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啶膏啶班 啶曕ぞ 啶膏ぞ啶むさ啶距 啶樴啶∴ぜ啶�
It Is Bestseller Novel Written By Dharamvir Bharti
80 pages, Unknown Binding
First published January 1, 1952
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August 9, 2018
啶じ啷嵿い!! 啶曕啶ぞ 啶侧た啶栢ぞ 啶灌 啶оぐ啷嵿ぎ啶掂啶� 啶ぞ啶班い啷€ 啶溹 啶ㄠ! 啶掂ぞ啶�!!
鈥�
"啶椸啶ㄠぞ啶灌啶� 啶曕ぞ 啶︵啶掂い啶�" 啶曕 啶ぞ啶� 啶ぞ啶班い啷€ 啶溹 啶曕 啶す 啶︵啶膏ぐ啷€ 啶曕た啶むぞ啶� 啶灌 啶溹 啶啶傕え啷� 啶あ啶监啷� 啶ぞ啶｀た啶� 啶啶侧啶侧ぞ 啶溹啶膏 啶曕た啶班う啶距ぐ 啶曕 啶曕啶о 啶ぐ 啶啶︵啶� 啶班啶曕ぐ 啶曕啶膏ぞ 啶ㄠた啶多ぞ啶ㄠぞ 啶侧啶距く啶� 啶灌! 啶むい啷嵿啶距げ啷€啶� 啶曕す啶距え啷€啶曕ぞ啶班啶� 啶忇さ啶� 啶夃お啶ㄠ啶ぞ啶膏啶距ぐ啷嬥 啶曕 啶膏ぞ啶�-啶膏ぞ啶� 啶ぞ啶班啶曕啶膏さ啶距う啶苦く啷嬥 啶曕 啶 啶ㄠす啷€ 啶涏啶∴ぜ啶距イ 啶囙じ啶曕 啶膏ぞ啶� 啶灌 啶嗋お 啶囙じ啷� 啶あ啶监啶� 啶曕す啶距え啷€ 啶曕す啶ㄠ 啶斷ぐ 啶侧た啶栢え啷� 啶曕ぞ 啶え 啶 啶膏啶� 啶膏啶む 啶灌啶傕イ 啶曕た啶むぞ啶� 啶溹啶炧ぞ啶ㄠさ啶班啶о 啶灌啶ㄠ 啶曕 啶膏ぞ啶�-啶膏ぞ啶� 啶え啷嬥ぐ啶傕啶� 啶 啶灌啷�
.
啶忇 啶ぞ啶� 啶溹 啶あ啶监え啶� 啶多啶班 啶曕た啶ぞ 啶む 啶た啶� 啶栢い啷嵿ぎ 啶曕ぐ啶曕 啶灌 啶夃啶距イ 啶掂啶膏 啶 啶す 啶ぞ啶む啶� 啶涏た啶ぞ啶侧啶� 啶啶� (啶啶∴啶忇か 啶啶班啶啶�) 啶曕ぞ 啶侧啷� 啶夃お啶ㄠ啶ぞ啶� 啶灌啷� 啶ぃ啶苦 啶啶侧啶侧ぞ 啶ㄠ 啶膏ぞ啶� 啶曕す啶距え啶苦く啶距 啶膏啶ㄠぞ啶� 啶灌 啶溹 啶呧え啷嵿い啶班じ啶啶え啷嵿ぇ啶苦い 啶灌啷� 啶膏ぞ啶む啶� 啶曕す啶距え啶苦く啷嬥 啶曕 啶ム啶� "啶啶班啶�" 啶灌啷�
.
啶侧啶曕た啶� 啶溹た啶� 啶啶班啶� 啶曕 啶ぞ啶� 啶す啶距 啶曕 啶椸 啶灌 啶掂す 啶曕啶� 啶班す啶膏啶ぎ啶�, 啶嗋ぇ啷嵿く啶距い啷嵿ぎ啶苦 啶ぞ 啶掂啶啷嵿い啶苦 啶ぞ啶掂え啶� 啶� 啶灌啶曕ぐ 啶膏ぐ啷嵿さ啶ムぞ 啶忇 啶ぞ啶ㄠさ啷€啶� 啶膏ぞ啶ぞ啶溹た啶� 啶ぞ啶掂え啶� 啶灌 啶溹 啶膏ぞ啶ぞ啶溹た啶�-啶掂啶さ啶膏啶ムぞ 啶膏 啶呧え啷佮ざ啶距し啶苦い 啶灌啶む 啶灌 啶斷ぐ 啶夃じ啶曕 啶ㄠ啶傕さ 啶嗋ぐ啷嵿ぅ啶苦 啶膏啶椸啶� 啶斷ぐ 啶掂ぐ啷嵿-啶膏ぎ啷嵿が啶傕ぇ 啶ぐ 啶膏啶ムぞ啶た啶� 啶灌啷� 啶囙じ啷� "啶啶班啶�" 啶曕ぞ "啶啶班啶曕啶熰た啶曕げ 啶呧お啷嵿ぐ啷嬥" 啶曕す啶� 啶溹ぞ 啶膏啶むぞ 啶灌啷� 啶侧啶曕た啶� 啶呧が 2018 啶む 啶嗋い啷�-啶嗋い啷� 啶啶澿 啶侧啶むぞ 啶灌 啶曕た "啶啶班啶�" 啶多啶ㄠ啶い啶� 啶曕 啶撪ぐ 啶あ啶� 啶班す啶� 啶灌, 啶啶� 啶灌 啶む 啶曕啶掂げ "啶啶班啶曕啶熰た啶曕げ 啶呧お啷嵿ぐ啷嬥"啷�
鈥�
"啶椸啶ㄠぞ啶灌啶� 啶曕ぞ 啶︵啶掂い啶�" 啶曕 啶ぞ啶� 啶ぞ啶班い啷€ 啶溹 啶曕 啶す 啶︵啶膏ぐ啷€ 啶曕た啶むぞ啶� 啶灌 啶溹 啶啶傕え啷� 啶あ啶监啷� 啶ぞ啶｀た啶� 啶啶侧啶侧ぞ 啶溹啶膏 啶曕た啶班う啶距ぐ 啶曕 啶曕啶о 啶ぐ 啶啶︵啶� 啶班啶曕ぐ 啶曕啶膏ぞ 啶ㄠた啶多ぞ啶ㄠぞ 啶侧啶距く啶� 啶灌! 啶むい啷嵿啶距げ啷€啶� 啶曕す啶距え啷€啶曕ぞ啶班啶� 啶忇さ啶� 啶夃お啶ㄠ啶ぞ啶膏啶距ぐ啷嬥 啶曕 啶膏ぞ啶�-啶膏ぞ啶� 啶ぞ啶班啶曕啶膏さ啶距う啶苦く啷嬥 啶曕 啶 啶ㄠす啷€ 啶涏啶∴ぜ啶距イ 啶囙じ啶曕 啶膏ぞ啶� 啶灌 啶嗋お 啶囙じ啷� 啶あ啶监啶� 啶曕す啶距え啷€ 啶曕す啶ㄠ 啶斷ぐ 啶侧た啶栢え啷� 啶曕ぞ 啶え 啶 啶膏啶� 啶膏啶む 啶灌啶傕イ 啶曕た啶むぞ啶� 啶溹啶炧ぞ啶ㄠさ啶班啶о 啶灌啶ㄠ 啶曕 啶膏ぞ啶�-啶膏ぞ啶� 啶え啷嬥ぐ啶傕啶� 啶 啶灌啷�
.
啶忇 啶ぞ啶� 啶溹 啶あ啶监え啶� 啶多啶班 啶曕た啶ぞ 啶む 啶た啶� 啶栢い啷嵿ぎ 啶曕ぐ啶曕 啶灌 啶夃啶距イ 啶掂啶膏 啶 啶す 啶ぞ啶む啶� 啶涏た啶ぞ啶侧啶� 啶啶� (啶啶∴啶忇か 啶啶班啶啶�) 啶曕ぞ 啶侧啷� 啶夃お啶ㄠ啶ぞ啶� 啶灌啷� 啶ぃ啶苦 啶啶侧啶侧ぞ 啶ㄠ 啶膏ぞ啶� 啶曕す啶距え啶苦く啶距 啶膏啶ㄠぞ啶� 啶灌 啶溹 啶呧え啷嵿い啶班じ啶啶え啷嵿ぇ啶苦い 啶灌啷� 啶膏ぞ啶む啶� 啶曕す啶距え啶苦く啷嬥 啶曕 啶ム啶� "啶啶班啶�" 啶灌啷�
.
啶侧啶曕た啶� 啶溹た啶� 啶啶班啶� 啶曕 啶ぞ啶� 啶す啶距 啶曕 啶椸 啶灌 啶掂す 啶曕啶� 啶班す啶膏啶ぎ啶�, 啶嗋ぇ啷嵿く啶距い啷嵿ぎ啶苦 啶ぞ 啶掂啶啷嵿い啶苦 啶ぞ啶掂え啶� 啶� 啶灌啶曕ぐ 啶膏ぐ啷嵿さ啶ムぞ 啶忇 啶ぞ啶ㄠさ啷€啶� 啶膏ぞ啶ぞ啶溹た啶� 啶ぞ啶掂え啶� 啶灌 啶溹 啶膏ぞ啶ぞ啶溹た啶�-啶掂啶さ啶膏啶ムぞ 啶膏 啶呧え啷佮ざ啶距し啶苦い 啶灌啶む 啶灌 啶斷ぐ 啶夃じ啶曕 啶ㄠ啶傕さ 啶嗋ぐ啷嵿ぅ啶苦 啶膏啶椸啶� 啶斷ぐ 啶掂ぐ啷嵿-啶膏ぎ啷嵿が啶傕ぇ 啶ぐ 啶膏啶ムぞ啶た啶� 啶灌啷� 啶囙じ啷� "啶啶班啶�" 啶曕ぞ "啶啶班啶曕啶熰た啶曕げ 啶呧お啷嵿ぐ啷嬥" 啶曕す啶� 啶溹ぞ 啶膏啶むぞ 啶灌啷� 啶侧啶曕た啶� 啶呧が 2018 啶む 啶嗋い啷�-啶嗋い啷� 啶啶澿 啶侧啶むぞ 啶灌 啶曕た "啶啶班啶�" 啶多啶ㄠ啶い啶� 啶曕 啶撪ぐ 啶あ啶� 啶班す啶� 啶灌, 啶啶� 啶灌 啶む 啶曕啶掂げ "啶啶班啶曕啶熰た啶曕げ 啶呧お啷嵿ぐ啷嬥"啷�
June 16, 2024
鈥淪uraj Ka Satvan Ghoda鈥� literally means 鈥淭he seventh horse pulling the chariot of the sun.鈥� One of the books of which I first saw the movie and then read the book. Movie by Shyam Benegal is brilliant so is Manik Mull played by Rajat Kapoor. Usually in case of movie adaptations of literature one or the other is disappointing. But in this rare case both are brilliant.
