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陌nce Memed #1
賲丨賲丿 丕賱賳丕丨賱
Otuz iki y谋ll谋k bir zaman diliminde yaz谋lan 陌nce Memed d枚rtl眉s眉 d眉zene ba艧kald谋ran Memed'in ve insan ili艧kileri, do臒as谋 ve renkleriyle 脟ukurova'n谋n 枚yk眉s眉d眉r. Ya艧ar Kemal'in s枚yleyi艧iyle 'i莽inde ba艧kald谋rma kurduysa do臒mu艧' bir insan谋n, 'mecbur adam'谋n roman谋.
Abdi A臒a'n谋n zulm眉yle k枚y眉n眉 terk etmek zorunda kalan Memed, A臒a'n谋n ye臒eniyle evlendirilmek 眉zere olan Hat莽e'yi ka莽谋r谋r. Abdi A臒a'y谋 yaralayan, ye臒enini de 枚ld眉ren Memed e艧k谋ya Deli Durdu'ya kat谋l谋r, ancak k谋y谋c谋l谋臒谋na katlanamad谋臒谋 Deli Durdu'dan iki arkada艧谋yla birlikte ayr谋l谋r. Memed, s谋radan bir k枚y 莽ocu臒uyken, zulmedenler i莽in e艧k谋yaya, k枚yl眉ler i莽inse bir kurtar谋c谋ya d枚n眉艧眉r.
"Bir ya艧am bi莽imini bir halk谋n portresi olarak b枚ylesine veren bu romandan daha iyisi yaz谋lamazd谋."
- The New York Times Book Review, (A.B.D.)
"艦a艧谋rt谋c谋, orijinal bir kitap."
- Sunday Times, (陌ngiltere)
"Epik boyutlara ula艧an ve muhte艧em bir sona ula艧mak i莽in h谋z kazanan 枚yk眉ye kendinizi kapt谋r谋yorsunuz."
- Sunday Times, (陌ngiltere)
'Ya艧ar Kemal, 艧a艧谋lacak 枚l莽眉de yarat谋c谋'
-The Booksell, (陌ngiltere)
'Ya艧ar Kemal, karakterlerini unutulmaz, se莽kin ve ger莽ek hayattan daha da ger莽ek莽i k谋lan detay zenginli臒i ile Rus Edebiyat谋n谋n kalitesine ula艧谋yor.'
Abdi A臒a'n谋n zulm眉yle k枚y眉n眉 terk etmek zorunda kalan Memed, A臒a'n谋n ye臒eniyle evlendirilmek 眉zere olan Hat莽e'yi ka莽谋r谋r. Abdi A臒a'y谋 yaralayan, ye臒enini de 枚ld眉ren Memed e艧k谋ya Deli Durdu'ya kat谋l谋r, ancak k谋y谋c谋l谋臒谋na katlanamad谋臒谋 Deli Durdu'dan iki arkada艧谋yla birlikte ayr谋l谋r. Memed, s谋radan bir k枚y 莽ocu臒uyken, zulmedenler i莽in e艧k谋yaya, k枚yl眉ler i莽inse bir kurtar谋c谋ya d枚n眉艧眉r.
"Bir ya艧am bi莽imini bir halk谋n portresi olarak b枚ylesine veren bu romandan daha iyisi yaz谋lamazd谋."
- The New York Times Book Review, (A.B.D.)
"艦a艧谋rt谋c谋, orijinal bir kitap."
- Sunday Times, (陌ngiltere)
"Epik boyutlara ula艧an ve muhte艧em bir sona ula艧mak i莽in h谋z kazanan 枚yk眉ye kendinizi kapt谋r谋yorsunuz."
- Sunday Times, (陌ngiltere)
'Ya艧ar Kemal, 艧a艧谋lacak 枚l莽眉de yarat谋c谋'
-The Booksell, (陌ngiltere)
'Ya艧ar Kemal, karakterlerini unutulmaz, se莽kin ve ger莽ek hayattan daha da ger莽ek莽i k谋lan detay zenginli臒i ile Rus Edebiyat谋n谋n kalitesine ula艧谋yor.'
Unknown Binding
First published January 1, 1955
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About the author
Ya艧ar Kemal
142听books1,046听followersYa艧ar Kemal, as谋l ad谋 Kemal Sad谋k G枚k莽eli. Van G枚l眉鈥檔e yak谋n Ernis (bug眉n 脺nseli) k枚y眉nden olan ailesinin Birinci D眉nya Sava艧谋鈥檔daki Rus i艧gali y眉z眉nden uzun bir g枚莽 s眉reci sonunda yerle艧ti臒i Osmaniye鈥檔in Kadirli il莽esine ba臒l谋 Hemite k枚y眉nde 1926鈥檇a do臒du. Do臒um y谋l谋 baz谋 biyografilerde 1923 olarak ge莽er.
Ortaokulu son s谋n谋f 枚臒rencisiyken terk ettikten sonra 谋rgat k芒tipli臒i, 谋rgatba艧谋l谋k, 枚臒retmen vekilli臒i, k眉t眉phane memurlu臒u, trakt枚r s眉r眉c眉l眉臒眉, 莽eltik tarlalar谋nda kontrol枚rl眉k yapt谋. 1940鈥檒谋 y谋llar谋n ba艧lar谋nda Pertev Naili Boratav, Abidin Dino ve Arif Dino gibi sol e臒ilimli sanat莽谋 ve yazarlarla ili艧ki kurdu; 17 ya艧谋ndayken siyasi nedenlerle ilk tutukluluk deneyimini ya艧ad谋. 1943鈥檛e bir folklor derlemesi olan ilk kitab谋 A臒谋tlar鈥櫮� yay谋mlad谋. Askerli臒ini yapt谋ktan sonra 1946鈥檇a gitti臒i 陌stanbul鈥檇a Frans谋zlara ait Havagaz谋 艦irketi鈥檔de gaz kontrol memuru olarak 莽al谋艧t谋. 1948鈥檇e Kadirli鈥檡e d枚nd眉, bir s眉re yine 莽eltik tarlalar谋nda kontrol枚rl眉k, daha sonra arzuhalcilik yapt谋. 1950鈥檇e Kom眉nizm propagandas谋 yapt谋臒谋 iddias谋yla tutukland谋, Kozan cezaevinde yatt谋. 1951鈥檇e sal谋verildikten sonra 陌stanbul鈥檃 gitti, 1951-63 aras谋nda Cumhuriyet gazetesinde Ya艧ar Kemal imzas谋 ile f谋kra ve r枚portaj yazar谋 olarak 莽al谋艧t谋. Bu arada 1952鈥檇e ilk 枚yk眉 kitab谋 Sar谋 S谋cak鈥櫮�, 1955鈥檛e ise bug眉ne dek k谋rktan fazla dile 莽evrilen roman谋 陌nce Memed鈥檌 yay谋mlad谋. 1962鈥檇e girdi臒i T眉rkiye 陌艧莽i Partisi鈥檔de genel y枚netim kurulu 眉yeli臒i, merkez y眉r眉tme kurulu 眉yeli臒i g枚revlerinde bulundu. Yaz谋lar谋 ve siyasi etkinlikleri dolay谋s谋yla bir莽ok kez kovu艧turmaya u臒rad谋. 1967鈥檇e haftal谋k siyasi dergi Ant鈥櫮眓 kurucular谋 aras谋nda yer ald谋. 1973鈥檛e T眉rkiye Yazarlar Sendikas谋鈥檔谋n kurulu艧una kat谋ld谋 ve 1974-75 aras谋nda ilk genel ba艧kanl谋臒谋n谋 眉stlendi. 1988鈥檇e kurulan PEN Yazarlar Derne臒i鈥檔in de ilk ba艧kan谋 oldu. 1995鈥檛e Der Spiegel鈥檇eki bir yaz谋s谋 nedeniyle 陌stanbul Devlet G眉venlik Mahkemesi鈥檔de yarg谋land谋, akland谋. Ayn谋 y谋l bu kez Index on Censorhip鈥檛eki yaz谋s谋 nedeniyle 1 y谋l 8 ay hapis cezas谋na mahk没m edildiyse de cezas谋 ertelendi.
艦a艧谋rt谋c谋 imgelemi, insan ruhunun derinliklerini kavray谋艧谋, anlat谋m谋n谋n 艧iirselli臒iyle yaln谋zca T眉rk roman谋n谋n de臒il d眉nya edebiyat谋n谋n da 枚nde gelen isimlerinden biri olan Ya艧ar Kemal鈥檌n yap谋tlar谋 k谋rk谋 a艧k谋n dile 莽evrilmi艧tir. Ya艧ar Kemal, T眉rkiye鈥檇e ald谋臒谋 莽ok say谋da 枚d眉l眉n yan谋 s谋ra yurtd谋艧谋nda aralar谋nda Uluslararas谋 Cino del Duca 枚d眉l眉, L茅gion d鈥橦onneur ni艧an谋 Commandeur payesi, Frans谋z K眉lt眉r Bakanl谋臒谋 Commandeur des Arts et des Lettres ni艧an谋, Premi Internacional Catalunya, Fransa Cumhuriyeti taraf谋ndan L茅gion d鈥橦onneur Grand Officier r眉tbesi, Alman Kitap莽谋lar Birli臒i Frankfurt Kitap Fuar谋 Bar谋艧 脰d眉l眉鈥檔眉n de bulundu臒u yirmiyi a艧k谋n 枚d眉l, ikisi yurtd谋艧谋nda be艧i T眉rkiye鈥檇e olmak 眉zere, yedi fahri doktorluk payesi ald谋.
28 艦ubat 2015 tarihinde vefat etti.
Ya艧ar Kemal was born as Kemal Sad谋k G枚k莽eli in 1926 in the Hemite village of Kadirli, Osmaniye, where his family, originally from the village of Ernis (present-day 脺nseli) near Lake Van, had settled after a long period of immigration caused by the Russian occupation during World War I. With his amazing imagination, grasp of the inner depths of the human soul, and lyrical narrative, Ya艧ar Kemal became one of the leading name not only of Turkish literature, but of world literature as well. Translated into more than forty languages, Ya艧ar Kemal is the recipient of many awards in Turkey and more than twenty international awards including Prix mondial Cino del Duca, Commandeur de la L茅gion d'Honneur de France, Commandeur des Arts et des Lettres of the French Ministry of Culture, Grand Officier de la L茅gion d'Honneur de France, Premi Internacional Catalu帽a, Peace Prize of the German Book Trade, as well as seven honorary doctorates鈥攆ive in Turkey and two abroad. The last award Kemal received was the Bj酶rnson Prize given by the Norwegian Academy of Literature and Freedom of Expression (Bj酶rnson Academy) on November 9, 2.
Ya艧ar Kemal died in 陌stanbul on February 28, 2015.
Ortaokulu son s谋n谋f 枚臒rencisiyken terk ettikten sonra 谋rgat k芒tipli臒i, 谋rgatba艧谋l谋k, 枚臒retmen vekilli臒i, k眉t眉phane memurlu臒u, trakt枚r s眉r眉c眉l眉臒眉, 莽eltik tarlalar谋nda kontrol枚rl眉k yapt谋. 1940鈥檒谋 y谋llar谋n ba艧lar谋nda Pertev Naili Boratav, Abidin Dino ve Arif Dino gibi sol e臒ilimli sanat莽谋 ve yazarlarla ili艧ki kurdu; 17 ya艧谋ndayken siyasi nedenlerle ilk tutukluluk deneyimini ya艧ad谋. 1943鈥檛e bir folklor derlemesi olan ilk kitab谋 A臒谋tlar鈥櫮� yay谋mlad谋. Askerli臒ini yapt谋ktan sonra 1946鈥檇a gitti臒i 陌stanbul鈥檇a Frans谋zlara ait Havagaz谋 艦irketi鈥檔de gaz kontrol memuru olarak 莽al谋艧t谋. 1948鈥檇e Kadirli鈥檡e d枚nd眉, bir s眉re yine 莽eltik tarlalar谋nda kontrol枚rl眉k, daha sonra arzuhalcilik yapt谋. 1950鈥檇e Kom眉nizm propagandas谋 yapt谋臒谋 iddias谋yla tutukland谋, Kozan cezaevinde yatt谋. 1951鈥檇e sal谋verildikten sonra 陌stanbul鈥檃 gitti, 1951-63 aras谋nda Cumhuriyet gazetesinde Ya艧ar Kemal imzas谋 ile f谋kra ve r枚portaj yazar谋 olarak 莽al谋艧t谋. Bu arada 1952鈥檇e ilk 枚yk眉 kitab谋 Sar谋 S谋cak鈥櫮�, 1955鈥檛e ise bug眉ne dek k谋rktan fazla dile 莽evrilen roman谋 陌nce Memed鈥檌 yay谋mlad谋. 1962鈥檇e girdi臒i T眉rkiye 陌艧莽i Partisi鈥檔de genel y枚netim kurulu 眉yeli臒i, merkez y眉r眉tme kurulu 眉yeli臒i g枚revlerinde bulundu. Yaz谋lar谋 ve siyasi etkinlikleri dolay谋s谋yla bir莽ok kez kovu艧turmaya u臒rad谋. 1967鈥檇e haftal谋k siyasi dergi Ant鈥櫮眓 kurucular谋 aras谋nda yer ald谋. 1973鈥檛e T眉rkiye Yazarlar Sendikas谋鈥檔谋n kurulu艧una kat谋ld谋 ve 1974-75 aras谋nda ilk genel ba艧kanl谋臒谋n谋 眉stlendi. 1988鈥檇e kurulan PEN Yazarlar Derne臒i鈥檔in de ilk ba艧kan谋 oldu. 1995鈥檛e Der Spiegel鈥檇eki bir yaz谋s谋 nedeniyle 陌stanbul Devlet G眉venlik Mahkemesi鈥檔de yarg谋land谋, akland谋. Ayn谋 y谋l bu kez Index on Censorhip鈥檛eki yaz谋s谋 nedeniyle 1 y谋l 8 ay hapis cezas谋na mahk没m edildiyse de cezas谋 ertelendi.
艦a艧谋rt谋c谋 imgelemi, insan ruhunun derinliklerini kavray谋艧谋, anlat谋m谋n谋n 艧iirselli臒iyle yaln谋zca T眉rk roman谋n谋n de臒il d眉nya edebiyat谋n谋n da 枚nde gelen isimlerinden biri olan Ya艧ar Kemal鈥檌n yap谋tlar谋 k谋rk谋 a艧k谋n dile 莽evrilmi艧tir. Ya艧ar Kemal, T眉rkiye鈥檇e ald谋臒谋 莽ok say谋da 枚d眉l眉n yan谋 s谋ra yurtd谋艧谋nda aralar谋nda Uluslararas谋 Cino del Duca 枚d眉l眉, L茅gion d鈥橦onneur ni艧an谋 Commandeur payesi, Frans谋z K眉lt眉r Bakanl谋臒谋 Commandeur des Arts et des Lettres ni艧an谋, Premi Internacional Catalunya, Fransa Cumhuriyeti taraf谋ndan L茅gion d鈥橦onneur Grand Officier r眉tbesi, Alman Kitap莽谋lar Birli臒i Frankfurt Kitap Fuar谋 Bar谋艧 脰d眉l眉鈥檔眉n de bulundu臒u yirmiyi a艧k谋n 枚d眉l, ikisi yurtd谋艧谋nda be艧i T眉rkiye鈥檇e olmak 眉zere, yedi fahri doktorluk payesi ald谋.
28 艦ubat 2015 tarihinde vefat etti.
Ya艧ar Kemal was born as Kemal Sad谋k G枚k莽eli in 1926 in the Hemite village of Kadirli, Osmaniye, where his family, originally from the village of Ernis (present-day 脺nseli) near Lake Van, had settled after a long period of immigration caused by the Russian occupation during World War I. With his amazing imagination, grasp of the inner depths of the human soul, and lyrical narrative, Ya艧ar Kemal became one of the leading name not only of Turkish literature, but of world literature as well. Translated into more than forty languages, Ya艧ar Kemal is the recipient of many awards in Turkey and more than twenty international awards including Prix mondial Cino del Duca, Commandeur de la L茅gion d'Honneur de France, Commandeur des Arts et des Lettres of the French Ministry of Culture, Grand Officier de la L茅gion d'Honneur de France, Premi Internacional Catalu帽a, Peace Prize of the German Book Trade, as well as seven honorary doctorates鈥攆ive in Turkey and two abroad. The last award Kemal received was the Bj酶rnson Prize given by the Norwegian Academy of Literature and Freedom of Expression (Bj酶rnson Academy) on November 9, 2.
Ya艧ar Kemal died in 陌stanbul on February 28, 2015.
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January 3, 2022
Memed, My Hawk (陌nce Memed, #1), Ya艧ar Kemal
Memed, My Hawk is a 1955 novel by Ya艧ar Kemal. It was Kemal's debut novel and is the first novel in his 陌nce Memed tetralogy.
The novel won the Varlik prize for that year (Turkey's highest literary prize) and earned Kemal a national reputation. In 1961, the book was translated into English by Edouard Roditi, thus gaining Kemal his first exposure to English-speaking readers.
Memed, a young boy from a village in Anatolia, is abused and beaten by the villainous local landowner, Abdi Agha. Having endured great cruelty towards himself and his mother, Memed finally escapes with his beloved, a girl named Hatche.
Abdi Agha catches up with the young couple, but only manages to capture Hatche, while Memed is able to avoid his pursuers and runs into the mountains. There he joins a band of brigands and exacts revenge against his old adversary. Hatche was then imprisoned and later dies.
When Memed returns to the town, Hatche's mother tells him he has a "women's heart" if he surrenders himself. He instead rides into town to find his enemy, on a horse given to him by the townspeople.
He finds Agha in the south-east corner of his house and shoots him in the breast. The local authorities hear the gunshots, but Memed gets away. Before Hatche dies she gives birth to Memed's son, who is also named Memed. The protagonist then must take care of his son.
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賲鬲乇噩賲: 禺爻乇賵 賲賴乇夭丕丿貨 鬲賴乇丕賳貙 爻賲蹖乇貙 爻丕賱1382貨 丿乇755氐貨
丕蹖賳噩賴 賲賲丿貙 賳禺爻鬲蹖賳 噩賱丿貙 丕夭 丿賵乇賴 蹖 乇賲丕賳 趩賴丕乇 噩賱丿蹖貙 丕孬乇: 蹖丕卮丕乇 讴賲丕賱貙 賳賵蹖爻賳丿賴 蹖 芦鬲乇讴禄 丕爻鬲貙 讴賴 賳禺爻鬲蹖賳 亘丕乇 丿乇 爻丕賱1955賲蹖賱丕丿蹖貙 亘賴 氐賵乇鬲 倬丕賵乇賯蹖 丿乇 乇賵夭賳丕賲賴 蹖 芦噩賲賴賵乇蹖鬲禄貙 趩丕倬 芦丕爻鬲丕賳亘賵賱禄貙 賲賳鬲卮乇 卮丿貨 芦丕蹖賳噩賴禄 蹖毓賳蹖 (亘丕乇蹖讴貙 賳乇賲貙 賱丕睾乇貙 鬲乇讴賴 亘丕乇蹖讴貙 賳丕夭讴貙 馗乇蹖賮 賵 ...)貨 讴鬲丕亘 丿乇 芦鬲乇讴蹖赖禄 丿賵丕夭丿賴 亘丕乇 鬲丕 爻丕賱1977賲蹖賱丕丿蹖貙 趩丕倬貙 賵 丿乇 爻丕蹖乇 讴卮賵乇賴丕: 丕蹖乇丕賳 爻丕賱賴丕蹖1964賲蹖賱丕丿蹖貨 賵 ...貨 賮乇丕賳爻賴 爻丕賱1961賲蹖賱丕丿蹖貙 亘乇蹖鬲丕賳蹖丕 爻丕賱1961賲蹖賱丕丿蹖貙 亘賱睾丕乇爻鬲丕賳 丿乇 爻丕賱1957賲蹖賱丕丿蹖貨 卮賵乇賵蹖 爻丕賱1959賲蹖賱丕丿蹖貙 趩讴爻賱賵丕讴蹖 賵 蹖賵诏爻賱丕賵蹖 爻丕賱1966賲蹖賱丕丿蹖貨 乇賵賲丕賳蹖 爻丕賱賴丕蹖1964賲 賵1967賲蹖賱丕丿蹖貙 賲噩丕乇爻鬲丕賳 爻丕賱1963賲蹖賱丕丿蹖貙 丕蹖鬲丕賱蹖丕 爻丕賱1961賲蹖賱丕丿蹖貙 丕爻倬丕賳蹖丕 爻丕賱1962賲蹖賱丕丿蹖貙 倬乇鬲睾丕賱 爻丕賱1964賲蹖賱丕丿蹖貙 賴賱賳丿 爻丕賱1964賲蹖賱丕丿蹖貙 丌賱賲丕賳 睾乇亘蹖 丕夭 爻丕賱1962賲 鬲丕1965賲蹖賱丕丿蹖 爻賴 亘丕乇貙 丌賱賲丕賳 卮乇賯蹖 爻丕賱1962賲蹖賱丕丿蹖貙 丕鬲乇蹖卮 爻丕賱1963賲蹖賱丕丿蹖貙 丌匕乇亘丕蹖噩丕賳 爻丕賱1967賲蹖賱丕丿蹖貙 丕夭亘讴爻鬲丕賳 爻丕賱1968賲蹖賱丕丿蹖貙 賴賳丿賵爻鬲丕賳 爻丕賱1962賲蹖賱丕丿蹖貙 賲賵賱丿丕賵蹖丕 爻丕賱1967賲蹖賱丕丿蹖貙 爻賵卅丿 爻丕賱1970賲蹖賱丕丿蹖貙 賵 賳乇賵跇 丿乇 爻丕賱1971賲蹖賱丕丿蹖 亘丕乇賴丕 趩丕倬 卮丿賴 丕爻鬲
丿乇 噩賱诏賴 颅丕蹖 丿乇 丿丕賲賳賴颅 賴丕蹖 讴賵賴 芦鬲賵乇賵爻禄貙 丿乇 丿賴讴丿賴 颅丕蹖 讴賴 賴賲賴 夭賲蹖賳賴丕蹖 丌賳 賲鬲毓賱賯 亘賴 丌賯丕 (丕乇亘丕亘) 賲丨賱蹖 丕爻鬲貙 賳賵噩賵丕賳蹖 芦賲賲丿禄 賳丕賲 夭賳丿诏蹖 賲蹖颅讴賳丿貙 讴賴 丕賵 乇丕 丕蹖賳噩賴 (賯賱賲蹖) 賲蹖颅賳丕賲賳丿貨 丕乇亘丕亘 賴乇 爻丕賱 丕噩丕乇賴 蹖 爻賳诏蹖賳蹖 丕夭 夭賲蹖賳賴丕 賲蹖诏蹖乇丿貙 賵 乇賵爻鬲丕蹖蹖丕賳 乇丕 亘賴 丨丕賱 禺賵丿 乇賴丕 賲蹖颅讴賳丿貙 鬲丕 丿乇 賮賯乇 夭賳丿诏蹖 讴賳賳丿貨 芦賲賲丿禄 趩賳丿 亘丕乇 賮乇丕乇 賲蹖讴賳丿貙 賵 芦禺丿蹖噩賴禄 乇丕 賴賲 讴賴 毓丕卮賯卮 丕爻鬲貙 賴賲乇丕賴 禺賵丿 賲蹖颅亘乇丿 賵 ...貨
丕賲丕 丿乇 亘丕乇賴 賲鬲乇噩賲: 鬲乇噩賲賴 蹖 亘爻蹖丕乇 禺賵亘蹖 丕爻鬲 丕夭 芦孬賲蹖賳 亘丕睾趩賴 亘丕賳禄貙 亘賴 蹖丕丿 倬丿乇卮 芦噩亘丕乇 亘丕睾趩賴 亘丕賳禄貙 (亘丕亘丕 亘乇賮蹖貙 讴賴 鬲丕 乇賵夭蹖 讴賴 鬲賳 亘乇賮蹖卮 丿乇 亘乇丕亘乇 丌鬲卮 鬲賳賵乇貙 亘丿賱 亘賴 賳賯胤賴 丕蹖 卮賵丿貙 倬丕乇賵蹖 賴夭丕乇 賲賳蹖 卮丕胤乇蹖卮 乇丕 丕夭 丿爻鬲 賳賳賴丕丿)貨 孬賲蹖賳 亘丕睾趩賴 亘丕賳
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 12/12/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 12/10/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Memed, My Hawk is a 1955 novel by Ya艧ar Kemal. It was Kemal's debut novel and is the first novel in his 陌nce Memed tetralogy.
The novel won the Varlik prize for that year (Turkey's highest literary prize) and earned Kemal a national reputation. In 1961, the book was translated into English by Edouard Roditi, thus gaining Kemal his first exposure to English-speaking readers.
Memed, a young boy from a village in Anatolia, is abused and beaten by the villainous local landowner, Abdi Agha. Having endured great cruelty towards himself and his mother, Memed finally escapes with his beloved, a girl named Hatche.
Abdi Agha catches up with the young couple, but only manages to capture Hatche, while Memed is able to avoid his pursuers and runs into the mountains. There he joins a band of brigands and exacts revenge against his old adversary. Hatche was then imprisoned and later dies.
When Memed returns to the town, Hatche's mother tells him he has a "women's heart" if he surrenders himself. He instead rides into town to find his enemy, on a horse given to him by the townspeople.
