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La Com茅die Humaine #68
趩乇賲 爻丕睾乇蹖
丿乇 丕蹖賳 乇賲丕賳貙 卮丕蹖丿 亘蹖卮 丕夭 賴乇 丕孬乇 丿蹖诏乇 亘丕賱夭丕讴貙 乇賵丨 亘丿亘蹖賳蹖 賳賵蹖爻賳丿賴 賲賳毓讴爻 诏卮鬲賴 丕爻鬲. 亘丕賱夭丕讴 丕蹖賳 丕孬乇 乇丕 丿乇 蹖讴氐丿 賵 亘蹖爻鬲鈥� 賵 倬賳噩 爻丕賱 倬蹖卮貙 蹖毓賳蹖 丿乇 爻丕賱 郾鄹鄢郾 賲蹖賱丕丿蹖 賳賵卮鬲賴 丕爻鬲. 賵賱蹖 亘爻蹖丕乇蹖 丕夭 賲爻丕卅賱蹖 讴賴 亘丿丕賳 丕卮丕乇賴 賲蹖鈥屭┵嗀� 亘乇丕蹖 夭賲丕賳 丨丕囟乇 賳蹖夭 鬲丕夭诏蹖 丿丕乇丿 賵 賲蹖鈥屫堌з嗀� 丌賲賵夭賳丿賴 亘丕卮丿.
416 pages, Paperback
First published August 1, 1831
791 people are currently reading
8,946 people want to read
About the author
Honor茅 de Balzac
8,158听books4,198听followersFrench writer Honor茅 de Balzac (born Honor茅 Balzac), a founder of the realist school of fiction, portrayed the panorama of society in a body of works, known collectively as
La com茅die humaine
.
Honor茅 de Balzac authored 19th-century novels and plays. After the fall of Napol茅on I Bonaparte in 1815, his magnum opus, a sequence of almost a hundred novels and plays, entitled, presents life in the years.
Due to keen observation of fine detail and unfiltered representation, European literature regards Balzac. He features renowned multifaceted, even complex, morally ambiguous, full lesser characters. Character well imbues inanimate objects; the city of Paris, a backdrop, takes on many qualities. He influenced many famous authors, including the novelists Marcel Proust, 脡mile Zola, Charles John Huffam Dickens, Gustave Flaubert, Henry James, and Jack Kerouac as well as important philosophers, such as Friedrich Engels. Many works of Balzac, made into films, continue to inspire.
An enthusiastic reader and independent thinker as a child, Balzac adapted with trouble to the teaching style of his grammar. His willful nature caused trouble throughout his life and frustrated his ambitions to succeed in the world of business. Balzac finished, and people then apprenticed him as a legal clerk, but after wearying of banal routine, he turned his back on law. He attempted a publisher, printer, businessman, critic, and politician before and during his career. He failed in these efforts. From his own experience, he reflects life difficulties and includes scenes.
Possibly due to his intense schedule and from health problems, Balzac suffered throughout his life. Financial and personal drama often strained his relationship with his family, and he lost more than one friend over critical reviews. In 1850, he married Ewelina Ha艅ska, his longtime paramour; five months later, he passed away.
Honor茅 de Balzac authored 19th-century novels and plays. After the fall of Napol茅on I Bonaparte in 1815, his magnum opus, a sequence of almost a hundred novels and plays, entitled, presents life in the years.
Due to keen observation of fine detail and unfiltered representation, European literature regards Balzac. He features renowned multifaceted, even complex, morally ambiguous, full lesser characters. Character well imbues inanimate objects; the city of Paris, a backdrop, takes on many qualities. He influenced many famous authors, including the novelists Marcel Proust, 脡mile Zola, Charles John Huffam Dickens, Gustave Flaubert, Henry James, and Jack Kerouac as well as important philosophers, such as Friedrich Engels. Many works of Balzac, made into films, continue to inspire.
An enthusiastic reader and independent thinker as a child, Balzac adapted with trouble to the teaching style of his grammar. His willful nature caused trouble throughout his life and frustrated his ambitions to succeed in the world of business. Balzac finished, and people then apprenticed him as a legal clerk, but after wearying of banal routine, he turned his back on law. He attempted a publisher, printer, businessman, critic, and politician before and during his career. He failed in these efforts. From his own experience, he reflects life difficulties and includes scenes.
Possibly due to his intense schedule and from health problems, Balzac suffered throughout his life. Financial and personal drama often strained his relationship with his family, and he lost more than one friend over critical reviews. In 1850, he married Ewelina Ha艅ska, his longtime paramour; five months later, he passed away.
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Displaying 1 - 30 of 821 reviews
June 11, 2024
A poor immature young "man" and I write this word loosely, plans to jump into the Seine River and end it all, yet his dissipated conduct will make others uneasy and lack of sympathy toward him becomes universal..Raphael de Valentin is the boorish main character and while he is no hero this book made the great Balzac an important figure in French literature in 1831 and soon the rest of the planet. Raphael is talented, good-looking women are attractive to him they don't see what's below the surface, a superficial gentleman ...his only goal be rich and vegetate in luxury. Work is not an option he'd rather starve an a life of poverty live. Which brings us the reader to the dire situation the lazy Raphael finds himself, losing the little money in his pocket inside a gambling house in Paris... his late father warned him about... Still a writer of no real value and student of the law which doesn't interest the ne'er -do- well with three similar friends who save the despondent lad from a liquid bath. And instead a banquet for the ages by an affluent and fellow deviant, some would say degenerate too, they take him, wine, women and song, anything as the large group of eaters devour, these males know what they like and are not inhibited by ladies of the evening. An orgy of unlimited excess at tables always full of delectable food and liquor with the fawning girls (supposedly), show their gratitude in the way of the flesh. Raphael can't help himself to spill his troubles to the distracted friends, as turmoil engulfs the large room nobody cares... too much fun around, a near riot. Later falling in love with the landlady's lovely daughter Pauline, he cannot afford the rent even in this modest home, a past romance with the beautiful but cold Fredora, a woman noted for this, has sent him to the depths of despair. A miracle transforms Raphael fortune just before the notorious banquet an ancient shop owner a century old gives the penniless Valentin a piece of skin from a rare wild ass with magical powers, anything he desires comes true but with a heavy price...it shrinks and so will his life. Accepting the dubious offer almost instantly becomes what he most desired, wealth, consequences follow but not for the good...A parable of the era , corruption wins and the noble shrink like the animal's skin and disappears, yet then and now things haven't changed much , bad behavior is more attractive than good...nothing new under the sun, humans are easily led into that turbulence.
June 5, 2021
La Peau de chagrin = The Skin of Sorrow = The Wild Ass's Skin, Honor茅 de Balzac
The Skin of Sorrow or The Wild Ass's Skin is an 1831 novel by French novelist and playwright Honor茅 de Balzac (1799鈥�1850).
Set in early 19th-century Paris, it tells the story of a young man who finds a magic piece of shagreen that fulfills his every desire.
For each wish granted, however, the skin shrinks and consumes a portion of his physical energy.
The Skin of Sorrow belongs to the Studies philosophical group of Balzac's sequence of novels, The Human Comedy.
Before the book was completed, Balzac created excitement about it by publishing a series of articles and story fragments in several Parisian journals.
Although he was five months late in delivering the manuscript, he succeeded in generating sufficient interest that the novel sold out instantly upon its publication.
A second edition, which included a series of twelve other "philosophical tales", was released one month later.
鬲丕乇蹖禺 倬丕蹖丕賳 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 賳禺爻鬲 賲丕賴 賲丕乇爻 爻丕賱 1982賲蹖賱丕丿蹖
毓賳賵丕賳: 趩乇賲 爻丕睾乇蹖貨 賳賵蹖爻賳丿賴: 丕賵賳賵乇賴 丿賵 亘丕賱夭丕讴貨 賲鬲乇噩賲: 賲.丕 亘賴 丌匕蹖賳 (賲丨賲賵丿 丕毓鬲賲丕丿 夭丕丿賴)貨 鬲賴乇丕賳貙 亘賳诏丕賴 鬲乇噩賲賴 賵 賳卮乇 讴鬲丕亘貙 1335貙 丿乇 422氐貙 趩丕倬 丿賵賲 1342貨 丿乇 416氐貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 噩丕賲蹖貙 1368貨 丿乇 416氐貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 賳丕賴蹖丿貨 1372貨 丿乇 415氐貨 趩丕倬 卮卮賲 1382貨 趩丕倬 賴卮鬲賲 1392貨 卮丕亘讴 9789646205376貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 丿丕丿丕乇貙 1381貨 丿乇 416氐貨 卮丕亘讴 9647294565貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 丕賳鬲卮丕乇丕鬲 毓賱賲蹖 賮乇賴賳诏蹖貨 趩丕倬 趩賴丕乇賲 毓賱賲蹖 賮乇賴賳诏蹖 1394貨 丿乇 297氐貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 賮乇丕賳爻賴 - 爻丿賴 19賲
毓賳賵丕賳: 趩乇賲 爻丕睾乇蹖貨 賳賵蹖爻賳丿賴: 丕賵賳賵乇賴 丿賵 亘丕賱夭丕讴貨 賲鬲乇噩賲: 丨爻蹖賳賯賱蹖 噩賵丕賴乇趩蹖貨 鬲賴乇丕賳貙 讴丕賵賴貙 1348貨 丿乇 418 氐貨 趩丕倬 丿蹖诏乇: 鬲賴乇丕賳貙 毓丕乇賮貙 1362貨
乇丕賮丕卅賱 丿賵 賵丕賱丕賳鬲蹖賳貙 蹖鬲蹖賲 賵 鬲賳诏丿爻鬲貙 賲蹖鈥屫堌з囏� 禺賵丿讴卮蹖 讴賳丿貨 亘丕 卮禺氐蹖鬲 毓噩蹖亘蹖 賳蹖賲賴 毓鬲蹖賯賴 賮乇賵卮貙 賵 賳蹖賲賴 噩丕丿賵诏乇蹖貙 丿蹖丿丕乇 賲蹖鈥屭┵嗀� 丌賳 卮禺氐 鬲讴賴鈥� 丕蹖 趩乇賲 爻丕睾乇蹖 亘賴 丕賵 賴丿蹖賴 賲蹖鈥屭┵嗀� 讴賴 丿丕乇丕蹖 鬲賵丕賳丕蹖蹖 亘乇丌賵乇丿賳 賴賲诏蹖 丌賲丕賱 賵 賴賲賴 蹖 丌乇夭賵賴丕蹖 讴爻蹖 丕爻鬲 讴賴 丌賳 乇丕 丿乇 丕禺鬲蹖丕乇 丿丕卮鬲賴 亘丕卮丿貙 賵賱蹖 ....貨
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 14/03/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
The Skin of Sorrow or The Wild Ass's Skin is an 1831 novel by French novelist and playwright Honor茅 de Balzac (1799鈥�1850).
Set in early 19th-century Paris, it tells the story of a young man who finds a magic piece of shagreen that fulfills his every desire.
For each wish granted, however, the skin shrinks and consumes a portion of his physical energy.
The Skin of Sorrow belongs to the Studies philosophical group of Balzac's sequence of novels, The Human Comedy.
Before the book was completed, Balzac created excitement about it by publishing a series of articles and story fragments in several Parisian journals.
Although he was five months late in delivering the manuscript, he succeeded in generating sufficient interest that the novel sold out instantly upon its publication.
A second edition, which included a series of twelve other "philosophical tales", was released one month later.
鬲丕乇蹖禺 倬丕蹖丕賳 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 賳禺爻鬲 賲丕賴 賲丕乇爻 爻丕賱 1982賲蹖賱丕丿蹖
毓賳賵丕賳: 趩乇賲 爻丕睾乇蹖貨 賳賵蹖爻賳丿賴: 丕賵賳賵乇賴 丿賵 亘丕賱夭丕讴貨 賲鬲乇噩賲: 賲.丕 亘賴 丌匕蹖賳 (賲丨賲賵丿 丕毓鬲賲丕丿 夭丕丿賴)貨 鬲賴乇丕賳貙 亘賳诏丕賴 鬲乇噩賲賴 賵 賳卮乇 讴鬲丕亘貙 1335貙 丿乇 422氐貙 趩丕倬 丿賵賲 1342貨 丿乇 416氐貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 噩丕賲蹖貙 1368貨 丿乇 416氐貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 賳丕賴蹖丿貨 1372貨 丿乇 415氐貨 趩丕倬 卮卮賲 1382貨 趩丕倬 賴卮鬲賲 1392貨 卮丕亘讴 9789646205376貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 丿丕丿丕乇貙 1381貨 丿乇 416氐貨 卮丕亘讴 9647294565貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 丕賳鬲卮丕乇丕鬲 毓賱賲蹖 賮乇賴賳诏蹖貨 趩丕倬 趩賴丕乇賲 毓賱賲蹖 賮乇賴賳诏蹖 1394貨 丿乇 297氐貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 賮乇丕賳爻賴 - 爻丿賴 19賲
毓賳賵丕賳: 趩乇賲 爻丕睾乇蹖貨 賳賵蹖爻賳丿賴: 丕賵賳賵乇賴 丿賵 亘丕賱夭丕讴貨 賲鬲乇噩賲: 丨爻蹖賳賯賱蹖 噩賵丕賴乇趩蹖貨 鬲賴乇丕賳貙 讴丕賵賴貙 1348貨 丿乇 418 氐貨 趩丕倬 丿蹖诏乇: 鬲賴乇丕賳貙 毓丕乇賮貙 1362貨
乇丕賮丕卅賱 丿賵 賵丕賱丕賳鬲蹖賳貙 蹖鬲蹖賲 賵 鬲賳诏丿爻鬲貙 賲蹖鈥屫堌з囏� 禺賵丿讴卮蹖 讴賳丿貨 亘丕 卮禺氐蹖鬲 毓噩蹖亘蹖 賳蹖賲賴 毓鬲蹖賯賴 賮乇賵卮貙 賵 賳蹖賲賴 噩丕丿賵诏乇蹖貙 丿蹖丿丕乇 賲蹖鈥屭┵嗀� 丌賳 卮禺氐 鬲讴賴鈥� 丕蹖 趩乇賲 爻丕睾乇蹖 亘賴 丕賵 賴丿蹖賴 賲蹖鈥屭┵嗀� 讴賴 丿丕乇丕蹖 鬲賵丕賳丕蹖蹖 亘乇丌賵乇丿賳 賴賲诏蹖 丌賲丕賱 賵 賴賲賴 蹖 丌乇夭賵賴丕蹖 讴爻蹖 丕爻鬲 讴賴 丌賳 乇丕 丿乇 丕禺鬲蹖丕乇 丿丕卮鬲賴 亘丕卮丿貙 賵賱蹖 ....貨
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 14/03/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
October 16, 2024
In the mid-eighteenth century, in France, the media, like the newspaper, had its emergence. As of this date, a revolution in the press through this mass information vehicle would only surpass centuries later with the invention of the remaining media: radio, television, and satellite communication, and that will culminate with the interfaces of hypermedia, that is, the computer. Honor茅 de Balzac, in his book Ilus玫es Perdidas, tells us the whole trajectory of the newspaper since its inception, comparing it with Literature. The work makes us understand that with the appearance of the press, good Literature has fallen into the background once writers have abandoned their "ivory towers" to dedicate themselves professionally to this new medium of communication. Eaten by disposable information, the reader bends over a coffee table, digests the reading, and then tosses the newspaper into the nearest wastebasket. With this, the media we speak here (the Literature) has lost ground, giving space for a new apparatus conveyed by a new type of individual who is neither politician nor literate: the journalist. Like a parasite, he came to earn his living through the "misfortune of others," since his livelihood was driven by the interests and blessings of the new media, which was not (and is not) at the service of truth. In the first conception of the word, but of bringing to the public what is of interest to the news media, it is understood from the benefit of the press the question of boasting, what causes discussion, what causes the chain reaction, and then returns to the initial point. Let us not forget, too, that it was through the Journal that the Critique emerged - a personal point of view that adds nothing to the new: on the contrary. It constructs and destroys intellectual production, whatever depends on the interest of the one in charge of the news. Without fear of productive contradiction, it is possible to say that with the appearance of the Journal, we have a fragmented type of reader, light years away from the one who spent hours, weeks, and months to apprehend literary knowledge. Anyway, the newspaper we read this morning does not mean anything at night when we turn off the light and fall asleep; Literature is immortal. As long as there is room for the imaginary, it is present. Balzac tries to translate, in his way, the portrait of the newspaper at the time and tells us that it would become the future: our present.
November 25, 2023
袟邪 褎邪褋邪写芯屑, 泻邪蟹邪谢芯褋褜 斜褘, 锌褉芯褋褌芯泄 懈写械懈 芯 褋芯懈蟹屑械褉械薪懈懈 褋胁芯懈褏 卸械谢邪薪懈泄, 胁芯蟹屑芯卸薪芯褋褌械泄 懈 芯谐褉邪薪懈褔械薪懈泄, 泻褉芯褞褌褋褟 斜芯谢械械 谐谢褍斜芯泻懈械 胁芯锌褉芯褋褘. 袦芯谐褍褌 谢懈 写械薪褜谐懈 写邪褉芯胁邪褌褜 褋褔邪褋褌褜械? 袗 谢褞斜芯胁褜? 效褌芯 胁芯芯斜褖械 薪褍卸薪芯 写谢褟 褋褔邪褋褌褜褟 懈 褔褌芯 械褋褌褜 褋褔邪褋褌褜械? 袙 褔械屑 褋屑褘褋谢 卸懈蟹薪懈, 泻芯谐写邪 械褋褌褜 懈 写械薪褜谐懈, 懈 薪邪褋褌芯褟褖邪褟 谢褞斜芯胁褜, 懈 薪械芯谐褉邪薪懈褔械薪薪褘械 胁芯蟹屑芯卸薪芯褋褌懈, 写邪褉褍械屑褘械 褕邪谐褉械薪械胁芯泄 泻芯卸械泄, 泻芯褌芯褉褘械 斜褘谢懈 褍 袪邪褎邪褝谢褟 袙邪谢邪薪褌械薪邪? 效械谐芯 械屑褍 薪械 褏胁邪褌邪谢芯?
袘邪谢褜蟹邪泻 薪械 写邪褢褌 芯褌胁械褌芯胁 薪邪 胁芯锌褉芯褋褘, 芯薪 谢懈褕褜 懈褏 褋褌邪胁懈褌. 袦芯谐褍褖械褋褌胁芯 褎邪薪褌邪褋褌懈褔械褋泻芯泄 褕邪谐褉械薪械胁芯泄 泻芯卸懈 褉邪褋褌褉邪褔械薪芯 蟹褉褟, 胁 斜芯谢褜褕懈薪褋褌胁械 褋胁芯械屑 薪邪 锌褍褋褌褟泻懈, 懈蟹-蟹邪 锌褉懈胁褘褔泻懈 褉邪蟹斜褉邪褋褘胁邪褌褜褋褟 褋谢芯胁邪屑懈. 袠 胁锌褉邪胁写褍, 芯薪 锌芯卸械谢邪谢 邪薪褌懈泻胁邪褉褍 胁谢褞斜懈褌褜褋褟 胁 褌邪薪褑芯胁褖懈褑褍, 懈蟹-蟹邪 褋胁芯械泄 褍锌械褉褌芯褋褌懈 械屑褍 锌褉懈褕谢芯褋褜 胁芯蟹卸械谢邪褌褜 褍斜懈褌褜 锌褉芯褌懈胁薪懈泻邪 薪邪 写褍褝谢懈. 楔邪谐褉械薪械胁邪褟 泻芯卸邪 薪械 褌芯谢褜泻芯 锌芯褋褌邪胁懈谢邪 胁褋械 褝褌懈 胁芯锌褉芯褋褘. 袨薪邪 谢懈褕懈谢邪 袪邪褎邪褝谢褟 褋锌芯褋芯斜薪芯褋褌懈 薪邪褋谢邪卸写邪褌褜褋褟 胁褋械屑懈 械谐芯 斜芯谐邪褌褋褌胁邪屑懈 懈 斜谢邪谐邪屑懈. 袛谢褟 锌褉械写褍锌褉械卸写械薪懈褟 卸械谢邪薪懈泄 斜褘谢 锌褉懈褋褌邪胁谢械薪 褋谢褍谐邪 袠芯薪邪褎邪薪, 薪芯 芯薪 薪械 屑芯谐 褉械褕懈褌褜 褝褌芯褌 胁芯锌褉芯褋 锌芯谢薪芯褋褌褜褞.
袧芯 械褋褌褜 懈 械褖褢 芯写懈薪 屑芯褉邪谢褜薪褘泄 屑芯屑械薪褌. 袪邪褎邪褝谢褜 锌褉懈械蟹卸邪械褌 薪邪 泻褍褉芯褉褌褘, 械屑褍 褌邪屑 薪械 褉邪写褘 懈蟹-蟹邪 蟹邪褉邪蟹薪芯褋褌懈 械谐芯 斜芯谢械蟹薪懈. 袧械褋屑芯褌褉褟 薪邪 锌褉褟屑芯 懈 泻芯褋胁械薪薪芯 胁褘褋泻邪蟹邪薪薪褍褞 锌褉芯褋褜斜褍 锌芯泻懈薪褍褌褜 芯斜褖械褋褌胁芯, 芯薪 懈蟹 薪械锌芯屑械褉薪芯 褉邪蟹写褍褌芯谐芯 褝谐芯懈蟹屑邪 薪械 卸械谢邪械褌 锌芯写褔懈薪褟褌褜褋褟 锌芯卸械谢邪薪懈褟屑 谢褞写械泄. 协褌邪 褔械褉褌邪 褉邪薪褜褕械 斜褘 泻邪蟹邪谢邪褋褜 锌褉械褍胁械谢懈褔械薪薪芯泄, 薪芯 薪械写邪胁薪褟褟 锌邪薪写械屑懈褟 锌芯泻邪蟹邪谢邪 谐谢褍斜芯泻褍褞 卸懈蟹薪械薪薪芯褋褌褜 褝褌芯谐芯 薪邪斜谢褞写械薪懈褟.
小邪屑邪 谢懈褔薪芯褋褌褜 袪邪褎邪褝谢褟 谐谢褍斜芯泻芯 薪械褋懈屑锌邪褌懈褔薪邪. 袨薪 薪械 屑芯卸械褌 锌芯谢褞斜懈褌褜 锌褉芯褋褌褍褞 写械胁褍褕泻褍, 薪邪锌褉懈屑械褉, 褌褍 卸械 袩芯谢懈薪褍 写芯 褌芯谐芯, 泻邪泻 褌邪 褔褍写械褋薪芯 褉邪蟹斜芯谐邪褌械谢邪. 袝屑褍 屑邪谢芯, 褔褌芯斜褘 卸械薪褖懈薪邪 斜褘谢邪 泻褉邪褋邪胁懈褑械泄, 薪芯 薪褍卸薪芯, 褔褌芯斜褘 褍 薪械械 斜褘谢 褌懈褌褍谢 懈 胁懈写懈屑芯械 褋懈褟薪懈械 斜芯谐邪褌褋褌胁邪 胁 芯写械褟薪懈懈. 袚褉褍褋褌薪芯, 泻芯谐写邪 谢褞写懈 锌芯蟹胁芯谢褟褞褌 褋械斜械 懈褋锌褘褌褘胁邪褌褜 谢褞斜芯胁薪褘泄 懈薪褌械褉械褋 褌芯谢褜泻芯 泻 写械屑芯薪褋褌褉懈褉褍褞褖懈屑 褉芯褋泻芯褕褜 谢褞写褟屑. 协褌芯, 锌芯卸邪谢褍泄, 褋邪屑褘泄 芯褌胁褉邪褌懈褌械谢褜薪褘泄 褌懈锌.
袩褉懈屑械褔邪褌械谢褜薪芯, 褔褌芯 谢褞斜芯胁褜 袩芯谢懈薪褘, 泻芯褌芯褉褍褞 芯薪 锌芯卸械谢邪谢, 懈 褌邪泻 褍 薪械谐芯 斜褘谢邪. 袨薪邪 写芯褋褌芯泄薪芯 锌褉芯褕谢邪 懈褋锌褘褌邪薪懈械 斜芯谐邪褌褋褌胁芯屑.
袪芯屑邪薪 写邪褢褌 谢褞斜芯锌褘褌薪褘械 褋胁械写械薪懈褟 芯 褉邪蟹胁懈褌懈懈 薪邪褍泻懈 懈 褌械褏薪懈泻懈 褌芯谐芯 胁褉械屑械薪懈. 袘褘谢芯 蟹邪薪懈屑邪褌械谢褜薪褘屑 褍蟹薪邪褌褜, 褔褌芯 褕邪谐褉械薪械胁邪褟 泻芯卸邪 斜褘谢邪 褋写械谢邪薪邪 懈蟹 泻芯卸懈 芯薪邪谐褉邪 懈谢懈 泻褍谢邪薪邪. 袣褍谢邪薪 卸懈胁褢褌 胁 袣邪蟹邪褏褋褌邪薪械, 懈 褉邪薪褜褕械, 薪邪 芯褋褌褉芯胁械 袘邪褉褋邪泻械谢褜屑械褋 胁 械褖褢 薪械胁褘褋芯褏褕械屑 褌芯谐写邪 袗褉邪谢褜褋泻芯屑 屑芯褉械 斜褘谢 褑械谢褘泄 蟹邪锌芯胁械写薪懈泻. 袠薪褌械褉械褋薪芯, 褔褌芯 胁 袙懈泻懈锌械写懈懈 芯薪邪谐褉 懈 泻褍谢邪薪 - 褉邪蟹薪褘械 卸懈胁芯褌薪褘械, 邪 胁芯褌 袘邪谢褜蟹邪泻 薪邪蟹褘胁邪械褌 卸懈胁芯褌薪芯械, 懈蟹 泻芯褌芯褉芯谐芯 褋写械谢邪薪邪 褕邪谐褉械薪械胁邪褟 泻芯卸邪 懈 芯薪邪谐褉芯屑, 懈 泻褍谢邪薪芯屑.
袘邪谢褜蟹邪泻 薪械 写邪褢褌 芯褌胁械褌芯胁 薪邪 胁芯锌褉芯褋褘, 芯薪 谢懈褕褜 懈褏 褋褌邪胁懈褌. 袦芯谐褍褖械褋褌胁芯 褎邪薪褌邪褋褌懈褔械褋泻芯泄 褕邪谐褉械薪械胁芯泄 泻芯卸懈 褉邪褋褌褉邪褔械薪芯 蟹褉褟, 胁 斜芯谢褜褕懈薪褋褌胁械 褋胁芯械屑 薪邪 锌褍褋褌褟泻懈, 懈蟹-蟹邪 锌褉懈胁褘褔泻懈 褉邪蟹斜褉邪褋褘胁邪褌褜褋褟 褋谢芯胁邪屑懈. 袠 胁锌褉邪胁写褍, 芯薪 锌芯卸械谢邪谢 邪薪褌懈泻胁邪褉褍 胁谢褞斜懈褌褜褋褟 胁 褌邪薪褑芯胁褖懈褑褍, 懈蟹-蟹邪 褋胁芯械泄 褍锌械褉褌芯褋褌懈 械屑褍 锌褉懈褕谢芯褋褜 胁芯蟹卸械谢邪褌褜 褍斜懈褌褜 锌褉芯褌懈胁薪懈泻邪 薪邪 写褍褝谢懈. 楔邪谐褉械薪械胁邪褟 泻芯卸邪 薪械 褌芯谢褜泻芯 锌芯褋褌邪胁懈谢邪 胁褋械 褝褌懈 胁芯锌褉芯褋褘. 袨薪邪 谢懈褕懈谢邪 袪邪褎邪褝谢褟 褋锌芯褋芯斜薪芯褋褌懈 薪邪褋谢邪卸写邪褌褜褋褟 胁褋械屑懈 械谐芯 斜芯谐邪褌褋褌胁邪屑懈 懈 斜谢邪谐邪屑懈. 袛谢褟 锌褉械写褍锌褉械卸写械薪懈褟 卸械谢邪薪懈泄 斜褘谢 锌褉懈褋褌邪胁谢械薪 褋谢褍谐邪 袠芯薪邪褎邪薪, 薪芯 芯薪 薪械 屑芯谐 褉械褕懈褌褜 褝褌芯褌 胁芯锌褉芯褋 锌芯谢薪芯褋褌褜褞.
袧芯 械褋褌褜 懈 械褖褢 芯写懈薪 屑芯褉邪谢褜薪褘泄 屑芯屑械薪褌. 袪邪褎邪褝谢褜 锌褉懈械蟹卸邪械褌 薪邪 泻褍褉芯褉褌褘, 械屑褍 褌邪屑 薪械 褉邪写褘 懈蟹-蟹邪 蟹邪褉邪蟹薪芯褋褌懈 械谐芯 斜芯谢械蟹薪懈. 袧械褋屑芯褌褉褟 薪邪 锌褉褟屑芯 懈 泻芯褋胁械薪薪芯 胁褘褋泻邪蟹邪薪薪褍褞 锌褉芯褋褜斜褍 锌芯泻懈薪褍褌褜 芯斜褖械褋褌胁芯, 芯薪 懈蟹 薪械锌芯屑械褉薪芯 褉邪蟹写褍褌芯谐芯 褝谐芯懈蟹屑邪 薪械 卸械谢邪械褌 锌芯写褔懈薪褟褌褜褋褟 锌芯卸械谢邪薪懈褟屑 谢褞写械泄. 协褌邪 褔械褉褌邪 褉邪薪褜褕械 斜褘 泻邪蟹邪谢邪褋褜 锌褉械褍胁械谢懈褔械薪薪芯泄, 薪芯 薪械写邪胁薪褟褟 锌邪薪写械屑懈褟 锌芯泻邪蟹邪谢邪 谐谢褍斜芯泻褍褞 卸懈蟹薪械薪薪芯褋褌褜 褝褌芯谐芯 薪邪斜谢褞写械薪懈褟.
小邪屑邪 谢懈褔薪芯褋褌褜 袪邪褎邪褝谢褟 谐谢褍斜芯泻芯 薪械褋懈屑锌邪褌懈褔薪邪. 袨薪 薪械 屑芯卸械褌 锌芯谢褞斜懈褌褜 锌褉芯褋褌褍褞 写械胁褍褕泻褍, 薪邪锌褉懈屑械褉, 褌褍 卸械 袩芯谢懈薪褍 写芯 褌芯谐芯, 泻邪泻 褌邪 褔褍写械褋薪芯 褉邪蟹斜芯谐邪褌械谢邪. 袝屑褍 屑邪谢芯, 褔褌芯斜褘 卸械薪褖懈薪邪 斜褘谢邪 泻褉邪褋邪胁懈褑械泄, 薪芯 薪褍卸薪芯, 褔褌芯斜褘 褍 薪械械 斜褘谢 褌懈褌褍谢 懈 胁懈写懈屑芯械 褋懈褟薪懈械 斜芯谐邪褌褋褌胁邪 胁 芯写械褟薪懈懈. 袚褉褍褋褌薪芯, 泻芯谐写邪 谢褞写懈 锌芯蟹胁芯谢褟褞褌 褋械斜械 懈褋锌褘褌褘胁邪褌褜 谢褞斜芯胁薪褘泄 懈薪褌械褉械褋 褌芯谢褜泻芯 泻 写械屑芯薪褋褌褉懈褉褍褞褖懈屑 褉芯褋泻芯褕褜 谢褞写褟屑. 协褌芯, 锌芯卸邪谢褍泄, 褋邪屑褘泄 芯褌胁褉邪褌懈褌械谢褜薪褘泄 褌懈锌.
袩褉懈屑械褔邪褌械谢褜薪芯, 褔褌芯 谢褞斜芯胁褜 袩芯谢懈薪褘, 泻芯褌芯褉褍褞 芯薪 锌芯卸械谢邪谢, 懈 褌邪泻 褍 薪械谐芯 斜褘谢邪. 袨薪邪 写芯褋褌芯泄薪芯 锌褉芯褕谢邪 懈褋锌褘褌邪薪懈械 斜芯谐邪褌褋褌胁芯屑.
袪芯屑邪薪 写邪褢褌 谢褞斜芯锌褘褌薪褘械 褋胁械写械薪懈褟 芯 褉邪蟹胁懈褌懈懈 薪邪褍泻懈 懈 褌械褏薪懈泻懈 褌芯谐芯 胁褉械屑械薪懈. 袘褘谢芯 蟹邪薪懈屑邪褌械谢褜薪褘屑 褍蟹薪邪褌褜, 褔褌芯 褕邪谐褉械薪械胁邪褟 泻芯卸邪 斜褘谢邪 褋写械谢邪薪邪 懈蟹 泻芯卸懈 芯薪邪谐褉邪 懈谢懈 泻褍谢邪薪邪. 袣褍谢邪薪 卸懈胁褢褌 胁 袣邪蟹邪褏褋褌邪薪械, 懈 褉邪薪褜褕械, 薪邪 芯褋褌褉芯胁械 袘邪褉褋邪泻械谢褜屑械褋 胁 械褖褢 薪械胁褘褋芯褏褕械屑 褌芯谐写邪 袗褉邪谢褜褋泻芯屑 屑芯褉械 斜褘谢 褑械谢褘泄 蟹邪锌芯胁械写薪懈泻. 袠薪褌械褉械褋薪芯, 褔褌芯 胁 袙懈泻懈锌械写懈懈 芯薪邪谐褉 懈 泻褍谢邪薪 - 褉邪蟹薪褘械 卸懈胁芯褌薪褘械, 邪 胁芯褌 袘邪谢褜蟹邪泻 薪邪蟹褘胁邪械褌 卸懈胁芯褌薪芯械, 懈蟹 泻芯褌芯褉芯谐芯 褋写械谢邪薪邪 褕邪谐褉械薪械胁邪褟 泻芯卸邪 懈 芯薪邪谐褉芯屑, 懈 泻褍谢邪薪芯屑.
April 11, 2025
To live fully is to die a little with every desire fulfilled.
I must confess - I love Balzac - reading his works is some sort of therapy to me. Love his rich, panoramic, elegant prose, his wit, his deep and timeless insights into human nature, his wisdom and his sense of humour.
'The Wild Ass's Skin' is different from other Balzac's novels and novellas that I have read so far for it is a harmonious blend of philosophy, fantasy and social critique. The novel is the author's attempt to explore the price we, people, pay for fulfilling our desires and their damaging implications on our existence. At the same time Balzac uses this opportunity to criticize the Parisian society - this glittering, cruel, soul-devouring animal and its typical representatives.
'Possessing this skin means living with the certainty of death in every moment of joy.'
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'To wish is to lose; to live is to destroy oneself.'
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'Between the daylight gambler and the player at night there is the same difference that lies between a careless husband and the lover swooning under his lady鈥檚 window.'
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'For pain is perhaps but a violent pleasure? Who could determine the point where pleasure becomes pain, where pain is still a pleasure Is not the utmost brightness of the ideal world soothing to us, while the lightest shadows of the physical world annoy?'
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'If you are to judge a man, you must know his secret thoughts, sorrows, and feelings; to know merely the outward events of a man鈥檚 life would only serve to make a chronological table 鈥� a fool鈥檚 notion of history.'
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'Conscience is our unerring judge until we finally stifle it.'
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'Between power and renunciation, only wisdom can survive.'
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'In Paris, everyone wants to be someone else.'
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'His genius had found refuge in caf茅s, beneath the smoke of cheap cigars and the applause of mediocre minds.'
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'Science explains everything, yet comforts nothing.'
I must confess - I love Balzac - reading his works is some sort of therapy to me. Love his rich, panoramic, elegant prose, his wit, his deep and timeless insights into human nature, his wisdom and his sense of humour.
'The Wild Ass's Skin' is different from other Balzac's novels and novellas that I have read so far for it is a harmonious blend of philosophy, fantasy and social critique. The novel is the author's attempt to explore the price we, people, pay for fulfilling our desires and their damaging implications on our existence. At the same time Balzac uses this opportunity to criticize the Parisian society - this glittering, cruel, soul-devouring animal and its typical representatives.
'Possessing this skin means living with the certainty of death in every moment of joy.'
-----------------------------------------------------------------------------
'To wish is to lose; to live is to destroy oneself.'
----------------------------------------------------------------------------
'Between the daylight gambler and the player at night there is the same difference that lies between a careless husband and the lover swooning under his lady鈥檚 window.'
-----------------------------------------------------------------------------
'For pain is perhaps but a violent pleasure? Who could determine the point where pleasure becomes pain, where pain is still a pleasure Is not the utmost brightness of the ideal world soothing to us, while the lightest shadows of the physical world annoy?'
------------------------------------------------------------------------------
'If you are to judge a man, you must know his secret thoughts, sorrows, and feelings; to know merely the outward events of a man鈥檚 life would only serve to make a chronological table 鈥� a fool鈥檚 notion of history.'
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'Conscience is our unerring judge until we finally stifle it.'
-----------------------------------------------------------------------------
'Between power and renunciation, only wisdom can survive.'
----------------------------------------------------------------------------
'In Paris, everyone wants to be someone else.'
---------------------------------------------------------------------------
'His genius had found refuge in caf茅s, beneath the smoke of cheap cigars and the applause of mediocre minds.'
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'Science explains everything, yet comforts nothing.'
September 23, 2024
芦Si me posees, lo poseer谩s todo, pero tu vida me pertenecer谩, Dios as铆 lo ha querido. Pero regula tus deseos seg煤n tu vida. Ella est谩 aqu铆. A cada deseo tuyo, menguar茅 yo como tus d铆as. 驴Me quieres? Toma. Dios te oir谩. 隆Am茅n!禄
Qu茅 se puede agregar de un enorme escritor como Honor茅 de Balzac. Insuperable novelista del siglo XIX y uno de los m谩s importantes que ha dado Francia en la historia junto a Victor Hugo, Gustave Flaubert y Alexandre Dumas.
Enfocado en construir esa gran enciclopedia literaria de noventa y siete novelas a la que denomin贸 鈥淟a Comedia Humana鈥�, escrib铆a durante quince horas continuas, aislado de todo y de todos, mientras minaba su salud tomando m谩s de cincuenta tazas de caf茅 a punto tal de que sobre el final del d铆a masticaba los granos directamente.
Supo enarbolar la bandera del Realismo franc茅s que inspir贸 a muchos que lo vanagloriaron despu茅s (Guy de Maupassant y Emile Zol谩 son dos claros ejemplos de autores que se rindieron a sus pies) y logr贸 cincelar con su pluma que parec铆a un fr铆o diamante quir煤rgico los distintos estratos sociales de su pa铆s post revoluci贸n a veces de forma despiadada y sin miramientos.
鈥淟a piel de zapa鈥� fue la primera de todas esas novelas que escribi贸 Balzac y en ella conocemos la historia de un muchacho llamado Rafael de Valent铆n a quien nada la sale bien la vida. Luego de perder su 煤ltima moneda de oro en el casino decide suicidarse arroj谩ndose al r铆o Sena, pero por alguna fortuita raz贸n decide aplazar tal decisi贸n yendo a visitar un lugar que le apasiona: una tienda de antig眉edades.
All铆 y luego de haber visitado el bazar de arriba abajo, el viejo vendedor le propone regalarle un trozo de piel de zapa, o para explicarlo m谩s claramente, un pedazo de piel de una raza de asno llamada onagro, que posee facultades m谩gicas: la de poder concederle a su due帽o todos los deseos que 茅ste quiere, pero con el riesgo de que cada deseo le va quitando a Rafael a帽os de vida mientras que la piel misma se va encogiendo. Como todo joven impulsivo e impetuoso acepta esta m谩gico talism谩n y en ese mismo instante comienza su decadencia.
Por eso mismo el viejo le advierte y repite: 芦Usted ha firmado el pacto y no hay nada m谩s que hablar. De ahora en adelante sus deseos ser谩n escrupulosamente satisfechos, pero a cosa de su vida. El c铆rculo de sus d铆as, figurado por esta piel, se encoger谩 por la fuerza y el n煤mero de sus deseos, desde el m谩s leve al m谩s exorbitante禄.
Esta novela fant谩stica debido a su connotaci贸n f谩ustica tiene fuertes similitudes con otras que encontramos en la literatura, siendo muy especialmente la conexi贸n en cierto modo con el Fausto de Goethe; la naturaleza de lo que le sucede a Rafael que nos recuerda al inolvidable 鈥淓l retrato de Dorian Gray鈥� de Oscar Wilde, a la divertida 鈥淎zazel鈥� de Isaac Asimov y a otros relatos m谩s cortos relacionado con el indiscriminado abuso del pedido de deseos que nos relatan Robert Louis Stevenson en 鈥淓l diablo en la botella鈥� y W. W. Jacobs en su impecable 鈥淟a pata de mono鈥�.
