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Les Rougon-Macquart #13
跇乇賲蹖賳丕賱
丿乇 郾鄹鄹鄣 賵蹖讴鬲賵乇 賴賵诏賵 丕夭 丿賳蹖丕 乇賮鬲 賵 跇乇賲蹖賳丕賱 亘賴 丿賳蹖丕 丌賲丿 讴賴 芦亘蹖賳賵丕蹖丕賳禄 夭賵賱丕爻鬲 丿乇 賮乇丕賳爻踿 賲丿乇賳 賵 氐賳毓鬲蹖. 丿丕爻鬲丕賳 乇賳噩亘乇丕賳 夭蹖乇 夭賲蹖賳 丕爻鬲 讴賴 丕诏乇 丿丕賳鬲賴 亘賵丿 芦丿賵夭禺卮禄 賲蹖 卮丿 丿乇 噩賴丕賳蹖 讴賴 丕賳爻丕賳 芦鬲丕 倬丕蹖丕賳 卮亘 爻賮乇 賲蹖 讴賳丿禄 丕賲丕 丿乇 倬丕蹖丕賳 丕蹖賳 乇丕賴 卮诏賮鬲 丕賳诏蹖夭 丿乇 丿賱 夭賲蹖賳貙 丿乇 跇乇賮賳丕蹖 禺丕讴 讴賴 丕賳爻丕賳 毓賲乇賴丕 乇賳噩 亘乇丿賴 賵 賱賴 卮丿賴 丕爻鬲 毓丕賯亘鬲 讴賲乇 乇丕爻鬲 賲蹖 讴賳丿 賵 丿乇 卮賵乇卮蹖 爻乇丕爻乇 丕賲蹖丿 爻乇 亘乇 賲蹖 丕賮乇丕夭丿.
跇乇賲蹖賳丕賱 夭蹖亘丕鬲乇蹖賳 賵 亘夭乇诏鬲乇蹖賳 丕孬乇 夭賵賱丕爻鬲. 丨賲丕爻踿 亘乇丕丿乇蹖 丕爻鬲 賮賱丕讴鬲: 丿丕爻鬲丕賳 爻乇賳賵卮鬲 亘卮乇.
跇乇賲蹖賳丕賱 夭蹖亘丕鬲乇蹖賳 賵 亘夭乇诏鬲乇蹖賳 丕孬乇 夭賵賱丕爻鬲. 丨賲丕爻踿 亘乇丕丿乇蹖 丕爻鬲 賮賱丕讴鬲: 丿丕爻鬲丕賳 爻乇賳賵卮鬲 亘卮乇.
552 pages, Paperback
First published March 1, 1885
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About the author
脡mile Zola
2,683听books4,228听followers脡mile Fran莽ois Zola was an influential French novelist, the most important example of the literary school of naturalism, and a major figure in the political liberalization of France.
More than half of Zola's novels were part of a set of 20 books collectively known as Les Rougon-Macquart. Unlike Balzac who in the midst of his literary career resynthesized his work into La Com茅die Humaine, Zola from the start at the age of 28 had thought of the complete layout of the series. Set in France's Second Empire, the series traces the "environmental" influences of violence, alcohol and prostitution which became more prevalent during the second wave of the Industrial Revolution. The series examines two branches of a family: the respectable (that is, legitimate) Rougons and the disreputable (illegitimate) Macquarts for five generations.
As he described his plans for the series, "I want to portray, at the outset of a century of liberty and truth, a family that cannot restrain itself in its rush to possess all the good things that progress is making available and is derailed by its own momentum, the fatal convulsions that accompany the birth of a new world."
Although Zola and C茅zanne were friends from childhood, they broke in later life over Zola's fictionalized depiction of C茅zanne and the Bohemian life of painters in his novel 尝'艗耻惫谤别 (The Masterpiece, 1886).
From 1877 with the publication of L'Assommoir, 脡mile Zola became wealthy, he was better paid than Victor Hugo, for example. He became a figurehead among the literary bourgeoisie and organized cultural dinners with Guy de Maupassant, Joris-Karl Huysmans and other writers at his luxurious villa in Medan near Paris after 1880. Germinal in 1885, then the three 'cities', Lourdes in 1894, Rome in 1896 and Paris in 1897, established Zola as a successful author.
The self-proclaimed leader of French naturalism, Zola's works inspired operas such as those of Gustave Charpentier, notably Louise in the 1890s. His works, inspired by the concepts of heredity (Claude Bernard), social manichaeism and idealistic socialism, resonate with those of Nadar, Manet and subsequently Flaubert.
More than half of Zola's novels were part of a set of 20 books collectively known as Les Rougon-Macquart. Unlike Balzac who in the midst of his literary career resynthesized his work into La Com茅die Humaine, Zola from the start at the age of 28 had thought of the complete layout of the series. Set in France's Second Empire, the series traces the "environmental" influences of violence, alcohol and prostitution which became more prevalent during the second wave of the Industrial Revolution. The series examines two branches of a family: the respectable (that is, legitimate) Rougons and the disreputable (illegitimate) Macquarts for five generations.
As he described his plans for the series, "I want to portray, at the outset of a century of liberty and truth, a family that cannot restrain itself in its rush to possess all the good things that progress is making available and is derailed by its own momentum, the fatal convulsions that accompany the birth of a new world."
Although Zola and C茅zanne were friends from childhood, they broke in later life over Zola's fictionalized depiction of C茅zanne and the Bohemian life of painters in his novel 尝'艗耻惫谤别 (The Masterpiece, 1886).
From 1877 with the publication of L'Assommoir, 脡mile Zola became wealthy, he was better paid than Victor Hugo, for example. He became a figurehead among the literary bourgeoisie and organized cultural dinners with Guy de Maupassant, Joris-Karl Huysmans and other writers at his luxurious villa in Medan near Paris after 1880. Germinal in 1885, then the three 'cities', Lourdes in 1894, Rome in 1896 and Paris in 1897, established Zola as a successful author.
The self-proclaimed leader of French naturalism, Zola's works inspired operas such as those of Gustave Charpentier, notably Louise in the 1890s. His works, inspired by the concepts of heredity (Claude Bernard), social manichaeism and idealistic socialism, resonate with those of Nadar, Manet and subsequently Flaubert.
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August 14, 2021
(Books 824 from 1001 books) - Germinal (Les Rougon-Macquart #13), 脡mile Zola
Germinal was written between April 1884 and January 1885.
Often considered Zola's masterpiece and one of the most significant novels in the French tradition, the novel 鈥� an uncompromisingly harsh and realistic story of a coalminers' strike in northern France in the 1860's 鈥� has been published and translated in over one hundred countries and has additionally inspired five film adaptations and two television productions.
毓賳賵丕賳: 芦跇乇賲蹖賳丕賱禄貨 賳賵蹖爻賳丿賴: 丕賲蹖賱 夭賵賱丕貨 丕賳鬲卮丕乇丕鬲蹖賴丕 (丕賲蹖乇讴亘蹖乇貙 賳蹖賱賵賮乇貙 賮乇夭丕賳貙 诏賵鬲賳亘乇诏貙 诏賱卮丕卅蹖) 丕丿亘蹖丕鬲 賮乇丕賳爻賴貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 賲丕賴 跇賵卅賳 爻丕賱 1977賲蹖賱丕丿蹖
毓賳賵丕賳: 跇乇賲蹖賳丕賱貨 賳賵蹖爻賳丿賴: 丕賲蹖賱 夭賵賱丕貨 賲鬲乇噩賲: 爻乇賵卮 丨亘蹖亘蹖貨 鬲賴乇丕賳貙 丕賲蹖乇讴亘蹖乇貙 讴鬲丕亘賴丕蹖 噩蹖亘蹖貙 趩丕倬 丕賵賱 1356貙 趩丕倬 丿賵賲 1357貨 丿乇 537氐貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 賳蹖賱賵賮乇貙 趩丕倬 爻賵賲 1384貨 丿乇 552氐貨 趩丕倬 趩賴丕乇賲 1386貨 卮丕亘讴 9644482611貨 趩丕倬 倬賳噩賲 1388貨 卮丕亘讴9789644482648貨 賲賵囟賵毓 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 賮乇丕賳爻賴 - 爻丿賴 19賲
毓賳賵丕賳: 跇乇賲蹖賳丕賱貨 賳賵蹖爻賳丿賴: 丕賲蹖賱 夭賵賱丕貨 賲鬲乇噩賲: 賳賵賳丕 賴噩乇蹖貨 賵蹖乇丕爻鬲丕乇 賲 丌夭丕丿賴貨 鬲賴乇丕賳貙 賮乇夭丕賳貙 趩丕倬 丕賵賱 1363貙 丿乇 555氐貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 诏賵鬲賳亘乇诏貙 1386貨
毓賳賵丕賳: 跇乇賲蹖賳丕賱貨 賳賵蹖爻賳丿賴: 丕賲蹖賱 夭賵賱丕貨 賲鬲乇噩賲: 丕亘賵丕賱賮鬲賵丨 丕賲丕賲貨 鬲賴乇丕賳貙 诏賱卮丕卅蹖貙 趩丕倬 丕賵賱 1364貙 趩丕倬 爻賵賲 1369貨 丿乇 515氐貨
丿丕爻鬲丕賳 卮賵乇卮 賵 丕毓鬲氐丕亘 讴丕乇诏乇丕賳 丕爻鬲貨 賯蹖丕賲 丨賯賵賯 亘诏蹖乇丕賳貙 賵 噩丕賲毓賴 丕蹖 讴賴 丿乇 蹖讴 趩卮賲 亘乇賴賲 夭丿賳 丕夭 賴賲 賲蹖倬丕卮丿貙 賲亘丕乇夭賴 蹖 爻乇賲丕蹖賴 賵 讴丕乇 丕爻鬲貨 丕賴賲蹖鬲 芦跇乇賲蹖賳丕賱禄 丿乇 丕蹖賳 丕爻鬲貙 讴賴 賲賴賲鈥屫臂屬� 趩丕賱卮 爻丿賴 蹖 亘蹖爻鬲賲 賲蹖賱丕丿蹖 乇丕貙 亘賴 賲蹖丿丕賳 丕賵乇丕賯 丿丕爻鬲丕賳 賲蹖鈥屭┴簇з嗀� 賲丕噩乇丕賴丕 丿乇 賲毓丿賳 夭睾丕賱鈥� 爻賳诏貙 丿乇 卮賲丕賱 芦賮乇丕賳爻賴禄貙 乇賵蹖 賲蹖鈥屫囐嗀� 芦丕賽鬲蹖賳 賱丕賳鬲蹖賴禄貙 亘賴 噩乇賲 爻蹖賱蹖鈥� 夭丿賳 亘賴 乇卅蹖爻 禺賵丿貙 丕夭 讴丕乇 丕禺乇丕噩貙 爻倬爻 丿乇 賲毓丿賳 芦賵賵乇賵禄貙 丕爻鬲禺丿丕賲 賲蹖鈥屫促堌� 芦丕鬲蹖賳禄 丿乇 讴丕乇 賵 夭賳丿诏蹖 丿卮賵丕乇 賲毓丿賳趩蹖丕賳貙 爻賴蹖賲 賲蹖鈥屫促堌� 賲毓丿賳噩蹖丕賳蹖 讴賴 賳爻賱 亘賴 賳爻賱貙 賴賲趩賵賳 亘乇丿賴鈥屫� 夭賳丿诏丕賳蹖 讴乇丿賴 丕賳丿貨 芦丕鬲蹖賳禄 亘賴 爻亘亘 禺賵蹖 毓氐蹖丕賳诏乇卮貙 亘丕 卮乇丕蹖胤 讴丕乇 禺賵蹖卮貙 亘賴 賲禺丕賱賮鬲 亘乇賲蹖鈥屫屫藏� 亘丕 乇賴亘乇丕賳 芦爻賵爻蹖丕賱蹖爻鬲禄貙 丕乇鬲亘丕胤 賲蹖鈥屭屫必� 賵 賲亘丕乇夭賴貙 亘丕 卮乇讴鬲 賲毓丕丿賳 乇丕貙 爻丕夭賲丕賳 賲蹖鈥屫囏� 賵 丕毓鬲氐丕亘 乇丕 亘乇賲蹖鈥屫з嗂屫藏� 賲毓丿賳趩蹖丕賳 倬爻 丕夭 丿賵 賲丕賴 賵 賳蹖賲 賲亘丕乇夭賴貙 丕夭 乇賵蹖 丕噩亘丕乇貙 丿賵亘丕乇賴 讴丕乇 禺賵蹖卮 乇丕 丕夭 爻乇 賲蹖鈥屭屫辟嗀� 賵賱蹖 亘丕賵乇 丿丕乇賳丿貙 讴賴 賲亘丕乇夭賴貙 亘丕夭 賴賲 丕賲讴丕賳鈥屬矩佰屫� 丕爻鬲貨 賲亘丕乇夭賴 蹖 賲毓丿賳趩蹖丕賳貙 亘賴 賲乇丕丨賱 亘丨乇丕賳蹖 賲蹖鈥屫必池� 爻倬丕賴蹖丕賳 亘賴 乇賵蹖 丕毓鬲氐丕亘鈥� 讴賳賳丿诏丕賳貙 鬲蹖乇丕賳丿丕夭蹖 賲蹖鈥屭┵嗁嗀� 賵 讴卮鬲賴鈥� 賴丕蹖 讴丕乇诏乇丕賳 乇丕 亘乇 噩丕蹖 賲蹖鈥屭柏ж辟嗀� 丿乇 倬丕蹖丕賳 讴丕乇貙 賴乇趩賳丿 倬蹖乇賵夭蹖 丕夭 丌賳 爻乇賲丕蹖賴鈥� 丿丕乇丕賳 丕爻鬲貙 丕賲丕 倬蹖乇賵夭蹖 丌賳賴丕 馗丕賴乇蹖 丕爻鬲貨 芦丕鬲蹖賳禄貙 丿乇 蹖讴 氐亘丨 亘賴丕乇蹖貙 讴賴 蹖丕丿丌賵乇 丿賵乇丕賳蹖 賳賵 丕爻鬲貙 亘賴 芦倬丕乇蹖爻禄 賲蹖鈥屫辟堌� 鬲丕 賲亘丕乇夭賴 蹖 鬲丕夭賴 丕蹖 丿乇 倬蹖卮 诏蹖乇丿
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 16/06/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 22/05/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Germinal was written between April 1884 and January 1885.
Often considered Zola's masterpiece and one of the most significant novels in the French tradition, the novel 鈥� an uncompromisingly harsh and realistic story of a coalminers' strike in northern France in the 1860's 鈥� has been published and translated in over one hundred countries and has additionally inspired five film adaptations and two television productions.
毓賳賵丕賳: 芦跇乇賲蹖賳丕賱禄貨 賳賵蹖爻賳丿賴: 丕賲蹖賱 夭賵賱丕貨 丕賳鬲卮丕乇丕鬲蹖賴丕 (丕賲蹖乇讴亘蹖乇貙 賳蹖賱賵賮乇貙 賮乇夭丕賳貙 诏賵鬲賳亘乇诏貙 诏賱卮丕卅蹖) 丕丿亘蹖丕鬲 賮乇丕賳爻賴貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 賲丕賴 跇賵卅賳 爻丕賱 1977賲蹖賱丕丿蹖
毓賳賵丕賳: 跇乇賲蹖賳丕賱貨 賳賵蹖爻賳丿賴: 丕賲蹖賱 夭賵賱丕貨 賲鬲乇噩賲: 爻乇賵卮 丨亘蹖亘蹖貨 鬲賴乇丕賳貙 丕賲蹖乇讴亘蹖乇貙 讴鬲丕亘賴丕蹖 噩蹖亘蹖貙 趩丕倬 丕賵賱 1356貙 趩丕倬 丿賵賲 1357貨 丿乇 537氐貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 賳蹖賱賵賮乇貙 趩丕倬 爻賵賲 1384貨 丿乇 552氐貨 趩丕倬 趩賴丕乇賲 1386貨 卮丕亘讴 9644482611貨 趩丕倬 倬賳噩賲 1388貨 卮丕亘讴9789644482648貨 賲賵囟賵毓 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 賮乇丕賳爻賴 - 爻丿賴 19賲
毓賳賵丕賳: 跇乇賲蹖賳丕賱貨 賳賵蹖爻賳丿賴: 丕賲蹖賱 夭賵賱丕貨 賲鬲乇噩賲: 賳賵賳丕 賴噩乇蹖貨 賵蹖乇丕爻鬲丕乇 賲 丌夭丕丿賴貨 鬲賴乇丕賳貙 賮乇夭丕賳貙 趩丕倬 丕賵賱 1363貙 丿乇 555氐貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 诏賵鬲賳亘乇诏貙 1386貨
毓賳賵丕賳: 跇乇賲蹖賳丕賱貨 賳賵蹖爻賳丿賴: 丕賲蹖賱 夭賵賱丕貨 賲鬲乇噩賲: 丕亘賵丕賱賮鬲賵丨 丕賲丕賲貨 鬲賴乇丕賳貙 诏賱卮丕卅蹖貙 趩丕倬 丕賵賱 1364貙 趩丕倬 爻賵賲 1369貨 丿乇 515氐貨
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鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 16/06/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 22/05/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
August 10, 2022
Who would have thought that I would find a novel about miners and strikes compelling? I surely didn鈥檛 but here I am awarding Germinal 5 full sparkling stars.
Germinal is the 1st novel I read by Emile Zola. It is part of the voluminous Les Rougon-Macquart series in which the authors tries to prove that character is inherited. Even though the series follows the destiny of Rougon-Macquart family through the ages, each novel can be read as a stand alone.
The novel begins with Etienne, a young man, travelling in the dark from village to village, searching for a job. He was fired from his previous employment due to a fight. Unfortunately, it is the 1860鈥� and the fate does not smile for the poor and needy. The French Economy is not doing well; the coal industry also suffers together with other sectors. One day, he meets Mr. Maheu who find him a low position in the coalmines of Le Voreux. Despite his quick temper, Etienne is a decent and hard working fellow. He quickly becomes a trusted worker in the mine and befriends Maheu鈥檚 large family, moving in with them. Etienne soon realises the dire conditions the miners are force to work in, for next to nothing. He starts to read more and begins to think more about the suffering of his pears. He tries to gather support from other miners, which ultimately leads to strike, violence and more suffering.
Germinal is a realist novel but it does not mean there isn鈥檛 poetry in the writing. There is a lot of tension, suffering, death, hurt, mistakes, heartbreak and violence but also beauty, joy, love, humour and hope. This novel made me feel all there is to feel so it goes to my favourite shelf.
I listened to the beautiful narration of Leighton Pugh. I am glad he narrator more of the author鈥檚 work so I can continue to have his voice in my head when I listen to Zola.
Germinal is the 1st novel I read by Emile Zola. It is part of the voluminous Les Rougon-Macquart series in which the authors tries to prove that character is inherited. Even though the series follows the destiny of Rougon-Macquart family through the ages, each novel can be read as a stand alone.
The novel begins with Etienne, a young man, travelling in the dark from village to village, searching for a job. He was fired from his previous employment due to a fight. Unfortunately, it is the 1860鈥� and the fate does not smile for the poor and needy. The French Economy is not doing well; the coal industry also suffers together with other sectors. One day, he meets Mr. Maheu who find him a low position in the coalmines of Le Voreux. Despite his quick temper, Etienne is a decent and hard working fellow. He quickly becomes a trusted worker in the mine and befriends Maheu鈥檚 large family, moving in with them. Etienne soon realises the dire conditions the miners are force to work in, for next to nothing. He starts to read more and begins to think more about the suffering of his pears. He tries to gather support from other miners, which ultimately leads to strike, violence and more suffering.
Germinal is a realist novel but it does not mean there isn鈥檛 poetry in the writing. There is a lot of tension, suffering, death, hurt, mistakes, heartbreak and violence but also beauty, joy, love, humour and hope. This novel made me feel all there is to feel so it goes to my favourite shelf.
I listened to the beautiful narration of Leighton Pugh. I am glad he narrator more of the author鈥檚 work so I can continue to have his voice in my head when I listen to Zola.
February 15, 2021
The 鈥淕erminal鈥� novel was published in 1885 and is considered the main work of Emile Zola. It describes the inhumane conditions in the mines of the French coal mining area of the 19th century.
The novel sheds light on the conflicts and lines of conflict that arise between capitalists and miners, but also between workers themselves, who disagree about how the terrible conditions can be overcome.
Germinal is considered one of Emile Zola's best works, the author's style and impressive representations are in the foreground. If you read the book, there is no way to remain a mere reader. But you literally feel like you go down to the mine with the workers, work with them, and as you go up the elevator, your eyes are blinded by the daylight.
All in all, this is a timeless book that shows man's inequality, its conflicts and beastly relapses in ruthless, pessimistic openness.
The novel sheds light on the conflicts and lines of conflict that arise between capitalists and miners, but also between workers themselves, who disagree about how the terrible conditions can be overcome.
Germinal is considered one of Emile Zola's best works, the author's style and impressive representations are in the foreground. If you read the book, there is no way to remain a mere reader. But you literally feel like you go down to the mine with the workers, work with them, and as you go up the elevator, your eyes are blinded by the daylight.
All in all, this is a timeless book that shows man's inequality, its conflicts and beastly relapses in ruthless, pessimistic openness.
December 4, 2023
賲丨卮乇 亘賵丿 賲丨卮乇! 禺賱賯 丕蹖賳 賮囟丕 丕賵賳賲 丕蹖賳賯丿乇 賵丕賯毓蹖 賵 毓賲蹖賯 賯胤毓丕 卮丕賴讴丕乇賴. 丿丕爻鬲丕賳 趩賳丿鬲丕 鬲賵氐蹖賮 亘讴乇 丿丕乇賴 丕夭 賮囟丕賴丕蹖 賲禺鬲賱賮 讴賴 賲蹖卮賴 亘丕乇賴丕 禺賵賳丿賳卮賵賳 賵 丨爻丕亘蹖 讴蹖賮 讴乇丿.
跇乇賲蹖賳丕賱 賯氐賴鈥屰� 丕賳賯賱丕亘賴貙 鬲賱丕卮 賲乇丿賲 丿乇丿賲賳丿蹖 讴賴 丕夭 夭賳丿诏蹖 禺爻鬲賴鈥屫з嗀� 賵 丿賳亘丕賱 鬲睾蹖蹖乇 賲蹖诏乇丿賳 丿賳亘丕賱 趩蹖夭蹖 讴賴 丕夭 賲賳噩賱丕亘蹖 讴賴 鬲賵卮 诏乇賮鬲丕乇賳 賳噩丕鬲卮賵賳 亘丿賴. 丕賳賯賱丕亘鈥屬囏� 丕鬲賮丕賯 賲蹖鈥屫з佖嗀� 丌丿賲鈥屬囏� 丕夭 丿爻鬲 賲蹖乇賳 賵 丕蹖丿賴鈥屬囏� 噩丕蹖诏夭蹖賳 賲蹖卮賳 丕賲丕 丿乇 賵丕賯毓蹖鬲 鬲睾蹖蹖乇蹖 丕鬲賮丕賯 賳賲蹖鈥屫з佖�. 亘丕 丕蹖賳 丨丕賱 丕蹖賳 丕賲蹖丿賴 讴賴 賴賲蹖卮賴 賲蹖賱 亘賴 賲賵賳丿賳 丿丕乇賴. 卮乇賵毓 賵 倬丕蹖丕賳 丿丕爻鬲丕賳 賵 毓亘賵乇 卮禺氐蹖鬲 丕氐賱蹖 賵 鬲丕孬蹖乇 毓噩蹖亘蹖 讴賴 鬲賵 夭賳丿诏蹖 讴賵蹖 讴丕乇诏乇丕賳 賲毓丿賳 賲賵爻賵 賲蹖匕丕乇賴 讴賱 賮囟丕蹖 丿丕爻鬲丕賳 賵 卮讴賱 賲蹖丿賴. 丕夭 賳蹖賲賴鈥屰� 讴鬲丕亘 亘賴 亘毓丿 賳賲蹖卮賴 丕鬲賮丕賯丕鬲 賵 倬蹖卮 亘蹖賳蹖 讴乇丿 賵 丕蹖賳 賯丿乇鬲 賮賵賯鈥屫з勜关ж団€屰� 夭賵賱丕爻鬲 鬲賵 亘蹖丕賳 乇賵丕蹖鬲 賳丕亘卮 丕夭 丌丿賲鈥屬囏ж� 賵 鬲賵氐蹖賮鈥屬囏ж� 鬲賵氐蹖賮鈥屬囏� 亘蹖鈥屬嗀港屫辟�...
跇乇賲蹖賳丕賱 蹖毓賳蹖 噩賵丕賳賴 夭丿賳貨 賲乇丿賲 賮乇丕賳爻賴 鬲賵 鬲賯賵蹖賲 丕賳賯賱丕亘蹖 亘賴 賲丕賴 丕賵賱 亘賴丕乇 賲蹖诏賳 跇乇賲蹖賳丕賱貨 蹖讴蹖 丕夭 賯卮賳诏鈥屫臂屬� 賵 丿賵爻鬲 丿丕卮鬲賳蹖鈥屫臂屬� 讴賱賲丕鬲蹖 讴賴 鬲丕 亘賴 丨丕賱 卮賳蹖丿賲.
跇乇賲蹖賳丕賱 賯氐賴鈥屰� 丕賳賯賱丕亘賴貙 鬲賱丕卮 賲乇丿賲 丿乇丿賲賳丿蹖 讴賴 丕夭 夭賳丿诏蹖 禺爻鬲賴鈥屫з嗀� 賵 丿賳亘丕賱 鬲睾蹖蹖乇 賲蹖诏乇丿賳 丿賳亘丕賱 趩蹖夭蹖 讴賴 丕夭 賲賳噩賱丕亘蹖 讴賴 鬲賵卮 诏乇賮鬲丕乇賳 賳噩丕鬲卮賵賳 亘丿賴. 丕賳賯賱丕亘鈥屬囏� 丕鬲賮丕賯 賲蹖鈥屫з佖嗀� 丌丿賲鈥屬囏� 丕夭 丿爻鬲 賲蹖乇賳 賵 丕蹖丿賴鈥屬囏� 噩丕蹖诏夭蹖賳 賲蹖卮賳 丕賲丕 丿乇 賵丕賯毓蹖鬲 鬲睾蹖蹖乇蹖 丕鬲賮丕賯 賳賲蹖鈥屫з佖�. 亘丕 丕蹖賳 丨丕賱 丕蹖賳 丕賲蹖丿賴 讴賴 賴賲蹖卮賴 賲蹖賱 亘賴 賲賵賳丿賳 丿丕乇賴. 卮乇賵毓 賵 倬丕蹖丕賳 丿丕爻鬲丕賳 賵 毓亘賵乇 卮禺氐蹖鬲 丕氐賱蹖 賵 鬲丕孬蹖乇 毓噩蹖亘蹖 讴賴 鬲賵 夭賳丿诏蹖 讴賵蹖 讴丕乇诏乇丕賳 賲毓丿賳 賲賵爻賵 賲蹖匕丕乇賴 讴賱 賮囟丕蹖 丿丕爻鬲丕賳 賵 卮讴賱 賲蹖丿賴. 丕夭 賳蹖賲賴鈥屰� 讴鬲丕亘 亘賴 亘毓丿 賳賲蹖卮賴 丕鬲賮丕賯丕鬲 賵 倬蹖卮 亘蹖賳蹖 讴乇丿 賵 丕蹖賳 賯丿乇鬲 賮賵賯鈥屫з勜关ж団€屰� 夭賵賱丕爻鬲 鬲賵 亘蹖丕賳 乇賵丕蹖鬲 賳丕亘卮 丕夭 丌丿賲鈥屬囏ж� 賵 鬲賵氐蹖賮鈥屬囏ж� 鬲賵氐蹖賮鈥屬囏� 亘蹖鈥屬嗀港屫辟�...
跇乇賲蹖賳丕賱 蹖毓賳蹖 噩賵丕賳賴 夭丿賳貨 賲乇丿賲 賮乇丕賳爻賴 鬲賵 鬲賯賵蹖賲 丕賳賯賱丕亘蹖 亘賴 賲丕賴 丕賵賱 亘賴丕乇 賲蹖诏賳 跇乇賲蹖賳丕賱貨 蹖讴蹖 丕夭 賯卮賳诏鈥屫臂屬� 賵 丿賵爻鬲 丿丕卮鬲賳蹖鈥屫臂屬� 讴賱賲丕鬲蹖 讴賴 鬲丕 亘賴 丨丕賱 卮賳蹖丿賲.
February 3, 2018
脡tienne Lantier - Claude, the painter's brother! Nana, the whore's brother! Jacques, the murderer's brother! Gervaise, the alcoholic's son!
I know this part of the Rougon-Macquart family tree better than any other, and each of the family members stands for a novel that sends a shiver down my spine - of reading delight and sorrowful mourning over the human condition. "Germinal" is a masterpiece in its own right, but one can't help thinking of the social background of the young man wandering up the street in a French mining town in the beginning of the novel. The tragic life experience he's already gathered, being the son of Gervaise Lantier/Coupeau, - who drinks herself into delirium in the poor parts of Paris, in , whose daughter ends up a prostitute, whose other son Claude commits suicide when failing to deliver he strives for, whose third son is driven by murderous madness to commit unspeakable crimes.
Despite the family history, 脡tienne Lantier is a decent man, and a socially progressive thinker. In the mining society, he plunges into the life of a rising working class, bound to the mine, living under conditions that ultimately lead to strike, and more suffering. The mine itself is a protagonist: a scary modern monster, swallowing human beings alive, but spitting out most of them again, marked for life by the Hades of profitability.
I spent some childhood years in a small community close to a famous copper mine in Sweden, and one of the yearly school field trips led students down into the depth of the mine, on a guided tour around the maze of former mining activity. I will never forget the feeling of helpless panic when I first tried to imagine the unbearable heat close to the fires, the pain in the bodies crawling into the narrow paths, the physical exhaustion, the lack of air, the poisoned atmosphere, the darkness, the hunger...
Around the mine, now part of UNESCO world heritage, a small town grew, with modern features such as health care and well-organised administration. But above all, it was a living hell for the poor families trying to survive on minimum wages to fill the pockets of the owners, who strove to rise on the social ladder. Child labour is a crucial part of the story of Falu R枚df盲rg, a product deriving directly from the mining business which eventually resulted in a strong national identification with the Swedish red, wooden houses. Whenever I see one of the many red houses in the neighbourhood, I think of the paint that was produced as a by-product of the copper mining, and how it has become unconscious, but lasting evidence of early Swedish industrialism to this day.
So when I read "Germinal" for the first time, I had a vivid real-life experience to fall back upon, to empathise with the characters. When they went on strike, found sole pleasure in promiscuity, let anger take over their minds, I KNEW why. I still felt the cold, dark mountain closing in on me.
I have been to the copper mine several times as a grown-up, taking students and my own children down into the underworld, and now Zola's 脡tienne accompanies me every time, and I relive the dramatic scenes over and over - when he is trapped in the mine with Catherine. Hardly imaginable that a love story could have an uglier, darker setting, but it remains one of my favourite scenes in world literature.
As for the social question, despite its hopeful title, "Germinal" doesn't solve anything. The split between working masses and ownership is as wide as before when 脡tienne finally takes the road out of the small town again, after a dramatic showdown.
Gaskell tried to find a solution in the engaging power of individuals, linking the values of in her masterpiece on social tension in England during the same era. Nothing of the kind is offered the characters in Zola's novel - and in a way, that might make it a more realistic attempt at showing the life conditions in 19th century industrial communities. A true working class revolution, according to Zola, would fail because of the revolutionaries' inevitable transformation into oppressors, should they happen to be successful:
"Oui, c'est votre id茅e, 脿 vous tous, les ouvriers fran莽ais, d茅terrer un tr茅sor, pour le manger seul ensuite, dans un coin d'茅go茂sme et de fain茅antise. Vous avez beau crier contre les riches, le courage vous manque de rendre aux pauvres l'argent que la fortune vous envoie... Jamais vous ne serez dignes du bonheur, tant que vous aurez quelque chose 脿 vous, et que votre haine des bourgeois viendra uniquement de votre besoin enrag茅 d'锚tre des bourgeois 脿 leur place."
This mirrors Albert Camus' reflections on rebellion and revolution in human history, forever striving to take the role of his jailers, thus producing new cries for justice which will end up dethroning him in an eternal violent movement.
As a description of 19th century life, "Germinal" is unsurpassed in its earthly hell - no need for a metaphysical one at all!
I know this part of the Rougon-Macquart family tree better than any other, and each of the family members stands for a novel that sends a shiver down my spine - of reading delight and sorrowful mourning over the human condition. "Germinal" is a masterpiece in its own right, but one can't help thinking of the social background of the young man wandering up the street in a French mining town in the beginning of the novel. The tragic life experience he's already gathered, being the son of Gervaise Lantier/Coupeau, - who drinks herself into delirium in the poor parts of Paris, in , whose daughter ends up a prostitute, whose other son Claude commits suicide when failing to deliver he strives for, whose third son is driven by murderous madness to commit unspeakable crimes.
Despite the family history, 脡tienne Lantier is a decent man, and a socially progressive thinker. In the mining society, he plunges into the life of a rising working class, bound to the mine, living under conditions that ultimately lead to strike, and more suffering. The mine itself is a protagonist: a scary modern monster, swallowing human beings alive, but spitting out most of them again, marked for life by the Hades of profitability.
I spent some childhood years in a small community close to a famous copper mine in Sweden, and one of the yearly school field trips led students down into the depth of the mine, on a guided tour around the maze of former mining activity. I will never forget the feeling of helpless panic when I first tried to imagine the unbearable heat close to the fires, the pain in the bodies crawling into the narrow paths, the physical exhaustion, the lack of air, the poisoned atmosphere, the darkness, the hunger...
Around the mine, now part of UNESCO world heritage, a small town grew, with modern features such as health care and well-organised administration. But above all, it was a living hell for the poor families trying to survive on minimum wages to fill the pockets of the owners, who strove to rise on the social ladder. Child labour is a crucial part of the story of Falu R枚df盲rg, a product deriving directly from the mining business which eventually resulted in a strong national identification with the Swedish red, wooden houses. Whenever I see one of the many red houses in the neighbourhood, I think of the paint that was produced as a by-product of the copper mining, and how it has become unconscious, but lasting evidence of early Swedish industrialism to this day.
So when I read "Germinal" for the first time, I had a vivid real-life experience to fall back upon, to empathise with the characters. When they went on strike, found sole pleasure in promiscuity, let anger take over their minds, I KNEW why. I still felt the cold, dark mountain closing in on me.
I have been to the copper mine several times as a grown-up, taking students and my own children down into the underworld, and now Zola's 脡tienne accompanies me every time, and I relive the dramatic scenes over and over - when he is trapped in the mine with Catherine. Hardly imaginable that a love story could have an uglier, darker setting, but it remains one of my favourite scenes in world literature.
As for the social question, despite its hopeful title, "Germinal" doesn't solve anything. The split between working masses and ownership is as wide as before when 脡tienne finally takes the road out of the small town again, after a dramatic showdown.
Gaskell tried to find a solution in the engaging power of individuals, linking the values of in her masterpiece on social tension in England during the same era. Nothing of the kind is offered the characters in Zola's novel - and in a way, that might make it a more realistic attempt at showing the life conditions in 19th century industrial communities. A true working class revolution, according to Zola, would fail because of the revolutionaries' inevitable transformation into oppressors, should they happen to be successful:
"Oui, c'est votre id茅e, 脿 vous tous, les ouvriers fran莽ais, d茅terrer un tr茅sor, pour le manger seul ensuite, dans un coin d'茅go茂sme et de fain茅antise. Vous avez beau crier contre les riches, le courage vous manque de rendre aux pauvres l'argent que la fortune vous envoie... Jamais vous ne serez dignes du bonheur, tant que vous aurez quelque chose 脿 vous, et que votre haine des bourgeois viendra uniquement de votre besoin enrag茅 d'锚tre des bourgeois 脿 leur place."
This mirrors Albert Camus' reflections on rebellion and revolution in human history, forever striving to take the role of his jailers, thus producing new cries for justice which will end up dethroning him in an eternal violent movement.
As a description of 19th century life, "Germinal" is unsurpassed in its earthly hell - no need for a metaphysical one at all!
October 18, 2023
History was written by Emile Zola, who counted it working in a coal mine in France and describes a bloody strike that marks the beginning of the labor movement. It begins with Etienne, who arrives at the mine looking for a job and knows Bonnemort (GoodDeath), so-called because he survived mine accidents countless times. Etienne is very close to the Good Death family, where practically everyone works in the mine except the more minor children and the mother. Like most families in the area, she needs to care for them since the more people working, the more money to buy bread, the better cause wages are miserable. The working conditions at the mine are inhumane, a daily adventure having to go down to its depths. Etienne begins to incite the workers to strike, so they decide to make a reserve fund to not go hungry during the strike. It turns out that this money collected soon ends, and with the bosses threatening to lay off everyone and bring other workers there, some strikers begin to want to return to work so as not to starve, creating even more tension.
March 28, 2024
Emile Zola's acknowledged masterpiece written in 1885, the politics are dated as history has shown, his overemphasis on sex, research and common sense have refuted, this is the 19th century, not the 21st, (trying to sell more books ? "Nana," made the same error) his characters are more symbols than real human beings, with a quite melodramatic plot even, yet Germinal, is a superb novel, which will capture your total interest, the reader will learn much about little known aspects, the dangers , of coal mining in France, ( and the world) ... ironically all have closed now, because of cheap foreign competition...Etienne Lantier, is young, 21, a strong Frenchman, who has just lost his job as a mechanic, the intelligent man, hasn't discovered you don't curse your boss, if you want to keep a job, the too passionate, angry vagabond with a hair-trigger temper, is homeless and hungry , walking in the dark, roaming a coal mining district, near the border of Belgium, sleeping outdoors on the ground, no money , days pass he needs another job soon or starve to death, wondering how his life has come to this sad condition. At last after many rejections for employment, he gets work in the coal mine of Le Vereaux, thanks to the help of Vincent Maheu, a veteran in the industry, the father of seven, his family has been digging deep underground for coal, over a century and losing many members as a result of numerous accidents. They live, the miners in a small company village called Two Hundred and Forty, that's right no name just a number, after spending a short time in a boarding house he moves into Monsieur Maheu tiny home, with his old, sick father, feisty, still attractive wife, seven rambunctious children, a cozy ten people inside, too cozy, they need his salary to survive, ( now eleven) sleeping with others in an ancient bed , no privacy , can't afford that luxury, little to eat, not much heat for the cold winter months.. the poor, uneducated workers are exploited by the mining company. Etienne shortly eyes the pretty teenage daughter of Maheu, Catherine, she seems interested but a complication ensues , another admirer, the good looking brute Chaval, her first love... An infinite talk about a strike, is discussed everywhere , by the miners, below in holes, shafts, a half a mile under the surface, in taverns, in their houses, and walking back home, still Etienne, at first doesn't get involved, he's a new coal miner, learning quickly, though, a natural at it, becomes one of the best . Seeing the appalling situation in the mine, the filthy back breaking work, cramp, uneven black tunnels that go on forever, cave-ins, toxic gases, floods from underground water, the extreme high heat, a miserable low paying job, for what reason ? They die, yet no improvement for the workers... something must be done. His fiery Russian friend, Souvarene, who he met there, at the boarding house, is an anarchist, wanted for murderous crimes back home, fleeing Russia, says destroy, kill almost everything and everyone, begin again , a new , better world will rise. Lantier, starts believing ... he speaks, a great stir of excitement he brings to the miners ... it is called hope, a paradise on Earth soon , no more poverty... a real future, that promises the oppressed, prosperity...what can they lose...the workers will follow him..
July 17, 2019
Germinal viene a ser Las uvas de la ira francesa. Ambas tienen como objetivo mostrar los efectos de un capitalismo salvaje, sin control ni limitaciones y en ambas el desenlace es descorazonador, aunque tambi茅n las dos dejan al final esa semillita de esperanza tan necesaria y, quiz谩s, tan contraproducente. Pero la obra de Zola tiene m谩s caras que la novela americana.
