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丕賱賲孬賱
丕賱乇賵丕賷丞 丕賱孬丕賳賷丞 賲賳 丕賱賲噩賱丿 丕賱兀賵賱 賲賳 爻賱爻賱丞: 丿賵爻鬲賵賷賮爻賰賷 丕賱兀毓賲丕賱 丕賱兀丿亘賷丞 丕賱賰丕賲賱丞
221 pages, Paperback
First published January 1, 1846
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About the author
Fyodor Dostoevsky
3,221听books66.8k听followers
肖褢写芯褉 袦懈褏邪泄谢芯胁懈褔 袛芯褋褌芯械胁褋泻懈泄
(Russian)
Works, such as the novels Crime and Punishment (1866), The Idiot (1869), and The Brothers Karamazov (1880), of Russian writer Feodor Mikhailovich Dostoyevsky or Dostoevski combine religious mysticism with profound psychological insight.
Very influential writings of Mikhail Mikhailovich Bakhtin included Problems of Dostoyevsky's Works (1929),
Fyodor Mikhailovich Dostoevsky composed short stories, essays, and journals. His literature explores humans in the troubled political, social, and spiritual atmospheres of 19th-century and engages with a variety of philosophies and themes. People most acclaimed his Demons(1872) .
Many literary critics rate him of the greatest of world literature and consider multiple highly influential masterpieces. They consider his Notes from Underground of the first existentialist literature. He also well acts as a philosopher and theologian.
(Russian: 肖褢写芯褉 袦懈褏邪泄谢芯胁懈褔 袛芯褋褌芯械胁褋泻懈泄) (see also Fiodor Dosto茂evski)
Works, such as the novels Crime and Punishment (1866), The Idiot (1869), and The Brothers Karamazov (1880), of Russian writer Feodor Mikhailovich Dostoyevsky or Dostoevski combine religious mysticism with profound psychological insight.
Very influential writings of Mikhail Mikhailovich Bakhtin included Problems of Dostoyevsky's Works (1929),
Fyodor Mikhailovich Dostoevsky composed short stories, essays, and journals. His literature explores humans in the troubled political, social, and spiritual atmospheres of 19th-century and engages with a variety of philosophies and themes. People most acclaimed his Demons(1872) .
Many literary critics rate him of the greatest of world literature and consider multiple highly influential masterpieces. They consider his Notes from Underground of the first existentialist literature. He also well acts as a philosopher and theologian.
(Russian: 肖褢写芯褉 袦懈褏邪泄谢芯胁懈褔 袛芯褋褌芯械胁褋泻懈泄) (see also Fiodor Dosto茂evski)
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Displaying 1 - 30 of 3,488 reviews
January 6, 2024
鈥淲e are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass鈥︹€� T.S. Eliot 鈥� The Hollow Men
Yakov Golyadkin is one of those men and Fyodor Dostoyevsky enjoys deriding his hollowness鈥�
The main hero may seem to be full of high ideals but those ideals are nothing but his groundless fantasies. He is in love but he wants to win his love in a very strange way鈥�
When Yakov Golyadkin starts seeing his double or rather his evil doppelg盲nger, he just sees his doom and nemesis.
The Double by Fyodor Dostoyevsky and by are very close in their main idea 鈥� both Yakov Golyadkin and Gregor Samsa are superfluous persons for whom the world has no use so eventually it destroys them鈥�
Some are born to be masters of their lives and some are just fly-by-night moths hurrying to burn in the candle flame.
Yakov Golyadkin is one of those men and Fyodor Dostoyevsky enjoys deriding his hollowness鈥�
鈥淗itherto, gentlemen, you have not known me. To explain myself here and now would not be appropriate. I will only touch on it lightly in passing. There are people, gentlemen, who dislike roundabout ways and only mask themselves at masquerades. There are people who do not see man鈥檚 highest avocation in polishing the floor with their boots. There are people, gentlemen, who refuse to say that they are happy and enjoying a full life when, for instance, their trousers set properly. There are people, finally, who dislike dashing and whirling about for no object, fawning, and licking the dust, and above all, gentlemen, poking their noses where they are not wanted鈥� I鈥檝e told you almost everything, gentlemen; now allow me to withdraw鈥︹€�
The main hero may seem to be full of high ideals but those ideals are nothing but his groundless fantasies. He is in love but he wants to win his love in a very strange way鈥�
鈥淲hat if that chandelier,鈥� flashed through Mr. Golyadkin鈥檚 mind, 鈥渨ere to come down from the ceiling and fall upon the company. I should rush at once to save Klara Olsufyevna. 鈥楽ave her!鈥� I should cry. 鈥楧on鈥檛 be alarmed, madam, it鈥檚 of no consequence, I will rescue you, I.鈥� Then鈥︹€�
When Yakov Golyadkin starts seeing his double or rather his evil doppelg盲nger, he just sees his doom and nemesis.
The Double by Fyodor Dostoyevsky and by are very close in their main idea 鈥� both Yakov Golyadkin and Gregor Samsa are superfluous persons for whom the world has no use so eventually it destroys them鈥�
鈥淧erhaps it will all be for the best,鈥� he thought, 鈥渁nd perhaps in this way I鈥檝e run away from trouble.鈥� Mr. Golyadkin suddenly became all at once light-hearted. 鈥淥h, if only it could turn out for the best!鈥� thought our hero, though he put little faith in his own words. 鈥淚 know what I鈥檒l do鈥�,鈥� he thought. 鈥淣o, I know, I鈥檇 better try the other tack鈥� Or wouldn鈥檛 it be better to do this?...鈥�
Some are born to be masters of their lives and some are just fly-by-night moths hurrying to burn in the candle flame.
June 13, 2020
Nabokov considered this 鈥淒ostoyevsky鈥檚 best work,鈥� but, then again, Nabokov didn鈥檛 like Dostoyevsky: he also called the novella 鈥渁n obvious and shameless imitation of Gogol's "Nose." 鈥淭he Double鈥� is indeed a great work, though far from Dostoyevsky鈥檚 greatest (too full of repetitions, verbal and structural, too often willfully obscure), and鈥擨 would argue鈥攊t is great precisely because of the manner in which it obviously and shamelessly imitates Gogol.
In 鈥淭he Double,鈥� the twenty-five year old Dostoyevsky sought to discover his own path as a writer by imitating鈥攖o the point of parody鈥攖he style and themes of Gogol, a writer he dearly loved. He took Gogol鈥檚 typical protagonist鈥攁 middle class bureaucrat of the rank of 鈥渢itular councillor鈥攁nd speculated: how would a Gogol hero like this鈥攁 lonely egoist obsessed with rank, humiliated by slights, isolated in suspicion and near poverty鈥攔eact if he encountered a man who looked and acted exactly like himself and who began, little by little, to take over his life, his apartment, his acquaintances, even his duties as titular councillor? Dostoyevsky concluded such a man would certainly go mad, and decided to document鈥攆rom the protagonist鈥檚 point of view鈥攈is agonized descent into delusion.
In his exaggerated imitation of Gogol, Dostoevsky so thoroughly identifies with the councillor's point of view that his 鈥減arody鈥� becomes an implied criticism. Gogol鈥攁s he did in 鈥淭he Overcoat,鈥� 鈥淭he Nose,鈥� and 鈥淭he Diary of a Madman鈥濃€攚ould have abased his hero, ridiculed him, exploited him as a figure of fun and as an excuse for violent shifts in tone and mood, all the psychological insight he possessed subordinate to satiric intent and dramatic effect.
Dostoyevsky however was too compassionate a writer, too empathetic a man, to objectify his hero in this way. Instead, he identifies with him thoroughly, creates an experience so immediate and so real that the reader is forced to experience the consciousness of a madman, alternately consumed by shame and filled with elation, disoriented and alienated in a hostile and ambiguous world.
Where Gogol would have presented the reader with an absurd situation, a philosophical dilemma, Dostoevsky instead immerses him in a psychological crisis. And this psychological crisis, for those familiar with Dostoevsky鈥檚 later work, hints at the existential and theological crises yet to come.
June 15, 2019
Through the bureaucratic ocean of papers, there lies Josef K., bored with unanswered arguments.
Behind an unapologetic desk, Bartleby sits in silence, preferring nothing.
As a fearful door opens, Bashmachkin leaves the smothering atmosphere of the office, ready to meet with the others. All set to forget the tasteless morning coffee and the men trying to make their way through scheme and flattery, and recover the humanity once lost. The sun is setting. A gentle breeze with a scent of independence caresses their faces.
Golyadkin, our protagonist, is waiting for them.
The world of the oppressed rests in Dostoyevsky's prose. The essential analyst of the human nature.
Briefly, The Double is about Mr. Golyadkin and his doppelg盲nger, Mr. Golyadkin Jr., someone who has been born under a stressful snowstorm.
This novella has many elements that can be found in Gogol's work. His influence on Dostoyevsky is well-known. However, this writer dealt with those same themes with an innovative style that traces clear boundaries. He even did that with his own work. For me, this was nothing like the novels I have read before. Universal themes like oppression, sorrow, alienation, work and loneliness are always treated from different angles and original ways of execution. Originality perceived by the mind of S谩bato: we all are the sum of what we have read. Topics don't change; the way we deal with them might.
When I read , my eyes contemplated Dostoyevsky's genius, word by word. My copy is all written. I highlighted hundreds of sentences that tried to enlighten the intricate path toward the mind. A modest attempt at understanding. However, the times I underlined something on The Double was for the main purpose of keeping up with the story. Actions. Names. I din't find many memorable reflections that left me at awe. The ones I found were at the beginning, mostly. So, what then? It was all in the interpretation. The development of facts, the story itself was what left me staring at an invisible point, drawing in the air, pondering about my own existence and the futility of things.
The fragility of one of the most precious things we own. Our mind. A set of cognitive faculties. A place. A process. Sanity.
We cannot own our mind. Under certain circumstances鈥攕ad, nerve wracking, shameful circumstances鈥�, it reacts as it pleases. Or the best way it can. It is the main source of who we are and yet, a trivial fact has the power to break it. A single act. An accumulation of traumatic acts. A life of unfortunate events. A pile of obedient frustrations. The meek silence of unwanted, inevitable solitude. The desire of success in a suffocating environment with people that have already been chosen over you. The search of identity in an alienated world. You can't be alone too much.
These are just some of the observations that emerge from The Double, a true work of art that portrays a man's psychological struggle using a brushstroke of unforgiving reality. We are placed inside Golyadkin's head. We are privileged spectators of his mind. We see it work. We see it weep. We see it shocked, unable to move. We shout, because we know what to do (even though we probably would react the same way if we were in his shoes, you never know).
A privilege that thrills and frightens.
There's much emotion in Dostoyevsky's descriptive and cautious writing. So much, it's difficult to bear.
Sep 29, 15
* Note: Months ago, I watched a 2013 film starring Jesse Eisenberg, based on this novella. Artistically exquisite. Keep it in mind!
** Also on .
Behind an unapologetic desk, Bartleby sits in silence, preferring nothing.
As a fearful door opens, Bashmachkin leaves the smothering atmosphere of the office, ready to meet with the others. All set to forget the tasteless morning coffee and the men trying to make their way through scheme and flattery, and recover the humanity once lost. The sun is setting. A gentle breeze with a scent of independence caresses their faces.
Golyadkin, our protagonist, is waiting for them.
The world of the oppressed rests in Dostoyevsky's prose. The essential analyst of the human nature.
Briefly, The Double is about Mr. Golyadkin and his doppelg盲nger, Mr. Golyadkin Jr., someone who has been born under a stressful snowstorm.
This novella has many elements that can be found in Gogol's work. His influence on Dostoyevsky is well-known. However, this writer dealt with those same themes with an innovative style that traces clear boundaries. He even did that with his own work. For me, this was nothing like the novels I have read before. Universal themes like oppression, sorrow, alienation, work and loneliness are always treated from different angles and original ways of execution. Originality perceived by the mind of S谩bato: we all are the sum of what we have read. Topics don't change; the way we deal with them might.
When I read , my eyes contemplated Dostoyevsky's genius, word by word. My copy is all written. I highlighted hundreds of sentences that tried to enlighten the intricate path toward the mind. A modest attempt at understanding. However, the times I underlined something on The Double was for the main purpose of keeping up with the story. Actions. Names. I din't find many memorable reflections that left me at awe. The ones I found were at the beginning, mostly. So, what then? It was all in the interpretation. The development of facts, the story itself was what left me staring at an invisible point, drawing in the air, pondering about my own existence and the futility of things.
The fragility of one of the most precious things we own. Our mind. A set of cognitive faculties. A place. A process. Sanity.
His position at that moment was like the position of a man standing over a frightful precipice, when the earth breaks away under him, is rocking, shifting, sways for a last time, and falls, drawing him into the abyss, and meanwhile the unfortunate man has neither the strength nor the firmness of spirit to jump back, to take his eyes from the yawning chasm; the abyss draws him, and he finally leaps into it himself, himself hastening the moment of his own perdition. (39)
We cannot own our mind. Under certain circumstances鈥攕ad, nerve wracking, shameful circumstances鈥�, it reacts as it pleases. Or the best way it can. It is the main source of who we are and yet, a trivial fact has the power to break it. A single act. An accumulation of traumatic acts. A life of unfortunate events. A pile of obedient frustrations. The meek silence of unwanted, inevitable solitude. The desire of success in a suffocating environment with people that have already been chosen over you. The search of identity in an alienated world. You can't be alone too much.
These are just some of the observations that emerge from The Double, a true work of art that portrays a man's psychological struggle using a brushstroke of unforgiving reality. We are placed inside Golyadkin's head. We are privileged spectators of his mind. We see it work. We see it weep. We see it shocked, unable to move. We shout, because we know what to do (even though we probably would react the same way if we were in his shoes, you never know).
A privilege that thrills and frightens.
There's much emotion in Dostoyevsky's descriptive and cautious writing. So much, it's difficult to bear.
Sep 29, 15
* Note: Months ago, I watched a 2013 film starring Jesse Eisenberg, based on this novella. Artistically exquisite. Keep it in mind!
** Also on .
October 26, 2021
袛胁芯泄薪懈泻 = Dvojn铆k = The Double: Two Versions, Fyodor Dostoyevsky
The Double is a novella written by Fyodor Dostoyevsky. It was first published on January 30, 1846 in the Fatherland Notes. The Double centers on a government clerk who goes mad.
It deals with the internal psychological struggle of its main character, Yakov Petrovich Golyadkin, who repeatedly encounters someone who is his exact double in appearance but confident, aggressive, and extroverted, characteristics that are the polar opposites to those of the toadying "pushover" protagonist.
The motif of the novella is a doppelganger (an apparition or double of a living person).
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 亘蹖爻鬲 賵 趩賴丕乇賲 賲丕賴 賮賵乇蹖賴 爻丕賱 2009賲蹖賱丕丿蹖
毓賳賵丕賳: 賴賲夭丕丿貨 賳賵蹖爻賳丿賴: 賮卅賵丿賵乇 丿丕爻鬲丕蹖賵爻讴蹖 (丿丕爻鬲丕蹖賮爻讴蹖)貨 賲鬲乇噩賲: 丕蹖乇噩 賯乇蹖亘貨 鬲賴乇丕賳貙 賳賯乇賴貙 爻丕賱1368貨 丿乇258氐貨 趩丕倬 丿賵賲: 丌亘丕丿丕賳貙 倬乇爻卮貙 爻丕賱1381貨 丿乇238氐貨 趩丕倬 亘毓丿蹖貙 丌亘丕丿丕賳貙 爻丕賱1387貨 丿乇246氐貨 卮丕亘讴9789646629363貨 賲賵囟賵毓 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕 乇賵爻蹖赖 - 爻丿賴 19賲
毓賳賵丕賳: 賴賲夭丕丿貨 賳賵蹖爻賳丿賴: 賮卅賵丿賵乇 丿丕爻鬲丕蹖賵爻讴蹖貨 賲鬲乇噩賲: 賳丕氐乇 賲賵匕賳貨 鬲賴乇丕賳貙 鬲賳丿乇貙 爻丕賱1368貨 丿乇279氐貨
毓賳賵丕賳: 賴賲夭丕丿 - 卮毓乇蹖 倬鬲乇夭亘賵乇诏蹖貨 賳賵蹖爻賳丿賴: 賮卅賵丿賵乇 丿丕爻鬲丕蹖賵爻讴蹖貨 賲鬲乇噩賲: 爻乇賵卮 丨亘蹖亘蹖貨 鬲賴乇丕賳貙 賲丕賴蹖貙 爻丕賱1391貨 丿乇214氐貨 卮丕亘讴9789642091447貨
毓賳賵丕賳: 賴賲夭丕丿貨 賳賵蹖爻賳丿賴: 賮卅賵丿賵乇 丿丕爻鬲丕蹖賵爻讴蹖貨 賲鬲乇噩賲: 賳爻乇蹖賳 賲噩蹖丿蹖貨 鬲賴乇丕賳貙 乇賵夭诏丕乇貙 爻丕賱1393貨 丿乇184氐貨 卮丕亘讴9789643745257貨
毓賳賵丕賳: 賴賲夭丕丿貨 賳賵蹖爻賳丿賴: 賮卅賵丿賵乇 丿丕爻鬲丕蹖賵爻讴蹖貨 賲鬲乇噩賲: 胤賵亘蹖 賲乇丿丕賳蹖貨 鬲賴乇丕賳貙 亘賴賳賵丿貙 爻丕賱1396貨 丿乇252氐貨 卮丕亘讴9786007511169貨
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鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 21/10/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 03/08/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
The Double is a novella written by Fyodor Dostoyevsky. It was first published on January 30, 1846 in the Fatherland Notes. The Double centers on a government clerk who goes mad.
It deals with the internal psychological struggle of its main character, Yakov Petrovich Golyadkin, who repeatedly encounters someone who is his exact double in appearance but confident, aggressive, and extroverted, characteristics that are the polar opposites to those of the toadying "pushover" protagonist.
The motif of the novella is a doppelganger (an apparition or double of a living person).
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 亘蹖爻鬲 賵 趩賴丕乇賲 賲丕賴 賮賵乇蹖賴 爻丕賱 2009賲蹖賱丕丿蹖
毓賳賵丕賳: 賴賲夭丕丿貨 賳賵蹖爻賳丿賴: 賮卅賵丿賵乇 丿丕爻鬲丕蹖賵爻讴蹖 (丿丕爻鬲丕蹖賮爻讴蹖)貨 賲鬲乇噩賲: 丕蹖乇噩 賯乇蹖亘貨 鬲賴乇丕賳貙 賳賯乇賴貙 爻丕賱1368貨 丿乇258氐貨 趩丕倬 丿賵賲: 丌亘丕丿丕賳貙 倬乇爻卮貙 爻丕賱1381貨 丿乇238氐貨 趩丕倬 亘毓丿蹖貙 丌亘丕丿丕賳貙 爻丕賱1387貨 丿乇246氐貨 卮丕亘讴9789646629363貨 賲賵囟賵毓 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕 乇賵爻蹖赖 - 爻丿賴 19賲
毓賳賵丕賳: 賴賲夭丕丿貨 賳賵蹖爻賳丿賴: 賮卅賵丿賵乇 丿丕爻鬲丕蹖賵爻讴蹖貨 賲鬲乇噩賲: 賳丕氐乇 賲賵匕賳貨 鬲賴乇丕賳貙 鬲賳丿乇貙 爻丕賱1368貨 丿乇279氐貨
毓賳賵丕賳: 賴賲夭丕丿 - 卮毓乇蹖 倬鬲乇夭亘賵乇诏蹖貨 賳賵蹖爻賳丿賴: 賮卅賵丿賵乇 丿丕爻鬲丕蹖賵爻讴蹖貨 賲鬲乇噩賲: 爻乇賵卮 丨亘蹖亘蹖貨 鬲賴乇丕賳貙 賲丕賴蹖貙 爻丕賱1391貨 丿乇214氐貨 卮丕亘讴9789642091447貨
毓賳賵丕賳: 賴賲夭丕丿貨 賳賵蹖爻賳丿賴: 賮卅賵丿賵乇 丿丕爻鬲丕蹖賵爻讴蹖貨 賲鬲乇噩賲: 賳爻乇蹖賳 賲噩蹖丿蹖貨 鬲賴乇丕賳貙 乇賵夭诏丕乇貙 爻丕賱1393貨 丿乇184氐貨 卮丕亘讴9789643745257貨
毓賳賵丕賳: 賴賲夭丕丿貨 賳賵蹖爻賳丿賴: 賮卅賵丿賵乇 丿丕爻鬲丕蹖賵爻讴蹖貨 賲鬲乇噩賲: 胤賵亘蹖 賲乇丿丕賳蹖貨 鬲賴乇丕賳貙 亘賴賳賵丿貙 爻丕賱1396貨 丿乇252氐貨 卮丕亘讴9786007511169貨
乇賲丕賳 讴賵鬲丕賴 芦賴賲夭丕丿禄 賳爻亘鬲 亘賴 夭賲丕賳 賳诏丕乇卮 禺賵蹖卮貙 亘乇乇爻蹖 卮诏賮鬲 丕賳诏蹖夭蹖 丿乇 亘丕亘 乇賵丕賳鈥屫促嗀ж驰� 丌丿賲鈥屬囏й� 賳丕亘賴賳噩丕乇貙 丿乇 禺賵丿 賳賴賮鬲賴 丿丕乇丿貨 賯賴乇賲丕賳 丌賳 芦诏賵賱蹖丕丿讴蹖賳禄貙 讴丕乇賲賳丿 丿賵賱鬲 丕爻鬲貨 丕蹖卮丕賳 賲亘鬲賱丕 亘賴 噩賳賵賳 賮夭丕蹖賳丿賴鈥� 蹖 鬲毓賯蹖亘 賵 丌夭丕乇 賴爻鬲賳丿貨 芦诏賵賱蹖丕丿讴蹖賳禄 亘賴 賲乇丿蹖 亘乇賲蹖鈥屫堌必� 讴賴 毓蹖賳丕賸 亘賴 賴賲賵 賲蹖鈥屬呚з嗀� 賵 賴賲賳丕賲 丕賵爻鬲貨 賳禺爻鬲 芦诏賵賱蹖丕丿讴蹖賳禄 亘丕 丕賵 丿賵爻鬲蹖 賲蹖鈥屫堐屫� 賵 卮睾賱蹖 丿乇 丕丿丕乇賴鈥� 蹖 禺賵丿 亘乇丕蹖卮 丿爻鬲 賵 倬丕 賲蹖鈥屭┵嗀� 亘丕賯蹖 丿丕爻鬲丕賳 賲丕噩乇丕蹖 賯賴乇賲丕賳 乇丕 亘丕 賴賲夭丕丿卮 賲賵 亘賴 賲賵 賳賯賱 賲蹖鈥屭┵嗀� 芦诏賵賱蹖丕丿讴蹖賳禄 亘丕 禺卮賲蹖 乇賵 亘賴 賮夭賵賳蹖貙 賲蹖鈥屫ㄛ屬嗀� 讴賴 芦賴賲夭丕丿禄貙 鬲丨爻蹖賳 賵 毓賳丕蹖鬲賽 亘丕賱丕丿爻鬲賴丕貙 賵 賴賲讴丕乇丕賳卮 乇丕貙 亘賴 丿爻鬲 賲蹖鈥屫①堌必� 丨丕賱 丌賳讴賴 讴賵卮卮 禺賵丿卮貙 丿乇 讴爻亘 丌賳 賲夭丕蹖丕貙 亘蹖賴賵丿賴 亘賵丿賴 丕爻鬲貨 丿乇 匕賴賳 倬乇蹖卮丕賳 丕賵貙 芦賴賲夭丕丿禄貙 乇賴亘乇 丿爻蹖爻賴鈥� 丕蹖 毓賱蹖賴 丕賵爻鬲貙 賵 芦诏賵賱蹖丕丿讴蹖賳禄 亘丕乇賴丕 賲蹖鈥屭┵堌簇� 丌賳 丌丿賲 诏爻鬲丕禺 乇丕 賱賵 亘丿賴丿貨 丕賲丕 乇禺丿丕丿賴丕貙 丌賳诏賵賳賴 讴賴 芦诏賵賱蹖丕丿讴蹖賳禄 丕賳鬲馗丕乇 丿丕乇丿貙 倬蹖卮 賳賲蹖鈥屫辟堎嗀� 賵丕賯毓鈥屭必й屰� 乇賵丕賳卮賳丕禺鬲蹖 芦丿丕爻鬲丕蹖賮爻讴蹖禄貙 丿乇 丕蹖賳 讴鬲丕亘貙 亘賴 噩賱賵賴鈥� 賴丕蹖 賳蹖乇賵賲賳丿 鬲乇爻 賵 鬲乇丨賲貙 丿爻鬲 賲蹖鈥屰屫жㄘ� 鬲噩夭蹖賴 賵 鬲丨賱蹖賱 丨丕賱鬲賴丕蹖 乇賵丨蹖貙 賵 丕賮讴丕乇 卮禺氐蹖鬲 丕氐賱蹖貙 亘蹖鈥屫必呚з嗁囏� 賵 賵爻賵丕爻 亘乇丕賳诏蹖夭 丕爻鬲貨 賳蹖乇賵蹖蹖 讴賴 亘丿丕賳貙 芦丿丕爻鬲丕蹖賮爻讴蹖禄貙 賴爻鬲蹖 賵賴賲 丌賲蹖夭賽 芦賴賲夭丕丿禄 乇丕貙 賳诏丕賴 賲蹖鈥屫ж必� 賵 馗乇丕賮鬲 跇乇賮讴丕賵蹖賽 乇賵丕賳鈥屫促嗀ж屸€� 丕卮貙 丿乇 匕賴賳 賲賳丨乇賮 芦诏賵賱蹖丕丿讴蹖賳禄貙 賲賴丕乇鬲 賴賳乇蹖賽 賲賵孬乇 賳賵蹖爻賳丿賴鈥� 乇丕貙 丌卮讴丕乇 賲蹖鈥屭┵嗁嗀� 賳丕亘爻丕賲丕賳蹖 乇賵丕賳蹖 賯賴乇賲丕賳貙 亘蹖鈥� 丕乇鬲亘丕胤 亘賴 丕賵 賳蹖爻鬲貨 趩賳蹖賳 賲蹖鈥屬嗁呚й屫� 讴賴 丕蹖賳 賳禺爻鬲蹖賳 讴賵卮卮 丿乇 賲賵卮讴丕賮蹖 卮禺氐蹖鬲鈥屫� 亘乇丕蹖 丌賮乇蹖賳卮 亘乇禺蹖 丕夭 亘賴 蹖丕丿賲丕賳丿賳蹖鈥屫臂屬� 賯賴乇賲丕賳丕賳卮貙 丿乇 丌蹖賳丿賴 丕爻鬲
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 21/10/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 03/08/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
October 9, 2023
- "丕賱賲孬賱" 丕賵 "丕賱賯乇賷賳" 丕賵 "丕賱卮亘賷賴"锟斤拷 孬賱丕孬 賲賮乇丿丕鬲 鬲乇噩賲鬲 亘賴丕 賴匕賴 丕賱乇賵丕賷丞 賲賳 丕賱乇賵爻賷丞貙 賵丕賲賷賱 丕賱賶 "丕賱卮亘賷賴" 丕賰孬乇 賲賳 丕賱賲賮乇丿丕鬲 丕賱孬丕賳賷丞.
- 丕賱毓賲賱 丕賱孬丕賳賷 賱丿賵爻鬲賵賮爻賰賷 亘毓丿 丕賱賮賯乇丕亍貙 賵賯丿 賱丕賯賶 乇賮囟丕賸 賮賷 丨賷賳賴丕 亘賷賳 丕賱兀賵爻丕胤 丕賱兀丿亘賷丞貙 丨鬲賶 丕賳 丿賵爻鬲賵賮爻賰賷 丕乇丕丿 丕毓丕丿丞 賰鬲丕亘丞 賴匕賴 丕賱乇賵丕賷丞 丕賱丕 丕賳 賵賯鬲賴 賱賲 賷爻賲噩 賱賴 賮賷賲丕 亘毓丿貙 賱賰賳賴 賰丕賳 賷賯賵賱 丿丕卅賲丕賸 丕賳 丕賱賮賰乇丞 賲賲鬲丕夭丞 賵賴匕丕 丕賱賯丕賱亘 丕賱匕賷 禺乇噩鬲 賮賷賴.
- 丕賱乇賵丕賷丞 鬲馗賴乇 鬲兀孬賾乇 丿賵爻鬲賵賮爻賰賷 亘睾賵睾賱貙 賱賰賳 丿賵爻賳賵賮爻賰賷 睾丕氐 賮賷 賳賮爻賷丞 丕賱亘胤賱 賵賰卮賮 丕賱睾胤丕亍 毓賳 賳賮爻賷鬲賴 賵噩賳賵賳賴 賵丕丨丕爻賷爻賴 賵丕賳胤亘丕毓丕鬲賴 賵賱丨馗丕鬲 囟毓賮賴 賵賵賴賳賴... 賰卮賮 廿賳賮氐丕賲 丕賱卮禺氐賷丞 賵丕賱賲乇囟 丕賱賳賮爻賷 丕賱匕賷 丨賱 亘丕賱亘胤賱 丨賷孬 丕氐亘丨 丕賱賵賴賲 丕賱匕賷 丕禺鬲乇毓賴 丨賯賷賯丞 賲丕孬賱丞 丕賲丕賲賴貙 鬲鬲氐乇賮 亘毓賰爻賴貙 賮廿匕丕 賰丕賳 賴賵 囟毓賷賮丕賸 賮卮亘賷賴賴 賯賵賷 賵丕匕丕 賰丕賳 卮乇賷賮丕 賮卮亘賷賴 賳匕賱丕賸..
- 丕賱賮氐賵賱 丕賱兀乇亘毓丞 丕賱丕賵賱賶 丕鬲鬲 亘賱賷丿丞 亘毓囟 丕賱卮賷卅 乇睾賲 丕賴賲賷鬲賴丕 賱鬲亘賷丕賳 鬲胤賵乇丕賱卮禺氐賷丞 賱丕丨賯丕賸 賱賰賳 丕賱廿孬丕乇丞 賮賷 丕賱賯氐丞 鬲亘丿兀 賮賷 丕賱噩夭亍 丕賱禺丕賲爻貙 賵鬲亘丿兀 丕賱丨賵丕丿孬 賵鬲丨賱賷賱丕鬲賴丕 賵鬲亘丿兀 丕賱賯賷賲 丕賱賲噩鬲賲毓賷丞 賵鬲賳丕賯囟丕鬲賴丕 亘丕賱馗賴賵乇. 賴匕丕 丕賱鬲胤賵乇 丕賱匕賷 丕鬲噩賴 賲賳 爻賷卅 丕賱賶 丕爻賵亍 賮賱丕 鬲毓乇賮 亘丕賱賳賴丕賷丞 丕匕丕 賰賳鬲 爻鬲卮賮賯 毓賱賶 丕賱亘胤賱 丕賵 鬲睾囟亘 毓賱賷賴 丕賵 鬲禺丕賮 賲賳賴!
- 賴匕賴 丕賱乇賵丕賷丞 鬲毓鬲亘乇 孬丕賳賵賷丞 丕匕丕 賲丕 賯賷爻鬲 亘丕賱兀毓賲丕賱 丕賱賱丕丨賯丞 賱丿賵爻鬲賵賮爻賰賷貙 賱賰賳賴丕 亘匕丕鬲賴丕 丕亘丿丕毓貙 禺氐賵氐丕賸 丕賳 賰丕鬲亘賴丕 賰丕賳 賮賷 丕賱毓卮乇賷賳丕鬲 賲賳 毓賲乇賴 賵賯丿 亘賳賶 賴賰匕丕 乇賵丕賷丞 乇丕卅毓丞 毓賱賶 賴賰匕丕 賮賰乇丞!
- 丕賱毓賲賱 丕賱孬丕賳賷 賱丿賵爻鬲賵賮爻賰賷 亘毓丿 丕賱賮賯乇丕亍貙 賵賯丿 賱丕賯賶 乇賮囟丕賸 賮賷 丨賷賳賴丕 亘賷賳 丕賱兀賵爻丕胤 丕賱兀丿亘賷丞貙 丨鬲賶 丕賳 丿賵爻鬲賵賮爻賰賷 丕乇丕丿 丕毓丕丿丞 賰鬲丕亘丞 賴匕賴 丕賱乇賵丕賷丞 丕賱丕 丕賳 賵賯鬲賴 賱賲 賷爻賲噩 賱賴 賮賷賲丕 亘毓丿貙 賱賰賳賴 賰丕賳 賷賯賵賱 丿丕卅賲丕賸 丕賳 丕賱賮賰乇丞 賲賲鬲丕夭丞 賵賴匕丕 丕賱賯丕賱亘 丕賱匕賷 禺乇噩鬲 賮賷賴.
- 丕賱乇賵丕賷丞 鬲馗賴乇 鬲兀孬賾乇 丿賵爻鬲賵賮爻賰賷 亘睾賵睾賱貙 賱賰賳 丿賵爻賳賵賮爻賰賷 睾丕氐 賮賷 賳賮爻賷丞 丕賱亘胤賱 賵賰卮賮 丕賱睾胤丕亍 毓賳 賳賮爻賷鬲賴 賵噩賳賵賳賴 賵丕丨丕爻賷爻賴 賵丕賳胤亘丕毓丕鬲賴 賵賱丨馗丕鬲 囟毓賮賴 賵賵賴賳賴... 賰卮賮 廿賳賮氐丕賲 丕賱卮禺氐賷丞 賵丕賱賲乇囟 丕賱賳賮爻賷 丕賱匕賷 丨賱 亘丕賱亘胤賱 丨賷孬 丕氐亘丨 丕賱賵賴賲 丕賱匕賷 丕禺鬲乇毓賴 丨賯賷賯丞 賲丕孬賱丞 丕賲丕賲賴貙 鬲鬲氐乇賮 亘毓賰爻賴貙 賮廿匕丕 賰丕賳 賴賵 囟毓賷賮丕賸 賮卮亘賷賴賴 賯賵賷 賵丕匕丕 賰丕賳 卮乇賷賮丕 賮卮亘賷賴 賳匕賱丕賸..
- 丕賱賮氐賵賱 丕賱兀乇亘毓丞 丕賱丕賵賱賶 丕鬲鬲 亘賱賷丿丞 亘毓囟 丕賱卮賷卅 乇睾賲 丕賴賲賷鬲賴丕 賱鬲亘賷丕賳 鬲胤賵乇丕賱卮禺氐賷丞 賱丕丨賯丕賸 賱賰賳 丕賱廿孬丕乇丞 賮賷 丕賱賯氐丞 鬲亘丿兀 賮賷 丕賱噩夭亍 丕賱禺丕賲爻貙 賵鬲亘丿兀 丕賱丨賵丕丿孬 賵鬲丨賱賷賱丕鬲賴丕 賵鬲亘丿兀 丕賱賯賷賲 丕賱賲噩鬲賲毓賷丞 賵鬲賳丕賯囟丕鬲賴丕 亘丕賱馗賴賵乇. 賴匕丕 丕賱鬲胤賵乇 丕賱匕賷 丕鬲噩賴 賲賳 爻賷卅 丕賱賶 丕爻賵亍 賮賱丕 鬲毓乇賮 亘丕賱賳賴丕賷丞 丕匕丕 賰賳鬲 爻鬲卮賮賯 毓賱賶 丕賱亘胤賱 丕賵 鬲睾囟亘 毓賱賷賴 丕賵 鬲禺丕賮 賲賳賴!
- 賴匕賴 丕賱乇賵丕賷丞 鬲毓鬲亘乇 孬丕賳賵賷丞 丕匕丕 賲丕 賯賷爻鬲 亘丕賱兀毓賲丕賱 丕賱賱丕丨賯丞 賱丿賵爻鬲賵賮爻賰賷貙 賱賰賳賴丕 亘匕丕鬲賴丕 丕亘丿丕毓貙 禺氐賵氐丕賸 丕賳 賰丕鬲亘賴丕 賰丕賳 賮賷 丕賱毓卮乇賷賳丕鬲 賲賳 毓賲乇賴 賵賯丿 亘賳賶 賴賰匕丕 乇賵丕賷丞 乇丕卅毓丞 毓賱賶 賴賰匕丕 賮賰乇丞!
January 22, 2025
This novel's theme of the diabolical double and the collective conspiracy it deals with have undoubtedly inspired a few thrillers. Dostoievski was able to convey the narrator's paranoia. Unfortunately, however, this simple civil servant is gradually losing ground鈥攖he appearance of its double namesake and physical.
The novel's originality is that we enter the narrator's mind, and it isn't easy to distinguish between what is real and what the character fantasizes about. As a result, the outcome is ambiguous: it's up to us to form opinions. In this sense, the narrative works wonderfully and leaves us amid nightmarish turmoil.
However, I struggled to get into the novel and rushed out. The many repetitions of scenes, especially dialogue, tired me of this spiral of paranoia. There are many gripping and distressing passages, but I expected more, convinced by other Dostoyevsky novels that are more gripping and developed. I came out disappointed.
The novel's originality is that we enter the narrator's mind, and it isn't easy to distinguish between what is real and what the character fantasizes about. As a result, the outcome is ambiguous: it's up to us to form opinions. In this sense, the narrative works wonderfully and leaves us amid nightmarish turmoil.
However, I struggled to get into the novel and rushed out. The many repetitions of scenes, especially dialogue, tired me of this spiral of paranoia. There are many gripping and distressing passages, but I expected more, convinced by other Dostoyevsky novels that are more gripping and developed. I came out disappointed.
April 28, 2025
Un roman amuzant, influen葲at de Gogol, pre葲uit 卯ns膬 de Nabokov 卯ntr-o fraz膬 ambigu膬:
鈥�Dublul mi se pare cea mai bun膬 scriere [a lui Dostoievski]. Este o poveste foarte minu葲ios elaborat膬, cu detalii de tip joycean 葯i scris膬 卯ntr-un stil extrem de expresiv. O oper膬 de art膬 perfect膬鈥�.
Solitarul Iakov Petrovici Goliadkin 卯葯i ap膬r膬 postul de consilier titular 卯mpotriva unui alt Goliadkin, care e 卯ntru totul Goliadkin, de葯i nu e EL. De aici nedumirirea eroului:
鈥濧dic膬 eu nu s卯nt eu, nu s卯nt eu, 葯i basta!, spuse domnul Goliadkin, sco葲卯ndu-葯i p膬l膬ria 卯n fa葲a lui Andrei Filippovici 葯i nelu卯ndu-葯i privirea de la el. Eu, eu nu s卯nt eu, 葯opti el cu efort, nu s卯nt deloc eu, Andrei Filippovici, nu s卯nt eu deloc, nu s卯nt eu, 葯i basta鈥�.
Fire葯te c膬 la sf卯r葯it ajungem 葯i noi s膬 ne 卯ntreb膬m dac膬 stimabilul Goliadkin este cu adev膬rat el 卯nsu葯i: Iakov Petrovici Goliadkin... Dac膬 nici el nu 葯tie, e imposibil de stabilit identitatea dintre original 葯i intrus. C膬ci sinele cuiva - spune Oliver Sacks - este povestirea / narativa pe care un eu 葯i-o spune mereu 葯i mereu lui 卯nsu葯i - cu infinite modific膬ri. Goliadkin simte c膬 卯n povestea lui a intrat, brusc 葯i despotic, altcineva, un povestitor diferit...
P. S. Mai multe detalii pe tema dublului 卯n literatur膬:
鈥�Dublul mi se pare cea mai bun膬 scriere [a lui Dostoievski]. Este o poveste foarte minu葲ios elaborat膬, cu detalii de tip joycean 葯i scris膬 卯ntr-un stil extrem de expresiv. O oper膬 de art膬 perfect膬鈥�.
Solitarul Iakov Petrovici Goliadkin 卯葯i ap膬r膬 postul de consilier titular 卯mpotriva unui alt Goliadkin, care e 卯ntru totul Goliadkin, de葯i nu e EL. De aici nedumirirea eroului:
鈥濧dic膬 eu nu s卯nt eu, nu s卯nt eu, 葯i basta!, spuse domnul Goliadkin, sco葲卯ndu-葯i p膬l膬ria 卯n fa葲a lui Andrei Filippovici 葯i nelu卯ndu-葯i privirea de la el. Eu, eu nu s卯nt eu, 葯opti el cu efort, nu s卯nt deloc eu, Andrei Filippovici, nu s卯nt eu deloc, nu s卯nt eu, 葯i basta鈥�.
Fire葯te c膬 la sf卯r葯it ajungem 葯i noi s膬 ne 卯ntreb膬m dac膬 stimabilul Goliadkin este cu adev膬rat el 卯nsu葯i: Iakov Petrovici Goliadkin... Dac膬 nici el nu 葯tie, e imposibil de stabilit identitatea dintre original 葯i intrus. C膬ci sinele cuiva - spune Oliver Sacks - este povestirea / narativa pe care un eu 葯i-o spune mereu 葯i mereu lui 卯nsu葯i - cu infinite modific膬ri. Goliadkin simte c膬 卯n povestea lui a intrat, brusc 葯i despotic, altcineva, un povestitor diferit...
P. S. Mai multe detalii pe tema dublului 卯n literatur膬:
January 6, 2023
賮賰乇丞 毓亘賯乇賷丞 賵 乇賵丕賷丞 爻賷卅丞.
鬲爻鬲睾乇賯 賵賯鬲丕 胤賵賷賱丕 賱鬲丿乇賰 兀賳 丕賱兀丨丿丕孬 亘毓囟賴丕 丨賯賷賯丞 賵 亘毓囟賴丕 丕賱丌禺乇 兀賵賴丕賲 賮賷 乇兀爻 丕賱亘胤賱. 孬賲 賱丕 鬲丿乇賰 丕賱賮乇賯 亘賷賳 丕賱賵丕賯毓 賵 丕賱賵賴賲. 孬乇孬乇丞 賰孬賷乇丞 亘賱丕 胤丕卅賱 賵 兀丨丿丕孬 賲賲胤賵胤丞 賵 亘賱丕 鬲兀孬賷乇 丕賳 賳夭毓鬲賴丕 鬲賲丕賲丕 賲賳 丕賱乇賵丕賷丞 賵 賮氐賵賵賱 賲鬲鬲丕亘毓丞 賷賲賰賳 丕賱賲乇賵乇 毓賱賷賴丕 賲乇賵乇 丕賱賰乇丕賲 賱賷兀鬲賷 丕賱噩夭亍 丕賱兀禺賷乇 丨賷孬 丕賱廿孬丕乇丞 賵 丕賱賲鬲毓丞 賵 丕賱賳賴丕賷丞 丕賱賲兀爻賵賷丞 丕賱丨夭賷賳丞.
賱丕 卮賰 丕賳 丿賵爻鬲賵賷賮爻賰賷 賳賰丿賷 賲賳 賷賵賲賴 賮賯丿 賰丕賳鬲 鬲賱賰 丕賱乇賵丕賷丞 賴賷 丕賱廿賳鬲丕噩 丕賱孬丕賳賷 賱賴 賮賷 丕賱爻丕丨丞 丕賱兀丿亘賷丞 賱匕丕 噩丕亍鬲 賲鬲毓噩賱丞 賲鬲賰賱賮丞 賱賲 鬲賳賱 氐亘乇 賵 卮睾賮 賵 鬲賲賴賱 丕賱乇賵丕賷丞 丕賱兀賵賱賶 賵 賱丕 禺亘乇丞 賵 賮賱爻賮丞 丕賱乇賵丕賷丕鬲 丕賱鬲丕賱賷丞.
July 12, 2018
The morbidly sensitive and pretentious clerk Golyadkin, already clinically deranged by the social pressures of his office and by unrequited love, suffers a growing persecution mania, which leads him to encounter another man looking exactly like him who is the leader of a conspiracy against him. He is finally driven to a madhouse by a series of encounters with this being, who is sometimes clearly his own reflection in a glass, sometimes the embodiment of his own aggressive fantasies, sometimes an unpleasant ordinary mortal who happens to have the same name and appearance, and sometimes, in some supernatural way, himself.
Dostoevsky's voices are woven subtly together so that one hardly has time to register their differences in the flow of reading: an illusion of objectivity is thus created. Nonetheless, it does not go far enough to dispel an underlying, ghostly, whispering anxiety: is the double real or not? The real interpretive problem for the reader is deciding whether the double exists in the world, or only as a figment of Mr Golyadkin鈥檚 imagination. Is he mad? Does he have some sort of identity disorder? Is he the victim of some elaborate prank? or is it all simply true? It makes for a fascinating psychological study, whether or not there is a natural explanation within the narrative. Since the whole work is from Golyadkin鈥檚 perspective, albeit in the third person, the reader is trapped claustrophobically in his panicked and chaotic mindset. Other characters appear to see the double, but there is always the possibility that we are seeing their reactions through Mr Golyadkin鈥檚 eyes.
This is more or less the blueprint for later doppelganger narratives, often referenced in theory on the topic, and although the idea of the double is probably as old as humanity, Dostoevsky seems to have been one of the first writers to develop the idea. Structurally, the narrative works so well, and is less dense than some of his other novels. He really keeps you on your toes right up to it's finale. Reading this, lead me to Jos茅 Saramago's modern take on the doppelg盲nger, which I marginally prefered.
Dostoevsky's voices are woven subtly together so that one hardly has time to register their differences in the flow of reading: an illusion of objectivity is thus created. Nonetheless, it does not go far enough to dispel an underlying, ghostly, whispering anxiety: is the double real or not? The real interpretive problem for the reader is deciding whether the double exists in the world, or only as a figment of Mr Golyadkin鈥檚 imagination. Is he mad? Does he have some sort of identity disorder? Is he the victim of some elaborate prank? or is it all simply true? It makes for a fascinating psychological study, whether or not there is a natural explanation within the narrative. Since the whole work is from Golyadkin鈥檚 perspective, albeit in the third person, the reader is trapped claustrophobically in his panicked and chaotic mindset. Other characters appear to see the double, but there is always the possibility that we are seeing their reactions through Mr Golyadkin鈥檚 eyes.
