What do you think?
Rate this book
丕賱禺賱賵丿
This breathtaking, reverberating survey of human nature finds Kundera still attempting to work out the meaning of life without losing his acute sense of humour. It is one of those great unclassifiable masterpieces that appear once every twenty years or so.
'It will make you cleverer, maybe even a better lover. Not many novels can do that.' Nicholas Lezard, GQ
'It will make you cleverer, maybe even a better lover. Not many novels can do that.' Nicholas Lezard, GQ
399 pages, Mass Market Paperback
First published January 12, 1990
2,547 people are currently reading
46.8k people want to read
About the author
Milan Kundera
218听books18.4k听followersMilan Kundera (1 April 1929 鈥� 11 July 2023) was a Czech and French novelist. He went into exile in France in 1975, acquiring citizenship in 1981. His Czechoslovak citizenship was revoked in 1979, but he was granted Czech citizenship in 2019.
Kundera wrote in Czech and French. He revises the French translations of all his books; people therefore consider these original works as not translations. He is best known for his novels, including The Joke (1967), The Book of Laughter and Forgetting (1979), and The Unbearable Lightness of Being (1984), all of which exhibit his extreme though often comical skepticism.
Kundera wrote in Czech and French. He revises the French translations of all his books; people therefore consider these original works as not translations. He is best known for his novels, including The Joke (1967), The Book of Laughter and Forgetting (1979), and The Unbearable Lightness of Being (1984), all of which exhibit his extreme though often comical skepticism.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 30 of 2,754 reviews
December 30, 2020
To become engaged within the first few pages of a book is always a good sign. However, at the back of my mind, history kept telling me that many other novels have started out in the stratosphere only to plummet to the bottom of the ocean. Milan Kundera's 'Immortality', starts great, gets better, and ended with a lump in my throat, and a soul that was struck by a chord. No actually, forget the single chord, this was more like an Orchestra going in full swing. Kundera has worked wonders here.
Witnessing a playful, sexual, yet sweet physical gesture of a woman by the swimming pool, begins. Kundera weaves a story around this starting gesture. Slowly introducing other characters that are part of her life and compares her life in the 20th century with another one a century earlier. It is an interesting perspective on what immortality is. What do people remember you for? is it what you have achieved?, or maybe just solely based on the perception that others have of you? Are you remembered only by your loved ones, or are you revered or scorned by the entire world? These are questions that will definitely get you thinking, and thinking plays an integral part in Immortality, as the words on each and every page only go so far, as Kundera puts the emphasis on the reader to sit comfy, and give his or hers full attention. (Tried reading on the metro, forget it), this is a book that pays off reading in seclusion as much as possible. In a skillful way, new characters silently crawl out of the woodwork, leaving you hanging, only to be bought up randomly somewhere else in some other context. This does keep you engrossed, it does also become a pain, but a pain worth putting with.
Empathy is slowly drawn into the picture, as characters are slowly woven in an intermittently way,
that it strangely sexual and often quite perplexing. Kundera's characters acquire psychologies and histories, but they start out and continue to function chiefly as images, provocations: a man staring at a wall, or repeating a phrase; a woman arguing, putting on her glasses, shaking her head; a girl sitting in the middle of a major road amidst rushing traffic. These images are not illustrations of pre-formed thoughts, but they are not simply pieces of novelistic behaviour either. They are meetings between persons and notions, or more precisely, written, re-created, invented records of such meetings. He is clearly a most confident writer, I mean, Goethe & Hemingway in conversation?, Genius!.
There are some beautifully written passages of writing, likened to a philosophical voyage into Paradise, and there IS a wonderfully elegant and provocative story lurking under, indicating a second read may help untangle the knots of uncertainty, as Kundera teases the reader with provocations and paradoxes that require some deep pondering. This is a book without conclusion, there really isn't a beginning, middle or end.
After the closing pages, I was left moved, awestruck, and slightly mentally exhausted.