En primer lugar, nos presenta a los trabajadores de una forma m谩s realista; primero como a unos santos inocentes que besan la mano que les ahoga (tambi茅n las mujeres que soportan no solo la mano de los patronos sino la de sus hombres, a los que, pese a los malos tratos, defienden y vuelven una y otra vez, como si la relaci贸n con ellos no pudiera ser de otra manera); y despu茅s, c贸mo la frustraci贸n, el hambre, el no tener nada y, por tanto, la ausencia de miedo a perder algo, prenden en ellos con una fuerza inesperada y brutal y los perros muerden la mano del amo, asombrado ante el hecho de que sus siervos, despreciando todo el esfuerzo dedicado a ellos, pudieran necesitar m谩s de lo que tienen.
Pero la gran diferencia con la obra americana es que Zola tambi茅n nos expone el otro lado del conflicto, el de los propietarios y su visi贸n clasista, casi biol贸gica, de la sociedad, en la que los trabajadores son una especie aparte, muy distinta de ellos mismos, con otras necesidades, otros deseos y aspiraciones, que solo necesitan el salario justo y necesario que les permita poder engendrar otra generaci贸n que asegure el mantenimiento del negocio.
Este p谩rrafo, del administrador de la mina, es muy elocuente.
"驴Qui茅n era el idiota que basaba la dicha de este mundo en el reparto de la riqueza? Esos visionarios de revolucionarios pod铆an demoler la sociedad y reconstruir otra, y no conseguir谩n a帽adir un solo goce a la humanidad, ni le ahorrar谩n ning煤n dolor porque cada uno tuviese m谩s pan y m谩s arenques. Actuando de aquel modo, incluso ensanchar谩n la desdicha terrenal, consiguiendo que un d铆a hasta los perros aullasen de desespero cuando les hubieran sacado de la tranquila satisfacci贸n de sus instintos, para contagiarles el insaciado sufrimiento de las pasiones. No, el bien resid铆a en no ser, y, pues que hab铆a que existir, ser 谩rbol, una simple piedra o, mejor a煤n, el grano de arena que no puede gemir bajo el pide de los transe煤ntes."Zola no es benevolente con los santos inocentes, esos explotados que de una u otra manera veneran a su se帽or y son capaces de arrodillarse para perseguir la huella olfativa de la presa que persigue su amo para, una vez hallada, volver a por su terr贸n de az煤car. Y no es benevolente con los individualistas que son capaces de trepar a costa del sufrimiento de sus compa帽eros y, sin justificar la violencia indiscriminada, comprende la situaci贸n de aquellos para los que solo les quedan dos caminos y no aceptan la esclavitud que supone uno de ellos.
Gran novela, brutal y magn铆fica.
December 5, 2019
鈥�
丕诏乇 賲蹖禺賵丕蹖丿 亘丿賵賳蹖丿 跇乇賲蹖賳丕賱 趩胤賵乇 讴鬲丕亘蹖賴 賮賯胤 蹖賴 噩賵丕亘 丿丕乇賲: 亘賴 賲毓賳蹖 賵丕賯毓蹖 讴賱賲賴 卮丕賴讴丕乇.
丕诏乇 賲蹖禺賵丕蹖丿 亘诏賲 賲賵賯毓 禺賵賳丿賳卮 趩賴 丨爻蹖 丿丕卮鬲賲 賮賯胤 賲蹖鬲賵賳賲 亘诏賲: 爻乇诏卮鬲诏蹖.
賵 丕诏乇 賲蹖禺賵丕蹖丿 亘诏賲 噩丕蹖 丕蹖賳 讴鬲丕亘 亘蹖賳 禺賵丕賳丿賴鈥屬囏й� 賲賳 讴噩丕爻鬲 噩賵丕亘 賲蹖丿賲: 噩夭賵 賮乇丕賲賵卮鈥屬嗀簇嗃屸€屫臂屬嗏€屬囏ж池�.
鈥�
丕賲蹖賱 夭賵賱丕 蹖讴 賲噩賲賵毓賴 亘蹖爻鬲 噩賱丿蹖 賳賵卮鬲賴 亘賴 賳丕賲 乇賵诏賳 賲丕讴丕乇. 鬲賵蹖 丕蹖賳 亘蹖爻鬲 讴鬲丕亘 爻乇賳賵卮鬲 趩賳丿 賳爻賱 丕夭 蹖讴 禺丕賳賵丕丿賴 乇賵 丿乇 亘爻鬲乇 鬲丕乇蹖禺 乇賵丕蹖鬲 賲蹖讴賳賴 賵 跇乇賲蹖賳丕賱 爻蹖夭丿賴賲蹖賳 讴鬲丕亘 丕蹖賳 賲噩賲賵毓賴 丕爻鬲 乇丕噩毓 亘賴 倬爻乇蹖 亘賴 賳丕賲 丕鬲蹖鈥屰屬� 讴賴 丿乇 賲毓丿賳 匕睾丕賱 爻賳诏 賲卮睾賵賱 亘賴 讴丕乇 賲蹖卮賴. 跇乇賲蹖賳丕賱 丿乇 賱睾鬲 蹖毓賳蹖 噩賵丕賳賴 夭丿賳. 丕鬲蹖鈥屰屬� 丕賳賯賱丕亘 乇賵 噩賵丕賳賴 賲蹖夭賳賴.
丕夭 爻亘讴 賳诏丕乇卮 夭賵賱丕 賲賴賲鬲乇蹖賳 賵噩賴 鬲賵氐蹖賮丕鬲 禺賮賳卮賴. 丕賳賯丿乇 讴賴 丨爻 賲蹖讴賳蹖 乇賮鬲蹖 鬲賵蹖 鬲丕乇蹖讴蹖 賲毓丿賳 賵 賵丕賯毓丕 丿丕乇蹖 匕睾丕賱 丕爻鬲禺乇丕噩 賲蹖讴賳蹖. 丕賳賯丿乇 讴賴 胤毓賲 诏乇爻賳诏蹖鈥屬囏й� 胤賵賱丕賳蹖 乇賵 賲蹖趩卮蹖. 丕賳賯丿乇 讴賴 賵賯鬲蹖 鬲蹖乇 卮賱蹖讴 賲蹖卮賴 亘丿賳鬲 賲蹖賱乇夭賴. 丕乇賴 賴賲蹖賳賯丿乇 賲賱賲賵爻 !!
丕賵丕蹖賱 讴鬲丕亘 夭蹖丕丿 噩匕亘賲 賳讴乇丿. 賳賲蹖丿賵賳賲 趩賵賳 賯賱賲 夭賵賱丕 乇賵 賳賲蹖卮賳丕禺鬲賲 蹖丕 趩賵賳 噩賱丿賴丕蹖 賯亘賱蹖 乇賵诏賳 賲丕讴丕乇 乇賵 賳禺賵賳丿賴 亘賵丿賲. 禺賱丕氐賴 胤賵賱 讴卮蹖丿 鬲丕 乇賵 丿賵乇 丕賮鬲丕丿賲 賵賱蹖 蹖讴 爻賵賲 倬丕蹖丕賳蹖 讴鬲丕亘 讴卮賳丿賴 丕爻鬲. 賳賲蹖卮賴 夭賲蹖賳卮 诏匕丕卮鬲 賵 噩賵乇蹖 鬲賱禺 賵 鬲讴丕賳 丿賴賳丿賴 丕爻鬲 讴賴 丨鬲蹖 丕賱丕賳 賴賲 讴賴 丿丕乇賲 丕夭卮 賲蹖賳賵蹖爻賲 亘睾囟 讴乇丿賲 賵 趩卮賲丕賲 鬲乇賴. 鬲賱禺蹖 丕蹖賳 讴鬲丕亘 爻賵丕蹖 賴賲賴 鬲賱禺蹖鈥屬囏й屰屬� 讴賴 鬲丕 丕蹖賳噩丕 禺賵賳丿賲. 胤賲毓 賵 毓胤乇 丕蹖賳 鬲賱禺蹖 蹖賴 噩賵乇 丿蹖诏賴 丕爻鬲.
鈥�
賳賲蹖丿賵賳賲 卮丕蹖丿 賴賲 賴賲夭賲丕賳蹖 禺賵賳丿賳 丕蹖賳 讴鬲丕亘 賵 丌亘丕賳 酃鄹 鬲賱禺蹖卮 乇賵 亘乇丕賲 氐丿 趩賳丿丕賳 讴乇丿. 賵賱蹖 禺亘 ... 跇乇賲蹖賳丕賱 蹖毓賳蹖 噩賵丕賳賴 夭丿賳. 卮丕蹖丿 丿丕乇蹖賲 噩賵丕賳賴 賲蹖夭賳蹖賲. 卮丕蹖丿 亘賴丕乇 亘卮賴. 卮丕蹖丿.
丕诏乇 賲蹖禺賵丕蹖丿 亘丿賵賳蹖丿 跇乇賲蹖賳丕賱 趩胤賵乇 讴鬲丕亘蹖賴 賮賯胤 蹖賴 噩賵丕亘 丿丕乇賲: 亘賴 賲毓賳蹖 賵丕賯毓蹖 讴賱賲賴 卮丕賴讴丕乇.
丕诏乇 賲蹖禺賵丕蹖丿 亘诏賲 賲賵賯毓 禺賵賳丿賳卮 趩賴 丨爻蹖 丿丕卮鬲賲 賮賯胤 賲蹖鬲賵賳賲 亘诏賲: 爻乇诏卮鬲诏蹖.
賵 丕诏乇 賲蹖禺賵丕蹖丿 亘诏賲 噩丕蹖 丕蹖賳 讴鬲丕亘 亘蹖賳 禺賵丕賳丿賴鈥屬囏й� 賲賳 讴噩丕爻鬲 噩賵丕亘 賲蹖丿賲: 噩夭賵 賮乇丕賲賵卮鈥屬嗀簇嗃屸€屫臂屬嗏€屬囏ж池�.
鈥�
丕賲蹖賱 夭賵賱丕 蹖讴 賲噩賲賵毓賴 亘蹖爻鬲 噩賱丿蹖 賳賵卮鬲賴 亘賴 賳丕賲 乇賵诏賳 賲丕讴丕乇. 鬲賵蹖 丕蹖賳 亘蹖爻鬲 讴鬲丕亘 爻乇賳賵卮鬲 趩賳丿 賳爻賱 丕夭 蹖讴 禺丕賳賵丕丿賴 乇賵 丿乇 亘爻鬲乇 鬲丕乇蹖禺 乇賵丕蹖鬲 賲蹖讴賳賴 賵 跇乇賲蹖賳丕賱 爻蹖夭丿賴賲蹖賳 讴鬲丕亘 丕蹖賳 賲噩賲賵毓賴 丕爻鬲 乇丕噩毓 亘賴 倬爻乇蹖 亘賴 賳丕賲 丕鬲蹖鈥屰屬� 讴賴 丿乇 賲毓丿賳 匕睾丕賱 爻賳诏 賲卮睾賵賱 亘賴 讴丕乇 賲蹖卮賴. 跇乇賲蹖賳丕賱 丿乇 賱睾鬲 蹖毓賳蹖 噩賵丕賳賴 夭丿賳. 丕鬲蹖鈥屰屬� 丕賳賯賱丕亘 乇賵 噩賵丕賳賴 賲蹖夭賳賴.
丕夭 爻亘讴 賳诏丕乇卮 夭賵賱丕 賲賴賲鬲乇蹖賳 賵噩賴 鬲賵氐蹖賮丕鬲 禺賮賳卮賴. 丕賳賯丿乇 讴賴 丨爻 賲蹖讴賳蹖 乇賮鬲蹖 鬲賵蹖 鬲丕乇蹖讴蹖 賲毓丿賳 賵 賵丕賯毓丕 丿丕乇蹖 匕睾丕賱 丕爻鬲禺乇丕噩 賲蹖讴賳蹖. 丕賳賯丿乇 讴賴 胤毓賲 诏乇爻賳诏蹖鈥屬囏й� 胤賵賱丕賳蹖 乇賵 賲蹖趩卮蹖. 丕賳賯丿乇 讴賴 賵賯鬲蹖 鬲蹖乇 卮賱蹖讴 賲蹖卮賴 亘丿賳鬲 賲蹖賱乇夭賴. 丕乇賴 賴賲蹖賳賯丿乇 賲賱賲賵爻 !!
丕賵丕蹖賱 讴鬲丕亘 夭蹖丕丿 噩匕亘賲 賳讴乇丿. 賳賲蹖丿賵賳賲 趩賵賳 賯賱賲 夭賵賱丕 乇賵 賳賲蹖卮賳丕禺鬲賲 蹖丕 趩賵賳 噩賱丿賴丕蹖 賯亘賱蹖 乇賵诏賳 賲丕讴丕乇 乇賵 賳禺賵賳丿賴 亘賵丿賲. 禺賱丕氐賴 胤賵賱 讴卮蹖丿 鬲丕 乇賵 丿賵乇 丕賮鬲丕丿賲 賵賱蹖 蹖讴 爻賵賲 倬丕蹖丕賳蹖 讴鬲丕亘 讴卮賳丿賴 丕爻鬲. 賳賲蹖卮賴 夭賲蹖賳卮 诏匕丕卮鬲 賵 噩賵乇蹖 鬲賱禺 賵 鬲讴丕賳 丿賴賳丿賴 丕爻鬲 讴賴 丨鬲蹖 丕賱丕賳 賴賲 讴賴 丿丕乇賲 丕夭卮 賲蹖賳賵蹖爻賲 亘睾囟 讴乇丿賲 賵 趩卮賲丕賲 鬲乇賴. 鬲賱禺蹖 丕蹖賳 讴鬲丕亘 爻賵丕蹖 賴賲賴 鬲賱禺蹖鈥屬囏й屰屬� 讴賴 鬲丕 丕蹖賳噩丕 禺賵賳丿賲. 胤賲毓 賵 毓胤乇 丕蹖賳 鬲賱禺蹖 蹖賴 噩賵乇 丿蹖诏賴 丕爻鬲.
鈥�
賳賲蹖丿賵賳賲 卮丕蹖丿 賴賲 賴賲夭賲丕賳蹖 禺賵賳丿賳 丕蹖賳 讴鬲丕亘 賵 丌亘丕賳 酃鄹 鬲賱禺蹖卮 乇賵 亘乇丕賲 氐丿 趩賳丿丕賳 讴乇丿. 賵賱蹖 禺亘 ... 跇乇賲蹖賳丕賱 蹖毓賳蹖 噩賵丕賳賴 夭丿賳. 卮丕蹖丿 丿丕乇蹖賲 噩賵丕賳賴 賲蹖夭賳蹖賲. 卮丕蹖丿 亘賴丕乇 亘卮賴. 卮丕蹖丿.
October 13, 2022
Within the first few pages of Zola's striking masterpiece I was completely sucked into his vision of the poverty suffering and slave driven folk of the mining world. First published in 1885 it holds the power and importance for today. As we start with young unemployed railway worker Etienne Lantier wondering the cold and punishing landscape of northern France in search of work, and without a penny to his name is desperate to land just about anything that pays. After stumbling into a small mining community during the night he is pointed towards the Le Voreux mine who may have an opportunity for him, and after befriending the Maheu family where most of them are employees he soon discovers just what a hard life they truly live. The way Zola goes into detail of the daily routine for the miners is both powerfully compelling and squalidly heart wrenching, with shifts starting long before the break of dawn; men, women and children march off into the dark depths of the pits where the air is thick and stuffy and work exhausting, and in a matter of minutes most are black from head to toe with coal and sweating so much some of the weaker few can barely stand up. In the eyes of Etienne they are all buried like moles under the crushing weight of the earth with burning lungs and little pay for their efforts while owners and bosses reap the rewards with a fine and wealthy standard of living and no interest in those who help line their pockets. Over time Etienne sees this has got to stop, things just can not continue in this way, struggling to buy even the most basic food for survival; and things only get worse when the company offers a new pay system that will see them less off. Slowly Etienne starts to gather support from the workers for a strike, a strike that would see the numbers go from the few to the hundreds to the thousands and cause massive repercussions for the chaos and mindless actions that are about to unfold...
At well over five hundred pages, at no point was I ever going through a period - even brief - where I felt the narrative dropped off. Although the main theme running throughout is the lead up to the strike, beyond that there is so much more going on, with many others in the community studied in just as much of a way that you really feel for the whole village. Another thing to note that I couldn't quite believe is the amount of sexual tension between residents, as even in times of complete despair and hunger they seem to be at it like rabbits - in the bushes, behind buildings and abandoned barns. Generally, the women are treated appallingly, and there are those who lost their innocence without wanting it. I guess from their viewpoint they may be poor, starving and on the verge of death but sex is at least some joyful respite from their misery if only short lived. After Etienne eventually moves in with the Mateu family I knew this would be a problem as he always had feeling for the pale and hard working daughter Catherine, but she already had a brute and nasty man in Chavel, and the two would come to blows over her. The pity for workers is only escalated when you see the sort of meals the rich fat cat bosses indulge in while the miners try to to beg, steel, cheat and sell household items just for a loaf of bread, and in the case of the Mateu's their home is almost striped bare in the end, with not even a candle for warmth; old grandfather Bonnemort is left staring at the walls coughing up black phlegm from years in the pits while the rest of the family who's minds are shattered just see death as their escape clause.
But its the actions of the strike that I will truly never forget; things get out of hand pretty quickly as the marching horde of hell-bent miners go from mine to mine and cause utter carnage and maximum damage to the pits in a show of savagery. All control is lost and a blood lust of frenzy takes hold, even the women turn into crazed wild animals, this is no longer a strike but a violent wave of terror; the poor many against the wealthy few, and when the owner of a local shop meets a gruesome end they now realize that a boundary has been crossed and there is no going back. There is some calm after the storm before a tense and claustrophobic finale left me reeling. I went through just about every emotion one could go through from reading a novel, and I'd be surprised if I read a better 19th century classic for a long time to come. Germinal is an out-and-out masterpiece.
April 13, 2024
Germinal is one of the most moving novels written about the sufferings of the working class. Zola's undisguised sympathy for them flows abundantly throughout the novel, inviting the reader's sympathy for this unfortunate section of society, who are treated no better than animals by their superior brethren. Zola himself wrote that "This is one of those books you write for yourself, as an act of conscience". It's therefore clear that Germinal is Zola's need to raise awareness, invoke sympathy, and appease the urge to do something within his power to alleviate to some extent the suffering of the workers.
The title "Germinal" is derived from the seventh month of the Republican Calendar which was introduced following the 1789 Revolution. The name depicts germination and renewal, and the story takes a similar pattern accordingly. The two central subjects are the political struggle between the bourgeoisie and the working class and how the process of nature affects and shapes the lives of the workers.
To write his novel, Zola has chosen a section of the workers who face the greatest danger above all others of the working class, and who, according to him, suffer the most, who are unappreciated with no returned reward for the great sacrifice they make daily. They are the colliers. Being a naturalist writer, Zola describes the poor living conditions of these workers who live in cramped, gloomy, dirty, and unhygienic spaces that can barely be called "houses". "Living on top of another" is Zola's phrase to describe the condition. They had no privacy, living together like a herd of animals. Zola did his research meticulously before writing the novel, personally visiting a mining district, and first-hand witnessing the working conditions of coal pits and the living conditions of the mining villages so that no one can accuse him of exaggeration.
The novel flows on how the Capital exploited labour. While the workers drowned in poverty, generations threatened with malnourishment, the bourgeoise was fattening themselves with idle indulgence. Even when an industrial crisis occurs, it was from the workers that the loss was recovered. The unjust of it was sickening. And the lack of education among the working class, part passively submitting to unjust exploitation, and part engaging in revolutionary actions driven by half-understood ideas, made the workers' cause for justice suffer.
In the novel, the protagonist, Etienne, is a misguided socialist. Being self-educated, his understanding of socialistic idealism is sketchy. His effort to lead the workers prematurely to win their rights without a correct understanding as to what their "proper rights" are, embracing a fantastic impractical ideal, brings a disastrous calamity damaging the workers' cause. Zola demonstrates quite clearly in the novel the danger of guiding an uneducated lot, for their zeal can be destructive bordering on anarchy. The anarchist Souvarine sees the socialist views and actions as nonsense, for they believe total destruction is the only way to a new beginning. Both Etienne and Souvarine are extremists in their ends. Only Rasseneur is the calm mind who advocates for moderate negotiation as the suitable method of approach to win workers' rights. Zola is not judgemental, but he points out the dangers and defects of anarchy and socialist fanaticism. It's not clear what his personal views are, but I thought I could trace a preference for a moderate approach.
When reading this novel, another beloved classic constantly passed through my mind. Germinal has a lot of similarities with Elizabeth Gaskell's North and South. Although the North and South depicts the struggles of Cotton Mill workers, and in Germinal, it was Colliers, the working and living conditions, poverty, and lack of education demonstrate a similarity between the two. The strike, the disastrous consequence of its failure, and the importation of workers to replace the ones on strike give both storylines a kinship. The difference I observed was only in Zola's writing. Unlike Elizabeth Gaskell, Zola writes his story with vigour and boldness; there is no screening of undesirable facts.
Zola's writing in Germinal is beautiful and evocative. The actions are dramatized so that the reader feels their tension. With his magical writing, Zola binds the readers tightly to his story and takes them through the up and down journey of its characters. Boldly, realistically, and with power, he presents his story as a nonjudgmental observer. Zola doesn't impose on us his perspectives. Rather, he submits his facts for others' judgment. This quality of writing makes Zola more attractive.
Germinal is only my second novel by Emile Zola and the first in the Rougon-Macquart series. Reading Zola isn't easy. His stories are distressing. Nevertheless, he speaks the truth about a bygone era in France that I want to know about.
More of my reviews can be found at
The title "Germinal" is derived from the seventh month of the Republican Calendar which was introduced following the 1789 Revolution. The name depicts germination and renewal, and the story takes a similar pattern accordingly. The two central subjects are the political struggle between the bourgeoisie and the working class and how the process of nature affects and shapes the lives of the workers.
To write his novel, Zola has chosen a section of the workers who face the greatest danger above all others of the working class, and who, according to him, suffer the most, who are unappreciated with no returned reward for the great sacrifice they make daily. They are the colliers. Being a naturalist writer, Zola describes the poor living conditions of these workers who live in cramped, gloomy, dirty, and unhygienic spaces that can barely be called "houses". "Living on top of another" is Zola's phrase to describe the condition. They had no privacy, living together like a herd of animals. Zola did his research meticulously before writing the novel, personally visiting a mining district, and first-hand witnessing the working conditions of coal pits and the living conditions of the mining villages so that no one can accuse him of exaggeration.
The novel flows on how the Capital exploited labour. While the workers drowned in poverty, generations threatened with malnourishment, the bourgeoise was fattening themselves with idle indulgence. Even when an industrial crisis occurs, it was from the workers that the loss was recovered. The unjust of it was sickening. And the lack of education among the working class, part passively submitting to unjust exploitation, and part engaging in revolutionary actions driven by half-understood ideas, made the workers' cause for justice suffer.
In the novel, the protagonist, Etienne, is a misguided socialist. Being self-educated, his understanding of socialistic idealism is sketchy. His effort to lead the workers prematurely to win their rights without a correct understanding as to what their "proper rights" are, embracing a fantastic impractical ideal, brings a disastrous calamity damaging the workers' cause. Zola demonstrates quite clearly in the novel the danger of guiding an uneducated lot, for their zeal can be destructive bordering on anarchy. The anarchist Souvarine sees the socialist views and actions as nonsense, for they believe total destruction is the only way to a new beginning. Both Etienne and Souvarine are extremists in their ends. Only Rasseneur is the calm mind who advocates for moderate negotiation as the suitable method of approach to win workers' rights. Zola is not judgemental, but he points out the dangers and defects of anarchy and socialist fanaticism. It's not clear what his personal views are, but I thought I could trace a preference for a moderate approach.
When reading this novel, another beloved classic constantly passed through my mind. Germinal has a lot of similarities with Elizabeth Gaskell's North and South. Although the North and South depicts the struggles of Cotton Mill workers, and in Germinal, it was Colliers, the working and living conditions, poverty, and lack of education demonstrate a similarity between the two. The strike, the disastrous consequence of its failure, and the importation of workers to replace the ones on strike give both storylines a kinship. The difference I observed was only in Zola's writing. Unlike Elizabeth Gaskell, Zola writes his story with vigour and boldness; there is no screening of undesirable facts.
Zola's writing in Germinal is beautiful and evocative. The actions are dramatized so that the reader feels their tension. With his magical writing, Zola binds the readers tightly to his story and takes them through the up and down journey of its characters. Boldly, realistically, and with power, he presents his story as a nonjudgmental observer. Zola doesn't impose on us his perspectives. Rather, he submits his facts for others' judgment. This quality of writing makes Zola more attractive.
Germinal is only my second novel by Emile Zola and the first in the Rougon-Macquart series. Reading Zola isn't easy. His stories are distressing. Nevertheless, he speaks the truth about a bygone era in France that I want to know about.
More of my reviews can be found at
November 2, 2022
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賵 跇乇賲蹖賳丕賱 亘夭乇诏 鬲乇蹖賳 丕孬乇蹖 丕爻鬲 讴賴 賲毓賳蹖 賮賴賲 賴乇 丕孬乇 賮讴乇蹖 賵 丕丿亘蹖 丿乇 夭賲蹖賳賴 丕賯鬲氐丕丿蹖 賵 爻蹖丕爻蹖 賵 丕噩鬲賲丕毓蹖 禺丕氐 禺賵丿卮 乇丕 賲蹖鈥屬佡囐呚з嗀�. 亘乇丕蹖 賲賳 丿爻鬲 賳賵卮鬲賴鈥屬囏й� 丕賯鬲氐丕丿蹖 賮賱爻賮蹖 賲丕乇讴爻 乇丕 亘丕 鬲賲丕賲 丿賵乇 亘賵丿賳卮丕賳 丕夭 丕賵囟丕毓 丕賲乇賵夭 噩賴丕賳 賲毓賳丕 賲蹖鈥屭┵嗀� 趩乇丕 讴賴 亘丕 禺賵丕賳丿賳 丕蹖賳 丕孬乇 賵丕囟丨 賲蹖卮賵丿 讴賴 賴乇 丿賵 賳賵蹖爻賳丿賴 禺賵卮 賮讴乇 趩蹖夭蹖 乇丕 丿蹖丿賴 丕賳丿 讴賴 丿乇 賲賳鬲賴丕蹖 賴賳乇 賯賱賲 鬲賵丕賳爻鬲賴 丕蹖賳 诏賵賳賴 賳賲丕蹖丕賳丿賴 卮賵丿 賵 丕賱亘鬲賴 讴賴 讴丕乇 爻鬲乇诏蹖 丕爻鬲.
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跇乇賲蹖賳丕賱 丕孬乇 亘夭乇诏蹖 丕爻鬲. 亘夭乇诏蹖 丕夭 鬲讴 鬲讴 氐丨賳賴鈥屬囏й� 丿丕爻鬲丕賳 賵 賳賲丕蹖卮 夭賳丿賴 賵 禺蹖乇賴 讴賳賳丿賴 卮禺氐蹖鬲鈥屬囏� 倬蹖卮 趩卮賲 賲禺丕胤亘 倬蹖丿丕爻鬲. 趩賯丿乇 乇丕丨鬲 賲蹖 鬲賵丕賳 丌賳 乇丕 賴賲趩賵 賮蹖賱賲蹖 丿乇 賲禺蹖賱賴鈥屫й� 倬乇讴丕乇 鬲氐賵乇 讴乇丿 讴賴 鬲讴 鬲讴 氐丨賳賴 賴丕 乇丕 亘乇丕蹖 禺賵丿卮 亘丕夭 賲蹖鈥屫①佖臂屬嗀� 賵 倬丕 亘賴 倬丕蹖 鬲賲丕賲 丕夭 丿爻鬲 乇賮鬲賴鈥屬囏� 賲蹖鈥屭臂屫� 賵 丕丨爻丕爻 賴賲夭蹖爻鬲蹖 賲蹖鈥屭┵嗀�. 亘賴 丕蹖賳賴丕 丕囟丕賮賴 讴賳蹖丿 丿蹖丿诏丕賴 噩亘乇诏乇丕蹖丕賳賴 賵 丕賳丿讴蹖 賲賵乇賵孬蹖 乇丕 讴賴 夭賵賱丕 丿乇 賯亘丕賱 诏賳丕賴讴丕乇丕賳 賲丕噩乇丕 丿丕乇丿. 蹖毓賳蹖 賲毓丿賳 賲丕賳賳丿 賲丕卮蹖賳蹖 賴賲賴 丨鬲蹖 賲丕賱讴丕賳 乇丕 賴賲 賲蹖鈥屫ㄙ勜关�
亘丕夭 賴賲 賲丕乇讴爻 乇丕 賲蹖 亘蹖賳蹖賲 讴賴 丕賳诏丕乇 丕夭 丨賳噩乇賴 夭賵賱丕 丨蹖賵丕賳蹖 卮丿賳 丕賳爻丕賳賴丕蹖蹖 亘丕 诏賵卮鬲 賵 倬賵爻鬲 乇丕 賮乇蹖丕丿 賲蹖 夭賳丿 賵 賲蹖 诏賵蹖丿 丕蹖賳賴丕 亘蹖卮 丕夭 丕蹖賳鈥屬囏� 賲蹖 鬲賵丕賳爻鬲賳丿 亘丕卮賳丿貙 丕賲丕 亘賴 丨丕賱 賵 乇賵夭蹖 賵丕丿丕乇卮丕賳 讴乇丿賴鈥屫й屫� 讴賴 鬲賳賴丕 亘丕 丨丿丕賯賱蹖 丕夭 丿爻鬲賲夭丿 亘丕蹖丿 夭賳丿賴 賳诏賴鈥屫簇з� 丿丕卮鬲 鬲丕 趩乇禺 賲丕卮蹖賳 乇丕 亘賴 噩乇蹖丕賳 亘蹖賳丿丕夭賳丿
賵 跇乇賲蹖賳丕賱 亘夭乇诏 鬲乇蹖賳 丕孬乇蹖 丕爻鬲 讴賴 賲毓賳蹖 賮賴賲 賴乇 丕孬乇 賮讴乇蹖 賵 丕丿亘蹖 丿乇 夭賲蹖賳賴 丕賯鬲氐丕丿蹖 賵 爻蹖丕爻蹖 賵 丕噩鬲賲丕毓蹖 禺丕氐 禺賵丿卮 乇丕 賲蹖鈥屬佡囐呚з嗀�. 亘乇丕蹖 賲賳 丿爻鬲 賳賵卮鬲賴鈥屬囏й� 丕賯鬲氐丕丿蹖 賮賱爻賮蹖 賲丕乇讴爻 乇丕 亘丕 鬲賲丕賲 丿賵乇 亘賵丿賳卮丕賳 丕夭 丕賵囟丕毓 丕賲乇賵夭 噩賴丕賳 賲毓賳丕 賲蹖鈥屭┵嗀� 趩乇丕 讴賴 亘丕 禺賵丕賳丿賳 丕蹖賳 丕孬乇 賵丕囟丨 賲蹖卮賵丿 讴賴 賴乇 丿賵 賳賵蹖爻賳丿賴 禺賵卮 賮讴乇 趩蹖夭蹖 乇丕 丿蹖丿賴 丕賳丿 讴賴 丿乇 賲賳鬲賴丕蹖 賴賳乇 賯賱賲 鬲賵丕賳爻鬲賴 丕蹖賳 诏賵賳賴 賳賲丕蹖丕賳丿賴 卮賵丿 賵 丕賱亘鬲賴 讴賴 讴丕乇 爻鬲乇诏蹖 丕爻鬲.
December 31, 2024
芦跇乇賲蹖賳丕賱禄 爻蹖夭丿賴賲蹖賳 讴鬲丕亘 丕夭 賲噩賲賵毓賴鈥屰� 乇賵诏賳 賲丕讴丕乇 丕爻鬲. 丕蹖賳 賲噩賲賵毓賴 讴賴 亘賴 爻乇诏匕卮鬲賽 禺丕賳丿丕賳賽 禺蹖丕賱蹖賽 乇賵诏賳 賲丕讴丕乇 丿乇 胤賵賱 鬲丕乇蹖禺 賮乇丕賳爻賴 賲蹖鈥屬矩必ж藏� 賲蹖乇丕孬賽 賳丕鬲賵乇丕賱蹖爻鬲蹖賽 丕賲蹖賱 夭賵賱丕爻鬲. 丕賱亘鬲賴 亘蹖卮鬲乇賽 讴鬲丕亘鈥屬囏й� 丕蹖賳 賲噩賲賵毓賴 丕乇鬲亘丕胤賽 丿丕爻鬲丕賳蹖賽 趩賳丿丕賳蹖 亘丕 丿蹖诏乇 讴鬲丕亘鈥屬囏� 賳丿丕乇賳丿 賵 亘賴 賴賲蹖賳 丿賱蹖賱 賲蹖鈥屫堌з� 丌賳鈥屬囏� 乇丕 亘賴 氐賵乇鬲 賲爻鬲賯賱 禺賵丕賳丿. 賲孬賱丕賸 丿乇 賴賲蹖賳 跇乇賲蹖賳丕賱 丕卮丕乇賴鈥屰� 賲爻鬲賯蹖賲蹖 亘賴 丿蹖诏乇 讴鬲丕亘鈥屬囏� 賵 禺丕賳丿丕賳 乇賵诏賳 賲丕讴丕乇 賳賲蹖鈥屫促堌� 賵賱蹖 丿乇 賵丕賯毓 卮禺氐蹖鬲 丕鬲蹖鈥屰屬� 蹖讴蹖 丕夭 丕毓囟丕蹖 丕蹖賳 禺丕賳丿丕賳 丕爻鬲 讴賴 丿乇 讴鬲丕亘 丌爻賵賲賵丕乇 (讴鬲丕亘 賴賮鬲賲賽 賲噩賲賵毓賴) 亘賴 讴賵丿讴蹖賽 丕賵 丕卮丕乇賴 卮丿賴 丕爻鬲. 亘毓囟蹖 丕夭 讴鬲丕亘鈥屬囏й� 丕蹖賳 賲噩賲賵毓賴 亘賴 賮丕乇爻蹖 鬲乇噩賲賴 賳卮丿賴鈥屫з嗀� 賵 亘毓囟蹖 賳蹖夭 趩丕倬 賲噩丿丿 賳卮丿賴 賵 賳丕蹖丕亘鈥屫з嗀�.
亘乇 賲賵噩賽 卮乇丕蹖胤賽 夭賲丕賳賴
芦跇乇賲蹖賳丕賱禄 乇丕 賲蹖鈥屫堌з� 丕夭 噩賴丕鬲 賲禺鬲賱賮 亘乇乇爻蹖 讴乇丿貙 賵賱蹖 亘賴 賳馗乇賲 蹖讴蹖 丕夭 噩丕賱亘鈥屫臂屬� 噩賳亘賴鈥屬囏� 丕蹖賳 丕爻鬲 讴賴 亘賮賴賲蹖賲 丿乇 匕賴賳 賳賵蹖爻賳丿賴鈥屰� 賯乇賳 賳賵夭丿賴賲 趩賴 賲蹖鈥屭柏簇� 讴賴 亘丕毓孬 丨賲丕蹖鬲 丕賵 丕夭 丕蹖丿賴鈥屰� 爻賵爻蹖丕賱蹖爻賲 賲蹖鈥屫簇�.
丕賳賯賱丕亘 氐賳毓鬲蹖 氐乇賮丕賸 鬲丨賵賱 丿乇 丕亘夭丕乇 賵 鬲賵賱蹖丿丕鬲 氐賳毓鬲蹖 賳亘賵丿. 毓氐乇 乇賵卮賳诏乇蹖 倬蹖卮 丕夭 丌賳 卮蹖賵賴鈥屰� 鬲賮讴乇 丕賳爻丕賳 乇丕 賳爻亘鬲 亘賴 禺賵丿 賵 噩賴丕賳 鬲睾蹖蹖乇 丿丕丿賴 亘賵丿. 乇賵卮賳賮讴乇丕賳 賵 賳賵蹖爻賳丿诏丕賳 倬爻 丕夭 毓氐乇 乇賵卮賳诏乇蹖 亘賴 賲爻丕卅賱蹖 賴賲趩賵賳 丨賯賵賯 亘卮乇 賵 卮乇丕蹖胤 讴丕乇 賵 讴丕乇诏乇 賵 毓丿丕賱鬲 鬲賵噩賴 賲蹖鈥屭┴必嗀� 賲賵囟賵毓丕鬲蹖 讴賴 亘乇丕蹖 诏匕卮鬲诏丕賳 亘賴 丕蹖賳 氐賵乇鬲 噩匕丕亘 賳亘賵丿.
丿乇 丌孬丕乇 倬蹖卮蹖賳蹖丕賳 亘賴 賳丿乇鬲 丕卮丕乇賴鈥屫й� 亘賴 丨賯賵賯 丕賵賱蹖賴鈥屰� 丕賳爻丕賳 賲蹖鈥屫ㄛ屬嗃屬�. 丕賲丕 倬爻 丕夭 毓氐乇 乇賵卮賳诏乇蹖 賲爻丕卅賱蹖 賴賲趩賵賳 亘乇丿賴鈥屫ж臂屫� 毓丿丕賱鬲貙 丨賯賵賯 卮賴乇賵賳丿蹖 賵 丨賯賵賯 夭賳丕賳听 亘賴 賲爻丕卅賱 乇賵夭 鬲亘丿蹖賱 卮丿.
亘爻蹖丕乇蹖 丕夭 賳賵蹖爻賳丿诏丕賳 乇爻丕賱鬲蹖 亘乇丕蹖 賳賵卮鬲賴鈥屬囏й� 禺賵丿 賯丕卅賱 亘賵丿賳丿 鬲丕 夭賳丿诏蹖 亘賴鬲乇蹖 亘乇丕蹖 丕賳爻丕賳鈥屬囏� 亘爻丕夭賳丿. 賳賵蹖爻賳丿賴鈥屫й� 毓賱蹖賴 亘蹖鈥屫关з勜� 賳跇丕丿蹖 賵 亘乇丿賴鈥屫ж臂� 賲蹖鈥屬嗁堌簇� 丿蹖诏乇蹖 毓賱蹖賴 卮乇丕蹖胤 丿卮賵丕乇 讴丕乇 賵 讴丕乇诏乇 賵 丿蹖诏乇蹖 毓賱蹖賴 亘蹖鈥屫关з勜� 賳爻亘鬲 亘賴 夭賳丕賳.
丿乇 趩賳蹖賳 卮乇丕蹖胤蹖 丕蹖丿賴鈥屬囏й� 乇丕丿蹖讴丕賱 賴賲 倬鬲丕賳爻蹖賱 亘蹖卮鬲乇蹖 亘乇丕蹖 亘乇诏夭蹖丿賴 卮丿賳 賵 亘丕賱丕 丌賲丿賳 丿丕乇賳丿. 賲丕乇讴爻蹖爻賲 蹖讴蹖 丕夭 丕蹖賳 丕蹖丿賴鈥屬囏� 亘賵丿 賵 賮囟丕蹖 乇賵卮賳賮讴乇蹖賽 賯乇賳 賳賵夭丿賴賲 亘賴 爻賲鬲 丕蹖丿賴鈥屬囏й� 讴丕乇賱 賲丕乇讴爻 讴卮蹖丿賴 卮丿貙 倬爻 賳亘丕蹖丿 丕夭 鬲賲丕蹖賱賽 丕賲蹖賱 夭賵賱丕 亘賴 丕蹖賳 丕蹖丿賴鈥屬囏� 鬲毓噩亘 讴賳蹖賲.
賮賱丕讴鬲
丿乇 跇乇賲蹖賳丕賱 賲丕 亘丕 卮乇丕蹖胤賽 夭賳丿诏蹖賽 睾蹖乇丕賳爻丕賳蹖 賵 鬲讴丕賳鈥屫囐嗀� 乇賵亘乇賵蹖蹖賲.
