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Sinuhe egyptil盲inen #1鈥�
螣 螒喂纬蠉蟺蟿喂慰蟼
"螘纬蠋, 慰 危喂谓慰蠀蠂苇 慰 螒喂纬蠉蟺蟿喂慰蟼, 蔚委未伪 苇谓伪 伪纬蠈蟻喂 谓伪 蠂蟿蠀蟺维蔚喂 蟿慰谓 蟺伪蟿苇蟻伪 蟿慰蠀 蟽蟿畏谓 维魏蟻畏 蟿慰蠀 未蟻蠈渭慰蠀 魏伪喂 谓伪 蟿慰谓 蟽魏慰蟿蠋谓蔚喂. 螘委未伪 蠁蟿蠅蠂慰蠉蟼 谓伪 尉蔚蟽畏魏蠋谓慰谓蟿伪喂 蔚谓维谓蟿喂伪 蟽蟿慰蠀蟼 蟺位慰蠉蟽喂慰蠀蟼, 胃蔚慰蠉蟼 蔚谓维谓蟿喂伪 蟽蟿慰蠀蟼 胃蔚慰蠉蟼. 螘委未伪 苇谓伪谓 维谓蟿蟻伪, 蟺慰蠀 苇蟺喂谓蔚 蟿慰 魏蟻伪蟽委 蟿慰蠀 伪蟺蠈 魏蠉蟺蔚位位慰 蠂蟻蠀蟽蠈, 谓伪 蟽魏蠉尾蔚喂 渭苇蟽伪 蟽蟿畏谓 伪胃位喂蠈蟿畏蟿伪 魏伪喂 谓伪 蟺委谓蔚喂 谓蔚蟻蠈 渭蔚 蟿畏谓 蟺伪位维渭畏 蟿慰蠀 伪蟺' 蟿慰 蟺慰蟿维渭喂. 螒蠀蟿慰蠉蟼 蟺慰蠀 味蠉纬喂味伪谓 蠂蟻蠀蟽维蠁喂 谓伪 味畏蟿喂伪谓蔚蠉慰蠀谓 蟽蟿慰蠀蟼 未蟻蠈渭慰蠀蟼 魏伪喂 蟿喂蟼 纬蠀谓伪委魏蔚蟼 蟿慰蠀蟼 谓伪 蟺慰蠀位慰蠉谓 蟿慰 魏慰蟻渭委 蟿慰蠀蟼 纬喂伪 渭蔚蟻喂魏苇蟼 未蔚魏维蟻蔚蟼 蟽' 苇谓伪 谓苇纬蟻慰 渭蔚 尾伪渭渭苇谓慰 蟺蟻蠈蟽蠅蟺慰 纬喂伪 谓' 伪纬慰蟻维蟽慰蠀谓 位委纬慰 蠄蠅渭委 纬喂伪 蟿伪 蟺伪喂未喂维 蟿慰蠀蟼."
736 pages, Paperback
First published January 1, 1945
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About the author
Mika Waltari
230听books670听followersMika Toimi Waltari was a Finnish historical novelist, best known for his magnum opus The Egyptian.
Waltari was born in Helsinki and lost his father, a Lutheran pastor, at the age of five. As a boy, he witnessed the Finnish Civil War in Helsinki. Later he enrolled in the University of Helsinki as a theology student, according to his mother's wishes, but soon abandoned theology in favour of philosophy, aesthetics and literature, graduating in 1929. While studying, he contributed to various magazines and wrote poetry and stories, getting his first book published in 1925. In 1927 he went to Paris where he wrote his first major novel Suuri illusioni ('The Grand Illusion'), a story of bohemian life. In terms of style, the novel is considered to be the Finnish equivalent to the works of the American writers of the Lost Generation. (In Waltari's historical novel The Adventurer, taking place in the 16th century, the hero is a Finn who goes to Paris during his twenties and lives there a rather bohemian life). Waltari also was, for a while, a member of the liberal literary movement Tulenkantajat, though his political and social views later turned conservative. He was married in 1931 and had a daughter, Satu, who also became a writer.
Throughout the 1930s and 1940s, Waltari worked hectically as a journalist and critic, writing for a number of newspapers and magazines and travelling widely in Europe. He directed the magazine Suomen Kuvalehti. At the same time, he kept writing books in many genres, moving easily from one literary field to another. He had a very busy schedule and strict work ethic. It has been claimed that he also suffered from insomnia and depression, sometimes to the extent of needing hospital treatment. He participated, and often succeeded, in literary competitions to prove the quality of his work to critics. One of these competitions gave rise to one of his most popular characters, Inspector Palmu, a gruff detective of the Helsinki police department, who starred in three mystery novels, all of which were filmed (a fourth one was made without Waltari involved). Waltari also scripted the popular cartoon Kieku ja Kaiku and wrote Aiotko kirjailijaksi, a guidebook for aspiring writers that influenced many younger writers such as Kalle P盲盲talo.
During the Winter War (1939鈥�1940) and the Continuation War (1941鈥�1944), Waltari worked in the government information center, now also placing his literary skills at the service of political propaganda. 1945 saw the publication of Waltari's first and most successful historical novel, The Egyptian. Its theme of the corruption of humanist values in a materialist world seemed curiously topical in the aftermath of World War II, and the book became an international bestseller, serving as the basis of the 1954 Hollywood movie of the same name. Waltari wrote seven more historical novels, placed in various ancient cultures, among which The Dark Angel, set during the Fall of Constantinople in 1453 is probably the best. In these novels, he gave powerful expression to his fundamental pessimism and also, in two novels set in the Roman Empire, to his Christian conviction. After the war, he also wrote several novellas, showing particular mastery in this genre. He became a member of the Finnish Academy in 1957 and received an honorary doctorate at the University of Turku in 1970.
Waltari was one of the most prolific Finnish writers. He wrote at least 29 novels, 15 novellas, 6 collections of stories or fairy-tales, 6 collections of poetry and 26 plays, as well as screenplays, radioplays, non-fiction, translations, and hundreds of reviews and articles. He is also the internationally best-known Finnish writer, and his works have been translated into more than 40 languages.
Waltari was born in Helsinki and lost his father, a Lutheran pastor, at the age of five. As a boy, he witnessed the Finnish Civil War in Helsinki. Later he enrolled in the University of Helsinki as a theology student, according to his mother's wishes, but soon abandoned theology in favour of philosophy, aesthetics and literature, graduating in 1929. While studying, he contributed to various magazines and wrote poetry and stories, getting his first book published in 1925. In 1927 he went to Paris where he wrote his first major novel Suuri illusioni ('The Grand Illusion'), a story of bohemian life. In terms of style, the novel is considered to be the Finnish equivalent to the works of the American writers of the Lost Generation. (In Waltari's historical novel The Adventurer, taking place in the 16th century, the hero is a Finn who goes to Paris during his twenties and lives there a rather bohemian life). Waltari also was, for a while, a member of the liberal literary movement Tulenkantajat, though his political and social views later turned conservative. He was married in 1931 and had a daughter, Satu, who also became a writer.
Throughout the 1930s and 1940s, Waltari worked hectically as a journalist and critic, writing for a number of newspapers and magazines and travelling widely in Europe. He directed the magazine Suomen Kuvalehti. At the same time, he kept writing books in many genres, moving easily from one literary field to another. He had a very busy schedule and strict work ethic. It has been claimed that he also suffered from insomnia and depression, sometimes to the extent of needing hospital treatment. He participated, and often succeeded, in literary competitions to prove the quality of his work to critics. One of these competitions gave rise to one of his most popular characters, Inspector Palmu, a gruff detective of the Helsinki police department, who starred in three mystery novels, all of which were filmed (a fourth one was made without Waltari involved). Waltari also scripted the popular cartoon Kieku ja Kaiku and wrote Aiotko kirjailijaksi, a guidebook for aspiring writers that influenced many younger writers such as Kalle P盲盲talo.
During the Winter War (1939鈥�1940) and the Continuation War (1941鈥�1944), Waltari worked in the government information center, now also placing his literary skills at the service of political propaganda. 1945 saw the publication of Waltari's first and most successful historical novel, The Egyptian. Its theme of the corruption of humanist values in a materialist world seemed curiously topical in the aftermath of World War II, and the book became an international bestseller, serving as the basis of the 1954 Hollywood movie of the same name. Waltari wrote seven more historical novels, placed in various ancient cultures, among which The Dark Angel, set during the Fall of Constantinople in 1453 is probably the best. In these novels, he gave powerful expression to his fundamental pessimism and also, in two novels set in the Roman Empire, to his Christian conviction. After the war, he also wrote several novellas, showing particular mastery in this genre. He became a member of the Finnish Academy in 1957 and received an honorary doctorate at the University of Turku in 1970.
Waltari was one of the most prolific Finnish writers. He wrote at least 29 novels, 15 novellas, 6 collections of stories or fairy-tales, 6 collections of poetry and 26 plays, as well as screenplays, radioplays, non-fiction, translations, and hundreds of reviews and articles. He is also the internationally best-known Finnish writer, and his works have been translated into more than 40 languages.
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September 17, 2021
Sinuhe Egyptil盲inen = The Egyptian (Sinuhe Egyptil盲inen, 1-2), Mika Waltari
The Egyptian is a historical novel by Mika Waltari. It was first published in Finnish in 1945, and in an abridged English translation by Naomi Walford in 1949, apparently from Swedish rather than Finnish. So far, it is the only Finnish novel to be adapted into a Hollywood film, which it was, in 1954.
The Egyptian is the first and the most successful, of Waltari's great historical novels. It is set in Ancient Egypt, mostly during the reign of Pharaoh Akhenaten of the 18th Dynasty, whom some have claimed to be the first monotheistic ruler in the world.
毓賳賵丕賳賴丕蹖 趩丕倬 卮丿賴 丿乇 丕蹖乇丕賳: 芦爻蹖賳賵丨賴禄貨 芦爻蹖賳賵賴賴禄貨 芦爻蹖賳賵賴賴 倬夭卮讴 賲禺氐賵氐 賮乇毓賵賳禄貨 芦爻蹖賳賵賴賴 讴丕賴賳 丕毓馗賲 賲氐乇禄貨 芦爻蹖賳賵賴賴 賲氐乇蹖禄貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮 賲丕賴 丕讴鬲亘乇 爻丕賱 1998賲蹖賱丕丿蹖
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賲鬲乇噩賲賴丕蹖 丿蹖诏乇蹖 賳蹖夭 禺丕賳賲賴丕 賵 丌賯丕蹖丕賳: 芦丕丨賲丿爻丕丿丕鬲 毓賯蹖賱蹖禄貨 芦賲丨爻賳 亘丕胤賳蹖禄貨 芦丿丕賵賵丿 賳毓賲鬲 丕賱賱賴蹖禄貨 芦賲乇鬲囟蹖 丕爻丿禺賵丕賴禄貨 芦丕亘乇丕賴蹖賲 氐賮乇蹖丕賳禄貨 芦毓夭蹖夭毓賱蹖 丕賲蹖乇蹖鈥屫藏ж嚶回� 芦爻毓蹖丿賴 賴丕卮賲蹖禄貨 芦丕賲蹖乇 乇賲夭蹖禄貨 芦賮乇卮鬲賴 讴乇蹖賲蹖禄貨 芦丕賲蹖乇毓亘丕爻 胤亘丕禄貨 芦丕亘乇丕賴蹖賲 氐賮乇蹖丕賳禄貨 芦賴丕賱賴 賴賳乇夭丕丿禄貨 芦乇囟丕 夭丕乇毓禄貙 芦夭賴乇賴 夭賳丿蹖賴禄貨 丕蹖賳 丕孬乇 乇丕 鬲乇噩賲賴 讴乇丿賴 丕賳丿貙 賳賵卮鬲賴 賴丕蹖賲 乇丕 丿乇 亘丕乇賴 蹖 賲卮禺氐丕鬲 讴鬲丕亘賴丕蹖 鬲乇噩賲賴 卮丿賴 丕夭 丕蹖賳 丕孬乇 鬲賵爻胤 賳丕賲亘乇丿诏丕賳 亘丕賱丕 乇丕 讴賴 亘賴 丿卮賵丕乇蹖 蹖丕賮鬲賴 亘賵丿賲 賳蹖夭 亘賴 賳丕乇賵丕 倬丕讴 讴乇丿賴 丕賳丿
爻蹖賳賵賴賴 賳丕賲 乇賲丕賳蹖 鬲丕乇蹖禺蹖 亘賴 賯賱賲 芦賲蹖讴丕 賵丕賱鬲丕乇蹖禄貙 賳賵蹖爻賳丿賴 芦賮賳賱丕賳丿蹖禄 丕爻鬲貙 讴賴 亘乇 丕爻丕爻 乇禺丿丕丿賴丕蹖 丿賵乇丕賳 賮乇毓賵賳 芦丌禺賳丕鬲賵賳禄 賳賵卮鬲賴 卮丿賴 丕爻鬲貨 賮蹖賱賲蹖 賴丕賱蹖賵賵丿蹖 賳蹖夭 亘乇 丕爻丕爻 賴賲蹖賳 讴鬲丕亘 丿乇 爻丕賱 1954賲蹖賱丕丿蹖 爻丕禺鬲賴 卮丿賴 丕爻鬲 爻亘讴 乇賵丕賳卮丕丿 芦匕亘蹖丨鈥� 丕賱賱賴 賲賳氐賵乇蹖禄 鬲乇噩賲賴-鬲兀賱蹖賮 亘賵丿賴貨 丿乇 賲賯丿賲賴 蹖 丿讴鬲乇 芦丕丨賲丿 亘賴倬賵乇禄 賲蹖鈥屫堌з嗃屬�: 丿乇 賲賵乇丿 丕蹖賳 讴賴 芦爻蹖賳賵賴賴禄 卮禺氐蹖鬲蹖 丕爻鬲 賵丕賯毓蹖貙 蹖丕 丕賮爻丕賳賴鈥� 丕蹖貙 趩蹖夭蹖 丿丕賳爻鬲賴 賳卮丿貙 卮丕蹖丿 丕賵 賳蹖夭 賴賲丕賳賳丿 芦蹖賱 爻蹖爻鬲丕賳禄 亘丕卮丿貨 讴賴 芦賮乇丿賵爻蹖禄 亘夭乇诏 丕夭 丕蹖卮丕賳 芦乇爻鬲賲 丿爻鬲丕賳禄 乇丕 爻丕禺鬲賴 丕爻鬲鈥�.貨 噩賳丕亘 賲丨爻賳 亘丕胤賳蹖 亘賴 丿賱蹖賱 丌卮賳丕蹖蹖 亘丕 乇蹖卮賴鈥� 賴丕蹖 夭亘丕賳賴丕蹖 丕爻倬丕賳蹖丕蹖蹖 賵 丕蹖鬲丕賱蹖丕蹖蹖貙 丕賳诏賱蹖爻蹖 賵 鬲乇讴蹖 丕爻鬲丕賳亘賵賱蹖貙 亘乇丕蹖 鬲乇噩賲賴 讴鬲丕亘 芦爻蹖賳賵賴賴禄貙 亘賴 倬跇賵賴卮 噩丕賲毓蹖 倬乇丿丕禺鬲賴貙 賵 賲鬲賳 亘爻蹖丕乇 讴丕賲賱 賵 乇賵丕賳蹖 乇丕 亘丕 鬲乇噩賲賴 蹖 賴賲夭賲丕賳 丕夭 賴乇 丿賵 賳爻禺賴 丕賳诏賱蹖爻蹖 賵 丕爻倬丕賳蹖丕蹖蹖貙 丕乇丕卅賴 丿丕丿賴 丕賳丿貨 賴賲趩賳蹖賳 鬲氐丕賵蹖乇蹖 噩匕丕亘 丕夭 賲鬲賳 賵 賳爻禺賴 丕氐賱蹖 賴賲蹖賳 讴鬲丕亘貙 讴賴 亘賴 夭亘丕賳 芦賴蹖乇賵诏賱蹖賮禄 丕爻鬲貙 丿乇 賲鬲賳 鬲乇噩賲賴 蹖 讴鬲丕亘 丌賵乇丿賴 丕賳丿貨
丿丕爻鬲丕賳 丿乇亘丕乇賴贁 卮禺氐蹖鬲蹖 丕爻鬲貙 讴賴 丿乇 賴賳诏丕賲 鬲賵賱丿貙 丕賵 乇丕 丿乇 蹖讴 爻亘丿 丿爻鬲亘丕賮 亘诏匕丕卮鬲賴貙 賵 亘賴 乇賵丿 賳蹖賱 爻倬乇丿賴鈥� 亘賵丿賳丿貨 賵 禺丕賳賵丕丿賴鈥� 丕蹖 賳丕丿丕乇蹖 丕賵 乇丕 蹖丕賮鬲賴貙 賵 亘賴 賮乇夭賳丿蹖 亘夭乇诏 賲蹖鈥屭┵嗁嗀� 芦爻蹖賳賵賴賴禄 丿乇 丕丿丕賲賴貙 亘賴 賲賯丕賲 讴丕賴賳蹖 賵 倬夭卮讴蹖 (賲禺氐賵氐賽 賮乇毓賵賳) 賲蹖鈥屫必迟嗀� 賵 爻賮乇賴丕蹖蹖 乇丕 亘賴 芦亘丕亘賱禄貙 芦爻賵乇蹖賴禄貙 賵 讴賳丕乇賴 丿乇蹖丕蹖 賲丿蹖鬲乇丕賳賴 賲蹖鈥屭┵嗁嗀� 丿乇 胤賵賱 丌賳 爻賮乇貙 亘丕 乇禺丿丕丿賴丕蹖 诏賵賳丕诏賵賳 乇賵亘乇賵 賲蹖鈥屫促堎嗀� 丿乇 賲蹖丕賳賴鈥� 賴丕蹖 丿丕爻鬲丕賳貙 丕蹖卮丕賳 亘賴 賴賵蹖鬲 乇丕爻鬲蹖賳 倬丿乇 賵 賲丕丿乇卮 倬蹖 賲蹖鈥屫ㄘ辟嗀� 蹖讴蹖 丕夭 賵蹖跇诏蹖鈥屬囏й� 亘丕乇夭 丕蹖賳 讴鬲丕亘貙 鬲賵氐蹖賮 賳丨賵賴 蹖 夭賳丿诏蹖 賵 丕賵囟丕毓 丕噩鬲賲丕毓蹖 讴卮賵乇賴丕蹖 芦賲氐乇禄貙 芦爻賵乇蹖賴禄貙 芦亘丕亘賱禄貙 芦賴蹖鬲蹖禄貙 賵 芦賲蹖鬲丕賳蹖禄貙 丿乇 丿賵乇丕賳 芦丌禺賳丕鬲賵賳禄 丕爻鬲貨 讴賴 丿乇 賲蹖丕賳 爻丕賱鈥屬囏й� 1351倬蹖卮 丕夭 賲蹖賱丕丿 鬲丕 爻丕賱 1334倬蹖卮 丕夭 夭丕丿乇賵夭 丨囟乇鬲 賲爻蹖丨 賲蹖鈥屫槽屫池� 丕爻鬲
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 17/08/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 25/06/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
The Egyptian is a historical novel by Mika Waltari. It was first published in Finnish in 1945, and in an abridged English translation by Naomi Walford in 1949, apparently from Swedish rather than Finnish. So far, it is the only Finnish novel to be adapted into a Hollywood film, which it was, in 1954.