La novela consta de solo cuatro cap铆tulos siendo el segundo el que retrata el loco desenfreno de Rafael, quien merced a sus constantes pedidos de deseos se transforma en un millonario marqu茅s que sucumbe a todo tipo de tentaciones, lujuria y pecados en el que las mujeres est谩n l贸gicamente a su disposici贸n. En el 煤ltimo cap铆tulo llamado 鈥淟a agon铆a鈥� asistimos al derrumbe de Rafael, donde al final un peque帽o retazo de la piel de zapa que le queda le pasa factura dej谩ndolo al borde de la muerte, pues como dice el autor 芦nada es completo en este mundo sino la desgracia禄.
El final es apote贸sico, porque luego de much铆simas p谩ginas en las que adem谩s de narrar la historia de Rafael, Balzac va destripando sin remordimiento a toda la sociedad francesa de su 茅poca (sobre todo a los pol铆ticos, la nobleza, los m茅dicos, los abogados y la iglesia) asistimos al anunciado final de Rafael de Valent铆n, ese muchacho que de la nada lo ha conseguido todo.
El mensaje es claro y aleccionador, pues tiene que ver con el poder, la ambici贸n y de c贸mo el destino es el que m谩s trampas le tiende al ser humano. Es interesante ponerse en los zapatos de Rafael y preguntarnos qu茅 har铆amos si tuvi茅ramos la gran posibilidad de que m谩gicamente nos cumpliera los deseos que m谩s ambicionamos un peque帽o trozo de tela llamado 鈥減iel de zapa鈥�.
Qu茅 se puede agregar de un enorme escritor como Honor茅 de Balzac. Insuperable novelista del siglo XIX y uno de los m谩s importantes que ha dado Francia en la historia junto a Victor Hugo, Gustave Flaubert y Alexandre Dumas.
Enfocado en construir esa gran enciclopedia literaria de noventa y siete novelas a la que denomin贸 鈥淟a Comedia Humana鈥�, escrib铆a durante quince horas continuas, aislado de todo y de todos, mientras minaba su salud tomando m谩s de cincuenta tazas de caf茅 a punto tal de que sobre el final del d铆a masticaba los granos directamente.
Supo enarbolar la bandera del Realismo franc茅s que inspir贸 a muchos que lo vanagloriaron despu茅s (Guy de Maupassant y Emile Zol谩 son dos claros ejemplos de autores que se rindieron a sus pies) y logr贸 cincelar con su pluma que parec铆a un fr铆o diamante quir煤rgico los distintos estratos sociales de su pa铆s post revoluci贸n a veces de forma despiadada y sin miramientos.
鈥淟a piel de zapa鈥� fue la primera de todas esas novelas que escribi贸 Balzac y en ella conocemos la historia de un muchacho llamado Rafael de Valent铆n a quien nada la sale bien la vida. Luego de perder su 煤ltima moneda de oro en el casino decide suicidarse arroj谩ndose al r铆o Sena, pero por alguna fortuita raz贸n decide aplazar tal decisi贸n yendo a visitar un lugar que le apasiona: una tienda de antig眉edades.
All铆 y luego de haber visitado el bazar de arriba abajo, el viejo vendedor le propone regalarle un trozo de piel de zapa, o para explicarlo m谩s claramente, un pedazo de piel de una raza de asno llamada onagro, que posee facultades m谩gicas: la de poder concederle a su due帽o todos los deseos que 茅ste quiere, pero con el riesgo de que cada deseo le va quitando a Rafael a帽os de vida mientras que la piel misma se va encogiendo. Como todo joven impulsivo e impetuoso acepta esta m谩gico talism谩n y en ese mismo instante comienza su decadencia.
Por eso mismo el viejo le advierte y repite: 芦Usted ha firmado el pacto y no hay nada m谩s que hablar. De ahora en adelante sus deseos ser谩n escrupulosamente satisfechos, pero a cosa de su vida. El c铆rculo de sus d铆as, figurado por esta piel, se encoger谩 por la fuerza y el n煤mero de sus deseos, desde el m谩s leve al m谩s exorbitante禄.
Esta novela fant谩stica debido a su connotaci贸n f谩ustica tiene fuertes similitudes con otras que encontramos en la literatura, siendo muy especialmente la conexi贸n en cierto modo con el Fausto de Goethe; la naturaleza de lo que le sucede a Rafael que nos recuerda al inolvidable 鈥淓l retrato de Dorian Gray鈥� de Oscar Wilde, a la divertida 鈥淎zazel鈥� de Isaac Asimov y a otros relatos m谩s cortos relacionado con el indiscriminado abuso del pedido de deseos que nos relatan Robert Louis Stevenson en 鈥淓l diablo en la botella鈥� y W. W. Jacobs en su impecable 鈥淟a pata de mono鈥�.
La novela consta de solo cuatro cap铆tulos siendo el segundo el que retrata el loco desenfreno de Rafael, quien merced a sus constantes pedidos de deseos se transforma en un millonario marqu茅s que sucumbe a todo tipo de tentaciones, lujuria y pecados en el que las mujeres est谩n l贸gicamente a su disposici贸n. En el 煤ltimo cap铆tulo llamado 鈥淟a agon铆a鈥� asistimos al derrumbe de Rafael, donde al final un peque帽o retazo de la piel de zapa que le queda le pasa factura dej谩ndolo al borde de la muerte, pues como dice el autor 芦nada es completo en este mundo sino la desgracia禄.
El final es apote贸sico, porque luego de much铆simas p谩ginas en las que adem谩s de narrar la historia de Rafael, Balzac va destripando sin remordimiento a toda la sociedad francesa de su 茅poca (sobre todo a los pol铆ticos, la nobleza, los m茅dicos, los abogados y la iglesia) asistimos al anunciado final de Rafael de Valent铆n, ese muchacho que de la nada lo ha conseguido todo.
El mensaje es claro y aleccionador, pues tiene que ver con el poder, la ambici贸n y de c贸mo el destino es el que m谩s trampas le tiende al ser humano. Es interesante ponerse en los zapatos de Rafael y preguntarnos qu茅 har铆amos si tuvi茅ramos la gran posibilidad de que m谩gicamente nos cumpliera los deseos que m谩s ambicionamos un peque帽o trozo de tela llamado 鈥減iel de zapa鈥�.
March 30, 2017
賲賳 趩賳丿丕賳 丌丿賲 亘丕丨賵氐賱賴鈥屫й� 賳蹖爻鬲賲 賵 賲毓賲賵賱丕 賴賲 丿乇 讴鬲丕亘 禺賵丕賳丿賳 卮鬲丕亘鈥屫藏団€屫з呚� 亘賴鈥屬堐屭樫� 乇賲丕賳 讴賴 亘蹖卮鬲乇 亘乇丕蹖賲 爻乇诏乇賲蹖 丕爻鬲. 丕賲賾丕 趩賴 趩蹖夭蹖 亘丕毓孬 賲蹖鈥屫促堌� 亘丕賱夭丕讴 乇丕 亘丕 賴賲賴鈥屰� 胤賵賱 賵 鬲賮氐蹖賱鈥屬囏й� 丌夭丕乇賳丿賴鈥屫ж� 亘倬爻賳丿賲責
亘丕賱夭丕讴 賲蹖鈥屫з嗀� 趩胤賵乇 亘丕蹖丿 丿丕爻鬲丕賳 鬲毓乇蹖賮 讴賳丿貙 賵 讴賲丿蹖 丕賳爻丕賳蹖 賲蹖鈥屬嗁堐屫池�. 賲賵卮讴丕賮蹖 丕賳爻丕賳鈥屬囏� 丿乇 讴鬲丕亘鈥屬囏й� 亘丕賱夭丕讴 賵 鬲賯賱賾丕蹖卮 亘乇丕蹖 亘賴 丿爻鬲 丿丕丿賳 卮賳丕禺鬲蹖 賳夭丿蹖讴 亘賴 丨賯蹖賯鬲 (讴賴 賳賴丕蹖鬲賽 丌賳 賳丕卮丿賳蹖爻鬲) 亘乇丕蹖賲 乇卮讴鈥屫з嗂屫� 丕爻鬲貨 賲賳 亘蹖鈥屬嗁囏й屫� 丿賵爻鬲 丿丕乇賲 丌丿賲鈥屬囏� 乇丕 賲賵卮讴丕賮蹖 讴賳賲 賵 禺賵亘 賲蹖鈥屫з嗁� 丕蹖賳 讴丕乇 鬲丕 趩賴 丨丿 賳丕卮丿賳蹖 賵 丿乇 毓蹖賳 丨丕賱 賳夭丿蹖讴鈥屫簇嗃屫池�.
趩乇賲 爻丕睾乇蹖 丿丕爻鬲丕賳蹖 亘賵乇禺爻蹖 丕爻鬲 讴賴 亘丕賱夭丕讴 乇賵丕蹖鬲卮 讴乇丿賴 賵 丕蹖賳 乇賵丕蹖鬲 賵丕賯毓丕 噩丕賱亘 丕爻鬲. 卮丕蹖丿 乇賵夭蹖 亘賴鬲乇 鬲賵丕賳爻鬲賲 亘丕 丕氐胤賱丕丨丕鬲 賳賯丿 丕丿亘蹖 亘丕賱夭丕讴 乇丕 鬲賵囟蹖丨 丿賴賲 丕賲賾丕 賮毓賱丕貙 乇蹖卮禺賳丿 亘丕賱夭丕讴 亘乇 噩丕賲毓賴 賵 丕賳爻丕賳 丌賳 趩蹖夭蹖爻鬲 讴賴 讴鬲丕亘鈥屬囏й屫� 亘乇丕蹖 賲賳 噩丕賱亘 讴乇丿賴. 乇丕爻鬲蹖賳蹖丕讴賽 賴賲鈥屫з嗁団€屫й� 亘丕亘丕诏賵乇蹖賵 賵賯鬲蹖 丿乇 趩乇賲 爻丕睾乇蹖 亘丕 乇丕賮丕卅賱 亘乇禺賵乇丿 賲蹖鈥屭┵嗀� 禺賵亘 賲蹖鈥屫促堌� 丿蹖丿 讴賴 噩丕賲毓賴鈥屰� 丌賳 乇賵夭诏丕乇 賮乇丕賳爻賴 丕夭 丕賵 趩賴 爻丕禺鬲賴 丕爻鬲. 亘丨孬鈥屬囏й� 爻乇爻丕賲鈥屫①堌� 賲噩賱爻 丿乇 賲爻鬲蹖貙 丨囟賵乇 賴賲蹖卮诏蹖 賮卅賵丿賵乇丕貙 賵 毓卮賯 亘賴鈥屬嗀肛� 賲賳 丿乇賵睾蹖賳 乇丕賮丕卅賱 亘賴 倬賵賱蹖賳 賴賲賴 賵 賴賲賴 乇蹖卮禺賳丿 噩丕賲毓賴 賵 丕賳爻丕賳賳丿.
賲賳 丿乇 噩丕賴丕蹖蹖 鬲賳賴丕 趩卮賲丕賳賲 乇丕 丕夭 乇賵蹖 讴賱賲丕鬲 賲蹖鈥屭柏必з嗀� 賵 丕夭 爻乇 賲賱丕賱 讴鬲丕亘 乇丕 賲蹖鈥屫ㄘ池呚� 丕賲賾丕 賳賴丕蹖鬲丕 亘賴 賳亘賵睾 丿蹖賵丕賳賴鈥屬堌ж� 亘丕賱夭丕讴 賲毓鬲乇賮賲. 丕蹖賳 賳亘賵睾 賵賯鬲蹖 丕蹖賳 讴鬲丕亘鈥屬囏й� 丿乇禺卮丕賳 乇丕 丿乇 丕禺鬲蹖丕乇 賲丕 诏匕丕卮鬲賴 (讴賴 卮丕蹖丿 賴乇 讴鬲丕亘卮 乇丕 蹖讴 亘丕乇 亘蹖卮鬲乇 賳禺賵丕賳蹖賲 丕賲賾丕 賲丿丕賲 丿賱賲丕賳 亘乇丕蹖 賱匕賾鬲 禺賵丕賳丿賳卮丕賳 鬲賳诏 賲蹖鈥屫促堌�) 禺亘 亘诏匕丕乇 趩賳丿蹖賳 賵 趩賳丿 氐賮丨賴 鬲賵氐蹖賮 賵 鬲丨賱蹖賱 亘蹖鈥屬呚操� 讴賳丿.
亘丕賱夭丕讴 賲蹖鈥屫з嗀� 趩胤賵乇 亘丕蹖丿 丿丕爻鬲丕賳 鬲毓乇蹖賮 讴賳丿貙 賵 讴賲丿蹖 丕賳爻丕賳蹖 賲蹖鈥屬嗁堐屫池�. 賲賵卮讴丕賮蹖 丕賳爻丕賳鈥屬囏� 丿乇 讴鬲丕亘鈥屬囏й� 亘丕賱夭丕讴 賵 鬲賯賱賾丕蹖卮 亘乇丕蹖 亘賴 丿爻鬲 丿丕丿賳 卮賳丕禺鬲蹖 賳夭丿蹖讴 亘賴 丨賯蹖賯鬲 (讴賴 賳賴丕蹖鬲賽 丌賳 賳丕卮丿賳蹖爻鬲) 亘乇丕蹖賲 乇卮讴鈥屫з嗂屫� 丕爻鬲貨 賲賳 亘蹖鈥屬嗁囏й屫� 丿賵爻鬲 丿丕乇賲 丌丿賲鈥屬囏� 乇丕 賲賵卮讴丕賮蹖 讴賳賲 賵 禺賵亘 賲蹖鈥屫з嗁� 丕蹖賳 讴丕乇 鬲丕 趩賴 丨丿 賳丕卮丿賳蹖 賵 丿乇 毓蹖賳 丨丕賱 賳夭丿蹖讴鈥屫簇嗃屫池�.
趩乇賲 爻丕睾乇蹖 丿丕爻鬲丕賳蹖 亘賵乇禺爻蹖 丕爻鬲 讴賴 亘丕賱夭丕讴 乇賵丕蹖鬲卮 讴乇丿賴 賵 丕蹖賳 乇賵丕蹖鬲 賵丕賯毓丕 噩丕賱亘 丕爻鬲. 卮丕蹖丿 乇賵夭蹖 亘賴鬲乇 鬲賵丕賳爻鬲賲 亘丕 丕氐胤賱丕丨丕鬲 賳賯丿 丕丿亘蹖 亘丕賱夭丕讴 乇丕 鬲賵囟蹖丨 丿賴賲 丕賲賾丕 賮毓賱丕貙 乇蹖卮禺賳丿 亘丕賱夭丕讴 亘乇 噩丕賲毓賴 賵 丕賳爻丕賳 丌賳 趩蹖夭蹖爻鬲 讴賴 讴鬲丕亘鈥屬囏й屫� 亘乇丕蹖 賲賳 噩丕賱亘 讴乇丿賴. 乇丕爻鬲蹖賳蹖丕讴賽 賴賲鈥屫з嗁団€屫й� 亘丕亘丕诏賵乇蹖賵 賵賯鬲蹖 丿乇 趩乇賲 爻丕睾乇蹖 亘丕 乇丕賮丕卅賱 亘乇禺賵乇丿 賲蹖鈥屭┵嗀� 禺賵亘 賲蹖鈥屫促堌� 丿蹖丿 讴賴 噩丕賲毓賴鈥屰� 丌賳 乇賵夭诏丕乇 賮乇丕賳爻賴 丕夭 丕賵 趩賴 爻丕禺鬲賴 丕爻鬲. 亘丨孬鈥屬囏й� 爻乇爻丕賲鈥屫①堌� 賲噩賱爻 丿乇 賲爻鬲蹖貙 丨囟賵乇 賴賲蹖卮诏蹖 賮卅賵丿賵乇丕貙 賵 毓卮賯 亘賴鈥屬嗀肛� 賲賳 丿乇賵睾蹖賳 乇丕賮丕卅賱 亘賴 倬賵賱蹖賳 賴賲賴 賵 賴賲賴 乇蹖卮禺賳丿 噩丕賲毓賴 賵 丕賳爻丕賳賳丿.
賲賳 丿乇 噩丕賴丕蹖蹖 鬲賳賴丕 趩卮賲丕賳賲 乇丕 丕夭 乇賵蹖 讴賱賲丕鬲 賲蹖鈥屭柏必з嗀� 賵 丕夭 爻乇 賲賱丕賱 讴鬲丕亘 乇丕 賲蹖鈥屫ㄘ池呚� 丕賲賾丕 賳賴丕蹖鬲丕 亘賴 賳亘賵睾 丿蹖賵丕賳賴鈥屬堌ж� 亘丕賱夭丕讴 賲毓鬲乇賮賲. 丕蹖賳 賳亘賵睾 賵賯鬲蹖 丕蹖賳 讴鬲丕亘鈥屬囏й� 丿乇禺卮丕賳 乇丕 丿乇 丕禺鬲蹖丕乇 賲丕 诏匕丕卮鬲賴 (讴賴 卮丕蹖丿 賴乇 讴鬲丕亘卮 乇丕 蹖讴 亘丕乇 亘蹖卮鬲乇 賳禺賵丕賳蹖賲 丕賲賾丕 賲丿丕賲 丿賱賲丕賳 亘乇丕蹖 賱匕賾鬲 禺賵丕賳丿賳卮丕賳 鬲賳诏 賲蹖鈥屫促堌�) 禺亘 亘诏匕丕乇 趩賳丿蹖賳 賵 趩賳丿 氐賮丨賴 鬲賵氐蹖賮 賵 鬲丨賱蹖賱 亘蹖鈥屬呚操� 讴賳丿.
December 4, 2015
He made fun of everything, his own prospects included. Always short of money, he remained, like all men with a future before them, wallowing in inexpressible idleness, condensing a whole book into one epigram for the benefit of people who were incapable of putting one witticism into a whole book. Lavish of promises that he never kept, he had made his fortune and reputation into a cushion on which he slept, thus running the risk of coming to his senses, as an old man, in an almshouse. With all that, keeping faith with his friends to the point of death, a swaggering cynic and as simple-hearted as a child, he worked only by fits and starts or under the spur of necessity.
This marked my return to Balzac, a welcome one after many years. When I spend time with my friends' children I make point of telling them to avoid Zola and stick with Balzac.
The Wild Ass's Skin is simply stunning. The depictions of emotional uncertainty and the fluctuations of fortune were remarkable. The display of ornate and obscure objects, avocations and sundry theory were equally compelling.
This marked my return to Balzac, a welcome one after many years. When I spend time with my friends' children I make point of telling them to avoid Zola and stick with Balzac.
The Wild Ass's Skin is simply stunning. The depictions of emotional uncertainty and the fluctuations of fortune were remarkable. The display of ornate and obscure objects, avocations and sundry theory were equally compelling.
October 29, 2023
亘賴 卮禺氐賴 毓賯蹖丿賴 丿丕乇賲 禺賵賳丿賳 乇賲丕賳 讴賱丕爻蹖讴 禺蹖賱蹖 禺蹖賱蹖 亘賴 丨丕賱 丌丿賲 亘爻鬲诏蹖 丿丕乇賴 賵 蹖賴 卮乇丕蹖胤 禺丕氐蹖 賲蹖鈥屫焚勜ㄙ囏� 丕賳诏丕乇 賵賯鬲蹖 毓噩賱賴 丿丕乇蹖 賳亘丕蹖丿 亘乇蹖 爻賲鬲 丕蹖賳噩賵乇 讴鬲丕亘丕貙 蹖丕 夭賲丕賳蹖 讴賴 賮賯胤 丿賱鬲 賲蹖鈥屫堌ж� 亘丕 卮禺氐蹖鬲丕 丕乇鬲亘丕胤 亘诏蹖乇蹖 賵 亘倬乇蹖 賵爻胤 賲丕噩乇丕 賵 讴賳噩讴丕賵 丌禺乇 丿丕爻鬲丕賳 丕賵賳 讴鬲丕亘蹖. 賵賱蹖 蹖賴 夭賲丕賳蹖 賲蹖乇爻賴 讴賴 丿賱鬲 賲蹖鈥屫堌ж� 丕乇賵賲 亘丕卮蹖 亘丿賵賳 丕囟胤乇丕亘 丕蹖賳鈥屭┵� 趩賯丿乇 讴鬲丕亘 賳禺賵賳丿賴 丿丕乇蹖 賵 趩賯丿乇 卮丕蹖丿 丕夭 亘乇賳丕賲賴鈥屰� 讴鬲丕亘禺賵賳蹖 讴賴 亘乇丕蹖 禺賵丿鬲 丿乇 賳馗乇 诏乇賮鬲蹖 毓賯亘 賲賵賳丿賴 亘丕卮蹖.
趩乇賲 爻丕睾乇蹖貙 鬲賵蹖 卮乇丕蹖胤 賮毓賱蹖 賲賳 卮丿 賴賲蹖賳 讴鬲丕亘蹖 讴賴 賳蹖丕夭賲賳丿 氐亘乇 賵 丨賵氐賱賴 亘賵丿貙 鬲賵蹖 賴乇 卮乇丕蹖胤 丿蹖诏賴鈥屫й� 禺賵賳丿賳 鬲讴 亘賴 鬲讴 鬲賵氐蹖賮丕鬲 賵 噩夭卅蹖丕鬲 夭蹖丕丿卮 賯胤毓丕 丿賱賲 乇賵 賲蹖鈥屫藏�. 賵賱蹖 鬲賵蹖 丕蹖賳 趩賳丿 賴賮鬲賴 丕禺蹖乇 丿賱賲 賲蹖鈥屫堌ж池� 亘卮蹖賳賲 倬丕蹖 倬乇丨乇賮蹖丕蹖 賳賵蹖爻賳丿賴 丕夭 夭賲蹖賳 賵 丿乇 賵 丿蹖賵丕乇 亘乇丕賲 亘诏賴貙 丕夭 丕丨爻丕爻丕鬲卮 丕夭 丕卮鬲亘丕賴丕鬲卮貙 蹖賴 噩賵乇丕蹖蹖 丨爻 丿丕爻鬲丕賳鈥屬囏й� 賯丿蹖賲蹖 賵 倬乇 丕夭 倬賳丿 賲丕賲丕賳鈥屫ㄘ藏壁� 乇賵 亘賴賲 丕賱賯丕 讴乇丿.
丕诏賴 亘禺賵丕賲 噩丿丕 丕夭 丨丕賱 禺賵亘蹖 讴賴 亘丕讴鬲丕亘 丿丕卮鬲賲貙 鬲賯乇蹖亘丕 賲賳胤賯蹖 賴賲 毓蹖亘 賵 丕蹖乇丕丿丕卮 乇賵 亘亘蹖賳賲貙 賲蹖鈥屫堎嗁� 丕蹖賳胤賵乇蹖 亘诏賲 讴賴 蹖賴 賯爻賲鬲丕蹖蹖 丕賳賯丿乇乇乇 丕夭 毓卮賯 賵 亘蹖鈥屬堎佖й屰� 賲毓卮賵賯卮 賲蹖鈥屬嗀з勝� 賵 倬乇丨乇賮蹖 賲蹖鈥屭┵嗁� 讴賴 賲蹖鈥屭� 亘爻爻爻賴 丕丿丕賲賴 賳丿賴 丿蹖诏賴!
卮禺氐蹖鬲 胤毓賲毓鈥屭┴ж� 賵 丨蹖賱賴鈥屭� 乇丕賮丕卅賱 亘毓囟丕 賲蹖鈥屫堎嗀池� 賲噩亘賵乇賲 讴賳賴 亘夭賳賲 鬲賵 诏賵卮卮 賵 亘诏賲 賲鬲賵噩賴 賴爻鬲蹖 丿丕乇蹖 趩賴 诏賳丿蹖 賲蹖夭賳蹖 亘賴 夭賳丿诏蹖鬲責! 趩乇丕 讴爻蹖 讴賴 亘賴鬲 丕賴賲蹖鬲 乇賵 賳賲蹖鈥屫ㄛ屬嗃屫�!!!!
賵 丿乇 賳賴丕蹖鬲 賯氐賴 趩乇賲 爻丕睾乇蹖 蹖賴 噩賵乇丕蹖蹖 賲孬賱 睾賵賱 趩乇丕睾 噩丕丿賵 噩匕丕亘 亘賵丿貙 讴賴 丕诏乇 丿丕卮鬲賲卮 賯胤毓丕 亘賴 噩丕蹖 毓賲乇 夭蹖丕丿 賵 亘蹖賴賵丿賴貙 丿乇 胤賱亘 毓賲乇 讴賵鬲丕賴 賵賱蹖 倬乇丕夭 賴蹖噩丕賳 賵 丌乇夭賵賴丕賲 亘賵丿賲 :)
倬.賳: 丕賵賱蹖賳 乇賲丕賳蹖 亘賵丿 讴賴 丕夭 亘丕賱夭丕讴 禺賵賳丿賲貙 趩賳丿丕賳 賳賲蹖鈥屫堎嗁� 亘诏賲 賵丕丕丕蹖 亘蹖鈥屬嗀港屫必� 丿賱鈥屫з嗂屫� 賵 禺丕乇賯鈥屫з勜关ж� 亘賵丿貙 蹖丕 亘賴 賯胤毓 爻乇丕睾 亘賯蹖賴 乇賲丕賳鈥屬囏й屰� 讴賴 賳賵卮鬲賴 賲蹖乇賲. 丿乇 賳鬲蹖噩賴 趩賳丿丕賳 賳賵蹖爻賳丿賴 賲賵乇丿 毓賱丕賯賴鈥屬� 賳卮丿.
丕鬲賲丕賲: 卮卮賲 丌亘丕賳鈥屬呚з� 爻丕賱 郾鄞郯鄄
趩乇賲 爻丕睾乇蹖貙 鬲賵蹖 卮乇丕蹖胤 賮毓賱蹖 賲賳 卮丿 賴賲蹖賳 讴鬲丕亘蹖 讴賴 賳蹖丕夭賲賳丿 氐亘乇 賵 丨賵氐賱賴 亘賵丿貙 鬲賵蹖 賴乇 卮乇丕蹖胤 丿蹖诏賴鈥屫й� 禺賵賳丿賳 鬲讴 亘賴 鬲讴 鬲賵氐蹖賮丕鬲 賵 噩夭卅蹖丕鬲 夭蹖丕丿卮 賯胤毓丕 丿賱賲 乇賵 賲蹖鈥屫藏�. 賵賱蹖 鬲賵蹖 丕蹖賳 趩賳丿 賴賮鬲賴 丕禺蹖乇 丿賱賲 賲蹖鈥屫堌ж池� 亘卮蹖賳賲 倬丕蹖 倬乇丨乇賮蹖丕蹖 賳賵蹖爻賳丿賴 丕夭 夭賲蹖賳 賵 丿乇 賵 丿蹖賵丕乇 亘乇丕賲 亘诏賴貙 丕夭 丕丨爻丕爻丕鬲卮 丕夭 丕卮鬲亘丕賴丕鬲卮貙 蹖賴 噩賵乇丕蹖蹖 丨爻 丿丕爻鬲丕賳鈥屬囏й� 賯丿蹖賲蹖 賵 倬乇 丕夭 倬賳丿 賲丕賲丕賳鈥屫ㄘ藏壁� 乇賵 亘賴賲 丕賱賯丕 讴乇丿.
丕诏賴 亘禺賵丕賲 噩丿丕 丕夭 丨丕賱 禺賵亘蹖 讴賴 亘丕讴鬲丕亘 丿丕卮鬲賲貙 鬲賯乇蹖亘丕 賲賳胤賯蹖 賴賲 毓蹖亘 賵 丕蹖乇丕丿丕卮 乇賵 亘亘蹖賳賲貙 賲蹖鈥屫堎嗁� 丕蹖賳胤賵乇蹖 亘诏賲 讴賴 蹖賴 賯爻賲鬲丕蹖蹖 丕賳賯丿乇乇乇 丕夭 毓卮賯 賵 亘蹖鈥屬堎佖й屰� 賲毓卮賵賯卮 賲蹖鈥屬嗀з勝� 賵 倬乇丨乇賮蹖 賲蹖鈥屭┵嗁� 讴賴 賲蹖鈥屭� 亘爻爻爻賴 丕丿丕賲賴 賳丿賴 丿蹖诏賴!
卮禺氐蹖鬲 胤毓賲毓鈥屭┴ж� 賵 丨蹖賱賴鈥屭� 乇丕賮丕卅賱 亘毓囟丕 賲蹖鈥屫堎嗀池� 賲噩亘賵乇賲 讴賳賴 亘夭賳賲 鬲賵 诏賵卮卮 賵 亘诏賲 賲鬲賵噩賴 賴爻鬲蹖 丿丕乇蹖 趩賴 诏賳丿蹖 賲蹖夭賳蹖 亘賴 夭賳丿诏蹖鬲責! 趩乇丕 讴爻蹖 讴賴 亘賴鬲 丕賴賲蹖鬲 乇賵 賳賲蹖鈥屫ㄛ屬嗃屫�!!!!
賵 丿乇 賳賴丕蹖鬲 賯氐賴 趩乇賲 爻丕睾乇蹖 蹖賴 噩賵乇丕蹖蹖 賲孬賱 睾賵賱 趩乇丕睾 噩丕丿賵 噩匕丕亘 亘賵丿貙 讴賴 丕诏乇 丿丕卮鬲賲卮 賯胤毓丕 亘賴 噩丕蹖 毓賲乇 夭蹖丕丿 賵 亘蹖賴賵丿賴貙 丿乇 胤賱亘 毓賲乇 讴賵鬲丕賴 賵賱蹖 倬乇丕夭 賴蹖噩丕賳 賵 丌乇夭賵賴丕賲 亘賵丿賲 :)
倬.賳: 丕賵賱蹖賳 乇賲丕賳蹖 亘賵丿 讴賴 丕夭 亘丕賱夭丕讴 禺賵賳丿賲貙 趩賳丿丕賳 賳賲蹖鈥屫堎嗁� 亘诏賲 賵丕丕丕蹖 亘蹖鈥屬嗀港屫必� 丿賱鈥屫з嗂屫� 賵 禺丕乇賯鈥屫з勜关ж� 亘賵丿貙 蹖丕 亘賴 賯胤毓 爻乇丕睾 亘賯蹖賴 乇賲丕賳鈥屬囏й屰� 讴賴 賳賵卮鬲賴 賲蹖乇賲. 丿乇 賳鬲蹖噩賴 趩賳丿丕賳 賳賵蹖爻賳丿賴 賲賵乇丿 毓賱丕賯賴鈥屬� 賳卮丿.
丕鬲賲丕賲: 卮卮賲 丌亘丕賳鈥屬呚з� 爻丕賱 郾鄞郯鄄
October 29, 2019
All the works of this period, including "La Peau de chagrin", constitute a transition from the fictional or adventurous historical novel to the purely realistic. For the time being, however, Balzac's stories are more of an amalgam of different literary genres, bound to a successful narrative technique, striking descriptions, philosophical reflections, humor and emotion, social criticism and satire, intense emotional expressions.
This work is based on the not-very-original idea of a magical object that has the power to fulfill its owner's every wish but carries (as is usually the case with that kind of stories) a heavy price: With every wish the owner's remaining life-time is reduced.
The realistic element can be traced via Balzac's physiologie, the sociological and psychological study of human behavior and activity through a literary filter. This is what makes his work so unique, even when the end result is mediocre.
螒蠀蟿萎 畏 伪蟺位慰蠆魏萎 魏伪喂 蔚谓 蟺慰位位慰委蟼 维谓喂蟽畏 喂蟽蟿慰蟻委伪, 畏 蟺蟻蠋蟿畏 渭蔚纬维位畏 蔚魏未慰蟿喂魏萎 蔚蟺喂蟿蠀蠂委伪 蟿慰蠀 Balzac, 蟽蟿伪 1831, 渭蔚蟿维 伪蟺蠈 未苇魏伪 蟽蠀谓伪蟺蟿维 苇蟿畏 伪魏伪蟿伪蟺蠈谓畏蟿畏蟼 蟽蠀纬纬蟻伪蠁喂魏萎蟼 未蟻伪蟽蟿畏蟻喂蠈蟿畏蟿伪蟼, 位伪蟿蟻蔚蠉蟿畏魏蔚 伪蟺蠈 蟿慰 魏慰喂谓蠈 蟿畏蟼 蔚蟺慰蠂萎蟼 蟿慰蠀 魏伪喂 伪谓苇尾伪蟽蔚 蟿慰 魏伪蟽苇 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 伪蟺蠈 蟿伪 1.200 蠁蟻维纬魏伪 纬喂伪 蟿畏谓 蟺蟻蠋蟿畏 苇魏未慰蟽畏 (750 伪谓蟿委蟿蠀蟺伪 蟺慰蠀 蔚尉伪谓蟿位萎胃畏魏伪谓 蟽蠂蔚未蠈谓 伪渭苇蟽蠅蟼) 蟽蟿伪 4.000 蠁蟻维纬魏伪 (1000 蔚魏 蟿蠅谓 慰蟺慰委蠅谓 蟺伪蟻苇位伪尾蔚 蔚蟺委 蟿蠈蟺慰蠀 蟽蔚 渭蔚蟿蟻畏蟿维) 纬喂伪 蟿畏 未蔚蠉蟿蔚蟻畏 苇魏未慰蟽畏.
螔苇尾伪喂伪 畏 魏蠉蟻喂伪 魏伪喂 蟽蟿伪胃蔚蟻蠈蟿蔚蟻畏 蟺畏纬萎 蔚喂蟽慰未萎渭伪蟿蠈蟼 蟿慰蠀 蟺蟻慰蔚蟻蠂蠈蟿伪谓 伪蟺蠈 蟿畏 蟽蠀谓蔚蟻纬伪蟽委伪 蟿慰蠀 渭蔚 渭蔚纬维位伪 蟺蔚蟻喂慰未喂魏维 蟿畏蟼 蔚蟺慰蠂萎蟼 蟿慰蠀, 蟽蠀谓蔚蠂委味蔚喂 蟿伪 "螕蟻维渭渭伪蟿伪 纬喂伪 蟿慰 螤伪蟻委蟽喂" (Lettres sur Paris) 蠅蟼 蟿喂蟼 31 螠伪蟻蟿委慰蠀 1831 蟽蟿慰谓 "Voleur", 魏伪喂 未委谓蔚喂 未喂畏纬萎渭伪蟿伪 蟽蟿畏谓 "螘蟺喂胃蔚蠋蟻畏蟽畏 蟿蠅谓 螤伪蟻喂蟽委蠅谓 (Revue de Paris) 魏伪喂 蟽蟿畏谓 "螘蟺喂胃蔚蠋蟻畏蟽畏 蟿蠅谓 未蠉慰 魏蠈蟽渭蠅谓" (Revue des Deux Mondes).
:
La peau de chagrin : roman philosophique par M. de Balzac, 蔚魏未. C. Gosselin, Paris 1831
韦慰 蟽蠂萎渭伪 蟺伪蟻伪蟺苇渭蟺蔚喂 蟽蟿慰 222慰 魏蔚蠁. 蟿慰蠀 "Tristram Shandy"蟿慰蠀 Laurence Sterne 蠈蟺慰蠀 纬委谓蔚蟿伪喂 位蠈纬慰蟼 纬喂伪 蟿畏谓 蔚蠀蟿蠀蠂委伪 谓伪 蔚委谓伪喂 魏伪谓蔚委蟼 蔚位蔚蠉胃蔚蟻慰蟼 伪蟺蠈 蟿伪 未蔚蟽渭维 蟿慰蠀 苇蟻蠅蟿伪. 危蟿畏谓 蔚位位畏谓喂魏萎 苇魏未慰蟽畏 蟿慰蠀 Gutenberg 胃伪 蟿慰 尾蟻蔚委蟿蔚 蟽蟿畏谓 蟽蔚位委未伪 685.
螕魏蟻伪尾慰蠉蟻伪 伪蟺蠈 蟿畏谓 蟺蟻蠋蟿畏 苇魏未慰蟽畏. 韦慰 蟽蠂苇未喂慰 蔚委谓伪喂 蟿慰蠀 Tony Johannot 魏伪喂 蟿慰 蠂伪蟻伪魏蟿喂魏蠈 蟿慰蠀 Henri D茅sir茅 Porret.
螌位伪 蟿伪 苇蟻纬伪 伪蠀蟿萎蟼 蟿畏蟼 蟺蔚蟻喂蠈未慰蠀, 伪谓维渭蔚蟽伪 蟽蟿伪 慰蟺慰委伪 伪谓萎魏蔚喂 魏伪喂 蟿慰 "螠伪纬喂魏蠈 未苇蟻渭伪" (La Peau de chagrin) 蟽蠀谓喂蟽蟿慰蠉谓 渭喂伪 渭蔚蟿维尾伪蟽畏 伪蟺蠈 蟿慰 蠁伪谓蟿伪蟽蟿喂魏蠈 萎 蟿慰 蟺蔚蟻喂蟺蔚蟿蔚喂蠋未蔚蟼, 喂蟽蟿慰蟻喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蟽蟿慰 伪渭喂纬蠋蟼 蟻蔚伪位喂蟽蟿喂魏蠈. 惟蟽蟿蠈蟽慰, 纬喂伪 蟿畏谓 蠋蟻伪, 慰喂 未喂畏纬萎蟽蔚喂蟼 蟿慰蠀 蟽蠀谓喂蟽蟿慰蠉谓 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 苇谓伪 伪渭维位纬伪渭伪 未喂伪蠁慰蟻蔚蟿喂魏蠋谓 位慰纬慰蟿蔚蠂谓喂魏蠋谓 蔚喂未蠋谓, 蟿伪 慰蟺慰委伪 蟽蠀谓未苇慰谓蟿伪喂 渭蔚 渭喂伪 蔚蟺喂蟿蠀蠂畏渭苇谓畏 伪蠁畏纬畏渭伪蟿喂魏萎 蟿蔚蠂谓喂魏萎, 蔚谓蟿蠀蟺蠅蟽喂伪魏苇蟼 蟺蔚蟻喂纬蟻伪蠁苇蟼, 蠁喂位慰蟽慰蠁委味慰谓蟿蔚蟼 蟽蟿慰蠂伪蟽渭慰蠉蟼, 蠂喂慰蠉渭慰蟻 魏伪喂 蟽蠀纬魏委谓畏蟽畏, 魏慰喂谓蠅谓喂魏萎 魏蟻喂蟿喂魏萎 魏伪喂 蟽维蟿喂蟻伪, 苇谓蟿慰谓伪 蟽蠀谓伪喂蟽胃畏渭伪蟿喂魏维 蟺维胃畏.
螝伪胃蠋蟼 畏 蠁萎渭畏 蟿慰蠀 渭蔚纬伪位蠋谓蔚喂, 畏 蟿蔚位蔚喂慰渭伪谓委伪 蟿慰蠀 伪蠀尉维谓蔚喂 伪谓伪位蠈纬蠅蟼. 螁位位蠅蟽蟿蔚 伪蠀蟿蠈蟼 蔚委谓伪喂 魏伪喂 慰 渭蠈谓喂渭慰蟼 魏伪蠀纬维蟼 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 渭蔚 蟿慰蠀蟼 蔚魏未蠈蟿蔚蟼 蟿慰蠀, 蟺慰蠀 伪蟻谓蔚委蟿伪喂 谓伪 蟿慰蠀蟼 蟺伪蟻伪未蠋蟽蔚喂 蟿伪 蠂蔚喂蟻蠈纬蟻伪蠁维 蟿慰蠀, 伪谓 未蔚谓 蔚委谓伪喂 尾苇尾伪喂慰蟼 蟺蠅蟼 蟿伪 苇蠂蔚喂 蔚蟺蔚尉蔚蟻纬伪蟽蟿蔚委 魏伪喂 蔚蟺喂渭蔚位畏胃蔚委 蟽蟿慰 苇蟺伪魏蟻慰.
韦慰 蟽蠀纬魏蔚魏蟻喂渭苇谓慰 苇蟻纬慰 尾伪蟽委味蔚蟿伪喂 蟽蟿畏谓, 蠈蠂喂 喂未喂伪委蟿蔚蟻伪 蟺蟻蠅蟿蠈蟿蠀蟺畏, 喂未苇伪 蔚谓蠈蟼 渭伪纬喂魏慰蠉 伪谓蟿喂魏蔚喂渭苇谓慰蠀 蟿慰 慰蟺慰委慰 苇蠂蔚喂 蟿畏 未蠉谓伪渭畏 谓伪 蟺蟻伪纬渭伪蟿慰蟺慰喂蔚委 蟿喂蟼 蔚蠀蠂苇蟼 蟿慰蠀 喂未喂慰魏蟿萎蟿畏 蟿慰蠀 伪位位维 伪蠀蟿蠈 蟽蠀谓慰未蔚蠉蔚蟿伪喂 (蠈蟺蠅蟼 蟽蠀谓萎胃蠅蟼 蟽蠀渭尾伪委谓蔚喂 渭蔚 蠈位蔚蟼 伪蠀蟿苇蟼 蟿喂蟼 喂蟽蟿慰蟻委蔚蟼) 伪蟺蠈 苇谓伪 尾伪蟻蠉 蟿委渭畏渭伪: 螚 魏维胃蔚 蔚蠀蠂萎 渭蔚喂蠋谓蔚喂 魏伪蟿维 苇谓伪 渭苇蟻慰蟼 蟿畏谓 苇魏蟿伪蟽畏 蟿畏蟼 味蠅萎蟼 蟿慰蠀 魏伪蟿蠈蠂慰蠀 蟿慰蠀.
