟻喂伪 蟺慰蠀 纬蠉蟻喂蟽伪谓 蟽伪魏伪蟿蔚渭苇谓伪 纬喂伪 苇谓伪谓 蟺蠈位蔚渭慰 蟺慰蠀 未蔚谓 蟿伪 伪蠁慰蟻慰蠉蟽蔚 魏伪喂 蟿伪 魏慰蟻委蟿蟽喂伪 蟺慰蠀 蟿伪 魏伪蟿维蠁蔚蟻伪谓 萎 未蔚谓 蟿伪 魏伪蟿维蠁蔚蟻伪谓 谓伪 伪谓蟿伪蟺蔚尉苇位胃慰蠀谓 蟽蔚 伪蠀蟿蠈. 螣 慰蠀渭伪谓喂蟽渭蠈蟼 蟿慰蠀 螠蟺蔚位 未蔚谓 魏蟻蠉尾蔚蟿伪喂, 渭苇蟽伪 伪蟺蠈 蟿畏谓 伪蠁苇位蔚喂伪 蟿畏蟼 螞苇谓喂 蟺蟻慰魏蠉蟺蟿蔚喂 尾伪胃喂维 伪纬维蟺畏 纬喂伪 蟿慰谓 蔚伪蠀蟿蠈 蟿畏蟼 魏伪喂 蟿慰谓 蟽蠀谓维谓胃蟻蠅蟺慰. 螒位位维 伪蠀蟿蠈 蔚委谓伪喂 蟿慰 魏慰蟻蠀蠁伪委慰: 蟺蠅蟼 蟽蔚 苇谓伪 蟿苇蟿慰喂慰 苇蟻纬慰, 蟺慰蠀 伪蟺伪喂蟿蔚委 蟺慰位蠀蟺位慰魏蠈蟿畏蟿伪 蟿蔚蠂谓喂魏萎蟼 魏伪喂 蟽魏苇蠄畏蟼, 蟺慰蠀 蠀蟺蔚蟻畏蠁伪谓蔚蠉蔚蟿伪喂 蟺蠅蟼 蔚委谓伪喂 蟿慰 魏慰蟻蠀蠁伪委慰 蔚谓蠈蟼 魏慰蟻蠀蠁伪委慰蠀, 蟿蔚位喂魏维 蟺蟻蠅蟿伪纬蠅谓委蟽蟿蟻喂伪 蔚委谓伪喂 渭喂伪 伪蠁蔚位萎蟼 纬蠀谓伪委魏伪 蟺慰蠀 伪纬伪蟺维蔚喂 蟿慰蠀蟼 伪谓胃蟻蠋蟺慰蠀蟼 魏喂 蔚蟺喂位苇纬蔚喂 谓伪 味萎蟽蔚喂 蠈蟺蠅蟼 蟿畏蟼 蟺蟻苇蟺蔚喂. 螝伪喂 蟽蟿畏谓 蟿蔚位喂魏萎 蟿畏谓 伪纬伪蟺慰蠉谓 魏喂 伪蠀蟿慰委.
螆蟻纬慰 尾伪胃喂维 蟺慰位喂蟿喂魏蠈, 蟿慰 芦螣渭伪未喂魏蠈 蟺慰蟻蟿蟻苇蟿慰 渭蔚 渭委伪 魏蠀蟻委伪禄 蔚委谓伪喂 伪蠀蟿蠈 蟺慰蠀 渭谓畏渭慰谓蔚蠉蟿畏魏蔚 伪蟺蠈 蟿畏谓 螘蟺喂蟿蟻慰蟺萎 蠈蟿伪谓 苇未蠅蟽蔚 蟿慰 1972 蟽蟿慰谓 围维喂谓蟻喂蠂 螠蟺蔚位 蟿慰 螡蠈渭蟺蔚位 魏喂 蠈蠂喂 伪未委魏蠅蟼. 螒谓 魏伪喂 慰 螝位蠈慰蠀谓 胃伪 渭蔚委谓蔚喂 纬喂伪 蟺维谓蟿伪 渭苇蟽伪 渭慰蠀 蠅蟼 蟿慰 伪纬伪蟺畏渭苇谓慰 渭慰蠀 尾喂尾位委慰 蟿慰蠀 螠蟺蔚位, 蟿慰蠉蟿慰 蔚未蠋 尾蟻萎魏蔚 萎未畏 渭喂伪 胃苇蟽畏 蟺位维喂 蟿慰蠀. 螝伪喂 蟿喂 蠅蟻伪喂蠈蟿蔚蟻慰, 蟽畏渭伪谓蟿喂魏蠈蟿蔚蟻慰 伪谓伪纬谓蠅蟽蟿喂魏维 伪蟺蠈 蟿慰 伪谓慰委纬蔚喂蟼 蟿畏谓 蠂蟻慰谓喂维 蟽慰蠀 渭蔚 苇谓伪 蟿苇蟿慰喂慰 伪蟻喂蟽蟿慰蠉蟻纬畏渭伪.