The Egyptian is the first and the most successful, of Waltari's great historical novels. It is set in Ancient Egypt, mostly during the reign of Pharaoh Akhenaten of the 18th Dynasty, whom some have claimed to be the first monotheistic ruler in the world.
毓賳賵丕賳賴丕蹖 趩丕倬 卮丿賴 丿乇 丕蹖乇丕賳: 芦爻蹖賳賵丨賴禄貨 芦爻蹖賳賵賴賴禄貨 芦爻蹖賳賵賴賴 倬夭卮讴 賲禺氐賵氐 賮乇毓賵賳禄貨 芦爻蹖賳賵賴賴 讴丕賴賳 丕毓馗賲 賲氐乇禄貨 芦爻蹖賳賵賴賴 賲氐乇蹖禄貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮 賲丕賴 丕讴鬲亘乇 爻丕賱 1998賲蹖賱丕丿蹖
毓賳賵丕賳: 爻蹖賳賵賴賴 倬夭卮讴 賲禺氐賵氐 賮乇毓賵賳貨 賳賵蹖爻賳丿賴: 賲蹖讴丕 賵賱鬲丕乇蹖貨 賲鬲乇噩賲 賵 賲賵賱賮: 匕亘蹖丨 丕賱賱賴 賲賳氐賵乇蹖貨 鬲赖乇丕賳貙 夭乇蹖賳貙 1366貨 丿乇 丿賵 噩賱丿貨 趩丕倬 倬賳噩丕賴 賵 賴卮鬲賲 1387貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 賮賳賱丕賳丿 - 爻丿賴 20賲
毓賳賵丕賳: 爻蹖賳賵丨賴貨 賳賵蹖爻賳丿賴: 賲蹖讴丕 賵丕賱鬲丕乇蹖貨 賲鬲乇噩賲: 丕丨賲丿 亘賴倬賵乇貨 鬲赖乇丕賳貙 賳卮乇 乇囟丕貙 1369貙 丿乇 642氐貨 趩丕倬 丿蹖诏乇 鬲赖乇丕賳貙 噩賵蹖丕貙 1370貙 丿乇 642氐貨 趩丕倬 趩賴丕乇賲 1377貨 倬賳噩賲 1379貨 卮卮賲 1381貨 賴卮鬲賲 1385貨 賳賴賲 1386貨 趩丕倬 丿蹖诏乇 鬲赖乇丕賳貙 噩賵蹖丕 - 丌爻蹖賲貙 趩丕倬 丿賴賲 1388貨 丿乇 642氐貨 卮丕亘讴 9789646092187貨 趩丕倬 丿賵丕夭丿賴賲 1395貨 丿乇 丿賵 噩賱丿貨 卮丕亘讴 丿賵乇賴 9789642895878貨 噩賱丿 蹖讴 9789642895847貨 噩賱丿 丿賵 9789642895854貨
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鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 17/08/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 25/06/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
May 13, 2024
The Egyptian is the finest novel about ancient Egypt ever written in that most interesting civilization, which unfolds before our eyes. You feel the scorching heat, see the tranquil river, touch the magnificent temples, smell thick odors as the smoke climbs above the mud houses, taste the strange foods, and hear the loud noises in the streets...Set in the 14th century B.C. as a poor physician Sinuhe plows his trade in the unfashionable section of Thebes the capital of the nation. During the tumultuous reign of Pharaoh Akhnaton and lovely Queen Nefertiti, Sinuhe the son of a doctor, himself one, not a surprising development however. What is unusual though is he thinks too much which causes great troubles... his nature never ceases to ask why things are not better. But a healthy thought it isn't for the times, slaves treated badly, people starving, the sick not being treating without paying. Nevertheless his own slave Kaptah annoys him and he threatens with the whip, still is wiser than his master. Sinuhe a good man does evil things when infatuated by a beautiful woman Nefernefernefer but greedy , he betrays his loving old parents Senmut and Kipa who adopted him , giving all yet receiving nothing in return. Suffering as a consequence he tries to make restitution...can he? Later travels to exotic countries learning not enough. A childhood friend will become a power in both kingdoms on the Nile ...Horemheb the general. Follows him in wars to Syria, against the relentless Hittites, healing the wounded too many for comfort, viewing the butchering the numerous bloody tears on the flesh which becomes almost normal, not. If you want to inhale an ancient culture this will suffice. A writer almost forgotten today still this was a big bestseller way back in the 1940's , Mika Waltari talented though obscure, an abridged version yet always very entertaining , such an intelligent narrative , an invariably engrossing,
terrific author has the most famous book from Finland ever and deserves it.
terrific author has the most famous book from Finland ever and deserves it.
July 22, 2022
"Yo, Sinuh茅, hijo de Senmut y de su esposa Kipa, he escrito este libro. No para cantar las alabanzas de los dioses del pa铆s de Kemi, porque estoy cansado de los dioses. No para alabar a los faraones, porque estoy cansado de sus actos. Escribo para m铆 solo. No para halagar a los dioses, no para halagar a los reyes, ni por miedo del porvenir ni por esperanza. Porque durante mi vida he sufrido tantas pruebas y p茅rdidas que el vano temor no puede atormentarme y cansado estoy de la esperanza en la inmortalidad como lo estoy de los dioses y de los reyes. Es, pues, para m铆 solo para quien escribo, y sobre este punto creo diferenciarme de todos los escritores pasados o futuros"
En el ocaso de su vida, el protagonista confiesa: "porque yo, Sinuh茅, soy un hombre y, como tal, he vivido en todos los que han existido antes que yo y vivir茅 en todos los que existan despu茅s de m铆. Vivir茅 en las risas y en las l谩grimas de los hombres, en sus pesares y temores, en su bondad y en su maldad, en su debilidad y en su fuerza". Sinuh茅 el egipcio nos introduce en el fascinante y lejano mundo del Egipto de los faraones, los reinos sirios, la Babilonia decadente, la Creta anterior a la H茅lade, es decir, en todo el mundo conocido catorce siglos antes de Jesucristo.
Sobre este mapa, dibuja la l铆nea errante de sus viajes; y aunque la vida no sea generosa con 茅l, en su coraz贸n vive inextinguible la confianza en la bondad de los hombres. Una novela de las m谩s c茅lebres de nuestro siglo.
La sublime mirada a traves de Sinuh茅, la gente, los olores, las batallas y sus t茅cnicas, las armas, la arquitecturas de todas las ciudades, el poder mar铆timo, las pol铆ticas sobretodo comerciales y la vestimenta de la 茅poca se evocan a tu mente de una manera asombrosa en cada p谩gina.
Con absoluta precisi贸n se da vida al admirable arte de la medicina y la momificaci贸n, dando gran valor y especial peso al m谩s all谩. Soberbio.
No es ya documentaci贸n, es estar, ver, o铆r, oler y vivirlo t煤 mismo.
Sinuhe sin mencionaros nada de su pasado se termina convirtiendo en m茅dico real. Es testigo de la reforma religiosa del fara贸n Akenat贸n y la reina Nefertiti. Un per铆odo que ahora mismo estoy buscando algo que leer, si os interesa est谩 "El Fara贸n" de Pauline Gedge. Autora muy conocedora por sus libros sobre Egipto.
Los ideales de este fara贸n se oponen a muchas de las tradiciones religiosas y se rebelan contra 茅l pac铆ficamente. Un fara贸n y un momento que pas贸 a la historia. Aunque con el tiempo quiz谩s no tanto Akenat贸n, pero qui茅n no habr谩 o铆do el evocador y m谩gico nombre de Nefertiti.
Este libro es tan inmersivo como es refrescante a trav茅s de una pasi贸n por la naturaleza y la belleza. Shinuhe protagonizar谩 un viaje para obtener conocimientos y para conocerse a s铆 mismo. Es un pensador que busca respuestas sobre la naturaleza humana y vive una gran agitaci贸n interna. Principalmente debido a sus or铆genes. En este viaje pasar谩n y vivir谩 muchas cosas. Aprender谩 unas y sufrir谩 otras.
Una historia que atrapa y sumerje, con unos personajes profundamente dibujados, escritura expresiva y ratos emocionales. Bastante 谩gil y muy descriptivo, sin rozar lo excesivo. Una prosa perfecta para narrar su vida y sobretodo lo que la rodea.
Magistral en todos los aspectos a analizar del libro. Dar谩 rienda suelta a vuestra imaginaci贸n llenando vuestra mente de personajes hist贸ricos, lugares y momentos hist贸ricos, conocimientos y costumbres de la 茅poca. Sin duda alguna una de las grandes joyas que nos ha dado este excepcional g茅nero.
Debe leerse, si os gusta la historia, navegar por el Nilo, por Egipto y sus pir谩mides todo a traves de una trama que logra transmitir.
En el ocaso de su vida, el protagonista confiesa: "porque yo, Sinuh茅, soy un hombre y, como tal, he vivido en todos los que han existido antes que yo y vivir茅 en todos los que existan despu茅s de m铆. Vivir茅 en las risas y en las l谩grimas de los hombres, en sus pesares y temores, en su bondad y en su maldad, en su debilidad y en su fuerza". Sinuh茅 el egipcio nos introduce en el fascinante y lejano mundo del Egipto de los faraones, los reinos sirios, la Babilonia decadente, la Creta anterior a la H茅lade, es decir, en todo el mundo conocido catorce siglos antes de Jesucristo.
Sobre este mapa, dibuja la l铆nea errante de sus viajes; y aunque la vida no sea generosa con 茅l, en su coraz贸n vive inextinguible la confianza en la bondad de los hombres. Una novela de las m谩s c茅lebres de nuestro siglo.
La sublime mirada a traves de Sinuh茅, la gente, los olores, las batallas y sus t茅cnicas, las armas, la arquitecturas de todas las ciudades, el poder mar铆timo, las pol铆ticas sobretodo comerciales y la vestimenta de la 茅poca se evocan a tu mente de una manera asombrosa en cada p谩gina.
Con absoluta precisi贸n se da vida al admirable arte de la medicina y la momificaci贸n, dando gran valor y especial peso al m谩s all谩. Soberbio.
No es ya documentaci贸n, es estar, ver, o铆r, oler y vivirlo t煤 mismo.
Sinuhe sin mencionaros nada de su pasado se termina convirtiendo en m茅dico real. Es testigo de la reforma religiosa del fara贸n Akenat贸n y la reina Nefertiti. Un per铆odo que ahora mismo estoy buscando algo que leer, si os interesa est谩 "El Fara贸n" de Pauline Gedge. Autora muy conocedora por sus libros sobre Egipto.
Los ideales de este fara贸n se oponen a muchas de las tradiciones religiosas y se rebelan contra 茅l pac铆ficamente. Un fara贸n y un momento que pas贸 a la historia. Aunque con el tiempo quiz谩s no tanto Akenat贸n, pero qui茅n no habr谩 o铆do el evocador y m谩gico nombre de Nefertiti.
Este libro es tan inmersivo como es refrescante a trav茅s de una pasi贸n por la naturaleza y la belleza. Shinuhe protagonizar谩 un viaje para obtener conocimientos y para conocerse a s铆 mismo. Es un pensador que busca respuestas sobre la naturaleza humana y vive una gran agitaci贸n interna. Principalmente debido a sus or铆genes. En este viaje pasar谩n y vivir谩 muchas cosas. Aprender谩 unas y sufrir谩 otras.
Una historia que atrapa y sumerje, con unos personajes profundamente dibujados, escritura expresiva y ratos emocionales. Bastante 谩gil y muy descriptivo, sin rozar lo excesivo. Una prosa perfecta para narrar su vida y sobretodo lo que la rodea.
Magistral en todos los aspectos a analizar del libro. Dar谩 rienda suelta a vuestra imaginaci贸n llenando vuestra mente de personajes hist贸ricos, lugares y momentos hist贸ricos, conocimientos y costumbres de la 茅poca. Sin duda alguna una de las grandes joyas que nos ha dado este excepcional g茅nero.
Debe leerse, si os gusta la historia, navegar por el Nilo, por Egipto y sus pir谩mides todo a traves de una trama que logra transmitir.
November 29, 2017
Para mi, una de las mejores novelas hist贸ricas jam谩s escritas!
September 5, 2018
One of the most powerful historical novels I've ever read. The most captivating the panorama of the ancient Egypt in literature.
June 15, 2018
螔蟻喂蟽魏蠈渭伪蟽蟿蔚 蟽蟿畏 芦渭伪蠉蟻畏 纬畏禄 蟺慰蠀 蟽蠂畏渭伪蟿委蟽蟿畏魏蔚 伪蟺慰 蟿畏谓 苇谓蠅蟽畏 蟿蠅谓 未蠀慰 尾伪蟽喂位蔚委蠅谓 蟿畏蟼 伪蟻蠂伪委伪蟼 螒喂纬蠉蟺蟿慰蠀.
螣 纬蔚蠅纬蟻伪蠁喂魏蠈蟼 蟿蠈蟺慰蟼 蟺蟻慰蟽未喂慰蟻委味蔚蟿伪喂 渭蔚 魏蔚谓蟿蟻喂魏蠈 维尉慰谓伪 蟿慰谓 蟺慰蟿伪渭蠈 螡蔚委位慰, 蟺慰蠀 伪蟺慰蟿蔚位慰蠉蟽蔚 蟺畏纬萎 味蠅萎蟼 魏伪喂 伪谓维蟺蟿蠀尉畏蟼 蟿慰蠀 伪喂纬蠀蟺蟿喂伪魏慰蠉 蟺慰位喂蟿喂蟽渭慰蠉.
韦慰 蟿伪尉委未喂 渭伪蟼 尉蔚魏喂谓维蔚喂 纬蠉蟻蠅 蟽蟿慰谓 14慰 伪喂蠋谓伪 蟺.围. 渭蔚 伪蠁蔚蟿畏蟻委伪 蟿畏谓 螛萎尾伪 蟿畏蟼 螒喂纬蠉蟺蟿慰蠀.
危蠀谓蔚蠂委味蔚蟿伪喂 蟽蔚 危蠀蟻委伪, 螔伪尾蠀位蠋谓伪, 螝蟻萎蟿畏 魏伪喂 蟽蟿慰 蟺伪谓委蟽蠂蠀蟻慰 尾伪蟽委位蔚喂慰 蟿蠅谓 围蔚蟿蟿伪委蠅谓, 蟺慰蠀 魏蟻伪蟿慰蠉谓 蟿慰 渭蠀蟽蟿喂魏蠈 蟿畏蟼 蟿苇蠂谓畏蟼 纬喂伪 蟿畏谓 蔚蟺蔚尉蔚蟻纬伪蟽委伪 蟿慰蠀 蟽喂未萎蟻慰蠀, 蔚谓蠋 慰喂 维位位蔚蟼 蠁蠀位苇蟼 蟺慰位喂蟿喂蟽渭喂魏维 尾蟻委蟽魏慰谓蟿伪喂 蟽蟿畏谓 蔚蟺慰蠂萎 蟿慰蠀 蠂伪位魏慰蠉.
螒蠀蟿蠈 蟿慰 蔚蟺喂魏蠈 喂蟽蟿慰蟻喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪 伪谓伪蠁苇蟻蔚蟿伪喂 纬蔚蠅纬蟻伪蠁喂魏维 蟽蟿慰谓 芦纬谓蠅蟽蟿蠈禄 魏蠈蟽渭慰 蔚魏蔚委谓畏蟼 蟿畏蟼 蔚蟺慰蠂萎蟼.
螔伪蟽喂魏蠈蟼 萎蟻蠅伪蟼 慰 危喂谓慰蠀蠂苇 慰 螒喂纬蠉蟺蟿喂慰蟼 蟺慰蠀 萎蟿伪谓 蟺维谓蟿伪 渭蠈谓慰蟼...
螘委谓伪喂 伪纬谓蠋蟽蟿慰蠀 魏伪蟿伪纬蠅纬萎蟼. 螔蟻苇胃畏魏蔚 蠅蟼 苇魏胃蔚蟿慰 渭蠅蟻蠈 渭苇蟽伪 蟽蔚 苇谓伪 蟺位蔚魏蟿蠈 魏伪位维胃喂 蟽蟿慰 螡蔚委位慰 魏伪喂 伪谓伪蟿蟻维蠁畏魏蔚 伪蟺慰 未蠀慰 魏伪位蠈魏伪蟻未慰蠀蟼,蟿伪蟺蔚喂谓萎蟼 魏伪蟿伪纬蠅纬萎蟼 伪谓胃蟻蠋蟺慰蠀蟼 蟺慰蠀 蟿慰谓 蟿维喂蟽伪谓 渭蔚 蟺慰位位萎 伪纬维蟺畏.
螣 危喂谓慰蠀蠂苇 渭蔚纬伪位蠋谓慰谓蟿伪蟼 蟺蔚蟻谓维蔚喂 伪蟺蠈 未喂维蠁慰蟻伪 蟽蟿维未喂伪 蔚魏蟺伪委未蔚蠀蟽畏蟼, 渭蠈蟻蠁蠅蟽畏蟼 魏伪喂 蟽蠀谓伪喂蟽胃畏渭伪蟿喂魏蠋谓 伪位位伪纬蠋谓.
螕委谓蔚蟿伪喂 尾伪蟽喂位喂魏蠈蟼 纬喂伪蟿蟻蠈蟼 魏伪喂 渭维蟻蟿蠀蟻伪蟼 蟿畏蟼 胃蟻畏蟽魏蔚蠀蟿喂魏萎蟼 渭蔚蟿伪蟻蟻蠉胃渭喂蟽畏蟼 蟿慰蠀 桅伪蟻伪蠋 螒魏蔚谓伪蟿蠈谓 魏伪喂 蟿畏蟼 尾伪蟽委位喂蟽蟽伪蟼 螡蔚蠁蔚蟻蟿委蟿畏蟼.
韦伪 喂未蔚蠋未畏 蟿慰蠀 桅伪蟻伪蠋
伪谓蟿喂蟿维蟽蟽慰谓蟿伪喂 蟽蟿喂蟼 胃蟻畏蟽魏蔚蠀蟿喂魏苇蟼 蟺伪蟻伪未蠈蟽蔚喂蟼, 蔚蟺伪谓伪蟽蟿伪蟿慰蠉谓 蔚喂蟻畏谓喂魏维, 蔚喂蟽畏纬慰蠉谓蟿伪喂 蟿畏 位伪蟿蟻蔚委伪 蟿慰蠀 螒蟿蠈谓, 蟿慰蠀 螙蠅慰未蠈蠂慰蠀 魏伪喂 蠀蟺苇蟻位伪渭蟺蟻慰蠀 萎位喂慰蠀 - 蠀蟺慰尾伪胃渭委味慰谓蟿伪蟼 蟿喂蟼 维位位蔚蟼 胃蔚蠈蟿畏蟿蔚蟼- 魏伪喂 慰谓蔚喂蟻蔚蠉慰谓蟿伪喂 蔚喂蟻萎谓畏, 伪纬维蟺畏 魏伪喂 喂蟽蠈蟿畏蟿伪 纬喂伪 蠈位慰蠀蟼 蟿慰蠀蟼 伪谓胃蟻蠋蟺慰蠀蟼.