螤蟻蠈魏蔚喂蟿伪喂 纬喂伪 渭喂伪 蟺蔚蟻纬伪渭畏谓萎 伪蟺蠈 未苇蟻渭伪 蔚谓蠈蟼 蟽蟺维谓喂慰蠀 蔚委未慰蠀蟼 伪蟽喂伪蟿喂魏慰蠉 维纬蟻喂慰蠀 蠈谓慰蠀 畏 慰蟺慰委伪 蠁苇蟻蔚喂 蔚蟺维谓蠅 蟿畏蟼 蟿畏谓 蔚尉萎蟼 蔚蟺喂纬蟻伪蠁萎:
"螌蟿伪谓 渭蔚 魏伪蟿苇蠂蔚喂蟼, 魏伪蟿苇蠂蔚喂蟼 蟿伪 蟺维谓蟿伪.
螚 味蠅萎 蟽慰蠀 蠈渭蠅蟼 胃伪 伪谓萎魏蔚喂 蟺位苇慰谓 蟽蔚 渭苇谓伪.
螆蟿蟽喂 蟿慰 胃苇位畏蟽蔚 慰 胃蔚蠈蟼. 螤蠈胃畏蟽蔚 魏伪喂 慰喂 蟺蠈胃慰喂 蟽慰蠀
胃伪 蔚魏蟺位畏蟻蠅胃慰蠉谓. 螘谓伪蟻渭蠈谓喂蟽蔚 蠈渭蠅蟼
蟿喂蟼 蔚蠀蠂苇蟼 蟽慰蠀 渭蔚 蟿畏 味蠅萎 蟽慰蠀.
螘魏蔚委 尾蟻委蟽魏蔚蟿伪喂 畏 味蠅萎 蟽慰蠀.
危蔚 魏维胃蔚 蟽慰蠀 胃苇位蠅 胃伪 渭蔚喂蠋谓慰渭伪喂
苇蟿蟽喂 蠈蟺蠅蟼 胃伪 渭蔚喂蠋谓慰谓蟿伪喂 慰喂 渭苇蟻蔚蟼 蟽慰蠀.
螠蔚 胃苇位蔚喂蟼;
螤维蟻蔚 渭蔚. 螝喂 慰 胃蔚蠈蟼
胃伪 蟽蔚 蔚喂蟽伪魏慰蠉蟽蔚喂喂".
(渭蔚蟿维蠁蟻伪蟽畏 螘蠀纬蔚谓委伪 韦蟽蔚位苇谓蟿畏).
韦慰 苇蟻纬慰 蠂蠅蟻委味蔚蟿伪喂 蟽蔚 蟿蟻委伪 渭苇蟻畏:
Le Talisman (韦慰 蠁蠀位伪蠂蟿蠈)
La Femme sans c艙ur" (螚 维魏伪蟻未畏 纬蠀谓伪委魏伪)
L'Agonie (螚 伪纬蠅谓委伪).
螣 魏蔚谓蟿蟻喂魏蠈蟼 萎蟻蠅伪蟼, 慰谓慰渭维味蔚蟿伪喂 Raphael de Valentin 魏伪喂 蔚委谓伪喂 纬蠈谓慰蟼 渭喂伪 尉蔚蟺蔚蟽渭苇谓畏蟼 伪蟻喂蟽蟿慰魏蟻伪蟿喂魏萎蟼 慰喂魏慰纬苇谓蔚喂伪蟼. 螆蠂慰谓蟿伪蟼 蠂维蟽蔚喂 蟺位苇慰谓 魏伪喂 蟿慰蠀蟼 未蠉慰 纬慰谓蔚委蟼 蟿慰蠀, 味蔚喂 渭喂伪 味蠅萎 伪蟽魏畏蟿喂魏萎, 伪蠁喂蔚蟻蠅渭苇谓畏 蟽蟿畏 渭蔚位苇蟿畏, 蠋蟽蟺慰蠀 纬谓蠅蟻委味蔚喂 蟿畏 Fedora, 蟿畏谓 蠅蟻伪委伪, 蟺位慰蠉蟽喂伪 魏伪喂 维魏伪蟻未畏 谓苇伪 纬喂伪 蟿畏谓 慰蟺慰委伪 胃伪 伪谓伪蟺蟿蠉尉蔚喂 渭喂伪 伪蟻蟻蠅蟽蟿畏渭苇谓畏 蔚渭渭慰谓萎, 蟺慰蠀 胃伪 蟿慰谓 蠁苇蟻蔚喂 蟽蟿慰 蠂蔚委位慰蟼 蟿畏蟼 伪蠀蟿慰魏蟿慰谓委伪蟼. 惟蟽蟿蠈蟽慰 伪蠀蟿蠈 蟺慰蠀 谓喂蠋胃蔚喂 纬喂伪 蟿畏 Fedora 未蔚谓 蔚委谓伪喂 慰蠉蟿蔚 伪纬维蟺畏, 慰蠉蟿蔚 苇蟻蠅蟿伪蟼, 伪位位维 畏 蟺蟻慰蟽蠅蟺慰蟺慰委畏蟽畏 蟿畏蟼 蔚蟺喂胃蠀渭委伪蟼 纬喂伪 未蠉谓伪渭畏, 蔚尉慰蠀蟽委伪 魏伪喂 魏伪蟿维魏蟿畏蟽畏 蟿慰蠀 伪未蠉谓伪蟿慰蠀.
螣 委未喂慰蟼 慰 Raphael 蟿慰 纬谓蠅蟻委味蔚喂 蟺慰位蠉 魏伪位维 伪蠀蟿蠈, 伪位位维 未蔚谓 渭蟺慰蟻蔚委 谓伪 伪谓蟿喂蟽蟿伪胃蔚委 蟽蟿慰谓 蟺蔚喂蟻伪蟽渭蠈 (蔚未蠋 苇蠂慰蠀渭蔚 蟿畏谓 蟺蟻蠋蟿畏, 喂蟽蟿慰蟻喂魏维, 蔚渭蠁维谓喂蟽畏 蟿慰蠀 位慰纬慰蟿蔚蠂谓喂魏慰蠉 蠂伪蟻伪魏蟿萎蟻伪 蟿慰蠀 Rastignac, 蟿慰蠀 伪蟻喂尾委蟽蟿伪 魏慰喂谓蠅谓喂魏慰蠉 伪谓伪蟻蟻喂蠂畏蟿萎, 蟺慰蠀 蔚谓胃伪蟻蟻蠉谓蔚喂 伪蠀蟿苇蟼 蟿喂蟼 蟿维蟽蔚喂蟼 蟿慰蠀 魏蔚谓蟿蟻喂魏慰蠉 萎蟻蠅伪) 魏伪喂 伪蟺蠈 蟿畏 蟽蟿喂纬渭萎 蟺慰蠀 蠀蟺慰魏蠉蟺蟿蔚喂, 伪蟺慰蠁伪蟽委味蔚喂 谓伪 蟻喂蟽魏维蟻蔚喂 蟿伪 蟺维谓蟿伪 蟽蔚 伪蠀蟿蠈 蟿慰 蔚蟺喂魏委谓未蠀谓慰, 纬喂伪 蟿畏 蠄蠀蠂喂魏萎 魏伪喂 蟽蠅渭伪蟿喂魏萎 蟿慰蠀 蠀纬蔚委伪, 蟺伪喂蠂谓委未喂:
"螡蟿蟻苇蟺慰渭伪喂, 伪位位维 蟺蟻苇蟺蔚喂 谓伪 蟺伪蟻伪未蔚蠂蟿蠋 蟺蠅蟼 慰 苇蟻蠅蟿伪蟼 渭苇蟽伪 蟽蟿畏 蠁蟿蠋蠂蔚喂伪 渭慰蠀 蔚委谓伪喂 魏维蟿喂 伪未喂伪谓蠈畏蟿慰. 螉蟽蠅蟼 谓伪 蟺蟻蠈魏蔚喂蟿伪喂 纬喂伪 畏胃喂魏萎 蟺伪蟻苇魏魏位喂蟽畏 蟺慰蠀 慰蠁蔚委位蔚蟿伪喂 蟽蟿畏谓 伪谓胃蟻蠋蟺喂谓畏 谓蠈蟽慰 蟺慰蠀 慰谓慰渭维味蔚蟿伪喂 蟺慰位喂蟿喂蟽渭蠈蟼 伪位位维 渭喂伪 纬蠀谓伪委魏伪, 伪魏蠈渭伪 魏喂 伪谓 蔚委谓伪喂 蟿蠈蟽慰 蠅蟻伪委伪 蠈蟽慰 畏 螘位苇谓畏 蟿畏蟼 韦蟻慰委伪蟼 萎 畏 螕伪位维蟿蔚喂伪, 未蔚谓 苇蠂蔚喂 魏伪渭委伪 蔚尉慰蠀蟽委伪 蔚蟺维谓蠅 蟽蟿喂蟼 伪喂蟽胃萎蟽蔚喂蟼 渭慰蠀, 伪谓 蔚委谓伪喂 蠁蟿蠅蠂萎. 螙萎蟿蠅 慰 苇蟻蠅蟿伪蟼 蟽蟿慰 蟽伪蟿苇谓 魏伪喂 蟽蟿慰 渭蔚蟿维尉喂, 慰 蟺位伪喂蟽喂蠅渭苇谓慰蟼 伪蟺蠈 蟿畏 胃伪蠀渭伪蟽蟿萎 蟺慰位蠀蟿苇位蔚喂伪 蟺慰蠀 蟿蠈蟽慰 蟿慰蠀 蟿伪喂蟻喂维味蔚喂, 纬喂伪蟿委 魏喂 委未喂慰蟼 蔚委谓伪喂 渭喂伪 蟺慰位蠀蟿苇位蔚喂伪. 螛苇位蠅 谓伪 渭蟺慰蟻蠋 谓伪 蟿蟽伪位伪魏蠋谓蠅 蠈渭慰蟻蠁伪 蠁慰蟻苇渭伪蟿伪, 谓伪 蟽蠀谓胃位委尾蠅 维谓胃畏, 谓伪 蠂蠋谓蠅 蟿伪 蠂苇蟻喂伪 渭慰蠀 渭苇蟽伪 蟽蔚 蔚蠀蠅未喂伪蟽蟿维 魏伪位慰蠂蟿蔚谓喂蟽渭苇谓伪 渭伪位位喂维.
桅位慰纬蔚蟻维 渭维蟿喂伪, 魏蟻蠀渭渭苇谓伪 蟺委蟽蠅 伪蟺蠈 未伪谓蟿蔚位苇谓喂伪 蟺苇蟺位伪, 未喂伪蟺蔚蟻伪蟽蟿喂魏维 蟽伪谓 蟿喂蟼 蠁位蠈纬蔚蟼 蟺慰蠀 尉蔚蟺畏未慰蠉谓 伪蟺蠈 蟿畏谓 魏维谓畏 蔚谓蠈蟼 蠈蟺位慰蠀, 伪蠀蟿维 渭慰蠀 未委谓慰蠀谓 渭喂伪 渭蠀蟽蟿畏蟻喂蠋未畏 蔚蠀蠂伪蟻委蟽蟿畏蟽畏. 螚 伪纬维蟺畏 渭慰蠀 蟺慰胃蔚委 谓伪 伪谓蔚尾伪委谓蔚喂 渭蔚蟿伪尉苇谓喂蔚蟼 蟽魏维位蔚蟼, 蟽喂蠅蟺畏位维, 渭苇蟽伪 蟽蟿畏 蠂蔚喂渭蠅谓喂维蟿喂魏畏 谓蠉蠂蟿伪. 韦喂 蔚蠀蟿蠀蠂委伪 谓伪 渭蟺伪委谓蔚喂蟼, 蟽魏蔚蟺伪蟽渭苇谓慰蟼 伪蟺蠈 蟿慰 蠂喂蠈谓喂, 蟽蔚 渭喂伪 蠁蠅蟿喂蟽渭苇谓畏 魏伪喂 伪蟻蠅渭伪蟿喂蟽渭苇谓畏 魏维渭伪蟻伪, 蟿伪蟺蔚蟿蟽伪蟻喂蟽渭苇谓畏 渭蔚 味蠅纬蟻伪蠁喂蟽渭苇谓伪 渭蔚蟿维尉喂伪, 纬喂伪 谓伪 蟽蠀谓伪谓蟿萎蟽蔚喂蟼 渭喂伪 纬蠀谓伪委魏伪 谓蟿蠀渭苇谓畏 魏喂 蔚魏蔚委谓畏 蟽蟿慰 蠂喂蠈谓喂, 蟽蟿慰 胃蔚位魏蟿喂魏蠈 位蔚蠀魏蠈 蟿畏蟼 渭慰蠀蟽蔚位委谓伪蟼, 谓伪 渭慰喂维味蔚喂 渭蔚 维纬纬蔚位慰 蟺慰蠀 蔚渭蠁伪谓委味蔚蟿伪喂 渭苇蟽伪 伪蟺蠈 苇谓伪 蟽蠉谓谓蔚蠁慰".
螣 委未喂慰蟼 蟿伪 蠁伪谓蟿伪蟽喂蠋谓蔚蟿伪喂 蠈位伪 伪蠀蟿维, 蔚谓蠋 味蔚喂 蟽蔚 渭喂伪 蠁蟿蠅蠂喂魏萎 蟽慰蠁委蟿伪, 渭慰喂蟻维味慰谓蟿伪蟼 蟿慰 蠂蟻蠈谓慰 蟿慰蠀 伪谓维渭蔚蟽伪 蟽蟿畏谓 渭蔚位苇蟿畏 魏伪喂 蟿畏 蟽蠀纬纬蟻伪蠁萎 渭喂伪蟼 蠁喂位慰蟽慰蠁喂魏萎蟼 蟺蟻伪纬渭伪蟿蔚委伪蟼 渭蔚 蟿委蟿位慰 "螚 胃蔚蠅蟻委伪 蟿畏蟼 螛苇位畏蟽畏蟼" (La th茅orie de la volont茅), 蠈蟺慰蠀 魏伪蟿伪蠁苇蟻谓蔚喂 渭蔚蟿维 尾委伪蟼 谓伪 蔚尉伪蟽蠁伪位委蟽蔚喂 蟿慰 魏伪胃畏渭蔚蟻喂谓蠈 蟿慰蠀 蠄蠅渭委, 渭蔚 蟿畏 尾慰萎胃蔚喂伪 蟿畏蟼 谓蔚伪蟻萎蟼 Pauline (魏蠈蟻畏 蟿畏蟼 蟽蟺喂蟿慰谓慰喂魏慰魏蠀蟻维蟼 蟿慰蠀) 畏 慰蟺慰委伪 蟽蠉谓蟿慰渭伪 纬委谓蔚蟿伪喂 渭伪胃萎蟿蟻喂维 蟿慰蠀 魏伪喂 慰 渭蠀蟽蟿喂魏蠈蟼 尾慰畏胃蠈蟼 蟿慰蠀 蟽蟿喂蟼 未蠀蟽魏慰位委蔚蟼 蟿畏蟼 魏伪胃畏渭蔚蟻喂谓蠈蟿畏蟿维蟼 蟿慰蠀. 螆谓伪蟼 蟺蟻伪纬渭伪蟿喂魏蠈蟼 维纬纬蔚位慰蟼 伪纬维蟺畏蟼 魏伪喂 蠀蟺慰渭慰谓萎蟼, 畏 喂未伪谓喂魏萎 谓苇伪, 魏伪蟿维 蟿伪 蟺蟻蠈蟿蠀蟺伪 蟿畏蟼 蟻慰渭伪谓蟿喂魏萎蟼 位慰纬慰蟿蔚蠂谓委伪蟼.
螌位维魏蔚蟻畏 畏 味蠅萎 蟿慰蠀 魏蔚谓蟿蟻喂魏慰蠉 萎蟻蠅伪 蔚蟺喂魏蔚谓蟿蟻蠋谓蔚蟿伪喂 蟽蔚 伪蠀蟿蠈 伪魏蟻喂尾蠋蟼 蟿慰 伪谓蟿喂胃蔚蟿喂魏蠈 未委蟺慰位慰, 蟿畏谓 伪蟺蠈位蠀蟿畏 蟽蟿苇蟻畏蟽畏 魏伪喂 蟿畏谓 伪魏蟻伪委伪 蠀蟺蔚蟻尾慰位萎, 蟿喂蟼 魏伪蟿伪蠂蟻萎蟽蔚喂蟼 魏伪喂 蟿畏 蟽蟺伪蟿维位畏. 螇 未蔚谓 胃伪 苇蠂蔚喂 蟿委蟺慰蟿伪 萎 胃伪 苇蠂蔚喂 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻伪 伪蟺蠈 蠈蟽伪 渭蟺慰蟻蔚委 谓伪 伪谓蟿苇尉蔚喂. 螝伪谓苇谓伪 渭苇蟿蟻慰. 螝伪渭委伪 喂蟽慰蟻蟻慰蟺委伪.
螝伪蟿维 魏维蟺慰喂慰谓 蟿蟻蠈蟺慰 畏 渭慰蟻蠁萎 蟿慰蠀 谓蔚伪蟻慰蠉 Raphael 伪蟺慰蟿蔚位蔚委 蟿畏谓 蠅蟻伪喂慰蟺慰喂畏渭苇谓畏 魏伪喂 位慰纬慰蟿蔚蠂谓喂魏萎 蔚魏未慰蠂萎 蟿慰蠀 委未喂慰蠀 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪. 韦慰蠀 蟽蠀纬纬蟻伪蠁苇伪 蔚魏蔚委谓慰蠀 蟺慰蠀 未蔚谓 胃伪 未喂蟽蟿维蟽蔚喂 谓伪 蟺伪蟻伪未蔚蠂蟿蔚委 蟽蟿畏谓 伪位位畏位慰纬蟻伪蠁委伪 蟿慰蠀 渭蔚 蟿畏谓 未慰蠉魏喂蟽蟽伪 d'Abrantes 蟺蠅蟼:
"螘蟺喂蟺位苇慰谓 魏蠀蟻委伪, 蔚蟺喂蟿蟻苇蠄蟿蔚 渭慰蠀 谓伪 蟽伪蟼 蟺蠅 蠈蟿喂 未蔚谓 渭蟺慰蟻蔚委蟿蔚 谓伪 蟽蠀渭蟺蔚蟻维谓蔚蟿蔚 蟿委蟺慰蟿伪 纬喂伪 渭苇谓伪, 蔚谓维谓蟿喂伪 蟽蔚 渭苇谓伪, 纬喂伪蟿委 苇蠂蠅 蟿慰谓 蟺喂慰 伪位位慰蟺蟻蠈蟽伪位位慰 蠂伪蟻伪魏蟿萎蟻伪 伪蟺蠈 蠈蟽慰蠀蟼 苇蠂蠅 纬谓蠅蟻委蟽蔚喂. 螠蔚位蔚蟿蠋 蟿慰谓 蔚伪蠀蟿蠈 渭慰蠀 蟽伪谓 谓伪 渭蔚位蔚蟿慰蠉蟽伪 魏维蟺慰喂慰谓 蟿蟻委蟿慰.
螠苇蟽伪 蟽蟿慰 苇谓伪 渭苇蟿蟻慰 魏伪喂 蔚尉畏谓蟿伪蟺苇谓蟿蔚 蔚魏伪蟿慰蟽蟿维 蟿慰蠀 蠉蠄慰蠀蟼 渭慰蠀 蟺蔚蟻喂魏位蔚委谓蔚蟿伪喂 魏维胃蔚 未蠀谓伪蟿萎 伪蟽蠀谓伪蟻蟿畏蟽委伪 魏伪喂 伪谓蟿委蠁伪蟽畏, 魏喂 蔚魏蔚委谓慰喂 蟺慰蠀 渭蔚 胃蔚蠅蟻慰蠉谓 渭伪蟿伪喂蠈未慰尉慰, 维蟽蠅蟿慰, 蟺蔚喂蟽渭伪蟿维蟻畏, 蔚蟺喂蟺蠈位伪喂慰, 蟿蔚位蔚委蠅蟼 伪谓伪魏蠈位慰蠀胃慰 蟽蟿慰 渭蠀伪位蠈, 蔚蟺畏蟻渭苇谓慰, 伪未喂维蠁慰蟻慰, 蟿蔚渭蟺苇位畏, 蔚蟺喂蟺蠈位伪喂慰, 伪蟽蟿蠈蠂伪蟽蟿慰, 蠂蠅蟻委蟼 蠀蟺慰渭慰谓萎 魏伪喂 蟿伪魏蟿, 蠁位蠉伪蟻慰, 魏伪魏慰渭伪胃畏渭苇谓慰, 伪纬蔚谓萎, 蠁伪谓蟿伪蟽喂蠈蟺位畏魏蟿慰, 渭蔚 蟺维谓蟿伪 伪蟺蟻蠈尾位蔚蟺蟿畏 未喂维胃蔚蟽畏, 渭蟺慰蟻蔚委 谓伪 苇蠂慰蠀谓 蔚尉委蟽慰蠀 未委魏喂慰 渭蔚 蔚魏蔚委谓慰蠀蟼 蟺慰蠀 胃伪 喂蟽蠂蠀蟻喂蟽蟿慰蠉谓 蟺蠅蟼 蔚委渭伪喂 慰喂魏慰谓蠈渭慰蟼, 渭蔚蟿蟻喂蠈蠁蟻蠅谓, 胃伪蟻蟻伪位苇慰蟼, 蔚蟺委渭慰谓慰蟼, 未蟻伪蟽蟿萎蟻喂慰蟼, 伪蟿畏渭苇位畏蟿慰蟼, 蠁喂位蠈蟺慰谓慰蟼, 蟽蟿伪胃蔚蟻蠈蟼, 慰位喂纬蠈位慰纬慰蟼, 纬蔚渭维蟿慰蟼 蔚蠀伪喂蟽胃畏蟽委伪, 蔚蠀纬蔚谓喂魏蠈蟼, 蟺维谓蟿伪 蟺蟻蠈蟽蠂伪蟻慰蟼.
螝伪渭喂维 喂未喂蠈蟿畏蟿伪 蟿慰蠀 蔚伪蠀蟿慰蠉 渭慰蠀 未蔚谓 渭慰蠀 蟺蟻慰魏伪位蔚委 蟺位苇慰谓 苇魏蟺位畏尉畏. 螝伪蟿苇位畏尉伪 谓伪 蟺喂蟽蟿苇蠄蠅 蠈蟿喂 未蔚谓 蔚委渭伪喂 蟺伪蟻维 苇谓伪 蠈蟻纬伪谓慰, 苇谓伪 蟺伪喂蠂谓委未喂 蟿蠅谓 蟺蔚蟻喂蟽蟿维蟽蔚蠅谓. 螉蟽蠅蟼 畏 魏伪位蔚喂未慰蟽魏慰蟺喂魏萎 蠈蠄畏 蟿慰蠀 蠂伪蟻伪魏蟿萎蟻伪 渭慰蠀 谓伪 慰蠁蔚委位蔚蟿伪喂 蟽蟿慰 蠈蟿喂 畏 渭慰委蟻伪 纬蔚渭委味蔚喂 渭蔚 蠈位伪 伪蠀蟿维 蟿伪 蟽蠀谓伪喂蟽胃萎渭伪蟿伪 蟿畏 蠄蠀蠂萎 蔚魏蔚委谓蠅谓 蟺慰蠀 蔚蟺喂蠂蔚喂蟻慰蠉谓 谓伪 伪蟺蔚喂魏慰谓委蟽慰蠀谓 蠈位伪 蟿伪 蟽蠀谓伪喂蟽胃萎渭伪蟿伪 魏伪喂 蠈位畏 蟿畏谓 伪谓胃蟻蠋蟺喂谓畏 魏伪蟻未喂维, 蠋蟽蟿蔚 谓伪 谓喂蠋蟽慰蠀谓 渭蔚 蟿畏 未蠉谓伪渭畏 蟿畏蟼 蠁伪谓蟿伪蟽委伪蟼 蟿慰蠀蟼 伪蠀蟿维 蟺慰蠀 味蠅纬蟻伪蠁委味慰蠀谓 魏伪喂 畏 蟺伪蟻伪蟿萎蟻畏蟽畏 未蔚谓 蔚委谓伪喂 蟿委蟺慰蟿蔚 维位位慰 蟺伪蟻维 苇谓伪 蔚委未慰蟼 渭谓萎渭畏蟼, 喂魏伪谓萎蟼 谓伪 尾慰畏胃萎蟽蔚喂 伪蠀蟿萎 蟿畏 未蟻伪蟽蟿萎蟻喂伪 蠁伪谓蟿伪蟽委伪".
(蔚蟺喂蟽蟿慰位萎 蠂蟻慰谓慰位慰纬畏渭苇谓畏 蟽蟿喂蟼 22/7/1825, 尾位苇蟺蔚 Nadine Satiat, 螠蟺伪位味维魏 萎 畏 渭伪谓委伪 蟿畏蟼 纬蟻伪蠁萎蟼, 蟽蔚位. 132).
螤慰喂伪 蔚委谓伪喂 蠅蟽蟿蠈蟽慰 畏 伪喂蟿委伪 伪蠀蟿萎蟼 蟿畏蟼 伪谓蟿委蠁伪蟽畏蟼; 螘委谓伪喂 渭蠈谓慰 苇谓伪 蠁伪喂谓蠈渭蔚谓慰 蟿慰蠀 蠄蠀蠂喂魏慰蠉 魏蠈蟽渭慰蠀 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 萎 渭萎蟺蠅蟼 蔚委谓伪喂 魏慰渭渭维蟿喂 蟿畏蟼 蔚蠀蟻蠉蟿蔚蟻畏蟼 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪蟼 渭苇蟽伪 蟽蟿畏谓 慰蟺慰委伪 魏伪喂 慰 委未喂慰蟼 蟺蟻慰蟽蟺伪胃蔚委 谓伪 伪蠀蟿慰蟺蟻慰蟽未喂慰蟻喂蟽蟿蔚委;
螚 蟺伪蟻伪渭蠀胃苇谓喂伪 未喂维蟽蟿伪蟽畏 蟿畏蟼 蠀蟺蠈胃蔚蟽畏蟼 蟿慰蠀 苇蟻纬慰蠀, 蟺慰蠀 魏维蟺慰蟿蔚 胃蠀渭委味蔚喂 伪蠁萎纬畏蟽畏 伪蟺蠈 蟿喂蟼 围委位喂蔚蟼 魏伪喂 渭委伪 谓蠉蠂蟿蔚蟼, 魏维蟺慰蟿蔚 巍伪渭蟺蔚位伪喂蟽喂伪谓蠈 蟺伪蟻伪未慰尉慰纬蟻维蠁畏渭伪 魏伪喂 维位位慰蟿蔚 蟿喂蟼 畏胃喂魏苇蟼 蟺伪蟻伪尾慰位苇蟼 蟿慰蠀 E.T.A. Hoffmann, 蔚委谓伪喂 伪蟺位维 蟿慰 蟺蟻慰魏维位蠀渭渭伪. 螘委谓伪喂 慰 蟺慰位蠉蠂蟻蠅渭慰蟼 魏伪喂 纬慰畏蟿蔚蠀蟿喂魏蠈蟼 渭伪谓未蠉伪蟼 蟺慰蠀 魏蟻蠉尾蔚喂 蟿畏谓 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪 蟿畏蟼 纬伪位位喂魏萎蟼 魏慰喂谓蠅谓委伪蟼.
韦慰 蟺位慰蠀蟽喂慰蟺维蟻慰蠂慰 纬蔚蠉渭伪 蟺慰蠀 蔚尉蔚位委蟽蟽蔚蟿伪喂 蟽蔚 蟽蔚尉慰蠀伪位喂魏蠈 蠈蟻纬喂慰 渭蔚 蟿畏 蟽蠀渭渭蔚蟿慰蠂萎 蟿蠅谓 蠅蟻伪喂蠈蟿蔚蟻蠅谓 蟺伪蟻喂蟽喂谓蠋谓 demimondaines 蟿慰 慰蟺慰委慰 慰 蟽蠀纬纬蟻伪蠁苇伪蟼 蟺蔚蟻喂纬蟻维蠁蔚喂 渭蔚 蔚尉伪喂蟻蔚蟿喂魏蠈 蟻蔚伪位喂蟽渭蠈 (蠂蠅蟻委蟼 蠁蠀蟽喂魏维 谓伪 蟺伪蟻伪胃苇蟿蔚喂 纬蟻伪蠁喂魏苇蟼 位蔚蟺蟿慰渭苇蟻蔚喂蔚蟼), 尾伪蟽委味蔚蟿伪喂 蟽蔚 蟺蟻伪纬渭伪蟿喂魏维 纬蔚纬慰谓蠈蟿伪.
螣 蟺位慰蠉蟽喂慰蟼 蟿蟻伪蟺蔚味委蟿畏蟼 蟺慰蠀 伪蟺蔚喂魏慰谓委味蔚蟿伪喂 蟽蟿慰 苇蟻纬慰, 慰谓蠈渭伪蟿喂 Taillefer, 慰 慰蟺慰委慰蟼 蔚蟺喂胃蠀渭蔚委 谓伪 喂未蟻蠉蟽蔚喂 渭喂伪 蔚蠁畏渭蔚蟻委未伪 伪谓蟿喂位伪渭尾伪谓蠈渭蔚谓慰蟼 蟿畏谓 伪蠀尉伪谓蠈渭蔚谓畏 蔚尉慰蠀蟽委伪 蟿慰蠀 韦蠉蟺慰蠀, 伪谓蟿喂蟽蟿慰喂蠂蔚委 蟽蔚 蟺蟻伪纬渭伪蟿喂魏蠈 蟺蟻蠈蟽蠅蟺慰, 蟺蟻蠈魏蔚喂蟿伪喂 纬喂伪 蟿慰谓 蟿蟻伪蟺蔚味委蟿畏 Alexandre Aguado, 蟺慰蠀 蟽蠀谓萎胃喂味蔚 谓伪 慰蟻纬伪谓蠋谓蔚喂 蟿苇蟿慰喂蔚蟼 未喂伪蟽魏蔚未维蟽蔚喂蟼 蟽蟿慰 渭苇纬伪蟻蠈 蟿慰蠀 蟽蟿畏谓 慰未蠈 螡蟿蟻蠀蠈 魏伪喂 慰 慰蟺慰委慰蟼 蟽蟿伪 1829, 伪纬蠈蟻伪蟽蔚 蟿畏谓 蔚蠁畏渭蔚蟻委未伪 "螒纬纬蔚位喂伪蠁蠈蟻慰蟼 蟿蠅谓 蔚蟺喂渭蔚位畏蟿畏蟻委蠅谓" (Le Messager des Chambres). 螣 蟽蠀纬魏蔚魏蟻喂渭苇谓慰蟼 蟿蟻伪蟺蔚味委蟿畏蟼 伪谓苇位伪尾蔚 渭维位喂蟽蟿伪 蟽蟿伪 1834 蟿喂蟼 未喂伪蟺蟻伪纬渭伪蟿蔚蠉蟽蔚喂蟼 纬喂伪 蟿畏 蠂慰蟻萎纬畏蟽畏 蟿慰蠀 未伪谓蔚委慰蠀 蟺慰蠀 苇位伪尾蔚 畏 螘位位维未伪 魏伪蟿维 蟿畏谓 蔚蟺慰蠂萎 蟿畏蟼 伪谓蟿喂尾伪蟽喂位蔚委伪蟼 蟿蠅谓 螔伪蠀伪蟻蠋谓.
螁位位蠅蟽蟿蔚 蟿慰 蟽蠀纬魏蔚魏蟻喂渭苇谓慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蟽畏渭蔚委蠅蟽蔚 蟿蠈蟽慰 渭蔚纬维位畏 蔚蟺喂蟿蠀蠂委伪, 伪魏蟻喂尾蠋蟼 蔚蟺蔚喂未萎 慰 Balzac 蔚委蠂蔚 魏伪蟿伪蠁苇蟻蔚喂 谓伪 伪蟺慰魏蟿萎蟽蔚喂 喂蟽蠂蠀蟻苇蟼 未喂伪蟽蠀谓未苇蟽蔚喂蟼 蟽蟿慰 未畏渭慰蟽喂慰纬蟻伪蠁喂魏蠈 蠂蠋蟻慰. 螒蠀蟿蠈 未畏渭喂慰蠉蟻纬畏蟽蔚 蟿慰谓 伪蟺伪蟻伪委蟿畏蟿慰 胃蠈蟻蠀尾慰 纬蠉蟻蠅 伪蟺蠈 蟿慰 蠈谓慰渭维 蟿慰蠀, 魏喂 伪蠀蟿萎 萎蟿伪谓 畏 伪喂蟿委伪 蟺慰蠀 蟿慰 魏慰喂谓蠈, 蟺伪蟻伪魏喂谓畏渭苇谓慰 伪蟺蠈 蟿畏谓 蔚蟺喂胃蔚蟿喂魏萎 未喂伪蠁萎渭喂蟽畏 尉蔚蟽萎魏蠅蟽蔚 蟿喂蟼 蟺蟻慰胃萎魏蔚蟼 蟿蠅谓 尾喂尾位喂慰蟺蠅位蔚委蠅谓 魏伪喂 蟿蠅谓 未伪谓蔚喂蟽蟿畏蟻委蠅谓. 螌蟺蠅蟼 伪谓伪蠁苇蟻蔚蟿伪喂 魏伪喂 蟽蟿慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪, 蟺蟻蠈魏蔚喂蟿伪喂 纬喂伪 渭喂伪 谓苇伪 胃蟻畏蟽魏蔚委伪 畏 慰蟺慰委伪 未蔚谓 蟺蟻慰蠇蟺慰胃苇蟿蔚喂 谓伪 蔚委蟽伪喂 蟺喂蟽蟿蠈蟼:
"- 螠伪 未蔚 尾位苇蟺蔚喂蟼 位慰喂蟺蠈谓 蟺蠅蟼 畏 未畏渭慰蟽喂慰纬蟻伪蠁委伪 蔚委谓伪喂 畏 胃蟻畏蟽魏蔚委伪 蟿畏蟼 蟽蠉纬蠂蟻慰谓畏蟼 魏慰喂谓蠅谓委伪蟼 魏伪喂 蔚委谓伪喂 蟽伪蠁蠋蟼 渭喂伪 尾蔚位蟿喂蠅渭苇谓畏 蔚魏未慰蠂萎 蟿畏蟼 蟺伪位喂维蟼!
- 螠蔚 蟺慰喂慰 蟿蟻蠈蟺慰;
- 螣喂 喂蔚蟻蔚委蟼 蟿畏蟼 未蔚谓 蔚委谓伪喂 伪蟺伪蟻伪委蟿畏蟿慰 谓伪 蟺喂蟽蟿蔚蠉慰蠀谓 蟽蔚 伪蠀蟿萎谓 魏伪喂 蟿慰 委未喂慰 喂蟽蠂蠉蔚喂 魏伪喂 纬喂伪 蟿慰谓 蠀蟺蠈位慰喂蟺慰 魏蠈蟽渭慰!"
韦慰 蟺位萎胃慰蟼 蟿蠅谓 未喂伪蠁慰蟻蔚蟿喂魏蠋谓 伪蟺蠈蠄蔚蠅谓 魏伪喂 伪谓蟿喂位萎蠄蔚蠅谓 渭蟺蠈蟻蔚蟽蔚 谓伪 蔚魏蠁蟻伪蟽蟿蔚委 伪位位维 魏伪喂 谓伪 未喂伪渭慰蟻蠁蠅胃蔚委 渭苇蟽伪 伪蟺蠈 蟿喂蟼 蔚蠁畏渭蔚蟻委未蔚蟼. 螝伪喂 蟿慰 蟺位萎胃慰蟼 蟿蠅谓 未喂伪蠁慰蟻蔚蟿喂魏蠋谓 魏伪喂 蟽蠀纬魏蟻慰蠀蠈渭蔚谓蠅谓 蟽蠀渭蠁蔚蟻蠈谓蟿蠅谓 魏伪喂 魏慰蟽渭慰胃蔚蠅蟻喂蠋谓 蟽蠀谓喂蟽蟿维 渭喂伪 蠀位喂魏萎 魏伪喂 蟺谓蔚蠀渭伪蟿喂魏萎 螔伪尾苇位, 魏伪蟿伪位萎纬蔚喂 蟽蔚 渭喂伪 蟽蠉纬蠂蠀蟽畏 喂未蔚蠋谓 魏伪喂 伪尉喂蠋谓 蟺慰蠀 慰未畏纬蔚委 蟿慰蠀蟼 伪谓胃蟻蠋蟺慰蠀蟼 蟽蟿畏谓 蟺伪蟻伪蠁蟻慰蟽蠉谓畏. 螖蔚谓 尉苇蟻慰蠀谓 蟺慰喂慰谓 萎 蟽蔚 蟿喂 谓伪 蟺喂蟽蟿苇蠄慰蠀谓. 螒位位维, 蠈蟺蠅蟼 蟺蟻慰伪谓伪蠁苇蟻胃畏魏蔚, 畏 蟺委蟽蟿畏 蟺位苇慰谓 未蔚谓 伪蟺慰蟿蔚位蔚委 蟺蟻慰伪蟺伪喂蟿慰蠉渭蔚谓慰. 螌蟺慰喂慰蟼 魏伪蟿伪蠁苇蟻蔚喂 谓伪 蔚蟺畏蟻蔚维味蔚喂 蟿伪 蟺位萎胃畏 蔚委谓伪喂 慰 伪位畏胃喂谓蠈蟼 尾伪蟽喂位喂维蟼:
"螡伪喂 魏蠉蟻喂蔚, 畏 螝蠀尾苇蟻谓畏蟽畏 蟿慰蠀 蟽萎渭蔚蟻伪 蔚委谓伪喂 畏 韦苇蠂谓畏 蟿慰蠀 谓伪 蠂蔚喂蟻伪纬蠅纬蔚委蟼 蟿畏谓 螝慰喂谓萎 纬谓蠋渭畏".
魏伪喂 蟺伪蟻伪魏维蟿蠅:
"- 螔纬维位蔚 蟿慰谓 蟽魏伪蟽渭蠈, 蟽魏蔚蟺蟿喂魏喂蟽蟿萎!
- 螣喂 危魏蔚蟺蟿喂魏喂蟽蟿苇蟼 蔚委谓伪喂 慰喂 蟺喂慰 蟽蠀谓蔚喂未畏蟿慰蟺慰喂畏渭苇谓慰喂 蟿蠅谓 伪谓胃蟻蠋蟺蠅谓.
- 螖蔚谓 苇蠂慰蠀谓 蟽蠀谓蔚委未畏蟽畏.
- 螠蠅蟻苇 蟿喂 渭伪蟼 位蔚蟼; 螆蠂慰蠀谓 蟿慰蠀位维蠂喂蟽蟿慰谓 未蠉慰!"
螒谓维渭蔚蟽伪 蟽蟿慰 蟺位萎胃慰蟼 蟿蠅谓 渭蔚胃蠀蟽渭苇谓蠅谓 伪蟺蠈 魏蟻伪蟽委 魏伪喂 蟻畏蟿慰蟻喂魏萎 伪谓胃蟻蠋蟺蠅谓 蟿畏蟼 蟿苇蠂谓畏蟼, 蟿畏蟼 蟺慰位喂蟿喂魏萎蟼, 蟿畏蟼 蔚蟺喂蟽蟿萎渭畏蟼, 蟿畏蟼 蔚尉慰蠀蟽委伪蟼, 慰 Balzac 渭伪胃伪委谓蔚喂, 蟺伪蟻伪蟿畏蟻蔚委, 魏伪蟿伪纬蟻维蠁蔚喂, 魏蟻委谓蔚喂, 伪蟺慰魏伪位蠉蟺蟿蔚喂 魏伪喂 蟺维谓蠅 伪蟺蠈 蠈位伪 蟺蟻慰蟽蟺伪胃蔚委 谓伪 蔚蟺喂尾位畏胃蔚委, 谓伪 蔚蟺喂魏蟻伪蟿萎蟽蔚喂, 谓伪 蔚蟺喂尾喂蠋蟽蔚喂 魏伪喂 谓伪 蟽蠀谓蔚蠂委蟽蔚喂 谓伪 未畏渭喂慰蠀蟻纬蔚委. 螘喂蟼 尾维蟻慰蟼 蟿畏蟼 蠀纬蔚委伪蟼 蟿慰蠀, 伪蟽魏蔚委 苇谓伪 蔚蟺维纬纬蔚位渭伪 蠈蟺慰蠀 畏 蟺慰位蠉蠅蟻畏 蔚蟻纬伪蟽委伪, 畏 慰喂魏慰谓慰渭喂魏萎 未蠀蟽蟺蟻伪纬委伪, 蟿慰 伪未喂维魏慰蟺慰 维纬蠂慰蟼 纬喂伪 蟿畏谓 蔚蟺蠈渭蔚谓畏 渭苇蟻伪, 蟿伪 蟺喂蟽蠋蟺位伪蟿伪 渭伪蠂伪喂蟻蠋渭伪蟿伪 魏伪喂 蟿慰 蔚蠀渭蔚蟿维尾位畏蟿慰 蟿畏蟼 魏慰喂谓萎蟼 纬谓蠋渭畏蟼 苇蟻蠂慰谓蟿伪喂 谓伪 蟺蟻慰蟽蟿蔚胃慰蠉谓 蟽蟿畏谓 伪蟽蟿维胃蔚喂伪 蟿慰蠀 蠂伪蟻伪魏蟿萎蟻伪 蟿慰蠀, 蟽蟿慰 蟺蔚蟻喂蟺蔚蟿蔚喂蠋未蔚蟼 蟺谓蔚蠉渭伪 蟺慰蠀 蟿慰谓 未喂伪魏蟻委谓蔚喂, 蟽蟿畏谓 蟺蔚蟻喂苇蟻纬蔚喂伪 蟺慰蠀 蟿慰谓 蠅胃蔚委 谓伪 尉蔚蟽魏蔚蟺维味蔚喂 魏伪喂 谓伪 蔚尉蔚蟿维味蔚喂 魏维胃蔚 蟺蟿蠀蠂萎 蟿慰蠀 魏蠈蟽渭慰蠀 蟺慰蠀 蟿慰谓 蟺蔚蟻喂尾维位位蔚喂.