July 8, 2014
亘毓丿 丕夭 賲丿鬲 賴丕 丿賵亘丕乇賴 卮乇賵毓 讴乇丿賲 亘賴 讴鬲丕亘 禺賵賳丿賳 賵 禺賵卮丨丕賱賲 丕夭 丕蹖賳 亘丕亘鬲. 爻毓蹖 賴賲 讴乇丿賲 讴賴 讴鬲丕亘 賴丕蹖 禺賵亘蹖 丿爻鬲 亘诏蹖乇賲 鬲丕 丨丕賱丕 99 丿乇 氐丿 賲賵賮賯 卮丿賲. :)
" 爻蹖賲丕蹖 夭賳蹖 丿乇 賲蹖丕賳 噩賲毓 " 趩賴丕乇賲蹖賳 讴鬲丕亘蹖 賽 讴賴 丕夭 賴丕蹖賳乇蹖卮 亘賱 賲蹖 禺賵賳賲. 讴鬲丕亘 毓賯丕蹖丿 蹖讴 丿賱賯讴 乇賵 禺蹖賱蹖 賵賯鬲 倬蹖卮 禺賵賳丿賲 賵 卮丕蹖丿 丿賵亘丕乇賴 蹖賴 爻乇蹖 亘賴卮 亘夭賳賲. 賯胤丕乇 亘賴 賲賵賯毓 乇爻蹖丿 蹖賴 夭賲丕賳蹖 丕夭 讴鬲丕亘 賴丕蹖 賲丨亘賵亘 丕賲 亘賵丿 賵 賴賳賵夭 賴賲 賴爻鬲. 賵 讴鬲丕亘 丿蹖诏賴 丕蹖 亘賴 丕爻賲 賲蹖乇丕孬 讴賴 丕賵賳 賴賲 乇蹖鬲賲蹖 賲孬賱 賴賲蹖賳 讴鬲丕亘 賯亘賱蹖 丿丕卮鬲 賵 亘丕夭賲 賲賵乇丿 倬爻賳丿 賲賳 亘賵丿... 賵 丕賲丕 亘蹖卮鬲乇蹖賳 賵 亘賴鬲乇蹖賳 賲賵賱賮賴 蹖 讴丕乇 亘賱 - 賴賲賵賳 胤賵乇 讴賴 賴賲賴 丕丨鬲賲丕賱丕 賲蹖 丿賵賳賳丿- 賲賮賴賵賲蹖 賽 亘賴 丕爻賲 噩賳诏 賵 亘賱 趩賴 賯丿乇 賯卮賳诏 丕夭 丕蹖賳 噩賳诏 夭卮鬲 丨乇賮 賲蹖 夭賳賴. 卮丕蹖丿 賴賲賴 蹖 讴爻丕蹖蹖 讴賴 讴賴 鬲賴 匕賴賳 丕卮賵賳 诏丕賴蹖 賮讴乇讴乇丿賳丿 讴賴 噩賳诏 賴賲 賲蹖 鬲賵賳賴 乇丕 丨賱蹖 亘丕卮賴 丕诏乇 讴賴 丕蹖賳 讴鬲丕亘 賴丕 乇賵 丿爻鬲 亘诏蹖乇賳丿 賵 亘禺賵賳賳丿 匕賴賳蹖鬲 丿蹖诏賴 丕蹖 禺賵丕賴賳丿 丿丕卮鬲. 亘丕 賴賲賴 蹖 丕蹖賳 賲賵賯毓蹖鬲 賴丕蹖 毓噩蹖亘 賵 亘賴 毓賯蹖丿賴 蹖 賲賳 丨鬲丕 夭蹖亘丕蹖 丕賳爻丕賳蹖 讴賴 鬲賵賵 讴鬲丕亘 賴丕蹖 亘賱 倬蹖丿丕 賲蹖 卮賴 丌丿賲 丕蹖賳 鬲賵丕賳丕蹖蹖 乇賵 倬蹖丿丕 賲蹖 讴賳賴 讴賴 蹖賴 诏賵卮賴 丕蹖 丕夭 丕賵賳 丿乇丿 賵 乇賳噩 乇賵 丿乇讴 讴賳賴 賵 丨鬲丕 蹖賴 讴賲蹖 丕夭 丕賵賳 賴賲賴 倬賵趩蹖 賵 亘蹖賴賵丿诏蹖 乇賵.
賮乇賲蹖 讴賴 亘乇丕蹖 乇賵丕蹖鬲 丿丕爻鬲丕賳 丕賳鬲禺丕亘 卮丿賴 賵丕賯毓丕 賴賵卮賲賳丿丕賳賴 丕爻鬲 賵 丨丿 丕讴孬乇 鬲丕孬蹖乇 乇賵 丿丕卮鬲賴 亘賴 毓賱丕賵賴 蹖 丕蹖賳 讴賴 禺蹖賱蹖 禺賵亘 賴賲 丕夭卮 亘賴乇賴 亘乇丿賴 卮丿賴. 乇丕賵蹖 丿丕爻鬲丕賳 讴賴 禺蹖賱蹖 賴賲 丕賱亘鬲賴 亘蹖 胤乇賮 賳蹖爻鬲 鬲賯乇蹖亘丕 賴賲蹖卮賴 賵 讴丕賲賱丕 賲丕賴乇丕賳賴 卮賲丕 乇賵 亘丕 禺賵丿卮 賵 賳馗乇 诏丕賴 禺賵丿卮 賴賲乇丕賴 賲蹖 讴賳賴. 胤賳夭蹖 賴賲 讴賴 鬲賵賵 讴丕乇 賴爻鬲 亘賴 丕蹖賳 賯囟蹖賴 禺蹖賱蹖 讴賲讴 讴乇丿賴... 賵 丕蹖賳丕 乇賵 亘乇丕蹖 蹖丕丿 丌賵乇蹖 亘賴 禺賵丿賲 賴爻鬲 讴賴 賲蹖 賳賵蹖爻賲.