Witnessing a playful, sexual, yet sweet physical gesture of a woman by the swimming pool, begins. Kundera weaves a story around this starting gesture. Slowly introducing other characters that are part of her life and compares her life in the 20th century with another one a century earlier. It is an interesting perspective on what immortality is. What do people remember you for? is it what you have achieved?, or maybe just solely based on the perception that others have of you? Are you remembered only by your loved ones, or are you revered or scorned by the entire world? These are questions that will definitely get you thinking, and thinking plays an integral part in Immortality, as the words on each and every page only go so far, as Kundera puts the emphasis on the reader to sit comfy, and give his or hers full attention. (Tried reading on the metro, forget it), this is a book that pays off reading in seclusion as much as possible. In a skillful way, new characters silently crawl out of the woodwork, leaving you hanging, only to be bought up randomly somewhere else in some other context. This does keep you engrossed, it does also become a pain, but a pain worth putting with.
Empathy is slowly drawn into the picture, as characters are slowly woven in an intermittently way,
that it strangely sexual and often quite perplexing. Kundera's characters acquire psychologies and histories, but they start out and continue to function chiefly as images, provocations: a man staring at a wall, or repeating a phrase; a woman arguing, putting on her glasses, shaking her head; a girl sitting in the middle of a major road amidst rushing traffic. These images are not illustrations of pre-formed thoughts, but they are not simply pieces of novelistic behaviour either. They are meetings between persons and notions, or more precisely, written, re-created, invented records of such meetings. He is clearly a most confident writer, I mean, Goethe & Hemingway in conversation?, Genius!.
There are some beautifully written passages of writing, likened to a philosophical voyage into Paradise, and there IS a wonderfully elegant and provocative story lurking under, indicating a second read may help untangle the knots of uncertainty, as Kundera teases the reader with provocations and paradoxes that require some deep pondering. This is a book without conclusion, there really isn't a beginning, middle or end.
After the closing pages, I was left moved, awestruck, and slightly mentally exhausted.
July 12, 2023
- 爻賷丿 賲賷賱丕賳貙 兀鬲爻賲丨 賱賷 亘賴匕丕 丕賱丨賵丕乇 賲毓賰 毓賳 乇賵丕賷鬲賰 "丕賱禺賱賵丿"責
- 賱丕 丕乇賶 丕賱賮丕卅丿丞 賲賳 賴匕丕 丕賱丨賵丕乇貙 賱賰賳 賱丕 亘兀爻貙 鬲賮囟賱..
- 兀毓鬲賯丿 丕賳賴丕 乇賵丕賷丞 鬲氐賳賮 亘賲丕 亘毓丿 丕賱丨丿丕孬丞貙 丨賷孬 丕賳賰 賱丕 鬲賱鬲夭賲 亘丕賱禺胤賵胤 丕賱鬲賯賱賷丿賷丞 賱賱亘賳丕亍 丕賱乇賵丕卅賷 丕賳 賰丕賳 賲賳 賳丕丨賷丞 丕賱卮賰賱 丕賵 賲賳 賳丕丨賷丞 丕賱賲囟賲賵賳!
- "丕賳賳賷 丌爻賮 兀賳 鬲賰賵賳 賰賱購賾 丕賱乇賵丕賷丕鬲 鬲賯乇賷亘丕賸 丕賱鬲賷 賰購鬲亘鬲 丨鬲賶 賷賵賲賳丕 賴匕丕 禺丕囟毓丞賸 亘卮賰賱 賲賮乇胤 賱賯丕毓丿丞 賵丨丿丞 丕賱丨丿孬貙 兀賯氐丿 兀賳賾 兀丨丿丕孬賴丕 賵賵賯丕卅毓賴丕 噩賲賷毓丕賸 鬲賯賵賲 毓賱賶 鬲爻賱爻賱 爻亘亘賷 賵丕丨丿. 廿賳 賴匕賴 丕賱乇賵丕賷丕鬲 鬲卮亘賴 夭賯丕賯丕賸 囟賷賾賯丕賸 鬲購胤丕乇丿 賮賷賴 丕賱卮禺氐賷丕鬲 賵賳丨賳 賳噩賱丿賴丕. 廿賳賾 丕賱鬲賵鬲乇 丕賱丿乇丕賲賷 賴賵 丕賱賱毓賳丞 丕賱丨賯賷賯賷丞 丕賱鬲賷 丨賱賾鬲 亘丕賱乇賵丕賷丞 賱兀賳賾賴 賷丨賵賾賱 賰賱 卮賷亍貙 亘賲丕 賮賷 匕賱賰 兀亘丿毓 丕賱氐賮丨丕鬲貙 賵兀賰孬乇 丕賱賲卮丕賴丿 賵丕賱賲賱丕丨馗丕鬲 廿丿賴丕卮丕賸 廿賱賶 賲噩乇丿 賲乇丨賱丞賺 鬲賯賵丿 廿賱賶 丕賱丨賱賾 丕賱賳賴丕卅賷 丕賱匕賷 賷乇鬲賰夭 賮賷賴 賲毓賳賶 賰賱賾 賲丕 爻亘賯賴貙 賴賰匕丕 鬲丨鬲乇賯 丕賱乇賵丕賷丞 亘賳丕乇 鬲賵鬲賾乇賴丕 丕賱禺丕氐 賲孬賱 丨夭賲丞 賯卮".