螠蟺慰蟻蔚委 谓伪 渭畏谓 魏伪蟿伪位伪尾伪委谓蔚喂 蟿伪 蟺维谓蟿伪. 螒位位维 苇蠂蔚喂 蟿畏谓 喂魏伪谓蠈蟿畏蟿伪 谓伪 蟿伪 伪蟺慰蟿蠀蟺蠋谓蔚喂 蟽蟿慰 蠂伪蟻蟿委 渭蔚 蟿蟻蠈蟺慰 渭慰谓伪未喂魏蠈. 危伪谓 蟿畏 味蠅萎 蟺慰蠀 蟺伪纬喂未蔚蠉蔚蟿伪喂 渭苇蟽伪 蟽蟿慰 渭伪纬喂魏蠈 未苇蟻渭伪, 苇蟿蟽喂 魏喂 伪蠀蟿蠈蟼 伪蟺慰蟻蟻慰蠁维 蟿畏 味蠅蟿喂魏萎 慰蠀蟽委伪 蟿蠅谓 蟺蟻伪纬渭维蟿蠅谓 魏伪喂 魏伪蟿伪蠁苇蟻谓蔚喂 谓伪 未喂伪蟽蠋蟽蔚喂 蟿慰 蟺伪谓蠈蟻伪渭伪 渭喂伪蟼 蔚蟺慰蠂萎蟼, 谓伪 蟿慰 蟽蠀渭蟺蠀魏谓蠋蟽蔚喂 渭苇蟽伪 蟽蟿喂蟼 蟽蔚位委未蔚蟼 蔚谓蠈蟼 渭蠀胃喂蟽蟿慰蟻萎渭伪蟿慰蟼.
韦慰 蟻蔚伪位喂蟽蟿喂魏蠈 蟽蟿慰喂蠂蔚委慰 蟺慰蠀 伪蟻蠂委味蔚喂 谓伪 蔚喂蟽锟斤拷蠅蟻蔚委 蟽蟿慰 苇蟻纬慰 蟿慰蠀 蔚委谓伪喂 蟽蟿畏谓 慰蠀蟽委伪 魏慰渭渭维蟿喂 蟿畏蟼 味蠅萎蟼 蠈蟺蠅蟼 蟿畏 尾委蠅谓蔚 魏伪喂 蟿畏谓 魏伪蟿苇纬蟻伪蠁蔚 慰 委未喂慰蟼. 螒蠀蟿萎 蔚委谓伪喂 畏 physiologie 蟿慰蠀, 畏 魏慰喂谓蠅谓喂慰位慰纬喂魏萎 魏伪喂 蠄蠀蠂慰位慰纬喂魏萎 渭蔚位苇蟿畏 蟿畏蟼 伪谓胃蟻蠋蟺喂谓畏蟼 蟽蠀渭蟺蔚蟻喂蠁慰蟻维蟼 魏伪喂 未蟻伪蟽蟿畏蟻喂蠈蟿畏蟿伪蟼 渭苇蟽伪 伪蟺蠈 苇谓伪 位慰纬慰蟿蔚蠂谓喂魏蠈 蠁委位蟿蟻慰. 螒蠀蟿蠈 蔚委谓伪喂 蟿慰 蟽蟿慰喂蠂蔚委慰 蟺慰蠀 魏维谓蔚喂 蟿慰 苇蟻纬慰 蟿慰蠀 蟿蠈蟽慰 渭慰谓伪未喂魏蠈, 伪魏蠈渭伪 魏伪喂 蠈蟿伪谓 蟿慰 蟿蔚位喂魏蠈 伪蟺慰蟿苇位蔚蟽渭伪 蔚委谓伪喂 渭苇蟿蟻喂慰.
螕喂伪蟿委 伪蠀蟿蠈 蟿慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪, 胃伪 萎蟿伪谓 维位位畏 渭喂伪 魏位喂蟽苇 喂蟽蟿慰蟻喂慰蠉位伪, 纬蔚渭维蟿畏 蠀蟺蔚蟻尾慰位苇蟼 魏伪喂 渭蔚位慰未蟻伪渭伪蟿喂蟽渭慰蠉蟼, 伪谓 未蔚谓 苇蠁蔚蟻蔚 蟿畏谓 蔚蟺委未蟻伪蟽畏 蟿畏蟼 未喂蔚喂蟽未蠀蟿喂魏萎蟼 蟿慰蠀 渭伪蟿喂维蟼. 螒蠀蟿蠈 蟿慰 未喂伪蟽蠋味蔚喂 魏喂 伪蠀蟿蠈 蟽蠀谓喂蟽蟿维 蟿畏谓 伪蟺伪蟻蠂萎 蔚谓蠈蟼 蟺蟻蠅蟿蠈蟿蠀蟺慰蠀 位慰纬慰蟿蔚蠂谓喂魏慰蠉 蔚委未慰蠀蟼.
螣 Balzac 胃伪 蔚委蠂蔚 魏伪蟿伪蠁苇蟻蔚喂 谓伪 蔚尉蔚位喂蠂胃蔚委 蟿伪蠂蠉蟿蔚蟻伪 蠅蟼 未畏渭喂慰蠀蟻纬蠈蟼, 蔚维谓 未蔚谓 蔚委蠂蔚 蠀蟺慰蠂蟻蔚蠅胃蔚委 伪蟺蠈 蟿畏谓 伪谓维纬魏畏 蟿慰蠀 尾喂慰蟺慰蟻喂蟽渭慰蠉 谓伪 纬委谓蔚喂 伪谓蟿喂纬蟻维蠁慰蟼, 蠁胃畏谓蠈蟼 渭喂渭畏蟿萎蟼 魏伪喂 蟺蟻慰蠂蔚喂蟻慰纬蟻维蠁慰蟼. 螒蟺蠈 蟿畏谓 维位位畏 蠈渭蠅蟼 未蔚谓 慰蠁蔚委位蔚喂 蟿畏谓 蔚蟺喂蟿蠀蠂委伪 蟿慰蠀 伪蟺慰魏位蔚喂蟽蟿喂魏维 魏伪喂 渭蠈谓慰 蟽蟿慰 位慰纬慰蟿蔚蠂谓喂魏蠈 蟿慰蠀 蟿伪位苇谓蟿慰, 伪位位维 魏伪喂 蟽蟿慰谓 蟿蟻蠈蟺慰 蟺慰蠀 未喂伪蠂蔚喂蟻委蟽蟿畏魏蔚 蟿伪 魏慰喂谓蠅谓喂魏维 未委魏蟿蠀伪 魏伪喂 蟿伪 渭苇蟽伪 蔚谓畏渭苇蟻蠅蟽畏蟼 蟿畏蟼 蔚蟺慰蠂萎蟼 蟿慰蠀, 蟺蟻慰魏蔚喂渭苇谓慰蠀 谓伪 魏伪蟿伪蟽蟿萎蟽蔚喂 纬谓蠅蟽蟿蠈 蟿慰 苇蟻纬慰 蟿慰蠀 蟽蟿慰 蔚蠀蟻蠉蟿蔚蟻慰 魏慰喂谓蠈, 魏伪胃蠋蟼 未蔚谓 蔚委蠂蔚 苇谓伪 蟽蟿伪胃蔚蟻蠈 蔚喂蟽蠈未畏渭伪, 渭喂伪 蟺蔚蟻喂慰蠀蟽委伪 蟺慰蠀 谓伪 蟿慰蠀 蔚蟺喂蟿蟻苇蟺蔚喂 谓伪 蔚魏未委未蔚喂 蔚尉伪蟻蠂萎蟼 蠈,蟿喂 胃苇位蔚喂 魏伪喂 蠈蟺蠅蟼 蟿慰 胃苇位蔚喂.
This work is based on the not-very-original idea of a magical object that has the power to fulfill its owner's every wish but carries (as is usually the case with that kind of stories) a heavy price: With every wish the owner's remaining life-time is reduced.
The realistic element can be traced via Balzac's physiologie, the sociological and psychological study of human behavior and activity through a literary filter. This is what makes his work so unique, even when the end result is mediocre.
螒蠀蟿萎 畏 伪蟺位慰蠆魏萎 魏伪喂 蔚谓 蟺慰位位慰委蟼 维谓喂蟽畏 喂蟽蟿慰蟻委伪, 畏 蟺蟻蠋蟿畏 渭蔚纬维位畏 蔚魏未慰蟿喂魏萎 蔚蟺喂蟿蠀蠂委伪 蟿慰蠀 Balzac, 蟽蟿伪 1831, 渭蔚蟿维 伪蟺蠈 未苇魏伪 蟽蠀谓伪蟺蟿维 苇蟿畏 伪魏伪蟿伪蟺蠈谓畏蟿畏蟼 蟽蠀纬纬蟻伪蠁喂魏萎蟼 未蟻伪蟽蟿畏蟻喂蠈蟿畏蟿伪蟼, 位伪蟿蟻蔚蠉蟿畏魏蔚 伪蟺蠈 蟿慰 魏慰喂谓蠈 蟿畏蟼 蔚蟺慰蠂萎蟼 蟿慰蠀 魏伪喂 伪谓苇尾伪蟽蔚 蟿慰 魏伪蟽苇 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 伪蟺蠈 蟿伪 1.200 蠁蟻维纬魏伪 纬喂伪 蟿畏谓 蟺蟻蠋蟿畏 苇魏未慰蟽畏 (750 伪谓蟿委蟿蠀蟺伪 蟺慰蠀 蔚尉伪谓蟿位萎胃畏魏伪谓 蟽蠂蔚未蠈谓 伪渭苇蟽蠅蟼) 蟽蟿伪 4.000 蠁蟻维纬魏伪 (1000 蔚魏 蟿蠅谓 慰蟺慰委蠅谓 蟺伪蟻苇位伪尾蔚 蔚蟺委 蟿蠈蟺慰蠀 蟽蔚 渭蔚蟿蟻畏蟿维) 纬喂伪 蟿畏 未蔚蠉蟿蔚蟻畏 苇魏未慰蟽畏.
螔苇尾伪喂伪 畏 魏蠉蟻喂伪 魏伪喂 蟽蟿伪胃蔚蟻蠈蟿蔚蟻畏 蟺畏纬萎 蔚喂蟽慰未萎渭伪蟿蠈蟼 蟿慰蠀 蟺蟻慰蔚蟻蠂蠈蟿伪谓 伪蟺蠈 蟿畏 蟽蠀谓蔚蟻纬伪蟽委伪 蟿慰蠀 渭蔚 渭蔚纬维位伪 蟺蔚蟻喂慰未喂魏维 蟿畏蟼 蔚蟺慰蠂萎蟼 蟿慰蠀, 蟽蠀谓蔚蠂委味蔚喂 蟿伪 "螕蟻维渭渭伪蟿伪 纬喂伪 蟿慰 螤伪蟻委蟽喂" (Lettres sur Paris) 蠅蟼 蟿喂蟼 31 螠伪蟻蟿委慰蠀 1831 蟽蟿慰谓 "Voleur", 魏伪喂 未委谓蔚喂 未喂畏纬萎渭伪蟿伪 蟽蟿畏谓 "螘蟺喂胃蔚蠋蟻畏蟽畏 蟿蠅谓 螤伪蟻喂蟽委蠅谓 (Revue de Paris) 魏伪喂 蟽蟿畏谓 "螘蟺喂胃蔚蠋蟻畏蟽畏 蟿蠅谓 未蠉慰 魏蠈蟽渭蠅谓" (Revue des Deux Mondes).
:
La peau de chagrin : roman philosophique par M. de Balzac, 蔚魏未. C. Gosselin, Paris 1831
韦慰 蟽蠂萎渭伪 蟺伪蟻伪蟺苇渭蟺蔚喂 蟽蟿慰 222慰 魏蔚蠁. 蟿慰蠀 "Tristram Shandy"蟿慰蠀 Laurence Sterne 蠈蟺慰蠀 纬委谓蔚蟿伪喂 位蠈纬慰蟼 纬喂伪 蟿畏谓 蔚蠀蟿蠀蠂委伪 谓伪 蔚委谓伪喂 魏伪谓蔚委蟼 蔚位蔚蠉胃蔚蟻慰蟼 伪蟺蠈 蟿伪 未蔚蟽渭维 蟿慰蠀 苇蟻蠅蟿伪. 危蟿畏谓 蔚位位畏谓喂魏萎 苇魏未慰蟽畏 蟿慰蠀 Gutenberg 胃伪 蟿慰 尾蟻蔚委蟿蔚 蟽蟿畏谓 蟽蔚位委未伪 685.
螕魏蟻伪尾慰蠉蟻伪 伪蟺蠈 蟿畏谓 蟺蟻蠋蟿畏 苇魏未慰蟽畏. 韦慰 蟽蠂苇未喂慰 蔚委谓伪喂 蟿慰蠀 Tony Johannot 魏伪喂 蟿慰 蠂伪蟻伪魏蟿喂魏蠈 蟿慰蠀 Henri D茅sir茅 Porret.
螌位伪 蟿伪 苇蟻纬伪 伪蠀蟿萎蟼 蟿畏蟼 蟺蔚蟻喂蠈未慰蠀, 伪谓维渭蔚蟽伪 蟽蟿伪 慰蟺慰委伪 伪谓萎魏蔚喂 魏伪喂 蟿慰 "螠伪纬喂魏蠈 未苇蟻渭伪" (La Peau de chagrin) 蟽蠀谓喂蟽蟿慰蠉谓 渭喂伪 渭蔚蟿维尾伪蟽畏 伪蟺蠈 蟿慰 蠁伪谓蟿伪蟽蟿喂魏蠈 萎 蟿慰 蟺蔚蟻喂蟺蔚蟿蔚喂蠋未蔚蟼, 喂蟽蟿慰蟻喂魏蠈 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蟽蟿慰 伪渭喂纬蠋蟼 蟻蔚伪位喂蟽蟿喂魏蠈. 惟蟽蟿蠈蟽慰, 纬喂伪 蟿畏谓 蠋蟻伪, 慰喂 未喂畏纬萎蟽蔚喂蟼 蟿慰蠀 蟽蠀谓喂蟽蟿慰蠉谓 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 苇谓伪 伪渭维位纬伪渭伪 未喂伪蠁慰蟻蔚蟿喂魏蠋谓 位慰纬慰蟿蔚蠂谓喂魏蠋谓 蔚喂未蠋谓, 蟿伪 慰蟺慰委伪 蟽蠀谓未苇慰谓蟿伪喂 渭蔚 渭喂伪 蔚蟺喂蟿蠀蠂畏渭苇谓畏 伪蠁畏纬畏渭伪蟿喂魏萎 蟿蔚蠂谓喂魏萎, 蔚谓蟿蠀蟺蠅蟽喂伪魏苇蟼 蟺蔚蟻喂纬蟻伪蠁苇蟼, 蠁喂位慰蟽慰蠁委味慰谓蟿蔚蟼 蟽蟿慰蠂伪蟽渭慰蠉蟼, 蠂喂慰蠉渭慰蟻 魏伪喂 蟽蠀纬魏委谓畏蟽畏, 魏慰喂谓蠅谓喂魏萎 魏蟻喂蟿喂魏萎 魏伪喂 蟽维蟿喂蟻伪, 苇谓蟿慰谓伪 蟽蠀谓伪喂蟽胃畏渭伪蟿喂魏维 蟺维胃畏.
螝伪胃蠋蟼 畏 蠁萎渭畏 蟿慰蠀 渭蔚纬伪位蠋谓蔚喂, 畏 蟿蔚位蔚喂慰渭伪谓委伪 蟿慰蠀 伪蠀尉维谓蔚喂 伪谓伪位蠈纬蠅蟼. 螁位位蠅蟽蟿蔚 伪蠀蟿蠈蟼 蔚委谓伪喂 魏伪喂 慰 渭蠈谓喂渭慰蟼 魏伪蠀纬维蟼 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 渭蔚 蟿慰蠀蟼 蔚魏未蠈蟿蔚蟼 蟿慰蠀, 蟺慰蠀 伪蟻谓蔚委蟿伪喂 谓伪 蟿慰蠀蟼 蟺伪蟻伪未蠋蟽蔚喂 蟿伪 蠂蔚喂蟻蠈纬蟻伪蠁维 蟿慰蠀, 伪谓 未蔚谓 蔚委谓伪喂 尾苇尾伪喂慰蟼 蟺蠅蟼 蟿伪 苇蠂蔚喂 蔚蟺蔚尉蔚蟻纬伪蟽蟿蔚委 魏伪喂 蔚蟺喂渭蔚位畏胃蔚委 蟽蟿慰 苇蟺伪魏蟻慰.
韦慰 蟽蠀纬魏蔚魏蟻喂渭苇谓慰 苇蟻纬慰 尾伪蟽委味蔚蟿伪喂 蟽蟿畏谓, 蠈蠂喂 喂未喂伪委蟿蔚蟻伪 蟺蟻蠅蟿蠈蟿蠀蟺畏, 喂未苇伪 蔚谓蠈蟼 渭伪纬喂魏慰蠉 伪谓蟿喂魏蔚喂渭苇谓慰蠀 蟿慰 慰蟺慰委慰 苇蠂蔚喂 蟿畏 未蠉谓伪渭畏 谓伪 蟺蟻伪纬渭伪蟿慰蟺慰喂蔚委 蟿喂蟼 蔚蠀蠂苇蟼 蟿慰蠀 喂未喂慰魏蟿萎蟿畏 蟿慰蠀 伪位位维 伪蠀蟿蠈 蟽蠀谓慰未蔚蠉蔚蟿伪喂 (蠈蟺蠅蟼 蟽蠀谓萎胃蠅蟼 蟽蠀渭尾伪委谓蔚喂 渭蔚 蠈位蔚蟼 伪蠀蟿苇蟼 蟿喂蟼 喂蟽蟿慰蟻委蔚蟼) 伪蟺蠈 苇谓伪 尾伪蟻蠉 蟿委渭畏渭伪: 螚 魏维胃蔚 蔚蠀蠂萎 渭蔚喂蠋谓蔚喂 魏伪蟿维 苇谓伪 渭苇蟻慰蟼 蟿畏谓 苇魏蟿伪蟽畏 蟿畏蟼 味蠅萎蟼 蟿慰蠀 魏伪蟿蠈蠂慰蠀 蟿慰蠀.
螤蟻蠈魏蔚喂蟿伪喂 纬喂伪 渭喂伪 蟺蔚蟻纬伪渭畏谓萎 伪蟺蠈 未苇蟻渭伪 蔚谓蠈蟼 蟽蟺维谓喂慰蠀 蔚委未慰蠀蟼 伪蟽喂伪蟿喂魏慰蠉 维纬蟻喂慰蠀 蠈谓慰蠀 畏 慰蟺慰委伪 蠁苇蟻蔚喂 蔚蟺维谓蠅 蟿畏蟼 蟿畏谓 蔚尉萎蟼 蔚蟺喂纬蟻伪蠁萎:
"螌蟿伪谓 渭蔚 魏伪蟿苇蠂蔚喂蟼, 魏伪蟿苇蠂蔚喂蟼 蟿伪 蟺维谓蟿伪.
螚 味蠅萎 蟽慰蠀 蠈渭蠅蟼 胃伪 伪谓萎魏蔚喂 蟺位苇慰谓 蟽蔚 渭苇谓伪.
螆蟿蟽喂 蟿慰 胃苇位畏蟽蔚 慰 胃蔚蠈蟼. 螤蠈胃畏蟽蔚 魏伪喂 慰喂 蟺蠈胃慰喂 蟽慰蠀
胃伪 蔚魏蟺位畏蟻蠅胃慰蠉谓. 螘谓伪蟻渭蠈谓喂蟽蔚 蠈渭蠅蟼
蟿喂蟼 蔚蠀蠂苇蟼 蟽慰蠀 渭蔚 蟿畏 味蠅萎 蟽慰蠀.
螘魏蔚委 尾蟻委蟽魏蔚蟿伪喂 畏 味蠅萎 蟽慰蠀.
危蔚 魏维胃蔚 蟽慰蠀 胃苇位蠅 胃伪 渭蔚喂蠋谓慰渭伪喂
苇蟿蟽喂 蠈蟺蠅蟼 胃伪 渭蔚喂蠋谓慰谓蟿伪喂 慰喂 渭苇蟻蔚蟼 蟽慰蠀.
螠蔚 胃苇位蔚喂蟼;
螤维蟻蔚 渭蔚. 螝喂 慰 胃蔚蠈蟼
胃伪 蟽蔚 蔚喂蟽伪魏慰蠉蟽蔚喂喂".
(渭蔚蟿维蠁蟻伪蟽畏 螘蠀纬蔚谓委伪 韦蟽蔚位苇谓蟿畏).
韦慰 苇蟻纬慰 蠂蠅蟻委味蔚蟿伪喂 蟽蔚 蟿蟻委伪 渭苇蟻畏:
Le Talisman (韦慰 蠁蠀位伪蠂蟿蠈)
La Femme sans c艙ur" (螚 维魏伪蟻未畏 纬蠀谓伪委魏伪)
L'Agonie (螚 伪纬蠅谓委伪).
螣 魏蔚谓蟿蟻喂魏蠈蟼 萎蟻蠅伪蟼, 慰谓慰渭维味蔚蟿伪喂 Raphael de Valentin 魏伪喂 蔚委谓伪喂 纬蠈谓慰蟼 渭喂伪 尉蔚蟺蔚蟽渭苇谓畏蟼 伪蟻喂蟽蟿慰魏蟻伪蟿喂魏萎蟼 慰喂魏慰纬苇谓蔚喂伪蟼. 螆蠂慰谓蟿伪蟼 蠂维蟽蔚喂 蟺位苇慰谓 魏伪喂 蟿慰蠀蟼 未蠉慰 纬慰谓蔚委蟼 蟿慰蠀, 味蔚喂 渭喂伪 味蠅萎 伪蟽魏畏蟿喂魏萎, 伪蠁喂蔚蟻蠅渭苇谓畏 蟽蟿畏 渭蔚位苇蟿畏, 蠋蟽蟺慰蠀 纬谓蠅蟻委味蔚喂 蟿畏 Fedora, 蟿畏谓 蠅蟻伪委伪, 蟺位慰蠉蟽喂伪 魏伪喂 维魏伪蟻未畏 谓苇伪 纬喂伪 蟿畏谓 慰蟺慰委伪 胃伪 伪谓伪蟺蟿蠉尉蔚喂 渭喂伪 伪蟻蟻蠅蟽蟿畏渭苇谓畏 蔚渭渭慰谓萎, 蟺慰蠀 胃伪 蟿慰谓 蠁苇蟻蔚喂 蟽蟿慰 蠂蔚委位慰蟼 蟿畏蟼 伪蠀蟿慰魏蟿慰谓委伪蟼. 惟蟽蟿蠈蟽慰 伪蠀蟿蠈 蟺慰蠀 谓喂蠋胃蔚喂 纬喂伪 蟿畏 Fedora 未蔚谓 蔚委谓伪喂 慰蠉蟿蔚 伪纬维蟺畏, 慰蠉蟿蔚 苇蟻蠅蟿伪蟼, 伪位位维 畏 蟺蟻慰蟽蠅蟺慰蟺慰委畏蟽畏 蟿畏蟼 蔚蟺喂胃蠀渭委伪蟼 纬喂伪 未蠉谓伪渭畏, 蔚尉慰蠀蟽委伪 魏伪喂 魏伪蟿维魏蟿畏蟽畏 蟿慰蠀 伪未蠉谓伪蟿慰蠀.
螣 委未喂慰蟼 慰 Raphael 蟿慰 纬谓蠅蟻委味蔚喂 蟺慰位蠉 魏伪位维 伪蠀蟿蠈, 伪位位维 未蔚谓 渭蟺慰蟻蔚委 谓伪 伪谓蟿喂蟽蟿伪胃蔚委 蟽蟿慰谓 蟺蔚喂蟻伪蟽渭蠈 (蔚未蠋 苇蠂慰蠀渭蔚 蟿畏谓 蟺蟻蠋蟿畏, 喂蟽蟿慰蟻喂魏维, 蔚渭蠁维谓喂蟽畏 蟿慰蠀 位慰纬慰蟿蔚蠂谓喂魏慰蠉 蠂伪蟻伪魏蟿萎蟻伪 蟿慰蠀 Rastignac, 蟿慰蠀 伪蟻喂尾委蟽蟿伪 魏慰喂谓蠅谓喂魏慰蠉 伪谓伪蟻蟻喂蠂畏蟿萎, 蟺慰蠀 蔚谓胃伪蟻蟻蠉谓蔚喂 伪蠀蟿苇蟼 蟿喂蟼 蟿维蟽蔚喂蟼 蟿慰蠀 魏蔚谓蟿蟻喂魏慰蠉 萎蟻蠅伪) 魏伪喂 伪蟺蠈 蟿畏 蟽蟿喂纬渭萎 蟺慰蠀 蠀蟺慰魏蠉蟺蟿蔚喂, 伪蟺慰蠁伪蟽委味蔚喂 谓伪 蟻喂蟽魏维蟻蔚喂 蟿伪 蟺维谓蟿伪 蟽蔚 伪蠀蟿蠈 蟿慰 蔚蟺喂魏委谓未蠀谓慰, 纬喂伪 蟿畏 蠄蠀蠂喂魏萎 魏伪喂 蟽蠅渭伪蟿喂魏萎 蟿慰蠀 蠀纬蔚委伪, 蟺伪喂蠂谓委未喂:
"螡蟿蟻苇蟺慰渭伪喂, 伪位位维 蟺蟻苇蟺蔚喂 谓伪 蟺伪蟻伪未蔚蠂蟿蠋 蟺蠅蟼 慰 苇蟻蠅蟿伪蟼 渭苇蟽伪 蟽蟿畏 蠁蟿蠋蠂蔚喂伪 渭慰蠀 蔚委谓伪喂 魏维蟿喂 伪未喂伪谓蠈畏蟿慰. 螉蟽蠅蟼 谓伪 蟺蟻蠈魏蔚喂蟿伪喂 纬喂伪 畏胃喂魏萎 蟺伪蟻苇魏魏位喂蟽畏 蟺慰蠀 慰蠁蔚委位蔚蟿伪喂 蟽蟿畏谓 伪谓胃蟻蠋蟺喂谓畏 谓蠈蟽慰 蟺慰蠀 慰谓慰渭维味蔚蟿伪喂 蟺慰位喂蟿喂蟽渭蠈蟼 伪位位维 渭喂伪 纬蠀谓伪委魏伪, 伪魏蠈渭伪 魏喂 伪谓 蔚委谓伪喂 蟿蠈蟽慰 蠅蟻伪委伪 蠈蟽慰 畏 螘位苇谓畏 蟿畏蟼 韦蟻慰委伪蟼 萎 畏 螕伪位维蟿蔚喂伪, 未蔚谓 苇蠂蔚喂 魏伪渭委伪 蔚尉慰蠀蟽委伪 蔚蟺维谓蠅 蟽蟿喂蟼 伪喂蟽胃萎蟽蔚喂蟼 渭慰蠀, 伪谓 蔚委谓伪喂 蠁蟿蠅蠂萎. 螙萎蟿蠅 慰 苇蟻蠅蟿伪蟼 蟽蟿慰 蟽伪蟿苇谓 魏伪喂 蟽蟿慰 渭蔚蟿维尉喂, 慰 蟺位伪喂蟽喂蠅渭苇谓慰蟼 伪蟺蠈 蟿畏 胃伪蠀渭伪蟽蟿萎 蟺慰位蠀蟿苇位蔚喂伪 蟺慰蠀 蟿蠈蟽慰 蟿慰蠀 蟿伪喂蟻喂维味蔚喂, 纬喂伪蟿委 魏喂 委未喂慰蟼 蔚委谓伪喂 渭喂伪 蟺慰位蠀蟿苇位蔚喂伪. 螛苇位蠅 谓伪 渭蟺慰蟻蠋 谓伪 蟿蟽伪位伪魏蠋谓蠅 蠈渭慰蟻蠁伪 蠁慰蟻苇渭伪蟿伪, 谓伪 蟽蠀谓胃位委尾蠅 维谓胃畏, 谓伪 蠂蠋谓蠅 蟿伪 蠂苇蟻喂伪 渭慰蠀 渭苇蟽伪 蟽蔚 蔚蠀蠅未喂伪蟽蟿维 魏伪位慰蠂蟿蔚谓喂蟽渭苇谓伪 渭伪位位喂维.
桅位慰纬蔚蟻维 渭维蟿喂伪, 魏蟻蠀渭渭苇谓伪 蟺委蟽蠅 伪蟺蠈 未伪谓蟿蔚位苇谓喂伪 蟺苇蟺位伪, 未喂伪蟺蔚蟻伪蟽蟿喂魏维 蟽伪谓 蟿喂蟼 蠁位蠈纬蔚蟼 蟺慰蠀 尉蔚蟺畏未慰蠉谓 伪蟺蠈 蟿畏谓 魏维谓畏 蔚谓蠈蟼 蠈蟺位慰蠀, 伪蠀蟿维 渭慰蠀 未委谓慰蠀谓 渭喂伪 渭蠀蟽蟿畏蟻喂蠋未畏 蔚蠀蠂伪蟻委蟽蟿畏蟽畏. 螚 伪纬维蟺畏 渭慰蠀 蟺慰胃蔚委 谓伪 伪谓蔚尾伪委谓蔚喂 渭蔚蟿伪尉苇谓喂蔚蟼 蟽魏维位蔚蟼, 蟽喂蠅蟺畏位维, 渭苇蟽伪 蟽蟿畏 蠂蔚喂渭蠅谓喂维蟿喂魏畏 谓蠉蠂蟿伪. 韦喂 蔚蠀蟿蠀蠂委伪 谓伪 渭蟺伪委谓蔚喂蟼, 蟽魏蔚蟺伪蟽渭苇谓慰蟼 伪蟺蠈 蟿慰 蠂喂蠈谓喂, 蟽蔚 渭喂伪 蠁蠅蟿喂蟽渭苇谓畏 魏伪喂 伪蟻蠅渭伪蟿喂蟽渭苇谓畏 魏维渭伪蟻伪, 蟿伪蟺蔚蟿蟽伪蟻喂蟽渭苇谓畏 渭蔚 味蠅纬蟻伪蠁喂蟽渭苇谓伪 渭蔚蟿维尉喂伪, 纬喂伪 谓伪 蟽蠀谓伪谓蟿萎蟽蔚喂蟼 渭喂伪 纬蠀谓伪委魏伪 谓蟿蠀渭苇谓畏 魏喂 蔚魏蔚委谓畏 蟽蟿慰 蠂喂蠈谓喂, 蟽蟿慰 胃蔚位魏蟿喂魏蠈 位蔚蠀魏蠈 蟿畏蟼 渭慰蠀蟽蔚位委谓伪蟼, 谓伪 渭慰喂维味蔚喂 渭蔚 维纬纬蔚位慰 蟺慰蠀 蔚渭蠁伪谓委味蔚蟿伪喂 渭苇蟽伪 伪蟺蠈 苇谓伪 蟽蠉谓谓蔚蠁慰".
螣 委未喂慰蟼 蟿伪 蠁伪谓蟿伪蟽喂蠋谓蔚蟿伪喂 蠈位伪 伪蠀蟿维, 蔚谓蠋 味蔚喂 蟽蔚 渭喂伪 蠁蟿蠅蠂喂魏萎 蟽慰蠁委蟿伪, 渭慰喂蟻维味慰谓蟿伪蟼 蟿慰 蠂蟻蠈谓慰 蟿慰蠀 伪谓维渭蔚蟽伪 蟽蟿畏谓 渭蔚位苇蟿畏 魏伪喂 蟿畏 蟽蠀纬纬蟻伪蠁萎 渭喂伪蟼 蠁喂位慰蟽慰蠁喂魏萎蟼 蟺蟻伪纬渭伪蟿蔚委伪蟼 渭蔚 蟿委蟿位慰 "螚 胃蔚蠅蟻委伪 蟿畏蟼 螛苇位畏蟽畏蟼" (La th茅orie de la volont茅), 蠈蟺慰蠀 魏伪蟿伪蠁苇蟻谓蔚喂 渭蔚蟿维 尾委伪蟼 谓伪 蔚尉伪蟽蠁伪位委蟽蔚喂 蟿慰 魏伪胃畏渭蔚蟻喂谓蠈 蟿慰蠀 蠄蠅渭委, 渭蔚 蟿畏 尾慰萎胃蔚喂伪 蟿畏蟼 谓蔚伪蟻萎蟼 Pauline (魏蠈蟻畏 蟿畏蟼 蟽蟺喂蟿慰谓慰喂魏慰魏蠀蟻维蟼 蟿慰蠀) 畏 慰蟺慰委伪 蟽蠉谓蟿慰渭伪 纬委谓蔚蟿伪喂 渭伪胃萎蟿蟻喂维 蟿慰蠀 魏伪喂 慰 渭蠀蟽蟿喂魏蠈蟼 尾慰畏胃蠈蟼 蟿慰蠀 蟽蟿喂蟼 未蠀蟽魏慰位委蔚蟼 蟿畏蟼 魏伪胃畏渭蔚蟻喂谓蠈蟿畏蟿维蟼 蟿慰蠀. 螆谓伪蟼 蟺蟻伪纬渭伪蟿喂魏蠈蟼 维纬纬蔚位慰蟼 伪纬维蟺畏蟼 魏伪喂 蠀蟺慰渭慰谓萎蟼, 畏 喂未伪谓喂魏萎 谓苇伪, 魏伪蟿维 蟿伪 蟺蟻蠈蟿蠀蟺伪 蟿畏蟼 蟻慰渭伪谓蟿喂魏萎蟼 位慰纬慰蟿蔚蠂谓委伪蟼.
螌位维魏蔚蟻畏 畏 味蠅萎 蟿慰蠀 魏蔚谓蟿蟻喂魏慰蠉 萎蟻蠅伪 蔚蟺喂魏蔚谓蟿蟻蠋谓蔚蟿伪喂 蟽蔚 伪蠀蟿蠈 伪魏蟻喂尾蠋蟼 蟿慰 伪谓蟿喂胃蔚蟿喂魏蠈 未委蟺慰位慰, 蟿畏谓 伪蟺蠈位蠀蟿畏 蟽蟿苇蟻畏蟽畏 魏伪喂 蟿畏谓 伪魏蟻伪委伪 蠀蟺蔚蟻尾慰位萎, 蟿喂蟼 魏伪蟿伪蠂蟻萎蟽蔚喂蟼 魏伪喂 蟿畏 蟽蟺伪蟿维位畏. 螇 未蔚谓 胃伪 苇蠂蔚喂 蟿委蟺慰蟿伪 萎 胃伪 苇蠂蔚喂 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻伪 伪蟺蠈 蠈蟽伪 渭蟺慰蟻蔚委 谓伪 伪谓蟿苇尉蔚喂. 螝伪谓苇谓伪 渭苇蟿蟻慰. 螝伪渭委伪 喂蟽慰蟻蟻慰蟺委伪.
螝伪蟿维 魏维蟺慰喂慰谓 蟿蟻蠈蟺慰 畏 渭慰蟻蠁萎 蟿慰蠀 谓蔚伪蟻慰蠉 Raphael 伪蟺慰蟿蔚位蔚委 蟿畏谓 蠅蟻伪喂慰蟺慰喂畏渭苇谓畏 魏伪喂 位慰纬慰蟿蔚蠂谓喂魏萎 蔚魏未慰蠂萎 蟿慰蠀 委未喂慰蠀 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪. 韦慰蠀 蟽蠀纬纬蟻伪蠁苇伪 蔚魏蔚委谓慰蠀 蟺慰蠀 未蔚谓 胃伪 未喂蟽蟿维蟽蔚喂 谓伪 蟺伪蟻伪未蔚蠂蟿蔚委 蟽蟿畏谓 伪位位畏位慰纬蟻伪蠁委伪 蟿慰蠀 渭蔚 蟿畏谓 未慰蠉魏喂蟽蟽伪 d'Abrantes 蟺蠅蟼:
"螘蟺喂蟺位苇慰谓 魏蠀蟻委伪, 蔚蟺喂蟿蟻苇蠄蟿蔚 渭慰蠀 谓伪 蟽伪蟼 蟺蠅 蠈蟿喂 未蔚谓 渭蟺慰蟻蔚委蟿蔚 谓伪 蟽蠀渭蟺蔚蟻维谓蔚蟿蔚 蟿委蟺慰蟿伪 纬喂伪 渭苇谓伪, 蔚谓维谓蟿喂伪 蟽蔚 渭苇谓伪, 纬喂伪蟿委 苇蠂蠅 蟿慰谓 蟺喂慰 伪位位慰蟺蟻蠈蟽伪位位慰 蠂伪蟻伪魏蟿萎蟻伪 伪蟺蠈 蠈蟽慰蠀蟼 苇蠂蠅 纬谓蠅蟻委蟽蔚喂. 螠蔚位蔚蟿蠋 蟿慰谓 蔚伪蠀蟿蠈 渭慰蠀 蟽伪谓 谓伪 渭蔚位蔚蟿慰蠉蟽伪 魏维蟺慰喂慰谓 蟿蟻委蟿慰.
螠苇蟽伪 蟽蟿慰 苇谓伪 渭苇蟿蟻慰 魏伪喂 蔚尉畏谓蟿伪蟺苇谓蟿蔚 蔚魏伪蟿慰蟽蟿维 蟿慰蠀 蠉蠄慰蠀蟼 渭慰蠀 蟺蔚蟻喂魏位蔚委谓蔚蟿伪喂 魏维胃蔚 未蠀谓伪蟿萎 伪蟽蠀谓伪蟻蟿畏蟽委伪 魏伪喂 伪谓蟿委蠁伪蟽畏, 魏喂 蔚魏蔚委谓慰喂 蟺慰蠀 渭蔚 胃蔚蠅蟻慰蠉谓 渭伪蟿伪喂蠈未慰尉慰, 维蟽蠅蟿慰, 蟺蔚喂蟽渭伪蟿维蟻畏, 蔚蟺喂蟺蠈位伪喂慰, 蟿蔚位蔚委蠅蟼 伪谓伪魏蠈位慰蠀胃慰 蟽蟿慰 渭蠀伪位蠈, 蔚蟺畏蟻渭苇谓慰, 伪未喂维蠁慰蟻慰, 蟿蔚渭蟺苇位畏, 蔚蟺喂蟺蠈位伪喂慰, 伪蟽蟿蠈蠂伪蟽蟿慰, 蠂蠅蟻委蟼 蠀蟺慰渭慰谓萎 魏伪喂 蟿伪魏蟿, 蠁位蠉伪蟻慰, 魏伪魏慰渭伪胃畏渭苇谓慰, 伪纬蔚谓萎, 蠁伪谓蟿伪蟽喂蠈蟺位畏魏蟿慰, 渭蔚 蟺维谓蟿伪 伪蟺蟻蠈尾位蔚蟺蟿畏 未喂维胃蔚蟽畏, 渭蟺慰蟻蔚委 谓伪 苇蠂慰蠀谓 蔚尉委蟽慰蠀 未委魏喂慰 渭蔚 蔚魏蔚委谓慰蠀蟼 蟺慰蠀 胃伪 喂蟽蠂蠀蟻喂蟽蟿慰蠉谓 蟺蠅蟼 蔚委渭伪喂 慰喂魏慰谓蠈渭慰蟼, 渭蔚蟿蟻喂蠈蠁蟻蠅谓, 胃伪蟻蟻伪位苇慰蟼, 蔚蟺委渭慰谓慰蟼, 未蟻伪蟽蟿萎蟻喂慰蟼, 伪蟿畏渭苇位畏蟿慰蟼, 蠁喂位蠈蟺慰谓慰蟼, 蟽蟿伪胃蔚蟻蠈蟼, 慰位喂纬蠈位慰纬慰蟼, 纬蔚渭维蟿慰蟼 蔚蠀伪喂蟽胃畏蟽委伪, 蔚蠀纬蔚谓喂魏蠈蟼, 蟺维谓蟿伪 蟺蟻蠈蟽蠂伪蟻慰蟼.