The novel is in narration style where Manik Mulla (name is very suggestive Hindu and Muslim both) tells story of failed romances of three women, to his friends on seven lazy summer afternoons. There are three heroines Jamuna (a simple middle class homely girl), Leela or Lily (the intellectual, independent, strong, feminist) and Satti (a feisty lower class woman). All three were in love in Manik Mulla at different point of times. Jamuna couldn鈥檛 marry her lover Tanna, because he is a coward and subsequently married off to an old man who dies. Widow Jamuna finds solace and happiness in extramarital relationship with a tongewala. Leela is married to Tanna, the coward lover of Jamuna and is dissatisfied because he is not strong and intellectual enough to be her husband. The third Satti love Manik mulla but she is raped and murdered by Mahesar Dayal, evil father of Tanna. This novel looks at the disappointments faced by these women when it comes to love and how they cope up with their lives.
Dharamveer Bharti initially was in Prayogawadi (experimentalism) camp. This was a movement in Hindi literature called Prayogawad (led by Vatsayan agayeya) which concentrated on human misery, depression, aloofness, loneliness, helplessness and total cut off from society. Influenced by Kafka, Freud and all which concentrated mainly on psychological aspect of humans and ignored social completely. Its opposite was Pragatiwad (Progressivism) influenced by Marxist, Leninist philosophy and promoted socialism.
His earlier novel 鈥淕unaho ka Dewta鈥� (another classic) is experimental. But later on he realized the limitations of experimentalism. So in a course correction he wrote 鈥淪uraj Ka Satvan Ghoda鈥� which is progressive. Manik says:
鈥淚t is true that love is conditioned by economic factors; but that love is another name for economic dependence is, a travesty of the truth, for, though it can not be denied love touches the strings of beauty deep down in the recesses of soul and wakens them to music, it fills us with a sense of grace, light and moral upliftment.鈥�
Something about the style of writing. It is very unique, ingenious, surreal, and original. Nowhere you will see such a lyrical writing style in prose which alternates seamlessly between present and past; real and imaginary; dreams and life. In fact Manik says about style of narration:
鈥淥h technique! Emphasis on technique is merely a sign of immature, the experimenter, the man who has not yet mastered his medium鈥�.
This book brings out the trial and tribulations of Hindu middle class which is grappling with the problems of caste, creed, conventions, financial constraints, unmatched marriages, unfulfilled desires, weak position of women in Indian society etc.
Although the novel ends on a positive note. As per Hindu mythology the Sun god is travelling in the sky in a chariot pulled by seven horses. The seventh horse is the horse of dreams, aspirations and future. In the end it is shown that other six horses are injured and the seventh horse takes the sun into a hopeful future.
In fact Manik Mulla thus emphasizes this point in the end of novel:
"The Love which cannot contribute to social progress and individual development, is not love"......
The novel is in narration style where Manik Mulla (name is very suggestive Hindu and Muslim both) tells story of failed romances of three women, to his friends on seven lazy summer afternoons. There are three heroines Jamuna (a simple middle class homely girl), Leela or Lily (the intellectual, independent, strong, feminist) and Satti (a feisty lower class woman). All three were in love in Manik Mulla at different point of times. Jamuna couldn鈥檛 marry her lover Tanna, because he is a coward and subsequently married off to an old man who dies. Widow Jamuna finds solace and happiness in extramarital relationship with a tongewala. Leela is married to Tanna, the coward lover of Jamuna and is dissatisfied because he is not strong and intellectual enough to be her husband. The third Satti love Manik mulla but she is raped and murdered by Mahesar Dayal, evil father of Tanna. This novel looks at the disappointments faced by these women when it comes to love and how they cope up with their lives.
Dharamveer Bharti initially was in Prayogawadi (experimentalism) camp. This was a movement in Hindi literature called Prayogawad (led by Vatsayan agayeya) which concentrated on human misery, depression, aloofness, loneliness, helplessness and total cut off from society. Influenced by Kafka, Freud and all which concentrated mainly on psychological aspect of humans and ignored social completely. Its opposite was Pragatiwad (Progressivism) influenced by Marxist, Leninist philosophy and promoted socialism.
His earlier novel 鈥淕unaho ka Dewta鈥� (another classic) is experimental. But later on he realized the limitations of experimentalism. So in a course correction he wrote 鈥淪uraj Ka Satvan Ghoda鈥� which is progressive. Manik says:
鈥淚t is true that love is conditioned by economic factors; but that love is another name for economic dependence is, a travesty of the truth, for, though it can not be denied love touches the strings of beauty deep down in the recesses of soul and wakens them to music, it fills us with a sense of grace, light and moral upliftment.鈥�
Something about the style of writing. It is very unique, ingenious, surreal, and original. Nowhere you will see such a lyrical writing style in prose which alternates seamlessly between present and past; real and imaginary; dreams and life. In fact Manik says about style of narration:
鈥淥h technique! Emphasis on technique is merely a sign of immature, the experimenter, the man who has not yet mastered his medium鈥�.
This book brings out the trial and tribulations of Hindu middle class which is grappling with the problems of caste, creed, conventions, financial constraints, unmatched marriages, unfulfilled desires, weak position of women in Indian society etc.
Although the novel ends on a positive note. As per Hindu mythology the Sun god is travelling in the sky in a chariot pulled by seven horses. The seventh horse is the horse of dreams, aspirations and future. In the end it is shown that other six horses are injured and the seventh horse takes the sun into a hopeful future.
In fact Manik Mulla thus emphasizes this point in the end of novel:
"The Love which cannot contribute to social progress and individual development, is not love"......
May 8, 2020
Literally translated - The Seventh horse of the Sun.
Legend has it that this could be interpreted in many ways:
1. The seven horses of the Sun corresponds to VIBGYOR with each of the color of rainbow depicted as one horse. I guess this is not the context here, as the title focuses on the 7th one alone.
2. According to Hindu mythology, one of the horses pulling the Sun god's chariot is weak which always remains a bit behind the other horses of the same chariot.
3. Alternately in Hindu mythology itself, the seventh and smallest horse guides us towards the future.
Coming back to the book. The protagonist Manik Mulla narrates stories to his bachelor friends every afternoon. The tales are semi-biographical recounting his love interest with three different girls at different times.
All stories are from different economic backgrounds - rich, poor and middle class. There are symbolic references detailed in the book on Marxism, Communalism and how each love story contributes to progressing the society.
Initially it looked like a collection of short stories, but there is more than meets the eye.
Experimental narration and written much ahead of its time, it鈥檚 a must read for Hindi lit fans.
Legend has it that this could be interpreted in many ways:
1. The seven horses of the Sun corresponds to VIBGYOR with each of the color of rainbow depicted as one horse. I guess this is not the context here, as the title focuses on the 7th one alone.
2. According to Hindu mythology, one of the horses pulling the Sun god's chariot is weak which always remains a bit behind the other horses of the same chariot.
3. Alternately in Hindu mythology itself, the seventh and smallest horse guides us towards the future.
Coming back to the book. The protagonist Manik Mulla narrates stories to his bachelor friends every afternoon. The tales are semi-biographical recounting his love interest with three different girls at different times.
All stories are from different economic backgrounds - rich, poor and middle class. There are symbolic references detailed in the book on Marxism, Communalism and how each love story contributes to progressing the society.
Initially it looked like a collection of short stories, but there is more than meets the eye.
Experimental narration and written much ahead of its time, it鈥檚 a must read for Hindi lit fans.
March 27, 2018
啶あ啶� 啶む 啶侧た啶ぞ 啶灌 啶侧啶曕た啶� 啶呧き啷€ 啶囙じ啶曕 啶掂た啶粪く 啶啶� 啶曕啶� 啶 啶曕す 啶ぞ啶ㄠ 啶啶� 啶栢啶� 啶曕 啶呧じ啶班啶ぅ 啶ぞ 啶班す啶� 啶灌啶佮イ 啶ㄠた啶冟ざ啶啶� 啶灌啶佮イ 啶ぞ啶｀た啶� 啶啶侧啶侧ぞ 啶溹啶膏ぞ 啶︵啶膏ぐ啶� 啶曕た啶班う啶距ぐ 啶嗋啶む 啶啶傕え啷� 啶ㄠす啷€啶� 啶あ啶监ぞ啷� 啶囙じ 啶侧啷� 啶夃お啶ㄠ啶ぞ啶� 啶曕 啶︵啶ぞ啶班ぞ 啶あ啷傕啶椸ぞ 啶斷ぐ 啶た啶� 啶灌 啶曕啶� 啶曕す 啶ぞ啶娻啶椸ぞ啷�
啶呧き啷€ 啶曕 啶侧た啶� 啶囙い啶ㄠぞ 啶灌 啶曕す啷傕啶椸ぞ 啶曕た 啶呧啶� 啶嗋お啶ㄠ 啶囙じ啷� 啶ㄠす啷€啶� 啶あ啶监ぞ 啶灌 啶む 啶忇 啶ぞ啶� 啶呧さ啶多啶� 啶あ啶监た啶忇イ 啶 啶曕た啶むぞ啶� 啶嗋お啶曕 啶え 啶曕 啶涏 啶侧啶椸啷�
啶呧き啷€ 啶曕 啶侧た啶� 啶囙い啶ㄠぞ 啶灌 啶曕す啷傕啶椸ぞ 啶曕た 啶呧啶� 啶嗋お啶ㄠ 啶囙じ啷� 啶ㄠす啷€啶� 啶あ啶监ぞ 啶灌 啶む 啶忇 啶ぞ啶� 啶呧さ啶多啶� 啶あ啶监た啶忇イ 啶 啶曕た啶むぞ啶� 啶嗋お啶曕 啶え 啶曕 啶涏 啶侧啶椸啷�
July 24, 2013
啶曕ぞ啶 啶灌う 啶む '啶椸啶ㄠぞ啶灌啶� 啶曕ぞ 啶︵啶掂い啶�' 啶斷ぐ '啶膏啶班 啶曕ぞ 啶膏ぞ啶むさ啶距 啶樴啶∴ぜ啶�' 啶啶� 啶膏ぎ啶距え啶むぞ 啶灌啷� 啶椸啶ㄠぞ啶灌啶� 啶曕ぞ 啶︵啶掂い啶� 啶曕ぞ 啶氞啶︵ぐ 啶膏啶班 啶曕ぞ 啶膏ぞ啶むさ啶距 啶樴啶∴ぜ啶� 啶啶� 啶ぞ啶｀た啶� 啶灌, 啶膏啶оぞ 啶侧た啶侧 啶灌, 啶ぎ啷嵿ぎ啷€ 啶膏い啷嵿い啷€ 啶灌, 啶斷ぐ 啶た啶ㄠい啷€ 啶溹ぎ啷佮え啶� 啶灌啷� 啶曕ぅ啶距え啶� 啶夃い啶ㄠぞ 啶呧啷嵿啶� 啶ㄠす啷€啶� 啶え 啶ぞ啶ぞ 啶溹た啶むえ啶� 啶呧啷嵿啶� 啶椸啶ㄠぞ啶灌啶� 啶曕ぞ 啶︵啶掂い啶� 啶 啶ムぞ啷�
November 21, 2016
If you haven't read this gem in the world of literature than you haven't read anything .