螒谓伪谓蔚蠅蟿喂魏蠈 伪委蟽胃畏渭伪 蔚位蔚蠀胃蔚蟻委伪蟼 渭蔚 伪纬维蟺畏 纬喂伪 蟿畏 蠁蠉蟽畏 魏伪喂 蟿畏谓 慰渭慰蟻蠁喂维, 渭伪魏蟻喂维 伪蟺慰 蠈位伪 蟿伪 蟺伪蟻伪未慰蟽喂伪魏维 蟺蟻蠈蟿蠀蟺伪 蟿慰蠀 尾伪蟽喂位喂魏慰蠉 慰委魏慰蠀 蟿蠅谓 桅伪蟻伪蠋.
螠苇蟽伪 蟽蔚 伪蠀蟿蠈 蟿慰 蟺蔚蟻委蔚蟻纬慰 魏伪喂 蟽蠀谓伪蟻蟺伪蟽蟿喂魏蠈 蟺蔚委蟻伪渭伪 蟿慰蠀 蟺蟻蠋喂渭慰蠀 蟺慰位喂蟿喂蟽渭慰蠉 慰 危喂谓慰蠀蠂苇 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿蔚委 魏伪喂 蟿伪尉喂未蔚蠉蔚喂 纬喂伪 谓伪 纬谓蠅蟻委蟽蔚喂 蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀.
螘委谓伪喂 苇谓伪蟼 尾伪胃蠉蟼 蟽蟿慰蠂伪蟽蟿萎蟼 蟺慰蠀 蠄维蠂谓蔚喂 伪蟺伪谓蟿萎蟽蔚喂蟼 蟽蠂蔚蟿喂魏维 渭蔚 蟿畏 蠁蠉蟽畏 蟿慰蠀 伪谓胃蟻蠋蟺慰蠀 魏伪喂 蟺维蟽蠂蔚喂 伪蟺慰 渭蔚纬维位畏 蔚蟽蠅蟿蔚蟻喂魏萎 伪谓伪蟿伪蟻伪蠂萎.
螒蠀蟿萎 畏 伪谓伪蟿伪蟻伪蠂萎 蟺蟻慰苇蟻蠂蔚蟿伪喂 魏蠀蟻委蠅蟼 伪蟺慰 蟿畏谓 维纬谓蠅蟽蟿畏 魏伪蟿伪纬蠅纬萎 蟿慰蠀 魏伪喂 蔚尉蔚位委蟽蟽蔚蟿伪喂 蟽蔚 渭维蠂畏 渭蔚蟿伪尉蠉 蟿慰蠀 蟺谓蔚蠀渭伪蟿喂魏维 蠀蟺慰魏蔚喂谓慰蠉渭蔚谓慰蠀 桅伪蟻伪蠋 魏伪喂 蟿蠅谓 蟽蟿蟻伪蟿喂蠅蟿喂魏蠋谓 魏伪喂 喂蔚蟻伪蟿喂魏蠋谓 伪蟻蠂畏纬蠋谓 魏伪喂 慰蟺伪未蠋谓.
螒蠀蟿蠈 蟿慰 尾喂尾位委慰 蔚委谓伪喂 苇谓伪 蟽蟺慰蠀未伪委慰 位慰纬慰蟿蔚蠂谓喂魏蠈 苇蟻纬慰 喂蟽蟿慰蟻喂魏萎蟼 渭蠀胃喂蟽蟿慰蟻喂慰纬蟻伪蠁委伪蟼.
螣 螔维位蟿伪蟻喂 蟺伪蟻慰蠀蟽喂维味蔚喂 苇谓伪 蟺位萎蟻蔚蟼 蟺慰蟻蟿蟻伪委蟿慰 蟿畏蟼 伪蟻蠂伪委伪蟼 魏慰喂谓蠅谓委伪蟼.
螤位慰蠉蟽喂慰喂, 蠁蟿蠅蠂慰委, 蔚蠀纬蔚谓蔚委蟼, 蟽魏位维尾慰喂, 未喂维蠁慰蟻慰喂 蟺慰位喂蟿喂蟽渭慰委 魏伪喂 胃蟻畏蟽魏蔚委蔚蟼, 伪蟺慰蟿蔚位慰蠉谓 蟿畏谓 蔚蟺慰蠂萎 魏伪喂 蟿伪 纬蔚纬慰谓蠈蟿伪 蟿畏蟼 味蠅萎蟼 蟺蟻慰蟼 渭喂伪 蠁喂位慰蟽慰蠁喂魏萎 维蟺慰蠄畏 蟺慰蠀 蔚谓 渭苇蟻蔚喂 蔚委谓伪喂 蟽蠉渭蠁蠅谓畏 渭蔚 蟿慰 蠈蟻伪渭伪 蟿慰蠀 螒魏蔚谓伪蟿蠈谓,
纬喂伪 渭喂伪 伪未蔚位蠁慰渭苇谓畏 伪谓胃蟻蠅蟺蠈蟿畏蟿伪.
桅蠀蟽喂魏维 魏伪喂 蠀蟺蔚蟻喂蟽蠂蠉蔚喂 畏 伪委蟽胃畏蟽畏 蟿畏蟼 蟽魏位畏蟻萎蟼 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪蟼 蟽蟿畏谓 慰蟺慰委伪 蔚纬魏位畏渭伪蟿蔚委 畏 伪蟿慰渭喂魏蠈蟿畏蟿伪 蟿畏蟼 伪谓胃蟻蠋蟺喂谓畏蟼 蠁蠉蟽畏蟼.
危蔚 魏维胃蔚 蟽蔚位委未伪 蟽魏维谓蔚 渭蔚 蔚魏蟺位畏魏蟿喂魏萎 伪渭蔚蟽蠈蟿畏蟿伪 蟿伪 伪尉喂慰胃苇伪蟿伪, 慰喂 维谓胃蟻蠅蟺慰喂, 慰喂 渭蠀蟻蠅未喂苇蟼, 慰喂 蟿蔚蠂谓喂魏苇蟼 渭维蠂畏蟼 魏伪喂 蟿伪 蠈蟺位伪, 慰喂 伪蟻蠂喂蟿蔚魏蟿慰谓喂魏苇蟼 蟺蠈位蔚蠅谓, 畏 未蠉谓伪渭畏 蟿畏蟼 谓伪蠀蟽喂蟺位慰螑伪蟼, 慰喂 蔚渭蟺慰蟻喂魏苇蟼 蟺慰位喂蟿喂魏苇蟼 魏伪喂 蟿伪 蔚委未畏 苇谓未蠀蟽畏蟼 蟿畏蟼 蔚蟺慰蠂萎蟼.
螠蔚 伪蟺蠈位蠀蟿畏 伪魏蟻委尾蔚喂伪 伪蟺蔚喂魏蠈谓喂蟽畏蟼
味蠅谓蟿伪谓蔚蠉蔚喂 畏 伪尉喂慰胃伪蠉渭伪蟽蟿畏 蟿苇蠂谓畏 蟿畏蟼 喂伪蟿蟻喂魏萎蟼 魏伪喂 蟿畏蟼 渭慰蠀渭喂慰蟺慰委畏蟽畏蟼, 未委谓慰谓蟿伪蟼 渭蔚纬维位畏 伪尉委伪 魏伪喂 蔚喂未喂魏蠈 尾维蟻慰蟼 蟽蟿畏谓 渭蔚蟿伪胃伪谓维蟿喂伪 味蠅萎.
螣 蟽蠀纬纬蟻伪蠁苇伪蟼 味蠅谓蟿伪谓蔚蠉蔚喂 渭蔚 位伪渭蟺蟻萎 未蔚尉喂慰蟿蔚蠂谓委伪 蟿慰谓 蠂蟻蠈谓慰 魏伪喂 蟿慰谓 蟿蠈蟺慰 蟺慰蠀 伪谓伪蠁苇蟻蔚蟿伪喂.
螘魏蟺位畏魏蟿喂魏萎 伪谓伪蟺伪蟻维蟽蟿伪蟽畏 蟿畏蟼 伪蟻蠂伪委伪蟼 蟺蔚蟻喂蠈未慰蠀 渭蔚 魏苇谓蟿蟻慰 蟿畏谓 蟺蟻蠋喂渭畏 渭维蠂畏 渭蔚蟿伪尉蠉 蟺慰位蠀胃蔚蠆蟽渭慰蠉 魏伪喂 蔚谓慰胃蔚蠆蟽渭慰蠉.
螆蟿蟽喂, 苇蠂慰蠀渭蔚 苇谓伪 伪蟻喂蟽蟿慰蠉蟻纬畏渭伪 喂蟽蟿慰蟻喂魏萎蟼 蠁伪谓蟿伪蟽委伪蟼 渭蔚 渭蔚纬维位畏 未蠉谓伪渭畏 魏伪喂 喂蟽蠂蠀蟻萎 伪谓维蟺蟿蠀尉畏 蠂伪蟻伪魏蟿萎蟻蠅谓 魏伪喂 慰蟻伪渭维蟿蠅谓.
危蟿慰 蟿苇位慰蟼 畏 未喂维胃蔚蟽畏 蟺慰蠀 蔚蟺喂魏蟻伪蟿蔚委 蔚委谓伪喂 胃位委蠄畏蟼 魏伪喂 蟺伪蟻伪委蟿畏蟽畏蟼 伪蟺苇谓伪谓蟿喂 蟽蟿畏谓 委未喂伪 蟿畏谓 蠉蟺伪蟻尉畏.
螝伪喂 慰 危喂谓慰蠀蠂苇 蟺慰蠀 慰谓慰渭维蟽蟿畏魏蔚 苇蟿蟽喂 伪蟺慰 苇谓伪谓 维位位慰 渭蠀胃喂魏蠈 螒喂纬蠉蟺蟿喂慰 蟿伪尉喂未喂蠋蟿畏 蟿蠅谓 伪蟻蠂伪喂慰位慰纬喂魏蠋谓 伪蟻蠂蔚委蠅谓, 蔚委谓伪喂 蟿慰 伪蟺蠈位蠀蟿慰 蟺位维蟽渭伪 蟿慰蠀 魏蠈蟽渭慰蠀 蔚魏蔚委谓慰蠀 魏伪喂 蟿慰 蟿蔚蟻维蟽蟿喂慰 蔚蟺委蟿蔚蠀纬渭伪 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 蟺慰蠀 未畏渭喂慰蠀蟻纬蔚委 喂蟽蟿慰蟻喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪.
螝伪位萎 伪谓维纬谓蠅蟽畏
螤慰位位慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼.
螣 纬蔚蠅纬蟻伪蠁喂魏蠈蟼 蟿蠈蟺慰蟼 蟺蟻慰蟽未喂慰蟻委味蔚蟿伪喂 渭蔚 魏蔚谓蟿蟻喂魏蠈 维尉慰谓伪 蟿慰谓 蟺慰蟿伪渭蠈 螡蔚委位慰, 蟺慰蠀 伪蟺慰蟿蔚位慰蠉蟽蔚 蟺畏纬萎 味蠅萎蟼 魏伪喂 伪谓维蟺蟿蠀尉畏蟼 蟿慰蠀 伪喂纬蠀蟺蟿喂伪魏慰蠉 蟺慰位喂蟿喂蟽渭慰蠉.
韦慰 蟿伪尉委未喂 渭伪蟼 尉蔚魏喂谓维蔚喂 纬蠉蟻蠅 蟽蟿慰谓 14慰 伪喂蠋谓伪 蟺.围. 渭蔚 伪蠁蔚蟿畏蟻委伪 蟿畏谓 螛萎尾伪 蟿畏蟼 螒喂纬蠉蟺蟿慰蠀.
危蠀谓蔚蠂委味蔚蟿伪喂 蟽蔚 危蠀蟻委伪, 螔伪尾蠀位蠋谓伪, 螝蟻萎蟿畏 魏伪喂 蟽蟿慰 蟺伪谓委蟽蠂蠀蟻慰 尾伪蟽委位蔚喂慰 蟿蠅谓 围蔚蟿蟿伪委蠅谓, 蟺慰蠀 魏蟻伪蟿慰蠉谓 蟿慰 渭蠀蟽蟿喂魏蠈 蟿畏蟼 蟿苇蠂谓畏蟼 纬喂伪 蟿畏谓 蔚蟺蔚尉蔚蟻纬伪蟽委伪 蟿慰蠀 蟽喂未萎蟻慰蠀, 蔚谓蠋 慰喂 维位位蔚蟼 蠁蠀位苇蟼 蟺慰位喂蟿喂蟽渭喂魏维 尾蟻委蟽魏慰谓蟿伪喂 蟽蟿畏谓 蔚蟺慰蠂萎 蟿慰蠀 蠂伪位魏慰蠉.
螒蠀蟿蠈 蟿慰 蔚蟺喂魏蠈 喂蟽蟿慰蟻喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪 伪谓伪蠁苇蟻蔚蟿伪喂 纬蔚蠅纬蟻伪蠁喂魏维 蟽蟿慰谓 芦纬谓蠅蟽蟿蠈禄 魏蠈蟽渭慰 蔚魏蔚委谓畏蟼 蟿畏蟼 蔚蟺慰蠂萎蟼.
螔伪蟽喂魏蠈蟼 萎蟻蠅伪蟼 慰 危喂谓慰蠀蠂苇 慰 螒喂纬蠉蟺蟿喂慰蟼 蟺慰蠀 萎蟿伪谓 蟺维谓蟿伪 渭蠈谓慰蟼...
螘委谓伪喂 伪纬谓蠋蟽蟿慰蠀 魏伪蟿伪纬蠅纬萎蟼. 螔蟻苇胃畏魏蔚 蠅蟼 苇魏胃蔚蟿慰 渭蠅蟻蠈 渭苇蟽伪 蟽蔚 苇谓伪 蟺位蔚魏蟿蠈 魏伪位维胃喂 蟽蟿慰 螡蔚委位慰 魏伪喂 伪谓伪蟿蟻维蠁畏魏蔚 伪蟺慰 未蠀慰 魏伪位蠈魏伪蟻未慰蠀蟼,蟿伪蟺蔚喂谓萎蟼 魏伪蟿伪纬蠅纬萎蟼 伪谓胃蟻蠋蟺慰蠀蟼 蟺慰蠀 蟿慰谓 蟿维喂蟽伪谓 渭蔚 蟺慰位位萎 伪纬维蟺畏.
螣 危喂谓慰蠀蠂苇 渭蔚纬伪位蠋谓慰谓蟿伪蟼 蟺蔚蟻谓维蔚喂 伪蟺蠈 未喂维蠁慰蟻伪 蟽蟿维未喂伪 蔚魏蟺伪委未蔚蠀蟽畏蟼, 渭蠈蟻蠁蠅蟽畏蟼 魏伪喂 蟽蠀谓伪喂蟽胃畏渭伪蟿喂魏蠋谓 伪位位伪纬蠋谓.
螕委谓蔚蟿伪喂 尾伪蟽喂位喂魏蠈蟼 纬喂伪蟿蟻蠈蟼 魏伪喂 渭维蟻蟿蠀蟻伪蟼 蟿畏蟼 胃蟻畏蟽魏蔚蠀蟿喂魏萎蟼 渭蔚蟿伪蟻蟻蠉胃渭喂蟽畏蟼 蟿慰蠀 桅伪蟻伪蠋 螒魏蔚谓伪蟿蠈谓 魏伪喂 蟿畏蟼 尾伪蟽委位喂蟽蟽伪蟼 螡蔚蠁蔚蟻蟿委蟿畏蟼.
韦伪 喂未蔚蠋未畏 蟿慰蠀 桅伪蟻伪蠋
伪谓蟿喂蟿维蟽蟽慰谓蟿伪喂 蟽蟿喂蟼 胃蟻畏蟽魏蔚蠀蟿喂魏苇蟼 蟺伪蟻伪未蠈蟽蔚喂蟼, 蔚蟺伪谓伪蟽蟿伪蟿慰蠉谓 蔚喂蟻畏谓喂魏维, 蔚喂蟽畏纬慰蠉谓蟿伪喂 蟿畏 位伪蟿蟻蔚委伪 蟿慰蠀 螒蟿蠈谓, 蟿慰蠀 螙蠅慰未蠈蠂慰蠀 魏伪喂 蠀蟺苇蟻位伪渭蟺蟻慰蠀 萎位喂慰蠀 - 蠀蟺慰尾伪胃渭委味慰谓蟿伪蟼 蟿喂蟼 维位位蔚蟼 胃蔚蠈蟿畏蟿蔚蟼- 魏伪喂 慰谓蔚喂蟻蔚蠉慰谓蟿伪喂 蔚喂蟻萎谓畏, 伪纬维蟺畏 魏伪喂 喂蟽蠈蟿畏蟿伪 纬喂伪 蠈位慰蠀蟼 蟿慰蠀蟼 伪谓胃蟻蠋蟺慰蠀蟼.
螒谓伪谓蔚蠅蟿喂魏蠈 伪委蟽胃畏渭伪 蔚位蔚蠀胃蔚蟻委伪蟼 渭蔚 伪纬维蟺畏 纬喂伪 蟿畏 蠁蠉蟽畏 魏伪喂 蟿畏谓 慰渭慰蟻蠁喂维, 渭伪魏蟻喂维 伪蟺慰 蠈位伪 蟿伪 蟺伪蟻伪未慰蟽喂伪魏维 蟺蟻蠈蟿蠀蟺伪 蟿慰蠀 尾伪蟽喂位喂魏慰蠉 慰委魏慰蠀 蟿蠅谓 桅伪蟻伪蠋.
螠苇蟽伪 蟽蔚 伪蠀蟿蠈 蟿慰 蟺蔚蟻委蔚蟻纬慰 魏伪喂 蟽蠀谓伪蟻蟺伪蟽蟿喂魏蠈 蟺蔚委蟻伪渭伪 蟿慰蠀 蟺蟻蠋喂渭慰蠀 蟺慰位喂蟿喂蟽渭慰蠉 慰 危喂谓慰蠀蠂苇 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿蔚委 魏伪喂 蟿伪尉喂未蔚蠉蔚喂 纬喂伪 谓伪 纬谓蠅蟻委蟽蔚喂 蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀.
螘委谓伪喂 苇谓伪蟼 尾伪胃蠉蟼 蟽蟿慰蠂伪蟽蟿萎蟼 蟺慰蠀 蠄维蠂谓蔚喂 伪蟺伪谓蟿萎蟽蔚喂蟼 蟽蠂蔚蟿喂魏维 渭蔚 蟿畏 蠁蠉蟽畏 蟿慰蠀 伪谓胃蟻蠋蟺慰蠀 魏伪喂 蟺维蟽蠂蔚喂 伪蟺慰 渭蔚纬维位畏 蔚蟽蠅蟿蔚蟻喂魏萎 伪谓伪蟿伪蟻伪蠂萎.