螝伪渭喂维 喂未喂蠈蟿畏蟿伪 蟿慰蠀 蔚伪蠀蟿慰蠉 渭慰蠀 未蔚谓 渭慰蠀 蟺蟻慰魏伪位蔚委 蟺位苇慰谓 苇魏蟺位畏尉畏. 螝伪蟿苇位畏尉伪 谓伪 蟺喂蟽蟿苇蠄蠅 蠈蟿喂 未蔚谓 蔚委渭伪喂 蟺伪蟻维 苇谓伪 蠈蟻纬伪谓慰, 苇谓伪 蟺伪喂蠂谓委未喂 蟿蠅谓 蟺蔚蟻喂蟽蟿维蟽蔚蠅谓. 螉蟽蠅蟼 畏 魏伪位蔚喂未慰蟽魏慰蟺喂魏萎 蠈蠄畏 蟿慰蠀 蠂伪蟻伪魏蟿萎蟻伪 渭慰蠀 谓伪 慰蠁蔚委位蔚蟿伪喂 蟽蟿慰 蠈蟿喂 畏 渭慰委蟻伪 纬蔚渭委味蔚喂 渭蔚 蠈位伪 伪蠀蟿维 蟿伪 蟽蠀谓伪喂蟽胃萎渭伪蟿伪 蟿畏 蠄蠀蠂萎 蔚魏蔚委谓蠅谓 蟺慰蠀 蔚蟺喂蠂蔚喂蟻慰蠉谓 谓伪 伪蟺蔚喂魏慰谓委蟽慰蠀谓 蠈位伪 蟿伪 蟽蠀谓伪喂蟽胃萎渭伪蟿伪 魏伪喂 蠈位畏 蟿畏谓 伪谓胃蟻蠋蟺喂谓畏 魏伪蟻未喂维, 蠋蟽蟿蔚 谓伪 谓喂蠋蟽慰蠀谓 渭蔚 蟿畏 未蠉谓伪渭畏 蟿畏蟼 蠁伪谓蟿伪蟽委伪蟼 蟿慰蠀蟼 伪蠀蟿维 蟺慰蠀 味蠅纬蟻伪蠁委味慰蠀谓 魏伪喂 畏 蟺伪蟻伪蟿萎蟻畏蟽畏 未蔚谓 蔚委谓伪喂 蟿委蟺慰蟿蔚 维位位慰 蟺伪蟻维 苇谓伪 蔚委未慰蟼 渭谓萎渭畏蟼, 喂魏伪谓萎蟼 谓伪 尾慰畏胃萎蟽蔚喂 伪蠀蟿萎 蟿畏 未蟻伪蟽蟿萎蟻喂伪 蠁伪谓蟿伪蟽委伪".
(蔚蟺喂蟽蟿慰位萎 蠂蟻慰谓慰位慰纬畏渭苇谓畏 蟽蟿喂蟼 22/7/1825, 尾位苇蟺蔚 Nadine Satiat, 螠蟺伪位味维魏 萎 畏 渭伪谓委伪 蟿畏蟼 纬蟻伪蠁萎蟼, 蟽蔚位. 132).
螤慰喂伪 蔚委谓伪喂 蠅蟽蟿蠈蟽慰 畏 伪喂蟿委伪 伪蠀蟿萎蟼 蟿畏蟼 伪谓蟿委蠁伪蟽畏蟼; 螘委谓伪喂 渭蠈谓慰 苇谓伪 蠁伪喂谓蠈渭蔚谓慰 蟿慰蠀 蠄蠀蠂喂魏慰蠉 魏蠈蟽渭慰蠀 蟿慰蠀 蟽蠀纬纬蟻伪蠁苇伪 萎 渭萎蟺蠅蟼 蔚委谓伪喂 魏慰渭渭维蟿喂 蟿畏蟼 蔚蠀蟻蠉蟿蔚蟻畏蟼 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪蟼 渭苇蟽伪 蟽蟿畏谓 慰蟺慰委伪 魏伪喂 慰 委未喂慰蟼 蟺蟻慰蟽蟺伪胃蔚委 谓伪 伪蠀蟿慰蟺蟻慰蟽未喂慰蟻喂蟽蟿蔚委;
螚 蟺伪蟻伪渭蠀胃苇谓喂伪 未喂维蟽蟿伪蟽畏 蟿畏蟼 蠀蟺蠈胃蔚蟽畏蟼 蟿慰蠀 苇蟻纬慰蠀, 蟺慰蠀 魏维蟺慰蟿蔚 胃蠀渭委味蔚喂 伪蠁萎纬畏蟽畏 伪蟺蠈 蟿喂蟼 围委位喂蔚蟼 魏伪喂 渭委伪 谓蠉蠂蟿蔚蟼, 魏维蟺慰蟿蔚 巍伪渭蟺蔚位伪喂蟽喂伪谓蠈 蟺伪蟻伪未慰尉慰纬蟻维蠁畏渭伪 魏伪喂 维位位慰蟿蔚 蟿喂蟼 畏胃喂魏苇蟼 蟺伪蟻伪尾慰位苇蟼 蟿慰蠀 E.T.A. Hoffmann, 蔚委谓伪喂 伪蟺位维 蟿慰 蟺蟻慰魏维位蠀渭渭伪. 螘委谓伪喂 慰 蟺慰位蠉蠂蟻蠅渭慰蟼 魏伪喂 纬慰畏蟿蔚蠀蟿喂魏蠈蟼 渭伪谓未蠉伪蟼 蟺慰蠀 魏蟻蠉尾蔚喂 蟿畏谓 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪 蟿畏蟼 纬伪位位喂魏萎蟼 魏慰喂谓蠅谓委伪蟼.
韦慰 蟺位慰蠀蟽喂慰蟺维蟻慰蠂慰 纬蔚蠉渭伪 蟺慰蠀 蔚尉蔚位委蟽蟽蔚蟿伪喂 蟽蔚 蟽蔚尉慰蠀伪位喂魏蠈 蠈蟻纬喂慰 渭蔚 蟿畏 蟽蠀渭渭蔚蟿慰蠂萎 蟿蠅谓 蠅蟻伪喂蠈蟿蔚蟻蠅谓 蟺伪蟻喂蟽喂谓蠋谓 demimondaines 蟿慰 慰蟺慰委慰 慰 蟽蠀纬纬蟻伪蠁苇伪蟼 蟺蔚蟻喂纬蟻维蠁蔚喂 渭蔚 蔚尉伪喂蟻蔚蟿喂魏蠈 蟻蔚伪位喂蟽渭蠈 (蠂蠅蟻委蟼 蠁蠀蟽喂魏维 谓伪 蟺伪蟻伪胃苇蟿蔚喂 纬蟻伪蠁喂魏苇蟼 位蔚蟺蟿慰渭苇蟻蔚喂蔚蟼), 尾伪蟽委味蔚蟿伪喂 蟽蔚 蟺蟻伪纬渭伪蟿喂魏维 纬蔚纬慰谓蠈蟿伪.
螣 蟺位慰蠉蟽喂慰蟼 蟿蟻伪蟺蔚味委蟿畏蟼 蟺慰蠀 伪蟺蔚喂魏慰谓委味蔚蟿伪喂 蟽蟿慰 苇蟻纬慰, 慰谓蠈渭伪蟿喂 Taillefer, 慰 慰蟺慰委慰蟼 蔚蟺喂胃蠀渭蔚委 谓伪 喂未蟻蠉蟽蔚喂 渭喂伪 蔚蠁畏渭蔚蟻委未伪 伪谓蟿喂位伪渭尾伪谓蠈渭蔚谓慰蟼 蟿畏谓 伪蠀尉伪谓蠈渭蔚谓畏 蔚尉慰蠀蟽委伪 蟿慰蠀 韦蠉蟺慰蠀, 伪谓蟿喂蟽蟿慰喂蠂蔚委 蟽蔚 蟺蟻伪纬渭伪蟿喂魏蠈 蟺蟻蠈蟽蠅蟺慰, 蟺蟻蠈魏蔚喂蟿伪喂 纬喂伪 蟿慰谓 蟿蟻伪蟺蔚味委蟿畏 Alexandre Aguado, 蟺慰蠀 蟽蠀谓萎胃喂味蔚 谓伪 慰蟻纬伪谓蠋谓蔚喂 蟿苇蟿慰喂蔚蟼 未喂伪蟽魏蔚未维蟽蔚喂蟼 蟽蟿慰 渭苇纬伪蟻蠈 蟿慰蠀 蟽蟿畏谓 慰未蠈 螡蟿蟻蠀蠈 魏伪喂 慰 慰蟺慰委慰蟼 蟽蟿伪 1829, 伪纬蠈蟻伪蟽蔚 蟿畏谓 蔚蠁畏渭蔚蟻委未伪 "螒纬纬蔚位喂伪蠁蠈蟻慰蟼 蟿蠅谓 蔚蟺喂渭蔚位畏蟿畏蟻委蠅谓" (Le Messager des Chambres). 螣 蟽蠀纬魏蔚魏蟻喂渭苇谓慰蟼 蟿蟻伪蟺蔚味委蟿畏蟼 伪谓苇位伪尾蔚 渭维位喂蟽蟿伪 蟽蟿伪 1834 蟿喂蟼 未喂伪蟺蟻伪纬渭伪蟿蔚蠉蟽蔚喂蟼 纬喂伪 蟿畏 蠂慰蟻萎纬畏蟽畏 蟿慰蠀 未伪谓蔚委慰蠀 蟺慰蠀 苇位伪尾蔚 畏 螘位位维未伪 魏伪蟿维 蟿畏谓 蔚蟺慰蠂萎 蟿畏蟼 伪谓蟿喂尾伪蟽喂位蔚委伪蟼 蟿蠅谓 螔伪蠀伪蟻蠋谓.
螁位位蠅蟽蟿蔚 蟿慰 蟽蠀纬魏蔚魏蟻喂渭苇谓慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蟽畏渭蔚委蠅蟽蔚 蟿蠈蟽慰 渭蔚纬维位畏 蔚蟺喂蟿蠀蠂委伪, 伪魏蟻喂尾蠋蟼 蔚蟺蔚喂未萎 慰 Balzac 蔚委蠂蔚 魏伪蟿伪蠁苇蟻蔚喂 谓伪 伪蟺慰魏蟿萎蟽蔚喂 喂蟽蠂蠀蟻苇蟼 未喂伪蟽蠀谓未苇蟽蔚喂蟼 蟽蟿慰 未畏渭慰蟽喂慰纬蟻伪蠁喂魏蠈 蠂蠋蟻慰. 螒蠀蟿蠈 未畏渭喂慰蠉蟻纬畏蟽蔚 蟿慰谓 伪蟺伪蟻伪委蟿畏蟿慰 胃蠈蟻蠀尾慰 纬蠉蟻蠅 伪蟺蠈 蟿慰 蠈谓慰渭维 蟿慰蠀, 魏喂 伪蠀蟿萎 萎蟿伪谓 畏 伪喂蟿委伪 蟺慰蠀 蟿慰 魏慰喂谓蠈, 蟺伪蟻伪魏喂谓畏渭苇谓慰 伪蟺蠈 蟿畏谓 蔚蟺喂胃蔚蟿喂魏萎 未喂伪蠁萎渭喂蟽畏 尉蔚蟽萎魏蠅蟽蔚 蟿喂蟼 蟺蟻慰胃萎魏蔚蟼 蟿蠅谓 尾喂尾位喂慰蟺蠅位蔚委蠅谓 魏伪喂 蟿蠅谓 未伪谓蔚喂蟽蟿畏蟻委蠅谓. 螌蟺蠅蟼 伪谓伪蠁苇蟻蔚蟿伪喂 魏伪喂 蟽蟿慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪, 蟺蟻蠈魏蔚喂蟿伪喂 纬喂伪 渭喂伪 谓苇伪 胃蟻畏蟽魏蔚委伪 畏 慰蟺慰委伪 未蔚谓 蟺蟻慰蠇蟺慰胃苇蟿蔚喂 谓伪 蔚委蟽伪喂 蟺喂蟽蟿蠈蟼:
"- 螠伪 未蔚 尾位苇蟺蔚喂蟼 位慰喂蟺蠈谓 蟺蠅蟼 畏 未畏渭慰蟽喂慰纬蟻伪蠁委伪 蔚委谓伪喂 畏 胃蟻畏蟽魏蔚委伪 蟿畏蟼 蟽蠉纬蠂蟻慰谓畏蟼 魏慰喂谓蠅谓委伪蟼 魏伪喂 蔚委谓伪喂 蟽伪蠁蠋蟼 渭喂伪 尾蔚位蟿喂蠅渭苇谓畏 蔚魏未慰蠂萎 蟿畏蟼 蟺伪位喂维蟼!
- 螠蔚 蟺慰喂慰 蟿蟻蠈蟺慰;
- 螣喂 喂蔚蟻蔚委蟼 蟿畏蟼 未蔚谓 蔚委谓伪喂 伪蟺伪蟻伪委蟿畏蟿慰 谓伪 蟺喂蟽蟿蔚蠉慰蠀谓 蟽蔚 伪蠀蟿萎谓 魏伪喂 蟿慰 委未喂慰 喂蟽蠂蠉蔚喂 魏伪喂 纬喂伪 蟿慰谓 蠀蟺蠈位慰喂蟺慰 魏蠈蟽渭慰!"
韦慰 蟺位萎胃慰蟼 蟿蠅谓 未喂伪蠁慰蟻蔚蟿喂魏蠋谓 伪蟺蠈蠄蔚蠅谓 魏伪喂 伪谓蟿喂位萎蠄蔚蠅谓 渭蟺蠈蟻蔚蟽蔚 谓伪 蔚魏蠁蟻伪蟽蟿蔚委 伪位位维 魏伪喂 谓伪 未喂伪渭慰蟻蠁蠅胃蔚委 渭苇蟽伪 伪蟺蠈 蟿喂蟼 蔚蠁畏渭蔚蟻委未蔚蟼. 螝伪喂 蟿慰 蟺位萎胃慰蟼 蟿蠅谓 未喂伪蠁慰蟻蔚蟿喂魏蠋谓 魏伪喂 蟽蠀纬魏蟻慰蠀蠈渭蔚谓蠅谓 蟽蠀渭蠁蔚蟻蠈谓蟿蠅谓 魏伪喂 魏慰蟽渭慰胃蔚蠅蟻喂蠋谓 蟽蠀谓喂蟽蟿维 渭喂伪 蠀位喂魏萎 魏伪喂 蟺谓蔚蠀渭伪蟿喂魏萎 螔伪尾苇位, 魏伪蟿伪位萎纬蔚喂 蟽蔚 渭喂伪 蟽蠉纬蠂蠀蟽畏 喂未蔚蠋谓 魏伪喂 伪尉喂蠋谓 蟺慰蠀 慰未畏纬蔚委 蟿慰蠀蟼 伪谓胃蟻蠋蟺慰蠀蟼 蟽蟿畏谓 蟺伪蟻伪蠁蟻慰蟽蠉谓畏. 螖蔚谓 尉苇蟻慰蠀谓 蟺慰喂慰谓 萎 蟽蔚 蟿喂 谓伪 蟺喂蟽蟿苇蠄慰蠀谓. 螒位位维, 蠈蟺蠅蟼 蟺蟻慰伪谓伪蠁苇蟻胃畏魏蔚, 畏 蟺委蟽蟿畏 蟺位苇慰谓 未蔚谓 伪蟺慰蟿蔚位蔚委 蟺蟻慰伪蟺伪喂蟿慰蠉渭蔚谓慰. 螌蟺慰喂慰蟼 魏伪蟿伪蠁苇蟻蔚喂 谓伪 蔚蟺畏蟻蔚维味蔚喂 蟿伪 蟺位萎胃畏 蔚委谓伪喂 慰 伪位畏胃喂谓蠈蟼 尾伪蟽喂位喂维蟼:
"螡伪喂 魏蠉蟻喂蔚, 畏 螝蠀尾苇蟻谓畏蟽畏 蟿慰蠀 蟽萎渭蔚蟻伪 蔚委谓伪喂 畏 韦苇蠂谓畏 蟿慰蠀 谓伪 蠂蔚喂蟻伪纬蠅纬蔚委蟼 蟿畏谓 螝慰喂谓萎 纬谓蠋渭畏".
魏伪喂 蟺伪蟻伪魏维蟿蠅:
"- 螔纬维位蔚 蟿慰谓 蟽魏伪蟽渭蠈, 蟽魏蔚蟺蟿喂魏喂蟽蟿萎!
- 螣喂 危魏蔚蟺蟿喂魏喂蟽蟿苇蟼 蔚委谓伪喂 慰喂 蟺喂慰 蟽蠀谓蔚喂未畏蟿慰蟺慰喂畏渭苇谓慰喂 蟿蠅谓 伪谓胃蟻蠋蟺蠅谓.
- 螖蔚谓 苇蠂慰蠀谓 蟽蠀谓蔚委未畏蟽畏.
- 螠蠅蟻苇 蟿喂 渭伪蟼 位蔚蟼; 螆蠂慰蠀谓 蟿慰蠀位维蠂喂蟽蟿慰谓 未蠉慰!"
螒谓维渭蔚蟽伪 蟽蟿慰 蟺位萎胃慰蟼 蟿蠅谓 渭蔚胃蠀蟽渭苇谓蠅谓 伪蟺蠈 魏蟻伪蟽委 魏伪喂 蟻畏蟿慰蟻喂魏萎 伪谓胃蟻蠋蟺蠅谓 蟿畏蟼 蟿苇蠂谓畏蟼, 蟿畏蟼 蟺慰位喂蟿喂魏萎蟼, 蟿畏蟼 蔚蟺喂蟽蟿萎渭畏蟼, 蟿畏蟼 蔚尉慰蠀蟽委伪蟼, 慰 Balzac 渭伪胃伪委谓蔚喂, 蟺伪蟻伪蟿畏蟻蔚委, 魏伪蟿伪纬蟻维蠁蔚喂, 魏蟻委谓蔚喂, 伪蟺慰魏伪位蠉蟺蟿蔚喂 魏伪喂 蟺维谓蠅 伪蟺蠈 蠈位伪 蟺蟻慰蟽蟺伪胃蔚委 谓伪 蔚蟺喂尾位畏胃蔚委, 谓伪 蔚蟺喂魏蟻伪蟿萎蟽蔚喂, 谓伪 蔚蟺喂尾喂蠋蟽蔚喂 魏伪喂 谓伪 蟽蠀谓蔚蠂委蟽蔚喂 谓伪 未畏渭喂慰蠀蟻纬蔚委. 螘喂蟼 尾维蟻慰蟼 蟿畏蟼 蠀纬蔚委伪蟼 蟿慰蠀, 伪蟽魏蔚委 苇谓伪 蔚蟺维纬纬蔚位渭伪 蠈蟺慰蠀 畏 蟺慰位蠉蠅蟻畏 蔚蟻纬伪蟽委伪, 畏 慰喂魏慰谓慰渭喂魏萎 未蠀蟽蟺蟻伪纬委伪, 蟿慰 伪未喂维魏慰蟺慰 维纬蠂慰蟼 纬喂伪 蟿畏谓 蔚蟺蠈渭蔚谓畏 渭苇蟻伪, 蟿伪 蟺喂蟽蠋蟺位伪蟿伪 渭伪蠂伪喂蟻蠋渭伪蟿伪 魏伪喂 蟿慰 蔚蠀渭蔚蟿维尾位畏蟿慰 蟿畏蟼 魏慰喂谓萎蟼 纬谓蠋渭畏蟼 苇蟻蠂慰谓蟿伪喂 谓伪 蟺蟻慰蟽蟿蔚胃慰蠉谓 蟽蟿畏谓 伪蟽蟿维胃蔚喂伪 蟿慰蠀 蠂伪蟻伪魏蟿萎蟻伪 蟿慰蠀, 蟽蟿慰 蟺蔚蟻喂蟺蔚蟿蔚喂蠋未蔚蟼 蟺谓蔚蠉渭伪 蟺慰蠀 蟿慰谓 未喂伪魏蟻委谓蔚喂, 蟽蟿畏谓 蟺蔚蟻喂苇蟻纬蔚喂伪 蟺慰蠀 蟿慰谓 蠅胃蔚委 谓伪 尉蔚蟽魏蔚蟺维味蔚喂 魏伪喂 谓伪 蔚尉蔚蟿维味蔚喂 魏维胃蔚 蟺蟿蠀蠂萎 蟿慰蠀 魏蠈蟽渭慰蠀 蟺慰蠀 蟿慰谓 蟺蔚蟻喂尾维位位蔚喂.
螠蟺慰蟻蔚委 谓伪 渭畏谓 魏伪蟿伪位伪尾伪委谓蔚喂 蟿伪 蟺维谓蟿伪. 螒位位维 苇蠂蔚喂 蟿畏谓 喂魏伪谓蠈蟿畏蟿伪 谓伪 蟿伪 伪蟺慰蟿蠀蟺蠋谓蔚喂 蟽蟿慰 蠂伪蟻蟿委 渭蔚 蟿蟻蠈蟺慰 渭慰谓伪未喂魏蠈. 危伪谓 蟿畏 味蠅萎 蟺慰蠀 蟺伪纬喂未蔚蠉蔚蟿伪喂 渭苇蟽伪 蟽蟿慰 渭伪纬喂魏蠈 未苇蟻渭伪, 苇蟿蟽喂 魏喂 伪蠀蟿蠈蟼 伪蟺慰蟻蟻慰蠁维 蟿畏 味蠅蟿喂魏萎 慰蠀蟽委伪 蟿蠅谓 蟺蟻伪纬渭维蟿蠅谓 魏伪喂 魏伪蟿伪蠁苇蟻谓蔚喂 谓伪 未喂伪蟽蠋蟽蔚喂 蟿慰 蟺伪谓蠈蟻伪渭伪 渭喂伪蟼 蔚蟺慰蠂萎蟼, 谓伪 蟿慰 蟽蠀渭蟺蠀魏谓蠋蟽蔚喂 渭苇蟽伪 蟽蟿喂蟼 蟽蔚位委未蔚蟼 蔚谓蠈蟼 渭蠀胃喂蟽蟿慰蟻萎渭伪蟿慰蟼.
韦慰 蟻蔚伪位喂蟽蟿喂魏蠈 蟽蟿慰喂蠂蔚委慰 蟺慰蠀 伪蟻蠂委味蔚喂 谓伪 蔚喂蟽锟斤拷蠅蟻蔚委 蟽蟿慰 苇蟻纬慰 蟿慰蠀 蔚委谓伪喂 蟽蟿畏谓 慰蠀蟽委伪 魏慰渭渭维蟿喂 蟿畏蟼 味蠅萎蟼 蠈蟺蠅蟼 蟿畏 尾委蠅谓蔚 魏伪喂 蟿畏谓 魏伪蟿苇纬蟻伪蠁蔚 慰 委未喂慰蟼. 螒蠀蟿萎 蔚委谓伪喂 畏 physiologie 蟿慰蠀, 畏 魏慰喂谓蠅谓喂慰位慰纬喂魏萎 魏伪喂 蠄蠀蠂慰位慰纬喂魏萎 渭蔚位苇蟿畏 蟿畏蟼 伪谓胃蟻蠋蟺喂谓畏蟼 蟽蠀渭蟺蔚蟻喂蠁慰蟻维蟼 魏伪喂 未蟻伪蟽蟿畏蟻喂蠈蟿畏蟿伪蟼 渭苇蟽伪 伪蟺蠈 苇谓伪 位慰纬慰蟿蔚蠂谓喂魏蠈 蠁委位蟿蟻慰. 螒蠀蟿蠈 蔚委谓伪喂 蟿慰 蟽蟿慰喂蠂蔚委慰 蟺慰蠀 魏维谓蔚喂 蟿慰 苇蟻纬慰 蟿慰蠀 蟿蠈蟽慰 渭慰谓伪未喂魏蠈, 伪魏蠈渭伪 魏伪喂 蠈蟿伪谓 蟿慰 蟿蔚位喂魏蠈 伪蟺慰蟿苇位蔚蟽渭伪 蔚委谓伪喂 渭苇蟿蟻喂慰.
螕喂伪蟿委 伪蠀蟿蠈 蟿慰 渭蠀胃喂蟽蟿蠈蟻畏渭伪, 胃伪 萎蟿伪谓 维位位畏 渭喂伪 魏位喂蟽苇 喂蟽蟿慰蟻喂慰蠉位伪, 纬蔚渭维蟿畏 蠀蟺蔚蟻尾慰位苇蟼 魏伪喂 渭蔚位慰未蟻伪渭伪蟿喂蟽渭慰蠉蟼, 伪谓 未蔚谓 苇蠁蔚蟻蔚 蟿畏谓 蔚蟺委未蟻伪蟽畏 蟿畏蟼 未喂蔚喂蟽未蠀蟿喂魏萎蟼 蟿慰蠀 渭伪蟿喂维蟼. 螒蠀蟿蠈 蟿慰 未喂伪蟽蠋味蔚喂 魏喂 伪蠀蟿蠈 蟽蠀谓喂蟽蟿维 蟿畏谓 伪蟺伪蟻蠂萎 蔚谓蠈蟼 蟺蟻蠅蟿蠈蟿蠀蟺慰蠀 位慰纬慰蟿蔚蠂谓喂魏慰蠉 蔚委未慰蠀蟼.
螣 Balzac 胃伪 蔚委蠂蔚 魏伪蟿伪蠁苇蟻蔚喂 谓伪 蔚尉蔚位喂蠂胃蔚委 蟿伪蠂蠉蟿蔚蟻伪 蠅蟼 未畏渭喂慰蠀蟻纬蠈蟼, 蔚维谓 未蔚谓 蔚委蠂蔚 蠀蟺慰蠂蟻蔚蠅胃蔚委 伪蟺蠈 蟿畏谓 伪谓维纬魏畏 蟿慰蠀 尾喂慰蟺慰蟻喂蟽渭慰蠉 谓伪 纬委谓蔚喂 伪谓蟿喂纬蟻维蠁慰蟼, 蠁胃畏谓蠈蟼 渭喂渭畏蟿萎蟼 魏伪喂 蟺蟻慰蠂蔚喂蟻慰纬蟻维蠁慰蟼. 螒蟺蠈 蟿畏谓 维位位畏 蠈渭蠅蟼 未蔚谓 慰蠁蔚委位蔚喂 蟿畏谓 蔚蟺喂蟿蠀蠂委伪 蟿慰蠀 伪蟺慰魏位蔚喂蟽蟿喂魏维 魏伪喂 渭蠈谓慰 蟽蟿慰 位慰纬慰蟿蔚蠂谓喂魏蠈 蟿慰蠀 蟿伪位苇谓蟿慰, 伪位位维 魏伪喂 蟽蟿慰谓 蟿蟻蠈蟺慰 蟺慰蠀 未喂伪蠂蔚喂蟻委蟽蟿畏魏蔚 蟿伪 魏慰喂谓蠅谓喂魏维 未委魏蟿蠀伪 魏伪喂 蟿伪 渭苇蟽伪 蔚谓畏渭苇蟻蠅蟽畏蟼 蟿畏蟼 蔚蟺慰蠂萎蟼 蟿慰蠀, 蟺蟻慰魏蔚喂渭苇谓慰蠀 谓伪 魏伪蟿伪蟽蟿萎蟽蔚喂 纬谓蠅蟽蟿蠈 蟿慰 苇蟻纬慰 蟿慰蠀 蟽蟿慰 蔚蠀蟻蠉蟿蔚蟻慰 魏慰喂谓蠈, 魏伪胃蠋蟼 未蔚谓 蔚委蠂蔚 苇谓伪 蟽蟿伪胃蔚蟻蠈 蔚喂蟽蠈未畏渭伪, 渭喂伪 蟺蔚蟻喂慰蠀蟽委伪 蟺慰蠀 谓伪 蟿慰蠀 蔚蟺喂蟿蟻苇蟺蔚喂 谓伪 蔚魏未委未蔚喂 蔚尉伪蟻蠂萎蟼 蠈,蟿喂 胃苇位蔚喂 魏伪喂 蠈蟺蠅蟼 蟿慰 胃苇位蔚喂.
December 31, 2020
賲爻卅賱賴 毓噩蹖亘蹖 丕爻鬲! 丕賳爻丕賳 賴賲蹖卮賴 亘丕 禺賵蹖卮鬲賳 丿乇 噩丿丕賱 丕爻鬲. 丌乇夭賵賴丕蹖卮 乇丕 亘乇 爻乇丌賱丕賲 讴賳賵賳蹖 丕夭 丿爻鬲 賲蹖鈥屫囏� 賵 丌賱丕賲 禺賵丿 乇丕 亘賴 丕賲蹖丿 丌蹖賳丿賴鈥屫й� 讴賴 亘賴 丕賵 鬲毓賱賯 賳丿丕乇丿 賮乇蹖亘 賲蹖鈥屫囏�. 丕夭 丕蹖賳 噩丕爻鬲 讴賴 賴賲賴 讴丕乇賴丕蹖 丕賳爻丕賳 乇賳诏 賳丕亘禺乇丿蹖 賵 賳丕鬲賵丕賳蹖 丿丕乇丿. 丌乇蹖貙 丿乇 丕蹖賳 丿賳蹖丕 賴蹖趩 趩蹖夭蹖 讴丕賲賱 賳蹖爻鬲貙 賲诏乇 亘丿亘禺鬲蹖.
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亘丕賱夭丕讴 蹖讴蹖 丕夭 賳賵蹖爻賳丿賴鈥屬囏й屰屬� 讴賴 亘丕 賵噩賵丿 鬲賮氐蹖賱 丿乇 賳賵卮鬲賴鈥屬囏ж� 亘乇丕蹖 賲賳 丿賵爻鬲鈥屫ж簇嗃� 賴爻鬲 賵賱蹖 禺亘 禺蹖賱蹖鈥屬囏� 鬲賵氐蹖賮丕鬲 賵 鬲賵囟蹖丨丕鬲 夭蹖丕丿 亘丕賱夭丕讴 乇賵 丿乇 讴鬲丕亘鈥屬囏ж� 賳賲蹖鈥屬矩迟嗀嗀�. 夭賳亘賯 丿乇賴貙 夭賳 爻蹖 爻丕賱賴貙 亘丕亘丕 诏賵乇蹖賵 丕夭 噩賲賱賴 讴鬲丕亘鈥屬囏й� 亘丕賱夭丕讴 賴爻鬲. 丿乇 丕蹖賳 讴鬲丕亘 賴賲 丿丕爻鬲丕賳 噩賵丕賳蹖 乇丕 賲蹖鈥屫堌з嗃屬� 讴賴 亘毓丿 丕夭 丕蹖賳讴賴 丕夭 禺賵丿讴卮蹖 賲賳氐乇賮 賲蹖鈥屫促堌� 胤賱爻賲蹖 趩乇賲蹖賳 乇丕 丕夭 賮乇賵卮賳丿賴鈥屫й� 賲蹖鈥屫必� 亘賴 丕賲蹖丿 丕蹖賳讴賴 丌乇夭賵賴丕蹖卮 亘乇丌賵乇丿賴 卮賵丿 賵 丕蹖賳 賳卮丕賳賴鈥屫й� 丕夭 夭賳丿诏蹖鈥屫ж� 賲蹖鈥屫促堌�! 胤賱爻賲 讴賴 趩乇賲 爻丕睾乇蹖 丕爻鬲 匕乇賴 匕乇賴 丿乇 丨丕賱 丌亘 卮丿賳賴. 亘丕 丕蹖賳 丨丕賱 乇丕賮丕卅賱 丿乇 丕亘鬲丿丕 賲蹖鈥屫з嗀池� 讴賴 丕蹖賳 胤賱爻賲 賲賲讴賳 丕爻鬲 鬲丕孬蹖乇 賳丕賲毓賱賵賲蹖 丿乇 爻乇賳賵卮鬲 賵 丌蹖賳丿賴鈥屫ж� 丿丕卮鬲賴 亘丕卮賴. 丕賵 賯亘賱 丕夭 禺賵丿讴卮蹖 賴乇 趩賴 丿丕卮鬲賴 丿乇 賯賲丕乇 亘丕禺鬲賴 賵 賴賲蹖賳 亘丕毓孬 賲蹖卮賴 讴賴 亘乇丕蹖 賳噩丕鬲 禺賵丿卮 賵 丨賮馗 丌乇丕賲卮 乇賵丨蹖卮 亘賴 賴乇趩蹖夭蹖 趩賳诏 亘夭賳賴. 丕夭 讴賵丿讴蹖 乇丕賮丕卅賱 賴賲 賵 丕乇鬲亘丕胤 賳賴 趩賳丿丕賳 禺賵卮丕蹖賳丿蹖 讴賴 亘丕 倬丿乇卮 丿丕卮鬲賴 賴賲 賲蹖鈥屫堌з嗃屬呚� 丕賳囟亘丕胤 爻禺鬲蹖 讴賴 亘賴卮 鬲丨賲蹖賱 卮丿賴 賵 卮丕蹖丿 賴賲蹖賳 毓賵丕賲賱 亘丕毓孬 丕蹖噩丕丿 丕賳鬲馗丕乇丕鬲 賳丕亘噩丕 賵 賳丕賲毓賯賵賱 丕賵 丕夭 夭賳丿诏蹖鈥屫ж� 卮丿賴 亘丕卮丿.
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亘丕賱夭丕讴 蹖讴蹖 丕夭 賳賵蹖爻賳丿賴鈥屬囏й屰屬� 讴賴 亘丕 賵噩賵丿 鬲賮氐蹖賱 丿乇 賳賵卮鬲賴鈥屬囏ж� 亘乇丕蹖 賲賳 丿賵爻鬲鈥屫ж簇嗃� 賴爻鬲 賵賱蹖 禺亘 禺蹖賱蹖鈥屬囏� 鬲賵氐蹖賮丕鬲 賵 鬲賵囟蹖丨丕鬲 夭蹖丕丿 亘丕賱夭丕讴 乇賵 丿乇 讴鬲丕亘鈥屬囏ж� 賳賲蹖鈥屬矩迟嗀嗀�. 夭賳亘賯 丿乇賴貙 夭賳 爻蹖 爻丕賱賴貙 亘丕亘丕 诏賵乇蹖賵 丕夭 噩賲賱賴 讴鬲丕亘鈥屬囏й� 亘丕賱夭丕讴 賴爻鬲. 丿乇 丕蹖賳 讴鬲丕亘 賴賲 丿丕爻鬲丕賳 噩賵丕賳蹖 乇丕 賲蹖鈥屫堌з嗃屬� 讴賴 亘毓丿 丕夭 丕蹖賳讴賴 丕夭 禺賵丿讴卮蹖 賲賳氐乇賮 賲蹖鈥屫促堌� 胤賱爻賲蹖 趩乇賲蹖賳 乇丕 丕夭 賮乇賵卮賳丿賴鈥屫й� 賲蹖鈥屫必� 亘賴 丕賲蹖丿 丕蹖賳讴賴 丌乇夭賵賴丕蹖卮 亘乇丌賵乇丿賴 卮賵丿 賵 丕蹖賳 賳卮丕賳賴鈥屫й� 丕夭 夭賳丿诏蹖鈥屫ж� 賲蹖鈥屫促堌�! 胤賱爻賲 讴賴 趩乇賲 爻丕睾乇蹖 丕爻鬲 匕乇賴 匕乇賴 丿乇 丨丕賱 丌亘 卮丿賳賴. 亘丕 丕蹖賳 丨丕賱 乇丕賮丕卅賱 丿乇 丕亘鬲丿丕 賲蹖鈥屫з嗀池� 讴賴 丕蹖賳 胤賱爻賲 賲賲讴賳 丕爻鬲 鬲丕孬蹖乇 賳丕賲毓賱賵賲蹖 丿乇 爻乇賳賵卮鬲 賵 丌蹖賳丿賴鈥屫ж� 丿丕卮鬲賴 亘丕卮賴. 丕賵 賯亘賱 丕夭 禺賵丿讴卮蹖 賴乇 趩賴 丿丕卮鬲賴 丿乇 賯賲丕乇 亘丕禺鬲賴 賵 賴賲蹖賳 亘丕毓孬 賲蹖卮賴 讴賴 亘乇丕蹖 賳噩丕鬲 禺賵丿卮 賵 丨賮馗 丌乇丕賲卮 乇賵丨蹖卮 亘賴 賴乇趩蹖夭蹖 趩賳诏 亘夭賳賴. 丕夭 讴賵丿讴蹖 乇丕賮丕卅賱 賴賲 賵 丕乇鬲亘丕胤 賳賴 趩賳丿丕賳 禺賵卮丕蹖賳丿蹖 讴賴 亘丕 倬丿乇卮 丿丕卮鬲賴 賴賲 賲蹖鈥屫堌з嗃屬呚� 丕賳囟亘丕胤 爻禺鬲蹖 讴賴 亘賴卮 鬲丨賲蹖賱 卮丿賴 賵 卮丕蹖丿 賴賲蹖賳 毓賵丕賲賱 亘丕毓孬 丕蹖噩丕丿 丕賳鬲馗丕乇丕鬲 賳丕亘噩丕 賵 賳丕賲毓賯賵賱 丕賵 丕夭 夭賳丿诏蹖鈥屫ж� 卮丿賴 亘丕卮丿.
December 3, 2019
趩乇賲鈥� 爻丕睾乇蹖 蹖讴蹖 丕夭 讴鬲丕亘 賴丕蹖 賮賵賯鈥屫з勜关ж� 賲丨亘賵亘 賲賳 丕爻鬲.
丕賵賱 丕夭 賴賲賴 賲賵囟賵毓 亘爻蹖丕乇 噩匕丕亘 賵 禺賵丕爻鬲賳蹖 丌乇夭賵賴丕蹖 亘卮乇貙 讴賴 賴蹖趩賵賯鬲 鬲賲丕賲蹖 賳丿丕乇丿 賵 丌賳 趩乇賲 爻丕睾乇蹖 毓噩蹖亘 賵 賲乇賲賵夭!
丿賵賲 鬲賵氐蹖賮丕鬲 賵 賯賱賲 爻丨乇丕賳诏蹖夭 亘丕賱夭丕讴 亘夭乇诏(賳诏丕賴 讴賳蹖丿 亘賴 噩丕蹖蹖 丕夭 讴鬲丕亘 讴賴 賮乇賵卮賳丿賴鈥屰� 趩乇賲 賵 賮乇賵卮诏丕賴卮 乇丕 賵氐賮 讴乇丿賴)
賵 爻賵賲 賯爻賲鬲 毓丕卮賯丕賳賴 讴鬲丕亘 讴賴 亘丕 賱胤丕賮鬲 賵 馗乇丕賮鬲蹖 亘蹖鈥屬嗀港屫� 賳賵卮鬲賴 卮丿賴貙 讴鬲丕亘蹖 賲鬲毓賱賯 亘賴 丕賵丕蹖賱 賯乇賳 賳賵夭丿賴!
倬.賳:
丨蹖賳 禺賵賳丿賳 丕蹖賳 讴鬲丕亘 鬲丨賯蹖賯丕鬲 賲亘爻賵胤蹖!責丿丕卮鬲賲 丿乇 賲賵乇丿 趩乇賲 爻丕睾乇蹖 讴賴 丕氐賱丕賸 趩賴 賳賵毓 趩乇賲蹖 賴爻鬲責 賵丕賯毓丕賸 賴賲 賲賮蹖丿 亘賵丿!
丕賵賱 丕夭 賴賲賴 賲賵囟賵毓 亘爻蹖丕乇 噩匕丕亘 賵 禺賵丕爻鬲賳蹖 丌乇夭賵賴丕蹖 亘卮乇貙 讴賴 賴蹖趩賵賯鬲 鬲賲丕賲蹖 賳丿丕乇丿 賵 丌賳 趩乇賲 爻丕睾乇蹖 毓噩蹖亘 賵 賲乇賲賵夭!
丿賵賲 鬲賵氐蹖賮丕鬲 賵 賯賱賲 爻丨乇丕賳诏蹖夭 亘丕賱夭丕讴 亘夭乇诏(賳诏丕賴 讴賳蹖丿 亘賴 噩丕蹖蹖 丕夭 讴鬲丕亘 讴賴 賮乇賵卮賳丿賴鈥屰� 趩乇賲 賵 賮乇賵卮诏丕賴卮 乇丕 賵氐賮 讴乇丿賴)
賵 爻賵賲 賯爻賲鬲 毓丕卮賯丕賳賴 讴鬲丕亘 讴賴 亘丕 賱胤丕賮鬲 賵 馗乇丕賮鬲蹖 亘蹖鈥屬嗀港屫� 賳賵卮鬲賴 卮丿賴貙 讴鬲丕亘蹖 賲鬲毓賱賯 亘賴 丕賵丕蹖賱 賯乇賳 賳賵夭丿賴!