He finds Agha in the south-east corner of his house and shoots him in the breast. The local authorities hear the gunshots, but Memed gets away. Before Hatche dies she gives birth to Memed's son, who is also named Memed. The protagonist then must take care of his son.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 爻丕賱1975賲蹖賱丕丿蹖
毓賳賵丕賳: 丕蹖賳噩賴 賲賲丿貨 賳賵蹖爻賳丿賴: 蹖丕卮丕乇 讴賲丕賱貨 賲鬲乇噩賲: 孬賲蹖賳 亘丕睾趩賴 亘丕賳貨 鬲賴乇丕賳貙 讴鬲丕亘 夭賲丕賳貙 爻丕賱1353貨 丿乇515氐貨 趩丕倬 爻賵賲: 丕賲蹖乇讴亘蹖乇貙 夭賲丕賳貙 爻丕賱1357貨 趩丕倬 丿蹖诏乇: 鬲賴乇丕賳貙 丕亘鬲讴丕乇貙 爻丕賱1362貨 丿乇515氐貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 鬲乇讴蹖赖 - 爻丿賴20賲
賲鬲乇噩賲: 丕賲蹖乇 丕爻賲丕毓蹖賱蹖貨 鬲賴乇丕賳貙 賳卮乇 丕乇賵賳丿貙 爻丕賱1362貨 丿乇216氐貨
賲鬲乇噩賲: 禺爻乇賵 賲賴乇夭丕丿貨 鬲賴乇丕賳貙 爻賲蹖乇貙 爻丕賱1382貨 丿乇755氐貨
丕蹖賳噩賴 賲賲丿貙 賳禺爻鬲蹖賳 噩賱丿貙 丕夭 丿賵乇賴 蹖 乇賲丕賳 趩賴丕乇 噩賱丿蹖貙 丕孬乇: 蹖丕卮丕乇 讴賲丕賱貙 賳賵蹖爻賳丿賴 蹖 芦鬲乇讴禄 丕爻鬲貙 讴賴 賳禺爻鬲蹖賳 亘丕乇 丿乇 爻丕賱1955賲蹖賱丕丿蹖貙 亘賴 氐賵乇鬲 倬丕賵乇賯蹖 丿乇 乇賵夭賳丕賲賴 蹖 芦噩賲賴賵乇蹖鬲禄貙 趩丕倬 芦丕爻鬲丕賳亘賵賱禄貙 賲賳鬲卮乇 卮丿貨 芦丕蹖賳噩賴禄 蹖毓賳蹖 (亘丕乇蹖讴貙 賳乇賲貙 賱丕睾乇貙 鬲乇讴賴 亘丕乇蹖讴貙 賳丕夭讴貙 馗乇蹖賮 賵 ...)貨 讴鬲丕亘 丿乇 芦鬲乇讴蹖赖禄 丿賵丕夭丿賴 亘丕乇 鬲丕 爻丕賱1977賲蹖賱丕丿蹖貙 趩丕倬貙 賵 丿乇 爻丕蹖乇 讴卮賵乇賴丕: 丕蹖乇丕賳 爻丕賱賴丕蹖1964賲蹖賱丕丿蹖貨 賵 ...貨 賮乇丕賳爻賴 爻丕賱1961賲蹖賱丕丿蹖貙 亘乇蹖鬲丕賳蹖丕 爻丕賱1961賲蹖賱丕丿蹖貙 亘賱睾丕乇爻鬲丕賳 丿乇 爻丕賱1957賲蹖賱丕丿蹖貨 卮賵乇賵蹖 爻丕賱1959賲蹖賱丕丿蹖貙 趩讴爻賱賵丕讴蹖 賵 蹖賵诏爻賱丕賵蹖 爻丕賱1966賲蹖賱丕丿蹖貨 乇賵賲丕賳蹖 爻丕賱賴丕蹖1964賲 賵1967賲蹖賱丕丿蹖貙 賲噩丕乇爻鬲丕賳 爻丕賱1963賲蹖賱丕丿蹖貙 丕蹖鬲丕賱蹖丕 爻丕賱1961賲蹖賱丕丿蹖貙 丕爻倬丕賳蹖丕 爻丕賱1962賲蹖賱丕丿蹖貙 倬乇鬲睾丕賱 爻丕賱1964賲蹖賱丕丿蹖貙 賴賱賳丿 爻丕賱1964賲蹖賱丕丿蹖貙 丌賱賲丕賳 睾乇亘蹖 丕夭 爻丕賱1962賲 鬲丕1965賲蹖賱丕丿蹖 爻賴 亘丕乇貙 丌賱賲丕賳 卮乇賯蹖 爻丕賱1962賲蹖賱丕丿蹖貙 丕鬲乇蹖卮 爻丕賱1963賲蹖賱丕丿蹖貙 丌匕乇亘丕蹖噩丕賳 爻丕賱1967賲蹖賱丕丿蹖貙 丕夭亘讴爻鬲丕賳 爻丕賱1968賲蹖賱丕丿蹖貙 賴賳丿賵爻鬲丕賳 爻丕賱1962賲蹖賱丕丿蹖貙 賲賵賱丿丕賵蹖丕 爻丕賱1967賲蹖賱丕丿蹖貙 爻賵卅丿 爻丕賱1970賲蹖賱丕丿蹖貙 賵 賳乇賵跇 丿乇 爻丕賱1971賲蹖賱丕丿蹖 亘丕乇賴丕 趩丕倬 卮丿賴 丕爻鬲
丿乇 噩賱诏賴 颅丕蹖 丿乇 丿丕賲賳賴颅 賴丕蹖 讴賵賴 芦鬲賵乇賵爻禄貙 丿乇 丿賴讴丿賴 颅丕蹖 讴賴 賴賲賴 夭賲蹖賳賴丕蹖 丌賳 賲鬲毓賱賯 亘賴 丌賯丕 (丕乇亘丕亘) 賲丨賱蹖 丕爻鬲貙 賳賵噩賵丕賳蹖 芦賲賲丿禄 賳丕賲 夭賳丿诏蹖 賲蹖颅讴賳丿貙 讴賴 丕賵 乇丕 丕蹖賳噩賴 (賯賱賲蹖) 賲蹖颅賳丕賲賳丿貨 丕乇亘丕亘 賴乇 爻丕賱 丕噩丕乇賴 蹖 爻賳诏蹖賳蹖 丕夭 夭賲蹖賳賴丕 賲蹖诏蹖乇丿貙 賵 乇賵爻鬲丕蹖蹖丕賳 乇丕 亘賴 丨丕賱 禺賵丿 乇賴丕 賲蹖颅讴賳丿貙 鬲丕 丿乇 賮賯乇 夭賳丿诏蹖 讴賳賳丿貨 芦賲賲丿禄 趩賳丿 亘丕乇 賮乇丕乇 賲蹖讴賳丿貙 賵 芦禺丿蹖噩賴禄 乇丕 賴賲 讴賴 毓丕卮賯卮 丕爻鬲貙 賴賲乇丕賴 禺賵丿 賲蹖颅亘乇丿 賵 ...貨
丕賲丕 丿乇 亘丕乇賴 賲鬲乇噩賲: 鬲乇噩賲賴 蹖 亘爻蹖丕乇 禺賵亘蹖 丕爻鬲 丕夭 芦孬賲蹖賳 亘丕睾趩賴 亘丕賳禄貙 亘賴 蹖丕丿 倬丿乇卮 芦噩亘丕乇 亘丕睾趩賴 亘丕賳禄貙 (亘丕亘丕 亘乇賮蹖貙 讴賴 鬲丕 乇賵夭蹖 讴賴 鬲賳 亘乇賮蹖卮 丿乇 亘乇丕亘乇 丌鬲卮 鬲賳賵乇貙 亘丿賱 亘賴 賳賯胤賴 丕蹖 卮賵丿貙 倬丕乇賵蹖 賴夭丕乇 賲賳蹖 卮丕胤乇蹖卮 乇丕 丕夭 丿爻鬲 賳賳賴丕丿)貨 孬賲蹖賳 亘丕睾趩賴 亘丕賳
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 12/12/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 12/10/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
January 13, 2021
Mountain bandits! A love story! Poverty and despair in the lives of the inhabitants of an impoverished mountain village kept in virtual slavery by the local landlord. This book has an amazingly high rating on GR of almost 4.5 鈥� that鈥檚 up there with the Harry Potters.
Memed, a kindhearted boy, tries to flee but is caught, beaten and almost killed. Like many others around him, he eventually takes to the mountains as a brigand. He is different from the others though; he鈥檚 a bit like a Robin Hood, only robbing rich people. He becomes the nemesis of the landlord who sets the police and the army out after him. Meanwhile his love waits for him in prison 鈥� falsely accused of crimes by the landlord. Can Memed retain his good qualities or will he turn into a killer like so many other bandits?
The setting is the Taurus Mountains of southern Turkey, close to the Mediterranean, but these folks have never traveled to the sea. It鈥檚 around the 1920鈥檚. There is good writing with vivid geographical descriptions of the terrain and the vegetation. We get some history of the gradual take-over of other tribes in the area by the Ottoman Turks.
I liked the occasional idioms: On gossip: 鈥淭he mouth of the people is not like a purse that you can draw tight.鈥� And 鈥淲hat he has done has been like putting a watermelon rind in the mind of a donkey.鈥�
A good story and a worthwhile read.
The author (1923-2015) was a Kurd who grew up picking cotton in a poor village in Turkey. His was the only Kurdish family in town. His writings and his advocacy for Kurdish rights got him in trouble with the government. He was convicted but the sentence was suspended. This was the first of four books the author wrote in the Memed series.
To photo of the Taurus Mountains from earthmagazine.org
Turkish peasants in the 1920's from shopify.com
The author from oggito.com
Memed, a kindhearted boy, tries to flee but is caught, beaten and almost killed. Like many others around him, he eventually takes to the mountains as a brigand. He is different from the others though; he鈥檚 a bit like a Robin Hood, only robbing rich people. He becomes the nemesis of the landlord who sets the police and the army out after him. Meanwhile his love waits for him in prison 鈥� falsely accused of crimes by the landlord. Can Memed retain his good qualities or will he turn into a killer like so many other bandits?
The setting is the Taurus Mountains of southern Turkey, close to the Mediterranean, but these folks have never traveled to the sea. It鈥檚 around the 1920鈥檚. There is good writing with vivid geographical descriptions of the terrain and the vegetation. We get some history of the gradual take-over of other tribes in the area by the Ottoman Turks.
I liked the occasional idioms: On gossip: 鈥淭he mouth of the people is not like a purse that you can draw tight.鈥� And 鈥淲hat he has done has been like putting a watermelon rind in the mind of a donkey.鈥�
A good story and a worthwhile read.
The author (1923-2015) was a Kurd who grew up picking cotton in a poor village in Turkey. His was the only Kurdish family in town. His writings and his advocacy for Kurdish rights got him in trouble with the government. He was convicted but the sentence was suspended. This was the first of four books the author wrote in the Memed series.
To photo of the Taurus Mountains from earthmagazine.org
Turkish peasants in the 1920's from shopify.com
The author from oggito.com
June 3, 2019
丕賵賱蹖賳 亘丕乇 讴賴 亘賴 丕爻賲 丕蹖賳噩賴 賲賲丿 亘乇禺賵乇丿賲貙 賵賯鬲蹖 亘賵丿 讴賴 爻蹖丕賴賴贁 氐丿 鬲丕蹖蹖 乇賲丕賳 乇囟丕 丕賲蹖乇禺丕賳蹖 乇丕 賳诏丕賴 賲蹖 讴乇丿賲. 賴賳賵夭 賳賵噩賵丕賳 亘賵丿賲 賵 鬲丕夭賴 賵丕乇丿 丿賳蹖丕蹖 丕丿亘蹖丕鬲 卮丿賴 亘賵丿賲 賵 丕蹖賳 賮賴乇爻鬲 賴丕 讴賲讴賲 賲蹖 讴乇丿賳丿 乇丕丨鬲 鬲乇 讴鬲丕亘 賴丕蹖 禺賵亘 乇丕 倬蹖丿丕 讴賳賲. 丌賳 噩丕 丕賲蹖乇禺丕賳蹖 丕蹖賳噩賴 賲賲丿 乇丕 賲毓乇賮蹖 讴乇丿賴 亘賵丿 賵 诏賮鬲賴 亘賵丿: 蹖賵丕卮讴蹖 亘丕 讴賱蹖丿乇 丿賵賱鬲 丌亘丕丿蹖 賲賯丕蹖爻賴 丕卮 讴賳蹖丿貙 讴賴 賲賳 丌賳 夭賲丕賳 丕蹖賳 胤賵乇 亘乇丿丕卮鬲 讴乇丿賲 讴賴 蹖毓賳蹖 讴賱蹖丿乇 鬲丕 丨丿賵丿蹖 丕夭 丕蹖賳噩賴 賲賲丿 鬲賯賱蹖丿 讴乇丿賴. 丌賳 夭賲丕賳 讴賱蹖丿乇 乇丕 賳禺賵丕賳丿賴 亘賵丿賲貙 丕賲丕 丕爻賲卮 乇丕 丕夭 夭亘丕賳 禺蹖賱蹖 賴丕 卮賳蹖丿賴 亘賵丿賲 賵 賳禺賵丕賳丿賴 丌賳 乇丕 亘夭乇诏鬲乇蹖賳 丕孬乇 丕丿亘蹖丕鬲 賮丕乇爻蹖 賲蹖 丿丕賳爻鬲賲. 亘賴 禺丕胤乇 賴賲蹖賳 賴賲 賵賯鬲蹖 蹖讴 乇賵夭 丿乇 讴鬲丕亘禺丕賳賴 賲蹖 诏卮鬲賲 賵 趩卮賲賲 亘賴 丕蹖賳噩賴 賲賲丿 丕賮鬲丕丿貙 賮賵乇蹖 賯丕倬蹖丿賲卮.
丕蹖賳噩賴 賲賲丿貙 賳賵卮鬲賴贁 蹖丕卮丕乇 讴賲丕賱 賳賵蹖爻賳丿賴贁 丕賴賱 鬲乇讴蹖赖 賵 鬲乇噩賲賴贁 孬賲蹖賳 亘丕睾趩賴 亘丕賳貙 丕賵賱蹖賳 讴鬲丕亘 丕夭 蹖讴 賲噩賲賵毓賴 趩賳丿 噩賱丿蹖 丕爻鬲貙 賵 賲毓乇賵賮 鬲乇蹖賳 丌賳 賴丕貙 賵 丿丕爻鬲丕賳 倬爻乇蹖 亘賴 賳丕賲 賲賲丿 乇丕 亘丕夭诏賵 賲蹖 讴賳丿 讴賴 亘賴 禺丕胤乇 馗賱賲 賴丕蹖 禺丕賳 賲丨賱蹖貙 爻乇 亘賴 胤睾蹖丕賳 賲蹖 诏匕丕乇丿 賵 蹖丕睾蹖 賲蹖 卮賵丿. 蹖丕睾蹖鈥屫й� 讴賴 賴乇 趩賳丿 禺丕賳 賵 丿賵賱鬲 賴乇 丿賵 丿賳亘丕賱卮 賴爻鬲賳丿貙 丕賲丕 乇毓蹖鬲蹖 讴賴 爻丕賱 賴丕 丕夭 丕蹖賳 賴乇 丿賵 夭禺賲 禺賵乇丿賴貙 賳丿蹖丿賴 丕蹖賳 蹖丕睾蹖 乇丕 賲蹖 倬乇爻鬲丿 賵 亘乇丕蹖卮 卮毓乇 賲蹖 诏賵蹖丿 賵 賯氐賴贁 賲乇丿丕賳诏蹖 賴丕蹖卮 乇丕 鬲毓乇蹖賮 賲蹖 讴賳丿. 蹖丕丿賲 丕爻鬲 賴賲丕賳 夭賲丕賳 賴丕 噩丕蹖蹖 禺賵丕賳丿賲 讴賴 賴乇 趩賳丿 賲賲丿 賵噩賵丿 禺丕乇噩蹖 賳丿丕卮鬲賴 賵 爻丕禺鬲賴贁 鬲禺蹖賱 蹖丕卮丕乇 讴賲丕賱 亘賵丿賴貙 丕賲丕 讴賲 讴賲 賲乇丿賲 賵丕賯毓丕賸 丕賵 乇丕 亘賴 毓賳賵丕賳 蹖讴 賯賴乇賲丕賳 賵丕賯毓蹖 倬匕蹖乇賮鬲賳丿 賵 亘乇丕蹖卮 卮毓乇 賵 丕賮爻丕賳賴 爻丕禺鬲賳丿.
丿丕爻鬲丕賳貙 卮蹖乇蹖賳 丕爻鬲. 丕賲丕 趩蹖夭蹖 讴賴 亘乇丕蹖 賲賳 卮蹖乇蹖賳 亘賵丿 丕蹖賳 亘賵丿 讴賴 禺賵丿賲 乇丕 亘蹖賳 賵乇賯 賴丕蹖 讴鬲丕亘 睾乇蹖亘賴 丨爻 賳賲蹖 讴乇丿賲. 賳賴 賮賯胤 丕爻賲 丌丿賲 賴丕 賵 噩丕賴丕貙 賳賴 賮賯胤 丨丕賱 賵 賴賵丕蹖 乇賵爻鬲丕賴丕 賵 禺丕賳賴 賴丕蹖 讴丕賴诏賱蹖 賵 亘蹖丕亘丕賳 賴丕 賵 夭賲爻鬲丕賳 賴丕蹖 倬乇 亘乇賮 賵 鬲賳賵乇 賵 讴乇爻蹖貙 讴賴 丨鬲蹖 乇賮鬲丕乇賴丕貙 亘丕賵乇賴丕貙 卮讴賱 丨乇賮 夭丿賳 賴丕貙 賳賵毓 賮讴乇 讴乇丿賳 賴丕 賵 夭賳丿诏蹖 讴乇丿賳 賴丕貙 賵 丿乇丿 倬賳賴丕賳 倬卮鬲 鬲賲丕賲 丕蹖賳 賴丕貙 賴賲賴 賵 賴賲賴貙 丕賳诏丕乇 噩丕蹖蹖 亘蹖禺 诏賵卮 禺賵丿賲 丕鬲賮丕賯 丕賮鬲丕丿賴 亘賵丿貙 賳賴 丿乇 蹖讴 讴卮賵乇 丿蹖诏乇. 賳賲蹖 丿丕賳賲 趩賯丿乇 丕夭 丕蹖賳 丨爻 卮蹖乇蹖賳 丌卮賳丕蹖蹖 賲丨氐賵賱 鬲乇噩賲賴贁 丿賱趩爻亘 孬賲蹖賳 亘丕睾趩賴 亘丕賳 丕爻鬲貙 丕賲丕 賮賯胤 鬲乇噩賲賴 賳蹖爻鬲. 亘毓丿賴丕 讴賴 乇賲丕賳 丌禺乇蹖賳 丕賳丕乇 丿賳蹖丕 丕夭 亘禺鬲蹖丕乇 毓賱蹖 乇丕 賴賲 禺賵丕賳丿賲貙 賲胤賲卅賳 卮丿賲 讴賴 賮賯胤 鬲乇噩賲賴 賳蹖爻鬲. 賳賵毓蹖 賳夭丿蹖讴蹖 賴爻鬲 亘蹖賳 賲丕賴丕貙 賮丕乇爻 賴丕貙 鬲乇讴 賴丕貙 讴乇丿賴丕貙 丕賮睾丕賳 賴丕貙 倬丕讴爻鬲丕賳蹖 賴丕貙 賵 亘丕賯蹖 賲乇丿賲 丕蹖賳 丨賵丕賱蹖貙 讴賴 賮乇丕賲賵卮卮 讴乇丿賴 丕蹖賲. 丕夭 賵賯鬲蹖 亘賴 賯賵賱 噩賱丕賱 丌賱 丕丨賲丿 (蹖丕 丿丕乇蹖賵卮 卮丕蹖诏丕賳責 蹖丕丿賲 賳蹖爻鬲) 亘賴 噩丕蹖 賳诏丕賴 讴乇丿賳 亘賴 賴賲貙 亘賴 蹖讴 芦丿蹖诏乇蹖賽禄 丿賵乇丿爻鬲貙 亘賴 丕乇賵倬丕 賵 丌賲乇蹖讴丕貙 賳诏丕賴 賲蹖 讴賳蹖賲貙 賮乇丕賲賵卮卮 讴乇丿賴 丕蹖賲. 賵 禺賵丕賳丿賳 丕蹖賳 丿爻鬲 乇賲丕賳 賴丕貙 賱丕夭賲 丕爻鬲 亘乇丕蹖 亘賴 蹖丕丿 丌賵乇丿賳 丌卮賳丕蹖丕賳賲丕賳貙 賵 亘毓丿貙 亘賴 蹖丕丿 丌賵乇丿賳 禺賵丿賲丕賳.
丕蹖賳噩賴 賲賲丿貙 賳賵卮鬲賴贁 蹖丕卮丕乇 讴賲丕賱 賳賵蹖爻賳丿賴贁 丕賴賱 鬲乇讴蹖赖 賵 鬲乇噩賲賴贁 孬賲蹖賳 亘丕睾趩賴 亘丕賳貙 丕賵賱蹖賳 讴鬲丕亘 丕夭 蹖讴 賲噩賲賵毓賴 趩賳丿 噩賱丿蹖 丕爻鬲貙 賵 賲毓乇賵賮 鬲乇蹖賳 丌賳 賴丕貙 賵 丿丕爻鬲丕賳 倬爻乇蹖 亘賴 賳丕賲 賲賲丿 乇丕 亘丕夭诏賵 賲蹖 讴賳丿 讴賴 亘賴 禺丕胤乇 馗賱賲 賴丕蹖 禺丕賳 賲丨賱蹖貙 爻乇 亘賴 胤睾蹖丕賳 賲蹖 诏匕丕乇丿 賵 蹖丕睾蹖 賲蹖 卮賵丿. 蹖丕睾蹖鈥屫й� 讴賴 賴乇 趩賳丿 禺丕賳 賵 丿賵賱鬲 賴乇 丿賵 丿賳亘丕賱卮 賴爻鬲賳丿貙 丕賲丕 乇毓蹖鬲蹖 讴賴 爻丕賱 賴丕 丕夭 丕蹖賳 賴乇 丿賵 夭禺賲 禺賵乇丿賴貙 賳丿蹖丿賴 丕蹖賳 蹖丕睾蹖 乇丕 賲蹖 倬乇爻鬲丿 賵 亘乇丕蹖卮 卮毓乇 賲蹖 诏賵蹖丿 賵 賯氐賴贁 賲乇丿丕賳诏蹖 賴丕蹖卮 乇丕 鬲毓乇蹖賮 賲蹖 讴賳丿. 蹖丕丿賲 丕爻鬲 賴賲丕賳 夭賲丕賳 賴丕 噩丕蹖蹖 禺賵丕賳丿賲 讴賴 賴乇 趩賳丿 賲賲丿 賵噩賵丿 禺丕乇噩蹖 賳丿丕卮鬲賴 賵 爻丕禺鬲賴贁 鬲禺蹖賱 蹖丕卮丕乇 讴賲丕賱 亘賵丿賴貙 丕賲丕 讴賲 讴賲 賲乇丿賲 賵丕賯毓丕賸 丕賵 乇丕 亘賴 毓賳賵丕賳 蹖讴 賯賴乇賲丕賳 賵丕賯毓蹖 倬匕蹖乇賮鬲賳丿 賵 亘乇丕蹖卮 卮毓乇 賵 丕賮爻丕賳賴 爻丕禺鬲賳丿.
丿丕爻鬲丕賳貙 卮蹖乇蹖賳 丕爻鬲. 丕賲丕 趩蹖夭蹖 讴賴 亘乇丕蹖 賲賳 卮蹖乇蹖賳 亘賵丿 丕蹖賳 亘賵丿 讴賴 禺賵丿賲 乇丕 亘蹖賳 賵乇賯 賴丕蹖 讴鬲丕亘 睾乇蹖亘賴 丨爻 賳賲蹖 讴乇丿賲. 賳賴 賮賯胤 丕爻賲 丌丿賲 賴丕 賵 噩丕賴丕貙 賳賴 賮賯胤 丨丕賱 賵 賴賵丕蹖 乇賵爻鬲丕賴丕 賵 禺丕賳賴 賴丕蹖 讴丕賴诏賱蹖 賵 亘蹖丕亘丕賳 賴丕 賵 夭賲爻鬲丕賳 賴丕蹖 倬乇 亘乇賮 賵 鬲賳賵乇 賵 讴乇爻蹖貙 讴賴 丨鬲蹖 乇賮鬲丕乇賴丕貙 亘丕賵乇賴丕貙 卮讴賱 丨乇賮 夭丿賳 賴丕貙 賳賵毓 賮讴乇 讴乇丿賳 賴丕 賵 夭賳丿诏蹖 讴乇丿賳 賴丕貙 賵 丿乇丿 倬賳賴丕賳 倬卮鬲 鬲賲丕賲 丕蹖賳 賴丕貙 賴賲賴 賵 賴賲賴貙 丕賳诏丕乇 噩丕蹖蹖 亘蹖禺 诏賵卮 禺賵丿賲 丕鬲賮丕賯 丕賮鬲丕丿賴 亘賵丿貙 賳賴 丿乇 蹖讴 讴卮賵乇 丿蹖诏乇. 賳賲蹖 丿丕賳賲 趩賯丿乇 丕夭 丕蹖賳 丨爻 卮蹖乇蹖賳 丌卮賳丕蹖蹖 賲丨氐賵賱 鬲乇噩賲賴贁 丿賱趩爻亘 孬賲蹖賳 亘丕睾趩賴 亘丕賳 丕爻鬲貙 丕賲丕 賮賯胤 鬲乇噩賲賴 賳蹖爻鬲. 亘毓丿賴丕 讴賴 乇賲丕賳 丌禺乇蹖賳 丕賳丕乇 丿賳蹖丕 丕夭 亘禺鬲蹖丕乇 毓賱蹖 乇丕 賴賲 禺賵丕賳丿賲貙 賲胤賲卅賳 卮丿賲 讴賴 賮賯胤 鬲乇噩賲賴 賳蹖爻鬲. 賳賵毓蹖 賳夭丿蹖讴蹖 賴爻鬲 亘蹖賳 賲丕賴丕貙 賮丕乇爻 賴丕貙 鬲乇讴 賴丕貙 讴乇丿賴丕貙 丕賮睾丕賳 賴丕貙 倬丕讴爻鬲丕賳蹖 賴丕貙 賵 亘丕賯蹖 賲乇丿賲 丕蹖賳 丨賵丕賱蹖貙 讴賴 賮乇丕賲賵卮卮 讴乇丿賴 丕蹖賲. 丕夭 賵賯鬲蹖 亘賴 賯賵賱 噩賱丕賱 丌賱 丕丨賲丿 (蹖丕 丿丕乇蹖賵卮 卮丕蹖诏丕賳責 蹖丕丿賲 賳蹖爻鬲) 亘賴 噩丕蹖 賳诏丕賴 讴乇丿賳 亘賴 賴賲貙 亘賴 蹖讴 芦丿蹖诏乇蹖賽禄 丿賵乇丿爻鬲貙 亘賴 丕乇賵倬丕 賵 丌賲乇蹖讴丕貙 賳诏丕賴 賲蹖 讴賳蹖賲貙 賮乇丕賲賵卮卮 讴乇丿賴 丕蹖賲. 賵 禺賵丕賳丿賳 丕蹖賳 丿爻鬲 乇賲丕賳 賴丕貙 賱丕夭賲 丕爻鬲 亘乇丕蹖 亘賴 蹖丕丿 丌賵乇丿賳 丌卮賳丕蹖丕賳賲丕賳貙 賵 亘毓丿貙 亘賴 蹖丕丿 丌賵乇丿賳 禺賵丿賲丕賳.
March 21, 2015
One of my criteria for rating a piece of fiction is this: Would I, or have I read it more than once. No matter how good, I almost never watch a movie more than once. But some books, I come back to over and over. This is such a book. I have read it several times. For me it is always entertaining and moving. Set in Turkey, and written by a Noble Prize nominee, it is a kind of Robin Hood saga.