'Suraj Ka Satvan Ghoda' by Dharmvir Bharti is a phenomenal novel which falls in genere of Meta-Fiction . The story follows meeting of some friends in seven consequent afternoons . Some friends get together on a friend's place and hears the stories told by Manik Mulla , who is considered as the most mature among them . He tells them the stories of women who came in his life at different points of time .
Simple enough ?
No , these are not simple love stories which we hear , read or watch . These stories are the astonishing outcome of Manik Mulla's (or can be said author's observation of the society) . Every story shows a different social background and the norms and problems even evils related to them . The stories are are told with some great metaphors (like in a dream sequence served legs are used as a metaphor for not taking stand against wrongs of society) .
What fascinated me most in the novel is the character of Manik Mulla . It is the most surreal yet addicting character I have ever read . For instance his name his name - 'Manik Mulla' , Manik : a Hindi name and 'Mulla' : stands for a learned person in Urdu . The name I think is a metaphor which represents collective Indian society irrespective of religion . More than 'Who is Manik Mulla?' , I found a more important question 'What is Manik Mulla?'
Is he a lover , an observer , a dreamer or a storyteller ? I think Manik Mulla is an outcome when author mixed observations , dreams , experiences and (a bit of) reality .Why he keeps a horseshoe , a poster 'Khao aur shareer banao' (eat and stay healthy) , and a knife ? Are these things sovereign of those incomplete love stories or Mulla just inspires from these objects and weaves stories around them based on his observations ? (he himself says that he , like Anton Chekhov , can create stories from any object given to him). The place where he stays is a metaphor of his inner realm , the realm from where he gets the stories .
The stories which are outcome of Manik's experience , observations , reality and fiction almost fades the lines of facts and fictions and on the other hand are wonderful social commentaries and makes the book a cult classic .
A MUST MUST READ .
5 STARS .
One Of The Greatest Reading Experience Ever .
'Suraj Ka Satvan Ghoda' by Dharmvir Bharti is a phenomenal novel which falls in genere of Meta-Fiction . The story follows meeting of some friends in seven consequent afternoons . Some friends get together on a friend's place and hears the stories told by Manik Mulla , who is considered as the most mature among them . He tells them the stories of women who came in his life at different points of time .
Simple enough ?
No , these are not simple love stories which we hear , read or watch . These stories are the astonishing outcome of Manik Mulla's (or can be said author's observation of the society) . Every story shows a different social background and the norms and problems even evils related to them . The stories are are told with some great metaphors (like in a dream sequence served legs are used as a metaphor for not taking stand against wrongs of society) .
What fascinated me most in the novel is the character of Manik Mulla . It is the most surreal yet addicting character I have ever read . For instance his name his name - 'Manik Mulla' , Manik : a Hindi name and 'Mulla' : stands for a learned person in Urdu . The name I think is a metaphor which represents collective Indian society irrespective of religion . More than 'Who is Manik Mulla?' , I found a more important question 'What is Manik Mulla?'
Is he a lover , an observer , a dreamer or a storyteller ? I think Manik Mulla is an outcome when author mixed observations , dreams , experiences and (a bit of) reality .Why he keeps a horseshoe , a poster 'Khao aur shareer banao' (eat and stay healthy) , and a knife ? Are these things sovereign of those incomplete love stories or Mulla just inspires from these objects and weaves stories around them based on his observations ? (he himself says that he , like Anton Chekhov , can create stories from any object given to him). The place where he stays is a metaphor of his inner realm , the realm from where he gets the stories .
The stories which are outcome of Manik's experience , observations , reality and fiction almost fades the lines of facts and fictions and on the other hand are wonderful social commentaries and makes the book a cult classic .
A MUST MUST READ .
5 STARS .
One Of The Greatest Reading Experience Ever .
July 11, 2021
I finally got around to reading this classic which I have been wanting to for decades...and am so glad that I did it! For someone who is used to reading mainstream English literature with its paint-by-numbers structure, this book was both a challenge and a discovery! Not because of the language. In fact, the use of simple, colloquial Hindi was a pleasant surprise.
The challenging part was the way the story was structured -- as mini-narratives -- and yet told from the Point of View of a third-person narrator (who represents the Protagonist). While love in one form or the other is at the heart of these stories, these are not your regular love stories. Each of the three stories deals with the lives of three women - Jamuna, Leela and Satti - whom the Protagonist (Mulla Manik) has been in love with at different points in his life. The three women are also connected with each other though they don't have any interactions between themselves.
The way the stories are narrated is particularly fascinating because it exposes several layers and themes - and ties together with the central theme that 'love which doesn't lead to individual and societal upliftment is meaningless'. However such love is aspirational and in my understanding, is the kind that eludes all the principal characters of the story. It is symbolically represented by the sole survivor of the seven horses (the reference to the Sun Chariot's Seventh Horse in the title) that continues to tread the path towards a glorious future in the hope that future generations will be able to shed their shackles of poverty, societal norms and underdevelopment, through experiencing such uplifting love!
The challenging part was the way the story was structured -- as mini-narratives -- and yet told from the Point of View of a third-person narrator (who represents the Protagonist). While love in one form or the other is at the heart of these stories, these are not your regular love stories. Each of the three stories deals with the lives of three women - Jamuna, Leela and Satti - whom the Protagonist (Mulla Manik) has been in love with at different points in his life. The three women are also connected with each other though they don't have any interactions between themselves.
The way the stories are narrated is particularly fascinating because it exposes several layers and themes - and ties together with the central theme that 'love which doesn't lead to individual and societal upliftment is meaningless'. However such love is aspirational and in my understanding, is the kind that eludes all the principal characters of the story. It is symbolically represented by the sole survivor of the seven horses (the reference to the Sun Chariot's Seventh Horse in the title) that continues to tread the path towards a glorious future in the hope that future generations will be able to shed their shackles of poverty, societal norms and underdevelopment, through experiencing such uplifting love!
March 18, 2020
"噩亘 賲蹖诤 賲丨亘鬲 倬乇 丕賯鬲氐丕丿蹖 丕孬乇 讴蹖 亘丕鬲 讴乇鬲丕 蹃賵诤 鬲賵 賲蹖乇丕 賲胤賱亘 蹖蹃 乇蹃鬲丕 蹃蹝 讴蹃 丕氐賱 賲蹖诤 丕賯鬲氐丕丿蹖 趫诰丕賳趩蹃 蹃賲丕乇蹝 丿賱 倬乇 丕鬲賳丕 毓噩蹖亘 爻丕 丕孬乇 乇讴诰鬲丕 蹃蹝 讴蹃 丿賱 讴蹝 爻丕乇蹝 丕丨爻丕爻丕鬲 丕爻 爻蹝 丌夭丕丿 賳蹃蹖诤 蹃賵 倬丕鬲蹝 丕賵乇 蹃賲 噩蹖爻蹝 賱賵诏 噩賵 賳蹃 丕毓賱蹖 胤亘賯蹝 讴蹝 蹃蹖诤 賳蹃 賳趩賱蹝 胤亘賯蹝 讴蹝 貙 丕賳 讴蹝 蹖蹃丕诤 丕賳丿诰蹝 锟斤拷賯蹖丿蹝貙 乇賵丕蹖鬲蹖诤貙 賲乇噩丕丿丕卅蹖诤 亘诰蹖 丕蹖爻蹖 倬乇丕賳蹖 丕賵乇 夭蹃乇蹖賱蹖 蹃蹖诤 讴蹃 讴賱 賲賱丕 讴乇 蹃賲 爻亘 倬乇 丕蹖爻丕 丕孬乇 倬趹鬲丕 蹃蹝 讴蹃 蹃賲 亘爻 丌賱蹃 亘賳 讴乇 乇蹃 噩丕鬲蹝 蹃蹖诤蹟 蹃賲丕乇蹝 賳乇賲 丕賵乇 丕毓賱蹖 禺賵丕亘 禺鬲賲 蹃賵噩丕鬲蹝 蹃蹖诤 丕賵乇 丕蹖讴 毓噩亘 爻蹖 亘蹝 丨爻蹖 蹃賲 倬乇 趩诰丕 噩丕鬲蹖 蹃蹝蹟 "
- 爻賵乇噩 讴丕 爻丕鬲賵丕诤 诏诰賵趹丕 丕夭 丿诰乇賲 賵蹖乇 亘诰丕乇鬲蹖
- 爻賵乇噩 讴丕 爻丕鬲賵丕诤 诏诰賵趹丕 丕夭 丿诰乇賲 賵蹖乇 亘诰丕乇鬲蹖
October 31, 2012
The Seventh Steed of the Sun
The stories are set in a typical lower middle class society of an Indian village. Daily struggles of people with poverty and societal norms with its roots in a worldly struggles of capitalism vs socialism. The stories are as colloquial as you would have heard in your society or community. Girl likes neighbour boy, big dowry demands, parental pressure, young girl married to rich old man, million rituals for bearing son as a hire 鈥� even now if you open a newspaper these themes will be underlying the news. So what makes this book special鈥�
Very rarely we come across a book which has strong social message imbibed in human drama. A strong narrator and a very keen audience can bring such depth to a story that it turns into a classic. Most of you would have heard of it as a film by Shyam Benegal. I had been wanting to read this book since I saw the film about 15 years back. And nothing can beat the power of the book, the language, the story telling technique, the characters, the title, the humour, the plot, are all makings of a masterpiece. Dharamvir Bharati is definitely an author who gives Hindi literature a proud name. You can feel that the Hindi language is giving more power to the story and the characters.
To read more click here
The stories are set in a typical lower middle class society of an Indian village. Daily struggles of people with poverty and societal norms with its roots in a worldly struggles of capitalism vs socialism. The stories are as colloquial as you would have heard in your society or community. Girl likes neighbour boy, big dowry demands, parental pressure, young girl married to rich old man, million rituals for bearing son as a hire 鈥� even now if you open a newspaper these themes will be underlying the news. So what makes this book special鈥�
Very rarely we come across a book which has strong social message imbibed in human drama. A strong narrator and a very keen audience can bring such depth to a story that it turns into a classic. Most of you would have heard of it as a film by Shyam Benegal. I had been wanting to read this book since I saw the film about 15 years back. And nothing can beat the power of the book, the language, the story telling technique, the characters, the title, the humour, the plot, are all makings of a masterpiece. Dharamvir Bharati is definitely an author who gives Hindi literature a proud name. You can feel that the Hindi language is giving more power to the story and the characters.