- 賱賯丿 賯丿賲鬲 賮賷 丕賱賯爻賲 丕賱兀賵賱 卮禺氐賷丞 兀賳賷賷爻 (賰丕賳鬲 鬲乇噩賲鬲賴丕 賱 "丌睾賳賷爻" 賱鬲賰賵賳 丕賮囟賱 亘賰孬賷乇)貙 賰賷賮 禺胤乇鬲 亘亘丕賱賰 賴匕賴 丕賱卮禺氐賷丞責
- 賱賲 丕賯丿賲 兀賳賷賷爻 亘賱 丕賳 丕賱廿賷賲丕亍丞 丕賱鬲賷 賯丕賲鬲 亘賴丕 毓賱賶 丕賱賲爻亘丨 賴賷 賲賳 賯丿賾賲鬲 "兀賳賷賷爻" 賱賷 賵賱賰! 賵丕賱賮賰乇丞 鬲兀鬲賷 亘丕賱氐丿賮丞 丕賱賲丨囟丞 賵賷亘丿兀 丕賱亘賳丕亍 賵丕賱鬲賮賰賷賰 毓賱賶 賴匕丕 丕賱兀爻丕爻.
- 賲丕 丕賱匕賷 噩毓賱賰 鬲爻鬲丨囟乇 "睾賵鬲丞" 丕賱賶 乇賵丕賷鬲賰 賮賷 丕賱賯爻賲 丕賱孬丕賳賷責
- 賴賵 丕鬲賶 亘賳賮爻賴貙 賲賳 丕賱禺賱賵丿 賲亘丕卮乇丞貙 賵賱丕 丕毓賳賷 禺賱賵丿 丕賱乇賵丨 賴賳丕 亘賱 禺賱賵丿賴 賴賵 匕丕鬲賴 賮賷 兀毓賲丕賱賴貙 賮賷 氐賮丨丕鬲 丕賱鬲丕乇賷禺 賵賮賷 丕賱匕丕賰乇丞 丕賱廿賳爻丕賳賷丞. 賱賰賳 賷亘丿賵 丕賳賰 賱賲 鬲賮賴賲 丕賱賲賯氐丿! 賮睾賵鬲丞 賱賷爻 丕賱賲賯氐賵丿!
- 賰賷賮 匕賱賰責
- 丕賳 睾賵鬲丞 賴賵 噩爻乇 丕賱毓亘賵乇 賱亘賷鬲賷賳丕 賳丨賵 丕賱禺賱賵丿. 亘賷鬲賷賳丕 賱賲 鬲丨亘 睾賵鬲丞 亘賱 丕丨亘鬲 丕賱廿乇鬲亘丕胤 亘丕賱廿爻賲 丕賱禺丕賱丿 賵賴匕丕 賲丕 賰丕賳 賱賴丕 賮賷賲丕 亘毓丿.