I tell all my students that if they wish to understand the prophetic passion for social justice that is to be found in the Old Testament, read Memed, My Halk. One is constantly outraged by the too real injustice suffered by Memed and the uncommon heroism of Memed as he fights and rises above it.
The translation from Turkish is excellent. This little known book deserves to be better known. Its author deserves to be more widely read.
I tell all my students that if they wish to understand the prophetic passion for social justice that is to be found in the Old Testament, read Memed, My Halk. One is constantly outraged by the too real injustice suffered by Memed and the uncommon heroism of Memed as he fights and rises above it.
The translation from Turkish is excellent. This little known book deserves to be better known. Its author deserves to be more widely read.
August 11, 2009
I'm a native speaker of the language in which this wonderful work of literature is written-Turkish.After reading the comments on the book here,I've started to think of reading it in English too because I've always thought its English translation could not possibly match its original version since cultural elements are a dominant part of the books.I see that I'm wrong,though and I'm glad for it.
I strongly recommend the whole series composed of 4 books,which shows Ya艧ar Kemal's extraordinary talent in understanding and describing human nature.The story takes place in Cukurova,Turkey;however,the feelings that the characters are involved in are mostly universal making the book a world classic.
I strongly recommend the whole series composed of 4 books,which shows Ya艧ar Kemal's extraordinary talent in understanding and describing human nature.The story takes place in Cukurova,Turkey;however,the feelings that the characters are involved in are mostly universal making the book a world classic.
March 6, 2015
丕賲乇賵夭 亘毓丿 趩賳丿乇賵夭 賮賴賲蹖丿賲 蹖丕卮丕乇 讴賲丕賱 丿乇 9 丕爻賮賳丿 丿乇诏匕卮鬲賴 丕爻鬲
丿蹖卮亘 蹖丕丿 讴鬲丕亘丕卮 丕賮鬲丕丿賴 亘賵丿賲 賵 賯賴乇賲丕賳 賴丕蹖蹖 讴賴 丕夭 亘蹖賳 丌丿賲賴丕蹖蹖 賲毓賲賵賱蹖 賵 賮賯蹖乇 亘乇 賲蹖禺蹖夭賳丿: 丕蹖賳噩賴 賲賲丿 賵 趩丕賵賵卮 賵 丕丨賲丿 賵 毓賱蹖 丕賵夭賵賳
卮賳蹖丿賳 禺亘乇 賲乇诏 賳賵蹖爻賳丿賴 賲丨亘賵亘鬲貙丨爻 毓噩蹖亘蹖 丿丕乇賴
亘丕 丕賮讴丕乇卮 夭賳丿诏蹖 讴乇丿蹖 賵 丿賳蹖丕 乇賵 亘丕 趩卮賲丕蹖 丕賵賳 鬲賲丕卮丕 讴乇丿蹖
賵 丨丕賱丕 丌賳 趩卮賲丕賳 賮乇賵亘爻鬲賴 卮丿賴 丕賳丿
賴賳賵夭 丕蹖賳 噩賲賱賴 讴鬲丕亘卮 蹖丕丿賲賴
毓亘丿蹖 丌賯丕 乇賮鬲 賵 丨賲夭賴 讴趩賱 丌賲丿
亘毓丿 賴乇 馗丕賱賲蹖貙馗丕賱賲 爻鬲賲诏乇鬲乇蹖 賲蹖丕丿
賵賱蹖 亘毓丿 蹖丕卮丕乇 讴賲丕賱 亘丕夭 賳賵蹖爻賳丿賴 丕蹖 讴賴 亘丕 噩乇丕鬲 丕夭 馗賱賲 亘诏賵蹖丿貙 禺賵丕賴丿 丌賲丿責
卮賳賷丿賲 讴賴 趩賵賳 賯賵賷 夭賷亘丕 亘賲賷乇丿
賮乇賷亘賳丿賴 夭丕丿 賵 賮乇賷亘丕 亘賲賷乇丿
卮亘 賲乇诏 鬲賳賴丕 賳卮賷賳丿 亘賴 賲賵噩賷
乇賵丿 诏賵卮賴 丕賷 丿賵乇 賵 鬲賳賴丕 亘賲賷乇丿
禺丿丕 亘蹖丕賲乇夭丿卮
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賯爻賲鬲蹖 丕夭 夭賳丿诏蹖賳丕賲賴 丕蹖卮丕賳:蹖丕卮丕乇 讴賲丕賱 (讴賲丕賱 氐丿蹖賯 诏賵讴趩賴鈥屬勠�) 酃郯 爻丕賱 倬蹖卮 丿乇 噩賳賵亘 鬲乇讴蹖赖 丿乇 乇賵爻鬲丕蹖蹖 讴乇丿賳卮蹖賳 亘賴 賳丕賲 賴賲蹖鬲賴 讴賴 丕賲乇賵夭 "诏賵讴趩賴鈥屫з�" 賳蹖夭 禺賵丕賳丿賴 賲蹖鈥屫促堌� 亘賴 丿賳蹖丕 丌賲丿
讴賲丕賱 讴賴 亘賴 禺丕胤乇 毓賯锟斤拷蹖丿 爻蹖丕爻蹖鈥屫ж簇� 丿賮丕毓 丕夭 丨賯賵賯 丕賯賱蹖鬲鈥屬囏ж� 讴乇丿賴丕貙 丕乇賲賳蹖鈥屬囏� 賵 毓賱賵蹖鈥屬囏� 亘丕乇賴丕 丿爻鬲诏蹖乇 賵 夭賳丿丕賳蹖 卮丿貙 丕毓鬲賯丕丿 丿丕乇丿: 夭賳丿丕賳 亘蹖鈥屫必屫� 賲丿乇爻賴 丕丿亘蹖丕鬲 賲毓丕氐乇 鬲乇讴蹖赖 丕爻鬲
蹖丕卮丕乇 讴賲丕賱 丿乇 爻倬鬲丕賲亘乇 爻丕賱 鄄郯郾鄢 丌禺乇蹖賳 讴鬲丕亘 禺賵丿 乇丕 賲賳鬲卮乇 讴乇丿 讴賴 毓賳賵丕賳卮 芦倬乇賳丿賴鈥屫й� 亘丕 蹖讴 亘丕賱禄 亘賵丿. 丕賵 丕蹖賳 讴鬲丕亘 乇丕 趩賴賱 爻丕賱 倬蹖卮 賳賵卮鬲賴 賵 丿乇 讴卮賵蹖 賲蹖夭 禺賵丿 賳诏賴 丿丕卮鬲賴 亘賵丿
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:丿乇賲賵乇丿 讴鬲丕亘
丿丕爻鬲丕賳 丕夭 丿卮鬲 趩賵讴賵乇丕 亘丕夭 卮乇賵毓 賲蹖 卮賵丿.爻乇夭賲蹖賳蹖 讴賴 賴賲蹖卮賴 匕賴賳 蹖丕卮丕乇 讴賲丕賱 丿乇诏蹖乇 丌賳 丕爻鬲
丕蹖賳噩賴 賲賲丿 倬爻乇 蹖鬲蹖賲 賵 乇賵爻鬲丕蹖蹖 丕爻鬲 讴賴 毓丕卮賯 禺丿蹖噩賴 丕爻鬲 賵 丿乇禺鬲 (丕爻賲 丿乇禺鬲 蹖丕丿賲 乇賮鬲賴)賲蹖毓丕丿诏丕賴 丿賵 毓丕卮賯 丕爻鬲.丕賲丕 毓亘丿蹖 丌賯丕 丕乇亘丕亘 乇賵爻鬲丕貙禺丿蹖噩賴 乇賵 亘乇丕蹖 禺賵丕賴乇夭丕丿賴 丕卮 賲蹖 禺賵丕賴丿.丕蹖賳噩賴 賲賲丿(賲賲丿 賱丕睾乇 蹖丕 亘丕乇蹖讴)丿爻鬲 賲毓卮賵賯卮 乇丕 賲蹖诏蹖乇丿 賵 亘賴 讴賵賴 倬賳丕賴 賲蹖 亘乇丿
丕蹖賳 丕亘鬲丿丕蹖 丿丕爻鬲丕賳 亘賵丿 賵 丿丕爻鬲丕賳 鬲丕夭賴 卮乇賵毓 賲蹖 卮賵丿
丕賷賳噩賴 賲賲丿 賴賲丕賳 禺卮賲 賮乇賵禺賵乇丿賴 乇毓賷鬲賷 丕爻鬲 賰賴 夭賷乇 亘丕乇 馗賱賲 丕乇亘丕亘丕賳 禺乇丿 卮丿賴 丕賳丿貙 丌賳賴丕賷賷 賰賴 丿賷诏乇 乇賲賯賷 亘乇丕賷 夭賳丿诏賷 賳丿丕乇賳丿 亘丕 卮賳賷丿賳 賳丕賲 丕賷賳噩賴 賲賲丿 賷丕睾賷貙 禺賵賳卮丕賳 亘賴 噩賵卮 賲賷 丌賷丿 賵 丨丕囟乇賳丿 亘乇丕賷 丕賵 噩丕賳 亘丿賴賳丿
丿乇 丕蹖賳 讴鬲丕亘 卮禺氐蹖鬲蹖 賴爻鬲 讴賴 丕爻賲卮 賮讴 讴賳賲 趩丕賵賵卮 亘賵丿.趩丕賵賵卮 噩賵乇蹖 賳丕爻夭丕 賲蹖诏賮鬲 讴賴 亘乇丕蹖 丕賵賱蹖賳 亘丕乇 丕夭 丕蹖賳讴賴 讴爻蹖 賮丨卮 賲蹖丿賴 賱匕鬲 亘乇丿賲!!!丨鬲蹖 丿賵爻鬲卮 亘夭賵乇 毓氐亘丕賳蹖卮 賲蹖讴乇丿 鬲丕 亘賴卮 賮丨卮 亘丿賴 賵
丌丿賲 丕夭 禺賳丿賴 乇賵丿賴 亘乇 賲蹖卮丿
:)
賵 倬蹖乇夭賳蹖 丿賵爻鬲 丿丕卮鬲賳蹖 讴賴 賵賯鬲蹖 丕蹖賳噩賴 賲賲丿 丕夭 讴賵賴賴丕 亘賴 乇賵爻鬲丕蹖卮 賲蹖 丌蹖丿 丿賵乇 丕蹖賳噩賴 賲賲丿 賲蹖乇賯氐丿
賵 賯賵噩丕 毓孬賲丕賳 讴賴 賲賲丿 乇丕 卮丕賴蹖賳 賲賳 氐丿丕 賲蹖夭賳丿
賵 丕夭 丕蹖賳讴賴 丕蹖賳噩賴 賲賲丿 亘賴 乇賵爻鬲丕卮賵賳 倬賳丕賴 丌賵乇丿賴
亘丕 賱亘丕爻蹖 卮蹖讴 賵 鬲賮賳诏卮 丿乇 丿賴 賲蹖诏乇丿丿 賵 讴蹖賮 賲蹖讴賳丿
鬲賳賴丕 讴爻蹖 讴賴 亘賴 賯賵噩丕 賲蹖鬲賵丕賳丿 诏蹖乇 亘丿賴丿 賴賲丕賳 夭賳卮 丕爻鬲
賵賱蹖 賲诏乇 賯賵噩丕 丕蹖賳 趩蹖夭丕 爻乇卮 賲蹖 卮賵丿
:)
丿乇 讴鬲丕亘 賴丕蹖 蹖丕卮丕乇 讴賲丕賱貙鬲賳賴丕 丕乇鬲亘丕胤丕鬲 丕賳爻丕賳蹖 賵噩賵丿 賳丿丕乇丿 亘賱讴賴 丕賳爻丕賳 賴丕 丿丕乇丕蹖 乇丕亘胤賴 丕蹖 丕丨鬲乇丕賲 丌賲蹖夭蹖 亘丕 胤亘蹖毓鬲 賴爻鬲賳丿
丿蹖卮亘 蹖丕丿 讴鬲丕亘丕卮 丕賮鬲丕丿賴 亘賵丿賲 賵 賯賴乇賲丕賳 賴丕蹖蹖 讴賴 丕夭 亘蹖賳 丌丿賲賴丕蹖蹖 賲毓賲賵賱蹖 賵 賮賯蹖乇 亘乇 賲蹖禺蹖夭賳丿: 丕蹖賳噩賴 賲賲丿 賵 趩丕賵賵卮 賵 丕丨賲丿 賵 毓賱蹖 丕賵夭賵賳
卮賳蹖丿賳 禺亘乇 賲乇诏 賳賵蹖爻賳丿賴 賲丨亘賵亘鬲貙丨爻 毓噩蹖亘蹖 丿丕乇賴
亘丕 丕賮讴丕乇卮 夭賳丿诏蹖 讴乇丿蹖 賵 丿賳蹖丕 乇賵 亘丕 趩卮賲丕蹖 丕賵賳 鬲賲丕卮丕 讴乇丿蹖
賵 丨丕賱丕 丌賳 趩卮賲丕賳 賮乇賵亘爻鬲賴 卮丿賴 丕賳丿
賴賳賵夭 丕蹖賳 噩賲賱賴 讴鬲丕亘卮 蹖丕丿賲賴
毓亘丿蹖 丌賯丕 乇賮鬲 賵 丨賲夭賴 讴趩賱 丌賲丿
亘毓丿 賴乇 馗丕賱賲蹖貙馗丕賱賲 爻鬲賲诏乇鬲乇蹖 賲蹖丕丿
賵賱蹖 亘毓丿 蹖丕卮丕乇 讴賲丕賱 亘丕夭 賳賵蹖爻賳丿賴 丕蹖 讴賴 亘丕 噩乇丕鬲 丕夭 馗賱賲 亘诏賵蹖丿貙 禺賵丕賴丿 丌賲丿責
卮賳賷丿賲 讴賴 趩賵賳 賯賵賷 夭賷亘丕 亘賲賷乇丿
賮乇賷亘賳丿賴 夭丕丿 賵 賮乇賷亘丕 亘賲賷乇丿
卮亘 賲乇诏 鬲賳賴丕 賳卮賷賳丿 亘賴 賲賵噩賷
乇賵丿 诏賵卮賴 丕賷 丿賵乇 賵 鬲賳賴丕 亘賲賷乇丿
禺丿丕 亘蹖丕賲乇夭丿卮
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賯爻賲鬲蹖 丕夭 夭賳丿诏蹖賳丕賲賴 丕蹖卮丕賳:蹖丕卮丕乇 讴賲丕賱 (讴賲丕賱 氐丿蹖賯 诏賵讴趩賴鈥屬勠�) 酃郯 爻丕賱 倬蹖卮 丿乇 噩賳賵亘 鬲乇讴蹖赖 丿乇 乇賵爻鬲丕蹖蹖 讴乇丿賳卮蹖賳 亘賴 賳丕賲 賴賲蹖鬲賴 讴賴 丕賲乇賵夭 "诏賵讴趩賴鈥屫з�" 賳蹖夭 禺賵丕賳丿賴 賲蹖鈥屫促堌� 亘賴 丿賳蹖丕 丌賲丿
讴賲丕賱 讴賴 亘賴 禺丕胤乇 毓賯锟斤拷蹖丿 爻蹖丕爻蹖鈥屫ж簇� 丿賮丕毓 丕夭 丨賯賵賯 丕賯賱蹖鬲鈥屬囏ж� 讴乇丿賴丕貙 丕乇賲賳蹖鈥屬囏� 賵 毓賱賵蹖鈥屬囏� 亘丕乇賴丕 丿爻鬲诏蹖乇 賵 夭賳丿丕賳蹖 卮丿貙 丕毓鬲賯丕丿 丿丕乇丿: 夭賳丿丕賳 亘蹖鈥屫必屫� 賲丿乇爻賴 丕丿亘蹖丕鬲 賲毓丕氐乇 鬲乇讴蹖赖 丕爻鬲
蹖丕卮丕乇 讴賲丕賱 丿乇 爻倬鬲丕賲亘乇 爻丕賱 鄄郯郾鄢 丌禺乇蹖賳 讴鬲丕亘 禺賵丿 乇丕 賲賳鬲卮乇 讴乇丿 讴賴 毓賳賵丕賳卮 芦倬乇賳丿賴鈥屫й� 亘丕 蹖讴 亘丕賱禄 亘賵丿. 丕賵 丕蹖賳 讴鬲丕亘 乇丕 趩賴賱 爻丕賱 倬蹖卮 賳賵卮鬲賴 賵 丿乇 讴卮賵蹖 賲蹖夭 禺賵丿 賳诏賴 丿丕卮鬲賴 亘賵丿
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:丿乇賲賵乇丿 讴鬲丕亘
丿丕爻鬲丕賳 丕夭 丿卮鬲 趩賵讴賵乇丕 亘丕夭 卮乇賵毓 賲蹖 卮賵丿.爻乇夭賲蹖賳蹖 讴賴 賴賲蹖卮賴 匕賴賳 蹖丕卮丕乇 讴賲丕賱 丿乇诏蹖乇 丌賳 丕爻鬲
丕蹖賳噩賴 賲賲丿 倬爻乇 蹖鬲蹖賲 賵 乇賵爻鬲丕蹖蹖 丕爻鬲 讴賴 毓丕卮賯 禺丿蹖噩賴 丕爻鬲 賵 丿乇禺鬲 (丕爻賲 丿乇禺鬲 蹖丕丿賲 乇賮鬲賴)賲蹖毓丕丿诏丕賴 丿賵 毓丕卮賯 丕爻鬲.丕賲丕 毓亘丿蹖 丌賯丕 丕乇亘丕亘 乇賵爻鬲丕貙禺丿蹖噩賴 乇賵 亘乇丕蹖 禺賵丕賴乇夭丕丿賴 丕卮 賲蹖 禺賵丕賴丿.丕蹖賳噩賴 賲賲丿(賲賲丿 賱丕睾乇 蹖丕 亘丕乇蹖讴)丿爻鬲 賲毓卮賵賯卮 乇丕 賲蹖诏蹖乇丿 賵 亘賴 讴賵賴 倬賳丕賴 賲蹖 亘乇丿
丕蹖賳 丕亘鬲丿丕蹖 丿丕爻鬲丕賳 亘賵丿 賵 丿丕爻鬲丕賳 鬲丕夭賴 卮乇賵毓 賲蹖 卮賵丿
丕賷賳噩賴 賲賲丿 賴賲丕賳 禺卮賲 賮乇賵禺賵乇丿賴 乇毓賷鬲賷 丕爻鬲 賰賴 夭賷乇 亘丕乇 馗賱賲 丕乇亘丕亘丕賳 禺乇丿 卮丿賴 丕賳丿貙 丌賳賴丕賷賷 賰賴 丿賷诏乇 乇賲賯賷 亘乇丕賷 夭賳丿诏賷 賳丿丕乇賳丿 亘丕 卮賳賷丿賳 賳丕賲 丕賷賳噩賴 賲賲丿 賷丕睾賷貙 禺賵賳卮丕賳 亘賴 噩賵卮 賲賷 丌賷丿 賵 丨丕囟乇賳丿 亘乇丕賷 丕賵 噩丕賳 亘丿賴賳丿
丿乇 丕蹖賳 讴鬲丕亘 卮禺氐蹖鬲蹖 賴爻鬲 讴賴 丕爻賲卮 賮讴 讴賳賲 趩丕賵賵卮 亘賵丿.趩丕賵賵卮 噩賵乇蹖 賳丕爻夭丕 賲蹖诏賮鬲 讴賴 亘乇丕蹖 丕賵賱蹖賳 亘丕乇 丕夭 丕蹖賳讴賴 讴爻蹖 賮丨卮 賲蹖丿賴 賱匕鬲 亘乇丿賲!!!丨鬲蹖 丿賵爻鬲卮 亘夭賵乇 毓氐亘丕賳蹖卮 賲蹖讴乇丿 鬲丕 亘賴卮 賮丨卮 亘丿賴 賵
丌丿賲 丕夭 禺賳丿賴 乇賵丿賴 亘乇 賲蹖卮丿
:)
賵 倬蹖乇夭賳蹖 丿賵爻鬲 丿丕卮鬲賳蹖 讴賴 賵賯鬲蹖 丕蹖賳噩賴 賲賲丿 丕夭 讴賵賴賴丕 亘賴 乇賵爻鬲丕蹖卮 賲蹖 丌蹖丿 丿賵乇 丕蹖賳噩賴 賲賲丿 賲蹖乇賯氐丿
賵 賯賵噩丕 毓孬賲丕賳 讴賴 賲賲丿 乇丕 卮丕賴蹖賳 賲賳 氐丿丕 賲蹖夭賳丿
賵 丕夭 丕蹖賳讴賴 丕蹖賳噩賴 賲賲丿 亘賴 乇賵爻鬲丕卮賵賳 倬賳丕賴 丌賵乇丿賴
亘丕 賱亘丕爻蹖 卮蹖讴 賵 鬲賮賳诏卮 丿乇 丿賴 賲蹖诏乇丿丿 賵 讴蹖賮 賲蹖讴賳丿
鬲賳賴丕 讴爻蹖 讴賴 亘賴 賯賵噩丕 賲蹖鬲賵丕賳丿 诏蹖乇 亘丿賴丿 賴賲丕賳 夭賳卮 丕爻鬲
賵賱蹖 賲诏乇 賯賵噩丕 丕蹖賳 趩蹖夭丕 爻乇卮 賲蹖 卮賵丿
:)
丿乇 讴鬲丕亘 賴丕蹖 蹖丕卮丕乇 讴賲丕賱貙鬲賳賴丕 丕乇鬲亘丕胤丕鬲 丕賳爻丕賳蹖 賵噩賵丿 賳丿丕乇丿 亘賱讴賴 丕賳爻丕賳 賴丕 丿丕乇丕蹖 乇丕亘胤賴 丕蹖 丕丨鬲乇丕賲 丌賲蹖夭蹖 亘丕 胤亘蹖毓鬲 賴爻鬲賳丿
November 24, 2019
陌yi ki G眉ney Var!
Edebiyatta ciddi anlamda g眉ney etkisi denen bir durum var. Hangi co臒rafyada g眉ney topraklar谋nda yaz谋lm谋艧 bir 艧eyler varsa ilgimi ekstra olarak 莽ekiyor. G眉neyin etkisi, insanlar ve toplumsal olu艧um sanki ciddi anlamda edebiyat i莽in var edilmi艧 gibi geliyor. (bkz: latin edebiyat谋, amerikan goti臒i..vs) T眉rk edebiyat谋nda g眉ney etkisi ise san谋r谋m en g眉zel Ya艧ar Kemal ile var olmu艧 durumda.
础苍濒补迟谋尘
Konuya girmeye gereksinim duymuyorum. Keza san谋r谋m herkes taraf谋ndan biliniyordur. 础苍濒补迟谋尘 a莽谋s谋ndan Ya艧ar Kemal tezcanl谋 bir anlat谋mla 陌nce Memed'i bize tan谋t谋yor. Yer yer anlat谋m a莽谋s谋ndan Kemal'in ciddi anlamda frans谋z romantizmden etkilendi臒ini 莽ok fazla hissettim. San谋r谋m bu etkisi sayesinde betimlemeler ve kitaptaki her karakter okuru daha farkl谋 bir ba臒lanma etkisi yarat谋yor.
础苍濒补迟谋尘 a莽谋s谋ndan ve bi莽imsel olarak muhakkak ele艧tirdi臒im 莽ok yer oldu. 脰rne臒in, olaylar 莽ok h谋zl谋 geli艧ti. Detayland谋rma baz谋 k谋s谋mlarda 莽ok azd谋. Bazen ayn谋 艧eyleri t眉m karakterlerden vurgularcas谋n谋 okumak s谋kt谋.Fakat, olaylar谋n ak谋艧 sonucunu bilinmesine ra臒men Ya艧ar Kemal okuru bir 艧ekilde diri tutabildi cilt boyunca.
厂辞苍耻莽
陌nce Memed, k眉lt眉rel ve tarihsel ba臒lamda ciddi anlamda epik bir anlat谋m. Kemal'in okura ya艧att谋臒谋 okuma zevki en az谋ndan benim ad谋ma tart谋艧谋lamaz. Az yukarda bahsetti臒im bana g枚re olumsuzluk olmasa da b枚ylesi olsayd谋 dedi臒im yerlere ra臒men kitaptaki her karakterin duygusunu okura deneyimletebilmek cidden bir yetenek.
陌yi ki ba艧lam谋艧谋m ge莽 olsa da...
陌yi okumalar!
Edebiyatta ciddi anlamda g眉ney etkisi denen bir durum var. Hangi co臒rafyada g眉ney topraklar谋nda yaz谋lm谋艧 bir 艧eyler varsa ilgimi ekstra olarak 莽ekiyor. G眉neyin etkisi, insanlar ve toplumsal olu艧um sanki ciddi anlamda edebiyat i莽in var edilmi艧 gibi geliyor. (bkz: latin edebiyat谋, amerikan goti臒i..vs) T眉rk edebiyat谋nda g眉ney etkisi ise san谋r谋m en g眉zel Ya艧ar Kemal ile var olmu艧 durumda.
础苍濒补迟谋尘
Konuya girmeye gereksinim duymuyorum. Keza san谋r谋m herkes taraf谋ndan biliniyordur. 础苍濒补迟谋尘 a莽谋s谋ndan Ya艧ar Kemal tezcanl谋 bir anlat谋mla 陌nce Memed'i bize tan谋t谋yor. Yer yer anlat谋m a莽谋s谋ndan Kemal'in ciddi anlamda frans谋z romantizmden etkilendi臒ini 莽ok fazla hissettim. San谋r谋m bu etkisi sayesinde betimlemeler ve kitaptaki her karakter okuru daha farkl谋 bir ba臒lanma etkisi yarat谋yor.
础苍濒补迟谋尘 a莽谋s谋ndan ve bi莽imsel olarak muhakkak ele艧tirdi臒im 莽ok yer oldu. 脰rne臒in, olaylar 莽ok h谋zl谋 geli艧ti. Detayland谋rma baz谋 k谋s谋mlarda 莽ok azd谋. Bazen ayn谋 艧eyleri t眉m karakterlerden vurgularcas谋n谋 okumak s谋kt谋.Fakat, olaylar谋n ak谋艧 sonucunu bilinmesine ra臒men Ya艧ar Kemal okuru bir 艧ekilde diri tutabildi cilt boyunca.
厂辞苍耻莽
陌nce Memed, k眉lt眉rel ve tarihsel ba臒lamda ciddi anlamda epik bir anlat谋m. Kemal'in okura ya艧att谋臒谋 okuma zevki en az谋ndan benim ad谋ma tart谋艧谋lamaz. Az yukarda bahsetti臒im bana g枚re olumsuzluk olmasa da b枚ylesi olsayd谋 dedi臒im yerlere ra臒men kitaptaki her karakterin duygusunu okura deneyimletebilmek cidden bir yetenek.