To read more click here
December 27, 2016
'啶膏啶班 啶曕ぞ 啶膏ぞ啶むさ啶距 啶樴啶∴ぜ啶�' 啶夃お啶ㄠ啶ぞ啶� 啶曕 啶啶た啶曕ぞ 啶多啶班 啶呧啷嵿啷囙く 啶溹 啶ㄠ 啶侧た啶栢 啶灌 啶斷ぐ 啶囙じ 啶啶た啶曕ぞ 啶啶� 啶呧啷嵿啷囙く 啶溹 啶ㄠ 啶曕す啶� 啶灌 啶曕た 啶掂 啶ぞ啶班い啷€ 啶溹 啶曕 啶溹啶ㄠた啶じ 啶ㄠす啷€啶� 啶曕す啷囙啶椸 啶曕啶啶傕啶� 啶曕た啶膏 啶曕 啶溹啶ㄠた啶じ 啶曕す 啶︵啶ㄠぞ 啶夃じ啶曕 啶掂た啶多啶粪啷嵿啶むぞ 啶曕 啶忇 啶ぞ啶班 啶ぐ啶曕ぎ 啶多が啷嵿う 啶︵啶曕ぐ 啶夃ぁ啶监ぞ 啶︵啶ㄠぞ 啶灌 啷� 啶溹啶ㄠた啶じ 啶曕啶ぞ 啶灌 啶灌ぎ 啶溹ぞ啶ㄠい啷� 啶灌 啶ㄠす啷€啶� 啶灌, 啶じ 啶侧啷嵿し啶｀啶� 啶曕 啶灌 啶溹ぞ啶ㄠい啷� 啶灌啶� 啶溹啶膏 - 啶呧ぅ啶� 啶多啶班ぎ-啶膏ぞ啶ぐ啷嵿ぅ啷嵿く 啶斷ぐ 啶呧ぇ啷嵿く啶掂じ啶距く, 啶す啷佮ぎ啷佮啷€ 啶曕啶班た啶ぞ啶多啶侧い啶�, 啶啶班ぞ啶氞啶班啶�, 啶氞た啶班啶距啷嵿ぐ啶� 啶氞た啶�-啶ㄠた啶班啶ぞ啶｀ざ啷€啶� 啶曕げ啷嵿お啶ㄠぞ, 啶膏い啶� 啶溹た啶溹啶炧ぞ啶膏ぞ 啶斷ぐ 啶ぐ啷嵿く啶掂啶曕啶粪ぃ, 啶︵啶�-啶曕ぞ啶� 啶ぞ 啶啶�-啶膏い啷嵿く 啶曕 啶啶班い啶� 啶膏い啶班啶曕い啶�, 啶ぐ啶啶ぐ啶距啷嵿啶距え, 啶啶侧た啶曕い啶�, 啶嗋い啷嵿ぎ啶掂た啶多啶掂ぞ啶� 啶斷ぐ - 啶灌ぞ啶�, - 啶忇 啶椸す啶班 啶掂た啶ㄠく啷� 啶斷ぐ 啶呧啷嵿啷囙く 啶溹 啶曕ぞ 啶啶侧啶ぞ啶傕啶� 啶灌 啶曕た 啶ぞ啶班い啷€ 啶溹 啶啶� 啶 啶膏が 啶侧啷嵿し啶� 啶掂た啶︵啶ぎ啶距え 啶灌啶傕イ 啶啶班啷嵿く啶距い 啶膏ぎ啶曕ぞ啶侧啶� 啶侧啶栢啷嬥 啶︵啶掂ぞ啶班ぞ 啶呧お啶ㄠ 啶膏ぎ啶曕ぞ啶侧啶� 啶侧啶栢啷嬥 啶曕 啶侧た啶� 啶啶た啶曕ぞ 啶ぞ 啶啶班じ啷嵿い啶距さ啶ㄠぞ 啶侧た啶栢え啶� 啶夃じ 啶膏ぎ啶� 啶曕ぎ 啶灌 啶灌啶むぞ 啶ムぞ, 啶むぅ啶距お啶� 啶呧啷嵿啷囙く 啶溹 啶ㄠ 啶啶た啶曕ぞ 啶侧た啶栢え啶� 啶膏す啶班啶� 啶膏啶掂啶曕ぞ啶� 啶曕た啶ぞ 啶斷ぐ 啶ぞ啶班い啷€ 啶溹 啶曕 啶灌た啶傕う啷€ 啶膏ぞ啶灌た啶む啶� 啶曕ぞ 啶夃啶むぞ 啶灌啶� 啶膏た啶むぞ啶班ぞ 啶い啶距く啶� 啷�
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'啶膏啶班 啶曕ぞ 啶膏ぞ啶むさ啶距 啶樴啶∴ぜ啶�' 啶оぐ啷嵿ぎ啶掂啶� 啶ぞ啶班い啷€ 啶溹 啶曕ぞ 啶忇 啶啶班く啷嬥啶距い啷嵿ぎ啶� 啶斷ぐ 啶啶侧た啶� 啶夃お啶ㄠ啶ぞ啶� 啶灌啷� 啶啶班く啷嬥啶距い啷嵿ぎ啶� 啶囙じ啶侧た啶� 啶曕啶啶傕啶� 啶囙じ啶曕 啶す啷佮い 啶膏 啶椸啶� 啶ぐ啶啶ぐ啶距啶� 啶灌た啶傕う啷€ 啶夃お啶ㄠ啶ぞ啶膏啶� 啶膏 啶呧げ啶� 啶ム 啶じ啶侧え 啶曕す啶距え啷€ 啶啶� 啶曕ぎ 啶ぞ啶む啶班啶� 啶曕ぞ 啶灌啶ㄠぞ, 啶夃お啶ㄠ啶ぞ啶� 啶曕ぞ 啶す啷佮い 啶掂た啶多ぞ啶� 啶� 啶灌啶ㄠぞ, 啶曕た啶膏 啶ぞ啶む啶� 啶曕 啶掂た啶曕ぞ啶� 啶曕 啶侧た啶� 啶す啷佮い 啶呧ぇ啶苦 啶膏ぎ啶� 啶斷ぐ 啶樴啶ㄠぞ啶忇 啶ㄠす啷€啶� 啶︵啶ㄠぞ, 啶多啶班啶嗋い 啶啶� 啶啶ム 啶︵た啶栢え啷� 啶掂ぞ啶侧 啶曕す啶距え啶苦く啷嬥 啶曕ぞ 啶嗋お啶� 啶啶� 啶膏ぎ啷嵿が啶ㄠ啶� 啶灌啶ㄠぞ, 啶膏啶啶むた 啶ぐ 啶嗋ぇ啶距ぐ啶苦い 啶ぞ啶む啶班啶� 啶啶� 啶ぐ啷嵿く啶距お啷嵿い 啶掂た啶掂た啶оい啶� 啶灌啶ㄠぞ 啶囙い啷嵿く啶距う啶� 啷� 啶啶侧た啶� 啶囙じ啶侧た啶� 啶曕啶啶傕啶� 啶溹た啶� 啶掂た啶оぞ 啶啶� 啶す 啶夃お啶ㄠ啶ぞ啶� 啶侧た啶栢ぞ 啶椸く啶� 啶灌 啶掂す 啶膏ぎ啶曕ぞ啶侧啶� 啶灌た啶傕う啷€ 啶膏ぞ啶灌た啶む啶� 啶啶� 啶曕ぎ 啶︵啶栢え啷� 啶曕 啶た啶侧い啶� 啶灌 啶斷ぐ, 啶灌た啶む啶う啷囙ざ 啶斷ぐ 啶啶氞い啶傕い啷嵿ぐ 啶曕 啶曕ぅ啶� 啶多啶侧 啶曕 啶ぞ啶� 啶呧ぇ啶苦 啶︵た啶侧ぞ啶むぞ 啶灌 啶溹啶膏 啶曕た 啶涏啶熰 啶涏啶熰 啶曕す啶距え啶苦く啷嬥 啶曕 啶ぞ啶о啶ぎ 啶膏 啶夃お啶ㄠ啶ぞ啶� 啶曕 啶嗋啷� 啶あ啶监ぞ啶む 啶班す啶ㄠぞ 啶溹が啶曕た 啶曕す啶距え啷€ 啶曕 啶ぞ啶む啶班啶� 啶啶� 啶斷ぐ 啶夃え啶曕 啶︵啶掂ぞ啶班ぞ 啶膏啶ㄠぞ啶� 啶椸く啷€ 啶曕す啶距え啶苦く啷嬥 啶啶� 啶曕啶� 啶啶班い啷嵿く啶曕啶� 啶曕ぁ啶监 啶ㄠす啷€啶� 啶た啶侧い啷€ 啶灌 啶溹啶膏ぞ 啶曕た 啶灌ぎ啶ㄠ 啶曕ぞ啶︵ぎ啷嵿が啶班 啶啶� 啶︵啶栢ぞ 啶灌 啷�
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Originally posted at -
November 8, 2021
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唳唳ㄠΧ唰嵿 : 唳唳唰囙Π 唳ㄠ唳唳� 唳膏唳ㄠ唳︵Π - 唳膏唳班 唳曕 唳膏唳む唳唳距 唳樴唳∴唳�' , 唳呧Π唰嵿Ε唳距 唳膏唳班唳Π唳ム唳� 唳膏Κ唰嵿Δ唳� 唳呧Χ唰嵿Μ啷� 唳忇唳距Π 唳唳ㄠ唳熰 唳唳ㄠ唳� 唳唳侧唳侧唳� 唳忇 唳溹唳唳椸唳 唳唳澿唳唰� 唳︵唳� - 唳膏唳班唳Ζ唰囙Μ唰囙Π 唳班Ε唳曕 唳熰唳ㄠ 唳ㄠ唳唰� 唳唳 唳膏唳む唳� 唳樴唳∴唳距イ 唳む唳︵唳� 唳Η唰嵿Ο唰� 唳涏唳� 唳樴唳∴唳� 唳唳班Ε唳 唳︵唳∴唰嬥Ο唳� - 唳む唳︵唳� 唳椸Δ唳苦Κ唳� 唳膏唳ム唳班イ 唳膏唳班唳Π唳ム唳� 唳膏Κ唰嵿Δ唳� 唳呧Χ唰嵿Μ 唳唳曕 唳膏Μ唳距Π 唳膏唳唳ㄠ唳� 唳忇唳熰 唳唳涏Θ唰� 唳︵唳∴唰嬥Ο唳�, 唳曕唳ㄠ唳む 唳む唳� 唳ㄠ唳溹唳� 唳曕唳粪Ξ唳む 唳灌Σ唰� 唳 唳む唳� 唳侧唰嵿Ψ唰嵿Ο唳Ε 唳膏 唳Ζ唳侧 唳︵唳む 唳唳班啷� 唳忇 唳樴唳∴唳距唳� 唳灌Σ唰� 唳唳ㄠ唳粪唳� 唳膏唳唳о唳� 唳氞唳ㄠ唳む唳о唳班 唳忇Μ唳� 唳む唳� 唳夃唰嵿唳距唳距唰嵿唳距イ 唳む唳灌Σ唰� 唳� 唳椸Σ唰嵿Κ唰囙Π 唳膏唳班唳Π唳ム唳� 唳膏Κ唰嵿Δ唳� 唳呧Χ唰嵿Μ 唳曕唳ム唳? 唳膏 唳曕 唳忇唳距Θ唰嵿Δ唳� 唳嗋唰� 唳� 唳椸Σ唰嵿Κ唰�? 唳膏唳熰唳� 唳忇 唳椸Σ唰嵿Κ唰囙Π 唳唳� 唳唳班Χ唰嵿Θ - 唳忇Μ唳� 唳忇 唳唳班Χ唰嵿Θ唰囙Π 唳夃Δ唰嵿Δ唳�'唳� 唳灌Ο唳监Δ唰� 唳椸Σ唰嵿Κ唰囙Π 唳嗋唳膏唳唳� 唳多唳� 唳嗋唰嵿Ο唳距Θ唰� 唳栢唳佮唳距Π 唳氞唳粪唳熰 唳灌Ο唳监イ
唳膏 唳班唳膏唳� 唳ㄠ唳唰� 唳嗋Σ唰嬥唳ㄠ 唳嗋Ξ唳班 DM 唳� 唳曕Π唳 唳ㄠ唳灌Ο唳� 唳曕唳ㄠ唳︵唳ㄠイ 唳Ζ唳� 唳呧Μ唳曕唳� 唳灌Ο唳�, 唳Α唳监 唳唳侧唳� 唳唳熰 - 唳膏 唳嗋Σ唰嬥唳ㄠ唳� 唳溹Θ唰嵿Ο唰� 唳嗋Ξ唳苦 唳夃Ζ唳椸唳班唳イ
August 1, 2015
鈥淪uraj Ka Satvan Ghoda鈥� literally means 鈥淭he seventh horse pulling the chariot of the sun.鈥� One of the books of which I first saw the movie and then read the book. Movie by Shyam Benegal is brilliant so is Manik Mull played by Rajat Kapoor. Usually in case of movie adaptations of literature one or the other is disappointing. But in this rare case both are brilliant.