- 賱賯丿 乇亘胤鬲 亘賷賳 "亘賷鬲賷賳丕" 賵 "賱賵乇丕" 賮賷 賯爻賲賰 丕賱孬丕賱孬 亘毓賳賵丕賳 賮乇毓賷 丕爻賲賷鬲賴 "丕賱賳馗丕乇丞 丕賱爻賵丿丕亍"
- 賴匕丕 丕賱賯爻賲 賴賵 丕賱兀胤賵賱 賮賷 丕賱乇賵丕賷丞貙 賱兀賳賴 賷鬲禺賱賱賴 毓丿丞 鬲賮乇賷毓丕鬲 賵鬲賮氐賷賱丕鬲 賱賲 賷毓賱賯 亘亘丕賱賰 丕賱丕 丕賱賳馗丕乇丞 丕賱爻賵丿丕亍 賲賳賴貙 賱賰賳賴 丕賵爻毓 賵賷鬲賳丕賵賱 毓賱丕賯丞 兀賳賷賷爻 亘賲賳 丨賵賱賴丕 賵毓賱丕賯丕鬲賴賲 賲毓 亘毓囟賴賲貙 亘鬲賮丕氐賷賱賴丕 丕賱賳賮爻賷丞 賵丕亘毓丕丿賴丕 丕賱廿賳爻丕賳賷丞貙 賲賳 毓賱丕賯丞 "兀賳賷賷爻" 亘"賱賵乇丕"貙 丕賱賶 丕賱廿丨爻丕爻 亘賷賳 丕賱兀賰亘乇 賵丕賱兀氐睾乇 賵氐賵賱丕賸 賱賲賮賴賵賲 "丕賱氐賵乇賱賵噩賷丕" 賵丕賱夭賷丕丿丞 丕賱賲丨鬲賲賱丞 毓賱賶 丕賱匕丕鬲 (丕賱賯胤丞).. 賵毓賱賷賰 丕賳 鬲丿乇賰 亘賳賮爻賰 賲毓賳賶 丕賱氐丿賮丞 亘賷賳 丕賱賳馗丕乇鬲賷賳 賵賲睾夭丕賴丕 賵賳鬲賷噩丞 丕夭丕賱鬲賴丕 毓賳 賵噩賴 賰賱丕 丕賱賲乇兀鬲賷賳! 賮賱賷爻 毓賲賱賷 丕賳 丕賯賵賲 亘鬲賮爻賷乇 賲丕 賰鬲亘鬲!
- 賲丕 丕賱賮賰乇丞 賲賳 丕賱丨賵丕乇 亘賷賳 睾賵鬲丞 賵賴賲賳睾賵丕賷 賮賷 丕賱賯爻賲 丕賱乇丕亘毓責
- 丕賳鬲 鬲賯爻賾賲 丕賱乇賵丕賷丞 賵賴匕丕 禺胤兀貙 丕賱兀賮賰丕乇 鬲賳爻丕亘 亘卮賰賱 賲鬲賵丕夭賺 賲賳 丕賱亘丿丕賷丞 丨鬲賶 丕賱賳賴丕賷丞貙 賵鬲鬲賯丕胤毓 賮賷 賳賯丕胤 賲毓賷賳丞 賲孬賱 賴匕丕 丕賱丨賵丕乇 亘賷賳 丕爻胤賵乇鬲賷賳 禺丕賱丿鬲賷賳 賱廿爻鬲毓乇丕囟 丌乇丕卅賴賲 賮賷 丕賱禺賱賵丿 丕賱卮禺氐賷 賵丕丿禺丕賱 賳馗乇賷丕鬲 賲孬賱 "兀賳丕 丕丨爻 丕匕丕 丕賳丕 賲賵噩賵丿" 賵乇亘胤賴丕 亘丕賱爻賷乇賵乇丞 丕賱鬲丕乇賷禺賷丞 賱賱毓賯賱 丕賱兀賵乇賵亘賷貙 賲丕 賯亘賱 亘賲丕 亘毓丿.
- 賴賱 賰丕賳 賱賯丕亍賰 亘丕賱亘乇賵賮爻賵乇 氐丿賮丞責
- 賰丕賳 賲丨囟 氐丿賮丞貙 賱賰賳賴丕 氐丿賮丞 噩賲賷賱丞貙 噩毓賱鬲賳賷 丕賮賴賲賴 賵丕丿乇賰 丕賱丕毓賷亘賴 賵賱賵賱丕 賴匕丕 賱賲丕 丕爻鬲胤毓鬲 丕賳 丕賮賴賲 賲丕 賯丕賲 亘賴 賯亘賱 賵賱丕 丕爻鬲胤毓鬲 乇亘胤賴 亘賲丕 丨氐賱 賮賷 丌禺乇 賲卮賴丿 賲賳 丕賱乇賵丕賷丞!