陌yi ki ba艧lam谋艧谋m ge莽 olsa da...
陌yi okumalar!
May 27, 2018
This modern classic was first published in 1955. The tale is of a boy Ince Memed growing up in a rural village on central Anatolia who escapes the tyranny of a brutal local landlord by becoming a bandit hiding out in the rough country of the Taurus mountains. We experience him developing into a legend with overtones of Robin Hood and facing moral challenges to the good heart we can鈥檛 help rooting for, all the while fearing an end in a shootout like Bonnie and Clyde. The story is told with a sublime lyrical rendering of this place and people where Kemal grew up in a family of Kurdish immigrants. He captures the beauty so well of this arid high plains in the mountain foothills. The rhythms of village life among the subsistence farmers and herders of the region are portrayed so vividly with all the senses--sight, sound, touch, and smell. Every action feels larger than life, reaching for a new mythology to give meaning to the human struggle.
We first encounter Memed at about 12 running away over a ridgeline to seek refuge with a farmer at a neighboring village. He tells of his life as a virtual slave to Abdi Agha, who owns all the land of five villages and cruelly lords it over its residents:
For two years I鈥檝e plowed his fields. The thistles devour me. They bite me. Those thistles tear at your legs like a mad dog. That鈥檚 the sort of field I plowed. Every day Abdi Agha beat me, beat me to death. 鈥� My father was dead and Abdi Agha took what little we had away from us. If my mother complained, he beat her cruelly and would beat me too. Once he tied me to a tree and left me there in the middle of the plain, far from the village. I stayed tied to the tree for two days, till Mother came and freed me. But for her the wolves would have torn me to pieces.
He is captured and returned to work and punishment, but the dream of escape is awakened, and he bides his time. But Agha takes the majority of their grain crop for his own, and it is only though the charity of an old bandit living anonymously in their region that they avoid starvation. At 16, he falls in love with a sweet, industrious village girl, Hatche. Their love becomes part of legend that will develop about Memed after he becomes a bandit:
Every night, whatever happened, they would meet. If not, neither of them could sleep at all. Hatche鈥檚 mother once caught them and punished her daughter. It was no use. 鈥he put lock after lock on her door; Hatche found a way around every obstacle. She knitted stockings and kerchiefs for Memed and invented songs over them, expressing love, desire, and jealousy in the colors of her embroidery and in the notes of her songs that are still sung throughout the Taurus. People who saw her stockings were thrilled, and those who hear or sing her songs still feel a thrill like the freshness of spring when everything is green.
People who see Memed in this period sometimes become aware of the rebellion lurking in his spirit:
All his life and energy, his hate, love, courage, and anxiety were concentrated in his big eyes. Every now and then a tiny spark would light them up and then die, a sharp, piercing spark, to be feared like the spark that flickers briefly in the eye of a tiger ready to pounce and tear its prey. Where does this spark come from? Perhaps one is born with it. More likely it is born of torment, pain, anxiety. It had come to stay in Memed鈥檚 eyes in the past year, though the light of wonder and pleasure had always glistened in his childish gaze before.
Once Memed makes his escape, he comes to be part of a new tribe of sorts and has to negotiate a tough path among many bloodthirsty and lawless men. While some of their leaders are cruel and murderous, he eventually inspires others toward a less brutal ethos and hope of liberating his home region from Agha鈥檚 oppression. His girlfriend is imprisoned for helping him escape, and the dream of freeing her and living a normal life dwells deep in his heart. As larger and larger police contingents pursue him in his mountain hideout, his plans must become even bolder to achieve his aims. Good deeds rendered to others along his life journey are paid back in propitious ways.
I love how it slowly dawns on Memed that life is better elsewhere in the larger world. Not only might there be places free from tyrant landlords and with easier farming of loamy, well-watered fields free of thistles, there are cities beyond his imagination. A man he encounters puts this vision in his mind:
There鈥檚 a city there, Adana, all of clear glass. It sparkles day and night, just like the sun. You walk in the alleys between the houses, they call them streets, and it鈥檚 all glass. It鈥檚 as clean as can be. Trains come and go. On the sea, ships as big as villages go to the other end of the world. Everything shimes like the sun, bathed in light. If you look at it just once, you can鈥檛 take your eyes away. If it鈥檚 money you want, it pours like a flood in the Chukurova. All you鈥檝e got to do is work.
In Kemal鈥檚 introduction, he explains his fascination with people who are destined to become rebels committed to a cause:
I have never believed in heroes. Even in those novels in which I focus on revolt I have tried to highlight the fact that those we call heroes are in effect instruments wielded by the people. The people create and protect those instruments and stand or fall together with them. 鈥hat is because there is a germ of revolt within every human being, just as there is a creative power, and it is this feeling of revolt that produces the 鈥渃ommitted person.鈥�
What I understood was that when people find themselves cornered, when they feel the pain of death in their heart, they tend to create a world of myth in which they try to take refuge. By creating myths, by conjuring up worlds of dreams, one can withstand the great suffering of the world and attain love, friendship, beauty, and, even perhaps, immortality.
I was greatly moved by this mini-epic with Homeric ovetones. I thank 欧宝娱乐 friend Baran for recommending this book and look forward to continued exploration of readings in Turkish literature and history.
We first encounter Memed at about 12 running away over a ridgeline to seek refuge with a farmer at a neighboring village. He tells of his life as a virtual slave to Abdi Agha, who owns all the land of five villages and cruelly lords it over its residents:
For two years I鈥檝e plowed his fields. The thistles devour me. They bite me. Those thistles tear at your legs like a mad dog. That鈥檚 the sort of field I plowed. Every day Abdi Agha beat me, beat me to death. 鈥� My father was dead and Abdi Agha took what little we had away from us. If my mother complained, he beat her cruelly and would beat me too. Once he tied me to a tree and left me there in the middle of the plain, far from the village. I stayed tied to the tree for two days, till Mother came and freed me. But for her the wolves would have torn me to pieces.
He is captured and returned to work and punishment, but the dream of escape is awakened, and he bides his time. But Agha takes the majority of their grain crop for his own, and it is only though the charity of an old bandit living anonymously in their region that they avoid starvation. At 16, he falls in love with a sweet, industrious village girl, Hatche. Their love becomes part of legend that will develop about Memed after he becomes a bandit:
Every night, whatever happened, they would meet. If not, neither of them could sleep at all. Hatche鈥檚 mother once caught them and punished her daughter. It was no use. 鈥he put lock after lock on her door; Hatche found a way around every obstacle. She knitted stockings and kerchiefs for Memed and invented songs over them, expressing love, desire, and jealousy in the colors of her embroidery and in the notes of her songs that are still sung throughout the Taurus. People who saw her stockings were thrilled, and those who hear or sing her songs still feel a thrill like the freshness of spring when everything is green.
People who see Memed in this period sometimes become aware of the rebellion lurking in his spirit:
All his life and energy, his hate, love, courage, and anxiety were concentrated in his big eyes. Every now and then a tiny spark would light them up and then die, a sharp, piercing spark, to be feared like the spark that flickers briefly in the eye of a tiger ready to pounce and tear its prey. Where does this spark come from? Perhaps one is born with it. More likely it is born of torment, pain, anxiety. It had come to stay in Memed鈥檚 eyes in the past year, though the light of wonder and pleasure had always glistened in his childish gaze before.
Once Memed makes his escape, he comes to be part of a new tribe of sorts and has to negotiate a tough path among many bloodthirsty and lawless men. While some of their leaders are cruel and murderous, he eventually inspires others toward a less brutal ethos and hope of liberating his home region from Agha鈥檚 oppression. His girlfriend is imprisoned for helping him escape, and the dream of freeing her and living a normal life dwells deep in his heart. As larger and larger police contingents pursue him in his mountain hideout, his plans must become even bolder to achieve his aims. Good deeds rendered to others along his life journey are paid back in propitious ways.
I love how it slowly dawns on Memed that life is better elsewhere in the larger world. Not only might there be places free from tyrant landlords and with easier farming of loamy, well-watered fields free of thistles, there are cities beyond his imagination. A man he encounters puts this vision in his mind:
There鈥檚 a city there, Adana, all of clear glass. It sparkles day and night, just like the sun. You walk in the alleys between the houses, they call them streets, and it鈥檚 all glass. It鈥檚 as clean as can be. Trains come and go. On the sea, ships as big as villages go to the other end of the world. Everything shimes like the sun, bathed in light. If you look at it just once, you can鈥檛 take your eyes away. If it鈥檚 money you want, it pours like a flood in the Chukurova. All you鈥檝e got to do is work.
In Kemal鈥檚 introduction, he explains his fascination with people who are destined to become rebels committed to a cause:
I have never believed in heroes. Even in those novels in which I focus on revolt I have tried to highlight the fact that those we call heroes are in effect instruments wielded by the people. The people create and protect those instruments and stand or fall together with them. 鈥hat is because there is a germ of revolt within every human being, just as there is a creative power, and it is this feeling of revolt that produces the 鈥渃ommitted person.鈥�
What I understood was that when people find themselves cornered, when they feel the pain of death in their heart, they tend to create a world of myth in which they try to take refuge. By creating myths, by conjuring up worlds of dreams, one can withstand the great suffering of the world and attain love, friendship, beauty, and, even perhaps, immortality.
I was greatly moved by this mini-epic with Homeric ovetones. I thank 欧宝娱乐 friend Baran for recommending this book and look forward to continued exploration of readings in Turkish literature and history.
September 6, 2018
ince memed efsanesini anlatan kitabin kendisi de efsane bence! yasar kemal kendi topraklarini avucunun icini bildigi gibi, insanlarini da cok iyi biliyor. rus edebiyatinin cok sevilen isimlerini okurken neden klasik olduklarini, neden cok sevildiklerini, neden zamansiz ve olumsuz olduklarini cok iyi anlamis ve bir coguyla gec tanismama uzulmustum (tanisamadiklarim icin uzulme hakkim baki!:) ayni hisleri yasar kemal okurken birebir hissettim. ilk cildi okurken hissettigim en net dusuncelerden biri de su oldu: ince memed icin bes yuz sayfa, bin sayfa, bes bin sayfa ne kadar yazilmissa -yazilirsa- bir o kadar daha yazilabilir. ve okunur da! her karakterden, her bir olaydan detaydan daha bir cok hikaye cikartilabilir. acikcasi kitap bitince herhalde ikinci cilde belki baslarim, belki baslamam, belki araya baska kitap alirim diyordum; ama su an ikinci cildi okumak icin sabirsizlaniyorum! gercekten cok keyifli bir okuma sureci oldu.
January 16, 2016
is probably the best known author from that most admirable of Middle-Eastern peoples: The Kurds. His is a folk tale of injustice by a cruel landlord turning a young farmer's son to brigandage. At the same time he is a brigand, he is scrupulously justice, especially when dealing with the poor and the innocent.
"Slim Memed," as he is called, is a hero created by an author who doesn't believe in heroes. In his introduction to the New York Review Books edition, Kemal writes:
Kemal's villain is the landlord Abdi Agha, one of the most craven and beastly characters in all of literature. It is not until the end that Memed shoots three bullets into his chest, killing him; but he had been spiritually dead for years after Memed killed his nephew and wounded him.
"Slim Memed," as he is called, is a hero created by an author who doesn't believe in heroes. In his introduction to the New York Review Books edition, Kemal writes:
I have never believed in heroes. Even in those novels in which I focus on revolt I have tried to highlight the fact that those we call heroes are in effect instruments wielded by the people. The peoplecreate and protect these instruments and stand or fall together vwith them.Still and all, Kemal was to write three more books featuring Slim Memed. For the first one, he was shortlisted for the Nobel Prize in Literature in 1973. That award was won by the Australian Patrick White. I think it should have gone to Kemal.
Kemal's villain is the landlord Abdi Agha, one of the most craven and beastly characters in all of literature. It is not until the end that Memed shoots three bullets into his chest, killing him; but he had been spiritually dead for years after Memed killed his nephew and wounded him.
May 13, 2022
S谋radan bir hikayenin s谋rad谋艧谋 anlat谋m谋
Mevzubahis konu Ye艧il莽am filmlerinde o kadar i艧lendi ki kitap m谋 okuyorum, arka fonda m眉zik olmadan tencere tava, do臒a sesleriyle 莽谋z谋rt谋l谋 bir film mi izliyorum hissiyat 莽o臒u zaman birbirine girdi. 础苍濒补迟谋尘谋n谋 ve dilini be臒endim. Yaln谋z karakterler kitab谋n ba艧谋nda kendi yerel dillerinde sohbet ederken kitab谋n ileriki sayfalar谋nda orijinal leh莽eleri azal谋rken d眉zg眉n T眉rk莽e ile konu艧maya ba艧lad谋lar. O biraz ilgincime gitti.
Bir 艧ehir 莽ocu臒u olarak toprakla ve do臒ayla ilgili anlamad谋臒谋m pek 莽ok 艧ey oldu. Ne o bitkileri bildim, ne de topra臒谋 s眉rme tekniklerini. A莽谋k莽as谋 askere gidene kadar k枚y bile g枚rmedim. Askere jandarma (veyahut candarma) olarak gitti臒imde de k枚yl眉lerle fazla ha艧谋r ne艧ir olmad谋m. Yaln谋z e艧imin ailesi Bolu Mengen'de bir k枚yden oldu臒u i莽in onunla tan谋艧t谋ktan sonra bol bol k枚y evine girdim 莽谋kt谋m. Hayat谋n谋 k枚yde ge莽iren insanlarla tan谋艧t谋m. Ne 1900'l眉 y谋llar谋n k枚yl眉leriydi, ne de kitaptaki gibi 脟ukurova'dayd谋 ama kitapta yer alan "k枚yl眉" betimlemelerinin pek 莽o臒u halen ge莽erli, halen var.
艦imdi gelelim yorumun "controversial" k谋sm谋na
Hi莽 kusura bakmay谋n ne k枚y ne k枚yl眉 g眉zellemesi yapaca臒谋m. K枚yl眉lerin r眉zgar谋n esi艧i kadar h谋zl谋 bir 艧ekilde y枚n de臒i艧tirmesi, 陌nce Memed k枚ydeyken elini ete臒ini 枚pmesi, Abdi A臒a gelince 枚rg眉tlenemeyip p谋s谋p kalmas谋, hadi korkuya bir艧ey demiyorum s眉rekli birbirlerinin arkalar谋ndan beddua etmelerinden, dedikodu yapmalar谋ndan, kuyular谋n谋 kazmalar谋ndan, kurnazl谋k yapmalar谋ndan, birbirlerini kand谋rmaya 莽al谋艧malar谋ndan ve daha pek 莽ok 艧eyden ayr谋 ayr谋 tiksindim.
Bu kitab谋 bir arkada艧谋mla tart谋艧谋rken 艦眉rk眉 Erba艧'谋n "K枚yl眉leri Neden 脰ld眉rmeliyiz?" 艧iirini s枚yledi. 艦iirin istisnas谋z her bir sat谋r谋 kitab谋n 枚zeti niteli臒inde. A艧a臒谋ya hem 艧iiri, hem de 艦眉kr眉 Erba艧'谋n bu 艧iiri yazarken neyi kastetti臒ini kopyal谋yorum.
K枚yl眉leri ni莽in 枚ld眉rmeliyiz?
脟眉nk眉 onlar a臒谋r kanl谋 adamlard谋r
De臒i艧en bir d眉nyaya kar艧谋
Kerpi莽 duvarlar gibi kat谋
脟ak谋r dikenleri gibi susuz
Kay谋ts谋zca direnerek ya艧arlar.
Aptal, kaba ve kurnazd谋rlar.
陌nanarak ve kolayca yalan s枚ylerler.
Paralar谋 olsa da
Yoksul g枚r眉nmek gibi bir h眉nerleri vard谋r.
Her 艧eyi hafife al谋r ve herkese s枚verler.
Ya臒muru, r眉zgar谋 ve g眉ne艧i
Bir g眉n olsun ekinleri ak谋llar谋na gelmeden
顿眉艧眉苍别尘别锄濒别谤...
Ve birbirlerinin s谋n谋rlar谋n谋 s眉rerek
Topraklar谋n谋 b眉y眉tmeye 莽al谋艧谋rlar.
K枚yl眉leri ni莽in 枚ld眉rmeliyiz?
脟眉nk眉 onlar kar谋lar谋n谋 d枚verler
Seslerinin tonu yumu艧ak de臒ildir
D谋艧arda ezildik莽e i莽erde zul眉m kesilirler.
Gazete okumaz ve haks谋zl谋臒a
Ancak kendileri u臒rarlarsa kar艧谋 莽谋karlar.
Ad谋m ba艧谋 p谋nar olsa da k枚ylerinde
Temiz giyinmez ve her zaman
Bir kar谋艧 sakalla gezerler.
脟ocuklar谋n谋 iyi yeti艧tiremezler
Evlerinde, kitap, m眉zik ve resim yoktur.
Bir g眉n olsun di艧lerini f谋r莽alamaz
Ve 艧apkalar谋n谋 ancak yatarken 莽谋kar谋rlar.
K枚yl眉leri ni莽in 枚ld眉rmeliyiz?
脟眉nk眉 onlar k枚pekleri bo臒u艧unca kavga ederler.
Birbirlerinin evlerine ancak
脰l眉mlerde ve d眉臒眉nlerde giderler.
艦ark谋 s枚ylemekten ve kederlenmekten utan谋rlar
G眉lmek ay谋p e臒lenmek zay谋fl谋kt谋r
Ancak rak谋 i莽tiklerinde duygulan谋r ve a臒larlar.
Binlerce y谋l谋n kal谋n kabu臒u alt谋nda
Y眉rekleri bir gaz lambas谋 kadar kalm谋艧t谋r.
Aldanmak korkusu i莽inde
S眉rekli birbirlerini aldat谋rlar.
Bir yere birlikte gitmeleri gerekirse
Kar谋lar谋ndan en az on ad谋m 枚nde y眉r眉rler
Ve bir erkeklik i艧areti olarak
Onlar谋 herkesin ortas谋nda d枚verler.
K枚yl眉leri ni莽in 枚ld眉rmeliyiz?
脟眉nk眉 onlar yanl谋艧 partilere oy verirler
Kendilerinden olanlarla alay edip
Tuhaf bir 艧ekilde ba艧kalar谋na inan谋rlar.
Devlet, tapu dairesi, banka borcu ve hastanedir.
Devletten korkar ve en 莽ok ona hile yaparlar.
Yi臒ittirler askerde subay d枚vecek kadar
Ama bir memur kar艧谋s谋nda -bu da tuhaft谋r-
Ezim ezim ezilirler.
Enflasyon denilince bu臒day ve g眉bre fiyatlar谋n谋 bilirler.
Cami duvar谋, kahve ya da bir a臒a莽 g枚vdesine yaslan谋p
Onbir ay g枚ky眉z眉nden bereket beklerler.
Dindard谋rlar ahret korkusu i莽inde
Ama bir kad谋n谋n topuklar谋ndan
Memelerini g枚recek kadar b谋莽k谋nd谋rlar
Harman谋 kald谋rd谋ktan sonra y谋lda bir kez
艦ehre giderler!
K枚yl眉leri ni莽in 枚ld眉rmeliyiz?
脟眉nk眉 onlar otob眉slerde ayaklar谋n谋 莽谋kar谋rlar
Ayak ve a臒谋z kokular谋 i莽inde kurulup koltuklara
Herkesi bunalta bunalta, y眉ksek perdeden
K谋zlar谋n谋n talihsizli臒ini
ve hay谋rs谋z o臒ullar谋n谋 anlat谋rlar.
Yoksulluktan k谋vrand谋klar谋 halde, 艧眉k眉r i莽inde
Bunun, Tanr谋n谋n bir l眉tfu oldu臒una inan谋rlar.
Ve 枚nemsiz bir 艧eyden s枚z eder gibi, her f谋rsatta
Gizli bir 枚v眉n莽le, uzak 艧ehirdeki
Zengin bir akrabalar谋ndan s枚z ederler.
Kibard谋rlar lokantada yemek yemeyi bilecek kadar
Ama soka臒a 莽谋kar 莽谋kmaz s眉mk眉re s眉mk眉re
Yollara t眉k眉r眉rler..
Ve sonra 艧a艧arak temizli臒ine ve d眉zenine
艦ehirde ya艧aman谋n iyili臒inden konu艧urlar.
K枚yl眉leri ni莽in 枚ld眉rmeliyiz?
脟眉nk眉 onlar ilk ak艧amdan uyurlar.
Yar谋 gecelerde y谋ld谋zlara bakarak
Ba艧ka d眉nyalar谋 d眉艧眉nmek gibi tutkular谋 yoktur.
G枚ky眉z眉n眉, baharda ya臒mur ya臒arsa
Ve yaz g眉ne艧leri ekinlerini yetirirse severler.
Hayal g眉莽leri k谋tt谋r ve hi莽bir yenili臒e
-Bu verimi y眉ksek bir tohum bile olsa-
厂辞苍耻莽lar谋n谋 g枚rmeden inanmazlar.
D眉nyan谋n geli艧imine bir katk谋lar谋 yoktur.
M眉lk d眉艧k眉n眉d眉rler amans谋z derecede
Bir 眉lkenin gelece臒i
K眉莽眉c眉k topraklar谋n谋 ipote臒i alt谋ndad谋r.
Ve birer kaya par莽as谋 gibi dururlar su ge莽irmeden
Zaman谋n derin 谋rmaklar谋 枚n眉nde...
K枚yl眉leri s枚yleyin nas谋l
Nas谋l kurtaralim?
艦iirin bir b枚l眉m眉 27 艧ubat 1994 tarihli Milliyet Gazetesinde, Melih A艧谋k'谋n a莽谋k pencere isimli k枚艧esinde yay谋mlan谋yor. Daha sonra S眉leyman Demirel 艧iire tepki g枚steriyor ve 艦眉rk眉 Erba艧 bu ele艧tiri 眉zerine Melih A艧谋k'a 艧iirde ne anlatmak istedi臒ini a莽谋klayan bir not g枚nderiyor.
"[Bu 艧iir] benim ba艧谋m谋n belas谋 bir 艧iir. tarihsel ya da sosyolojik a莽谋dan d眉nya kadar s枚z s枚ylenebilir. 艦iirde s枚ylediklerimin d谋艧谋nda - 艧iirin a莽谋klamas谋 olarak de臒il elbette- 莽ok k谋sa 艧unlar谋 s枚yleyebilirim: Ben kaba bir d眉nyada ya艧amak istemiyorum. Benim gelece臒imi ufuklar谋 e艧iklerinden 枚teye varamayanlar belirlesin istemiyorum. Bencilli臒inden ba艧ka erdemi olmayan insanlar谋n d眉nyam谋za iyilik ve g眉zellik kataca臒谋na inanm谋yorum. Felsefeyi, sanat谋, bilimi bilmeyen, k眉莽眉mseyen; dinini m眉lke; m眉lk眉n眉 dine d枚n眉艧t眉ren insanlar谋 sevmiyorum. Ne yaz谋k ki 眉lke, tenha kasabalardan 谋艧谋kl谋 kentlere kadar, bu d眉zeysizli臒in egemenlik alan谋 haline geldi. gerisinde bu bak谋艧谋n yatt谋臒谋 bir tepki 艧iirdir "K枚yl眉leri ni莽in 枚ld眉rmeliyiz?". Kendim i莽in onlar i莽in insan onuruna yak谋艧谋r bir ya艧ama bi莽imini tersinden s枚yleyen bir dili, kurgusu vard谋r. Sevmedi臒imiz de臒il sevdi臒imiz insanlar bize dert olur de臒il mi? Yarg谋lanan asl谋nda feodalizm, gelenekler."
Yorum sizin.
Mevzubahis konu Ye艧il莽am filmlerinde o kadar i艧lendi ki kitap m谋 okuyorum, arka fonda m眉zik olmadan tencere tava, do臒a sesleriyle 莽谋z谋rt谋l谋 bir film mi izliyorum hissiyat 莽o臒u zaman birbirine girdi. 础苍濒补迟谋尘谋n谋 ve dilini be臒endim. Yaln谋z karakterler kitab谋n ba艧谋nda kendi yerel dillerinde sohbet ederken kitab谋n ileriki sayfalar谋nda orijinal leh莽eleri azal谋rken d眉zg眉n T眉rk莽e ile konu艧maya ba艧lad谋lar. O biraz ilgincime gitti.
Bir 艧ehir 莽ocu臒u olarak toprakla ve do臒ayla ilgili anlamad谋臒谋m pek 莽ok 艧ey oldu. Ne o bitkileri bildim, ne de topra臒谋 s眉rme tekniklerini. A莽谋k莽as谋 askere gidene kadar k枚y bile g枚rmedim. Askere jandarma (veyahut candarma) olarak gitti臒imde de k枚yl眉lerle fazla ha艧谋r ne艧ir olmad谋m. Yaln谋z e艧imin ailesi Bolu Mengen'de bir k枚yden oldu臒u i莽in onunla tan谋艧t谋ktan sonra bol bol k枚y evine girdim 莽谋kt谋m. Hayat谋n谋 k枚yde ge莽iren insanlarla tan谋艧t谋m. Ne 1900'l眉 y谋llar谋n k枚yl眉leriydi, ne de kitaptaki gibi 脟ukurova'dayd谋 ama kitapta yer alan "k枚yl眉" betimlemelerinin pek 莽o臒u halen ge莽erli, halen var.
艦imdi gelelim yorumun "controversial" k谋sm谋na
Hi莽 kusura bakmay谋n ne k枚y ne k枚yl眉 g眉zellemesi yapaca臒谋m. K枚yl眉lerin r眉zgar谋n esi艧i kadar h谋zl谋 bir 艧ekilde y枚n de臒i艧tirmesi, 陌nce Memed k枚ydeyken elini ete臒ini 枚pmesi, Abdi A臒a gelince 枚rg眉tlenemeyip p谋s谋p kalmas谋, hadi korkuya bir艧ey demiyorum s眉rekli birbirlerinin arkalar谋ndan beddua etmelerinden, dedikodu yapmalar谋ndan, kuyular谋n谋 kazmalar谋ndan, kurnazl谋k yapmalar谋ndan, birbirlerini kand谋rmaya 莽al谋艧malar谋ndan ve daha pek 莽ok 艧eyden ayr谋 ayr谋 tiksindim.
Bu kitab谋 bir arkada艧谋mla tart谋艧谋rken 艦眉rk眉 Erba艧'谋n "K枚yl眉leri Neden 脰ld眉rmeliyiz?" 艧iirini s枚yledi. 艦iirin istisnas谋z her bir sat谋r谋 kitab谋n 枚zeti niteli臒inde. A艧a臒谋ya hem 艧iiri, hem de 艦眉kr眉 Erba艧'谋n bu 艧iiri yazarken neyi kastetti臒ini kopyal谋yorum.
K枚yl眉leri ni莽in 枚ld眉rmeliyiz?