This is more or less the blueprint for later doppelganger narratives, often referenced in theory on the topic, and although the idea of the double is probably as old as humanity, Dostoevsky seems to have been one of the first writers to develop the idea. Structurally, the narrative works so well, and is less dense than some of his other novels. He really keeps you on your toes right up to it's finale. Reading this, lead me to Jos茅 Saramago's modern take on the doppelg盲nger, which I marginally prefered.
May 22, 2024
賳氐乇鬲 乇丨賲丕賳蹖 卮丕毓乇 賲賵乇丿 毓賱丕賯賴鈥屫з� 丿乇 蹖讴蹖 丕夭 丕卮毓丕乇卮 賲蹖鈥屭堐屫�: 賲賳 禺爻鬲賴 賳蹖爻鬲賲 丿乇賴賲 卮讴爻鬲賴鈥屫з�
賮讴乇 讴賳賲 讴賲鬲乇 讴爻蹖鈥屫池� 讴賴 賮蹖賱賲 倬蹖丕賳蹖爻鬲 乇丕 賳丿蹖丿賴 亘丕卮丿.丿乇 爻讴丕賳爻蹖 丕夭 賮蹖賱賲 蹖讴 賳賮乇 賲蹖鈥屫③屫� 賵 丕夭 亘乇丕丿乇 丌丿乇蹖賳 亘乇賵丿蹖 貙乇賲丕賳蹖 丕夭 丿丕爻鬲丕蹖賮爻讴蹖 賲蹖禺乇丿鈥�
賳丕夭蹖鈥屬囏� 蹖賴賵丿蹖 賴丕 乇丕 噩賲毓 讴乇丿賴鈥屫з嗀� 貙丕賱丕賳 賴賲賴鈥屰� 蹖賴賵丿蹖 賴丕 丿乇 蹖讴 賲丨賱賴 丨亘爻 卮丿賴鈥屫з嗀� 貙賴蹖趩 趩蹖夭 亘乇丕蹖 禺賵乇丿賳 賳蹖爻鬲 貙賴蹖趩 倬賵賱蹖 賵噩賵丿 賳丿丕乇丿貙诏卮賳诏蹖 丿丕乇丿 亘賴 賴賲賴 賮卮丕乇 賲蹖鈥屫①堌必屫嘿� 賳丕賳 鬲丕 毓賲賯 丕爻鬲禺賵丕賳 倬蹖卮 乇賮鬲賴鈥ωз呚� 蹖讴 賳賮乇 讴賴 賲卮禺氐 賳蹖爻鬲 讴蹖爻鬲 貙 倬賵賱卮 乇丕 亘賴 禺乇蹖丿 乇賲丕賳蹖 丕夭 丿丕爻鬲丕蹖賮爻讴蹖 丿丕丿賴鈥�
爻丕賱賴丕 亘賵丿 讴賴 丕蹖賳 爻讴丕賳爻 丕夭 匕賴賳賲 亘蹖乇賵賳 賳賲蹖鈥屫辟佖�.賳賲蹖鈥屫堌з嗀池� 賮乇丕賲賵卮卮 讴賳賲鈥�
鬲丕 丕蹖賳讴賴 賮賴賲蹖丿賲 賴乇賲丕賳 賴爻賴 賳賵蹖爻賳丿賴鈥屰� 爻賵卅蹖爻蹖貙亘乇賳丿賴鈥屰� 賳賵亘賱 丕丿亘蹖丕鬲 賲蹖鈥屭堐屫�:
鈥� 芦夭賲丕賳蹖 卮乇賵毓 亘賴 禺賵丕賳丿賳 丿丕爻鬲丕蹖賵賮爻讴蹖 讴賳蹖丿 讴賴 睾賲诏蹖賳 賴爻鬲蹖丿 賵 丕丨爻丕爻 丿乇賲丕賳丿诏蹖 賲蹖 讴賳蹖丿. 夭賲丕賳蹖 讴賴 夭賳丿诏蹖 乇丕 賴賲趩賵賳 夭禺賲 爻乇 亘丕夭 讴乇丿賴 亘夭乇诏蹖 賲蹖 亘蹖賳蹖丿貙 夭賲丕賳蹖 讴賴 亘賴 鬲乇丿蹖丿 丿趩丕乇 卮丿賴 賵 賳丕丕賲蹖丿蹖 賵噩賵丿鬲丕賳 乇丕 賮乇丕 诏乇賮鬲賴鈥� 夭賲丕賳蹖 讴賴 丿乇 丕賵噩 丕賳丿賵賴 鬲賳賴丕卅蹖 亘賴 夭賳丿诏蹖 賳诏丕賴 賲蹖 讴賳蹖丿 賵 丿蹖诏乇 賲丕蹖賱 賳蹖爻鬲蹖丿 賴蹖趩 亘賴乇賴 丕蹖 丕夭 丕蹖賳 夭蹖亘丕卅蹖 亘蹖 乇丨賲 亘亘乇蹖丿. 鬲賳賴丕 丌賳 夭賲丕賳 丕爻鬲 讴賴 賲蹖 鬲賵丕賳蹖丿 亘賴 爻賵蹖 丿丕爻鬲丕蹖賵賮爻讴蹖 亘乇賵蹖丿.禄
倬爻 亘賴 賴賲蹖賳 丿賱蹖賱 亘賵丿 讴賴 丌賳 賲乇丿 倬賳丕賴 亘乇丿 亘賴 丿丕爻鬲丕蹖賮爻讴蹖.
丕賲丕 賯囟蹖賴 亘乇丕蹖 賲賳 讴賲蹖 賲鬲賮丕賵鬲 鬲乇 亘賵丿鈥�
讴鬲丕亘 噩賳丕蹖丕鬲 賵 賲讴丕賮丕鬲 乇賵 亘乇丿丕卮鬲賲 賵 夭蹖乇 爻乇賲 诏匕丕卮鬲賲 賵 卮乇賵毓 讴乇丿賲 亘賴 诏乇蹖賴 讴乇丿賳貙蹖丕丿賲 丕賮鬲丕丿 夭蹖乇 爻乇賲 讴鬲丕亘賴! 賵賱蹖 丿蹖诏賴 讴丕乇 丕夭 讴丕乇 诏匕卮鬲賴 亘賵丿 貙噩賱丿 讴鬲丕亘 禺蹖爻 卮丿賴 亘賵丿.
賲賳 亘賴 讴爻蹖 倬賳丕賴 亘乇丿賲 讴賴 賴賲蹖卮賴 亘蹖卮鬲乇蹖賳 賳賮乇鬲 乇賵 丕夭卮 丿丕卮鬲賲 蹖毓賳蹖 賮卅賵丿賵乇 丿丕爻鬲丕蹖賮爻讴蹖鈥�
賲賳 亘賴 讴鬲丕亘 讴爻蹖 倬賳丕賴 亘乇丿賲 讴賴 賴賲賴 噩丕 丕夭 丕賵賳 亘丿 诏賮鬲賲鈥�
賲賳 亘賴 讴鬲丕亘 讴爻蹖 倬賳丕賴 亘乇丿賲 讴賴 丕夭 爻乇 鬲賳賮乇 亘賴卮 蹖讴 爻鬲丕乇賴 丿丕丿賲 丕賵賳賲 丕夭 倬賳噩鈥�
賲賳 诏賳丕賴 讴丕乇 亘賵丿賲.禺噩丕賱鬲 賲蹖讴卮蹖丿賲 亘賴 讴鬲丕亘 賳诏丕賴 讴賳賲.丿賵爻鬲 丿丕卮鬲賲 丿丕爻鬲丕蹖賮爻讴蹖 亘賵丿 賵 亘賴卮 賲蹖诏賮鬲賲 賲賳 诏賳丕賴 讴丕乇賲 乇卅蹖爻.賲賳賵 亘亘禺卮鈥�
丕賵賳賲 賯胤毓丕 賲蹖鈥屭佖� : 丕诏賴 鬲賵 诏賳丕賴 讴丕乇蹖 蹖毓賳蹖 賴賲賴鈥屰� 賲丕 诏賳丕賴讴丕乇蹖賲.鬲丕 夭賲丕賳蹖 讴賴 蹖讴 诏賳丕賴讴丕乇 賵噩賵丿 丿丕卮鬲賴 亘丕卮丿 賴賲賴鈥屰� 賲丕 诏賳丕賴讴丕乇蹖賲.趩卮賲鈥屬囏й屫� 乇丕 倬丕讴 讴賳. 賳诏乇丕賳 賳亘丕卮 貙诏賳丕賴 鬲賵 乇丕 亘賴 爻賲鬲 亘賴鬲乇 卮丿賳 爻賵賯 禺賵丕賴丿 丿丕丿.
噩賳丕亘 丿丕爻鬲丕蹖賮爻讴蹖 賲賳 趩胤賵乇 賲蹖鬲賵賳賲 蹖讴蹖 賲孬賱 禺賵丿賲 乇賵 鬲丨賲賱 讴賳賲責
賮讴乇 讴賳賲 讴賲鬲乇 讴爻蹖鈥屫池� 讴賴 賮蹖賱賲 倬蹖丕賳蹖爻鬲 乇丕 賳丿蹖丿賴 亘丕卮丿.丿乇 爻讴丕賳爻蹖 丕夭 賮蹖賱賲 蹖讴 賳賮乇 賲蹖鈥屫③屫� 賵 丕夭 亘乇丕丿乇 丌丿乇蹖賳 亘乇賵丿蹖 貙乇賲丕賳蹖 丕夭 丿丕爻鬲丕蹖賮爻讴蹖 賲蹖禺乇丿鈥�
賳丕夭蹖鈥屬囏� 蹖賴賵丿蹖 賴丕 乇丕 噩賲毓 讴乇丿賴鈥屫з嗀� 貙丕賱丕賳 賴賲賴鈥屰� 蹖賴賵丿蹖 賴丕 丿乇 蹖讴 賲丨賱賴 丨亘爻 卮丿賴鈥屫з嗀� 貙賴蹖趩 趩蹖夭 亘乇丕蹖 禺賵乇丿賳 賳蹖爻鬲 貙賴蹖趩 倬賵賱蹖 賵噩賵丿 賳丿丕乇丿貙诏卮賳诏蹖 丿丕乇丿 亘賴 賴賲賴 賮卮丕乇 賲蹖鈥屫①堌必屫嘿� 賳丕賳 鬲丕 毓賲賯 丕爻鬲禺賵丕賳 倬蹖卮 乇賮鬲賴鈥ωз呚� 蹖讴 賳賮乇 讴賴 賲卮禺氐 賳蹖爻鬲 讴蹖爻鬲 貙 倬賵賱卮 乇丕 亘賴 禺乇蹖丿 乇賲丕賳蹖 丕夭 丿丕爻鬲丕蹖賮爻讴蹖 丿丕丿賴鈥�
爻丕賱賴丕 亘賵丿 讴賴 丕蹖賳 爻讴丕賳爻 丕夭 匕賴賳賲 亘蹖乇賵賳 賳賲蹖鈥屫辟佖�.賳賲蹖鈥屫堌з嗀池� 賮乇丕賲賵卮卮 讴賳賲鈥�
鬲丕 丕蹖賳讴賴 賮賴賲蹖丿賲 賴乇賲丕賳 賴爻賴 賳賵蹖爻賳丿賴鈥屰� 爻賵卅蹖爻蹖貙亘乇賳丿賴鈥屰� 賳賵亘賱 丕丿亘蹖丕鬲 賲蹖鈥屭堐屫�:
鈥� 芦夭賲丕賳蹖 卮乇賵毓 亘賴 禺賵丕賳丿賳 丿丕爻鬲丕蹖賵賮爻讴蹖 讴賳蹖丿 讴賴 睾賲诏蹖賳 賴爻鬲蹖丿 賵 丕丨爻丕爻 丿乇賲丕賳丿诏蹖 賲蹖 讴賳蹖丿. 夭賲丕賳蹖 讴賴 夭賳丿诏蹖 乇丕 賴賲趩賵賳 夭禺賲 爻乇 亘丕夭 讴乇丿賴 亘夭乇诏蹖 賲蹖 亘蹖賳蹖丿貙 夭賲丕賳蹖 讴賴 亘賴 鬲乇丿蹖丿 丿趩丕乇 卮丿賴 賵 賳丕丕賲蹖丿蹖 賵噩賵丿鬲丕賳 乇丕 賮乇丕 诏乇賮鬲賴鈥� 夭賲丕賳蹖 讴賴 丿乇 丕賵噩 丕賳丿賵賴 鬲賳賴丕卅蹖 亘賴 夭賳丿诏蹖 賳诏丕賴 賲蹖 讴賳蹖丿 賵 丿蹖诏乇 賲丕蹖賱 賳蹖爻鬲蹖丿 賴蹖趩 亘賴乇賴 丕蹖 丕夭 丕蹖賳 夭蹖亘丕卅蹖 亘蹖 乇丨賲 亘亘乇蹖丿. 鬲賳賴丕 丌賳 夭賲丕賳 丕爻鬲 讴賴 賲蹖 鬲賵丕賳蹖丿 亘賴 爻賵蹖 丿丕爻鬲丕蹖賵賮爻讴蹖 亘乇賵蹖丿.禄
倬爻 亘賴 賴賲蹖賳 丿賱蹖賱 亘賵丿 讴賴 丌賳 賲乇丿 倬賳丕賴 亘乇丿 亘賴 丿丕爻鬲丕蹖賮爻讴蹖.
丕賲丕 賯囟蹖賴 亘乇丕蹖 賲賳 讴賲蹖 賲鬲賮丕賵鬲 鬲乇 亘賵丿鈥�
讴鬲丕亘 噩賳丕蹖丕鬲 賵 賲讴丕賮丕鬲 乇賵 亘乇丿丕卮鬲賲 賵 夭蹖乇 爻乇賲 诏匕丕卮鬲賲 賵 卮乇賵毓 讴乇丿賲 亘賴 诏乇蹖賴 讴乇丿賳貙蹖丕丿賲 丕賮鬲丕丿 夭蹖乇 爻乇賲 讴鬲丕亘賴! 賵賱蹖 丿蹖诏賴 讴丕乇 丕夭 讴丕乇 诏匕卮鬲賴 亘賵丿 貙噩賱丿 讴鬲丕亘 禺蹖爻 卮丿賴 亘賵丿.
賲賳 亘賴 讴爻蹖 倬賳丕賴 亘乇丿賲 讴賴 賴賲蹖卮賴 亘蹖卮鬲乇蹖賳 賳賮乇鬲 乇賵 丕夭卮 丿丕卮鬲賲 蹖毓賳蹖 賮卅賵丿賵乇 丿丕爻鬲丕蹖賮爻讴蹖鈥�
賲賳 亘賴 讴鬲丕亘 讴爻蹖 倬賳丕賴 亘乇丿賲 讴賴 賴賲賴 噩丕 丕夭 丕賵賳 亘丿 诏賮鬲賲鈥�
賲賳 亘賴 讴鬲丕亘 讴爻蹖 倬賳丕賴 亘乇丿賲 讴賴 丕夭 爻乇 鬲賳賮乇 亘賴卮 蹖讴 爻鬲丕乇賴 丿丕丿賲 丕賵賳賲 丕夭 倬賳噩鈥�
賲賳 诏賳丕賴 讴丕乇 亘賵丿賲.禺噩丕賱鬲 賲蹖讴卮蹖丿賲 亘賴 讴鬲丕亘 賳诏丕賴 讴賳賲.丿賵爻鬲 丿丕卮鬲賲 丿丕爻鬲丕蹖賮爻讴蹖 亘賵丿 賵 亘賴卮 賲蹖诏賮鬲賲 賲賳 诏賳丕賴 讴丕乇賲 乇卅蹖爻.賲賳賵 亘亘禺卮鈥�
丕賵賳賲 賯胤毓丕 賲蹖鈥屭佖� : 丕诏賴 鬲賵 诏賳丕賴 讴丕乇蹖 蹖毓賳蹖 賴賲賴鈥屰� 賲丕 诏賳丕賴讴丕乇蹖賲.鬲丕 夭賲丕賳蹖 讴賴 蹖讴 诏賳丕賴讴丕乇 賵噩賵丿 丿丕卮鬲賴 亘丕卮丿 賴賲賴鈥屰� 賲丕 诏賳丕賴讴丕乇蹖賲.趩卮賲鈥屬囏й屫� 乇丕 倬丕讴 讴賳. 賳诏乇丕賳 賳亘丕卮 貙诏賳丕賴 鬲賵 乇丕 亘賴 爻賲鬲 亘賴鬲乇 卮丿賳 爻賵賯 禺賵丕賴丿 丿丕丿.
噩賳丕亘 丿丕爻鬲丕蹖賮爻讴蹖 賲賳 趩胤賵乇 賲蹖鬲賵賳賲 蹖讴蹖 賲孬賱 禺賵丿賲 乇賵 鬲丨賲賱 讴賳賲責
January 16, 2025
If a much cooler and more productive double of myself wants to come do my job while I go drink somewhere in peace, I鈥檇 simply let them.
February 10, 2017
鈥淪oy lo que parezco y no parezco lo que soy; soy un enigma inexplicable para m铆 mismo: 隆Mi 'yo' se ha escindido!"
(Medardus, Los elixires del Diablo, E.T.A. Hoffmann)
Cuando uno lee la obra de un autor en su totalidad, especialmente la de uno tan prol铆fico como Fi贸dor Dostoievski, sabe 铆ntimamente que r谩pidamente comenzar谩 a releer aquellos de sus libros que considere m谩s queridos y que m谩s hondo hayan calado en su coraz贸n y su mente. M谩s all谩 de la repercusi贸n que ese libro haya causado en la cr铆tica o en los lectores, uno sabe que est谩 entre sus favoritos y en mi caso, uno de ellos es "El Doble". Dostoievski escribi贸 mucho. Much铆simo. Si sum谩ramos las p谩ginas de su obra esta contendr铆a varios miles. En lo personal considero entre mis preferidos a este libro, "El Idiota", "Pobres Gentes", Humillados y Ofendidos", "Crimen y Castigo", "Los Hermanos Karam谩zov" y "Memorias del Subsuelo", puesto que han marcado a fuego mi devoci贸n por este genial y 煤nico escritor ruso a quien considero mi favorito (seguido de Franz Kafka), de modo que una relectura de sus cl谩sicos era inevitable y continuar谩 seguramente con otros t铆tulos de su obra.
La elecci贸n de "El Doble" responde a una afinidad muy particular que poseo particularmente por esta tem谩tica en la literatura. El Doble o "doppleg盲nger", t茅rmino de origen alem谩n y que significa "quien camina a mi lado" ha sido inspiraci贸n para much铆simos cuentos y novelas y ha sido utilizado por los escritores de diversas maneras. S贸lo es necesario recorrer algunos t铆tulos para descubrir la cantidad de veces que la literatura fue visitada por dobles: Dr. Jekyll & Mr. Hyde de Stevenson, William Wilson de Edgar Allan Poe, el monje Medardus de la novela "Los Elixires del Diablo" de E.T.A. Hoffmann (y de quien comentar茅 m谩s adelante), Tyler Durden de "El Club de la Pelea", de Chuck Palahniuk, "El Retrato de Dorian Gray" de Oscar Wilde, "El Hombre Duplicado" de Jos茅 Saramago y tantos otros que podr铆a listar para tener una idea de la abundancia de personajes tan particulares como atrayentes en 茅ste g茅nero.
En el caso de Dostoievski, su libro "El Doble" fue, tempranamente, un punto de inflexi贸n en su carrera puesto que iba a poner su reputaci贸n en el candelero literario r谩pidamente. Dostoievski hab铆a surgido de las tinieblas con una novela en forma epistolar que se llam贸 "Pobres Gentes" y que hab铆a suscitado la admiraci贸n exacerbada del cr铆tico literario m谩s importante que ten铆a Rusia a principios del siglo XIX, y me estoy refiriendo a Vissarion Bielinski. 脡ste, junto al poeta Nekr谩sov, hab铆an le铆do el libro debut de Dostoievski durante una noche completa y a la ma帽ana siguiente fueron a buscarlo para alabarlo con las mejores cr铆ticas, bautiz谩ndolo como "el nuevo G贸gol".
Esto le sirvi贸 a Dostoievski para poder ingresar a los distintos circuitos del mundillo literario de San Petersburgo y as铆 codearse con los c茅lebres autores de la 茅poca, como por ejemplo un joven Iv谩n Turgu茅niev. Su apellido fue r谩pidamente conocido por todo el mundo y le depositaron toda la confianza para sus pr贸ximas obras.
La idea de Dostoievski para su segundo libro cambiar铆a radicalmente respecto del argumento y tem谩tica del primero. El giro de 360掳 fue demasiado brusco y cuando "El Doble" apareci贸 a finales de 1846, produjo un impacto negativo que cambi贸 el brillante debut promisorio de un prodigio de las letras rusas al olvido casi sistem谩tico de 茅ste sumado a una cr铆tica cruel y despiadada. De m谩s est谩 decir que el libro fue fuertemente resistido y pas贸 sin pena ni gloria dejando a Dostoievski en una mala posici贸n literaria y sobre todo an铆mica de la que tardar铆a en reponerse. Puntualmente la causa m谩s cercana al fracaso de libro era la confusi贸n que 茅ste generaba en el lector y la extensi贸n un tanto desmedida para una obra sobre un hombre agobiado por la aparici贸n de un doble exactamente igual a 茅l.
Dostoievski construy贸 al personaje principal de "El Doble" creyendo que iba a causar revuelo en el sentido contrario, el de la originalidad, pero fue 茅sta la caracter铆stica que m谩s le reprocharon. En primer lugar remarcaron la gran influencia hoffmaniana (Dostoievski era un admirador del gran autor alem谩n); similitudes con el poema "El Jinete de Bronce" de otro de sus 铆dolos, el gran Alexandr Pushkin y adem谩s, gran parte de la cr铆tica ve铆a a "El Doble" como una burda imitaci贸n parodiante de los personajes de Nik贸lai G贸gol y especialmente ve铆an que se hab铆a servido de novelas y cuentos gogolianos como "El Capote", "La Nariz", "Almas Muertas" e incluso "Diario de un loco" para construir al personaje principal, el del Sr. Goliadkin. Si hasta su lacayo se llama Petrushka, al igual que el de Chichikov en "Almas Muertas".
Pero en verdad, 驴esto tan as铆? Debo reconocer que el estudio previo que incluye una investigaci贸n hist贸rica, literaria, personal y social de Dostoievski y Rusia, desarrollada por el argentino Alejandro Ariel Gonz谩lez, quien fuera premiado en Mosc煤 por la traducci贸n de este libro es sencillamente descomunal. Desde la explicaci贸n hist贸rica que inicia desde el legado del zar Pedro el Grande, hasta Nicol谩s I, quien instaurara la famosa "Tabla de Rangos" para ordenar todo el sistema burocr谩tico del Estado, hasta el entorno social de Dostoievski por esos a帽os, seguida por una profunda investigaci贸n de este libro y complementada por el testimonio de la cr铆tica contempor谩nea del autor hasta nuestros d铆as. Analiza tambi茅n las diferencias formales, estil铆sticas, argumentales y caracterol贸gicas entre ambas versiones.
En este volumen podemos leer las dos versiones de la novela, rica en notas, explicaciones y aclaraciones a pie de p谩gina. La edici贸n de 1846 se subtitulaba "Aventuras del se帽or Goliadkin" mientras que la de 1866 el mismo fue reemplazado por "Poema de Petersburgo". Como yo puntualmente hab铆a le铆do la versi贸n de 1866, opt茅 por leer la original de 1846 que es pr谩cticamente igual a la m谩s nueva en los primeros nueve cap铆tulos, pero que fue reeelaborada por Dostoievski a partir del cap铆tulo X hasta arribar a cambios profundos e incluso en los p谩rrafos finales. Y por 煤ltimo, podemos encontrar un peque帽o apartado con los Borradores para la planeada reelaboraci贸n de "El Doble", algo completamente in茅dito a煤n para los lectores m谩s dostoievskianos. Sencillamente impresionante.
Yendo un poco al an谩lisis de la novela uno se pregunta: 驴Realmente Dostoievski escribi贸 un libro flojo y desatinado? Pareciera que no.
Gonz谩lez nos explica que por alguna raz贸n, el autor no dej贸 nada al azar ni ning煤n cabo suelto. Es m谩s, reconoce que se inspir贸 en G贸gol y especialmente en Hoffmann para imprimirle las caracter铆sticas del doble al Sr. Goliadkin pero teniendo en cuenta detalles que a todos los lectores se nos pasar铆an por alto, comenzando por el nombre del personajes principal. Es el 煤nico caso en que Dostoievski llama a un personaje con el mote de "Sr." y no con nombre y patron铆mico como se estila en las novelas rusas. En segundo lugar nombre, patron铆mico y apellido del personaje: I谩kov Petr贸vich Goliadkin. Por ejemplo s贸lo tomaremos el nombre, de origen b铆blico y oh casualidad que I谩kov, forma rusa del nombre b铆blico Ya'akob, se basa en Jacob, hijo de Isaac y Rebecca que es adem谩s... hermano gemelo de Esa煤.
Pero esto no es todo. Entre otros detalles, cuando nos adentramos en la obra, leemos que el Sr. Goliadkin realiza un trayecto paralelo al r铆o Fontanka y varios sucesos se dan entre los puentes Ishmailovski y 脕nchikov y este 煤ltimo posee... si, posee sendas estatuas de los Di贸scuros C谩stor y Pollux, conocido en el zod铆aco como el signo de G茅minis. Es m谩s, en las notas al pie de la p谩gina 98, Gonz谩lez transcribe parte de la cr铆tica literaria de N.I. Os铆pov (circa 1929) y nos revela un dato m谩s que asombroso:
"Son muy interesantes las observaciones de Os铆pov acerca de la duplicidad y especularidad que recorren las p谩ginas del relato: Iv谩n Semion贸vich, funcionario que ocupa el sitio de Goliadkin y Semi贸n Ivanovich (difunto al que sustituye el Goliadkin menor); Goliadkin tiene dos jefes directos (Ant贸n Atnon贸vich y Andr茅i Fil铆ppovich, y dos superiores (Su Excelencia y Olsufi Iv谩novich); dos son los compa帽eros que encuentra por la calle, y dos son los encuentros con ellos; dos mujeres (Karolina Iv谩novna y Klara Ols煤fevna), dos criados (Petrushka y Evstafi), dos amanuenses (Ost谩fev y Pisarenko); dos son las viejas que casi derriba Goliadkin en el baile; dos son los vendedores ambulantes que derriba en la calle; dos son los rublos que le debe a Vajram茅iev, dos son las horas que espera en la escalera de servicio; dos tras la pila de le帽a; dos minutos; dos pasos; dos ojos de fuego lo miran en la oscuridad del coche que lo lleva al manicomio."
驴Parece esto obra de un inexperto escritor de 25 a帽os que quiso "probar suerte" con su segundo libro? Pues no. Dostoievski sab铆a muy bien d贸nde quer铆a llegar y entonces, al sufrir semejante rev茅s decide reescribir el libro veinte a帽os despu茅s, en 1866, a帽o que para variar ser铆a uno de los m谩s convulsionados de su vida, a punto de ir preso por no cumplir con su editor escribe "El Jugador" en tan s贸lo 26 d铆as y comienza a escribir los bosquejos iniciales de una de sus obras claves, "Crimen y Castigo, pero antes, reescribe y corrige "El Doble". S贸lo una mente brillante, 煤nica e inigualable como la de este escritor 煤nico puede desenvolverse bajo tanta presi贸n.
El Sr. Goliadkin ser谩 objeto de estudio de todo el mundo. Todos quieren llegar a desentra帽ar qui茅n es y qu茅 es lo que puntualmente sufre a lo largo de esta novela. Goliadkin formar谩 la famosa "Trilog铆a del Subsuelo" junto a personajes como Rodion Rom谩novich Rask贸lnikov, de "Crimen y Castigo" y el atormentado personaje sin nombre de su otro libro "Memorias del Subsuelo", personajes que le llamar铆an poderosamente la atenci贸n a uno de los m谩s grandes fil贸sofos de la historia como Frederick Nietzche. Yo, por sus caracter铆sticas, agregar铆a tambi茅n a esta trilog铆a a otros personajes dostoievskiano como el del cuento "El sue帽o de un hombre rid铆culo" y "El se帽or Projarchin", pero est谩 visto que los tres primeros conforman un tri谩ngulo psicol贸gico digno de estudio desde que esos libros aparecieran en su momento.
Cr铆ticos, lectores, fil贸sofos y psicoanalistas siguen debatiendo qui茅n es realmente el Sr. Goliadkin y esto que plantea muy seriamente Gonz谩lez en el estudio previo:
鈥澛縂oliadkin menor es real? 驴Es una alucinaci贸n? 驴Es una proyecci贸n? 驴S贸lo Goliadkin ve a su doble o tambi茅n lo ven los otros personajes? 驴Las cartas que escribe y recibe Goliadkin son reales o imaginarias? 驴Hay una conspiraci贸n en su contra o todo es producto de su perturbada psiquis? 驴Realidad y delirio est谩n delimitados o se funden?... 驴El Doble es s贸lo una historia de una locura? 驴Es un relato fant谩stico? Si fuese lo primero, 驴Goliadkin est谩 loco desde un principio o se vuelve loco durante el relato? 驴Goliadkin menor es causo o consecuencia de la locura del protagonista? 驴Cu谩l es su dolencia? 驴Paranoia? 驴Esquizofrenia? 驴Man铆a de grandeza? 驴Por qu茅 enloquece? Si fuese lo segundo, 驴qu茅 representa la figura del doble? 驴Cabe hablar de desdoblamiento de personalidad o de duplicaci贸n? M谩s en general, 驴puede hablarse de cr铆tica social? 驴De novela de tesis? 驴De parodia? Todas estas cuestiones est谩n en el centro del debate.鈥�
Lo cierto es que "El Doble" no es para nada un libro de menor importancia que otras obras cumbres de Fi贸dor Dostoievski. Sirvi贸 como punto de partida para iniciar la verdadera carrera literaria de este autor que perfeccionar铆a la construcci贸n psicol贸gica de otros personajes tan complejos como Iv谩n Karam谩zov, Piotr Verjovensky, Rodion Rask贸lnikov, Nik贸lai St谩vroguin, Arkady Dolgoruki o Alex茅i Kirilov, s贸lo por nombrar algunos de sus tantos personajes.
Dostoievski es uno de los m谩s grandes novelistas en la historia de la literatura y seg煤n mi humilde opini贸n fue gracias a "El Doble" y no a "Pobres Gentes" como se transform贸 en la gloria literaria que representa para m铆 y para muchos lectores dostoievskianos a quien, gracias a sus incontables ense帽anzas, lo queremos sencillamente como a un padre.
(Medardus, Los elixires del Diablo, E.T.A. Hoffmann)
Cuando uno lee la obra de un autor en su totalidad, especialmente la de uno tan prol铆fico como Fi贸dor Dostoievski, sabe 铆ntimamente que r谩pidamente comenzar谩 a releer aquellos de sus libros que considere m谩s queridos y que m谩s hondo hayan calado en su coraz贸n y su mente. M谩s all谩 de la repercusi贸n que ese libro haya causado en la cr铆tica o en los lectores, uno sabe que est谩 entre sus favoritos y en mi caso, uno de ellos es "El Doble". Dostoievski escribi贸 mucho. Much铆simo. Si sum谩ramos las p谩ginas de su obra esta contendr铆a varios miles. En lo personal considero entre mis preferidos a este libro, "El Idiota", "Pobres Gentes", Humillados y Ofendidos", "Crimen y Castigo", "Los Hermanos Karam谩zov" y "Memorias del Subsuelo", puesto que han marcado a fuego mi devoci贸n por este genial y 煤nico escritor ruso a quien considero mi favorito (seguido de Franz Kafka), de modo que una relectura de sus cl谩sicos era inevitable y continuar谩 seguramente con otros t铆tulos de su obra.
La elecci贸n de "El Doble" responde a una afinidad muy particular que poseo particularmente por esta tem谩tica en la literatura. El Doble o "doppleg盲nger", t茅rmino de origen alem谩n y que significa "quien camina a mi lado" ha sido inspiraci贸n para much铆simos cuentos y novelas y ha sido utilizado por los escritores de diversas maneras. S贸lo es necesario recorrer algunos t铆tulos para descubrir la cantidad de veces que la literatura fue visitada por dobles: Dr. Jekyll & Mr. Hyde de Stevenson, William Wilson de Edgar Allan Poe, el monje Medardus de la novela "Los Elixires del Diablo" de E.T.A. Hoffmann (y de quien comentar茅 m谩s adelante), Tyler Durden de "El Club de la Pelea", de Chuck Palahniuk, "El Retrato de Dorian Gray" de Oscar Wilde, "El Hombre Duplicado" de Jos茅 Saramago y tantos otros que podr铆a listar para tener una idea de la abundancia de personajes tan particulares como atrayentes en 茅ste g茅nero.
En el caso de Dostoievski, su libro "El Doble" fue, tempranamente, un punto de inflexi贸n en su carrera puesto que iba a poner su reputaci贸n en el candelero literario r谩pidamente. Dostoievski hab铆a surgido de las tinieblas con una novela en forma epistolar que se llam贸 "Pobres Gentes" y que hab铆a suscitado la admiraci贸n exacerbada del cr铆tico literario m谩s importante que ten铆a Rusia a principios del siglo XIX, y me estoy refiriendo a Vissarion Bielinski. 脡ste, junto al poeta Nekr谩sov, hab铆an le铆do el libro debut de Dostoievski durante una noche completa y a la ma帽ana siguiente fueron a buscarlo para alabarlo con las mejores cr铆ticas, bautiz谩ndolo como "el nuevo G贸gol".
Esto le sirvi贸 a Dostoievski para poder ingresar a los distintos circuitos del mundillo literario de San Petersburgo y as铆 codearse con los c茅lebres autores de la 茅poca, como por ejemplo un joven Iv谩n Turgu茅niev. Su apellido fue r谩pidamente conocido por todo el mundo y le depositaron toda la confianza para sus pr贸ximas obras.
La idea de Dostoievski para su segundo libro cambiar铆a radicalmente respecto del argumento y tem谩tica del primero. El giro de 360掳 fue demasiado brusco y cuando "El Doble" apareci贸 a finales de 1846, produjo un impacto negativo que cambi贸 el brillante debut promisorio de un prodigio de las letras rusas al olvido casi sistem谩tico de 茅ste sumado a una cr铆tica cruel y despiadada. De m谩s est谩 decir que el libro fue fuertemente resistido y pas贸 sin pena ni gloria dejando a Dostoievski en una mala posici贸n literaria y sobre todo an铆mica de la que tardar铆a en reponerse. Puntualmente la causa m谩s cercana al fracaso de libro era la confusi贸n que 茅ste generaba en el lector y la extensi贸n un tanto desmedida para una obra sobre un hombre agobiado por la aparici贸n de un doble exactamente igual a 茅l.
Dostoievski construy贸 al personaje principal de "El Doble" creyendo que iba a causar revuelo en el sentido contrario, el de la originalidad, pero fue 茅sta la caracter铆stica que m谩s le reprocharon. En primer lugar remarcaron la gran influencia hoffmaniana (Dostoievski era un admirador del gran autor alem谩n); similitudes con el poema "El Jinete de Bronce" de otro de sus 铆dolos, el gran Alexandr Pushkin y adem谩s, gran parte de la cr铆tica ve铆a a "El Doble" como una burda imitaci贸n parodiante de los personajes de Nik贸lai G贸gol y especialmente ve铆an que se hab铆a servido de novelas y cuentos gogolianos como "El Capote", "La Nariz", "Almas Muertas" e incluso "Diario de un loco" para construir al personaje principal, el del Sr. Goliadkin. Si hasta su lacayo se llama Petrushka, al igual que el de Chichikov en "Almas Muertas".
Pero en verdad, 驴esto tan as铆? Debo reconocer que el estudio previo que incluye una investigaci贸n hist贸rica, literaria, personal y social de Dostoievski y Rusia, desarrollada por el argentino Alejandro Ariel Gonz谩lez, quien fuera premiado en Mosc煤 por la traducci贸n de este libro es sencillamente descomunal. Desde la explicaci贸n hist贸rica que inicia desde el legado del zar Pedro el Grande, hasta Nicol谩s I, quien instaurara la famosa "Tabla de Rangos" para ordenar todo el sistema burocr谩tico del Estado, hasta el entorno social de Dostoievski por esos a帽os, seguida por una profunda investigaci贸n de este libro y complementada por el testimonio de la cr铆tica contempor谩nea del autor hasta nuestros d铆as. Analiza tambi茅n las diferencias formales, estil铆sticas, argumentales y caracterol贸gicas entre ambas versiones.
En este volumen podemos leer las dos versiones de la novela, rica en notas, explicaciones y aclaraciones a pie de p谩gina. La edici贸n de 1846 se subtitulaba "Aventuras del se帽or Goliadkin" mientras que la de 1866 el mismo fue reemplazado por "Poema de Petersburgo". Como yo puntualmente hab铆a le铆do la versi贸n de 1866, opt茅 por leer la original de 1846 que es pr谩cticamente igual a la m谩s nueva en los primeros nueve cap铆tulos, pero que fue reeelaborada por Dostoievski a partir del cap铆tulo X hasta arribar a cambios profundos e incluso en los p谩rrafos finales. Y por 煤ltimo, podemos encontrar un peque帽o apartado con los Borradores para la planeada reelaboraci贸n de "El Doble", algo completamente in茅dito a煤n para los lectores m谩s dostoievskianos. Sencillamente impresionante.
Yendo un poco al an谩lisis de la novela uno se pregunta: 驴Realmente Dostoievski escribi贸 un libro flojo y desatinado? Pareciera que no.
Gonz谩lez nos explica que por alguna raz贸n, el autor no dej贸 nada al azar ni ning煤n cabo suelto. Es m谩s, reconoce que se inspir贸 en G贸gol y especialmente en Hoffmann para imprimirle las caracter铆sticas del doble al Sr. Goliadkin pero teniendo en cuenta detalles que a todos los lectores se nos pasar铆an por alto, comenzando por el nombre del personajes principal. Es el 煤nico caso en que Dostoievski llama a un personaje con el mote de "Sr." y no con nombre y patron铆mico como se estila en las novelas rusas. En segundo lugar nombre, patron铆mico y apellido del personaje: I谩kov Petr贸vich Goliadkin. Por ejemplo s贸lo tomaremos el nombre, de origen b铆blico y oh casualidad que I谩kov, forma rusa del nombre b铆blico Ya'akob, se basa en Jacob, hijo de Isaac y Rebecca que es adem谩s... hermano gemelo de Esa煤.
Pero esto no es todo. Entre otros detalles, cuando nos adentramos en la obra, leemos que el Sr. Goliadkin realiza un trayecto paralelo al r铆o Fontanka y varios sucesos se dan entre los puentes Ishmailovski y 脕nchikov y este 煤ltimo posee... si, posee sendas estatuas de los Di贸scuros C谩stor y Pollux, conocido en el zod铆aco como el signo de G茅minis. Es m谩s, en las notas al pie de la p谩gina 98, Gonz谩lez transcribe parte de la cr铆tica literaria de N.I. Os铆pov (circa 1929) y nos revela un dato m谩s que asombroso:
"Son muy interesantes las observaciones de Os铆pov acerca de la duplicidad y especularidad que recorren las p谩ginas del relato: Iv谩n Semion贸vich, funcionario que ocupa el sitio de Goliadkin y Semi贸n Ivanovich (difunto al que sustituye el Goliadkin menor); Goliadkin tiene dos jefes directos (Ant贸n Atnon贸vich y Andr茅i Fil铆ppovich, y dos superiores (Su Excelencia y Olsufi Iv谩novich); dos son los compa帽eros que encuentra por la calle, y dos son los encuentros con ellos; dos mujeres (Karolina Iv谩novna y Klara Ols煤fevna), dos criados (Petrushka y Evstafi), dos amanuenses (Ost谩fev y Pisarenko); dos son las viejas que casi derriba Goliadkin en el baile; dos son los vendedores ambulantes que derriba en la calle; dos son los rublos que le debe a Vajram茅iev, dos son las horas que espera en la escalera de servicio; dos tras la pila de le帽a; dos minutos; dos pasos; dos ojos de fuego lo miran en la oscuridad del coche que lo lleva al manicomio."
驴Parece esto obra de un inexperto escritor de 25 a帽os que quiso "probar suerte" con su segundo libro? Pues no. Dostoievski sab铆a muy bien d贸nde quer铆a llegar y entonces, al sufrir semejante rev茅s decide reescribir el libro veinte a帽os despu茅s, en 1866, a帽o que para variar ser铆a uno de los m谩s convulsionados de su vida, a punto de ir preso por no cumplir con su editor escribe "El Jugador" en tan s贸lo 26 d铆as y comienza a escribir los bosquejos iniciales de una de sus obras claves, "Crimen y Castigo, pero antes, reescribe y corrige "El Doble". S贸lo una mente brillante, 煤nica e inigualable como la de este escritor 煤nico puede desenvolverse bajo tanta presi贸n.
El Sr. Goliadkin ser谩 objeto de estudio de todo el mundo. Todos quieren llegar a desentra帽ar qui茅n es y qu茅 es lo que puntualmente sufre a lo largo de esta novela. Goliadkin formar谩 la famosa "Trilog铆a del Subsuelo" junto a personajes como Rodion Rom谩novich Rask贸lnikov, de "Crimen y Castigo" y el atormentado personaje sin nombre de su otro libro "Memorias del Subsuelo", personajes que le llamar铆an poderosamente la atenci贸n a uno de los m谩s grandes fil贸sofos de la historia como Frederick Nietzche. Yo, por sus caracter铆sticas, agregar铆a tambi茅n a esta trilog铆a a otros personajes dostoievskiano como el del cuento "El sue帽o de un hombre rid铆culo" y "El se帽or Projarchin", pero est谩 visto que los tres primeros conforman un tri谩ngulo psicol贸gico digno de estudio desde que esos libros aparecieran en su momento.
Cr铆ticos, lectores, fil贸sofos y psicoanalistas siguen debatiendo qui茅n es realmente el Sr. Goliadkin y esto que plantea muy seriamente Gonz谩lez en el estudio previo:
鈥澛縂oliadkin menor es real? 驴Es una alucinaci贸n? 驴Es una proyecci贸n? 驴S贸lo Goliadkin ve a su doble o tambi茅n lo ven los otros personajes? 驴Las cartas que escribe y recibe Goliadkin son reales o imaginarias? 驴Hay una conspiraci贸n en su contra o todo es producto de su perturbada psiquis? 驴Realidad y delirio est谩n delimitados o se funden?... 驴El Doble es s贸lo una historia de una locura? 驴Es un relato fant谩stico? Si fuese lo primero, 驴Goliadkin est谩 loco desde un principio o se vuelve loco durante el relato? 驴Goliadkin menor es causo o consecuencia de la locura del protagonista? 驴Cu谩l es su dolencia? 驴Paranoia? 驴Esquizofrenia? 驴Man铆a de grandeza? 驴Por qu茅 enloquece? Si fuese lo segundo, 驴qu茅 representa la figura del doble? 驴Cabe hablar de desdoblamiento de personalidad o de duplicaci贸n? M谩s en general, 驴puede hablarse de cr铆tica social? 驴De novela de tesis? 驴De parodia? Todas estas cuestiones est谩n en el centro del debate.鈥�
Lo cierto es que "El Doble" no es para nada un libro de menor importancia que otras obras cumbres de Fi贸dor Dostoievski. Sirvi贸 como punto de partida para iniciar la verdadera carrera literaria de este autor que perfeccionar铆a la construcci贸n psicol贸gica de otros personajes tan complejos como Iv谩n Karam谩zov, Piotr Verjovensky, Rodion Rask贸lnikov, Nik贸lai St谩vroguin, Arkady Dolgoruki o Alex茅i Kirilov, s贸lo por nombrar algunos de sus tantos personajes.
Dostoievski es uno de los m谩s grandes novelistas en la historia de la literatura y seg煤n mi humilde opini贸n fue gracias a "El Doble" y no a "Pobres Gentes" como se transform贸 en la gloria literaria que representa para m铆 y para muchos lectores dostoievskianos a quien, gracias a sus incontables ense帽anzas, lo queremos sencillamente como a un padre.
June 23, 2024
兀賵賱丕 賵賯亘賱 賰賱 卮卅 兀丨亘 兀賳 丕賵噩賴 丕賱卮賰乇 賱賱氐丿賷賯鬲賷賳 丕賱睾丕賱賷鬲賷賳 毓賱賶 賲卮丕乇賰鬲賴賲 賱賷 賱賯乇丕亍丞 賴匕賴 丕賱乇賵丕賷丞.
氐丿賷賯鬲賷 毓丕卅卮丞 賵丕賱鬲賶 兀賰鬲卮賮鬲 丨亘賴丕 賱丿賵爻鬲賵賷賮爻賰賶 賲丐禺乇丕賸 賵爻毓賷丿丞 亘賴丕 . 鉂�
賵氐丿賷賯鬲賷 爻丕乇丞 爻賲賷乇 丕賱鬲賷 兀卮毓乇 亘丕賱爻毓丕丿丞 賲毓 賰賱 乇賵丕賷丞 鬲賯乇兀賴丕 賱丿賵爻鬲賵賷賮爻賰賷 賵鬲毓噩亘賴丕 .賵爻毓賷丿丞 亘賲卮丕乇賰鬲賳丕 賱賴匕賴 丕賱乇賵丕賷丞 亘毓丿 賲乇賵乇 賵賯鬲 胤賵賷賱 賱賲 賳賯乇兀 亘賴 賱丿賵爻鬲賵賷賮爻賰賷 賲毓丕賸 鉂�
孬丕賳賷丕賸 賴匕賴 丕賱賲乇丕噩毓丞 賯丿 鬲賰賵賳 賲禺鬲賱賮丞 亘毓囟 丕賱卮卅 賵乇亘賲丕 賱丕 鬲賰賵賳 賲乇丕噩毓丞 毓賳 丕賱乇賵丕賷丞 亘丕賱賲毓賳賷 丕賱丿賯賷賯 . 賲乇丕噩毓丞 亘賴丕 丕賱賰孬賷乇 賲賳 賴匕賷丕賳賷 賵賱賳 丕噩丿 乇賵丕賷丞 兀亘孬 賮賷賴丕 賲丕 亘丿丕禺賱賶 賲賳 鬲禺亘胤丕鬲 兀賰孬乇 賲賳 乇賵丕賷丞 賱毓夭賷夭賶 丿賵爻鬲賵賷賮爻賰賷 丕賱匕賷 丕噩丿賴 丿賵賲丕 丕賰孬乇 賲賲賳 賷爻鬲胤賷毓賵賳 丕賱鬲毓亘賷乇 毓賳 鬲禺亘胤丕鬲 丕賱賳賮爻 丕賱亘卮乇賷丞 賵賴匕賷丕賳賴丕 丕賱丿丕禺賱賶 . 賵亘丕賱鬲兀賰賷丿 賱賳 兀爻鬲胤賷毓 丕賱鬲毓亘賷乇 亘丕賱賰丕賲賱 毓賲丕 賷丿賵乇 賮賷 毓賯賱賷 賵毓賲丕 兀爻鬲卮毓乇賴 亘賯賱亘賷.