倬.賳:
丨蹖賳 禺賵賳丿賳 丕蹖賳 讴鬲丕亘 鬲丨賯蹖賯丕鬲 賲亘爻賵胤蹖!責丿丕卮鬲賲 丿乇 賲賵乇丿 趩乇賲 爻丕睾乇蹖 讴賴 丕氐賱丕賸 趩賴 賳賵毓 趩乇賲蹖 賴爻鬲責 賵丕賯毓丕賸 賴賲 賲賮蹖丿 亘賵丿!
May 1, 2021
This review contains major spoilers for La Peau de chagrin, Illusions perdues and Splendeurs et mis猫res des courtisanes
After reading La Peau de chagrin, written near the beginning of Balzac's career, and Illusions perdues, written near the end, I'm wondering about the striking parallelism between the two books. In the later novel, Lucien, a vain, lazy, goodlooking boy from the provinces who thinks he can write, goes to Paris, partly to become a literary star but rather more to pursue to pursue Mme de Bargeton, an older woman who's been leading him on. He borrows money from his family that they can't afford to give him, gets unceremoniously dumped by Mme de Bargeton, tries for a while to live honestly and improve his writing skills, but finds he can earn quick money as a hack journalist. He gets into bad company, everything goes horribly wrong, and he's just about to commit suicide when he's rescued by criminal genius Vautrin, who magically sorts everything out. But it's only a temporary respite: in the sequel, Splendeurs et mis猫res des courtisanes, Lucien gets what's coming to him, and it's considerably worse than the mundane drowning he'd originally planned. The earlier novel, La Peau de chagrin, is the supernatural version: the hero, Rapha毛l, gets platonically but no less painfully involved with F艙dora, another unfeeling rich woman, is again about to drown himself, but is offered a magic talisman which will grant his every wish. The problem is that the talisman shrinks after each wish is made: eventually it will disappear, and Rapha毛l will die with it. As one expects, things end very badly indeed.
This certainly seems to be the same story, told in two versions; Vautrin is painted to look more than a little like the Devil incarnate, come from Hell to fetch Lucien's soul. One can't help wondering whether it in some way tells Balzac's own story. He started off by publishing eight or nine hilariously bad novels under pseudonyms, then at the age of thirty decided that he could write proper books and sign his name to them. La Peau de chagrin was the second one. Over the next nineteen years, he wrote dozens more, to increasing acclaim: La Com茅die humaine is now generally recognised as one of the greatest literary achievements of all time, and influenced authors as diverse as Zola, Dickens, Proust and Marx. But the effort required was more than Balzac could sustain, and he could never keep his finances in check; he died, exhausted and ruined, at the early age of 51.
Maybe this is just a standard deal offered to people who want to become famous novelists: now that I think about it, Karl Ove Knausg氓rd tells a related story in Min kamp. Well, if you're also thinking of selling your soul, be sure to include La Peau de chagrin in your background research.
After reading La Peau de chagrin, written near the beginning of Balzac's career, and Illusions perdues, written near the end, I'm wondering about the striking parallelism between the two books. In the later novel, Lucien, a vain, lazy, goodlooking boy from the provinces who thinks he can write, goes to Paris, partly to become a literary star but rather more to pursue to pursue Mme de Bargeton, an older woman who's been leading him on. He borrows money from his family that they can't afford to give him, gets unceremoniously dumped by Mme de Bargeton, tries for a while to live honestly and improve his writing skills, but finds he can earn quick money as a hack journalist. He gets into bad company, everything goes horribly wrong, and he's just about to commit suicide when he's rescued by criminal genius Vautrin, who magically sorts everything out. But it's only a temporary respite: in the sequel, Splendeurs et mis猫res des courtisanes, Lucien gets what's coming to him, and it's considerably worse than the mundane drowning he'd originally planned. The earlier novel, La Peau de chagrin, is the supernatural version: the hero, Rapha毛l, gets platonically but no less painfully involved with F艙dora, another unfeeling rich woman, is again about to drown himself, but is offered a magic talisman which will grant his every wish. The problem is that the talisman shrinks after each wish is made: eventually it will disappear, and Rapha毛l will die with it. As one expects, things end very badly indeed.
This certainly seems to be the same story, told in two versions; Vautrin is painted to look more than a little like the Devil incarnate, come from Hell to fetch Lucien's soul. One can't help wondering whether it in some way tells Balzac's own story. He started off by publishing eight or nine hilariously bad novels under pseudonyms, then at the age of thirty decided that he could write proper books and sign his name to them. La Peau de chagrin was the second one. Over the next nineteen years, he wrote dozens more, to increasing acclaim: La Com茅die humaine is now generally recognised as one of the greatest literary achievements of all time, and influenced authors as diverse as Zola, Dickens, Proust and Marx. But the effort required was more than Balzac could sustain, and he could never keep his finances in check; he died, exhausted and ruined, at the early age of 51.
Maybe this is just a standard deal offered to people who want to become famous novelists: now that I think about it, Karl Ove Knausg氓rd tells a related story in Min kamp. Well, if you're also thinking of selling your soul, be sure to include La Peau de chagrin in your background research.
December 13, 2020
"Volli, volli, disperatamente volli" sembra esser il pensiero costante del protagonista Rapharl, che, giunto in possesso di un talismano miracoloso, pur a prezzo della sua vita vede realizzarsi i suoi desideri senza, per貌, raggiunger alcuna felicit脿. Balzac sembra metterci in guardia e spingerci a porre attenzione a scoprir cosa meriti davvero d'esser desiderato e fuggire le evenienze che pongono questa realizzazione fuori dalla nostra portata, in mani estranee a noi incontrollabili. Un Dorian Gray alla rovescio, quasi: una storia potenzialmente buona, ma troppo prolissa e sbilanciata nella descrizione del flusso degli eventi occorsi. Peccato.
September 2, 2024
Note finale : 1.5/5
Evidemment, ce n'est pas la note que je pense que ce livre m茅rite. C'est un classique intemporel, il a travers茅 les si猫cles et les traversera encore quand tout le monde m'aura oubli茅.
Mais il y a plusieurs fa莽ons de lire un livre. Et mon approche de la lecture s'apparente 脿 celle qu'on ferait d'une s茅rie t茅l茅 : un 茅pisode tous les jours, au m锚me rythme. C'est de la lecture r茅cr茅ative, du divertissement, pas une 茅tude, pas de la documentation. Et 脿 ce titre, la lecture de La peau de chagrin a 茅t茅 TR脠S p茅nible.
On suit donc Rapha毛l de Valentin, un protagoniste imbuvable qui passe son temps 脿 geindre, gueuler et prendre les pires d茅cisions. Il est sur le point de se suicider mais avant de se suicider, il se balade et tombe sur une peau de chagrin chez un vieil antiquaire, sauf que c'est une peau de chagrin magique qui exauce chacun de ses voeux mais se r茅duit un peu plus chaque fois et cette peau repr茅sente sa vie et 脿 la fin, spoiler, il meurt. Donc voil脿, le mythe de Faust mais avec la peau du cul d'un 芒ne.
Le style est tr猫s laborieux. Je suis s没r que j'aurais appr茅ci茅, peut-锚tre m锚me aurais je 茅t茅 subjugu茅 si j'avais pris le temps de lire tr猫s lentement, phrase par phrase pour m'impr茅gner de leur signification (莽a n'aurait pas r茅solu d'autres probl猫mes dont on parlera en vid茅o). Mais 脿 mon rythme de lecture habituel, c'est vraiment une 茅preuve. D'autant que j'aime les narrations pr茅cises, concises... et Balzac adoooore les tr猫s longues phrases et les paragraphes qui durent (et je n'exag猫re pas) plus de huit pages.
En fait, les lyc茅ens s'en sortent bien (La peau de chagrin est au programme de Premi猫re g茅n茅rale) parce que d茅couvrir ce roman avec un prof qui va te donner des cl茅s de compr茅hension, qui va te re-contextualiser chaque phrase, pouvoir 茅tudier pr茅cis茅ment plusieurs paragraphes (pardon, "morceaux de paragraphes") ind茅pendamment et dans le d茅tail, c'est vraiment la meilleure fa莽on de d茅couvrir ce livre, j'aurais largement pr茅f茅r茅 le d茅couvrir comme 莽a. Plut么t qu'en... ben vous savez... le lisant.
Evidemment, ce n'est pas la note que je pense que ce livre m茅rite. C'est un classique intemporel, il a travers茅 les si猫cles et les traversera encore quand tout le monde m'aura oubli茅.
Mais il y a plusieurs fa莽ons de lire un livre. Et mon approche de la lecture s'apparente 脿 celle qu'on ferait d'une s茅rie t茅l茅 : un 茅pisode tous les jours, au m锚me rythme. C'est de la lecture r茅cr茅ative, du divertissement, pas une 茅tude, pas de la documentation. Et 脿 ce titre, la lecture de La peau de chagrin a 茅t茅 TR脠S p茅nible.
On suit donc Rapha毛l de Valentin, un protagoniste imbuvable qui passe son temps 脿 geindre, gueuler et prendre les pires d茅cisions. Il est sur le point de se suicider mais avant de se suicider, il se balade et tombe sur une peau de chagrin chez un vieil antiquaire, sauf que c'est une peau de chagrin magique qui exauce chacun de ses voeux mais se r茅duit un peu plus chaque fois et cette peau repr茅sente sa vie et 脿 la fin, spoiler, il meurt. Donc voil脿, le mythe de Faust mais avec la peau du cul d'un 芒ne.
Le style est tr猫s laborieux. Je suis s没r que j'aurais appr茅ci茅, peut-锚tre m锚me aurais je 茅t茅 subjugu茅 si j'avais pris le temps de lire tr猫s lentement, phrase par phrase pour m'impr茅gner de leur signification (莽a n'aurait pas r茅solu d'autres probl猫mes dont on parlera en vid茅o). Mais 脿 mon rythme de lecture habituel, c'est vraiment une 茅preuve. D'autant que j'aime les narrations pr茅cises, concises... et Balzac adoooore les tr猫s longues phrases et les paragraphes qui durent (et je n'exag猫re pas) plus de huit pages.
En fait, les lyc茅ens s'en sortent bien (La peau de chagrin est au programme de Premi猫re g茅n茅rale) parce que d茅couvrir ce roman avec un prof qui va te donner des cl茅s de compr茅hension, qui va te re-contextualiser chaque phrase, pouvoir 茅tudier pr茅cis茅ment plusieurs paragraphes (pardon, "morceaux de paragraphes") ind茅pendamment et dans le d茅tail, c'est vraiment la meilleure fa莽on de d茅couvrir ce livre, j'aurais largement pr茅f茅r茅 le d茅couvrir comme 莽a. Plut么t qu'en... ben vous savez... le lisant.
June 17, 2014
The Wild Ass's Skin - or The Magic Skin, as it's known in some editions (neither of those titles are particularly appealing, I know) - is a literary novel of magical realism. It's simultaneously a fantasy, a study of character, and a cautionary 'be careful what you wish for' tale. At the beginning we are introduced to a young man who seems deep in despair, gambling away his last coins and thereafter contemplating suicide. Delaying the hour of his impending death, Raphael (as we learn he's called) wanders into an antique shop, where he happens across a strange object which appears to be cut from the hide of an animal. This, the shopkeeper tells him, is a talisman, with the power to fulfil any wish made by the person who possesses it. The old man tries to warn Raphael that the wishes are granted at a terrible price, and extols the virtue of acquiring knowledge and wisdom instead, but Raphael has become fixated on the skin and immediately makes his first wish - for a decadent party - which does indeed come true, in fact as soon as he walks out of the shop, when he encounters some old friends who are on their way to a ball. What follows is partly an exploration of what happens when Raphael's wishes are fulfilled, and partly Raphael's backstory, much of which he tells to a friend in a lengthy monologue, giving the effect of another first-person narrative within the main narrative.
The main thing you need to know is that Raphael is completely and utterly awful. He is unbelievably selfish and self-obsessed throughout. He manages to complain of poverty and destitution when he owns an entire island (yes, an island). Great swathes of his own story are taken up with him whining and complaining about how women don't want him, and why not, when he's so handsome and such a genius (in his opinion) and so willing to devote himself to them? He is, in fact, a proto-Nice Guy through and through. He falls for a beautiful countess, Feodora, who rebuffs his advances but takes great pains to demonstrate that she values his friendship. He reacts by ignoring this and continuing his efforts to force her to love him, ranting about how he loves her enough to kill her, declaring his intention to have his revenge on women in general, and creepily following her around. Ultimately he goes to the extreme of sneaking into her house and spending a night in her bedroom, hiding behind a curtain, to watch her sleep. He goes on to gamble and drink away all his money and more besides, before eventually settling for the simpering Pauline (who's nearly as annoying as him) - although, rather conveniently, he doesn't realise how much he 'loves' her until she's attained money and something of a status in society.
It will be up to the individual reader to decide whether or not he or she can get past the unpleasantness of Raphael's character, and most of the other characters aren't particularly likeable either, although I did like Feodora, with her commitment to independence, and the fearsome Aquilina. Personally, I found the narrative so enjoyable to read that I could deal with this fairly easily - but, that said, my rating might have been five stars if I'd been able to root for Raphael. Although the language is rich and complex, this is a very readable novel, and that makes it more accessible than you might at first expect. The themes, especially with regards to relationships, are surprisingly modern and consequently much of the interaction between characters doesn't seem dated.
This is a banquet of a book. Its detail, description and depth demanded I slow my usual reading pace in order to appreciate and understand everything in it. Although the narrative is driven forward by an underlying plot, it often isn't really about the 'magic skin' and the wishes: for whole chapters it will go off on a tangent about parts of Raphael's past, or incidental characters will have long conversations about philosophy, history, art... It's funny too, with a great deal of dry humour and irony, and a dash of playfulness. I can't comment on how The Wild Ass's Skin compares to Balzac's other novels, this being the first thing I've read by the author, but I can say it's a good place to start.
The main thing you need to know is that Raphael is completely and utterly awful. He is unbelievably selfish and self-obsessed throughout. He manages to complain of poverty and destitution when he owns an entire island (yes, an island). Great swathes of his own story are taken up with him whining and complaining about how women don't want him, and why not, when he's so handsome and such a genius (in his opinion) and so willing to devote himself to them? He is, in fact, a proto-Nice Guy through and through. He falls for a beautiful countess, Feodora, who rebuffs his advances but takes great pains to demonstrate that she values his friendship. He reacts by ignoring this and continuing his efforts to force her to love him, ranting about how he loves her enough to kill her, declaring his intention to have his revenge on women in general, and creepily following her around. Ultimately he goes to the extreme of sneaking into her house and spending a night in her bedroom, hiding behind a curtain, to watch her sleep. He goes on to gamble and drink away all his money and more besides, before eventually settling for the simpering Pauline (who's nearly as annoying as him) - although, rather conveniently, he doesn't realise how much he 'loves' her until she's attained money and something of a status in society.
It will be up to the individual reader to decide whether or not he or she can get past the unpleasantness of Raphael's character, and most of the other characters aren't particularly likeable either, although I did like Feodora, with her commitment to independence, and the fearsome Aquilina. Personally, I found the narrative so enjoyable to read that I could deal with this fairly easily - but, that said, my rating might have been five stars if I'd been able to root for Raphael. Although the language is rich and complex, this is a very readable novel, and that makes it more accessible than you might at first expect. The themes, especially with regards to relationships, are surprisingly modern and consequently much of the interaction between characters doesn't seem dated.
This is a banquet of a book. Its detail, description and depth demanded I slow my usual reading pace in order to appreciate and understand everything in it. Although the narrative is driven forward by an underlying plot, it often isn't really about the 'magic skin' and the wishes: for whole chapters it will go off on a tangent about parts of Raphael's past, or incidental characters will have long conversations about philosophy, history, art... It's funny too, with a great deal of dry humour and irony, and a dash of playfulness. I can't comment on how The Wild Ass's Skin compares to Balzac's other novels, this being the first thing I've read by the author, but I can say it's a good place to start.
May 13, 2023
丿蹖诏賴 亘丕蹖丿 賯亘賵賱 讴賳賲 讴賴 亘丕賱夭丕讴 禺賵賳丿賳 亘賴 賲賳 賳蹖賵賲丿賴.
February 9, 2021
Aviso a navegantes. Este libro no es lo que parece. Su premisa es altamente atractiva y, a la vez, altamente enga帽osa. La rese帽a que os traigo hoy es m谩s una advertencia que un ejercicio de an谩lisis: mi inexistente ego me permite reconocer que diseccionar a Balzac no esta al alcance de mis humildes talentos como juntaletras.
驴Por qu茅 digo que esta es una novela enga帽osa? Bien, comencemos con su premisa. Un joven calavera, desenga帽ado de la sociedad, el amor y la vida, decide poner fin a todas sus miserias haciendo apnea por el Sena. Antes de dar el paso decisivo se permite un 煤ltimo capricho, visitar una ex贸tica tienda de antig眉edades. All铆, enterrado entre miles y miles de trastos y fetiches cubiertos de polvo, yace la dichosa piel de zapa, una antigualla sin valor aparente con unos extra帽os garabatos en sanscrito y un poder misterioso: conceder cualquier deseo que su poseedor formule. Por supuesto, al igual que cualquier art铆culo de anticuario, tiene letra peque帽a, y es que hay un alto coste por cada deseo formulado.
Ante una premisa as铆, el incauto r谩pidamente se dir谩: 隆cop贸n, una historia de juegos diab贸licos, patas de mono y mefistof茅licas consecuencias, y escrito por Balzac, nada menos! Bueno, pues he ah铆 la trampa. S铆, esta es la historia de un trato siniestro; s铆, hay un elemento sobrenatural orbitando la historia; tambi茅n si, vamos a ver a nuestro protagonista padecer por su inconsciencia y su codicia 驴Entonces, d贸nde est谩 el problema? Que de las 300 paginas que ten铆a mi edici贸n, s贸lo en las ultimas 100 se desarrolla esta intrigante historia. Las otras 200 digamos que poco o nada tienen que ver con lo sobrenatural y s铆 con las inquietudes habituales de su autor, a saber, la hipocres铆a de la sociedad, las pasiones de sus protagonistas, y los innumerables defectos de la bestia humana, su desidia, su lujuria, su codicia, su impostura intelectual y moral, que no eclipsan las virtudes de algunos seres gentiles y, por ende, desgraciados. En efecto, esta obra que a priori tan poco se asemejaba a la producci贸n de su autor es, para sorpresa de todos y satisfacci贸n de nadie, otra novela m谩s de su autor. Aunque la culpa es m铆a, ojo, a veces olvido que este autor tambi茅n cultivaba la fantas铆a; buena muestra de ello puede encontrarse en su Elixir de la larga vida.
驴Con esto quiero decir que la novela es una mala novela? No me atrever铆a. La he disfrutado pese a no haber sido capaz de librarme del amargo regusto del desenga帽o y de ser una obra un tanto irregular. Para empezar, maneja los ritmos de una forma muy extra帽a; no lo digo s贸lo por relegar el desarrollo de su premisa principal al 煤ltimo tercio de la novela, sino por la estructura tan an谩rquica que elige para contar la historia. Empezamos con Rafael, el protagonista, barajando el suicidio; luego le vemos entrar en la tienda de marras, que describe con una prolijidad que deber铆a ser condenada por el Tribunal de la Haya. P谩ginas, p谩ginas y m谩s p谩ginas describiendo cachivaches ex贸ticos: estatuas, vasijas, camafeos, muebles, de todo, no se priva de nada, todo merece una menci贸n y una denominaci贸n de origen. Tras la adquisici贸n de la piel pasamos r谩pidamente a una bacanal en la que, ah铆tos de champan y de descripciones de la degradaci贸n moral de los libertinos parisinos, Rafael se sincera y cuenta a un amigo c贸mo ha llegado a tan miserable estado, un relato de amor no correspondido y penurias econ贸micas que se extiende, oh sorpresa, otras 100 p谩ginas. Voy a repetir esto para que nadie malinterprete lo que quiero decir: Rafael, borracho como una cuba, le cuenta a un amigo una historia lacrim贸gena que ocupa casi otro tercio de la historia 驴Os imagin谩is la cara de ese pobre desgraciado, igual de borracho, con un zumbido que va de sien a sien, oyendo al papanatas de Rafael lloriqueando porque una dama, grandioso 谩ngel y todos los grandilocuentes adjetivos que se deseen, no le da bola? Pues es igual de duro leerlo, creedme. Porque tras esas paginas que pesan como plomo solo sacamos una conclusi贸n: que Rafael es un gilipollas. Y no vale la pena tanto esfuerzo por este descubrimiento.
Sin embargo, si Balzac se toma su tiempo diseccionando y exhibiendo situaciones pasa por el 煤ltimo tercio, el de la piel de zapa, como si tuviera un petardo en el culo. Ocurre demasiado en muy poco tiempo, y para colmo insiste en describirnos con similar nivel de detalle situaciones que tampoco considero que merezcan tanto, m谩xime cuando estamos presenciando el descenso a los infiernos del protagonista. A ver, esta simp谩tico ver c贸mo un f铆sico y un qu铆mico de la academia de ciencias hacen lo imposible por devolver a la maligna piel su tama帽o original -se me olvidaba decir que a cada deseo la piel se encoge, simbolizando lo evidente-, pero creo que es m谩s interesante ver c贸mo los deseos de Rafael se vuelven contra el, o simplemente que contingencias le obligan a desear sabiendo el precio a pagar. Me hubiera gustado m谩s exploraci贸n de la tragedia post-zapa que de la tragedia pre-zapa; no se, llamadme loco.
Si algo salva a esta novela es la embriagadora prosa de su autor. Que Balzac escribe bien no le hace justicia: es hipn贸tico. Hace falta mucho talento y mucho conocimiento para hacer que p谩rrafos y p谩rrafos de verborrea resulten lo suficientemente atractivos como para no recurrir al siempre socorrido lectura en diagonal no yutsu. Eso es arte. Balzac sabe c贸mo introducirte dentro de un sal贸n franc茅s, te sienta frente a los platos y te permite degustar las apetecibles viandas y oler el agrio perfume de tus acompa帽antes -seamos sinceros, en el siglo XIX la higiene era la que era-, te hace participe de una melopea muy sofisticada, en parte gracias a sus artificiosos di谩logos, divertid铆simos de tan incre铆bles como suenan. Puede que el parisino calavera y disoluto no fuera ni tan pedante ni tan 帽o帽o al hablar, pero ojala lo fuera, porque hay escenas que gracias a ese lenguaje recuerdan a una caricatura tont铆sima, haciendo que la cr铆tica a ese entonces nov铆simo estamento burgu茅s de bon vivants y dandis de baratillo aun mas sangrante y visceral. Esos intercambios de di谩logos han sido lo que m谩s he disfrutado de la novela, una pena que esos fragmentos s贸lo sean oasis en un tedioso desierto descriptivo.
En resumen, es una novela de Balzac, cualquiera que sienta debilidad por los dinosaurios decimon贸nicos disfrutar谩 de sus escenarios, su pomposidad y sus hiperb贸licos dramas. Eso si, recordad, est谩is leyendo una novela realista disfrazada de novela fant谩stica. S贸lo aviso, y quien avisa no es traidor.
驴Por qu茅 digo que esta es una novela enga帽osa? Bien, comencemos con su premisa. Un joven calavera, desenga帽ado de la sociedad, el amor y la vida, decide poner fin a todas sus miserias haciendo apnea por el Sena. Antes de dar el paso decisivo se permite un 煤ltimo capricho, visitar una ex贸tica tienda de antig眉edades. All铆, enterrado entre miles y miles de trastos y fetiches cubiertos de polvo, yace la dichosa piel de zapa, una antigualla sin valor aparente con unos extra帽os garabatos en sanscrito y un poder misterioso: conceder cualquier deseo que su poseedor formule. Por supuesto, al igual que cualquier art铆culo de anticuario, tiene letra peque帽a, y es que hay un alto coste por cada deseo formulado.
Ante una premisa as铆, el incauto r谩pidamente se dir谩: 隆cop贸n, una historia de juegos diab贸licos, patas de mono y mefistof茅licas consecuencias, y escrito por Balzac, nada menos! Bueno, pues he ah铆 la trampa. S铆, esta es la historia de un trato siniestro; s铆, hay un elemento sobrenatural orbitando la historia; tambi茅n si, vamos a ver a nuestro protagonista padecer por su inconsciencia y su codicia 驴Entonces, d贸nde est谩 el problema? Que de las 300 paginas que ten铆a mi edici贸n, s贸lo en las ultimas 100 se desarrolla esta intrigante historia. Las otras 200 digamos que poco o nada tienen que ver con lo sobrenatural y s铆 con las inquietudes habituales de su autor, a saber, la hipocres铆a de la sociedad, las pasiones de sus protagonistas, y los innumerables defectos de la bestia humana, su desidia, su lujuria, su codicia, su impostura intelectual y moral, que no eclipsan las virtudes de algunos seres gentiles y, por ende, desgraciados. En efecto, esta obra que a priori tan poco se asemejaba a la producci贸n de su autor es, para sorpresa de todos y satisfacci贸n de nadie, otra novela m谩s de su autor. Aunque la culpa es m铆a, ojo, a veces olvido que este autor tambi茅n cultivaba la fantas铆a; buena muestra de ello puede encontrarse en su Elixir de la larga vida.
驴Con esto quiero decir que la novela es una mala novela? No me atrever铆a. La he disfrutado pese a no haber sido capaz de librarme del amargo regusto del desenga帽o y de ser una obra un tanto irregular. Para empezar, maneja los ritmos de una forma muy extra帽a; no lo digo s贸lo por relegar el desarrollo de su premisa principal al 煤ltimo tercio de la novela, sino por la estructura tan an谩rquica que elige para contar la historia. Empezamos con Rafael, el protagonista, barajando el suicidio; luego le vemos entrar en la tienda de marras, que describe con una prolijidad que deber铆a ser condenada por el Tribunal de la Haya. P谩ginas, p谩ginas y m谩s p谩ginas describiendo cachivaches ex贸ticos: estatuas, vasijas, camafeos, muebles, de todo, no se priva de nada, todo merece una menci贸n y una denominaci贸n de origen. Tras la adquisici贸n de la piel pasamos r谩pidamente a una bacanal en la que, ah铆tos de champan y de descripciones de la degradaci贸n moral de los libertinos parisinos, Rafael se sincera y cuenta a un amigo c贸mo ha llegado a tan miserable estado, un relato de amor no correspondido y penurias econ贸micas que se extiende, oh sorpresa, otras 100 p谩ginas. Voy a repetir esto para que nadie malinterprete lo que quiero decir: Rafael, borracho como una cuba, le cuenta a un amigo una historia lacrim贸gena que ocupa casi otro tercio de la historia 驴Os imagin谩is la cara de ese pobre desgraciado, igual de borracho, con un zumbido que va de sien a sien, oyendo al papanatas de Rafael lloriqueando porque una dama, grandioso 谩ngel y todos los grandilocuentes adjetivos que se deseen, no le da bola? Pues es igual de duro leerlo, creedme. Porque tras esas paginas que pesan como plomo solo sacamos una conclusi贸n: que Rafael es un gilipollas. Y no vale la pena tanto esfuerzo por este descubrimiento.
Sin embargo, si Balzac se toma su tiempo diseccionando y exhibiendo situaciones pasa por el 煤ltimo tercio, el de la piel de zapa, como si tuviera un petardo en el culo. Ocurre demasiado en muy poco tiempo, y para colmo insiste en describirnos con similar nivel de detalle situaciones que tampoco considero que merezcan tanto, m谩xime cuando estamos presenciando el descenso a los infiernos del protagonista. A ver, esta simp谩tico ver c贸mo un f铆sico y un qu铆mico de la academia de ciencias hacen lo imposible por devolver a la maligna piel su tama帽o original -se me olvidaba decir que a cada deseo la piel se encoge, simbolizando lo evidente-, pero creo que es m谩s interesante ver c贸mo los deseos de Rafael se vuelven contra el, o simplemente que contingencias le obligan a desear sabiendo el precio a pagar. Me hubiera gustado m谩s exploraci贸n de la tragedia post-zapa que de la tragedia pre-zapa; no se, llamadme loco.
Si algo salva a esta novela es la embriagadora prosa de su autor. Que Balzac escribe bien no le hace justicia: es hipn贸tico. Hace falta mucho talento y mucho conocimiento para hacer que p谩rrafos y p谩rrafos de verborrea resulten lo suficientemente atractivos como para no recurrir al siempre socorrido lectura en diagonal no yutsu. Eso es arte. Balzac sabe c贸mo introducirte dentro de un sal贸n franc茅s, te sienta frente a los platos y te permite degustar las apetecibles viandas y oler el agrio perfume de tus acompa帽antes -seamos sinceros, en el siglo XIX la higiene era la que era-, te hace participe de una melopea muy sofisticada, en parte gracias a sus artificiosos di谩logos, divertid铆simos de tan incre铆bles como suenan. Puede que el parisino calavera y disoluto no fuera ni tan pedante ni tan 帽o帽o al hablar, pero ojala lo fuera, porque hay escenas que gracias a ese lenguaje recuerdan a una caricatura tont铆sima, haciendo que la cr铆tica a ese entonces nov铆simo estamento burgu茅s de bon vivants y dandis de baratillo aun mas sangrante y visceral. Esos intercambios de di谩logos han sido lo que m谩s he disfrutado de la novela, una pena que esos fragmentos s贸lo sean oasis en un tedioso desierto descriptivo.
En resumen, es una novela de Balzac, cualquiera que sienta debilidad por los dinosaurios decimon贸nicos disfrutar谩 de sus escenarios, su pomposidad y sus hiperb贸licos dramas. Eso si, recordad, est谩is leyendo una novela realista disfrazada de novela fant谩stica. S贸lo aviso, y quien avisa no es traidor.
June 27, 2019
This book by Balzac is quite good but it pretty much tops me up and out of wanting to read more by him.
Not that it's bad, mind you. It's really quite wonderful when I think about it.
It starts out with a gambling addiction resulting in a desire to kill himself, but then he comes across this strange individual who offers him what appears to be a cursed item. (Yes, realism, no one really disputes that magic happens back then. The wild ass's skin works simply. You can shorten your life but get wonderful things. Kinda like the Monkey's Paw, but totally worldly and not always that evil. :) Riches, women... the whole thing reads with a very familiar theme from Cousin Bette.
Death and Life always in opposition, and both these novels presage Freud.
Ennui, satisfaction ending in boredom and the ever need to drive oneself forward. The alternative is all the crap that makes generally happy folk kinda self-destruct. Art plays a big role here, as does sex and money.
It's quite fascinating for what it is and I am REALLY glad I don't live in France during this time. I think I would hate just about everything. :) But this is a really interesting novel, for all that.
Not that it's bad, mind you. It's really quite wonderful when I think about it.
It starts out with a gambling addiction resulting in a desire to kill himself, but then he comes across this strange individual who offers him what appears to be a cursed item. (Yes, realism, no one really disputes that magic happens back then. The wild ass's skin works simply. You can shorten your life but get wonderful things. Kinda like the Monkey's Paw, but totally worldly and not always that evil. :) Riches, women... the whole thing reads with a very familiar theme from Cousin Bette.
Death and Life always in opposition, and both these novels presage Freud.
Ennui, satisfaction ending in boredom and the ever need to drive oneself forward. The alternative is all the crap that makes generally happy folk kinda self-destruct. Art plays a big role here, as does sex and money.
It's quite fascinating for what it is and I am REALLY glad I don't live in France during this time. I think I would hate just about everything. :) But this is a really interesting novel, for all that.
November 9, 2023
Bardzo trudno pisa膰 o s艂owach opartych jedn膮 stron膮 sensu na grzbiecie powie艣ci realistycznej, drugim - romantycznej. Bardzo trudno, bo albo si臋 napisze ekstatycznym uniesieniem, albo pow艣ci膮gni臋ciem instynktu zachwytu. Chc膮c by膰 pomi臋dzy, napisz臋, 偶e wra偶liwo艣膰 tej ksi膮偶ki rezonuje. Ze mn膮, ale tak偶e (mam poczucie) z pewnym niekonkretnie ludzkim nask贸rkiem cz艂owieka, kt贸rym si臋 t臋 ksi膮偶k臋 czyta; z tym dualistycznym rozro艣ni臋ciem. Mamy tutaj wiele poj臋膰 rzeczy i wiele tych rzeczy pojmowa艅. Mamy portrety bezczasowych czas贸w, w kt贸rych (nie) 偶yjemy. Mamy my艣l膮 i zamiarem przej艣cie 艣wiata drog膮 ponad 艣wiatem. A to wszystko przykryte jest tafl膮 niejednoznacznego w intencji j臋zyka (niemniej jednoznacznie pi臋knego), u偶ywanego wbrew i ku. A wi臋c "nie znalaz艂szy serca na miar臋 mego serca" zostawi艂am kawa艂ek swojego - tutaj.
January 7, 2021
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爻賴 爻丕賱 倬蹖卮 丕夭 丌賳貙 亘丕賱夭丕讴 芦趩乇賲 爻丕睾乇蹖禄 乇丕 賲賳鬲卮乇 讴乇丿賴 亘賵丿. 丿乇 丌賳 乇賲丕賳 讴噩丕 丕蹖爻鬲丕丿賴 亘賵丿 賵 亘賴 丿賳亘丕賱 趩賴 趩蹖夭蹖 賲蹖鈥屭簇� 丕诏乇 丿乇 亘丕亘丕诏賵乇蹖賵 亘丕賱夭丕讴 睾乇賯 丿賳蹖丕蹖 噩丿蹖丿 诏卮鬲賴貙 丿乇 趩乇賲 爻丕睾乇蹖 亘蹖賳 丿賵 丿賳蹖丕 丕蹖爻鬲丕丿賴 丕爻鬲. 丿賳蹖丕蹖 讴賴賳 讴賴 亘賴 賴爻鬲蹖 賲丨丕爻亘賴鈥屬嗀з矩佰屫� 賯丕卅賱 丿乇 賴賲蹖賳 丿賳蹖丕 丕爻鬲貨 賵 丿賳蹖丕蹖 賳賵 讴賴 賲蹖鈥屫堌з囏� 賴賲賴鈥屭嗃屫� 乇丕 賲丨丕爻亘賴 亘讴賳丿. 趩賴 讴爻蹖 丕蹖賳 讴丕乇 乇丕 賲蹖鈥屭┵嗀� 丿丕賳卮賲賳丿. 趩诏賵賳賴責 亘丕 倬丕蹖鈥屫ㄙ嗀� 亘賴 芦乇賵卮 毓賱賲蹖禄. 亘丕夭 讴賴責 讴丕乇倬乇丿丕夭. 趩诏賵賳賴責 亘丕 賯蹖賲鬲鈥屭柏ж臂� 亘乇 賴賲賴 趩蹖夭貙 亘賴 賵丕爻胤賴 芦倬賵賱禄. 亘丕夭 讴賴責 毓蹖賾丕卮. 毓蹖賾丕卮責 丌乇蹖賮 毓蹖賾丕卮. 毓蹖丕卮 亘乇禺賱丕賮 馗丕賴乇賽 亘蹖鈥屫ㄙ嗀堌ㄘж必簇� 賴賲賵丕乇賴 丿乇 丨丕賱 賲丨丕爻亘賴 丕爻鬲. 賲賳馗賵乇 禺乇丿賴鈥屫观屫ж粹€屬囏� 賳蹖爻鬲賳丿 讴賴 賯賲丕乇 賲蹖鈥屭┵嗁嗀� 卮乇丕亘 賲蹖鈥屬嗁堌促嗀� 賵 诏乇丿 賮爻賯 賲蹖鈥屭必嗀�. 亘賱讴賴 丌賳賴丕蹖蹖 讴賴 賯賲丕乇禺丕賳賴鈥屬囏� 乇丕 賲蹖鈥屭嗀必з嗁嗀� 賲蹖鈥屭┴団€屬囏� 乇丕 丕丿丕乇賴 賲蹖鈥屭┵嗁嗀� 賵 丨爻丕亘 鬲禺鬲鈥屫堌жㄢ€屬囏й� 賮丕爻賯丕賳 丿乇 丕禺鬲蹖丕乇卮丕賳 賴爻鬲. 丌賳鈥屬囏� 毓蹖丕卮丕賳 賵丕賯毓蹖 賴爻鬲賳丿. 丿乇 丕蹖賳 乇賲丕賳 丿賵 卮禺氐蹖鬲 賵噩賵丿 丿丕乇賳丿 讴賴 亘爻蹖丕乇 丨丕卅夭 丕賴賲蹖鬲鈥屫з嗀�. 蹖讴蹖 卮禺氐蹖鬲 丕氐賱蹖 丕蹖賳 乇賲丕賳貙 蹖毓賳蹖 乇丕賮丕卅賱 讴賴 丿乇 賴蹖亘鬲 蹖讴 丿丕賳卮賲賳丿貙 賴賲賴 賴賲鬲 禺賵蹖卮 乇丕 氐乇賮 丌賳 讴乇丿賴 鬲丕 芦丕乇丕丿賴禄 乇丕 賲丨丕爻亘賴鈥屬矩佰屫� 讴賳丿貙 賵 丿蹖诏乇蹖 賮卅賵丿賵乇丕 讴賳鬲爻 夭蹖亘丕蹖蹖 讴賴 亘丕夭蹖 賵 賲爻鬲蹖 賵 賮爻賯 乇丕 鬲丨鬲 讴賳鬲乇賱 丿乇丌賵乇丿賴. 賳賵蹖爻賳丿賴 蹖讴 卮亘 賲丕 乇丕 亘賴 禺賱賵鬲 丕鬲丕賯 丕蹖賳 夭賳 賲蹖鈥屫ㄘ必� 鬲丕 倬乇丿賴 丕夭 卮禺氐蹖鬲 賲丨丕爻亘賴鈥屭� 丕賵 亘乇丿丕乇丿. 丕賲丕 夭蹖亘丕蹖蹖 丿蹖诏乇蹖 賴賲 賵噩賵丿 丿丕乇丿 讴賴 賱睾夭賳丿賴 丕爻鬲 賵 賲蹖鈥屭臂屫藏�. 夭蹖亘丕蹖蹖 倬賵賱蹖賳貙 丿禺鬲乇蹖 讴賴 亘毓丿賴丕 丕夭 丕賵 爻禺賳 禺賵丕賴蹖賲 诏賮鬲. 丌蹖丕 丿丕爻鬲丕賳 鬲丕 丕賳鬲賴丕 賴賲蹖賳 诏賵賳賴 倬蹖卮 賲蹖鈥屫辟堌� 禺蹖乇. 亘賴 丿賱丕卅賱蹖 鬲氐丕丿賮蹖貙 乇爻丕賱賴 乇丕賮丕卅賱 (讴賴 賲睾夭 亘賵乇跇丕夭蹖 乇丕 賴丿賮 鬲亘蹖蹖賳 禺賵蹖卮 诏乇賮鬲賴) 賲賵乇丿 鬲賵噩賴 亘賵乇跇賵丕賴丕 賯乇丕乇 賳賲蹖鈥屭屫必� 賵 賯蹖賲鬲卮 卮賳丕禺鬲賴 賳賲蹖鈥屫促堌�. 乇丕賮丕卅賱賽 丕噩乇賳丕丿蹖丿賴貙 賳賲蹖鈥屫堌з嗀� 丕蹖賳 倬賵趩蹖 乇丕 鬲丨賲賱 讴賳丿 賵 丿乇 丌爻鬲丕賳賴 禺賵丿讴卮蹖 賯乇丕乇 賲蹖鈥屭屫必�. 丕夭 丌賳 倬爻 禺賵丿卮 賴賲 賳賲蹖鈥屫з嗀� 讴丿丕賲 爻賵 丕蹖爻鬲丕丿賴 丕爻鬲. 爻乇诏乇丿丕賳 丕爻鬲. 賲蹖鈥屫堌з囏� 亘賵乇跇賵丕 亘丕卮丿貙 丕賲丕 賳賲蹖鈥屫堌з嗀�. 趩乇丕責 丌禺乇 丕賵 賵噩賵丿 丕賲乇 賲丨丕爻亘賴鈥屬嗀з矩佰屫� 乇丕 亘丕賵乇 讴乇丿賴. 丨鬲蹖 亘蹖卮鬲乇 丕夭 亘丕賵乇貙 丕賵 禺胤乇賽 乇丕爻鬲 賵 丿乇賵睾 丕蹖賳 丕賲乇 乇丕 亘賴 氐賵乇鬲蹖 卮禺氐蹖 倬匕蹖乇賮鬲賴 丕爻鬲貨 亘丕 趩賴 趩蹖夭蹖責 亘丕 诏乇賵 诏匕丕卮鬲賳 夭賳丿诏蹖 賵 賲乇诏 禺賵丿. 丿乇 丕蹖賳 賳賯胤賴 倬丕讴亘丕夭蹖 丕爻鬲 讴賴 乇丕賮丕卅賱貙 丿乇 賲蹖丕賳賴 丿賵 賯胤亘賽 胤乇賮蹖賳賽 丕賲乇 芦賲丨丕爻亘賴禄貙 亘賴 毓賳賵丕賳 蹖讴 卮禺氐蹖鬲 夭丕丿賴 賲蹖鈥屫促堌�.