亘賴 讴鬲丕亘 5 爻鬲丕乇賴 賳丿丕丿賲 賮賯胤 亘賴 丕蹖賳 丿賱蹖賱 讴賴 丿賵爻鬲 丿丕卮鬲賲 丕夭 蹖賴 噩丕蹖蹖 亘賴 亘毓丿 鬲賲賵賲 亘卮賴 賵 丕丿丕賲賴 倬蹖丿丕 賳讴賳賴. 丕蹖賳 " 丕夭 蹖賴 噩丕蹖蹖 亘賴 亘毓丿 " 丿丕爻鬲丕賳 賴賲 爻胤丨 亘賯蹖賴 丕卮 賳亘賵丿. 丿賱蹖賱 丿蹖诏賴 丕蹖 賴賲 讴賴 丿丕乇賲 丕蹖賳賴 讴賴 丿賵 鬲丕 賯囟蹖賴 乇賵 丕氐賱丕 丿乇讴 賳讴乇丿賲 亘賴 趩賴 讴丕乇蹖 賲蹖丕丿 鬲賵賵 丕蹖賳 讴鬲丕亘. 蹖讴蹖 賲毓卮賵賯賴 蹖 爻丕亘賯丕 乇丕賴亘賴 蹖 乇丕賵蹖 賵 丕賵賳 蹖讴蹖 賲毓噩夭賴 蹖 诏賱 賴丕蹖 爻乇禺 乇丕卮賱. 亘賴 賳馗乇賲 賴賲趩蹖賳 賲毓噩夭賴 丕蹖 鬲賵賵 讴鬲丕亘蹖 鬲賵賵 丕蹖賳 倬丕蹖賴 " 夭賲蹖賳蹖" 亘蹖 賲毓賳蹖 亘賵丿 賵 乇丕賴亘賴 蹖 爻丕亘賯 賴賲 丿乇 鬲囟丕丿 亘賵丿卮 亘丕 賴賲蹖賳 賲毓噩夭賴. 卮丕蹖丿 丕诏賴 丕蹖賳 賲毓噩夭賴 丿乇 讴丕乇 賳亘賵丿 亘丕 丕賵賳 乇丕賴亘賴 賴賲 賲卮讴賱蹖 賳丿丕卮鬲賲.賯囟丕賵鬲 亘丕卮賴 亘乇 毓賴丿賴 蹖 讴爻丕蹖蹖 讴賴 讴鬲丕亘 乇賵 禺賵賳丿賳丿 賵 蹖丕 賲蹖 禺賵賳賳丿.
賲乇鬲囟蹖 讴賱丕賳鬲乇蹖丕賳 : 賲鬲乇噩賲 讴鬲丕亘 讴賴 賲賳 亘丕 丕蹖賳 讴賴 亘丕 丕爻賲 丕蹖卮賵賳 丌卮賳丕 亘賵丿賲 丕賲丕 鬲丕 丨丕賱丕 鬲乇噩賲賴 丕蹖 丕夭卮賵賳 賳禺賵賳丿賴 亘賵丿賲. 丌賱賲丕賳蹖 亘賱丿 賳蹖爻鬲賲 丕賲丕 鬲乇噩賲賴 丨爻 禺賵亘蹖 丿丕卮鬲 讴賴 賲蹖 诏賮鬲 賲賳 毓丕賱蹖賲. "賲賳 蹖賴 鬲乇噩賲賴 蹖 毓丕賱蹖 賴爻鬲賲." 亘賴 賴乇 丨丕賱 鬲賵賵 倬乇賵 賮丕蹖賱 丕蹖卮賵賳 鬲賵賵 诏賵賵丿乇蹖丿夭 趩蹖夭蹖 賳賵卮鬲賴 賳卮丿賴. 卮丕蹖丿 禺賵丿賲 亘毓丿 賴丕 倬乇卮 讴乇丿賲.丕诏乇 讴爻 丿蹖诏賴 丕蹖 鬲丕 丕賵賳 賲賵賯毓 賵賯鬲 蹖丕 丨賵氐賱賴 丕卮 乇賵 丿丕卮鬲 丕蹖賳 讴丕乇 乇賵 丕賳噩丕賲 亘丿賴 賱胤賮丕
丌賵丕
鬲蹖乇 93
" 爻蹖賲丕蹖 夭賳蹖 丿乇 賲蹖丕賳 噩賲毓 " 趩賴丕乇賲蹖賳 讴鬲丕亘蹖 賽 讴賴 丕夭 賴丕蹖賳乇蹖卮 亘賱 賲蹖 禺賵賳賲. 讴鬲丕亘 毓賯丕蹖丿 蹖讴 丿賱賯讴 乇賵 禺蹖賱蹖 賵賯鬲 倬蹖卮 禺賵賳丿賲 賵 卮丕蹖丿 丿賵亘丕乇賴 蹖賴 爻乇蹖 亘賴卮 亘夭賳賲. 賯胤丕乇 亘賴 賲賵賯毓 乇爻蹖丿 蹖賴 夭賲丕賳蹖 丕夭 讴鬲丕亘 賴丕蹖 賲丨亘賵亘 丕賲 亘賵丿 賵 賴賳賵夭 賴賲 賴爻鬲. 賵 讴鬲丕亘 丿蹖诏賴 丕蹖 亘賴 丕爻賲 賲蹖乇丕孬 讴賴 丕賵賳 賴賲 乇蹖鬲賲蹖 賲孬賱 賴賲蹖賳 讴鬲丕亘 賯亘賱蹖 丿丕卮鬲 賵 亘丕夭賲 賲賵乇丿 倬爻賳丿 賲賳 亘賵丿... 賵 丕賲丕 亘蹖卮鬲乇蹖賳 賵 亘賴鬲乇蹖賳 賲賵賱賮賴 蹖 讴丕乇 亘賱 - 賴賲賵賳 胤賵乇 讴賴 賴賲賴 丕丨鬲賲丕賱丕 賲蹖 丿賵賳賳丿- 賲賮賴賵賲蹖 賽 亘賴 丕爻賲 噩賳诏 賵 亘賱 趩賴 賯丿乇 賯卮賳诏 丕夭 丕蹖賳 噩賳诏 夭卮鬲 丨乇賮 賲蹖 夭賳賴. 