" 賱賲丕匕丕 賱丕 兀賲賱賰 兀爻賱賵亘丕賸 賮氐賷丨丕賸 噩匕丕亘丕賸 貙 亘賱賷睾丕賸 貙 賷乇賯賷 廿賱賶 賲爻鬲賵賶 鬲賱賰 丕賱賱丨馗丕鬲 丕賱毓馗賷賲丞 丕賱賲丐孬乇丞 賮賷 丨賷丕丞 丕賱亘卮乇賷丞 ....."
賱賳 鬲氐賱賰 乇爻丕賱鬲賷 賵賱賳 兀爻鬲胤賷毓 兀賳 兀賱鬲賯賷 亘賰 . 賱賰賳 賲毓 賰賱 乇賵丕賷丞 兀賯乇兀賴丕 賱賰 兀鬲爻丕卅賱 賰賷賮 鬲爻鬲胤賷毓 廿禺鬲乇丕賯賷 丕賱賶 賴匕丕 丕賱丨丿 !! 賰賷賮 鬲爻鬲胤賷毓 亘丿賵賳 兀賶 鬲乇鬲賷亘 賲賳賰 賵賱丕 賲賳賷 兀賳 鬲兀鬲賷 賰賱賲丕鬲賰 賱鬲禺鬲乇賯 賯賱亘賷 賵賰賷丕賳賷 ! 兀賳 兀噩丿 卮賷卅丕 丨丿孬 賱賷 賯乇賷亘丕 噩丿丕 亘賷賳 氐賮丨丕鬲 乇賵丕賷鬲賰 !
賮賷 賱賯丕卅賶 丕賱爻丕亘賯 賲毓賰 賴匕丕 丕賱毓丕賲 賮賷 乇賵丕賷丞 丕賱兀亘賱賴 賰賳鬲 兀噩丿賳賷 亘賷賳 氐賮丨丕鬲 乇賵丕賷鬲賰 . 賰賳鬲 兀鬲賱賲爻 亘丿丕禺賱賶 爻匕丕噩丞 賵亘乇丕亍丞 丕賱兀賲賷乇 丕賱夭丕卅丿丞 毓賳 丕賱丨丿 . 賵鬲賮丕噩卅鬲 亘賰 鬲氐賮 卮賷卅丕 賲乇乇鬲 亘賴 亘丕賱馗亘胤 . 卮賷卅丕 賱賲 兀禺亘乇 亘賴 兀丨丿 賵卮毓賵乇丕賸 賱賲 兀爻鬲胤毓 丕賱鬲毓亘賷乇 毓賳賴 賱賰賳賷 鬲賮丕噩卅鬲 亘毓丿 賷賵賲賷賳 賲賳 丨丿賵孬賴 丕賳賶 丕賯乇兀 賮賯乇丕鬲 賵賰賱賲丕鬲 鬲氐賮 賲丕 丨丿孬 賲毓賷 亘丕賱馗亘胤 .
賵賴賳丕 噩卅鬲 賱鬲賰乇乇 賳賮爻 丕賱兀賲乇貙 噩卅鬲 賰賲丕 賯丕賱鬲 氐丿賷賯鬲賷 爻丕乇丞 : ( 噩卅鬲 賱鬲賯賱亘 丕賱賲賵丕噩毓 )
賱賯丿 禺購丿毓鬲 亘卮賰賱 爻丕匕噩 賵睾亘賷 賲賳 卮禺氐賷丞 賲賳毓丿賲丞 丕賱囟賲賷乇 賵丕賱賲卮丕毓乇 . 賵孬賯鬲 亘賲賳 賱丕 賷爻鬲丨賯賵賳 賴匕賴 丕賱孬賯丞 . 禺丿毓鬲 賳賮爻賷 亘賳賮爻賷 丨賷賳 氐賲賲鬲 兀賳 兀氐丿賯 賰匕亘丞 鬲賱賵 丕賱兀禺乇賶 賵兀禺丿毓 賳賮爻賷 禺賵賮丕賸 賲賳 賲賵丕噩賴丞 丕賱丨賯賷賯丞 賵賴賷 兀賳賷 兀賲丕賲 卮禺氐賷丕鬲 賲丐匕賷丞 賵賲禺丕丿毓丞 亘噩丿丕乇丞 乇賴賷亘丞 . 賯賲鬲 亘鬲賰匕賷亘 廿丨爻丕爻賷 賲乇丕鬲 賰孬賷乇丞 賵卮賰賰賳賷 丕賱丌禺乇賵賳 亘賳賮爻賷 賵亘賲卮丕毓乇賷 賰孬賷乇丕 .
" 賰丕賳 賷丨爻 賮賷 賯乇丕乇丞 賳賮爻賴貙 丕賳賴 賱賷爻 爻毓賷丿丕 賰賱 丕賱爻毓丕丿丞 賮賷 鬲賱賰 丕賱賱丨馗丞 賵兀賳 亘丿丕禺賱賴 丿賵丿丞 貙 氐丨賷丨 兀賳賴丕 丿賵丿丞 氐睾賷乇丞 賵賱賰賳賴 賷丨爻 兀賳賴丕 賱丕鬲夭丕賱 鬲賳禺乇 賯賱亘賴 毓賱賶 賲賴賱 賵亘賱丕賴賵丕丿丞 "
丨鬲賶 兀賮賯鬲 丕禺賷乇丕 賵鬲噩丕賵夭鬲 賰孬賷乇丕 噩丿丕 賲賳 氐丿賲鬲賷 亘卮賰賱 賱賲 兀鬲禺賷賱 丕賳 賷丨丿孬 亘賴匕賴 丕賱氐賵乇丞 賵丕賳 鬲賳賯賱亘 氐丿賲鬲賶 賱乇丕丨丞 賳賮爻賷丞 賰亘賷乇丞 噩丿丕 賵賯賵丞 賵丨亘 賵丿毓賲 賱匕丕鬲賷 賵丕賳賷 賷噩亘 丕賳 兀氐丿賯 廿丨爻丕爻賷 賵賱賲 賷賰賳 亘廿賲賰丕賳賷 廿賰鬲卮丕賮 禺丿賷毓鬲賷 賵鬲噩丕賵夭 氐丿賲鬲賷 賵鬲睾賷乇 丨丕賱鬲賷 賱賵賱丕 賮囟賱 丕賱賱賴 爻亘丨丕賳賴 賵鬲毓丕賱賶 兀賵賱丕 賵亘賮囟賱 丕賱賯乇丕亍丞 賵丕氐丿賯丕卅賶 孬丕賳賷丕 .
乇睾賲 兀賳 亘毓囟 丕賱兀卮禺丕氐 賱丕 賷噩賷丿賵賳 廿賱丕 廿賴丕賳丞 丕賱賳丕爻 賵禺丿丕毓賴賲 貙 賱丕 爻賷賲丕 丕賱卮乇賮丕亍 丕賱胤賷亘賵賳 貙 亘賱 賷睾鬲丕亘賵賳 賵賷卮賵賴賵賳 氐賵乇鬲賴賲 賱丕 賱卮卅 廿賱丕 丕賱丨爻丿 賵丕賱毓噩夭 毓賳 兀賳 賷賰賵賳賵丕 賲孬賱賴賲 .
賵噩丿鬲 賴賳丕 亘胤賱賳丕 賷鬲丨丿孬 毓賳 賳賮爻 丕賱卮卅 . 賮賷 兀丨丿賷 丕賱賱賷丕賱賷 馗賴乇 賱賴 卮禺氐 賮噩兀丞 貙 卮禺氐 賷卮亘賴賴 鬲賲丕賲丕賸 貙 賵賷丨賲賱 賳賮爻 丕爻賲賴 貙賵卮賰賱賴.
"廿賳 賲賳 賷噩賱爻 丕賱丌賳 賯亘丕賱丞 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳 賴賵 乇毓亘 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳貙 賴賵 賮囟賷丨丞 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳 貙 賴賵 賰丕亘賵爻 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳 丕賱匕賷 毓丕卮賴 兀賲爻 _亘丕禺鬲氐丕乇 貙 廿賳賴 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳 賳賮爻賴 .
賱賷爻 匕丕賰 丕賱匕賷 賷丨亘 兀賳 賷賲丨賷 賵兀賳 賷匕賵亘 賵爻胤 丕賱噩賲賴賵乇貙 賱賷爻 匕丕賰 丕賱匕賷 賷賯賵賱 賱爻丕賳 丨丕賱賴 : ( 賱丕 鬲賲爻賵賳賷 廿匕丕 兀乇丿鬲賲 兀賳 賱丕 兀賲爻賰賲 兀賳丕 兀賷囟丕 ) 兀賵 亘丕賱兀丨乇賷: ( 兀賳丕 賱賲 丕賲爻賰賲貙 廿匕丕 毓賱賷賰賲 兀賳 賱丕 鬲賲爻賵賳賷 兀賳鬲賲 兀賷囟丕賸貙 賱丕 貙 廿賳賴 睾賵賱賷丕丿賰賷賳 丌禺乇 貙 賲禺鬲賱賮 鬲賲丕賲丕賸貙 賱賰賳賴 賷卮亘賴 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳 賳賮爻賴. 賱賴 丕賱賯丕賲丞 賳賮爻賴丕 貙 丕賱賴賷卅丞 賳賮爻賴丕 貙 丕賱賱亘丕爻 賳賮爻賴 貙 丕賱氐賱毓丞 賳賮爻賴丕 . 亘丕禺鬲氐丕乇 貙 廿賳賴 鬲卮丕亘賴 鬲丕賲."
卮禺氐丕賸 兀爻鬲胤丕毓 禺丿丕毓 亘胤賱賳丕 賱賷賯賳毓賴 丕賳 丕賱鬲卮丕亘賴 亘賷賳賴賲 賱賷爻 賮賯胤 賮賷 丕賱卮賰賱 亘賱 鬲卮丕亘賴 賮賷 丕賱卮禺氐賷丞 賵丕賱胤亘丕毓 .卮禺氐 賯囟賷 亘胤賱賳丕 賱賷賱鬲賴 賷丨賰賶 賱賴 毓賳 兀卮賷丕亍 賲賴賲丞 賵賷鬲丨丿孬 賲毓賴 賵賷賳丕賲 賱賷賱鬲賴 賵賴賵 爻毓賷丿 亘賲卮丕乇賰丞 賴匕丕 丕賱卮亘賷賴 賱賴 .
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鈥� 兀賳丕 兀毓乇賮賰 賷丕 賷丕賰賵賮 亘鬲乇賵賮賷鬲卮 .. 兀毓乇賮 胤亘毓賰: 廿賳賰 賲賲賳 賱丕 賷鬲賵乇毓賵賳 毓賳 兀賳 賷賮乇睾 噩毓亘鬲賴 毓賳丿 兀賵賱 賲賳丕爻亘丞 賱兀賳賰 胤賷亘 丕賱賯賱亘 貙 丕丨匕乇賴賲 賵賱丕 鬲孬賯 亘賴賲 貙 賱丕 鬲孬賯 亘兀丨丿 賲賳賴賲 貙 賵丕鬲乇賰賴賲 毓賱賶 賲爻丕賮丞 亘毓賷丿丞 賲賳賰 . ..
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鈥� 賱賰賳賴 賷鬲賱賯賷 亘毓丿 匕賱賰 氐丿賲鬲賴 賮賷 丕賱賷賵賲 丕賱鬲丕賱賶 丨賷孬 賷噩丿 兀賲丕賲賴 卮禺氐丕賸 丌禺乇 貙 卮禺氐丕賸 毓賰爻賴 賮賷 賰賱 卮卅 貙 賮賷 賰賱 丕賱胤亘丕毓 .卮禺氐 賲禺丕丿毓 貙 賲賯賳毓 貙 賰匕丕亘 貙 賷爻鬲胤賷毓 丕賳 賷丐匕賷 丕賱噩賲賷毓 賵賴賵 賷禺丿毓賴賲 亘賰賱丕賲賴 丕賱賲毓爻賵賱 賱賷囟毓 賱賴賲 丕賱爻賲 亘賷賳 賯胤乇丕鬲 丕賱毓爻賱 . 卮禺氐 噩毓賱 亘胤賱賳丕 賷卮賰 賮賷 賳賮爻賴 賵賮賷 毓賯賱賴 賵賮賷 賳馗乇鬲賴 賱賱兀賲賵乇貙 噩毓賱鬲賴 賷毓鬲匕乇 賵賴賵 賲賳 賷噩亘 丕賳 賷鬲賲 丕賱丕毓鬲匕丕乇 賱賴 貙 噩毓賱鬲賴 賷鬲乇丕噩毓 賵賴賵 賲賳 賲毓賴 丕賱丨賯 貙 噩毓賱鬲賴 賷卮賰賰 賮賷賲丕 賷乇丕賴 亘毓賷賳丕賴 賵賷爻賲毓賴 亘兀匕賳賷賴 賵賷賮賴賲賴 亘毓賯賱賴 賵鬲卮毓乇 亘賴 丕丨丕爻賷爻賴 . 賮賯丕賱 賮賷 廿丨丿賷 丕賱賲乇丕鬲 亘毓丿 丕賳 鬲賲鬲 爻乇賯丞 毓賲賱賴 兀賲丕賲 毓賷賳賷賴 賵賳爻亘賴 丕賱卮禺氐 丕賱丌禺乇 賱賳賮爻賴 :
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賰賷賮 鬲賮毓賱 亘賷 匕賱賰 賷丕丿賵爻鬲賵賷賮爻賰賶 !! 賰賷賮 鬲禺鬲乇賯賳賷 廿賱賶 賴匕丕 丕賱丨丿 責責 賵賰賷賮 丕禺鬲丕乇 賴匕丕 丕賱鬲賵賯賷鬲 亘丕賱匕丕鬲 賱兀賯乇兀 賴匕賴 丕賱乇賵丕賷丞 賱兀噩丿 賳賮爻賷 兀鬲賵賯賮 賮噩兀丞 毓賳 丕賱賯乇丕亍丞 賱兀賰鬲亘 賴匕賴 丕賱賰賱賲丕鬲 丕賱爻丕匕噩丞 丕賱賲賱賷卅丞 亘丕賱丕賳賮毓丕賱 賵鬲鬲爻丕賯胤 賲賳 毓賷賳賷 丕賱丿賲賵毓 責 賵丕賳丕 賱丕 兀毓賷 丨乇賮賷丕 賲丕 兀賰鬲亘 賱賰賳賷 爻兀鬲乇賰 賰賱賲丕鬲賷 賰賲丕 賴賷 .
" 兀賲爻賰 乇兀爻賴 丕賱鬲毓賷爻 亘賷賳 賷丿賷賴貙 賵兀爻賳丿 馗賴乇賴 廿賱賶 丕賱丨丕卅胤 賲囟胤乇亘丕賸. 賰丕賳 毓丕噩夭丕賸 毓賳 丕賱鬲賮賰賷乇 貙 毓丕噩夭丕賸 毓賳 賮毓賱 兀賶 卮卅 貙 賵賱丕 賷毓乇賮 賲丕 丕賱匕賷 賷丨丿孬 賱賴 "
賱賵 賯乇兀鬲 賴匕賴 丕賱乇賵丕賷丞 賮賷 鬲賵賯賷鬲 爻丕亘賯 賵 賲禺鬲賱賮 賱丕 丕毓鬲賯丿 兀賳賷 賰賳鬲 爻兀鬲兀孬乇 亘賴丕 亘賴匕丕 丕賱卮賰賱 . 賵賲賳 丕賱賲丐賰丿 丕賳 賲乇丕噩毓鬲賷 毓賳賴丕 爻鬲兀禺匕 卮賰賱 丌禺乇 賱賰賳賷 爻毓賷丿丞 兀賳賶 賯乇兀鬲賴丕 賮賷 賴匕丕 丕賱鬲賵賯賷鬲 賵亘毓丿 賴匕賴 丕賱丕丨丿丕孬 賵爻毓賷丿丞 丕賳賶 亘毓丿 鬲乇丿丿 兀賯鬲賳賷鬲 丕賱賳爻禺丞 丕賱賵乇賯賷丞 賲賳賴丕 乇睾賲 丕賳賷 賱丕 兀丨亘 賱賵賳 睾賱丕賮賴丕 丕賱兀氐賮乇 .
睾賵賱賷丕丿賰賷賳 賰丕賱兀賲賷乇 賲賷卮賰賷賳 賰賱丕賴賲丕 賷卮亘賴賳賷 賵賰賱丕賴賲丕 賷卮亘賴 亘毓囟賴賲丕 丕賱丌禺乇. 賰賱丕賴賲丕 賲賲鬲賱卅賷賳 亘丕賱亘乇丕亍丞 貙 賰賱丕賴賲丕 鬲毓乇囟丕 賱賱爻禺乇賷丞 賵丕賱丕爻鬲睾賱丕賱 賲賲賳 丨賵賱賴賲貙 賰賱丕賴賲丕 鬲賱賯賷 丕賱毓丿賷丿 賲賳 丕賱氐丿賲丕鬲 賵賰賱丕賴賲丕 賲孬賱賷 . 賵賰賱丕賴賲丕 噩毓賱丕賳賷 兀鬲爻丕卅賱 丕賷賳 丕賱禺胤兀 責! 賴賱 賴賲 賵丕賳丕 賲毓賴賲 丕賱賲禺胤卅賷賳 責 賴賱 賷噩亘 丕賳 賳鬲睾賷乇 賱賳爻鬲胤賷毓 丕賱丨賷丕丞 賮賷 賴匕丕 丕賱毓丕賱賲 責 賵亘賷賳 賰賱 賴匕丕 丕賱賰匕亘 賵丕賱夭賷賮 賵丕賱禺丿丕毓 賵丕賱兀賯賳毓丞 !!賵賰賷賮 賷賲賰賳 賱賳丕 匕賱賰 責 賴賱 賷賲賰賳 丕賳 賳鬲丨賵賱 賱兀卮禺丕氐 賲夭賷賮賷賳 貙 賲丐匕賷賷賳 貙 賲禺丕丿毓賷賳 賱睾賷乇賴賲 貙 賵賱賱毓丕賱賲 賲賳 丨賵賱賴賲 兀噩賲毓 亘賱 賵賲禺丕丿毓賷賷賳 賱兀賳賮爻賴賲 賯亘賱 賰賱 卮卅 . 賷賱毓亘賵賳 兀丿賵丕乇 丕賱囟丨丕賷丕 賵亘賷丿賴賲 丕賱爻賰賷賳 賱賰賳賴賲 賷爻鬲胤賷毓賵賳 廿賯賳丕毓 丕賱毓丕賱賲 兀噩賲毓 丕賳 賴匕丕 丕賱丿賲 賴賵 賲賳 胤毓賳丞 丕賱爻賰賷賳 亘賴賲 . 丕賳賴賲 賴賲 丕賱囟丨丕賷丕 賵賱賷爻賵丕 賴賲 丕賱噩賳丕丞 !!
孬賲 賴賱 鬲毓鬲賯丿賵賳 丕賳 丕賱兀賲賷乇 賵睾賵賱賷丕丿賰賷賳 賱賲 賷丨丕賵賱賵丕 丕賳 賷鬲睾賷乇賵丕 亘毓丿 丕賳 兀禺亘乇賴賲 丕賱賰孬賷乇賵賳 賲賳 丕賱兀卮禺丕氐 賵丕賱賰孬賷乇 賲賳 丕賱賲賵丕賯賮 賰賲 賴賲 爻丕匕噩賷賳 賵丕睾亘賷丕亍 賵賷孬賯賵賳 亘賲賳 賱丕 賷爻鬲丨賯賵賳 賴匕賴 丕賱孬賯丞責責 賵賴賱 賷噩亘 丕賳 賷鬲睾賷乇賵丕 丨賯丕賸 責責 !!
賮賷 賳賴丕賷丞 賲乇丕噩毓丞 丕賱兀亘賱賴 鬲爻丕卅賱鬲 賴賱 爻賷賰賵賳 賲氐賷乇賶 賲孬賱賴 . 賵賴賳丕 丕孬賳丕亍 賯乇丕卅鬲賷 賱賴匕賴 丕賱乇賵丕賷丞 賰賳鬲 丕禺丿毓 賳賮爻賷 丨鬲賶 賱丕 兀毓賵丿 賱賳賮爻 丕賱鬲爻丕丐賱 賲乇丞 兀禺乇賶. 賱賲 丕賰賳 兀乇睾亘 丕賳 兀氐丿賯 賵丨鬲賶 賵兀賳丕 丕賰鬲亘 賴匕賴 丕賱賰賱賲丕鬲 賴乇賵亘丕賸 賲賳 丕賱賵氐賵賱 廿賱賶 丕賱氐賮丨丕鬲 丕賱鬲賷 爻鬲丐賰丿 賱賷 賲丕 兀賮賰乇 亘賴 . 丕禺鬲亘卅 貙 兀賴乇亘 貙 兀鬲噩丕賴賱 貙 兀禺丕賮 賮賷 氐賲鬲 賵乇亘賲丕 丕賱丌賳 毓賱賳丕賸 賲毓 賰鬲丕亘丞 賴匕賴 丕賱賰賱賲丕鬲 .
" 賷丕 廿賱賴賷 貙 丌賴 貙 賷丕 廿賱賴賷 ...
賴亘 卮賷卅丕賸 賲賳 丕賱賯賵丞 賱乇賵丨賷 丕賱睾丕乇賯丞 賮賷 賴賵丞 賲賳 丕賱卮賯丕亍 賱丕 賯乇丕乇 賱賴丕 ."
賰賳鬲 賲賳匕 賮鬲乇丞 兀亘丨孬 毓賳 乇賵丕賷丞 鬲丨賲賱 賴匕賴 丕賱孬賷賲丞 . 丕賱鬲爻丕丐賱 胤賵丕賱 丕賱乇賵丕賷丞 賴賱 丕賱亘胤賱 賷賴匕賷 責 丕賲 賴賱 賴賵 丨賯賷賯丞 賲丕 賷丨丿孬 責 賵廿賱賶 兀賶 丿乇噩丞 賷丨丿孬 賮毓賱賷丕賸 .
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鬲賯賷賷賲賷 賱賱乇賵丕賷丞 伽.佶 / 佶 賱賰賳 亘丿丕禺賱賷 乇睾亘丞 毓丕乇賲丞 兀賳 丕噩毓賱賴賲 佶 賳噩賵賲 賰丕賲賱賷賳 賵爻丕乇囟禺 亘爻乇賵乇 賱賴匕賴 丕賱乇睾亘丞
佴 / 侃 / 佗贍佗佗
賲乇丕噩毓丞 氐丿賷賯鬲賷 爻丕乇丞 丕賱賱賶 賯丕賱鬲 亘丕賯賷 丕賱賰賱丕賲 丕賱賱賶 賲賯賱鬲賵卮 賵毓亘乇鬲 毓賳賳丕 丕丨賳丕 丕賱丕鬲賳賷賳 鉂�
: 乇賮賷賵 氐丿賷賯鬲賷 丕賱噩賲賷賱丞 毓丕卅卮丞 .鉂も潳
丕噩鬲賲毓 孬賱丕孬鬲賳丕 毓賱賶 丨亘 丕賱乇賵丕賷丞 賵賱賲爻鬲 兀卮賷丕亍 賰孬賷乇丞 亘丿丕禺賱賳丕 鉂も潳
氐丿賷賯鬲賷 毓丕卅卮丞 賵丕賱鬲賶 兀賰鬲卮賮鬲 丨亘賴丕 賱丿賵爻鬲賵賷賮爻賰賶 賲丐禺乇丕賸 賵爻毓賷丿丞 亘賴丕 . 鉂�
賵氐丿賷賯鬲賷 爻丕乇丞 爻賲賷乇 丕賱鬲賷 兀卮毓乇 亘丕賱爻毓丕丿丞 賲毓 賰賱 乇賵丕賷丞 鬲賯乇兀賴丕 賱丿賵爻鬲賵賷賮爻賰賷 賵鬲毓噩亘賴丕 .賵爻毓賷丿丞 亘賲卮丕乇賰鬲賳丕 賱賴匕賴 丕賱乇賵丕賷丞 亘毓丿 賲乇賵乇 賵賯鬲 胤賵賷賱 賱賲 賳賯乇兀 亘賴 賱丿賵爻鬲賵賷賮爻賰賷 賲毓丕賸 鉂�
孬丕賳賷丕賸 賴匕賴 丕賱賲乇丕噩毓丞 賯丿 鬲賰賵賳 賲禺鬲賱賮丞 亘毓囟 丕賱卮卅 賵乇亘賲丕 賱丕 鬲賰賵賳 賲乇丕噩毓丞 毓賳 丕賱乇賵丕賷丞 亘丕賱賲毓賳賷 丕賱丿賯賷賯 . 賲乇丕噩毓丞 亘賴丕 丕賱賰孬賷乇 賲賳 賴匕賷丕賳賷 賵賱賳 丕噩丿 乇賵丕賷丞 兀亘孬 賮賷賴丕 賲丕 亘丿丕禺賱賶 賲賳 鬲禺亘胤丕鬲 兀賰孬乇 賲賳 乇賵丕賷丞 賱毓夭賷夭賶 丿賵爻鬲賵賷賮爻賰賷 丕賱匕賷 丕噩丿賴 丿賵賲丕 丕賰孬乇 賲賲賳 賷爻鬲胤賷毓賵賳 丕賱鬲毓亘賷乇 毓賳 鬲禺亘胤丕鬲 丕賱賳賮爻 丕賱亘卮乇賷丞 賵賴匕賷丕賳賴丕 丕賱丿丕禺賱賶 . 賵亘丕賱鬲兀賰賷丿 賱賳 兀爻鬲胤賷毓 丕賱鬲毓亘賷乇 亘丕賱賰丕賲賱 毓賲丕 賷丿賵乇 賮賷 毓賯賱賷 賵毓賲丕 兀爻鬲卮毓乇賴 亘賯賱亘賷.
" 賱賲丕匕丕 賱丕 兀賲賱賰 兀爻賱賵亘丕賸 賮氐賷丨丕賸 噩匕丕亘丕賸 貙 亘賱賷睾丕賸 貙 賷乇賯賷 廿賱賶 賲爻鬲賵賶 鬲賱賰 丕賱賱丨馗丕鬲 丕賱毓馗賷賲丞 丕賱賲丐孬乇丞 賮賷 丨賷丕丞 丕賱亘卮乇賷丞 ....."
毓夭賷夭賶 丕賱睾丕賱賷 噩丿丕 丿賵爻鬲賵賮賷爻賰賶 :
賱賳 鬲氐賱賰 乇爻丕賱鬲賷 賵賱賳 兀爻鬲胤賷毓 兀賳 兀賱鬲賯賷 亘賰 . 賱賰賳 賲毓 賰賱 乇賵丕賷丞 兀賯乇兀賴丕 賱賰 兀鬲爻丕卅賱 賰賷賮 鬲爻鬲胤賷毓 廿禺鬲乇丕賯賷 丕賱賶 賴匕丕 丕賱丨丿 !! 賰賷賮 鬲爻鬲胤賷毓 亘丿賵賳 兀賶 鬲乇鬲賷亘 賲賳賰 賵賱丕 賲賳賷 兀賳 鬲兀鬲賷 賰賱賲丕鬲賰 賱鬲禺鬲乇賯 賯賱亘賷 賵賰賷丕賳賷 ! 兀賳 兀噩丿 卮賷卅丕 丨丿孬 賱賷 賯乇賷亘丕 噩丿丕 亘賷賳 氐賮丨丕鬲 乇賵丕賷鬲賰 !
賮賷 賱賯丕卅賶 丕賱爻丕亘賯 賲毓賰 賴匕丕 丕賱毓丕賲 賮賷 乇賵丕賷丞 丕賱兀亘賱賴 賰賳鬲 兀噩丿賳賷 亘賷賳 氐賮丨丕鬲 乇賵丕賷鬲賰 . 賰賳鬲 兀鬲賱賲爻 亘丿丕禺賱賶 爻匕丕噩丞 賵亘乇丕亍丞 丕賱兀賲賷乇 丕賱夭丕卅丿丞 毓賳 丕賱丨丿 . 賵鬲賮丕噩卅鬲 亘賰 鬲氐賮 卮賷卅丕 賲乇乇鬲 亘賴 亘丕賱馗亘胤 . 卮賷卅丕 賱賲 兀禺亘乇 亘賴 兀丨丿 賵卮毓賵乇丕賸 賱賲 兀爻鬲胤毓 丕賱鬲毓亘賷乇 毓賳賴 賱賰賳賷 鬲賮丕噩卅鬲 亘毓丿 賷賵賲賷賳 賲賳 丨丿賵孬賴 丕賳賶 丕賯乇兀 賮賯乇丕鬲 賵賰賱賲丕鬲 鬲氐賮 賲丕 丨丿孬 賲毓賷 亘丕賱馗亘胤 .
賵賴賳丕 噩卅鬲 賱鬲賰乇乇 賳賮爻 丕賱兀賲乇貙 噩卅鬲 賰賲丕 賯丕賱鬲 氐丿賷賯鬲賷 爻丕乇丞 : ( 噩卅鬲 賱鬲賯賱亘 丕賱賲賵丕噩毓 )
賱賯丿 禺購丿毓鬲 亘卮賰賱 爻丕匕噩 賵睾亘賷 賲賳 卮禺氐賷丞 賲賳毓丿賲丞 丕賱囟賲賷乇 賵丕賱賲卮丕毓乇 . 賵孬賯鬲 亘賲賳 賱丕 賷爻鬲丨賯賵賳 賴匕賴 丕賱孬賯丞 . 禺丿毓鬲 賳賮爻賷 亘賳賮爻賷 丨賷賳 氐賲賲鬲 兀賳 兀氐丿賯 賰匕亘丞 鬲賱賵 丕賱兀禺乇賶 賵兀禺丿毓 賳賮爻賷 禺賵賮丕賸 賲賳 賲賵丕噩賴丞 丕賱丨賯賷賯丞 賵賴賷 兀賳賷 兀賲丕賲 卮禺氐賷丕鬲 賲丐匕賷丞 賵賲禺丕丿毓丞 亘噩丿丕乇丞 乇賴賷亘丞 . 賯賲鬲 亘鬲賰匕賷亘 廿丨爻丕爻賷 賲乇丕鬲 賰孬賷乇丞 賵卮賰賰賳賷 丕賱丌禺乇賵賳 亘賳賮爻賷 賵亘賲卮丕毓乇賷 賰孬賷乇丕 .
" 賰丕賳 賷丨爻 賮賷 賯乇丕乇丞 賳賮爻賴貙 丕賳賴 賱賷爻 爻毓賷丿丕 賰賱 丕賱爻毓丕丿丞 賮賷 鬲賱賰 丕賱賱丨馗丞 賵兀賳 亘丿丕禺賱賴 丿賵丿丞 貙 氐丨賷丨 兀賳賴丕 丿賵丿丞 氐睾賷乇丞 賵賱賰賳賴 賷丨爻 兀賳賴丕 賱丕鬲夭丕賱 鬲賳禺乇 賯賱亘賴 毓賱賶 賲賴賱 賵亘賱丕賴賵丕丿丞 "
丨鬲賶 兀賮賯鬲 丕禺賷乇丕 賵鬲噩丕賵夭鬲 賰孬賷乇丕 噩丿丕 賲賳 氐丿賲鬲賷 亘卮賰賱 賱賲 兀鬲禺賷賱 丕賳 賷丨丿孬 亘賴匕賴 丕賱氐賵乇丞 賵丕賳 鬲賳賯賱亘 氐丿賲鬲賶 賱乇丕丨丞 賳賮爻賷丞 賰亘賷乇丞 噩丿丕 賵賯賵丞 賵丨亘 賵丿毓賲 賱匕丕鬲賷 賵丕賳賷 賷噩亘 丕賳 兀氐丿賯 廿丨爻丕爻賷 賵賱賲 賷賰賳 亘廿賲賰丕賳賷 廿賰鬲卮丕賮 禺丿賷毓鬲賷 賵鬲噩丕賵夭 氐丿賲鬲賷 賵鬲睾賷乇 丨丕賱鬲賷 賱賵賱丕 賮囟賱 丕賱賱賴 爻亘丨丕賳賴 賵鬲毓丕賱賶 兀賵賱丕 賵亘賮囟賱 丕賱賯乇丕亍丞 賵丕氐丿賯丕卅賶 孬丕賳賷丕 .
乇睾賲 兀賳 亘毓囟 丕賱兀卮禺丕氐 賱丕 賷噩賷丿賵賳 廿賱丕 廿賴丕賳丞 丕賱賳丕爻 賵禺丿丕毓賴賲 貙 賱丕 爻賷賲丕 丕賱卮乇賮丕亍 丕賱胤賷亘賵賳 貙 亘賱 賷睾鬲丕亘賵賳 賵賷卮賵賴賵賳 氐賵乇鬲賴賲 賱丕 賱卮卅 廿賱丕 丕賱丨爻丿 賵丕賱毓噩夭 毓賳 兀賳 賷賰賵賳賵丕 賲孬賱賴賲 .
賵噩丿鬲 賴賳丕 亘胤賱賳丕 賷鬲丨丿孬 毓賳 賳賮爻 丕賱卮卅 . 賮賷 兀丨丿賷 丕賱賱賷丕賱賷 馗賴乇 賱賴 卮禺氐 賮噩兀丞 貙 卮禺氐 賷卮亘賴賴 鬲賲丕賲丕賸 貙 賵賷丨賲賱 賳賮爻 丕爻賲賴 貙賵卮賰賱賴.
"廿賳 賲賳 賷噩賱爻 丕賱丌賳 賯亘丕賱丞 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳 賴賵 乇毓亘 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳貙 賴賵 賮囟賷丨丞 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳 貙 賴賵 賰丕亘賵爻 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳 丕賱匕賷 毓丕卮賴 兀賲爻 _亘丕禺鬲氐丕乇 貙 廿賳賴 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳 賳賮爻賴 .
賱賷爻 匕丕賰 丕賱匕賷 賷丨亘 兀賳 賷賲丨賷 賵兀賳 賷匕賵亘 賵爻胤 丕賱噩賲賴賵乇貙 賱賷爻 匕丕賰 丕賱匕賷 賷賯賵賱 賱爻丕賳 丨丕賱賴 : ( 賱丕 鬲賲爻賵賳賷 廿匕丕 兀乇丿鬲賲 兀賳 賱丕 兀賲爻賰賲 兀賳丕 兀賷囟丕 ) 兀賵 亘丕賱兀丨乇賷: ( 兀賳丕 賱賲 丕賲爻賰賲貙 廿匕丕 毓賱賷賰賲 兀賳 賱丕 鬲賲爻賵賳賷 兀賳鬲賲 兀賷囟丕賸貙 賱丕 貙 廿賳賴 睾賵賱賷丕丿賰賷賳 丌禺乇 貙 賲禺鬲賱賮 鬲賲丕賲丕賸貙 賱賰賳賴 賷卮亘賴 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳 賳賮爻賴. 賱賴 丕賱賯丕賲丞 賳賮爻賴丕 貙 丕賱賴賷卅丞 賳賮爻賴丕 貙 丕賱賱亘丕爻 賳賮爻賴 貙 丕賱氐賱毓丞 賳賮爻賴丕 . 亘丕禺鬲氐丕乇 貙 廿賳賴 鬲卮丕亘賴 鬲丕賲."
卮禺氐丕賸 兀爻鬲胤丕毓 禺丿丕毓 亘胤賱賳丕 賱賷賯賳毓賴 丕賳 丕賱鬲卮丕亘賴 亘賷賳賴賲 賱賷爻 賮賯胤 賮賷 丕賱卮賰賱 亘賱 鬲卮丕亘賴 賮賷 丕賱卮禺氐賷丞 賵丕賱胤亘丕毓 .卮禺氐 賯囟賷 亘胤賱賳丕 賱賷賱鬲賴 賷丨賰賶 賱賴 毓賳 兀卮賷丕亍 賲賴賲丞 賵賷鬲丨丿孬 賲毓賴 賵賷賳丕賲 賱賷賱鬲賴 賵賴賵 爻毓賷丿 亘賲卮丕乇賰丞 賴匕丕 丕賱卮亘賷賴 賱賴 .
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鈥� " 爻賳賰賵賳 賲毓丕賸 兀賳丕 賵兀賳鬲 ..
鈥徹迟嗀官娯� 賲毓丕賸 賰爻賲賰丞 賮賷 丕賱賲丕亍....
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鈥� 兀賳丕 兀毓乇賮賰 賷丕 賷丕賰賵賮 亘鬲乇賵賮賷鬲卮 .. 兀毓乇賮 胤亘毓賰: 廿賳賰 賲賲賳 賱丕 賷鬲賵乇毓賵賳 毓賳 兀賳 賷賮乇睾 噩毓亘鬲賴 毓賳丿 兀賵賱 賲賳丕爻亘丞 賱兀賳賰 胤賷亘 丕賱賯賱亘 貙 丕丨匕乇賴賲 賵賱丕 鬲孬賯 亘賴賲 貙 賱丕 鬲孬賯 亘兀丨丿 賲賳賴賲 貙 賵丕鬲乇賰賴賲 毓賱賶 賲爻丕賮丞 亘毓賷丿丞 賲賳賰 . ..
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鈥徹ж迟冑� 賲毓賷 廿賱賶 丨賷賳 兀賵 廿賱賶 丕賱兀亘丿 ...
鈥� 賱賰賳賴 賷鬲賱賯賷 亘毓丿 匕賱賰 氐丿賲鬲賴 賮賷 丕賱賷賵賲 丕賱鬲丕賱賶 丨賷孬 賷噩丿 兀賲丕賲賴 卮禺氐丕賸 丌禺乇 貙 卮禺氐丕賸 毓賰爻賴 賮賷 賰賱 卮卅 貙 賮賷 賰賱 丕賱胤亘丕毓 .卮禺氐 賲禺丕丿毓 貙 賲賯賳毓 貙 賰匕丕亘 貙 賷爻鬲胤賷毓 丕賳 賷丐匕賷 丕賱噩賲賷毓 賵賴賵 賷禺丿毓賴賲 亘賰賱丕賲賴 丕賱賲毓爻賵賱 賱賷囟毓 賱賴賲 丕賱爻賲 亘賷賳 賯胤乇丕鬲 丕賱毓爻賱 . 卮禺氐 噩毓賱 亘胤賱賳丕 賷卮賰 賮賷 賳賮爻賴 賵賮賷 毓賯賱賴 賵賮賷 賳馗乇鬲賴 賱賱兀賲賵乇貙 噩毓賱鬲賴 賷毓鬲匕乇 賵賴賵 賲賳 賷噩亘 丕賳 賷鬲賲 丕賱丕毓鬲匕丕乇 賱賴 貙 噩毓賱鬲賴 賷鬲乇丕噩毓 賵賴賵 賲賳 賲毓賴 丕賱丨賯 貙 噩毓賱鬲賴 賷卮賰賰 賮賷賲丕 賷乇丕賴 亘毓賷賳丕賴 賵賷爻賲毓賴 亘兀匕賳賷賴 賵賷賮賴賲賴 亘毓賯賱賴 賵鬲卮毓乇 亘賴 丕丨丕爻賷爻賴 . 賮賯丕賱 賮賷 廿丨丿賷 丕賱賲乇丕鬲 亘毓丿 丕賳 鬲賲鬲 爻乇賯丞 毓賲賱賴 兀賲丕賲 毓賷賳賷賴 賵賳爻亘賴 丕賱卮禺氐 丕賱丌禺乇 賱賳賮爻賴 :
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" 廿賳 賯囟賷丞 賰賴匕賴 賱丕 賷賲賰賳 鬲氐丿賷賯賴丕 亘鬲丕鬲丕賸 貙 亘賱 廿賳賴丕 賲爻鬲丨賷賱丞 貙 賵賱丕 賷賲賰賳 兀賳 鬲賯毓 . 賱丕卮賰 兀賳賷 鬲賵賴賲鬲 兀賳賴丕 賵賯毓鬲 貙 兀賵 兀賳 賲丕 賵賯毓 亘丕賱賮毓賱 賱賷爻 賲丕 鬲氐賵乇鬲 兀賳賴 賵賯毓 貙 兀賵 賯丿 兀賰賵賳 兀賳丕 賲賳 賯丕亘賱 氐丕丨亘 丕賱賲毓丕賱賷 ... 賵丨爻亘鬲 賳賮爻賷 卮禺氐丕賸 丌禺乇 ...亘丕禺鬲氐丕乇貙 廿賳賴丕 賯囟賷丞 賲爻鬲丨賷賱丞 " 鈥�
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賰賷賮 鬲賮毓賱 亘賷 匕賱賰 賷丕丿賵爻鬲賵賷賮爻賰賶 !! 賰賷賮 鬲禺鬲乇賯賳賷 廿賱賶 賴匕丕 丕賱丨丿 責責 賵賰賷賮 丕禺鬲丕乇 賴匕丕 丕賱鬲賵賯賷鬲 亘丕賱匕丕鬲 賱兀賯乇兀 賴匕賴 丕賱乇賵丕賷丞 賱兀噩丿 賳賮爻賷 兀鬲賵賯賮 賮噩兀丞 毓賳 丕賱賯乇丕亍丞 賱兀賰鬲亘 賴匕賴 丕賱賰賱賲丕鬲 丕賱爻丕匕噩丞 丕賱賲賱賷卅丞 亘丕賱丕賳賮毓丕賱 賵鬲鬲爻丕賯胤 賲賳 毓賷賳賷 丕賱丿賲賵毓 責 賵丕賳丕 賱丕 兀毓賷 丨乇賮賷丕 賲丕 兀賰鬲亘 賱賰賳賷 爻兀鬲乇賰 賰賱賲丕鬲賷 賰賲丕 賴賷 .
" 兀賲爻賰 乇兀爻賴 丕賱鬲毓賷爻 亘賷賳 賷丿賷賴貙 賵兀爻賳丿 馗賴乇賴 廿賱賶 丕賱丨丕卅胤 賲囟胤乇亘丕賸. 賰丕賳 毓丕噩夭丕賸 毓賳 丕賱鬲賮賰賷乇 貙 毓丕噩夭丕賸 毓賳 賮毓賱 兀賶 卮卅 貙 賵賱丕 賷毓乇賮 賲丕 丕賱匕賷 賷丨丿孬 賱賴 "
賱賵 賯乇兀鬲 賴匕賴 丕賱乇賵丕賷丞 賮賷 鬲賵賯賷鬲 爻丕亘賯 賵 賲禺鬲賱賮 賱丕 丕毓鬲賯丿 兀賳賷 賰賳鬲 爻兀鬲兀孬乇 亘賴丕 亘賴匕丕 丕賱卮賰賱 . 賵賲賳 丕賱賲丐賰丿 丕賳 賲乇丕噩毓鬲賷 毓賳賴丕 爻鬲兀禺匕 卮賰賱 丌禺乇 賱賰賳賷 爻毓賷丿丞 兀賳賶 賯乇兀鬲賴丕 賮賷 賴匕丕 丕賱鬲賵賯賷鬲 賵亘毓丿 賴匕賴 丕賱丕丨丿丕孬 賵爻毓賷丿丞 丕賳賶 亘毓丿 鬲乇丿丿 兀賯鬲賳賷鬲 丕賱賳爻禺丞 丕賱賵乇賯賷丞 賲賳賴丕 乇睾賲 丕賳賷 賱丕 兀丨亘 賱賵賳 睾賱丕賮賴丕 丕賱兀氐賮乇 .
睾賵賱賷丕丿賰賷賳 賰丕賱兀賲賷乇 賲賷卮賰賷賳 賰賱丕賴賲丕 賷卮亘賴賳賷 賵賰賱丕賴賲丕 賷卮亘賴 亘毓囟賴賲丕 丕賱丌禺乇. 賰賱丕賴賲丕 賲賲鬲賱卅賷賳 亘丕賱亘乇丕亍丞 貙 賰賱丕賴賲丕 鬲毓乇囟丕 賱賱爻禺乇賷丞 賵丕賱丕爻鬲睾賱丕賱 賲賲賳 丨賵賱賴賲貙 賰賱丕賴賲丕 鬲賱賯賷 丕賱毓丿賷丿 賲賳 丕賱氐丿賲丕鬲 賵賰賱丕賴賲丕 賲孬賱賷 . 賵賰賱丕賴賲丕 噩毓賱丕賳賷 兀鬲爻丕卅賱 丕賷賳 丕賱禺胤兀 責! 賴賱 賴賲 賵丕賳丕 賲毓賴賲 丕賱賲禺胤卅賷賳 責 賴賱 賷噩亘 丕賳 賳鬲睾賷乇 賱賳爻鬲胤賷毓 丕賱丨賷丕丞 賮賷 賴匕丕 丕賱毓丕賱賲 責 賵亘賷賳 賰賱 賴匕丕 丕賱賰匕亘 賵丕賱夭賷賮 賵丕賱禺丿丕毓 賵丕賱兀賯賳毓丞 !!賵賰賷賮 賷賲賰賳 賱賳丕 匕賱賰 責 賴賱 賷賲賰賳 丕賳 賳鬲丨賵賱 賱兀卮禺丕氐 賲夭賷賮賷賳 貙 賲丐匕賷賷賳 貙 賲禺丕丿毓賷賳 賱睾賷乇賴賲 貙 賵賱賱毓丕賱賲 賲賳 丨賵賱賴賲 兀噩賲毓 亘賱 賵賲禺丕丿毓賷賷賳 賱兀賳賮爻賴賲 賯亘賱 賰賱 卮卅 . 賷賱毓亘賵賳 兀丿賵丕乇 丕賱囟丨丕賷丕 賵亘賷丿賴賲 丕賱爻賰賷賳 賱賰賳賴賲 賷爻鬲胤賷毓賵賳 廿賯賳丕毓 丕賱毓丕賱賲 兀噩賲毓 丕賳 賴匕丕 丕賱丿賲 賴賵 賲賳 胤毓賳丞 丕賱爻賰賷賳 亘賴賲 . 丕賳賴賲 賴賲 丕賱囟丨丕賷丕 賵賱賷爻賵丕 賴賲 丕賱噩賳丕丞 !!