The novel is in narration style where Manik Mulla (name is very suggestive Hindu and Muslim both) tells story of failed romances of three women, to his friends on seven lazy summer afternoons. There are three heroines Jamuna (a simple middle class homely girl), Leela or Lily (the intellectual, independent, strong, feminist) and Satti (a feisty lower class woman). All three were in love in Manik Mulla at different point of times. Jamuna couldn鈥檛 marry her lover Tanna, because he is a coward and subsequently married off to an old man who dies. Widow Jamuna finds solace and happiness in extramarital relationship with a tongewala. Leela is married to Tanna, the coward lover of Jamuna and is dissatisfied because he is not strong and intellectual enough to be her husband. The third Satti love Manik mulla but she is raped and murdered by Mahesar Dayal, evil father of Tanna. This novel looks at the disappointments faced by these women when it comes to love and how they cope up with their lives.
Dharamveer Bharti initially was in Prayogawadi (experimentalism) camp. This was a movement in Hindi literature called Prayogawad (led by Vatsayan agayeya) which concentrated on human misery, depression, aloofness, loneliness, helplessness and total cut off from society. Influenced by Kafka, Freud and all which concentrated mainly on psychological aspect of humans and ignored social completely. Its opposite was Pragatiwad (Progressivism) influenced by Marxist, Leninist philosophy and promoted socialism.
His earlier novel 鈥淕unaho ka Dewta鈥� (another classic) is experimental. But later on he realized the limitations of experimentalism. So in a course correction he wrote 鈥淪uraj Ka Satvan Ghoda鈥� which is progressive. Manik says:
鈥淚t is true that love is conditioned by economic factors; but that love is another name for economic dependence is, a travesty of the truth, for, though it can not be denied love touches the strings of beauty deep down in the recesses of soul and wakens them to music, it fills us with a sense of grace, light and moral upliftment.鈥�
Something about the style of writing. It is very unique, ingenious, surreal, and original. Nowhere you will see such a lyrical writing style in prose which alternates seamlessly between present and past; real and imaginary; dreams and life. In fact Manik says about style of narration:
鈥淥h technique! Emphasis on technique is merely a sign of immature, the experimenter, the man who has not yet mastered his medium鈥�.
This book brings out the trial and tribulations of Hindu middle class which is grappling with the problems of caste, creed, conventions, financial constraints, unmatched marriages, unfulfilled desires, weak position of women in Indian society etc.
Although the novel ends on a positive note. As per Hindu mythology the Sun god is travelling in the sky in a chariot pulled by seven horses. The seventh horse is the horse of dreams, aspirations and future. In the end it is shown that other six horses are injured and the seventh horse takes the sun into a hopeful future.
In fact Manik Mulla thus emphasizes this point in the end of novel:
"The Love which cannot contribute to social progress and individual development, is not love"......
July 19, 2015
鈥淪uraj Ka Satvan Ghoda鈥� literally means 鈥淭he seventh horse pulling the chariot of the sun.鈥� One of the books of which I first saw the movie and then read the book. Movie by Shyam Benegal is brilliant so is Manik Mull played by Rajat Kapoor. Usually in case of movie adaptations of literature one or the other is disappointing. But in this rare case both are brilliant.
The novel is in narration style where Manik Mulla (name is very suggestive Hindu and Muslim both) tells story of failed romances of three women, to his friends on seven lazy summer afternoons. There are three heroines Jamuna (a simple middle class homely girl), Leela (the intellectual, independent, strong, feminist) and Satti (a feisty lower class woman). All three were in love in Manik Mulla at different point of times. Jamuna couldn鈥檛 marry her lover Tanna, because he is a coward and subsequently married off to an old man who dies. Widow Jamuna finds solace and happiness in extramarital relationship with a tongewala. Leela is married to Tanna, the coward lover of Jamuna and is dissatisfied because he is not strong and intellectual enough to be her husband. The third Satti love Manik mulla but she is raped and murdered by Mahesar Dayal, evil father of Tanna. This novel looks at the disappointments faced by these women when it comes to love and how they cope up with their lives.
Dharamveer Bharti initially was in Prayogawadi (experimentalism) camp. This was a movement in Hindi literature called Prayogawad (led by Vatsayan agayeya) which concentrated on human misery, depression, aloofness, loneliness, helplessness and total cut off from society. Influenced by Kafka, Freud and all which concentrated mainly on psychological aspect of humans and ignored social completely. Its opposite was Pragatiwad (Progressivism) influenced by Marxist, Leninist philosophy and promoted socialism.
His earlier novel 鈥淕unaho ka Dewta鈥� (another classic) is experimental. But later on he realized the limitations of experimentalism. So in a course correction he wrote 鈥淪uraj Ka Satvan Ghoda鈥� which is progressive. Manik says:
鈥淚t is true that love is conditioned by economic factors; but that love is another name for economic dependence is, a travesty of the truth, for, though it can not be denied love touches the strings of beauty deep down in the recesses of soul and wakens them to music, it fills us with a sense of grace, light and moral upliftment.鈥�
Something about the style of writing. It is very unique, ingenious, surreal, and original. Nowhere you will see such a lyrical writing style in prose which alternates seamlessly between present and past; real and imaginary; dreams and life. In fact Manik says about style of narration:
鈥淥h technique! Emphasis on technique is merely a sign of immature, the experimenter, the man who has not yet mastered his medium鈥�.
This book brings out the trial and tribulations of Hindu middle class which is grappling with the problems of caste, creed, conventions, financial constraints, unmatched marriages, unfulfilled desires, weak position of women in Indian society etc.
Although the novel ends on a positive note. As per Hindu mythology the Sun god is travelling in the sky in a chariot pulled by seven horses. The seventh horse is the horse of dreams, aspirations and future. In the end it is shown that other six horses are injured and the seventh horse takes the sun into a hopeful future.
In fact Manik Mulla thus emphasizes this point in the end of novel:
"The Love which cannot contribute to social progress and individual development, is not love"......
The novel is in narration style where Manik Mulla (name is very suggestive Hindu and Muslim both) tells story of failed romances of three women, to his friends on seven lazy summer afternoons. There are three heroines Jamuna (a simple middle class homely girl), Leela (the intellectual, independent, strong, feminist) and Satti (a feisty lower class woman). All three were in love in Manik Mulla at different point of times. Jamuna couldn鈥檛 marry her lover Tanna, because he is a coward and subsequently married off to an old man who dies. Widow Jamuna finds solace and happiness in extramarital relationship with a tongewala. Leela is married to Tanna, the coward lover of Jamuna and is dissatisfied because he is not strong and intellectual enough to be her husband. The third Satti love Manik mulla but she is raped and murdered by Mahesar Dayal, evil father of Tanna. This novel looks at the disappointments faced by these women when it comes to love and how they cope up with their lives.
Dharamveer Bharti initially was in Prayogawadi (experimentalism) camp. This was a movement in Hindi literature called Prayogawad (led by Vatsayan agayeya) which concentrated on human misery, depression, aloofness, loneliness, helplessness and total cut off from society. Influenced by Kafka, Freud and all which concentrated mainly on psychological aspect of humans and ignored social completely. Its opposite was Pragatiwad (Progressivism) influenced by Marxist, Leninist philosophy and promoted socialism.
His earlier novel 鈥淕unaho ka Dewta鈥� (another classic) is experimental. But later on he realized the limitations of experimentalism. So in a course correction he wrote 鈥淪uraj Ka Satvan Ghoda鈥� which is progressive. Manik says:
鈥淚t is true that love is conditioned by economic factors; but that love is another name for economic dependence is, a travesty of the truth, for, though it can not be denied love touches the strings of beauty deep down in the recesses of soul and wakens them to music, it fills us with a sense of grace, light and moral upliftment.鈥�
Something about the style of writing. It is very unique, ingenious, surreal, and original. Nowhere you will see such a lyrical writing style in prose which alternates seamlessly between present and past; real and imaginary; dreams and life. In fact Manik says about style of narration:
鈥淥h technique! Emphasis on technique is merely a sign of immature, the experimenter, the man who has not yet mastered his medium鈥�.
This book brings out the trial and tribulations of Hindu middle class which is grappling with the problems of caste, creed, conventions, financial constraints, unmatched marriages, unfulfilled desires, weak position of women in Indian society etc.