脟眉nk眉 onlar a臒谋r kanl谋 adamlard谋r
De臒i艧en bir d眉nyaya kar艧谋
Kerpi莽 duvarlar gibi kat谋
脟ak谋r dikenleri gibi susuz
Kay谋ts谋zca direnerek ya艧arlar.
Aptal, kaba ve kurnazd谋rlar.
陌nanarak ve kolayca yalan s枚ylerler.
Paralar谋 olsa da
Yoksul g枚r眉nmek gibi bir h眉nerleri vard谋r.
Her 艧eyi hafife al谋r ve herkese s枚verler.
Ya臒muru, r眉zgar谋 ve g眉ne艧i
Bir g眉n olsun ekinleri ak谋llar谋na gelmeden
顿眉艧眉苍别尘别锄濒别谤...
Ve birbirlerinin s谋n谋rlar谋n谋 s眉rerek
Topraklar谋n谋 b眉y眉tmeye 莽al谋艧谋rlar.
K枚yl眉leri ni莽in 枚ld眉rmeliyiz?
脟眉nk眉 onlar kar谋lar谋n谋 d枚verler
Seslerinin tonu yumu艧ak de臒ildir
D谋艧arda ezildik莽e i莽erde zul眉m kesilirler.
Gazete okumaz ve haks谋zl谋臒a
Ancak kendileri u臒rarlarsa kar艧谋 莽谋karlar.
Ad谋m ba艧谋 p谋nar olsa da k枚ylerinde
Temiz giyinmez ve her zaman
Bir kar谋艧 sakalla gezerler.
脟ocuklar谋n谋 iyi yeti艧tiremezler
Evlerinde, kitap, m眉zik ve resim yoktur.
Bir g眉n olsun di艧lerini f谋r莽alamaz
Ve 艧apkalar谋n谋 ancak yatarken 莽谋kar谋rlar.
K枚yl眉leri ni莽in 枚ld眉rmeliyiz?
脟眉nk眉 onlar k枚pekleri bo臒u艧unca kavga ederler.
Birbirlerinin evlerine ancak
脰l眉mlerde ve d眉臒眉nlerde giderler.
艦ark谋 s枚ylemekten ve kederlenmekten utan谋rlar
G眉lmek ay谋p e臒lenmek zay谋fl谋kt谋r
Ancak rak谋 i莽tiklerinde duygulan谋r ve a臒larlar.
Binlerce y谋l谋n kal谋n kabu臒u alt谋nda
Y眉rekleri bir gaz lambas谋 kadar kalm谋艧t谋r.
Aldanmak korkusu i莽inde
S眉rekli birbirlerini aldat谋rlar.
Bir yere birlikte gitmeleri gerekirse
Kar谋lar谋ndan en az on ad谋m 枚nde y眉r眉rler
Ve bir erkeklik i艧areti olarak
Onlar谋 herkesin ortas谋nda d枚verler.
K枚yl眉leri ni莽in 枚ld眉rmeliyiz?
脟眉nk眉 onlar yanl谋艧 partilere oy verirler
Kendilerinden olanlarla alay edip
Tuhaf bir 艧ekilde ba艧kalar谋na inan谋rlar.
Devlet, tapu dairesi, banka borcu ve hastanedir.
Devletten korkar ve en 莽ok ona hile yaparlar.
Yi臒ittirler askerde subay d枚vecek kadar
Ama bir memur kar艧谋s谋nda -bu da tuhaft谋r-
Ezim ezim ezilirler.
Enflasyon denilince bu臒day ve g眉bre fiyatlar谋n谋 bilirler.
Cami duvar谋, kahve ya da bir a臒a莽 g枚vdesine yaslan谋p
Onbir ay g枚ky眉z眉nden bereket beklerler.
Dindard谋rlar ahret korkusu i莽inde
Ama bir kad谋n谋n topuklar谋ndan
Memelerini g枚recek kadar b谋莽k谋nd谋rlar
Harman谋 kald谋rd谋ktan sonra y谋lda bir kez
艦ehre giderler!
K枚yl眉leri ni莽in 枚ld眉rmeliyiz?
脟眉nk眉 onlar otob眉slerde ayaklar谋n谋 莽谋kar谋rlar
Ayak ve a臒谋z kokular谋 i莽inde kurulup koltuklara
Herkesi bunalta bunalta, y眉ksek perdeden
K谋zlar谋n谋n talihsizli臒ini
ve hay谋rs谋z o臒ullar谋n谋 anlat谋rlar.
Yoksulluktan k谋vrand谋klar谋 halde, 艧眉k眉r i莽inde
Bunun, Tanr谋n谋n bir l眉tfu oldu臒una inan谋rlar.
Ve 枚nemsiz bir 艧eyden s枚z eder gibi, her f谋rsatta
Gizli bir 枚v眉n莽le, uzak 艧ehirdeki
Zengin bir akrabalar谋ndan s枚z ederler.
Kibard谋rlar lokantada yemek yemeyi bilecek kadar
Ama soka臒a 莽谋kar 莽谋kmaz s眉mk眉re s眉mk眉re
Yollara t眉k眉r眉rler..
Ve sonra 艧a艧arak temizli臒ine ve d眉zenine
艦ehirde ya艧aman谋n iyili臒inden konu艧urlar.
K枚yl眉leri ni莽in 枚ld眉rmeliyiz?
脟眉nk眉 onlar ilk ak艧amdan uyurlar.
Yar谋 gecelerde y谋ld谋zlara bakarak
Ba艧ka d眉nyalar谋 d眉艧眉nmek gibi tutkular谋 yoktur.
G枚ky眉z眉n眉, baharda ya臒mur ya臒arsa
Ve yaz g眉ne艧leri ekinlerini yetirirse severler.
Hayal g眉莽leri k谋tt谋r ve hi莽bir yenili臒e
-Bu verimi y眉ksek bir tohum bile olsa-
厂辞苍耻莽lar谋n谋 g枚rmeden inanmazlar.
D眉nyan谋n geli艧imine bir katk谋lar谋 yoktur.
M眉lk d眉艧k眉n眉d眉rler amans谋z derecede
Bir 眉lkenin gelece臒i
K眉莽眉c眉k topraklar谋n谋 ipote臒i alt谋ndad谋r.
Ve birer kaya par莽as谋 gibi dururlar su ge莽irmeden
Zaman谋n derin 谋rmaklar谋 枚n眉nde...
K枚yl眉leri s枚yleyin nas谋l
Nas谋l kurtaralim?
艦iirin bir b枚l眉m眉 27 艧ubat 1994 tarihli Milliyet Gazetesinde, Melih A艧谋k'谋n a莽谋k pencere isimli k枚艧esinde yay谋mlan谋yor. Daha sonra S眉leyman Demirel 艧iire tepki g枚steriyor ve 艦眉rk眉 Erba艧 bu ele艧tiri 眉zerine Melih A艧谋k'a 艧iirde ne anlatmak istedi臒ini a莽谋klayan bir not g枚nderiyor.
"[Bu 艧iir] benim ba艧谋m谋n belas谋 bir 艧iir. tarihsel ya da sosyolojik a莽谋dan d眉nya kadar s枚z s枚ylenebilir. 艦iirde s枚ylediklerimin d谋艧谋nda - 艧iirin a莽谋klamas谋 olarak de臒il elbette- 莽ok k谋sa 艧unlar谋 s枚yleyebilirim: Ben kaba bir d眉nyada ya艧amak istemiyorum. Benim gelece臒imi ufuklar谋 e艧iklerinden 枚teye varamayanlar belirlesin istemiyorum. Bencilli臒inden ba艧ka erdemi olmayan insanlar谋n d眉nyam谋za iyilik ve g眉zellik kataca臒谋na inanm谋yorum. Felsefeyi, sanat谋, bilimi bilmeyen, k眉莽眉mseyen; dinini m眉lke; m眉lk眉n眉 dine d枚n眉艧t眉ren insanlar谋 sevmiyorum. Ne yaz谋k ki 眉lke, tenha kasabalardan 谋艧谋kl谋 kentlere kadar, bu d眉zeysizli臒in egemenlik alan谋 haline geldi. gerisinde bu bak谋艧谋n yatt谋臒谋 bir tepki 艧iirdir "K枚yl眉leri ni莽in 枚ld眉rmeliyiz?". Kendim i莽in onlar i莽in insan onuruna yak谋艧谋r bir ya艧ama bi莽imini tersinden s枚yleyen bir dili, kurgusu vard谋r. Sevmedi臒imiz de臒il sevdi臒imiz insanlar bize dert olur de臒il mi? Yarg谋lanan asl谋nda feodalizm, gelenekler."
Yorum sizin.
June 21, 2021
賴乇 讴爻 讴賱蹖丿乇 乇丕 禺賵丕賳丿賴 亘丕卮丿 賳丕禺賵丿丌诏丕賴 亘禺卮 賴丕蹖 夭蹖丕丿蹖 丕夭 丕蹖賳 讴鬲丕亘 乇丕 丿乇 匕賴賳卮 亘丕 讴賱蹖丿乇 賲賯丕蹖爻賴 禺賵丕賴丿 讴乇丿 賵 丕诏乇 賴賵卮 賵 丕賳氐丕賮 丿丕卮鬲賴 亘丕卮丿 鬲氐丿蹖賯 禺賵丕賴丿讴乇丿 讴賴 丕蹖賳 丕孬乇 丿乇 亘乇丕亘乇 讴賱蹖丿乇 蹖讴 丿丕爻鬲丕賳 爻胤丨蹖 賵 囟毓蹖賮 丕爻鬲. 禺亘 丕賱亘鬲賴 讴賱蹖丿乇 21 爻丕賱 亘毓丿 丕夭 丕蹖賳 乇賲丕賳 賲賳鬲卮乇 卮丿賴 賵 賲賳 賴乇趩賴 噩爻鬲噩賵 讴乇丿賲 賳鬲賵丕賳爻鬲賲 讴卮賮 讴賳賲 讴賴 丌蹖丕 鬲乇噩賲賴 孬賲蹖賳 亘丕睾趩賴 亘丕賳 丕夭 丕蹖賳 乇賲丕賳 賯亘賱 丕夭 賳诏丕乇卮 蹖丕 丨鬲蹖 丕賳鬲卮丕乇 讴賱蹖丿乇 賲賳鬲卮乇 卮丿賴 亘賵丿賴 蹖丕 賳賴. 丕賲丕 賵丕賯毓丕 賳亘丕蹖丿 匕賴賳 賲丕賳 乇丕 丿乇诏蹖乇 丕蹖賳 賲爻卅賱賴 讴賳蹖賲 讴賴 丿賵賱鬲 丌亘丕丿蹖 丕夭 趩賳蹖賳 乇賲丕賳蹖 鬲丕孬蹖乇 诏乇賮鬲賴 亘丕卮丿
丕诏乇趩賴 賵丕囟丨 丕爻鬲 鬲乇噩賲賴 孬賲蹖賳 亘丕睾趩賴 亘丕賳 禺蹖賱蹖 丿賲 丿爻鬲蹖 賵 丌卮賮鬲賴 丕爻鬲 ( 賵 亘賳丿賴 禺丿丕 禺賵丿卮 賴賲 丿乇 賲賯丿賲賴 丕毓鬲乇丕賮 讴乇丿賴 丕爻鬲) 丕賲丕 丨鬲蹖 蹖讴 鬲乇噩賲賴 亘丿 賴賲 賳賲蹖鬲賵丕賳丿 乇賲丕賳 禺賵亘蹖 乇丕 鬲亘丿蹖賱 亘賴 蹖讴 乇賲丕賳 爻胤丨蹖 亘讴賳丿
賱丕丕賯賱 丿乇 爻賴 賲丨賵乇 讴賱蹖丿乇 亘乇鬲乇蹖 賵丕囟丨 丿丕乇丿 亘賴 丕蹖賳 乇賲丕賳:
1. 卮禺氐蹖鬲 賯賴乇賲丕賳 丿乇 讴賱蹖丿乇 蹖毓賳蹖 诏賱 賲丨賲丿 噩丿丕 丕夭 丕蹖賳 讴賴 蹖讴 蹖丕睾蹖 卮賵乇卮蹖 丕爻鬲貙 賳賲賵賳賴 賵丕賯毓蹖 蹖讴 芦倬賴賱賵丕賳_丿乇賵蹖卮禄 丕爻鬲 讴賴 卮賵乇蹖丿诏蹖 賵 卮賴賵丿 丿乇 賵噩賵丿 丕賵 亘丕毓孬 賲蹖卮賵丿 丨鬲蹖 毓丕賲賱 丨夭亘 鬲賵丿賴 賳鬲賵丕賳丿 丕賵 乇丕 噩匕亘 讴賳丿. 爻鬲丕乇 倬蹖賳賴 丿賵夭 讴賴 賲賵賮賯 賳賲蹖卮賵丿 诏賱 賲丨賲丿 乇丕 丿乇 噩賴鬲 丕賴丿丕賮 丨夭亘蹖 禺賵丿卮 賯乇丕乇丿賴丿 禺賵丿卮 毓丕卮賯 丌夭丕丿诏蹖 丕賵 賲蹖卮賵丿 賵 賳賴丕蹖鬲丕 丿乇 讴賳丕乇 丕賵 卮賴蹖丿 賲蹖卮賵丿. 卮禺氐蹖鬲 丕蹖賳噩賴 賲賲丿 丕氐賱丕 賵 丕亘丿丕 趩賳蹖賳 毓賲賯蹖 賳丿丕乇丿. .
2. 噩賴丕賳 诏賱 賲丨賲丿 丿乇 讴賱蹖丿乇 丕爻鬲毓丕乇賴 丕蹖 丕夭 鬲賲丕賲 丕蹖乇丕賳 蹖丕 丨鬲蹖 鬲賲丕賲 噩賴丕賳 丕爻鬲. 乇賵丕亘胤卮 亘丕 賳賲丕蹖賳丿诏丕賳 丨讴賵賲鬲 賵 氐丕丨亘丕賳 賯丿乇鬲 賵 孬乇賵鬲 丿乇 丕賵噩 倬蹖趩蹖丿诏蹖 丕爻鬲 賵 賲禺丕胤亘 亘賴 乇丕丨鬲蹖 賳賲蹖鬲賵丕賳丿 賵丕讴賳卮 賴丕蹖 丕賵 乇丕 倬蹖卮 亘蹖賳蹖 讴賳丿. 賯亘賱 丕夭 蹖丕睾蹖 卮丿賳 賴賲 丿乇 睾丕卅賱賴 噩賲賴賵乇蹖 丿賲賵讴乇丕鬲 丌匕乇亘丕蹖噩丕賳 亘乇丕蹖 丨讴賵賲鬲 噩賳诏蹖丿賴. 毓丿丕賱鬲 丿乇 丕蹖賳 乇賲丕賳 蹖讴 賲賮賴賵賲 倬蹖趩蹖丿賴 丕爻鬲 讴賴 丕蹖賳 乇賲丕賳 乇丕 亘賴 乇賲丕賳 賴丕蹖 芦乇卅丕賱蹖爻賲 爻賵爻蹖丕賱蹖爻鬲蹖禄 賳夭丿蹖讴 讴乇丿賴 賵賱蹖 噩賴丕賳 丕蹖賳噩賴 賲賲丿 丕夭 丕亘鬲丿丕 鬲丕 丕賳鬲賴丕 賴賲丕賳 趩賳丿 鬲丕 乇賵爻鬲丕蹖 丕胤乇丕賮 禺賵丿卮 丕爻鬲 賵 丨鬲蹖 丕夭 噩賲賱賴 賮氐賱 賴丕蹖 噩丕賱亘 乇賲丕賳 丕賵賱蹖賳 爻賮乇 丕蹖賳噩賴 賲賲丿 趩卮賲 賵 诏賵卮 亘爻鬲賴 亘賴 卮賴乇 丕爻鬲. 噩賴丕賳 亘賴 爻禺鬲蹖 賮賯胤 丿乇 噩賳亘賴 芦賲亘丕乇夭賴 亘丕 馗丕賱賲禄 蹖讴 賲毓賳丕蹖 丕爻鬲毓丕乇蹖 倬蹖丿丕 賲蹖讴賳丿 讴賴 丿乇 丌鬲卮 夭丿賳 禺丕乇爻鬲丕賳 賴丕 丿乇 趩賳丿 爻胤乇 丕賳鬲賴丕蹖 乇賲丕賳 亘賴 丕蹖賳 卮讴賱 賳賲賵丿丕乇 賲蹖卮賵丿:
丕夭 丌賳 乇賵夭 鬲丕 丕賲乇賵夭丿賴丕鬲蹖 賴丕蹖 禺丕乇丿卮鬲 賴乇 爻丕賱 倬蹖卮 丕夭 丌賳 讴賴 禺丕乇丿卮鬲 乇丕 卮禺賲 亘夭賳賳丿 噩賲毓 賲蹖卮賵賳丿 賵 噩卮賳蹖 賲蹖诏蹖乇賳丿 賵 禺丕乇爻鬲丕賳賴丕蹖 禺丕乇丿卮鬲 乇丕 亘賴 丌鬲卮 賲蹖讴卮賳丿. 丌鬲卮 爻賴 卮亘丕賳賴 乇賵夭 丿乇 爻乇鬲丕爻乇 禺丕乇丿卮鬲 丕夭 丕蹖賳 禺丕乇爻鬲丕賳 亘賴 丌賳 禺丕乇爻鬲丕賳 賵 亘賴 賴乇 胤乇賮 賲蹖 趩乇禺丿 賵 賲蹖鬲丕夭丿 賵 禺丕乇丿卮鬲 乇丕 丿蹖賵丕賳賴 賵丕乇 賲蹖 賱蹖爻丿. 丕夭 禺丕乇爻鬲丕賳賴丕蹖蹖 讴賴 賲蹖爻賵夭丿 賮睾丕賳蹖 亘乇 賲蹖禺蹖夭丿. 丿乇 賴賲蹖賳 賵賯鬲 丿乇 賯賱賴 毓賱蹖讴賵賴 賴賲 蹖讴 讴倬賴 賳賵乇 賲蹖鬲乇讴丿. 賯賱賴 毓賱蹖讴賵賴 爻賴 卮亘 趩賳丕賳 爻賮蹖丿 賲蹖卮賵丿 讴賴 丕賳诏丕乇 乇賵夭.
賵賱蹖 丿乇讴 丕蹖賳噩賴 賲賲丿 丕夭 毓丿丕賱鬲 賮賯胤 亘賴 賲亘丕乇夭賴 亘丕 馗賱賲 禺賱丕氐賴 賲蹖卮賵丿 賵 丕夭 丕亘鬲丿丕 鬲丕 丕賳鬲賴丕蹖 乇賲丕賳 亘夭乇诏鬲乇蹖賳 賴丿賮卮 讴卮鬲賳 賴賲丕賳 禺丕賳 丿賴 禺賵丿卮丕賳 丕爻鬲
3. 丿乇 讴賱蹖丿乇 睾蹖乇 丕夭 賯賴乇賲丕賳 丿丕爻鬲丕賳 亘爻蹖丕乇蹖 丕夭 卮禺氐蹖鬲 賴丕蹖 賮乇毓蹖 亘賴 亘賴鬲乇蹖賳 卮讴賱 倬乇丿丕夭卮 卮丿賴 丕賳丿 賵 卮禺氐蹖鬲 賴丕蹖蹖 賲孬賱 禺丕賳 毓賲賵 賵 爻鬲丕乇 賵 讴賱賲蹖卮蹖 賵丕賯毓丕 倬蹖趩蹖丿賴 賵 鬲賵 丿乇 鬲賵 爻丕禺鬲賴 賵 倬乇丿丕禺鬲賴 卮丿賴 丕賳丿 丿乇 丨丕賱蹖 讴賴 丿乇 丕蹖賳噩賴 賲賲丿 賳賴 鬲賳賴丕 禺賵丿 賯賴乇賲丕賳 賳夭丿蹖讴 亘賴 鬲蹖倬 丕爻鬲 亘賱讴賴 鬲賯乇蹖亘丕 賳賵蹖爻賳丿賴 賴蹖趩 讴丿丕賲 丕夭 卮禺氐蹖鬲 賴丕蹖 賮乇毓蹖 乇丕 亘賴 诏賵賳賴 丕蹖 亘丕賵乇倬匕蹖乇 胤乇丕丨蹖 賳讴乇丿賴. 賵丕賯毓丕 賴賲賴 鬲蹖倬 賴爻鬲賳丿.
噩丿丕 丕夭 丕蹖賳 賴丕 賵丕賯毓丕 讴丕乇 禺蹖賱蹖 爻胤丨蹖 丕爻鬲 賵 丕蹖乇丕丿丕鬲 賲賳胤賯蹖 禺賳丿賴 丿丕乇蹖 賴賲 丿乇 噩乇蹖丕賳 賯氐賴 賴爻鬲 讴賴 亘丿 賳蹖爻鬲 賲丨囟 鬲賮乇蹖丨 丕蹖賳 趩賳丿 爻胤乇 乇丕 亘丕 賴賲 賲乇賵乇 讴賳蹖賲:
亘毓囟蹖 賴丕 賴賲 賲蹖 诏賮鬲賳丿:芦賳丕蹖亘 乇噩亘 丕夭 丿丕賲丕丿卮 丿賱禺賵乇 卮丿賴 亘賵丿貙 趩賵賳讴賴 卮賳蹖丿賴 亘賵丿 丿丕賲丕丿卮 亘賴 丿禺鬲乇卮 賮丨卮 賲蹖丿賴丿... 賵 賷賰 乇賵夭 賴賲 讴賴 丕夭 噩賱賵 丿乇 禺丕賳賴 丿丕賲丕丿賴 乇丿 賲蹖 卮丿賴貙 亘丕 诏賵卮 禺賵丿卮 卮賳蹖丿賴 亘賵丿賴 讴賴 丿丕賲丕丿賴 亘賴 丿禺鬲乇卮 诏賮鬲賴 亘賵丿: 芦丕賵賳 倬丿乇 賮賱丕賳 賮賱丕賳 卮丿賴鈥屫�....禄 賵 诏乇賵賴亘丕賳 乇噩亘 丕夭 賴賲丕賳噩丕 蹖賴 乇丕爻鬲 亘賴 讴賵賴 夭丿賴 亘賵丿貙 趩賵賳讴賴 丿賱卮 賳蹖丕賲丿賴 亘賵丿 丿丕賲丕丿卮 乇丕 亘讴卮丿...貙 ( 賳賲蹖 鬲賵丕賳爻鬲 賳賯丿丕 蹖讴 爻蹖賱蹖 亘賴 丿丕賲丕丿卮 亘夭賳丿 亘賴 噩丕蹖 丕蹖賳 讴賴 亘夭賳丿 亘賴 讴賵賴責!馃)
亘毓囟蹖賴丕 賲蹖 诏賮鬲賳丿: 芦賳丕蹖亘 丌丿賲 倬賵賱丿丕乇蹖 亘賵丿 丕賲丕 丕夭 賲丕賱蹖丕鬲 丿丕丿賳 禺蹖賱蹖 讴賵讴 亘賵丿貙 賴乇 賵賯鬲 賴賲 趩卮賲卮 亘賴 鬲丨氐蹖賱丿丕乇 丿賵賱鬲 賲蹖賮鬲丕丿 鬲亘 賲蹖 讴乇丿 賵 亘爻鬲乇蹖 賲蹖卮丿 賵 禺賱丕氐賴 亘乇丕蹖 丕蹖賳讴賴 趩卮賲卮 亘賴 鬲丨氐蹖賱丿丕乇 丿賵賱鬲 賳蹖賮鬲丿 夭丿賴 亘賵丿 亘賴 讴賵賴. (賲丕賱 賵 賲賳丕賱 乇丕 賵賱 讴乇丿賴 亘乇丕蹖 賳丿蹖丿賳 賲丕賲賵乇 賲丕賱蹖丕鬲 夭丿賴 亘賴 讴賵賴責!!馃馃槙)
亘毓囟蹖 賴丕 賴賲 賲蹖 诏賮鬲賳丿: 芦倬丿乇夭賳卮 乇丕 讴卮鬲賴 亘賵丿 賵 夭丿賴 亘賵丿 亘賴 讴賵賴...貙
禺賱丕氐賴 賴乇 讴爻蹖 趩蹖夭蹖 亘乇丕蹖卮 賲蹖 爻丕禺鬲 賵 賲蹖 诏賮鬲貙 丕賲丕 賲毓賱賵賲 賳亘賵丿 讴賴 乇丕爻鬲 賲蹖 诏賵蹖丿 賵 讴賴 丿乇賵睾 賲蹖 诏賵蹖丿.
賲毓賱賵賲 賴賲 賳亘賵丿 禺胤丕蹖蹖 丕夭卮 爻乇 夭丿賴 蹖丕 賳賴. 禺賱丕氐賴 亘賴 賴乇 毓賱鬲蹖 賮毓賱丕 爻丕賱賴丕 亘賵丿 讴賴 丿乇 讴賵賴 亘賵丿 賵 丕诏乇 诏蹖乇 賲蹖賮鬲丕丿貙 丿爻鬲 讴賲 爻蹖 爻丕賱 夭賳丿丕賳蹖 丿丕卮鬲. 賳丕賲卮 亘丕 乇丕賴夭賳蹖 賵 丕丿賲讴卮蹖 賵 睾丕乇鬲 趩賳丕賳 毓噩蹖賳 卮丿賴 亘賵丿 讴賴 賳诏賮鬲賳蹖 爻鬲... (讴爻蹖 讴賴 夭丿 亘賴 讴賵賴 鬲丕 丿丕賲丕丿卮 乇丕 賳讴卮丿 蹖丕 賲丕賱蹖丕鬲 賳丿賴丿 丨丕賱丕 丿爻鬲卮 鬲丕 丌乇賳噩 丌賱賵丿賴 亘賴 禺賵賳 亘蹖 诏賳丕賴丕賳 丕爻鬲責!!!馃え馃槒馃槖)
丕诏乇趩賴 賵丕囟丨 丕爻鬲 鬲乇噩賲賴 孬賲蹖賳 亘丕睾趩賴 亘丕賳 禺蹖賱蹖 丿賲 丿爻鬲蹖 賵 丌卮賮鬲賴 丕爻鬲 ( 賵 亘賳丿賴 禺丿丕 禺賵丿卮 賴賲 丿乇 賲賯丿賲賴 丕毓鬲乇丕賮 讴乇丿賴 丕爻鬲) 丕賲丕 丨鬲蹖 蹖讴 鬲乇噩賲賴 亘丿 賴賲 賳賲蹖鬲賵丕賳丿 乇賲丕賳 禺賵亘蹖 乇丕 鬲亘丿蹖賱 亘賴 蹖讴 乇賲丕賳 爻胤丨蹖 亘讴賳丿
賱丕丕賯賱 丿乇 爻賴 賲丨賵乇 讴賱蹖丿乇 亘乇鬲乇蹖 賵丕囟丨 丿丕乇丿 亘賴 丕蹖賳 乇賲丕賳:
1. 卮禺氐蹖鬲 賯賴乇賲丕賳 丿乇 讴賱蹖丿乇 蹖毓賳蹖 诏賱 賲丨賲丿 噩丿丕 丕夭 丕蹖賳 讴賴 蹖讴 蹖丕睾蹖 卮賵乇卮蹖 丕爻鬲貙 賳賲賵賳賴 賵丕賯毓蹖 蹖讴 芦倬賴賱賵丕賳_丿乇賵蹖卮禄 丕爻鬲 讴賴 卮賵乇蹖丿诏蹖 賵 卮賴賵丿 丿乇 賵噩賵丿 丕賵 亘丕毓孬 賲蹖卮賵丿 丨鬲蹖 毓丕賲賱 丨夭亘 鬲賵丿賴 賳鬲賵丕賳丿 丕賵 乇丕 噩匕亘 讴賳丿. 爻鬲丕乇 倬蹖賳賴 丿賵夭 讴賴 賲賵賮賯 賳賲蹖卮賵丿 诏賱 賲丨賲丿 乇丕 丿乇 噩賴鬲 丕賴丿丕賮 丨夭亘蹖 禺賵丿卮 賯乇丕乇丿賴丿 禺賵丿卮 毓丕卮賯 丌夭丕丿诏蹖 丕賵 賲蹖卮賵丿 賵 賳賴丕蹖鬲丕 丿乇 讴賳丕乇 丕賵 卮賴蹖丿 賲蹖卮賵丿. 卮禺氐蹖鬲 丕蹖賳噩賴 賲賲丿 丕氐賱丕 賵 丕亘丿丕 趩賳蹖賳 毓賲賯蹖 賳丿丕乇丿. .