賮賯乇 賵 爻蹖賴鈥屫辟堌槽� 丿乇 噩丕賲毓賴鈥屰� 讴丕乇诏乇蹖賽 丿丕爻鬲丕賳 亘蹖丿丕丿 賲蹖鈥屭┵嗀� 賵 賲丨蹖胤賽 讴丕乇 賵 卮乇丕蹖胤 讴丕乇诏乇丕賳 亘丕 卮乇丕蹖胤 亘乇丿賴鈥屫ж臂� 賯丕亘賱 賲賯丕蹖爻賴 丕爻鬲. 丿乇 賵丕賯毓 鬲氐賵蹖乇蹖 讴賴 夭賵賱丕 丕夭 賵囟毓蹖鬲 讴丕乇诏乇丕賳 丕乇丕卅賴 賲蹖鈥屭┵嗀� 賵囟毓蹖鬲蹖 丕賳爻丕賳蹖 賳蹖爻鬲 賵 亘丕 讴丕乇诏乇丕賳貙 賳賴 亘賴 卮讴賱 丕賳爻丕賳貙 亘賱讴賴 亘賴 卮讴賱 芦诏賵卮鬲 賲鬲丨乇讴禄 乇賮鬲丕乇 賲蹖鈥屫促堌�. 诏賵卮鬲鈥屬囏й屰� 讴賴 亘丕 倬丕蹖 禺賵丿 亘賴 诏賱賵蹖 夭賲蹖賳 (蹖毓賳蹖 賴賲丕賳 賲毓丿賳) 賲蹖鈥屫辟堎嗀�:
賵 讴丕乇诏乇丕賳 亘賴 芦丿乇賲丕賳丿诏蹖賽 丌賲賵禺鬲賴鈥屫簇嚶� 毓丕丿鬲 讴乇丿賴鈥屫з嗀� 賵 亘賴 乇賳噩 禺賵丿 亘蹖鈥屫ж关嗀й屬嗀�:
賵 丿乇 趩賳蹖賳 卮乇丕蹖胤蹖 賲乇诏 亘乇丕蹖 讴丕乇诏乇丕賳 诏賵丕乇丕鬲乇 丕夭 夭賳丿诏蹖 丕爻鬲:
丿乇丨丕賱蹖 讴賴 讴丕乇賮乇賲丕蹖丕賳 丿乇 丿丕爻鬲丕賳 跇乇賲蹖賳丕賱 丿乇 孬乇賵鬲 賵 乇賮丕賴 睾乇賯鈥屫з嗀� 賵 丿乇讴蹖 賳爻亘鬲 亘賴 卮乇丕蹖胤 賮賱丕讴鬲鈥屫ㄘж� 讴丕乇诏乇丕賳 賳丿丕乇賳丿 賵 亘賴 丌賳鈥屬囏� 亘賴 趩卮賲 芦诏賱賴鈥屰� 丕賳爻丕賳蹖禄 賲蹖鈥屬嗂辟嗀�.
夭賳丕賳 丿乇 跇乇賲蹖賳丕賱貙 亘賴 禺氐賵氐 丿乇 賯卮乇 讴丕乇诏乇貙 賮丕賯丿賽 賴賵蹖鬲 賵 丕乇丕丿賴鈥屰� 賲爻鬲賯賱鈥屫з嗀� 賵 丨鬲蹖 亘蹖卮鬲乇 亘賴 賳丕賲 卮賵賴乇丕賳卮丕賳 禺賵丕賳丿賴 賲蹖鈥屫促堎嗀�: 夭賳賽 賲丕賴賵貙 夭賳 倬蹖鈥屰屫辟堎嗀� 夭賳 賱賵賵丕讴... 丕賱亘鬲賴 亘賴 賳馗乇賲 夭賵賱丕 乇丕 賳亘丕蹖丿 丿乇 丕蹖賳 賲賵乇丿 賲賯氐乇 丿丕賳爻鬲貙 賵囟毓蹖鬲 夭賳丕賳 讴丕乇诏乇 丿乇 丌賳 夭賲丕賳 亘賴 乇丕爻鬲蹖 亘賴 趩賳丕賳 卮乇丕蹖胤蹖 賳夭丿蹖讴 亘賵丿賴 丕爻鬲 賵 賳诏丕賴 夭賵賱丕 亘賴 賲爻丕卅賱 夭賳丕賳貙 賳诏丕賴蹖 丕賳鬲賯丕丿蹖 丕爻鬲. 夭賳丕賳蹖 讴賴 倬丕 亘賴 倬丕蹖 賲乇丿丕賳貙 賵 丨鬲蹖 亘蹖卮鬲乇 讴丕乇 賲蹖鈥屭┵嗁嗀� 賵 丿乇 亘乇丕亘乇 禺卮賵賳鬲貙 賲賳賮毓賱 賴爻鬲賳丿:
乇賵丕亘胤 丕乇賵鬲蹖讴 賵 賴賲鈥屫⒇嘿堌篡屸€屬囏� (讴賴 丿乇 讴鬲丕亘 亘爻蹖丕乇賳丿 賵 亘賴 胤乇夭 毓噩蹖亘蹖 丿乇 鬲乇噩賲賴 丕夭 趩賳诏丕賱 爻丕賳爻賵乇趩蹖丕賳 丿乇 丕賲丕賳 賲丕賳丿賴鈥屫з嗀�) 鬲賱丕卮蹖 丕夭 爻賵蹖 亘蹖趩丕乇诏丕賳 亘乇丕蹖 趩賳诏 丕賳丿丕禺鬲賳蹖 讴賵鬲丕賴 亘賴 夭賳丿诏蹖 賵 賮乇丕乇 丕夭 賮賱丕讴鬲 丕爻鬲:
賮乇夭賳丿丌賵乇蹖 丿乇 夭賳丿诏蹖賽 讴丕乇诏乇丕賳賽 丿丕爻鬲丕賳貙 賴丿賮蹖 噩夭 爻賵丿丌賵乇蹖賽 丕賯鬲氐丕丿蹖 賳丿丕乇丿:
丕賲丕 賴賲蹖賳 賴賲鈥屫⒇嘿堌篡屸€屬囏й� 賮賱丕讴鬲鈥屫ㄘж必� 賲丕蹖賴鈥屰� 丨爻丕丿鬲賽 倬賵賱丿丕乇賴丕蹖 丿丕爻鬲丕賳 丕爻鬲! 亘賴 賳馗乇 賲賳 丕蹖賳 賲賵乇丿 乇丕 亘丕蹖丿 亘賴 丨爻丕亘賽 賮丕賳鬲夭蹖鈥屬囏й� 夭賵賱丕 诏匕丕卮鬲! 趩賵賳 亘賴 賳馗乇 賲賳 讴賲蹖 毓噩蹖亘 賵 賲爻禺乇賴 丕爻鬲:
丕賳诏丕乇 丕夭 賳馗乇 夭賵賱丕 孬乇賵鬲蹖 讴賴 讴丕乇诏乇丕賳 丕蹖賳 賴賲賴 亘賴 丿賳亘丕賱 丌賳 賴爻鬲賳丿 亘蹖鈥屫ж必藏� 丕爻鬲 賵 亘丕毓孬 禺賵卮亘禺鬲蹖賽 倬賵賱丿丕乇賴丕 賴賲 賳賲蹖鈥屫促堌�.
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丕爻亘鈥屬囏й� 賲毓丿賳 丿乇 爻乇丕爻乇賽 丿丕爻鬲丕賳 賳賲丕丿蹖 丕夭 禺賵丿賽 讴丕乇诏乇丕賳 賴爻鬲賳丿. 丕爻亘鈥屬囏й屰� 讴賴 亘賴 丕爻丕乇鬲 诏乇賮鬲賴 卮丿賴鈥屫з嗀� 賵 丿乇 夭賳丿丕賳賽 夭蹖乇賽夭賲蹖賳 亘賴 讴丕乇 诏乇賮鬲賴 賲蹖鈥屫促堎嗀� 鬲丕 丕乇夭卮 丌夭丕丿蹖 賵 乇賵卮賳丕蹖蹖 亘蹖乇賵賳 乇丕 賮乇丕賲賵卮 讴賳賳丿 賵 亘賴 丕爻丕乇鬲 賵 讴丕乇賽 丕噩亘丕乇蹖 丿乇 賲毓丿賳 毓丕丿鬲 讴賳賳丿貙 賵賱蹖 诏丕賴蹖 亘賴 蹖丕丿 乇賵卮賳丕蹖蹖 賵 丌夭丕丿蹖 賲蹖鈥屫з佖嗀�.
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丿乇 丿丕賲 爻賵爻蹖丕賱蹖爻賲
夭賵賱丕 鬲賵丕賳丕蹖蹖 卮诏賮鬲鈥屫з嗂屫槽� 丿乇 賳卮丕賳 丿丕丿賳 爻蹖賴鈥屫辟堌槽� 賵 賮賱丕讴鬲蹖 讴賴 亘乇 夭賳丿诏蹖 讴丕乇诏乇丕賳 爻丕蹖賴 丕賮讴賳丿賴 丿丕乇丿貙 卮丕蹖丿 亘賴 丕蹖賳 禺丕胤乇 讴賴 丕夭 讴賵丿讴蹖 賮賯乇 乇丕 丕夭 賳夭丿蹖讴 賱賲爻 讴乇丿賴 賵 亘乇丕蹖 賳賵卮鬲賳賽 丕蹖賳 讴鬲丕亘貙 夭賳丿诏蹖 讴丕乇诏乇丕賳 賲毓丿賳 乇丕 丕夭 賳夭丿蹖讴 亘乇乇爻蹖 鈥屬嗁呝堌� 丕爻鬲. 夭賵賱丕 亘賴 丿乇爻鬲蹖 丕卮讴丕賱蹖 丿乇 噩丕賲毓賴 賲蹖鈥屫ㄛ屬嗀�: 賮賯乇
賵 丿乇 噩爻鬲噩賵蹖 乇丕賴蹖 亘乇丕蹖 亘賴亘賵丿 賵囟毓蹖鬲 讴丕乇诏乇丕賳 亘賴 鬲丿乇蹖噩 賴賲丕賳賳丿 亘爻蹖丕乇蹖 丕夭 乇賵卮賳賮讴乇丕賳賽 夭賲丕賳賴鈥屫ж簇� 丿賱 亘賴 丕蹖丿賴鈥屰� 爻賵爻蹖丕賱蹖爻賲 賲蹖鈥屫ㄙ嗀� 賵 亘賴 丕蹖賳 賳鬲蹖噩賴 賲蹖鈥屫必池� 讴賴 讴丕乇賮乇賲丕蹖丕賳 亘丕毓孬 賵 亘丕賳蹖賽 卮乇丕蹖胤 賮賱丕讴鬲鈥屫ㄘж� 讴丕乇诏乇丕賳 賴爻鬲賳丿 賵 爻乇賲丕蹖賴 賵 爻乇賲丕蹖賴鈥屫ж� 乇丕 賲賯氐乇 趩賳蹖賳 賵囟毓蹖鬲蹖 賲蹖鈥屫ㄛ屬嗀� 賵 亘賴 丕蹖賳 鬲乇鬲蹖亘 鬲卅賵乇蹖鈥屬囏й� 讴丕乇賱 賲丕乇讴爻 (蹖丕 丕夭 賳馗乇 賲賳 趩乇賳丿蹖丕鬲 讴丕乇賱 賲丕乇讴爻) 乇丕 亘丕乇賴丕 賵 亘丕乇賴丕 亘賴 胤賵乇 賲爻鬲賯蹖賲 賵 睾蹖乇 賲爻鬲賯蹖賲 丿乇 乇賲丕賳 鬲讴乇丕乇 賲蹖鈥屭┵嗀�:
賲賵囟毓鈥屭屫臂� 賳賴丕蹖蹖 夭賵賱丕 丿乇 丕蹖賳 讴鬲丕亘 讴丕賲賱丕賸 卮賮丕賮 賳蹖爻鬲貙 亘賴 丕蹖賳 賲毓賳蹖 讴賴 賲卮禺氐 賳蹖爻鬲 丕夭 賳馗乇 丕賵 賳馗丕賲 爻賵爻蹖丕賱蹖爻鬲蹖 趩胤賵乇 賵 鬲丕 趩賴 丨丿 亘丕蹖丿 亘乇賯乇丕乇 卮賵丿.
丕賲丕 亘丕 丕胤賲蹖賳丕賳 賲蹖鈥屫堌з� 诏賮鬲 讴賴 丕賵 蹖讴 賲丕乇讴爻蹖爻鬲 鬲賲丕賲 毓蹖丕乇 賳亘賵丿賴 丕爻鬲 賵 亘丕 賵噩賵丿 丕蹖賳讴賴 丕賵 诏乇丕蹖卮 賵丕囟丨蹖 亘賴 賲禺丕賱賮鬲 亘丕 讴丕倬蹖鬲丕賱蹖爻賲 賵 诏乇丕蹖卮 亘賴 爻賵爻蹖丕賱蹖爻賲 丕夭 禺賵丿 賳卮丕賳 賲蹖鈥屫囏� 賵賱蹖 馗丕賴乇丕賸 賲鬲賵噩賴 丕卮讴丕賱丕鬲蹖 丿乇 賳馗乇蹖賴鈥屬囏й� 丕賳賯賱丕亘蹖賽 賲丕乇讴爻 卮丿賴貙 趩賵賳 鬲氐賵蹖乇 禺賵亘蹖 丕夭 禺卮賵賳鬲賽 讴丕乇诏乇丕賳 亘賴 禺賵丕賳賳丿賴 賳卮丕賳 賳賲蹖鈥屫囏� 賵 丕夭 丨乇讴鬲鈥屬囏й� 丕賳賯賱丕亘蹖 賵 噩賲毓蹖鬲 亘蹖賳鈥屫з勝呝勝勠� 讴丕乇诏乇丕賳 賵 賳賯囟賽 丨賯賵賯賽 賲丕賱讴蹖鬲賽 禺氐賵氐蹖 亘丕 鬲乇丿蹖丿 賵 丕丨鬲蹖丕胤 爻禺賳 賲蹖鈥屭堐屫�. 丕蹖賳 賲賵囟賵毓 亘賴 賵囟賵丨 禺賵丿 乇丕 丿乇 鬲馗丕賴乇丕鬲賽 禺卮賵賳鬲鈥屫①呟屫操� 讴丕乇诏乇丕賳 賳卮丕賳 賲蹖鈥屫囏�:
亘賴 毓賱丕賵賴 夭賵賱丕 鬲氐賵蹖乇 賳丕禺賵卮丕蹖賳丿蹖 丕夭 卮禺氐蹖鬲 芦爻賵賵丕乇蹖賳禄 亘賴 賲丕 賳卮丕賳 賲蹖鈥屫囏� 卮禺氐蹖鬲蹖 讴賴 鬲賳賴 亘賴 丌賳丕乇卮蹖爻賲 賲蹖鈥屫操嗀� 賵 丕賴丿丕賮 賵 丕賯丿丕賲丕鬲蹖 鬲禺乇蹖亘诏乇 賵 禺卮賵賳鬲鈥屫①呟屫� 丿丕乇丿:
賵 賵賯鬲蹖 讴丕乇 亘賴 禺卮賵賳鬲賽 丕賮爻丕乇诏爻蹖禺鬲賴 賲蹖鈥屫必池� 卮乇賵乇鬲乇蹖賳 卮禺氐蹖鬲鈥屬囏� (賲孬賱 跇丕賳賱賳) 乇丕 亘乇 賯賱賴鈥屰� 丨乇讴鬲 丕賳賯賱丕亘蹖 賳卮丕賳 賲蹖鈥屫囏�:
亘賴 賴賲蹖賳 丿賱蹖賱 夭賵賱丕 賴乇诏夭 賳鬲賵丕賳爻鬲 讴丕賲賱丕賸 丿賱 丕丨夭丕亘 讴賲賵賳蹖爻鬲 賵 賲丕乇讴爻蹖爻鬲 乇丕 丿乇 賮乇丕賳爻賴 亘賴 丿爻鬲 丌賵乇丿. 亘賴 賳馗乇 賲蹖鈥屫必池� 夭賵賱丕 胤乇賮丿丕乇賽 賳賵毓蹖 芦爻賵爻蹖丕賱蹖爻賲賽 蹖賵丕卮 賵 賲賱丕蹖賲禄 蹖丕 芦爻賵爻蹖丕賱蹖爻賲賽 亘丿賵賳 禺卮賵賳鬲 賵 丕賳賯賱丕亘禄 亘賵丿賴 丕爻鬲. 馗丕賴乇丕賸 丕賵 禺賵丕爻鬲丕乇 丌诏丕賴蹖 讴丕乇诏乇丕賳 亘乇丕蹖 丕鬲丨丕丿 丿乇 丕亘毓丕丿 亘蹖賳鈥屫з勝呝勝勠屫� 丕賲丕 亘丿賵賳 丕賯丿丕賲 禺卮賵賳鬲鈥屫①呟屫� 蹖丕 丕賳賯賱丕亘 賲丕乇讴爻蹖爻鬲蹖 亘賵丿賴 丕爻鬲.
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亘賴 賳馗乇 賲賳 - 賵 丕丨鬲賲丕賱丕賸 亘爻蹖丕乇蹖 丕夭 禺賵丕賳賳丿诏丕賳- 丕賵噩 乇賲丕賳 跇乇賲蹖賳丕賱貙 丿賯蹖賯丕 噩丕蹖蹖 丕爻鬲 讴賴 夭賵賱丕 鬲卅賵乇蹖鈥屬囏й� 趩乇賳丿 賲丕乇讴爻蹖爻鬲蹖 乇丕 讴賳丕乇 賲蹖鈥屭柏ж必� 賵 賳蹖乇賵蹖 賳賵蹖爻賳丿诏蹖鈥屫ж� 乇丕 氐乇賮 禺賵丿賽 丿丕爻鬲丕賳 賲蹖鈥屭┵嗀� 蹖毓賳蹖 丿乇 亘禺卮賽 倬丕蹖丕賳蹖賽 讴鬲丕亘. 丕蹖賳噩丕爻鬲 讴賴 丿丕爻鬲丕賳 丕賵噩 賲蹖鈥屭屫必� 鬲毓賱蹖賯 賯賵蹖鬲乇 賲蹖鈥屫促堌� 賵 讴蹖賮蹖鬲 賴賳乇蹖賽 賳孬乇 夭賵賱丕 亘賴 丕賵噩 賲蹖鈥屫必池�. 丿乇 亘禺卮 倬丕蹖丕賳蹖 丕爻鬲 讴賴 賲丕 亘丕 賲毓噩夭賴鈥屰� 夭賵賱丕 丿乇 賮囟丕爻丕夭蹖 丿乇 丿丕爻鬲丕賳 賲賵丕噩賴 賲蹖鈥屫促堐屬�.
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賲賳 賴賲蹖卮賴 亘丕 禺賵丿 賮讴乇 賲蹖鈥屭┵嗁� 賳賵蹖爻賳丿诏丕賳蹖 賲孬賱 夭賵賱丕 丕诏乇 賮噩丕蹖毓 爻賵爻蹖丕賱蹖爻賲 乇丕 丿乇 爻丕賱鈥屬囏й� 亘毓丿 賲蹖鈥屫屫嗀� 鬲丕 丕蹖賳 丨丿 亘賴 丕爻鬲賯亘丕賱 賳馗乇蹖賴鈥屬囏й� 賲丕乇讴爻 賳賲蹖鈥屫辟佖嗀�. 夭賵賱丕 丕賳賯賱丕亘 讴賲賵賳蹖爻鬲蹖 乇賵爻蹖賴 乇丕 賳丿蹖丿賴 亘賵丿貙 丕賵 亘丕 讴孬丕賮鬲鈥屭┴ж臂屸€屬囏й� 卮賵乇賵蹖 丿乇 诏賵賱丕诏 賵 噩賳丕蹖丕鬲 丕爻鬲丕賱蹖賳 丿乇 丕賵讴乇丕蹖賳 丌卮賳丕 賳卮丿賴 亘賵丿. 丕賵 賳賲蹖鈥屫з嗀池� 讴賴 丿乇 爻丕賱鈥屬囏й� 亘毓丿 趩賳丿 丿賴 賲蹖賱蹖賵賳 賳賮乇 丿乇 趩蹖賳賽 讴賲賵賳蹖爻鬲蹖賽 賲丕卅賵 亘賴 丿賱蹖賱 賮賯乇 賵 诏乇爻賳诏蹖 禺賵丕賴賳丿 賲乇丿. 丕诏乇 賳賵蹖爻賳丿诏丕賳蹖 賲孬賱 丕賵 趩賳蹖賳 鬲噩乇亘賴鈥屬囏й屰� 丿丕卮鬲賳丿貙 丕丨鬲賲丕賱丕賸 賲爻蹖乇 丿丕爻鬲丕賳 乇丕 亘賴 爻賲鬲 賵 爻賵蹖蹖 讴賲鬲乇 爻賵爻蹖丕賱蹖爻鬲蹖 鬲睾蹖蹖乇 賲蹖鈥屫ж嗀�.
亘賴 賴乇 丨丕賱 亘賴 賱胤賮 賴賲丕賳 賳馗丕賲 讴丕倬蹖鬲丕賱蹖爻賲 讴賴 丕賲孬丕賱 夭賵賱丕 丕夭 丌賳 賲蹖鈥屬嗀з勠屫嗀� 丿乇 爻丕賱鈥屬囏й� 亘毓丿 亘賴 鬲丿乇蹖噩 鬲賵賱蹖丿 孬乇賵鬲 丕賮夭丕蹖卮 蹖丕賮鬲 賵 亘乇禺賱丕賮 鬲卅賵乇蹖鈥屬囏й� 賲丕乇讴爻貙 讴丕乇诏乇丕賳 賳蹖夭 爻賴賲 賯丕亘賱 鬲賵噩賴蹖 丕夭 丕蹖賳 丕賮夭丕蹖卮 孬乇賵鬲 亘乇丿賳丿. 亘賴 賱胤賮 丕乇夭卮鈥屬囏й� 賱蹖亘乇丕賱 (賵 丕賱亘鬲賴 丕诏乇 賲賳氐賮 亘丕卮蹖賲貙 賮卮丕乇 賳蹖乇賵賴丕蹖 爻賵爻蹖丕賱蹖爻鬲) 賲丨蹖胤 讴丕乇 亘乇丕蹖 讴丕乇诏乇丕賳 亘賴 卮讴賱 丕賳爻丕賳蹖鈥屫� 賵 賲賳丕爻亘鈥屫� 賵 丕蹖賲賳鈥屫� 丿乇丌賲丿. 趩賳丕賳趩賴 丌賳趩賴 丿乇 丕蹖賳 讴鬲丕亘 賲蹖鈥屫堌з嗃屬� 亘乇丕蹖 讴丕乇诏乇 賵 賳賵蹖爻賳丿賴鈥屰� 丕賲乇賵夭蹖 丿乇 蹖讴 讴卮賵乇 鬲賵爻毓賴鈥屰屫з佖� (賲孬賱 禺賵丿賽 賮乇丕賳爻賴) 鬲亘丿蹖賱 亘賴 蹖讴 賮丕賳鬲夭蹖 卮丿賴 賵 丨鬲蹖 丿蹖诏乇 丿睾丿睾賴鈥屰� 賳賵蹖爻賳丿诏丕賳賽 讴賳賵賳蹖 賳蹖爻鬲.
讴賲蹖 賴賲 丿乇亘丕乇賴鈥屰� 賳丕鬲賵乇丕賱蹖爻賲
賳賵卮鬲賳 丕夭 夭賵賱丕 賵 跇乇賲蹖賳丕賱 亘丿賵賳 丕卮丕乇賴 亘賴 賳丕鬲賵乇丕賱蹖爻賲 賳丕賯氐 亘賴 賳馗乇 賲蹖鈥屫必池�. 趩賵賳 夭賵賱丕 賳賲丕蹖賳丿賴鈥屰� 鬲賲丕賲鈥屫观屫ж� 賵 亘賴 賳賵毓蹖 倬丕蹖賴鈥屭柏ж� 賳丕鬲賵乇丕賱蹖爻賲 丕爻鬲.
鈥� 賳丕鬲賵乇丕賱蹖爻賲 乇丕 賲蹖鈥屫堌з� 亘賴 賳賵毓蹖 丿乇 鬲賯丕亘賱 亘丕 乇賲丕賳鬲蹖爻賲 丿乇 賳馗乇 诏乇賮鬲貙 亘乇 禺賱丕賮 乇賲丕賳鬲蹖爻賲 讴賴 丕丨爻丕爻丕鬲 丕睾乇丕賯 卮丿賴貙 鬲賲丕蹖賱 亘賴 丌卮鬲蹖 亘丕 胤亘蹖毓鬲 賵 亘丕夭诏卮鬲 亘賴 诏匕卮鬲賴鈥屰� 亘丕卮讴賵賴 賲胤乇丨 亘賵丿貙 丿乇 賳丕鬲賵乇丕賱蹖爻賲 亘丕 乇卅丕賱蹖爻賲 鬲賲丕賲 毓蹖丕乇貙 鬲丕讴蹖丿 亘乇 賲卮丕賴丿賴鈥屰� 賲爻鬲賯蹖賲 賵 丕爻鬲賮丕丿賴 丕夭 乇賵卮鈥屬囏й� 毓賱賲蹖 丿乇 鬲氐賵蹖乇 賵丕賯毓蹖丕鬲 賴爻鬲蹖賲.
鈥� 卮禺氐蹖鬲鈥屬囏� 賲毓賲賵賱丕賸 賳賲蹖鈥屫堌з嗁嗀� 丕夭 倬蹖丕賲丿賴丕蹖 丕乇孬蹖 賵 卮乇丕蹖胤賽 賲丨蹖胤蹖 禺賱丕氐蹖 蹖丕亘賳丿. 亘賴 毓亘丕乇鬲蹖 卮禺氐蹖鬲鈥屬囏� 丿乇诏蹖乇 賳賵毓蹖 噩亘乇賳丿 讴賴 賳賲蹖鈥屫堌з嗁嗀� 亘賴 讴賲讴 丕禺鬲蹖丕乇 賵 丕乇丕丿賴鈥屰� 丌夭丕丿 丕夭 丌賳 亘诏乇蹖夭賳丿 (丿鬲乇賲蹖賳蹖爻賲).
鬲賯丿蹖乇 賵 爻乇賳賵卮鬲 亘夭乇诏鬲乇蹖賳 賴丿丕蹖鬲鈥屭┵嗁嗀з嗁� 丿丕爻鬲丕賳 賴爻鬲賳丿. 賳馗乇蹖賴鈥屬囏й� 賮乇诏卮鬲蹖賽 丿丕乇賵蹖賳 讴賴 丿乇 賴賲蹖賳 讴鬲丕亘 賴賲 夭賵賱丕 亘賴 丌賳鈥屬囏� 丕卮丕乇賴 讴乇丿賴 亘賴 禺丿賲鬲 丕蹖賳 賳诏丕賴 鬲賯丿蹖乇诏乇丕 賲蹖鈥屫③屬嗀�. 丿爻鬲 鬲賯丿蹖乇 鬲賲丕賲蹖 鬲賱丕卮鈥屬囏й� 卮禺氐蹖鬲鈥屬囏� 亘乇丕蹖 丕蹖噩丕丿 鬲睾蹖蹖乇 賵 乇賴丕蹖蹖 丕夭 卮乇丕蹖胤 亘丿 夭賲丕賳賴 乇丕 賳丕讴丕賲 賲蹖鈥屭柏ж必�.
丿乇 丕蹖乇丕賳
丕诏乇 蹖丕丿鬲丕賳 亘丕卮丿貙 倬蹖卮 丕夭 丕蹖賳 讴鬲丕亘 芦禺乇賲诏爻禄 乇丕 亘乇乇爻蹖 讴乇丿賲 賵 诏賮鬲賲 讴賴 禺乇賲诏爻貙 乇賲丕賳蹖 丕蹖鬲丕賱蹖丕蹖蹖 丕爻鬲 讴賴 丿乇 丕蹖乇丕賳 丕夭 禺賵丿 丕蹖鬲丕賱蹖丕 賲毓乇賵賮鈥屫� 丕爻鬲! 賲賴賲鬲乇蹖賳 丿賱蹖賱 賴賲 丕蹖賳 亘賵丿 讴賴 丿乇 丿乇 丿賴賴鈥屸€屬囏й� 趩賴賱 賵 倬賳噩丕賴賽 禺賵乇卮蹖丿蹖 诏乇丕蹖卮 亘賴 賲丕乇讴爻蹖爻賲 丿乇 丕蹖乇丕賳 亘賴 丕賵噩 乇爻蹖丿 賵 亘蹖卮鬲乇賽 賳賵蹖爻賳丿诏丕賳 賵 丿丕賳卮噩賵蹖丕賳 卮蹖賮鬲賴鈥屰� 丕蹖丿賴鈥屬囏й� 賲丕乇讴爻 卮丿賳丿. 賳賵蹖爻賳丿诏丕賳 賵 賲鬲乇噩賲丕賳 亘賴 鬲兀賱蹖賮 賵 鬲乇噩賲賴鈥屰� 丕賳亘賵賴蹖 丕夭 丌孬丕乇 賲丕乇讴爻蹖爻鬲蹖 賵 爻賵爻蹖丕賱蹖爻鬲蹖 (賵 倬丿蹖丿賴鈥屰� 毓噩蹖亘 賵 睾乇蹖亘 賲丕乇讴爻蹖爻賲 丕爻賱丕賲蹖) 乇賵蹖 丌賵乇丿賳丿 賵 倬乇賮乇賵卮鈥屫臂屬� 讴鬲丕亘鈥屬囏� 丿乇 丌賳 丿賵乇賴 匕賴賳 禺賵丕賳賳丿诏丕賳 乇丕 亘賴 丕蹖丿賴鈥屬囏й� 賲丕乇讴爻 丌賱賵丿.
跇乇賲蹖賳丕賱 賴賲 趩賳丿丕賳 丕夭 丕蹖賳 賯丕毓丿賴 噩丿丕 賳蹖爻鬲 賵 丕诏乇趩賴 丕夭 賳馗乇 讴蹖賮蹖鬲 賵 卮賴乇鬲貙 亘丕 禺乇賲诏爻 賯丕亘賱 賲賯丕蹖爻賴 賳蹖爻鬲 賵 夭賵賱丕 賵 丌孬丕乇卮 丿乇 賮乇丕賳爻賴 賵 噩賴丕賳 卮賳丕禺鬲賴 卮丿賴鈥屫з嗀� 賵賱蹖 賲蹖鈥屫堌з� 亘禺卮蹖 丕夭 卮賴乇鬲 賵 賲丨亘賵亘蹖鬲 芦跇乇賲蹖賳丕賱禄 丿乇 丕蹖乇丕賳 乇丕 亘賴 禺丕胤乇 賲賵噩 賲丕乇讴爻蹖爻鬲蹖 丿乇 丿賴賴鈥屰� 倬賳噩丕賴 禺賵乇卮蹖丿蹖 丿丕賳爻鬲. 讴丕賮蹖 丕爻鬲 亘賴 丕賵賱蹖賳 趩丕倬 趩賳蹖賳 讴鬲丕亘鈥屬囏й屰� 賳诏丕賴 讴賳蹖丿:
趩丕倬 丕賵賱 讴鬲丕亘 禺乇賲诏爻:郾鄢鄣鄱
趩丕倬 丕賵賱 讴鬲丕亘 跇乇賲蹖賳丕賱:郾鄢鄣鄱
趩賳蹖賳 趩蹖夭蹖 鬲氐丕丿賮蹖 丕爻鬲責 亘賴 賴蹖趩 賵噩賴.
賳鬲蹖噩賴鈥屰� 丕賮讴丕乇 爻賵爻蹖丕賱蹖爻鬲蹖 丿乇 丿賴賴鈥屬囏й� 趩賴賱 賵 倬賳噩丕賴 禺賵乇卮蹖丿蹖 毓亘丕乇鬲 亘賵丿 丕夭: 丌賲乇蹖讴丕爻鬲蹖夭蹖貙 賲氐丕丿乇賴鈥屰� 诏爻鬲乇丿賴鈥屰� 丕賲賵丕賱 賵 丿賵賱鬲蹖 讴乇丿賳賽 氐賳丕蹖毓貙 爻蹖胤乇賴鈥屰� 讴丕賲賱 丿賵賱鬲 亘乇 丕賯鬲氐丕丿 賵 丌賲賵夭卮 賵 亘賴丿丕卮鬲貙 賵 丕賯鬲氐丕丿 丿爻鬲賵乇蹖. 亘賴 賴賲蹖賳 丿賱蹖賱 亘丕 丕蹖賳讴賴 跇乇賲蹖賳丕賱 丕夭 亘爻蹖丕乇蹖 丕夭 噩賴丕鬲 丕孬乇 賯丕亘賱 爻鬲丕蹖卮蹖 丕爻鬲貙 亘丕蹖丿 丌孬丕乇賽 賲禺乇亘賽 丌賳 亘乇 噩丕賲毓賴 乇丕 賳蹖夭 诏賵卮賴鈥屰� 匕賴賳 丿丕卮鬲. 亘毓囟蹖 丕夭 噩賲賱丕鬲賽 讴鬲丕亘 卮毓丕乇賴丕蹖蹖 丕爻鬲 讴賴 賴賳賵夭 賴賲 亘賴 诏賵卮 賲乇丿賲 丌卮賳丕爻鬲:
跇乇賲蹖賳丕賱 賵 亘蹖賳賵丕蹖丕賳
乇蹖賵蹖賵蹖 胤賵賱丕賳蹖鈥屫з� 乇丕 亘丕 丕卮丕乇賴鈥屫й� 亘賴 賲賯丿賲賴鈥屰� 讴鬲丕亘 鬲賲丕賲 賲蹖讴賳賲! 丿乇 鬲賯丿蹖賲鈥屬嗀з呝団€屰� 讴鬲丕亘貙 爻乇賵卮 丨亘蹖亘蹖 跇乇賲蹖賳丕賱 乇丕 芦亘蹖賳賵丕蹖丕賳賽 夭賵賱丕禄 賳丕賲蹖丿賴 丕爻鬲. 賲賯丕蹖爻賴鈥屫й� 讴賴 丿乇 賳賵毓 禺賵丿 噩丕賱亘 丕爻鬲 賵 噩賳亘賴鈥屬囏й� 丿乇爻鬲 賵 賳丕丿乇爻鬲蹖 丿丕乇丿.
亘賱賴貙 丿乇爻鬲 丕爻鬲 讴賴 賴乇丿賵 讴鬲丕亘 賳賵蹖爻賳丿诏丕賳蹖 賮乇丕賳爻賵蹖 丿丕乇賳丿貙 賵 賴乇丿賵 卮丕賲賱 亘禺卮蹖 丕夭 鬲丕乇蹖禺 賮乇丕賳爻賴 賴爻鬲賳丿 賵 賮賯乇 賵 芦亘蹖賳賵丕蹖蹖禄 毓賳氐乇 賲賴賲蹖 丿乇 賴乇丿賵 丿丕爻鬲丕賳 丕爻鬲貙 賵賱蹖 鬲賮丕賵鬲鈥屬囏й� 亘爻蹖丕乇 賲賴賲蹖 賴賲 賵噩賵丿 丿丕乇丿:
鈥� 賲蹖鈥屫促堌� 诏賮鬲 鬲氐賵蹖乇 芦亘蹖賳賵丕蹖蹖禄 丿乇 跇乇賲蹖賳丕賱 倬乇乇賳诏鈥屫� 賵 賮賱丕讴鬲鈥屫ㄘж必� 丕夭 芦亘蹖賳賵丕蹖丕賳禄 丕爻鬲. 丿乇 賵丕賯毓 丕蹖賳 賮讴乇 禺賳丿賴鈥屫ж� 亘賴 匕賴賳賲 禺胤賵乇 讴乇丿賴 讴賴 亘丿 賳亘賵丿 丕爻賲 丕蹖賳 丿賵 乇賲丕賳 噩丕亘噩丕 賲蹖鈥屫簇�.
讴賱賲賴鈥屰� 跇乇賲蹖賳丕賱 丕卮丕乇賴 亘賴 乇賵蹖卮 賵 丕賲蹖丿 丿丕乇丿 賵 夭賵賱丕 丿乇 倬丕乇丕诏乇丕賮 倬丕蹖丕賳蹖 讴鬲丕亘 亘賴 丌賳 丕卮丕乇賴 讴乇丿賴 丕爻鬲:
丿乇 丨丕賱蹖 讴賴 賴賲丕賳胤賵乇 讴賴 诏賮鬲賲 卮乇丕蹖胤 賳丕鬲賵乇丕賱蹖爻鬲蹖 丿乇 跇乇賲蹖賳丕賱貙 亘丕毓孬 賲蹖鈥屫促堌� 丿爻鬲 鬲賯丿蹖乇 賴賲賴鈥屰� 丕賲蹖丿賴丕 乇丕 賳賯卮 亘乇 丌亘 讴賳丿.
丕賲丕 丿乇 亘蹖賳賵丕蹖丕賳 讴賴 賲蹖鈥屫堌з� 丌賳 乇丕 賲鬲毓賱賯 亘賴 賲讴鬲亘 芦乇賲丕賳鬲蹖爻賲禄 丿丕賳爻鬲貙 丕賲蹖丿 賵 丕乇丕丿賴鈥屰� 丌夭丕丿 爻乇丕賳噩丕賲 亘丕毓孬 乇爻鬲诏丕乇蹖賽 卮禺氐蹖鬲鈥屬囏й� 丿丕爻鬲丕賳 賲蹖鈥屫促堌�. 丕丨爻丕爻丕鬲 丕賳爻丕賳蹖 賵 卮丕毓乇丕賳诏蹖 亘賴 賵囟賵丨 丿乇 賳孬乇 賴賵诏賵 丿蹖丿賴 賲蹖鈥屫促堌�. 丿乇 賳鬲蹖噩賴 卮丕蹖丿 丕爻賲 跇乇賲蹖賳丕賱 賴賲 亘乇丕蹖 丕孬乇 賴賵诏賵 禺丕賱蹖 丕夭 賱胤賮 賳亘賵丿!
鈥� 賴賵诏賵 丿乇 丌孬丕乇卮 賳爻亘鬲 亘賴 夭賵賱丕 乇賵蹖讴乇丿蹖 賲丨丕賮馗賴鈥屭┴ж必з嗁団€屫� 丿丕乇丿 賵 禺賵丕賴丕賳 鬲睾蹖蹖乇 賴賲賴鈥屰� 丕乇夭卮鈥屬囏� 蹖丕 夭蹖乇 賵 乇賵 讴乇丿賳 噩丕賲毓賴 賳蹖爻鬲. 賴賲丕賳胤賵乇 讴賴 丿乇 丕亘鬲丿丕蹖 乇賲丕賳 亘蹖賳賵丕蹖丕賳 賲卮禺氐 丕爻鬲貙 賳诏丕賴 賴賵诏賵 亘賴 賲爻蹖丨蹖鬲貙 趩賳丿丕賳 賲賳賮蹖 賳蹖爻鬲貙 亘乇 禺賱丕賮 夭賵賱丕 丿乇 跇乇賲蹖賳丕賱 讴賴 賳诏丕賴 禺賵亘蹖 亘賴 賲匕賴亘 賳丿丕乇丿:
賴賵诏賵 卮乇丕蹖胤 丕賳賯賱丕亘蹖賽 賮乇丕賳爻賴 乇丕 丿乇 亘蹖賳賵丕蹖丕賳 賳賲丕蹖卮 賲蹖鈥屫囏� 丕賲丕 賳诏丕賴卮 亘賴 丌賳 讴丕賲賱丕賸 賲孬亘鬲 賳蹖爻鬲 賵 亘賴 噩賳亘卮鈥屬囏й� 讴丕乇诏乇蹖 讴賲鬲乇 丕卮丕乇賴 賲蹖鈥屭┵嗀�.
鈥� 賲賮賴賵賲 毓丿丕賱鬲 丿乇 賳诏丕賴 賴賵诏賵 亘蹖卮鬲乇 賲賮賴賵賲蹖 丕賳爻丕賳蹖貙 賮乇丿诏乇丕貙 賵 賯囟丕蹖蹖 丕爻鬲貙 丿乇 丨丕賱蹖 讴賴 丿乇 跇乇賲蹖賳丕賱貙 夭賵賱丕 丕夭 芦毓丿丕賱鬲 丕噩鬲賲丕毓蹖禄貙 賴賲丕賳 毓丿丕賱鬲 賲賵乇丿 毓賱丕賯賴鈥屰� 賲丕乇讴爻蹖爻鬲鈥屬囏ж� 蹖毓賳蹖 亘乇丕亘乇蹖 丿乇 孬乇賵鬲 氐丨亘鬲 賲蹖鈥屭┵嗀�.