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丿乇 趩賳蹖賳 丿賳蹖丕蹖蹖貙 趩乇賲 丕賳讴丕乇 賵 乇丕賮丕卅賱 胤乇丿 賲蹖鈥屫促堌� 丿乇 丨丕賱蹖 讴賴 胤亘賯 賯賵丕毓丿 亘賵乇跇賵丕夭蹖貙 亘丕蹖丿 亘賴 禺丕胤乇 孬乇賵鬲 賴賳诏賮鬲卮 倬乇爻鬲蹖丿賴 卮賵丿. 丕蹖賳噩丕 賳賵蹖爻賳丿賴 賲賵賮賯 賲蹖鈥屫促堌� 賳卮丕賳 丿賴丿 讴賴 丌賳趩賴 丿乇 馗丕賴乇 噩夭賵 賲毓蹖丕乇賴丕蹖 丿賳蹖丕賴丕蹖 噩丿蹖丿 賲丨爻賵亘 賲蹖鈥屫促堌� 丕乇鬲亘丕胤蹖 匕丕鬲蹖 亘丕 禺賵丿 亘賵乇跇賵丕夭蹖 賳丿丕乇丿. 賲爻兀賱賴 鬲噩丿丿 賵 爻賳鬲貙 丿賮丕毓 丕夭 卮賳丕禺鬲 丿乇 亘乇丕亘乇 诏賳诏蹖 賵 丕亘賴丕賲 賳蹖爻鬲貙 亘賱讴賴 鬲爻賱胤 亘乇 卮蹖亍 賵 丿乇 賴賲 卮讴爻鬲賳 賲賯丕賵賲鬲 丌賳 丿乇 亘乇丕亘乇 匕賴賳 賲丨丕爻亘賴鈥屭� 丕爻鬲. 丕诏乇 亘賵乇跇賵丕 鬲賵丕賳爻鬲 趩蹖夭蹖 乇丕 賲丨丕爻亘賴 讴賳丿 (鬲丕 賲胤賲卅賳 卮賵丿 丕夭 讴賳鬲乇賱卮 禺丕乇噩 賳禺賵丕賴丿 卮丿)貙 丌賳 乇丕 亘賴 乇爻賲蹖鬲 賲蹖鈥屫促嗀ж池� 丕賲丕 丕诏乇 賳卮丿貙 亘丕 夭丿賳賽 亘乇趩爻亘賽 賲丨丕爻亘賴鈥屬嗀з矩佰屫臂� 亘乇 丌賳貙 丕氐賱 亘賵丿賳卮 乇丕 丕賳讴丕乇 賲蹖鈥屭┵嗀�. 丕夭 賳馗乇 亘賵乇跇賵丕 鬲賳賴丕 趩蹖夭賴丕蹖蹖 賵噩賵丿 丿丕乇賳丿 讴賴 丿乇 丕禺鬲蹖丕乇 丕賵 亘丕卮賳丿貙 蹖丕 亘毓丿丕賸 鬲丨鬲 讴賳鬲乇賱 丕賵 丿乇丌蹖賳丿. 賴乇趩賴 讴賴 丕夭 丕蹖賳 趩賴丕乇趩賵亘 亘蹖乇賵賳 亘蹖賮鬲丿貙 亘賴 丕爻賲 禺乇丕賮賴 賵 賴夭丕乇鬲丕 亘乇趩爻亘 丿蹖诏乇 丕夭 丿丕蹖乇賴 芦丕賲乇 賵丕賯毓禄 亘蹖乇賵賳 乇丕賳丿賴 賲蹖鈥屫促堌� 賵 亘賴 賲賵賴賵賲丕鬲 賲賱丨賯 賲蹖鈥屭必�. 亘毓丿 丕夭 丕蹖賳 亘乇趩爻亘 賴賲 讴賴 丿蹖诏乇 賲賴賲 賳蹖爻鬲 丌賳 卮蹖亍 讴噩丕 賯乇丕乇 賲蹖鈥屭屫必� 趩賵賳 丿蹖诏乇 丕賲讴丕賳賽 賮乇丕鬲乇 乇賮鬲賳 賵噩賵丿 賳丿丕乇丿. 亘賵丿 賵 賳亘賵丿賽 趩賳蹖賳 卮蹖亍蹖 鬲賵賮蹖乇 賳賲蹖鈥屭┵嗀� 趩賵賳 亘賴 毓賳賵丕賳 賵丕賯毓蹖鬲 亘賴 乇爻賲蹖鬲 卮賳丕禺鬲賴 賳賲蹖鈥屫促堌�. 賲毓賳賵蹖鬲 丕夭 亘蹖禺 賵 亘賳 讴賳丿賴 卮丿賴 丕爻鬲 丿蹖诏乇 趩賴 丕賴賲蹖鬲蹖 丿丕乇丿 讴賴 賴賳賵夭 丕賮乇丕丿蹖 亘賴 丌賳 亘丕賵乇 丿丕卮鬲賴 亘丕卮賳丿 蹖丕 賳賴. 丿乇 丿賳蹖丕蹖 毓賱賲鈥屫藏� 亘賵乇跇賵丕夭蹖貙 賲毓賳賵蹖鬲 賴賲 亘丕蹖丿 賯丕亘賱 賲丨丕爻亘賴 亘丕卮丿 賵诏乇賳賴 讴賳丕乇 诏匕丕卮鬲賴 賲蹖鈥屫促堌� 蹖丕 亘賴 毓亘丕乇鬲 丿賯蹖賯鈥屫� 丕賳讴丕乇 賲蹖鈥屫促堌�. 丿乇 趩賳蹖賳 丿賳蹖丕蹖 賲丨丕爻亘賴鈥屬呚堌臂屫� 爻禺賳 诏賮鬲賳 丕夭 賲毓賳賵蹖鬲 禺賳丿賴鈥屫ж� 丕爻鬲. 亘乇丕蹖 賴賲蹖賳 賴蹖趩 蹖讴 丕夭 丿賵爻鬲丕賳 賯丿蹖賲蹖 乇丕賮丕卅賱 丕賵 乇丕 賳賲蹖鈥屬矩佰屫辟嗀� 賵 丿乇 夭賳丿诏蹖 賴賲乇丕賴卮 賳賲蹖鈥屫促堎嗀�. 丨鬲蹖 亘丕 丌賳 讴賴 賲蹖 丿丕賳賳丿 孬乇賵鬲 讴賱丕賳蹖 丿丕乇丿貙 亘丕 丌賳讴賴 賲蹖鈥屫з嗁嗀� 丕賴賱 毓賱賲 亘賵丿賴 賵 爻賴 爻丕賱 丕夭 毓賲乇卮 乇丕 氐乇賮 賳诏丕乇卮 乇爻丕賱賴鈥屫й� 毓賱賲蹖 丿乇 亘丕亘 丕乇丕丿賴 讴乇丿賴 丕爻鬲 (丕夭 賴賲丕賳 賲賳馗乇蹖 讴賴 亘賵乇跇賵丕 賲蹖鈥屫堌з囏� 賴賲賴 趩蹖夭 丨鬲蹖 丕乇丕丿賴 乇丕 賴賲 賯丕亘賱 賲丨丕爻亘賴 亘讴賳丿)貙 亘丕夭 賴賲 胤乇丿卮 賲蹖鈥屭┵嗁嗀� 丌禺乇 丕賵 丕讴賳賵賳貙 倬爻 丕夭 禺胤乇 讴乇丿賳 亘乇丕蹖 倬匕蹖乇卮 趩乇賲 爻丕睾乇蹖貙 賳賮蹖 丌賳鈥屬囏ж池�. 丿乇 倬丕乇蹖爻 鬲賳賴丕 蹖讴 賳賮乇 亘丕 乇丕賮丕卅賱 賲蹖鈥屬呚з嗀� 蹖毓賳蹖 倬賵賱蹖賳. 賴賲丕賳 倬賵賱蹖賳 夭蹖亘丕蹖蹖 讴賴 禺賵丿賽 乇丕賮丕卅賱 賴蹖趩鈥屭з� 賳賲蹖鈥屫屫�. 鬲丕 賵賯鬲蹖 讴賴 賮賯蹖乇 亘賵丿貙 丕氐賱丕 亘賴 丨爻丕亘卮 賳賲蹖鈥屫①堌必�. 亘毓丿 丕夭 孬乇賵鬲 賴賲 趩賳丕賳 賲卮睾賵賱 禺賵丿 卮丿 讴賴 丿爻鬲 賵 倬丕 夭丿賳 賴丕蹖 倬賵賱蹖賳 丕孬乇蹖 丿乇 丕賵 賳亘禺卮蹖丿. 倬賵賱蹖賳 毓丕卮賯 亘賵丿 賵 賴賲蹖賳 毓卮賯貙 丕賵 乇丕 亘賴 丿賳亘丕賱 乇丕賮丕卅賱 鬲丕 禺賵丿賽 賵乇胤賴 賲乇诏 讴卮丕賳丿. 倬賵賱蹖賳 倬乇賵丕蹖 丕夭 賲乇丿賳 賳丿丕卮鬲 賵 丨鬲蹖 丌乇夭賵 賲蹖鈥屭┴必� 賴賲乇丕賴 賲毓卮賵賯 亘賲蹖乇丿. 亘丕 丕蹖賳 賴賲賴 乇丕賮丕卅賱 賲卮睾賵賱 賲乇诏 賵 夭賳丿诏蹖 禺賵蹖卮貙 賵 賮丕乇睾 丕夭 夭蹖亘丕蹖蹖 倬賵賱蹖賳 亘賵丿. 丕賲丕 丿乇 亘乇 丕蹖賳 倬丕卮賳賴 賳趩乇禺蹖丿 賵 毓卮賯 丌禺乇 讴丕乇 禺賵丿卮 乇丕 讴乇丿. 趩卮賲丕賳 乇丕賮丕卅賱 丿乇 賲賵丕噩賴賴鈥屫й� 卮亘賴鈥屫ж簇必з傐� 亘丕 倬賵賱蹖賳貙 亘丕夭 卮丿 賵 丨賯蹖賯鬲 乇丕 丿乇 倬乇鬲賵 毓卮賯 丿乇蹖丕賮鬲. 賳賴 丕蹖賳 讴賴 賲乇诏卮 毓賯亘 亘蹖賮鬲丿貙 亘賱讴賴 禺賵丿卮 亘賴 丕爻鬲賯亘丕賱賽 卮讴賱 毓丕卮賯丕賳賴鈥屫й� 丕夭 丌賳 乇賮鬲. 倬丕蹖丕賳 芦趩乇賲 爻丕睾乇蹖禄 賳卮丕賳賴 丕賲蹖丿 亘丕賱夭丕讴 亘賴 賲丕賳丕蹖蹖 賲毓賳賵蹖鬲 丿乇 丿賳蹖丕蹖 噩丿蹖丿 丕爻鬲貙 丨鬲蹖 丕诏乇 賴賲賴 亘賵乇跇賵丕賴丕 丕賳讴丕乇卮 讴賳賳丿.
亘禺卮鈥屬囏й屰� 丕夭 賲鬲賳 乇賲丕賳:
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丌蹖丕 讴賵賵蹖賴 亘夭乇诏鬲乇蹖賳 卮丕毓乇 賯乇賳 賲丕 賳蹖爻鬲責 诏乇趩賴 賱乇丿 亘丕蹖乇賵賳 亘乇禺蹖 丌卮賵亘鈥屬囏й� 乇賵丨蹖 乇丕 丿乇 賯丕賱亘 讴賱賲丕鬲 鬲氐賵蹖乇 賳賲賵丿貙 丕賲丕 胤亘蹖毓蹖鈥屫з� 賮賳丕賳丕倬匕蹖乇 賲丕 亘賴 讴賲讴 丕爻鬲禺賵丕賳鈥屬囏й� 禺卮讴蹖丿賴 噩賴丕賳蹖 乇丕 丕夭 賳賵 爻丕禺鬲賴貙 賲丕賳賳丿 芦讴丕丿賲賵爻禄 亘丕 趩賳丿 丿賳丿丕賳 卮賴乇賴丕蹖蹖 乇丕 丿賵亘丕乇賴 亘賳丕 讴乇丿賴貙 亘丕 鬲毓賲賯 丿乇 趩賳丿 鬲讴賴 匕睾丕賱 爻賳诏 賴夭丕乇丕賳 噩賳诏賱 乇丕 亘賴 噩丕賳賵乇丕賳 丕爻乇丕乇丌賲蹖夭 丕賳亘丕卮鬲賴 賵 丿乇 倬丕蹖 蹖讴 芦賲丕賲賵鬲禄 賳卮丕賳 丕賯賵丕賲 睾賵賱 倬蹖讴蹖乇蹖 乇丕 亘丕夭 蹖丕賮鬲賴 丕爻鬲. 丕蹖賳 趩賴乇賴鈥屬囏� 爻乇 亘乇 賲蹖鈥屫ж辟嗀� 亘夭乇诏 賲蹖鈥屫促堎嗀� 賵 賲賳丕胤賯蹖 乇丕 賮乇丕禺賵乇 倬蹖讴乇 毓馗蹖賲 禺賵蹖卮 賲爻讴賵賳 賲蹖鈥屫池ж操嗀�. 讴賵賵蹖賴 亘賴 讴賲讴 丕乇賯丕賲 卮毓乇 賲蹖鈥屭堐屫� 賵 毓馗賲鬲卮 丿乇 丌賳 丕爻鬲 讴賴 氐賮乇蹖 乇丕 讴賳丕乇 賴賮鬲 賲蹖鈥屭柏ж必�. 亘蹖鈥屫堌迟� 亘賴 讴賱賲丕鬲 爻丕禺鬲诏蹖 噩丕丿賵讴乇丕賳貙 毓丿賲 乇丕 亘蹖丿丕乇 賲蹖鈥屭┵嗀�.
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鬲賵 讴丕乇 賲蹖鈥屭┵嗃屫� 亘爻蹖丕乇 禺賵亘貙 賴乇诏夭 亘賴 噩丕蹖蹖 賳禺賵丕賴蹖 乇爻蹖丿. 丕賲丕 賲賳貙 賴賲賴鈥屭┴ж辟� 賵 賴蹖趩鈥屭┴ж辟団€屫з� 賵 賲孬賱 禺乇趩賳诏 丿乇蹖丕蹖蹖 鬲賳亘賱賲. 亘爻蹖丕乇 禺賵亘貙 亘賴 賴賲賴鈥屭嗃屫� 禺賵丕賴賲 乇爻蹖丿. 賲賳 亘賴 賴賲賴鈥屫� 爻乇 賲蹖鈥屫操嗁呚� 亘賴 夭賵乇 倬蹖卮 賲蹖鈥屫辟堎呚� 丿蹖诏乇丕賳 賴賲 亘乇丕蹖 賲賳 噩丕 亘丕夭 賲蹖鈥屭┵嗁嗀�. 丕夭 禺賵丿 賱丕賮 賲蹖鈥屫操嗁呚� 賲乇丿賲 賴賲 亘丕賵乇 賲蹖鈥屭┵嗁嗀�. 賯乇囟 亘丕賱丕 賲蹖鈥屫①堌辟呚� 丿蹖诏乇丕賳 賲蹖鈥屬矩必ж操嗀� 毓夭蹖夭賲. 禺賵卮鈥屭柏必з嗃� 蹖讴 乇賵卮 爻蹖丕爻蹖 丕爻鬲. 讴爻蹖 讴賴 賲丕賱 賵 丿丕乇丕蹖蹖 禺賵丿 乇丕 亘蹖鈥屫臂屫� 賲蹖鈥屫堌必� 睾丕賱亘丕賸 夭賳丿诏蹖鈥屫ж� 賳賵毓蹖 爻賮鬲賴鈥屫ㄘж槽� 丕爻鬲貨 丕賵 爻乇賲丕蹖賴 禺賵丿 乇丕 亘賴 氐賵乇鬲 丿賵爻鬲 賵 乇賮蹖賯 賵 丨丕賲蹖 賵 丌卮賳丕貙 亘賴 氐賵乇鬲 毓蹖卮 賵 賳賵卮 亘賴 讴丕乇 賲蹖鈥屫з嗀ж藏�.
賵賯鬲蹖 讴賴 賲丕 亘乇丕蹖 鬲賵氐蹖賮 丕爻乇丕乇 夭蹖亘丕蹖蹖 讴賴 亘賴 趩卮賲 丿蹖丿賴 賲蹖鈥屫促堌� 亘賴 丕賳丿丕夭賴 讴丕賮蹖 賱睾鬲 賳賲蹖鈥屰屫жㄛ屬呚� 丌禺乇 趩诏賵賳賴 賲蹖鈥屫堌з嗃屬� 丌卮賵亘鈥屬囏й� 卮丿蹖丿 賵 丕爻乇丕乇丌賲蹖夭 乇賵丨 乇丕 亘丕 鬲賵爻賱 亘賴 讴賱賲丕鬲 亘丕夭 賳賲丕蹖蹖賲責
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賵賯鬲蹖 讴賴 夭賳蹖 乇丕 賲蹖鈥屫ㄛ屬嗃屫� 讴賴 亘丕 丕胤賲蹖賳丕賳 禺丕胤乇 賳蹖賲鈥屫ㄘ辟囐嗁� 卮丿賴 丕爻鬲 賵 毓卮賯 禺賵丿 乇丕 賲丕賳賳丿 乇丿丕蹖蹖 亘賴 禺賵丿 倬蹖趩蹖丿賴 賵 丿乇 毓蹖賳 亘蹖鈥屫⒇藏辟呟� 毓賮蹖賮 丕爻鬲貨 賵賯鬲蹖 讴賴 亘賴 賱亘丕爻鈥屬囏й� 倬乇丕讴賳丿賴鈥屫ж簇� 亘賴 丌賳 噩賵乇丕亘 丕亘乇蹖卮賲蹖 讴賴 卮亘 倬蹖卮 亘賴 爻乇毓鬲 亘蹖乇賵賳 賲蹖鈥屫①堌必� 鬲丕 禺賵卮丕蹖賳丿 卮賲丕 亘丕卮丿貙 亘賴 丌賳 讴賲乇亘賳丿蹖 讴賴 亘丕夭 賲蹖鈥屭┴必� 鬲丕 毓賱丕賯賴 亘蹖鈥屬矩й屫з� 禺賵丿 乇丕 亘賴 卮賲丕 賳卮丕賳 丿賴丿貙 趩卮賲 賲蹖鈥屫堌槽屫� 丌蹖丕 卮丕丿蹖 亘蹖鈥屬呚з嗁嗀� 丕丨爻丕爻 賳賲蹖鈥屭┵嗃屫� 丕蹖賳 讴賲乇亘賳丿 禺賵丿 賲賳馗賵賲賴 讴丕賲賱蹖 丕爻鬲. 夭賳蹖 讴賴 丿乇 倬賳丕賴 丌賳 亘賵丿 丿蹖诏乇 賳蹖爻鬲貙 亘賴 卮賲丕 鬲毓賱賯 丿丕乇丿貙 禺賵丿 卮賲丕 卮丿賴 丕爻鬲. 丕夭 丕蹖賳 倬爻 禺蹖丕賳鬲 賳爻亘鬲 亘賴 丕賵 囟乇亘鬲蹖 丕爻鬲 讴賴 亘賴 禺賵丿 卮賲丕 賵丕乇丿 賲蹖鈥屫③屫�.
丕蹖 讴爻丕賳蹖 讴賴 賲蹖鈥屬呟屫臂屫�! 亘乇 亘爻鬲乇 禺丕賱蹖 禺賵丿 亘賲丕賳蹖丿. 丕蹖 倬蹖乇丕賳! 讴賳丕乇 丕噩丕賯鈥屬囏й� 爻乇丿 禺賵丿 賯乇丕乇 亘诏蹖乇蹖丿. 丕蹖 丿禺鬲乇丕賳 賲爻鬲鈥屬呝嗀� 亘蹖鈥屫囒屫�! 鬲賳賴丕 丿乇 丕賳亘丕乇賴丕蹖 夭蹖乇卮蹖乇賵丕賳蹖 蹖禺 讴賳蹖丿 賵 亘倬夭蹖丿. 丕诏乇 噩丕賲毓賴 丕毓蹖丕賳蹖 賵噩賵丿 賲氐蹖亘鬲鈥屫藏団€屫й� 乇丕 鬲丨賲賱 讴賳丿貙 丌蹖丕 亘乇丕蹖 丌賳 賳蹖爻鬲 讴賴 丌賳 乇丕 亘賴 讴丕乇 亘诏蹖乇丿貙 丕夭 丌賳 丕爻鬲賮丕丿賴 讴賳丿貙 亘乇 倬卮鬲卮 倬丕賱丕賳 亘诏匕丕乇丿貙 丿賴賳賴鈥屫ж� 亘夭賳丿貙 夭蹖賳鈥屬举堌� 乇賵蹖卮 亘讴卮丿 賵 爻賵丕乇卮 亘卮賵丿 賵 丕夭 丌賳 亘乇丕蹖 禺賵丿 鬲賮乇蹖丨 禺丕胤乇蹖 亘爻丕夭丿責
丿爻鬲 蹖丕賮鬲賳 亘乇 賯丿乇鬲貙 賴乇趩賳丿 賴賲 讴賴 丕蹖賳 賯丿乇鬲 毓馗蹖賲 亘丕卮丿貙 賴賳乇 亘賴 讴丕乇 亘乇丿賳 丌賳 乇丕 亘賴 丕賳爻丕賳 毓胤丕 賳賲蹖鈥屭┵嗀�. 毓氐丕蹖 卮丕賴蹖 丿乇 丿爻鬲 讴賵丿讴 蹖讴 亘丕夭蹖趩賴 丕爻鬲貙 丕賲丕 亘乇丕蹖 乇蹖卮蹖賱賵 鬲亘乇 賵 亘乇丕蹖 賳丕倬賱卅賵賳 丕賴乇賲蹖 丕爻鬲 讴賴 亘丕 丌賳 丿賳蹖丕 乇丕 鬲讴丕賳 賲蹖鈥屫囏�. 賯丿乇鬲 賲丕 乇丕 賴賲丕賳 讴賴 賴爻鬲蹖賲 亘賴 噩丕 賲蹖鈥屭柏ж必� 賵 鬲賳賴丕 賲乇丿丕賳 亘夭乇诏 乇丕 亘夭乇诏 賲蹖鈥屫池ж藏�.
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爻賴 爻丕賱 倬蹖卮 丕夭 丌賳貙 亘丕賱夭丕讴 芦趩乇賲 爻丕睾乇蹖禄 乇丕 賲賳鬲卮乇 讴乇丿賴 亘賵丿. 丿乇 丌賳 乇賲丕賳 讴噩丕 丕蹖爻鬲丕丿賴 亘賵丿 賵 亘賴 丿賳亘丕賱 趩賴 趩蹖夭蹖 賲蹖鈥屭簇� 丕诏乇 丿乇 亘丕亘丕诏賵乇蹖賵 亘丕賱夭丕讴 睾乇賯 丿賳蹖丕蹖 噩丿蹖丿 诏卮鬲賴貙 丿乇 趩乇賲 爻丕睾乇蹖 亘蹖賳 丿賵 丿賳蹖丕 丕蹖爻鬲丕丿賴 丕爻鬲. 丿賳蹖丕蹖 讴賴賳 讴賴 亘賴 賴爻鬲蹖 賲丨丕爻亘賴鈥屬嗀з矩佰屫� 賯丕卅賱 丿乇 賴賲蹖賳 丿賳蹖丕 丕爻鬲貨 賵 丿賳蹖丕蹖 賳賵 讴賴 賲蹖鈥屫堌з囏� 賴賲賴鈥屭嗃屫� 乇丕 賲丨丕爻亘賴 亘讴賳丿. 趩賴 讴爻蹖 丕蹖賳 讴丕乇 乇丕 賲蹖鈥屭┵嗀� 丿丕賳卮賲賳丿. 趩诏賵賳賴責 亘丕 倬丕蹖鈥屫ㄙ嗀� 亘賴 芦乇賵卮 毓賱賲蹖禄. 亘丕夭 讴賴責 讴丕乇倬乇丿丕夭. 趩诏賵賳賴責 亘丕 賯蹖賲鬲鈥屭柏ж臂� 亘乇 賴賲賴 趩蹖夭貙 亘賴 賵丕爻胤賴 芦倬賵賱禄. 亘丕夭 讴賴責 毓蹖賾丕卮. 毓蹖賾丕卮責 丌乇蹖賮 毓蹖賾丕卮. 毓蹖丕卮 亘乇禺賱丕賮 馗丕賴乇賽 亘蹖鈥屫ㄙ嗀堌ㄘж必簇� 賴賲賵丕乇賴 丿乇 丨丕賱 賲丨丕爻亘賴 丕爻鬲. 賲賳馗賵乇 禺乇丿賴鈥屫观屫ж粹€屬囏� 賳蹖爻鬲賳丿 讴賴 賯賲丕乇 賲蹖鈥屭┵嗁嗀� 卮乇丕亘 賲蹖鈥屬嗁堌促嗀� 賵 诏乇丿 賮爻賯 賲蹖鈥屭必嗀�. 亘賱讴賴 丌賳賴丕蹖蹖 讴賴 賯賲丕乇禺丕賳賴鈥屬囏� 乇丕 賲蹖鈥屭嗀必з嗁嗀� 賲蹖鈥屭┴団€屬囏� 乇丕 丕丿丕乇賴 賲蹖鈥屭┵嗁嗀� 賵 丨爻丕亘 鬲禺鬲鈥屫堌жㄢ€屬囏й� 賮丕爻賯丕賳 丿乇 丕禺鬲蹖丕乇卮丕賳 賴爻鬲. 丌賳鈥屬囏� 毓蹖丕卮丕賳 賵丕賯毓蹖 賴爻鬲賳丿. 丿乇 丕蹖賳 乇賲丕賳 丿賵 卮禺氐蹖鬲 賵噩賵丿 丿丕乇賳丿 讴賴 亘爻蹖丕乇 丨丕卅夭 丕賴賲蹖鬲鈥屫з嗀�. 蹖讴蹖 卮禺氐蹖鬲 丕氐賱蹖 丕蹖賳 乇賲丕賳貙 蹖毓賳蹖 乇丕賮丕卅賱 讴賴 丿乇 賴蹖亘鬲 蹖讴 丿丕賳卮賲賳丿貙 賴賲賴 賴賲鬲 禺賵蹖卮 乇丕 氐乇賮 丌賳 讴乇丿賴 鬲丕 芦丕乇丕丿賴禄 乇丕 賲丨丕爻亘賴鈥屬矩佰屫� 讴賳丿貙 賵 丿蹖诏乇蹖 賮卅賵丿賵乇丕 讴賳鬲爻 夭蹖亘丕蹖蹖 讴賴 亘丕夭蹖 賵 賲爻鬲蹖 賵 賮爻賯 乇丕 鬲丨鬲 讴賳鬲乇賱 丿乇丌賵乇丿賴. 賳賵蹖爻賳丿賴 蹖讴 卮亘 賲丕 乇丕 亘賴 禺賱賵鬲 丕鬲丕賯 丕蹖賳 夭賳 賲蹖鈥屫ㄘ必� 鬲丕 倬乇丿賴 丕夭 卮禺氐蹖鬲 賲丨丕爻亘賴鈥屭� 丕賵 亘乇丿丕乇丿. 丕賲丕 夭蹖亘丕蹖蹖 丿蹖诏乇蹖 賴賲 賵噩賵丿 丿丕乇丿 讴賴 賱睾夭賳丿賴 丕爻鬲 賵 賲蹖鈥屭臂屫藏�. 夭蹖亘丕蹖蹖 倬賵賱蹖賳貙 丿禺鬲乇蹖 讴賴 亘毓丿賴丕 丕夭 丕賵 爻禺賳 禺賵丕賴蹖賲 诏賮鬲. 丌蹖丕 丿丕爻鬲丕賳 鬲丕 丕賳鬲賴丕 賴賲蹖賳 诏賵賳賴 倬蹖卮 賲蹖鈥屫辟堌� 禺蹖乇. 亘賴 丿賱丕卅賱蹖 鬲氐丕丿賮蹖貙 乇爻丕賱賴 乇丕賮丕卅賱 (讴賴 賲睾夭 亘賵乇跇丕夭蹖 乇丕 賴丿賮 鬲亘蹖蹖賳 禺賵蹖卮 诏乇賮鬲賴) 賲賵乇丿 鬲賵噩賴 亘賵乇跇賵丕賴丕 賯乇丕乇 賳賲蹖鈥屭屫必� 賵 賯蹖賲鬲卮 卮賳丕禺鬲賴 賳賲蹖鈥屫促堌�. 乇丕賮丕卅賱賽 丕噩乇賳丕丿蹖丿賴貙 賳賲蹖鈥屫堌з嗀� 丕蹖賳 倬賵趩蹖 乇丕 鬲丨賲賱 讴賳丿 賵 丿乇 丌爻鬲丕賳賴 禺賵丿讴卮蹖 賯乇丕乇 賲蹖鈥屭屫必�. 丕夭 丌賳 倬爻 禺賵丿卮 賴賲 賳賲蹖鈥屫з嗀� 讴丿丕賲 爻賵 丕蹖爻鬲丕丿賴 丕爻鬲. 爻乇诏乇丿丕賳 丕爻鬲. 賲蹖鈥屫堌з囏� 亘賵乇跇賵丕 亘丕卮丿貙 丕賲丕 賳賲蹖鈥屫堌з嗀�. 趩乇丕責 丌禺乇 丕賵 賵噩賵丿 丕賲乇 賲丨丕爻亘賴鈥屬嗀з矩佰屫� 乇丕 亘丕賵乇 讴乇丿賴. 丨鬲蹖 亘蹖卮鬲乇 丕夭 亘丕賵乇貙 丕賵 禺胤乇賽 乇丕爻鬲 賵 丿乇賵睾 丕蹖賳 丕賲乇 乇丕 亘賴 氐賵乇鬲蹖 卮禺氐蹖 倬匕蹖乇賮鬲賴 丕爻鬲貨 亘丕 趩賴 趩蹖夭蹖責 亘丕 诏乇賵 诏匕丕卮鬲賳 夭賳丿诏蹖 賵 賲乇诏 禺賵丿. 丿乇 丕蹖賳 賳賯胤賴 倬丕讴亘丕夭蹖 丕爻鬲 讴賴 乇丕賮丕卅賱貙 丿乇 賲蹖丕賳賴 丿賵 賯胤亘賽 胤乇賮蹖賳賽 丕賲乇 芦賲丨丕爻亘賴禄貙 亘賴 毓賳賵丕賳 蹖讴 卮禺氐蹖鬲 夭丕丿賴 賲蹖鈥屫促堌�.
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丿乇 趩賳蹖賳 丿賳蹖丕蹖蹖貙 趩乇賲 丕賳讴丕乇 賵 乇丕賮丕卅賱 胤乇丿 賲蹖鈥屫促堌� 丿乇 丨丕賱蹖 讴賴 胤亘賯 賯賵丕毓丿 亘賵乇跇賵丕夭蹖貙 亘丕蹖丿 亘賴 禺丕胤乇 孬乇賵鬲 賴賳诏賮鬲卮 倬乇爻鬲蹖丿賴 卮賵丿. 丕蹖賳噩丕 賳賵蹖爻賳丿賴 賲賵賮賯 賲蹖鈥屫促堌� 賳卮丕賳 丿賴丿 讴賴 丌賳趩賴 丿乇 馗丕賴乇 噩夭賵 賲毓蹖丕乇賴丕蹖 丿賳蹖丕賴丕蹖 噩丿蹖丿 賲丨爻賵亘 賲蹖鈥屫促堌� 丕乇鬲亘丕胤蹖 匕丕鬲蹖 亘丕 禺賵丿 亘賵乇跇賵丕夭蹖 賳丿丕乇丿. 賲爻兀賱賴 鬲噩丿丿 賵 爻賳鬲貙 丿賮丕毓 丕夭 卮賳丕禺鬲 丿乇 亘乇丕亘乇 诏賳诏蹖 賵 丕亘賴丕賲 賳蹖爻鬲貙 亘賱讴賴 鬲爻賱胤 亘乇 卮蹖亍 賵 丿乇 賴賲 卮讴爻鬲賳 賲賯丕賵賲鬲 丌賳 丿乇 亘乇丕亘乇 匕賴賳 賲丨丕爻亘賴鈥屭� 丕爻鬲. 丕诏乇 亘賵乇跇賵丕 鬲賵丕賳爻鬲 趩蹖夭蹖 乇丕 賲丨丕爻亘賴 讴賳丿 (鬲丕 賲胤賲卅賳 卮賵丿 丕夭 讴賳鬲乇賱卮 禺丕乇噩 賳禺賵丕賴丿 卮丿)貙 丌賳 乇丕 亘賴 乇爻賲蹖鬲 賲蹖鈥屫促嗀ж池� 丕賲丕 丕诏乇 賳卮丿貙 亘丕 夭丿賳賽 亘乇趩爻亘賽 賲丨丕爻亘賴鈥屬嗀з矩佰屫臂� 亘乇 丌賳貙 丕氐賱 亘賵丿賳卮 乇丕 丕賳讴丕乇 賲蹖鈥屭┵嗀�. 丕夭 賳馗乇 亘賵乇跇賵丕 鬲賳賴丕 趩蹖夭賴丕蹖蹖 賵噩賵丿 丿丕乇賳丿 讴賴 丿乇 丕禺鬲蹖丕乇 丕賵 亘丕卮賳丿貙 蹖丕 亘毓丿丕賸 鬲丨鬲 讴賳鬲乇賱 丕賵 丿乇丌蹖賳丿. 賴乇趩賴 讴賴 丕夭 丕蹖賳 趩賴丕乇趩賵亘 亘蹖乇賵賳 亘蹖賮鬲丿貙 亘賴 丕爻賲 禺乇丕賮賴 賵 賴夭丕乇鬲丕 亘乇趩爻亘 丿蹖诏乇 丕夭 丿丕蹖乇賴 芦丕賲乇 賵丕賯毓禄 亘蹖乇賵賳 乇丕賳丿賴 賲蹖鈥屫促堌� 賵 亘賴 賲賵賴賵賲丕鬲 賲賱丨賯 賲蹖鈥屭必�. 亘毓丿 丕夭 丕蹖賳 亘乇趩爻亘 賴賲 讴賴 丿蹖诏乇 賲賴賲 賳蹖爻鬲 丌賳 卮蹖亍 讴噩丕 賯乇丕乇 賲蹖鈥屭屫必� 趩賵賳 丿蹖诏乇 丕賲讴丕賳賽 賮乇丕鬲乇 乇賮鬲賳 賵噩賵丿 賳丿丕乇丿. 亘賵丿 賵 賳亘賵丿賽 趩賳蹖賳 卮蹖亍蹖 鬲賵賮蹖乇 賳賲蹖鈥屭┵嗀� 趩賵賳 亘賴 毓賳賵丕賳 賵丕賯毓蹖鬲 亘賴 乇爻賲蹖鬲 卮賳丕禺鬲賴 賳賲蹖鈥屫促堌�. 賲毓賳賵蹖鬲 丕夭 亘蹖禺 賵 亘賳 讴賳丿賴 卮丿賴 丕爻鬲 丿蹖诏乇 趩賴 丕賴賲蹖鬲蹖 丿丕乇丿 讴賴 賴賳賵夭 丕賮乇丕丿蹖 亘賴 丌賳 亘丕賵乇 丿丕卮鬲賴 亘丕卮賳丿 蹖丕 賳賴. 丿乇 丿賳蹖丕蹖 毓賱賲鈥屫藏� 亘賵乇跇賵丕夭蹖貙 賲毓賳賵蹖鬲 賴賲 亘丕蹖丿 賯丕亘賱 賲丨丕爻亘賴 亘丕卮丿 賵诏乇賳賴 讴賳丕乇 诏匕丕卮鬲賴 賲蹖鈥屫促堌� 蹖丕 亘賴 毓亘丕乇鬲 丿賯蹖賯鈥屫� 丕賳讴丕乇 賲蹖鈥屫促堌�. 丿乇 趩賳蹖賳 丿賳蹖丕蹖 賲丨丕爻亘賴鈥屬呚堌臂屫� 爻禺賳 诏賮鬲賳 丕夭 賲毓賳賵蹖鬲 禺賳丿賴鈥屫ж� 丕爻鬲. 亘乇丕蹖 賴賲蹖賳 賴蹖趩 蹖讴 丕夭 丿賵爻鬲丕賳 賯丿蹖賲蹖 乇丕賮丕卅賱 丕賵 乇丕 賳賲蹖鈥屬矩佰屫辟嗀� 賵 丿乇 夭賳丿诏蹖 賴賲乇丕賴卮 賳賲蹖鈥屫促堎嗀�. 丨鬲蹖 亘丕 丌賳 讴賴 賲蹖 丿丕賳賳丿 孬乇賵鬲 讴賱丕賳蹖 丿丕乇丿貙 亘丕 丌賳讴賴 賲蹖鈥屫з嗁嗀� 丕賴賱 毓賱賲 亘賵丿賴 賵 爻賴 爻丕賱 丕夭 毓賲乇卮 乇丕 氐乇賮 賳诏丕乇卮 乇爻丕賱賴鈥屫й� 毓賱賲蹖 丿乇 亘丕亘 丕乇丕丿賴 讴乇丿賴 丕爻鬲 (丕夭 賴賲丕賳 賲賳馗乇蹖 讴賴 亘賵乇跇賵丕 賲蹖鈥屫堌з囏� 賴賲賴 趩蹖夭 丨鬲蹖 丕乇丕丿賴 乇丕 賴賲 賯丕亘賱 賲丨丕爻亘賴 亘讴賳丿)貙 亘丕夭 賴賲 胤乇丿卮 賲蹖鈥屭┵嗁嗀� 丌禺乇 丕賵 丕讴賳賵賳貙 倬爻 丕夭 禺胤乇 讴乇丿賳 亘乇丕蹖 倬匕蹖乇卮 趩乇賲 爻丕睾乇蹖貙 賳賮蹖 丌賳鈥屬囏ж池�. 丿乇 倬丕乇蹖爻 鬲賳賴丕 蹖讴 賳賮乇 亘丕 乇丕賮丕卅賱 賲蹖鈥屬呚з嗀� 蹖毓賳蹖 倬賵賱蹖賳. 賴賲丕賳 倬賵賱蹖賳 夭蹖亘丕蹖蹖 讴賴 禺賵丿賽 乇丕賮丕卅賱 賴蹖趩鈥屭з� 賳賲蹖鈥屫屫�. 鬲丕 賵賯鬲蹖 讴賴 賮賯蹖乇 亘賵丿貙 丕氐賱丕 亘賴 丨爻丕亘卮 賳賲蹖鈥屫①堌必�. 亘毓丿 丕夭 孬乇賵鬲 賴賲 趩賳丕賳 賲卮睾賵賱 禺賵丿 卮丿 讴賴 丿爻鬲 賵 倬丕 夭丿賳 賴丕蹖 倬賵賱蹖賳 丕孬乇蹖 丿乇 丕賵 賳亘禺卮蹖丿. 倬賵賱蹖賳 毓丕卮賯 亘賵丿 賵 賴賲蹖賳 毓卮賯貙 丕賵 乇丕 亘賴 丿賳亘丕賱 乇丕賮丕卅賱 鬲丕 禺賵丿賽 賵乇胤賴 賲乇诏 讴卮丕賳丿. 倬賵賱蹖賳 倬乇賵丕蹖 丕夭 賲乇丿賳 賳丿丕卮鬲 賵 丨鬲蹖 丌乇夭賵 賲蹖鈥屭┴必� 賴賲乇丕賴 賲毓卮賵賯 亘賲蹖乇丿. 亘丕 丕蹖賳 賴賲賴 乇丕賮丕卅賱 賲卮睾賵賱 賲乇诏 賵 夭賳丿诏蹖 禺賵蹖卮貙 賵 賮丕乇睾 丕夭 夭蹖亘丕蹖蹖 倬賵賱蹖賳 亘賵丿. 丕賲丕 丿乇 亘乇 丕蹖賳 倬丕卮賳賴 賳趩乇禺蹖丿 賵 毓卮賯 丌禺乇 讴丕乇 禺賵丿卮 乇丕 讴乇丿. 趩卮賲丕賳 乇丕賮丕卅賱 丿乇 賲賵丕噩賴賴鈥屫й� 卮亘賴鈥屫ж簇必з傐� 亘丕 倬賵賱蹖賳貙 亘丕夭 卮丿 賵 丨賯蹖賯鬲 乇丕 丿乇 倬乇鬲賵 毓卮賯 丿乇蹖丕賮鬲. 賳賴 丕蹖賳 讴賴 賲乇诏卮 毓賯亘 亘蹖賮鬲丿貙 亘賱讴賴 禺賵丿卮 亘賴 丕爻鬲賯亘丕賱賽 卮讴賱 毓丕卮賯丕賳賴鈥屫й� 丕夭 丌賳 乇賮鬲. 倬丕蹖丕賳 芦趩乇賲 爻丕睾乇蹖禄 賳卮丕賳賴 丕賲蹖丿 亘丕賱夭丕讴 亘賴 賲丕賳丕蹖蹖 賲毓賳賵蹖鬲 丿乇 丿賳蹖丕蹖 噩丿蹖丿 丕爻鬲貙 丨鬲蹖 丕诏乇 賴賲賴 亘賵乇跇賵丕賴丕 丕賳讴丕乇卮 讴賳賳丿.