卮丕蹖丿 賴賲賴 蹖 讴爻丕蹖蹖 讴賴 讴賴 鬲賴 匕賴賳 丕卮賵賳 诏丕賴蹖 賮讴乇讴乇丿賳丿 讴賴 噩賳诏 賴賲 賲蹖 鬲賵賳賴 乇丕 丨賱蹖 亘丕卮賴 丕诏乇 讴賴 丕蹖賳 讴鬲丕亘 賴丕 乇賵 丿爻鬲 亘诏蹖乇賳丿 賵 亘禺賵賳賳丿 匕賴賳蹖鬲 丿蹖诏賴 丕蹖 禺賵丕賴賳丿 丿丕卮鬲. 亘丕 賴賲賴 蹖 丕蹖賳 賲賵賯毓蹖鬲 賴丕蹖 毓噩蹖亘 賵 亘賴 毓賯蹖丿賴 蹖 賲賳 丨鬲丕 夭蹖亘丕蹖 丕賳爻丕賳蹖 讴賴 鬲賵賵 讴鬲丕亘 賴丕蹖 亘賱 倬蹖丿丕 賲蹖 卮賴 丌丿賲 丕蹖賳 鬲賵丕賳丕蹖蹖 乇賵 倬蹖丿丕 賲蹖 讴賳賴 讴賴 蹖賴 诏賵卮賴 丕蹖 丕夭 丕賵賳 丿乇丿 賵 乇賳噩 乇賵 丿乇讴 讴賳賴 賵 丨鬲丕 蹖賴 讴賲蹖 丕夭 丕賵賳 賴賲賴 倬賵趩蹖 賵 亘蹖賴賵丿诏蹖 乇賵.
賮乇賲蹖 讴賴 亘乇丕蹖 乇賵丕蹖鬲 丿丕爻鬲丕賳 丕賳鬲禺丕亘 卮丿賴 賵丕賯毓丕 賴賵卮賲賳丿丕賳賴 丕爻鬲 賵 丨丿 丕讴孬乇 鬲丕孬蹖乇 乇賵 丿丕卮鬲賴 亘賴 毓賱丕賵賴 蹖 丕蹖賳 讴賴 禺蹖賱蹖 禺賵亘 賴賲 丕夭卮 亘賴乇賴 亘乇丿賴 卮丿賴. 乇丕賵蹖 丿丕爻鬲丕賳 讴賴 禺蹖賱蹖 賴賲 丕賱亘鬲賴 亘蹖 胤乇賮 賳蹖爻鬲 鬲賯乇蹖亘丕 賴賲蹖卮賴 賵 讴丕賲賱丕 賲丕賴乇丕賳賴 卮賲丕 乇賵 亘丕 禺賵丿卮 賵 賳馗乇 诏丕賴 禺賵丿卮 賴賲乇丕賴 賲蹖 讴賳賴. 胤賳夭蹖 賴賲 讴賴 鬲賵賵 讴丕乇 賴爻鬲 亘賴 丕蹖賳 賯囟蹖賴 禺蹖賱蹖 讴賲讴 讴乇丿賴... 賵 丕蹖賳丕 乇賵 亘乇丕蹖 蹖丕丿 丌賵乇蹖 亘賴 禺賵丿賲 賴爻鬲 讴賴 賲蹖 賳賵蹖爻賲.
亘賴 讴鬲丕亘 5 爻鬲丕乇賴 賳丿丕丿賲 賮賯胤 亘賴 丕蹖賳 丿賱蹖賱 讴賴 丿賵爻鬲 丿丕卮鬲賲 丕夭 蹖賴 噩丕蹖蹖 亘賴 亘毓丿 鬲賲賵賲 亘卮賴 賵 丕丿丕賲賴 倬蹖丿丕 賳讴賳賴. 丕蹖賳 " 丕夭 蹖賴 噩丕蹖蹖 亘賴 亘毓丿 " 丿丕爻鬲丕賳 賴賲 爻胤丨 亘賯蹖賴 丕卮 賳亘賵丿. 丿賱蹖賱 丿蹖诏賴 丕蹖 賴賲 讴賴 丿丕乇賲 丕蹖賳賴 讴賴 丿賵 鬲丕 賯囟蹖賴 乇賵 丕氐賱丕 丿乇讴 賳讴乇丿賲 亘賴 趩賴 讴丕乇蹖 賲蹖丕丿 鬲賵賵 丕蹖賳 讴鬲丕亘. 蹖讴蹖 賲毓卮賵賯賴 蹖 爻丕亘賯丕 乇丕賴亘賴 蹖 乇丕賵蹖 賵 丕賵賳 蹖讴蹖 賲毓噩夭賴 蹖 诏賱 賴丕蹖 爻乇禺 乇丕卮賱. 亘賴 賳馗乇賲 賴賲趩蹖賳 賲毓噩夭賴 丕蹖 鬲賵賵 讴鬲丕亘蹖 鬲賵賵 丕蹖賳 倬丕蹖賴 " 夭賲蹖賳蹖" 亘蹖 賲毓賳蹖 亘賵丿 賵 乇丕賴亘賴 蹖 爻丕亘賯 賴賲 丿乇 鬲囟丕丿 亘賵丿卮 亘丕 賴賲蹖賳 賲毓噩夭賴. 卮丕蹖丿 丕诏賴 丕蹖賳 賲毓噩夭賴 丿乇 讴丕乇 賳亘賵丿 亘丕 丕賵賳 乇丕賴亘賴 賴賲 賲卮讴賱蹖 賳丿丕卮鬲賲.賯囟丕賵鬲 亘丕卮賴 亘乇 毓賴丿賴 蹖 讴爻丕蹖蹖 讴賴 讴鬲丕亘 乇賵 禺賵賳丿賳丿 賵 蹖丕 賲蹖 禺賵賳賳丿.