2. 噩賴丕賳 诏賱 賲丨賲丿 丿乇 讴賱蹖丿乇 丕爻鬲毓丕乇賴 丕蹖 丕夭 鬲賲丕賲 丕蹖乇丕賳 蹖丕 丨鬲蹖 鬲賲丕賲 噩賴丕賳 丕爻鬲. 乇賵丕亘胤卮 亘丕 賳賲丕蹖賳丿诏丕賳 丨讴賵賲鬲 賵 氐丕丨亘丕賳 賯丿乇鬲 賵 孬乇賵鬲 丿乇 丕賵噩 倬蹖趩蹖丿诏蹖 丕爻鬲 賵 賲禺丕胤亘 亘賴 乇丕丨鬲蹖 賳賲蹖鬲賵丕賳丿 賵丕讴賳卮 賴丕蹖 丕賵 乇丕 倬蹖卮 亘蹖賳蹖 讴賳丿. 賯亘賱 丕夭 蹖丕睾蹖 卮丿賳 賴賲 丿乇 睾丕卅賱賴 噩賲賴賵乇蹖 丿賲賵讴乇丕鬲 丌匕乇亘丕蹖噩丕賳 亘乇丕蹖 丨讴賵賲鬲 噩賳诏蹖丿賴. 毓丿丕賱鬲 丿乇 丕蹖賳 乇賲丕賳 蹖讴 賲賮賴賵賲 倬蹖趩蹖丿賴 丕爻鬲 讴賴 丕蹖賳 乇賲丕賳 乇丕 亘賴 乇賲丕賳 賴丕蹖 芦乇卅丕賱蹖爻賲 爻賵爻蹖丕賱蹖爻鬲蹖禄 賳夭丿蹖讴 讴乇丿賴 賵賱蹖 噩賴丕賳 丕蹖賳噩賴 賲賲丿 丕夭 丕亘鬲丿丕 鬲丕 丕賳鬲賴丕 賴賲丕賳 趩賳丿 鬲丕 乇賵爻鬲丕蹖 丕胤乇丕賮 禺賵丿卮 丕爻鬲 賵 丨鬲蹖 丕夭 噩賲賱賴 賮氐賱 賴丕蹖 噩丕賱亘 乇賲丕賳 丕賵賱蹖賳 爻賮乇 丕蹖賳噩賴 賲賲丿 趩卮賲 賵 诏賵卮 亘爻鬲賴 亘賴 卮賴乇 丕爻鬲. 噩賴丕賳 亘賴 爻禺鬲蹖 賮賯胤 丿乇 噩賳亘賴 芦賲亘丕乇夭賴 亘丕 馗丕賱賲禄 蹖讴 賲毓賳丕蹖 丕爻鬲毓丕乇蹖 倬蹖丿丕 賲蹖讴賳丿 讴賴 丿乇 丌鬲卮 夭丿賳 禺丕乇爻鬲丕賳 賴丕 丿乇 趩賳丿 爻胤乇 丕賳鬲賴丕蹖 乇賲丕賳 亘賴 丕蹖賳 卮讴賱 賳賲賵丿丕乇 賲蹖卮賵丿:
丕夭 丌賳 乇賵夭 鬲丕 丕賲乇賵夭丿賴丕鬲蹖 賴丕蹖 禺丕乇丿卮鬲 賴乇 爻丕賱 倬蹖卮 丕夭 丌賳 讴賴 禺丕乇丿卮鬲 乇丕 卮禺賲 亘夭賳賳丿 噩賲毓 賲蹖卮賵賳丿 賵 噩卮賳蹖 賲蹖诏蹖乇賳丿 賵 禺丕乇爻鬲丕賳賴丕蹖 禺丕乇丿卮鬲 乇丕 亘賴 丌鬲卮 賲蹖讴卮賳丿. 丌鬲卮 爻賴 卮亘丕賳賴 乇賵夭 丿乇 爻乇鬲丕爻乇 禺丕乇丿卮鬲 丕夭 丕蹖賳 禺丕乇爻鬲丕賳 亘賴 丌賳 禺丕乇爻鬲丕賳 賵 亘賴 賴乇 胤乇賮 賲蹖 趩乇禺丿 賵 賲蹖鬲丕夭丿 賵 禺丕乇丿卮鬲 乇丕 丿蹖賵丕賳賴 賵丕乇 賲蹖 賱蹖爻丿. 丕夭 禺丕乇爻鬲丕賳賴丕蹖蹖 讴賴 賲蹖爻賵夭丿 賮睾丕賳蹖 亘乇 賲蹖禺蹖夭丿. 丿乇 賴賲蹖賳 賵賯鬲 丿乇 賯賱賴 毓賱蹖讴賵賴 賴賲 蹖讴 讴倬賴 賳賵乇 賲蹖鬲乇讴丿. 賯賱賴 毓賱蹖讴賵賴 爻賴 卮亘 趩賳丕賳 爻賮蹖丿 賲蹖卮賵丿 讴賴 丕賳诏丕乇 乇賵夭.
賵賱蹖 丿乇讴 丕蹖賳噩賴 賲賲丿 丕夭 毓丿丕賱鬲 賮賯胤 亘賴 賲亘丕乇夭賴 亘丕 馗賱賲 禺賱丕氐賴 賲蹖卮賵丿 賵 丕夭 丕亘鬲丿丕 鬲丕 丕賳鬲賴丕蹖 乇賲丕賳 亘夭乇诏鬲乇蹖賳 賴丿賮卮 讴卮鬲賳 賴賲丕賳 禺丕賳 丿賴 禺賵丿卮丕賳 丕爻鬲
3. 丿乇 讴賱蹖丿乇 睾蹖乇 丕夭 賯賴乇賲丕賳 丿丕爻鬲丕賳 亘爻蹖丕乇蹖 丕夭 卮禺氐蹖鬲 賴丕蹖 賮乇毓蹖 亘賴 亘賴鬲乇蹖賳 卮讴賱 倬乇丿丕夭卮 卮丿賴 丕賳丿 賵 卮禺氐蹖鬲 賴丕蹖蹖 賲孬賱 禺丕賳 毓賲賵 賵 爻鬲丕乇 賵 讴賱賲蹖卮蹖 賵丕賯毓丕 倬蹖趩蹖丿賴 賵 鬲賵 丿乇 鬲賵 爻丕禺鬲賴 賵 倬乇丿丕禺鬲賴 卮丿賴 丕賳丿 丿乇 丨丕賱蹖 讴賴 丿乇 丕蹖賳噩賴 賲賲丿 賳賴 鬲賳賴丕 禺賵丿 賯賴乇賲丕賳 賳夭丿蹖讴 亘賴 鬲蹖倬 丕爻鬲 亘賱讴賴 鬲賯乇蹖亘丕 賳賵蹖爻賳丿賴 賴蹖趩 讴丿丕賲 丕夭 卮禺氐蹖鬲 賴丕蹖 賮乇毓蹖 乇丕 亘賴 诏賵賳賴 丕蹖 亘丕賵乇倬匕蹖乇 胤乇丕丨蹖 賳讴乇丿賴. 賵丕賯毓丕 賴賲賴 鬲蹖倬 賴爻鬲賳丿.
噩丿丕 丕夭 丕蹖賳 賴丕 賵丕賯毓丕 讴丕乇 禺蹖賱蹖 爻胤丨蹖 丕爻鬲 賵 丕蹖乇丕丿丕鬲 賲賳胤賯蹖 禺賳丿賴 丿丕乇蹖 賴賲 丿乇 噩乇蹖丕賳 賯氐賴 賴爻鬲 讴賴 亘丿 賳蹖爻鬲 賲丨囟 鬲賮乇蹖丨 丕蹖賳 趩賳丿 爻胤乇 乇丕 亘丕 賴賲 賲乇賵乇 讴賳蹖賲:
亘毓囟蹖 賴丕 賴賲 賲蹖 诏賮鬲賳丿:芦賳丕蹖亘 乇噩亘 丕夭 丿丕賲丕丿卮 丿賱禺賵乇 卮丿賴 亘賵丿貙 趩賵賳讴賴 卮賳蹖丿賴 亘賵丿 丿丕賲丕丿卮 亘賴 丿禺鬲乇卮 賮丨卮 賲蹖丿賴丿... 賵 賷賰 乇賵夭 賴賲 讴賴 丕夭 噩賱賵 丿乇 禺丕賳賴 丿丕賲丕丿賴 乇丿 賲蹖 卮丿賴貙 亘丕 诏賵卮 禺賵丿卮 卮賳蹖丿賴 亘賵丿賴 讴賴 丿丕賲丕丿賴 亘賴 丿禺鬲乇卮 诏賮鬲賴 亘賵丿: 芦丕賵賳 倬丿乇 賮賱丕賳 賮賱丕賳 卮丿賴鈥屫�....禄 賵 诏乇賵賴亘丕賳 乇噩亘 丕夭 賴賲丕賳噩丕 蹖賴 乇丕爻鬲 亘賴 讴賵賴 夭丿賴 亘賵丿貙 趩賵賳讴賴 丿賱卮 賳蹖丕賲丿賴 亘賵丿 丿丕賲丕丿卮 乇丕 亘讴卮丿...貙 ( 賳賲蹖 鬲賵丕賳爻鬲 賳賯丿丕 蹖讴 爻蹖賱蹖 亘賴 丿丕賲丕丿卮 亘夭賳丿 亘賴 噩丕蹖 丕蹖賳 讴賴 亘夭賳丿 亘賴 讴賵賴責!馃)
亘毓囟蹖賴丕 賲蹖 诏賮鬲賳丿: 芦賳丕蹖亘 丌丿賲 倬賵賱丿丕乇蹖 亘賵丿 丕賲丕 丕夭 賲丕賱蹖丕鬲 丿丕丿賳 禺蹖賱蹖 讴賵讴 亘賵丿貙 賴乇 賵賯鬲 賴賲 趩卮賲卮 亘賴 鬲丨氐蹖賱丿丕乇 丿賵賱鬲 賲蹖賮鬲丕丿 鬲亘 賲蹖 讴乇丿 賵 亘爻鬲乇蹖 賲蹖卮丿 賵 禺賱丕氐賴 亘乇丕蹖 丕蹖賳讴賴 趩卮賲卮 亘賴 鬲丨氐蹖賱丿丕乇 丿賵賱鬲 賳蹖賮鬲丿 夭丿賴 亘賵丿 亘賴 讴賵賴. (賲丕賱 賵 賲賳丕賱 乇丕 賵賱 讴乇丿賴 亘乇丕蹖 賳丿蹖丿賳 賲丕賲賵乇 賲丕賱蹖丕鬲 夭丿賴 亘賴 讴賵賴責!!馃馃槙)
亘毓囟蹖 賴丕 賴賲 賲蹖 诏賮鬲賳丿: 芦倬丿乇夭賳卮 乇丕 讴卮鬲賴 亘賵丿 賵 夭丿賴 亘賵丿 亘賴 讴賵賴...貙
禺賱丕氐賴 賴乇 讴爻蹖 趩蹖夭蹖 亘乇丕蹖卮 賲蹖 爻丕禺鬲 賵 賲蹖 诏賮鬲貙 丕賲丕 賲毓賱賵賲 賳亘賵丿 讴賴 乇丕爻鬲 賲蹖 诏賵蹖丿 賵 讴賴 丿乇賵睾 賲蹖 诏賵蹖丿.
賲毓賱賵賲 賴賲 賳亘賵丿 禺胤丕蹖蹖 丕夭卮 爻乇 夭丿賴 蹖丕 賳賴. 禺賱丕氐賴 亘賴 賴乇 毓賱鬲蹖 賮毓賱丕 爻丕賱賴丕 亘賵丿 讴賴 丿乇 讴賵賴 亘賵丿 賵 丕诏乇 诏蹖乇 賲蹖賮鬲丕丿貙 丿爻鬲 讴賲 爻蹖 爻丕賱 夭賳丿丕賳蹖 丿丕卮鬲. 賳丕賲卮 亘丕 乇丕賴夭賳蹖 賵 丕丿賲讴卮蹖 賵 睾丕乇鬲 趩賳丕賳 毓噩蹖賳 卮丿賴 亘賵丿 讴賴 賳诏賮鬲賳蹖 爻鬲... (讴爻蹖 讴賴 夭丿 亘賴 讴賵賴 鬲丕 丿丕賲丕丿卮 乇丕 賳讴卮丿 蹖丕 賲丕賱蹖丕鬲 賳丿賴丿 丨丕賱丕 丿爻鬲卮 鬲丕 丌乇賳噩 丌賱賵丿賴 亘賴 禺賵賳 亘蹖 诏賳丕賴丕賳 丕爻鬲責!!!馃え馃槒馃槖)
July 29, 2022
WOW - welch ein Meisterst眉ck!! Ich wei脽 nicht, warum ich dieses Buch habe so ewig lange im B眉cherregal stehen lassen! L盲ngst wissen viele meiner Buchfreunde hier, dass dieser Roman legend盲r ist, ein Klassiker ist...Ich bin nun s眉chtig nach Yasar Kemal麓s Geschichten und seinem Schreibstil und m枚chte all seine Romane lesen.
Wie Yasar Kemal die anatolischen Taurusgebirge beschreibt, deren Sch枚nheit von Granatapfelb盲umen ges盲umt, und dann wieder die elenden B枚den, die die Bauern versuchen zu pfl眉gen, wie die Disteln ihnen die Pluderhosen und Beine zerrei脽en oder die S眉mpfe, die Einem zum Hals stehen.
Memed lehnt sich gegen das feudalistische System des Grundbesitzers Abdi Aga auf und macht sich so zu seiner Zielscheibe. Dieser Hass, die Armut, der Hunger, die D眉rre und die Ausbeutung durch Abdi Aga tragen all dazu bei, dass Memed zum Banditen in den Bergen wird.
Wie Yasar Kemal die Gedankenprozesse von Memed 眉bermittelt, wie er daraus seine Handlungen ableitet, ist f眉r mich so neu und so authentisch.
"Nie wird ein Bandit Herr der Welt sein" sagt ein altes 迟眉谤办siches Lied. Doch Memed erprobt dieses Sprichwort und nahm mich mit auf seine Abenteuer nach Adana, in die D枚rfer im Cukurova und in die Berge, in seine K盲mpfe mit dem Aga und dem Sergeant Asim. Memed wird auch Geliebter von Hatice und Vater ihres gemeinsamen Sohnes, doch seine Vergangenheit als Bandit wird ihn immer wieder einholen, denn nun ist er ein "Mann mit Verpflichtungen" f眉r sein Volk.
Er muss jetzt zur眉ck in die Berge...ich kann es kaum abwarten den zweiten Teil des Romans zu lesen.
Wie Yasar Kemal die anatolischen Taurusgebirge beschreibt, deren Sch枚nheit von Granatapfelb盲umen ges盲umt, und dann wieder die elenden B枚den, die die Bauern versuchen zu pfl眉gen, wie die Disteln ihnen die Pluderhosen und Beine zerrei脽en oder die S眉mpfe, die Einem zum Hals stehen.
Memed lehnt sich gegen das feudalistische System des Grundbesitzers Abdi Aga auf und macht sich so zu seiner Zielscheibe. Dieser Hass, die Armut, der Hunger, die D眉rre und die Ausbeutung durch Abdi Aga tragen all dazu bei, dass Memed zum Banditen in den Bergen wird.
Wie Yasar Kemal die Gedankenprozesse von Memed 眉bermittelt, wie er daraus seine Handlungen ableitet, ist f眉r mich so neu und so authentisch.
"Nie wird ein Bandit Herr der Welt sein" sagt ein altes 迟眉谤办siches Lied. Doch Memed erprobt dieses Sprichwort und nahm mich mit auf seine Abenteuer nach Adana, in die D枚rfer im Cukurova und in die Berge, in seine K盲mpfe mit dem Aga und dem Sergeant Asim. Memed wird auch Geliebter von Hatice und Vater ihres gemeinsamen Sohnes, doch seine Vergangenheit als Bandit wird ihn immer wieder einholen, denn nun ist er ein "Mann mit Verpflichtungen" f眉r sein Volk.
Er muss jetzt zur眉ck in die Berge...ich kann es kaum abwarten den zweiten Teil des Romans zu lesen.
March 2, 2012
Her ne kadar Ya艧ar Kemal bu seriyi pek be臒enmese de (bunu bir r枚portaj谋nda s枚ylemi艧 ve ince memed'i yaln谋zca para kazanmak i莽in yazd谋臒谋n谋 belirtmi艧tir) biz seviyoruz. D枚nemini, y枚reyi, y枚re insan谋n谋 ve k眉lt眉r眉n眉 en iyi anlatan kitaplardan biri. O kadar karakteri ya艧amak ve onlar谋n ruh halini bu denli ustal谋kla aktarmak i莽in ya 艧izofren ya da Ya艧ar Kemal olmak gerekirdi san谋yorum.
Kitap bilindi臒i 眉zere 4 cilttir. Her cildin arkas谋nda 陌nce Memed'in, bu b枚l眉mde kimi 枚ld眉rece臒i yaz谋l谋 oldu臒undan okunmamas谋nda fayda vard谋r.
Son bir not: kitapta s谋k莽a ad谋n谋 duyaca臒谋n谋z Arif Saim Bey, ya艧ad谋臒谋 d枚nemin Urfa Mebusu, Do臒u 陌stiklal Mahkemeleri Ba艧kan谋 ve bir zaman Ata迟眉谤办'e suikastle yarg谋lanm谋艧 olan, bug眉n Adana'da, Urfa'da kimi yerlerin tabelalar谋nda ad谋 bulunan Ali Saip Ursava艧'谋n ta kendisidir. Bu detay谋 yakalamak olduk莽a ho艧 bir s眉rpriz... TBMM'nin sitesine girerek d枚nemin meclis tutanaklar谋nda ad谋na rastlayabilir ve kay谋t alt谋na al谋nan s枚zlerini de okuyabilirsiniz. Kitapta yer alan di臒er karakterleri de d枚nemin ger莽ek simalar谋yla e艧le艧tirmeye 莽al谋艧t谋m ama ba艧ar谋l谋 olamad谋m. Ba艧arana ne mutlu...
Kitap bilindi臒i 眉zere 4 cilttir. Her cildin arkas谋nda 陌nce Memed'in, bu b枚l眉mde kimi 枚ld眉rece臒i yaz谋l谋 oldu臒undan okunmamas谋nda fayda vard谋r.
Son bir not: kitapta s谋k莽a ad谋n谋 duyaca臒谋n谋z Arif Saim Bey, ya艧ad谋臒谋 d枚nemin Urfa Mebusu, Do臒u 陌stiklal Mahkemeleri Ba艧kan谋 ve bir zaman Ata迟眉谤办'e suikastle yarg谋lanm谋艧 olan, bug眉n Adana'da, Urfa'da kimi yerlerin tabelalar谋nda ad谋 bulunan Ali Saip Ursava艧'谋n ta kendisidir. Bu detay谋 yakalamak olduk莽a ho艧 bir s眉rpriz... TBMM'nin sitesine girerek d枚nemin meclis tutanaklar谋nda ad谋na rastlayabilir ve kay谋t alt谋na al谋nan s枚zlerini de okuyabilirsiniz. Kitapta yer alan di臒er karakterleri de d枚nemin ger莽ek simalar谋yla e艧le艧tirmeye 莽al谋艧t谋m ama ba艧ar谋l谋 olamad谋m. Ba艧arana ne mutlu...
March 8, 2021
Eeee 艧imdi koskoca 陌nce Memed'e Ya艧ar Kemal'in bu ilk efsanesine 5 y谋ld谋z vermemek olmaz. Ancak Ya艧ar kemal'in ilk roman谋 oldu臒unu da belli etmiyor desem yalan olur.
Bir de bir Anadolu efsanesi oldu臒unu ak谋ldan 莽谋karmamak laz谋m okurken, t眉m ger莽ek莽ili臒inizle okursan谋z sevmezsiniz. 'Efsane bu ya' demeyi unutmay谋n her kitab谋 elinize al谋艧谋n谋zda.
Elbette 莽ok s眉r眉kleyici, ne olacak 艧imdi diye ger莽ek anlamda nefessiz okutuyor kendini. Ya艧ar Kemal'in 5 duyusunu katarak yapt谋臒谋 do臒a tasvirleri m眉thi艧. 脟ak谋rdikeni tarlas谋n谋 anlat谋艧谋na bay谋ld谋m...d枚n眉p d枚n眉p tekrar okudum 莽ak谋rdikenleri yaz谋n nece olur, bahara ne olur k谋sm谋n谋 :)
ve de iz s眉r眉c眉 Topal Ali karakteri sizce de 莽ok 枚zel bir karakter de臒il mi? 'iz s眉rmek' gibi bir heyecan谋 var, ne 枚zel bir heyecand谋r bu...tan谋mak isterdim kendisini :)
Bir de bir Anadolu efsanesi oldu臒unu ak谋ldan 莽谋karmamak laz谋m okurken, t眉m ger莽ek莽ili臒inizle okursan谋z sevmezsiniz. 'Efsane bu ya' demeyi unutmay谋n her kitab谋 elinize al谋艧谋n谋zda.
Elbette 莽ok s眉r眉kleyici, ne olacak 艧imdi diye ger莽ek anlamda nefessiz okutuyor kendini. Ya艧ar Kemal'in 5 duyusunu katarak yapt谋臒谋 do臒a tasvirleri m眉thi艧. 脟ak谋rdikeni tarlas谋n谋 anlat谋艧谋na bay谋ld谋m...d枚n眉p d枚n眉p tekrar okudum 莽ak谋rdikenleri yaz谋n nece olur, bahara ne olur k谋sm谋n谋 :)
ve de iz s眉r眉c眉 Topal Ali karakteri sizce de 莽ok 枚zel bir karakter de臒il mi? 'iz s眉rmek' gibi bir heyecan谋 var, ne 枚zel bir heyecand谋r bu...tan谋mak isterdim kendisini :)
April 14, 2019
Mertlik, yi臒itlik destan谋 "陌nce Memed", soluksuz bir 迟眉谤办眉 g枚zlerimi kapayarak dinledi臒im. Aya臒谋m谋za 莽ak谋r dikenleri batt谋 onlara m谋 s枚vmedik, da臒 bay谋r ko艧turmaktan solu臒umuz mu kesilmedi, namertin kurdu臒u pusulaya d眉艧memek i莽in az m谋 莽aba harcamad谋k kuyruklar谋m谋z谋n k谋rk谋 da birbirine de臒mesin diye, herkesin topra臒谋n谋n kendine oldu臒u h眉lyalara az m谋 dalmad谋k鈥�
Biraz bakal谋m m谋 b枚yle bir hissiyat谋 nas谋l olu艧turmu艧 鈥淏眉y眉k Usta鈥�? Ya艧ar Kemal鈥檌n saz谋 eline al谋艧谋 ve kendinizi hu艧u i莽inde ona kapt谋r谋艧谋n谋z,
En sevdi臒im k谋s谋m geldi,
Kitab谋n tamam谋n谋 bu 艧ekilde dinledim desem yeridir, bu a莽谋dan kitapta 莽ok 枚zel bir yeri var bu k谋sm谋n,
Memed鈥檌n yang谋n谋na da bir bakal谋m son olarak,
T眉rk眉den bahsediyorduk. Bir de a臒谋t var. Memed'imin (i莽ine i莽ine) a臒谋d谋鈥� Olaylar o kadar h谋zl谋 geli艧ti ki Memed'i bir g枚remedim. Bir g枚zlerinin i莽ine baksam ben anlar谋m hal谋 nicedir? Biliyorum alev alev yan谋yor 艧imdi鈥� Halbuki 鈥淭opra臒谋 k枚yl眉ye da臒谋tmak鈥�, 鈥淗erkesin ekti臒i kendine鈥� derken nas谋l 谋艧谋l 谋艧谋ld谋, 鈥淗at莽e'yi ka莽谋racam鈥� derken nas谋l yak谋yordu etraf谋. Mazlumun hakk谋n谋 savunurken ne kadar sa臒lam duruyordu. Ben bir Memed ne oldu ona bakacam. Nereye gitti, ne yapt谋 ??? D眉艧 枚n眉me Topal Ali. D眉艧 bakal谋m鈥�
Biraz bakal谋m m谋 b枚yle bir hissiyat谋 nas谋l olu艧turmu艧 鈥淏眉y眉k Usta鈥�? Ya艧ar Kemal鈥檌n saz谋 eline al谋艧谋 ve kendinizi hu艧u i莽inde ona kapt谋r谋艧谋n谋z,
鈥淭oros da臒lar谋n谋n etekleri ta Akdenizden ba艧lar. K谋y谋lar谋 d枚ven ak k枚p眉klerden sonra doruklara do臒ru yava艧 yava艧 y眉kselir. Akdenizin 眉st眉nde daima, top top ak bulutlar sal谋n谋r. K谋y谋lar d眉md眉z, cilalanm谋艧 gibi d眉z killi topraklard谋r. Killi toprak et gibidir. Bu k谋y谋lar saatlerce i莽e kadar deniz kokar, tuz kokar. Tuz keskindir. D眉z, killi, s眉r眉lm眉艧 topraklardan sonra 脟ukurovan谋n b眉kleri ba艧lar. 脰r眉lm眉艧莽esine s谋k 莽al谋lar, kam谋艧lar, b枚臒眉rtlenler, yaban asmalar谋, sazlarla kapl谋, koyu ye艧il, ucu buca臒谋 belirsiz alanlard谋r bunlar. Karanl谋k bir ormandan daha yabani, daha karanl谋k! 鈥�(1)
En sevdi臒im k谋s谋m geldi,
鈥淰araca臒谋m Dikenli d眉z眉ne. Be艧 k枚y眉n ya艧l谋lar谋n谋 toplayaca臒谋m ba艧谋ma. Diyece臒im ki, Abdi A臒a yok art谋k. Elinizdeki 枚k眉zler sizindir. Ortak莽谋l谋k, mortak莽谋l谋k yok. Tarlalar da sizindir. Ekin ekebildi臒iniz kadar. Ben da臒da olduk莽a, bu b枚yle s眉r眉p gidecek. Vurulursam ba艧谋n谋z谋n 莽aresine bakars谋n谋z. Sonra k枚yl眉y眉 ba艧谋ma toplay谋p, 莽ak谋rdikenli臒i yakt谋raca臒谋m. 脟ak谋rdikenli臒i yakmadan kimse 莽ift ko艧mayacak.鈥�
Cabbar, g枚zleri ya艧ararak:
鈥溎芭焧e bu iyi鈥�, dedi. 鈥淎臒as谋z k枚y! Herkesin kazand谋臒谋, herkesin olacak.鈥�
Memed:
鈥淗erkesin kazand谋臒谋...鈥� diye g眉l眉msedi.