螒蠀蟿萎 畏 伪谓伪蟿伪蟻伪蠂萎 蟺蟻慰苇蟻蠂蔚蟿伪喂 魏蠀蟻委蠅蟼 伪蟺慰 蟿畏谓 维纬谓蠅蟽蟿畏 魏伪蟿伪纬蠅纬萎 蟿慰蠀 魏伪喂 蔚尉蔚位委蟽蟽蔚蟿伪喂 蟽蔚 渭维蠂畏 渭蔚蟿伪尉蠉 蟿慰蠀 蟺谓蔚蠀渭伪蟿喂魏维 蠀蟺慰魏蔚喂谓慰蠉渭蔚谓慰蠀 桅伪蟻伪蠋 魏伪喂 蟿蠅谓 蟽蟿蟻伪蟿喂蠅蟿喂魏蠋谓 魏伪喂 喂蔚蟻伪蟿喂魏蠋谓 伪蟻蠂畏纬蠋谓 魏伪喂 慰蟺伪未蠋谓.
螒蠀蟿蠈 蟿慰 尾喂尾位委慰 蔚委谓伪喂 苇谓伪 蟽蟺慰蠀未伪委慰 位慰纬慰蟿蔚蠂谓喂魏蠈 苇蟻纬慰 喂蟽蟿慰蟻喂魏萎蟼 渭蠀胃喂蟽蟿慰蟻喂慰纬蟻伪蠁委伪蟼.
螣 螔维位蟿伪蟻喂 蟺伪蟻慰蠀蟽喂维味蔚喂 苇谓伪 蟺位萎蟻蔚蟼 蟺慰蟻蟿蟻伪委蟿慰 蟿畏蟼 伪蟻蠂伪委伪蟼 魏慰喂谓蠅谓委伪蟼.
螤位慰蠉蟽喂慰喂, 蠁蟿蠅蠂慰委, 蔚蠀纬蔚谓蔚委蟼, 蟽魏位维尾慰喂, 未喂维蠁慰蟻慰喂 蟺慰位喂蟿喂蟽渭慰委 魏伪喂 胃蟻畏蟽魏蔚委蔚蟼, 伪蟺慰蟿蔚位慰蠉谓 蟿畏谓 蔚蟺慰蠂萎 魏伪喂 蟿伪 纬蔚纬慰谓蠈蟿伪 蟿畏蟼 味蠅萎蟼 蟺蟻慰蟼 渭喂伪 蠁喂位慰蟽慰蠁喂魏萎 维蟺慰蠄畏 蟺慰蠀 蔚谓 渭苇蟻蔚喂 蔚委谓伪喂 蟽蠉渭蠁蠅谓畏 渭蔚 蟿慰 蠈蟻伪渭伪 蟿慰蠀 螒魏蔚谓伪蟿蠈谓,
纬喂伪 渭喂伪 伪未蔚位蠁慰渭苇谓畏 伪谓胃蟻蠅蟺蠈蟿畏蟿伪.
桅蠀蟽喂魏维 魏伪喂 蠀蟺蔚蟻喂蟽蠂蠉蔚喂 畏 伪委蟽胃畏蟽畏 蟿畏蟼 蟽魏位畏蟻萎蟼 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪蟼 蟽蟿畏谓 慰蟺慰委伪 蔚纬魏位畏渭伪蟿蔚委 畏 伪蟿慰渭喂魏蠈蟿畏蟿伪 蟿畏蟼 伪谓胃蟻蠋蟺喂谓畏蟼 蠁蠉蟽畏蟼.
危蔚 魏维胃蔚 蟽蔚位委未伪 蟽魏维谓蔚 渭蔚 蔚魏蟺位畏魏蟿喂魏萎 伪渭蔚蟽蠈蟿畏蟿伪 蟿伪 伪尉喂慰胃苇伪蟿伪, 慰喂 维谓胃蟻蠅蟺慰喂, 慰喂 渭蠀蟻蠅未喂苇蟼, 慰喂 蟿蔚蠂谓喂魏苇蟼 渭维蠂畏蟼 魏伪喂 蟿伪 蠈蟺位伪, 慰喂 伪蟻蠂喂蟿蔚魏蟿慰谓喂魏苇蟼 蟺蠈位蔚蠅谓, 畏 未蠉谓伪渭畏 蟿畏蟼 谓伪蠀蟽喂蟺位慰螑伪蟼, 慰喂 蔚渭蟺慰蟻喂魏苇蟼 蟺慰位喂蟿喂魏苇蟼 魏伪喂 蟿伪 蔚委未畏 苇谓未蠀蟽畏蟼 蟿畏蟼 蔚蟺慰蠂萎蟼.
螠蔚 伪蟺蠈位蠀蟿畏 伪魏蟻委尾蔚喂伪 伪蟺蔚喂魏蠈谓喂蟽畏蟼
味蠅谓蟿伪谓蔚蠉蔚喂 畏 伪尉喂慰胃伪蠉渭伪蟽蟿畏 蟿苇蠂谓畏 蟿畏蟼 喂伪蟿蟻喂魏萎蟼 魏伪喂 蟿畏蟼 渭慰蠀渭喂慰蟺慰委畏蟽畏蟼, 未委谓慰谓蟿伪蟼 渭蔚纬维位畏 伪尉委伪 魏伪喂 蔚喂未喂魏蠈 尾维蟻慰蟼 蟽蟿畏谓 渭蔚蟿伪胃伪谓维蟿喂伪 味蠅萎.
螣 蟽蠀纬纬蟻伪蠁苇伪蟼 味蠅谓蟿伪谓蔚蠉蔚喂 渭蔚 位伪渭蟺蟻萎 未蔚尉喂慰蟿蔚蠂谓委伪 蟿慰谓 蠂蟻蠈谓慰 魏伪喂 蟿慰谓 蟿蠈蟺慰 蟺慰蠀 伪谓伪蠁苇蟻蔚蟿伪喂.
螘魏蟺位畏魏蟿喂魏萎 伪谓伪蟺伪蟻维蟽蟿伪蟽畏 蟿畏蟼 伪蟻蠂伪委伪蟼 蟺蔚蟻喂蠈未慰蠀 渭蔚 魏苇谓蟿蟻慰 蟿畏谓 蟺蟻蠋喂渭畏 渭维蠂畏 渭蔚蟿伪尉蠉 蟺慰位蠀胃蔚蠆蟽渭慰蠉 魏伪喂 蔚谓慰胃蔚蠆蟽渭慰蠉.
螆蟿蟽喂, 苇蠂慰蠀渭蔚 苇谓伪 伪蟻喂蟽蟿慰蠉蟻纬畏渭伪 喂蟽蟿慰蟻喂魏萎蟼 蠁伪谓蟿伪蟽委伪蟼 渭蔚 渭蔚纬维位畏 未蠉谓伪渭畏 魏伪喂 喂蟽蠂蠀蟻萎 伪谓维蟺蟿蠀尉畏 蠂伪蟻伪魏蟿萎蟻蠅谓 魏伪喂 慰蟻伪渭维蟿蠅谓.
危蟿慰 蟿苇位慰蟼 畏 未喂维胃蔚蟽畏 蟺慰蠀 蔚蟺喂魏蟻伪蟿蔚委 蔚委谓伪喂 胃位委蠄畏蟼 魏伪喂 蟺伪蟻伪委蟿畏蟽畏蟼 伪蟺苇谓伪谓蟿喂 蟽蟿畏谓 委未喂伪 蟿畏谓 蠉蟺伪蟻尉畏.
螝伪喂 慰 危喂谓慰蠀蠂苇 蟺慰蠀 慰谓慰渭维蟽蟿畏魏蔚 苇蟿蟽喂 伪蟺慰 苇谓伪谓 维位位慰 渭蠀胃喂魏蠈 螒喂纬蠉蟺蟿喂慰 蟿伪尉喂未喂蠋蟿畏 蟿蠅谓 伪蟻蠂伪喂慰位慰纬喂魏蠋谓 伪蟻蠂蔚委蠅谓, 蔚委谓伪喂 蟿慰 伪蟺蠈位蠀蟿慰 蟺位维蟽渭伪 蟿慰蠀 魏蠈蟽渭慰蠀 蔚魏蔚委谓慰蠀 魏伪喂 蟿慰 蟿蔚蟻维蟽蟿喂慰 蔚蟺委蟿蔚蠀纬渭伪 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 蟺慰蠀 未畏渭喂慰蠀蟻纬蔚委 喂蟽蟿慰蟻喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪.
螝伪位萎 伪谓维纬谓蠅蟽畏
螤慰位位慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼.
November 7, 2020
Sinuhe egyptil盲inen = Sinuhe der Agypter鈥� = Sinuhe the Egyptian, Mika Waltari
The Egyptian (Sinuhe egyptil盲inen, Sinuhe the Egyptian) is a historical novel by Mika Waltari. It was first published in Finnish in 1945, and in an abridged English translation by Naomi Walford in 1949, apparently from Swedish rather than Finnish. So far, it is the only Finnish novel to be adapted into a Hollywood film, which it was, in 1954. The protagonist of the novel is the fictional character Sinuhe, the royal physician, who tells the story in exile after Akhenaten's fall and death. Apart from incidents in Egypt, the novel charts Sinuhe's travels in then Egyptian-dominated Syria (Levant), in Mitanni, Babylon, Minoan Crete, and among the Hittites. ...
毓賳賵丕賳賴丕: 爻蹖賳賵丨賴貨 爻蹖賳賵賴賴貨 爻蹖賳賵賴賴 倬夭卮讴 賲禺氐賵氐 賮乇毓賵賳貨 爻蹖賳賵賴賴 讴丕賴賳 丕毓馗賲 賲氐乇貨 爻蹖賳賵賴賴 賲氐乇蹖貨 賳賵蹖爻賳丿賴: 賲蹖讴丕 賵丕賱鬲丕乇蹖貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 賲丕賴 丕讴鬲亘乇 爻丕賱 1998 賲蹖賱丕丿蹖
毓賳賵丕賳: 爻蹖賳賵丨賴貨 賳賵蹖爻賳丿賴: 賲蹖讴丕 賵丕賱鬲丕乇蹖貨 賲鬲乇噩賲: 丕丨賲丿 亘賴倬賵乇貨 鬲赖乇丕賳貙 賳卮乇 乇囟丕貙 1369貙 丿乇 642 氐貨 趩丕倬 丿蹖诏乇: 鬲赖乇丕賳貙 噩賵蹖丕貙 1370貙 丿乇 642 氐貨 趩丕倬 趩賴丕乇賲 1377貨 倬賳噩賲 1379貨 卮卮賲 1381貨 賴卮鬲賲 1385貨 賳賴賲 1386貨 趩丕倬 丿蹖诏乇: 鬲赖乇丕賳貙 噩賵蹖丕 - 丌爻蹖賲貙 趩丕倬 丿賴賲 1388貨 丿乇 642 氐貨 卮丕亘讴: 9789646092187貨 趩丕倬 丿賵丕夭丿賴賲 1395貨 丿乇 丿賵 噩賱丿貨 卮丕亘讴 丿賵乇賴: 9789642895878貨 噩賱丿 蹖讴: 9789642895847貨 噩賱丿 丿賵: 9789642895854貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 鬲丕乇蹖禺爻 丕夭 賳賵蹖爻賳丿诏丕賳 賮賳賱丕賳丿蹖 - 賯乇賳 20 賲
毓賳賵丕賳: 爻蹖賳賵賴賴 倬夭卮讴 賲禺氐賵氐 賮乇毓賵賳貙 丿乇 丿賵 噩賱丿貨 賳賵蹖爻賳丿賴: 賲蹖讴丕 賵丕賱鬲丕乇蹖貨 賲鬲乇噩賲: 匕亘蹖丨 丕賱賱賴 賲賳氐賵乇蹖貨 鬲赖乇丕賳貙 夭乇蹖賳貙 趩丕倬 賴卮鬲賲 1366貨 丿乇 丿賵 噩賱丿 629 氐貨 趩丕倬 倬賳噩丕賴 賵 賴卮鬲賲 1387貨
賲鬲乇噩賲賴丕蹖 丿蹖诏乇蹖 賳蹖夭 丕蹖賳 丕孬乇 乇丕 鬲乇噩賲賴 讴乇丿賴 丕賳丿貨
丿丕爻鬲丕賳 丿乇亘丕乇賴 蹖 卮禺氐蹖鬲蹖 爻鬲 讴賴 丿乇 賴賳诏丕賲 鬲賵賱丿 丕賵 乇丕 丿乇 蹖讴 爻亘丿 丿爻鬲亘丕賮 亘诏匕丕卮鬲賴 賵 亘賴 乇賵丿 賳蹖賱 爻倬乇丿賴鈥� 丕賳丿 賵 禺丕賳賵丕丿賴鈥� 丕蹖 賮賯蹖乇 丕賵 乇丕 蹖丕賮鬲賴 賵 亘賴 賮乇夭賳丿蹖 亘夭乇诏 賲蹖鈥屭┵嗁嗀�. 爻蹖賳賵賴賴 丿乇 丕丿丕賲賴 亘賴 賲賯丕賲 讴丕賴賳蹖 賵 倬夭卮讴蹖 (賲禺氐賵氐賽 賮乇毓賵賳) 賲蹖鈥屫必池� 賵 爻賮乇賴丕蹖蹖 乇丕 亘賴 亘丕亘賱 賵 爻賵乇蹖賴 賵 讴賳丕乇賴 丿乇蹖丕蹖 賲丿蹖鬲乇丕賳賴 賲蹖鈥屭┵嗀�. 丿乇 胤賵賱 丕蹖賳 爻賮乇 亘丕 乇禺丿丕丿賴丕蹖 诏賵賳丕诏賵賳 乇賵亘乇賵 賲蹖鈥屫促堌�. 丿乇 亘丕夭诏卮鬲 亘賴 賲氐乇 亘乇丕蹖 賳噩丕鬲 賲氐乇貙 丕夭 丨乇賮賴 蹖 倬夭卮讴蹖 禺賵蹖卮 爻賵丿 賲蹖鈥屫ㄘ必�. 丿乇 賲蹖丕賳賴鈥� 賴丕蹖 丿丕爻鬲丕賳 丕賵 亘賴 賴賵蹖鬲 乇丕爻鬲蹖賳 倬丿乇 賵 賲丕丿乇卮 倬蹖 賲蹖鈥屫ㄘ必�. 蹖讴蹖 丕夭 賵蹖跇诏蹖鈥屬囏й� 亘丕乇夭 丕蹖賳 丿丕爻鬲丕賳貙 鬲賵氐蹖賮 丿賯蹖賯 賳丨賵賴 蹖 夭賳丿诏蹖 賲乇丿賲丕賳 賵 丕賵囟丕毓 丕噩鬲賲丕毓蹖 讴卮賵乇賴丕蹖 賲氐乇貙 爻賵乇蹖賴貙 亘丕亘賱貙 賴蹖鬲蹖貙 賲蹖鬲丕賳蹖 丿乇 丿賵乇丕賳 丌禺賳丕鬲賵賳 丕爻鬲貨 讴賴 丿乇 賲蹖丕賳 爻丕賱鈥屬囏й� 1334鈥�1351 倬蹖卮 丕夭 夭丕丿乇賵夭 賲爻蹖丨 賲蹖鈥屫槽屫池� 丕爻鬲. 丕蹖賳 讴鬲丕亘 乇丕 賳丕賲丿丕乇丕賳蹖 賴賲趩賵賳: 匕亘蹖丨鈥� 丕賱賱賴 賲賳氐賵乇蹖貙 丿讴鬲乇 丕丨賲丿 亘賴倬賵乇貙 丕丨賲丿爻丕丿丕鬲 毓賯蹖賱蹖 賵 賲丨爻賳 亘丕胤賳蹖 賵 丿蹖诏乇丕賳 丕夭 賳丕賲丿丕乇丕賳 鬲乇噩賲賴 亘賴 賮丕乇爻蹖 亘乇诏乇丿丕賳丿賴 丕賳丿. 丕. 卮乇亘蹖丕賳蹖
The Egyptian (Sinuhe egyptil盲inen, Sinuhe the Egyptian) is a historical novel by Mika Waltari. It was first published in Finnish in 1945, and in an abridged English translation by Naomi Walford in 1949, apparently from Swedish rather than Finnish. So far, it is the only Finnish novel to be adapted into a Hollywood film, which it was, in 1954. The protagonist of the novel is the fictional character Sinuhe, the royal physician, who tells the story in exile after Akhenaten's fall and death. Apart from incidents in Egypt, the novel charts Sinuhe's travels in then Egyptian-dominated Syria (Levant), in Mitanni, Babylon, Minoan Crete, and among the Hittites. ...