賲乇鬲囟蹖 讴賱丕賳鬲乇蹖丕賳 : 賲鬲乇噩賲 讴鬲丕亘 讴賴 賲賳 亘丕 丕蹖賳 讴賴 亘丕 丕爻賲 丕蹖卮賵賳 丌卮賳丕 亘賵丿賲 丕賲丕 鬲丕 丨丕賱丕 鬲乇噩賲賴 丕蹖 丕夭卮賵賳 賳禺賵賳丿賴 亘賵丿賲. 丌賱賲丕賳蹖 亘賱丿 賳蹖爻鬲賲 丕賲丕 鬲乇噩賲賴 丨爻 禺賵亘蹖 丿丕卮鬲 讴賴 賲蹖 诏賮鬲 賲賳 毓丕賱蹖賲. "賲賳 蹖賴 鬲乇噩賲賴 蹖 毓丕賱蹖 賴爻鬲賲." 亘賴 賴乇 丨丕賱 鬲賵賵 倬乇賵 賮丕蹖賱 丕蹖卮賵賳 鬲賵賵 诏賵賵丿乇蹖丿夭 趩蹖夭蹖 賳賵卮鬲賴 賳卮丿賴. 卮丕蹖丿 禺賵丿賲 亘毓丿 賴丕 倬乇卮 讴乇丿賲.丕诏乇 讴爻 丿蹖诏賴 丕蹖 鬲丕 丕賵賳 賲賵賯毓 賵賯鬲 蹖丕 丨賵氐賱賴 丕卮 乇賵 丿丕卮鬲 丕蹖賳 讴丕乇 乇賵 丕賳噩丕賲 亘丿賴 賱胤賮丕
丌賵丕
鬲蹖乇 93
May 26, 2018
The titular character Leni is seen via the point-of-view of a number of characters; heartless harlot, timorous and timid, empty-headed and sensitive and open to art, the depiction of Leni is a testament to the many different and often contradictory ways by which other see us. Boll employs a number of different styles, often dependent on the narrator, often these act as pastiches and parodies, whether it is the lazy and jocular cliches of journalese or the highfalutin style of post-modernism, Boll explores and utilises these various styles to depict the lives of the characters Leni interacts with. Beneath all of this lies the Nazi regime in which most of the the novel takes place and the sense of madness and paranoia it engenders. Indeed the vast, almost innumerable number of characters can be slightly discombobulating for the reader, who is left dizzy by Boll鈥檚 ever-changing, jittery and frenetic style; an interesting and original, if not always entirely successful form of literary experimentation, 鈥楪roup Portrait With Lady鈥� is perhaps more of an intellectual than emotional success.
August 8, 2022
libro bellissimo che ho letto - mea culpa - male, nel senso che l鈥檋o interrotto pi霉 volte poi riprendendolo, senza perdere il piacere di una lettura fuori dal comune, ma (costretta a leggerlo in cartaceo - perch茅, Einaudi, perch茅? -, e quindi non potendo giovarmi della possibilit脿 di risalire con un tocco ai precedenti incontri con vari personaggi) perdendo fatalmente il contatto con qualche parte della storia. Da rileggere, quindi.
August 11, 2022
A very big contrast in style comparing to "Billiards at Half-Past Nine". This gives the feeling of relief that you've finished reading at last.
July 14, 2019
趩胤賵乇 賲蹖鈥屫促堌� 賲蹖夭丕賳 丿乇丿 賵 乇賳噩 噩爻賲蹖 蹖丕 乇賵丨蹖 乇丕 丕賳丿丕夭賴 诏乇賮鬲責 蹖丕 亘賴 趩賴 讴蹖賮蹖鬲 賲蹖鈥屫堌з� 賮毓丕賱蹖鬲 睾丿丿 丕卮讴蹖 丕賳爻丕賳 乇丕 亘乇丌賵乇丿 讴乇丿責 趩賴 讴爻蹖 丿丕賳賴鈥屬囏й� 丕卮讴鈥屬呚з� 乇丕貙 賵賯鬲蹖 讴賴 賳氐賮 卮亘鈥屬囏� 诏乇蹖賴 賲蹖鈥屭┵嗃屬呚� 賲蹖鈥屫堌з嗀� 亘卮賲丕乇丿責 亘丕賱丕禺乇賴 趩賴 讴爻蹖 亘賴 禺賳丿賴鈥屬囏� 賵 乇賳噩鈥屬囏й� 賲丕 賲蹖鈥屫з嗀屫簇�. 亘乇 卮蹖胤丕賳 賱毓賳鬲貙 丌蹖丕 丕蹖賳鈥屬囏� 賲爻丕卅賱蹖 賳蹖爻鬲賳丿 讴賴 亘丕蹖丿 賲鬲賮讴乇丕賳 亘賴 丌賳鈥屬囏� 倬丕爻禺 丿賴賳丿責 毓賱賲 亘賴 趩賴 丿乇丿 賲蹖鈥屫堌必� 賵 毓賱賲丕蹖蹖 讴賴 亘丕 鬲賴蹖賴 胤乇丨鈥屬囏й� 亘爻蹖丕乇 倬乇禺乇噩 賲賵賮賯 賲蹖鈥屫促堎嗀� 讴賴 丕夭 讴乇賴 賲丕賴 禺丕讴 蹖丕 趩賳丿 爻賳诏 亘蹖鈥屫ж必藏� 爻賵睾丕鬲 亘蹖丕賵乇賳丿 讴丕乇卮丕賳 趩賴 丕乇夭卮蹖 丿丕乇丿 丕诏乇 賳鬲賵丕賳賳丿 鬲毓丕乇蹖賮蹖 丿乇 禺氐賵氐 丕爻丕爻蹖鈥屫臂屬� 趩蹖夭 夭賳丿诏蹖 蹖讴 丕賳爻丕賳 丕乇丕卅賴 丿賴賳丿責
丕夭 賲鬲賳 讴鬲丕亘
丕夭 賲鬲賳 讴鬲丕亘
February 5, 2015
趩賴 丿丕爻鬲丕賳 賯卮賳诏賶貙丿丕爻鬲丕賳 丌賳 夭賳 噩賵丕賳 丌賱賲丕賳賶貙賰賴 亘乇丕賶 賷丕賮鬲賳 賲丨亘賵亘卮 亘丕 丿賵趩乇禺賴 丕夭 丕賷賳 丕乇丿賵诏丕賴 亘賴 丌賳 丕乇丿賵诏丕賴 賲賶 乇賵丿 賵 爻乇丕賳噩丕賲 賯亘乇卮 乇丕 丿乇 賯亘乇爻鬲丕賳 丿賵乇丕賮鬲丕丿賴 丕賶 倬賷丿丕 賲賶 賰賳丿.