Although the novel ends on a positive note. As per Hindu mythology the Sun god is travelling in the sky in a chariot pulled by seven horses. The seventh horse is the horse of dreams, aspirations and future. In the end it is shown that other six horses are injured and the seventh horse takes the sun into a hopeful future.
In fact Manik Mulla thus emphasizes this point in the end of novel:
"The Love which cannot contribute to social progress and individual development, is not love"......
July 5, 2019
啶ぞ啶班い啷€ 啶溹 啶曕ぞ 啶す 啶侧啷� 啶夃お啶ㄠ啶ぞ啶� 啶夃え啷嵿す啷€啶� 啶曕 啶多が啷嵿う啷嬥 啶啶� 啶夃え啶曕ぞ 啶じ 啶侧た啶栢ぞ 啶灌啶� 啶灌, 啶啶� 啶班啶� 啶啶� 啶す 啶ぞ啶｀た啶� 啶啶侧啶侧ぞ 啶曕 啶曕す啷€ 啶椸 啶膏ぞ啶� 啶曕す啶距え啶苦く啷嬥 啶ぐ 啶曕じ啷€ 啶灌啶� 啶班じ啷嵿じ啷€ 啶ぐ 啶え啶� 啶むぞ啶ㄠぞ 啶ぞ啶ㄠぞ 啶灌..啶溹た啶膏啷� 啶げ啶距 啶啶班ぞ啶� 啶曕ぞ 啶溹ぜ啶苦ぎ啷嵿ぎ啶� 啶む 啶ぞ啶班い啷€ 啶溹 啶ぐ 啶ㄠす啷€啶� 啶溹ぞ啶ㄠぞ 啶氞ぞ啶灌た啶�, 啶愢じ啶� 啶掂 啶曕す啶む 啶灌啶傕イ
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啶� 啶呧じ啷嵿い啶苦い啷嵿さ 啶啶� 啶灌啶むぞ '啶膏啶班 啶曕ぞ 啶膏ぞ啶むさ啶距 啶樴啶∴ぜ啶�'啷�
October 28, 2011
Review in Hindi soon. As for now, let it be mentioned that this book is a gem - and perhaps a hidden precursor - of post-modern literature. It is as good as the best Calvino.
November 7, 2016
啶膏啶班 啶曕ぞ 啶膏ぞ啶むさ啶距 啶樴啶∴ぜ啶�, 啶忇 啶曕す啶距え啷€ 啶ㄠす啷€啶� 啶げ啷嵿啶� 啶曕す啶距え啶苦く啷嬥 啶曕 啶ぞ啶侧ぞ 啶灌. 啶 啶灌ぎ啶距ぐ啷� 啶膏ぎ啶距 啶曕ぞ 啶氞た啶む啶班ぃ 啶灌 啶斷ぐ 啶夃じ啶曕 啶嗋げ啷嬥啶ㄠぞ 啶...
June 6, 2023
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啶曕す啶距え啶苦く啷嬥 啶啶� 啶溹た啶� 啶椸す啶班ぞ啶� 啶膏 啶膏ぎ啶距 啶曕 啶⑧ぞ啶佮啷� 啶曕 啶嗋げ啷嬥啶ㄠぞ 啶曕 啶灌, 啶夃じ啶曕ぞ 啶ㄠた啶粪啶曕ぐ啷嵿し 啶ぞ啶犩啷嬥 啶曕 啶夃い啶ㄠぞ 啶灌 啶灌げ啷嵿啶� 啶斷ぐ 啶灌ぞ啶膏啶ぞ啶膏啶う 啶侧啷囙啶� 啷むざ啶距く啶� 啶ぞ啶班い啷€ 啶溹 啶曕 啶囙じ啷€ 啶侧啶栢ぞ 啶多啶侧 啶曕 啶むぞ啶班啶ぜ 啶呧啷嵿啷囙く 啶ㄠ 啶多啶班啶嗋い 啶啶� 啶曕 啶灌 啷�
啶ぞ啶犩啷嬥 啶曕 啶膏ぎ啶距 啶曕ぞ 啶氞た啶む啶班ぃ 啶げ啷� 啶灌 啶ㄠた啶班ぞ啶多ぞ啶掂ぞ啶︵ 啶斷ぐ 啶呧啶о啶距ぐ 啶啶� 啶о啷囙げ 啶︵啶ㄠ 啶掂ぞ啶侧ぞ 啶侧啷�, 啶侧啶曕た啶� 啶囙じ 啶呧啶о啶班 啶曕 啶氞啶班啶� 啶あ啶监え啷� , 啶膏ぎ啶距 啶掂啶さ啶膏啶ムぞ 啶曕 啶う啶侧え啷� 啶斷ぐ 啶ぞ啶ㄠさ啶むぞ 啶曕 啶膏す啶� 啶啶侧啶啶� 啶曕 啶啶ㄠ啶膏啶ムぞ啶た啶� 啶曕ぐ啶ㄠ 啶曕 啶むぞ啶曕ぜ啶� 啶斷ぐ 啶啶班啶班ぃ啶� 啶 啶︵ 啶灌啷� 啶溹啶膏 啶膏ぞ啶� 啶樴啶∴ぜ啷� 啶膏啶班啶� 啶曕 啶嗋啷� 啶あ啶监ぞ 啶侧 啶氞げ啶む 啶灌 啶掂啶膏 啶灌 啶掂た啶多啶掂ぞ啶� , 啶膏ぞ啶灌じ ,啶膏い啷嵿く 啶曕 啶啶班い啶� 啶ㄠた啶粪啶犩ぞ 啶啶班啶距ざ啶掂ぞ啶灌 啶嗋い啷嵿ぎ啶� 啶曕 啶嗋啷� 啶侧 啶氞げ啶ㄠ 啶曕 啶侧た啶� 啶啶班啶む啶膏ぞ啶灌た啶� 啶曕ぐ啶む 啶灌 啷�
啶呧啶� 啶啶� 啶す 啶曕す啶ㄠぞ 啶夃啶苦い 啶灌啶椸ぞ 啶曕 啶ぞ啶班い啷€ 啶溹 啶曕 啶︵啶ㄠ啶� 啶夃お啶ㄠ啶ぞ啶� 啶曕た 啶曕啶傕う啷嵿ぐ 啶た啶傕う啷� 啶啶班啶� 啶灌 啶灌, 啶侧啶曕た啶� 啶︵啶ㄠ啶� 啶曕ぞ 啶椸啶� 啶斷ぐ 啶膏啶︵啶� 啶忇啶︵ぎ 啶灌 啶た啶ㄠ啶ㄠイ 啶呧い啶� 啶囙じ啶曕 啶あ啶监え啷� 啶曕 啶ぞ啶� 啶ぞ啶犩 啶ぞ啶班い啷€ 啶溹 啶曕 啶掂た啶掂た啶оい啶�, 啶曕啶多げ 啶侧啶栢ぞ 啶多啶侧 啶曕 啶膏ぐ啶距す 啶 啶ぞ啶啶傕啷� 啶斷ぐ 啶膏ぞ啶� 啶灌 啶膏ぞ啶� 啶囙じ 啶啶班く啷嬥啶距い啷嵿ぎ啶� 啶侧啷� 啶夃お啶ㄠ啶ぞ啶� 啶曕ぞ 啶嗋え啶傕う 啶 啶侧 啶ぞ啶啶傕啷� 啷�
January 26, 2025
Dharmveer Bharti ji is a genius. Period.
I got introduced to him much later in life and just few months back read Gunaahon ka Devta and it made me realise how it was said about him that 鈥榯ill the time he is alive, Hindi literature is safe鈥�.
While Gunahon ka Devta was a full fledged novel and Bhartiji had full length of novel to display his prowess, this book, despite being 80 pager, punches hole in soul as very few books can. That鈥檚 the power of literature and the beauty of gifted writing. It is because of such literature that readers like me stay captivated with this magical world of books.
This book is more of an experimental collection of stories, all conjoined at hips, narrated by Manik Mulla. The stories are interwoven and how! The intricacies are so exquisite that Shyam Benegal ji had to make a movie on it. Beautiful.
In my opinion, anyone who can read Hindi, should read this book because after this, a very strong filter will get developed for farce and substandard writing.
Recommended.
I got introduced to him much later in life and just few months back read Gunaahon ka Devta and it made me realise how it was said about him that 鈥榯ill the time he is alive, Hindi literature is safe鈥�.
While Gunahon ka Devta was a full fledged novel and Bhartiji had full length of novel to display his prowess, this book, despite being 80 pager, punches hole in soul as very few books can. That鈥檚 the power of literature and the beauty of gifted writing. It is because of such literature that readers like me stay captivated with this magical world of books.
This book is more of an experimental collection of stories, all conjoined at hips, narrated by Manik Mulla. The stories are interwoven and how! The intricacies are so exquisite that Shyam Benegal ji had to make a movie on it. Beautiful.
In my opinion, anyone who can read Hindi, should read this book because after this, a very strong filter will get developed for farce and substandard writing.
Recommended.
August 26, 2018
This is a string of seven symbolic stories within one larger narrative, presented as a laghu upanyas (novella).
Apart from a strong subject matter, the 'Neti Neti' (neither this, nor that) format is a masterstroke by Dharamveer Bharati. It stimulates you to explore the reality from 'what's not'.
These stories will disillusion the reader from the hyper-romanticised concept of love & bring to the foreground the understated and generally ignored power of socio-economic realities that dictate our lives & actions.
Reminded me strongly of 'Animal Farm' by George Orwell.
Apart from a strong subject matter, the 'Neti Neti' (neither this, nor that) format is a masterstroke by Dharamveer Bharati. It stimulates you to explore the reality from 'what's not'.
These stories will disillusion the reader from the hyper-romanticised concept of love & bring to the foreground the understated and generally ignored power of socio-economic realities that dictate our lives & actions.
Reminded me strongly of 'Animal Farm' by George Orwell.
April 6, 2017
Modernist Hindi Literature read ruefully in English.
September 13, 2017
啶︵ぞ啶膏啶むぞ啶ㄠ啷嬥 啶曕 啶膏ぞ啶�-啶膏ぞ啶� 啶啶班啶� 啶啶班ぇ啶距え 啶膏ぎ啶距 啶啶� 啶す啶苦げ啶距啶� 啶曕 啶膏啶ムた啶むた 啶曕ぞ 啶氞た啶む啶班ぃ
April 10, 2019
Learnt a very new technique of writing a book with stories but as a novel.. all the stories are from the society and leave an impact on us.
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January 1, 2025This novella by Dharamveer Bharati is strange. It is a set of three stories told over seven days by the storyteller Manik Mulla who also features in them. The lives of the characters in the stories are intertwined in unexpected ways, and each tale offers a promise of being a tale of love between a man and woman.