毓賳賵丕賳賴丕: 爻蹖賳賵丨賴貨 爻蹖賳賵賴賴貨 爻蹖賳賵賴賴 倬夭卮讴 賲禺氐賵氐 賮乇毓賵賳貨 爻蹖賳賵賴賴 讴丕賴賳 丕毓馗賲 賲氐乇貨 爻蹖賳賵賴賴 賲氐乇蹖貨 賳賵蹖爻賳丿賴: 賲蹖讴丕 賵丕賱鬲丕乇蹖貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 賲丕賴 丕讴鬲亘乇 爻丕賱 1998 賲蹖賱丕丿蹖
毓賳賵丕賳: 爻蹖賳賵丨賴貨 賳賵蹖爻賳丿賴: 賲蹖讴丕 賵丕賱鬲丕乇蹖貨 賲鬲乇噩賲: 丕丨賲丿 亘賴倬賵乇貨 鬲赖乇丕賳貙 賳卮乇 乇囟丕貙 1369貙 丿乇 642 氐貨 趩丕倬 丿蹖诏乇: 鬲赖乇丕賳貙 噩賵蹖丕貙 1370貙 丿乇 642 氐貨 趩丕倬 趩賴丕乇賲 1377貨 倬賳噩賲 1379貨 卮卮賲 1381貨 賴卮鬲賲 1385貨 賳賴賲 1386貨 趩丕倬 丿蹖诏乇: 鬲赖乇丕賳貙 噩賵蹖丕 - 丌爻蹖賲貙 趩丕倬 丿賴賲 1388貨 丿乇 642 氐貨 卮丕亘讴: 9789646092187貨 趩丕倬 丿賵丕夭丿賴賲 1395貨 丿乇 丿賵 噩賱丿貨 卮丕亘讴 丿賵乇賴: 9789642895878貨 噩賱丿 蹖讴: 9789642895847貨 噩賱丿 丿賵: 9789642895854貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 鬲丕乇蹖禺爻 丕夭 賳賵蹖爻賳丿诏丕賳 賮賳賱丕賳丿蹖 - 賯乇賳 20 賲
毓賳賵丕賳: 爻蹖賳賵賴賴 倬夭卮讴 賲禺氐賵氐 賮乇毓賵賳貙 丿乇 丿賵 噩賱丿貨 賳賵蹖爻賳丿賴: 賲蹖讴丕 賵丕賱鬲丕乇蹖貨 賲鬲乇噩賲: 匕亘蹖丨 丕賱賱賴 賲賳氐賵乇蹖貨 鬲赖乇丕賳貙 夭乇蹖賳貙 趩丕倬 賴卮鬲賲 1366貨 丿乇 丿賵 噩賱丿 629 氐貨 趩丕倬 倬賳噩丕賴 賵 賴卮鬲賲 1387貨
賲鬲乇噩賲賴丕蹖 丿蹖诏乇蹖 賳蹖夭 丕蹖賳 丕孬乇 乇丕 鬲乇噩賲賴 讴乇丿賴 丕賳丿貨
丿丕爻鬲丕賳 丿乇亘丕乇賴 蹖 卮禺氐蹖鬲蹖 爻鬲 讴賴 丿乇 賴賳诏丕賲 鬲賵賱丿 丕賵 乇丕 丿乇 蹖讴 爻亘丿 丿爻鬲亘丕賮 亘诏匕丕卮鬲賴 賵 亘賴 乇賵丿 賳蹖賱 爻倬乇丿賴鈥� 丕賳丿 賵 禺丕賳賵丕丿賴鈥� 丕蹖 賮賯蹖乇 丕賵 乇丕 蹖丕賮鬲賴 賵 亘賴 賮乇夭賳丿蹖 亘夭乇诏 賲蹖鈥屭┵嗁嗀�. 爻蹖賳賵賴賴 丿乇 丕丿丕賲賴 亘賴 賲賯丕賲 讴丕賴賳蹖 賵 倬夭卮讴蹖 (賲禺氐賵氐賽 賮乇毓賵賳) 賲蹖鈥屫必池� 賵 爻賮乇賴丕蹖蹖 乇丕 亘賴 亘丕亘賱 賵 爻賵乇蹖賴 賵 讴賳丕乇賴 丿乇蹖丕蹖 賲丿蹖鬲乇丕賳賴 賲蹖鈥屭┵嗀�. 丿乇 胤賵賱 丕蹖賳 爻賮乇 亘丕 乇禺丿丕丿賴丕蹖 诏賵賳丕诏賵賳 乇賵亘乇賵 賲蹖鈥屫促堌�. 丿乇 亘丕夭诏卮鬲 亘賴 賲氐乇 亘乇丕蹖 賳噩丕鬲 賲氐乇貙 丕夭 丨乇賮賴 蹖 倬夭卮讴蹖 禺賵蹖卮 爻賵丿 賲蹖鈥屫ㄘ必�. 丿乇 賲蹖丕賳賴鈥� 賴丕蹖 丿丕爻鬲丕賳 丕賵 亘賴 賴賵蹖鬲 乇丕爻鬲蹖賳 倬丿乇 賵 賲丕丿乇卮 倬蹖 賲蹖鈥屫ㄘ必�. 蹖讴蹖 丕夭 賵蹖跇诏蹖鈥屬囏й� 亘丕乇夭 丕蹖賳 丿丕爻鬲丕賳貙 鬲賵氐蹖賮 丿賯蹖賯 賳丨賵賴 蹖 夭賳丿诏蹖 賲乇丿賲丕賳 賵 丕賵囟丕毓 丕噩鬲賲丕毓蹖 讴卮賵乇賴丕蹖 賲氐乇貙 爻賵乇蹖賴貙 亘丕亘賱貙 賴蹖鬲蹖貙 賲蹖鬲丕賳蹖 丿乇 丿賵乇丕賳 丌禺賳丕鬲賵賳 丕爻鬲貨 讴賴 丿乇 賲蹖丕賳 爻丕賱鈥屬囏й� 1334鈥�1351 倬蹖卮 丕夭 夭丕丿乇賵夭 賲爻蹖丨 賲蹖鈥屫槽屫池� 丕爻鬲. 丕蹖賳 讴鬲丕亘 乇丕 賳丕賲丿丕乇丕賳蹖 賴賲趩賵賳: 匕亘蹖丨鈥� 丕賱賱賴 賲賳氐賵乇蹖貙 丿讴鬲乇 丕丨賲丿 亘賴倬賵乇貙 丕丨賲丿爻丕丿丕鬲 毓賯蹖賱蹖 賵 賲丨爻賳 亘丕胤賳蹖 賵 丿蹖诏乇丕賳 丕夭 賳丕賲丿丕乇丕賳 鬲乇噩賲賴 亘賴 賮丕乇爻蹖 亘乇诏乇丿丕賳丿賴 丕賳丿. 丕. 卮乇亘蹖丕賳蹖
February 5, 2015
A Captivating Tale!
If you enjoy reading about Egypt during the 14th century, you should find this a fascinating read. For the most part I found it quite captivating and was totally immersed in the story, especially the bond developing between the main character Sinuhe and his slave Kaptah. Their story alone is well worth the read. I did find some parts repetitive and lengthy which was to some extent disappointing. But overall it was extremely well written with several strong characters throughout the book.
If you enjoy reading about Egypt during the 14th century, you should find this a fascinating read. For the most part I found it quite captivating and was totally immersed in the story, especially the bond developing between the main character Sinuhe and his slave Kaptah. Their story alone is well worth the read. I did find some parts repetitive and lengthy which was to some extent disappointing. But overall it was extremely well written with several strong characters throughout the book.
May 8, 2020
En el Top 10 de mis novelas hist贸ricas. Imprescindible.
April 4, 2013
丿乇 噩賴丕賳 賴賲賴 趩蹖夭 鬲睾蹖蹖乇 禺賵丕賴丿 讴乇丿 睾蹖乇 丕夭 丨賲丕賯鬲 賳賵毓 亘卮乇 賵 鬲丕 賵賯鬲蹖 讴賴 丿賳蹖丕 亘丕賯蹖 丕爻鬲貙 丕夭 丨賲丕賯鬲 賲乇丿賲 丕爻鬲賮丕丿賴 禺賵丕賴賳丿 賳賲賵丿...
December 7, 2019
丕诏乇 賮讴乇 賲蹖讴賳蹖丿 讴賴 丕夭 禺賵賳丿賳賽 蹖讴 乇賲丕賳賽 禺賵卮禺賵丕賳賽 賴夭丕乇氐賮丨賴 丕蹖 亘丕 鬲賽賲 鬲丕乇蹖禺蹖 賱匕鬲 賲蹖 亘乇蹖丿 賵 丿乇 毓蹖賳 丨丕賱 亘乇丕鬲賵賳 禺蹖賱蹖 賲賴賲 賳蹖爻鬲 讴賴 亘丿賵賳蹖丿 趩賯丿乇 丕夭 賵賯丕蹖毓 匕讴乇 卮丿賴 丿乇 丕賵賳 賵丕賯毓丕 丕夭 丿賱 倬丕倬蹖乇賵爻賴丕 亘蹖乇賵賳 丕賵賲丿賴 賵 趩賯丿乇卮 爻丕禺鬲賴 賵 倬乇丿丕禺鬲賴 蹖 匕賴賳 禺賱丕賯 賲鬲乇噩賲卮 賴爻鬲 讴賴 毓賱丕賯賲賳丿 亘賴 鬲乇噩賲賴 蹖 丕賯鬲亘丕爻蹖賴貙 爻蹖賳賵賴賴 乇賵 亘禺賵賳蹖丿.
August 13, 2024
賰丕鬲亘 賴匕賴 丕賱乇賵丕賷丞 兀亘丿毓 賮賷 賵氐賮 賲氐乇 賮賷 賲乇丨賱丞 賲賳 兀賴賲 賲乇丕丨賱 鬲丕乇賷禺 丕賱賮乇丕毓賳丞
賵 賴賷 賲乇丨賱丞 丨賰賲 丕禺賳丕鬲賵賳 賱賲氐乇 賵 賲賳丕丿丕鬲賴 亘丕賱鬲賵丨賷丿 賲乇賵乇賸丕 亘賲乇丨賱丞 鬲賵鬲 毓賳禺 丌賲賵賳 賵 賲賱賰賷賳 丌禺乇賷賳 亘毓丿 匕賱賰
毓賳 胤乇賷賯 亘胤賱 賯氐鬲賳丕 賵 賴賵 爻賳賵丨賷 丕賱賲氐乇賷
爻賳賵丨賷 胤亘賷亘 賲賳 兀賲賴乇 兀胤亘丕亍 賲氐乇 賵 賴匕丕 噩毓賱 丕賯鬲乇丕亘賴 賲賳 丨賰丕賲 賲氐乇 賲賴賲丞 爻賴賱丞
賵 賴匕賴 丕賱乇賵丕賷丞 賱丕 鬲鬲胤乇賯 賱賲氐乇 賮賯胤
賮亘胤賱 丕賱乇賵丕賷丞 賷爻丕賮乇 廿賱賷 爻賵乇賷丕 孬賲 丕賱賷 賲賷鬲丕賳賷 賵 亘賱丕丿 丕賱丨賷孬賷賳 賵 廿賱賷 亘賱丕丿 毓丿賷丿丞 兀禺乇賷
賲鬲毓賲賯 賮賷 賳馗賲 丨賰賲賴賲 賵 丌賱賴鬲賴賲 賵 胤賯賵爻賴賲 賵 丨鬲賷 丕丨鬲賮丕賱丕鬲賴賲
廿匕丕 賴匕賴 乇賵丕賷丞 毓賳 丕賱毓丕賱賲 賮賷 毓賴丿 廿禺賳丕鬲賵賳 賴匕丕 丕賱賲賱賰 丕賱匕賷 賰丕賳 兀賵賱 賲賳 賷賳丕丿賷 亘丕賱鬲賵丨賷丿 賴匕丕 丕賱賲賱賰 丕賱睾乇賷亘 賮賷 乇睾亘鬲賴 賱賱爻賱丕賲 賱丿乇噩丞 丕賱禺囟賵毓 賮賴賵 賱丕 賷兀亘賴 亘禺爻丕乇丞 賲氐乇 賱爻賵乇賷丕 賵 丕賱鬲賷 賰丕賳鬲 鬲丕亘毓賴 賱賲氐乇 賮賷 賴匕丕 丕賱賵賯鬲
賵 賴賵 賷乇賷丿 兀賳 賷鬲賲 賰賱 賲胤丕賱亘賴 亘丿賵賳 丕賳 鬲匕乇賮 丕賱丿賲丕亍 賱丿乇噩丞 丕賳 馗亘丕胤賴 賰丕賳賵丕 賷禺賳賯賵賳 丨鬲賷 丕賱賲賵鬲 鬲丕亘毓賷賷賳 丌賲賵賳 賮賷 賲賱丨賲丞 廿亘胤丕賱 丌賲賵賳 賮賷 胤賷亘丞
爻賳賵丨賷 賯氐鬲賴 鬲乇丕噩賷丿賷丞 亘卮賰賱 賲丕
賮賴賵 賷賮賯丿 兀賲賴 賵 兀亘賵賴 亘毓丿 丕賳 禺匕賱賴賲丕 賵 亘丕毓 賰賱 丕賲賱丕賰賴賲 賱毓丕賴乇丞 胤乇丿鬲賴 亘賲噩乇丿 丕賳 兀禺匕鬲 賰賱 賲丕 賷賲賱賰
賵 賷賮賯丿 兀賷囟賸丕 丨亘賷亘鬲賴 賵 丕亘賳賴賲丕 賮賷 賲賱丨賲丞 氐毓賵丿 丌賲賵賳 賱賱丨賰賲 賲乇丞 兀禺乇賷
賵 賮賷 丌禺乇 丕賱兀賲乇 賷賳賮賷 賲賳 賲氐乇 賱賷毓賷卮 賮賷 賲賰丕賳 賲丕 毓賱賷 丕賱卮丕胤卅 賵丨賷丿賸丕 賱賷爻 賲毓賴 丨亘賷亘 兀賵 賯乇賷亘
賯氐鬲賴 賱賷爻鬲 賯氐丞 爻毓賷丿丞 賮賷 兀睾賱亘 丕賱兀賵賯丕鬲
丨鬲賷 賮賷 賲乇丨賱丞 賲丕 賰丕賳 噩丕爻賵爻 賲氐乇 毓賱賷 丕賱丿賵賱 丕賱賯乇賷亘丞 賲賳賴丕 賴乇亘 賲賳 賰賱 亘賱丿 賲鬲賮丕丿賷賸丕 丕賱賲賵鬲 亘卮賯 丕賱兀賳賮爻
毓賲賷丿 丕賱兀丿亘 丕賱毓乇亘賷 胤賴 丨爻賷賳 賯乇兀 賴匕賴 丕賱乇賵丕賷丞 賲乇鬲賷賳
賲乇丞 亘賱睾鬲賴丕 丕賱兀氐賱賷丞 賵 賲乇丞 亘毓丿 鬲乇噩賲鬲賴丕 賵 賴賵 賷賯丿賲賴丕 賱賱噩賲賴賵乇 丕賱毓乇亘賷 亘毓丿 丕賳 夭丕乇賴 賲鬲乇噩賲賴丕 賮賷 賲賰鬲亘賴
賴匕賴 乇賵丕賷丞 鬲爻鬲丨賯 丕賱賯乇丕亍丞 賲賳 賵噩賴丞 賳馗乇賷 賵 兀乇卮丨賴丕 賱賰賲
丕賱丌賳 丕亘丨孬 毓賳 乇丨賱丞 賯乇丕亍丞 兀禺乇賷.
賵 賴賷 賲乇丨賱丞 丨賰賲 丕禺賳丕鬲賵賳 賱賲氐乇 賵 賲賳丕丿丕鬲賴 亘丕賱鬲賵丨賷丿 賲乇賵乇賸丕 亘賲乇丨賱丞 鬲賵鬲 毓賳禺 丌賲賵賳 賵 賲賱賰賷賳 丌禺乇賷賳 亘毓丿 匕賱賰
毓賳 胤乇賷賯 亘胤賱 賯氐鬲賳丕 賵 賴賵 爻賳賵丨賷 丕賱賲氐乇賷
爻賳賵丨賷 胤亘賷亘 賲賳 兀賲賴乇 兀胤亘丕亍 賲氐乇 賵 賴匕丕 噩毓賱 丕賯鬲乇丕亘賴 賲賳 丨賰丕賲 賲氐乇 賲賴賲丞 爻賴賱丞
賵 賴匕賴 丕賱乇賵丕賷丞 賱丕 鬲鬲胤乇賯 賱賲氐乇 賮賯胤
賮亘胤賱 丕賱乇賵丕賷丞 賷爻丕賮乇 廿賱賷 爻賵乇賷丕 孬賲 丕賱賷 賲賷鬲丕賳賷 賵 亘賱丕丿 丕賱丨賷孬賷賳 賵 廿賱賷 亘賱丕丿 毓丿賷丿丞 兀禺乇賷
賲鬲毓賲賯 賮賷 賳馗賲 丨賰賲賴賲 賵 丌賱賴鬲賴賲 賵 胤賯賵爻賴賲 賵 丨鬲賷 丕丨鬲賮丕賱丕鬲賴賲
廿匕丕 賴匕賴 乇賵丕賷丞 毓賳 丕賱毓丕賱賲 賮賷 毓賴丿 廿禺賳丕鬲賵賳 賴匕丕 丕賱賲賱賰 丕賱匕賷 賰丕賳 兀賵賱 賲賳 賷賳丕丿賷 亘丕賱鬲賵丨賷丿 賴匕丕 丕賱賲賱賰 丕賱睾乇賷亘 賮賷 乇睾亘鬲賴 賱賱爻賱丕賲 賱丿乇噩丞 丕賱禺囟賵毓 賮賴賵 賱丕 賷兀亘賴 亘禺爻丕乇丞 賲氐乇 賱爻賵乇賷丕 賵 丕賱鬲賷 賰丕賳鬲 鬲丕亘毓賴 賱賲氐乇 賮賷 賴匕丕 丕賱賵賯鬲
賵 賴賵 賷乇賷丿 兀賳 賷鬲賲 賰賱 賲胤丕賱亘賴 亘丿賵賳 丕賳 鬲匕乇賮 丕賱丿賲丕亍 賱丿乇噩丞 丕賳 馗亘丕胤賴 賰丕賳賵丕 賷禺賳賯賵賳 丨鬲賷 丕賱賲賵鬲 鬲丕亘毓賷賷賳 丌賲賵賳 賮賷 賲賱丨賲丞 廿亘胤丕賱 丌賲賵賳 賮賷 胤賷亘丞
爻賳賵丨賷 賯氐鬲賴 鬲乇丕噩賷丿賷丞 亘卮賰賱 賲丕
賮賴賵 賷賮賯丿 兀賲賴 賵 兀亘賵賴 亘毓丿 丕賳 禺匕賱賴賲丕 賵 亘丕毓 賰賱 丕賲賱丕賰賴賲 賱毓丕賴乇丞 胤乇丿鬲賴 亘賲噩乇丿 丕賳 兀禺匕鬲 賰賱 賲丕 賷賲賱賰
賵 賷賮賯丿 兀賷囟賸丕 丨亘賷亘鬲賴 賵 丕亘賳賴賲丕 賮賷 賲賱丨賲丞 氐毓賵丿 丌賲賵賳 賱賱丨賰賲 賲乇丞 兀禺乇賷
賵 賮賷 丌禺乇 丕賱兀賲乇 賷賳賮賷 賲賳 賲氐乇 賱賷毓賷卮 賮賷 賲賰丕賳 賲丕 毓賱賷 丕賱卮丕胤卅 賵丨賷丿賸丕 賱賷爻 賲毓賴 丨亘賷亘 兀賵 賯乇賷亘
賯氐鬲賴 賱賷爻鬲 賯氐丞 爻毓賷丿丞 賮賷 兀睾賱亘 丕賱兀賵賯丕鬲
丨鬲賷 賮賷 賲乇丨賱丞 賲丕 賰丕賳 噩丕爻賵爻 賲氐乇 毓賱賷 丕賱丿賵賱 丕賱賯乇賷亘丞 賲賳賴丕 賴乇亘 賲賳 賰賱 亘賱丿 賲鬲賮丕丿賷賸丕 丕賱賲賵鬲 亘卮賯 丕賱兀賳賮爻
毓賲賷丿 丕賱兀丿亘 丕賱毓乇亘賷 胤賴 丨爻賷賳 賯乇兀 賴匕賴 丕賱乇賵丕賷丞 賲乇鬲賷賳
賲乇丞 亘賱睾鬲賴丕 丕賱兀氐賱賷丞 賵 賲乇丞 亘毓丿 鬲乇噩賲鬲賴丕 賵 賴賵 賷賯丿賲賴丕 賱賱噩賲賴賵乇 丕賱毓乇亘賷 亘毓丿 丕賳 夭丕乇賴 賲鬲乇噩賲賴丕 賮賷 賲賰鬲亘賴
賴匕賴 乇賵丕賷丞 鬲爻鬲丨賯 丕賱賯乇丕亍丞 賲賳 賵噩賴丞 賳馗乇賷 賵 兀乇卮丨賴丕 賱賰賲
丕賱丌賳 丕亘丨孬 毓賳 乇丨賱丞 賯乇丕亍丞 兀禺乇賷.