賲孬賱 賴賲賷卮賴 亘賱 禺賵賳丿賳 亘夭乇诏鬲乇賷賳 丨爻卮 丕賷賳賰賴 亘賴 賲丕賱賷禺賵賱賷丕賶 丿賱賳卮賷賳 禺賵丿鬲 亘乇賲賷诏乇丿賶 賵 噩夭卅賷丕鬲 乇賵 賷丕丿鬲 賲賷丕丿
賲孬賱 賴賲賷卮賴 亘賱 禺賵賳丿賳 亘夭乇诏鬲乇賷賳 丨爻卮 丕賷賳賰賴 亘賴 賲丕賱賷禺賵賱賷丕賶 丿賱賳卮賷賳 禺賵丿鬲 亘乇賲賷诏乇丿賶 賵 噩夭卅賷丕鬲 乇賵 賷丕丿鬲 賲賷丕丿
March 17, 2014
讴鬲丕亘 乇丕 亘乇丕蹖 亘丕乇 丿賵賲 禺賵丕賳丿賲 賵 鬲賲賵賲 讴乇丿賲 賵 亘蹖卮鬲乇 丿賵爻鬲卮 丿丕卮鬲賲. 亘丕乇 丕賵賱 亘蹖卮鬲乇 賲噩匕賵亘 鬲賵丕賳丕蹖蹖 賳賵蹖爻賳賳丿賴 丿乇 亘蹖丕賳 賵 诏夭丕乇卮 丕丨爻丕爻丕鬲 夭賳丕賳賴 卮丿賴 亘賵丿賲. 丕丕蹖賳亘丕乇 賵賱蹖 讴鬲丕亘 亘乇丕蹖賲 賯氐賴 丌丿賲賴丕蹖蹖 亘賵丿. 賴丕賳乇蹖卮 亘賱 诏賮鬲賴 讴賴 讴鬲丕亘 丿丕爻鬲丕賳 夭賳丿诏蹖 夭賳 40 爻丕賱賴 爻鬲 讴賴 亘丕乇 爻賳诏蹖賳 蹖讴 夭賳 丌賱賲丕賳蹖 丕夭 1922 鬲丕 1970 乇丕 亘乇 丿賵卮 丿丕乇丿. 亘賳馗乇 賲賳 讴鬲丕亘 丿丕爻鬲丕賳 蹖讴 賳爻賱 丌賱賲丕賳 丕爻鬲 讴賴 丕蹖賳 亘丕乇 乇丕 賴乇 讴丿丕賲 亘乇 丿賵卮 丿丕乇賳丿貙 賵 賵賯鬲蹖 讴賴 賴賲賴 亘丕 賴賲 夭蹖乇 亘丕乇 賲蹖 乇賵賳丿 賳蹖夭 丕乇 亘丕乇 鬲讴 鬲讴 卮丕賳 讴丕爻鬲賴 賳賲蹖 卮賵丿. 丕夭 丌禺乇 讴鬲丕亘 讴賴 賳诏丕賴 讴賳蹖賲貙 丿丕爻鬲丕賳 蹖讴 夭賳 賲毓賲賵賱蹖 讴賴 倬爻乇卮 丿乇 夭賳丿丕賳 丕爻鬲 賵 亘夭賵乇 诏匕乇丕賳 夭賳丿诏蹖 賲蹖 讴賳丿 賵 賲賵乇丿 賴噩賵賲 丕賳賵丕毓 胤毓賳賴 賴丕爻鬲. 丕蹖賳 賱賳蹖 爻鬲. 讴爻蹖 讴賴 丿乇 讴鬲丕亘 丨乇賮蹖 賳賲蹖 夭賳丿 亘噩夭 趩賳丿蹖賳 噩賲賱賴 賳賯賱 賯賵賱 卮丿賴貙 賵 丕夭 丕賵 讴賲鬲乇 丕夭 賴乇 讴爻 丿蹖诏乇蹖 亘胤賵乇 賲爻鬲賯蹖賲 毓賲賱蹖 爻乇 賲蹖夭賳丿. 亘賴 亘賴丕賳賴 賱賳蹖 貙 亘蹖卮 丕夭 100 卮禺氐蹖鬲 賲禺鬲賱賮貙 丕夭 賴乇 賳賵毓 賮讴乇 賵 爻賱蹖賯賴 賵 賳诏丕賴蹖 讴賴 亘禺賵丕賴蹖丿 丿乇 丕蹖賳 锟斤拷鬲丕亘 鬲氐賵蹖乇 卮丿賴 丕賳丿. 乇賳噩 噩賳诏 乇丕 賳賴 丕夭 夭亘丕賳 睾丕賱亘 賵 賲睾賱賵亘 亘蹖丕賳 賲蹖 讴賳丿. 丌賳 丿賵 賲氐丕丨亘賴 丌禺乇 賳賵蹖爻賳丿賴 蹖讴蹖 亘丕 爻乇賲丕蹖賴 丿丕乇 丌賱賲丕賳蹖 賵 丿蹖诏乇蹖 爻乇亘丕夭 夭賳丿丕賳蹖 乇賵爻 賲丕賳蹖賮爻鬲 夭卮鬲蹖 賵 倬賱卮鬲蹖 噩賳诏 丕爻鬲. 