亘禺卮鈥屬囏й屰� 丕夭 賲鬲賳 乇賲丕賳:
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丌蹖丕 讴賵賵蹖賴 亘夭乇诏鬲乇蹖賳 卮丕毓乇 賯乇賳 賲丕 賳蹖爻鬲責 诏乇趩賴 賱乇丿 亘丕蹖乇賵賳 亘乇禺蹖 丌卮賵亘鈥屬囏й� 乇賵丨蹖 乇丕 丿乇 賯丕賱亘 讴賱賲丕鬲 鬲氐賵蹖乇 賳賲賵丿貙 丕賲丕 胤亘蹖毓蹖鈥屫з� 賮賳丕賳丕倬匕蹖乇 賲丕 亘賴 讴賲讴 丕爻鬲禺賵丕賳鈥屬囏й� 禺卮讴蹖丿賴 噩賴丕賳蹖 乇丕 丕夭 賳賵 爻丕禺鬲賴貙 賲丕賳賳丿 芦讴丕丿賲賵爻禄 亘丕 趩賳丿 丿賳丿丕賳 卮賴乇賴丕蹖蹖 乇丕 丿賵亘丕乇賴 亘賳丕 讴乇丿賴貙 亘丕 鬲毓賲賯 丿乇 趩賳丿 鬲讴賴 匕睾丕賱 爻賳诏 賴夭丕乇丕賳 噩賳诏賱 乇丕 亘賴 噩丕賳賵乇丕賳 丕爻乇丕乇丌賲蹖夭 丕賳亘丕卮鬲賴 賵 丿乇 倬丕蹖 蹖讴 芦賲丕賲賵鬲禄 賳卮丕賳 丕賯賵丕賲 睾賵賱 倬蹖讴蹖乇蹖 乇丕 亘丕夭 蹖丕賮鬲賴 丕爻鬲. 丕蹖賳 趩賴乇賴鈥屬囏� 爻乇 亘乇 賲蹖鈥屫ж辟嗀� 亘夭乇诏 賲蹖鈥屫促堎嗀� 賵 賲賳丕胤賯蹖 乇丕 賮乇丕禺賵乇 倬蹖讴乇 毓馗蹖賲 禺賵蹖卮 賲爻讴賵賳 賲蹖鈥屫池ж操嗀�. 讴賵賵蹖賴 亘賴 讴賲讴 丕乇賯丕賲 卮毓乇 賲蹖鈥屭堐屫� 賵 毓馗賲鬲卮 丿乇 丌賳 丕爻鬲 讴賴 氐賮乇蹖 乇丕 讴賳丕乇 賴賮鬲 賲蹖鈥屭柏ж必�. 亘蹖鈥屫堌迟� 亘賴 讴賱賲丕鬲 爻丕禺鬲诏蹖 噩丕丿賵讴乇丕賳貙 毓丿賲 乇丕 亘蹖丿丕乇 賲蹖鈥屭┵嗀�.
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鬲賵 讴丕乇 賲蹖鈥屭┵嗃屫� 亘爻蹖丕乇 禺賵亘貙 賴乇诏夭 亘賴 噩丕蹖蹖 賳禺賵丕賴蹖 乇爻蹖丿. 丕賲丕 賲賳貙 賴賲賴鈥屭┴ж辟� 賵 賴蹖趩鈥屭┴ж辟団€屫з� 賵 賲孬賱 禺乇趩賳诏 丿乇蹖丕蹖蹖 鬲賳亘賱賲. 亘爻蹖丕乇 禺賵亘貙 亘賴 賴賲賴鈥屭嗃屫� 禺賵丕賴賲 乇爻蹖丿. 賲賳 亘賴 賴賲賴鈥屫� 爻乇 賲蹖鈥屫操嗁呚� 亘賴 夭賵乇 倬蹖卮 賲蹖鈥屫辟堎呚� 丿蹖诏乇丕賳 賴賲 亘乇丕蹖 賲賳 噩丕 亘丕夭 賲蹖鈥屭┵嗁嗀�. 丕夭 禺賵丿 賱丕賮 賲蹖鈥屫操嗁呚� 賲乇丿賲 賴賲 亘丕賵乇 賲蹖鈥屭┵嗁嗀�. 賯乇囟 亘丕賱丕 賲蹖鈥屫①堌辟呚� 丿蹖诏乇丕賳 賲蹖鈥屬矩必ж操嗀� 毓夭蹖夭賲. 禺賵卮鈥屭柏必з嗃� 蹖讴 乇賵卮 爻蹖丕爻蹖 丕爻鬲. 讴爻蹖 讴賴 賲丕賱 賵 丿丕乇丕蹖蹖 禺賵丿 乇丕 亘蹖鈥屫臂屫� 賲蹖鈥屫堌必� 睾丕賱亘丕賸 夭賳丿诏蹖鈥屫ж� 賳賵毓蹖 爻賮鬲賴鈥屫ㄘж槽� 丕爻鬲貨 丕賵 爻乇賲丕蹖賴 禺賵丿 乇丕 亘賴 氐賵乇鬲 丿賵爻鬲 賵 乇賮蹖賯 賵 丨丕賲蹖 賵 丌卮賳丕貙 亘賴 氐賵乇鬲 毓蹖卮 賵 賳賵卮 亘賴 讴丕乇 賲蹖鈥屫з嗀ж藏�.
賵賯鬲蹖 讴賴 賲丕 亘乇丕蹖 鬲賵氐蹖賮 丕爻乇丕乇 夭蹖亘丕蹖蹖 讴賴 亘賴 趩卮賲 丿蹖丿賴 賲蹖鈥屫促堌� 亘賴 丕賳丿丕夭賴 讴丕賮蹖 賱睾鬲 賳賲蹖鈥屰屫жㄛ屬呚� 丌禺乇 趩诏賵賳賴 賲蹖鈥屫堌з嗃屬� 丌卮賵亘鈥屬囏й� 卮丿蹖丿 賵 丕爻乇丕乇丌賲蹖夭 乇賵丨 乇丕 亘丕 鬲賵爻賱 亘賴 讴賱賲丕鬲 亘丕夭 賳賲丕蹖蹖賲責
賯丿乇鬲蹖 讴賴 亘鬲賵丕賳 亘丿賵賳 鬲乇爻 丕夭 讴蹖賮乇 亘丕 丌賳 亘賴 賲賯丕亘賱賴 亘乇禺丕爻鬲 丿蹖诏乇 賳夭丿蹖讴 亘賴 夭賵丕賱 丕爻鬲. 丕蹖賳 賳讴鬲賴 丿乇 賯賱亘 夭賳丕賳 毓賲蹖賯鈥屫� 賳賯卮 亘爻鬲賴 丕爻鬲 鬲丕 丿乇 賲睾夭 倬丕丿卮丕賴丕賳.
賵賯鬲蹖 讴賴 夭賳蹖 乇丕 賲蹖鈥屫ㄛ屬嗃屫� 讴賴 亘丕 丕胤賲蹖賳丕賳 禺丕胤乇 賳蹖賲鈥屫ㄘ辟囐嗁� 卮丿賴 丕爻鬲 賵 毓卮賯 禺賵丿 乇丕 賲丕賳賳丿 乇丿丕蹖蹖 亘賴 禺賵丿 倬蹖趩蹖丿賴 賵 丿乇 毓蹖賳 亘蹖鈥屫⒇藏辟呟� 毓賮蹖賮 丕爻鬲貨 賵賯鬲蹖 讴賴 亘賴 賱亘丕爻鈥屬囏й� 倬乇丕讴賳丿賴鈥屫ж簇� 亘賴 丌賳 噩賵乇丕亘 丕亘乇蹖卮賲蹖 讴賴 卮亘 倬蹖卮 亘賴 爻乇毓鬲 亘蹖乇賵賳 賲蹖鈥屫①堌必� 鬲丕 禺賵卮丕蹖賳丿 卮賲丕 亘丕卮丿貙 亘賴 丌賳 讴賲乇亘賳丿蹖 讴賴 亘丕夭 賲蹖鈥屭┴必� 鬲丕 毓賱丕賯賴 亘蹖鈥屬矩й屫з� 禺賵丿 乇丕 亘賴 卮賲丕 賳卮丕賳 丿賴丿貙 趩卮賲 賲蹖鈥屫堌槽屫� 丌蹖丕 卮丕丿蹖 亘蹖鈥屬呚з嗁嗀� 丕丨爻丕爻 賳賲蹖鈥屭┵嗃屫� 丕蹖賳 讴賲乇亘賳丿 禺賵丿 賲賳馗賵賲賴 讴丕賲賱蹖 丕爻鬲. 夭賳蹖 讴賴 丿乇 倬賳丕賴 丌賳 亘賵丿 丿蹖诏乇 賳蹖爻鬲貙 亘賴 卮賲丕 鬲毓賱賯 丿丕乇丿貙 禺賵丿 卮賲丕 卮丿賴 丕爻鬲. 丕夭 丕蹖賳 倬爻 禺蹖丕賳鬲 賳爻亘鬲 亘賴 丕賵 囟乇亘鬲蹖 丕爻鬲 讴賴 亘賴 禺賵丿 卮賲丕 賵丕乇丿 賲蹖鈥屫③屫�.
丕蹖 讴爻丕賳蹖 讴賴 賲蹖鈥屬呟屫臂屫�! 亘乇 亘爻鬲乇 禺丕賱蹖 禺賵丿 亘賲丕賳蹖丿. 丕蹖 倬蹖乇丕賳! 讴賳丕乇 丕噩丕賯鈥屬囏й� 爻乇丿 禺賵丿 賯乇丕乇 亘诏蹖乇蹖丿. 丕蹖 丿禺鬲乇丕賳 賲爻鬲鈥屬呝嗀� 亘蹖鈥屫囒屫�! 鬲賳賴丕 丿乇 丕賳亘丕乇賴丕蹖 夭蹖乇卮蹖乇賵丕賳蹖 蹖禺 讴賳蹖丿 賵 亘倬夭蹖丿. 丕诏乇 噩丕賲毓賴 丕毓蹖丕賳蹖 賵噩賵丿 賲氐蹖亘鬲鈥屫藏団€屫й� 乇丕 鬲丨賲賱 讴賳丿貙 丌蹖丕 亘乇丕蹖 丌賳 賳蹖爻鬲 讴賴 丌賳 乇丕 亘賴 讴丕乇 亘诏蹖乇丿貙 丕夭 丌賳 丕爻鬲賮丕丿賴 讴賳丿貙 亘乇 倬卮鬲卮 倬丕賱丕賳 亘诏匕丕乇丿貙 丿賴賳賴鈥屫ж� 亘夭賳丿貙 夭蹖賳鈥屬举堌� 乇賵蹖卮 亘讴卮丿 賵 爻賵丕乇卮 亘卮賵丿 賵 丕夭 丌賳 亘乇丕蹖 禺賵丿 鬲賮乇蹖丨 禺丕胤乇蹖 亘爻丕夭丿責
丿爻鬲 蹖丕賮鬲賳 亘乇 賯丿乇鬲貙 賴乇趩賳丿 賴賲 讴賴 丕蹖賳 賯丿乇鬲 毓馗蹖賲 亘丕卮丿貙 賴賳乇 亘賴 讴丕乇 亘乇丿賳 丌賳 乇丕 亘賴 丕賳爻丕賳 毓胤丕 賳賲蹖鈥屭┵嗀�. 毓氐丕蹖 卮丕賴蹖 丿乇 丿爻鬲 讴賵丿讴 蹖讴 亘丕夭蹖趩賴 丕爻鬲貙 丕賲丕 亘乇丕蹖 乇蹖卮蹖賱賵 鬲亘乇 賵 亘乇丕蹖 賳丕倬賱卅賵賳 丕賴乇賲蹖 丕爻鬲 讴賴 亘丕 丌賳 丿賳蹖丕 乇丕 鬲讴丕賳 賲蹖鈥屫囏�. 賯丿乇鬲 賲丕 乇丕 賴賲丕賳 讴賴 賴爻鬲蹖賲 亘賴 噩丕 賲蹖鈥屭柏ж必� 賵 鬲賳賴丕 賲乇丿丕賳 亘夭乇诏 乇丕 亘夭乇诏 賲蹖鈥屫池ж藏�.
January 9, 2020
I ovde je posredi faustovsko zame拧ateljstvo 鈥� napa膰eni Rafael de Valentin dolazi u posed 膷udesne magare膰e ko啪e koja ispunjava sve 啪elje. Me膽utim, umesto da vlasnik poseduje ovu ko啪u, ona poseduje vlasnika 鈥� pri svakoj ostvarenoj 啪elji, ko啪a se skra膰uje, a sa njom i Rafaelov 啪ivot. Tako se menja ekonomija 啪ivotnih odluka 拧to dovodi do neo膷ekivanih linija motivacije, ali i temeljne zapitanosti o svrsi 啪ivotnih ciljeva. I kako to i ina膷e biva kod dobro osmi拧ljenih koncepata 鈥� magi膷no sredstvo nije dovoljno.
Umesto da 拧agrinska ko啪a nadomesti ono nedostaju膰e, ona stvara probleme...
Rafael se mu膷i sa integrisanjem u dru拧tvo, sa ljubavlju (prava prete膷a Prustovog Svana), sa smislom 啪ivota, a savetuje ga ni manje ni vi拧e nego Rastinjak, koji je ovaj put pravi cinik i verzirani tumaralac kroz salonske krugove.
Mislim da Balzak nije ro膽eni pisac. Nije ni superiorni stilista, ni veliki inovator. Me膽utim, iskupio ga je nesvakida拧nji trud koji sam nalikuje na pakt sa 拧agrinskom ko啪om. Nevi膽ena predanost i upornost stvorili su jednog od najrelevantnijih pisaca realizma 鈥� jednog od onih koji su svakim novim 膷itanjem sve bolji i zaista je osiroma拧uju膰e zadr啪ati se na samo jednom njegovom romanu. I zaista je neverovatno na koliko je sve nivoa Balzak uticao na potonju francusku knji啪evnost, kao i kakvu enciklopediju znanja on pokazuje 鈥� salonski tra膷evi i onovremena 拧tampa bili su po svemu sude膰i superiorniji od interneta. Tako膽e, Balzak je beskrajno talentovan za fino kombinovanje 鈥� uspeo je da napi拧e filozofski obojen realisti膷ki roman sa fantasti膷nom premisom, koji mo啪e da bude naposletku tuma膷en i kao splet alegorija. A tu je i privla膷na, dokumentarna topografija Pariza, nau膷ni diskurs, gozbene slike, vrsni opisi, duhovitosti, sentimentalisti膷ka prenemaganja koja su na ivici da skliznu u fal拧 ali se ipak dr啪e u knji啪evnoj skalameriji... (A ko ho膰e, ima ovde i dvoboj i pastoralu i raspravu o medicini i lika-pisca (Rafael pi拧e delo O volji) i misteriozne suvonjave 膷i膷ice i kocku i za svakoga po ne拧to.)
P. S. Jedna od najva啪nijih 啪ivotinja u istoriji kulture su magari膰i. Marija je jahala na magaretu na putu za Vitlejem nose膰i malog Isusa. Magarad su prisutna ne samo kod Ezopa i u Kuranu i kod Apuleja. Tu je i 膷uveni neodlu膷ni Buridanov magarac, ali i jo拧 膷uveniji magarac San膷a Panse, kao i magare膰e preru拧avanje u 鈥濻nu letnje no膰i鈥�. Mi imamo magare u Sterijinom 鈥濺omanu bez romana鈥�, a ako ba拧 ho膰emo, magare mo啪emo na膰i i u vidu nam膰orastog Iara u Viniju Puu. Tako je i 拧agrinska ko啪a 鈥� magare膰a ko啪a.
Imaju膰i ovo u vidu mo啪emo uraditi dve stvari 鈥� napraviti listu magare膰ih knjiga i loviti tajne veze.
Od magareta do magareta. Magneti za magarad!
Umesto da 拧agrinska ko啪a nadomesti ono nedostaju膰e, ona stvara probleme...
Rafael se mu膷i sa integrisanjem u dru拧tvo, sa ljubavlju (prava prete膷a Prustovog Svana), sa smislom 啪ivota, a savetuje ga ni manje ni vi拧e nego Rastinjak, koji je ovaj put pravi cinik i verzirani tumaralac kroz salonske krugove.
Mislim da Balzak nije ro膽eni pisac. Nije ni superiorni stilista, ni veliki inovator. Me膽utim, iskupio ga je nesvakida拧nji trud koji sam nalikuje na pakt sa 拧agrinskom ko啪om. Nevi膽ena predanost i upornost stvorili su jednog od najrelevantnijih pisaca realizma 鈥� jednog od onih koji su svakim novim 膷itanjem sve bolji i zaista je osiroma拧uju膰e zadr啪ati se na samo jednom njegovom romanu. I zaista je neverovatno na koliko je sve nivoa Balzak uticao na potonju francusku knji啪evnost, kao i kakvu enciklopediju znanja on pokazuje 鈥� salonski tra膷evi i onovremena 拧tampa bili su po svemu sude膰i superiorniji od interneta. Tako膽e, Balzak je beskrajno talentovan za fino kombinovanje 鈥� uspeo je da napi拧e filozofski obojen realisti膷ki roman sa fantasti膷nom premisom, koji mo啪e da bude naposletku tuma膷en i kao splet alegorija. A tu je i privla膷na, dokumentarna topografija Pariza, nau膷ni diskurs, gozbene slike, vrsni opisi, duhovitosti, sentimentalisti膷ka prenemaganja koja su na ivici da skliznu u fal拧 ali se ipak dr啪e u knji啪evnoj skalameriji... (A ko ho膰e, ima ovde i dvoboj i pastoralu i raspravu o medicini i lika-pisca (Rafael pi拧e delo O volji) i misteriozne suvonjave 膷i膷ice i kocku i za svakoga po ne拧to.)
P. S. Jedna od najva啪nijih 啪ivotinja u istoriji kulture su magari膰i. Marija je jahala na magaretu na putu za Vitlejem nose膰i malog Isusa. Magarad su prisutna ne samo kod Ezopa i u Kuranu i kod Apuleja. Tu je i 膷uveni neodlu膷ni Buridanov magarac, ali i jo拧 膷uveniji magarac San膷a Panse, kao i magare膰e preru拧avanje u 鈥濻nu letnje no膰i鈥�. Mi imamo magare u Sterijinom 鈥濺omanu bez romana鈥�, a ako ba拧 ho膰emo, magare mo啪emo na膰i i u vidu nam膰orastog Iara u Viniju Puu. Tako je i 拧agrinska ko啪a 鈥� magare膰a ko啪a.
Imaju膰i ovo u vidu mo啪emo uraditi dve stvari 鈥� napraviti listu magare膰ih knjiga i loviti tajne veze.
Od magareta do magareta. Magneti za magarad!
February 19, 2025
An excellent novel given it was Balzac鈥檚 second.
A poor young writer, Raphael de Valentin is at the end of his tether. He has lost his estates, been ridiculed by the woman he loves and loses his last gold piece gambling. He decided to kill himself at nightfall and in the interim wanders into an antique shop to distract his morbid thoughts.
The centurion owner of the shop gives him a magical ass鈥檚 skin that will grant his wishes鈥攆or a price. After each wish granted, the skin slowly shrinks and the owner鈥檚 life is shortened. Disbelieving the shop owner he suddenly finds himself wealthy from an unexpected inheritance and finds love with Pauline the daughter of the hotel he was staying in his poverty straitened circumstances.
He then is forced to choose between self-sacrifice and self-gratification, Valentin decides on worldly pleasures. Ironically, he had previously been writing a book about the powers of the human will, Valentin soon loses all control over his own life and slips into debauchery. He tries to use science then medicine to avoid the curse. However, he eventually uses up the skin, bringing on his own death.
The morale of the story is perhaps be careful what you wish for and beware of greed and the power of wealth. This philosophical tale explores the choice between ruthless self-gratification and asceticism, between vice and virtue, between dissipation and restraint. He does this through descriptive passages about a gambling den, old antique curiosity shop, an orgy, duel and the use of science and medicine.
A poor young writer, Raphael de Valentin is at the end of his tether. He has lost his estates, been ridiculed by the woman he loves and loses his last gold piece gambling. He decided to kill himself at nightfall and in the interim wanders into an antique shop to distract his morbid thoughts.
The centurion owner of the shop gives him a magical ass鈥檚 skin that will grant his wishes鈥攆or a price. After each wish granted, the skin slowly shrinks and the owner鈥檚 life is shortened. Disbelieving the shop owner he suddenly finds himself wealthy from an unexpected inheritance and finds love with Pauline the daughter of the hotel he was staying in his poverty straitened circumstances.
He then is forced to choose between self-sacrifice and self-gratification, Valentin decides on worldly pleasures. Ironically, he had previously been writing a book about the powers of the human will, Valentin soon loses all control over his own life and slips into debauchery. He tries to use science then medicine to avoid the curse. However, he eventually uses up the skin, bringing on his own death.
The morale of the story is perhaps be careful what you wish for and beware of greed and the power of wealth. This philosophical tale explores the choice between ruthless self-gratification and asceticism, between vice and virtue, between dissipation and restraint. He does this through descriptive passages about a gambling den, old antique curiosity shop, an orgy, duel and the use of science and medicine.
March 26, 2013
I read this book at university in French and it was one of my favourite books. I've since read it in English and it seems to lack something - "je ne sais quoi" but still it is a wonderful book.
Balzac is one of my favourite authors. He has such a style about him and he has turned this simple story into a richly flavoured one. Imagine, a young man in Paris, Rapha毛l de Valentin in 1830, down on his luck, even temporarily contemplating suicide. His surprise indeed overwhelms him when he serendipitously enters an antique shop and finds a shagreen which he purchases. It should be mentioned that it was the antique dealer who asked him to look at the hide. Now why would he do that?
This rough hide is magical and can give the young man whatever he desires. There is one distinct problem here though for every time he "makes a wish", the hide shrinks. There is another sad aspect to this but you have to read the book.
It's excellent and the ending is well...
Balzac is one of my favourite authors. He has such a style about him and he has turned this simple story into a richly flavoured one. Imagine, a young man in Paris, Rapha毛l de Valentin in 1830, down on his luck, even temporarily contemplating suicide. His surprise indeed overwhelms him when he serendipitously enters an antique shop and finds a shagreen which he purchases. It should be mentioned that it was the antique dealer who asked him to look at the hide. Now why would he do that?
This rough hide is magical and can give the young man whatever he desires. There is one distinct problem here though for every time he "makes a wish", the hide shrinks. There is another sad aspect to this but you have to read the book.
It's excellent and the ending is well...
August 9, 2016
Introduction
Note on the Text
Translator's Note
Select Bibliography
A Chronology of Honor茅 de Balzac
Map: Paris in 1830
--The Wild Ass's Skin
Appendix: Balzac's Preface to the First Edition, August 1831
Explanatory Notes
Note on the Text
Translator's Note
Select Bibliography
A Chronology of Honor茅 de Balzac
Map: Paris in 1830
--The Wild Ass's Skin
Appendix: Balzac's Preface to the First Edition, August 1831
Explanatory Notes
May 15, 2024
'Like all sick people, he thought only about his illness.'
Maybe it's just my reading experience, but I think that the sad thing about Faustian pact novels is that their protagonists never really wish for anything interesting. And I think this aspect is particularly frustrating in this novel.
Actually, I think Rapha毛l de Valentin is the most antipathetic hero I've read about in years. I've been trying to think up excuses for him: he's young! he's in love! But, wait, he's 26, all he wants to do is party hard, and his sort of love is... peculiar. He's entitled, he has not a single selfless desire, he's often cruel and/or abusive with those who love him. And I think he's really stupid...
The novel, however, is not! I actually very much enjoyed the atmospheric beginning: the gambling house, Paris in the evening, and then, a mysterious curiosity shop鈥攖his sounded quite enticing.
What follows is very 18th century, with references to Rabelais and Sterne, with grotesque and satire. If anybody opens their mouth they go on speaking for pages (and pages).
'Man, always in conflict with himself, betraying future hopes with present woes, and present woes with a future that will not belong to him, leaves his mark of inconsistency and weakness on all his actions. Nothing is as complete as misfortune in this life.'
The whole of it is a pessimistic overview of French society around the Second Bourbon Restoration. Nobody is likeable, except maybe one person who's not very multidimensional, and one tertiary character.
'Study lends a kind of magic to everything around us.'
But there are very precise observations.
An interesting read, but honestly, not the most enjoyable one; I expected more from it.
---
Note on the Oxford World's Classics edition:
I can read a bit in French and I've read various paragraphs of the original and, comparing them to this translation, I think it's pretty accurate. So I do recommend this translation.
And I would recommend the explanatory notes here, because some of them are really useful and enlightening, but they do contain spoilers, and I thought some of them were quite unnecessary. The Introduction is spoiler-ish, too, but then they often are (so I decided to read it later and then almost forgot about it).
But all in all, this is probably one of the best editions available.
Maybe it's just my reading experience, but I think that the sad thing about Faustian pact novels is that their protagonists never really wish for anything interesting. And I think this aspect is particularly frustrating in this novel.
Actually, I think Rapha毛l de Valentin is the most antipathetic hero I've read about in years. I've been trying to think up excuses for him: he's young! he's in love! But, wait, he's 26, all he wants to do is party hard, and his sort of love is... peculiar. He's entitled, he has not a single selfless desire, he's often cruel and/or abusive with those who love him. And I think he's really stupid...
The novel, however, is not! I actually very much enjoyed the atmospheric beginning: the gambling house, Paris in the evening, and then, a mysterious curiosity shop鈥攖his sounded quite enticing.
What follows is very 18th century, with references to Rabelais and Sterne, with grotesque and satire. If anybody opens their mouth they go on speaking for pages (and pages).
'Man, always in conflict with himself, betraying future hopes with present woes, and present woes with a future that will not belong to him, leaves his mark of inconsistency and weakness on all his actions. Nothing is as complete as misfortune in this life.'
The whole of it is a pessimistic overview of French society around the Second Bourbon Restoration. Nobody is likeable, except maybe one person who's not very multidimensional, and one tertiary character.
'Study lends a kind of magic to everything around us.'
But there are very precise observations.
An interesting read, but honestly, not the most enjoyable one; I expected more from it.
---
Note on the Oxford World's Classics edition:
I can read a bit in French and I've read various paragraphs of the original and, comparing them to this translation, I think it's pretty accurate. So I do recommend this translation.
And I would recommend the explanatory notes here, because some of them are really useful and enlightening, but they do contain spoilers, and I thought some of them were quite unnecessary. The Introduction is spoiler-ish, too, but then they often are (so I decided to read it later and then almost forgot about it).
But all in all, this is probably one of the best editions available.
August 15, 2022
There is an old saying, 鈥渂e careful what you wish for, it may come true.鈥�
Rapha毛l de Valent铆n was a young man who had a thirst for money. Ambition? No, all he wanted was the elusive countess Foedora.* Money does buy happiness, at least in his eyes. She rejected him.
Every great place has its vices. Spain has bull fights, Rome had the gladiators, and Paris had the casino, le Palais-Royal. Tr猫s gauche! Dejected and penniless after losing in the casino, his thoughts turn to suicide. They have a bridge for that too! Le pont de Arts.
But what luck as he comes across an antique dealer, and in this case, a seller of 鈥渉ope.鈥� The skin of shagreene, the skin of grief, whatever you want to call this ancient artifact. This is what the young man needed, hope.
La Peau de Chagrin is power and desire wrapped up in one. Ask and you shall have. But every powerful thing has a drawback. Each time you draw from it, your days get shorter. The skin shrinks so you know time is running out. A built in warning system.
Ignoring the warning of the shopkeeper, Rapha毛l takes it and the good days roll on. Feasts, women, friends, money and even he becomes a marquis. How good is that?
Foedora is out of the picture. However, he discovers love was closer that he thought, namely the daughter of his old landlady, Pauline. Of course, the minute he falls in love, the clock shows it鈥檚 ugly head. The skin shrinks to the size of a leaf.
Rapha毛l is no quitter. With his money he meets with scientists to discover what is this magical skin, but to no end. Then he spends his money on doctors to save him. As I said before, be careful what you wish for.
This is my first book of the legendary Honor茅 de Balzac. This book combined the fantasy/horror with romance, science and morality. How can one go wrong with this mix. George Sand gave it thumbs up. Not bad support.
I will give this a 4.5.
*according to Wikipedia, Balzac had an affair with one of the leading courtesans in Paris, Olympe P茅lissier. She in turn was having many other affairs. After she dumped Balzac, he used her as a model for the countess Foedora. Olympe, in turn had an affair and later married Gioachino Rossini (William Tell overture). Several times in the novel Rossini is mentioned, but not sure if this is flattery or slagging the maestro? Opera any one?
Rapha毛l de Valent铆n was a young man who had a thirst for money. Ambition? No, all he wanted was the elusive countess Foedora.* Money does buy happiness, at least in his eyes. She rejected him.
Every great place has its vices. Spain has bull fights, Rome had the gladiators, and Paris had the casino, le Palais-Royal. Tr猫s gauche! Dejected and penniless after losing in the casino, his thoughts turn to suicide. They have a bridge for that too! Le pont de Arts.
But what luck as he comes across an antique dealer, and in this case, a seller of 鈥渉ope.鈥� The skin of shagreene, the skin of grief, whatever you want to call this ancient artifact. This is what the young man needed, hope.
La Peau de Chagrin is power and desire wrapped up in one. Ask and you shall have. But every powerful thing has a drawback. Each time you draw from it, your days get shorter. The skin shrinks so you know time is running out. A built in warning system.
Ignoring the warning of the shopkeeper, Rapha毛l takes it and the good days roll on. Feasts, women, friends, money and even he becomes a marquis. How good is that?
Foedora is out of the picture. However, he discovers love was closer that he thought, namely the daughter of his old landlady, Pauline. Of course, the minute he falls in love, the clock shows it鈥檚 ugly head. The skin shrinks to the size of a leaf.
Rapha毛l is no quitter. With his money he meets with scientists to discover what is this magical skin, but to no end. Then he spends his money on doctors to save him. As I said before, be careful what you wish for.
This is my first book of the legendary Honor茅 de Balzac. This book combined the fantasy/horror with romance, science and morality. How can one go wrong with this mix. George Sand gave it thumbs up. Not bad support.
I will give this a 4.5.
*according to Wikipedia, Balzac had an affair with one of the leading courtesans in Paris, Olympe P茅lissier. She in turn was having many other affairs. After she dumped Balzac, he used her as a model for the countess Foedora. Olympe, in turn had an affair and later married Gioachino Rossini (William Tell overture). Several times in the novel Rossini is mentioned, but not sure if this is flattery or slagging the maestro? Opera any one?
November 3, 2018
G眉c眉n眉 fantastik bir 枚臒eden almas谋na ra臒men ger莽ek莽ilik (realizm) ak谋m谋n谋n 枚nc眉llerinden biri olan 鈥淭谋ls谋ml谋 Deri / The Wild Ass's Skin / La Peau de chagrin鈥�, Frans谋z yazar Balzac鈥櫮眓 kaleminin ne kadar g眉莽l眉 oldu臒unu her sat谋r谋nda okuma 艧ans谋 buldu臒umuz etkileyici ve s眉r眉kleyici bir eser. Balzac鈥櫮眓 ele艧tiri oda臒谋nda burjuvazinin bulundu臒u kitapta son paras谋n谋 kumarda kaybetti臒i i莽in intihar etmeye karar veren yazar Raphael鈥檌n intihar etmeden hemen 枚ncesinde girdi臒i antikac谋 d眉kkan谋nda buldu臒u her dile臒i yerine getiren bir deriyi bulmas谋n谋n hemen ard谋ndan de臒i艧en hayat谋n谋 bizlere sunuyor. Derinin tek k枚t眉 yan谋 her dilekte biraz k眉莽眉lmesi ki derinin yok olmas谋 demek karakterin 枚lece臒i anlam谋na geliyor. Raphael鈥檌n burjuva hayat谋nda istedi臒i kadar paras谋 olmas谋na ra臒men bir t眉rl眉 arad谋臒谋 sevgi dolu huzurlu hayat谋 bulamamas谋yla Balzac, insanlar谋n s谋n谋f fark谋 olmaks谋z谋n ihtiya莽 duydu臒u sevgi temas谋na dikkat 莽ekmekte. Raphael鈥檌n kontes Feodora鈥檡a olan kar艧谋l谋k bulmayan a艧k谋 ve zaman谋nda evlerinde kald谋臒谋 s谋rada piyano dersi verdi臒i iyi kalpli ve yard谋msever Pauline鈥檈 gitgide b眉y眉yen sevgisiyle paran谋n insanlar谋 ne kadar de臒i艧tirdi臒ini bizlere g枚steriyor Balzac. Burjuvazinin zay谋f g枚rd眉臒眉 insanlar谋 ezmekten zevk ald谋臒谋n谋n alt谋n谋 莽izen yazar谋n kitab谋nda Shakspeare, Rebalais ve Cervantes gibi di臒er yazarlara yapt谋臒谋 referanslar ise yazar谋n ne kadar donan谋ml谋 oldu臒unu g枚steriyor. 脺nl眉 yazar谋n mutlaka okunmas谋 gereken eserlerinden.
23.12.2016
陌stanbul, T眉rkiye
Alp Turgut
23.12.2016
陌stanbul, T眉rkiye
Alp Turgut
December 7, 2022
this motherfucker was trying to use all the words in the dictionary like SHUT UP. also almost an entire chapter dedicated to the main character complaining about how he can't get bitches........ please shut the fuck up. just shut up
July 21, 2022
Qualcuno ha ammonito che leggere le biografie degli autori pu貌 influire sull鈥檃pprezzamento delle loro opere. Io ho letto il Balzac di Zweig e l鈥檋o ritrovato personaggio ne 鈥淟a pelle di zigrino鈥�. Il giovane Raphael de Valentine che gioca il suo ultimo scudo alla roulette e poi decide di uccidersi, 猫 lo scrittore, lo testimonia il fatto che rimandata la decisione ripari nel negozio di un antiquario per bearsi, pur non potendole acquistare, delle cianfrusaglie che vi sono esposte. Proprio dalla biografia di Zweig emergeva il pessimo rapporto con il denaro da parte dello scrittore e il suo debole per il lusso inutile e pacchiano. Nel negozio il commesso lascia il campo al padrone, descritto come un ometto piccolo e infido e costui offre a Raphael un rettangolo di pelle di zigrino che avrebbe la capacit脿 di esaudire tutti i desideri di chi la riceve, salvo consumarsi esaudendoli e portando alla morte colui che troppo desidera. Raphael ovviamente firma il patto come il Dorian di Wilde e prende con s茅 il talismano.
Non 猫 l鈥檈scamotage, pi霉 volte sfruttato nei secoli, a difettare, ma la prosa. Raphael pelle alla mano, vede immediatamente svoltare la propria vita ed essere introdotto nel mondo aristocratico che tanto agognava. Viene invitato ad un banchetto in cui si disquisisce senza posa di sociologia, teologia, filosofia affogandole in varie qualit脿 di vini d鈥橭ltralpe. La prosa 猫 velluto rosso striato d鈥檕ro sulla quale si 猫 depositata una polvere secolare. L鈥檌mponente corpo delle note fa luce sui riferimenti ormai smarriti nel tempo, talvolta per貌 aprirle significa ampliare un argomento per il quale non si nutre il minimo interesse. Una noia da romanzo di Balzac (parafrasando Tedoldi); per voltare le pagine servono due mani se si legge di carta e due tocchi qualora si legga in digitale.
E quando alla fine del banchetto Raphael ha la pretesa di raccontare all鈥檃mico 脠mile, pi霉 ubriaco di lui, la storia della propria vita partendo dalla scuola dell鈥檌nfanzia? Chiunque in quelle condizioni lo avrebbe neutralizzato addormentandosi da seduto, il povero Emile invece, marionettato da Balzac, 猫 costretto ad assecondare le digressioni infinite e la prosa crassa, barocca, vistosa di Raphael (Emile c鈥檈st moi). Se scrivo che il capitolo migliore del libro si intitola 鈥淟鈥檃gonia鈥�, forse rendo l鈥檌dea di quanto mi sia piaciuto il resto. Sar脿 proprio in quel capitolo che arriveranno le conclusioni filosofiche di Balzac sulla societ脿 francese ottocentesca e sull鈥檈ssere umano nei secoli.
La societ脿 si serve delle caricature per lanciare contro i sovrani decaduti gli affronti che essa pensa di averne ricevuto; simile ai giovani Romani del Circo, essa non concede mai la grazia al gladiatore che cade; vive di oro e di sarcasmo; Morte ai deboli! 猫 il giuramento di questa specie di ordine cavalleresco istituito in tutte le nazioni della terra, cos矛 come si leva dappertutto tra i ricchi, e una tale sentenza 猫 iscritta in fondo ai cuori plasmati dall鈥檕pulenza o nutriti dall鈥檃ristocrazia.
..Se un volatile che si trova in un cortile 猫 sofferente, gli altri lo perseguitano a colpi di becco, lo spennano e l鈥檃mmazzano. Fedele a questa legge dell鈥檈goismo, la gente non lesina i suoi rigori agli infelici coraggiosi abbastanza da affrontarne le feste e rattristarne i piaceri.
Non 猫 l鈥檈scamotage, pi霉 volte sfruttato nei secoli, a difettare, ma la prosa. Raphael pelle alla mano, vede immediatamente svoltare la propria vita ed essere introdotto nel mondo aristocratico che tanto agognava. Viene invitato ad un banchetto in cui si disquisisce senza posa di sociologia, teologia, filosofia affogandole in varie qualit脿 di vini d鈥橭ltralpe. La prosa 猫 velluto rosso striato d鈥檕ro sulla quale si 猫 depositata una polvere secolare. L鈥檌mponente corpo delle note fa luce sui riferimenti ormai smarriti nel tempo, talvolta per貌 aprirle significa ampliare un argomento per il quale non si nutre il minimo interesse. Una noia da romanzo di Balzac (parafrasando Tedoldi); per voltare le pagine servono due mani se si legge di carta e due tocchi qualora si legga in digitale.
E quando alla fine del banchetto Raphael ha la pretesa di raccontare all鈥檃mico 脠mile, pi霉 ubriaco di lui, la storia della propria vita partendo dalla scuola dell鈥檌nfanzia? Chiunque in quelle condizioni lo avrebbe neutralizzato addormentandosi da seduto, il povero Emile invece, marionettato da Balzac, 猫 costretto ad assecondare le digressioni infinite e la prosa crassa, barocca, vistosa di Raphael (Emile c鈥檈st moi). Se scrivo che il capitolo migliore del libro si intitola 鈥淟鈥檃gonia鈥�, forse rendo l鈥檌dea di quanto mi sia piaciuto il resto. Sar脿 proprio in quel capitolo che arriveranno le conclusioni filosofiche di Balzac sulla societ脿 francese ottocentesca e sull鈥檈ssere umano nei secoli.
La societ脿 si serve delle caricature per lanciare contro i sovrani decaduti gli affronti che essa pensa di averne ricevuto; simile ai giovani Romani del Circo, essa non concede mai la grazia al gladiatore che cade; vive di oro e di sarcasmo; Morte ai deboli! 猫 il giuramento di questa specie di ordine cavalleresco istituito in tutte le nazioni della terra, cos矛 come si leva dappertutto tra i ricchi, e una tale sentenza 猫 iscritta in fondo ai cuori plasmati dall鈥檕pulenza o nutriti dall鈥檃ristocrazia.
..Se un volatile che si trova in un cortile 猫 sofferente, gli altri lo perseguitano a colpi di becco, lo spennano e l鈥檃mmazzano. Fedele a questa legge dell鈥檈goismo, la gente non lesina i suoi rigori agli infelici coraggiosi abbastanza da affrontarne le feste e rattristarne i piaceri.
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