- "丕賱賲賷賳丕" 賰丕賳 毓丕亘賯丕賸 亘丕賱噩賳爻 賵丕賱鬲賮爻賷乇丕鬲 丕賱廿賷丨丕卅賷丞 賰兀賳賰 鬲毓胤賷 賲毓賳賶 賮賱爻賮賷 賱賱噩賳爻責! 賵鬲賯丿賲賴 毓賱賶 丕賳賴 鬲胤賵乇 賷賲乇 亘賲乇丕丨賱 丕賵 "丿賵乇丞 賰賵賳丿乇賷丞" 丕匕丕 氐丨賾鬲 丕賱鬲爻賲賷丞!
- "丕賳 丕賱爻賷賱 賷禺鬲乇賯 賰丕賮丞 丕賱乇噩丕賱 賵丕賱賳爻丕亍貙 丕賱賳賴乇 丕賱禺賮賷 賳賮爻賴 丕賱匕賷 賷噩乇賮 丕賱氐賵乇 丕賱卮亘賯賷丞. 廿賳 賰賱 賮乇丿 賷丨氐賱 毓賱賶 賳氐賷亘賴 賲賳 丕賱氐賵乇貙 賱賷爻 亘賵丕爻胤丞 毓卮賷賯 丕賵 毓卮賷賯丞貙 賰賲丕 賴賵 丕賱卮兀賳 賮賷 賱毓亘丞 丕賱賴丕鬲賮 丕賱毓乇亘賷貙 亘賱 賲賳 賴匕丕 丕賱爻賷賱 丕賱賱丕卮丨氐賷. 毓賱賶 丕賳 丕賱賯賵賱 亘兀賳 丕賱賳賴乇 丕賱匕賷 賷禺鬲乇賯賳丕 賱丕卮禺氐賷貙 賲毓賳丕賴 丕賳賴 賱丕 賷鬲毓賱賯 亘賳丕貙 亘賱 亘賲賳 禺賱賯賳丕 賵丕賵丿毓賴 賮賷賳丕貙 丕賵 亘毓亘丕乇丞 丕禺乇賶賷鬲毓賱賯 亘丕賱乇亘... 丕賳 賴匕丕 丕賱爻賷賱 賷賵丨丿賳丕 噩賲賷毓丕賸貙 賱賷爻 賰兀賮乇丕丿 兀賲丞 賵丕丨丿丞貙 亘賱 賰兀亘賳丕亍 丕賱乇亘. 賵賰賱賲丕 睾丕氐 賮賷 賴匕丕 丕賱爻賷賱/ 廿賱丕 賵卮毓乇 亘兀賳賴 賷鬲丨丿 亘丕賱乇亘 賮賷 賳賵毓 賲賳 丕賱廿賳氐賴丕乇 丕賱氐賵賮賷".
- 賱賯丿 丕噩鬲賲毓鬲 丕賱卮禺氐賷丕鬲 賮賷 賳賴丕賷丞 丕賱乇賵丕賷丞 賮賷 賲賰丕賳 賵丕丨丿. 丕賰丕賳 匕賱賰 賱爻亘亘 賲毓賷賳責
- 賴賷 毓賵丿丞 毓賱賶 亘丿亍貙 賮賰賱 卮賷亍 丕亘鬲丿兀 亘廿賲丕亍丞 "兀賳賷賷爻" 賵丕賳鬲賴賶 亘廿賷賲丕亍丞 "賱賵乇丕"貙 匕丕鬲 丕賱廿賷賲丕亍丞 賲賳 丕禺鬲賷賳貙 賲賳 氐賵乇鬲賷賳貙 亘毓賷賳 夭賵噩 (亘賵賱) 賵毓卮賷賯 (丕賱亘乇賵賮爻賵乇) 賵賰丕鬲亘!
