Emilian Stanev 袝屑懈谢懈褟薪 小褌邪薪械胁 was the pseudonym Nikola Stoyanov Stanev (袧懈泻芯谢邪 小褌芯褟薪芯胁 小褌邪薪械胁), a 20th-century Bulgarian prose writer. Also spelled as Emiliian Stanev or Emiliyan Stanev.
Stanev was born in Veliko Tarnovo in 1907 and spent his childhood in Tarnovo and Elena, where he long lived with his family. From an early age, his father would take him to his hunting outings in the open, which influenced Stanev's later work, where nature is often described. In 1928, he finished the Elena high school as a private student and moved to Sofia, where he studied painting under Tseno Todorov. In the 1930s, he enrolled in Finances and Credit in Free University of Political and Economic Sciences, (today University of National end World Economy in Sofia). In 1932鈥�1944, he was an office worker of the Capital Municipality and in 1945 he was the director of the hunting reserve in the village of BukovetsStanev published his first works in 1931. He was active in a number of magazines and newspapers: he headed the fiction department of the
Literary Front newspaper and published in Fate, Testaments, Art and Critic, Goldhorn, Wreath, Bulgarian Speech, etc. Stanev wrote tales involving animals, social and philosophical prose, historical novels and novelettes. During his stay in Sofia he was an acquaintance of the city's leading intellectuals who had a strong influence on his later works. Stanev's first book was a collection of short stories named Tempting Glitters issued in 1938. His next book was the collection Alone from 1940, which set forth a series of works devoted to the relations between man and nature. The books to follow were Wolfish Nights (1943), Workdays and Holidays (1945), Wild Bird (1946), In a Silent Night (1948). One of his last and best-known works, The Peach Thief, was published in 1948 and filmed in 1964. After 1950, he worked for 14 years on his novel Ivan Kondarev describing the events surrounding the September Uprising of 1923. Stanev also authored many books for children and teenagers, such as Through Forests and Waters (1943), The Greedy Bear Cub (1944), Tale of a Forest (1948), When the Frost Melts (1950) and Chernishka (1950).
BG/EN 孝褉褟斜胁邪 写邪 锌褉懈蟹薪邪褟, 褔械 锌芯写褑械薪懈褏 袝屑懈谢懈褟薪 小褌邪薪械胁. 袣邪褌芯 懈蟹泻谢褞褔懈屑 薪褟泻芯懈 械谢械屑械薪褌懈, 锌芯 泻芯懈褌芯 褋懈 谢懈褔懈 泻芯谐邪 械 薪邪锌懈褋邪薪邪 褌胁芯褉斜邪褌邪, 懈褋褌芯褉懈褟褌邪 斜械褕械 懈薪褌械褉械褋薪邪 懈 锌褉懈褟褌薪邪 蟹邪 褔械褌械薪械. 袝写懈薪褋褌胁械薪芯 褉邪蟹胁褉褗蟹泻邪褌邪 屑懈 褋械 褋褌芯褉懈 锌褉械褌褍锌邪薪邪. - I gotta admit I underestimated the author. Aside from some elements and phrases used that have not aged well, the story was interesting and enjoyable to read/listen to. Only complaint - the ending was rushed.
Emilian Stanev does not use unnecessary words and leaves much to the reader's imagination. I admire the tight plot and the beautiful descriptions. The framing story hints at how this impossible love can be repeated in all wars. This is exactly the kind of book I needed to regain my passion for reading.