February 17, 2022
"Porque mientras un hombre se glorifique a s铆 mismo y se considere mejor que los dem谩s, las cuerdas y los bastonazos, las lanzas y los cuervos continuar谩n persiguiendo a la humanidad".
Al fin he le铆do "Sinuh茅, el egipcio", un libro con estela de obra maestra; un hito inequ铆voco de la novela hist贸rica cl谩sica y un baluarte gran铆tico y atemporal del g茅nero. Uno de los de obligada lectura para el entusiasta de la tem谩tica, vaya. 驴Qu茅 nos cuenta? Ocaso de la XVIII dinast铆a, la vor谩gine religiosa y social anudada a la Revoluci贸n de Amarna, los numerosos enfrentamientos b茅licos que sacudieron Egipto en esta 茅poca y las intrigas palaciegas, traiciones y sucesiones en el trono que implicaron a personajes hist贸ricos tan famosos como Akenat贸n, Nefertiti o Tutankam贸n. Todo ello y m谩s se aglutina, se cita, en un libro infaltable.
No obstante, y siempre desde criterios puramente subjetivos, a m铆 el libro, francamente, se me ha quedado lejos de lo esperado. Las expectativas eran muy altas, demasiado. Ni m谩s ni menos que las de leer una obra magna. El estilo de "Mika Waltari", pese a sus innegables dotes literarias, me resulta fr铆o, distante, excesivamente descriptivo. El libro tiene tres partes claramente diferenciadas: la infancia, que sirve de introducci贸n; Sinuh茅 en el extranjero, sus viajes, su formaci贸n vital; y la vuelta, su regreso a Egipto. El inicio es muy bueno y el final tambi茅n, pero la parte intermedia, la viajera, se me hizo cuesta arriba.
En definitiva, un libro que catalogar铆a con 3,75 estrellas, con momentos sublimes, reflexiones humanistas, cr铆tico con la naturaleza humana y crudo en sus conclusiones, pero bastante irregular.
"No hay diferencia entre los hombres y todos nacemos desnudos. Y no se puede medir a los hombres por el color de su piel o el sonido de su lengua, ni por sus ropas o sus joyas, sino 煤nicamente por su coraz贸n. Por eso un hombre bueno es mejor que uno malo, y el derecho es mejor que la injusticia y esto es todo lo que s茅".
December 11, 2018
爻蹖賳賵賴賴 賳丕賲 丿丕爻鬲丕賳蹖 亘賴 賯賱賲 賲蹖讴丕 賵丕賱鬲丕乇蹖 賳賵蹖爻賳丿賴 賮賳賱丕賳丿蹖 丕爻鬲. 丕蹖賳 讴鬲丕亘 讴賴 賲賴賲鬲乇蹖賳 丕孬乇 賳賵蹖爻賳丿賴鈥屫ж池� 亘乇 丕爻丕爻 賵賯丕蹖毓 丿賵乇丕賳 賮乇毓賵賳 丌禺賳丕鬲賵賳 賳賵卮鬲賴 卮丿賴 丕爻鬲. 丕蹖賳 丿丕爻鬲丕賳 丿乇亘丕乇賴 卮禺氐蹖鬲蹖 丕爻鬲 讴賴 丿乇 賴賳诏丕賲 鬲賵賱丿 丕賵 乇丕 丿乇 蹖讴 爻亘丿 丿爻鬲 亘丕賮 诏匕丕卮鬲賴 賵 亘賴 乇賵丿 賳蹖賱 爻倬乇丿賴鈥屫з嗀� 賵 禺丕賳賵丕丿賴鈥屫й� 賮賯蹖乇 丕賵 乇丕 蹖丕賮鬲賴 賵 亘賴 賮乇夭賳丿蹖 賯亘賵賱 賲蹖鈥屭┵嗁嗀�. 爻蹖賳賵賴賴 丿乇 丕丿丕賲賴 亘賴 賲賯丕賲 讴丕賴賳蹖 賵 倬夭卮讴蹖 (賲禺氐賵氐賽 賮乇毓賵賳) 賲蹖鈥屫必池� 賵 爻賮乇賴丕蹖蹖 乇丕 亘賴 亘丕亘賱 賵 爻賵乇蹖賴 賵 讴賳丕乇賴 丿乇蹖丕蹖 賲丿蹖鬲乇丕賳賴 賲蹖鈥屭┵嗀�. 丿锟斤拷 胤賵賱 丕蹖賳 爻賮乇 亘丕 乇禺丿丕丿賴丕蹖 诏賵賳丕诏賵賳 乇賵 亘賴 乇賵 賲蹖鈥屫促堌�. 丿乇 亘丕夭诏卮鬲 亘賴 賲氐乇 亘乇丕蹖 賳噩丕鬲 賲氐乇 丕夭 丨乇賮賴 倬夭卮讴蹖 禺賵丿 丕爻鬲賮丕丿賴 賲蹖鈥屭┵嗀�. 丿乇 賲蹖丕賳賴 賴丕蹖 丿丕爻鬲丕賳 丕賵 亘賴 賴賵蹖鬲 乇丕爻鬲蹖賳 倬丿乇 賵 賲丕丿乇卮 倬蹖 賲蹖鈥屫ㄘ必�. 讴鬲丕亘 爻蹖賳賵賴賴 賲乇亘賵胤 賲蹖 卮賵丿 亘賴 賳夭丿蹖讴 郾鄢郯郯 爻丕賱 賯亘賱 丕夭 賲蹖賱丕丿 賲爻蹖丨. 丕蹖賳 讴鬲丕亘 丿乇 丨賮丕乇蹖 賴丕蹖 亘丕爻鬲丕賳蹖 賲氐乇 倬蹖丿丕 卮丿 賵 亘賴 夭亘丕賳 賴丕蹖 賲禺鬲賱賮 丿賳蹖丕 鬲乇噩賲賴 卮丿. 爻蹖賳賵賴賴 倬夭卮讴蹖 亘賵丿 讴賴 亘賴 亘蹖卮鬲乇 丿賳蹖丕 爻賮乇 讴乇丿 (亘乇丕蹖 爻蹖賳賵賴賴 丿賳蹖丕 賲丨丿賵丿 亘賴 賲氐乇貙 爻蹖丕賴倬賵爻鬲丕賳 噩賳賵亘 賲氐乇貙 賲賱賱 賵丨卮蹖 賵 丌丿賲 禺賵乇 卮乇賯 賵 噩賳賵亘 丕乇賵倬丕貙 爻賵乇蹖賴 賵 亘丕亘賱 賲蹖 卮丿) 賵 亘賴 丿賱蹖賱 毓賯丕蹖丿 乇賵卮賳賮讴乇丕賳賴 丕蹖 讴賴 丿丕卮鬲 丕睾賱亘 鬲丨賯蹖乇 賲蹖 卮丿. 賵蹖 倬爻 丕夭 鬲丨賲賱 爻禺鬲蹖 賴丕蹖 夭蹖丕丿 倬夭卮讴 賲禺氐賵氐 賮乇毓賵賳 賲蹖 卮賵丿. 丿乇 賳賴丕蹖鬲 禺賵丿卮 賲噩亘賵乇 賲蹖 卮賵丿 讴賴 賮乇毓賵賳 乇丕 亘讴卮丿 賵 丿乇 丕賵丕禺乇 夭賳丿诏蹖 賮乇毓賵賳 噩丿蹖丿 讴賴 亘丕 讴賲讴 禺賵丿 爻蹖賳賵賴賴 亘賴 丨讴賵賲鬲 乇爻蹖丿 亘賴 禺丕胤乇 丕蹖丿賴 賴丕蹖 乇賵卮賳賮讴乇丕賳賴 丕卮貙 賵蹖 乇丕 亘賴 讴卮賵乇蹖 丿蹖诏乇 鬲亘毓蹖丿 賲蹖 讴賳丿. 蹖讴蹖 丕夭 賵蹖跇诏蹖 賴丕蹖 亘丕乇夭 讴鬲丕亘 爻蹖賳賵賴賴 倬夭卮讴 賲禺氐賵氐 賮乇毓賵賳貙 鬲賵氐蹖賮 丿賯蹖賯 賳丨賵賴 蹖 夭賳丿诏蹖 賵 丕賵囟丕毓 丕噩鬲賲丕毓蹖 讴卮賵乇賴丕蹖 賲氐乇貙 爻賵乇蹖賴貙 亘丕亘賱貙 賴蹖鬲蹖貙 賲蹖鬲丕賳蹖 丿乇 丿賵乇丕賳 丌禺賳丕鬲賵賳 丕爻鬲 讴賴 丿乇 賲蹖丕賳 爻丕賱 賴丕蹖 郾鄢鄢鄞-郾鄢鄣郾 倬蹖卮 丕夭 夭丕丿乇賵夭 賲爻蹖丨 賲蹖 夭蹖爻鬲賴 丕爻鬲. 丿乇 丕蹖賳 讴鬲丕亘貙 爻蹖賳賵賴賴 夭賳丿诏蹖 禺賵丿卮 乇丕 賳賵卮鬲賴 讴賴 亘丕 賵噩賵丿 賯丿賲鬲 鄢郯郯郯 爻丕賱賴 讴鬲丕亘貙 亘乇禺蹖 丕夭 噩賲賱賴 賴丕蹖卮 丌丿賲 乇丕 亘賴 賮讴乇 賮乇賵 賲蹖 亘乇丿.
March 7, 2012
This must be my 5th go'round on this book, I re-read it every so often, because I really do consider it to be a classic.
It was considered almost obscene in it's day, because of the subject matters that were delt with. But it is rather tame for today. I first read it and found it quite shocking many years ago, but I have a fascination with Egyptian history and I just could not put it down.
I was made into a movie sometime in the 50's or 60's I belive and many things were glossed over but it still was pretty racey.
The epic tale is filled with the grandure of ancient Egypt and the carnal life that was prevalent at the tome of the Pharoahs, so it really exposes some of the rawness of the worse of human nature, and obsession.
But it also deals with intense love and forgiveness, in somecases undeserved.
A very powerful look into the best and the ABSOLUTE worst behavior, and morals of a decaying society that once ruled the entire world!
It was considered almost obscene in it's day, because of the subject matters that were delt with. But it is rather tame for today. I first read it and found it quite shocking many years ago, but I have a fascination with Egyptian history and I just could not put it down.
I was made into a movie sometime in the 50's or 60's I belive and many things were glossed over but it still was pretty racey.
The epic tale is filled with the grandure of ancient Egypt and the carnal life that was prevalent at the tome of the Pharoahs, so it really exposes some of the rawness of the worse of human nature, and obsession.
But it also deals with intense love and forgiveness, in somecases undeserved.
A very powerful look into the best and the ABSOLUTE worst behavior, and morals of a decaying society that once ruled the entire world!
February 6, 2021
丕蹖賳 蹖讴 乇蹖賵蹖賵 賳蹖爻鬲:)
賳丕賲 爻蹖賳賵賴賴 (倬夭卮讴 賲禺氐賵氐 賮乇毓賵賳) 乇丕 丕賵賱蹖賳 亘丕乇 丿乇 讴賱丕爻 鬲丕乇蹖禺 賴賳乇 卮賳蹖丿賲. 夭賲丕賳蹖 讴賴 丕爻鬲丕丿 丕夭 賴賳乇 賲氐乇 賲蹖 诏賮鬲 賵 爻賮乇蹖 讴賴 爻蹖賳賵賴賴 亘賴 爻乇夭賲蹖賳 讴賽乇賽鬲 丿丕卮鬲 賵 賳賯丕卮蹖 賴丕蹖 賲乇丿賲丕賳 丌賳 噩夭蹖乇賴 乇丕 賳卮丕賳賲丕賳 賲蹖丿丕丿貨
讴賱丕賲 丕爻鬲丕丿 乇丕 亘賴 禺賵亘蹖 亘賴 蹖丕丿 丿丕乇賲: 鈥溬囐呚з嗀焚堌� 讴賴 丿乇 讴鬲丕亘 爻蹖賳賵賴賴 禺賵丕賳丿賴 丕蹖丿 讴賴 丕賱亘鬲賴 禺賵丕賳丿賴 丕蹖丿鈥� 賵 丕讴孬乇 丿賵爻鬲丕賳賲 亘賴 賳卮丕賳 鬲丕蹖蹖丿 爻乇 鬲讴丕賳 賲蹖 丿丕丿賳丿 賵 賲賳 賲亘賴賵鬲 亘乇 賳丿丕賳爻鬲賴 賴丕蹖賲 丌賳賴丕 乇丕 賳诏丕賴 賲蹖讴乇丿賲.丕夭 丌賳 乇賵夭 卮丕蹖丿 丿賴 爻丕賱蹖 亘诏匕乇丿貙 亘毓丿 丕夭 蹖讴亘丕乇 倬蹖 丿蹖 丕賮 禺賵丕賳蹖 賳丕賲賵賮賯 丕蹖賳 讴鬲丕亘 亘賴 丿爻鬲賲 乇爻蹖丿 賵 賲卮鬲丕賯丕賳賴 丌賳 乇丕 禺賵丕賳丿賲.
丕诏乇 亘賴 蹖讴 讴鬲丕亘 鬲丕乇蹖禺蹖 毓賱丕賯賴 丿丕乇蹖丿 丕蹖賳 讴鬲丕亘 诏夭蹖賳賴 禺賵亘蹖 丕爻鬲.
August 25, 2020
El 75% de este libro ha sido como un zumbido de moscas para mis o铆dos.
August 31, 2020
Easily the most tiresome book I've read. The best book I didn't like, if that makes any sense at all. The story itself was thrilling at its best and I mean we love ancient Egypt as the setting. At times Waltari was really able to paint a picture with his words. Loved the theme of the characters falling in and out of fortune: that was the main thing that made me keep on reading. But MY GOD was it a task - I can't remember the last time I've had to put this much conscious effort into finishing a book. As in, I mean no disrespect to marathon runners but I think it's by far the bigger feat to make it to the end of this godforsaken novel.
At first I enjoyed Sinuhe's rambling and attentive narration, but by the second part it mostly just felt unnecessary and made me want to set the book on fire. All sentences were the same length and constructed in the same way so there was no rhythm to the text. Every now and then I actually had to resort to speed reading or skipping paragraphs but I'll defend myself by saying that had I not done it my brain might have rotted and I still need it for other things.
Also tedious was the racist language that was so frequent I was afraid my eyes would never return to their usual place from how much I was rolling them (yes it's a product of it's time yadda yadda but that's not an excuse to not judge it hard). There is not a single reason why ancient Egyptians would have used racist expressions of the modern era in 14th century BCE ?? With all the immense authority that being a history student gives me I just wanna say that that's anachronistic and literally so annoying.
And then. *deep inhale* I don't know when male authors learned that there are other ways to describe women than 'old and ugly' and 'young and hot', or alternatively by the look of their tits, but it was definitely after Waltari wrote Sinuhe. Apparently he couldn't write a convincing woman character if his life depended on it (let me summarise: 'Women are dangerous but like, so sexy ;)') If a woman character is introduced and you're worried that you won't know what their boobs look like, do not fret! You can be sure that a sentence like "her breasts are hanging like dry leather bags" or "her rosy breast was indeed very lush and well worth a look" soon follows. My personal fave was when a man is executed and his dying wish is that her wife expose her "blossoming breasts" one last time. So moving you could cry innit. I wish I had collected all the boob-related brain farts so that whenever I'm feeling down about not being eloquent enough in the great literary work that is my journal, I could look at them and realise I've got nothing to worry about. Again, product of it's time, but how the fuck am I supposed to take seriously a book that could be renamed '101 Creepy Ass Ways to Talk About Tits'?
I'm kind of disappointed that I didn't love it because in theory it looks right up my alley. Basically it was a contrary and just plain weird reading experience: the good parts were good enough to make me desperate to know what happens next but more often than not I just wanted every new page to be the last. Honestly, anyone who's made it to the end of this book is braver than the US marines and if it were any other book I wouldn't have bothered, but I'm a Finn and thus persevered and I guess I'm a better, more educated citizen with a more refined sense of our national achievements now that I've read one of our great classics. Idk man I'm just glad it's over.
At first I enjoyed Sinuhe's rambling and attentive narration, but by the second part it mostly just felt unnecessary and made me want to set the book on fire. All sentences were the same length and constructed in the same way so there was no rhythm to the text. Every now and then I actually had to resort to speed reading or skipping paragraphs but I'll defend myself by saying that had I not done it my brain might have rotted and I still need it for other things.
Also tedious was the racist language that was so frequent I was afraid my eyes would never return to their usual place from how much I was rolling them (yes it's a product of it's time yadda yadda but that's not an excuse to not judge it hard). There is not a single reason why ancient Egyptians would have used racist expressions of the modern era in 14th century BCE ?? With all the immense authority that being a history student gives me I just wanna say that that's anachronistic and literally so annoying.
And then. *deep inhale* I don't know when male authors learned that there are other ways to describe women than 'old and ugly' and 'young and hot', or alternatively by the look of their tits, but it was definitely after Waltari wrote Sinuhe. Apparently he couldn't write a convincing woman character if his life depended on it (let me summarise: 'Women are dangerous but like, so sexy ;)') If a woman character is introduced and you're worried that you won't know what their boobs look like, do not fret! You can be sure that a sentence like "her breasts are hanging like dry leather bags" or "her rosy breast was indeed very lush and well worth a look" soon follows. My personal fave was when a man is executed and his dying wish is that her wife expose her "blossoming breasts" one last time. So moving you could cry innit. I wish I had collected all the boob-related brain farts so that whenever I'm feeling down about not being eloquent enough in the great literary work that is my journal, I could look at them and realise I've got nothing to worry about. Again, product of it's time, but how the fuck am I supposed to take seriously a book that could be renamed '101 Creepy Ass Ways to Talk About Tits'?
I'm kind of disappointed that I didn't love it because in theory it looks right up my alley. Basically it was a contrary and just plain weird reading experience: the good parts were good enough to make me desperate to know what happens next but more often than not I just wanted every new page to be the last. Honestly, anyone who's made it to the end of this book is braver than the US marines and if it were any other book I wouldn't have bothered, but I'm a Finn and thus persevered and I guess I'm a better, more educated citizen with a more refined sense of our national achievements now that I've read one of our great classics. Idk man I'm just glad it's over.
June 2, 2016
亘毓丿 丕夭 爻丕賱賴丕 丿爻鬲 丕夭 賲賯丕賵賲鬲 亘乇丿丕卮鬲賲 賵 亘乇丕蹖 亘丕乇 丿賵賲 爻蹖賳賵賴賴 乇賵 禺賵賳丿賲. 亘丕乇 丕賵賱 丨丿賵丿丕賸 鄯 蹖丕 鄹 爻丕賱 倬蹖卮 亘賵丿. 賵賯鬲蹖 讴賴 丿賳蹖丕賲 亘丕 丿賳蹖丕蹖 丕賲乇賵夭賲 夭賲蹖賳 鬲丕 丌爻賲賵賳 賲鬲賮丕賵鬲 亘賵丿.