- 卮賰乇丕賸 賱賰 爻賷丿 賲賷賱丕賳 毓賱賶 賴匕丕 丕賱丨賵丕乇 丨賵賱 乇賵丕賷丞 丕賱禺賱賵丿.
- 賱丕 亘兀爻貙 賮乇亘賲丕 賰丕賳 賴匕丕 丕賱丨賵丕乇 胤乇賷賯賰 賱賳賷賱 丕賱禺賱賵丿 丕賷囟丕賸!
- 丕賳丕 賱爻鬲 "亘賷鬲賷賳丕" 爻賷丿 賲賷賱丕賳
- 賳毓賲貙 賳毓賲... 賵丕賳丕 賱爻鬲 "睾賵鬲丞"
廿賯鬲亘丕爻丕鬲:
"賳購毓賵賽賾賱 毓賱賶 丕賱禺賱賵丿貙 賵 賳賳爻賶 兀賳 賳賻丨爻賽亘 賱賱賲賵鬲 丨爻丕亘賴"
"賷馗賱 丕賱賲賵鬲 廿賱賶 丨丿賵丿 爻賳 賲毓賷賳 兀亘毓丿 賲賳 兀賳 賳賴鬲賲 亘賴 ... 孬賲 賷賱賵丨 賱賳丕 賮噩兀丞 賲賵鬲賳丕 兀賲丕賲賳丕... 賷賰賵賳 賲毓賳丕. 賵 亘賲丕 兀賳 丕賱禺賱賵丿 賲賯鬲乇賳 亘丕賱賲賵鬲 丕賯鬲乇丕賳 賴丕乇丿賷 亘賱賵乇賷賱貙 噩丕夭 丕賱賯賵賱 廿賳 丕賱禺賱賵丿 賴賵 兀賷囟丕 賲毓賳丕. 賵 賲丕 廿賳 賳賰鬲卮賮 賵噩賵丿賴 丨鬲賶 賳卮乇毓 賮賷 丕賱丕毓鬲賳丕亍 亘賴 亘卮賰賱 賲丨賲賵賲. 賳胤賱亘 賱賴 亘匕賱丞 爻賴乇丞 賵賳賯鬲賳賷 賱賴 乇亘胤丞 毓賳賯貙 禺卮賷丞 兀賳 賷禺鬲丕乇 賱賴 睾賷乇賳丕 丕賱亘匕賱丞 賵乇亘胤丞 丕賱毓賳賯 賮賷爻賷丐賵賳 丕賱丕禺鬲賷丕乇. 亘毓丿 賴匕丕 丕賱胤賵乇 賷兀鬲賷 丕賱胤賵乇 丕賱孬丕賱孬貙 丕賱兀賯氐乇 賵 丕賱兀賰孬乇 鬲賰鬲賲丕.. 賮賷 賴匕丕 丕賱胤賵乇 鬲禺賵乇 丕賱賯賵賶貙 賵 賷鬲賲賱賰 丕賱丕賳爻丕賳 廿噩賴丕丿 賲丨亘胤. 賷賰賵賳 丕賱賲賵鬲 兀賯乇亘 廿賱賶 丕賱賲乇亍 亘丨賷孬 賷氐賷亘賴 丕賱賲賱賱 賲賳 丕賱賳馗乇 廿賱賷賴.."