亘乇 賲賵噩賽 卮乇丕蹖胤賽 夭賲丕賳賴
芦跇乇賲蹖賳丕賱禄 乇丕 賲蹖鈥屫堌з� 丕夭 噩賴丕鬲 賲禺鬲賱賮 亘乇乇爻蹖 讴乇丿貙 賵賱蹖 亘賴 賳馗乇賲 蹖讴蹖 丕夭 噩丕賱亘鈥屫臂屬� 噩賳亘賴鈥屬囏� 丕蹖賳 丕爻鬲 讴賴 亘賮賴賲蹖賲 丿乇 匕賴賳 賳賵蹖爻賳丿賴鈥屰� 賯乇賳 賳賵夭丿賴賲 趩賴 賲蹖鈥屭柏簇� 讴賴 亘丕毓孬 丨賲丕蹖鬲 丕賵 丕夭 丕蹖丿賴鈥屰� 爻賵爻蹖丕賱蹖爻賲 賲蹖鈥屫簇�.
丕賳賯賱丕亘 氐賳毓鬲蹖 氐乇賮丕賸 鬲丨賵賱 丿乇 丕亘夭丕乇 賵 鬲賵賱蹖丿丕鬲 氐賳毓鬲蹖 賳亘賵丿. 毓氐乇 乇賵卮賳诏乇蹖 倬蹖卮 丕夭 丌賳 卮蹖賵賴鈥屰� 鬲賮讴乇 丕賳爻丕賳 乇丕 賳爻亘鬲 亘賴 禺賵丿 賵 噩賴丕賳 鬲睾蹖蹖乇 丿丕丿賴 亘賵丿. 乇賵卮賳賮讴乇丕賳 賵 賳賵蹖爻賳丿诏丕賳 倬爻 丕夭 毓氐乇 乇賵卮賳诏乇蹖 亘賴 賲爻丕卅賱蹖 賴賲趩賵賳 丨賯賵賯 亘卮乇 賵 卮乇丕蹖胤 讴丕乇 賵 讴丕乇诏乇 賵 毓丿丕賱鬲 鬲賵噩賴 賲蹖鈥屭┴必嗀� 賲賵囟賵毓丕鬲蹖 讴賴 亘乇丕蹖 诏匕卮鬲诏丕賳 亘賴 丕蹖賳 氐賵乇鬲 噩匕丕亘 賳亘賵丿.
丿乇 丌孬丕乇 倬蹖卮蹖賳蹖丕賳 亘賴 賳丿乇鬲 丕卮丕乇賴鈥屫й� 亘賴 丨賯賵賯 丕賵賱蹖賴鈥屰� 丕賳爻丕賳 賲蹖鈥屫ㄛ屬嗃屬�. 丕賲丕 倬爻 丕夭 毓氐乇 乇賵卮賳诏乇蹖 賲爻丕卅賱蹖 賴賲趩賵賳 亘乇丿賴鈥屫ж臂屫� 毓丿丕賱鬲貙 丨賯賵賯 卮賴乇賵賳丿蹖 賵 丨賯賵賯 夭賳丕賳听 亘賴 賲爻丕卅賱 乇賵夭 鬲亘丿蹖賱 卮丿.
亘爻蹖丕乇蹖 丕夭 賳賵蹖爻賳丿诏丕賳 乇爻丕賱鬲蹖 亘乇丕蹖 賳賵卮鬲賴鈥屬囏й� 禺賵丿 賯丕卅賱 亘賵丿賳丿 鬲丕 夭賳丿诏蹖 亘賴鬲乇蹖 亘乇丕蹖 丕賳爻丕賳鈥屬囏� 亘爻丕夭賳丿. 賳賵蹖爻賳丿賴鈥屫й� 毓賱蹖賴 亘蹖鈥屫关з勜� 賳跇丕丿蹖 賵 亘乇丿賴鈥屫ж臂� 賲蹖鈥屬嗁堌簇� 丿蹖诏乇蹖 毓賱蹖賴 卮乇丕蹖胤 丿卮賵丕乇 讴丕乇 賵 讴丕乇诏乇 賵 丿蹖诏乇蹖 毓賱蹖賴 亘蹖鈥屫关з勜� 賳爻亘鬲 亘賴 夭賳丕賳.
丿乇 趩賳蹖賳 卮乇丕蹖胤蹖 丕蹖丿賴鈥屬囏й� 乇丕丿蹖讴丕賱 賴賲 倬鬲丕賳爻蹖賱 亘蹖卮鬲乇蹖 亘乇丕蹖 亘乇诏夭蹖丿賴 卮丿賳 賵 亘丕賱丕 丌賲丿賳 丿丕乇賳丿. 賲丕乇讴爻蹖爻賲 蹖讴蹖 丕夭 丕蹖賳 丕蹖丿賴鈥屬囏� 亘賵丿 賵 賮囟丕蹖 乇賵卮賳賮讴乇蹖賽 賯乇賳 賳賵夭丿賴賲 亘賴 爻賲鬲 丕蹖丿賴鈥屬囏й� 讴丕乇賱 賲丕乇讴爻 讴卮蹖丿賴 卮丿貙 倬爻 賳亘丕蹖丿 丕夭 鬲賲丕蹖賱賽 丕賲蹖賱 夭賵賱丕 亘賴 丕蹖賳 丕蹖丿賴鈥屬囏� 鬲毓噩亘 讴賳蹖賲.
賮賱丕讴鬲
丿乇 跇乇賲蹖賳丕賱 賲丕 亘丕 卮乇丕蹖胤賽 夭賳丿诏蹖賽 睾蹖乇丕賳爻丕賳蹖 賵 鬲讴丕賳鈥屫囐嗀� 乇賵亘乇賵蹖蹖賲.
賮賯乇 賵 爻蹖賴鈥屫辟堌槽� 丿乇 噩丕賲毓賴鈥屰� 讴丕乇诏乇蹖賽 丿丕爻鬲丕賳 亘蹖丿丕丿 賲蹖鈥屭┵嗀� 賵 賲丨蹖胤賽 讴丕乇 賵 卮乇丕蹖胤 讴丕乇诏乇丕賳 亘丕 卮乇丕蹖胤 亘乇丿賴鈥屫ж臂� 賯丕亘賱 賲賯丕蹖爻賴 丕爻鬲. 丿乇 賵丕賯毓 鬲氐賵蹖乇蹖 讴賴 夭賵賱丕 丕夭 賵囟毓蹖鬲 讴丕乇诏乇丕賳 丕乇丕卅賴 賲蹖鈥屭┵嗀� 賵囟毓蹖鬲蹖 丕賳爻丕賳蹖 賳蹖爻鬲 賵 亘丕 讴丕乇诏乇丕賳貙 賳賴 亘賴 卮讴賱 丕賳爻丕賳貙 亘賱讴賴 亘賴 卮讴賱 芦诏賵卮鬲 賲鬲丨乇讴禄 乇賮鬲丕乇 賲蹖鈥屫促堌�. 诏賵卮鬲鈥屬囏й屰� 讴賴 亘丕 倬丕蹖 禺賵丿 亘賴 诏賱賵蹖 夭賲蹖賳 (蹖毓賳蹖 賴賲丕賳 賲毓丿賳) 賲蹖鈥屫辟堎嗀�:
趩丕賴貙 丕賳爻丕賳鈥屬囏� 乇丕 亘賴 氐賵乇鬲 賱賯賲賴鈥屬囏й� 亘蹖爻鬲 賵 爻蹖 賳賮乇蹖 賮乇賵 賲蹖鈥屫ㄙ勜观屫� 賵 趩賳丕賳 亘賴 賳乇賲蹖貙 讴賴 诏賮鬲蹖 丨爻 賳賲蹖鈥屭┵嗀� 趩诏賵賳賴 丕夭 诏賱賵蹖卮 倬丕蹖蹖賳 賲蹖鈥屫辟堎嗀�.
賵 讴丕乇诏乇丕賳 亘賴 芦丿乇賲丕賳丿诏蹖賽 丌賲賵禺鬲賴鈥屫簇嚶� 毓丕丿鬲 讴乇丿賴鈥屫з嗀� 賵 亘賴 乇賳噩 禺賵丿 亘蹖鈥屫ж关嗀й屬嗀�:
毓丕丿鬲 讴乇丿賴 亘賵丿 讴賴 亘賴 乇賳噩 禺賵丿 亘蹖鈥屫ж关嗀� 亘丕卮丿貙 诏賮鬲蹖 爻蹖丕賴鈥屫ㄘ屬� 賴賲诏丕賳蹖 趩賳蹖賳 賲蹖鈥屫堌ж池� 讴賴 賴賲賴 賴賲蹖賳鈥屫焚堌� 夭蹖乇 亘丕乇貙 丿賵鬲丕貙 亘賴 爻乇 亘乇賳丿.
賵賯鬲蹖 丌丿賲 夭賵乇卮 賳賲蹖鈥屫必迟� 亘丕蹖丿 賴賵丕蹖 讴丕乇卮賵 丿丕卮鬲賴 亘丕卮賴 賵 趩丕讴 丿賴賳卮賵 亘亘賳丿賴!
賵 丿乇 趩賳蹖賳 卮乇丕蹖胤蹖 賲乇诏 亘乇丕蹖 讴丕乇诏乇丕賳 诏賵丕乇丕鬲乇 丕夭 夭賳丿诏蹖 丕爻鬲:
毓賵囟卮 賵賯鬲蹖 丌丿賲 賲購乇丿 丿蹖诏賴 诏乇爻賳賴鈥屫� 賳賲蹖鈥屫促�.
丿乇丨丕賱蹖 讴賴 讴丕乇賮乇賲丕蹖丕賳 丿乇 丿丕爻鬲丕賳 跇乇賲蹖賳丕賱 丿乇 孬乇賵鬲 賵 乇賮丕賴 睾乇賯鈥屫з嗀� 賵 丿乇讴蹖 賳爻亘鬲 亘賴 卮乇丕蹖胤 賮賱丕讴鬲鈥屫ㄘж� 讴丕乇诏乇丕賳 賳丿丕乇賳丿 賵 亘賴 丌賳鈥屬囏� 亘賴 趩卮賲 芦诏賱賴鈥屰� 丕賳爻丕賳蹖禄 賲蹖鈥屬嗂辟嗀�.
夭賳丕賳 丿乇 跇乇賲蹖賳丕賱貙 亘賴 禺氐賵氐 丿乇 賯卮乇 讴丕乇诏乇貙 賮丕賯丿賽 賴賵蹖鬲 賵 丕乇丕丿賴鈥屰� 賲爻鬲賯賱鈥屫з嗀� 賵 丨鬲蹖 亘蹖卮鬲乇 亘賴 賳丕賲 卮賵賴乇丕賳卮丕賳 禺賵丕賳丿賴 賲蹖鈥屫促堎嗀�: 夭賳賽 賲丕賴賵貙 夭賳 倬蹖鈥屰屫辟堎嗀� 夭賳 賱賵賵丕讴... 丕賱亘鬲賴 亘賴 賳馗乇賲 夭賵賱丕 乇丕 賳亘丕蹖丿 丿乇 丕蹖賳 賲賵乇丿 賲賯氐乇 丿丕賳爻鬲貙 賵囟毓蹖鬲 夭賳丕賳 讴丕乇诏乇 丿乇 丌賳 夭賲丕賳 亘賴 乇丕爻鬲蹖 亘賴 趩賳丕賳 卮乇丕蹖胤蹖 賳夭丿蹖讴 亘賵丿賴 丕爻鬲 賵 賳诏丕賴 夭賵賱丕 亘賴 賲爻丕卅賱 夭賳丕賳貙 賳诏丕賴蹖 丕賳鬲賯丕丿蹖 丕爻鬲. 夭賳丕賳蹖 讴賴 倬丕 亘賴 倬丕蹖 賲乇丿丕賳貙 賵 丨鬲蹖 亘蹖卮鬲乇 讴丕乇 賲蹖鈥屭┵嗁嗀� 賵 丿乇 亘乇丕亘乇 禺卮賵賳鬲貙 賲賳賮毓賱 賴爻鬲賳丿:
賲賴乇亘丕賳蹖鈥屫ж� 丕夭 鬲爻賱蹖賲 賵 鬲賲讴蹖賳 丨讴丕蹖鬲 賲蹖鈥屭┴必� 賵 倬蹖丿丕 亘賵丿 讴賴 丌賲丕丿賴 丕爻鬲 讴賴 禺卮賵賳鬲 賲乇丿賴丕 乇丕 賳蹖夭 賲孬賱 丿乇卮鬲蹖鈥屬囏й� 夭賳丿诏蹖 鬲丨賲賱 讴賳丿.
亘蹖 爻乇讴卮蹖 丕夭 禺賵丿 丿賮丕毓 賲蹖鈥屭┴必� 亘丕 鬲爻賱蹖賲 毓丕乇蹖 丕夭 丕乇丕丿賴鈥屰� 丿禺鬲乇丕賳蹖 讴賴 倬蹖卮 丕夭 賵賯鬲 鬲賳 亘賴 賳蹖乇賵蹖 賳乇蹖賳诏蹖 賲蹖鈥屫囐嗀�. 賲诏乇 賯丕賳賵賳 讴賱蹖 賴賲蹖賳 賳亘賵丿責 丕賵 賴乇诏夭貙 丨鬲蹖 丿乇 乇賵蹖丕賴丕蹖 禺賵丿 丕賳鬲馗丕乇蹖 噩夭 丕蹖賳 賳丿丕卮鬲賴 亘賵丿. 鬲噩丕賵夭蹖 倬卮鬲 鬲倬賴 賵 丕賵賱蹖賳 卮讴賲 丿乇 卮丕賳夭丿賴 爻丕賱诏蹖 賵 亘毓丿 噩丕賳 讴賳丿賳 丿乇 賲毓丿賳 賵 賮賱丕讴鬲賽 禺丕賳賴 丿丕乇蹖 丌賳 賴賲 丕诏乇 胤乇賮卮 丌賳賯丿乇 丌賯丕 亘賵丿 讴賴 亘诏蹖乇丿卮.
乇賵丕亘胤 丕乇賵鬲蹖讴 賵 賴賲鈥屫⒇嘿堌篡屸€屬囏� (讴賴 丿乇 讴鬲丕亘 亘爻蹖丕乇賳丿 賵 亘賴 胤乇夭 毓噩蹖亘蹖 丿乇 鬲乇噩賲賴 丕夭 趩賳诏丕賱 爻丕賳爻賵乇趩蹖丕賳 丿乇 丕賲丕賳 賲丕賳丿賴鈥屫з嗀�) 鬲賱丕卮蹖 丕夭 爻賵蹖 亘蹖趩丕乇诏丕賳 亘乇丕蹖 趩賳诏 丕賳丿丕禺鬲賳蹖 讴賵鬲丕賴 亘賴 夭賳丿诏蹖 賵 賮乇丕乇 丕夭 賮賱丕讴鬲 丕爻鬲:
丿乇 丕胤乇丕賮賽 丕蹖賳 賲丕卮蹖賳賽 禺丕賲賵卮 賵 丿乇 賳夭丿蹖讴蹖賽 丕蹖賳 趩丕賴蹖 讴賴 丕夭 禺賵乇丿賳賽 丌丿賲 賵 賯蹖鈥屭┴必嗁� 夭睾丕賱 禺爻鬲賴 卮丿賴 亘賵丿貙 鬲賱丕賮蹖賽 禺賱賯鬲 丿乇 噩乇蹖丕賳 亘賵丿貙 毓卮賯賽 爻乇讴卮 亘賵丿 讴賴 夭蹖乇 卮賱丕賯賽 睾乇蹖夭賴貙 丿乇 卮讴賽賲 丕蹖賳 丿禺鬲乇丕賳賽 賴賳賵夭 夭賳 賳卮丿賴貙 鬲禺賲賽 賮賱丕讴鬲 賲蹖鈥屭┴ж簇�.
亘賴 丕蹖賳 丿禺鬲乇丕賳賽 丕夭 禺爻鬲诏蹖 丿乇賲丕賳丿賴鈥屫й� 賮讴乇 賲蹖鈥屭┴必� 讴賴 賴賳賵夭 丌賳鈥屬傌� 丕丨賲賯 亘賵丿賳丿 讴賴 亘趩賴 賴賲 丿乇爻鬲 賲蹖鈥屭┴必嗀� 诏賵卮鬲蹖 亘乇丕蹖 亘丕乇 亘乇丿賳 賵 讴丕賱亘丿賴丕蹖蹖 亘乇丕蹖 乇賳噩 讴卮蹖丿賳. 丕诏乇 丕蹖賳鈥屬囏� 賴賲趩賳丕賳 亘賴 丿乇爻鬲 讴乇丿賳賽 亘趩賴鈥屬囏й屰� 亘賴 诏乇爻賳诏蹖 賲丨讴賵賲 丕丿丕賲賴 丿賴賳丿貙 賮賱丕讴鬲卮丕賳 賴乇诏夭 鬲賲丕賲 賳禺賵丕賴丿 卮丿. 丌蹖丕 亘賴鬲乇 賳亘賵丿 爻賵乇丕禺 夭蹖乇 卮讴賲卮丕賳 乇丕 趩賮鬲 讴賳賳丿 賵 乇丕賳鈥屬囏ж簇з� 乇丕 賲孬賱 賵賯鬲 乇爻蹖丿賳賽 賲氐蹖亘鬲 噩賮鬲責 賳賴! 丕蹖賳 乇丕賴蹖 亘賵丿 讴賴 賴賲賴 亘賴 丌賳 賲蹖鈥屫辟佖嗀�. 夭賵乇 睾乇蹖夭賴 亘賴 毓賯賱 賲蹖鈥屭嗀必ㄛ屫�.
賮乇夭賳丿丌賵乇蹖 丿乇 夭賳丿诏蹖賽 讴丕乇诏乇丕賳賽 丿丕爻鬲丕賳貙 賴丿賮蹖 噩夭 爻賵丿丌賵乇蹖賽 丕賯鬲氐丕丿蹖 賳丿丕乇丿:
賴乇 蹖讴 丕夭 鬲賵賱賴鈥屬囏й� 賮乇丕賵丕賳卮 乇丕 亘賴 氐賵乇鬲 賳丕賳鈥屫①堌臂� 丌鬲蹖 丿乇 賳馗乇卮 賲噩爻賲 賲蹖鈥屭┴必�.
丌丿賲 丿禺鬲乇丿丕乇 賲蹖鈥屫促� 讴賴 丿禺鬲乇卮 讴丕乇 讴賳賴!
丕賲丕 賴賲蹖賳 賴賲鈥屫⒇嘿堌篡屸€屬囏й� 賮賱丕讴鬲鈥屫ㄘж必� 賲丕蹖賴鈥屰� 丨爻丕丿鬲賽 倬賵賱丿丕乇賴丕蹖 丿丕爻鬲丕賳 丕爻鬲! 亘賴 賳馗乇 賲賳 丕蹖賳 賲賵乇丿 乇丕 亘丕蹖丿 亘賴 丨爻丕亘賽 賮丕賳鬲夭蹖鈥屬囏й� 夭賵賱丕 诏匕丕卮鬲! 趩賵賳 亘賴 賳馗乇 賲賳 讴賲蹖 毓噩蹖亘 賵 賲爻禺乇賴 丕爻鬲:
(丕夭 賳诏丕賴 孬乇賵鬲賲賳丿賽 丿丕爻鬲丕賳) 丕丨賲賯鈥屬囏� 丕夭 夭賳丿诏蹖 禺賵丿 賲蹖鈥屬嗀з勠屫嗀� 丨丕賱 丌賳讴賴 丕夭 蹖诏丕賳賴 爻毓丕丿鬲賽 毓卮賯 賵乇夭蹖丿賳 鬲丕 爻乇丨丿賽 丕賳賮噩丕乇 爻蹖乇丕亘 賲蹖鈥屫簇嗀�. 賵丕蹖 讴賴 丕诏乇 賲蹖鈥屫堌з嗀池� 夭賳丿诏蹖 乇丕 亘丕 夭賳蹖 丕夭 賳賵 丌睾丕夭 讴賳丿 讴賴 禺賵丿 乇丕 亘丕 鬲賲丕賲 賯丿乇鬲賽 讴賲乇 賵 鬲賲丕賲賽 丕卮鬲蹖丕賯賽 爻蹖賳賴鈥屫ж� 乇賵蹖 爻賳诏鈥屬囏� 亘賴 丕賵 鬲爻賱蹖賲 讴賳丿 趩賴 亘丕 賲蹖賱 丨丕囟乇 亘賵丿 賲孬賱 丌賳賴丕 丕夭 诏乇爻賳诏蹖 亘賲蹖乇丿!
丨丕囟乇 亘賵丿 賴賲賴 趩蹖夭 禺賵丿貙 乇賮丕賴 賵 夭賳丿诏蹖 倬乇鬲噩賲賱 賵 賯丿乇鬲 賲丿蹖乇蹖鬲 禺賵丿 乇丕 亘丿賴丿 賵 丿乇 毓賵囟 亘鬲賵丕賳丿 蹖讴 乇賵夭 賲孬賱 倬爻鬲鈥屫臂屬� 讴丕乇诏乇賽 夭蹖乇丿爻鬲賽 禺賵丿 丌夭丕丿 賵 賲孬賱 丌賳賴丕 禺卮賳 亘丕卮丿貙 亘乇 诏賵卮 夭賳卮 爻蹖賱蹖 亘夭賳丿 賵 亘丕 夭賳丕賳 賴賲爻丕蹖賴 讴蹖賮 讴賳丿.
丕賳诏丕乇 丕夭 賳馗乇 夭賵賱丕 孬乇賵鬲蹖 讴賴 讴丕乇诏乇丕賳 丕蹖賳 賴賲賴 亘賴 丿賳亘丕賱 丌賳 賴爻鬲賳丿 亘蹖鈥屫ж必藏� 丕爻鬲 賵 亘丕毓孬 禺賵卮亘禺鬲蹖賽 倬賵賱丿丕乇賴丕 賴賲 賳賲蹖鈥屫促堌�.
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丕爻亘鈥屬囏й� 賲毓丿賳 丿乇 爻乇丕爻乇賽 丿丕爻鬲丕賳 賳賲丕丿蹖 丕夭 禺賵丿賽 讴丕乇诏乇丕賳 賴爻鬲賳丿. 丕爻亘鈥屬囏й屰� 讴賴 亘賴 丕爻丕乇鬲 诏乇賮鬲賴 卮丿賴鈥屫з嗀� 賵 丿乇 夭賳丿丕賳賽 夭蹖乇賽夭賲蹖賳 亘賴 讴丕乇 诏乇賮鬲賴 賲蹖鈥屫促堎嗀� 鬲丕 丕乇夭卮 丌夭丕丿蹖 賵 乇賵卮賳丕蹖蹖 亘蹖乇賵賳 乇丕 賮乇丕賲賵卮 讴賳賳丿 賵 亘賴 丕爻丕乇鬲 賵 讴丕乇賽 丕噩亘丕乇蹖 丿乇 賲毓丿賳 毓丕丿鬲 讴賳賳丿貙 賵賱蹖 诏丕賴蹖 亘賴 蹖丕丿 乇賵卮賳丕蹖蹖 賵 丌夭丕丿蹖 賲蹖鈥屫з佖嗀�.
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丿乇 丿丕賲 爻賵爻蹖丕賱蹖爻賲
夭賵賱丕 鬲賵丕賳丕蹖蹖 卮诏賮鬲鈥屫з嗂屫槽� 丿乇 賳卮丕賳 丿丕丿賳 爻蹖賴鈥屫辟堌槽� 賵 賮賱丕讴鬲蹖 讴賴 亘乇 夭賳丿诏蹖 讴丕乇诏乇丕賳 爻丕蹖賴 丕賮讴賳丿賴 丿丕乇丿貙 卮丕蹖丿 亘賴 丕蹖賳 禺丕胤乇 讴賴 丕夭 讴賵丿讴蹖 賮賯乇 乇丕 丕夭 賳夭丿蹖讴 賱賲爻 讴乇丿賴 賵 亘乇丕蹖 賳賵卮鬲賳賽 丕蹖賳 讴鬲丕亘貙 夭賳丿诏蹖 讴丕乇诏乇丕賳 賲毓丿賳 乇丕 丕夭 賳夭丿蹖讴 亘乇乇爻蹖 鈥屬嗁呝堌� 丕爻鬲. 夭賵賱丕 亘賴 丿乇爻鬲蹖 丕卮讴丕賱蹖 丿乇 噩丕賲毓賴 賲蹖鈥屫ㄛ屬嗀�: 賮賯乇
賵 丿乇 噩爻鬲噩賵蹖 乇丕賴蹖 亘乇丕蹖 亘賴亘賵丿 賵囟毓蹖鬲 讴丕乇诏乇丕賳 亘賴 鬲丿乇蹖噩 賴賲丕賳賳丿 亘爻蹖丕乇蹖 丕夭 乇賵卮賳賮讴乇丕賳賽 夭賲丕賳賴鈥屫ж簇� 丿賱 亘賴 丕蹖丿賴鈥屰� 爻賵爻蹖丕賱蹖爻賲 賲蹖鈥屫ㄙ嗀� 賵 亘賴 丕蹖賳 賳鬲蹖噩賴 賲蹖鈥屫必池� 讴賴 讴丕乇賮乇賲丕蹖丕賳 亘丕毓孬 賵 亘丕賳蹖賽 卮乇丕蹖胤 賮賱丕讴鬲鈥屫ㄘж� 讴丕乇诏乇丕賳 賴爻鬲賳丿 賵 爻乇賲丕蹖賴 賵 爻乇賲丕蹖賴鈥屫ж� 乇丕 賲賯氐乇 趩賳蹖賳 賵囟毓蹖鬲蹖 賲蹖鈥屫ㄛ屬嗀� 賵 亘賴 丕蹖賳 鬲乇鬲蹖亘 鬲卅賵乇蹖鈥屬囏й� 讴丕乇賱 賲丕乇讴爻 (蹖丕 丕夭 賳馗乇 賲賳 趩乇賳丿蹖丕鬲 讴丕乇賱 賲丕乇讴爻) 乇丕 亘丕乇賴丕 賵 亘丕乇賴丕 亘賴 胤賵乇 賲爻鬲賯蹖賲 賵 睾蹖乇 賲爻鬲賯蹖賲 丿乇 乇賲丕賳 鬲讴乇丕乇 賲蹖鈥屭┵嗀�:
(丕夭 夭亘丕賳 讴丕乇賮乇賲丕): 倬賵賱蹖 讴賴 亘丕 夭丨賲鬲 丿蹖诏乇丕賳 賳氐蹖亘 丌丿賲 卮賵丿 亘蹖卮鬲乇 亘賴 丿賱 賲蹖鈥屬嗀篡屬嗀�.
(丕夭 賳诏丕賴 讴丕乇诏乇): 丌賲丕丿诏蹖 卮丿蹖丿蹖 亘乇丕蹖 毓氐蹖丕賳貙 丕賵 乇丕 讴賴 丿爻鬲禺賵卮 丕賵賴丕賲 噩丕賴賱丕賳賴鈥屰� 禺賵丿 亘賵丿 亘賴 賲蹖丿丕賳 賲亘丕乇夭賴鈥屰� 讴丕乇 毓賱蹖賴 爻乇賲丕蹖賴 賲蹖鈥屭┴簇з嗀�. 賲賵囟賵毓 噩賲毓蹖鬲 亘蹖賳鈥屫з勝呝勝勠� 讴丕乇诏乇丕賳(噩賲毓蹖鬲蹖 賲丕乇讴爻蹖爻鬲蹖) 亘賵丿. 丌蹖丕 丕蹖賳 鬲賱丕卮蹖 賮賵賯鈥屫з勜关ж� 賳亘賵丿責丌蹖丕 丕蹖賳 賴賲丕賳 賳亘乇丿蹖 賳亘賵丿 讴賴 毓丕賯亘鬲 亘賴 倬蹖乇賵夭蹖賽 毓丿丕賱鬲 賲蹖鈥屫з嗀з呟屫� 賲乇夭賴丕 丕夭 賲蹖丕賳 賲蹖鈥屫辟佖� 賵 夭丨賲鬲讴卮丕賳 爻乇丕爻乇 丿賳蹖丕 賯蹖丕賲 賲蹖鈥屭┴必嗀� 賵 賲鬲丨丿 賲蹖鈥屫簇嗀� 鬲丕 丿乇 亘乇丕亘乇 乇賳噩卮丕賳貙 賳丕賳卮丕賳 乇丕 鬲囟賲蹖賳 讴賳賳丿. 趩賴 爻丕夭賲丕賳 爻丕丿賴 賵 毓馗蹖賲蹖!
倬賵賱丿丕乇賴丕 趩賳丕賳 丨乇蹖氐丕賳賴 亘乇 孬乇賵鬲 禺賵丿 賲蹖鈥屫з佖操堌嗀� 讴賴 丨鬲蹖 乇蹖夭賴鈥屬囏й� 爻賮乇賴鈥屫簇з� 乇丕 賴賲 亘乇丕蹖 讴丕乇诏乇丕賳 賳賲蹖鈥屭柏ж簇嗀�. 亘蹖丕蹖蹖丿 亘亘蹖賳蹖丿 讴賴 丕夭 氐丿 爻丕賱 倬蹖卮 丌蹖丕 亘賴乇賴鈥屰� 賲毓賯賵賱蹖 丕夭 丕蹖賳 丕賮夭丕蹖卮 亘蹖鈥屫池жㄙ傎� 孬乇賵鬲 賳氐蹖亘 夭丨賲鬲 讴卮丕賳 卮丿賴 丕爻鬲責 亘丕 丕毓賱丕賲 丌夭丕丿蹖 讴丕乇诏乇丕賳 賮賯胤 亘賴 乇蹖卮 丌賳賴丕 禺賳丿蹖丿賴 亘賵丿賳丿. 亘賱賴貙 丌夭丕丿 亘賵丿賳丿 讴賴 丕夭 诏乇爻賳诏蹖 亘賲蹖乇賳丿 賵 丕夭 丕蹖賳 丌夭丕丿蹖 禺賵亘 丕爻鬲賮丕丿賴 賲蹖鈥屭┴必嗀�. 乇兀蹖 丿丕丿賳 亘賴 诏乇丿賳 讴賱賮鬲鈥屬囏й屰� 讴賴 賵賯鬲蹖 丕賳鬲禺丕亘 卮丿賳丿 卮讴賲 诏賳丿賴 賲蹖鈥屭┴必嗀� 賵 丕毓鬲賳丕蹖蹖 亘賴 賵囟毓 亘蹖趩丕乇诏丕賳 賳丿丕卮鬲賳丿 賳丕賳蹖 亘賴 爻賮乇賴 禺丕賱蹖 丌賳賴丕 賳蹖丕賵乇丿賴 亘賵丿.
丕蹖賳 賵囟毓 亘丕蹖丿 賴乇噩賵乇 卮丿賴 毓賵囟 卮賵丿... 禺賵丕賴 亘丕 賲爻丕賱賲鬲 丕夭 乇丕賴 賯賵丕賳蹖賳 賵 鬲賮丕賴賲 賵 丿賵爻鬲蹖 蹖丕 亘丕 禺卮賵賳鬲 賵 丌鬲卮 夭丿賳賽 賴賲賴 趩蹖夭 賵 倬丕乇賴 讴乇丿賳賽 蹖讴丿蹖诏乇.
丕蹖賳 賯乇賳 賲賲讴賳 賳蹖爻鬲 亘蹖 丕賳賯賱丕亘 鬲賲丕賲 卮賵丿... 丕賲丕 丕蹖賳 亘丕乇 丿蹖诏乇 丕賳賯賱丕亘賽 讴丕乇诏乇丕賳 禺賵丕賴丿 亘賵丿... 丕賳賯賱丕亘蹖 讴賴 噩丕賲毓賴 乇丕 丕夭 亘丕賱丕 鬲丕 倬丕蹖蹖賳 禺賵丕賴丿 卮爻鬲 賵 噩丕賲毓賴鈥屰� 丿蹖诏乇蹖 亘丕 氐賮丕 賵 毓丿丕賱鬲 亘蹖卮鬲乇蹖 禺賵丕賴丿 爻丕禺鬲.
丕蹖賳 丨丿丕賯賱 賲賯丿丕乇蹖賴 讴賴 讴丕乇诏乇丕 賳賵賳 禺丕賱蹖 亘禺賵乇賳丿 賵 亘趩賴 丿乇爻鬲 讴賳賳. 丕诏乇 丕夭 丕蹖賳 賲賯丿丕乇 讴賲鬲乇 亘卮賴 讴丕乇诏乇丕 丕夭 诏乇爻賳诏蹖 賲蹖鈥屬呟屫辟嗀� 賵 鬲賯丕囟丕蹖 賳蹖乇賵蹖 讴丕乇 夭蹖丕丿 賲蹖鈥屫促� 賵 丿爻鬲賲夭丿 亘丕賱丕 賲蹖乇賴. 丕诏賴 丕夭 丕蹖賳 賲賯丿丕乇 亘丕賱丕鬲乇 亘乇賴 毓乇囟賴鈥屰� 賳蹖乇賵蹖 讴丕乇 夭蹖丕丿 賲蹖卮賴 賵 丿爻鬲賲夭丿 倬丕蹖蹖賳 賲蹖丕丿. 丕蹖賳 鬲毓丕丿賱 卮讴賲鈥屬囏й� 禺丕賱蹖賴. 賲丨讴賵賲蹖鬲 丿丕卅賲蹖 亘賴 卮讴賳噩賴鈥屰� 讴丕乇 賵 丿乇丿 诏乇爻賳诏蹖!
賲诏乇 卮賲丕 丕夭 爻賴丕賲丿丕乇丕賳 卮乇讴鬲 賲賵賳爻賵 賳蹖爻鬲蹖丿責 賲诏乇 賳賴 丕蹖賳讴賴 讴丕乇 賳賲蹖鈥屭┵嗃屫� 賵 丕夭 孬賲乇賴 讴丕乇 丿蹖诏乇丕賳 夭賳丿诏蹖 賲蹖鈥屭┵嗃屫� 倬爻 氐賵乇鬲 賲噩爻賲賽 爻乇賲丕蹖賴鈥屫й屫� 賵 賴賲蹖賳 讴丕賮蹖 丕爻鬲. 丕胤賲蹖賳丕賳 丿丕卮鬲賴 亘丕卮蹖丿 讴賴 丕诏乇 丕賳賯賱丕亘 亘賴 孬賲乇 亘乇爻丿 賲噩亘賵乇鬲丕賳 禺賵丕賴賳丿 讴乇丿 讴賴 鬲賲丕賲 丿丕乇丕蹖蹖鈥屫з� 乇丕 讴賴 賲丕賱 丿夭丿蹖 卮賲乇丿賴 禺賵丕賴丿 卮丿 賵丕诏匕丕乇 讴賳蹖丿.
賲丕 禺蹖賱蹖 禺賵亘 賲蹖鈥屬佡囐呟屬� 讴賴 鬲丕 夭賲丕賳蹖 讴賴 賳馗丕賲 讴丕乇賴丕 亘賴 賯乇丕乇蹖 丕爻鬲 讴賴 賲蹖鈥屫ㄛ屬嗃屬呚� 賳賲蹖鈥屫堌з嗃屬� 亘賴 亘賴亘賵丿 賵囟毓賲丕賳 丕賲蹖丿賵丕乇 亘丕卮蹖賲. 賵 亘賴 賴賲蹖賳 毓賱鬲 爻乇丕賳噩丕賲 乇賵夭蹖 賲蹖鈥屫必池� 讴賴 讴丕乇诏乇丕賳 讴丕乇蹖 讴賳賳丿 讴賴 賳馗丕賲 讴丕乇 毓賵囟 卮賵丿.
丿乇 鬲丕乇讴 丕賳丿蹖卮賴鈥屬囏й屫� 賮讴乇 讴丕乇賱 賲丕乇讴爻 賴賳賵夭 亘乇 噩丕 亘賵丿. 爻乇賲丕蹖賴 丨丕氐賱 丕爻鬲孬賲丕乇 讴丕乇诏乇 丕爻鬲. 夭丨賲鬲 讴卮丕賳 丨賯 丿丕乇賳丿 賵 賵馗蹖賮賴 丿丕乇賳丿 讴賴 孬乇賵鬲蹖 乇丕 讴賴 丕夭 丌賳賴丕 丿夭丿蹖丿賴 卮丿賴 丕爻鬲 亘丕夭 亘賴 丿爻鬲 丌賵乇賳丿.
丕夭 丕賳丿讴蹖 倬蹖卮 胤乇賮丿丕乇 賳馗丕賲 丕卮鬲乇丕讴蹖 卮丿賴 亘賵丿 賵 禺賵丕爻鬲丕乇 丌賳 亘賵丿 讴賴 鬲賲丕賲 賵爻丕蹖賱 鬲賵賱蹖丿 亘賴 噩丕賲毓賴 亘丕夭诏乇丿丕賳丿賴 卮賵丿.
丕讴賳賵賳 亘賴 賳丨賵賴鈥屰� 鬲賯賵蹖賲 賵 鬲賮乇蹖賯 丨爻丕亘鈥屬囏� 丿乇 噩丕賲毓賴 賲蹖鈥屫ж� 鬲丕 爻乇丕賳噩丕賲 亘賴 賳馗丕賲 丿爻鬲賲夭丿 倬丕蹖丕賳 亘禺卮丿. 賲乇夭賴丕蹖 賲賱蹖鬲鈥屬囏� 亘乇趩蹖丿賴 賲蹖鈥屫簇嗀�. 讴丕乇诏乇丕賳 爻乇丕爻乇 噩賴丕賳 讴賴 賳蹖乇賵蹖 賲丨乇讴卮丕賳 丕丨鬲蹖丕噩蹖 賲卮鬲乇讴 亘賴 毓丿丕賱鬲 亘賵丿 亘丕 賴賲 賲鬲丨丿 賲蹖鈥屭簇嗀� 賵 夭亘丕賱賴鈥屰� 亘賵乇跇賵丕夭蹖 乇丕 丕夭 氐賮丨賴 噩賴丕賳 賲蹖鈥屫辟堎佖嗀� 賵 爻乇丕賳噩丕賲 噩丕賲毓賴鈥屰� 丌夭丕丿 乇丕 亘賳蹖丕賳 賲蹖鈥屬嗁囏ж嗀� 讴賴 丿乇 丌賳 賴乇 讴爻 讴賴 讴丕乇 賳讴賳丿貙 賳氐蹖亘蹖 賳禺賵丕賴丿 亘乇丿.
賴賲蹖賳 讴賴 賯丿乇鬲 讴丕乇诏乇丕賳 毓丕賱賲诏蹖乇 卮丿貙 亘乇丕蹖 丕乇亘丕亘鈥屬囏� 賯丕賳賵賳 賵囟毓 賲蹖鈥屭┴必嗀� 賵 亘賴 賳賵亘賴鈥屰� 禺賵丿 賲卮鬲鈥屬囏й� 诏乇賴 讴乇丿賴鈥屫簇з� 乇丕 亘乇 诏賱賵蹖 丌賳賴丕 賲蹖鈥屬佖簇必嗀�.
丨丕賱丕 丿蹖诏乇 乇賵夭蹖 亘賵丿 讴賴 讴丕乇诏乇丕賳 丕夭 爻乇賲丕蹖賴鈥屫ж必� 丕夭 丕蹖賳 禺丿丕蹖蹖 讴賴 賲毓賱賵賲 賳蹖爻鬲 讴噩丕 丿乇 禺賱賵鬲 丕爻乇丕乇丌賲蹖夭 禺蹖賲賴鈥屰� 賲賯丿爻 禺賵丿 趩賳亘乇 夭丿賴 賵 丕夭 賴賲丕賳噩丕 禺賵賳 诏乇爻賳诏丕賳蹖 讴賴 鬲睾匕蹖賴鈥屫ж� 賲蹖鈥屭┵嗁嗀� 賲蹖鈥屬呞┴� 丨爻丕亘 賲蹖鈥屫堌ж池嗀�. 亘賴 爻乇丕睾卮 賲蹖鈥屫辟堐屬� 賵 毓丕賯亘鬲 趩賴乇賴鈥屫ж� 乇丕 丿乇 賳賵乇 丨乇蹖賯 賲蹖鈥屫ㄛ屬嗃屬� 賵 丕賵 乇丕貙 丕蹖賳 禺賵讴 倬賱蹖丿貙 丕蹖賳 亘鬲 賲禺賵賮 乇丕 讴賴 丕夭 诏賵卮鬲 賲丕 爻蹖乇 賳賲蹖鈥屫促堌� 丿乇 禺賵賳 禺賮賴 賲蹖鈥屭┵嗃屬�.