丕蹖賳 亘丕乇 讴賴 禺賵賳丿賲卮 丨丕賱 賵 賴賵丕蹖蹖 賲鬲賮丕賵鬲 丿丕卮鬲賲.
丕賵賱 丕夭 賴賲賴 丕夭 丿爻鬲 鬲乇噩賲賴 丌夭丕乇丿賴賳丿賴 匕亘蹖丨鈥屫з勝勝� 賲賳氐賵乇蹖 丨乇氐 賲蹖鈥屫堌必�. 诏丕賴蹖 蹖賴 丨乇賮 乇賵 趩賳丿蹖賳 亘丕乇 鬲賵蹖 蹖賴 氐賮丨賴 鬲讴乇丕乇 讴乇丿賴 亘賵丿貙 诏丕賴蹖 蹖賴 賲賵乇丿 乇賵 趩賳丿蹖賳 亘丕乇 丿乇 胤賵賱 讴鬲丕亘 鬲賵蹖 倬乇丕賳鬲夭 賵 丕夭 夭亘丕賳 賲鬲乇噩賲 鬲賵囟蹖丨 丿丕丿賴 亘賵丿貙 賵 禺賱丕氐賴 诏丕賴蹖 賲蹖夭丕賳 鬲賵囟蹖丨丕鬲 賵 夭蹖丕丿賴 诏賵蹖蹖鈥屬囏� 丕蹖賳賯丿乇 夭蹖丕丿 亘賵丿 讴賴 亘丿賵賳 鬲乇爻 丕夭 丿爻鬲 丿丕丿賳 賳讴鬲賴鈥屫й� 禺丕氐 賵乇賯 賲蹖鈥屫藏� 賵 丕夭 趩賳丿 氐賮丨賴 噩賱賵鬲乇 丕丿丕賲賴 賲蹖鈥屫ж�!
丿賵賲蹖賳 鬲賮丕賵鬲 賲胤丕賱毓賴 丕蹖賳 亘丕乇賲 亘丕 爻乇蹖 倬蹖卮 亘賴 禺丕胤乇 卮賳丕禺鬲 賳爻亘蹖 禺賵丿賲 丕夭 鬲賲丿賳鈥屬囏й屰� 亘賵丿 讴賴 丕夭卮賵賳 丕爻賲 亘乇丿賴 亘賵丿. 亘丕乇 丕賵賱 讴賴 禺賵賳丿賲卮 鬲丕乇蹖禺 賲毓賲丕乇蹖 賵 賴賳乇 噩賴丕賳 乇賵 賳禺賵賳丿賴 亘賵丿賲貙 丿乇讴 賳賲蹖鈥屭┴必� 丕蹖賳 噩丕賴丕蹖蹖 讴賴 爻蹖賳賵賴賴 鬲賵蹖 爻賮乇丕卮 丿蹖丿賴 賵 丕夭卮 賳丕賲 亘乇丿賴 讴噩丕賳貙 趩賴 鬲賲丿賳蹖 丿丕卮鬲賳 賵 趩賴 丌孬丕乇蹖 丕夭 禺賵丿卮賵賳 亘乇 噩丕蹖 诏匕丕卮鬲賳. 丕蹖賳 亘丕乇 丕賲丕 賲蹖鈥屬佡囐呟屫� 賵賯鬲蹖 丕夭 賲毓賲丕蹖乇 亘賳丕賴丕蹖 讴乇鬲 賲蹖诏賴 賲賳馗賵乇卮 趩蹖賴 賵...
丕賲丕 丕夭 賴賲賴 賲賴賲鈥屫必� 丕氐賱蹖鈥屫臂屬� 趩蹖夭蹖 讴賴 鬲賵蹖 丕蹖賳 丿賵亘丕乇賴 禺賵丕賳蹖 賲賳賵 丿乇诏蹖乇 禺賵丿卮 讴乇丿 賵囟毓蹖鬲 爻蹖丕爻蹖貙 丕噩鬲賲丕毓蹖 賵 賲匕賴亘蹖 賲賱鬲鈥屬囏� 亘賵丿. 诏丕賴蹖 丕蹖賳賯丿乇 賳賵毓 亘乇禺賵乇丿 丨讴賵賲鬲 賵 賲匕賴亘 亘丕 賲乇丿賲 亘乇丕賲 丌卮賳丕 亘賵丿 讴賴 賵丕賯毓丕賸 亘乇丕賲 丿乇讴卮 爻禺鬲 亘賵丿 讴賴 丕蹖賳 丨賵丕丿孬 趩賳丿蹖賳 賴夭丕乇 爻丕賱 丕賮鬲丕丿賴 亘丕卮賴. 丕賳诏丕乇 讴賴 丿丕爻鬲丕賳 丕賲乇賵夭 賲丕爻鬲... 賵 丕蹖賳 丌夭丕乇 丿賴賳丿賴 亘賵丿. 丕蹖賳讴賴 亘亘蹖賳蹖 賴賳賵賵賵賵夭 丨讴賵賲鬲鈥屬囏� 賵 賲匕丕賴亘 賴賲賵賳胤賵乇 亘丕 賲乇丿賲 亘乇禺賵乇丿 賲蹖鈥屭┵嗁� 讴賴 賴夭丕乇丕賳 爻丕賱 倬蹖卮. 丿乇 賳馗乇鬲 賴賲賴 丿爻鬲丕賵乇丿賴丕蹖 賲丿乇賳 亘卮乇蹖 賲爻禺乇賴 亘賴 賳馗乇 賲蹖丕丿! 賲蹖诏蹖 亘丕 鬲賵噩賴 亘賴 賲丨丿賵丿蹖鬲鈥屬囏й� 夭蹖丕丿 丨讴賵賲鬲蹖 賵 賲匕賴亘蹖 讴賴 賴賳賵夭 鬲賵蹖 夭賳丿诏蹖鈥屬囏з呝堎� 賴爻鬲貙 賮乇賯 賲丕蹖蹖 讴賴 丿丕乇蹖賲 鬲賵蹖 賯乇賳 鄄郾 亘丕 丕蹖賳 丕賲讴丕賳丕鬲 賵 诏爻鬲乇卮 毓賱賲 夭賳丿诏蹖 賲蹖鈥屭┵嗃屬� 亘丕 丕賵賳蹖 讴賴 賴夭丕乇丕賳 爻丕賱 賯亘賱 丕夭 賲蹖賱丕丿 亘丕 丕賵賳 丿乇噩賴 丕夭 亘蹖鈥屫迟堌ж� 賵 禺乇丕賮賴 倬乇爻鬲賴 夭賳丿诏蹖 賲蹖鈥屭┴必� 趩蹖賴責 賵 丕蹖賳 爻賵丕賱 鬲丕 丌禺乇 賴賲乇丕賴鬲 賲蹖鈥屬呝堎嗁�...
禺乇丿丕丿 郾鄢酃鄢
鬲赖乇丕賳
丕蹖賳 亘丕乇 讴賴 禺賵賳丿賲卮 丨丕賱 賵 賴賵丕蹖蹖 賲鬲賮丕賵鬲 丿丕卮鬲賲.
丕賵賱 丕夭 賴賲賴 丕夭 丿爻鬲 鬲乇噩賲賴 丌夭丕乇丿賴賳丿賴 匕亘蹖丨鈥屫з勝勝� 賲賳氐賵乇蹖 丨乇氐 賲蹖鈥屫堌必�. 诏丕賴蹖 蹖賴 丨乇賮 乇賵 趩賳丿蹖賳 亘丕乇 鬲賵蹖 蹖賴 氐賮丨賴 鬲讴乇丕乇 讴乇丿賴 亘賵丿貙 诏丕賴蹖 蹖賴 賲賵乇丿 乇賵 趩賳丿蹖賳 亘丕乇 丿乇 胤賵賱 讴鬲丕亘 鬲賵蹖 倬乇丕賳鬲夭 賵 丕夭 夭亘丕賳 賲鬲乇噩賲 鬲賵囟蹖丨 丿丕丿賴 亘賵丿貙 賵 禺賱丕氐賴 诏丕賴蹖 賲蹖夭丕賳 鬲賵囟蹖丨丕鬲 賵 夭蹖丕丿賴 诏賵蹖蹖鈥屬囏� 丕蹖賳賯丿乇 夭蹖丕丿 亘賵丿 讴賴 亘丿賵賳 鬲乇爻 丕夭 丿爻鬲 丿丕丿賳 賳讴鬲賴鈥屫й� 禺丕氐 賵乇賯 賲蹖鈥屫藏� 賵 丕夭 趩賳丿 氐賮丨賴 噩賱賵鬲乇 丕丿丕賲賴 賲蹖鈥屫ж�!
丿賵賲蹖賳 鬲賮丕賵鬲 賲胤丕賱毓賴 丕蹖賳 亘丕乇賲 亘丕 爻乇蹖 倬蹖卮 亘賴 禺丕胤乇 卮賳丕禺鬲 賳爻亘蹖 禺賵丿賲 丕夭 鬲賲丿賳鈥屬囏й屰� 亘賵丿 讴賴 丕夭卮賵賳 丕爻賲 亘乇丿賴 亘賵丿. 亘丕乇 丕賵賱 讴賴 禺賵賳丿賲卮 鬲丕乇蹖禺 賲毓賲丕乇蹖 賵 賴賳乇 噩賴丕賳 乇賵 賳禺賵賳丿賴 亘賵丿賲貙 丿乇讴 賳賲蹖鈥屭┴必� 丕蹖賳 噩丕賴丕蹖蹖 讴賴 爻蹖賳賵賴賴 鬲賵蹖 爻賮乇丕卮 丿蹖丿賴 賵 丕夭卮 賳丕賲 亘乇丿賴 讴噩丕賳貙 趩賴 鬲賲丿賳蹖 丿丕卮鬲賳 賵 趩賴 丌孬丕乇蹖 丕夭 禺賵丿卮賵賳 亘乇 噩丕蹖 诏匕丕卮鬲賳. 丕蹖賳 亘丕乇 丕賲丕 賲蹖鈥屬佡囐呟屫� 賵賯鬲蹖 丕夭 賲毓賲丕蹖乇 亘賳丕賴丕蹖 讴乇鬲 賲蹖诏賴 賲賳馗賵乇卮 趩蹖賴 賵...
丕賲丕 丕夭 賴賲賴 賲賴賲鈥屫必� 丕氐賱蹖鈥屫臂屬� 趩蹖夭蹖 讴賴 鬲賵蹖 丕蹖賳 丿賵亘丕乇賴 禺賵丕賳蹖 賲賳賵 丿乇诏蹖乇 禺賵丿卮 讴乇丿 賵囟毓蹖鬲 爻蹖丕爻蹖貙 丕噩鬲賲丕毓蹖 賵 賲匕賴亘蹖 賲賱鬲鈥屬囏� 亘賵丿. 诏丕賴蹖 丕蹖賳賯丿乇 賳賵毓 亘乇禺賵乇丿 丨讴賵賲鬲 賵 賲匕賴亘 亘丕 賲乇丿賲 亘乇丕賲 丌卮賳丕 亘賵丿 讴賴 賵丕賯毓丕賸 亘乇丕賲 丿乇讴卮 爻禺鬲 亘賵丿 讴賴 丕蹖賳 丨賵丕丿孬 趩賳丿蹖賳 賴夭丕乇 爻丕賱 丕賮鬲丕丿賴 亘丕卮賴. 丕賳诏丕乇 讴賴 丿丕爻鬲丕賳 丕賲乇賵夭 賲丕爻鬲... 賵 丕蹖賳 丌夭丕乇 丿賴賳丿賴 亘賵丿. 丕蹖賳讴賴 亘亘蹖賳蹖 賴賳賵賵賵賵夭 丨讴賵賲鬲鈥屬囏� 賵 賲匕丕賴亘 賴賲賵賳胤賵乇 亘丕 賲乇丿賲 亘乇禺賵乇丿 賲蹖鈥屭┵嗁� 讴賴 賴夭丕乇丕賳 爻丕賱 倬蹖卮. 丿乇 賳馗乇鬲 賴賲賴 丿爻鬲丕賵乇丿賴丕蹖 賲丿乇賳 亘卮乇蹖 賲爻禺乇賴 亘賴 賳馗乇 賲蹖丕丿! 賲蹖诏蹖 亘丕 鬲賵噩賴 亘賴 賲丨丿賵丿蹖鬲鈥屬囏й� 夭蹖丕丿 丨讴賵賲鬲蹖 賵 賲匕賴亘蹖 讴賴 賴賳賵夭 鬲賵蹖 夭賳丿诏蹖鈥屬囏з呝堎� 賴爻鬲貙 賮乇賯 賲丕蹖蹖 讴賴 丿丕乇蹖賲 鬲賵蹖 賯乇賳 鄄郾 亘丕 丕蹖賳 丕賲讴丕賳丕鬲 賵 诏爻鬲乇卮 毓賱賲 夭賳丿诏蹖 賲蹖鈥屭┵嗃屬� 亘丕 丕賵賳蹖 讴賴 賴夭丕乇丕賳 爻丕賱 賯亘賱 丕夭 賲蹖賱丕丿 亘丕 丕賵賳 丿乇噩賴 丕夭 亘蹖鈥屫迟堌ж� 賵 禺乇丕賮賴 倬乇爻鬲賴 夭賳丿诏蹖 賲蹖鈥屭┴必� 趩蹖賴責 賵 丕蹖賳 爻賵丕賱 鬲丕 丌禺乇 賴賲乇丕賴鬲 賲蹖鈥屬呝堎嗁�...
禺乇丿丕丿 郾鄢酃鄢
鬲赖乇丕賳
January 30, 2018
Took me a while to finish, but it was totally worth it.
Unique style. Beautiful language. Strong characters.
Unique style. Beautiful language. Strong characters.
November 29, 2024
Sinuh臈 egiptietis tai romanas, apimantis beveik visas gyvenimo sritis: papro膷ius, religij膮, dail臋, ekonomik膮, karo men膮 ir medicin膮. Didel臈s apimties, labai detaliai apra拧yta knyga.
Bet vietomis ji man asmeni拧kai labai stipriai i拧t臋sta. Nes atrodo vietomis negali atsitraukti, o b奴na norisi tiesiog perversti lapus turb奴t tod臈l u啪trukau labai ilgai su 拧ia knyga. ;-) 3,5 猸�
Bet vietomis ji man asmeni拧kai labai stipriai i拧t臋sta. Nes atrodo vietomis negali atsitraukti, o b奴na norisi tiesiog perversti lapus turb奴t tod臈l u啪trukau labai ilgai su 拧ia knyga. ;-) 3,5 猸�
October 21, 2022
Krokodils ir gudra zivs, vi艈拧 teiktu, ka 拧o gr膩matu noteikti ir v膿rts izlas墨t.
Gr膩mata ir gan filozofiska, gan aizraujo拧a, gan smiekl墨ga, gan tra模iska - viss, kas piedien labai gr膩matai. No t膩m, ko glab膩 plaukt膩 un ceri p膩rlas墨t.
Turkl膩t latvie拧u las墨t膩jiem ir paveicies, jo mums 鈥淪inuhe, 膿模iptietis鈥� ir tr膩p墨jies dubult膩 lielisks 鈥� lielisks ir gan rom膩ns, gan Maimas Gr墨nbergas 鈥� Preisas tulkojums. Tulkojuma d膿募 vien ir v膿rts 拧o st膩stu las墨t, 膩rk膩rt墨gi baud膩ma valoda.
Gr膩mata ir gan filozofiska, gan aizraujo拧a, gan smiekl墨ga, gan tra模iska - viss, kas piedien labai gr膩matai. No t膩m, ko glab膩 plaukt膩 un ceri p膩rlas墨t.
Turkl膩t latvie拧u las墨t膩jiem ir paveicies, jo mums 鈥淪inuhe, 膿模iptietis鈥� ir tr膩p墨jies dubult膩 lielisks 鈥� lielisks ir gan rom膩ns, gan Maimas Gr墨nbergas 鈥� Preisas tulkojums. Tulkojuma d膿募 vien ir v膿rts 拧o st膩stu las墨t, 膩rk膩rt墨gi baud膩ma valoda.
October 14, 2015
A remarkable historical novel set in ancient Egypt mainly during the reign of the pharaoh Akhenaton, who tried to bring monotheistic worship of Aton to Egypt. His reign was marked by internal conflict and he and his descendants in the 18th dynasty were later denounced by Horemheb, and their names were erased in the Egyptian records. The worship of Aton is speculated to be a precursor of Judaism.
The book is in the form of autobiography of Sinuhe a physician who rises to become an advisor and friend of pharaohs and kings. His travels take him from Egypt to Syria, Babylon, Mitanni, Hattusa and Crete at the end of Minoan civilization. Albeit set in the 14th century Egypt, the travels of Sinuhe paint a timeless human story in all its foibles and follies. It reveals the brutal reality of human civilization where ultimately the strong oppress the weak and it is the poor who always suffer.
Akhenaton is portrayed as a utopian dreamer and visionary who is completely out of touch with the reality. All his best intentions lead to death and disaster. Sinuhe isn鈥檛 exactly a very likable character. He often comes off as cowardly, self-centred and arrogant, but also as one who tries to do good but only at the price of losing everything.
The novel is thoroughly researched and historically accurate for its time. There are some inaccuracies, like Tutankhamen was the son of Akhenaton and Rameses was not the son of Horemheb, but I鈥檓 guessing these weren鈥檛 known at the time the book was written.
The book is in the form of autobiography of Sinuhe a physician who rises to become an advisor and friend of pharaohs and kings. His travels take him from Egypt to Syria, Babylon, Mitanni, Hattusa and Crete at the end of Minoan civilization. Albeit set in the 14th century Egypt, the travels of Sinuhe paint a timeless human story in all its foibles and follies. It reveals the brutal reality of human civilization where ultimately the strong oppress the weak and it is the poor who always suffer.
Akhenaton is portrayed as a utopian dreamer and visionary who is completely out of touch with the reality. All his best intentions lead to death and disaster. Sinuhe isn鈥檛 exactly a very likable character. He often comes off as cowardly, self-centred and arrogant, but also as one who tries to do good but only at the price of losing everything.
The novel is thoroughly researched and historically accurate for its time. There are some inaccuracies, like Tutankhamen was the son of Akhenaton and Rameses was not the son of Horemheb, but I鈥檓 guessing these weren鈥檛 known at the time the book was written.
October 15, 2007
丕蹖賳 讴鬲丕亘 乇丕 賳亘丕蹖丿 亘氐賵乇鬲 蹖讴 丿丕爻鬲丕賳 禺賵丕賳丿
诏乇趩賴 賵丕賯蹖毓 丌賳 亘爻蹖丕乇 噩丕賱亘 賵 卮诏賮鬲 丕賳诏蹖夭 丕爻鬲 丕賲丕 賲賴賲 鬲乇 丕夭 丕賳 丨賯丕蹖賯蹖 丿乇 丕賳 賳賴賮鬲賴 丕爻鬲 讴賴 賲蹖鬲賵丕賳丿 亘蹖賳卮 卮賲丕 乇丕 賳爻亘鬲 賱賴 噩賴丕賳 賴爻鬲蹖 丿诏乇诏賵賳 讴賳丿.