孬賲 賴賱 鬲毓鬲賯丿賵賳 丕賳 丕賱兀賲賷乇 賵睾賵賱賷丕丿賰賷賳 賱賲 賷丨丕賵賱賵丕 丕賳 賷鬲睾賷乇賵丕 亘毓丿 丕賳 兀禺亘乇賴賲 丕賱賰孬賷乇賵賳 賲賳 丕賱兀卮禺丕氐 賵丕賱賰孬賷乇 賲賳 丕賱賲賵丕賯賮 賰賲 賴賲 爻丕匕噩賷賳 賵丕睾亘賷丕亍 賵賷孬賯賵賳 亘賲賳 賱丕 賷爻鬲丨賯賵賳 賴匕賴 丕賱孬賯丞責責 賵賴賱 賷噩亘 丕賳 賷鬲睾賷乇賵丕 丨賯丕賸 責責 !!
賮賷 賳賴丕賷丞 賲乇丕噩毓丞 丕賱兀亘賱賴 鬲爻丕卅賱鬲 賴賱 爻賷賰賵賳 賲氐賷乇賶 賲孬賱賴 . 賵賴賳丕 丕孬賳丕亍 賯乇丕卅鬲賷 賱賴匕賴 丕賱乇賵丕賷丞 賰賳鬲 丕禺丿毓 賳賮爻賷 丨鬲賶 賱丕 兀毓賵丿 賱賳賮爻 丕賱鬲爻丕丐賱 賲乇丞 兀禺乇賶. 賱賲 丕賰賳 兀乇睾亘 丕賳 兀氐丿賯 賵丨鬲賶 賵兀賳丕 丕賰鬲亘 賴匕賴 丕賱賰賱賲丕鬲 賴乇賵亘丕賸 賲賳 丕賱賵氐賵賱 廿賱賶 丕賱氐賮丨丕鬲 丕賱鬲賷 爻鬲丐賰丿 賱賷 賲丕 兀賮賰乇 亘賴 . 丕禺鬲亘卅 貙 兀賴乇亘 貙 兀鬲噩丕賴賱 貙 兀禺丕賮 賮賷 氐賲鬲 賵乇亘賲丕 丕賱丌賳 毓賱賳丕賸 賲毓 賰鬲丕亘丞 賴匕賴 丕賱賰賱賲丕鬲 .
" 賷丕 廿賱賴賷 貙 丌賴 貙 賷丕 廿賱賴賷 ...
賴亘 卮賷卅丕賸 賲賳 丕賱賯賵丞 賱乇賵丨賷 丕賱睾丕乇賯丞 賮賷 賴賵丞 賲賳 丕賱卮賯丕亍 賱丕 賯乇丕乇 賱賴丕 ."
賰賳鬲 賲賳匕 賮鬲乇丞 兀亘丨孬 毓賳 乇賵丕賷丞 鬲丨賲賱 賴匕賴 丕賱孬賷賲丞 . 丕賱鬲爻丕丐賱 胤賵丕賱 丕賱乇賵丕賷丞 賴賱 丕賱亘胤賱 賷賴匕賷 責 丕賲 賴賱 賴賵 丨賯賷賯丞 賲丕 賷丨丿孬 責 賵廿賱賶 兀賶 丿乇噩丞 賷丨丿孬 賮毓賱賷丕賸 .
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鬲賯賷賷賲賷 賱賱乇賵丕賷丞 伽.佶 / 佶 賱賰賳 亘丿丕禺賱賷 乇睾亘丞 毓丕乇賲丞 兀賳 丕噩毓賱賴賲 佶 賳噩賵賲 賰丕賲賱賷賳 賵爻丕乇囟禺 亘爻乇賵乇 賱賴匕賴 丕賱乇睾亘丞
佴 / 侃 / 佗贍佗佗
賲乇丕噩毓丞 氐丿賷賯鬲賷 爻丕乇丞 丕賱賱賶 賯丕賱鬲 亘丕賯賷 丕賱賰賱丕賲 丕賱賱賶 賲賯賱鬲賵卮 賵毓亘乇鬲 毓賳賳丕 丕丨賳丕 丕賱丕鬲賳賷賳 鉂�
: 乇賮賷賵 氐丿賷賯鬲賷 丕賱噩賲賷賱丞 毓丕卅卮丞 .鉂も潳
丕噩鬲賲毓 孬賱丕孬鬲賳丕 毓賱賶 丨亘 丕賱乇賵丕賷丞 賵賱賲爻鬲 兀卮賷丕亍 賰孬賷乇丞 亘丿丕禺賱賳丕 鉂も潳
November 30, 2023
Golyadkin senior, is persecuted by his almost exact double, Golyadkin junior. Jnr ratchets up the abuses and brutality as the novella progresses. It follows Dostoevsky's main themes of helplessness, victimization, and scandal and is seen as a masterpiece by the literary crowd. This almost surreal tale of the harassment of Senior is well worth a read. 7 out of 12, Three Stars.
2009 read
2009 read
October 24, 2020
Well, my friend, from the very start I had to keep pinching my cheek so as to wake up and remind myself that I was reading Dostoyevsky鈥檚 The Double, and not a tale by Gogol 鈥� that Dostoyevsky was Dostoyevsky and not a double of Gogol. Furthermore, two of Gogol鈥檚 works came particularly to mind, The Overcoat and The Nose, not just one. I pinch my cheek again.
But I am not being original in this observation, my friend. It seems that writers (Nabokov for instance 鈥� although I don鈥檛 think he was the only one) and literary critics, most probably in pairs, have noticed this, from Dostoyevsky鈥檚 own time and onwards. That writers, like painters and musicians, take on earlier themes and structures and produce their own version is part of the tradition of dialogue in the arts. Any creator, my friend, engages in communication not just with his/her reader or viewer or listener, but also with the tradition in which the work enters. Realizing this I ceased pinching my check and proceeded with my reading. And this was a good thing, my friend, since my cheek was turning too red.
In a society in which everyone had his welldefined position in the hierarchy that Peter the Great created - the Table of Ranks 鈥� to have someone usurp your identity seems more dangerous than in other societies. What do you think, my friend? But when the other who usurps one鈥檚 identity is entirely different, can we say that he is really a double? May be Doctor Rutenspitz was guilty of this trick of destiny when he gave his patient, Yakov Petrovich Golyadkin, the prescription that he had to become different from the way he was 鈥� that he had to become more sociable? For what happens when one has to change one鈥檚 way of being and force oneself, gradually, to become different like, for example, be nicer, keep on smiling and go to parties when one was not inclined to that at the beginning. If one succeeds in transforming one鈥檚 nature, one's identity, then can we say that we have become someone else? And what about a sudden substitution instead of a gradual transformation. Isn't this the much more expedient solution, my friend?
The trail of Doubles, or of Doppelg盲ngers, in literature is long, and it will continue duplicating itself. I can list a few now , Nabokov's and , Saramago鈥檚 , Daphne du Maurier's , Italo Calvino's ...
I hope to continue exploring this multiplicative path.
September 16, 2009
So I feel really bad giving this book two stars, but I just cannot justify another one. I just can't.
Here's the thing - It's written in such an odd voice! The main character, obviously in need of medical treatment, tends to throw the person's name to whom he is speaking into the conversation wayyyyy too much. It's quite distracting, really. Not only that, but he starts and restarts his sentences constantly. I felt as tho the book should have come with a de-coder of sorts just to be able to understand what he was trying to say.
I had no idea what I was reading about for the first, ohhhhh, 50 pages or so. After that point, the story seemed to come together a little (only a little) more, but to be honest, I still really have no clue what was going on. Perhaps that was the point? Having the reader question whether it was the main character or themselves who were really the crazies? Either way, it confused the hell out of me.
I am pretty sure I have missed something here. I must have. But I cannot bear to reread it to find out what I missed.
And I'm a little upset, too. I usually like books that mind-f**k me!
Mr. Dostoevsky, I am sorry, really, I am, Mr. Dostoevsky. I tryed, Mr. Dostoevsky, I say... Mr. Dostoevsky, I really did try.
Here's the thing - It's written in such an odd voice! The main character, obviously in need of medical treatment, tends to throw the person's name to whom he is speaking into the conversation wayyyyy too much. It's quite distracting, really. Not only that, but he starts and restarts his sentences constantly. I felt as tho the book should have come with a de-coder of sorts just to be able to understand what he was trying to say.
I had no idea what I was reading about for the first, ohhhhh, 50 pages or so. After that point, the story seemed to come together a little (only a little) more, but to be honest, I still really have no clue what was going on. Perhaps that was the point? Having the reader question whether it was the main character or themselves who were really the crazies? Either way, it confused the hell out of me.
I am pretty sure I have missed something here. I must have. But I cannot bear to reread it to find out what I missed.
And I'm a little upset, too. I usually like books that mind-f**k me!
Mr. Dostoevsky, I am sorry, really, I am, Mr. Dostoevsky. I tryed, Mr. Dostoevsky, I say... Mr. Dostoevsky, I really did try.
November 24, 2017
丕賱乇賵丕賷丞 丕賱孬丕賳賷丞 賲賳 兀毓賲丕賱 丿賵爻鬲賵賷賮爻賰賷 賵氐丿乇鬲 亘毓丿 乇賵丕賷丞 賮賷 賳賮爻 丕賱毓丕賲貙 賵亘毓丿 兀賳 賯購賵亘賱鬲 丕賱賮賯乇丕亍 亘丕丨鬲賮丕亍 賰亘賷乇 賲賳 賯亘賱 丕賱賳賯丕丿 賱賲 鬲噩丿 賴匕賴 丕賱乇賵丕賷丞 爻賵賶 丕賱噩賮丕亍 賵賴噩賵賲 丕賱賳賯丕丿 毓賱賷賴丕貙 亘丕賱乇睾賲 賲賳 兀賳 賴匕賴 丕賱乇賵丕賷丞 兀賮囟賱 亘賰孬賷乇 爻丕亘賯鬲賴丕.
賮賷 丕毓鬲賯丕丿賷 兀賳 丕賱爻亘亘 賮賷 噩賮丕亍 丕賱賳賯丕丿 賱賴匕賴 丕賱乇賵丕賷丞 兀賳賴丕 丕鬲亘毓鬲 兀爻賱賵亘賸丕 賲禺鬲賱賮賸丕 賮賷 丕賱爻乇丿 毓賳 爻丕亘賯鬲賴丕貙 賵兀賳 賲賵囟賵毓賴丕 賱賲 鬲睾賱亘 毓賱賷賴 丕賱毓丕胤賮丞 丕賱匕賷 睾賱亘鬲 毓賱賶 丕賱賮賯乇丕亍貙 賮賴匕賴 丕賱乇賵丕賷丞 賰丕賳鬲 兀賰孬乇 禺賵囟賸丕 賮賷 丕賱賳賮爻 丕賱亘卮乇賷丞 賵毓賱賲 丕賱賳賮爻.
丕賱乇賵丕賷丞 賲亘賳賷丞 丨賵賱 賲乇囟 丕賱爻賰賷夭賵賮乇賷賳賷丕 兀賵 丕賱賮氐丕賲.
賯丕賱 賳噩賷亘 賲丨賮賵馗 賮賷 乇賵丕賷鬲賴 : "毓賷亘賳丕 兀賳賳丕 毓賳丿 丕賱毓噩夭 賳丨賱賲".. 賵賲丕 兀賯乇亘 賴匕賴 丕賱噩賲賱丞 賲賳 卮禺氐賷丞 亘胤賱 丕賱乇賵丕賷丞 賴賳丕貙 賮丕賱亘胤賱 賴賳丕 賱賲 賷爻鬲胤毓 丕賱丕賳丿賲丕噩 賲毓 夭賲賱丕卅賴 賮賷 丕賱毓賲賱 賵馗賱 睾乇賷亘賸丕 毓賳賴賲貙 賱丕 賷爻鬲胤賷毓 丕賱丕賳丿賲丕噩 賲毓 丕賱賵丕賯毓 亘賯亘丨賴 賮賷馗賱 賷鬲賲爻賰 亘賲亘丕丿卅賴 丕賱賰乇賷賲丞 賵胤賷亘鬲賴 丕賱夭丕卅丿丞貙 賵賲丕賱 賯賱亘賴 廿賱賶 亘賳鬲 賲賳 兀爻乇丞 毓乇賷賯丞 賵賴賵 賮賷 賲乇鬲亘丞 兀賯賱 亘賰孬賷乇 賲賳賴丕貙 賮賳亘丿兀 丕賱乇賵丕賷丞 賲毓賴 賵賴賵 賷鬲兀賳賯 賵賷胤賱亘 毓乇亘丞 賱鬲賵氐賱賴 廿賱賶 丨賮賱賺 賮賷 亘賷鬲 賴匕賴 丕賱兀爻乇丞 亘丕賱乇睾賲 賲賳 兀賳賴 賱賲 賷賰賳 賲丿毓賵丕 廿賱賷賴丕 賵賱賰賳賴 兀乇丕丿 乇丐賷丞 丕賱賮鬲丕丞 賵丕賱丨丿賷孬 賲毓賴丕貙 賵毓賳丿賲丕 賷匕賴亘 賷乇賮囟賵賳 丿禺賵賱賴貙 賮賷噩丿 胤乇賷賯丞 賷鬲锟斤拷乇亘 亘賴丕 廿賱賶 丕賱丨賮賱 賱賷賯毓 賲毓賴 賲賵賯賮 賲丨乇噩 賷噩毓賱賴 賷賮乇 賴乇亘賸丕.
賲賳 賴賳丕 亘丿兀 賷乇賶 "賲孬賱賴" 賵賴賵 卮禺氐 賷卮亘賴賴 鬲賲丕賲賸丕貙 賮賷 丕賱賷賵賲 丕賱鬲丕賱賷 爻賷馗賳 兀賳賴丕 兀賵賴丕賲 賵賱賰賳賴 賲毓 丕賱賵賯鬲 爻賷鬲丨丿孬 賲毓賴 賵賷爻鬲囟賷賮賴貙 孬賲 賷賳賯賱亘 毓賱賷賴 賴匕丕 丕賱卮亘賷賴 賵賷爻乇賯 賲賳賴 毓賲賱賴貙 賵賷賮毓賱 賲丕 賱丕 賷爻鬲胤賷毓 丕賱亘胤賱 賮毓賱賴.
賵賴匕丕 丕賱賲孬賱 賲丕 賴賵 廿賱丕 賲賳 兀毓乇丕囟 賲乇囟 丕賱賮氐丕賲貙 賵賷賱丕丨馗 兀賷囟賸丕 賲賳 亘丿丕賷丞 丕賱乇賵丕賷丞 兀賳 丕賱亘胤賱 賷鬲丨丿孬 毓賳 兀賳賴 卮禺氐 胤賷亘 賵賱賰賳賴賲 賷鬲丌賲乇賵賳 毓賱賷賴貙 賵賲毓 丕賱丿禺賵賱 賮賷 丕賱乇賵丕賷丞 賳噩丿 鬲胤賵乇 賱丨丕賱丞 丕賱亘丕乇丕賳賵賷丕 賵丕賱賮氐丕賲 賴匕賴. 賱鬲賳鬲賴賷 丕賱乇賵丕賷丞 毓賱賶 兀禺匕 丕賱胤亘賷亘 賱賴 賱賷賵丿毓賴 丕賱賲爻鬲卮賮賶.
賲賳 丕賱賲賱丕丨馗 兀賳 賮賷爻賰賷 賱賲 賷兀鬲賽 毓賱賶 匕賰乇 兀賷 兀賲乇丕囟貙 賵賲賳 亘丿丕賷丞 丕賱乇賵丕賷丞 廿賱賶 賳賴丕賷鬲賴丕 賷鬲賲 爻乇丿 丕賱兀丨丿丕孬 丿賵賳 丕賱廿賮卮丕亍 毓賳 兀賳 賲丕 賷丨丿孬 賴賵 賵賴賲 兀賵 丨賯賷賯丞貙 丕賱乇丕賵賷 賱賷爻 賱賴 丿賵乇 賴賳丕 爻賵賶 丕賱爻乇丿.
賱賳 鬲噩丿 噩乇毓丞 賰亘賷乇丞 賲賳 丕賱賲卮丕毓乇 賵丕賱鬲毓丕胤賮 鬲噩丕賴 丕賱亘胤賱 賱賰賳 丕囟胤乇丕亘丕鬲賴 賵丨丿賷孬賴 丕賱賲鬲賯胤毓 -丕賱睾賷乇 賲賮賴賵賲 兀丨賷丕賳賸丕- 賲毓 賳賮爻賴 賵賲丕爻賷丨丿孬 賲毓賴 爻賷鬲乇賰 賮賷 賳賮爻 丕賱賯丕乇卅 兀孬乇賸丕 毓賲賷賯賸丕.
賮賷 丕毓鬲賯丕丿賷 兀賳 丕賱爻亘亘 賮賷 噩賮丕亍 丕賱賳賯丕丿 賱賴匕賴 丕賱乇賵丕賷丞 兀賳賴丕 丕鬲亘毓鬲 兀爻賱賵亘賸丕 賲禺鬲賱賮賸丕 賮賷 丕賱爻乇丿 毓賳 爻丕亘賯鬲賴丕貙 賵兀賳 賲賵囟賵毓賴丕 賱賲 鬲睾賱亘 毓賱賷賴 丕賱毓丕胤賮丞 丕賱匕賷 睾賱亘鬲 毓賱賶 丕賱賮賯乇丕亍貙 賮賴匕賴 丕賱乇賵丕賷丞 賰丕賳鬲 兀賰孬乇 禺賵囟賸丕 賮賷 丕賱賳賮爻 丕賱亘卮乇賷丞 賵毓賱賲 丕賱賳賮爻.
丕賱乇賵丕賷丞 賲亘賳賷丞 丨賵賱 賲乇囟 丕賱爻賰賷夭賵賮乇賷賳賷丕 兀賵 丕賱賮氐丕賲.
賯丕賱 賳噩賷亘 賲丨賮賵馗 賮賷 乇賵丕賷鬲賴 : "毓賷亘賳丕 兀賳賳丕 毓賳丿 丕賱毓噩夭 賳丨賱賲".. 賵賲丕 兀賯乇亘 賴匕賴 丕賱噩賲賱丞 賲賳 卮禺氐賷丞 亘胤賱 丕賱乇賵丕賷丞 賴賳丕貙 賮丕賱亘胤賱 賴賳丕 賱賲 賷爻鬲胤毓 丕賱丕賳丿賲丕噩 賲毓 夭賲賱丕卅賴 賮賷 丕賱毓賲賱 賵馗賱 睾乇賷亘賸丕 毓賳賴賲貙 賱丕 賷爻鬲胤賷毓 丕賱丕賳丿賲丕噩 賲毓 丕賱賵丕賯毓 亘賯亘丨賴 賮賷馗賱 賷鬲賲爻賰 亘賲亘丕丿卅賴 丕賱賰乇賷賲丞 賵胤賷亘鬲賴 丕賱夭丕卅丿丞貙 賵賲丕賱 賯賱亘賴 廿賱賶 亘賳鬲 賲賳 兀爻乇丞 毓乇賷賯丞 賵賴賵 賮賷 賲乇鬲亘丞 兀賯賱 亘賰孬賷乇 賲賳賴丕貙 賮賳亘丿兀 丕賱乇賵丕賷丞 賲毓賴 賵賴賵 賷鬲兀賳賯 賵賷胤賱亘 毓乇亘丞 賱鬲賵氐賱賴 廿賱賶 丨賮賱賺 賮賷 亘賷鬲 賴匕賴 丕賱兀爻乇丞 亘丕賱乇睾賲 賲賳 兀賳賴 賱賲 賷賰賳 賲丿毓賵丕 廿賱賷賴丕 賵賱賰賳賴 兀乇丕丿 乇丐賷丞 丕賱賮鬲丕丞 賵丕賱丨丿賷孬 賲毓賴丕貙 賵毓賳丿賲丕 賷匕賴亘 賷乇賮囟賵賳 丿禺賵賱賴貙 賮賷噩丿 胤乇賷賯丞 賷鬲锟斤拷乇亘 亘賴丕 廿賱賶 丕賱丨賮賱 賱賷賯毓 賲毓賴 賲賵賯賮 賲丨乇噩 賷噩毓賱賴 賷賮乇 賴乇亘賸丕.
賲賳 賴賳丕 亘丿兀 賷乇賶 "賲孬賱賴" 賵賴賵 卮禺氐 賷卮亘賴賴 鬲賲丕賲賸丕貙 賮賷 丕賱賷賵賲 丕賱鬲丕賱賷 爻賷馗賳 兀賳賴丕 兀賵賴丕賲 賵賱賰賳賴 賲毓 丕賱賵賯鬲 爻賷鬲丨丿孬 賲毓賴 賵賷爻鬲囟賷賮賴貙 孬賲 賷賳賯賱亘 毓賱賷賴 賴匕丕 丕賱卮亘賷賴 賵賷爻乇賯 賲賳賴 毓賲賱賴貙 賵賷賮毓賱 賲丕 賱丕 賷爻鬲胤賷毓 丕賱亘胤賱 賮毓賱賴.
賵賴匕丕 丕賱賲孬賱 賲丕 賴賵 廿賱丕 賲賳 兀毓乇丕囟 賲乇囟 丕賱賮氐丕賲貙 賵賷賱丕丨馗 兀賷囟賸丕 賲賳 亘丿丕賷丞 丕賱乇賵丕賷丞 兀賳 丕賱亘胤賱 賷鬲丨丿孬 毓賳 兀賳賴 卮禺氐 胤賷亘 賵賱賰賳賴賲 賷鬲丌賲乇賵賳 毓賱賷賴貙 賵賲毓 丕賱丿禺賵賱 賮賷 丕賱乇賵丕賷丞 賳噩丿 鬲胤賵乇 賱丨丕賱丞 丕賱亘丕乇丕賳賵賷丕 賵丕賱賮氐丕賲 賴匕賴. 賱鬲賳鬲賴賷 丕賱乇賵丕賷丞 毓賱賶 兀禺匕 丕賱胤亘賷亘 賱賴 賱賷賵丿毓賴 丕賱賲爻鬲卮賮賶.
賲賳 丕賱賲賱丕丨馗 兀賳 賮賷爻賰賷 賱賲 賷兀鬲賽 毓賱賶 匕賰乇 兀賷 兀賲乇丕囟貙 賵賲賳 亘丿丕賷丞 丕賱乇賵丕賷丞 廿賱賶 賳賴丕賷鬲賴丕 賷鬲賲 爻乇丿 丕賱兀丨丿丕孬 丿賵賳 丕賱廿賮卮丕亍 毓賳 兀賳 賲丕 賷丨丿孬 賴賵 賵賴賲 兀賵 丨賯賷賯丞貙 丕賱乇丕賵賷 賱賷爻 賱賴 丿賵乇 賴賳丕 爻賵賶 丕賱爻乇丿.
賱賳 鬲噩丿 噩乇毓丞 賰亘賷乇丞 賲賳 丕賱賲卮丕毓乇 賵丕賱鬲毓丕胤賮 鬲噩丕賴 丕賱亘胤賱 賱賰賳 丕囟胤乇丕亘丕鬲賴 賵丨丿賷孬賴 丕賱賲鬲賯胤毓 -丕賱睾賷乇 賲賮賴賵賲 兀丨賷丕賳賸丕- 賲毓 賳賮爻賴 賵賲丕爻賷丨丿孬 賲毓賴 爻賷鬲乇賰 賮賷 賳賮爻 丕賱賯丕乇卅 兀孬乇賸丕 毓賲賷賯賸丕.
January 31, 2019
丿丕爻鬲丕賳 亘賴 賳爻亘鬲 禺賵亘蹖 亘賵丿. 丕賱亘鬲賴 亘賴 倬丕蹖 卮丕賴讴丕乇賴丕蹖 丿蹖诏賴贁 丿丕爻鬲丕蹖賵爻讴蹖 賳賲蹖 乇爻蹖丿貙 賵賱蹖 禺賵亘 亘賵丿.
賲毓鬲賯丿賲 丕蹖賳 爻賵跇賴 乇賵 丕诏賴 亘賴 丿爻鬲 讴丕賮讴丕 賲蹖 丿丕丿賳貙 蹖賴 丿丕爻鬲丕賳 倬乇 丕夭 賵丨卮鬲 賵 胤賳夭 賵 賵賯丕蹖毓 爻賵乇乇卅丕賱 丿乇爻鬲 賲蹖 讴乇丿 賵 賲蹖 鬲賵賳爻鬲 蹖賴 卮丕賴讴丕乇 丕夭卮 禺賱賯 讴賳賴. 丿丕爻鬲丕蹖賵爻讴蹖貙 亘丕 噩賴丕賳 亘蹖賳蹖 禺賵丿卮 亘賴 丕蹖賳 爻賵跇賴 賳诏丕賴 讴乇丿賴.
賴賲蹖賳胤賵乇 倬丕蹖丕賳卮貙 讴賴 亘賴 賳馗乇 禺蹖賱蹖 爻丕丿賴 亘賵丿貙 賴賲蹖賳 倬丕蹖丕賳 乇賵 丕诏賴 讴丕賮讴丕 賲蹖 賳賵卮鬲貙 賲蹖 鬲賵賳爻鬲 讴賵賱丕讴 讴賳賴.
亘賴 賴乇 丨丕賱.
鬲乇噩賲賴 丕氐賱丕賸 賯丕亘賱 賯亘賵賱 賳亘賵丿 (賲賳 鬲乇噩賲賴贁 爻乇賵卮 丨亘蹖亘蹖 乇賵 賳禺賵賳丿賲. 賲鬲乇噩賲 丿蹖诏賴 丕蹖 乇賵 禺賵賳丿賲 讴賴 丕爻賲卮 乇賵 禺丕胤乇賲 賳蹖爻鬲). 賲鬲乇噩賲 丕賵賱 讴鬲丕亘 丕丿毓丕 讴乇丿賴 亘賵丿 讴賴 亘蹖卮鬲乇 鬲乇噩賲賴 賴丕蹖 丿丕爻鬲丕蹖賵爻讴蹖貙 丿丕爻鬲丕蹖賵爻讴蹖 乇賵 賲賳鬲賯賱 賳賲蹖 讴賳賳 賵 亘賴 禺丕胤乇 賴賲蹖賳 丿丕爻鬲丕蹖賵爻讴蹖 丕賵賳噩賵乇蹖 讴賴 乇賵爻 賴丕 賲蹖 卮賳丕爻賳卮貙 賲丕 丕賵賳 噩賵乇 賳卮賳丕禺鬲蹖賲卮.
亘賴 賳馗乇 賲蹖 丕賵賲丿 賲鬲乇噩賲 亘丕 賮賴賲蹖丿賳 夭亘丕賳 乇賵爻蹖 蹖丕 丕賳诏賱蹖爻蹖 蹖丕 賴乇 夭亘丕賳 丿蹖诏賴 丕蹖 讴賴 丕孬乇 乇賵 丕夭 丕賵賳噩丕 鬲乇噩賲賴 讴乇丿賴 亘賵丿貙 賲卮讴賱蹖 賳丿丕卮鬲賴貨 亘賱讴賴 賲卮讴賱 丕氐賱蹖卮 亘丕 夭亘丕賳 賮丕乇爻蹖 亘賵丿賴. 丕夭 噩賲賱賴 亘賳丿蹖 賴丕蹖 倬乇 丕卮讴丕賱 賵 賳丕乇爻丕 讴丕賲賱丕賸 賲卮禺氐 亘賵丿 讴賴 賲鬲乇噩賲 鬲賵丕賳丕蹖蹖賽 賮丕乇爻蹖 賳賵蹖爻蹖 賳丿丕乇賴. 丿乇 丨丕賱蹖 讴賴 蹖賴 賲鬲乇噩賲 禺賵亘 (賳噩賮 丿乇蹖丕亘賳丿乇蹖 乇賵 賲孬丕賱 賲蹖 夭賳賲) 亘丕蹖丿 賴賲 鬲賵蹖 賮賴賲 夭亘丕賳 賲亘丿兀 鬲亘丨乇 丿丕卮鬲賴 亘丕卮賴 賵 賴賲 鬲賵蹖 賳賵卮鬲賳 亘賴 夭亘丕賳 賲賯氐丿貙 丕诏賴 蹖讴蹖 丕夭 丕蹖賳 丿賵 鬲丕 亘賱賳诏賴貙 讴賱 鬲乇噩賲賴 賮乇賵 賲蹖 乇蹖夭賴. 丕诏賴 丕賱賾丕 賵 賱丕亘丿 蹖讴蹖 丕夭 丕蹖賳 丿賵 鬲丕 亘丕蹖丿 亘賱賳诏賴貙 亘賴 賳馗乇 賲賳 賲鬲乇噩賲蹖 讴賴 鬲賵蹖 賮賴賲 夭亘丕賳 賲亘丿兀 鬲亘丨乇 賳丿丕乇賴 丕孬乇 亘賴鬲乇蹖 丕乇丕卅賴 賲蹖 讴賳賴貨 诏賵 丕蹖賳 讴賴 亘賴 噩丕蹖 鬲乇噩賲賴贁 賲丨囟貙 禺賱賯 賴賲 賲蹖 讴賳賴.
賲毓鬲賯丿賲 丕蹖賳 爻賵跇賴 乇賵 丕诏賴 亘賴 丿爻鬲 讴丕賮讴丕 賲蹖 丿丕丿賳貙 蹖賴 丿丕爻鬲丕賳 倬乇 丕夭 賵丨卮鬲 賵 胤賳夭 賵 賵賯丕蹖毓 爻賵乇乇卅丕賱 丿乇爻鬲 賲蹖 讴乇丿 賵 賲蹖 鬲賵賳爻鬲 蹖賴 卮丕賴讴丕乇 丕夭卮 禺賱賯 讴賳賴. 丿丕爻鬲丕蹖賵爻讴蹖貙 亘丕 噩賴丕賳 亘蹖賳蹖 禺賵丿卮 亘賴 丕蹖賳 爻賵跇賴 賳诏丕賴 讴乇丿賴.
賴賲蹖賳胤賵乇 倬丕蹖丕賳卮貙 讴賴 亘賴 賳馗乇 禺蹖賱蹖 爻丕丿賴 亘賵丿貙 賴賲蹖賳 倬丕蹖丕賳 乇賵 丕诏賴 讴丕賮讴丕 賲蹖 賳賵卮鬲貙 賲蹖 鬲賵賳爻鬲 讴賵賱丕讴 讴賳賴.
亘賴 賴乇 丨丕賱.
鬲乇噩賲賴 丕氐賱丕賸 賯丕亘賱 賯亘賵賱 賳亘賵丿 (賲賳 鬲乇噩賲賴贁 爻乇賵卮 丨亘蹖亘蹖 乇賵 賳禺賵賳丿賲. 賲鬲乇噩賲 丿蹖诏賴 丕蹖 乇賵 禺賵賳丿賲 讴賴 丕爻賲卮 乇賵 禺丕胤乇賲 賳蹖爻鬲). 賲鬲乇噩賲 丕賵賱 讴鬲丕亘 丕丿毓丕 讴乇丿賴 亘賵丿 讴賴 亘蹖卮鬲乇 鬲乇噩賲賴 賴丕蹖 丿丕爻鬲丕蹖賵爻讴蹖貙 丿丕爻鬲丕蹖賵爻讴蹖 乇賵 賲賳鬲賯賱 賳賲蹖 讴賳賳 賵 亘賴 禺丕胤乇 賴賲蹖賳 丿丕爻鬲丕蹖賵爻讴蹖 丕賵賳噩賵乇蹖 讴賴 乇賵爻 賴丕 賲蹖 卮賳丕爻賳卮貙 賲丕 丕賵賳 噩賵乇 賳卮賳丕禺鬲蹖賲卮.
亘賴 賳馗乇 賲蹖 丕賵賲丿 賲鬲乇噩賲 亘丕 賮賴賲蹖丿賳 夭亘丕賳 乇賵爻蹖 蹖丕 丕賳诏賱蹖爻蹖 蹖丕 賴乇 夭亘丕賳 丿蹖诏賴 丕蹖 讴賴 丕孬乇 乇賵 丕夭 丕賵賳噩丕 鬲乇噩賲賴 讴乇丿賴 亘賵丿貙 賲卮讴賱蹖 賳丿丕卮鬲賴貨 亘賱讴賴 賲卮讴賱 丕氐賱蹖卮 亘丕 夭亘丕賳 賮丕乇爻蹖 亘賵丿賴. 丕夭 噩賲賱賴 亘賳丿蹖 賴丕蹖 倬乇 丕卮讴丕賱 賵 賳丕乇爻丕 讴丕賲賱丕賸 賲卮禺氐 亘賵丿 讴賴 賲鬲乇噩賲 鬲賵丕賳丕蹖蹖賽 賮丕乇爻蹖 賳賵蹖爻蹖 賳丿丕乇賴. 丿乇 丨丕賱蹖 讴賴 蹖賴 賲鬲乇噩賲 禺賵亘 (賳噩賮 丿乇蹖丕亘賳丿乇蹖 乇賵 賲孬丕賱 賲蹖 夭賳賲) 亘丕蹖丿 賴賲 鬲賵蹖 賮賴賲 夭亘丕賳 賲亘丿兀 鬲亘丨乇 丿丕卮鬲賴 亘丕卮賴 賵 賴賲 鬲賵蹖 賳賵卮鬲賳 亘賴 夭亘丕賳 賲賯氐丿貙 丕诏賴 蹖讴蹖 丕夭 丕蹖賳 丿賵 鬲丕 亘賱賳诏賴貙 讴賱 鬲乇噩賲賴 賮乇賵 賲蹖 乇蹖夭賴. 丕诏賴 丕賱賾丕 賵 賱丕亘丿 蹖讴蹖 丕夭 丕蹖賳 丿賵 鬲丕 亘丕蹖丿 亘賱賳诏賴貙 亘賴 賳馗乇 賲賳 賲鬲乇噩賲蹖 讴賴 鬲賵蹖 賮賴賲 夭亘丕賳 賲亘丿兀 鬲亘丨乇 賳丿丕乇賴 丕孬乇 亘賴鬲乇蹖 丕乇丕卅賴 賲蹖 讴賳賴貨 诏賵 丕蹖賳 讴賴 亘賴 噩丕蹖 鬲乇噩賲賴贁 賲丨囟貙 禺賱賯 賴賲 賲蹖 讴賳賴.
February 13, 2022
鬲丕 丕賵丕爻胤 夭賲丕賳蹖 讴賴 讴鬲丕亘 乇賵 賲蹖禺賵賳丿賲 蹖賴 丨爻 卮乇賲 亘蹖 丕賳丿丕夭賴 丕蹖 鬲賲丕賲 賵噩賵丿賲 乇賵 诏乇賮鬲賴 亘賵丿 賵賱蹖 亘毓丿 賮讴乇 讴乇丿賲 賲诏賴 賴賲賴 蹖 賲丕 丕蹖賳噩賵乇蹖 賳蹖爻鬲蹖賲責 賲诏賴 賴賲賴 蹖 賲丕 賴乇乇賵夭 賳蹖賲賴 鬲丕乇蹖讴賲賵賳 乇賵 倬賳賴丕賳 賳賲蹖讴賳蹖賲責 賲诏賴 賴乇讴蹖 丕夭 賲丕 亘倬乇爻賴 賳賲蹖诏蹖賲 亘丿鬲乇蹖賳 賵蹖跇诏蹖賲賵賳 爻丕丿賴鈥� 賱賵丨蹖 賵鈥� 乇丕爻鬲诏賵蹖蹖賲賵賳賴責 丕賳诏丕乇 賳賴 丕賳诏丕乇 讴賴 丕賵賳 賳蹖賲賴 鬲丕乇蹖讴賲賵賳 賴賲 亘禺卮蹖 丕夭 賲丕爻鬲貙 賳賴 蹖賴 丌賯丕蹖 诏丕賱蹖丕丿讴蹖賳 丿蹖诏賴:)))).
鬲乇噩賲賴 丕賯丕蹖 丨亘蹖亘蹖 亘賴 胤乇夭 毓噩蹖亘蹖 亘賴鈥� 丿賱賲 賳卮爻鬲 噩賵乇蹖 讴賴 賳賲蹖禺賵丕爻鬲賲 鬲賲賵賲 卮賴 丕氐賱丕鈥�.
賵 丿乇 丌禺乇 亘禺卮 賲賵乇丿 毓賱丕賯賲 丕夭 讴鬲丕亘:
鈥� 讴爻蹖 讴賴 丕讴賳賵賳 乇賵亘賴鈥屫辟堐� 丌賯丕蹖 诏丕賱蹖丕丿讴蹖賳 賳卮爻鬲賴 亘賵丿貙 賴賲丕賳 丕爻亘丕亘 賵丨卮鬲 丌賯丕蹖 诏丕賱蹖丕丿讴蹖賳貙 賴賲丕賳 賲賵噩亘 賳賳诏 丌賯丕蹖 诏丕賱蹖丕丿讴蹖賳貙 賴賲丕賳 讴丕亘賵爻 賲噩爻賲 卮亘 诏匕卮鬲賴鈥屰� 丌賯丕蹖 诏丕賱蹖丕丿讴蹖賳貙 禺賱丕氐賴 禺賵丿 丌賯丕蹖 诏丕賱蹖丕丿讴蹖賳 亘賵丿. 丕诏乇 丌賳鈥屬囏� 乇丕 讴賳丕乇 賴賲 賲蹖鈥屬嗀簇з嗀屫� 賴蹖趩鈥屭┴� 賳賲蹖鈥屫堌з嗀池� 诏丕賱蹖丕丿讴蹖賳 丕氐賱 乇丕 丕夭 亘丿賱 禺賵丿貙 诏丕賱蹖丕丿讴蹖賳 賯丿蹖賲蹖 乇丕 丕夭 乇賯蹖亘 鬲丕夭賴 乇爻蹖丿賴鈥屫ж簇� 丕氐賱 乇丕 丕夭 鬲氐賵蹖乇貙 鬲賲蹖夭 丿賴丿.鈥�
郾鄞郯郯/郾郾/鄄郾
鬲乇噩賲賴 丕賯丕蹖 丨亘蹖亘蹖 亘賴 胤乇夭 毓噩蹖亘蹖 亘賴鈥� 丿賱賲 賳卮爻鬲 噩賵乇蹖 讴賴 賳賲蹖禺賵丕爻鬲賲 鬲賲賵賲 卮賴 丕氐賱丕鈥�.