丕夭 夭亘丕賳 賴乇 丿賵 胤乇賮 讴賴 亘丕 丕卮讴賴丕蹖 賴乇 丿賵 賳賮乇 倬丕蹖丕賳 賲蹖 蹖丕亘丿 賵 亘丕 丕卮讴賴丕蹖 賴乇 讴爻蹖 讴賴 丿乇讴 讴賳丿 丿乇丿 丕蹖賳 丿賵 乇丕. 賴丕賳乇蹖卮 亘賱 亘爻蹖丕乇 鬲賵丕賳丕爻鬲. 丿乇 丕爻鬲賮丕丿賴 丕夭 爻亘讴蹖 讴賴 賲蹖 鬲賵丕賳丿 賲賵噩亘 丕夭 丿爻鬲 乇賮鬲賳 賵夭賳 丕丿亘蹖 讴丕乇卮 亘卮賵丿貙 蹖毓賳蹖 丿禺丕賱鬲 賲爻鬲賯蹖賲 丿乇 诏賮鬲賳 丿丕爻鬲丕賳 亘丕 丕賳鬲禺丕亘 卮蹖賵賴 诏夭丕乇卮 诏乇蹖 . 賵 賳賴 鬲賳賴丕 丕蹖賳 賳卮丿賴 亘賱讴賴 賳賵蹖爻賳丿賴 禺賵丿 亘禺卮蹖 丕夭 賯氐賴 爻鬲 亘丕 丌賳 鬲蹖讴賴 賴丕蹖 噩匕丕亘卮. 胤賳乇 賳賵蹖爻賳丿賴 毓丕賱蹖 爻鬲. 卮禺氐蹖鬲 賴丕 亘禺賵亘蹖 倬乇丿丕夭卮 卮丿賴 丕賳丿貙 賴賲賴 亘禺賵亘蹖 鬲氐賵蹖乇 賲蹖 卮賵賳丿貙 鬲氐賵蹖乇 禺賵丿卮丕賳貙 禺丕賳賴 賵 丕鬲丕賯卮丕賳貙 乇賮鬲丕乇 賵 毓賯丕蹖丿卮丕賳 賵 賴賲賴 乇丕 亘禺賵亘蹖 賲蹖 鬲賵丕賳蹖丿 丿乇 讴賳丕乇 禺賵丿 丿丕卮鬲賴 亘丕卮蹖丿. 賳诏丕賴 乇賵丕賳卮賳丕禺鬲丕賳賴 賵 倬乇丿丕禺鬲賳 亘賴 噩夭蹖蹖 鬲乇蹖賳 賲爻丕卅賱 乇賵丕賳蹖 丿乇 乇丕亘胤賴 賴丕蹖 賲丕亘蹖賳 丌丿賲 賴丕蹖 讴鬲丕亘 丕夭 丿蹖诏乇 噩匕丕亘蹖鬲 賴丕蹖 讴鬲丕亘 賵 賳卮丕賳賴 賴賵卮 賵 鬲賵丕賳丕蹖蹖 禺丕氐 賴丕賳乇蹖卮 亘賱 丕爻鬲. 亘賳馗乇賲 賲賱鬲 丌賱賲丕賳 亘賴 丕賵 賲丿蹖賵賳 丕爻鬲 讴賴 夭卮鬲蹖 噩賳诏 乇丕 丕夭 丿乇賵賳 讴卮賵乇 丌睾丕夭诏乇 噩賳诏 亘賴 丕蹖賳 禺賵亘蹖 亘賴 賴賲賴 賳卮丕賳 賲蹖 丿賴丿 鬲丕 丌賳噩丕 讴賴 丌丿賲 亘乇丕丨鬲蹖 亘丕 賲乇丿賲丕賳 丌賱賲丕賳 賴賲丿乇丿蹖 賲蹖 讴賳丿. 讴鬲丕亘 倬乇 丕夭 噩賲賱賴 賴丕蹖 禺賵亘 丕爻鬲 讴賴 卮賲丕 乇丕 亘賴 賮讴乇 賮乇賵 亘乇丿貙 倬乇 丕夭 氐丨賳賴 賴丕蹖 鬲氐賵蹖乇蹖 毓丕卮賯丕賳賴 讴賴 賱亘禺賳丿 亘乇 賱亘鬲丕賳 亘賳卮丕賳丿. 倬乇 丕夭 鬲蹖讴賴 亘賴 讴賱蹖爻丕 賵 丕噩夭丕亘 趩倬 賵 乇丕爻鬲 賵 丕禺賱丕賯 诏乇丕蹖蹖 讴賴 亘鬲賵丕賳蹖丿 亘丕賴丕卮 亘禺賳丿蹖丿. 賵 倬乇 丕夭 亘禺卮 賴丕蹖 賲毓賲丕 诏賵賳賴 讴賴 賴賳賵夭 賮讴乇 賲蹖 讴賳賲 讴賴 丕蹖賳 丌丿賲 亘乇丕蹖 趩賴 丿乇 讴鬲丕亘 丌賲丿賴 亘賵丿責> 讴賱賲丕賳鬲蹖賳 賳卮丕賳 趩蹖爻鬲 讴賴 丨鬲蹖 噩丕蹖 賳賵蹖爻賳丿賴 乇丕 賲蹖 诏蹖乇丿責 賱賳蹖 亘噩夭 賲卮禺氐賴 馗丕賴乇蹖 賵 爻蹖賳賴 賴丕蹖 夭蹖亘丕蹖卮 丿乇 匕賴賳 賲賳 倬賴 鬲氐賵蹖乇蹖 丿丕乇丿責 賵 丕蹖賳 丿爻鬲 爻賵丕賱丕鬲 讴賴 夭蹖丕丿 丕爻鬲. 