賲賵囟毓鈥屭屫臂� 賳賴丕蹖蹖 夭賵賱丕 丿乇 丕蹖賳 讴鬲丕亘 讴丕賲賱丕賸 卮賮丕賮 賳蹖爻鬲貙 亘賴 丕蹖賳 賲毓賳蹖 讴賴 賲卮禺氐 賳蹖爻鬲 丕夭 賳馗乇 丕賵 賳馗丕賲 爻賵爻蹖丕賱蹖爻鬲蹖 趩胤賵乇 賵 鬲丕 趩賴 丨丿 亘丕蹖丿 亘乇賯乇丕乇 卮賵丿.
丕賲丕 亘丕 丕胤賲蹖賳丕賳 賲蹖鈥屫堌з� 诏賮鬲 讴賴 丕賵 蹖讴 賲丕乇讴爻蹖爻鬲 鬲賲丕賲 毓蹖丕乇 賳亘賵丿賴 丕爻鬲 賵 亘丕 賵噩賵丿 丕蹖賳讴賴 丕賵 诏乇丕蹖卮 賵丕囟丨蹖 亘賴 賲禺丕賱賮鬲 亘丕 讴丕倬蹖鬲丕賱蹖爻賲 賵 诏乇丕蹖卮 亘賴 爻賵爻蹖丕賱蹖爻賲 丕夭 禺賵丿 賳卮丕賳 賲蹖鈥屫囏� 賵賱蹖 馗丕賴乇丕賸 賲鬲賵噩賴 丕卮讴丕賱丕鬲蹖 丿乇 賳馗乇蹖賴鈥屬囏й� 丕賳賯賱丕亘蹖賽 賲丕乇讴爻 卮丿賴貙 趩賵賳 鬲氐賵蹖乇 禺賵亘蹖 丕夭 禺卮賵賳鬲賽 讴丕乇诏乇丕賳 亘賴 禺賵丕賳賳丿賴 賳卮丕賳 賳賲蹖鈥屫囏� 賵 丕夭 丨乇讴鬲鈥屬囏й� 丕賳賯賱丕亘蹖 賵 噩賲毓蹖鬲 亘蹖賳鈥屫з勝呝勝勠� 讴丕乇诏乇丕賳 賵 賳賯囟賽 丨賯賵賯賽 賲丕賱讴蹖鬲賽 禺氐賵氐蹖 亘丕 鬲乇丿蹖丿 賵 丕丨鬲蹖丕胤 爻禺賳 賲蹖鈥屭堐屫�. 丕蹖賳 賲賵囟賵毓 亘賴 賵囟賵丨 禺賵丿 乇丕 丿乇 鬲馗丕賴乇丕鬲賽 禺卮賵賳鬲鈥屫①呟屫操� 讴丕乇诏乇丕賳 賳卮丕賳 賲蹖鈥屫囏�:
丕毓鬲氐丕亘 賲丕 爻乇讴卮蹖 蹖讴 賲卮鬲 丕賵亘丕卮 賵 丕乇丕匕賱 賳蹖爻鬲. 賲丕 賳賲蹖鈥屫堌з囒屬� 賴賲賴 趩蹖夭 乇丕 亘賴 賴賲 亘乇蹖夭蹖賲. 賲丕 賮賯胤 毓丿丕賱鬲 賲蹖鈥屫堌з囒屬�. 丕夭 诏乇爻賳诏蹖 讴丕乇丿 亘賴 丕爻鬲禺賵丕賳賲丕賳 乇爻蹖丿賴.
(禺胤丕亘 亘賴 讴丕乇诏乇丕賳): 賮賯胤 丿夭丿丕賳 賴爻鬲賳丿 讴賴 丕蹖賳鈥屫焚堌� 亘賴 亘蹖丕亘丕賳 賲蹖鈥屫操嗁嗀� 賵 丕賲賵丕賱 賲乇丿賲 乇丕 睾丕乇鬲 賲蹖鈥屭┵嗁嗀�.
亘賴 毓賱丕賵賴 夭賵賱丕 鬲氐賵蹖乇 賳丕禺賵卮丕蹖賳丿蹖 丕夭 卮禺氐蹖鬲 芦爻賵賵丕乇蹖賳禄 亘賴 賲丕 賳卮丕賳 賲蹖鈥屫囏� 卮禺氐蹖鬲蹖 讴賴 鬲賳賴 亘賴 丌賳丕乇卮蹖爻賲 賲蹖鈥屫操嗀� 賵 丕賴丿丕賮 賵 丕賯丿丕賲丕鬲蹖 鬲禺乇蹖亘诏乇 賵 禺卮賵賳鬲鈥屫①呟屫� 丿丕乇丿:
亘丕蹖丿 卮賴乇丕 乇賵 丌鬲卮 夭丿貙 賲乇丿賲賵 丿乇賵 讴乇丿貙 賴賲賴 趩蹖夭賵 鬲賵 賴賲 讴賵亘蹖丿 賵 賵賯鬲蹖 丿蹖诏賴 丕夭 丕蹖賳 丿賳蹖丕蹖 诏賳丿蹖丿賴 趩蹖夭蹖 亘丕賯蹖 賳賲賵賳丿 卮丕蹖丿 亘卮賴 丿賳蹖丕蹖 亘賴鬲乇蹖 丿乇爻鬲 讴乇丿責
賵 賵賯鬲蹖 讴丕乇 亘賴 禺卮賵賳鬲賽 丕賮爻丕乇诏爻蹖禺鬲賴 賲蹖鈥屫必池� 卮乇賵乇鬲乇蹖賳 卮禺氐蹖鬲鈥屬囏� (賲孬賱 跇丕賳賱賳) 乇丕 亘乇 賯賱賴鈥屰� 丨乇讴鬲 丕賳賯賱丕亘蹖 賳卮丕賳 賲蹖鈥屫囏�:
跇丕賳賱賳 诏賮鬲: 丿夭丿蹖責 賲诏賴 丕毓蹖賵賳丕 賳賵賳 賲丕 乇賵 賳賲蹖鈥屫藏嗀� 丕蹖賳 趩蹖夭蹖賴 讴賴 賴賲蹖卮賴 禺賵丿鬲 賲蹖诏蹖! 丕蹖賳 賳賵賳賵 讴賴 賲蹖丿夭丿蹖丿賲 禺賵亘 蹖丕丿賲 亘賵丿 讴賴 賳賵賳 禺賵丿賲賵賳賴 讴賴 亘賴賲賵賳 賳賲蹖鈥屫�.
亘賴 賴賲蹖賳 丿賱蹖賱 夭賵賱丕 賴乇诏夭 賳鬲賵丕賳爻鬲 讴丕賲賱丕賸 丿賱 丕丨夭丕亘 讴賲賵賳蹖爻鬲 賵 賲丕乇讴爻蹖爻鬲 乇丕 丿乇 賮乇丕賳爻賴 亘賴 丿爻鬲 丌賵乇丿. 亘賴 賳馗乇 賲蹖鈥屫必池� 夭賵賱丕 胤乇賮丿丕乇賽 賳賵毓蹖 芦爻賵爻蹖丕賱蹖爻賲賽 蹖賵丕卮 賵 賲賱丕蹖賲禄 蹖丕 芦爻賵爻蹖丕賱蹖爻賲賽 亘丿賵賳 禺卮賵賳鬲 賵 丕賳賯賱丕亘禄 亘賵丿賴 丕爻鬲. 馗丕賴乇丕賸 丕賵 禺賵丕爻鬲丕乇 丌诏丕賴蹖 讴丕乇诏乇丕賳 亘乇丕蹖 丕鬲丨丕丿 丿乇 丕亘毓丕丿 亘蹖賳鈥屫з勝呝勝勠屫� 丕賲丕 亘丿賵賳 丕賯丿丕賲 禺卮賵賳鬲鈥屫①呟屫� 蹖丕 丕賳賯賱丕亘 賲丕乇讴爻蹖爻鬲蹖 亘賵丿賴 丕爻鬲.
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亘賴 賳馗乇 賲賳 - 賵 丕丨鬲賲丕賱丕賸 亘爻蹖丕乇蹖 丕夭 禺賵丕賳賳丿诏丕賳- 丕賵噩 乇賲丕賳 跇乇賲蹖賳丕賱貙 丿賯蹖賯丕 噩丕蹖蹖 丕爻鬲 讴賴 夭賵賱丕 鬲卅賵乇蹖鈥屬囏й� 趩乇賳丿 賲丕乇讴爻蹖爻鬲蹖 乇丕 讴賳丕乇 賲蹖鈥屭柏ж必� 賵 賳蹖乇賵蹖 賳賵蹖爻賳丿诏蹖鈥屫ж� 乇丕 氐乇賮 禺賵丿賽 丿丕爻鬲丕賳 賲蹖鈥屭┵嗀� 蹖毓賳蹖 丿乇 亘禺卮賽 倬丕蹖丕賳蹖賽 讴鬲丕亘. 丕蹖賳噩丕爻鬲 讴賴 丿丕爻鬲丕賳 丕賵噩 賲蹖鈥屭屫必� 鬲毓賱蹖賯 賯賵蹖鬲乇 賲蹖鈥屫促堌� 賵 讴蹖賮蹖鬲 賴賳乇蹖賽 賳孬乇 夭賵賱丕 亘賴 丕賵噩 賲蹖鈥屫必池�. 丿乇 亘禺卮 倬丕蹖丕賳蹖 丕爻鬲 讴賴 賲丕 亘丕 賲毓噩夭賴鈥屰� 夭賵賱丕 丿乇 賮囟丕爻丕夭蹖 丿乇 丿丕爻鬲丕賳 賲賵丕噩賴 賲蹖鈥屫促堐屬�.
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賲賳 賴賲蹖卮賴 亘丕 禺賵丿 賮讴乇 賲蹖鈥屭┵嗁� 賳賵蹖爻賳丿诏丕賳蹖 賲孬賱 夭賵賱丕 丕诏乇 賮噩丕蹖毓 爻賵爻蹖丕賱蹖爻賲 乇丕 丿乇 爻丕賱鈥屬囏й� 亘毓丿 賲蹖鈥屫屫嗀� 鬲丕 丕蹖賳 丨丿 亘賴 丕爻鬲賯亘丕賱 賳馗乇蹖賴鈥屬囏й� 賲丕乇讴爻 賳賲蹖鈥屫辟佖嗀�. 夭賵賱丕 丕賳賯賱丕亘 讴賲賵賳蹖爻鬲蹖 乇賵爻蹖賴 乇丕 賳丿蹖丿賴 亘賵丿貙 丕賵 亘丕 讴孬丕賮鬲鈥屭┴ж臂屸€屬囏й� 卮賵乇賵蹖 丿乇 诏賵賱丕诏 賵 噩賳丕蹖丕鬲 丕爻鬲丕賱蹖賳 丿乇 丕賵讴乇丕蹖賳 丌卮賳丕 賳卮丿賴 亘賵丿. 丕賵 賳賲蹖鈥屫з嗀池� 讴賴 丿乇 爻丕賱鈥屬囏й� 亘毓丿 趩賳丿 丿賴 賲蹖賱蹖賵賳 賳賮乇 丿乇 趩蹖賳賽 讴賲賵賳蹖爻鬲蹖賽 賲丕卅賵 亘賴 丿賱蹖賱 賮賯乇 賵 诏乇爻賳诏蹖 禺賵丕賴賳丿 賲乇丿. 丕诏乇 賳賵蹖爻賳丿诏丕賳蹖 賲孬賱 丕賵 趩賳蹖賳 鬲噩乇亘賴鈥屬囏й屰� 丿丕卮鬲賳丿貙 丕丨鬲賲丕賱丕賸 賲爻蹖乇 丿丕爻鬲丕賳 乇丕 亘賴 爻賲鬲 賵 爻賵蹖蹖 讴賲鬲乇 爻賵爻蹖丕賱蹖爻鬲蹖 鬲睾蹖蹖乇 賲蹖鈥屫ж嗀�.
亘賴 賴乇 丨丕賱 亘賴 賱胤賮 賴賲丕賳 賳馗丕賲 讴丕倬蹖鬲丕賱蹖爻賲 讴賴 丕賲孬丕賱 夭賵賱丕 丕夭 丌賳 賲蹖鈥屬嗀з勠屫嗀� 丿乇 爻丕賱鈥屬囏й� 亘毓丿 亘賴 鬲丿乇蹖噩 鬲賵賱蹖丿 孬乇賵鬲 丕賮夭丕蹖卮 蹖丕賮鬲 賵 亘乇禺賱丕賮 鬲卅賵乇蹖鈥屬囏й� 賲丕乇讴爻貙 讴丕乇诏乇丕賳 賳蹖夭 爻賴賲 賯丕亘賱 鬲賵噩賴蹖 丕夭 丕蹖賳 丕賮夭丕蹖卮 孬乇賵鬲 亘乇丿賳丿. 亘賴 賱胤賮 丕乇夭卮鈥屬囏й� 賱蹖亘乇丕賱 (賵 丕賱亘鬲賴 丕诏乇 賲賳氐賮 亘丕卮蹖賲貙 賮卮丕乇 賳蹖乇賵賴丕蹖 爻賵爻蹖丕賱蹖爻鬲) 賲丨蹖胤 讴丕乇 亘乇丕蹖 讴丕乇诏乇丕賳 亘賴 卮讴賱 丕賳爻丕賳蹖鈥屫� 賵 賲賳丕爻亘鈥屫� 賵 丕蹖賲賳鈥屫� 丿乇丌賲丿. 趩賳丕賳趩賴 丌賳趩賴 丿乇 丕蹖賳 讴鬲丕亘 賲蹖鈥屫堌з嗃屬� 亘乇丕蹖 讴丕乇诏乇 賵 賳賵蹖爻賳丿賴鈥屰� 丕賲乇賵夭蹖 丿乇 蹖讴 讴卮賵乇 鬲賵爻毓賴鈥屰屫з佖� (賲孬賱 禺賵丿賽 賮乇丕賳爻賴) 鬲亘丿蹖賱 亘賴 蹖讴 賮丕賳鬲夭蹖 卮丿賴 賵 丨鬲蹖 丿蹖诏乇 丿睾丿睾賴鈥屰� 賳賵蹖爻賳丿诏丕賳賽 讴賳賵賳蹖 賳蹖爻鬲.
讴賲蹖 賴賲 丿乇亘丕乇賴鈥屰� 賳丕鬲賵乇丕賱蹖爻賲
賳賵卮鬲賳 丕夭 夭賵賱丕 賵 跇乇賲蹖賳丕賱 亘丿賵賳 丕卮丕乇賴 亘賴 賳丕鬲賵乇丕賱蹖爻賲 賳丕賯氐 亘賴 賳馗乇 賲蹖鈥屫必池�. 趩賵賳 夭賵賱丕 賳賲丕蹖賳丿賴鈥屰� 鬲賲丕賲鈥屫观屫ж� 賵 亘賴 賳賵毓蹖 倬丕蹖賴鈥屭柏ж� 賳丕鬲賵乇丕賱蹖爻賲 丕爻鬲.
鈥� 賳丕鬲賵乇丕賱蹖爻賲 乇丕 賲蹖鈥屫堌з� 亘賴 賳賵毓蹖 丿乇 鬲賯丕亘賱 亘丕 乇賲丕賳鬲蹖爻賲 丿乇 賳馗乇 诏乇賮鬲貙 亘乇 禺賱丕賮 乇賲丕賳鬲蹖爻賲 讴賴 丕丨爻丕爻丕鬲 丕睾乇丕賯 卮丿賴貙 鬲賲丕蹖賱 亘賴 丌卮鬲蹖 亘丕 胤亘蹖毓鬲 賵 亘丕夭诏卮鬲 亘賴 诏匕卮鬲賴鈥屰� 亘丕卮讴賵賴 賲胤乇丨 亘賵丿貙 丿乇 賳丕鬲賵乇丕賱蹖爻賲 亘丕 乇卅丕賱蹖爻賲 鬲賲丕賲 毓蹖丕乇貙 鬲丕讴蹖丿 亘乇 賲卮丕賴丿賴鈥屰� 賲爻鬲賯蹖賲 賵 丕爻鬲賮丕丿賴 丕夭 乇賵卮鈥屬囏й� 毓賱賲蹖 丿乇 鬲氐賵蹖乇 賵丕賯毓蹖丕鬲 賴爻鬲蹖賲.
鈥� 卮禺氐蹖鬲鈥屬囏� 賲毓賲賵賱丕賸 賳賲蹖鈥屫堌з嗁嗀� 丕夭 倬蹖丕賲丿賴丕蹖 丕乇孬蹖 賵 卮乇丕蹖胤賽 賲丨蹖胤蹖 禺賱丕氐蹖 蹖丕亘賳丿. 亘賴 毓亘丕乇鬲蹖 卮禺氐蹖鬲鈥屬囏� 丿乇诏蹖乇 賳賵毓蹖 噩亘乇賳丿 讴賴 賳賲蹖鈥屫堌з嗁嗀� 亘賴 讴賲讴 丕禺鬲蹖丕乇 賵 丕乇丕丿賴鈥屰� 丌夭丕丿 丕夭 丌賳 亘诏乇蹖夭賳丿 (丿鬲乇賲蹖賳蹖爻賲).
鬲賯丿蹖乇 賵 爻乇賳賵卮鬲 亘夭乇诏鬲乇蹖賳 賴丿丕蹖鬲鈥屭┵嗁嗀з嗁� 丿丕爻鬲丕賳 賴爻鬲賳丿. 賳馗乇蹖賴鈥屬囏й� 賮乇诏卮鬲蹖賽 丿丕乇賵蹖賳 讴賴 丿乇 賴賲蹖賳 讴鬲丕亘 賴賲 夭賵賱丕 亘賴 丌賳鈥屬囏� 丕卮丕乇賴 讴乇丿賴 亘賴 禺丿賲鬲 丕蹖賳 賳诏丕賴 鬲賯丿蹖乇诏乇丕 賲蹖鈥屫③屬嗀�. 丿爻鬲 鬲賯丿蹖乇 鬲賲丕賲蹖 鬲賱丕卮鈥屬囏й� 卮禺氐蹖鬲鈥屬囏� 亘乇丕蹖 丕蹖噩丕丿 鬲睾蹖蹖乇 賵 乇賴丕蹖蹖 丕夭 卮乇丕蹖胤 亘丿 夭賲丕賳賴 乇丕 賳丕讴丕賲 賲蹖鈥屭柏ж必�.
丿乇 丕蹖乇丕賳
丕诏乇 蹖丕丿鬲丕賳 亘丕卮丿貙 倬蹖卮 丕夭 丕蹖賳 讴鬲丕亘 芦禺乇賲诏爻禄 乇丕 亘乇乇爻蹖 讴乇丿賲 賵 诏賮鬲賲 讴賴 禺乇賲诏爻貙 乇賲丕賳蹖 丕蹖鬲丕賱蹖丕蹖蹖 丕爻鬲 讴賴 丿乇 丕蹖乇丕賳 丕夭 禺賵丿 丕蹖鬲丕賱蹖丕 賲毓乇賵賮鈥屫� 丕爻鬲! 賲賴賲鬲乇蹖賳 丿賱蹖賱 賴賲 丕蹖賳 亘賵丿 讴賴 丿乇 丿乇 丿賴賴鈥屸€屬囏й� 趩賴賱 賵 倬賳噩丕賴賽 禺賵乇卮蹖丿蹖 诏乇丕蹖卮 亘賴 賲丕乇讴爻蹖爻賲 丿乇 丕蹖乇丕賳 亘賴 丕賵噩 乇爻蹖丿 賵 亘蹖卮鬲乇賽 賳賵蹖爻賳丿诏丕賳 賵 丿丕賳卮噩賵蹖丕賳 卮蹖賮鬲賴鈥屰� 丕蹖丿賴鈥屬囏й� 賲丕乇讴爻 卮丿賳丿. 賳賵蹖爻賳丿诏丕賳 賵 賲鬲乇噩賲丕賳 亘賴 鬲兀賱蹖賮 賵 鬲乇噩賲賴鈥屰� 丕賳亘賵賴蹖 丕夭 丌孬丕乇 賲丕乇讴爻蹖爻鬲蹖 賵 爻賵爻蹖丕賱蹖爻鬲蹖 (賵 倬丿蹖丿賴鈥屰� 毓噩蹖亘 賵 睾乇蹖亘 賲丕乇讴爻蹖爻賲 丕爻賱丕賲蹖) 乇賵蹖 丌賵乇丿賳丿 賵 倬乇賮乇賵卮鈥屫臂屬� 讴鬲丕亘鈥屬囏� 丿乇 丌賳 丿賵乇賴 匕賴賳 禺賵丕賳賳丿诏丕賳 乇丕 亘賴 丕蹖丿賴鈥屬囏й� 賲丕乇讴爻 丌賱賵丿.
跇乇賲蹖賳丕賱 賴賲 趩賳丿丕賳 丕夭 丕蹖賳 賯丕毓丿賴 噩丿丕 賳蹖爻鬲 賵 丕诏乇趩賴 丕夭 賳馗乇 讴蹖賮蹖鬲 賵 卮賴乇鬲貙 亘丕 禺乇賲诏爻 賯丕亘賱 賲賯丕蹖爻賴 賳蹖爻鬲 賵 夭賵賱丕 賵 丌孬丕乇卮 丿乇 賮乇丕賳爻賴 賵 噩賴丕賳 卮賳丕禺鬲賴 卮丿賴鈥屫з嗀� 賵賱蹖 賲蹖鈥屫堌з� 亘禺卮蹖 丕夭 卮賴乇鬲 賵 賲丨亘賵亘蹖鬲 芦跇乇賲蹖賳丕賱禄 丿乇 丕蹖乇丕賳 乇丕 亘賴 禺丕胤乇 賲賵噩 賲丕乇讴爻蹖爻鬲蹖 丿乇 丿賴賴鈥屰� 倬賳噩丕賴 禺賵乇卮蹖丿蹖 丿丕賳爻鬲. 讴丕賮蹖 丕爻鬲 亘賴 丕賵賱蹖賳 趩丕倬 趩賳蹖賳 讴鬲丕亘鈥屬囏й屰� 賳诏丕賴 讴賳蹖丿:
趩丕倬 丕賵賱 讴鬲丕亘 禺乇賲诏爻:郾鄢鄣鄱
趩丕倬 丕賵賱 讴鬲丕亘 跇乇賲蹖賳丕賱:郾鄢鄣鄱
趩賳蹖賳 趩蹖夭蹖 鬲氐丕丿賮蹖 丕爻鬲責 亘賴 賴蹖趩 賵噩賴.
賳鬲蹖噩賴鈥屰� 丕賮讴丕乇 爻賵爻蹖丕賱蹖爻鬲蹖 丿乇 丿賴賴鈥屬囏й� 趩賴賱 賵 倬賳噩丕賴 禺賵乇卮蹖丿蹖 毓亘丕乇鬲 亘賵丿 丕夭: 丌賲乇蹖讴丕爻鬲蹖夭蹖貙 賲氐丕丿乇賴鈥屰� 诏爻鬲乇丿賴鈥屰� 丕賲賵丕賱 賵 丿賵賱鬲蹖 讴乇丿賳賽 氐賳丕蹖毓貙 爻蹖胤乇賴鈥屰� 讴丕賲賱 丿賵賱鬲 亘乇 丕賯鬲氐丕丿 賵 丌賲賵夭卮 賵 亘賴丿丕卮鬲貙 賵 丕賯鬲氐丕丿 丿爻鬲賵乇蹖. 亘賴 賴賲蹖賳 丿賱蹖賱 亘丕 丕蹖賳讴賴 跇乇賲蹖賳丕賱 丕夭 亘爻蹖丕乇蹖 丕夭 噩賴丕鬲 丕孬乇 賯丕亘賱 爻鬲丕蹖卮蹖 丕爻鬲貙 亘丕蹖丿 丌孬丕乇賽 賲禺乇亘賽 丌賳 亘乇 噩丕賲毓賴 乇丕 賳蹖夭 诏賵卮賴鈥屰� 匕賴賳 丿丕卮鬲. 亘毓囟蹖 丕夭 噩賲賱丕鬲賽 讴鬲丕亘 卮毓丕乇賴丕蹖蹖 丕爻鬲 讴賴 賴賳賵夭 賴賲 亘賴 诏賵卮 賲乇丿賲 丌卮賳丕爻鬲:
丌賳 賵賯鬲 丕鬲蹖鈥屰屬� 氐丨亘鬲 丕夭 噩賲賴賵乇蹖 讴乇丿 讴賴 賴蹖趩讴爻 乇丕 亘蹖鈥屬嗀з� 賳賲蹖鈥屭柏ж簇�.
賴賲蹖賳 讴賴 賲賱鬲 丨讴賵賲鬲 乇丕 亘賴 丿爻鬲 诏乇賮鬲 丕氐賱丕丨丕鬲 丕爻丕爻蹖 丌睾丕夭 賲蹖鈥屫簇�. 亘乇丕亘乇蹖賽 賲胤賱賯賽 賲丿賳蹖 賵 爻蹖丕爻蹖 賵 丕賯鬲氐丕丿蹖 亘乇賯乇丕乇 賲蹖鈥屫簇� 賵 賳蹖夭 丌賲賵夭卮 丨乇賮賴鈥屫й屬� 毓賲賵賲蹖 賵 賲噩丕賳蹖 讴賴 賴夭蹖賳賴鈥屰� 丌賳 鬲賵爻胤賽 鬲賲丕賲賽 噩丕賲毓賴 鬲丕賲蹖賳 禺賵丕賴丿 诏乇丿蹖丿.
跇乇賲蹖賳丕賱 賵 亘蹖賳賵丕蹖丕賳
乇蹖賵蹖賵蹖 胤賵賱丕賳蹖鈥屫з� 乇丕 亘丕 丕卮丕乇賴鈥屫й� 亘賴 賲賯丿賲賴鈥屰� 讴鬲丕亘 鬲賲丕賲 賲蹖讴賳賲! 丿乇 鬲賯丿蹖賲鈥屬嗀з呝団€屰� 讴鬲丕亘貙 爻乇賵卮 丨亘蹖亘蹖 跇乇賲蹖賳丕賱 乇丕 芦亘蹖賳賵丕蹖丕賳賽 夭賵賱丕禄 賳丕賲蹖丿賴 丕爻鬲. 賲賯丕蹖爻賴鈥屫й� 讴賴 丿乇 賳賵毓 禺賵丿 噩丕賱亘 丕爻鬲 賵 噩賳亘賴鈥屬囏й� 丿乇爻鬲 賵 賳丕丿乇爻鬲蹖 丿丕乇丿.
亘賱賴貙 丿乇爻鬲 丕爻鬲 讴賴 賴乇丿賵 讴鬲丕亘 賳賵蹖爻賳丿诏丕賳蹖 賮乇丕賳爻賵蹖 丿丕乇賳丿貙 賵 賴乇丿賵 卮丕賲賱 亘禺卮蹖 丕夭 鬲丕乇蹖禺 賮乇丕賳爻賴 賴爻鬲賳丿 賵 賮賯乇 賵 芦亘蹖賳賵丕蹖蹖禄 毓賳氐乇 賲賴賲蹖 丿乇 賴乇丿賵 丿丕爻鬲丕賳 丕爻鬲貙 賵賱蹖 鬲賮丕賵鬲鈥屬囏й� 亘爻蹖丕乇 賲賴賲蹖 賴賲 賵噩賵丿 丿丕乇丿:
鈥� 賲蹖鈥屫促堌� 诏賮鬲 鬲氐賵蹖乇 芦亘蹖賳賵丕蹖蹖禄 丿乇 跇乇賲蹖賳丕賱 倬乇乇賳诏鈥屫� 賵 賮賱丕讴鬲鈥屫ㄘж必� 丕夭 芦亘蹖賳賵丕蹖丕賳禄 丕爻鬲. 丿乇 賵丕賯毓 丕蹖賳 賮讴乇 禺賳丿賴鈥屫ж� 亘賴 匕賴賳賲 禺胤賵乇 讴乇丿賴 讴賴 亘丿 賳亘賵丿 丕爻賲 丕蹖賳 丿賵 乇賲丕賳 噩丕亘噩丕 賲蹖鈥屫簇�.
讴賱賲賴鈥屰� 跇乇賲蹖賳丕賱 丕卮丕乇賴 亘賴 乇賵蹖卮 賵 丕賲蹖丿 丿丕乇丿 賵 夭賵賱丕 丿乇 倬丕乇丕诏乇丕賮 倬丕蹖丕賳蹖 讴鬲丕亘 亘賴 丌賳 丕卮丕乇賴 讴乇丿賴 丕爻鬲:
賮卮丕乇 賲乇丿丕賳 毓馗蹖賲 亘賵丿. 爻倬丕賴蹖 爻蹖丕賴 賵 鬲卮賳賴鈥屰� 丕賳鬲賯丕賲貙 丿乇 賱丕亘賱丕蹖 卮蹖丕乇賴丕蹖 夭賲蹖賳 亘賴 讴賳丿蹖 丿乇 讴丕乇 噩賵丕賳賴鈥屫藏� (germination) 亘賵丿賳丿 賵 亘賴 夭賵丿蹖 禺丕讴 乇丕 賲蹖鈥屫壁┴з嗀嗀�.
丿乇 丨丕賱蹖 讴賴 賴賲丕賳胤賵乇 讴賴 诏賮鬲賲 卮乇丕蹖胤 賳丕鬲賵乇丕賱蹖爻鬲蹖 丿乇 跇乇賲蹖賳丕賱貙 亘丕毓孬 賲蹖鈥屫促堌� 丿爻鬲 鬲賯丿蹖乇 賴賲賴鈥屰� 丕賲蹖丿賴丕 乇丕 賳賯卮 亘乇 丌亘 讴賳丿.
丕賲丕 丿乇 亘蹖賳賵丕蹖丕賳 讴賴 賲蹖鈥屫堌з� 丌賳 乇丕 賲鬲毓賱賯 亘賴 賲讴鬲亘 芦乇賲丕賳鬲蹖爻賲禄 丿丕賳爻鬲貙 丕賲蹖丿 賵 丕乇丕丿賴鈥屰� 丌夭丕丿 爻乇丕賳噩丕賲 亘丕毓孬 乇爻鬲诏丕乇蹖賽 卮禺氐蹖鬲鈥屬囏й� 丿丕爻鬲丕賳 賲蹖鈥屫促堌�. 丕丨爻丕爻丕鬲 丕賳爻丕賳蹖 賵 卮丕毓乇丕賳诏蹖 亘賴 賵囟賵丨 丿乇 賳孬乇 賴賵诏賵 丿蹖丿賴 賲蹖鈥屫促堌�. 丿乇 賳鬲蹖噩賴 卮丕蹖丿 丕爻賲 跇乇賲蹖賳丕賱 賴賲 亘乇丕蹖 丕孬乇 賴賵诏賵 禺丕賱蹖 丕夭 賱胤賮 賳亘賵丿!
鈥� 賴賵诏賵 丿乇 丌孬丕乇卮 賳爻亘鬲 亘賴 夭賵賱丕 乇賵蹖讴乇丿蹖 賲丨丕賮馗賴鈥屭┴ж必з嗁団€屫� 丿丕乇丿 賵 禺賵丕賴丕賳 鬲睾蹖蹖乇 賴賲賴鈥屰� 丕乇夭卮鈥屬囏� 蹖丕 夭蹖乇 賵 乇賵 讴乇丿賳 噩丕賲毓賴 賳蹖爻鬲. 賴賲丕賳胤賵乇 讴賴 丿乇 丕亘鬲丿丕蹖 乇賲丕賳 亘蹖賳賵丕蹖丕賳 賲卮禺氐 丕爻鬲貙 賳诏丕賴 賴賵诏賵 亘賴 賲爻蹖丨蹖鬲貙 趩賳丿丕賳 賲賳賮蹖 賳蹖爻鬲貙 亘乇 禺賱丕賮 夭賵賱丕 丿乇 跇乇賲蹖賳丕賱 讴賴 賳诏丕賴 禺賵亘蹖 亘賴 賲匕賴亘 賳丿丕乇丿:
丕賴貙 讴卮蹖卮丕! 丕诏賴 禺賵丿卮賵賳 亘賴 丕蹖賳 丨乇賮丕 丕毓鬲賯丕丿蹖 丿丕卮鬲賳 讴賲鬲乇 賲蹖鈥屫堌必� 賵 亘蹖卮鬲乇 讴丕乇 賲蹖鈥屭┴必� 鬲丕 丕賵賳 亘丕賱丕 噩丕蹖蹖 亘乇丕蹖 禺賵丿卮賵賳 丿爻鬲 賵 倬丕 讴賳賳!
賴賵诏賵 卮乇丕蹖胤 丕賳賯賱丕亘蹖賽 賮乇丕賳爻賴 乇丕 丿乇 亘蹖賳賵丕蹖丕賳 賳賲丕蹖卮 賲蹖鈥屫囏� 丕賲丕 賳诏丕賴卮 亘賴 丌賳 讴丕賲賱丕賸 賲孬亘鬲 賳蹖爻鬲 賵 亘賴 噩賳亘卮鈥屬囏й� 讴丕乇诏乇蹖 讴賲鬲乇 丕卮丕乇賴 賲蹖鈥屭┵嗀�.
鈥� 賲賮賴賵賲 毓丿丕賱鬲 丿乇 賳诏丕賴 賴賵诏賵 亘蹖卮鬲乇 賲賮賴賵賲蹖 丕賳爻丕賳蹖貙 賮乇丿诏乇丕貙 賵 賯囟丕蹖蹖 丕爻鬲貙 丿乇 丨丕賱蹖 讴賴 丿乇 跇乇賲蹖賳丕賱貙 夭賵賱丕 丕夭 芦毓丿丕賱鬲 丕噩鬲賲丕毓蹖禄貙 賴賲丕賳 毓丿丕賱鬲 賲賵乇丿 毓賱丕賯賴鈥屰� 賲丕乇讴爻蹖爻鬲鈥屬囏ж� 蹖毓賳蹖 亘乇丕亘乇蹖 丿乇 孬乇賵鬲 氐丨亘鬲 賲蹖鈥屭┵嗀�.
October 30, 2011
This novel is about as grim and horrendous as literature gets. Instead of ranting about the history of human suffering at various pitches of bowel-plopping rage, let me take a more facetious route. Let me instead discuss various mining experiences lived out on the Sega Mega Drive. Remember Mega Bomberman? Those who do will remember the mine level.
This level was pivotal in the game, since here a remote-controlled power-up was available which was crucial for facing down the final boss, whose beardy metamorphoses proved impossible without both a back-up life and a self-detonator. The problem was using the detonator hastily, as an ill-timed whack of the C button would invariably blow up the hero, who had a hard enough time dodging bombs. The mining level itself involved negotiating the terrain on a little blue cart and threats from crazed red baddies, stumbling around the scorching hellhole with startled eyes, running into bombs like kamikaze hearts.
Then there was Lava Reef Zone, on Sonic & Knuckles. The presence of fire and darkness usually indicated the impending doom of Robotnik and his enormous egg-shaped earth-conquering moustachiopod. Since the introduction of fire-proof TVs, leaping onto scorching lava wasn鈥檛 a great concern for Sonic. This level involved spinning down into an underground mine, where giant crushers and ledges threatened his pretty blue head.
And there was Scrap Brain Zone. A factory filled with trap-flaps, flame pipes and crushers, its backdrop a bleak brown silhouette of chimneys and skyscrapers. The foes being caterpillars who died by careful bops to the head and little bomb-men in metal helmets who blew up when you ran past. The challenges were all mechanical鈥攕pinning ledges, squishing ledges, vanishing ledges. A holy wine cup with black grapes shooting electricity from both sides, razors looming over sluggish conveyor belts. Some of the most terrifying moments of my childhood happened on this level. Fact.
But about Germinal? Imagine the amount of times Sonic gets crushed by gamers the world over, then transfer that to human lives, and you have the sorry state of 1800s French mining. For more info read my forthcoming book Zola the Hedgehog: When Rocks Fall On Top of People.
This level was pivotal in the game, since here a remote-controlled power-up was available which was crucial for facing down the final boss, whose beardy metamorphoses proved impossible without both a back-up life and a self-detonator. The problem was using the detonator hastily, as an ill-timed whack of the C button would invariably blow up the hero, who had a hard enough time dodging bombs. The mining level itself involved negotiating the terrain on a little blue cart and threats from crazed red baddies, stumbling around the scorching hellhole with startled eyes, running into bombs like kamikaze hearts.
Then there was Lava Reef Zone, on Sonic & Knuckles. The presence of fire and darkness usually indicated the impending doom of Robotnik and his enormous egg-shaped earth-conquering moustachiopod. Since the introduction of fire-proof TVs, leaping onto scorching lava wasn鈥檛 a great concern for Sonic. This level involved spinning down into an underground mine, where giant crushers and ledges threatened his pretty blue head.
And there was Scrap Brain Zone. A factory filled with trap-flaps, flame pipes and crushers, its backdrop a bleak brown silhouette of chimneys and skyscrapers. The foes being caterpillars who died by careful bops to the head and little bomb-men in metal helmets who blew up when you ran past. The challenges were all mechanical鈥攕pinning ledges, squishing ledges, vanishing ledges. A holy wine cup with black grapes shooting electricity from both sides, razors looming over sluggish conveyor belts. Some of the most terrifying moments of my childhood happened on this level. Fact.
But about Germinal? Imagine the amount of times Sonic gets crushed by gamers the world over, then transfer that to human lives, and you have the sorry state of 1800s French mining. For more info read my forthcoming book Zola the Hedgehog: When Rocks Fall On Top of People.
November 2, 2022
禺賵丿賲 乇賲丕賳 跇乇賲蹖賳丕賱 乇賵 鬲賲賵賲 讴乇丿賲 賵 丿丕乇賲 诏乇爻賳诏蹖 乇賵 賴賲 賲蹖禺賵賳賲 讴賴 丌禺乇丕卮賴貙 丿賵爻鬲丕賲 丿丕乇賳 丕夭 趩賵亘讴 賲蹖禺賵賳賳貙 賲賵夭蹖讴丕蹖蹖 讴賴 诏賵卮 賲蹖丿蹖賲 賴賲卮 丿乇亘丕乇賴 賲亘丕乇夭賴貙 賲乇诏 賵 丕賳鬲賯丕賲賴貙 丕禺亘丕乇蹖 讴賴 賲蹖鈥屫促嗁堐屬� 鬲賱禺 賵 爻蹖丕賴賳 賵 丿賳蹖丕 噩賵乇蹖 丿丕乇賴 倬蹖卮 賲蹖乇賴 讴賴 丕賳诏丕乇 噩夭 睾賲 賴蹖趩 趩卮賲 丕賳丿丕夭蹖 賳蹖爻鬲. 賲賳 賲蹖诏賲 丌乇賴 丕鬲賮丕賯丕 丕賱丕賳 亘丕蹖丿 賴賲蹖賳 讴鬲丕亘丕 乇賵 亘禺賵賳蹖賲貙 賳亘丕蹖丿 讴丕賲賲賵賳 卮蹖乇蹖賳 亘卮賴. 亘丕蹖丿 丿乇丿 亘讴卮蹖賲 讴賴 丿乇丿 乇賵 亘賮賴賲蹖賲貙 鬲賵 蹖噩賵乇 賲賳 蹖噩賵乇 丿蹖诏賴.
丿賯蹖賯丕 鬲賵蹖 賲乇丨賱賴 丕蹖 丕夭 夭賳丿诏蹖 賴爻鬲蹖賲 讴賴 讴丕乇诏乇丕蹖 賲毓丿賳 丕蹖賳 乇賲丕賳 夭蹖乇 夭賲蹖賳 賲丨亘賵爻 亘賵丿賳. 丕賲蹖丿 丿丕乇蹖賲 丕賲丕 賳丿丕乇蹖賲貙 賴賲賵 丿丕乇蹖賲 丕賲丕 賳丿丕乇蹖賲貙 賲孬賱 爻诏 鬲乇爻蹖丿蹖賲 丕賲丕 噩賱賵 賲蹖乇蹖賲貙 丕夭 賴賲 賲蹖倬乇爻蹖賲 丨丕賱丕 亘丕蹖丿 趩讴丕乇 讴賳蹖賲責 賴蹖趩 噩賵丕亘蹖 亘乇丕卮 賳丿丕乇蹖賲. 讴丕卮 丕夭 丕賵賳 亘蹖乇賵賳 賲丕乇賵 賴賲 氐丿丕賲賵賳 亘夭賳賳. 讴丕卮 丕蹖賲丕賳 乇賵 丕夭 丿爻鬲 賳丿蹖丿/ 賳丿蹖賲.