Cabbar:
鈥淓limizde silah, topraklar谋 bekleriz.鈥�
....
Memed:
鈥澟瀠 tarla meselesi akl谋ma geldi geleli, hi莽 枚lmek istemiyorum.鈥� (304-305)
Kitab谋n tamam谋n谋 bu 艧ekilde dinledim desem yeridir, bu a莽谋dan kitapta 莽ok 枚zel bir yeri var bu k谋sm谋n,
Bu s谋rada t眉fe臒ini 莽aprazlama boynuna takm谋艧, sallanarak Sefil Ali i莽eri girdi. Do臒ru saza gitti. Duvardan ald谋. Oldu臒u yere oturup saza d眉zen vermeye ba艧lad谋. Birden bir 迟眉谤办眉 tutturdu. Kal谋n g眉r bir sesi vard谋. Ses, Sefil Aliden 莽谋km谋yor gibiydi. T眉rk眉 bin y谋l 枚teden geliyor... Uzaktan da臒lardan, 脟ukurovadan, denizden geliyor. Denizin tuzu, 莽am谋n sak谋z谋, yarpuzun kokusu bula艧m谋艧. 脰yle bir 迟眉谤办眉. 鈥�Gel benim derdime鈥�, diyor, 鈥�bir derman eyle. Alemler derdine derman olans谋n.鈥�
Bir an duruyor, bu sefer saz b眉y眉yor. Saz tekrar ediyor: 鈥�Derman olans谋n.鈥� Sonra gene ba艧l谋yor Sefil Ali:
Her nere bakt谋ysam yarimi g枚rd眉m.
Elleri duruyor. Saz谋n 眉st眉ne yumulmu艧tur. Uyumu艧 kalm谋艧 gibi. Birden ba艧谋n谋 kald谋r谋yor. Eli saz谋n 眉st眉nde u莽uyor.
Da臒lar ta艧lar u莽an ku艧lar.
Bir f谋rt谋na gibi 莽al谋yor, s枚yl眉yor.
Ad谋m谋 dersen de Sefil Aliyim
Bir g眉n ak谋ll谋ysam y眉z g眉n deliyim
脺st眉 k枚p眉klenmi艧 bahar seliyim
Ba艧谋 pare karl谋 da臒dan gelirim
diyor, susuyor.
Sefil Ali oldu臒u yerde k眉莽眉lm眉艧, t眉kenmi艧tir. Oldu臒u yerde, 枚ylecene bir ta艧 gibi kalakalm谋艧t谋r. Donmu艧tur.
Saz谋n谋 usuldan, bir yana koydu.
Memed de donmu艧 kalm谋艧t谋. Bir ara g枚z眉ne o 莽elik p谋r谋lt谋 gene geldi kondu. Sonra kafas谋nda bir top sar谋 谋艧谋k gene s枚nd眉, k谋v谋lc谋mland谋. Bol 谋艧谋kl谋 脟ukurova d眉z眉 dalgaland谋. (355-356)
Memed鈥檌n yang谋n谋na da bir bakal谋m son olarak,
Memed, bir an durdu d眉艧眉nd眉. Y眉z眉 gerildi. B眉y眉k bir ac谋 i莽inde k谋vran谋r gibiydi:
鈥淏en鈥�, dedi. 鈥淗at莽eyi g枚rmeye gidece臒im yar谋n.鈥�
Topal 艧a艧k谋na d枚nd眉:
鈥淣as谋l, nas谋l?鈥� diye s枚ylendi.
Memed, tok, sert bir sesle:
鈥淏en yar谋n Hat莽eyi g枚rmeye gidece臒im.鈥�
Topal:
鈥淓别别别?鈥�
Memed:
鈥淓eeesi mesi yok. Gidece臒im.鈥�
Topal elini 莽enesine verip duraksad谋. Epeyi d眉艧眉nd眉kten sonrad谋r ki:
鈥淶or鈥�, dedi i莽ini 莽ekerek. 鈥溍噊k zor. D眉ped眉z 枚l眉m demektir.鈥�
鈥溍杔眉m眉 aln谋ma ald谋m鈥�, dedi Memed, y眉z眉 k谋r谋艧arak, y眉z眉 b眉y眉k bir ac谋yla gerilerek. 鈥溍杔眉m眉 aln谋ma ald谋m! 艦urada tam y眉re臒imin ortas谋nda bir yang谋n var. Oyuyorlar gibi y眉re臒imi. Gitmeliyim. Dayanamam gayri. Yar谋n 艧afaktan kalk谋p yollara d眉艧ece臒im. Ben kasabaya鈥︹€� (358)
T眉rk眉den bahsediyorduk. Bir de a臒谋t var. Memed'imin (i莽ine i莽ine) a臒谋d谋鈥� Olaylar o kadar h谋zl谋 geli艧ti ki Memed'i bir g枚remedim. Bir g枚zlerinin i莽ine baksam ben anlar谋m hal谋 nicedir? Biliyorum alev alev yan谋yor 艧imdi鈥� Halbuki 鈥淭opra臒谋 k枚yl眉ye da臒谋tmak鈥�, 鈥淗erkesin ekti臒i kendine鈥� derken nas谋l 谋艧谋l 谋艧谋ld谋, 鈥淗at莽e'yi ka莽谋racam鈥� derken nas谋l yak谋yordu etraf谋. Mazlumun hakk谋n谋 savunurken ne kadar sa臒lam duruyordu. Ben bir Memed ne oldu ona bakacam. Nereye gitti, ne yapt谋 ??? D眉艧 枚n眉me Topal Ali. D眉艧 bakal谋m鈥�
February 1, 2018
Once Upon a Time in Turkey
Down in that fertile part of southern Anatolia called the Chukurova, where crops yielded forty-fold and deer, birds, and beetles throve, the feudal landlords, who owned entire villages, oppressed the peasants mightily. They took whatever share of the crops they desired and could beat the villagers on any whim, or even drive them from their homes. Justice was an undreamt-of luxury. For rebels, or for those who had incurred the landlords' wrath, the only alternative-besides joining the Army---was to become a bandit in the mountains. The life of a bandit, though, however free, was usually short. Yashar Kemal, who grew up in this area, wrote this novel back in the 1950s; his first major work, which by now has been translated into nearly every major language and has become a modern classic.
Kemal introduces the life and traditions of the inhabitants of the Chukurova, a region unknown in most parts of the world. At least, he gives us a picture of the life they had in the 1920s or `30s. The novel describes the social conditions then existing there, introduces dozens of interesting, colorful characters, and also focusses on the natural environment, which by our times, has mostly disappeared. All this is done through the medium of a fast-moving, action-packed story which could be the script of a film (and may well have been, though I never saw it anywhere). Memed, a slim young man, wishes to marry Hatche, a beautiful village girl. The nasty landlord has other ideas---he wants her to marry his ugly nephew. The young lovers elope into the forest, but are surrounded by the landlord's minions. Memed draws his pistol and shoots the nephew dead, wounding the landlord. Memed winds up as a bandit, Hatche winds up in jail, and the rotten landlord has Memed's mother beaten to death. Her son swears revenge. Nomads, trackers, crazy bandit chiefs, tough peasant women, village farmers, policemen---the number of lifelike characters is endless. Memed not only turns bandit, but he becomes a Robin Hood character, a legend in his own time, who defies the prevailing feudal order and even re-distributes the landlord's fields to the tillers at one point. No wonder they loved him ! Perhaps some of Kemal's later work is deeper psychologically, perhaps his palette of colors got wider, but MEMED MY HAWK stands out as a great story written in masterful style. It is a novel about justice, a novel that treats basic human emotions in any time or place. It heralded the arrival of a major author on the world scene.
Down in that fertile part of southern Anatolia called the Chukurova, where crops yielded forty-fold and deer, birds, and beetles throve, the feudal landlords, who owned entire villages, oppressed the peasants mightily. They took whatever share of the crops they desired and could beat the villagers on any whim, or even drive them from their homes. Justice was an undreamt-of luxury. For rebels, or for those who had incurred the landlords' wrath, the only alternative-besides joining the Army---was to become a bandit in the mountains. The life of a bandit, though, however free, was usually short. Yashar Kemal, who grew up in this area, wrote this novel back in the 1950s; his first major work, which by now has been translated into nearly every major language and has become a modern classic.
Kemal introduces the life and traditions of the inhabitants of the Chukurova, a region unknown in most parts of the world. At least, he gives us a picture of the life they had in the 1920s or `30s. The novel describes the social conditions then existing there, introduces dozens of interesting, colorful characters, and also focusses on the natural environment, which by our times, has mostly disappeared. All this is done through the medium of a fast-moving, action-packed story which could be the script of a film (and may well have been, though I never saw it anywhere). Memed, a slim young man, wishes to marry Hatche, a beautiful village girl. The nasty landlord has other ideas---he wants her to marry his ugly nephew. The young lovers elope into the forest, but are surrounded by the landlord's minions. Memed draws his pistol and shoots the nephew dead, wounding the landlord. Memed winds up as a bandit, Hatche winds up in jail, and the rotten landlord has Memed's mother beaten to death. Her son swears revenge. Nomads, trackers, crazy bandit chiefs, tough peasant women, village farmers, policemen---the number of lifelike characters is endless. Memed not only turns bandit, but he becomes a Robin Hood character, a legend in his own time, who defies the prevailing feudal order and even re-distributes the landlord's fields to the tillers at one point. No wonder they loved him ! Perhaps some of Kemal's later work is deeper psychologically, perhaps his palette of colors got wider, but MEMED MY HAWK stands out as a great story written in masterful style. It is a novel about justice, a novel that treats basic human emotions in any time or place. It heralded the arrival of a major author on the world scene.
March 8, 2017
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丕夭 丿丕爻鬲丕賳 賴丕蹖蹖 讴賴 賳丿丕蹖蹖 丕夭 毓丿丕賱鬲 賵 丨賯 噩賵蹖蹖 丿乇賵賳 賯賱亘卮丕賳 賲蹖 鬲倬丿 賱匕鬲 賲蹖 亘乇賲
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賵 賴乇诏夭 賮讴乇 賳賲蹖讴乇丿賲 丕蹖賳 讴鬲丕亘 亘爻蹖丕乇 賯丿蹖賲蹖 亘丕 亘乇诏賴 賴丕蹖 讴丕賴蹖 乇賳诏 讴賴 丿丕爻鬲丕賳蹖 丕夭 乇賵爻鬲丕蹖蹖 賵 倬爻乇蹖 亘丕 賯賱亘 卮噩丕毓 賵馗賱賲 爻鬲蹖夭 乇丕 乇賵丕蹖鬲 賲蹖讴賳丿
丕蹖賳 趩賳蹖賳 丿乇 丕禺乇蹖賳 氐賮丨丕鬲 诏賱賵蹖賲 乇丕 倬乇 丕夭 亘睾囟 讴賳丿.
亘乇 卮丕賳賴 賴丕蹖 賲賲丿 趩蹖夭蹖 亘賵丿 貙 丕夭 噩賳爻 丕亘乇賴丕蹖 禺丕讴爻鬲乇蹖 乇賳诏 丕蹖賳 乇賵夭賴丕蹖 丌爻賲丕賳 卮賴乇 賲賳
賵 丿乇 賯賱亘卮貙 丨乇丕乇鬲蹖 丕夭 卮噩丕毓鬲 賵 卮賵賯 亘賴 毓丿丕賱鬲 噩賵蹖蹖...
*賲乇讴夭 鬲亘丕丿賱 讴鬲丕亘 讴賴 亘毓蹖丿 賲蹖丿丕賳賲 丿乇 诏賵丿乇蹖丿夭 趩賳丿丕賳 睾乇蹖亘 亘丕卮丿 貙 賲丨賱蹖爻鬲 亘乇丕蹖 亘賴 丕卮鬲乇丕讴 诏匕丕卮鬲賳 讴鬲丕亘 賴丕蹖 禺賵丕賳丿賴 卮丿賴 貙 讴賴 亘丕 賴丿賮 噩賱賵诏蹖乇蹖 丕夭 賯胤毓 丿乇禺鬲丕賳 亘蹖卮鬲乇 賵 鬲乇賵蹖噩 亘蹖卮鬲乇 賮乇賴賳诏 賲胤丕賱毓賴 爻丕禺鬲賴 卮丿賴.賲丨賱 賲賵乇丿 毓賱丕賯賴 蹖 賲賳 :)
March 31, 2019
陌nce Memed, okuduk莽a yan谋ba艧谋nda hissedilen bir karakter. Heyecanlar谋, suskunlu臒u, adalet duygusuyla insan谋n i莽ine i艧leyen bir kitap. Bu kadar do臒al ve do臒a ile i莽 i莽e anlat谋labilirdi. Ger莽ek bir efsanenin ilk ad谋m谋 oldu臒u hissediliyor. Okuduk莽a karda s眉r眉nen kara 莽al谋n谋n izi gibi oluyor insan. 脟orak toprak kokusunu ve 脟ukurova'n谋n keskin s谋ca臒谋n谋 ya艧at谋yor. Uluslararas谋 bir tema, milliyetten, 谋rktan ba臒谋ms谋z bir kavga bence. D眉nyada her insan谋n kendinden bir 艧eyler yakalayaca臒谋 bir kitapt谋. 2, 3 ve 4. kitaba devam art谋k :)
November 3, 2014
Bir dava bu kadar m谋 do臒al temalar ile anlat谋l谋r...?
August 5, 2024
No matter how limited a man's field of vision, his imagination knows no bounds.
I first heard of Ya艧ar Kemal while reading about James Baldwin. Baldwin completed in Turkey. Intrigued by the decade he spent in Turkey, I came across the story of Cezzar, the Turkish actor who gave Baldwin a place to stay when he appeared on his doorstep depressed and feeling helpless. I also read about Kemal, another friend of Baldwin's. Who were these people who could so openly welcome another artist into their homes and lives during a time when he was not safe in his own country?
Curious, I chose this 1955 novel by Ya艧ar Kemal. This was the novel which earned him recognition. I just found out that this was made into a movie and judging by the way the dialogue moves in this novel, I can assume the producers were equipped with great lines.
The story of Memed is encouraging and saddening; hopeful and hopeless. When his father passes, Memed and his mother are constantly beaten and mistreated by their farming landlord, who has enslaved the entire village. The book opens with Memed escaping to seek refuge with a goatherder, Suleyman, and his family. He dreams of being Suleyman's son as he remembers how his father loved him. Suleyman bonds with the young Memed and Memed becomes a part of his family, but those joyous moments are shortlived, as Suleyman is also a slave of the landlord, Abdi Agha. The layers unfold to reveal the malevolent power the landlord exerts over poor families tending farms in this mountainous region. Memed finds love in Hatche, but she is dragged away from him and he has to fight to rescue her. He fights to protect his lover, he fights to protect his mother, and soon he fights to protect an entire village. His life is upended, and his responsibilities increase as he goes from mild mannered boy to a brigand and hero. Revenge, obsession, survival, and greed are highlighted themes in this novel as Memed struggles to escape Abdi's wrath.
I suddenly saw Kemal's and Baldwin's friendship clearly. Kemal understood oppression and poverty, this is clear when you read his characters and see the emotional truths introduced so authentically through characters like Memed, Lame Ali, and Jabbar. It is clear when you see his characters imagine worlds that exist beyond their despair. One senses that Kemal knew what it meant to pull oneself from the muck and be an advocate for human rights. Kemal said that he could not stop writing about Memed, so Memed continues as the main character in several books within the series. I'm eager to continue the series to see how Memed's life is shaped.
I first heard of Ya艧ar Kemal while reading about James Baldwin. Baldwin completed in Turkey. Intrigued by the decade he spent in Turkey, I came across the story of Cezzar, the Turkish actor who gave Baldwin a place to stay when he appeared on his doorstep depressed and feeling helpless. I also read about Kemal, another friend of Baldwin's. Who were these people who could so openly welcome another artist into their homes and lives during a time when he was not safe in his own country?
Curious, I chose this 1955 novel by Ya艧ar Kemal. This was the novel which earned him recognition. I just found out that this was made into a movie and judging by the way the dialogue moves in this novel, I can assume the producers were equipped with great lines.
The story of Memed is encouraging and saddening; hopeful and hopeless. When his father passes, Memed and his mother are constantly beaten and mistreated by their farming landlord, who has enslaved the entire village. The book opens with Memed escaping to seek refuge with a goatherder, Suleyman, and his family. He dreams of being Suleyman's son as he remembers how his father loved him. Suleyman bonds with the young Memed and Memed becomes a part of his family, but those joyous moments are shortlived, as Suleyman is also a slave of the landlord, Abdi Agha. The layers unfold to reveal the malevolent power the landlord exerts over poor families tending farms in this mountainous region. Memed finds love in Hatche, but she is dragged away from him and he has to fight to rescue her. He fights to protect his lover, he fights to protect his mother, and soon he fights to protect an entire village. His life is upended, and his responsibilities increase as he goes from mild mannered boy to a brigand and hero. Revenge, obsession, survival, and greed are highlighted themes in this novel as Memed struggles to escape Abdi's wrath.
I suddenly saw Kemal's and Baldwin's friendship clearly. Kemal understood oppression and poverty, this is clear when you read his characters and see the emotional truths introduced so authentically through characters like Memed, Lame Ali, and Jabbar. It is clear when you see his characters imagine worlds that exist beyond their despair. One senses that Kemal knew what it meant to pull oneself from the muck and be an advocate for human rights. Kemal said that he could not stop writing about Memed, so Memed continues as the main character in several books within the series. I'm eager to continue the series to see how Memed's life is shaped.
May 20, 2012
This book is written in the style of a folk tale: as a series of events and adventures. Within those parameters it works very well, but it is very much a 'show not tell' style and lacking in emotional depth. (You know what people do, but very little about what they feel.)
The descriptions of lives and places are detailed and easy to imagine, even if you have never seen anything of rural Turkey.
The book is worth reading for the way of life it depicts and the story, just don't expect introspection.
The descriptions of lives and places are detailed and easy to imagine, even if you have never seen anything of rural Turkey.
The book is worth reading for the way of life it depicts and the story, just don't expect introspection.
April 3, 2020
Vay anam vay! Sekiz y谋l aradan sonra yeniden, 莽ak谋rdikenleri bacaklar谋m谋 kanats谋n, yumu艧ac谋k mis kokulu peryav艧anlar谋n 眉zerinde soluklanay谋m ve hikaye boyunca g枚z眉mde i臒ne ucu kadar k眉莽眉k, 莽elik p谋r谋lt谋 谋艧谋ldas谋n diye okudum. Heyye ne iyi ettim, umut verdi yine! ^^
September 18, 2017
Yashar Kemal is able to evoke the arid, yet effervescent, land of Taurus; from the ebullient sunsets to the incandescent moon-light, to the pellucid mountain slopes and parched plains or the baleful lives of the peasantry who struggle to survive beneath the oppression of feudalism, all of this is conjured up within the poetry of Kemal's prose.
The central character-aside from the protagonist Memed, is the country in which the story is set. Kemal. Desolate, yet beautiful, Kemal captures the deciduous and ethereal sunsets which illuminate the country, transmogrifying everything into a kaleidoscope of different colours, textures and tones, shedding some light on the bleakness of the peasants lives-there is something almost religious about Kemal's evocations of nature, something sacrosanct about the land which the workers toil under the turgid oppression of the landowners-even the prickly thistles are transformed in the sun-light;
"In spring the thistles are an anaemic, pale green. A light breeze can bend them to the earth. By midsummer the first blue veins appear on the stems. Then the branches and the whole stem turn a pale blue. Later this blue grows steadily deeper, till a field, the whole boundless plain, becomes a sea of the finest blue. If a wind blows, towards sunset, the blue thistles ripple like the sea and rustle; just as the sea turns road at sunset, so do the thistles."
At times the novel seems to be bathed in sun-light, as the never-ending brightness of the sun shines upon the land, upon the mountains, the swamps and the brooks, as colours coalesce from purple, to blue, to green and a glaring yellow. In contrast to this is the pale luminescence of the moon-light, as the world becomes a colder and darker place, but with a beauty which is more delicate and ephemeral;if sunlight transforms, then moonlight enhances and draws out the beauty of nature, as the whole world seems to be drowning 听beneath a sea of melancholy as its torrents are washing over the characters.
The lead character, Memed, acts as a kind of Robin Hood for the local peasants who are struggling under the oppression of the landlords. The primary antagonist in the novel is the cruel land-owner Abdi Agha; whilst the characters are drawn out relatively well, what is more important is what they represent; the powerless peasants, whose fickle cowardice allows Abdi Agha to dominate them, Abdi Agha and other landowners such as Ali Safa Bey, whose greed and avarice are responsible for the poverty of the peasantry and of heroic figures such as Memed, who represents the key with which to unlock the vice of oppression and to free the workers from the shackles of their masters, who constantly seek to coerce and dehumanise them. 听Although Kemal is clearly sympathetic to the plight of the peasantry he is also critical of their inability to fight back and rely on others, such as Memed, to win back their lands and rights-without the active involvement of the workers. The workers will never free themselves from the tyranny of the land-owners until they themselves also begin to confront the injustice of the system which envelops them and although Kemal feels they were initially over-reliant on others to take back what is theirs, Memed's actions in some ways act as the spark which will eventually set their revolution ablaze, just as the sun is able to transform the thickles into something radiant.听
The central character-aside from the protagonist Memed, is the country in which the story is set. Kemal. Desolate, yet beautiful, Kemal captures the deciduous and ethereal sunsets which illuminate the country, transmogrifying everything into a kaleidoscope of different colours, textures and tones, shedding some light on the bleakness of the peasants lives-there is something almost religious about Kemal's evocations of nature, something sacrosanct about the land which the workers toil under the turgid oppression of the landowners-even the prickly thistles are transformed in the sun-light;
"In spring the thistles are an anaemic, pale green. A light breeze can bend them to the earth. By midsummer the first blue veins appear on the stems. Then the branches and the whole stem turn a pale blue. Later this blue grows steadily deeper, till a field, the whole boundless plain, becomes a sea of the finest blue. If a wind blows, towards sunset, the blue thistles ripple like the sea and rustle; just as the sea turns road at sunset, so do the thistles."
At times the novel seems to be bathed in sun-light, as the never-ending brightness of the sun shines upon the land, upon the mountains, the swamps and the brooks, as colours coalesce from purple, to blue, to green and a glaring yellow. In contrast to this is the pale luminescence of the moon-light, as the world becomes a colder and darker place, but with a beauty which is more delicate and ephemeral;if sunlight transforms, then moonlight enhances and draws out the beauty of nature, as the whole world seems to be drowning 听beneath a sea of melancholy as its torrents are washing over the characters.
The lead character, Memed, acts as a kind of Robin Hood for the local peasants who are struggling under the oppression of the landlords. The primary antagonist in the novel is the cruel land-owner Abdi Agha; whilst the characters are drawn out relatively well, what is more important is what they represent; the powerless peasants, whose fickle cowardice allows Abdi Agha to dominate them, Abdi Agha and other landowners such as Ali Safa Bey, whose greed and avarice are responsible for the poverty of the peasantry and of heroic figures such as Memed, who represents the key with which to unlock the vice of oppression and to free the workers from the shackles of their masters, who constantly seek to coerce and dehumanise them. 听Although Kemal is clearly sympathetic to the plight of the peasantry he is also critical of their inability to fight back and rely on others, such as Memed, to win back their lands and rights-without the active involvement of the workers. The workers will never free themselves from the tyranny of the land-owners until they themselves also begin to confront the injustice of the system which envelops them and although Kemal feels they were initially over-reliant on others to take back what is theirs, Memed's actions in some ways act as the spark which will eventually set their revolution ablaze, just as the sun is able to transform the thickles into something radiant.听
July 4, 2018
Herkesin ismini cismini ezbere bildi臒i bir kitap 陌nce Memed. Konusunu anlatmaya giri艧meyece臒im bu sepeble. Fazlas谋yla ge莽 kald谋m okumak i莽in, nihayetinde de okudum. Hepimiz biliriz Memed鈥檌n hikayesini 眉st眉nk枚r眉, 眉st眉ne 眉stl眉k ben kitab谋n sonunu da biliyordum. Yine de bu durum kitab谋 okurken ald谋臒谋m zevki hi莽bir 艧ekilde baltalamad谋. Nedeni hikayenin ba艧tan sona 莽ok kuvvetli olmas谋. Karakterleriyle, olaylar谋yla 陌nce Memed鈥檌n kurgu oldu臒una inanmak bir hayli zor. Avucunun i莽i gibi bildi臒i belli olan 脟ukurova k枚yleri ve halklar谋n谋 枚yle g眉zel anlat谋yor ki Ya艧ar Kemal, b眉t眉n o tecr眉beyi, ya艧anm谋艧l谋klar谋 aktarabiliyor. Yaln谋z Memed de臒il, yan karakterler de ustal谋kla yarat谋lm谋艧; Topal Ali鈥檚inden Cabbar鈥櫮眓a, H眉r眉 Anas谋ndan Iraz鈥櫮眓a, hepsi i莽in 鈥淓vet, bu karakteri ben tan谋mam m谋?鈥� dedim. Romanlar ger莽ek de臒ildir fakat ger莽e臒i anlat谋r ya hani, bu s枚z眉 destekleyecek en g眉zel 枚rnek olabilir 陌nce Memed.