賵 丿乇 丌禺乇 亘禺卮 賲賵乇丿 毓賱丕賯賲 丕夭 讴鬲丕亘:
鈥� 讴爻蹖 讴賴 丕讴賳賵賳 乇賵亘賴鈥屫辟堐� 丌賯丕蹖 诏丕賱蹖丕丿讴蹖賳 賳卮爻鬲賴 亘賵丿貙 賴賲丕賳 丕爻亘丕亘 賵丨卮鬲 丌賯丕蹖 诏丕賱蹖丕丿讴蹖賳貙 賴賲丕賳 賲賵噩亘 賳賳诏 丌賯丕蹖 诏丕賱蹖丕丿讴蹖賳貙 賴賲丕賳 讴丕亘賵爻 賲噩爻賲 卮亘 诏匕卮鬲賴鈥屰� 丌賯丕蹖 诏丕賱蹖丕丿讴蹖賳貙 禺賱丕氐賴 禺賵丿 丌賯丕蹖 诏丕賱蹖丕丿讴蹖賳 亘賵丿. 丕诏乇 丌賳鈥屬囏� 乇丕 讴賳丕乇 賴賲 賲蹖鈥屬嗀簇з嗀屫� 賴蹖趩鈥屭┴� 賳賲蹖鈥屫堌з嗀池� 诏丕賱蹖丕丿讴蹖賳 丕氐賱 乇丕 丕夭 亘丿賱 禺賵丿貙 诏丕賱蹖丕丿讴蹖賳 賯丿蹖賲蹖 乇丕 丕夭 乇賯蹖亘 鬲丕夭賴 乇爻蹖丿賴鈥屫ж簇� 丕氐賱 乇丕 丕夭 鬲氐賵蹖乇貙 鬲賲蹖夭 丿賴丿.鈥�
郾鄞郯郯/郾郾/鄄郾
July 3, 2023
賴賲夭丕丿 丿丕爻鬲丕賳 賲乇丿蹖鈥屫池� 氐丕賮 賵 爻丕丿賴 賵 丿乇爻鬲讴丕乇 讴賴 丿乇 爻賱爻賱賴 賲乇丕鬲亘 丕丿丕乇蹖 噩夭賵 乇丿賴鈥屬囏й� 倬丕蹖蹖賳 亘賴 丨爻丕亘 賲蹖丕丿 賵 毓丕卮賯 丿禺鬲乇 乇卅蹖爻卮 卮丿賴. 噩丕蹖蹖 丕夭 丿丕爻鬲丕賳 亘賴 毓賱賱蹖 蹖讴 賳賮乇 卮亘蹖賴 賵 丿乇 賵丕賯毓 賴賲夭丕丿 禺賵丿卮 乇賵 賲蹖亘蹖賳賴 讴賴 馗丕賴乇 賵 賱亘丕爻卮 毓蹖賳丕賸 禺賵丿卮賴 丕賲丕 丕禺賱丕賯卮 賵 乇賮鬲丕乇卮 賳賯胤賴鈥屰� 賲賯丕亘賱 丕賵賳. 丕蹖賳讴賴 丌蹖丕 丕蹖賳 賴賲夭丕丿 賵丕賯毓蹖鈥屫池� 蹖丕 禺蹖丕賱 賳賵蹖爻賳丿賴 蹖讴 丕卮丕乇丕鬲蹖 讴乇丿賴 丕賲丕 亘蹖卮鬲乇 亘賴 禺賵丕爻鬲 禺賵丕賳賳丿賴 诏匕丕卮鬲賴 卮丿賴 賵 鬲乇噩蹖丨 賲賳 賴賲賵賳 禺蹖丕賱蹖 亘賵丿賳賴 亘丕 鬲賵噩賴 亘賴 賵囟毓蹖鬲 卮禺氐蹖鬲 丿丕爻鬲丕賳 賵 讴丿賴丕蹖蹖 讴賴 丿丕丿賴 卮丿賴. 丕賳鬲馗丕乇 亘蹖卮鬲乇蹖 丕夭 丿丕爻鬲丕蹖賵賮爻讴蹖 丿丕卮鬲賲 賵 亘賴 賳馗乇賲 禺蹖賱蹖 賯賵蹖 賳亘賵丿.賴
April 29, 2024
兀賵賱丕 卮賰乇丕 賱氐丿賷賯丕鬲 丕賱賯乇丕亍丞 毓賱賶 丕賱賲卮丕乇賰丞 丕賱賲賲賷夭丞 丿丕賱賷丕 賳賵乇丕賱丿賷賳 賵毓丕卅卮丞 .. 賵卮賰乇 鬲丕賳賷 禺丕氐 賱丿丕賱賷丕 丕賳賴丕 賯丿乇鬲 鬲丨亘亘賳賷 賮賷 賰丕鬲亘 賲賲賷夭 夭賷 丿賵爻鬲賵 賰丿丕 賵丕毓賷卮 丕噩賵丕亍 賰鬲丕亘丕鬲賴 丕賱賲禺鬲賱賮丞 賵丕賱賲賲鬲毓丞 馃挅馃尮
賷丕賰賵賮 亘賷鬲乇賵賮賷鬲卮 睾賵賱賷丕丿賰賷賳 亘胤賱 乇賵丕賷丞 丿賵爻鬲賵賷賮爻賰賷 丕賱噩丿賷丿 .. 乇丨賱丞 賲禺鬲賱賮丞 丿丕禺賱 丕睾賵丕乇 丕賱賳賮賵爻 丕賱亘卮乇賷丞 賵鬲賯賱亘丕鬲賴丕 賵噩賳賵賳賴丕 丕賷囟丕
乇噩賱 亘乇卅 胤賷亘 賷毓丕賲賱 丕賱噩賲賷毓 亘賳賮爻 丕賱丕爻賱賵亘 .. 禺噩賵賱 賵爻丕匕噩 賵賱丕 賷爻鬲胤賷毓 丕賱鬲丨丿孬 丕賲丕賲 丕賱賳丕爻 賵賱丕 丨鬲賶 丕賳 賷胤丕賱亘 亘丨賯賴
毓卮鬲 賲毓 鬲賱賰 丕賱卮禺氐賷丞 賱丨馗丕鬲 賲丐賱賲丞 賰孬賷乇丞 亘睾囟 丕賱賳馗乇 毓賳 丨賯賷賯丞 亘毓囟賴丕 丕賵 丕賱亘毓囟 丕賱丌禺乇 丕賱匕賷 鬲丨賵賱 丕賱賶 賲噩乇丿 賵賴賲 賵禺賷丕賱丕鬲
賲賳 馗賱賲賴 賲賳 丕賱噩賲賷毓 賵賮賴賲賴 丕賱禺丕胤卅 賲賳 丕賱丕睾賱亘賷丞 .. 賲賳 丕賳賰丕乇 丕賱亘毓囟 賱丕賴賲賷鬲賴 丕賵 賱賵噩賵丿賴 賮賷 丨賷丕鬲賴 丕賱卮禺氐賷丞
卮毓乇鬲 賮賷 丕睾賱亘 丕賱丕丨賷丕賳 丕賳賳賷 賷丕賰賵賮 賳賮爻賴 .. 鬲賵丨丿鬲 賲毓 丕賱卮禺氐賷丞 亘丿乇噩丞 賰亘賷乇丞 賵賲丐賱賲丞 .. 賮賷 賰賱 賰賱賲丞 賯丕賱賴丕 貙 賮賷 賰賱 賰賱賲丞 賲乇鬲 賮賷 禺胤丕亘 賰鬲亘賴 丕丨丿賴賲 賮賷 丕賱乇賵丕賷丞 貙 賵賮賷 賰賱 乇丿 賮毓賱 賲賳 丕賱噩賲賷毓
賷賵賲丕 賲丕 賷馗賴乇 賮噩兀丞 卮禺氐 賷卮亘賴 氐丿賷賯賳丕 睾賵賱賷丕丿賰賷賳 賱賷氐亘丨 亘胤賱賳丕 賴賵 丕賱賰亘賷乇 賵賷賱賯亘 丕賱丌禺乇 亘睾賵賱賷丕丿賰賷賳 丕賱氐睾賷乇
卮禺氐賷鬲賷賳 亘鬲賳丕賯囟 鬲丕賲 .. 丕丨丿賴賲 亘乇卅 鬲賲丕賲丕 賵賱丕 賷鬲賮賵賴 亘卮卅 丨鬲賶 賵賱賵 賰丕賳 丿賮丕毓丕 毓賳 賳賮爻賴 .. 丕賲丕 丕賱丌禺乇 賮賴賵 卮禺氐賷丞 賯賲賷卅丞 丿賳賷卅丞 賲鬲爻賱胤丞 賵丕賷囟丕 賯賵賷 丕賱卮禺氐賷丞 噩丿丕 賷爻鬲胤賷毓 兀禺匕 丨賯賴 賲賳 丕賱噩賲賷毓
賷馗賴乇 丿丕卅賲丕 賮賷 丕賱丕賵賯丕鬲 丕賱睾賷乇 賲賳丕爻亘丞 .. 丕賱兀賵賯丕鬲 丕賱鬲賷 賷鬲丨鬲賲 毓賱賶 亘胤賱賳丕 丕賳 賷賳胤賯 亘丕賱丨賯 賵丕賳 賷毓賱賵 氐賵鬲賴 賱兀賵賱 賲乇丞 賮賷 丨賷丕鬲賴 賷胤丕賱亘 亘丨賯賴
乇賵丕賷丞 賳賮爻賷丞 賲賳 丕賱丿乇噩丞 丕賱兀賵賱賶 賵丕賱毓賷丕乇 丕賱孬賯賷賱 .. 鬲卮毓乇 丕賳賰 丕賲丕賲 丿賰鬲賵乇 噩賷賰賱 賵賲爻鬲乇 賴丕賷丿 丕賵 賲孬賱丕 鬲毓丿丿 丕賱卮禺氐賷丕鬲 丕賱鬲賷 鬲卮亘賴 賮賷賱賲 split
賱丨馗丕鬲 賰孬賷乇丞 賲賳 丕賱噩賳賵賳 賲賵丕賯賮 鬲丨丿孬 賲賳 卮亘賷賴丞 賱賷賱丕賲 毓賱賷賴丕 賴賵 賮賷賲丕 亘毓丿 亘爻亘亘 丕賱鬲卮丕亘賴
賵賱賰賳賴 賱賱兀爻賮 賱丕 賷丿乇賰 賲丿賶 鬲胤賵乇 賲卮賰賱鬲賴 賵賱兀賷 賲丿賶 丕氐亘丨 卮禺氐 禺胤賷乇 賵賴賵 賷噩乇賷 賮賷 丕賱兀賳丨丕亍 賲丨丕賵賱 鬲氐丨賷丨 氐賵乇鬲賴 亘毓丿 丕賮爻丕丿賴丕 賲賳 卮亘賷賴賴 賱賷賰鬲卮賮 丕賳 賱丕 丕丨丿 賷鬲賯亘賱 賲賳賴 賰賱丕賲 亘賲丕 丕賳賴 賷賮爻丿 毓賱賶 賳賮爻賴 鬲賱賰 丕賱賲賵丕賯賮 丕賱賱胤賷賮丞 丕賷囟丕
鬲爻鬲賲乇 丕賱賲賵丕噩賴丕鬲 亘賷賳賴賲 .. 賵賮賷 賰賱 賲乇丞 賷賳鬲氐乇 毓丿賵賴 丕賱賱丿賵丿 毓賱賷賴 丨鬲賶 賱賵 賰丕賳鬲 賲賵丕噩賴丞 卮禺氐賷丞
丕丨賷丕賳丕 賷氐亘丨 毓丿賵賳丕 賵爻亘亘 囟乇乇賳丕 賴賵 丕賳賮爻賳丕
賮賯丿 賵噩丿鬲 鬲卮丕亘賴 亘賷賳賷 賵亘賷賳 睾賵賱賷丕丿賰賷賳 .. 鬲卮丕亘賴 丨丿 丕賱噩賳賵賳
賮丕賳丕 卮禺氐賷丞 丕賳胤賵丕卅賷丞 賳賵毓丕 賱丕 丕丨亘 丕賱鬲丨丿孬 賰孬賷乇丕 禺氐賵氐丕 賵噩賴丕 賱賵噩賴 丕鬲賳丕夭賱 毓賳 丨賯賷 丨鬲賶 賱丕 丕禺爻乇 丕賱賳丕爻
賵亘賯賷鬲 毓賱賶 賴匕丕 丕賱丨丕賱 .. 丨鬲賶 鬲毓賱賲鬲 亘丕賱胤乇賷賯丞 丕賱氐毓亘丞 賲賳 丕賱亘毓囟 丕賳賳賷 賷噩亘 丕賳 丕禺乇噩 賰賱 丨賷賳 毓丿賵賷 丕賱賱丿賵丿 賲賳 丿丕禺賱賷 賱賷兀禺匕 賱賷 亘丨賯賷 賱兀禺爻乇 丕賱亘毓囟 賱賰賳賴 丕賮囟賱 賲賳 丕賳 丕禺爻乇 賳賮爻賷 丕賲丕賲 賴丐賱丕亍
賳賴丕賷丞 賲賲賷夭丞 賵賯丿 鬲賵賯毓鬲 丕賱賮賰乇丞 賲賳 丕賱亘丿丕賷丞 賵賱賰賳 丕丨亘亘鬲 丕賳 丕賰賲賱 丕賱賯氐丞 賰賱賴丕 賱丕毓乇賮 丕賱賶 丕賷 賲丿賶 爻賷氐賱 亘胤賱賳丕 丕賱胤賷亘 賷丕賰賵賮
丕賱賲噩鬲賲毓 丕賵氐賱賴 丨丿 丕賱噩賳賵賳 .. 亘丿賱丕 賲賳 丕賳 賷噩丿 丕賱賲爻丕毓丿丞 丨鬲賶 賷鬲賵丨丿 賲毓 毓丿賵賴 丕賱賱丿賵丿 賱賷馗賴乇 賰賱 賵丕丨丿 賲賳賴賲 賮賷 丕賱賲賵賯賮 丕賱賲賱丕卅賲
賱賱兀爻賮 賷賳賮氐賱 賲毓 丕賱賵賯鬲 丕賰孬乇 賵丕賰孬乇 毓賳 賳賮爻賴 賱賷賳賴夭賲 丕賳賴夭丕賲 賰賱賷 賷丿賲乇 賲丕 鬲亘賯賶 賲賳 毓賯賱 賮賷 乇兀爻賴 丕賱亘丕卅爻
丿賵爻鬲賵賷賮爻賰賷 賲賱賰 丕賱鬲丨賱賷賱丕鬲 丕賱賳賮爻賷丞 賵丕賰孬乇 賰丕鬲亘 賷丨賵賱 卮禺氐賷丕鬲賴 賱鬲氐亘丨 噩夭亍 賲賳 卮禺氐賷丞 賰賱 賯丕乇卅 賱乇賵丕賷丕鬲賴
乇丨賱丞 賲賲鬲毓丞 賵賱賷爻鬲 丕賱乇丨賱丞 丕賱賲賲鬲毓丞 丕賱兀賵賱賶 賲毓 丿賵爻鬲賵 賵賱賳 鬲賰賵賳 丕賱丕禺賷乇丞 丨鬲賶 丕賳鬲賴賶 賲賳 賰賱 鬲丨賱賷賱丕鬲賴 賱賱賳賮賵爻 丕賱亘卮乇賷丞 丕賱賲爻賰賷賳丞
賲乇丕噩毓丞 氐丿賷賯鬲賷 丕賱丿賵爻鬲賵賷賮爻賰賷丞 丿丕賱賷丕 賳賵乇丕賱丿賷賳
鈥溫ベ� 賴匕賴 丕賱賲禺賱賵賯丕鬲 丕賱鬲賷 賱丕 鬲賲賱賰 賯賵丞 丕賱丿賮丕毓 毓賳 賳賮爻賴丕 賲鬲卮丕亘賴丞 賲鬲賲丕孬賱丞: 鬲毓乇賮 兀賳 丕賱賴賵丞 鬲賳鬲馗乇賴丕 賴賳丕賰貙 孬賲 鬲噩乇賷 廿賱賷賴丕 賱丕 鬲賱賵賷 毓賱賶 卮賷亍.鈥�
賷丕賰賵賮 亘賷鬲乇賵賮賷鬲卮 睾賵賱賷丕丿賰賷賳 亘胤賱 乇賵丕賷丞 丿賵爻鬲賵賷賮爻賰賷 丕賱噩丿賷丿 .. 乇丨賱丞 賲禺鬲賱賮丞 丿丕禺賱 丕睾賵丕乇 丕賱賳賮賵爻 丕賱亘卮乇賷丞 賵鬲賯賱亘丕鬲賴丕 賵噩賳賵賳賴丕 丕賷囟丕
乇噩賱 亘乇卅 胤賷亘 賷毓丕賲賱 丕賱噩賲賷毓 亘賳賮爻 丕賱丕爻賱賵亘 .. 禺噩賵賱 賵爻丕匕噩 賵賱丕 賷爻鬲胤賷毓 丕賱鬲丨丿孬 丕賲丕賲 丕賱賳丕爻 賵賱丕 丨鬲賶 丕賳 賷胤丕賱亘 亘丨賯賴
鈥�" 兀賳丕 兀丨亘 丕賱賴丿賵亍 賷丕 賰乇賷爻鬲賷丕賳貙 賱丕 兀購丨亘 囟賵囟丕亍 丕賱賲噩鬲賲毓 丨賷孬 賷賰賵賳 毓賱賷賰 兀賳 鬲購噩賷丿 賲爻丨 丕賱兀乇囟 亘丨匕丕亍賽賰貙 廿賳賴 丕賱賲胤賱賵亘 賲賳賰 賴賳丕賰 廿賱賶 噩丕賳亘 鬲賳賲賷賯 丕賱賰賱丕賲貙 賵毓賱賷賰 兀賷囟丕賸 兀賳 鬲購噩賷丿 丕賱賲噩丕賲賱丞 亘賰賱丕賲賺 賲毓爻賵賱 賵丕賱丨丕賱 賷丕 賰乇賷爻鬲賷丕賳 兀賳賷 賱賲 兀鬲毓賱賲 賰購賱 賴匕賴 丕賱夭禺丕乇賮貙 賱賲 兀鬲毓賱賲賴丕 賱兀賳賷 賱丕 兀賲賱賰 丕賱賵賯鬲 丕賱賰丕賮賷
毓卮鬲 賲毓 鬲賱賰 丕賱卮禺氐賷丞 賱丨馗丕鬲 賲丐賱賲丞 賰孬賷乇丞 亘睾囟 丕賱賳馗乇 毓賳 丨賯賷賯丞 亘毓囟賴丕 丕賵 丕賱亘毓囟 丕賱丌禺乇 丕賱匕賷 鬲丨賵賱 丕賱賶 賲噩乇丿 賵賴賲 賵禺賷丕賱丕鬲
賲賳 馗賱賲賴 賲賳 丕賱噩賲賷毓 賵賮賴賲賴 丕賱禺丕胤卅 賲賳 丕賱丕睾賱亘賷丞 .. 賲賳 丕賳賰丕乇 丕賱亘毓囟 賱丕賴賲賷鬲賴 丕賵 賱賵噩賵丿賴 賮賷 丨賷丕鬲賴 丕賱卮禺氐賷丞
卮毓乇鬲 賮賷 丕睾賱亘 丕賱丕丨賷丕賳 丕賳賳賷 賷丕賰賵賮 賳賮爻賴 .. 鬲賵丨丿鬲 賲毓 丕賱卮禺氐賷丞 亘丿乇噩丞 賰亘賷乇丞 賵賲丐賱賲丞 .. 賮賷 賰賱 賰賱賲丞 賯丕賱賴丕 貙 賮賷 賰賱 賰賱賲丞 賲乇鬲 賮賷 禺胤丕亘 賰鬲亘賴 丕丨丿賴賲 賮賷 丕賱乇賵丕賷丞 貙 賵賮賷 賰賱 乇丿 賮毓賱 賲賳 丕賱噩賲賷毓
丕賳賴 賲賳 丕賱賳丕爻 賷爻毓丿 丨賷賳 鬲賳毓鬲賴 亘丕賱賵睾丿 丕賵 丕賱賱卅賷賲 賱丕賳 匕賱賰 賷噩毓賱賴 賷毓鬲賯丿 丕賳賴 賱丕 賷禺丿毓 亘賱 丕賳 賲賳 丕賱賳丕爻 賲賳 賷丨亘 丕賳 賷賳毓鬲 亘賴匕賴 丕賱賳毓賵鬲
賷賵賲丕 賲丕 賷馗賴乇 賮噩兀丞 卮禺氐 賷卮亘賴 氐丿賷賯賳丕 睾賵賱賷丕丿賰賷賳 賱賷氐亘丨 亘胤賱賳丕 賴賵 丕賱賰亘賷乇 賵賷賱賯亘 丕賱丌禺乇 亘睾賵賱賷丕丿賰賷賳 丕賱氐睾賷乇
卮禺氐賷鬲賷賳 亘鬲賳丕賯囟 鬲丕賲 .. 丕丨丿賴賲 亘乇卅 鬲賲丕賲丕 賵賱丕 賷鬲賮賵賴 亘卮卅 丨鬲賶 賵賱賵 賰丕賳 丿賮丕毓丕 毓賳 賳賮爻賴 .. 丕賲丕 丕賱丌禺乇 賮賴賵 卮禺氐賷丞 賯賲賷卅丞 丿賳賷卅丞 賲鬲爻賱胤丞 賵丕賷囟丕 賯賵賷 丕賱卮禺氐賷丞 噩丿丕 賷爻鬲胤賷毓 兀禺匕 丨賯賴 賲賳 丕賱噩賲賷毓
賷馗賴乇 丿丕卅賲丕 賮賷 丕賱丕賵賯丕鬲 丕賱睾賷乇 賲賳丕爻亘丞 .. 丕賱兀賵賯丕鬲 丕賱鬲賷 賷鬲丨鬲賲 毓賱賶 亘胤賱賳丕 丕賳 賷賳胤賯 亘丕賱丨賯 賵丕賳 賷毓賱賵 氐賵鬲賴 賱兀賵賱 賲乇丞 賮賷 丨賷丕鬲賴 賷胤丕賱亘 亘丨賯賴
乇賵丕賷丞 賳賮爻賷丞 賲賳 丕賱丿乇噩丞 丕賱兀賵賱賶 賵丕賱毓賷丕乇 丕賱孬賯賷賱 .. 鬲卮毓乇 丕賳賰 丕賲丕賲 丿賰鬲賵乇 噩賷賰賱 賵賲爻鬲乇 賴丕賷丿 丕賵 賲孬賱丕 鬲毓丿丿 丕賱卮禺氐賷丕鬲 丕賱鬲賷 鬲卮亘賴 賮賷賱賲 split
賱丨馗丕鬲 賰孬賷乇丞 賲賳 丕賱噩賳賵賳 賲賵丕賯賮 鬲丨丿孬 賲賳 卮亘賷賴丞 賱賷賱丕賲 毓賱賷賴丕 賴賵 賮賷賲丕 亘毓丿 亘爻亘亘 丕賱鬲卮丕亘賴
賵賱賰賳賴 賱賱兀爻賮 賱丕 賷丿乇賰 賲丿賶 鬲胤賵乇 賲卮賰賱鬲賴 賵賱兀賷 賲丿賶 丕氐亘丨 卮禺氐 禺胤賷乇 賵賴賵 賷噩乇賷 賮賷 丕賱兀賳丨丕亍 賲丨丕賵賱 鬲氐丨賷丨 氐賵乇鬲賴 亘毓丿 丕賮爻丕丿賴丕 賲賳 卮亘賷賴賴 賱賷賰鬲卮賮 丕賳 賱丕 丕丨丿 賷鬲賯亘賱 賲賳賴 賰賱丕賲 亘賲丕 丕賳賴 賷賮爻丿 毓賱賶 賳賮爻賴 鬲賱賰 丕賱賲賵丕賯賮 丕賱賱胤賷賮丞 丕賷囟丕
賲賳賻 丕賱胤賾亘賷毓賷 兀賳 賷購丿丕賳 丕賱亘乇賷卅 賵兀賳 賷毓丕賳賷 丿賵賳 兀賳 賷乇鬲賰亘 賲丕 賷爻鬲丨賯 毓賱賷賴 丕賱廿丿丕賳丞
鬲爻鬲賲乇 丕賱賲賵丕噩賴丕鬲 亘賷賳賴賲 .. 賵賮賷 賰賱 賲乇丞 賷賳鬲氐乇 毓丿賵賴 丕賱賱丿賵丿 毓賱賷賴 丨鬲賶 賱賵 賰丕賳鬲 賲賵丕噩賴丞 卮禺氐賷丞
丕丨賷丕賳丕 賷氐亘丨 毓丿賵賳丕 賵爻亘亘 囟乇乇賳丕 賴賵 丕賳賮爻賳丕
賮賯丿 賵噩丿鬲 鬲卮丕亘賴 亘賷賳賷 賵亘賷賳 睾賵賱賷丕丿賰賷賳 .. 鬲卮丕亘賴 丨丿 丕賱噩賳賵賳
賮丕賳丕 卮禺氐賷丞 丕賳胤賵丕卅賷丞 賳賵毓丕 賱丕 丕丨亘 丕賱鬲丨丿孬 賰孬賷乇丕 禺氐賵氐丕 賵噩賴丕 賱賵噩賴 丕鬲賳丕夭賱 毓賳 丨賯賷 丨鬲賶 賱丕 丕禺爻乇 丕賱賳丕爻
賵亘賯賷鬲 毓賱賶 賴匕丕 丕賱丨丕賱 .. 丨鬲賶 鬲毓賱賲鬲 亘丕賱胤乇賷賯丞 丕賱氐毓亘丞 賲賳 丕賱亘毓囟 丕賳賳賷 賷噩亘 丕賳 丕禺乇噩 賰賱 丨賷賳 毓丿賵賷 丕賱賱丿賵丿 賲賳 丿丕禺賱賷 賱賷兀禺匕 賱賷 亘丨賯賷 賱兀禺爻乇 丕賱亘毓囟 賱賰賳賴 丕賮囟賱 賲賳 丕賳 丕禺爻乇 賳賮爻賷 丕賲丕賲 賴丐賱丕亍
毓賱賶 賲丕 賷亘丿賵.. 丕賱兀賳匕丕賱 賲丨馗賵馗賵賳 丿丕卅賲丕賸 賮賷 賴匕賴 丕賱兀賷丕賲..
賳賴丕賷丞 賲賲賷夭丞 賵賯丿 鬲賵賯毓鬲 丕賱賮賰乇丞 賲賳 丕賱亘丿丕賷丞 賵賱賰賳 丕丨亘亘鬲 丕賳 丕賰賲賱 丕賱賯氐丞 賰賱賴丕 賱丕毓乇賮 丕賱賶 丕賷 賲丿賶 爻賷氐賱 亘胤賱賳丕 丕賱胤賷亘 賷丕賰賵賮
丕賱賲噩鬲賲毓 丕賵氐賱賴 丨丿 丕賱噩賳賵賳 .. 亘丿賱丕 賲賳 丕賳 賷噩丿 丕賱賲爻丕毓丿丞 丨鬲賶 賷鬲賵丨丿 賲毓 毓丿賵賴 丕賱賱丿賵丿 賱賷馗賴乇 賰賱 賵丕丨丿 賲賳賴賲 賮賷 丕賱賲賵賯賮 丕賱賲賱丕卅賲
賱賱兀爻賮 賷賳賮氐賱 賲毓 丕賱賵賯鬲 丕賰孬乇 賵丕賰孬乇 毓賳 賳賮爻賴 賱賷賳賴夭賲 丕賳賴夭丕賲 賰賱賷 賷丿賲乇 賲丕 鬲亘賯賶 賲賳 毓賯賱 賮賷 乇兀爻賴 丕賱亘丕卅爻
廿賳 睾丿丕 賳爻賷鬲賳賷
賮兀賳丕 賱賳 丕賳爻丕賰 丕亘丿丕
賴匕賴 丕賱丨賷丕丞 毓匕亘鬲賳賷
賮賱丕 鬲賳爻賳賷 丕亘丿丕
丿賵爻鬲賵賷賮爻賰賷 賲賱賰 丕賱鬲丨賱賷賱丕鬲 丕賱賳賮爻賷丞 賵丕賰孬乇 賰丕鬲亘 賷丨賵賱 卮禺氐賷丕鬲賴 賱鬲氐亘丨 噩夭亍 賲賳 卮禺氐賷丞 賰賱 賯丕乇卅 賱乇賵丕賷丕鬲賴
乇丨賱丞 賲賲鬲毓丞 賵賱賷爻鬲 丕賱乇丨賱丞 丕賱賲賲鬲毓丞 丕賱兀賵賱賶 賲毓 丿賵爻鬲賵 賵賱賳 鬲賰賵賳 丕賱丕禺賷乇丞 丨鬲賶 丕賳鬲賴賶 賲賳 賰賱 鬲丨賱賷賱丕鬲賴 賱賱賳賮賵爻 丕賱亘卮乇賷丞 丕賱賲爻賰賷賳丞
"爻兀賰鬲賮賷 亘兀賳 兀賱鬲夭賲 丕賱氐賲鬲貙 毓賱賶 兀賲賱 兀賳 賷賰賵賳 氐賲鬲賷 兀亘賱睾 賲賳 賰賱 亘賱丕睾丞."
賲乇丕噩毓丞 氐丿賷賯鬲賷 丕賱丿賵爻鬲賵賷賮爻賰賷丞 丿丕賱賷丕 賳賵乇丕賱丿賷賳
October 24, 2012
I have no desire to meet my doppelg盲nger. Hell would be a place filled with our own doubles, I think.
There are many literary examples of a double showing up and causing mayhem: Superman. Xander (from Buffy). The Nutty Professor.
Captain Kirk met his double twice, in and .
It always seems to come down to the Dr. Jekyll and Mr. Hyde idea: one of the personalities is strong and powerful, and the other kindly, but also too meek and indecisive. There follows a struggle to see which one is the better man. Whatever happens next, the moral is that we need both aspects to be a whole person.
Mr. Golyadkin in The Double is confronted with his doppelg盲nger. This situation is different than those I've mentioned, for there is no split between the weak and strong personality traits. The guy is all weak. I guess that makes this more of a parody. Before the encounter, he is shown to be vain and petty and ineffective. He goes on fake shopping trips for expensive goods which he never actually buys, seemingly to impress store clerks and himself of his own importance.
So when Golyadkin does meet his double, it really is his double. There is no need to get back to another dimension and somehow integrate. The enjoyment of this book is the comical situations that arise from these meetings. Yet it is nightmarish at the same time because the man is simply going insane. We are only ever in Golyadkin's head, 3rd person limited, and the clues from the other characters make it fairly clear that there really is no double.
Written in 1846, The Double is Dostoyevsky's second novel and it wasn't well received. He revised the novel in 1866 and that is the version we read today. It's a complicated psychological study. And it's fun. What more could you want?
There are many literary examples of a double showing up and causing mayhem: Superman. Xander (from Buffy). The Nutty Professor.
Captain Kirk met his double twice, in and .
It always seems to come down to the Dr. Jekyll and Mr. Hyde idea: one of the personalities is strong and powerful, and the other kindly, but also too meek and indecisive. There follows a struggle to see which one is the better man. Whatever happens next, the moral is that we need both aspects to be a whole person.
Mr. Golyadkin in The Double is confronted with his doppelg盲nger. This situation is different than those I've mentioned, for there is no split between the weak and strong personality traits. The guy is all weak. I guess that makes this more of a parody. Before the encounter, he is shown to be vain and petty and ineffective. He goes on fake shopping trips for expensive goods which he never actually buys, seemingly to impress store clerks and himself of his own importance.
So when Golyadkin does meet his double, it really is his double. There is no need to get back to another dimension and somehow integrate. The enjoyment of this book is the comical situations that arise from these meetings. Yet it is nightmarish at the same time because the man is simply going insane. We are only ever in Golyadkin's head, 3rd person limited, and the clues from the other characters make it fairly clear that there really is no double.
Written in 1846, The Double is Dostoyevsky's second novel and it wasn't well received. He revised the novel in 1866 and that is the version we read today. It's a complicated psychological study. And it's fun. What more could you want?
March 2, 2024
Creepy precursor to Kafka?
This surreal early Dostoevsky novella started as an almost slapstick black comedy whose hapless, paranoid, wussy little 鈥渉ero鈥� suddenly acquires a double 鈥� a slick, devious sociopath who sets out to undermine him and usurp his life. We never really know if this is a psychotic delusion, a psychological 鈥渟hadow鈥� ... or even the Devil himself. Anxiety escalates to an almost unbearable level 鈥� while the exaggerated dramatic narrative never totally loses its dark sense of humor.
I read the George Bird translation in Great Short Works of Fyodor Dostoevsky.
This surreal early Dostoevsky novella started as an almost slapstick black comedy whose hapless, paranoid, wussy little 鈥渉ero鈥� suddenly acquires a double 鈥� a slick, devious sociopath who sets out to undermine him and usurp his life. We never really know if this is a psychotic delusion, a psychological 鈥渟hadow鈥� ... or even the Devil himself. Anxiety escalates to an almost unbearable level 鈥� while the exaggerated dramatic narrative never totally loses its dark sense of humor.
I read the George Bird translation in Great Short Works of Fyodor Dostoevsky.
January 30, 2021
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賱丕貙 丕賮賴賲賳賷 噩賷丿丕 賲賳 賮囟賱賰 賷丕 兀賳胤賵賳 兀賳胤賵賳賵賮賷鬲卮貙 廿賳賳賷 兀鬲丨丿孬 毓賳 賳賮爻賷貙 賮兀賳丕 賲孬賱丕 賱丕 兀囟毓 賯賳丕毓丕 廿賱丕 毓賳丿 丕賱囟乇賵乇丞貙 兀賯氐丿 兀賳賳賷 兀賱亘爻賴 賮賷 丕賱賰乇賳賮丕賱 兀賵 亘毓囟 丕賱爻賴乇丕鬲..兀毓賳賷 兀賳賳賷 兀賱亘爻賴 亘丕賱賲毓賳賶 丕賱丨賯賷賯賷 賱丕 丕賱賲噩丕夭賷貙 賵賱丕 兀賱亘爻 賯賳丕毓丕 丨賷賳 兀賰賵賳 賲毓 丕賱賳丕爻 賮賷 丨賷丕鬲賷 丕賱賷賵賲賷丞"
乇賵丕賷丞 睾丕賲囟丞 亘賴丕 丕賱賰孬賷乇 賲賳 丕賱兀賱睾丕夭 丕賱鬲賷 賱賲 賷毓胤賳丕 賲賮丕鬲賷丨賴丕 賮賷賵丿賵乇貙 兀賵 兀毓胤丕賴丕 賱賳丕 賵賱賰賳賴 丿爻賴丕 丿爻丕 亘丨賷孬 鬲禺賮賶 毓賱賶 毓賯賵賱賳丕..
賲賳 兀毓賲丕賯 丕賱亘賷乇賵賯乇丕胤賷丞 賵噩賵 丕賱賵馗丕卅賮 丕賱賲賰鬲亘賷丞 賮賷 乇賵爻賷丕 丕賱賯乇賳 丕賱鬲丕爻毓 毓卮乇貙 賳毓賽卮 賲毓 丕賱胤賷亘 睾賵賱賷丕丿賰賷賳 賵賯乇賷賳賴 兀賵 鬲賵兀賲賴 賯氐鬲賴 丕賱毓噩賷亘丞 賵賱賯丿 兀丨亘亘鬲 卮禺氐賷丞 丕賱毓賲賱 噩丿丕 賵鬲毓丕胤賮鬲 賲毓賴丕.
賰賲丕 兀賳賴丕 丕賱乇賵丕賷丞 丕賱孬丕賳賷丞 賮賷 賲爻賷乇丞 丕賱乇賵爻賷 丕賱賲乇賴賮 丕賱賲噩賳賵賳貙 賵丕賱鬲賷 兀乇賶 兀賳賴丕 鬲賮賵賯鬲 毓賱賶 爻丕亘賯鬲賴丕 賰孬賷乇丕 賲賳 丨賷孬 丕賱廿孬丕乇丞 賵丕賱賲賷賰乇賵爻賵賰賵亘 毓賱賶 丕賱卮禺氐賷丕鬲 賲賳 丕賱丿丕禺賱 賵丕賱禺丕乇噩貙 ,賵毓賱賶 兀賳 乇賵丕賷丞 丕賱賮賯乇丕亍 兀毓噩亘鬲賳賷 賵賰匕賱賰 丕賱胤丕亘毓 丕賱乇爻丕賱賷 丕賱匕賷 丕鬲爻賲鬲 亘賴貙 廿賱丕 兀賳 丿賵賷爻鬲賵 賷噩賷丿 丕賱胤丕亘毓 丕賱丨賵丕乇賷 亘卮賰賱 兀毓賲賯 亘丨乇丕乇鬲賴 賵丕賳賮毓丕賱丕鬲賴 兀賰孬乇 賲賳 丕賱乇爻丕卅賱 丕賱胤賵賷賱丞.
賵亘丕賱兀禺匕 賮賷 丕賱丕毓鬲亘丕乇 兀賳 丕賱賰丕鬲亘 毓卮乇賷賳賷貙 賮廿賳 丕賱乇賵丕賷丞 毓購丿鬲 賲亘卮乇丞 噩丿丕 賵亘賴丕 丕賱賰孬賷乇 賲賳 丕賱賱賲爻丕鬲 丕賱鬲賷 鬲禺亘乇賰 毓賷丕賳丕 兀賳賰 兀賲丕賲 賲賵賱丿 賰丕鬲亘 賰亘賷乇 賵廿賳 賰丕賳 賱賲 賷禺乇噩 亘毓丿 賲賳 馗賱 噩賵噩賵賱 賵賱賲 賷賰鬲爻亘 卮禺氐賷鬲賴 賵賯賱賲賴 丕賱賲爻鬲賯賱 亘毓丿.
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賵賱丿賷 毓丿丞 爻賷賳丕乇賷賵賴丕鬲 賯乇兀鬲賴丕 賮賷 丕賱賳氐 賵賱丕 兀丿乇賶 兀賷賴賲 丕賱氐丨賷丨丞 賮賷 丕賱丨賯賷賯丞:
賷爻亘賯 丕賱鬲賮爻賷乇丕鬲 丕賱丌鬲賷丞 丕賱氐丿賲丞 丕賱賳賮爻賷丞 丕賱鬲賷 鬲毓乇囟 賱賴丕 丕賱亘胤賱 毓賳丿賲丕 匕賴亘 廿賱賶 丨賮賱賺 禺丕氐 亘爻賷丿 毓賲賱賴 亘丿賵賳 兀賳 賷賰賵賳 賲丿毓賵丕貙 賱兀賳賴 乇兀賶 賮賷 賯乇丕乇丞 賳賮爻賴 兀賳賴 賮賷 賲賳夭賱賴 賵亘賷鬲賴 丕賱孬丕賳賷 賵兀賳 氐丕丨亘 丕賱賲毓丕賱賷 丕賱爻賷丿 "兀賵賱爻賵賮賷" 丕賱匕賷 賰丕賳 亘賲孬丕亘丞 丕賱兀亘 賳爻亘丞 廿賱賷賴 賲丕 賰丕賳 賱賷賵氐丿 亘丕亘賴 丿賵賳賴 賴匕丕 丕賱賷賵賲貙 賵賯丿 鬲亘毓 匕賱賰 丕丨鬲賯丕乇 賵廿賴丕賳丕鬲 賲鬲賵丕氐賱丞 賲賳 噩賲賷毓 夭賵丕乇 丕賱賲賰丕賳 賮賷 卮賰賱 胤亘賯賷 氐丕乇禺 爻賵丕亍 賲賳 賲賱亘爻賴 兀賵 丕賮鬲賯丕乇賴 賱丌賱賷丕鬲 丕賱鬲毓丕賲賱 賲毓 丕賱乇鬲亘 丕賱兀毓賱賶 賵丕禺鬲鬲賲 丕賱兀賲乇 亘兀賳 禺乇賾亘 睾賵賱賷丕丿賰賷賳 賰賱 卮賷亍 毓賳丿賲丕 鬲毓孬乇 賵賴賵 賷丨丕賵賱 賲乇丕賯氐丞 丕亘賳丞 丕賱爻賷丿 氐丕丨亘 丕賱丨賮賱 "賰賱丕乇丕" 賵賲賳 孬賲 兀賱賯丕賴 丕賱禺丿賲 禺丕乇噩 丕賱賲賳夭賱.
賵賷氐賮 賱賳丕 亘毓丿賴丕 賰賷賮 禺乇噩 賷賴乇賵賱 賮賷 丕賱亘乇丿 兀爻賮賱 丕賱賲胤乇 賵丕賱孬賱賵噩 丕賱賲鬲爻丕賯胤丞 亘毓丿 賴匕賴 丕賱廿賴丕賳丞 賵賰丕賳鬲 賴賳丕 丕賱卮乇丕乇丞貙 丨賷孬 乇兀賶 賮賷 胤乇賷賯賴 乇噩賱丕 賷卮亘賴賴 鬲賲丕賲丕 賷毓亘乇 丕賱卮丕乇毓 亘噩賵丕乇賴!
"賵乇睾賲 兀賳 丕賱孬賱賵噩 賵丕賱賲胤乇 賵賰賱 賲丕 賱賷爻 賱賴 丕爻賲 賲賳 毓賳丕氐乇 丕賱胤亘賷毓丞 丕賱孬丕卅乇丞 賮賷 爻賲丕亍 賳賵賮賲亘乇 亘爻丕賳 亘胤乇爻亘賵乇睾 賯丿 賴丕噩賲鬲 賰賱賴丕 賲噩鬲賲毓丞 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳 丕賱亘丕卅爻 丕賱賲丿賲賻賾乇 鬲賲丕賲丕 丿賵賳 兀賳 鬲乇丨賲賴 兀賵 鬲鬲乇賰 賱賴 兀賷丞 賮乇氐丞 廿匕 賳賮匕鬲 廿賱賶 毓馗丕賲賴 賵兀毓賲鬲 亘氐乇賴 賮丿賮毓鬲賴 賮賷 賰賱 丕鬲噩丕賴 賮噩毓賱鬲賴 賷鬲賷賴 毓賳 賵噩賴鬲賴 丕賱賲賯氐賵丿丞 賵賷賮賯丿 賲丕 鬲亘賯賶 賱賴 賲賳 乇噩丕丨丞 毓賯賱 賵賰兀賳賴丕 賲鬲賵丕胤卅丞 賲毓 噩賲賷毓 兀毓丿丕卅賴."
"賮賱賵 乇丌賴 賮賷 鬲賱賰 丕賱賱丨馗丞 毓丕亘乇 爻亘賷賱 賲丨丕賷丿 賱兀丨爻 毓賱賶 丕賱賮賵乇 亘賮馗丕毓丞 賲氐丕卅亘 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳 賵賱賯丕賱 賮賷 賳賮爻賴 廿賳賴 賷亘丿賵 賰賲賳 賷乇賷丿 兀賳 賷禺鬲亘卅 毓賳 賳賮爻賴貙 賰賲賳 賷亘丨孬 毓賳 賵爻賷賱丞 賱賷賴乇亘 賲賳 賳賮爻賴 貙 賳毓賲 亘賱 賳爻鬲胤賷毓 兀賳 賳賯賵賱 兀賳賴 賱賲 賷賰賳 賷鬲賲賳賶 兀賳 賷賴乇亘 賲賳 賳賮爻賴 賮丨爻亘貙 賵廿賳賲丕 賰丕賳 賷鬲賲賳賶 兀賳 賷夭賵賱 賲賳 毓賱賶 爻胤丨 丕賱兀乇囟 鬲賲丕賲丕貙 兀賳 賱丕 賷亘賯賶 賱賴 兀賷 賵噩賵丿貙 兀賳 賷鬲丨賵賱 廿賱賶 乇賲丕丿!"
賵賮賷 禺囟賲 鬲賱賰 丕賱兀丨丿丕孬 賵丕賱賲毓鬲乇賰 丕賱賳賮爻賷 賷賱賲丨 兀丨丿 丕賱毓丕亘乇賷賳 賱賷噩丿 兀賳賴 賴賵 賳賮爻賴 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳貙 賵賴賳丕 賱賲 賷丨丿丿 賱賳丕貙 賴賱 賴賵 賳賮爻賴 賲賳 馗賴乇 亘毓丿 匕賱賰 賮賷 丕賱賲賳夭賱 賵丕賱毓賲賱!丨賷孬 賱賲 鬲卮乇 丕賱卮禺氐賷丞 丕賱噩丿賷丿丞 賱匕賱賰 賮賷 丕賱賯氐丞貙 兀賲 兀賳賴 賲賳 賮乇胤 丕賱丕賳賰爻丕乇 亘丿兀 賷卮丕賴丿 賳賮爻賴 賮賷 丕賱賳丕爻 (賷氐賮 賮賷 兀丨丿丕 丕賱賮氐賵賱 兀賳賴 賷乇賶 賰賱 賲賳 賮賷 丕賱賯丕毓丞 睾賵賱賷丕丿賰賷賳) 兀賲 兀賳 賴匕丕 丕賱卮禺氐 鬲夭丕賲賳 馗賴賵乇賴 賲毓 鬲賱賰 丕賱賵丕賯毓丞 賮賷 匕賱賰 丕賱卮丕乇毓 孬賲 馗賴乇 賮賷 丕賱氐亘賷丨丞 賮賷 丕賱毓賲賱責
賱丕 兀鬲賵賯毓 兀賳賴丕 氐丿賮丞 胤亘毓丕. 賱匕丕 兀乇丕賳賷 兀賲丕賲 毓丿丞 胤乇賯:
1- 兀賳 賴賳丕賰 卮禺氐賷丞 兀禺乇賶 馗賴乇鬲 亘丕賱賮毓賱 賮賷 丨賷丕鬲賴 賵賱賰賳賴丕 賱丕 鬲卮亘賴賴 卮賰賱丕 賵賱丕 丕爻賲丕 賵廿賳賲丕 鬲賴賷兀 賱賴(賱賲 賷丨賮賱 兀賷 賮乇丿 亘賴匕丕 丕賱鬲胤丕亘賯) 匕賱賰 賱賲丕 賮賷 賯乇丕乇丞 賳賮爻賴 賲賳 賳賯氐 賵賲賳 乇睾亘丞 賮賷 兀賳 賷賰賵賳 賴賵 鬲賱賰 丕賱卮禺氐賷丞 丕賱賲丕孬賱丞 兀賲丕賲賴貙 賵兀賳 鬲賱賰 丕賱卮禺氐賷丞 賯丿 兀丿乇賰鬲 賴匕丕 丕賱卮毓賵乇 毓賳丿賴 兀賵 丨賷孬賷丕鬲 賲乇囟賴 賮丕爻鬲睾賱鬲 匕賱賰 賱賱廿賷賯丕毓 亘賴 賵賱兀禺匕 賲賰丕賳賴 亘丕賱賮毓賱.
賵賱賰賳 賲丕 賷夭毓夭毓 丕賱爻賷賳丕乇賷賵 賴賵 兀賳 賴賳丕賰 卮禺氐賷 賮賷 丕賱毓賲賱 賯丿 賱丕丨馗鬲 丕賱卮亘賴 賵賯丕賱鬲 賱睾賵賱賷丕丿賰賷賳 兀賳賴 賷賰丕丿 賷賰賵賳 賯乇賷亘 賱賰! 賵賱賰賳 賴匕丕 賱丕 賷賰賮賷貙 廿匕丕 乇兀賷鬲 兀賲丕賲賰 卮禺氐賷賳 賱賴賲丕 賳賮爻 丕賱鬲賮丕氐賷賱 亘丿亍 賲賳 丕賱丕爻賲 丕賳鬲賴丕亍 亘丕賱賴賷卅丞 丕賱賰賱賷丞 賵丕賱夭賷貙 賮廿賳賰 賱賳 鬲卮賷乇 賱賲噩乇丿 氐賱丞 賯乇丕亘丞! 廿賳賴 噩賳賵賳 鬲丕賲貙 賮廿賲丕 兀賳 賴匕丕 丕賱卮禺氐 丕賱匕賷 賱丕丨馗 丕賱卮亘賴 賷噩丕乇賷 睾賵賱賷丕丿賰賷賳 賮賯胤 賱卮毓賵乇賴 亘賲乇囟賴 兀賵 兀賳 賴賳丕賰 卮亘賴 賲鬲賲丕孬賱 賮毓賱丕.
賵賱賰賳賷 賱丕 兀賲賷賱 賱賴匕丕 丕賱爻賳丕乇賷賵 賮賷 丕賱丨賯賷賯丞.
2- 兀賳賴 賱丕 賵噩賵丿 賱睾賵賱賷丕丿賰賷賳 丕賱孬丕賳賷 賴匕丕 賱兀賳 兀睾賱亘 丕賱丨賵丕乇丕鬲 賵廿賳 賱賲 鬲賰賳 賰賱賴丕 賰丕賳鬲 亘賷賳 睾賵賱賷丕丿賰賷賳 賵賯乇賷賳賴貙 賵兀賳 鬲賱賰 丕賱卮禺氐賷丞 鬲賲孬賱鬲 賱賲丕 兀氐丕亘 丕賱亘胤賱 賲賳 丕賳賮氐丕賲 噩乇丕亍 賯爻賵丞 丕賱賲噩鬲賲毓 賲賳 丨賵賱賴 賵卮毓賵乇賴 亘丕賱囟毓賮 賵乇睾亘鬲賴 丕賱丿賮賷賳丞 賮賷 兀賳 賷賲賰乇 賰賲丕 賷賲賰乇賵賳 賵賷賰爻亘 丕丨鬲乇丕賲 丕賱丌禺乇賷賳 賵賱賵 亘丕賱賳賮丕賯 賵丕賱鬲賲賱賯 賵丕賱鬲夭賱賮 賵丕賱賲丿丕賴賳丕鬲貙
賵賱兀賳賴 兀囟毓賮 賲賳 賴匕丕 丕賱鬲丨賵賱 賮賯丿 丕賳亘孬賯 匕賱賰 毓賳 賮氐丕賲 丨丕丿.
賵賲賲丕 賷賯賵賷 丕賱賮賰乇丞 賴賵 兀賳賴 毓賳丿賲丕 丨丕賵賱 丕賱鬲賵丕氐賱 賲毓 賯乇賷賳賴 毓賳 胤乇賷賯 丕賱乇爻丕卅賱 賱賲 賷賮賱丨 丕賱兀賲乇貙 亘賱 兀賳 禺丕丿賲賴 囟丨賰 賲賳賴 賮賷 丕賱賱丨馗丞 丕賱鬲賷 賵噩丿賴 賷賰鬲亘 賮賷賴丕 賯乇賷賳賴 賵賷禺亘乇賴 亘兀賳 兀乇爻賱 賰匕丕 賱賰匕丕貙 賵賰匕賱賰 丕賱卮禺氐 丕賱賲爻卅賵賱 毓賳 丕賱亘乇賷丿 賯丿 鬲毓噩亘 賲賳 丕賱兀賲乇貙 賵賱乇亘賲丕 毓賳丿賲丕 丕爻鬲賯亘賱賴 賮賷 亘賷鬲賴 賵兀禺亘乇賴 丕賱禺丕丿賲 "賴賱 丌鬲賽 亘胤毓丕賲賺 賱卮禺氐賷賳責" 兀賳賴 賰丕賳 賷爻禺乇 賲賳賴 賱兀賳賴 乇丌賴 賷禺丕胤亘 卮禺氐丕 丌禺乇丕 賱丕 賵噩賵丿 賱賴貙
賰匕賱賰 賮賷 丕賱氐亘丕丨 賱賲 賷噩丿 睾賵賱賷丕丿賰賷賳 賯乇賷賳賴 毓賱賶 丕賱爻乇賷乇 亘噩賵丕乇賴..
賵賮賷 兀丨丿 丕賱丨賵丕乇丕鬲 賷賯賵賱 丕賱禺丕丿賲 賵賴賵 賮賷 爻賰乇賴 :
賱丕貙 賱賳 兀毓賵丿 兀亘丿丕 賱賳 兀毓賵丿貙 兀賮囟賱 丕賱毓賷卮 毓賳丿 丕賱賳丕爻 丕賱胤賷亘賷賳貙 丕賱賳丕爻 丕賱胤賷亘賵賳 賷毓賷卮賵賳 毓賷卮丞 胤賷亘丞 賵賱丕 賷睾卮賵賳..丕賱賳丕爻 丕賱胤賷亘賵賳 賱丕 賷賰賵賳賵賳 賲夭丿賵噩賷賳 兀亘丿丕貙 賱丕 賷賰賵賳賵賳 丕孬賳賷賳 賮賷 丕賱賵賯鬲 賳賮爻賴..!