However, at the end narrator states clearly that the stories are not about love, but what love is not. "啶す 啶啶班啶� 啶ㄠす啷€啶� 啶ムぞ, 啶す 啶 啶啶班啶� 啶ㄠす啷€啶� 啶ムぞ, 啶す 啶 啶啶班啶� 啶ㄠす啷€啶� 啶ムぞ". The book, in fact is not about love at all, but the ways in which social and economic order of the society shapes love between two people.
In other words, the ways in which something as personal as love is not left untouched by the socio-economic organisation of a society and how it has life changing consequences for all characters involved, except for the storyteller Manik Mulla who symbolises the middle class man in the book. Bharati was a Marxist and through these narrations he makes a commentary on the corrupted lives of the middle class.
It's a fascinating experiment of a book that offers both the story and its analysis, leaving very little for the reader to interpret in terms of the theme or the message. And yet the reader is left to decide on the character of the storyteller.
The tales left me feeling heartbroken, pained and angry. However, the narrator ends it on a hopeful note. The seventh horse of the sun is the horse that represents the future, it is the horse of hope. I don't know how to make sense of it yet.
However, at the end narrator states clearly that the stories are not about love, but what love is not. "啶す 啶啶班啶� 啶ㄠす啷€啶� 啶ムぞ, 啶す 啶 啶啶班啶� 啶ㄠす啷€啶� 啶ムぞ, 啶す 啶 啶啶班啶� 啶ㄠす啷€啶� 啶ムぞ". The book, in fact is not about love at all, but the ways in which social and economic order of the society shapes love between two people.
In other words, the ways in which something as personal as love is not left untouched by the socio-economic organisation of a society and how it has life changing consequences for all characters involved, except for the storyteller Manik Mulla who symbolises the middle class man in the book. Bharati was a Marxist and through these narrations he makes a commentary on the corrupted lives of the middle class.
It's a fascinating experiment of a book that offers both the story and its analysis, leaving very little for the reader to interpret in terms of the theme or the message. And yet the reader is left to decide on the character of the storyteller.
The tales left me feeling heartbroken, pained and angry. However, the narrator ends it on a hopeful note. The seventh horse of the sun is the horse that represents the future, it is the horse of hope. I don't know how to make sense of it yet.
January 6, 2023
啶囙じ 啶侧啷� 啶夃お啶ㄠ啶ぞ啶� 啶ㄠ 啶溹 啶ぞ啶犩啷嬥 啶啶� 啶︵ざ啶曕啶� 啶膏 啶夃い啷嵿い啷囙啶ㄠぞ 啶溹啶距 啶灌 啶掂す 啶啶澿 啶ㄠす啷€啶� 啶︵た啶栢啷� 啶膏啶さ啶む 啶曕ぅ啶� 啶曕ぞ 啶啶班い啷€啶曕さ啶距う (symbolism) 啶啶班 啶啶� 啶曕 啶ぞ啶灌ぐ 啶ムぞ; 啶曕う啶距啶苦い 啶啶班 啶︵啶粪啶熰た啶曕啶� 啶膏 啶掂ぐ啷嵿い啶ぞ啶� 啶膏え啷嵿う啶班啶� 啶啶� 啶す 啶膏ぞ啶� 啶夃お-啶曕ぅ啶距啶� 啶曕ぞ 啶膏啶椸啶班す 啶呧お啷嵿ぐ啶距じ啶傕啶苦 啶灌 啶膏啶む 啶灌啶� 啷�
啶侧啶栢 啶曕 啶啶栢啶� 啶ぞ啶む啶班ぞ 啶膏う啷堗さ 啶班啶む 啶班す啶む 啶灌啶� - 啶す 啶呧啷嵿啶� 啶ㄠす啷€啶� 啶侧啶むぞ啷� 啶啶� 啶 啶膏啶оぞ 啶啶班ぞ啶 啶呧啶距ぐ啶� 啶樴啶熰啶� 啶班啶む 啶た啶侧啶む 啶班す啶む啷�
啶す 啶掂ぞ啶曕啶� 啶じ啶傕う 啶嗋く啶�
啶侧啶栢 啶曕 啶啶栢啶� 啶ぞ啶む啶班ぞ 啶膏う啷堗さ 啶班啶む 啶班す啶む 啶灌啶� - 啶す 啶呧啷嵿啶� 啶ㄠす啷€啶� 啶侧啶むぞ啷� 啶啶� 啶 啶膏啶оぞ 啶啶班ぞ啶 啶呧啶距ぐ啶� 啶樴啶熰啶� 啶班啶む 啶た啶侧啶む 啶班す啶む啷�
啶す 啶掂ぞ啶曕啶� 啶じ啶傕う 啶嗋く啶�
啶啶ぞ啶� 啶嗋い啷嵿ぎ啶距啶� 啶曕 啶椸す啶班ぞ啶堗く啷嬥 啶啶� 啶膏啶 啶灌啶� 啶膏啶傕う啶班啶� 啶曕 啶膏啶椸啶� 啶曕 啶溹啶� 啶︵啶むぞ 啶灌, 啶灌ぎ啶啶� 啶呧啶�-啶膏 啶さ啶苦い啷嵿ぐ啶むぞ, 啶ㄠ啶むた啶� 啶ㄠた啶粪啶犩ぞ 啶斷ぐ 啶啶班啶距ざ 啶ぐ 啶︵啶むぞ 啶灌啶啶た啶曕ぞ 啶啶� 啶曕 啶曕啶� 啶多が啷嵿う 啶侧啶栢 啶曕 啶啶班ざ啶傕じ啶� 啶曕 啶侧た啶� 啶夃げ啷嵿げ啷囙啶ㄠ啶� 啶灌
啶оぐ啷嵿ぎ啶掂啶� 啶ぞ啶班い啷€ 啶灌た啶傕う啷€ 啶曕 啶夃え 啶夃啶む 啶灌啶� 啶啶班い啶苦き啶距啶� 啶啶� 啶膏 啶灌啶� 啶溹た啶� 啶ぐ 啶灌た啶傕う啷€ 啶曕ぞ 啶さ啶苦し啷嵿く 啶ㄠた啶班啶ぐ 啶曕ぐ啶むぞ 啶灌 啶斷ぐ 啶溹た啶ㄠ啶灌啶� 啶︵啶栢啶� 啶灌ぎ 啶曕す 啶膏啶む 啶灌啶� 啶曕 啶灌た啶傕う啷€ 啶夃じ 啶呧啶оた啶ぞ啶班 啶呧啶むぐ啶距げ 啶曕 啶ぞ啶� 啶曕ぐ 啶氞啶曕 啶灌 啶溹 啶囙い啶ㄠ 啶︵た啶ㄠ啶� 啶膏 啶ぞ啶ㄠ 啶呧啶むす啷€啶� 啶︵啶� 啶ぁ啶监い啶� 啶ムぞ啷�
October 19, 2022
'啶膏啶班 啶曕ぞ 啶膏ぞ啶むさ啶距 啶樴啶∴ぜ啶�' 啶оぐ啷嵿ぎ啶掂啶� 啶ぞ啶班い啷€ 啶︵啶掂ぞ啶班ぞ 啶班啶苦い 啶忇 啶侧啷� 啶夃お啶ㄠ啶ぞ啶� 啶灌, 啶溹た啶膏ぎ啷囙 啶灌た啶む啶う啷囙ざ 啶斷ぐ 啶啶氞い啶傕い啷嵿ぐ 啶掂ぞ啶侧 啶多啶侧 啶啶� 7 啶︵啶す啶班 啶啶� 啶曕す啷€ 啶椸 啶曕す啶距え啶苦く啷嬥 啶曕 啶班啶� 啶啶� 啶忇 啶夃お啶ㄠ啶ぞ啶� 啶ㄠた啶班啶た啶� 啶曕た啶ぞ 啶椸く啶� 啶灌!
啶曕た啶膏啶膏ぞ啶椸 啶灌啶� 啶ぞ啶｀た啶� 啶啶侧啶侧ぞ 啶溹 啶呧お啶ㄠ 啶溹啶掂え 啶膏 啶溹啶∴ぜ啷€ 啶曕啶� 啶曕す啶距え啶苦く啶距 啶呧お啶ㄠ 啶た啶む啶班啶� 啶曕 啶膏啶ㄠぞ 啶班す啷� 啶灌啶�.. 啶斷ぐ 啶溹啶膏 啶溹啶膏 啶曕す啶距え啶苦く啶距 啶嗋啷� 啶あ啶监い啷€ 啶灌啶�, 啶灌ぎ啷囙 啶忇す啶膏ぞ啶� 啶灌啶むぞ 啶灌 啶曕た 啶膏が 啶忇 啶︵啶膏ぐ啷� 啶膏 啶溹啶∴ぜ啷€ 啶灌啶� 啶灌啶�; 啶膏き啷€ 啶涏啶熰 啶曕す啶距え啶苦く啶距 啶忇 啶ぁ啶监 啶曕ぅ啶距え啶� 啶曕ぞ 啶灌た啶膏啶膏ぞ 啶灌, 啶溹た啶膏ぎ啷囙 啶啶班啶� 啶灌, 啶掂た啶班す 啶灌, 啶膏啶掂啶︵え啶� 啶灌, 啶︵た啶栢ぞ啶掂ぞ 啶灌, 啶斷ぐ 啶氞啶佮啶� 啶ぞ啶｀た啶� 啶ㄠた啶粪啶曕ぐ啷嵿し啶掂ぞ啶� 啶啶� 啶掂た啶多啶掂ぞ啶� 啶班啶む 啶灌啶� 啶む 啶膏き啷€ 啶曕す啶距え啶苦く啷嬥 啶曕ぞ 啶忇 啶ㄠた啶粪啶曕ぐ啷嵿し 啶 啶灌 啶溹た啶膏ぎ啷囙 啶掂啶啶椸啶� 啶斷ぐ 啶ぞ啶班啶曕啶膏さ啶距う 啶曕ぞ 啶呧う啷嵿き啷佮い 啶啶� 啶灌..
啶灌た啶傕う啷€ 啶膏ぞ啶灌た啶む啶� 啶曕 啶氞た啶班啶距ざ 啶啶� 啶囙じ 啶曕た啶むぞ啶� 啶曕ぞ 啶曕啶ぞ 啶膏啶ムぞ啶� 啶灌 啶 啶多ぞ啶う 啶啶澿 啶い啶距え啷� 啶曕 啶曕啶� 啶嗋さ啶多啶啶むぞ 啶ㄠす啷€啶� 啶灌.. 啶膏ぞ啶灌た啶む啶� 啶啶班啶た啶啶� 啶曕 啶侧た啶� 啶 啶曕た啶むぞ啶� 啶斷ぐ 啶た啶侧啶� 啶啶班啶た啶啶� 啶曕 啶侧た啶� 啶囙じ啷€ 啶ㄠぞ啶� 啶膏 啶え啷€ 啶多啶ぞ啶� 啶啶ㄠ啶椸げ 啶曕 啶た啶侧啶� 啶ぞ啶班じ 啶い啷嵿ぅ啶� 啶曕 啶むぐ啶� 啶灌..