"賲賳 丨爻賳 丨馗 丕賱廿賳爻丕賳賷丞 兀賳 丨乇賵亘賴丕 丕賱賰亘乇賶 禺丕囟賴丕 丕賱乇噩丕賱貙 賱賵 賰丕賳鬲 丕賱賳爻丕亍 賴賳賾 賲賻賳賿 禺囟賳賴丕 賱賰丕賳鬲 兀賰孬乇 賵丨卮賷賾丞 賵賱賯胤毓鬲 丿丕亘乇 丕賱亘卮乇"
""賲毓賳賶 丕賱丨賷丕亍 兀賳 賳丨馗乇 毓賱賶 兀賳賮爻賳丕 賲丕 賳卮鬲賴賷貙 賲毓 卮毓賵乇賳丕 亘丕賱禺噩賱 賲賳 乇睾亘鬲賳丕 賮賷賲丕 賳丨馗乇賴 毓賱賶 兀賳賮爻賳丕"
"廿賳賾 丕賱丨亘賻 丕賱禺丕賱賷 賲賳 丕賱噩賲丕毓 兀卮亘賴 亘賯賽丿乇 毓賱賶 丕賱賳丕乇 鬲爻鬲丨賷賱購 賮賷賴 丕賱毓賵丕胤賮 丕賱鬲賷 亘賱睾鬲 丿乇噩丞 丕賱睾賱賷丕賳 廿賱賶 卮睾賮 賷購丨乇賾賰 丕賱睾胤丕亍 賵賷噩毓賱賴 賷鬲乇丕賯氐 亘噩賳賵賳"
"丕賱丨亘購 賴賵 賮囟賷賱丞 丕賱賮囟丕卅賱貙 賮賴賵 賷賮賯丿賳丕 丕賱賵毓賷 亘賲丕 賴賵 兀乇囟賷貙 賵賷賲賱丐賳丕 亘賲丕 賴賵 爻賲丕賵賷貙 賵賴賵 亘匕賱賰 賷購禺賱氐賳丕 賲賳 賰賱賽賾 卮毓賵乇賺 亘丕賱匕賳亘".
- 賱丕 丕乇賶 丕賱賮丕卅丿丞 賲賳 賴匕丕 丕賱丨賵丕乇貙 賱賰賳 賱丕 亘兀爻貙 鬲賮囟賱..
- 兀毓鬲賯丿 丕賳賴丕 乇賵丕賷丞 鬲氐賳賮 亘賲丕 亘毓丿 丕賱丨丿丕孬丞貙 丨賷孬 丕賳賰 賱丕 鬲賱鬲夭賲 亘丕賱禺胤賵胤 丕賱鬲賯賱賷丿賷丞 賱賱亘賳丕亍 丕賱乇賵丕卅賷 丕賳 賰丕賳 賲賳 賳丕丨賷丞 丕賱卮賰賱 丕賵 賲賳 賳丕丨賷丞 丕賱賲囟賲賵賳!
- "丕賳賳賷 丌爻賮 兀賳 鬲賰賵賳 賰賱購賾 丕賱乇賵丕賷丕鬲 鬲賯乇賷亘丕賸 丕賱鬲賷 賰購鬲亘鬲 丨鬲賶 賷賵賲賳丕 賴匕丕 禺丕囟毓丞賸 亘卮賰賱 賲賮乇胤 賱賯丕毓丿丞 賵丨丿丞 丕賱丨丿孬貙 兀賯氐丿 兀賳賾 兀丨丿丕孬賴丕 賵賵賯丕卅毓賴丕 噩賲賷毓丕賸 鬲賯賵賲 毓賱賶 鬲爻賱爻賱 爻亘亘賷 賵丕丨丿. 廿賳 賴匕賴 丕賱乇賵丕賷丕鬲 鬲卮亘賴 夭賯丕賯丕賸 囟賷賾賯丕賸 鬲購胤丕乇丿 賮賷賴 丕賱卮禺氐賷丕鬲 賵賳丨賳 賳噩賱丿賴丕. 廿賳賾 丕賱鬲賵鬲乇 丕賱丿乇丕賲賷 賴賵 丕賱賱毓賳丞 丕賱丨賯賷賯賷丞 丕賱鬲賷 丨賱賾鬲 亘丕賱乇賵丕賷丞 賱兀賳賾賴 賷丨賵賾賱 賰賱 卮賷亍貙 亘賲丕 賮賷 匕賱賰 兀亘丿毓 丕賱氐賮丨丕鬲貙 賵兀賰孬乇 丕賱賲卮丕賴丿 賵丕賱賲賱丕丨馗丕鬲 廿丿賴丕卮丕賸 廿賱賶 賲噩乇丿 賲乇丨賱丞賺 鬲賯賵丿 廿賱賶 丕賱丨賱賾 丕賱賳賴丕卅賷 丕賱匕賷 賷乇鬲賰夭 賮賷賴 賲毓賳賶 賰賱賾 賲丕 爻亘賯賴貙 賴賰匕丕 鬲丨鬲乇賯 丕賱乇賵丕賷丞 亘賳丕乇 鬲賵鬲賾乇賴丕 丕賱禺丕氐 賲孬賱 丨夭賲丞 賯卮".