Kitab谋n en 莽arp谋c谋 noktas谋 b眉t眉n k枚t眉 insanlara kar艧谋 iyili臒in 谋艧谋l 谋艧谋l parlay谋艧谋n谋 g枚stermesi. Benim i莽in kitab谋n verdi臒i en 枚nemli mesaj iyili臒in d眉nyada hi莽 de az谋msanmayacak kadar olmas谋. Evet, fazlaca k枚t眉 karakter var kitapta, dediklerimle 莽eli艧iyor gibi. Fakat Abdi A臒alara, Kalayc谋 Osmanlara ra臒men, Ya艧ar Kemal 谋srarla demek istiyor ki, insanlar k枚t眉 de臒illerdir, hatta iyilerdir. Memed鈥檌n de dedi臒i gibi, ne kadar iyi insanlar var 艧u d眉nyada... O iyi insanlar谋n varl谋臒谋ndan emin olmasa Ya艧ar Kemal, Memed鈥檌 bindirip at谋na, 莽谋karmazd谋 脟ukurova da臒lar谋na.
Topraklar谋m谋zda yaz谋lan en iyi romanlardan oldu臒u s枚ylenir. S谋ras谋n谋 bilmem ama, bundan 眉莽 y眉z y谋l sonra da ilk 枚nerilecek, eskinin ne oldu臒unu en g眉zel anlatacak kitaplardan biri olmaya devam edecek, bunu biliyorum.
April 27, 2019
陌艧te b枚yle yazarlar谋 seviyorum.ya艧ad谋臒谋 toplumu, iklimi, topra臒谋 ama daha da 枚nemlisi insan谋n谋 tan谋yan yazarlar谋 ve yazd谋klar谋 kitaplar谋.zorlamadan, kan谋rtmadan b眉y眉k davalar谋, evrensel sorunlar谋 anlatan yazarlar谋.b枚yle kitaplar k眉莽眉c眉k bir delik gibiler hani sadece bir 谋艧谋k, par谋lt谋 yans谋r kafan谋z谋 deli臒e uzat谋p bakarsan谋z deli臒in i莽inden kocaman 谋艧谋l 谋艧谋l, u莽suz bucaks谋z bir d眉nya g枚r眉n眉r.Ya艧ar Kemal'in dili 莽ok sade 莽ok insanc谋l, sar谋s谋cak.serinin di臒er kitaplar谋n谋 da okuyaca臒谋m muhakkak.
April 1, 2018
"Konu艧an insan, 枚yle kolay kolay dertten 枚lmez. Bir insan konu艧mad谋 da i莽ine g枚m眉ld眉 m眉yd眉, sonu felakettir."
5/5猸愶笍猸愶笍猸愶笍猸愶笍猸愶笍
Ya艧ar Kemal okumak uzun zamand谋r hep akl谋mdayd谋. Hatta bu tarz ba艧ka kitaplara hi莽 ilgim olmad谋臒谋 zamanlarda bile bir arkada艧谋m谋n 枚nerisiyle okumay谋 bir 艧ekilde akl谋ma derinden kaz谋m谋艧t谋m. K眉t眉phanelerde d枚rt kitaptan olu艧an seri s谋ralamas谋n谋 bir t眉rl眉 tam bulam谋yordum. Bu y眉zden seriye ba艧lamam baya bir vaktimi ald谋. Nihayet d枚rt kitab谋 da yan yana g枚rd眉臒眉m bir k眉t眉phanede i莽im ciddi anlamda sevin莽le dolarak ilk kitab谋n谋 alabildim. 艦u kitaba ba艧larkenki heyecan谋m谋 umar谋m tam olarak ifade edebilirim. 陌lk defa Ya艧ar Kemal okuyup, 陌nce Memed gibi 31 senede tamamlanan bir eserin her sat谋r谋n谋 okuyup, karakterlerini, konusunu, kurgu gidi艧at谋n谋 akl谋ma kaz谋y谋p hi莽 unutmamak 眉zere ilk hislerimle bir defa okuyacakt谋m. Ba艧lamadan 枚nce kitaba uzaktan bakt谋臒谋mda benim i莽in sadece okumak istedi臒im yabanc谋 bir kitapken, bitirdikten sonra ne zaman kitab谋n谋 g枚rsem, ne zaman ad谋n谋 duysam bende yeri 莽ok farkl谋 olacak bir seri olacakt谋. Kitaplar谋 莽ok uzun s眉re sonra g枚rsem bile ilk okudu臒umdaki hislerimi hat谋rlay谋p buruk bir tebess眉m edecektim. Bu kadar uzun s眉redir okumak istedi臒im bir seri i莽in ba艧lang谋莽 hislerimi bu kadar uzun belirtmeden edemeyece臒im. Ayr谋ca bir okur olarak bu gibi eserlere bakarken i莽imi dolduran heyecan谋 tek tek kelimelere d枚km眉艧 oldum. 脰yle m眉kemmel bir kitapt谋 ki ilk ba艧谋ndan okumaya vuruldum resmen. 础苍濒补迟谋尘 dilindeki o sadelik, aksanlar谋n谋n bu kadar do臒al bir 艧ekilde kaleme d枚k眉lmesi, karakterlerin en ufak bir 枚zelli臒ini okumakla her bir c眉mleden ayr谋 keyif ald谋m. Bu kadar bekletti臒ime de臒mi艧 kesinlikle ama dayanamay谋p t眉m kitaplar谋 眉st 眉ste okuyaca臒谋m. Kitapta Cabbar'la 脟avu艧'un at谋艧malar谋n谋 okurken 枚yle sesli g眉ld眉m ki ayn谋 sat谋rlara d枚n眉p d枚n眉p s谋r谋t谋p durdum. Hem g眉ld眉r眉p, hem g眉l眉msetip, hem de ya艧ananlar谋n ac谋mas谋zl谋臒谋 sonucunda bo臒az谋m谋 d眉臒眉mleyen bamba艧ka bir kitapt谋. Kitaptan tek 艧ikayetim bu kadar h谋zl谋 okunuyor olmas谋yd谋. Bir bakm谋艧谋m g枚z a莽谋p kapayana kadar 莽oktan elli sayfay谋 okumu艧tum bile. Devam谋n谋 莽ok ama 莽ok merak ediyorum ve okumak i莽in dahi sab谋rs谋zlan谋yorum. Yak谋n zamanda Ya艧ar Kemal'dan okumad谋臒谋m kitap kalmayacak diye tahmin ediyorum 莽眉nk眉 her kitab谋na kar艧谋 i莽imde gitgide b眉y眉yeyen bir heyecan ye艧eriyor. S谋radaki kitab谋n谋n yorumuyla g枚r眉艧mek 眉zere.. Hen眉z okumam谋艧 olanlara 艧iddetle 枚nererek keyifli okumalar dilerim..
5/5猸愶笍猸愶笍猸愶笍猸愶笍猸愶笍
Ya艧ar Kemal okumak uzun zamand谋r hep akl谋mdayd谋. Hatta bu tarz ba艧ka kitaplara hi莽 ilgim olmad谋臒谋 zamanlarda bile bir arkada艧谋m谋n 枚nerisiyle okumay谋 bir 艧ekilde akl谋ma derinden kaz谋m谋艧t谋m. K眉t眉phanelerde d枚rt kitaptan olu艧an seri s谋ralamas谋n谋 bir t眉rl眉 tam bulam谋yordum. Bu y眉zden seriye ba艧lamam baya bir vaktimi ald谋. Nihayet d枚rt kitab谋 da yan yana g枚rd眉臒眉m bir k眉t眉phanede i莽im ciddi anlamda sevin莽le dolarak ilk kitab谋n谋 alabildim. 艦u kitaba ba艧larkenki heyecan谋m谋 umar谋m tam olarak ifade edebilirim. 陌lk defa Ya艧ar Kemal okuyup, 陌nce Memed gibi 31 senede tamamlanan bir eserin her sat谋r谋n谋 okuyup, karakterlerini, konusunu, kurgu gidi艧at谋n谋 akl谋ma kaz谋y谋p hi莽 unutmamak 眉zere ilk hislerimle bir defa okuyacakt谋m. Ba艧lamadan 枚nce kitaba uzaktan bakt谋臒谋mda benim i莽in sadece okumak istedi臒im yabanc谋 bir kitapken, bitirdikten sonra ne zaman kitab谋n谋 g枚rsem, ne zaman ad谋n谋 duysam bende yeri 莽ok farkl谋 olacak bir seri olacakt谋. Kitaplar谋 莽ok uzun s眉re sonra g枚rsem bile ilk okudu臒umdaki hislerimi hat谋rlay谋p buruk bir tebess眉m edecektim. Bu kadar uzun s眉redir okumak istedi臒im bir seri i莽in ba艧lang谋莽 hislerimi bu kadar uzun belirtmeden edemeyece臒im. Ayr谋ca bir okur olarak bu gibi eserlere bakarken i莽imi dolduran heyecan谋 tek tek kelimelere d枚km眉艧 oldum. 脰yle m眉kemmel bir kitapt谋 ki ilk ba艧谋ndan okumaya vuruldum resmen. 础苍濒补迟谋尘 dilindeki o sadelik, aksanlar谋n谋n bu kadar do臒al bir 艧ekilde kaleme d枚k眉lmesi, karakterlerin en ufak bir 枚zelli臒ini okumakla her bir c眉mleden ayr谋 keyif ald谋m. Bu kadar bekletti臒ime de臒mi艧 kesinlikle ama dayanamay谋p t眉m kitaplar谋 眉st 眉ste okuyaca臒谋m. Kitapta Cabbar'la 脟avu艧'un at谋艧malar谋n谋 okurken 枚yle sesli g眉ld眉m ki ayn谋 sat谋rlara d枚n眉p d枚n眉p s谋r谋t谋p durdum. Hem g眉ld眉r眉p, hem g眉l眉msetip, hem de ya艧ananlar谋n ac谋mas谋zl谋臒谋 sonucunda bo臒az谋m谋 d眉臒眉mleyen bamba艧ka bir kitapt谋. Kitaptan tek 艧ikayetim bu kadar h谋zl谋 okunuyor olmas谋yd谋. Bir bakm谋艧谋m g枚z a莽谋p kapayana kadar 莽oktan elli sayfay谋 okumu艧tum bile. Devam谋n谋 莽ok ama 莽ok merak ediyorum ve okumak i莽in dahi sab谋rs谋zlan谋yorum. Yak谋n zamanda Ya艧ar Kemal'dan okumad谋臒谋m kitap kalmayacak diye tahmin ediyorum 莽眉nk眉 her kitab谋na kar艧谋 i莽imde gitgide b眉y眉yeyen bir heyecan ye艧eriyor. S谋radaki kitab谋n谋n yorumuyla g枚r眉艧mek 眉zere.. Hen眉z okumam谋艧 olanlara 艧iddetle 枚nererek keyifli okumalar dilerim..
June 24, 2015
This book merits all the praise that it has received. It provides an outstanding view of life in the Anatolian highlands in the 1920s. The fall of the Ottman empire at the end of World War I has profoundly affected the social order in Turkey. Many of the old feudal families have lost their holdings. At the same time a class of nouveau richer has emerged and is making every effort to create a new feudalism by wresting the land holdings away from the peasants.
Some of the dispossessed have formed bands of brigands. These brigands quickly become clients of the large landholders and assist them to increase their holdings by intimidating those peasants who are resisting.
Memed our hero however is a good brigand who sides with the small landowners. For many readers, having a Robin Hood type to cheer for adds considerably to the charm of the book. I find it a somewhat contrived element in what is nonetheless a masterful portrait of a forgotten but important component of Twentieth Century history.
Some of the dispossessed have formed bands of brigands. These brigands quickly become clients of the large landholders and assist them to increase their holdings by intimidating those peasants who are resisting.
Memed our hero however is a good brigand who sides with the small landowners. For many readers, having a Robin Hood type to cheer for adds considerably to the charm of the book. I find it a somewhat contrived element in what is nonetheless a masterful portrait of a forgotten but important component of Twentieth Century history.
February 23, 2019
禺賵蹘賳丿賳蹖 亘蹠乇诏蹖 蹖蹠讴蹠賲蹖 丨蹠賲蹠丿蹎讴 鬲蹠賵丕賵 亘賵賵貙 趩蹖 丿蹠鬲賵丕賳賲 賱蹠爻蹠乇 卮丕讴丕乇蹖 蹖蹠卮丕乇 讴蹠賲丕賱 亘诘蹘賲責 賱蹠 噩賵丕賳蹖 趩蹖乇蹎讴蹠讴蹠責 賱蹠 丨蹠賲蹠丿蹎讴蹖 禺蹎賲貙 卮蹠賴蹘賳蹖 禺蹎賲貙 賱蹠 禺蹠噩蹖噩蹖 亘蹘 亘蹠禺鬲 賵 丿賵賵賳蹠蹖 賯蹎乇 亘蹠爻蹠乇貙賱蹠 賯爻蹠 禺蹎卮蹠讴丕賳蹖 賳丕蹖亘 乇蹠噩蹠亘 賵 噩蹠亘丕乇 讴蹠 賴蹠乇 丿蹠賲 夭蹠乇丿蹠禺蹠賳蹠蹖丕賳 亘蹠 賱蹘賵賲蹠賵蹠 丿蹠蹖丕賳 賴蹘賳丕貙 賱蹠 毓蹠亘丿蹖 禺丕賳蹖 丿诘 乇蹠卮貙 賱蹠 丿蹎乇丿賵賵 卮蹘鬲蹠讴蹠貙 毓蹠賱蹖蹠 卮蹠诘 賵 丿丕蹖讴蹠 丨賵乇蹖 賵 倬賱讴蹠 卅蹖乇丕夭蹖 丿诘 诏蹠賵乇蹠 蹖丕 倬蹖丕賵蹠鬲蹖 讴蹠乇蹖賲 卅蹎睾诘蹖 賵 賲丕賲 爻賲丕蹖诘 賵 賲丕賲 毓蹠賱蹖 丿賵賵乇賲蹖卮責 賱蹠 噩賵丕賳蹖 卮丕禺蹠讴丕賳 賵 丿蹠卮鬲蹠讴丕賳貙 賱蹠 卅丕爻蹖丕亘 趩蹠卮賲蹠 賵 卮丕乇貙 賱蹠 倬蹖丕夭 賵 賳丕賳蹖 诏賵賳丿蹖蹖蹠讴丕賳 賵 丨蹠诘賵丕 賵 賳丕賳蹖 诏蹠乇賲蹖 卮丕乇貙 賵賵卮蹠 讴蹠賲蹠 亘蹎 賵蹠爻賮 讴乇丿賳蹖 卅蹠賲 卮丕讴丕乇蹠貙 賱蹠 賴蹠賲賵賵 噩賵丕賳鬲乇 賵蹠跁诏蹘乇丕賳蹠 噩賵丕賳蹠讴蹠蹖 讴丕讴 毓蹠亘丿賵诘诘丕 亘賵賵貙 賱蹠 乇丕爻鬲蹖丿丕 賳賵賵爻蹖賳蹖 卅蹠賲 卮乇蹎冥蹠蹖蹠 夭蹖丕鬲乇 亘蹎 丿蹠爻鬲 禺賵卮蹖 讴乇丿賳 賱蹠 賲丕賲蹎爻鬲丕 毓蹠亘丿賵诘诘丕 丨蹠爻蹠賳 夭丕丿蹠蹖蹠貙 亘蹠 讴賵乇丿蹖 卮蹖乇蹖賳蹠讴蹠蹖 乇蹎跇賴蹠诘丕鬲貙 丿賵賵 卅蹠賵蹠賳丿蹠 鬲丕賲 賵 趩蹘跇蹖 夭蹖丕鬲乇蹖 亘蹠 趩蹖乇蹎讴蹠讴蹠 亘蹠禺卮蹖賵蹠貙 賴蹖賵丕丿丕乇賲 賴蹠乇 丿蹠賲 賱蹠卮 爻丕睾 賵 鬲蹠賳丿乇賵爻鬲 亘蹘鬲 賵 賴蹠乇賵蹠賴丕 禺賵蹘賳蹠乇蹖 讴賵乇丿 禺蹎蹖丕賳 賱蹠 禺蹎蹘賳丿賳蹖 卅蹠賲 趩蹖乇蹎讴蹠 賳丕夭丿丕乇蹠 亘蹠 賵蹠跁诏蹘乇丕賳蹠 賳丕賵丕夭蹠讴蹠蹖 讴丕讴 毓蹠亘丿賵诘诘丕 亘蹘 亘蹠卮 賳蹠讴蹠賳.
January 25, 2018
G枚r眉艧 sahas谋 ne kadar dar olursa olsun, insan muhayyilesi geni艧tir. De臒irmenoluk k枚y眉nden ba艧ka hi莽bir yere 莽谋kmam谋艧 bir insan谋n bile geni艧 bir hayal d眉nyas谋 mevcuttur. Y谋ld谋zlar谋n 枚telerine kadar uzanabilir. Hi莽bir yer bulamazsa Kafda臒谋n谋n arkas谋na kadar gider. O da olmazsa, d眉艧lerinde ya艧ad谋臒谋 yer ba艧kala艧谋r. Cennetle艧ir. 艦imdi, 艧u anda d眉艧ler veryans谋n ediyordur uykular谋n alt谋nda. 艦u f谋kara, 艧u kah谋rl谋 De臒irmenoluk k枚y眉nde, de臒i艧mi艧 d眉nyalar ya艧an谋yordur.
陌nce Memed...Memed... Zalimler i莽in e艧k谋ya, k枚yl眉ler i莽in 莽elik gibi, y谋k谋lmaz bir kahraman.
"Bana bak! O臒lum 陌nce Memed, dedi. Su莽suz adam谋, az su莽u olan adam谋, paras谋 i莽in adam 枚ld眉r眉rsen iki elim yakanda olsun."
Memed, yetim bir 莽ocuktur. Annesini ise ya艧ad谋klar谋 k枚y眉n a臒as谋 olan Abdi A臒a'n谋n zulm眉 sarm谋艧t谋r. Abdi A臒a ne 陌nce Memed'i ne anas谋n谋 ne de k枚yl眉y眉 sevmektedir. Tek derdi tarla,para,otorite,g眉莽.
陌nce Memed bir g眉n art谋k Abdi A臒a'n谋n yapt谋klar谋na dayanamaz hale gelir. Ve k枚y眉 terk eder. Anas谋 gece g眉nd眉r a臒lar durur. Abdi A臒a ise deli olur. Sonra 莽谋ka gelir, hem anas谋n谋 hem de g枚nl眉n眉n sahibi olan Hat莽e'yi de alarak gitmeye karar gelir. Anas谋 gelmez, Hat莽e ise onu b谋rakmaz. Ve ka莽arlar. Abdi A臒a deliye d枚ner 莽眉nk眉 Hat莽e'yi kendi ye臒eni ile ni艧anlam谋艧t谋r. Nas谋l c眉ret eder ye臒eni Veli'nin ni艧anl谋s谋n谋 da al谋p k枚y眉 terk etmeye? Nas谋l?! Ve 陌nce Memed'in hikayesi burada ba艧lar...
陌nsanlar谋 s枚zleriyle de臒il, hareketleriyle 枚l莽!
Bu kitab谋 herkes okumal谋. Herhangi bir ya艧 grubu fark etmeksizin. Ger莽ekten bu kitab谋 okudu臒unuzda 陌nce Memed'in neden 32 y谋l gibi uzun bir s眉rede yaz谋ld谋臒谋 anl谋yorsunuz. B枚yle bir eserin 眉zerine laf etmek ne kadar do臒ru bilmiyorum. Sanki okurken her c眉mlesi her kelimesi hatta her harfi ince ince i艧lenmi艧 gibi. Ve kitapta 艧ahane betimlemeler var. 脰ylesine y眉ksek kalitede betimlemelere ra臒men kitap ger莽ekten h谋zl谋 ilerliyor ve hikaye sizi sar谋yor.
Ben sana bir 艧ey 枚臒retemem o臒lum, b眉t眉n 莽arelerini kendin yaratacaks谋n.
陌nce Memed'i hikayesi kimi zaman size 眉zecek, kimi zaman g眉l眉msetip kimi zamanda gururland谋racak ama en 莽ok i莽inizi yakacak. Benim can谋m谋 莽ok yakt谋 陌nce Memed. 陌nce Memed'i k枚yl眉 ile olan ili艧kisi, etraf谋ndaki insanlara olan tutumu okunmaya de臒er. Hep terk edilen Memed oldu. Hep bir ba艧谋na kald谋 ama Ya艧ar Kemal'in de dedi臒i gibi 陌nce Memed, i莽inde ba艧kald谋rma kurduyla do臒mu艧 bir karakter.
陌nsanlar谋n 眉st眉ne 莽ok varmamal谋. 脰ld眉rmeli, d枚vmeli, ama 眉stlerine 莽ok varmamal谋. Donsuz, 莽谋r谋l莽谋plak, k枚y眉ne, evine girmesi bir adama 枚l眉mden zor gelir. 陌艧te bunu yapmamal谋. 陌nsanlarla oynamamal谋. Bir yerleri var, bin ince yerleri, i艧te oraya de臒memeli.
陌yi ile k枚t眉n眉n, cesur ile y眉reksizin, mertle namerdin hikayesi ve i莽ini 枚zg眉rl眉k duygusu kavuran Memed. 陌nce Memed. Kitab谋 bitirince bug眉ne kadar ne sat谋n al谋p okumam谋艧谋m diye kendime sordum. Ke艧ke daha erken okusaym谋艧谋m.
陌nsano臒lu 莽i臒 s眉t emmi艧tir. Her k枚t眉l眉臒眉 yapar, her iyili臒i yapt谋臒谋 gibi.
Son s枚z olarak, ben bu kitab谋 ger莽ekten 莽ok sevdim. 陌nce Memed'i burada daha daha anlatamam 莽眉nk眉 陌nce Memed anlat谋lmaz, okunur.
Konu艧an insan, 枚yle kolay kolay dertten 枚lmez. Bir insan konu艧mad谋 da i莽ine g枚m眉ld眉 m眉, sonu felakettir.
陌nce Memed...Memed... Zalimler i莽in e艧k谋ya, k枚yl眉ler i莽in 莽elik gibi, y谋k谋lmaz bir kahraman.
"Bana bak! O臒lum 陌nce Memed, dedi. Su莽suz adam谋, az su莽u olan adam谋, paras谋 i莽in adam 枚ld眉r眉rsen iki elim yakanda olsun."
Memed, yetim bir 莽ocuktur. Annesini ise ya艧ad谋klar谋 k枚y眉n a臒as谋 olan Abdi A臒a'n谋n zulm眉 sarm谋艧t谋r. Abdi A臒a ne 陌nce Memed'i ne anas谋n谋 ne de k枚yl眉y眉 sevmektedir. Tek derdi tarla,para,otorite,g眉莽.
陌nce Memed bir g眉n art谋k Abdi A臒a'n谋n yapt谋klar谋na dayanamaz hale gelir. Ve k枚y眉 terk eder. Anas谋 gece g眉nd眉r a臒lar durur. Abdi A臒a ise deli olur. Sonra 莽谋ka gelir, hem anas谋n谋 hem de g枚nl眉n眉n sahibi olan Hat莽e'yi de alarak gitmeye karar gelir. Anas谋 gelmez, Hat莽e ise onu b谋rakmaz. Ve ka莽arlar. Abdi A臒a deliye d枚ner 莽眉nk眉 Hat莽e'yi kendi ye臒eni ile ni艧anlam谋艧t谋r. Nas谋l c眉ret eder ye臒eni Veli'nin ni艧anl谋s谋n谋 da al谋p k枚y眉 terk etmeye? Nas谋l?! Ve 陌nce Memed'in hikayesi burada ba艧lar...
陌nsanlar谋 s枚zleriyle de臒il, hareketleriyle 枚l莽!
Bu kitab谋 herkes okumal谋. Herhangi bir ya艧 grubu fark etmeksizin. Ger莽ekten bu kitab谋 okudu臒unuzda 陌nce Memed'in neden 32 y谋l gibi uzun bir s眉rede yaz谋ld谋臒谋 anl谋yorsunuz. B枚yle bir eserin 眉zerine laf etmek ne kadar do臒ru bilmiyorum. Sanki okurken her c眉mlesi her kelimesi hatta her harfi ince ince i艧lenmi艧 gibi. Ve kitapta 艧ahane betimlemeler var. 脰ylesine y眉ksek kalitede betimlemelere ra臒men kitap ger莽ekten h谋zl谋 ilerliyor ve hikaye sizi sar谋yor.
Ben sana bir 艧ey 枚臒retemem o臒lum, b眉t眉n 莽arelerini kendin yaratacaks谋n.
陌nce Memed'i hikayesi kimi zaman size 眉zecek, kimi zaman g眉l眉msetip kimi zamanda gururland谋racak ama en 莽ok i莽inizi yakacak. Benim can谋m谋 莽ok yakt谋 陌nce Memed. 陌nce Memed'i k枚yl眉 ile olan ili艧kisi, etraf谋ndaki insanlara olan tutumu okunmaya de臒er. Hep terk edilen Memed oldu. Hep bir ba艧谋na kald谋 ama Ya艧ar Kemal'in de dedi臒i gibi 陌nce Memed, i莽inde ba艧kald谋rma kurduyla do臒mu艧 bir karakter.
陌nsanlar谋n 眉st眉ne 莽ok varmamal谋. 脰ld眉rmeli, d枚vmeli, ama 眉stlerine 莽ok varmamal谋. Donsuz, 莽谋r谋l莽谋plak, k枚y眉ne, evine girmesi bir adama 枚l眉mden zor gelir. 陌艧te bunu yapmamal谋. 陌nsanlarla oynamamal谋. Bir yerleri var, bin ince yerleri, i艧te oraya de臒memeli.
陌yi ile k枚t眉n眉n, cesur ile y眉reksizin, mertle namerdin hikayesi ve i莽ini 枚zg眉rl眉k duygusu kavuran Memed. 陌nce Memed. Kitab谋 bitirince bug眉ne kadar ne sat谋n al谋p okumam谋艧谋m diye kendime sordum. Ke艧ke daha erken okusaym谋艧谋m.
陌nsano臒lu 莽i臒 s眉t emmi艧tir. Her k枚t眉l眉臒眉 yapar, her iyili臒i yapt谋臒谋 gibi.
Son s枚z olarak, ben bu kitab谋 ger莽ekten 莽ok sevdim. 陌nce Memed'i burada daha daha anlatamam 莽眉nk眉 陌nce Memed anlat谋lmaz, okunur.
Konu艧an insan, 枚yle kolay kolay dertten 枚lmez. Bir insan konu艧mad谋 da i莽ine g枚m眉ld眉 m眉, sonu felakettir.
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