丕夭 噩賲賱賴 倬蹖丿丕蹖卮 丕賵賱蹖賳 禺丿丕蹖 賳丕丿蹖丿賴 賵 趩诏賵賳诏蹖 亘賵噩賵丿 丌賲丿賳 丕賳 貙 丨賲丕賯鬲 賲乇丿賲 貙丕睾賵丕诏乇蹖 讴丕賴賳丕賳 賵 爻賵 丕爻鬲賮丕丿賴 丕夭 丨賲丕賯鬲 賲乇丿賲 賵 丕毓鬲賯丕丿丕鬲 禺乇丕賮蹖 鬲丕 噩丕蹖蹖 讴賴 爻蹖賳賵賴賴 丿乇 噩丕蹖蹖 賲蹖诏賵蹖丿 讴賴 毓賵丕賲 丕賱賳丕爻 丿賱 亘賴 賲賵賴賲丕鬲 亘爻鬲賴 丕賳丿 賵 賴乇 鬲睾蹖蹖乇蹖 乇丕 賳卮丕賳賴 噩賴鬲 亘賴鬲乇 卮丿賳 丕賵囟丕 賲蹖讴賳賳丿. 丿乇爻鬲 賲孬賱 賴賲蹖賳 丨丕賱丕 貙 賲賵賱丕 賴丕 禺丕 禺丕賲 賴丕 讴卮蹖卮 賴丕
诏乇趩賴 賵丕賯蹖毓 丌賳 亘爻蹖丕乇 噩丕賱亘 賵 卮诏賮鬲 丕賳诏蹖夭 丕爻鬲 丕賲丕 賲賴賲 鬲乇 丕夭 丕賳 丨賯丕蹖賯蹖 丿乇 丕賳 賳賴賮鬲賴 丕爻鬲 讴賴 賲蹖鬲賵丕賳丿 亘蹖賳卮 卮賲丕 乇丕 賳爻亘鬲 賱賴 噩賴丕賳 賴爻鬲蹖 丿诏乇诏賵賳 讴賳丿.
丕夭 噩賲賱賴 倬蹖丿丕蹖卮 丕賵賱蹖賳 禺丿丕蹖 賳丕丿蹖丿賴 賵 趩诏賵賳诏蹖 亘賵噩賵丿 丌賲丿賳 丕賳 貙 丨賲丕賯鬲 賲乇丿賲 貙丕睾賵丕诏乇蹖 讴丕賴賳丕賳 賵 爻賵 丕爻鬲賮丕丿賴 丕夭 丨賲丕賯鬲 賲乇丿賲 賵 丕毓鬲賯丕丿丕鬲 禺乇丕賮蹖 鬲丕 噩丕蹖蹖 讴賴 爻蹖賳賵賴賴 丿乇 噩丕蹖蹖 賲蹖诏賵蹖丿 讴賴 毓賵丕賲 丕賱賳丕爻 丿賱 亘賴 賲賵賴賲丕鬲 亘爻鬲賴 丕賳丿 賵 賴乇 鬲睾蹖蹖乇蹖 乇丕 賳卮丕賳賴 噩賴鬲 亘賴鬲乇 卮丿賳 丕賵囟丕 賲蹖讴賳賳丿. 丿乇爻鬲 賲孬賱 賴賲蹖賳 丨丕賱丕 貙 賲賵賱丕 賴丕 禺丕 禺丕賲 賴丕 讴卮蹖卮 賴丕
September 21, 2022
围蟻蠈谓喂伪 蔚委蠂伪 谓伪 蟿伪尉喂未苇蠄蠅 苇蟿蟽喂 渭蔚 苇谓伪 尾喂尾位委慰! 螒蟺蠈 渭喂魏蟻萎 畏位喂魏委伪 蟺伪蟻伪魏慰位慰蠀胃慰蠉渭蔚 蟿伪 伪蟿苇位蔚喂蠅蟿伪 蟿伪尉委未喂伪 蟿慰蠀 危喂谓慰蠀蠂苇, 蟽蔚 未蔚魏维未蔚蟼 蟿慰蟺慰胃蔚蟽委蔚蟼 蟽蟿喂蟼 慰蟺慰委蔚蟼 纬谓蠅蟻委味蔚喂 蟺慰位位慰蠉蟼 蔚谓未喂伪蠁苇蟻慰谓蟿蔚蟼 蠂伪蟻伪魏蟿萎蟻蔚蟼! 螆谓伪 喂蟽蟿慰蟻喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蟺慰蠀 未蔚 纬谓蠅蟻委味蔚喂蟼 蟿喂 魏蟻蠉尾蔚蟿伪喂 蟽蟿畏谓 蔚蟺蠈渭蔚谓畏 蟽蔚位委未伪! 韦慰 魏伪位蠉蟿蔚蟻慰 蟺慰蠀 苇蠂蠅 未喂伪尾维蟽蔚喂 渭苇蠂蟻喂 蟽蟿喂纬渭萎蟼 伪蠀蟿萎 蟿畏 蠂蟻慰谓喂维!
September 19, 2013
This just misses five stars--because it took me a long time to warm up to the Sinuhe, the protagonist and narrator, and it's just a little bit too much of a downer. So no, I wouldn't call this a happy tale--but it is a rich epic and great historical fiction of Ancient Egypt under Akhenaton, its heretic pharaoh. Had I not known going in, I wouldn't have guessed this novel was written in 1945. Although that might explain some of its bleakness--I've read that when it was published, it resonated with people who had seen humanistic ideals collapse in the face of Stalin, Hitler, the Holocaust.
This is set in Ancient Egypt over 1,300 years before the birth of Christ. Akhenation is thought to be the first monotheist, so he holds some fascination for Jews, Christians and Muslims. Before this I had read Naguib Mahfouz's Akhenaten, Dweller in Truth. Mahfouz is a Muslim and I thought I could detect that coloring his novel. Waltari, for his part, was supposedly a believing Christian. His novel doesn't come across as Christian fiction though--at all. As I said, it doesn't come across as written in 1945. I didn't feel as if there was a overlay of a worldview alien to the time in which this was set--and for me that's the mark of great historical fiction, that you feel transported to another place and time, rather than reading modern people in historical costumes. In fact, I think Waltari did almost too well--as I said it took a long time for me to warm to Sinuhe. Especially in his youth he was arrogant, misogynist, and too-stupid-to-live. But there are positive, strong female characters in this novel--they're just not very apparent early on.
And Waltari set this not just in Egypt--this is like a grand tour of the Bronze Age world--Egypt, Canaan, Syria, Babylon, Hatti, Crete. There are allusions to both Biblical stories and Greek myth. Sinuhe was found as a baby floating in the river on a reed boat and Minea, one of the positive female characters, is a bull-leaper from Minoan Crete--and there is a minotaur and a labyrinth. According to what I gather from online, Waltari did extensive research for this book and garnered praise even from Egyptologists. So truly, this novel is a great ride I'd recommend to anyone looking for great historical fiction--even if I found it a rather melancholy read.
This is set in Ancient Egypt over 1,300 years before the birth of Christ. Akhenation is thought to be the first monotheist, so he holds some fascination for Jews, Christians and Muslims. Before this I had read Naguib Mahfouz's Akhenaten, Dweller in Truth. Mahfouz is a Muslim and I thought I could detect that coloring his novel. Waltari, for his part, was supposedly a believing Christian. His novel doesn't come across as Christian fiction though--at all. As I said, it doesn't come across as written in 1945. I didn't feel as if there was a overlay of a worldview alien to the time in which this was set--and for me that's the mark of great historical fiction, that you feel transported to another place and time, rather than reading modern people in historical costumes. In fact, I think Waltari did almost too well--as I said it took a long time for me to warm to Sinuhe. Especially in his youth he was arrogant, misogynist, and too-stupid-to-live. But there are positive, strong female characters in this novel--they're just not very apparent early on.
And Waltari set this not just in Egypt--this is like a grand tour of the Bronze Age world--Egypt, Canaan, Syria, Babylon, Hatti, Crete. There are allusions to both Biblical stories and Greek myth. Sinuhe was found as a baby floating in the river on a reed boat and Minea, one of the positive female characters, is a bull-leaper from Minoan Crete--and there is a minotaur and a labyrinth. According to what I gather from online, Waltari did extensive research for this book and garnered praise even from Egyptologists. So truly, this novel is a great ride I'd recommend to anyone looking for great historical fiction--even if I found it a rather melancholy read.
September 4, 2022
Novela hist贸rica narrada donde Sinuh茅, su protagonista, hace repaso de su vida y nos sumerge con una fascinante ambientaci贸n en la vida del Egipto antiguo.
Personajes cre铆bles y bien caracterizados en una historia de ritmo s贸lido y pausado, narrada con una prosa rica y descriptiva y un refinado sentido del humor.
Personajes cre铆bles y bien caracterizados en una historia de ritmo s贸lido y pausado, narrada con una prosa rica y descriptiva y un refinado sentido del humor.
July 1, 2019
by , translated by Naomi Walford, was an international best seller in the 1940s. The novel immerses the reader in the life and times of ancient Egypt during the reign of the rebel pharaoh Akhnaton. The story unfolds in the first-person narrative of Sinuhe, the personal physician to Akhnaton.
Born under mysterious circumstances, Sinuhe is adopted by a couple who shower him with love and support. His success as a student enables him to work his way up through the many layers of hierarchy until he becomes the personal physician to the pharaoh. As an intimate of the court and one who is privy to its secrets, he describes in vivid detail the palace intrigues, sexual liaisons, marriages, murders, and shifting political alliances.
At times, self-absorbed, arrogant, and cowardly; at times, heroic and generous, Sinuhe emerges as a conflicted soul, gravitating from one extreme to the other. He shows compassion by healing the poor and needy without demanding compensation. But when embroiled in palace politics, he commits murder and inflicts brutal revenge on his enemies. On the one hand, he sympathizes with and tries to propagate Akhnaton鈥檚 vision of the equality of all human beings under the one god; on the other hand, he is convinced of Akhnaton鈥檚 madness and responsibility for the breakdown of law and order in Egypt and its surrounding empire.
Waltari demonstrates his consummate skill as a writer by creating a compelling texture of ancient Egypt. His research is impressive. Egypt comes alive with its hustle and bustle, pungent odors, opulence, intense heat, noisy streets, graphic violence, wars, exploitation, territorial skirmishes, extremes in poverty and wealth, systemic brutality and oppression, rituals and mythology. Waltari鈥檚 re-creation of Crete with its bull dancers and of Babylon in all its ancient splendor are particularly memorable. Sinuhe鈥檚 diction sounds old world appropriate and sustains reader interest with its intricate, vivid details. There are many noteworthy phrases peppering the novel, one of which is the amusing reference to a birth in poverty as a birth 鈥渨ith dung between your toes.鈥�
The characters are well-developed and believable. Their behavior is self-serving; their morality questionable. Some forge friendships with Sinuhe. Perhaps the most delightful relationship is that of Sinuhe with his one-eyed, self-aggrandizing slave, Kaptah. Kaptah鈥檚 droll comments, antics, and down-to-earth perspective ingratiate their way into Sinuhe鈥檚 heart until Sinuhe grants him his freedom and trusts him to manage his worldly assets. Kaptah proves to be loyal to his former master as well as an astute business man. He freely confesses to stealing from Sinuhe only what amounts to a reasonable amount. Their relationship endures, blossoming into a charming friendship of opposites.
The novel is rich in historical details, presenting a panoramic but bleak view of ancient Egypt during the time of Pharaoh Akhnaton. It brings to life a turbulent time in Egypt鈥檚 history, a time plagued with political intrigue and internal conflicts because a pharaoh defied an institutionalized belief system with its powerful infrastructure by insisting on the monotheistic worship of Aton as the one god.
Highly recommended as a well-researched, immersive, and vibrant work of historical fiction.
My reviews are also available at
Born under mysterious circumstances, Sinuhe is adopted by a couple who shower him with love and support. His success as a student enables him to work his way up through the many layers of hierarchy until he becomes the personal physician to the pharaoh. As an intimate of the court and one who is privy to its secrets, he describes in vivid detail the palace intrigues, sexual liaisons, marriages, murders, and shifting political alliances.
At times, self-absorbed, arrogant, and cowardly; at times, heroic and generous, Sinuhe emerges as a conflicted soul, gravitating from one extreme to the other. He shows compassion by healing the poor and needy without demanding compensation. But when embroiled in palace politics, he commits murder and inflicts brutal revenge on his enemies. On the one hand, he sympathizes with and tries to propagate Akhnaton鈥檚 vision of the equality of all human beings under the one god; on the other hand, he is convinced of Akhnaton鈥檚 madness and responsibility for the breakdown of law and order in Egypt and its surrounding empire.
Waltari demonstrates his consummate skill as a writer by creating a compelling texture of ancient Egypt. His research is impressive. Egypt comes alive with its hustle and bustle, pungent odors, opulence, intense heat, noisy streets, graphic violence, wars, exploitation, territorial skirmishes, extremes in poverty and wealth, systemic brutality and oppression, rituals and mythology. Waltari鈥檚 re-creation of Crete with its bull dancers and of Babylon in all its ancient splendor are particularly memorable. Sinuhe鈥檚 diction sounds old world appropriate and sustains reader interest with its intricate, vivid details. There are many noteworthy phrases peppering the novel, one of which is the amusing reference to a birth in poverty as a birth 鈥渨ith dung between your toes.鈥�
The characters are well-developed and believable. Their behavior is self-serving; their morality questionable. Some forge friendships with Sinuhe. Perhaps the most delightful relationship is that of Sinuhe with his one-eyed, self-aggrandizing slave, Kaptah. Kaptah鈥檚 droll comments, antics, and down-to-earth perspective ingratiate their way into Sinuhe鈥檚 heart until Sinuhe grants him his freedom and trusts him to manage his worldly assets. Kaptah proves to be loyal to his former master as well as an astute business man. He freely confesses to stealing from Sinuhe only what amounts to a reasonable amount. Their relationship endures, blossoming into a charming friendship of opposites.
The novel is rich in historical details, presenting a panoramic but bleak view of ancient Egypt during the time of Pharaoh Akhnaton. It brings to life a turbulent time in Egypt鈥檚 history, a time plagued with political intrigue and internal conflicts because a pharaoh defied an institutionalized belief system with its powerful infrastructure by insisting on the monotheistic worship of Aton as the one god.
Highly recommended as a well-researched, immersive, and vibrant work of historical fiction.
My reviews are also available at
March 17, 2022
鈥淢y name was once inscribed in Pharaoh鈥檚 golden book, and I dwelt at his right hand. My words outweighed those of the mighty in the land of Kem; nobles sent me gifts, and chains of gold were hung about my neck. I possessed all that a man can desire, but like a man I desired more鈥攖herefore, I am what I am. I was driven from Thebes in the sixth year of the reign of Pharaoh Horemheb, to be beaten to death like a cur if I returned鈥攖o be crushed like a frog between the stones if I took one step beyond the area prescribed for my dwelling place. This is by command of the King, of Pharaoh who was once my friend.鈥�
First published in Finland in 1945, this novel is a sweeping classic historical saga that tells the story of Sinuhe, an Egyptian physician. He is writing his life story from an older age while living in exile. He starts at the beginning of his life, as an orphan adopted by a doctor and his wife. He tells of his family, adventures, journeys, wars, friendships, and relationships. He ends with how he became exiled. His story features real Egyptian leaders, such as Amenhotep III, Nefertiti, Horemheb, Eie, and Tutankhamun.
In addition to following Sinhue鈥檚 journeys, it depicts the rise and fall of Pharoah Akhnaton (Amenhotep IV). Akhnaton changed the primary Egyptian religion from Amon and the traditional gods, to Aton, the sun god and only god. This change to monotheism created much disruption, upheaval, and violence. It is ironic since Aton was supposed to be a god of peace. It reflects the ways in which wars tend to surface despite peaceful intentions.
It is an engaging story with deeply drawn characters, expressive writing, and emotional ups and downs. The first half reminds me a bit of The Odyssey, where the main character travels by ship and surmounts many obstacles, though The Egyptian is fully set in the real world and does not employ actions by mythological creatures. A bit of humor is introduced through the antics of Sinuhe鈥檚 slave, Kaptah. Over the course of the story, they form a close friendship.
Through Sinuhe鈥檚 adventures, the reader feels immersed in the customs, culture, religious beliefs, medical practices, politics, and society of ancient Egypt and the surrounding regions. He encounters people from Syria, Mitanni, Hattusa, Babylon, and Crete. It would have been even more enjoyable if it were shorter (the war scenes become a bit much after a while) but is definitely worth reading and highly recommended. This book was made into a Hollywood film in 1954.
4.5
First published in Finland in 1945, this novel is a sweeping classic historical saga that tells the story of Sinuhe, an Egyptian physician. He is writing his life story from an older age while living in exile. He starts at the beginning of his life, as an orphan adopted by a doctor and his wife. He tells of his family, adventures, journeys, wars, friendships, and relationships. He ends with how he became exiled. His story features real Egyptian leaders, such as Amenhotep III, Nefertiti, Horemheb, Eie, and Tutankhamun.
In addition to following Sinhue鈥檚 journeys, it depicts the rise and fall of Pharoah Akhnaton (Amenhotep IV). Akhnaton changed the primary Egyptian religion from Amon and the traditional gods, to Aton, the sun god and only god. This change to monotheism created much disruption, upheaval, and violence. It is ironic since Aton was supposed to be a god of peace. It reflects the ways in which wars tend to surface despite peaceful intentions.
It is an engaging story with deeply drawn characters, expressive writing, and emotional ups and downs. The first half reminds me a bit of The Odyssey, where the main character travels by ship and surmounts many obstacles, though The Egyptian is fully set in the real world and does not employ actions by mythological creatures. A bit of humor is introduced through the antics of Sinuhe鈥檚 slave, Kaptah. Over the course of the story, they form a close friendship.
Through Sinuhe鈥檚 adventures, the reader feels immersed in the customs, culture, religious beliefs, medical practices, politics, and society of ancient Egypt and the surrounding regions. He encounters people from Syria, Mitanni, Hattusa, Babylon, and Crete. It would have been even more enjoyable if it were shorter (the war scenes become a bit much after a while) but is definitely worth reading and highly recommended. This book was made into a Hollywood film in 1954.
4.5
February 26, 2019
螠喂伪 蟺慰位蠉 蔚谓未喂伪蠁苇蟻慰蠀蟽伪 喂蟽蟿慰蟻委伪 畏 慰蟺慰委伪 蟽蔚 魏蟻伪蟿维蔚喂 蟽蔚 未喂伪蟻魏萎 伪纬蠅谓委伪.
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