丕蹖賳 讴鬲丕亘 丿乇亘丕乇賴 丕毓鬲氐丕亘 讴丕乇诏乇丕蹖 賲毓丿賳賴貙 丕賱丕賳听 賲蹖鈥屬佡囐呝� 讴丕乇 讴乇丿賳 鬲賵蹖 賲毓丿賳 鬲丕 趩賴 丨丿 賵丨卮鬲賳丕讴 賵 爻禺鬲賴. 丕賱丕賳 亘丕賵乇 賲蹖讴賳賲 讴賴 爻禺鬲 鬲乇蹖賳 讴丕乇 噩賴丕賳 讴丕乇 鬲賵蹖 賲毓丿賳賴貙 賴乇讴蹖 禺賵丿卮賵 亘丕 丕蹖賳丕 賲賯丕蹖爻賴 讴賳賴 诏賴 禺賵乇丿賴. 爻禺鬲 讴賵卮 鬲乇蹖賳 讴丕乇诏乇丕貙 賮賯蹖乇 鬲乇蹖賳 賵 爻鬲賲 丿蹖丿賴 鬲乇蹖賳 賯卮乇 丕蹖賳 丕賮乇丕丿賳 賵 馗丕賴乇丕 亘丕卮乇賮 鬲乇蹖賳 賴丕卮 賴賲 鬲賵蹖 賲毓丿賳 胤賱丕蹖 丕蹖乇丕賳 讴丕乇 賲蹖 讴賳賳. 丌乇賴 禺丿丕 噩賵賳貙 鬲賵 亘丕蹖丿 丕賳鬲賯丕賲 賮乇賵丿爻鬲丕賳 乇賵 亘诏蹖乇蹖貙 趩賵賳 丕诏賴 鬲賵 賳诏蹖乇蹖 蹖賴 禺丿丕蹖 丿蹖诏賴 倬蹖丿丕 賲蹖卮賴 讴賴 亘诏蹖乇賴!
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賲賳 丕賵賳賯丿乇 禺賵卮亘禺鬲 亘賵丿賲 讴賴 賳爻禺賴 丕蹖 亘賵讴 胤丕賯趩賴 賵 讴鬲丕亘 氐賵鬲蹖 賮蹖丿蹖亘賵 丕蹖賳 讴鬲丕亘 乇賵 丕夭 丿賵 丿賵爻鬲 禺賮賳賲 賴丿蹖賴 诏乇賮鬲賲. 賵 丕蹖賳賯丿乇 毓丕卮賯卮 卮丿賲 讴賴 乇賮鬲 鬲賵蹖 賮賴乇爻鬲 讴鬲丕亘 賴丕蹖蹖 讴賴 賲蹖禺賵丕賲 亘丕賴丕賲 丿賮賳 卮賵賳 讴賳蹖丿 . (丕賱亘鬲賴 賳爻禺賴 丕賱讴鬲乇賵賳蹖讴蹖 乇賵 賳賲蹖卮賴 亘丕賴丕賲 丿賮賳 讴賳賳 :(( ) 亘賴 賴乇讴爻蹖 讴賴 丕蹖賳 讴鬲丕亘 乇賵 賳禺賵賳丿賴 倬蹖卮賳賴丕丿 賲蹖讴賳賲 丨鬲賲丕 賵 亘禺氐賵氐 鬲賵蹖 丕蹖賳 乇賵夭丕 亘禺賵賳蹖丿 . 賲乇爻蹖 鉂も潳
丿賯蹖賯丕 鬲賵蹖 賲乇丨賱賴 丕蹖 丕夭 夭賳丿诏蹖 賴爻鬲蹖賲 讴賴 讴丕乇诏乇丕蹖 賲毓丿賳 丕蹖賳 乇賲丕賳 夭蹖乇 夭賲蹖賳 賲丨亘賵爻 亘賵丿賳. 丕賲蹖丿 丿丕乇蹖賲 丕賲丕 賳丿丕乇蹖賲貙 賴賲賵 丿丕乇蹖賲 丕賲丕 賳丿丕乇蹖賲貙 賲孬賱 爻诏 鬲乇爻蹖丿蹖賲 丕賲丕 噩賱賵 賲蹖乇蹖賲貙 丕夭 賴賲 賲蹖倬乇爻蹖賲 丨丕賱丕 亘丕蹖丿 趩讴丕乇 讴賳蹖賲責 賴蹖趩 噩賵丕亘蹖 亘乇丕卮 賳丿丕乇蹖賲. 讴丕卮 丕夭 丕賵賳 亘蹖乇賵賳 賲丕乇賵 賴賲 氐丿丕賲賵賳 亘夭賳賳. 讴丕卮 丕蹖賲丕賳 乇賵 丕夭 丿爻鬲 賳丿蹖丿/ 賳丿蹖賲.
丕蹖賳 讴鬲丕亘 丿乇亘丕乇賴 丕毓鬲氐丕亘 讴丕乇诏乇丕蹖 賲毓丿賳賴貙 丕賱丕賳听 賲蹖鈥屬佡囐呝� 讴丕乇 讴乇丿賳 鬲賵蹖 賲毓丿賳 鬲丕 趩賴 丨丿 賵丨卮鬲賳丕讴 賵 爻禺鬲賴. 丕賱丕賳 亘丕賵乇 賲蹖讴賳賲 讴賴 爻禺鬲 鬲乇蹖賳 讴丕乇 噩賴丕賳 讴丕乇 鬲賵蹖 賲毓丿賳賴貙 賴乇讴蹖 禺賵丿卮賵 亘丕 丕蹖賳丕 賲賯丕蹖爻賴 讴賳賴 诏賴 禺賵乇丿賴. 爻禺鬲 讴賵卮 鬲乇蹖賳 讴丕乇诏乇丕貙 賮賯蹖乇 鬲乇蹖賳 賵 爻鬲賲 丿蹖丿賴 鬲乇蹖賳 賯卮乇 丕蹖賳 丕賮乇丕丿賳 賵 馗丕賴乇丕 亘丕卮乇賮 鬲乇蹖賳 賴丕卮 賴賲 鬲賵蹖 賲毓丿賳 胤賱丕蹖 丕蹖乇丕賳 讴丕乇 賲蹖 讴賳賳. 丌乇賴 禺丿丕 噩賵賳貙 鬲賵 亘丕蹖丿 丕賳鬲賯丕賲 賮乇賵丿爻鬲丕賳 乇賵 亘诏蹖乇蹖貙 趩賵賳 丕诏賴 鬲賵 賳诏蹖乇蹖 蹖賴 禺丿丕蹖 丿蹖诏賴 倬蹖丿丕 賲蹖卮賴 讴賴 亘诏蹖乇賴!
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賲賳 丕賵賳賯丿乇 禺賵卮亘禺鬲 亘賵丿賲 讴賴 賳爻禺賴 丕蹖 亘賵讴 胤丕賯趩賴 賵 讴鬲丕亘 氐賵鬲蹖 賮蹖丿蹖亘賵 丕蹖賳 讴鬲丕亘 乇賵 丕夭 丿賵 丿賵爻鬲 禺賮賳賲 賴丿蹖賴 诏乇賮鬲賲. 賵 丕蹖賳賯丿乇 毓丕卮賯卮 卮丿賲 讴賴 乇賮鬲 鬲賵蹖 賮賴乇爻鬲 讴鬲丕亘 賴丕蹖蹖 讴賴 賲蹖禺賵丕賲 亘丕賴丕賲 丿賮賳 卮賵賳 讴賳蹖丿 . (丕賱亘鬲賴 賳爻禺賴 丕賱讴鬲乇賵賳蹖讴蹖 乇賵 賳賲蹖卮賴 亘丕賴丕賲 丿賮賳 讴賳賳 :(( ) 亘賴 賴乇讴爻蹖 讴賴 丕蹖賳 讴鬲丕亘 乇賵 賳禺賵賳丿賴 倬蹖卮賳賴丕丿 賲蹖讴賳賲 丨鬲賲丕 賵 亘禺氐賵氐 鬲賵蹖 丕蹖賳 乇賵夭丕 亘禺賵賳蹖丿 . 賲乇爻蹖 鉂も潳
July 5, 2020
丕蹖賳 讴鬲丕亘 乇丕 丿乇 卮乇丕蹖胤蹖 禺賵丕賳丿賲 讴賴 鬲丨鬲 賮卮丕乇 讴丕乇蹖 卮丿蹖丿蹖 賯乇丕乇 丿丕乇賲. 卮乇讴鬲蹖 讴賴 賲賳 丿乇 丌賳 讴丕乇 賲蹖鈥屭┵嗁� 蹖讴蹖 丕夭 亘夭乇诏鈥屫臂屬� 鬲賵賱蹖丿讴賳賳丿賴丕蹖 賲賵丕丿 卮賵蹖賳丿賴 丿乇 讴卮賵乇 丕爻鬲. 亘賴 鬲亘毓 卮蹖賵毓 讴乇賵賳丕貙 賮卮丕乇 讴丕乇蹖 亘乇丕蹖 賲丕 亘爻蹖丕乇 亘蹖卮鬲乇 卮丿貙 賵 賮乇賵卮 賵 爻賵丿 亘乇丕蹖 卮乇讴鬲 趩賳丿 亘乇丕亘乇. 爻丕毓丕鬲 讴丕乇 胤賵賱丕賳蹖 賴賲乇丕賴 亘丕 丕爻鬲乇爻 亘蹖賲丕乇蹖 賵 丕夭 丿爻鬲 乇賮鬲賳 爻賱丕賲鬲蹖貙 賵 丿丕乇丕蹖蹖鈥屬囏й� 丕賳丿讴蹖 讴賴 丿乇 丕蹖賳 乇賵夭賴丕 賲丿丕賲 丕乇夭卮 禺賵丿 乇丕 亘蹖卮鬲乇 丕夭 丿爻鬲 賲蹖鈥屫囐嗀� 賵 賴賲賴鈥屰� 趩蹖夭賴丕蹖蹖 讴賴 禺賵丿鬲丕賳 亘賴鬲乇 賲蹖鈥屫з嗃屫�. 賳賲蹖鈥屫堌з囐� 鬲噩乇亘賴鈥屰� 禺賵丿賲 賵 禺賵丿賲丕賳 乇丕 丿乇 丕蹖賳 乇賵夭賴丕 賲孬賱丕 亘丕 鬲噩乇亘賴 讴丕乇诏乇丕賳 賲毓丿賳 丿蹖乇賵夭 賵 丕賲乇賵夭 賲賯丕蹖爻賴 讴賳賲. 亘賴 賴蹖趩 賵噩賴. 丕賲丕 丕賲蹖丿賵丕乇賲貙 讴爻蹖 丕夭 丕賲蹖丿賴丕貙 乇賵蹖丕賴丕 賵 爻诏鈥� 丿賵 夭丿賳鈥屬囏й� 賳爻賱 賲丕 賴賲 亘賳賵蹖爻丿.
鬲蹖乇賲丕賴 99
鬲蹖乇賲丕賴 99
July 15, 2021
丕"賲鬲賵噩賴 賳蹖爻鬲蹖丿 丌賯丕蹖 夭賵賱丕責! {讴丕乇诏乇丕賳 亘賴賲 賲蹖鈥屫嗀嗀瘆 讴爻蹖 丕爻亘 乇賵 亘丕賱丕 賳賲蹖鈥屬佖必池�! 丕爻亘 夭賲丕賳蹖 讴賴 蹖讴 讴乇賾賴 丕爻鬲 賵 賲蹖鈥屫促� 丕夭 讴丕賳丕賱 乇丿卮 讴乇丿 倬丕蹖蹖賳 丌賵乇丿賴 賲蹖鈥屫促�. 丕爻亘 賴賲蹖賳 噩丕 亘夭乇诏 賲蹖鈥屫促� 賵 亘毓丿 丕夭 蹖讴蹖 丿賵 爻丕賱 讴賴 亘蹖賳丕蹖蹖卮 乇賵 讴丕賲賱 丕夭 丿爻鬲 丿丕丿 丕賵賳賯丿乇 匕睾丕賱鈥屬囏� 乇賵 亘丕乇 賲蹖鈥屭┴促� 鬲丕 夭賲丕賳蹖 讴賴 賴賲蹖賳噩丕 賲蹖鈥屬呟屫辟� 賵 賴賲蹖賳 倬丕蹖蹖賳 賴賲 丿賮賳 賲蹖鈥屫促�..."丕
亘禺卮蹖 丕夭 蹖丕丿丿丕卮鬲鈥屬囏й� 夭賵賱丕 丿乇 亘丕夭丿蹖丿 丕夭 賲毓丿賳"丿蹖賳丕" 倬蹖卮 丕夭 賳賵卮鬲賴 卮丿賳 讴鬲丕亘 跇乇賲蹖賳丕賱
卮丕蹖丿 亘賳馗乇賲賵賳 亘蹖丕丿 讴賴 賵噩賵丿 亘丕賱賯賵賴 丕蹖賳 丨丿 丕夭 馗賱賲 賵 丿丿賲賳卮蹖 丿乇 丕賳爻丕賳貙 倬爻鬲鈥屫臂屬� 禺氐賱鬲 丕蹖賳 噩丕賳賵乇賴. 亘丕 丕蹖賳丨丕賱 禺氐賱鬲蹖 丕夭 丕蹖賳 賵丨卮鬲鈥屫①堌必� 賴賲 丿乇賵賳 賲丕 賴爻鬲. 賲蹖賱 噩賳賵賳鈥屫①呟屫� 噩丕賳賵乇 丕賳爻丕賳 亘賴 夭賳丿賴 賲賵賳丿賳 賵 鬲丨賲賱 丕蹖賳 賲馗丕賱賲. 賵 夭賲丕賳蹖 讴賴 亘賴 鬲丕乇蹖禺 禺賵亘 賳诏丕賴 讴賳蹖賲貙 賲鬲賵噩賴 賲蹖鈥屫篡屬� 讴賴 毓賲丿賴 噩賳丕蹖丕鬲 鬲丕乇蹖禺 亘卮乇貙 鬲乇讴蹖亘蹖 丕夭 賴乇 丿賵 丕蹖賳賴丕爻鬲. 亘賴賲蹖賳 禺丕胤乇賴 讴賴 丨賮馗 賲賵丕夭賳賴 賯丿乇鬲 丿乇 蹖讴 噩丕賲毓賴 賲賴賲鈥屫臂屬� 賵 丕爻丕爻蹖鈥屫臂屬� 趩蹖夭賴. 趩賴 亘爻蹖丕乇 鬲賮讴乇丕鬲 賵 丕蹖丿賴鈥屫︐堎勝堏樭屸€屬囏й屰� 讴賴 亘丕 丕賳讴丕乇 蹖丕 賳丕丿蹖丿賴鈥屭辟佖� 蹖讴蹖 丕夭 丕蹖賳 丿賵 禺氐賱鬲 匕丕鬲蹖 亘卮乇貙 趩蹖夭蹖 噩夭 馗賱賲 賵 乇賳噩 亘蹖卮鬲乇 亘乇丕蹖 丕賳爻丕賳鈥屬囏� 亘賴 丕乇賲睾丕賳 賳蹖丕賵乇丿賳
丨蹖丕鬲 丨蹖賵丕賳蹖 鬲丨賲蹖賱 卮丿賴 亘乇 讴丕乇诏乇丕賳 賲毓丿賳 匕睾丕賱鈥屫迟嗂� 賮乇丕賳爻賴 丿乇 禺賱丕賱 爻丕賱鈥屬囏й� 1860貙 亘禺卮 讴賵趩讴蹖 丕夭 鬲丕乇蹖禺 亘賱賳丿 亘賴 亘乇丿诏蹖 讴卮蹖丿賴 卮丿賳 丕賳爻丕賳 鬲賵爻胤 賴賲賳賵毓 禺賵丿卮賴 讴賴 亘賴 夭蹖亘丕蹖蹖 丿乇 讴鬲丕亘 跇乇賲蹖賳丕賱 鬲噩賱蹖 倬蹖丿丕 讴乇丿賴 賵 賯胤毓丕 噩夭賵 賲丕賳丿诏丕乇鬲乇蹖賳 丌孬丕乇 丕丿亘蹖賴. 賳賴 丕夭 丕蹖賳 噩賴鬲 讴賴 丿乇 倬丕蹖丕賳 讴鬲丕亘貙 噩賵丕賳賴鈥屫操嗃� (賲毓賳丕蹖 賱睾賵蹖 跇乇賲蹖賳丕賱) 賲噩丿丿 乇賵 倬蹖卮鈥屫ㄛ屬嗃� 賲蹖鈥屭┵嗁� 亘賱讴賴 亘禺丕胤乇 夭亘丕賳 氐丕丿賯丕賳賴鈥屫й� 讴賴 丿乇 鬲賲丕賲 讴鬲丕亘 丕禺鬲蹖丕乇 賲蹖鈥屭┵嗁� 賵 亘賴 丕蹖賳 禺丕胤乇 讴賴 亘賴 噩丕蹖 丕蹖賳讴賴 鬲賵囟蹖丨鈥屫囐嗀� 亘丕卮賴貙 氐乇賮丕 鬲賵氐蹖賮 讴賳賳丿賴 讴賳賳丿爻鬲 賵 丿乇 倬丕蹖丕賳 卮賲丕 乇賵 亘丕 丕賮讴丕乇 賵 丕丨爻丕爻丕鬲 賲睾卮賵卮 丕夭 丕賵賳趩賴 讴賴 禺賵賳丿蹖 鬲賳賴丕 賲锟斤拷鈥屫柏ж辟�
亘賴 賵丕賯毓 丕賵賳賯丿乇 亘蹖丕賳 丕蹖賳 讴鬲丕亘 卮蹖賵丕爻鬲 讴賴 丌丿賲 鬲賳诏蹖 賳賮爻 讴丕乇诏乇丕賳 賲毓丿賳蹖 讴賴 丿乇 毓賲賯 300 賲鬲乇蹖 夭賲蹖賳 丿賵賱丕 卮丿賴 丿乇 賱丕蹖 丿丕賱丕賳鈥屬囏й� 亘丕乇蹖讴 賲蹖鈥屫操嗀� 亘丕 禺丕讴 匕睾丕賱蹖 讴賴 亘賴 賴賲賴 鬲賳 禺蹖爻 丕夭 毓乇賯卮賵賳 趩爻亘蹖丿賴 賵 鬲賳卮賵賳 乇賵 趩爻亘賳丕讴 讴乇丿賴貨 賵 賴賳鈥屬堎囐� 賴賱 丿丕丿賳 丕乇丕亘賴鈥屬囏й� 匕睾丕賱鈥屫迟嗂� 乇賵蹖 乇蹖賱鈥屬囏ж� 丕蹖爻鬲诏丕賴 亘賴 丕蹖爻鬲诏丕賴貙 鬲丕 乇爻蹖丿賳 亘賴 爻胤丨 夭賲蹖賳貙 賴賲賴 乇賵 亘丕 鬲賲丕賲 賵噩賵丿卮 丨爻 賲蹖鈥屭┵嗁�. 亘丕 丕蹖賳丨丕賱 丨爻 賲賳蹖 讴賴 亘丕 卮讴賲 爻蹖乇 乇賵蹖 賲亘賱 蹖丕 倬卮鬲 賲蹖夭貙 丕蹖賳鈥屬囏� 乇賵 鬲賵蹖 讴鬲丕亘 賲蹖鈥屫堎嗁� 讴噩丕 賵 鬲噩乇亘賴 夭賳丿诏蹖 賴乇 乇賵夭賴 丕蹖賳鈥屬囏� 亘丕 卮讴賲 诏乇爻賳賴 讴噩丕責!丕
丨鬲賲丕 賵 賯胤毓丕 禺賵賳丿賳 丕蹖賳 讴鬲丕亘 讴賲讴 卮丕蹖丕賳 鬲賵噩賴蹖 亘賴 丿乇讴 亘賴鬲乇 賲丕 丕夭 卮丿鬲 賳丕亘乇丕亘乇蹖 賵 丕禺鬲賱丕賮 胤亘賯丕鬲蹖 丿乇 丕賵賳鈥� 丕蹖丕賲 賵 丕賳诏蹖夭賴鈥屬囏й� 噩賳亘卮鈥屬囏й� 爻賵爻蹖丕賱蹖爻鬲蹖 賵 丌賳丕乇卮蹖爻鬲蹖 讴賴 賳蹖賲賴 丿賵賲 賯乇賳 賳賵夭丿賴賲 賵 丕亘鬲丿丕蹖 賯乇賳 亘蹖爻鬲賲 乇禺 丿丕丿賳 禺賵丕賴丿 讴乇丿. 趩賳丕賳讴賴 讴賲丕亘蹖卮 丕卮丕乇賴鈥屬囏й屰� 亘賴 丕賵賳鈥屬囏� 胤蹖 讴鬲丕亘 賲蹖鈥屫促�. 亘丕 丕蹖賳 賴賲賴 賵 亘卮禺氐賴貙 丿乇 毓蹖賳 丕賳夭噩丕乇 賵 鬲賳賮乇 丕夭 趩賳蹖賳 乇賳噩 賵 丿乇丿蹖 讴賴 鬲賵爻胤 毓丿賴鈥屫й� 亘乇 毓丿賴 丿蹖诏賴 鬲丨賲蹖賱 賲蹖鈥屫促囏� 賴賲趩賳丕賳 賵 噩丿丕 賲毓鬲賯丿賲 讴賵亘蹖丿賳 賵 丕夭 賳賵 爻丕禺鬲賳貙 丕丨賲賯丕賳賴鈥屫臂屬� 讴丕乇賴 賵 丕賵賳趩賴 讴賴 賱丕夭賲賴貙 賯賵丕賳蹖賳 亘蹖卮鬲乇 賵 丨賯賵賯 丕賳爻丕賳蹖 亘蹖卮鬲乇賴貙 賳賴 蹖讴 丌乇賲丕賳 賵 賴賵蹖鬲 噩丿蹖丿
November 9, 2016
鈥淚 am little concerned with beauty or perfection. I don't care for the great centuries. All I care about is life, struggle, intensity.鈥�- Emile Zola
Let me draw a scene for you. I appreciate your patience as I am going to write it as vividly as possible.
The lady on the chair is well past her prime- 40 maybe- with her youthful rosiness and smooth, taut skin beginning to give away under the suffocating reality in which she and her family are haplessly ensconced. The room in which she sits is tiny, but has a peculiar nordic cleanness about it which shows that this woman is scrupulous over cleanliness though persecuted perpetually and mercilessly by poverty, which is evident from her overused frayed dress, narrow room, rickety oak furniture and drab posters that adorned the murky walls. The lady on the chair sits pensively at the table, with her chin propped by her scrawny hands, worn by constant toiling. Minutes before, she had turned all the drawers longingly inside-out in half-fury half-despair but couldn鈥檛 find a crumb of bread or a handful of vermicelli, not even a farthing. Her husband and her 3 elder children-she has seven- are bound to come soon from their 10 hours-work down the mine; her other children- who have to wait several years before going under the mine- are too little to work which augments the agony of feeding five extra mouths including herself, the mother (her doctor advised her not to go down the mine anymore because of her bad lung). In her befuddled head, which is swarming with multiplicity of half-formed, incongruous thoughts, she condemned herself for not having borne the non-working kids much earlier, so that they too could have worked and earned bread for the family; she still condemned the stars for not giving her triplet-sons instead of the triplet-girls which god had bestowed on her with a sardonic grin. She envied her neighbor who has all her six sons working, 鈥渉ow lucky she is!鈥� .Suddenly, as if she was back to her senses, she shuddered convulsively, as her mind, which has been brimming with harrowing thoughts and disturbing reminiscences, proffered her another bit of memory to chew on: she remembered when the grocer next street asked her to send her eldest daughter to collect the groceries when she asked credit. 鈥淭hat abominable vile old man, who might as well be her grandpa鈥檚 age鈥�, she lamented. She herself was willing to go to the grocer as payment, but the years of impoverishment, drudgery and misery have drained away her youthful vigor and form, as she looked herself at the cracked mirror hung on the opposite wall. As the woman sat in limp despair-unable to cry or beat her breasts- stunned by her immense agony, and as the dastardly thoughts about tomorrow and future revolved around her buzzing head like a vulture hovering over a carcass, Emile Zola kept writing鈥�
While the family of this symbolic lady on the chair drudged in the bowels of earth, hacking away at coal seam, choked by coal dust and unbearable heat, coughing up black phlegm and plagued by hunger and poverty; and while the bourgeois pit owners luxuriously enjoyed their idle life off miners鈥� sweat and blood, stuffing up their bellies with everything the earth has to offer and ostentatiously traveling in beautiful carriages, Emile Zola kept writing..
When Emile Zola passed away in 1902, a throng of several thousand workers lined the streets, chanting 鈥�Germinal, Germinal鈥�, with their heads held high up, eyes brimming with emotion, bidding farewell to their great hero- the defender of justice and equality. Zola, the founder of naturalist movement, had written a score of novels in his series Les Rougon-Macquart, which tells the story of a family and its socio-economic impact in the era under Napoleon III.
Germinal is not entirely a political novel or a polemic aimed at defenestrating capitalism though it gives such an impression, nor is it an exaggerated melodrama aimed at hacking away at the hearts of the readers, nor is it a protracted tale of the 19th century miners during the epoch of economic slump. Germinal, in my opinion, is life as close as it gets; it is a book that proffers the vision of poverty, hunger, despair, life & soul through the magnifying lens of Zola鈥檚 writing. But germinal isn鈥檛 entirely apolitical as well; it has all the revolutionary reverberations that are bound to cascade in a community where 鈥楯ustice鈥� isn鈥檛 served, and where persecuted people raise their voice against the depredations of the iniquitous system in which they are inextricably enmeshed. For the miners, 鈥橨ustice鈥�, which is the sperm of the whole theme of this novel, is the word or epiphany, as it seems, that cracks open the dark vaults of subjugation and oppression, to reveal the dazzling, blinding vision of an angelic land, where everyone earns equal and are treated equal, where everything belongs to everyone, and where there are no poverty or hunger or misery. Germinal, the book, its theme, is a living soul, which has a heart that beats synchronically with the beats of the downtrodden people, which has a mouth that speaks for them, which has an arm with an uplifted index finger that guides them and admonishes them, and which showers them a benevolent gaze and a protective smile. According to Zola, the poverty and destitution of the miners are bestowed upon them by nature- they cannot do anything about it- and they are all invariably born into this slump, as their fathers and forefathers were all miners, whose impoverished life was the only inheritance they bequeath to their offspring. Generations of subjugation and unwavering circumstance of their harrowing milieu and life, the constant persecution of the capitalist mine-owners who constantly encumber their life by chiseling off their paltry salary on petty terms, thereby filling their own coffers at the expense of the blood, sweat and tears of the miners, who toil away their inane lives inorder to satiate, partially atleast, the growling cries of hunger.
A painting of the colliers by De Neuville:
Emile Zola had taken 10 months to finish this seminal work of naturalism, taking a trip down the working mine at Denain in Valenciennes, and when the novel was finally published under the title 鈥楪erminal鈥�, which was the seventh month in the revolutionary calendar that France followed from 1793 to 1805, it was immensely received and eventually became a towering work in the realm of literature and naturalism. Zola鈥檚 prose has a deep, sensational tone immured in it, and each word and each sentence has an aroma of living warmth, the psyche of the miners and the pathos of their harrowing milieu are nestled snuggly in the lulling clasps of the prose, but when their psyche is agitated by injustice, it quickly changes, without a forewarning, into a threatening serpent ready to spew venom with unrelenting vehemence at the first start.
Etienne Lantier- the symbolic protagonist of the novel- reaches Montsou after weeks of aimless wandering and unyielding hunger, and takes up the work as a collier, not out of choice but due to the exigency of the hunger pang. In his initial days as a miner, Etienne鈥檚 mind and conscience began to ache seeing his fellow wretched miners, who all invariably became resigned to their fate of living & dying like cattle, and his indignation accrued gradually upon witnessing the grave injustice and inhumane ignorance the rich cast on them; and, Etienne, who considers himself learned, begins to feel an upper-hand over these miners, and gradually find in himself the pre-ordained power to fight for Justice. Energized by the journals on Socialism and other political books, Etienne, in whose psyche the first seeds of revolution were sown, convinces the crowd to rise above the traditional resignation of miners, and goads them to the flower-strewn world of 鈥榡ustice and equality鈥�.( Etienne, moreover, is a symbol of nonchalance in the face of despair and defeat, finding optimism even in the darkest of hours). Now the germination of these seeds of revolution is just a matter of time: a disturbance or a unanimous outcry against an unjustifiable act can arouse the slumbering beast in the hearts of these docile, resigned creatures who have until now suppressed their innermost turmoil in the catacombs of their vacuous souls . All they needed was a voice, firm with conviction and direction, to guide them to a path of revolution, where their debilitating lives are purged of misery, and a new realm of happiness precipitated in front of their weary,dreamy eyes. Etienne, as if pre-ordained by the high-heavens, gives the cogwheels a push to set it moving, and the machinery of revolution slowly revved to a full life.
A picture of the 1906 miners鈥� strike which came in a magazine:
One of my well-read friends had once said that though this Novel is a powerful one, the characterization fell flat, and this notion was embedded in my mind as I started reading. As pages rolled by, I was immersed into the ebb and flow of the story, dissolved in the luscious prose, my breathing pace naturally attuning itself to the crest and trough of the novel, and as I turned the last page of the novel, I closed the book and slumped into my bed, as I always do, to meditate upon what I have gone through. See, what my friend said was true. But what he said was also wrong. The characters-Etienne Lantier, Souvarine, Rassenneur, Maheu, La Maheude, the pit owners, Catherine, Chaval etc- they were all symbolic instruments used by Zola as a means to write this story of miners and the inhumane conditions they were in, and concomitantly, he was not telling the story of these people, he was telling the tale of everyone who hacked away their lives in the suffocating mines, which according to Zola is a鈥� ravenous monster鈥� who engulfs the poor miners as they go inside. So while you read this novel, the characters may appear like silhouettes against the blinding, dazzling light of the storyline, but that doesn鈥檛 mean the novel is short of emotions: there is love, bestial sex, betrayal, snobbery, egoism, optimism, adrenalin-surge and what not.
Zola had depicted the life of these common-place miners in an extraordinarily moving way: for instance, the eldest daughter of La Maheude, Catherine, who is 15, but her sexual maturity is getting delayed due to the burdening work at mines; the bestiality of the youths who find solace only in laying girls on their arse and making them mothers at a very early age; the harrowing account of a horse named Bataille, who was dragged down to the mine when it was still a jaunty baby colt and its irrepressible longing for basking in the radiant sunshine and taking in the scent of fresh verdure; the cattle-like promiscuity of people who were huddled together in a small room, like Catherine and her lodger Etienne who were forced to sleep side by side; the catastrophic prospects like fire-damp explosion and rock falls in mines; miners extinguishing their fury over diminishing salary, which was already paltry, through unrestrained inebriation leaving their families to starve.
鈥淏low the candle out, I don't need to see what my thoughts look like.鈥�- Germinal
I never knew why I read Zola; maybe its because the book had drawn me to it by some force which my humble mind cannot comprehend. I had been absent in GR for long, and it might have a taken a book like this to finally absorb me back to the place I know I cherish the most. I assert that there are some books that can shake you off torpidity and pull you again into the magical world of words and thoughts, and it is only a matter of time before you will find the book according to your taste that can impart you once again, the elixir of happiness and contentment.
鈥淣othing is ever final, you only need a bit of happiness
to be able to start all over again鈥�- Emile Zola, Germinal.
I鈥檓 glad I鈥檓 back.
5 stars on 5!
-gautam
Let me draw a scene for you. I appreciate your patience as I am going to write it as vividly as possible.
The lady on the chair is well past her prime- 40 maybe- with her youthful rosiness and smooth, taut skin beginning to give away under the suffocating reality in which she and her family are haplessly ensconced. The room in which she sits is tiny, but has a peculiar nordic cleanness about it which shows that this woman is scrupulous over cleanliness though persecuted perpetually and mercilessly by poverty, which is evident from her overused frayed dress, narrow room, rickety oak furniture and drab posters that adorned the murky walls. The lady on the chair sits pensively at the table, with her chin propped by her scrawny hands, worn by constant toiling. Minutes before, she had turned all the drawers longingly inside-out in half-fury half-despair but couldn鈥檛 find a crumb of bread or a handful of vermicelli, not even a farthing. Her husband and her 3 elder children-she has seven- are bound to come soon from their 10 hours-work down the mine; her other children- who have to wait several years before going under the mine- are too little to work which augments the agony of feeding five extra mouths including herself, the mother (her doctor advised her not to go down the mine anymore because of her bad lung). In her befuddled head, which is swarming with multiplicity of half-formed, incongruous thoughts, she condemned herself for not having borne the non-working kids much earlier, so that they too could have worked and earned bread for the family; she still condemned the stars for not giving her triplet-sons instead of the triplet-girls which god had bestowed on her with a sardonic grin. She envied her neighbor who has all her six sons working, 鈥渉ow lucky she is!鈥� .Suddenly, as if she was back to her senses, she shuddered convulsively, as her mind, which has been brimming with harrowing thoughts and disturbing reminiscences, proffered her another bit of memory to chew on: she remembered when the grocer next street asked her to send her eldest daughter to collect the groceries when she asked credit. 鈥淭hat abominable vile old man, who might as well be her grandpa鈥檚 age鈥�, she lamented. She herself was willing to go to the grocer as payment, but the years of impoverishment, drudgery and misery have drained away her youthful vigor and form, as she looked herself at the cracked mirror hung on the opposite wall. As the woman sat in limp despair-unable to cry or beat her breasts- stunned by her immense agony, and as the dastardly thoughts about tomorrow and future revolved around her buzzing head like a vulture hovering over a carcass, Emile Zola kept writing鈥�
鈥淲age earning is a new form of slavery. The mine should belong to the miner,
as the sea does to the fisherman,
and as the land does to the farmer鈥� Make no mistake!
The mine is your property, it belongs to all of you,
for you have paidfor it for over a century with blood and starvation鈥�
While the family of this symbolic lady on the chair drudged in the bowels of earth, hacking away at coal seam, choked by coal dust and unbearable heat, coughing up black phlegm and plagued by hunger and poverty; and while the bourgeois pit owners luxuriously enjoyed their idle life off miners鈥� sweat and blood, stuffing up their bellies with everything the earth has to offer and ostentatiously traveling in beautiful carriages, Emile Zola kept writing..
鈥淭he miners are waking from their slumbers in the depths of the
earth and starting to germinate like seeds sown in the soil; and one
morning you would how they would spring up from the earth
in the middle of the fields in broad daylight; yes, they would grow up to be real men,
an army of men fighting to restore justice.鈥�
When Emile Zola passed away in 1902, a throng of several thousand workers lined the streets, chanting 鈥�Germinal, Germinal鈥�, with their heads held high up, eyes brimming with emotion, bidding farewell to their great hero- the defender of justice and equality. Zola, the founder of naturalist movement, had written a score of novels in his series Les Rougon-Macquart, which tells the story of a family and its socio-economic impact in the era under Napoleon III.
Germinal is not entirely a political novel or a polemic aimed at defenestrating capitalism though it gives such an impression, nor is it an exaggerated melodrama aimed at hacking away at the hearts of the readers, nor is it a protracted tale of the 19th century miners during the epoch of economic slump. Germinal, in my opinion, is life as close as it gets; it is a book that proffers the vision of poverty, hunger, despair, life & soul through the magnifying lens of Zola鈥檚 writing. But germinal isn鈥檛 entirely apolitical as well; it has all the revolutionary reverberations that are bound to cascade in a community where 鈥楯ustice鈥� isn鈥檛 served, and where persecuted people raise their voice against the depredations of the iniquitous system in which they are inextricably enmeshed. For the miners, 鈥橨ustice鈥�, which is the sperm of the whole theme of this novel, is the word or epiphany, as it seems, that cracks open the dark vaults of subjugation and oppression, to reveal the dazzling, blinding vision of an angelic land, where everyone earns equal and are treated equal, where everything belongs to everyone, and where there are no poverty or hunger or misery. Germinal, the book, its theme, is a living soul, which has a heart that beats synchronically with the beats of the downtrodden people, which has a mouth that speaks for them, which has an arm with an uplifted index finger that guides them and admonishes them, and which showers them a benevolent gaze and a protective smile. According to Zola, the poverty and destitution of the miners are bestowed upon them by nature- they cannot do anything about it- and they are all invariably born into this slump, as their fathers and forefathers were all miners, whose impoverished life was the only inheritance they bequeath to their offspring. Generations of subjugation and unwavering circumstance of their harrowing milieu and life, the constant persecution of the capitalist mine-owners who constantly encumber their life by chiseling off their paltry salary on petty terms, thereby filling their own coffers at the expense of the blood, sweat and tears of the miners, who toil away their inane lives inorder to satiate, partially atleast, the growling cries of hunger.
鈥漌hy should some people be so wretched and others so rich?
Why should the former be trampled underfoot by the latter,
with no hope of ever taking their places?鈥�
A painting of the colliers by De Neuville:
Emile Zola had taken 10 months to finish this seminal work of naturalism, taking a trip down the working mine at Denain in Valenciennes, and when the novel was finally published under the title 鈥楪erminal鈥�, which was the seventh month in the revolutionary calendar that France followed from 1793 to 1805, it was immensely received and eventually became a towering work in the realm of literature and naturalism. Zola鈥檚 prose has a deep, sensational tone immured in it, and each word and each sentence has an aroma of living warmth, the psyche of the miners and the pathos of their harrowing milieu are nestled snuggly in the lulling clasps of the prose, but when their psyche is agitated by injustice, it quickly changes, without a forewarning, into a threatening serpent ready to spew venom with unrelenting vehemence at the first start.
鈥淭here鈥檚 only one thing that warms my heart,
and that is the thought that we are going to sweep away these bourgeois.鈥�
Etienne Lantier- the symbolic protagonist of the novel- reaches Montsou after weeks of aimless wandering and unyielding hunger, and takes up the work as a collier, not out of choice but due to the exigency of the hunger pang. In his initial days as a miner, Etienne鈥檚 mind and conscience began to ache seeing his fellow wretched miners, who all invariably became resigned to their fate of living & dying like cattle, and his indignation accrued gradually upon witnessing the grave injustice and inhumane ignorance the rich cast on them; and, Etienne, who considers himself learned, begins to feel an upper-hand over these miners, and gradually find in himself the pre-ordained power to fight for Justice. Energized by the journals on Socialism and other political books, Etienne, in whose psyche the first seeds of revolution were sown, convinces the crowd to rise above the traditional resignation of miners, and goads them to the flower-strewn world of 鈥榡ustice and equality鈥�.( Etienne, moreover, is a symbol of nonchalance in the face of despair and defeat, finding optimism even in the darkest of hours). Now the germination of these seeds of revolution is just a matter of time: a disturbance or a unanimous outcry against an unjustifiable act can arouse the slumbering beast in the hearts of these docile, resigned creatures who have until now suppressed their innermost turmoil in the catacombs of their vacuous souls . All they needed was a voice, firm with conviction and direction, to guide them to a path of revolution, where their debilitating lives are purged of misery, and a new realm of happiness precipitated in front of their weary,dreamy eyes. Etienne, as if pre-ordained by the high-heavens, gives the cogwheels a push to set it moving, and the machinery of revolution slowly revved to a full life.
鈥淪ince they had been shown the promised land of justice,
they were ready to suffer on the road to universal happiness.
Hunger went to their heads, and, in their
wretched hallucinating eyes, the flat, dull horizon
had never seemed to open up to such a vast and infinite perspective.
When their eyes blurred with fatigue, they could see their ideal city
of their dreams beyond the horizon, but now somehow close and real;
there all men were brothers, in a golden age where
meals and labors were shared equal鈥�
A picture of the 1906 miners鈥� strike which came in a magazine:
One of my well-read friends had once said that though this Novel is a powerful one, the characterization fell flat, and this notion was embedded in my mind as I started reading. As pages rolled by, I was immersed into the ebb and flow of the story, dissolved in the luscious prose, my breathing pace naturally attuning itself to the crest and trough of the novel, and as I turned the last page of the novel, I closed the book and slumped into my bed, as I always do, to meditate upon what I have gone through. See, what my friend said was true. But what he said was also wrong. The characters-Etienne Lantier, Souvarine, Rassenneur, Maheu, La Maheude, the pit owners, Catherine, Chaval etc- they were all symbolic instruments used by Zola as a means to write this story of miners and the inhumane conditions they were in, and concomitantly, he was not telling the story of these people, he was telling the tale of everyone who hacked away their lives in the suffocating mines, which according to Zola is a鈥� ravenous monster鈥� who engulfs the poor miners as they go inside. So while you read this novel, the characters may appear like silhouettes against the blinding, dazzling light of the storyline, but that doesn鈥檛 mean the novel is short of emotions: there is love, bestial sex, betrayal, snobbery, egoism, optimism, adrenalin-surge and what not.