賵賲賲丕 賷丿毓賲 丕賱爻賷賳丕乇賷賵 賴賵 兀賳 睾賵賱賷丕丿賰賷賳 丕賱孬丕賳賷 賰丕賳 賱丕 賷丨丕爻亘 毓賱賶 孬賲賳 兀賷 卮賷亍 賮毓賳丿賲丕 乇賰亘 賲毓賴 毓乇亘丞 丕賱丨賵匕賷 賰丕賳 賷乇丨賱 亘丿賵賳 賲爻丕卅賱丞 丕賱孬賲賳 賵賯丿 賰丕賳 睾賵賱賷丕丿賰賷賳 丕賱兀氐賱賷 賲賳 賷丿賮毓貙 賰匕賱賰 賮賷 丕賱賲胤毓賲 毓賳丿賲丕 鬲賳丕賵賱 毓卮乇丞 賮胤丕卅乇 賮賷 丨賷賳 鬲賳丕賵賱 亘胤賱賳丕 賵丕丨丿丞貙 賵賯丿 乇丨賱 丕賱卮亘賷賴 丿賵賳 兀賳 賷毓賱賲 丕賱兀氐賱賷 亘賵噩賵丿賴 賮賷 丕賱賲賰丕賳 賵丨丕爻亘 賴賵 毓賱賶 丕賱兀丨丿 毓卮乇 賮胤賷乇丞! 賵毓丿丞 賲賳丕爻亘丕鬲 噩賲毓鬲 亘賷賳賴賲丕貙 賱賲 賷丨丿孬 鬲賯丕爻賲 賱賱賲丿賮賵毓 兀亘丿丕.
"賱爻鬲 賲睾鬲丕馗丕 毓賱賶 乇賵亘賱 囟丕毓 賲賳賷 丿賵賳 賲賯丕亘賱貙 賵賱賰賳賷 賲睾鬲丕馗 賲賳 丕毓鬲丿丕卅賰 丕賱爻丕賮乇 毓賱賶 賰乇丕賲鬲賷!"
賵賱賰賳 賲丕 賷夭毓夭毓 賴匕丕 丕賱爻賷賳丕乇賷賵 賴賵 亘毓囟 丕賱賲卮丕賴丿 丕賱鬲賷 囟賲鬲 睾賵賱賷丕丿賰賷賳 賵卮亘賷賴賴 賵乇丿賵丿 兀賮毓丕賱 丕賱賳丕爻 賵丕賱賲賵馗賮賷賳 賲賳 丨賵賱賴賲 鬲噩丕賴 鬲賱賰 丕賱賲卮丕賴丿 賰丕賱賲氐丕賮丨丞 丕賱賲賴賷賳丞 賵丕賱噩賱賵爻 亘丕賱賲胤毓賲 賵丕賱丿賮毓 賲賳 賮賵賯 毓乇亘丞 丕賱丨賵匕賷貙 廿賱丕 賱賵 賰丕賳鬲 鬲賱賰 兀賵賴丕賲 兀購禺賻乇 鬲賳囟賲 賱丨氐賷賱丞 丕賱兀賵賴丕賲! 鬲丕賱賱賴 兀噩購賳! 賰匕賱賰 兀賳賴 賮賷 丕賱賲乇丕鬲 丕賱鬲賷 賷匕賴亘 賮賷賴丕 丕賱亘胤賱 廿賱賶 丕賱毓賲賱 賷噩丿 亘毓囟 賳賮賵爻 夭賲賱丕丐賴 賵乇卅賷爻賴 賰匕賱賰 賯丿 鬲睾賷乇鬲 賳丕丨賷鬲賴 賱兀賳 卮亘賷賴賴 賯丕賲 亘鬲丨乇賷卮賴賲 毓賱賷賴 賵亘丕賱賰賷丿 賱賴 亘丕賱賰匕亘貙 賮賰賷賮 鬲鬲賲 鬲賱賰 丕賱鬲丨賵賱丕鬲 廿賳 賰丕賳 賵賴賲丕!
鬲亘丕 賱賰 賷丕 丿賵賷爻鬲賵賮賷爻賰賷!
賱賯丿 鬲賱丕毓亘鬲 亘賷 鬲賲丕賲丕 賵賱賲 兀爻鬲胤毓 丕賱鬲賲賷賷夭 亘賷賳 丕賱丨賯賷賯丞 賵丕賱賵賴賲 賵賱賲 鬲毓胤賳賷 兀賷丞 廿卮丕乇丞 賱賱鬲賮乇賯丞 丨鬲賷!.
丨爻亘賳丕 丕賱賱賴!.
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禺丕鬲賲丞:
賵賮賷 丕賱賳賴丕賷丞 賷爻鬲丨賵匕 卮亘賷賴賴 毓賱賶 賰賱 卮賷亍 賵賷乇丕賴 賵賴賵 賷丨賯賯 賰賱 賲丕 毓噩夭 毓賳賴 賴賵 賰丕丨鬲乇丕賲 丕賱噩賲賷毓 賵賲丨亘鬲賴賲 賵廿賱賯丕亍 丕賱賳賰丕鬲 賵丨囟賵乇 丕賱噩賱爻丕鬲 丕賱賲乇賲賵賯丞 賵賲氐丕丨亘丞
爻賷丿 丕賱毓賲賱 賵賲毓丕賵賳賷賴
"賷賳亘毓孬 賲賳 賵爻胤 丕賱睾亘卮 卮禺氐 賲毓乇賵賮 亘賲賷賵賱丕鬲賴 丕賱賵賯丨丞貙 賮賷賯賵賾囟 亘賵爻丕卅賱賴 丕賱賲孬賷乇丞 賱賱睾囟亘 賰賱 賲丨丕賵賱丕鬲 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳 賱賱丨賮丕馗 毓賱賶 氐賵乇鬲賴 賵賲賰丕賳鬲賴 賱丿賶 .夭賲賱丕亍 丕賱毓賲賱 賵賱丿賶 丕賱乇卅賷爻貙 賵匕賱賰 亘鬲卮賵賷賴 爻賲毓鬲賴 賵鬲賲乇賷睾 胤賲賵丨賴 賵卮乇賮賴 賵賰亘乇賷丕卅賴 賮賷 丕賱賵丨賱 賵賷賳鬲賴賷 亘兀賳 賷爻鬲賵賱賷 毓賱賶 賲賰丕賳賴 賮賷 丕賱賵馗賷賮丞 賵賮賷 丕賱賲噩鬲賲毓 賰賰賱!
賮賷 丨賵丕乇 賵賱賯丕亍 賷亘丿兀 亘"
"丕爻賲毓 賷丕 亘鬲乇賵賮鬲卮貙 爻賳賰賵賳 賲毓丕 兀賳丕 賵兀賳鬲 爻賳毓賷卮 賲毓丕 賰爻賲賰丞 賮賷 丕賱賲丕亍 賰兀禺賵賷賳貙 爻賳賲賰乇 賷丕 兀禺賷貙 爻賳賲賰乇 賲毓丕 貙賳毓賲 亘丕賱賲賰丕卅丿 爻賳丿賲乇賴賲 賵廿賷丕賰 兀賳 鬲孬孬賯 亘賴賲 貙 賱丕 鬲孬賯 亘賴賲 兀亘丿丕 賵賱丕 鬲賰卮賮 賱賴賲 毓賳 兀賷 爻乇 貙 兀賳丕 兀毓乇賮賰 賷丕 賷丕賰賵賮 亘鬲乇賵賮鬲卮貙 兀毓乇賮 胤亘毓賰: 廿賳賰 賲賲賳 賱丕 賷鬲賵乇毓賵賳 毓賳 兀賳 賷賮乇睾 噩毓亘鬲賴 毓賳丿 兀賵賱 賲賳丕爻亘丞 賱兀賳賰 胤賷亘 丕賱賯賱亘貙 丕丨匕乇賴賲 賵丕鬲乇賰賴賲 毓賱賶 賲爻丕賮丞 亘毓賷丿丞 賲賳賰"
賵賷賳鬲賴賷 亘:
兀乇噩賵賰 賮賷 丕賱禺鬲丕賲 賷丕 爻賷丿賷 兀賳 鬲亘賱睾 賴丐賱丕亍 丕賱兀卮禺丕氐 兀賳 賳賷丕鬲賴賲 丕賱爻賷卅丞 賵乇睾亘丕鬲賴賲 丕賱賲乇賷囟丞 賮賷 兀賳 賷胤乇丿賵丕 丕賱賳丕爻 禺丕乇噩 丕賱兀賲丕賰賳 丕賱鬲賷 賷丨鬲賱賵賳賴丕 賮賷 賴匕丕 丕賱毓丕賱賲貙 賱賰賷 賷丨賱賵丕 賲賰丕賳賴賲貙 賱丕 鬲爻鬲丨賯 睾賷乇 丕賱丿賴卮丞 賵丕賱丕丨鬲賯丕乇 賵丕賱卮賮賯丞貙 亘賱 賱丕 賷爻鬲丨賯賵賳 毓賳 爻賱賵賰賴賲 廿賱丕 兀賳 賷丨噩夭賵丕 賮賷 賲爻鬲卮賮賷丕鬲 丕賱賲噩丕賳賷賳"
兀賲丕 賵賯丿 丕賳鬲馗乇鬲 禺丕鬲賲丞 丕賱乇賵丕賷丞 賮賲丕 夭丕丿鬲賳賷 廿賱丕 丨賷乇丞! 爻丕賲丨賰 丕賱賱賴 賷丕 毓賲!
賱賲 兀賮賴賲責 賴賱 鬲賵丕胤兀 丕賱噩賲賷毓 賱賷馗賴乇 亘賲馗賴乇 丕賱賲噩賳賵賳貙 兀賲 兀賳賴 亘丕賱賮毓賱 噩購賳 賵賯丿 賮毓賱賵丕 賲毓賴 禺賷乇賸丕 毓賳丿賲丕 兀丨囟乇賵丕 賱賴 丕賱胤亘賷亘 賮賷 丕賱禺鬲丕賲責
賵賮賷 賴匕丕 丕賱賮氐賱 亘丕賱匕丕鬲 卮毓乇鬲 亘賵賴賲賷丞 丕賱卮亘賷賴 噩丿丕.
貙賵毓賱賶 兀賳 兀賯賵賱: 兀賳 丿賵賷爻鬲賵賮賷爻賰賷 賴賵 兀爻乇毓 賰丕鬲亘 賷丿禺賱 賯賱亘賷貙 賵賰匕賱賰 賴賵 賲賳 丕賱賯賱丕卅賱 丕賱匕賷賳 兀賳賴賷 賲毓賴賲 丕賱毓賲賱 賮賷 賷賵賲賷賳 兀賵 孬賱丕孬丞 兀賷丕賲貙 賵賴匕丕 丕賱毓賲賱 丕賱禺丕賲爻 賱賳丕 賲毓丕貙 賮賱賰賲 兀賳丕 賲鬲卮賵賯 賱鬲賰賲賱丞 乇丨賱丞 丕賱噩賳賵賳 賲毓賴!
-賱賯丿 禺賱賯 睾賵賱賷丕丿賰賷賳 卮禺氐賷鬲賴 丕賱兀禺乇賶 賱鬲賴夭賲 丕賱噩賲賷毓貙 賱賰賳賴丕 賴夭賲鬲賴 賴賵 賮賷 丕賱賳賴丕賷丞
廿賳 睾丿丕 賳爻賷鬲賳賷
賮兀賳丕 賱賳 兀賳爻丕賰 兀亘丿丕
賴匕賴 丕賱丨賷丕丞 毓匕亘鬲賳賷
賮賱丕 鬲賳爻賳賷 兀亘丿丕!
鬲賲鬲 亘丨賲丿 丕賱賱賴
. 28-2-2020
賱丕貙 丕賮賴賲賳賷 噩賷丿丕 賲賳 賮囟賱賰 賷丕 兀賳胤賵賳 兀賳胤賵賳賵賮賷鬲卮貙 廿賳賳賷 兀鬲丨丿孬 毓賳 賳賮爻賷貙 賮兀賳丕 賲孬賱丕 賱丕 兀囟毓 賯賳丕毓丕 廿賱丕 毓賳丿 丕賱囟乇賵乇丞貙 兀賯氐丿 兀賳賳賷 兀賱亘爻賴 賮賷 丕賱賰乇賳賮丕賱 兀賵 亘毓囟 丕賱爻賴乇丕鬲..兀毓賳賷 兀賳賳賷 兀賱亘爻賴 亘丕賱賲毓賳賶 丕賱丨賯賷賯賷 賱丕 丕賱賲噩丕夭賷貙 賵賱丕 兀賱亘爻 賯賳丕毓丕 丨賷賳 兀賰賵賳 賲毓 丕賱賳丕爻 賮賷 丨賷丕鬲賷 丕賱賷賵賲賷丞"
乇賵丕賷丞 睾丕賲囟丞 亘賴丕 丕賱賰孬賷乇 賲賳 丕賱兀賱睾丕夭 丕賱鬲賷 賱賲 賷毓胤賳丕 賲賮丕鬲賷丨賴丕 賮賷賵丿賵乇貙 兀賵 兀毓胤丕賴丕 賱賳丕 賵賱賰賳賴 丿爻賴丕 丿爻丕 亘丨賷孬 鬲禺賮賶 毓賱賶 毓賯賵賱賳丕..
賲賳 兀毓賲丕賯 丕賱亘賷乇賵賯乇丕胤賷丞 賵噩賵 丕賱賵馗丕卅賮 丕賱賲賰鬲亘賷丞 賮賷 乇賵爻賷丕 丕賱賯乇賳 丕賱鬲丕爻毓 毓卮乇貙 賳毓賽卮 賲毓 丕賱胤賷亘 睾賵賱賷丕丿賰賷賳 賵賯乇賷賳賴 兀賵 鬲賵兀賲賴 賯氐鬲賴 丕賱毓噩賷亘丞 賵賱賯丿 兀丨亘亘鬲 卮禺氐賷丞 丕賱毓賲賱 噩丿丕 賵鬲毓丕胤賮鬲 賲毓賴丕.
賰賲丕 兀賳賴丕 丕賱乇賵丕賷丞 丕賱孬丕賳賷丞 賮賷 賲爻賷乇丞 丕賱乇賵爻賷 丕賱賲乇賴賮 丕賱賲噩賳賵賳貙 賵丕賱鬲賷 兀乇賶 兀賳賴丕 鬲賮賵賯鬲 毓賱賶 爻丕亘賯鬲賴丕 賰孬賷乇丕 賲賳 丨賷孬 丕賱廿孬丕乇丞 賵丕賱賲賷賰乇賵爻賵賰賵亘 毓賱賶 丕賱卮禺氐賷丕鬲 賲賳 丕賱丿丕禺賱 賵丕賱禺丕乇噩貙 ,賵毓賱賶 兀賳 乇賵丕賷丞 丕賱賮賯乇丕亍 兀毓噩亘鬲賳賷 賵賰匕賱賰 丕賱胤丕亘毓 丕賱乇爻丕賱賷 丕賱匕賷 丕鬲爻賲鬲 亘賴貙 廿賱丕 兀賳 丿賵賷爻鬲賵 賷噩賷丿 丕賱胤丕亘毓 丕賱丨賵丕乇賷 亘卮賰賱 兀毓賲賯 亘丨乇丕乇鬲賴 賵丕賳賮毓丕賱丕鬲賴 兀賰孬乇 賲賳 丕賱乇爻丕卅賱 丕賱胤賵賷賱丞.
賵亘丕賱兀禺匕 賮賷 丕賱丕毓鬲亘丕乇 兀賳 丕賱賰丕鬲亘 毓卮乇賷賳賷貙 賮廿賳 丕賱乇賵丕賷丞 毓購丿鬲 賲亘卮乇丞 噩丿丕 賵亘賴丕 丕賱賰孬賷乇 賲賳 丕賱賱賲爻丕鬲 丕賱鬲賷 鬲禺亘乇賰 毓賷丕賳丕 兀賳賰 兀賲丕賲 賲賵賱丿 賰丕鬲亘 賰亘賷乇 賵廿賳 賰丕賳 賱賲 賷禺乇噩 亘毓丿 賲賳 馗賱 噩賵噩賵賱 賵賱賲 賷賰鬲爻亘 卮禺氐賷鬲賴 賵賯賱賲賴 丕賱賲爻鬲賯賱 亘毓丿.
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賵賱丿賷 毓丿丞 爻賷賳丕乇賷賵賴丕鬲 賯乇兀鬲賴丕 賮賷 丕賱賳氐 賵賱丕 兀丿乇賶 兀賷賴賲 丕賱氐丨賷丨丞 賮賷 丕賱丨賯賷賯丞:
賷爻亘賯 丕賱鬲賮爻賷乇丕鬲 丕賱丌鬲賷丞 丕賱氐丿賲丞 丕賱賳賮爻賷丞 丕賱鬲賷 鬲毓乇囟 賱賴丕 丕賱亘胤賱 毓賳丿賲丕 匕賴亘 廿賱賶 丨賮賱賺 禺丕氐 亘爻賷丿 毓賲賱賴 亘丿賵賳 兀賳 賷賰賵賳 賲丿毓賵丕貙 賱兀賳賴 乇兀賶 賮賷 賯乇丕乇丞 賳賮爻賴 兀賳賴 賮賷 賲賳夭賱賴 賵亘賷鬲賴 丕賱孬丕賳賷 賵兀賳 氐丕丨亘 丕賱賲毓丕賱賷 丕賱爻賷丿 "兀賵賱爻賵賮賷" 丕賱匕賷 賰丕賳 亘賲孬丕亘丞 丕賱兀亘 賳爻亘丞 廿賱賷賴 賲丕 賰丕賳 賱賷賵氐丿 亘丕亘賴 丿賵賳賴 賴匕丕 丕賱賷賵賲貙 賵賯丿 鬲亘毓 匕賱賰 丕丨鬲賯丕乇 賵廿賴丕賳丕鬲 賲鬲賵丕氐賱丞 賲賳 噩賲賷毓 夭賵丕乇 丕賱賲賰丕賳 賮賷 卮賰賱 胤亘賯賷 氐丕乇禺 爻賵丕亍 賲賳 賲賱亘爻賴 兀賵 丕賮鬲賯丕乇賴 賱丌賱賷丕鬲 丕賱鬲毓丕賲賱 賲毓 丕賱乇鬲亘 丕賱兀毓賱賶 賵丕禺鬲鬲賲 丕賱兀賲乇 亘兀賳 禺乇賾亘 睾賵賱賷丕丿賰賷賳 賰賱 卮賷亍 毓賳丿賲丕 鬲毓孬乇 賵賴賵 賷丨丕賵賱 賲乇丕賯氐丞 丕亘賳丞 丕賱爻賷丿 氐丕丨亘 丕賱丨賮賱 "賰賱丕乇丕" 賵賲賳 孬賲 兀賱賯丕賴 丕賱禺丿賲 禺丕乇噩 丕賱賲賳夭賱.
賵賷氐賮 賱賳丕 亘毓丿賴丕 賰賷賮 禺乇噩 賷賴乇賵賱 賮賷 丕賱亘乇丿 兀爻賮賱 丕賱賲胤乇 賵丕賱孬賱賵噩 丕賱賲鬲爻丕賯胤丞 亘毓丿 賴匕賴 丕賱廿賴丕賳丞 賵賰丕賳鬲 賴賳丕 丕賱卮乇丕乇丞貙 丨賷孬 乇兀賶 賮賷 胤乇賷賯賴 乇噩賱丕 賷卮亘賴賴 鬲賲丕賲丕 賷毓亘乇 丕賱卮丕乇毓 亘噩賵丕乇賴!
"賵乇睾賲 兀賳 丕賱孬賱賵噩 賵丕賱賲胤乇 賵賰賱 賲丕 賱賷爻 賱賴 丕爻賲 賲賳 毓賳丕氐乇 丕賱胤亘賷毓丞 丕賱孬丕卅乇丞 賮賷 爻賲丕亍 賳賵賮賲亘乇 亘爻丕賳 亘胤乇爻亘賵乇睾 賯丿 賴丕噩賲鬲 賰賱賴丕 賲噩鬲賲毓丞 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳 丕賱亘丕卅爻 丕賱賲丿賲賻賾乇 鬲賲丕賲丕 丿賵賳 兀賳 鬲乇丨賲賴 兀賵 鬲鬲乇賰 賱賴 兀賷丞 賮乇氐丞 廿匕 賳賮匕鬲 廿賱賶 毓馗丕賲賴 賵兀毓賲鬲 亘氐乇賴 賮丿賮毓鬲賴 賮賷 賰賱 丕鬲噩丕賴 賮噩毓賱鬲賴 賷鬲賷賴 毓賳 賵噩賴鬲賴 丕賱賲賯氐賵丿丞 賵賷賮賯丿 賲丕 鬲亘賯賶 賱賴 賲賳 乇噩丕丨丞 毓賯賱 賵賰兀賳賴丕 賲鬲賵丕胤卅丞 賲毓 噩賲賷毓 兀毓丿丕卅賴."
"賮賱賵 乇丌賴 賮賷 鬲賱賰 丕賱賱丨馗丞 毓丕亘乇 爻亘賷賱 賲丨丕賷丿 賱兀丨爻 毓賱賶 丕賱賮賵乇 亘賮馗丕毓丞 賲氐丕卅亘 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳 賵賱賯丕賱 賮賷 賳賮爻賴 廿賳賴 賷亘丿賵 賰賲賳 賷乇賷丿 兀賳 賷禺鬲亘卅 毓賳 賳賮爻賴貙 賰賲賳 賷亘丨孬 毓賳 賵爻賷賱丞 賱賷賴乇亘 賲賳 賳賮爻賴 貙 賳毓賲 亘賱 賳爻鬲胤賷毓 兀賳 賳賯賵賱 兀賳賴 賱賲 賷賰賳 賷鬲賲賳賶 兀賳 賷賴乇亘 賲賳 賳賮爻賴 賮丨爻亘貙 賵廿賳賲丕 賰丕賳 賷鬲賲賳賶 兀賳 賷夭賵賱 賲賳 毓賱賶 爻胤丨 丕賱兀乇囟 鬲賲丕賲丕貙 兀賳 賱丕 賷亘賯賶 賱賴 兀賷 賵噩賵丿貙 兀賳 賷鬲丨賵賱 廿賱賶 乇賲丕丿!"
賵賮賷 禺囟賲 鬲賱賰 丕賱兀丨丿丕孬 賵丕賱賲毓鬲乇賰 丕賱賳賮爻賷 賷賱賲丨 兀丨丿 丕賱毓丕亘乇賷賳 賱賷噩丿 兀賳賴 賴賵 賳賮爻賴 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳貙 賵賴賳丕 賱賲 賷丨丿丿 賱賳丕貙 賴賱 賴賵 賳賮爻賴 賲賳 馗賴乇 亘毓丿 匕賱賰 賮賷 丕賱賲賳夭賱 賵丕賱毓賲賱!丨賷孬 賱賲 鬲卮乇 丕賱卮禺氐賷丞 丕賱噩丿賷丿丞 賱匕賱賰 賮賷 丕賱賯氐丞貙 兀賲 兀賳賴 賲賳 賮乇胤 丕賱丕賳賰爻丕乇 亘丿兀 賷卮丕賴丿 賳賮爻賴 賮賷 丕賱賳丕爻 (賷氐賮 賮賷 兀丨丿丕 丕賱賮氐賵賱 兀賳賴 賷乇賶 賰賱 賲賳 賮賷 丕賱賯丕毓丞 睾賵賱賷丕丿賰賷賳) 兀賲 兀賳 賴匕丕 丕賱卮禺氐 鬲夭丕賲賳 馗賴賵乇賴 賲毓 鬲賱賰 丕賱賵丕賯毓丞 賮賷 匕賱賰 丕賱卮丕乇毓 孬賲 馗賴乇 賮賷 丕賱氐亘賷丨丞 賮賷 丕賱毓賲賱責
賱丕 兀鬲賵賯毓 兀賳賴丕 氐丿賮丞 胤亘毓丕. 賱匕丕 兀乇丕賳賷 兀賲丕賲 毓丿丞 胤乇賯:
1- 兀賳 賴賳丕賰 卮禺氐賷丞 兀禺乇賶 馗賴乇鬲 亘丕賱賮毓賱 賮賷 丨賷丕鬲賴 賵賱賰賳賴丕 賱丕 鬲卮亘賴賴 卮賰賱丕 賵賱丕 丕爻賲丕 賵廿賳賲丕 鬲賴賷兀 賱賴(賱賲 賷丨賮賱 兀賷 賮乇丿 亘賴匕丕 丕賱鬲胤丕亘賯) 匕賱賰 賱賲丕 賮賷 賯乇丕乇丞 賳賮爻賴 賲賳 賳賯氐 賵賲賳 乇睾亘丞 賮賷 兀賳 賷賰賵賳 賴賵 鬲賱賰 丕賱卮禺氐賷丞 丕賱賲丕孬賱丞 兀賲丕賲賴貙 賵兀賳 鬲賱賰 丕賱卮禺氐賷丞 賯丿 兀丿乇賰鬲 賴匕丕 丕賱卮毓賵乇 毓賳丿賴 兀賵 丨賷孬賷丕鬲 賲乇囟賴 賮丕爻鬲睾賱鬲 匕賱賰 賱賱廿賷賯丕毓 亘賴 賵賱兀禺匕 賲賰丕賳賴 亘丕賱賮毓賱.
賵賱賰賳 賲丕 賷夭毓夭毓 丕賱爻賷賳丕乇賷賵 賴賵 兀賳 賴賳丕賰 卮禺氐賷 賮賷 丕賱毓賲賱 賯丿 賱丕丨馗鬲 丕賱卮亘賴 賵賯丕賱鬲 賱睾賵賱賷丕丿賰賷賳 兀賳賴 賷賰丕丿 賷賰賵賳 賯乇賷亘 賱賰! 賵賱賰賳 賴匕丕 賱丕 賷賰賮賷貙 廿匕丕 乇兀賷鬲 兀賲丕賲賰 卮禺氐賷賳 賱賴賲丕 賳賮爻 丕賱鬲賮丕氐賷賱 亘丿亍 賲賳 丕賱丕爻賲 丕賳鬲賴丕亍 亘丕賱賴賷卅丞 丕賱賰賱賷丞 賵丕賱夭賷貙 賮廿賳賰 賱賳 鬲卮賷乇 賱賲噩乇丿 氐賱丞 賯乇丕亘丞! 廿賳賴 噩賳賵賳 鬲丕賲貙 賮廿賲丕 兀賳 賴匕丕 丕賱卮禺氐 丕賱匕賷 賱丕丨馗 丕賱卮亘賴 賷噩丕乇賷 睾賵賱賷丕丿賰賷賳 賮賯胤 賱卮毓賵乇賴 亘賲乇囟賴 兀賵 兀賳 賴賳丕賰 卮亘賴 賲鬲賲丕孬賱 賮毓賱丕.
賵賱賰賳賷 賱丕 兀賲賷賱 賱賴匕丕 丕賱爻賳丕乇賷賵 賮賷 丕賱丨賯賷賯丞.
2- 兀賳賴 賱丕 賵噩賵丿 賱睾賵賱賷丕丿賰賷賳 丕賱孬丕賳賷 賴匕丕 賱兀賳 兀睾賱亘 丕賱丨賵丕乇丕鬲 賵廿賳 賱賲 鬲賰賳 賰賱賴丕 賰丕賳鬲 亘賷賳 睾賵賱賷丕丿賰賷賳 賵賯乇賷賳賴貙 賵兀賳 鬲賱賰 丕賱卮禺氐賷丞 鬲賲孬賱鬲 賱賲丕 兀氐丕亘 丕賱亘胤賱 賲賳 丕賳賮氐丕賲 噩乇丕亍 賯爻賵丞 丕賱賲噩鬲賲毓 賲賳 丨賵賱賴 賵卮毓賵乇賴 亘丕賱囟毓賮 賵乇睾亘鬲賴 丕賱丿賮賷賳丞 賮賷 兀賳 賷賲賰乇 賰賲丕 賷賲賰乇賵賳 賵賷賰爻亘 丕丨鬲乇丕賲 丕賱丌禺乇賷賳 賵賱賵 亘丕賱賳賮丕賯 賵丕賱鬲賲賱賯 賵丕賱鬲夭賱賮 賵丕賱賲丿丕賴賳丕鬲貙
賵賱兀賳賴 兀囟毓賮 賲賳 賴匕丕 丕賱鬲丨賵賱 賮賯丿 丕賳亘孬賯 匕賱賰 毓賳 賮氐丕賲 丨丕丿.
賵賲賲丕 賷賯賵賷 丕賱賮賰乇丞 賴賵 兀賳賴 毓賳丿賲丕 丨丕賵賱 丕賱鬲賵丕氐賱 賲毓 賯乇賷賳賴 毓賳 胤乇賷賯 丕賱乇爻丕卅賱 賱賲 賷賮賱丨 丕賱兀賲乇貙 亘賱 兀賳 禺丕丿賲賴 囟丨賰 賲賳賴 賮賷 丕賱賱丨馗丞 丕賱鬲賷 賵噩丿賴 賷賰鬲亘 賮賷賴丕 賯乇賷賳賴 賵賷禺亘乇賴 亘兀賳 兀乇爻賱 賰匕丕 賱賰匕丕貙 賵賰匕賱賰 丕賱卮禺氐 丕賱賲爻卅賵賱 毓賳 丕賱亘乇賷丿 賯丿 鬲毓噩亘 賲賳 丕賱兀賲乇貙 賵賱乇亘賲丕 毓賳丿賲丕 丕爻鬲賯亘賱賴 賮賷 亘賷鬲賴 賵兀禺亘乇賴 丕賱禺丕丿賲 "賴賱 丌鬲賽 亘胤毓丕賲賺 賱卮禺氐賷賳責" 兀賳賴 賰丕賳 賷爻禺乇 賲賳賴 賱兀賳賴 乇丌賴 賷禺丕胤亘 卮禺氐丕 丌禺乇丕 賱丕 賵噩賵丿 賱賴貙
賰匕賱賰 賮賷 丕賱氐亘丕丨 賱賲 賷噩丿 睾賵賱賷丕丿賰賷賳 賯乇賷賳賴 毓賱賶 丕賱爻乇賷乇 亘噩賵丕乇賴..
賵賮賷 兀丨丿 丕賱丨賵丕乇丕鬲 賷賯賵賱 丕賱禺丕丿賲 賵賴賵 賮賷 爻賰乇賴 :
賱丕貙 賱賳 兀毓賵丿 兀亘丿丕 賱賳 兀毓賵丿貙 兀賮囟賱 丕賱毓賷卮 毓賳丿 丕賱賳丕爻 丕賱胤賷亘賷賳貙 丕賱賳丕爻 丕賱胤賷亘賵賳 賷毓賷卮賵賳 毓賷卮丞 胤賷亘丞 賵賱丕 賷睾卮賵賳..丕賱賳丕爻 丕賱胤賷亘賵賳 賱丕 賷賰賵賳賵賳 賲夭丿賵噩賷賳 兀亘丿丕貙 賱丕 賷賰賵賳賵賳 丕孬賳賷賳 賮賷 丕賱賵賯鬲 賳賮爻賴..!
賵賲賲丕 賷丿毓賲 丕賱爻賷賳丕乇賷賵 賴賵 兀賳 睾賵賱賷丕丿賰賷賳 丕賱孬丕賳賷 賰丕賳 賱丕 賷丨丕爻亘 毓賱賶 孬賲賳 兀賷 卮賷亍 賮毓賳丿賲丕 乇賰亘 賲毓賴 毓乇亘丞 丕賱丨賵匕賷 賰丕賳 賷乇丨賱 亘丿賵賳 賲爻丕卅賱丞 丕賱孬賲賳 賵賯丿 賰丕賳 睾賵賱賷丕丿賰賷賳 丕賱兀氐賱賷 賲賳 賷丿賮毓貙 賰匕賱賰 賮賷 丕賱賲胤毓賲 毓賳丿賲丕 鬲賳丕賵賱 毓卮乇丞 賮胤丕卅乇 賮賷 丨賷賳 鬲賳丕賵賱 亘胤賱賳丕 賵丕丨丿丞貙 賵賯丿 乇丨賱 丕賱卮亘賷賴 丿賵賳 兀賳 賷毓賱賲 丕賱兀氐賱賷 亘賵噩賵丿賴 賮賷 丕賱賲賰丕賳 賵丨丕爻亘 賴賵 毓賱賶 丕賱兀丨丿 毓卮乇 賮胤賷乇丞! 賵毓丿丞 賲賳丕爻亘丕鬲 噩賲毓鬲 亘賷賳賴賲丕貙 賱賲 賷丨丿孬 鬲賯丕爻賲 賱賱賲丿賮賵毓 兀亘丿丕.
"賱爻鬲 賲睾鬲丕馗丕 毓賱賶 乇賵亘賱 囟丕毓 賲賳賷 丿賵賳 賲賯丕亘賱貙 賵賱賰賳賷 賲睾鬲丕馗 賲賳 丕毓鬲丿丕卅賰 丕賱爻丕賮乇 毓賱賶 賰乇丕賲鬲賷!"
賵賱賰賳 賲丕 賷夭毓夭毓 賴匕丕 丕賱爻賷賳丕乇賷賵 賴賵 亘毓囟 丕賱賲卮丕賴丿 丕賱鬲賷 囟賲鬲 睾賵賱賷丕丿賰賷賳 賵卮亘賷賴賴 賵乇丿賵丿 兀賮毓丕賱 丕賱賳丕爻 賵丕賱賲賵馗賮賷賳 賲賳 丨賵賱賴賲 鬲噩丕賴 鬲賱賰 丕賱賲卮丕賴丿 賰丕賱賲氐丕賮丨丞 丕賱賲賴賷賳丞 賵丕賱噩賱賵爻 亘丕賱賲胤毓賲 賵丕賱丿賮毓 賲賳 賮賵賯 毓乇亘丞 丕賱丨賵匕賷貙 廿賱丕 賱賵 賰丕賳鬲 鬲賱賰 兀賵賴丕賲 兀購禺賻乇 鬲賳囟賲 賱丨氐賷賱丞 丕賱兀賵賴丕賲! 鬲丕賱賱賴 兀噩購賳! 賰匕賱賰 兀賳賴 賮賷 丕賱賲乇丕鬲 丕賱鬲賷 賷匕賴亘 賮賷賴丕 丕賱亘胤賱 廿賱賶 丕賱毓賲賱 賷噩丿 亘毓囟 賳賮賵爻 夭賲賱丕丐賴 賵乇卅賷爻賴 賰匕賱賰 賯丿 鬲睾賷乇鬲 賳丕丨賷鬲賴 賱兀賳 卮亘賷賴賴 賯丕賲 亘鬲丨乇賷卮賴賲 毓賱賷賴 賵亘丕賱賰賷丿 賱賴 亘丕賱賰匕亘貙 賮賰賷賮 鬲鬲賲 鬲賱賰 丕賱鬲丨賵賱丕鬲 廿賳 賰丕賳 賵賴賲丕!
鬲亘丕 賱賰 賷丕 丿賵賷爻鬲賵賮賷爻賰賷!
賱賯丿 鬲賱丕毓亘鬲 亘賷 鬲賲丕賲丕 賵賱賲 兀爻鬲胤毓 丕賱鬲賲賷賷夭 亘賷賳 丕賱丨賯賷賯丞 賵丕賱賵賴賲 賵賱賲 鬲毓胤賳賷 兀賷丞 廿卮丕乇丞 賱賱鬲賮乇賯丞 丨鬲賷!.
丨爻亘賳丕 丕賱賱賴!.
_______
禺丕鬲賲丞:
賵賮賷 丕賱賳賴丕賷丞 賷爻鬲丨賵匕 卮亘賷賴賴 毓賱賶 賰賱 卮賷亍 賵賷乇丕賴 賵賴賵 賷丨賯賯 賰賱 賲丕 毓噩夭 毓賳賴 賴賵 賰丕丨鬲乇丕賲 丕賱噩賲賷毓 賵賲丨亘鬲賴賲 賵廿賱賯丕亍 丕賱賳賰丕鬲 賵丨囟賵乇 丕賱噩賱爻丕鬲 丕賱賲乇賲賵賯丞 賵賲氐丕丨亘丞
爻賷丿 丕賱毓賲賱 賵賲毓丕賵賳賷賴
"賷賳亘毓孬 賲賳 賵爻胤 丕賱睾亘卮 卮禺氐 賲毓乇賵賮 亘賲賷賵賱丕鬲賴 丕賱賵賯丨丞貙 賮賷賯賵賾囟 亘賵爻丕卅賱賴 丕賱賲孬賷乇丞 賱賱睾囟亘 賰賱 賲丨丕賵賱丕鬲 丕賱爻賷丿 睾賵賱賷丕丿賰賷賳 賱賱丨賮丕馗 毓賱賶 氐賵乇鬲賴 賵賲賰丕賳鬲賴 賱丿賶 .夭賲賱丕亍 丕賱毓賲賱 賵賱丿賶 丕賱乇卅賷爻貙 賵匕賱賰 亘鬲卮賵賷賴 爻賲毓鬲賴 賵鬲賲乇賷睾 胤賲賵丨賴 賵卮乇賮賴 賵賰亘乇賷丕卅賴 賮賷 丕賱賵丨賱 賵賷賳鬲賴賷 亘兀賳 賷爻鬲賵賱賷 毓賱賶 賲賰丕賳賴 賮賷 丕賱賵馗賷賮丞 賵賮賷 丕賱賲噩鬲賲毓 賰賰賱!
賮賷 丨賵丕乇 賵賱賯丕亍 賷亘丿兀 亘"
"丕爻賲毓 賷丕 亘鬲乇賵賮鬲卮貙 爻賳賰賵賳 賲毓丕 兀賳丕 賵兀賳鬲 爻賳毓賷卮 賲毓丕 賰爻賲賰丞 賮賷 丕賱賲丕亍 賰兀禺賵賷賳貙 爻賳賲賰乇 賷丕 兀禺賷貙 爻賳賲賰乇 賲毓丕 貙賳毓賲 亘丕賱賲賰丕卅丿 爻賳丿賲乇賴賲 賵廿賷丕賰 兀賳 鬲孬孬賯 亘賴賲 貙 賱丕 鬲孬賯 亘賴賲 兀亘丿丕 賵賱丕 鬲賰卮賮 賱賴賲 毓賳 兀賷 爻乇 貙 兀賳丕 兀毓乇賮賰 賷丕 賷丕賰賵賮 亘鬲乇賵賮鬲卮貙 兀毓乇賮 胤亘毓賰: 廿賳賰 賲賲賳 賱丕 賷鬲賵乇毓賵賳 毓賳 兀賳 賷賮乇睾 噩毓亘鬲賴 毓賳丿 兀賵賱 賲賳丕爻亘丞 賱兀賳賰 胤賷亘 丕賱賯賱亘貙 丕丨匕乇賴賲 賵丕鬲乇賰賴賲 毓賱賶 賲爻丕賮丞 亘毓賷丿丞 賲賳賰"
賵賷賳鬲賴賷 亘:
兀乇噩賵賰 賮賷 丕賱禺鬲丕賲 賷丕 爻賷丿賷 兀賳 鬲亘賱睾 賴丐賱丕亍 丕賱兀卮禺丕氐 兀賳 賳賷丕鬲賴賲 丕賱爻賷卅丞 賵乇睾亘丕鬲賴賲 丕賱賲乇賷囟丞 賮賷 兀賳 賷胤乇丿賵丕 丕賱賳丕爻 禺丕乇噩 丕賱兀賲丕賰賳 丕賱鬲賷 賷丨鬲賱賵賳賴丕 賮賷 賴匕丕 丕賱毓丕賱賲貙 賱賰賷 賷丨賱賵丕 賲賰丕賳賴賲貙 賱丕 鬲爻鬲丨賯 睾賷乇 丕賱丿賴卮丞 賵丕賱丕丨鬲賯丕乇 賵丕賱卮賮賯丞貙 亘賱 賱丕 賷爻鬲丨賯賵賳 毓賳 爻賱賵賰賴賲 廿賱丕 兀賳 賷丨噩夭賵丕 賮賷 賲爻鬲卮賮賷丕鬲 丕賱賲噩丕賳賷賳"
兀賲丕 賵賯丿 丕賳鬲馗乇鬲 禺丕鬲賲丞 丕賱乇賵丕賷丞 賮賲丕 夭丕丿鬲賳賷 廿賱丕 丨賷乇丞! 爻丕賲丨賰 丕賱賱賴 賷丕 毓賲!
賱賲 兀賮賴賲責 賴賱 鬲賵丕胤兀 丕賱噩賲賷毓 賱賷馗賴乇 亘賲馗賴乇 丕賱賲噩賳賵賳貙 兀賲 兀賳賴 亘丕賱賮毓賱 噩購賳 賵賯丿 賮毓賱賵丕 賲毓賴 禺賷乇賸丕 毓賳丿賲丕 兀丨囟乇賵丕 賱賴 丕賱胤亘賷亘 賮賷 丕賱禺鬲丕賲責
賵賮賷 賴匕丕 丕賱賮氐賱 亘丕賱匕丕鬲 卮毓乇鬲 亘賵賴賲賷丞 丕賱卮亘賷賴 噩丿丕.
貙賵毓賱賶 兀賳 兀賯賵賱: 兀賳 丿賵賷爻鬲賵賮賷爻賰賷 賴賵 兀爻乇毓 賰丕鬲亘 賷丿禺賱 賯賱亘賷貙 賵賰匕賱賰 賴賵 賲賳 丕賱賯賱丕卅賱 丕賱匕賷賳 兀賳賴賷 賲毓賴賲 丕賱毓賲賱 賮賷 賷賵賲賷賳 兀賵 孬賱丕孬丞 兀賷丕賲貙 賵賴匕丕 丕賱毓賲賱 丕賱禺丕賲爻 賱賳丕 賲毓丕貙 賮賱賰賲 兀賳丕 賲鬲卮賵賯 賱鬲賰賲賱丞 乇丨賱丞 丕賱噩賳賵賳 賲毓賴!
-賱賯丿 禺賱賯 睾賵賱賷丕丿賰賷賳 卮禺氐賷鬲賴 丕賱兀禺乇賶 賱鬲賴夭賲 丕賱噩賲賷毓貙 賱賰賳賴丕 賴夭賲鬲賴 賴賵 賮賷 丕賱賳賴丕賷丞
廿賳 睾丿丕 賳爻賷鬲賳賷
賮兀賳丕 賱賳 兀賳爻丕賰 兀亘丿丕
賴匕賴 丕賱丨賷丕丞 毓匕亘鬲賳賷
賮賱丕 鬲賳爻賳賷 兀亘丿丕!
鬲賲鬲 亘丨賲丿 丕賱賱賴
. 28-2-2020
January 10, 2020
賲鬲丨蹖乇賲!
賲亘赖賵鬲!
亘賴 賯賵賱 賯丿賲丕 爻乇 丿乇 噩蹖亘 鬲賮讴乇!
丕蹖賳 亘卮乇 賳丕亘睾賴 丕爻鬲!
丿乇 丕蹖賳 賮讴乇賲 讴賴 丿丕爻鬲丕蹖賵賮爻讴蹖 丿乇 丿丕賲丕賳 讴丿丕賲 賲丕丿乇 倬乇賵乇卮 蹖丕賮鬲賴責
丿乇 讴丿丕賲蹖賳 賲讴鬲亘 鬲賱賲匕 讴乇丿賴責
丿乇 讴丿丕賲 丿丕賳卮诏丕賴 丿乇爻 禺賵丕賳丿賴責
丿乇 丨賱賯賴 丿乇爻 賵 亘丨孬 讴丿丕賲 丕爻鬲丕丿 賳卮爻鬲賴 讴賴 丕蹖賳鈥屭堎嗁� 夭賵丕蹖丕蹖 倬賳賴丕賳 賵 賱丕蹖賴鈥屬囏й� 鬲賵丿乇鬲賵蹖 乇賵丕賳 丕賳爻丕賳鈥屬囏� 乇丕 賲蹖鈥屫促嗀ж池�
賴賲夭丕丿 卮丕賴讴丕乇 丕爻鬲 蹖讴 丿丕爻鬲丕賳 亘蹖鈥屬嗀港屫辟� 丨丕丿孬賴 賲丨賵乇 賳蹖爻鬲 丕賲丕 毓賲蹖賯 丕爻鬲 夭賵丕賱 鬲丿乇蹖噩蹖 乇賵丕賳 丕賳爻丕賳 乇丕 丿乇 毓丕賱蹖鈥屫臂屬� 卮讴賱 賲賲讴賳 亘丕夭诏賵 賲蹖鈥屭┵嗀�.
賳卮丕賳賴鈥屬囏й� 爻賯賵胤 賵 馗賴賵乇 讴賲鈥屭┵� 丌卮讴丕乇 賲蹖鈥屫促堌�.
爻賯賵胤 毓賯賱 丕夭 亘賱賳丿丕蹖 丕賳爻丕賳蹖鬲 賵 馗賴賵乇 噩賳賵賳!
鬲乇噩賲賴 鬲丨爻蹖賳 亘乇丕賳诏蹖夭 爻乇賵卮 丨亘蹖亘蹖 賱匕鬲 禺賵丕賳丿賳 賲鬲賳 乇丕 丿賵趩賳丿丕賳 賲蹖鈥屭┵嗀�.
亘禺賵丕賳蹖丿 賵 賱匕鬲 亘亘乇蹖丿!
賲亘赖賵鬲!
亘賴 賯賵賱 賯丿賲丕 爻乇 丿乇 噩蹖亘 鬲賮讴乇!
丕蹖賳 亘卮乇 賳丕亘睾賴 丕爻鬲!
丿乇 丕蹖賳 賮讴乇賲 讴賴 丿丕爻鬲丕蹖賵賮爻讴蹖 丿乇 丿丕賲丕賳 讴丿丕賲 賲丕丿乇 倬乇賵乇卮 蹖丕賮鬲賴責
丿乇 讴丿丕賲蹖賳 賲讴鬲亘 鬲賱賲匕 讴乇丿賴責
丿乇 讴丿丕賲 丿丕賳卮诏丕賴 丿乇爻 禺賵丕賳丿賴責
丿乇 丨賱賯賴 丿乇爻 賵 亘丨孬 讴丿丕賲 丕爻鬲丕丿 賳卮爻鬲賴 讴賴 丕蹖賳鈥屭堎嗁� 夭賵丕蹖丕蹖 倬賳賴丕賳 賵 賱丕蹖賴鈥屬囏й� 鬲賵丿乇鬲賵蹖 乇賵丕賳 丕賳爻丕賳鈥屬囏� 乇丕 賲蹖鈥屫促嗀ж池�
賴賲夭丕丿 卮丕賴讴丕乇 丕爻鬲 蹖讴 丿丕爻鬲丕賳 亘蹖鈥屬嗀港屫辟� 丨丕丿孬賴 賲丨賵乇 賳蹖爻鬲 丕賲丕 毓賲蹖賯 丕爻鬲 夭賵丕賱 鬲丿乇蹖噩蹖 乇賵丕賳 丕賳爻丕賳 乇丕 丿乇 毓丕賱蹖鈥屫臂屬� 卮讴賱 賲賲讴賳 亘丕夭诏賵 賲蹖鈥屭┵嗀�.