啶曕た啶膏啶膏ぞ啶椸 啶灌啶� 啶ぞ啶｀た啶� 啶啶侧啶侧ぞ 啶溹 啶呧お啶ㄠ 啶溹啶掂え 啶膏 啶溹啶∴ぜ啷€ 啶曕啶� 啶曕す啶距え啶苦く啶距 啶呧お啶ㄠ 啶た啶む啶班啶� 啶曕 啶膏啶ㄠぞ 啶班す啷� 啶灌啶�.. 啶斷ぐ 啶溹啶膏 啶溹啶膏 啶曕す啶距え啶苦く啶距 啶嗋啷� 啶あ啶监い啷€ 啶灌啶�, 啶灌ぎ啷囙 啶忇す啶膏ぞ啶� 啶灌啶むぞ 啶灌 啶曕た 啶膏が 啶忇 啶︵啶膏ぐ啷� 啶膏 啶溹啶∴ぜ啷€ 啶灌啶� 啶灌啶�; 啶膏き啷€ 啶涏啶熰 啶曕す啶距え啶苦く啶距 啶忇 啶ぁ啶监 啶曕ぅ啶距え啶� 啶曕ぞ 啶灌た啶膏啶膏ぞ 啶灌, 啶溹た啶膏ぎ啷囙 啶啶班啶� 啶灌, 啶掂た啶班す 啶灌, 啶膏啶掂啶︵え啶� 啶灌, 啶︵た啶栢ぞ啶掂ぞ 啶灌, 啶斷ぐ 啶氞啶佮啶� 啶ぞ啶｀た啶� 啶ㄠた啶粪啶曕ぐ啷嵿し啶掂ぞ啶� 啶啶� 啶掂た啶多啶掂ぞ啶� 啶班啶む 啶灌啶� 啶む 啶膏き啷€ 啶曕す啶距え啶苦く啷嬥 啶曕ぞ 啶忇 啶ㄠた啶粪啶曕ぐ啷嵿し 啶 啶灌 啶溹た啶膏ぎ啷囙 啶掂啶啶椸啶� 啶斷ぐ 啶ぞ啶班啶曕啶膏さ啶距う 啶曕ぞ 啶呧う啷嵿き啷佮い 啶啶� 啶灌..
啶灌た啶傕う啷€ 啶膏ぞ啶灌た啶む啶� 啶曕 啶氞た啶班啶距ざ 啶啶� 啶囙じ 啶曕た啶むぞ啶� 啶曕ぞ 啶曕啶ぞ 啶膏啶ムぞ啶� 啶灌 啶 啶多ぞ啶う 啶啶澿 啶い啶距え啷� 啶曕 啶曕啶� 啶嗋さ啶多啶啶むぞ 啶ㄠす啷€啶� 啶灌.. 啶膏ぞ啶灌た啶む啶� 啶啶班啶た啶啶� 啶曕 啶侧た啶� 啶 啶曕た啶むぞ啶� 啶斷ぐ 啶た啶侧啶� 啶啶班啶た啶啶� 啶曕 啶侧た啶� 啶囙じ啷€ 啶ㄠぞ啶� 啶膏 啶え啷€ 啶多啶ぞ啶� 啶啶ㄠ啶椸げ 啶曕 啶た啶侧啶� 啶ぞ啶班じ 啶い啷嵿ぅ啶� 啶曕 啶むぐ啶� 啶灌..
April 24, 2023
啶 啶む 啶膏い啷嵿く 啶灌 啶曕た 啶囙じ 啶夃お啶ㄠ啶ぞ啶� 啶曕た 啶むぐ啶� 啶嗋 啶 啶灌ぎ啶距ぐ啷� 啶膏ぎ啶距 啶啶� 啶愢じ啷€ 啶灌 啶曕 啶呧じ啶� 啶曕す啶距え啶苦く啶距 啶灌啶傕イ 啶溹 啶 啶侧た啶栢ぞ 啶灌 啶掂 啶膏が 啶膏い啷嵿く 啶啶班い啷€啶� 啶灌啶むぞ 啶灌 啷� 啶す 啶夃お啶ㄠ啶ぞ啶� 啶あ啶监啶� 啶啶班ぞ 啶え 啶ぐ啷囙ざ啶距え 啶膏ぞ 啶灌 啶椸く啶� 啶灌啷� 啶膏が啶膏 啶溹啶ぞ啶︵ぞ 啶︵啶� 啶い啶� 啶ㄠす啷€啶� 啶曕啶啶� 啶ぞ啶｀た啶� 啶啶侧啶侧ぞ 啶曕 啶侧た啶� 啶灌啶むぞ 啶灌啷� 啶夃じ啶ㄠ 啶囙え 啶膏が啶啶� 啶呧お啶ㄠ 啶曕ぅ啶� 啶膏啶ㄠぞ 啶︵ 啶斷ぐ 啶呧お啶ㄠぞ 啶掂啶ぞ啶曕啶� 啶膏ぞ 啶氞た啶む啶� 啶侧啶曕ぐ 啶曕す啷€啶� 啶啶∴ぜ 啶啶� 啶栢 啶椸く啶� 啶灌啷� 啶灌ぐ 啶忇 啶掂啶啷嵿い啶� 啶啶� 啶忇 啶ぞ啶｀た啶� 啶啶侧啶侧ぞ 啶灌啶傕イ 啶溹 啶栢啶� 啶 啶︵啶栢 啶灌啶� 啶斷ぐ 啶灌ぐ 啶曕た啶膏 啶曕 啶︵啶� 啶啶� 啶膏す啶ぞ啶椸 啶灌啷� 啶溹ぎ啷佮え啶�, 啶むえ啷嵿え啶�, 啶侧啶侧, 啶膏い啷嵿い啷€ 啶膏 啶侧啶曕ぐ 啶灌ぐ 啶忇 啶掂啶啷嵿い啶� 啶曕 啶曕ぅ啶� 啶ㄠ 啶︵啶� 啶︵た啶ぞ 啶ぐ啶傕い啷� 啶膏が啶膏 啶溹啶ぞ啶︵ぞ 啶︵啶� 啶ぞ啶｀た啶� 啶啶侧啶侧ぞ 啶曕 啶曕ぅ啶� 啶啶� 啶斷ぐ 啶嗋 啶啶� 啶夃じ 啶ぞ啶｀た啶� 啶曕 啶呧お啶ㄠ 啶呧啶︵ぐ 啶︵啶� 啶ぞ 啶班す啷€ 啶灌啶傕イ
December 13, 2021
My sister had this novella in her syllabus in Grad school. And I always wanted to read it but couldn't get to because of my own burden of studies.
But I had watched the movie and I didn't know that there's a movie based on this novella and I loved the movie, okay!
Now that I have read the book now because I love reading than watching, Jesus Christ! I loved it, I drank it sip by sip. And I am so glad to see the characters so closely. But I felt sad for Satti and the behaviour of Manik Mulla towards her.
But I had watched the movie and I didn't know that there's a movie based on this novella and I loved the movie, okay!
Now that I have read the book now because I love reading than watching, Jesus Christ! I loved it, I drank it sip by sip. And I am so glad to see the characters so closely. But I felt sad for Satti and the behaviour of Manik Mulla towards her.
February 2, 2022
The brilliance of dharamveer bharti
This is a collection of different intermingled stories . The story revolves around the concept of love and what it really is? The story has taken up the socioeconomic issues and conditions and how it affects the human decisions.
The story has much deeper philosophical contonation pertaining to the idea of love and necessity of it.
This is a collection of different intermingled stories . The story revolves around the concept of love and what it really is? The story has taken up the socioeconomic issues and conditions and how it affects the human decisions.
The story has much deeper philosophical contonation pertaining to the idea of love and necessity of it.
December 19, 2024
啶膏啶班 啶曕ぞ 啶膏ぞ啶むさ啶距 啶樴啶∴ぜ啶� - 啶忇 啶呧え啷傕啷� 啶啶班啶距ぐ 啶曕ぞ 啶侧啷� 啶夃お啶ㄠ啶ぞ啶� 啶灌啷� 啶囙じ啶啶� 啶ぞ啶｀た啶� 啶啶侧啶侧ぞ 啶呧お啶ㄠ 啶溹啶掂え 啶曕 啶掂た啶た啶ㄠ啶� 啶ぁ啶监ぞ啶� 啶啶� 啶む啶� 啶啶掂い啶苦く啷嬥 啶膏 啶嗋啶班啶粪た啶� 啶灌啶� 啶曕啶班ぎ啶多 - 啶溹ぎ啷佮え啶�, 啶侧た啶侧 啶斷ぐ 啶呧啶� 啶啶� 啶膏い啷嵿い啷€啷� 啶む啶ㄠ啶� 啶呧げ啶� 啶啶班啶距ぐ 啶曕 啶掂啶啷嵿い啶苦い啷嵿さ啷� 啶す啷佮い 啶灌 啶膏啶傕う啶� 啶⑧啶� 啶膏 啶侧啶栢 啶ㄠ 啶む啶ㄠ啶� 啶曕 啶嗋お啶� 啶啶� 啶溹啶∴ぜ啶� 啶灌 啶侧啶曕た啶� 啶む啶ㄠ啶� 啶曕ぞ 啶忇 啶︵啶膏ぐ啷� 啶膏 啶曕啶� 啶膏啶оぞ 啶膏啶ぐ啷嵿 啶ㄠす啷€啶傕イ
啶す 啶夃お啶ㄠ啶ぞ啶� 啶啶班啶� 啶曕 啶曕 啶ぐ啶む啶� 啶曕 啶膏す啶溹い啶距お啷傕ぐ啷嵿さ啶� 啶夃啶距啶� 啶曕ぐ啶む 啶灌 啶膏ぞ啶� 啶灌 啶膏ぞ啶ぞ啶溹た啶� 啶⑧ぞ啶傕啷� 啶曕 啶啷�
啶す 啶夃お啶ㄠ啶ぞ啶� 啶啶班啶� 啶曕 啶曕 啶ぐ啶む啶� 啶曕 啶膏す啶溹い啶距お啷傕ぐ啷嵿さ啶� 啶夃啶距啶� 啶曕ぐ啶む 啶灌 啶膏ぞ啶� 啶灌 啶膏ぞ啶ぞ啶溹た啶� 啶⑧ぞ啶傕啷� 啶曕 啶啷�
September 8, 2023
A great book in Hindi. I had seen a movie based on this book in 80s. Finally read the book and it was better than the movie. Book is little more difficult to follow if you are not good with Hindi. Overall a good read.
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