Zola had depicted the life of these common-place miners in an extraordinarily moving way: for instance, the eldest daughter of La Maheude, Catherine, who is 15, but her sexual maturity is getting delayed due to the burdening work at mines; the bestiality of the youths who find solace only in laying girls on their arse and making them mothers at a very early age; the harrowing account of a horse named Bataille, who was dragged down to the mine when it was still a jaunty baby colt and its irrepressible longing for basking in the radiant sunshine and taking in the scent of fresh verdure; the cattle-like promiscuity of people who were huddled together in a small room, like Catherine and her lodger Etienne who were forced to sleep side by side; the catastrophic prospects like fire-damp explosion and rock falls in mines; miners extinguishing their fury over diminishing salary, which was already paltry, through unrestrained inebriation leaving their families to starve.
鈥淥fcourse, you got your daily bread, you did eat,
but so little that it was only just enough to keep you
alive so you could enjoy being half starved, piling up
debts and hounded remorselessly as if you had stolen
every mouthful you ate. When Sunday came round you
were so tired that you slept all day. Life鈥檚 only pleasures
were getting drunk or giving your wife a baby; and even
then the booze gave you a beer belly and the baby would
grow up and wouldn鈥檛 give a damn for you.
No, too true, life was not a bowl of cherries.鈥�
鈥淏low the candle out, I don't need to see what my thoughts look like.鈥�- Germinal
I never knew why I read Zola; maybe its because the book had drawn me to it by some force which my humble mind cannot comprehend. I had been absent in GR for long, and it might have a taken a book like this to finally absorb me back to the place I know I cherish the most. I assert that there are some books that can shake you off torpidity and pull you again into the magical world of words and thoughts, and it is only a matter of time before you will find the book according to your taste that can impart you once again, the elixir of happiness and contentment.
鈥淣othing is ever final, you only need a bit of happiness
to be able to start all over again鈥�- Emile Zola, Germinal.
I鈥檓 glad I鈥檓 back.
5 stars on 5!
-gautam
April 19, 2022
讴鬲丕亘 跇乇賲蹖賳丕賱 卮丕賴讴丕乇 丕賲蹖賱 夭賵賱丕爻鬲.
蹖讴蹖 丕夭 亘賴鬲乇蹖賳 讴鬲丕亘 賴丕蹖蹖 讴賴 鬲丕丨丕賱丕 禺賵賳丿賲.
讴鬲丕亘 倬乇 丕夭 鬲丕乇蹖讴蹖貙 乇賳噩 賵 丿乇丿 丕爻鬲 亘賴 诏賵賳賴 丕蹖 讴賴 丿乇 胤蹖 禺賵丕賳丿賳 讴鬲丕亘 丨鬲蹖 賱亘禺賳丿 讴賵趩讴蹖 亘賴 賱亘丕賳鬲賵賳 鬲賵 賳賲蹖丕丿. 賯丿乇蹖 亘丕 噩夭卅蹖丕鬲 讴丕賲賱 丿丕爻鬲丕賳 賳賵卮鬲賴 卮丿賴 讴賴 禺賵丿鬲賵賳 乇賵 賲蹖鬲賵賳蹖賳 讴賳丕乇 讴丕乇诏乇丕賳 亘诏匕丕乇蹖丿 賵 亘丕 丕賵賳 賴丕 乇賳噩 賵 诏乇爻賳诏蹖 亘讴卮蹖丿 賵 丿乇 丕毓賲丕賯 賲毓丿賳 讴丕乇 讴賳蹖丿.
丕鬲蹖賳 卮禺氐蹖鬲 丕氐賱蹖 讴鬲丕亘 丿乇 賲丨賱 讴丕乇 賯亘賱蹖 禺賵丿貙 讴丕乇賮乇賲丕 乇丕 亘賴 亘丕丿 讴鬲讴 诏乇賮鬲賴 賵 賳丕趩丕乇 賲蹖鈥屫促堌� 亘賴 胤賵乇 讴賱蹖 丌賳 賳丕丨蹖賴 丕夭 讴卮賵乇 乇丕 倬卮鬲 爻乇 亘诏匕丕乇丿 賵 亘賴 噩丕蹖蹖 亘乇賵丿 讴賴 讴爻蹖 丕賵 乇丕 賳賲蹖鈥屫促嗀ж池�. 丿乇 賲爻蹖乇 亘賴 蹖讴 賲毓丿賳 夭睾丕賱 賲蹖 乇爻丿 賵 丿乇 丌賳噩丕 賲卮睾賵賱 亘賴 讴丕乇 賲蹖鈥屫促堌�.鈥� 賵 倬爻 丕夭 賲丿鬲蹖 夭賳丿诏蹖 亘蹖賳 讴丕乇诏乇丕賳 賲毓丿賳 貙 賲丿蹖乇丕賳 賲毓丿賳 丨賯賵賯 賴丕乇丕 讴賲 賲蹖鈥屭┵嗁嗀� 讴賴 丕夭 丕蹖賳 賯爻賲鬲 讴鬲丕亘 賲卮讴賱 丕爻丕爻蹖 卮乇賵毓 賲蹖鈥屫促堌� ....
1401/1/30
蹖讴蹖 丕夭 亘賴鬲乇蹖賳 讴鬲丕亘 賴丕蹖蹖 讴賴 鬲丕丨丕賱丕 禺賵賳丿賲.
讴鬲丕亘 倬乇 丕夭 鬲丕乇蹖讴蹖貙 乇賳噩 賵 丿乇丿 丕爻鬲 亘賴 诏賵賳賴 丕蹖 讴賴 丿乇 胤蹖 禺賵丕賳丿賳 讴鬲丕亘 丨鬲蹖 賱亘禺賳丿 讴賵趩讴蹖 亘賴 賱亘丕賳鬲賵賳 鬲賵 賳賲蹖丕丿. 賯丿乇蹖 亘丕 噩夭卅蹖丕鬲 讴丕賲賱 丿丕爻鬲丕賳 賳賵卮鬲賴 卮丿賴 讴賴 禺賵丿鬲賵賳 乇賵 賲蹖鬲賵賳蹖賳 讴賳丕乇 讴丕乇诏乇丕賳 亘诏匕丕乇蹖丿 賵 亘丕 丕賵賳 賴丕 乇賳噩 賵 诏乇爻賳诏蹖 亘讴卮蹖丿 賵 丿乇 丕毓賲丕賯 賲毓丿賳 讴丕乇 讴賳蹖丿.
丕鬲蹖賳 卮禺氐蹖鬲 丕氐賱蹖 讴鬲丕亘 丿乇 賲丨賱 讴丕乇 賯亘賱蹖 禺賵丿貙 讴丕乇賮乇賲丕 乇丕 亘賴 亘丕丿 讴鬲讴 诏乇賮鬲賴 賵 賳丕趩丕乇 賲蹖鈥屫促堌� 亘賴 胤賵乇 讴賱蹖 丌賳 賳丕丨蹖賴 丕夭 讴卮賵乇 乇丕 倬卮鬲 爻乇 亘诏匕丕乇丿 賵 亘賴 噩丕蹖蹖 亘乇賵丿 讴賴 讴爻蹖 丕賵 乇丕 賳賲蹖鈥屫促嗀ж池�. 丿乇 賲爻蹖乇 亘賴 蹖讴 賲毓丿賳 夭睾丕賱 賲蹖 乇爻丿 賵 丿乇 丌賳噩丕 賲卮睾賵賱 亘賴 讴丕乇 賲蹖鈥屫促堌�.鈥� 賵 倬爻 丕夭 賲丿鬲蹖 夭賳丿诏蹖 亘蹖賳 讴丕乇诏乇丕賳 賲毓丿賳 貙 賲丿蹖乇丕賳 賲毓丿賳 丨賯賵賯 賴丕乇丕 讴賲 賲蹖鈥屭┵嗁嗀� 讴賴 丕夭 丕蹖賳 賯爻賲鬲 讴鬲丕亘 賲卮讴賱 丕爻丕爻蹖 卮乇賵毓 賲蹖鈥屫促堌� ....
1401/1/30
October 23, 2022
蹖讴 卮丕賴讴丕乇 賮乇丕賲賵卮鈥屬嗀簇嗃�!
跇乇賲蹖賳丕賱貙 卮丕賴讴丕乇 丕賲蹖賱 夭賵賱丕貙 爻蹖夭丿賴賲蹖賳 讴鬲丕亘 丕夭 賲噩賲賵毓賴鈥屰� 亘蹖爻鬲 噩賱丿蹖 乇賵诏賳 賲丕讴丕乇 丕爻鬲貙 賲噩賲賵毓賴鈥屰� 乇賵诏賳 賲丕讴丕乇 丿乇亘丕乇賴鈥屰� 爻乇诏匕卮鬲 禺丕賳賵丕丿賴鈥屰� 乇賵诏賳 賲丕讴丕乇 胤蹖 賳爻賱鈥屬囏й� 賲禺鬲賱賮 丕爻鬲.
卮禺氐蹖鬲 丕氐賱蹖 讴鬲丕亘 跇乇賲蹖賳丕賱 倬爻乇蹖鈥屫池� 噩賵丕賳 亘賴 丕爻賲 丕鬲蹖鈥屰屬嗀� 丕鬲蹖鈥屰屬� 讴賴 丕夭 讴丕乇 賯亘賱蹖 禺賵丿卮 丕禺乇丕噩 卮丿賴貙 亘賴 丿賳亘丕賱 讴丕乇 賵丕乇丿 賲毓丿賳 賵賵乇賵 賲蹖鈥屫促�. 卮乇丕蹖胤 讴丕乇 丿乇 賲毓丿賳 爻禺鬲 賵 胤丕賯鬲鈥屬佖必池ж池� 讴丕乇蹖 讴賴 賴乇 乇賵夭 丕夭 丨賵丕賱蹖 鄞 氐亘丨 丿乇 鄣鄣鄞 賲鬲乇蹖 丕夭 夭蹖乇賽 夭賲蹖賳 卮乇賵毓 賲蹖卮賴 賵 鬲丕 亘毓丿丕夭馗賴乇 丕丿丕賲賴 丿丕乇賴貙 亘丿賵賳 乇毓丕蹖鬲 丕蹖賲賳蹖 賵 丨丿丕賯賱鈥屬囏й� 亘賴丿丕卮鬲蹖 讴丕乇诏乇丕賳.
賲毓丿賳趩蹖丕賳 毓賱蹖鈥屫必嘿� 丕蹖賳鈥屭┵� 丕夭 爻賳蹖賳 讴賲貙 趩賴 丿禺鬲乇 賵 趩賴 倬爻乇貙 卮乇賵毓 亘賴 讴丕乇 讴乇丿賳 賲蹖讴賳賳貙 丕夭 丨丿丕賯賱鈥屬囏й� 夭賳丿诏蹖 賲丨乇賵賲賳. 亘丕 丕蹖賳鈥屭┵� 丕讴孬乇 丕毓囟丕蹖 禺丕賳賵丕丿賴 讴丕乇 賲蹖讴賳賳貙 亘丕夭 賴賲 亘賴 爻禺鬲蹖 賲蹖鬲賵賳賳 卮讴賲 禺賵丿卮賵賳賵 爻蹖乇 讴賳賳貙 賵 鬲賳賴丕 丿睾丿睾賴鈥屫促堎� 丿乇 丕蹖賳 卮乇丕蹖胤 夭賳丿賴 賲賵賳丿賳賴...
丿丕爻鬲丕賳 丕氐賱蹖 讴鬲丕亘 丕夭 賵賯鬲蹖 卮乇賵毓 賲蹖卮賴 讴賴 丿爻鬲賲夭丿 讴丕乇诏乇丕賳 亘賳丕亘乇 丿賱丕蹖賱蹖 亘丕夭 賴賲 讴賲鬲乇 賲蹖卮賴貙 讴丕乇诏乇丕賳 亘丕 丕蹖賳 丿爻鬲賲夭丿 丿蹖诏賴 丨鬲蹖 鬲賵丕賳丕蹖蹖 爻蹖乇 讴乇丿賳 卮讴賲 禺賵丿卮賵賳 賵 禺賵賳賵丕丿賴鈥屫促堎� 乇賵 賳丿丕乇賳貙 丕夭 丕蹖賳噩丕爻鬲 讴賴 丕毓鬲氐丕亘 讴丕乇诏乇丕賳 卮乇賵毓 亘賴 噩賵丕賳賴 夭丿賳 賲蹖讴賳賴. 丕毓鬲氐丕亘蹖 讴賴 賳丕诏夭賷乇 亘賴 禺卮賵賳鬲 賵 爻乇讴賵亘 卮丿蹖丿 賲賳鬲賴蹖 賲蹖卮賴...
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跇乇賲蹖賳丕賱 丿乇 鬲賯賵蹖賲 丕賳賯賱丕亘蹖 賮乇丕賳爻賴 亘賴 賲丕賴 丕賵賱 賮氐賱 亘賴丕乇 丕卮丕乇賴 丿丕乇賴 賵 亘賴 賲毓賳蹖 噩賵丕賳賴 夭丿賳賴. 丿乇 毓蹖賳鈥屫з� 乇蹖卮賴 讴賱賲賴貙 跇乇賲賳貙 讴賱賲賴鈥屫й� 賱丕鬲蹖賳 亘賴 賲毓賳丕蹖 "亘匕乇"賴. 亘匕乇 丕賲蹖丿 亘賴 丌蹖賳丿賴鈥屫й� 亘賴鬲乇 亘乇丕蹖 賲毓丿賳趩蹖丕賳... 亘匕乇 丕鬲賮丕賯丕鬲蹖 讴賴 賳爻賱鈥屬囏й� 丌蹖賳丿賴 賲蹖賵賴 丕賵賳 乇賵 禺賵丕賴賳丿 趩蹖丿.
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丿乇 亘爻蹖丕乇蹖 丕夭 賲賳丕亘毓 诏賮鬲賴 卮丿賴 讴賴 夭賵賱丕 亘乇丕蹖 賳賵卮鬲賳 丕蹖賳 讴鬲丕亘 亘賴 賲丿鬲 卮卮 賲丕賴 亘賴鈥屫蒂堌必� 賳丕卮賳丕爻 丿乇 亘蹖賳 賲毓丿賳趩蹖丕賳 讴丕乇 讴乇丿賴 賵 丕夭 賳夭丿蹖讴 卮丕賴丿 夭賳丿诏蹖 丕賵賳鈥屬囏� 亘賵丿賴貙 丿乇賵丕賯毓 亘賴 賴賲蹖賳 丿賱蹖賱賴 讴賴 跇乇賲蹖賳丕賱 蹖讴蹖 丕夭 賲毓乇賵賮鬲乇蹖賳 丌孬丕乇 丿乇 夭賲蹖賳賴 賳丕鬲賵乇丕賱蹖爻賲賴.
賵 賴賲趩賳蹖賳 亘賴 賴賲蹖賳 丿賱蹖賱賴 讴賴 鬲賵氐蹖賮丕鬲 夭賵賱丕 丿乇 丕蹖賳 讴鬲丕亘 丕夭 夭賳丿诏蹖 賲毓丿賳趩蹖丕賳 丕蹖賳賴賲賴 夭賳丿賴 賵 噩賵賳鈥屫ж辟囏� 讴丕乇诏乇丕賳 賵丕乇丿 賲毓丿賳 賲蹖卮賳 賵 卮賲丕 鬲丕乇蹖讴蹖 乇賵 丨爻 賲蹖鈥屭┵嗃屫� 讴丕乇诏乇丕賳 爻乇丿卮賵賳 賲蹖卮賴 賵 卮賲丕 賲蹖鈥屬勜必槽屫� 讴丕乇诏乇丕賳 诏乇爻賳賴鈥屫促堎� 賲蹖卮賴 賵 賲毓丿賴 卮賲丕爻鬲 讴賴 丿乇丿 賲蹖诏蹖乇賴...
跇乇賲蹖賳丕賱 讴鬲丕亘蹖賴 讴賴 亘丕毓孬 賲蹖卮賴 丕賮讴丕乇 噩丿蹖丿蹖 鬲賵 匕賴賳鬲賵賳 噩賵賵賳賴 亘夭賳賴貙 亘丕毓孬 賲蹖卮賴 亘丕 禺賵丿鬲賵賳 賮讴乇 讴賳蹖丿貙 亘賴 丕蹖賳讴賴 乇丕賴 趩丕乇賴 趩蹖賴責 禺卮賵賳鬲責 丕氐賱丕丨 鬲丿乇蹖噩蹖責 丕蹖賳讴賴 丌蹖丕 蹖讴 乇賵夭 丕蹖賳 噩賳亘卮鈥屬囏й� 讴丕乇诏乇蹖貙 丕蹖賳 丕毓鬲氐丕亘丕鬲貙 丕蹖賳 禺賵賳鈥屬囏й� 亘賴鈥屬嗀ж� 乇蹖禺鬲賴鈥屫簇� 亘賴 賳鬲蹖噩賴 賲蹖鈥屫必迟嗀� 亘賴 丕蹖賳讴賴 丌蹖丕 蹖讴 乇賵夭 丕蹖賳 亘匕乇賴丕 賵 噩賵丕賳賴鈥屬囏� 賲蹖賵賴 禺賵丕賴賳丿 丿丕丿 蹖丕 賳賴責
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丨乇賮 丿乇 賲賵乇丿 丕蹖賳 讴鬲丕亘 夭蹖丕丿賴貙 亘賴 賳馗乇 賲賳 鬲賵氐蹖賴 丕蹖賳噩賵乇 讴鬲丕亘鈥屬囏� 亘賴 卮賵禺蹖 卮亘蹖賴賴貙 蹖讴 卮丕賴讴丕乇 賲賳鬲馗乇 卮賲丕爻鬲貙 賴賲蹖賳.
跇乇賲蹖賳丕賱貙 卮丕賴讴丕乇 丕賲蹖賱 夭賵賱丕貙 爻蹖夭丿賴賲蹖賳 讴鬲丕亘 丕夭 賲噩賲賵毓賴鈥屰� 亘蹖爻鬲 噩賱丿蹖 乇賵诏賳 賲丕讴丕乇 丕爻鬲貙 賲噩賲賵毓賴鈥屰� 乇賵诏賳 賲丕讴丕乇 丿乇亘丕乇賴鈥屰� 爻乇诏匕卮鬲 禺丕賳賵丕丿賴鈥屰� 乇賵诏賳 賲丕讴丕乇 胤蹖 賳爻賱鈥屬囏й� 賲禺鬲賱賮 丕爻鬲.
卮禺氐蹖鬲 丕氐賱蹖 讴鬲丕亘 跇乇賲蹖賳丕賱 倬爻乇蹖鈥屫池� 噩賵丕賳 亘賴 丕爻賲 丕鬲蹖鈥屰屬嗀� 丕鬲蹖鈥屰屬� 讴賴 丕夭 讴丕乇 賯亘賱蹖 禺賵丿卮 丕禺乇丕噩 卮丿賴貙 亘賴 丿賳亘丕賱 讴丕乇 賵丕乇丿 賲毓丿賳 賵賵乇賵 賲蹖鈥屫促�. 卮乇丕蹖胤 讴丕乇 丿乇 賲毓丿賳 爻禺鬲 賵 胤丕賯鬲鈥屬佖必池ж池� 讴丕乇蹖 讴賴 賴乇 乇賵夭 丕夭 丨賵丕賱蹖 鄞 氐亘丨 丿乇 鄣鄣鄞 賲鬲乇蹖 丕夭 夭蹖乇賽 夭賲蹖賳 卮乇賵毓 賲蹖卮賴 賵 鬲丕 亘毓丿丕夭馗賴乇 丕丿丕賲賴 丿丕乇賴貙 亘丿賵賳 乇毓丕蹖鬲 丕蹖賲賳蹖 賵 丨丿丕賯賱鈥屬囏й� 亘賴丿丕卮鬲蹖 讴丕乇诏乇丕賳.
賲毓丿賳趩蹖丕賳 毓賱蹖鈥屫必嘿� 丕蹖賳鈥屭┵� 丕夭 爻賳蹖賳 讴賲貙 趩賴 丿禺鬲乇 賵 趩賴 倬爻乇貙 卮乇賵毓 亘賴 讴丕乇 讴乇丿賳 賲蹖讴賳賳貙 丕夭 丨丿丕賯賱鈥屬囏й� 夭賳丿诏蹖 賲丨乇賵賲賳. 亘丕 丕蹖賳鈥屭┵� 丕讴孬乇 丕毓囟丕蹖 禺丕賳賵丕丿賴 讴丕乇 賲蹖讴賳賳貙 亘丕夭 賴賲 亘賴 爻禺鬲蹖 賲蹖鬲賵賳賳 卮讴賲 禺賵丿卮賵賳賵 爻蹖乇 讴賳賳貙 賵 鬲賳賴丕 丿睾丿睾賴鈥屫促堎� 丿乇 丕蹖賳 卮乇丕蹖胤 夭賳丿賴 賲賵賳丿賳賴...
丿丕爻鬲丕賳 丕氐賱蹖 讴鬲丕亘 丕夭 賵賯鬲蹖 卮乇賵毓 賲蹖卮賴 讴賴 丿爻鬲賲夭丿 讴丕乇诏乇丕賳 亘賳丕亘乇 丿賱丕蹖賱蹖 亘丕夭 賴賲 讴賲鬲乇 賲蹖卮賴貙 讴丕乇诏乇丕賳 亘丕 丕蹖賳 丿爻鬲賲夭丿 丿蹖诏賴 丨鬲蹖 鬲賵丕賳丕蹖蹖 爻蹖乇 讴乇丿賳 卮讴賲 禺賵丿卮賵賳 賵 禺賵賳賵丕丿賴鈥屫促堎� 乇賵 賳丿丕乇賳貙 丕夭 丕蹖賳噩丕爻鬲 讴賴 丕毓鬲氐丕亘 讴丕乇诏乇丕賳 卮乇賵毓 亘賴 噩賵丕賳賴 夭丿賳 賲蹖讴賳賴. 丕毓鬲氐丕亘蹖 讴賴 賳丕诏夭賷乇 亘賴 禺卮賵賳鬲 賵 爻乇讴賵亘 卮丿蹖丿 賲賳鬲賴蹖 賲蹖卮賴...
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跇乇賲蹖賳丕賱 丿乇 鬲賯賵蹖賲 丕賳賯賱丕亘蹖 賮乇丕賳爻賴 亘賴 賲丕賴 丕賵賱 賮氐賱 亘賴丕乇 丕卮丕乇賴 丿丕乇賴 賵 亘賴 賲毓賳蹖 噩賵丕賳賴 夭丿賳賴. 丿乇 毓蹖賳鈥屫з� 乇蹖卮賴 讴賱賲賴貙 跇乇賲賳貙 讴賱賲賴鈥屫й� 賱丕鬲蹖賳 亘賴 賲毓賳丕蹖 "亘匕乇"賴. 亘匕乇 丕賲蹖丿 亘賴 丌蹖賳丿賴鈥屫й� 亘賴鬲乇 亘乇丕蹖 賲毓丿賳趩蹖丕賳... 亘匕乇 丕鬲賮丕賯丕鬲蹖 讴賴 賳爻賱鈥屬囏й� 丌蹖賳丿賴 賲蹖賵賴 丕賵賳 乇賵 禺賵丕賴賳丿 趩蹖丿.
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丿乇 亘爻蹖丕乇蹖 丕夭 賲賳丕亘毓 诏賮鬲賴 卮丿賴 讴賴 夭賵賱丕 亘乇丕蹖 賳賵卮鬲賳 丕蹖賳 讴鬲丕亘 亘賴 賲丿鬲 卮卮 賲丕賴 亘賴鈥屫蒂堌必� 賳丕卮賳丕爻 丿乇 亘蹖賳 賲毓丿賳趩蹖丕賳 讴丕乇 讴乇丿賴 賵 丕夭 賳夭丿蹖讴 卮丕賴丿 夭賳丿诏蹖 丕賵賳鈥屬囏� 亘賵丿賴貙 丿乇賵丕賯毓 亘賴 賴賲蹖賳 丿賱蹖賱賴 讴賴 跇乇賲蹖賳丕賱 蹖讴蹖 丕夭 賲毓乇賵賮鬲乇蹖賳 丌孬丕乇 丿乇 夭賲蹖賳賴 賳丕鬲賵乇丕賱蹖爻賲賴.
賵 賴賲趩賳蹖賳 亘賴 賴賲蹖賳 丿賱蹖賱賴 讴賴 鬲賵氐蹖賮丕鬲 夭賵賱丕 丿乇 丕蹖賳 讴鬲丕亘 丕夭 夭賳丿诏蹖 賲毓丿賳趩蹖丕賳 丕蹖賳賴賲賴 夭賳丿賴 賵 噩賵賳鈥屫ж辟囏� 讴丕乇诏乇丕賳 賵丕乇丿 賲毓丿賳 賲蹖卮賳 賵 卮賲丕 鬲丕乇蹖讴蹖 乇賵 丨爻 賲蹖鈥屭┵嗃屫� 讴丕乇诏乇丕賳 爻乇丿卮賵賳 賲蹖卮賴 賵 卮賲丕 賲蹖鈥屬勜必槽屫� 讴丕乇诏乇丕賳 诏乇爻賳賴鈥屫促堎� 賲蹖卮賴 賵 賲毓丿賴 卮賲丕爻鬲 讴賴 丿乇丿 賲蹖诏蹖乇賴...
跇乇賲蹖賳丕賱 讴鬲丕亘蹖賴 讴賴 亘丕毓孬 賲蹖卮賴 丕賮讴丕乇 噩丿蹖丿蹖 鬲賵 匕賴賳鬲賵賳 噩賵賵賳賴 亘夭賳賴貙 亘丕毓孬 賲蹖卮賴 亘丕 禺賵丿鬲賵賳 賮讴乇 讴賳蹖丿貙 亘賴 丕蹖賳讴賴 乇丕賴 趩丕乇賴 趩蹖賴責 禺卮賵賳鬲責 丕氐賱丕丨 鬲丿乇蹖噩蹖責 丕蹖賳讴賴 丌蹖丕 蹖讴 乇賵夭 丕蹖賳 噩賳亘卮鈥屬囏й� 讴丕乇诏乇蹖貙 丕蹖賳 丕毓鬲氐丕亘丕鬲貙 丕蹖賳 禺賵賳鈥屬囏й� 亘賴鈥屬嗀ж� 乇蹖禺鬲賴鈥屫簇� 亘賴 賳鬲蹖噩賴 賲蹖鈥屫必迟嗀� 亘賴 丕蹖賳讴賴 丌蹖丕 蹖讴 乇賵夭 丕蹖賳 亘匕乇賴丕 賵 噩賵丕賳賴鈥屬囏� 賲蹖賵賴 禺賵丕賴賳丿 丿丕丿 蹖丕 賳賴責
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丨乇賮 丿乇 賲賵乇丿 丕蹖賳 讴鬲丕亘 夭蹖丕丿賴貙 亘賴 賳馗乇 賲賳 鬲賵氐蹖賴 丕蹖賳噩賵乇 讴鬲丕亘鈥屬囏� 亘賴 卮賵禺蹖 卮亘蹖賴賴貙 蹖讴 卮丕賴讴丕乇 賲賳鬲馗乇 卮賲丕爻鬲貙 賴賲蹖賳.
March 10, 2021
Dok si mlad umi拧lja拧 da 膰e ti sre膰a svanuti, sva膷emu se nada拧; a onda nevolja sve iznova i iznova zapo膷inje i zauvijek si zatvoren u njoj...Nikome ja zla ne 啪elim, ali biva katkad da me ta nepravda uzbunjuje.
Jednom kada Etjen Lantjer o拧amari nadre膽enog, dobija otkaz i zapo膷inje svoj skitni膷ki 啪ivot na par dana. Bez novca i hljeba, jedva pronalazi posao u rudiniku. Od tada kre膰e njegov novi 啪ivot s porodicom Mae i ostalim radnicima.
U procvatu kapitalizma agresivnosti, industrijskog napretka i Darvinove teorije prirodne selekcije (ne bih sada navodio svoje mi拧ljenje o njoj) ne mo啪e da se prenebregne 膷injenica da 膰e izrasti jedna neman koja 膰e svojim 膷eljustima da melje sve ono ljudsko i iz njih isisa 啪ivotne sokove. Rudnik Vore je jedna takva neman. Pisac ne ukra拧ava svakodnenicu radnika. Njihovo jutarnje bu膽enje je uz kafu koja se pravi tako 拧to se voda naspe u to malo toza 拧to je ostalo. Hrane je sve manje a nagon za pre啪ivljavanjem sve ve膰i. Zapanjuju膰i je podatak da postoji porodica koja decenijama radi u rudniku. Bestijalnost i napetost koja narasta u tami rudnika je sve ve膰a kako roman odmi膷e. Pored toga 拧to je roman pro啪et ljubavnom pri膷om (膷itaj Etjena i Katarine), ona se bavi 膷ovjekom i njegovom transformacijom usljed eksploatatorskog rada i gladi, kao i spremnosti na hrabrost i po啪rtvovanje. 膶italac 膰e mo膰i da uo膷i Etjenov preobra啪aj od ulaska pa sve do kona膷nog napu拧tanja jame. I ako je u to vrijeme roman sigurno imao svoju veli膷nu, mislim da ni danas ne gubi ne拧to od nje, naprotiv.
June 29, 2017
Three things:
1. Zola's writing of abuse and domestic violence is breathtakingly modern;
2. Poor old horse; and
3. This novel contains a scene in which someone tears a dead man's dick off and parades it around on a stick.
1. Zola's writing of abuse and domestic violence is breathtakingly modern;
2. Poor old horse; and
3. This novel contains a scene in which someone tears a dead man's dick off and parades it around on a stick.
November 17, 2023
亘趩賴 讴賴 亘賵丿賲 賴乇 賵賯鬲 亘丨孬 爻禺鬲 鬲乇蹖賳 讴丕乇 丿賳蹖丕 賲蹖卮丿 賵 亘夭乇诏鈥屫必� 賲蹖鈥屭佖� 讴丕乇 鬲賵蹖 賲毓丿賳 爻禺鬲鈥屫臂屬� 讴丕乇 丿賳蹖丕爻鬲. 亘蹖 趩賵賳 賵 趩乇丕 賯亘賵賱 賲蹖鈥屭┴必呚� 禺亘 丨鬲賲丕 丿爻鬲 賵 倬丕 夭丿賳 賵 讴丕乇鈥� 爻賳诏蹖賳 鬲賵 丕賵賳 卮乇丕蹖胤 爻禺鬲 鬲賵蹖 丕賵賳 鬲賵賳賱鈥屬囏й� 鬲賳诏 賵 诏乇賲 賵 鬲丕乇蹖讴貙 亘丕蹖丿 丌禺乇 丿賳蹖丕 亘丕卮賴. 賵賱蹖 禺亘 賲孬賱 丕蹖賳讴賴 丕蹖賳 賮賯胤 馗丕賴乇 賲丕噩乇丕 亘賵丿. 丨丕賱丕 亘毓丿 丕夭 爻丕賱鈥屬囏й� 夭蹖丕丿蹖 诏匕乇賲 亘賴 跇乇賲蹖賳丕賱 丕賮鬲丕丿賴貙 乇賵丕蹖鬲 讴爻丕賳蹖 乇賵 禺賵賳丿賲 讴賴 亘丕 爻蹖賱蹖 氐賵乇鬲 禺賵丿卮賵賳 乇賵 爻乇禺 賳诏賴 丿丕卮鬲賳 賵 丕夭 亘蹖鈥屭┵佡嗃� 賴賳賵夭 夭賳丿賳. 丿丕爻鬲丕賳 亘丕 賮囟丕蹖 爻乇丿 賵 睾賲鈥屫з嗂屫槽� 卮乇賵毓 賵 亘丕 賮囟丕蹖 爻乇丿鬲乇 賵 賲乇诏鈥屫①堌必臂� 亘賴 倬丕蹖丕賳 賲蹖鈥屫必迟囏� 诏賵卮賴 诏賵卮賴 禺胤賵胤 丿丕爻鬲丕賳 賮賯胤 乇賳噩 賵 睾賲 賲賵噩 賲蹖夭賳賴貙 丕賳诏丕乇 乇賵蹖 卮賴乇 诏乇丿 賲乇诏 賵 亘丿亘禺鬲蹖 倬丕卮蹖丿賳.
趩蹖夭蹖 讴賴 讴賱蹖鬲 讴鬲丕亘 乇賵 噩匕丕亘 賲蹖鈥屭┴必� 丕蹖賳 亘賵丿 讴賴 夭賵賱丕 爻毓蹖 賳讴乇丿賴 亘賵丿 亘蹖賳 禺賵亘 賵 亘丿 蹖賴 禺胤 囟禺蹖賲 噩丿丕讴賳賳丿賴 亘讴卮賴貙 讴爻蹖 讴賴 賮賯蹖乇 亘賵丿 賵 夭賳丿诏蹖 禺賵亘蹖 賳丿丕卮鬲 賴賲 賲賲讴賳 亘賵丿 匕丕鬲 禺賵亘蹖 賳丿丕卮鬲賴 亘丕卮賴貙 賲賲讴賳 亘賵丿 亘賴 夭蹖乇丿爻鬲 賮賯蹖乇鬲乇 丕夭 禺賵丿卮 賴賲 乇丨賲 賳讴賳賴 賵 亘賴卮 丌爻蹖亘 亘夭賳賴.
鬲賵氐蹖賮丕鬲 賵 賮囟丕爻丕夭蹖 讴鬲丕亘 亘賴 賯丿乇蹖 夭蹖亘丕 丿乇丿 乇賵 亘賴 鬲氐賵蹖乇 讴卮蹖丿賴 亘賵丿 讴賴 丕賳诏丕乇 鬲賵賽 禺賵丕賳賳丿賴 賴賲 毓囟賵蹖 丕夭 蹖讴 禺丕賳賵丕丿賴鈥� 賮賯蹖乇 賲毓丿賳鈥屭┴ж臂�. 丕賳诏丕乇 讴鬲丕亘 乇賵 讴賴 賲蹖禺賵賳蹖 鬲賵 賴賲 氐亘丨 亘賴 氐亘丨 賱賯賲賴 賳賵賳 禺卮讴 賵 禺丕賱蹖鈥屫� 亘乇賲蹖丿丕乇蹖 賵 趩賳丿 讴蹖賱賵賲鬲乇 乇丕賴 鬲丕 夭蹖乇賽 夭賲蹖賳 賲蹖乇蹖 亘賴 丕賲蹖丿 趩賳丿乇睾丕夭 丿爻鬲賲夭丿 亘禺賵乇 賵 賳賲蹖乇. 鬲丕乇蹖讴蹖貙 爻乇賲丕貙 诏乇丿 賵 禺丕讴貙 爻蹖丕賴蹖 匕睾丕賱鈥屬囏й屰� 讴賴 乇賵蹖 氐賵乇鬲 賵 丿爻鬲丕鬲 賳卮爻鬲賳 賴賲賴 賵 賴賲賴 乇賵 亘丕 毓賲賯 賵噩賵丿鬲 丿乇讴 賲蹖鈥屭┵嗃�.
亘丕 禺賵賳丿賳 丕蹖賳 讴鬲丕亘 賴賲 賲蹖卮丿 賮賴賲蹖丿 讴賴 亘毓囟蹖 賵賯鬲丕 乇賵丕亘胤 毓丕卮賯丕賳賴 鬲賵蹖 蹖賴 卮乇丕蹖胤蹖 丕賵賳賯丿乇 禺賮賯丕賳鈥屫①堌� 賲蹖卮賴 讴賴 賱匕鬲 讴賴 賴蹖趩 賮賯胤 丿乇丿 賵 睾賲 賲蹖鈥屫堎嗁� 亘賴鈥屫ㄘж� 亘蹖丕乇賴!
賳賲蹖鈥屫堎嗁� 趩賯丿乇 賲賲讴賳 丕乇鬲亘丕胤 丿丕卮鬲賴 亘丕卮賴 亘賴 讴鬲丕亘 賵賱蹖貙 卮乇丕蹖胤 讴丕乇诏乇賴丕蹖 夭賳 賲毓丿賳 亘賴 賲乇丕鬲亘鈥� 賳爻亘鬲 亘賴 賲乇丿賴丕 爻禺鬲鈥屫辟� 讴丕乇诏乇 賲乇丿 毓丕卅賱賴鈥屬堌ж� 丿睾丿睾賴鈥屬囏й� 讴賲鬲乇蹖 賲孬賱 鬲噩丕賵夭 亘賴 噩爻賲 賵 乇賵丨卮 乇賵 丿丕乇賴貙 賳诏乇丕賳 丨乇賮 賴丕蹖 氐丿賲賳 蹖賴 睾丕夭賴 賲乇丿賲 鬲賵蹖 讴賵蹖 讴丕乇诏乇蹖 賳蹖爻鬲 讴賴 倬卮鬲卮 丨乇賮 亘夭賳賳 賵 亘诏賳 亘丕 賮賱丕賳 讴丕乇卮 毓乇卮 禺丿丕 乇賵 亘賴 賱乇夭賴 丿乇 丌賵乇丿賴!
賵 丿乇賳賴丕蹖鬲 賲蹖鈥屫堎嗁� 鬲丕 賲丿鬲鈥屬囏� 爻賵诏賵丕乇 鬲讴 鬲讴 卮禺氐蹖鬲鈥屬囏й�: 讴丕鬲乇蹖賳貙 爻诏鈥屫з嗀� 丕賱夭蹖乇貙 賲丕賴賵 賵 夭賳卮貙 賱蹖丿蹖 賵 亘賴鈥屫ㄘ必� 夭丕讴丕乇蹖 賵 蹖丕 丨鬲蹖 丕爻亘鈥屬囏й� 丿丕爻鬲丕賳 亘丕卮賲貙 蹖丕丿卮賵賳 鬲丕 賴賲蹖卮賴 鬲賵 賯賱亘賲 賲蹖鈥屬呝堎嗁�.
倬.賳郾: 亘賴 卮禺氐賴 亘乇丕蹖 賲賳 讴賴 丕賵賱蹖賳 亘丕乇 亘賵丿 丕夭 夭賵賱丕 讴鬲丕亘蹖 賲蹖禺賵賳丿賲 鬲賯乇蹖亘丕 鬲丕 氐賮丨賴 郾郯郯 丿乇诏蹖乇 丿乇讴 賲賮賴賵賲 賵 毓丕丿鬲 讴乇丿賳 亘賴 賳賵卮鬲賴鈥屬囏ж� 亘賵丿賲貙 丕賱亘鬲賴 卮丕蹖丿 蹖賴 賲賯丿丕乇蹖 賴賲 亘禺丕胤乇 鬲乇噩賲賴 亘賵丿 讴賴 賵賯鬲蹖 賲蹖禺賵丕爻鬲蹖 蹖讴賲 爻乇毓鬲 亘丿蹖 亘賴 禺賵賳丿賳 丌賯丕蹖 丨亘蹖亘蹖 蹖賯賴鈥屫� 賲蹖鈥屭屫辟� 賵 賲蹖诏賴 亘趩賴 丌乇賵賲 亘禺賵賳 賲賳 丕蹖賳 賴賲賴 讴賱賲丕鬲 賮丕乇爻蹖 爻禺鬲 賳蹖賵乇丿賲 讴賴 鬲賵 诏匕乇蹖 亘禺賵賳蹖 亘乇蹖! ( 賵賱蹖 亘賴 卮禺氐賴 鬲乇噩賲賴 乇賵 禺蹖賱蹖 丿賵爻鬲 丿丕卮鬲賲 賵 讴丕賲賱丕 丨爻 賲蹖鈥屫簇� 讴賴 禺蹖賱蹖 讴賲 爻丕賳爻賵乇 丿丕乇賴!)