賳卮丕賳賴鈥屬囏й� 爻賯賵胤 賵 馗賴賵乇 讴賲鈥屭┵� 丌卮讴丕乇 賲蹖鈥屫促堌�.
爻賯賵胤 毓賯賱 丕夭 亘賱賳丿丕蹖 丕賳爻丕賳蹖鬲 賵 馗賴賵乇 噩賳賵賳!
鬲乇噩賲賴 鬲丨爻蹖賳 亘乇丕賳诏蹖夭 爻乇賵卮 丨亘蹖亘蹖 賱匕鬲 禺賵丕賳丿賳 賲鬲賳 乇丕 丿賵趩賳丿丕賳 賲蹖鈥屭┵嗀�.
亘禺賵丕賳蹖丿 賵 賱匕鬲 亘亘乇蹖丿!
September 24, 2023
Dostoyevsky Gogoliano
Um funcion谩rio zeloso e cumpridor 茅 alvo de graves perturba莽玫es quando um doppelg盲nger manhoso irrompe pela sua vida almejando usurpar o seu mui honrado e labutado lugar no universo 鈥�
Ser谩 sonho?
Realidade?
Ou pura esquizofrenia?
鈥�
Ser谩 que interessa? Ser谩, de facto, relevante deslindar a origem, a causa prim谩ria, desse ente abjeto?鈥�
Quanto a mim, no seu 芒mago, O Duplo 茅 uma s谩tira tr谩gico-c贸mica ao pequeno mundo da burocracia 鈥� um micro-mundo mesquinho e doentio capaz de tresloucar qualquer ente com um pingo de integridade e zelo 鈥� um mundo que Dostoyevsky retrata brilhantemente, num estilo marcadamente gogoliano鈥�
Mas como nada melhor que ler para crer, lego agora a palavra ao Mestre:
鈥溾€o lado dela estava Andrei Fil铆ppovitch, mais Vlad铆mir Semi贸novitch, mais dois ou tr锚s oficiais, mais dois ou tr锚s jovens, tamb茅m muito interessantes, e que prometiam muito ou, ent茫o, que j谩 realizaram o que se esperava deles, como se notava 脿 primeira vista.鈥�
鈥溾€sbarrou pelo caminho num conselheiro qualquer, pisou-lhe um p茅; pisou tamb茅m o p茅 de uma velhinha e esfacelou-lho um pouco鈥�
鈥溾€aixou os olhos para o ch茫o e ficou assim especado, dando por茅m a palavra de honra a si pr贸prio de se matar a tiro essa noite鈥�
鈥︹赌︹赌�..
Ent茫o que vos parece?!
Gogoliano ou n茫o Gogoliano?!鈥�
Bem鈥� resumindo e concluindo:
脡 t茅nue a linha que demarca a burocracia da loucura.
Ser谩 esta a moral da hist贸ria?!
Para mim, foi!馃槣
O Duplo tem sido alvo de variad铆ssimas interpreta莽玫es. Lego-vos a minha, e c谩 fico a aguardar a vossa鈥� 馃槈
Um funcion谩rio zeloso e cumpridor 茅 alvo de graves perturba莽玫es quando um doppelg盲nger manhoso irrompe pela sua vida almejando usurpar o seu mui honrado e labutado lugar no universo 鈥�
Ser谩 sonho?
Realidade?
Ou pura esquizofrenia?
鈥�
Ser谩 que interessa? Ser谩, de facto, relevante deslindar a origem, a causa prim谩ria, desse ente abjeto?鈥�
Quanto a mim, no seu 芒mago, O Duplo 茅 uma s谩tira tr谩gico-c贸mica ao pequeno mundo da burocracia 鈥� um micro-mundo mesquinho e doentio capaz de tresloucar qualquer ente com um pingo de integridade e zelo 鈥� um mundo que Dostoyevsky retrata brilhantemente, num estilo marcadamente gogoliano鈥�
Mas como nada melhor que ler para crer, lego agora a palavra ao Mestre:
鈥溾€o lado dela estava Andrei Fil铆ppovitch, mais Vlad铆mir Semi贸novitch, mais dois ou tr锚s oficiais, mais dois ou tr锚s jovens, tamb茅m muito interessantes, e que prometiam muito ou, ent茫o, que j谩 realizaram o que se esperava deles, como se notava 脿 primeira vista.鈥�
鈥溾€sbarrou pelo caminho num conselheiro qualquer, pisou-lhe um p茅; pisou tamb茅m o p茅 de uma velhinha e esfacelou-lho um pouco鈥�
鈥溾€aixou os olhos para o ch茫o e ficou assim especado, dando por茅m a palavra de honra a si pr贸prio de se matar a tiro essa noite鈥�
鈥︹赌︹赌�..
Ent茫o que vos parece?!
Gogoliano ou n茫o Gogoliano?!鈥�
Bem鈥� resumindo e concluindo:
脡 t茅nue a linha que demarca a burocracia da loucura.
Ser谩 esta a moral da hist贸ria?!
Para mim, foi!馃槣
O Duplo tem sido alvo de variad铆ssimas interpreta莽玫es. Lego-vos a minha, e c谩 fico a aguardar a vossa鈥� 馃槈
November 1, 2023
賴賲賴鈥屭嗃屫� 鬲賵蹖 丕蹖賳 讴鬲丕亘 夭蹖丕丿蹖 倬蹖趩蹖丿賴 賵 賯丕胤蹖鈥屬矩ж� 賵賱蹖 丿乇 毓蹖賳 丨丕賱 爻丕丿賴鈥屫池�.
诏丕賱蹖丕丿讴賳 讴丕乇賲賳丿 丕丿丕乇蹖 賲乇鬲亘 賵 賲賳馗賲蹖鈥屫池� 讴賴 毓丕卮賯 丿禺鬲乇 乇蹖爻卮 卮丿賴貙 倬賵賱丿丕乇 賳蹖爻鬲貙 丕丿丕蹖 倬賵賱丿丕乇賴丕乇賵 丿乇賲蹖丕乇賴貙 賲蹖乇賴 亘丕夭丕乇 賲孬賱 丕卮乇丕賮 禺乇蹖丿 賲蹖讴賳賴 賵 趩讴 賲蹖讴卮賴貙 亘丕 乇賵丕賳倬夭卮讴卮 氐丨亘鬲 賲蹖讴賳賴.貙 亘乇丕蹖 賲賴賲賵賳蹖鈥屫й� 讴賴 賲賳 賳賮賴賲蹖丿賲 亘賴卮 丿毓賵鬲 卮丿賴 蹖丕 賳賴 賱亘丕爻 禺賵亘 賲蹖倬賵卮賴貙 讴丕賱爻讴賴鈥屰� 禺賵亘 賲蹖诏蹖乇賴貙 賲蹖乇賴 賲賴賲賵賳蹖 賵賱蹖 丕夭 丕賵賳噩丕 賲蹖賳丿丕夭賳卮 亘蹖乇賵賳.
賴賲賴鈥屰� 賲丕 蹖讴 诏丕賱蹖丕丿讴賳 丿乇賵賳 丿丕乇蹖賲貙 賴賲賵賳蹖 讴賴 鬲賵蹖 爻乇賲賵賳 丨乇賮 賲蹖夭賳賴貙 丿丕丿 賲蹖讴卮賴貙 賯乇亘賵賳 氐丿賯賴鈥屬呝堎� 賲蹖乇賴貙 鬲氐賲蹖賲 賲蹖诏蹖乇賴貙 丕賳鬲禺丕亘 賲蹖讴賳賴貙 丿賱 賲蹖讴卮賵賳賴貙 丿賱 亘賴 丿爻鬲 賲蹖丕乇賴 賵鈥�
诏丕賱蹖丕丿讴賳 蹖讴 丕賳爻丕賳 爻丕丿賴 亘賵丿貙 亘丕 夭賳丿诏蹖 爻禺鬲貙 丕胤乇丕賮蹖丕賳 爻禺鬲鈥屫�.
丕賵 賴賲 賲孬賱 賲丕 丿賵爻鬲 丿丕卮鬲 丕夭 丿蹖诏乇丕賳 鬲丕蹖蹖丿蹖賴 亘诏蹖乇賴貙 讴賴 亘賴卮 亘诏賳 趩賳蹖賳 賵 趩賳丕賳 乇賵 禺賵亘 丕賳噩丕賲 丿丕丿蹖貙 讴丕乇鬲 丿乇爻鬲賴.
賲丕 賴賲 丕賳爻丕賳鈥屬囏й� 爻丕丿賴鈥屫й� 賴爻鬲蹖賲貙 亘丕 夭賳丿诏蹖鈥屬囏й� 爻禺鬲.
賲丕 賴賲 丿賵爻鬲 丿丕乇蹖賲 鬲丕蹖蹖丿 亘卮蹖賲貙 丿賵爻鬲 丿丕乇蹖賲 亘賴賲賵賳 丕賴賲蹖鬲 丿丕丿賴 亘卮賴貙
丕賳鬲禺丕亘 丕胤丕賮蹖丕賳賲賵賳 賴爻鬲卮 讴賴 賲丕 乇賵 乇卮丿 賲蹖丿賴 蹖丕 亘丕毓孬 賲蹖卮賴 爻乇 丕夭 鬲蹖賲丕乇爻鬲丕賳 丿乇亘蹖丕乇蹖賲 鬲丕 夭賳丿诏蹖 禺賵丿卮賵賳 乇丕丨鬲 亘诏匕乇賴. 趩賵賳 丕賳爻丕賳 丿乇 噩丕賲毓賴 亘賴 禺賵蹖卮 禺賵蹖卮鬲賳 賲蹖乇爻賴 蹖丕 讴蹖賱賵賲鬲乇賴丕 丕夭卮 丿賵乇 賲蹖卮賴.
賲丕 賴賲賴 诏丕賱蹖丕丿讴賳蹖 賴爻鬲蹖賲 讴賴 丿乇 丕胤乇丕賮蹖丕賳賲賵賳 賴賲夭丕丿賲賵賳 乇賵 丿蹖丿蹖賲 賵 亘毓丿卮 丕賵賳丕乇賵 丕賳鬲禺丕亘 讴乇丿蹖賲貙 賵丕乇丿 夭賳丿诏蹖鈥屬呝堎� 讴乇丿蹖賲 賵 亘賴卮賵賳 丕噩丕夭賴 賲蹖丿蹖賲 讴賴 乇賵蹖 賲丕 鬲丕孬蹖乇 亘诏匕乇丕賳丿. 賵賱蹖 亘賴卮賵賳 丕噩丕夭賴 禺賵丕賴蹖賲 丿丕丿 讴賴 賲丕乇賵 亘賴 鬲蹖賲丕乇爻鬲丕賳 賲賳鬲賯賱 讴賳賳丿責
诏丕賱蹖丕丿讴賳 讴丕乇賲賳丿 丕丿丕乇蹖 賲乇鬲亘 賵 賲賳馗賲蹖鈥屫池� 讴賴 毓丕卮賯 丿禺鬲乇 乇蹖爻卮 卮丿賴貙 倬賵賱丿丕乇 賳蹖爻鬲貙 丕丿丕蹖 倬賵賱丿丕乇賴丕乇賵 丿乇賲蹖丕乇賴貙 賲蹖乇賴 亘丕夭丕乇 賲孬賱 丕卮乇丕賮 禺乇蹖丿 賲蹖讴賳賴 賵 趩讴 賲蹖讴卮賴貙 亘丕 乇賵丕賳倬夭卮讴卮 氐丨亘鬲 賲蹖讴賳賴.貙 亘乇丕蹖 賲賴賲賵賳蹖鈥屫й� 讴賴 賲賳 賳賮賴賲蹖丿賲 亘賴卮 丿毓賵鬲 卮丿賴 蹖丕 賳賴 賱亘丕爻 禺賵亘 賲蹖倬賵卮賴貙 讴丕賱爻讴賴鈥屰� 禺賵亘 賲蹖诏蹖乇賴貙 賲蹖乇賴 賲賴賲賵賳蹖 賵賱蹖 丕夭 丕賵賳噩丕 賲蹖賳丿丕夭賳卮 亘蹖乇賵賳.
賴賲賴鈥屰� 賲丕 蹖讴 诏丕賱蹖丕丿讴賳 丿乇賵賳 丿丕乇蹖賲貙 賴賲賵賳蹖 讴賴 鬲賵蹖 爻乇賲賵賳 丨乇賮 賲蹖夭賳賴貙 丿丕丿 賲蹖讴卮賴貙 賯乇亘賵賳 氐丿賯賴鈥屬呝堎� 賲蹖乇賴貙 鬲氐賲蹖賲 賲蹖诏蹖乇賴貙 丕賳鬲禺丕亘 賲蹖讴賳賴貙 丿賱 賲蹖讴卮賵賳賴貙 丿賱 亘賴 丿爻鬲 賲蹖丕乇賴 賵鈥�
诏丕賱蹖丕丿讴賳 蹖讴 丕賳爻丕賳 爻丕丿賴 亘賵丿貙 亘丕 夭賳丿诏蹖 爻禺鬲貙 丕胤乇丕賮蹖丕賳 爻禺鬲鈥屫�.
丕賵 賴賲 賲孬賱 賲丕 丿賵爻鬲 丿丕卮鬲 丕夭 丿蹖诏乇丕賳 鬲丕蹖蹖丿蹖賴 亘诏蹖乇賴貙 讴賴 亘賴卮 亘诏賳 趩賳蹖賳 賵 趩賳丕賳 乇賵 禺賵亘 丕賳噩丕賲 丿丕丿蹖貙 讴丕乇鬲 丿乇爻鬲賴.
賲丕 賴賲 丕賳爻丕賳鈥屬囏й� 爻丕丿賴鈥屫й� 賴爻鬲蹖賲貙 亘丕 夭賳丿诏蹖鈥屬囏й� 爻禺鬲.
賲丕 賴賲 丿賵爻鬲 丿丕乇蹖賲 鬲丕蹖蹖丿 亘卮蹖賲貙 丿賵爻鬲 丿丕乇蹖賲 亘賴賲賵賳 丕賴賲蹖鬲 丿丕丿賴 亘卮賴貙
丕賳鬲禺丕亘 丕胤丕賮蹖丕賳賲賵賳 賴爻鬲卮 讴賴 賲丕 乇賵 乇卮丿 賲蹖丿賴 蹖丕 亘丕毓孬 賲蹖卮賴 爻乇 丕夭 鬲蹖賲丕乇爻鬲丕賳 丿乇亘蹖丕乇蹖賲 鬲丕 夭賳丿诏蹖 禺賵丿卮賵賳 乇丕丨鬲 亘诏匕乇賴. 趩賵賳 丕賳爻丕賳 丿乇 噩丕賲毓賴 亘賴 禺賵蹖卮 禺賵蹖卮鬲賳 賲蹖乇爻賴 蹖丕 讴蹖賱賵賲鬲乇賴丕 丕夭卮 丿賵乇 賲蹖卮賴.
賲丕 賴賲賴 诏丕賱蹖丕丿讴賳蹖 賴爻鬲蹖賲 讴賴 丿乇 丕胤乇丕賮蹖丕賳賲賵賳 賴賲夭丕丿賲賵賳 乇賵 丿蹖丿蹖賲 賵 亘毓丿卮 丕賵賳丕乇賵 丕賳鬲禺丕亘 讴乇丿蹖賲貙 賵丕乇丿 夭賳丿诏蹖鈥屬呝堎� 讴乇丿蹖賲 賵 亘賴卮賵賳 丕噩丕夭賴 賲蹖丿蹖賲 讴賴 乇賵蹖 賲丕 鬲丕孬蹖乇 亘诏匕乇丕賳丿. 賵賱蹖 亘賴卮賵賳 丕噩丕夭賴 禺賵丕賴蹖賲 丿丕丿 讴賴 賲丕乇賵 亘賴 鬲蹖賲丕乇爻鬲丕賳 賲賳鬲賯賱 讴賳賳丿責
July 10, 2022
丿丕爻鬲丕賳 禺賵亘蹖 亘賵丿 賴乇趩賳丿 賲毓鬲賯丿賲 丿乇 夭賲丕賳 賲賳丕爻亘蹖 賳禺賵賳丿賲賳卮. 蹖讴 賵蹖跇诏蹖 亘乇噩爻鬲賴 丌孬丕乇 丿丕爻鬲丕蹖賮爻讴蹖 鬲丕讴蹖丿蹖賴 讴賴 丿丕爻鬲丕蹖賮爻讴蹖 亘乇 亘毓丿 乇賵丕賳蹖 卮禺氐蹖鬲鈥屬囏й� 丌孬丕乇卮 丿丕乇賴貙 亘賴 毓亘丕乇鬲蹖 趩賳丕賳 馗乇蹖賮 賵 賲賵卮讴丕賮丕賳賴 噩賳亘賴鈥屬囏й� 乇賵丨蹖 賵 賱丕蹖賴鈥屬囏й� 鬲賵丿乇鬲賵 乇賵丕賳蹖 丕蹖賳 卮禺氐蹖鬲鈥屬囏� 乇賵 鬲賵氐蹖賮 賲蹖鈥屭┵嗁� 讴賴 诏賵蹖蹖 亘賴 噩丕蹖 賳賵蹖爻賳丿賴 亘丕 蹖讴 乇賵丕賳卮賳丕爻 禺亘乇賴 賲賵丕噩賴鈥屫й屬� 丿乇 丕蹖賳 亘丕乇賴 賴乇趩賳丿 亘賴 讴乇丕乇 丕蹖賳 賳賯賱 賵 賯賵賱 賳蹖趩賴 诏賮鬲賴 卮丿賴 丕賲丕 亘丕夭 诏賮鬲丕乇卮 禺丕賱蹖 丕夭 賱胤賮 賳蹖爻鬲 讴賴 亘賴 亘丕賵乇 賳蹖趩賴 丿丕爻鬲丕蹖賮爻讴蹖 鬲賳賴丕 乇賵丕賳卮賳丕爻蹖賴 讴賴 丕夭 丕賵 趩蹖夭蹖 丌賲賵禺鬲賴鈥�. 丕賲丕 亘乇诏乇丿蹖賲 亘賴 禺賵丿 丿丕爻鬲丕賳貙 丕賵賱 丕蹖賳讴賴 亘賴 賳馗乇賲 亘乇 禺賱丕賮 丿蹖诏乇 丌孬丕乇 亘夭乇诏 丿丕爻鬲丕蹖賮爻讴蹖 讴賴 毓賲丿鬲丕賸 卮丕賴丿 丨囟賵乇 卮禺氐蹖鬲鈥屬囏й� 夭蹖丕丿蹖 丿乇 賮囟丕蹖 丿丕爻鬲丕賳 亘賵丿蹖賲 賵 賲賯賴賵乇 卮禺氐蹖鬲 倬乇丿丕夭蹖 讴賲 賳馗蹖乇 賳賵蹖爻賳丿賴 丿乇 禺氐賵氐 賴乇讴丿丕賲 丕夭 丕賵賳 卮禺氐蹖鬲鈥屬囏� 賲蹖 卮丿蹖賲 丿乇 丕蹖賳 丕孬乇 鬲賲乇讴夭 賵 鬲賵噩賴 丕氐賱蹖 賳賵蹖爻賳丿賴 賲蹖卮賴 诏賮鬲 亘賴 賳賵毓蹖 鬲賳賴丕 亘乇 乇賵蹖 蹖讴 卮禺氐蹖鬲 丕氐賱蹖 亘賳丕 賳賴丕丿賴 卮丿賴. 賳讴鬲賴 丿賵賲 丿乇 禺氐賵氐 丕蹖賳 丕孬乇 丕蹖賳 亘賵丿 讴賴 賮囟丕蹖 睾丕賱亘 丿丕爻鬲丕賳 亘乇 爻蹖乇 丕賮讴丕乇蹖 倬蹖 乇蹖夭蹖 卮丿賴 讴賴 丿乇 匕賴賳 诏丕賱蹖丕丿讴蹖賳 賲蹖鈥屭柏辟� 賵 禺賵丕賳賳丿賴 丕夭 丿乇蹖趩賴 賳诏丕賴 賮乇丿蹖 噩賳賵賳 夭丿賴 亘賴 丿丕爻鬲丕賳 賳诏丕賴 賲蹖 讴賳賴 亘賴 丕蹖賳 丿賱蹖賱賴 讴賴 賲乇夭 賲蹖丕賳 禺蹖丕賱 賵 賵丕賯毓蹖鬲 亘乇丕蹖 賲禺丕胤亘 趩賳丿丕賳 賲卮禺氐 賵 乇賵卮賳 賳蹖爻鬲 禺賵丿賲賲 賴賲 鬲丕 氐賮丨丕鬲 倬丕蹖丕賳蹖 讴鬲丕蹖 賲胤賲卅賳 賳亘賵丿賲 讴賴 丌蹖丕 卮禺氐蹖鬲 丕氐賱蹖 丿丕爻鬲丕賳 丿趩丕乇 賵賴賲 賵 噩賳賵賳 卮丿賴 蹖丕 賳賴貙 丌蹖丕 賵丕賯毓丕賸 賴賲夭丕丿蹖 賵噩賵丿 丿丕乇賴 蹖丕 賳賴. 賳讴鬲賴 爻賵賲 丿爻鬲 诏匕丕卮鬲賳 丿丕爻鬲丕蹖賮爻讴蹖 亘乇 賲爻卅賱賴 乇賳噩 丕賳爻丕賳賴貙 讴丿丕賲蹖讴 丕夭 賲丕 賴爻鬲蹖賲 讴丕賲賱丕賸 丕夭 乇賳噩 亘蹖诏丕賳賴 亘丕卮蹖賲貙 亘賴 賳馗乇賲 丿乇賴賲 丌賲蹖禺鬲诏蹖 賴賲蹖卮诏蹖 卮禺氐蹖鬲鈥屬囏й� 丿丕爻鬲丕賳 丌孬丕乇 丿丕爻鬲丕蹖賮爻讴蹖 亘丕 賲賵囟賵毓 乇賳噩 賵 賲丨賳鬲蹖 讴賴 亘丕 丕賵賳 丿爻鬲 亘賴 诏乇蹖亘丕賳賳丿 丨丕讴蹖 丕夭 賳賵毓 賳诏丕賴 賵 丕丨鬲乇丕賲蹖賴 讴賴 丿丕爻鬲丕蹖賮爻讴蹖 亘乇丕蹖 乇賳噩 賯丕卅賱 亘賵丿賴 賵 丕賵賳 乇賵 亘賴 毓賳賵丕賳 蹖讴 賲賵賱賮賴 匕丕鬲蹖 夭賳丿诏蹖 倬匕蹖乇賮鬲賴 賵 賴賲蹖卮賴 爻毓蹖 讴乇丿賴 亘賴 賳賵毓 賵丕讴賳卮鈥屬囏й� 卮禺氐蹖鬲鈥屬囏й� 丿丕爻鬲丕賳蹖鈥屫ж� 乇丕 亘賴 賲爻卅賱賴 乇賳噩 丿乇 丌孬丕乇卮 亘丕夭賳賲丕蹖蹖 讴賳賴貙 丕蹖賳 噩賲賱賴 丿丕爻鬲丕蹖賮爻讴蹖 卮丕蹖丿 亘賴 禺賵亘蹖 賲賳毓讴爻 讴賳賳丿賴 賳诏丕賴 丿丕爻鬲丕蹖賮爻讴蹖 亘賴 賲爻卅賱賴 乇賳噩 亘丕卮賴 噩丕蹖蹖讴賴 賲蹖诏賴 鬲賳賴丕 賴乇丕爻 賲賳 丿乇 鬲賲丕賲 夭賳丿诏蹖 賴賲蹖卮賴 丕蹖賳 亘賵丿 讴賴 卮丕蹖爻鬲賴 乇賳噩 禺賵丿 賳亘丕卮賲. 賳讴鬲賴 丌禺乇 鬲乇噩賲賴 乇賵丕賳 賵 賲賳丕爻亘 爻乇賵卮 丨亘蹖亘蹖 丕夭 丕蹖賳 丕孬乇 亘賵丿 讴賴 禺賵丕賳丿賳卮 乇丕 亘乇丕蹖 賲禺丕胤亘 丿賱賳卮蹖賳鈥屫� 讴乇丿賴.
February 21, 2021
螌蟿伪谓 未蔚谓 蔚蟺喂蟿蟻苇蟺慰蠀渭蔚 蟽蟿慰 伪蟽蠀谓蔚委未畏蟿慰 谓伪 纬委谓蔚喂 蟽蠀谓蔚喂未畏蟿蠈 蟽蔚 蔚蟺委蟺蔚未慰 慰谓蟿蠈蟿畏蟿伪蟼, 蠀蟺伪蟻尉喂伪魏萎蟼 蟿伪蠀蟿蠈蟿畏蟿伪蟼 魏伪喂 蟺蟻伪纬渭伪蟿喂魏萎蟼 未蟻维蟽畏蟼 魏伪喂 伪谓蟿委未蟻伪蟽畏蟼, 蟿蠈蟽慰 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 胃伪 蟺喂蟽蟿蔚蠉慰蠀渭蔚 蟽蟿畏谓 蔚蠉谓慰喂伪 萎 蟿畏谓 魏伪蟿维蟻伪 蟿畏蟼 渭慰委蟻伪蟼 蟺慰蠀 魏伪胃慰未畏纬蔚委 魏伪喂 蟽蠀谓蠀蟺维蟻蠂蔚喂 渭蔚 慰,蟿喂 蟿蔚魏渭伪委蟻蔚蟿伪喂 伪蟺慰 蟿畏谓 魏伪胃畏渭蔚蟻喂谓蠈蟿畏蟿伪 蟿畏蟼 味蠅萎蟼 渭伪蟼.
韦慰 纬喂伪蟿委, 蟿慰 蔚蟺蔚喂未萎 魏伪喂 蟿慰 未喂蠈蟿喂 胃伪 蔚委谓伪喂 渭慰喂蟻慰位伪蟿蟻喂魏维 纬蟻伪渭渭伪蟿喂魏维 蠁伪喂谓蠈渭蔚谓伪 蟺慰蠀 胃伪 蟽蠀谓蟿维蟽蟽慰蠀谓 蟿畏谓 苇魏胃蔚蟽畏 伪谓伪蠁慰蟻维蟼 蟽蠂蔚蟿喂魏维 渭蔚 魏维胃蔚 苇渭尾喂慰 慰谓 蟺慰蠀 蟺伪蟻伪蟿维蔚喂 蟿慰 蟺谓蔚蠉渭伪 蟿慰蠀 蟽蟿畏谓 伪蟽蠀谓蔚喂未畏蟽委伪, 蟿畏谓 伪未蠈魏喂渭畏 蠀蟺慰蟿蟻慰蟺萎 魏维蟺慰喂伪蟼 伪蟽胃苇谓蔚喂伪蟼 魏伪喂 蟿畏谓 蟺伪蟻维谓慰喂伪 蟿蠅谓 伪喂蟽胃萎蟽蔚蠅谓 魏伪喂 蟿蠅谓 蟺伪蟻伪喂蟽胃萎蟽蔚蠅谓.
危蔚 伪蠀蟿蠈 蟿慰 未喂伪渭伪谓蟿维魏喂 蟿畏蟼 位慰纬慰蟿蔚蠂谓喂魏萎蟼 魏位畏蟻慰谓慰渭喂维蟼 慰 螡蟿蠈蟽蟿慰 纬喂伪 蟺蟻蠋蟿畏 魏伪喂 蟿蔚位蔚蠀蟿伪委伪 蠁慰蟻维 蟽蟿伪 未畏渭喂慰蠀蟻纬萎渭伪蟿伪 蟿慰蠀 蠂蟻畏蟽喂渭慰蟺慰喂蔚委 蟿畏谓 苇谓谓慰喂伪 蟿慰蠀 未蠀蠆蟽渭慰蠉, 蟿慰蠀 未喂蟺位慰蠉, 蟿慰蠀 伪渭蠁委蟽畏渭慰蠀, 蟿慰蠀 伪谓蟿喂纬蟻维蠁慰蠀, 蟿慰蠀 蟽蠅蟽委伪, 蟿慰蠀 未喂蟺慰位喂魏慰蠉 蠄蠀蠂喂蟽渭慰蠉, 蟿慰蠀 蟽蠂喂味慰蠁蟻蔚谓喂魏慰蠉 伪蟺伪蟿畏位慰蠉 蟿蠅谓 蟺慰位位蠋谓 蟿伪蠀蟿慰蟿萎蟿蠅谓, 渭蔚 魏维胃蔚 未蠀谓伪蟿萎 魏伪喂 伪未蠉谓伪蟿畏 苇魏蠁伪谓蟽畏 蟽蟿畏谓 伪喂蟿委伪 魏伪喂 蟿慰 伪喂蟿喂伪蟿蠈 纬喂伪 魏维胃蔚 蟽蠀谓蔚喂未畏蟽喂伪魏萎 蟺伪位喂谓未蟻蠈渭畏蟽畏 渭苇蟽蠅 伪谓蔚位苇畏蟿蠅谓 蟺伪蟻伪谓慰蠆魏蠋谓 魏伪喂 蠄蠀蠂蠈魏伪蟿伪谓伪纬魏伪蟽蟿喂魏蠋谓 蔚蟺蔚喂蟽慰未委蠅谓.
螣 伪蟺位蠈蟼 魏伪喂 魏伪胃畏渭蔚蟻喂谓蠈蟼 蠀蟺维位位畏位慰蟼 蟿畏蟼 魏蠀尾蔚蟻谓畏蟿喂魏萎蟼 未畏渭蠈蟽喂伪蟼 蠀蟺畏蟻蔚蟽委伪蟼 蟽蟿畏 巍蠅蟽委伪, 蟿慰 伪谓胃蟻蠅蟺维魏喂 渭蔚 蟿畏谓 伪蟺蔚蟻喂蠈蟻喂蟽蟿畏 蟺蔚蟻畏蠁维谓喂伪, 蟿畏谓 蟺慰位蠀蟽蠂喂未萎 伪尉喂慰蟺蟻苇蟺蔚喂伪, 蟿畏谓 蔚谓蟿喂渭蠈蟿畏蟿伪, 蟿慰 蟺维胃慰蟼 蟿畏蟼 蔚蠀纬蔚谓喂魏萎蟼 蟽蠀渭蟺蔚蟻喂蠁慰蟻维蟼, 蟿慰 伪蟺伪蠉纬伪蟽渭伪 蟿慰蠀 萎胃慰蠀蟼 魏伪喂 蟿畏蟼 畏胃喂魏萎蟼 渭苇蟽伪 蟽蔚 谓慰渭喂魏苇蟼 魏伪喂 胃蔚蟽渭喂魏苇蟼 伪尉委蔚蟼 魏伪喂 魏慰喂谓蠅谓喂魏苇蟼 谓蠈蟻渭蔚蟼 蔚蟺喂尾伪位位蠈渭蔚谓蔚蟼 渭蔚 蟿畏蟼 蔚尉慰渭慰喂蠅蟿喂魏苇蟼 蟽蠀渭蟺蔚蟻喂蠁慰蟻苇蟼 蟿伪蠀蟿慰蟺慰委畏蟽畏蟼 伪谓胃蟻蠅蟺喂蟽蟿喂魏萎蟼 魏伪位位喂苇蟺蔚喂伪蟼 魏伪喂 伪委蟽胃畏蟽畏 魏伪胃萎魏慰谓蟿慰蟼.
螒蠀蟿蠈 蟿慰 蟿伪蟺蔚喂谓蠈 伪谓胃蟻蠅蟺维魏喂 蟺慰蠀 蟿伪 未委谓蔚喂 蠈位伪 蟽蟿慰谓 尾蠅渭蠈 蟿畏蟼 未喂魏伪喂慰蟽蠉谓畏蟼 魏伪喂 蟿畏蟼 魏慰喂谓蠅谓喂魏萎蟼 蔚蠀蟺蟻苇蟺蔚喂伪蟼, 蟿蠈蟽慰 蟺蟻慰蟽畏谓萎蟼, 蟿蠈蟽慰 纬位蠀魏蠈蟼, 蟿蠀蟺喂魏蠈蟼, 蔚蠀蟺蟻慰蟽萎纬慰蟻慰蟼 魏伪喂 蟿伪魏蟿喂魏蠈蟼 蟽蔚 魏维胃蔚 蟺蟻慰伪蟺伪喂蟿慰蠉渭蔚谓慰 蟿畏蟼 蔚蟻纬伪蟽喂伪魏萎蟼, 魏慰喂谓蠅谓喂魏萎蟼 魏伪喂 蟺慰位喂蟿喂魏萎蟼 味萎蟿畏蟽畏蟼 萎 蟺蟻慰蟽蠁慰蟻维蟼, 纬委谓蔚蟿伪喂 尾慰蟻维 蟽蟿伪 伪谓蔚位苇畏蟿伪 胃畏蟻委伪 蟿蠅谓 伪谓蠋蟿蔚蟻蠅谓 魏位喂渭伪魏委蠅谓 蟿蠈蟽慰 蟽蔚 蔚蟺委蟺蔚未慰 蔚蟺伪纬纬蔚位渭伪蟿喂魏萎蟼 伪谓蟿伪蟺慰未慰蟿喂魏萎蟼 伪谓蟿喂渭蔚蟿蠋蟺喂蟽畏蟼 魏伪喂 蟽蠀渭蟺蔚蟻喂蠁慰蟻维蟼, 蠈蟽慰 魏伪喂 蟽蔚 纬蔚谓喂魏蠈蟿蔚蟻伪 蔚蟺委蟺蔚未伪 魏慰喂谓蠅谓喂魏萎蟼 魏伪蟿伪尉委蠅蟽畏蟼 魏伪喂 蟿伪尉喂魏萎蟼 蠂蠀未伪委伪蟼 伪谓喂蟽蠈蟿畏蟿伪蟼.
螣 魏. 螕魏慰位喂维谓蟿魏喂谓 渭蟺萎魏蔚 蔚胃蔚位慰蠉蟽喂伪 萎 魏伪蟿维 位维胃慰蟼 蟽蔚 伪蠀蟿蠈 蟿慰 蟽魏喂蠋未蔚蟼 尾伪蟽委位蔚喂慰 蟿慰蠀 蔚蟽蠋蟿蔚蟻慰蠀 魏蠈蟽渭慰蠀. 螘魏蔚委 蔚蟺喂魏蟻伪蟿慰蠉蟽蔚 纬喂伪 伪蠀蟿蠈谓 渭喂伪 蠂慰位蔚蟻喂魏萎 未喂维胃蔚蟽畏 蟿慰蠀 魏慰喂谓蠅谓喂魏维 伪谓蔚蟺喂胃蠉渭畏蟿慰蠀. 螘魏蔚委 慰 魏. 螕魏慰位喂维谓蟿魏喂谓 伪蟻蟻蠋蟽蟿畏蟽蔚, 谓蠈蟽畏蟽蔚 尾伪蟻喂维 萎 尉蠉蟺谓畏蟽蔚 蟿慰 蟿苇蟻伪蟼 蟺慰蠀 魏慰喂渭蠈蟿伪谓 蟺维谓蠅 蟽蟿慰 蟿蟻伪蠉渭伪 蟿畏蟼 蠂伪渭苇谓畏蟼 蠄蠀蠂萎蟼 蟿慰蠀. 螤维纬蠅蟽蔚 畏 魏伪蟻未喂维 蟿慰蠀 魏伪喂 苇蟽蟺伪蟽蔚. 韦慰 渭蠀伪位蠈 蟿慰蠀 胃蟻蠀渭渭伪蟿委蟽蟿畏魏蔚 蟽伪谓 蟺蠉蟻纬慰蟼 伪蟺慰 维渭渭慰.
螝伪渭委伪 蔚魏位慰纬委魏蔚蠀蟽畏 萎 蟺伪蟻蔚位魏蠀蟽蟿喂魏萎 伪蟺慰蟽喂蠋蟺畏蟽畏 未蔚谓 渭蟺慰蟻慰蠉蟽蔚 谓伪 蟺伪蟻畏纬慰蟻萎蟽蔚喂 蟿慰谓 魏. 螕魏慰位喂维谓蟿魏喂谓, 魏喂 伪谓 伪蠀蟿蠈 纬喂谓蠈蟿伪谓 未喂伪蟻魏慰蠉蟽蔚 蟺慰位蠉 位委纬慰, 魏伪蟿蠈蟺喂谓 尾蠀胃喂味蠈蟿伪谓 魏伪喂 蟺维位喂 蟽蟿畏谓 伪蟻蟻蠅蟽蟿畏渭苇谓畏 蟿伪蠉蟿喂蟽畏 蟿畏蟼 魏慰喂谓蠅谓喂魏蠈蟿畏蟿伪蟼 蟿慰蠀.
螣喂 蟽蠀谓维未蔚位蠁慰喂 蟿慰蠀, 慰喂 纬谓蠅蟽蟿慰委 蟿慰蠀, 蠈蟽慰喂 蟿慰谓 纬谓蠋蟻喂味伪谓 尉维蠁谓慰蠀 畏未慰谓委味慰谓蟿伪喂 渭蔚 蟿畏谓 蟿伪蟺蔚委谓蠅蟽畏 蟿慰蠀 蟽蠀谓伪谓胃蟻蠋蟺慰蠀 蟿慰蠀蟼, 渭蔚 蟿慰谓 畏胃喂魏蠈, 魏伪喂 伪蟿慰渭喂魏蠈 未喂伪蟽蠀蟻渭蠈 蟿慰蠀 未蔚 尾伪胃渭蠈 蔚尉蔚蠀蟿蔚位喂蟽渭慰蠉, 蠂伪委蟻慰谓蟿伪喂 魏伪喂 蔚蟺蔚蠀蠁畏渭慰蠉谓 蟿畏 纬蔚位慰喂慰蟺慰委畏蟽畏 蟿慰蠀.
螤伪蟻蠈位伪 伪蠀蟿维 魏伪喂 未委蠂蠅蟼 蟽畏渭维未喂伪 蠁伪谓蔚蟻萎蟼 谓蔚蠀蟻蠅蟿喂魏萎蟼 未蠀蟽魏伪渭蠄委伪蟼 伪蟻蠂喂魏维 慰 魏. 螕魏慰位喂苇谓蟿魏喂谓 蔚委谓伪喂 蠀蟺蔚蟻蠈蟺蟿畏蟼, 伪蟻谓蔚委蟿伪喂 魏维胃蔚 蟺蔚蟻喂蠁蟻蠈谓畏蟽畏 蟺慰蠀 蟿慰蠀 蟺蔚蟿维谓蔚 魏伪蟿维渭慰蠀蟿蟻伪 魏伪喂 蟺伪位蔚蠉蔚喂 蟺谓蔚蠀渭伪蟿喂魏维 魏伪喂 蟽蠀谓蔚喂未畏蟽喂伪魏维 谓伪 魏伪蟿伪谓慰萎蟽蔚喂, 谓伪 蔚蟺喂尾维位位蔚喂, 谓伪 伪蟺慰未蔚委尉蔚喂, 谓伪 蟿伪蠀蟿慰蟺慰喂萎蟽蔚喂 蟿畏谓 蟺蟻慰蟽蠅蟺喂魏蠈蟿畏蟿伪 蟿慰蠀 蠅蟼 苇蠂蔚喂. 螆谓蟿喂渭畏, 维渭蔚渭蟺蟿慰蠀 畏胃喂魏萎蟼, 蔚蠀纬蔚谓喂魏萎, 伪谓蠋蟿蔚蟻畏, 魏伪位位喂蔚蟻纬畏渭苇谓畏, 渭蔚 渭喂伪 魏伪蟻未喂维 未喂维蠁伪谓畏 蟽伪谓 纬蠀伪位委 蟺慰蠀 未蔚谓 渭蟺慰蟻蔚委 谓伪 魏蟻蠉蠄蔚喂 慰蠉蟿蔚 苇谓伪 蟽蠀谓伪委蟽胃畏渭伪, 伪蟺慰 蟿伪 蟺慰位位维 蟺慰蠀 蟿畏谓 蟿伪位伪谓委味慰蠀谓.
螠蔚蟿维 伪蟺慰 蟺慰位位维 魏伪喂 渭伪蟻蟿蠀蟻喂魏维 蔚蟺蔚喂蟽蠈未喂伪 蟿伪蟺蔚委谓蠅蟽畏蟼 魏伪喂 未喂蠅纬渭慰蠉, 蔚尉蔚蠀蟿蔚位喂蟽渭慰蠉 魏伪喂 魏慰喂谓蠅谓喂魏萎蟼 魏伪蟿伪魏蟻伪蠀纬萎蟼 慰 魏. 螕魏慰位喂维谓蟿魏喂谓 蟺伪蠉蔚喂 谓伪 蠄维蠂谓蔚喂 蟿慰 蟺蠅蟼 魏伪喂 蟿慰 纬喂伪蟿委, 蟽蟿伪渭伪蟿维蔚喂 谓伪 伪谓蟿喂未蟻维蔚喂 蟽蟺伪蟽渭蠅未喂魏维 魏伪喂 蟿伪蟻伪纬渭苇谓伪, 胃苇位蔚喂 渭蠈谓慰 谓伪 渭蔚委谓蔚喂 萎蟽蠀蠂慰蟼, 渭蠈谓慰蟼, 萎蟻蔚渭慰蟼, 未委蠂蠅蟼 蟿伪蠀蟿蠈蟿畏蟿伪 魏伪喂 蔚蟺喂蟿伪纬苇蟼 魏慰喂谓蠅谓喂魏慰蠉 蟺蟻慰蟿蠉蟺慰蠀.
螢维蠁谓慰蠀 尾蠀胃委味蔚蟿伪喂 蟽蟿伪 魏伪蟿维尾伪胃伪 蟿慰蠀 蔚纬蠋 蟿慰蠀, 伪谓慰委纬蔚喂 未喂维蟺位伪蟿伪 蟿慰 蟽蠀谓蔚喂未畏蟽喂伪魏蠈 蟿慰蠀 蔚蟺喂蟿蔚位蔚委慰 伪蟺慰 维蟺蔚喂蟻慰蠀蟼 蠂伪蟻伪魏蟿萎蟻蔚蟼 魏伪喂 蟺位畏胃蠋蟻伪 蟿伪蠀蟿慰蟿萎蟿蠅谓, 蟺蟻苇蟺蔚喂 谓伪 蟽蠅胃蔚委 伪蟺慰 蟿畏谓 蟿蟻苇位伪, 蟺蟻苇蟺蔚喂 谓伪 魏伪蟿伪谓慰萎蟽蔚喂 蟿畏谓 蟺伪蟻维谓慰喂伪 蟿畏蟼 位慰纬喂魏萎蟼, 蟺蟻苇蟺蔚喂 谓伪 未喂蠂伪蟽蟿蔚委 蠂蠅蟻委蟼 谓伪 蟿慰 纬谓蠅蟻委味蔚喂, 蟺蟻苇蟺蔚喂 谓伪 蟺蟻慰蟽蟿伪蟿苇蠄蔚喂 蟿慰谓 蟺蟻慰蟺畏位伪魏喂蟽渭苇谓慰 魏伪喂 维蟻蟻蠅蟽蟿慰
魏. 螕魏慰位喂维谓蟿魏喂谓 魏伪喂 苇蟿蟽喂 未畏渭喂慰蠀蟻纬蔚委 渭蔚 伪蟺蠈位蠀蟿畏 蔚蟺喂蟿蠀蠂委伪 魏伪喂 慰位喂魏萎 伪蟺慰蟿蠀蠂委伪 蟽蠀谓蔚委未畏蟽畏蟼 蟿慰 蟺喂蟽蟿蠈 蟿慰蠀 伪谓蟿委纬蟻伪蠁慰. 螆谓伪蟼 未蔚蠉蟿蔚蟻慰蟼, 慰位蠈喂未喂慰蟼, 蟽蠅蟽委伪蟼, 蟽喂伪渭伪委伪蟼 未喂伪未喂魏伪蟽委伪蟼 蔚渭蠁伪谓委味蔚蟿伪喂 纬喂伪 谓伪 蟽蠋蟽蔚喂 未畏位畏蟿畏蟻喂维味慰谓蟿伪蟼 蟿慰谓 蟺蟻蠅蟿蠈蟿蠀蟺慰 蟿慰蠀. 螣 蟽蠅蟽委伪蟼 纬蔚谓谓喂苇蟿伪喂 渭苇蟽伪 伪蟺慰 蟿伪 魏伪蟿维尾伪胃伪 蟿蠅谓 蟽蟺位维蠂谓蠅谓 蟿慰蠀 蟽伪谓 魏位蠅谓维蟻喂 魏伪魏委伪蟼, 蟽伪谓 苇谓伪 蔚尉蠅蟿蔚蟻喂魏蔚蠀渭苇谓慰 蔚委未蠅位慰 蔚蟽蠅蟿蔚蟻喂魏慰蠉 伪谓蟿喂魏伪蟿慰蟺蟻喂蟽渭慰蠉 蟺慰蠀 伪蟺慰味畏蟿维蔚喂 位蠀蟿蟻蠅蟿喂魏维 慰 蟽蠂喂味慰蠁蟻蔚谓萎蟼 萎蟻蠅伪蟼 渭伪蟼. 韦蠋蟻伪 委蟽蠅蟼 畏 蠄蠀蠂慰位慰纬喂魏萎 伪位萎胃蔚喂伪 蟿慰蠀 伪谓胃蟻蠅蟺维魏慰蠀 渭伪蟼 谓伪 蟽蠀谓蠀蟺维蟻蠂蔚喂 渭蔚 蟿慰 伪谓蟿委纬蟻伪蠁慰 蟿畏蟼 伪位位维 蠈蠂喂 蟽伪谓 伪蠀蟿慰蟽魏慰蟺蠈蟼 伪位位维 蟽伪谓 蟽蠀谓蟿蔚位蔚蟽渭苇谓畏 魏慰喂谓蠅谓喂魏萎 伪蟺蠈蟻蟻喂蠄畏.