賲丕丨氐賱 乇丕亘胤賴 蹖讴 丌賱賲丕賳蹖 亘丕 蹖讴 乇賵爻 丿乇 夭賳丿丕賳 丕爻鬲 賵 賲丕丨氐賱 乇丕亘胤賴 賴賲丕賳 丌賱賲丕賳蹖 亘丕 蹖讴 鬲乇讴 丿乇 乇丕賴 賵乇賵丿 亘賴 丿賳蹖丕. 丿禺鬲乇 卮丕蹖爻鬲賴 丌賱賲丕賳 亘毓賳賵丕賳 賳賲丕丿 丌賳 讴卮賵乇 賲蹖禺賵丕丿 丕夭 丕蹖賳 鬲賱賮蹖賯 賮乇賴賳诏 賴丕 趩賴 亘爻丕夭丿責 丌蹖丕 丕氐賱賳 賲蹖禺賵丕賴丿 趩蹖夭蹖 亘爻丕夭丿責
February 14, 2015
賳賵蹖爻賳丿賴鈥屫й� 爻毓蹖 賲蹖鈥屭┵嗀� 亘丕 倬乇爻 賵 噩賵 丕夭 丕胤乇丕賮蹖丕賳賽 夭賳蹖 亘賴 賳丕賲 芦賱賳蹖禄貙 夭賳丿诏蹖鈥屫ж� 乇丕 丕夭 爻丕賱 1922 鬲丕 1970 乇賵丕蹖鬲 讴賳丿. 丿乇 丕蹖賳 倬乇爻 賵 噩賵賴丕 毓賱丕賵賴 亘乇 夭賳丿诏蹖 賱賳蹖 亘丕 夭賳丿诏蹖鈥� 亘賯蹖賴鈥屰� 丌丿賲鈥屬囏й� 丿丕爻鬲丕賳 賴賲 丌卮賳丕 賲蹖鈥屫促堐屬�. 賵賯鬲蹖 賴丕賳乇蹖卮 亘賱 丿乇 爻丕賱 1972 噩丕蹖夭賴 賳賵亘賱 丕丿亘蹖丕鬲 乇丕 亘乇丿貙 讴鬲丕亘 芦爻蹖賲丕蹖 夭賳蹖 丿乇 賲蹖丕賳 噩賲毓禄 亘賴 毓賳賵丕賳 丕孬乇蹖 讴丕賲賱 賵 噩丕賲毓 讴賴 賳卮丕賳 丿賴賳丿賴鈥屰� 卮丕禺氐賽 丌孬丕乇 賳賵蹖爻賳丿賴 丕爻鬲貙 賲毓乇賮蹖 卮丿.
亘乇禺賱丕賮 鬲毓乇蹖賮鈥屬囏й� 夭蹖丕丿蹖 讴賴 丕夭 丕蹖賳 讴鬲丕亘 卮丿賴貙 丿賵爻鬲卮 賳丿丕卮鬲賲. 丕賵丕蹖賱 丿丕爻鬲丕賳 禺賵亘 倬蹖卮 賲蹖鈥屫辟佖� 賵 丨鬲蹖 胤賳夭 禺賵亘蹖 賳蹖夭 丿乇 亘毓囟蹖 賯爻賲鬲鈥屬囏й屫� 丿丕卮鬲貙 丕賲丕 讴賲 讴賲 賮囟丕蹖 丿丕爻鬲丕賳 鬲讴乇丕乇蹖 賵 讴賳丿 賲蹖鈥屫簇�. 亘丕蹖丿 丕毓鬲乇丕賮 讴賳賲 讴賴 亘賴 爻禺鬲蹖 讴鬲丕亘 乇丕 鬲丕 丌禺乇 禺賵丕賳丿賲.
亘乇禺賱丕賮 鬲毓乇蹖賮鈥屬囏й� 夭蹖丕丿蹖 讴賴 丕夭 丕蹖賳 讴鬲丕亘 卮丿賴貙 丿賵爻鬲卮 賳丿丕卮鬲賲. 丕賵丕蹖賱 丿丕爻鬲丕賳 禺賵亘 倬蹖卮 賲蹖鈥屫辟佖� 賵 丨鬲蹖 胤賳夭 禺賵亘蹖 賳蹖夭 丿乇 亘毓囟蹖 賯爻賲鬲鈥屬囏й屫� 丿丕卮鬲貙 丕賲丕 讴賲 讴賲 賮囟丕蹖 丿丕爻鬲丕賳 鬲讴乇丕乇蹖 賵 讴賳丿 賲蹖鈥屫簇�. 亘丕蹖丿 丕毓鬲乇丕賮 讴賳賲 讴賴 亘賴 爻禺鬲蹖 讴鬲丕亘 乇丕 鬲丕 丌禺乇 禺賵丕賳丿賲.
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