倬.賳鄄: 賵 丿乇 賳賴丕蹖鬲 亘丕蹖丿 鬲卮讴乇 讴賳賲 丕夭 賲爻卅賵賱蹖賳 爻丕禺鬲 賵 爻丕夭 讴賳丕乇 賲賳夭賱 讴賴 毓賱丕賵賴 亘乇 丕賴丿丕蹖 爻乇丿乇丿 賵 爻乇 賵 氐丿丕蹖蹖 讴賴 賳賲蹖夭丕卮鬲賳 鬲賲乇讴夭 讴丕賮蹖 丿丕卮鬲賴 亘丕卮鬲賲貙 亘丕 氐丿丕蹖 賵爻丕蹖賱卮賵賳貙 丌賴賳诏 倬爻 夭賲蹖賳賴鈥屫й� 乇賵 丿乇禺賵乇 賲胤丕賱毓賴 讴鬲丕亘 賮乇丕賴賲 讴乇丿賳丿 !!!!!!!
丕鬲賲丕賲: 亘蹖爻鬲 賵 卮卮賲 丌亘丕賳鈥屬呚з� 爻丕賱 郾鄞郯鄄
趩蹖夭蹖 讴賴 讴賱蹖鬲 讴鬲丕亘 乇賵 噩匕丕亘 賲蹖鈥屭┴必� 丕蹖賳 亘賵丿 讴賴 夭賵賱丕 爻毓蹖 賳讴乇丿賴 亘賵丿 亘蹖賳 禺賵亘 賵 亘丿 蹖賴 禺胤 囟禺蹖賲 噩丿丕讴賳賳丿賴 亘讴卮賴貙 讴爻蹖 讴賴 賮賯蹖乇 亘賵丿 賵 夭賳丿诏蹖 禺賵亘蹖 賳丿丕卮鬲 賴賲 賲賲讴賳 亘賵丿 匕丕鬲 禺賵亘蹖 賳丿丕卮鬲賴 亘丕卮賴貙 賲賲讴賳 亘賵丿 亘賴 夭蹖乇丿爻鬲 賮賯蹖乇鬲乇 丕夭 禺賵丿卮 賴賲 乇丨賲 賳讴賳賴 賵 亘賴卮 丌爻蹖亘 亘夭賳賴.
鬲賵氐蹖賮丕鬲 賵 賮囟丕爻丕夭蹖 讴鬲丕亘 亘賴 賯丿乇蹖 夭蹖亘丕 丿乇丿 乇賵 亘賴 鬲氐賵蹖乇 讴卮蹖丿賴 亘賵丿 讴賴 丕賳诏丕乇 鬲賵賽 禺賵丕賳賳丿賴 賴賲 毓囟賵蹖 丕夭 蹖讴 禺丕賳賵丕丿賴鈥� 賮賯蹖乇 賲毓丿賳鈥屭┴ж臂�. 丕賳诏丕乇 讴鬲丕亘 乇賵 讴賴 賲蹖禺賵賳蹖 鬲賵 賴賲 氐亘丨 亘賴 氐亘丨 賱賯賲賴 賳賵賳 禺卮讴 賵 禺丕賱蹖鈥屫� 亘乇賲蹖丿丕乇蹖 賵 趩賳丿 讴蹖賱賵賲鬲乇 乇丕賴 鬲丕 夭蹖乇賽 夭賲蹖賳 賲蹖乇蹖 亘賴 丕賲蹖丿 趩賳丿乇睾丕夭 丿爻鬲賲夭丿 亘禺賵乇 賵 賳賲蹖乇. 鬲丕乇蹖讴蹖貙 爻乇賲丕貙 诏乇丿 賵 禺丕讴貙 爻蹖丕賴蹖 匕睾丕賱鈥屬囏й屰� 讴賴 乇賵蹖 氐賵乇鬲 賵 丿爻鬲丕鬲 賳卮爻鬲賳 賴賲賴 賵 賴賲賴 乇賵 亘丕 毓賲賯 賵噩賵丿鬲 丿乇讴 賲蹖鈥屭┵嗃�.
亘丕 禺賵賳丿賳 丕蹖賳 讴鬲丕亘 賴賲 賲蹖卮丿 賮賴賲蹖丿 讴賴 亘毓囟蹖 賵賯鬲丕 乇賵丕亘胤 毓丕卮賯丕賳賴 鬲賵蹖 蹖賴 卮乇丕蹖胤蹖 丕賵賳賯丿乇 禺賮賯丕賳鈥屫①堌� 賲蹖卮賴 讴賴 賱匕鬲 讴賴 賴蹖趩 賮賯胤 丿乇丿 賵 睾賲 賲蹖鈥屫堎嗁� 亘賴鈥屫ㄘж� 亘蹖丕乇賴!
賳賲蹖鈥屫堎嗁� 趩賯丿乇 賲賲讴賳 丕乇鬲亘丕胤 丿丕卮鬲賴 亘丕卮賴 亘賴 讴鬲丕亘 賵賱蹖貙 卮乇丕蹖胤 讴丕乇诏乇賴丕蹖 夭賳 賲毓丿賳 亘賴 賲乇丕鬲亘鈥� 賳爻亘鬲 亘賴 賲乇丿賴丕 爻禺鬲鈥屫辟� 讴丕乇诏乇 賲乇丿 毓丕卅賱賴鈥屬堌ж� 丿睾丿睾賴鈥屬囏й� 讴賲鬲乇蹖 賲孬賱 鬲噩丕賵夭 亘賴 噩爻賲 賵 乇賵丨卮 乇賵 丿丕乇賴貙 賳诏乇丕賳 丨乇賮 賴丕蹖 氐丿賲賳 蹖賴 睾丕夭賴 賲乇丿賲 鬲賵蹖 讴賵蹖 讴丕乇诏乇蹖 賳蹖爻鬲 讴賴 倬卮鬲卮 丨乇賮 亘夭賳賳 賵 亘诏賳 亘丕 賮賱丕賳 讴丕乇卮 毓乇卮 禺丿丕 乇賵 亘賴 賱乇夭賴 丿乇 丌賵乇丿賴!
賵 丿乇賳賴丕蹖鬲 賲蹖鈥屫堎嗁� 鬲丕 賲丿鬲鈥屬囏� 爻賵诏賵丕乇 鬲讴 鬲讴 卮禺氐蹖鬲鈥屬囏й�: 讴丕鬲乇蹖賳貙 爻诏鈥屫з嗀� 丕賱夭蹖乇貙 賲丕賴賵 賵 夭賳卮貙 賱蹖丿蹖 賵 亘賴鈥屫ㄘ必� 夭丕讴丕乇蹖 賵 蹖丕 丨鬲蹖 丕爻亘鈥屬囏й� 丿丕爻鬲丕賳 亘丕卮賲貙 蹖丕丿卮賵賳 鬲丕 賴賲蹖卮賴 鬲賵 賯賱亘賲 賲蹖鈥屬呝堎嗁�.
倬.賳郾: 亘賴 卮禺氐賴 亘乇丕蹖 賲賳 讴賴 丕賵賱蹖賳 亘丕乇 亘賵丿 丕夭 夭賵賱丕 讴鬲丕亘蹖 賲蹖禺賵賳丿賲 鬲賯乇蹖亘丕 鬲丕 氐賮丨賴 郾郯郯 丿乇诏蹖乇 丿乇讴 賲賮賴賵賲 賵 毓丕丿鬲 讴乇丿賳 亘賴 賳賵卮鬲賴鈥屬囏ж� 亘賵丿賲貙 丕賱亘鬲賴 卮丕蹖丿 蹖賴 賲賯丿丕乇蹖 賴賲 亘禺丕胤乇 鬲乇噩賲賴 亘賵丿 讴賴 賵賯鬲蹖 賲蹖禺賵丕爻鬲蹖 蹖讴賲 爻乇毓鬲 亘丿蹖 亘賴 禺賵賳丿賳 丌賯丕蹖 丨亘蹖亘蹖 蹖賯賴鈥屫� 賲蹖鈥屭屫辟� 賵 賲蹖诏賴 亘趩賴 丌乇賵賲 亘禺賵賳 賲賳 丕蹖賳 賴賲賴 讴賱賲丕鬲 賮丕乇爻蹖 爻禺鬲 賳蹖賵乇丿賲 讴賴 鬲賵 诏匕乇蹖 亘禺賵賳蹖 亘乇蹖! ( 賵賱蹖 亘賴 卮禺氐賴 鬲乇噩賲賴 乇賵 禺蹖賱蹖 丿賵爻鬲 丿丕卮鬲賲 賵 讴丕賲賱丕 丨爻 賲蹖鈥屫簇� 讴賴 禺蹖賱蹖 讴賲 爻丕賳爻賵乇 丿丕乇賴!)
倬.賳鄄: 賵 丿乇 賳賴丕蹖鬲 亘丕蹖丿 鬲卮讴乇 讴賳賲 丕夭 賲爻卅賵賱蹖賳 爻丕禺鬲 賵 爻丕夭 讴賳丕乇 賲賳夭賱 讴賴 毓賱丕賵賴 亘乇 丕賴丿丕蹖 爻乇丿乇丿 賵 爻乇 賵 氐丿丕蹖蹖 讴賴 賳賲蹖夭丕卮鬲賳 鬲賲乇讴夭 讴丕賮蹖 丿丕卮鬲賴 亘丕卮鬲賲貙 亘丕 氐丿丕蹖 賵爻丕蹖賱卮賵賳貙 丌賴賳诏 倬爻 夭賲蹖賳賴鈥屫й� 乇賵 丿乇禺賵乇 賲胤丕賱毓賴 讴鬲丕亘 賮乇丕賴賲 讴乇丿賳丿 !!!!!!!
丕鬲賲丕賲: 亘蹖爻鬲 賵 卮卮賲 丌亘丕賳鈥屬呚з� 爻丕賱 郾鄞郯鄄
December 9, 2023
丌禺乇蹖賳 氐賮丨賴贁 讴鬲丕亘 賵乇賯 賲蹖鈥屫堌辟囏� 丕鬲蹖鈥屰屬� 乇丕賴卮賵 賲蹖鈥屭┴促� 賵 賲蹖鈥屫辟囏� 芦噩賵賵賳賴禄鈥屸€屰� 丕賲蹖丿 丕賵賳 鬲賴 賲賴丕蹖 賯賱亘 賳賮爻 丌禺乇卮賲 賲蹖鈥屭┴促� 賵 丕賵賳 賲賵賯毓鈥屫池� 讴賴 丌賯丕蹖 夭賵賱丕 蹖賴 噩丕蹖蹖 丕夭 丿賵 賯乇賳 倬蹖卮貙 亘丕 丕賵賳 賯蹖丕賮賴贁 禺賵賮賳丕讴 賵 丨賯鈥屫ㄙ団€屫з嗀ㄘ簇� 亘丕 趩卮賲丕卮 賵丕爻鬲 禺胤 賵 賳卮賵賳 賲蹖鈥屭┴促� 讴賴 "丨丕賱 讴乇丿蹖 趩噩賵乇蹖 芦夭賳丿诏蹖禄 乇賵 趩賲丕賯 讴乇丿賲 讴賵亘賵賳丿賲 鬲賵 爻乇鬲"責
January 17, 2023
蹖讴 卮丕賴讴丕乇 丕丿亘蹖 亘蹖 賳馗蹖乇 丿乇 丨丿 亘蹖賳賵丕蹖丕賳 賵蹖讴鬲賵乇 賴賵诏賵, 賴乇 讴鬲丕亘禺賵丕賳蹖 亘丕蹖丿 丨鬲賲丕 丕蹖賳 讴鬲丕亘 乇賵 亘禺賵賳賴. 丿丕爻鬲丕賳 丿乇 賲賵乇丿 讴丕乇诏乇丕賳 賲毓丕丿賳 夭睾丕賱 爻賳诏 丿乇 賮乇丕賳爻賴 丕爻鬲 賵 夭賳丿诏蹖 賲卮賯鬲 亘丕乇 丌賳賴丕 亘丕 賯賱賲 亘蹖 賳馗蹖乇 丕賲蹖賱 夭賵賱丕 亘賴 鬲氐賵蹖乇 讴卮蹖丿賴 卮丿賴 丕爻鬲.
禺賵卮丨丕賱賲 讴賴 賯亘賱 丕夭 賲乇丿賳 蹖讴 卮丕賴讴丕乇 丕丿亘蹖 丿蹖诏乇 乇賵 禺賵賳丿賲. 倬蹖卮 亘賴 爻賵蹖 丿賳 丌乇丕賲 賳賵卮鬲賴 蹖 卮賵賱賵禺賮 .
禺賵卮丨丕賱賲 讴賴 賯亘賱 丕夭 賲乇丿賳 蹖讴 卮丕賴讴丕乇 丕丿亘蹖 丿蹖诏乇 乇賵 禺賵賳丿賲. 倬蹖卮 亘賴 爻賵蹖 丿賳 丌乇丕賲 賳賵卮鬲賴 蹖 卮賵賱賵禺賮 .
April 27, 2025
Germinal tunnels deep into the coal-blackened soul of 19th-century industrial France, where 脡tienne Lantier鈥攁 machinery worker with revolutionary tendencies鈥攄escends into the hellish pits of Le Voreux mine seeking employment after being blacklisted elsewhere.
The subterranean world Zola constructs mirrors society itself: those above prosper while those below suffocate in darkness, a darkness captured perfectly when 脡tienne first enters the mine: "The cage plunged into the small square hole, the stone slab on which it rested closed again, and nothing remained but a fleeting breath of wind... He was descending into a void, falling through the darkness as if in a dream."
What follows is no mere tale of oppression, but an operatic crescendo of human suffering and resistance that culminates in a strike birthed from starvation and crystallized in the miners' battle cry: "Bread! We want bread!" As families subsist on dandelion soup and miners discuss revolution under moonlight, Zola's microscopic examination of working-class existence becomes both geological and sociological鈥攈e mines humanity layer by layer, revealing how coal dust infiltrates not just lungs but souls.
The Maheu family, with whom 脡tienne lodges, embodies the mineral-hard resilience of the proletariat鈥攑articularly through the towering figure of Toussaint Maheu, whose ancestral line has sacrificed generations to the mine's insatiable hunger. When his daughter Catherine becomes romantically entangled with the brutal Chaval while 脡tienne silently loves her, the personal and political collide with devastating force.
Zola unearths it all: the flooded mine shaft where horses live their entire lives in darkness; the company store that enslaves through debt; the horrific rape of a young woman during the strike's violent crescendo; the mine explosion that leaves bodies interred in their workplace-tomb; and the harrowing scene where strikers beat a shop owner to death with his own wooden shoe.
The novel reaches its fever pitch when women march on the mines, transforming from domestic caregivers to Furies as they castrate a deceased company man: "The dead man had his genitals cut off and the women carried this trophy aloft like a flag." Through this metamorphosis of the oppressed into something primordially vengeful, Zola reveals how starvation doesn't just hollow the stomach but mankind's moral core.
Germinal鈥攏amed for the seventh month in the French Revolutionary calendar, signifying rebirth鈥攑lants seeds of change beneath society's surface that will inevitably rupture into daylight. Zola fought for the marginalized and oppressed all throughout his illustrious career, most notably against antisemitism and laying the foundation for Herzl鈥檚 Zionism during the Dreyfus Affair. Composed during Zola's exile in England and published in 1885 as part of his sweeping twenty-novel Rougon-Macquart cycle, it represents the pinnacle of literary naturalism, where genetic determinism meets environmental brutality. Le naturalisme de Zola isn't merely descriptive but diagnostic鈥攁 literary CT scan revealing society's malignancies.
The novel concludes not with facile resolution but with 脡tienne's departure as spring approaches, carrying revolutionary ideas to Paris while new miners replace the dead: "Beneath the blazing rays of the sun, on this morning of new growth, the countryside rang with song, as its belly swelled with a black and avenging army of men, germinating slowly in the furrows, growing upward for the harvests of the next century, whose germination would soon crack the earth apart."
This flowering of vengeance鈥攕imultaneously terrible and necessary鈥攔emains Zola's most enduring metaphor, a prescient warning that a society built upon human suffering is as structurally unsound as a poorly engineered mine shaft, doomed to catastrophic collapse. In Germinal, Zola doesn't just document class struggle鈥攈e maps the fault lines along which civilizations eventually rupture.
The subterranean world Zola constructs mirrors society itself: those above prosper while those below suffocate in darkness, a darkness captured perfectly when 脡tienne first enters the mine: "The cage plunged into the small square hole, the stone slab on which it rested closed again, and nothing remained but a fleeting breath of wind... He was descending into a void, falling through the darkness as if in a dream."
What follows is no mere tale of oppression, but an operatic crescendo of human suffering and resistance that culminates in a strike birthed from starvation and crystallized in the miners' battle cry: "Bread! We want bread!" As families subsist on dandelion soup and miners discuss revolution under moonlight, Zola's microscopic examination of working-class existence becomes both geological and sociological鈥攈e mines humanity layer by layer, revealing how coal dust infiltrates not just lungs but souls.
The Maheu family, with whom 脡tienne lodges, embodies the mineral-hard resilience of the proletariat鈥攑articularly through the towering figure of Toussaint Maheu, whose ancestral line has sacrificed generations to the mine's insatiable hunger. When his daughter Catherine becomes romantically entangled with the brutal Chaval while 脡tienne silently loves her, the personal and political collide with devastating force.
Zola unearths it all: the flooded mine shaft where horses live their entire lives in darkness; the company store that enslaves through debt; the horrific rape of a young woman during the strike's violent crescendo; the mine explosion that leaves bodies interred in their workplace-tomb; and the harrowing scene where strikers beat a shop owner to death with his own wooden shoe.
The novel reaches its fever pitch when women march on the mines, transforming from domestic caregivers to Furies as they castrate a deceased company man: "The dead man had his genitals cut off and the women carried this trophy aloft like a flag." Through this metamorphosis of the oppressed into something primordially vengeful, Zola reveals how starvation doesn't just hollow the stomach but mankind's moral core.
Germinal鈥攏amed for the seventh month in the French Revolutionary calendar, signifying rebirth鈥攑lants seeds of change beneath society's surface that will inevitably rupture into daylight. Zola fought for the marginalized and oppressed all throughout his illustrious career, most notably against antisemitism and laying the foundation for Herzl鈥檚 Zionism during the Dreyfus Affair. Composed during Zola's exile in England and published in 1885 as part of his sweeping twenty-novel Rougon-Macquart cycle, it represents the pinnacle of literary naturalism, where genetic determinism meets environmental brutality. Le naturalisme de Zola isn't merely descriptive but diagnostic鈥攁 literary CT scan revealing society's malignancies.
The novel concludes not with facile resolution but with 脡tienne's departure as spring approaches, carrying revolutionary ideas to Paris while new miners replace the dead: "Beneath the blazing rays of the sun, on this morning of new growth, the countryside rang with song, as its belly swelled with a black and avenging army of men, germinating slowly in the furrows, growing upward for the harvests of the next century, whose germination would soon crack the earth apart."
This flowering of vengeance鈥攕imultaneously terrible and necessary鈥攔emains Zola's most enduring metaphor, a prescient warning that a society built upon human suffering is as structurally unsound as a poorly engineered mine shaft, doomed to catastrophic collapse. In Germinal, Zola doesn't just document class struggle鈥攈e maps the fault lines along which civilizations eventually rupture.
February 5, 2025
跇乇賲蹖賳丕賱 丿丕爻鬲丕賳 乇賳噩 賵 賲丨乇賵賲蹖鬲蹖賴 讴賴 賲孬賱 蹖 丕乇孬蹖賴 蹖 卮賵賲 丿乇 亘蹖賳 讴丕乇诏乇丕賳 賲毓丿賳 亘蹖 趩賵賳 賵 趩乇丕 賵 亘蹖 鬲賱丕卮蹖 趩卮賲诏蹖乇 亘乇丕蹖 乇爻蹖丿賳 亘賴 丨賯賵賯卮賵賳 貙賳爻賱 亘賴 賳爻賱 倬匕蹖乇賮鬲賴 賵 賲賳鬲賯賱 卮丿賴...讴賵蹖 讴丕乇诏乇丕賳 讴賴 爻丕賱賴丕 賲胤蹖毓丕賳賴 亘乇丕蹖 丿乇蹖丕賮鬲 爻賴賲 賳丕趩蹖夭蹖 亘賴 丕賳丿丕夭賴 蹖 夭賳丿賴 賲賵賳丿賳 亘乇丕蹖 夭噩乇 讴卮蹖丿賳貙 亘賴 賴乇 亘蹖 毓丿丕賱鬲蹖 鬲賳 丿丕丿賴貙 夭蹖乇 爻丕蹖賴 蹖 丨囟賵乇 蹖 睾乇蹖亘賴貙 丕乇丕賲卮 讴丕乇賮乇賲丕賴丕 乇賵 丌卮賮鬲賴 賲蹖讴賳賴 賵 爻賴丕賲丿丕乇丕賳 賲毓丿賳 乇賵 丿乇 賯亘丕賱 丨乇氐 賵 胤賲毓 賲賴丕乇 賳卮丿賳蹖 卮賵賳 賳爻亘鬲 亘賴 丿爻鬲 乇賳噩 讴丕乇诏乇丕賳 賵 亘蹖 鬲賮丕賵鬲蹖 卮賵賳 丿乇 賯亘丕賱 噩丕賳 賵 夭賳丿诏蹖 丕蹖賳 賲乇丿賲 賲爻鬲丕氐賱貙 賲鬲賴賲 賲蹖讴賳賴貙 鬲丕 噩丕蹖蹖 讴賴 丨鬲蹖 賲賳賮毓賱 鬲乇蹖賳 卮禺氐蹖鬲 賴丕蹖 讴鬲丕亘 賴賲 丿乇 賲賯丕亘賱 丕蹖賳 馗賱賲 賯丿 毓賱賲 賲蹖讴賳賳...
夭賵賱丕 亘丕 鬲賵丕賳賲賳丿蹖 賯賱賲卮貙 賱丨馗賴 亘賴 賱丨馗賴 蹖 丕蹖賳 噩賳诏 賳丕亘乇丕亘乇 乇賵 亘賴 鬲氐賵蹖乇 賲蹖讴卮賴貙 賯蹖丕賲 賱卮讴乇蹖 丕夭 讴丕乇诏乇丕賳 亘蹖 夭賵乇 賵 爻賱丕丨 賵 賲賵乇丿 馗賱賲 貙 賵 爻乇讴賵亘 卮丿賳 丕夭 爻賲鬲 鬲毓丿丕丿 丕賳诏卮鬲 卮賲丕乇蹖 丨乇蹖氐 夭賵乇诏賵 讴賴 鬲讴蹖賴 亘乇 賯丿乇鬲 賵 丨丕讴賲蹖鬲 丿丕乇賳!
跇乇賲蹖賳丕賱 讴鬲丕亘 睾賲诏蹖賳蹖賴 讴賴 賴乇 賮氐賱卮 爻蹖丕賴 鬲乇 賵 亘蹖 丕賲蹖丿 鬲乇 丕夭 賮氐賱 賯亘賱卮賴貙 丕賲丕 賴賲蹖賳 賵丕賯毓 诏乇丕蹖蹖 夭賵賱丕 亘乇丕蹖 鬲賵氐蹖賮 丿賯蹖賯 丿乇丿 蹖讴蹖 賵 亘蹖 禺亘乇蹖 丿蹖诏乇蹖 賵 丕噩鬲賳丕亘卮 丕夭 賳賵卮鬲賳 倬丕蹖丕賳蹖 賯賴乇賲丕賳 倬乇賵乇 賵 禺賵卮 賵 丌乇賲丕賳蹖貙 亘丕毓孬 亘蹖 丕賳賯囟丕蹖蹖 賵 賯丕亘賱 丿乇讴 鬲乇 卮丿賳 丕蹖賳 讴鬲丕亘 卮丿賴...
" 倬蹖卮 賲蹖 乇賮鬲 賵 亘賴 丕蹖賳 爻乇亘丕夭丕賳蹖 賲蹖 丕賳丿蹖卮蹖丿 讴賴 丕夭 賲蹖丕賳 賲賱鬲 賲蹖 诏乇賮鬲賳丿 賵 毓賱蹖賴 賲賱鬲 賲爻賱丨 賲蹖 讴乇丿賳丿. 丕诏乇 爻乇亘丕夭丕賳 賳丕诏賴丕賳 噩丕賳亘 賲乇丿賲 乇丕 賲蹖 诏乇賮鬲賳丿 倬蹖乇賵夭蹖 丕賳賯賱丕亘 趩賴 丌爻丕賳 賲蹖卮丿! 讴丕賮蹖 亘賵丿 讴賴 讴丕乇诏乇丕賳 賵 亘乇夭诏乇丕賳 丿乇 爻乇亘丕夭禺丕賳賴 賴丕 亘賴 乇蹖卮賴 蹖 禺賵丿 丌诏丕賴 卮賵賳丿 賵 鬲亘丕乇 禺賵丿 乇丕 亘賴 蹖丕丿 丌賵乇賳丿. 賴賲蹖賳 亘賵丿 禺胤乇 亘夭乇诏 賵 賲氐蹖亘鬲 亘蹖 毓賱丕噩蹖 讴賴 丿賳丿丕賳 賴丕蹖 孬乇賵鬲賲賳丿丕賳 乇丕 賵賯鬲蹖 亘賴 丕賲讴丕賳 爻爻鬲 倬蹖賲丕賳蹖 爻乇亘丕夭丕賳 賮讴乇 賲蹖 讴乇丿賳丿 丕夭 賵丨卮鬲 亘賴 賴賲 賲蹖 夭丿. 馗乇賮 丿賵 爻丕毓鬲 賴賲賴 卮丕賳 亘丕 賴賲賴 蹖 丕賲鬲蹖丕夭丕鬲 賵 賴賲賴 蹖 讴孬丕賮丕鬲 夭賳丿诏蹖 倬賱蹖丿卮丕賳 乇賵賮鬲賴 賵 乇蹖卮賴 讴賳 賲蹖 卮丿賳丿. 賴賳賵夭 賴蹖趩 賳卮丿賴 氐丨亘鬲 丕夭 賴賳诏 賴丕蹖蹖 賲蹖 讴乇丿賳丿 讴賴 亘賴 丌賮鬲 爻賵爻蹖丕賱蹖爻賲 賲亘鬲賱丕 卮丿賴 亘賵丿賳丿. 丌蹖丕 丨賯蹖賯鬲 丿丕卮鬲責 丌蹖丕 賮乇丕 乇爻蹖丿賳 爻賱胤賳鬲 毓丿丕賱鬲 亘丕 賮卮賳诏 賴丕蹖蹖 讴賴 孬乇賵鬲賲賳丿丕賳 賲蹖丕賳 賮乇夭賳丿丕賳 賲賱鬲 鬲賵夭蹖毓 賲蹖 讴乇丿賳丿 賳夭丿蹖讴 亘賵丿責 噩賵丕賳 丿乇 丕蹖賳 賮讴乇賴丕 亘賴 丕賲蹖丿 鬲丕夭賴 丕蹖 丌賵蹖禺鬲. 乇賵蹖丕蹖 丕蹖賳讴賴 賴賲蹖賳 賴賳诏蹖 讴賴 賲丕賲賵乇 丨賮丕馗鬲 賲毓丕丿賳 亘賵丿 亘賴 丕乇丿賵蹖 丕毓鬲氐丕亘 讴賳賳丿诏丕賳 亘倬蹖賵賳丿丿 賵 爻乇亘丕夭丕賳 鬲賮賳诏 賴丕卮丕賳 乇丕 亘賴 爻賵蹖 卮乇讴鬲 亘诏蹖乇賳丿 賵 賲毓丿賳 乇丕 亘賴 讴丕乇诏乇丕賳卮 亘丕夭 丿賴賳丿."
夭賵賱丕 亘丕 鬲賵丕賳賲賳丿蹖 賯賱賲卮貙 賱丨馗賴 亘賴 賱丨馗賴 蹖 丕蹖賳 噩賳诏 賳丕亘乇丕亘乇 乇賵 亘賴 鬲氐賵蹖乇 賲蹖讴卮賴貙 賯蹖丕賲 賱卮讴乇蹖 丕夭 讴丕乇诏乇丕賳 亘蹖 夭賵乇 賵 爻賱丕丨 賵 賲賵乇丿 馗賱賲 貙 賵 爻乇讴賵亘 卮丿賳 丕夭 爻賲鬲 鬲毓丿丕丿 丕賳诏卮鬲 卮賲丕乇蹖 丨乇蹖氐 夭賵乇诏賵 讴賴 鬲讴蹖賴 亘乇 賯丿乇鬲 賵 丨丕讴賲蹖鬲 丿丕乇賳!
跇乇賲蹖賳丕賱 讴鬲丕亘 睾賲诏蹖賳蹖賴 讴賴 賴乇 賮氐賱卮 爻蹖丕賴 鬲乇 賵 亘蹖 丕賲蹖丿 鬲乇 丕夭 賮氐賱 賯亘賱卮賴貙 丕賲丕 賴賲蹖賳 賵丕賯毓 诏乇丕蹖蹖 夭賵賱丕 亘乇丕蹖 鬲賵氐蹖賮 丿賯蹖賯 丿乇丿 蹖讴蹖 賵 亘蹖 禺亘乇蹖 丿蹖诏乇蹖 賵 丕噩鬲賳丕亘卮 丕夭 賳賵卮鬲賳 倬丕蹖丕賳蹖 賯賴乇賲丕賳 倬乇賵乇 賵 禺賵卮 賵 丌乇賲丕賳蹖貙 亘丕毓孬 亘蹖 丕賳賯囟丕蹖蹖 賵 賯丕亘賱 丿乇讴 鬲乇 卮丿賳 丕蹖賳 讴鬲丕亘 卮丿賴...
" 倬蹖卮 賲蹖 乇賮鬲 賵 亘賴 丕蹖賳 爻乇亘丕夭丕賳蹖 賲蹖 丕賳丿蹖卮蹖丿 讴賴 丕夭 賲蹖丕賳 賲賱鬲 賲蹖 诏乇賮鬲賳丿 賵 毓賱蹖賴 賲賱鬲 賲爻賱丨 賲蹖 讴乇丿賳丿. 丕诏乇 爻乇亘丕夭丕賳 賳丕诏賴丕賳 噩丕賳亘 賲乇丿賲 乇丕 賲蹖 诏乇賮鬲賳丿 倬蹖乇賵夭蹖 丕賳賯賱丕亘 趩賴 丌爻丕賳 賲蹖卮丿! 讴丕賮蹖 亘賵丿 讴賴 讴丕乇诏乇丕賳 賵 亘乇夭诏乇丕賳 丿乇 爻乇亘丕夭禺丕賳賴 賴丕 亘賴 乇蹖卮賴 蹖 禺賵丿 丌诏丕賴 卮賵賳丿 賵 鬲亘丕乇 禺賵丿 乇丕 亘賴 蹖丕丿 丌賵乇賳丿. 賴賲蹖賳 亘賵丿 禺胤乇 亘夭乇诏 賵 賲氐蹖亘鬲 亘蹖 毓賱丕噩蹖 讴賴 丿賳丿丕賳 賴丕蹖 孬乇賵鬲賲賳丿丕賳 乇丕 賵賯鬲蹖 亘賴 丕賲讴丕賳 爻爻鬲 倬蹖賲丕賳蹖 爻乇亘丕夭丕賳 賮讴乇 賲蹖 讴乇丿賳丿 丕夭 賵丨卮鬲 亘賴 賴賲 賲蹖 夭丿. 馗乇賮 丿賵 爻丕毓鬲 賴賲賴 卮丕賳 亘丕 賴賲賴 蹖 丕賲鬲蹖丕夭丕鬲 賵 賴賲賴 蹖 讴孬丕賮丕鬲 夭賳丿诏蹖 倬賱蹖丿卮丕賳 乇賵賮鬲賴 賵 乇蹖卮賴 讴賳 賲蹖 卮丿賳丿. 賴賳賵夭 賴蹖趩 賳卮丿賴 氐丨亘鬲 丕夭 賴賳诏 賴丕蹖蹖 賲蹖 讴乇丿賳丿 讴賴 亘賴 丌賮鬲 爻賵爻蹖丕賱蹖爻賲 賲亘鬲賱丕 卮丿賴 亘賵丿賳丿. 丌蹖丕 丨賯蹖賯鬲 丿丕卮鬲責 丌蹖丕 賮乇丕 乇爻蹖丿賳 爻賱胤賳鬲 毓丿丕賱鬲 亘丕 賮卮賳诏 賴丕蹖蹖 讴賴 孬乇賵鬲賲賳丿丕賳 賲蹖丕賳 賮乇夭賳丿丕賳 賲賱鬲 鬲賵夭蹖毓 賲蹖 讴乇丿賳丿 賳夭丿蹖讴 亘賵丿責 噩賵丕賳 丿乇 丕蹖賳 賮讴乇賴丕 亘賴 丕賲蹖丿 鬲丕夭賴 丕蹖 丌賵蹖禺鬲. 乇賵蹖丕蹖 丕蹖賳讴賴 賴賲蹖賳 賴賳诏蹖 讴賴 賲丕賲賵乇 丨賮丕馗鬲 賲毓丕丿賳 亘賵丿 亘賴 丕乇丿賵蹖 丕毓鬲氐丕亘 讴賳賳丿诏丕賳 亘倬蹖賵賳丿丿 賵 爻乇亘丕夭丕賳 鬲賮賳诏 賴丕卮丕賳 乇丕 亘賴 爻賵蹖 卮乇讴鬲 亘诏蹖乇賳丿 賵 賲毓丿賳 乇丕 亘賴 讴丕乇诏乇丕賳卮 亘丕夭 丿賴賳丿."
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April 21, 2020Zola had a very structured technique for the industrial production of novels, he would decide on where the action would take place and who the principal characters would be Les Rougon-Macquart gave him a family tree and a glorious mess of hereditary tendencies and illnesses to work within, the setting would be interrogated thoroughly and mined out. In researching Germinal Zola visited a coal mine and was intrigued by the big strong horses working underground - how, he asked, did the mine company get the big horse down the narrow lift shaft? The answer, inevitably, is the cruel one, little foals go in, but don't come out. That reality is the undercoat to the novel that Zola stamps into being - to mix metaphors horribly in a tragic mining accident of writing .
A man arrives and finds work in a mining village in Northern France during the time of the French 2nd Empire. The existence of the miners is hard, they sleep in the beds in shifts, youngsters make love where they can, families struggle with every penny to keep body and soul together. Even the countryside comes across as bare and bleak.
The mine manager observes the youngsters having sex where-ever they can in the countryside with a certain jealousy. Despite their lack of sexual inhibitions the mining families are desperate and envious of the comforts and security they imagine the professional class above them enjoys.
Then there is a strike and things really start to get bad. Nobody was happy before, nor will anybody be afterwards. Thank goodness we can read this in the glorious times of the fifth Republic and that structural inequalities no longer exist, and Liberty, equality and fraternity constitute the basic realities of all lives and no foals are lowered down mine shafts.
This is part of Zola's major series showing the influences of hereditary and environment, however it can be read and enjoyed as a free standing novel.
One of the problems though about setting novels in the recent past is that with the end of Empire is that it can be argued that Zola sought to spice them up with sensationalist acts of violence and sex then again, these are novels - not reportage despite Zola's writing technique.
A man arrives and finds work in a mining village in Northern France during the time of the French 2nd Empire. The existence of the miners is hard, they sleep in the beds in shifts, youngsters make love where they can, families struggle with every penny to keep body and soul together. Even the countryside comes across as bare and bleak.
The mine manager observes the youngsters having sex where-ever they can in the countryside with a certain jealousy. Despite their lack of sexual inhibitions the mining families are desperate and envious of the comforts and security they imagine the professional class above them enjoys.
Then there is a strike and things really start to get bad. Nobody was happy before, nor will anybody be afterwards. Thank goodness we can read this in the glorious times of the fifth Republic and that structural inequalities no longer exist, and Liberty, equality and fraternity constitute the basic realities of all lives and no foals are lowered down mine shafts.
This is part of Zola's major series showing the influences of hereditary and environment, however it can be read and enjoyed as a free standing novel.
One of the problems though about setting novels in the recent past is that with the end of Empire is that it can be argued that Zola sought to spice them up with sensationalist acts of violence and sex then again, these are novels - not reportage despite Zola's writing technique.
May 1, 2022
丨讴丕蹖鬲 丕賲蹖丿 賵 乇賵夭賳賴 蹖 賳賵乇 丿乇 賯毓乇 馗賱賲鬲 賵 爻蹖丕賴蹖 賵賮賯乇...
噩賳诏賷丿賳 亘乇丕賶 夭賳丿诏賶...
噩賳诏賷丿賳 亘乇丕賶 丨賯 丕賳爻丕賳賶...
卮丕賴賰丕乇賶 賮乇丕賲賵卮 賳卮丿賳賶 丕夭 丕賲賷賱 夭賵賱丕 亘丕 鬲乇噩賲賴 丕蹖 乇賵丕賳 賵毓丕賱蹖 丕夭 丕爻鬲丕丿 爻乇賵卮 丨亘賷亘賶 賰賴 亘丕乇賴丕 亘丕賷丿 賱匕鬲 禺賵丕賳丿賳卮 乇丕 趩卮亘賷丿.
丕夭賲鬲賳 賰賳丕亘:
賴蹖趩鈥屬堎傌� 賴蹖趩 讴丕乇 亘丕 禺卮賵賳鬲 丿乇爻鬲 賳卮丿賴! 丿賳蹖丕 乇賵 賳賲蹖鈥屫促� 蹖讴乇賵夭賴 丿乇爻鬲 讴乇丿. 丕賵賳丕蹖蹖 讴賴 亘賴 卮賲丕 賵毓丿賴 賲蹖鈥屫� 讴賴 賴賲賴 讴丕乇丕 乇賵 蹖賴 囟乇亘 丿乇爻鬲 賲蹖鈥屭┵嗁� 蹖丕 卮賵禺蹖 賲蹖鈥屭┵嗁� 蹖丕 亘蹖鈥屫簇辟佡�!
噩賳诏賷丿賳 亘乇丕賶 夭賳丿诏賶...
噩賳诏賷丿賳 亘乇丕賶 丨賯 丕賳爻丕賳賶...
卮丕賴賰丕乇賶 賮乇丕賲賵卮 賳卮丿賳賶 丕夭 丕賲賷賱 夭賵賱丕 亘丕 鬲乇噩賲賴 丕蹖 乇賵丕賳 賵毓丕賱蹖 丕夭 丕爻鬲丕丿 爻乇賵卮 丨亘賷亘賶 賰賴 亘丕乇賴丕 亘丕賷丿 賱匕鬲 禺賵丕賳丿賳卮 乇丕 趩卮亘賷丿.
丕夭賲鬲賳 賰賳丕亘:
賴蹖趩鈥屬堎傌� 賴蹖趩 讴丕乇 亘丕 禺卮賵賳鬲 丿乇爻鬲 賳卮丿賴! 丿賳蹖丕 乇賵 賳賲蹖鈥屫促� 蹖讴乇賵夭賴 丿乇爻鬲 讴乇丿. 丕賵賳丕蹖蹖 讴賴 亘賴 卮賲丕 賵毓丿賴 賲蹖鈥屫� 讴賴 賴賲賴 讴丕乇丕 乇賵 蹖賴 囟乇亘 丿乇爻鬲 賲蹖鈥屭┵嗁� 蹖丕 卮賵禺蹖 賲蹖鈥屭┵嗁� 蹖丕 亘蹖鈥屫簇辟佡�!
December 12, 2008
GERMINAL - what can I say? I studied this book at university and my whole degree course was worth the time and effort just for introducing me to the author. GERMINAL now stands as my favourite book of all time, an intense masterpiece of fiction.
The basic storyline is a miner's strike. It doesn't sound too good or too detailed, but it's all here: politics, chaos, social realism, a love story, an action story, heroes and villains, the good and the bad. Yes, it is melodramatic, but I guess I like melodrama. I laughed, I cried, I couldn't believe the stuff that was unfolding.
Although the story is undoubtedly tragic and depressing, I felt lifted after I read it. It's one of the few novels that have left me with a different perception of the world after reading. It made me realise that literature can be fun, damn it, without being dry and boring!
The basic storyline is a miner's strike. It doesn't sound too good or too detailed, but it's all here: politics, chaos, social realism, a love story, an action story, heroes and villains, the good and the bad. Yes, it is melodramatic, but I guess I like melodrama. I laughed, I cried, I couldn't believe the stuff that was unfolding.
Although the story is undoubtedly tragic and depressing, I felt lifted after I read it. It's one of the few novels that have left me with a different perception of the world after reading. It made me realise that literature can be fun, damn it, without being dry and boring!
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