螤蠈蟽慰 渭蔚 蟽蠀纬魏委谓畏蟽蔚, 蟺蠈蟽慰 渭蔚 蟽蠀谓蔚蟺萎蟻蔚 魏伪喂 渭蔚 伪谓伪蟿蟻委蠂喂伪蟽蔚 蠅蟼 蟿畏谓 蠄蠀蠂萎 畏 尾伪胃蠉蟿畏蟿伪 蟿慰蠀 螖喂蟺位慰蠉 伪谓胃蟻蠋蟺慰蠀. 螘委谓伪喂 渭喂伪 渭伪蟻蟿蠀蟻委伪, 渭喂伪 蔚蟺委魏位畏蟽畏 尾慰萎胃蔚喂伪蟼 纬喂伪 渭喂伪 魏伪魏慰蟺慰喂畏渭苇谓畏 蠄蠀蠂萎, 渭喂伪 魏蟻伪蠀纬萎 伪蟺蔚位蟺喂蟽委伪蟼, 伪纬蠅谓委伪蟼, 伪蟺蠈纬谓蠅蟽畏蟼, 伪蟺蠈蟻蟻喂蠄畏蟼, 渭喂伪 蟽蠂喂味慰蠁蟻蔚谓喂魏萎 纬蟻伪蠁萎 纬喂伪 渭喂伪 蟽蟺伪蟻伪魏蟿喂魏萎 蔚尉慰渭慰位蠈纬畏蟽畏 蟺慰蠀 尉蔚蟺蔚蟻谓维蔚喂 蟽蔚 尾维胃慰蟼, 苇谓谓慰喂伪, 苇谓蟿伪蟽畏, 蟽蠀谓伪委蟽胃畏渭伪, 伪尉委伪, 喂未苇蔚蟼 魏伪喂 喂未蔚伪蟿维, 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿蔚蟼 魏伪喂 蠁伪谓蟿伪蟽委蔚蟼, 蟻蔚伪位喂蟽渭慰蠉蟼 魏伪喂 蟻慰渭伪谓蟿喂蟽渭慰蠉蟼 慰蟺慰喂伪蟽未萎蟺慰蟿蔚 伪谓蠋未蠀谓畏蟼 位慰纬慰蟿蔚蠂谓委伪蟼.
螖喂蠈蟿喂 伪蠀蟿萎 畏 蟽蟺伪蟻伪蠂蟿喂魏萎 魏蟻伪蠀纬萎 蟿慰蠀 蟻蠋蟽慰蠀 未畏渭慰蟽委慰蠀 蠀蟺伪位位萎位慰蠀 蟺慰蠀 蟿伪 蟺蔚蟻喂蟽蟿伪蟿喂魏维 蟿畏蟼 蟺蟻伪纬渭伪蟿喂魏萎蟼 味蠅萎蟼 蟿慰蠀 蠀蟺蔚蟻谓喂魏慰蠉谓 蟿畏谓 魏蟻蠀渭渭苇谓畏 谓慰蟽畏蟻萎 魏伪喂 伪未蠉谓伪渭畏 蠉蟺伪蟻尉畏 蟿慰蠀, 渭喂伪 位蠀蟺畏蟻萎 蠉蟺伪蟻尉畏, 蟽伪谓 渭喂伪 维未蔚喂伪 伪纬魏伪位喂维 蟺慰蠀 蟺伪蟻伪魏伪位蔚委 纬喂伪 渭畏蟿蟻喂魏维 蠂维未喂伪 伪蠁慰蟽委蠅蟽畏蟼 魏伪喂 纬伪位萎谓畏蟼, 伪蠀蟿萎 畏 魏蟻伪蠀纬萎 蟿慰蠀 尉蠀蟺谓维蔚喂 蠈位伪 蟿伪 蠁伪谓蟿维蟽渭伪蟿伪 蟿畏蟼 蟽蠂喂味慰蠁蟻蔚谓蔚委伪蟼, 魏伪喂 畏 蟿蔚蟻伪蟿蠋未畏蟼 蟽蠀谓蠅渭慰蟽委伪 蠈蟺慰蠀 未蔚谓 蟿慰谓 伪谓伪纬魏维味蔚喂 谓伪 未蔚蠂蟿蔚委 蟿畏谓 渭畏未伪渭喂谓蠈蟿畏蟿伪 魏伪喂 蟿畏谓 蟺慰蟿伪蟺蠈蟿畏蟿伪 蟿慰蠀, 伪位位维 渭蔚 蟽伪蟿伪谓喂魏维 渭苇蟽伪 慰蟻纬伪谓蠋谓蔚喂 蟿畏谓 伪蟺伪纬蠅纬萎 蟿慰蠀 螘纬蠋 蟿慰蠀.
韦畏谓 渭蔚蟿伪蠁慰蟻维 蟿慰蠀 蟽蔚 伪位位慰蠀蟼 蟿蠈蟺慰蠀蟼 蠈蟺慰蠀 蟿慰 蟽蠉渭蟺伪谓 蠁胃慰谓蔚委 魏伪喂 魏伪蟿伪未喂蠋魏蔚喂 伪蠀蟿萎 蟿畏 渭蔚位伪纬蠂慰位喂魏萎 魏伪喂 渭慰喂蟻伪委伪 蠉蟺伪蟻尉畏 蟺慰蠀 苇蠂蔚喂 渭委伪,未蠀慰, 蟿蟻蔚喂蟼, 蟿苇蟽蟽蔚蟻喂蟼, 未蔚魏维未蔚蟼,蔚魏伪蟿慰谓蟿维未蔚蟼, 蠂喂位喂维未蔚蟼 蟽蠅蟽委蔚蟼.
螡伪 魏位维蠄蠅 萎 谓伪 纬蔚位维蟽蠅.
螚 伪蠀胃蠀蟺慰尾慰位萎 魏蟻伪蠀纬维味蔚喂 魏维胃蔚 蟽蟿喂纬渭萎 伪谓伪纬谓蠅蟽蟿喂魏萎蟼 未喂萎纬畏蟽畏蟼 魏伪喂 慰 伪谓伪纬谓蠋蟽蟿畏蟼 伪喂蟽胃维谓蔚蟿伪喂 蟺蠅蟼 渭蔚 蟻蔚伪位喂蟽蟿喂魏萎 蟺蔚喂蟽蟿喂魏蠈蟿畏蟿伪 蠈位伪 蟿伪 蟺蔚蟻喂蟽蟿伪蟿喂魏维 蟺慰蠀 蟽蠀渭尾伪委谓慰蠀谓 蟽蟿慰谓 萎蟻蠅伪 渭伪蟼 蔚委谓伪喂 未喂魏维 蟿慰蠀, 渭蠈谓慰 未喂魏维 蟿慰蠀 伪蟺慰魏蠀萎渭伪蟿伪, 未喂魏维 蟿慰蠀 蟺位维蟽渭伪蟿伪 蟺慰蠀 蟿伪 蟽蠀谓伪谓蟿维渭蔚 渭苇蟽伪 蟺慰位蠉 尾伪胃喂维 蟽蟿畏 蟽蠀谓蔚委未畏蟽畏 蟿慰蠀.
螝伪喂 蟽蠀谓蔚蠂蠋蟼 蟺维位蔚蠀蔚 慰 魏. 螕魏慰位喂维谓蟿魏喂谓 谓伪 伪蟺慰未蔚委尉蔚喂 蟺蠅蟼 伪蠀蟿蠈蟼 蔚委谓伪喂 慰 蔚伪蠀蟿蠈蟼 蟿慰蠀, 蟿慰 螘纬蠋 蟿慰蠀, 蟿慰 螘委谓伪喂 蟿慰蠀.
螤蠅蟼 未蔚谓 未喂伪蟽蟺维蟽蟿畏魏蔚 蟽蔚 伪谓蟿委纬蟻伪蠁伪 蟺慰蠀 蟺蟻慰蟽蟺伪胃慰蠉谓 渭慰蠂胃畏蟻维 魏伪喂 魏伪魏蠈尾慰蠀位伪 谓伪 蟺维蟻慰蠀谓 蟿畏 胃苇蟽畏 蟿慰蠀 蟺伪谓蟿慰蠉. 螡伪 蟺蟻慰位维尾慰蠀谓 蟿畏谓 魏维胃蔚 蟿慰蠀 魏委谓畏蟽畏, 蟿畏谓 魏维胃蔚 蟿慰蠀 伪谓蟿委未蟻伪蟽畏, 谓伪 蟿慰谓 纬蔚位慰喂慰蟺慰喂萎蟽慰蠀谓, 伪蠀蟿蠈谓 蟿慰谓 苇谓伪谓 蟿慰谓 伪位畏胃喂谓蠈 魏伪喂 谓伪 蠀蠁伪蟻蟺维味慰蠀谓 蟿畏谓 蔚蠉谓慰喂伪 蟿蠅谓 蟽蠀谓伪谓胃蟻蠋蟺蠅谓 蟿慰蠀 魏伪喂 谓伪 伪蟺慰蟿蟻苇蟺慰蠀谓 魏维胃蔚 蟿慰蠀 蟺蟻慰蟽蟺维胃蔚喂伪 谓伪 伪蟺慰未蔚委尉蔚喂 蟺蠅蟼 蔚委谓伪喂 伪位畏胃喂谓蠈蟼, 伪胃蠋慰蟼 魏伪喂 纬谓蠅蟽蟿蠈蟼 纬喂伪 蟿畏谓 伪纬维蟺畏 蟺慰蠀 苇蟿蟻蔚蠁蔚 蟺蟻慰蟼 蟿慰谓 蟺位畏蟽委慰谓 蟿慰蠀.
芦 螠伪 蟿喂 未慰蠀位蔚喂维 苇蠂蔚喂 蔚未蠋 畏 蟽蟿伪胃蔚蟻蠈蟿畏蟿伪 蟿慰蠀 蠂伪蟻伪魏蟿萎蟻伪, 蟿喂 谓蠈畏渭伪 苇蠂蔚喂 谓伪 渭喂位维渭蔚 蟿蠋蟻伪 纬喂鈥櫸毕呄勎肺� !禄
螒蠀蟿蠈 蟿慰 尾喂尾位委慰 魏伪蟿伪蟽蟺伪蟻维味蔚喂 蟿畏谓 魏伪蟻未喂维 渭蔚 渭蔚 伪谓蔚位苇畏蟿蔚蟼 未伪纬魏蠅谓喂苇蟼!...
螌蟿伪谓 蟿慰 苇魏位蔚喂蟽伪 萎渭慰蠀谓 蟽委纬慰蠀蟻畏 纬喂伪 蟿畏谓 伪蟺蠈位蠀蟿畏 蠁蟻委魏畏 蟿慰蠀 渭伪蟻蟿蠀蟻委慰蠀 蟺慰蠀 渭蟺慰蟻蔚委 谓伪 未喂蠂维蟽蔚喂 渭喂伪 蟺蟻慰蟽蠅蟺喂魏蠈蟿畏蟿伪. 螠喂伪 蟿伪蠀蟿蠈蟿畏蟿伪 蟺慰蠀 未蔚谓 魏伪蟿伪蠁苇蟻谓蔚喂 伪蠁伪谓委蟽蔚喂 蟿慰蠀蟼 渭慰蠂胃畏蟻慰蠉蟼 蟺伪谓慰渭慰喂蠈蟿蠀蟺慰蠀蟼 蟺慰蠀 蠁蠅位喂维味慰蠀谓 蟽蔚 魏维胃蔚 蠀蟺慰蟽蠀谓蔚委未畏蟿畏 维尾蠀蟽蟽慰 蠉蟺伪蟻尉畏蟼.
螘委蠂伪 未委魏喂慰. 螝慰委蟿伪尉伪 未委蟺位伪 渭慰蠀 魏伪喂 渭喂伪 慰位蠈喂未喂伪 螘纬蠋 魏伪胃蠈蟿伪谓 伪谓伪蟺伪蠀蟿喂魏维 魏伪喂 渭慰蠀 苇魏位蔚喂谓蔚 渭蔚 蟺慰谓畏蟻喂维 魏伪喂 谓蠈畏渭伪 蟿慰 渭维蟿喂.
螇渭慰蠀谓 蔚纬蠋 渭蠈谓慰 螘纬蠋.
螝伪位萎 伪谓维纬谓蠅蟽畏.
螤慰位位慰蠉蟼 魏伪喂 蟽蔚渭谓慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼.
螖喂伪尾维蟽蟿蔚 蟿慰 !!!
韦慰 纬喂伪蟿委, 蟿慰 蔚蟺蔚喂未萎 魏伪喂 蟿慰 未喂蠈蟿喂 胃伪 蔚委谓伪喂 渭慰喂蟻慰位伪蟿蟻喂魏维 纬蟻伪渭渭伪蟿喂魏维 蠁伪喂谓蠈渭蔚谓伪 蟺慰蠀 胃伪 蟽蠀谓蟿维蟽蟽慰蠀谓 蟿畏谓 苇魏胃蔚蟽畏 伪谓伪蠁慰蟻维蟼 蟽蠂蔚蟿喂魏维 渭蔚 魏维胃蔚 苇渭尾喂慰 慰谓 蟺慰蠀 蟺伪蟻伪蟿维蔚喂 蟿慰 蟺谓蔚蠉渭伪 蟿慰蠀 蟽蟿畏谓 伪蟽蠀谓蔚喂未畏蟽委伪, 蟿畏谓 伪未蠈魏喂渭畏 蠀蟺慰蟿蟻慰蟺萎 魏维蟺慰喂伪蟼 伪蟽胃苇谓蔚喂伪蟼 魏伪喂 蟿畏谓 蟺伪蟻维谓慰喂伪 蟿蠅谓 伪喂蟽胃萎蟽蔚蠅谓 魏伪喂 蟿蠅谓 蟺伪蟻伪喂蟽胃萎蟽蔚蠅谓.
危蔚 伪蠀蟿蠈 蟿慰 未喂伪渭伪谓蟿维魏喂 蟿畏蟼 位慰纬慰蟿蔚蠂谓喂魏萎蟼 魏位畏蟻慰谓慰渭喂维蟼 慰 螡蟿蠈蟽蟿慰 纬喂伪 蟺蟻蠋蟿畏 魏伪喂 蟿蔚位蔚蠀蟿伪委伪 蠁慰蟻维 蟽蟿伪 未畏渭喂慰蠀蟻纬萎渭伪蟿伪 蟿慰蠀 蠂蟻畏蟽喂渭慰蟺慰喂蔚委 蟿畏谓 苇谓谓慰喂伪 蟿慰蠀 未蠀蠆蟽渭慰蠉, 蟿慰蠀 未喂蟺位慰蠉, 蟿慰蠀 伪渭蠁委蟽畏渭慰蠀, 蟿慰蠀 伪谓蟿喂纬蟻维蠁慰蠀, 蟿慰蠀 蟽蠅蟽委伪, 蟿慰蠀 未喂蟺慰位喂魏慰蠉 蠄蠀蠂喂蟽渭慰蠉, 蟿慰蠀 蟽蠂喂味慰蠁蟻蔚谓喂魏慰蠉 伪蟺伪蟿畏位慰蠉 蟿蠅谓 蟺慰位位蠋谓 蟿伪蠀蟿慰蟿萎蟿蠅谓, 渭蔚 魏维胃蔚 未蠀谓伪蟿萎 魏伪喂 伪未蠉谓伪蟿畏 苇魏蠁伪谓蟽畏 蟽蟿畏谓 伪喂蟿委伪 魏伪喂 蟿慰 伪喂蟿喂伪蟿蠈 纬喂伪 魏维胃蔚 蟽蠀谓蔚喂未畏蟽喂伪魏萎 蟺伪位喂谓未蟻蠈渭畏蟽畏 渭苇蟽蠅 伪谓蔚位苇畏蟿蠅谓 蟺伪蟻伪谓慰蠆魏蠋谓 魏伪喂 蠄蠀蠂蠈魏伪蟿伪谓伪纬魏伪蟽蟿喂魏蠋谓 蔚蟺蔚喂蟽慰未委蠅谓.
螣 伪蟺位蠈蟼 魏伪喂 魏伪胃畏渭蔚蟻喂谓蠈蟼 蠀蟺维位位畏位慰蟼 蟿畏蟼 魏蠀尾蔚蟻谓畏蟿喂魏萎蟼 未畏渭蠈蟽喂伪蟼 蠀蟺畏蟻蔚蟽委伪蟼 蟽蟿畏 巍蠅蟽委伪, 蟿慰 伪谓胃蟻蠅蟺维魏喂 渭蔚 蟿畏谓 伪蟺蔚蟻喂蠈蟻喂蟽蟿畏 蟺蔚蟻畏蠁维谓喂伪, 蟿畏谓 蟺慰位蠀蟽蠂喂未萎 伪尉喂慰蟺蟻苇蟺蔚喂伪, 蟿畏谓 蔚谓蟿喂渭蠈蟿畏蟿伪, 蟿慰 蟺维胃慰蟼 蟿畏蟼 蔚蠀纬蔚谓喂魏萎蟼 蟽蠀渭蟺蔚蟻喂蠁慰蟻维蟼, 蟿慰 伪蟺伪蠉纬伪蟽渭伪 蟿慰蠀 萎胃慰蠀蟼 魏伪喂 蟿畏蟼 畏胃喂魏萎蟼 渭苇蟽伪 蟽蔚 谓慰渭喂魏苇蟼 魏伪喂 胃蔚蟽渭喂魏苇蟼 伪尉委蔚蟼 魏伪喂 魏慰喂谓蠅谓喂魏苇蟼 谓蠈蟻渭蔚蟼 蔚蟺喂尾伪位位蠈渭蔚谓蔚蟼 渭蔚 蟿畏蟼 蔚尉慰渭慰喂蠅蟿喂魏苇蟼 蟽蠀渭蟺蔚蟻喂蠁慰蟻苇蟼 蟿伪蠀蟿慰蟺慰委畏蟽畏蟼 伪谓胃蟻蠅蟺喂蟽蟿喂魏萎蟼 魏伪位位喂苇蟺蔚喂伪蟼 魏伪喂 伪委蟽胃畏蟽畏 魏伪胃萎魏慰谓蟿慰蟼.
螒蠀蟿蠈 蟿慰 蟿伪蟺蔚喂谓蠈 伪谓胃蟻蠅蟺维魏喂 蟺慰蠀 蟿伪 未委谓蔚喂 蠈位伪 蟽蟿慰谓 尾蠅渭蠈 蟿畏蟼 未喂魏伪喂慰蟽蠉谓畏蟼 魏伪喂 蟿畏蟼 魏慰喂谓蠅谓喂魏萎蟼 蔚蠀蟺蟻苇蟺蔚喂伪蟼, 蟿蠈蟽慰 蟺蟻慰蟽畏谓萎蟼, 蟿蠈蟽慰 纬位蠀魏蠈蟼, 蟿蠀蟺喂魏蠈蟼, 蔚蠀蟺蟻慰蟽萎纬慰蟻慰蟼 魏伪喂 蟿伪魏蟿喂魏蠈蟼 蟽蔚 魏维胃蔚 蟺蟻慰伪蟺伪喂蟿慰蠉渭蔚谓慰 蟿畏蟼 蔚蟻纬伪蟽喂伪魏萎蟼, 魏慰喂谓蠅谓喂魏萎蟼 魏伪喂 蟺慰位喂蟿喂魏萎蟼 味萎蟿畏蟽畏蟼 萎 蟺蟻慰蟽蠁慰蟻维蟼, 纬委谓蔚蟿伪喂 尾慰蟻维 蟽蟿伪 伪谓蔚位苇畏蟿伪 胃畏蟻委伪 蟿蠅谓 伪谓蠋蟿蔚蟻蠅谓 魏位喂渭伪魏委蠅谓 蟿蠈蟽慰 蟽蔚 蔚蟺委蟺蔚未慰 蔚蟺伪纬纬蔚位渭伪蟿喂魏萎蟼 伪谓蟿伪蟺慰未慰蟿喂魏萎蟼 伪谓蟿喂渭蔚蟿蠋蟺喂蟽畏蟼 魏伪喂 蟽蠀渭蟺蔚蟻喂蠁慰蟻维蟼, 蠈蟽慰 魏伪喂 蟽蔚 纬蔚谓喂魏蠈蟿蔚蟻伪 蔚蟺委蟺蔚未伪 魏慰喂谓蠅谓喂魏萎蟼 魏伪蟿伪尉委蠅蟽畏蟼 魏伪喂 蟿伪尉喂魏萎蟼 蠂蠀未伪委伪蟼 伪谓喂蟽蠈蟿畏蟿伪蟼.
螣 魏. 螕魏慰位喂维谓蟿魏喂谓 渭蟺萎魏蔚 蔚胃蔚位慰蠉蟽喂伪 萎 魏伪蟿维 位维胃慰蟼 蟽蔚 伪蠀蟿蠈 蟿慰 蟽魏喂蠋未蔚蟼 尾伪蟽委位蔚喂慰 蟿慰蠀 蔚蟽蠋蟿蔚蟻慰蠀 魏蠈蟽渭慰蠀. 螘魏蔚委 蔚蟺喂魏蟻伪蟿慰蠉蟽蔚 纬喂伪 伪蠀蟿蠈谓 渭喂伪 蠂慰位蔚蟻喂魏萎 未喂维胃蔚蟽畏 蟿慰蠀 魏慰喂谓蠅谓喂魏维 伪谓蔚蟺喂胃蠉渭畏蟿慰蠀. 螘魏蔚委 慰 魏. 螕魏慰位喂维谓蟿魏喂谓 伪蟻蟻蠋蟽蟿畏蟽蔚, 谓蠈蟽畏蟽蔚 尾伪蟻喂维 萎 尉蠉蟺谓畏蟽蔚 蟿慰 蟿苇蟻伪蟼 蟺慰蠀 魏慰喂渭蠈蟿伪谓 蟺维谓蠅 蟽蟿慰 蟿蟻伪蠉渭伪 蟿畏蟼 蠂伪渭苇谓畏蟼 蠄蠀蠂萎蟼 蟿慰蠀. 螤维纬蠅蟽蔚 畏 魏伪蟻未喂维 蟿慰蠀 魏伪喂 苇蟽蟺伪蟽蔚. 韦慰 渭蠀伪位蠈 蟿慰蠀 胃蟻蠀渭渭伪蟿委蟽蟿畏魏蔚 蟽伪谓 蟺蠉蟻纬慰蟼 伪蟺慰 维渭渭慰.
螝伪渭委伪 蔚魏位慰纬委魏蔚蠀蟽畏 萎 蟺伪蟻蔚位魏蠀蟽蟿喂魏萎 伪蟺慰蟽喂蠋蟺畏蟽畏 未蔚谓 渭蟺慰蟻慰蠉蟽蔚 谓伪 蟺伪蟻畏纬慰蟻萎蟽蔚喂 蟿慰谓 魏. 螕魏慰位喂维谓蟿魏喂谓, 魏喂 伪谓 伪蠀蟿蠈 纬喂谓蠈蟿伪谓 未喂伪蟻魏慰蠉蟽蔚 蟺慰位蠉 位委纬慰, 魏伪蟿蠈蟺喂谓 尾蠀胃喂味蠈蟿伪谓 魏伪喂 蟺维位喂 蟽蟿畏谓 伪蟻蟻蠅蟽蟿畏渭苇谓畏 蟿伪蠉蟿喂蟽畏 蟿畏蟼 魏慰喂谓蠅谓喂魏蠈蟿畏蟿伪蟼 蟿慰蠀.
螣喂 蟽蠀谓维未蔚位蠁慰喂 蟿慰蠀, 慰喂 纬谓蠅蟽蟿慰委 蟿慰蠀, 蠈蟽慰喂 蟿慰谓 纬谓蠋蟻喂味伪谓 尉维蠁谓慰蠀 畏未慰谓委味慰谓蟿伪喂 渭蔚 蟿畏谓 蟿伪蟺蔚委谓蠅蟽畏 蟿慰蠀 蟽蠀谓伪谓胃蟻蠋蟺慰蠀 蟿慰蠀蟼, 渭蔚 蟿慰谓 畏胃喂魏蠈, 魏伪喂 伪蟿慰渭喂魏蠈 未喂伪蟽蠀蟻渭蠈 蟿慰蠀 未蔚 尾伪胃渭蠈 蔚尉蔚蠀蟿蔚位喂蟽渭慰蠉, 蠂伪委蟻慰谓蟿伪喂 魏伪喂 蔚蟺蔚蠀蠁畏渭慰蠉谓 蟿畏 纬蔚位慰喂慰蟺慰委畏蟽畏 蟿慰蠀.
螤伪蟻蠈位伪 伪蠀蟿维 魏伪喂 未委蠂蠅蟼 蟽畏渭维未喂伪 蠁伪谓蔚蟻萎蟼 谓蔚蠀蟻蠅蟿喂魏萎蟼 未蠀蟽魏伪渭蠄委伪蟼 伪蟻蠂喂魏维 慰 魏. 螕魏慰位喂苇谓蟿魏喂谓 蔚委谓伪喂 蠀蟺蔚蟻蠈蟺蟿畏蟼, 伪蟻谓蔚委蟿伪喂 魏维胃蔚 蟺蔚蟻喂蠁蟻蠈谓畏蟽畏 蟺慰蠀 蟿慰蠀 蟺蔚蟿维谓蔚 魏伪蟿维渭慰蠀蟿蟻伪 魏伪喂 蟺伪位蔚蠉蔚喂 蟺谓蔚蠀渭伪蟿喂魏维 魏伪喂 蟽蠀谓蔚喂未畏蟽喂伪魏维 谓伪 魏伪蟿伪谓慰萎蟽蔚喂, 谓伪 蔚蟺喂尾维位位蔚喂, 谓伪 伪蟺慰未蔚委尉蔚喂, 谓伪 蟿伪蠀蟿慰蟺慰喂萎蟽蔚喂 蟿畏谓 蟺蟻慰蟽蠅蟺喂魏蠈蟿畏蟿伪 蟿慰蠀 蠅蟼 苇蠂蔚喂. 螆谓蟿喂渭畏, 维渭蔚渭蟺蟿慰蠀 畏胃喂魏萎蟼, 蔚蠀纬蔚谓喂魏萎, 伪谓蠋蟿蔚蟻畏, 魏伪位位喂蔚蟻纬畏渭苇谓畏, 渭蔚 渭喂伪 魏伪蟻未喂维 未喂维蠁伪谓畏 蟽伪谓 纬蠀伪位委 蟺慰蠀 未蔚谓 渭蟺慰蟻蔚委 谓伪 魏蟻蠉蠄蔚喂 慰蠉蟿蔚 苇谓伪 蟽蠀谓伪委蟽胃畏渭伪, 伪蟺慰 蟿伪 蟺慰位位维 蟺慰蠀 蟿畏谓 蟿伪位伪谓委味慰蠀谓.
螠蔚蟿维 伪蟺慰 蟺慰位位维 魏伪喂 渭伪蟻蟿蠀蟻喂魏维 蔚蟺蔚喂蟽蠈未喂伪 蟿伪蟺蔚委谓蠅蟽畏蟼 魏伪喂 未喂蠅纬渭慰蠉, 蔚尉蔚蠀蟿蔚位喂蟽渭慰蠉 魏伪喂 魏慰喂谓蠅谓喂魏萎蟼 魏伪蟿伪魏蟻伪蠀纬萎蟼 慰 魏. 螕魏慰位喂维谓蟿魏喂谓 蟺伪蠉蔚喂 谓伪 蠄维蠂谓蔚喂 蟿慰 蟺蠅蟼 魏伪喂 蟿慰 纬喂伪蟿委, 蟽蟿伪渭伪蟿维蔚喂 谓伪 伪谓蟿喂未蟻维蔚喂 蟽蟺伪蟽渭蠅未喂魏维 魏伪喂 蟿伪蟻伪纬渭苇谓伪, 胃苇位蔚喂 渭蠈谓慰 谓伪 渭蔚委谓蔚喂 萎蟽蠀蠂慰蟼, 渭蠈谓慰蟼, 萎蟻蔚渭慰蟼, 未委蠂蠅蟼 蟿伪蠀蟿蠈蟿畏蟿伪 魏伪喂 蔚蟺喂蟿伪纬苇蟼 魏慰喂谓蠅谓喂魏慰蠉 蟺蟻慰蟿蠉蟺慰蠀.
螢维蠁谓慰蠀 尾蠀胃委味蔚蟿伪喂 蟽蟿伪 魏伪蟿维尾伪胃伪 蟿慰蠀 蔚纬蠋 蟿慰蠀, 伪谓慰委纬蔚喂 未喂维蟺位伪蟿伪 蟿慰 蟽蠀谓蔚喂未畏蟽喂伪魏蠈 蟿慰蠀 蔚蟺喂蟿蔚位蔚委慰 伪蟺慰 维蟺蔚喂蟻慰蠀蟼 蠂伪蟻伪魏蟿萎蟻蔚蟼 魏伪喂 蟺位畏胃蠋蟻伪 蟿伪蠀蟿慰蟿萎蟿蠅谓, 蟺蟻苇蟺蔚喂 谓伪 蟽蠅胃蔚委 伪蟺慰 蟿畏谓 蟿蟻苇位伪, 蟺蟻苇蟺蔚喂 谓伪 魏伪蟿伪谓慰萎蟽蔚喂 蟿畏谓 蟺伪蟻维谓慰喂伪 蟿畏蟼 位慰纬喂魏萎蟼, 蟺蟻苇蟺蔚喂 谓伪 未喂蠂伪蟽蟿蔚委 蠂蠅蟻委蟼 谓伪 蟿慰 纬谓蠅蟻委味蔚喂, 蟺蟻苇蟺蔚喂 谓伪 蟺蟻慰蟽蟿伪蟿苇蠄蔚喂 蟿慰谓 蟺蟻慰蟺畏位伪魏喂蟽渭苇谓慰 魏伪喂 维蟻蟻蠅蟽蟿慰
魏. 螕魏慰位喂维谓蟿魏喂谓 魏伪喂 苇蟿蟽喂 未畏渭喂慰蠀蟻纬蔚委 渭蔚 伪蟺蠈位蠀蟿畏 蔚蟺喂蟿蠀蠂委伪 魏伪喂 慰位喂魏萎 伪蟺慰蟿蠀蠂委伪 蟽蠀谓蔚委未畏蟽畏蟼 蟿慰 蟺喂蟽蟿蠈 蟿慰蠀 伪谓蟿委纬蟻伪蠁慰. 螆谓伪蟼 未蔚蠉蟿蔚蟻慰蟼, 慰位蠈喂未喂慰蟼, 蟽蠅蟽委伪蟼, 蟽喂伪渭伪委伪蟼 未喂伪未喂魏伪蟽委伪蟼 蔚渭蠁伪谓委味蔚蟿伪喂 纬喂伪 谓伪 蟽蠋蟽蔚喂 未畏位畏蟿畏蟻喂维味慰谓蟿伪蟼 蟿慰谓 蟺蟻蠅蟿蠈蟿蠀蟺慰 蟿慰蠀. 螣 蟽蠅蟽委伪蟼 纬蔚谓谓喂苇蟿伪喂 渭苇蟽伪 伪蟺慰 蟿伪 魏伪蟿维尾伪胃伪 蟿蠅谓 蟽蟺位维蠂谓蠅谓 蟿慰蠀 蟽伪谓 魏位蠅谓维蟻喂 魏伪魏委伪蟼, 蟽伪谓 苇谓伪 蔚尉蠅蟿蔚蟻喂魏蔚蠀渭苇谓慰 蔚委未蠅位慰 蔚蟽蠅蟿蔚蟻喂魏慰蠉 伪谓蟿喂魏伪蟿慰蟺蟻喂蟽渭慰蠉 蟺慰蠀 伪蟺慰味畏蟿维蔚喂 位蠀蟿蟻蠅蟿喂魏维 慰 蟽蠂喂味慰蠁蟻蔚谓萎蟼 萎蟻蠅伪蟼 渭伪蟼. 韦蠋蟻伪 委蟽蠅蟼 畏 蠄蠀蠂慰位慰纬喂魏萎 伪位萎胃蔚喂伪 蟿慰蠀 伪谓胃蟻蠅蟺维魏慰蠀 渭伪蟼 谓伪 蟽蠀谓蠀蟺维蟻蠂蔚喂 渭蔚 蟿慰 伪谓蟿委纬蟻伪蠁慰 蟿畏蟼 伪位位维 蠈蠂喂 蟽伪谓 伪蠀蟿慰蟽魏慰蟺蠈蟼 伪位位维 蟽伪谓 蟽蠀谓蟿蔚位蔚蟽渭苇谓畏 魏慰喂谓蠅谓喂魏萎 伪蟺蠈蟻蟻喂蠄畏.
螤蠈蟽慰 渭蔚 蟽蠀纬魏委谓畏蟽蔚, 蟺蠈蟽慰 渭蔚 蟽蠀谓蔚蟺萎蟻蔚 魏伪喂 渭蔚 伪谓伪蟿蟻委蠂喂伪蟽蔚 蠅蟼 蟿畏谓 蠄蠀蠂萎 畏 尾伪胃蠉蟿畏蟿伪 蟿慰蠀 螖喂蟺位慰蠉 伪谓胃蟻蠋蟺慰蠀. 螘委谓伪喂 渭喂伪 渭伪蟻蟿蠀蟻委伪, 渭喂伪 蔚蟺委魏位畏蟽畏 尾慰萎胃蔚喂伪蟼 纬喂伪 渭喂伪 魏伪魏慰蟺慰喂畏渭苇谓畏 蠄蠀蠂萎, 渭喂伪 魏蟻伪蠀纬萎 伪蟺蔚位蟺喂蟽委伪蟼, 伪纬蠅谓委伪蟼, 伪蟺蠈纬谓蠅蟽畏蟼, 伪蟺蠈蟻蟻喂蠄畏蟼, 渭喂伪 蟽蠂喂味慰蠁蟻蔚谓喂魏萎 纬蟻伪蠁萎 纬喂伪 渭喂伪 蟽蟺伪蟻伪魏蟿喂魏萎 蔚尉慰渭慰位蠈纬畏蟽畏 蟺慰蠀 尉蔚蟺蔚蟻谓维蔚喂 蟽蔚 尾维胃慰蟼, 苇谓谓慰喂伪, 苇谓蟿伪蟽畏, 蟽蠀谓伪委蟽胃畏渭伪, 伪尉委伪, 喂未苇蔚蟼 魏伪喂 喂未蔚伪蟿维, 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿蔚蟼 魏伪喂 蠁伪谓蟿伪蟽委蔚蟼, 蟻蔚伪位喂蟽渭慰蠉蟼 魏伪喂 蟻慰渭伪谓蟿喂蟽渭慰蠉蟼 慰蟺慰喂伪蟽未萎蟺慰蟿蔚 伪谓蠋未蠀谓畏蟼 位慰纬慰蟿蔚蠂谓委伪蟼.
螖喂蠈蟿喂 伪蠀蟿萎 畏 蟽蟺伪蟻伪蠂蟿喂魏萎 魏蟻伪蠀纬萎 蟿慰蠀 蟻蠋蟽慰蠀 未畏渭慰蟽委慰蠀 蠀蟺伪位位萎位慰蠀 蟺慰蠀 蟿伪 蟺蔚蟻喂蟽蟿伪蟿喂魏维 蟿畏蟼 蟺蟻伪纬渭伪蟿喂魏萎蟼 味蠅萎蟼 蟿慰蠀 蠀蟺蔚蟻谓喂魏慰蠉谓 蟿畏谓 魏蟻蠀渭渭苇谓畏 谓慰蟽畏蟻萎 魏伪喂 伪未蠉谓伪渭畏 蠉蟺伪蟻尉畏 蟿慰蠀, 渭喂伪 位蠀蟺畏蟻萎 蠉蟺伪蟻尉畏, 蟽伪谓 渭喂伪 维未蔚喂伪 伪纬魏伪位喂维 蟺慰蠀 蟺伪蟻伪魏伪位蔚委 纬喂伪 渭畏蟿蟻喂魏维 蠂维未喂伪 伪蠁慰蟽委蠅蟽畏蟼 魏伪喂 纬伪位萎谓畏蟼, 伪蠀蟿萎 畏 魏蟻伪蠀纬萎 蟿慰蠀 尉蠀蟺谓维蔚喂 蠈位伪 蟿伪 蠁伪谓蟿维蟽渭伪蟿伪 蟿畏蟼 蟽蠂喂味慰蠁蟻蔚谓蔚委伪蟼, 魏伪喂 畏 蟿蔚蟻伪蟿蠋未畏蟼 蟽蠀谓蠅渭慰蟽委伪 蠈蟺慰蠀 未蔚谓 蟿慰谓 伪谓伪纬魏维味蔚喂 谓伪 未蔚蠂蟿蔚委 蟿畏谓 渭畏未伪渭喂谓蠈蟿畏蟿伪 魏伪喂 蟿畏谓 蟺慰蟿伪蟺蠈蟿畏蟿伪 蟿慰蠀, 伪位位维 渭蔚 蟽伪蟿伪谓喂魏维 渭苇蟽伪 慰蟻纬伪谓蠋谓蔚喂 蟿畏谓 伪蟺伪纬蠅纬萎 蟿慰蠀 螘纬蠋 蟿慰蠀.
韦畏谓 渭蔚蟿伪蠁慰蟻维 蟿慰蠀 蟽蔚 伪位位慰蠀蟼 蟿蠈蟺慰蠀蟼 蠈蟺慰蠀 蟿慰 蟽蠉渭蟺伪谓 蠁胃慰谓蔚委 魏伪喂 魏伪蟿伪未喂蠋魏蔚喂 伪蠀蟿萎 蟿畏 渭蔚位伪纬蠂慰位喂魏萎 魏伪喂 渭慰喂蟻伪委伪 蠉蟺伪蟻尉畏 蟺慰蠀 苇蠂蔚喂 渭委伪,未蠀慰, 蟿蟻蔚喂蟼, 蟿苇蟽蟽蔚蟻喂蟼, 未蔚魏维未蔚蟼,蔚魏伪蟿慰谓蟿维未蔚蟼, 蠂喂位喂维未蔚蟼 蟽蠅蟽委蔚蟼.
螡伪 魏位维蠄蠅 萎 谓伪 纬蔚位维蟽蠅.
螚 伪蠀胃蠀蟺慰尾慰位萎 魏蟻伪蠀纬维味蔚喂 魏维胃蔚 蟽蟿喂纬渭萎 伪谓伪纬谓蠅蟽蟿喂魏萎蟼 未喂萎纬畏蟽畏蟼 魏伪喂 慰 伪谓伪纬谓蠋蟽蟿畏蟼 伪喂蟽胃维谓蔚蟿伪喂 蟺蠅蟼 渭蔚 蟻蔚伪位喂蟽蟿喂魏萎 蟺蔚喂蟽蟿喂魏蠈蟿畏蟿伪 蠈位伪 蟿伪 蟺蔚蟻喂蟽蟿伪蟿喂魏维 蟺慰蠀 蟽蠀渭尾伪委谓慰蠀谓 蟽蟿慰谓 萎蟻蠅伪 渭伪蟼 蔚委谓伪喂 未喂魏维 蟿慰蠀, 渭蠈谓慰 未喂魏维 蟿慰蠀 伪蟺慰魏蠀萎渭伪蟿伪, 未喂魏维 蟿慰蠀 蟺位维蟽渭伪蟿伪 蟺慰蠀 蟿伪 蟽蠀谓伪谓蟿维渭蔚 渭苇蟽伪 蟺慰位蠉 尾伪胃喂维 蟽蟿畏 蟽蠀谓蔚委未畏蟽畏 蟿慰蠀.
螝伪喂 蟽蠀谓蔚蠂蠋蟼 蟺维位蔚蠀蔚 慰 魏. 螕魏慰位喂维谓蟿魏喂谓 谓伪 伪蟺慰未蔚委尉蔚喂 蟺蠅蟼 伪蠀蟿蠈蟼 蔚委谓伪喂 慰 蔚伪蠀蟿蠈蟼 蟿慰蠀, 蟿慰 螘纬蠋 蟿慰蠀, 蟿慰 螘委谓伪喂 蟿慰蠀.
螤蠅蟼 未蔚谓 未喂伪蟽蟺维蟽蟿畏魏蔚 蟽蔚 伪谓蟿委纬蟻伪蠁伪 蟺慰蠀 蟺蟻慰蟽蟺伪胃慰蠉谓 渭慰蠂胃畏蟻维 魏伪喂 魏伪魏蠈尾慰蠀位伪 谓伪 蟺维蟻慰蠀谓 蟿畏 胃苇蟽畏 蟿慰蠀 蟺伪谓蟿慰蠉. 螡伪 蟺蟻慰位维尾慰蠀谓 蟿畏谓 魏维胃蔚 蟿慰蠀 魏委谓畏蟽畏, 蟿畏谓 魏维胃蔚 蟿慰蠀 伪谓蟿委未蟻伪蟽畏, 谓伪 蟿慰谓 纬蔚位慰喂慰蟺慰喂萎蟽慰蠀谓, 伪蠀蟿蠈谓 蟿慰谓 苇谓伪谓 蟿慰谓 伪位畏胃喂谓蠈 魏伪喂 谓伪 蠀蠁伪蟻蟺维味慰蠀谓 蟿畏谓 蔚蠉谓慰喂伪 蟿蠅谓 蟽蠀谓伪谓胃蟻蠋蟺蠅谓 蟿慰蠀 魏伪喂 谓伪 伪蟺慰蟿蟻苇蟺慰蠀谓 魏维胃蔚 蟿慰蠀 蟺蟻慰蟽蟺维胃蔚喂伪 谓伪 伪蟺慰未蔚委尉蔚喂 蟺蠅蟼 蔚委谓伪喂 伪位畏胃喂谓蠈蟼, 伪胃蠋慰蟼 魏伪喂 纬谓蠅蟽蟿蠈蟼 纬喂伪 蟿畏谓 伪纬维蟺畏 蟺慰蠀 苇蟿蟻蔚蠁蔚 蟺蟻慰蟼 蟿慰谓 蟺位畏蟽委慰谓 蟿慰蠀.
芦 螠伪 蟿喂 未慰蠀位蔚喂维 苇蠂蔚喂 蔚未蠋 畏 蟽蟿伪胃蔚蟻蠈蟿畏蟿伪 蟿慰蠀 蠂伪蟻伪魏蟿萎蟻伪, 蟿喂 谓蠈畏渭伪 苇蠂蔚喂 谓伪 渭喂位维渭蔚 蟿蠋蟻伪 纬喂鈥櫸毕呄勎肺� !禄
螒蠀蟿蠈 蟿慰 尾喂尾位委慰 魏伪蟿伪蟽蟺伪蟻维味蔚喂 蟿畏谓 魏伪蟻未喂维 渭蔚 渭蔚 伪谓蔚位苇畏蟿蔚蟼 未伪纬魏蠅谓喂苇蟼!...
螌蟿伪谓 蟿慰 苇魏位蔚喂蟽伪 萎渭慰蠀谓 蟽委纬慰蠀蟻畏 纬喂伪 蟿畏谓 伪蟺蠈位蠀蟿畏 蠁蟻委魏畏 蟿慰蠀 渭伪蟻蟿蠀蟻委慰蠀 蟺慰蠀 渭蟺慰蟻蔚委 谓伪 未喂蠂维蟽蔚喂 渭喂伪 蟺蟻慰蟽蠅蟺喂魏蠈蟿畏蟿伪. 螠喂伪 蟿伪蠀蟿蠈蟿畏蟿伪 蟺慰蠀 未蔚谓 魏伪蟿伪蠁苇蟻谓蔚喂 伪蠁伪谓委蟽蔚喂 蟿慰蠀蟼 渭慰蠂胃畏蟻慰蠉蟼 蟺伪谓慰渭慰喂蠈蟿蠀蟺慰蠀蟼 蟺慰蠀 蠁蠅位喂维味慰蠀谓 蟽蔚 魏维胃蔚 蠀蟺慰蟽蠀谓蔚委未畏蟿畏 维尾蠀蟽蟽慰 蠉蟺伪蟻尉畏蟼.
螘委蠂伪 未委魏喂慰. 螝慰委蟿伪尉伪 未委蟺位伪 渭慰蠀 魏伪喂 渭喂伪 慰位蠈喂未喂伪 螘纬蠋 魏伪胃蠈蟿伪谓 伪谓伪蟺伪蠀蟿喂魏维 魏伪喂 渭慰蠀 苇魏位蔚喂谓蔚 渭蔚 蟺慰谓畏蟻喂维 魏伪喂 谓蠈畏渭伪 蟿慰 渭维蟿喂.
螇渭慰蠀谓 蔚纬蠋 渭蠈谓慰 螘纬蠋.
螝伪位萎 伪谓维纬谓蠅蟽畏.
螤慰位位慰蠉蟼 魏伪喂 蟽蔚渭谓慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼.
螖喂伪尾维蟽蟿蔚 蟿慰 !!!
March 24, 2018
Apeteceu-me gritar com o sr. Goli谩dkin: dizer-lhe que n茫o fosse parvo, que se defendesse, que parasse de gaguejar e de se humilhar鈥as o sr. Goli谩dkin continuou tacanho, indeciso, incapaz de reagir e sair daquela solid茫o fatal.
No seu desfort煤nio viu-se num espelho invertido, reconheceu-se e transferiu para o outro o que n茫o foi capaz de enfrentar em si pr贸prio, esperneou numa contenda ingl贸ria e claudicou lastimosamente por mais que eu lhe gritasse.
Dostoyevsky j谩 era mestre a escrever aos 24 anos e as suas obras continuam a exercer a sua magia. A mim, d茫o-me sempre vontade de rir e de arrancar os cabelos ao mesmo tempo.
No seu desfort煤nio viu-se num espelho invertido, reconheceu-se e transferiu para o outro o que n茫o foi capaz de enfrentar em si pr贸prio, esperneou numa contenda ingl贸ria e claudicou lastimosamente por mais que eu lhe gritasse.
Dostoyevsky j谩 era mestre a escrever aos 24 anos e as suas obras continuam a exercer a sua magia. A mim, d茫o-me sempre vontade de rir e de arrancar os cabelos ao mesmo tempo.
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