- 賱賯丿 賯丿賲鬲 賮賷 丕賱賯爻賲 丕賱兀賵賱 卮禺氐賷丞 兀賳賷賷爻 (賰丕賳鬲 鬲乇噩賲鬲賴丕 賱 "丌睾賳賷爻" 賱鬲賰賵賳 丕賮囟賱 亘賰孬賷乇)貙 賰賷賮 禺胤乇鬲 亘亘丕賱賰 賴匕賴 丕賱卮禺氐賷丞責
- 賱賲 丕賯丿賲 兀賳賷賷爻 亘賱 丕賳 丕賱廿賷賲丕亍丞 丕賱鬲賷 賯丕賲鬲 亘賴丕 毓賱賶 丕賱賲爻亘丨 賴賷 賲賳 賯丿賾賲鬲 "兀賳賷賷爻" 賱賷 賵賱賰! 賵丕賱賮賰乇丞 鬲兀鬲賷 亘丕賱氐丿賮丞 丕賱賲丨囟丞 賵賷亘丿兀 丕賱亘賳丕亍 賵丕賱鬲賮賰賷賰 毓賱賶 賴匕丕 丕賱兀爻丕爻.
- 賲丕 丕賱匕賷 噩毓賱賰 鬲爻鬲丨囟乇 "睾賵鬲丞" 丕賱賶 乇賵丕賷鬲賰 賮賷 丕賱賯爻賲 丕賱孬丕賳賷責
- 賴賵 丕鬲賶 亘賳賮爻賴貙 賲賳 丕賱禺賱賵丿 賲亘丕卮乇丞貙 賵賱丕 丕毓賳賷 禺賱賵丿 丕賱乇賵丨 賴賳丕 亘賱 禺賱賵丿賴 賴賵 匕丕鬲賴 賮賷 兀毓賲丕賱賴貙 賮賷 氐賮丨丕鬲 丕賱鬲丕乇賷禺 賵賮賷 丕賱匕丕賰乇丞 丕賱廿賳爻丕賳賷丞. 賱賰賳 賷亘丿賵 丕賳賰 賱賲 鬲賮賴賲 丕賱賲賯氐丿! 賮睾賵鬲丞 賱賷爻 丕賱賲賯氐賵丿!
- 賰賷賮 匕賱賰責
- 丕賳 睾賵鬲丞 賴賵 噩爻乇 丕賱毓亘賵乇 賱亘賷鬲賷賳丕 賳丨賵 丕賱禺賱賵丿. 亘賷鬲賷賳丕 賱賲 鬲丨亘 睾賵鬲丞 亘賱 丕丨亘鬲 丕賱廿乇鬲亘丕胤 亘丕賱廿爻賲 丕賱禺丕賱丿 賵賴匕丕 賲丕 賰丕賳 賱賴丕 賮賷賲丕 亘毓丿.
- 賱賯丿 乇亘胤鬲 亘賷賳 "亘賷鬲賷賳丕" 賵 "賱賵乇丕" 賮賷 賯爻賲賰 丕賱孬丕賱孬 亘毓賳賵丕賳 賮乇毓賷 丕爻賲賷鬲賴 "丕賱賳馗丕乇丞 丕賱爻賵丿丕亍"
- 賴匕丕 丕賱賯爻賲 賴賵 丕賱兀胤賵賱 賮賷 丕賱乇賵丕賷丞貙 賱兀賳賴 賷鬲禺賱賱賴 毓丿丞 鬲賮乇賷毓丕鬲 賵鬲賮氐賷賱丕鬲 賱賲 賷毓賱賯 亘亘丕賱賰 丕賱丕 丕賱賳馗丕乇丞 丕賱爻賵丿丕亍 賲賳賴貙 賱賰賳賴 丕賵爻毓 賵賷鬲賳丕賵賱 毓賱丕賯丞 兀賳賷賷爻 亘賲賳 丨賵賱賴丕 賵毓賱丕賯丕鬲賴賲 賲毓 亘毓囟賴賲貙 亘鬲賮丕氐賷賱賴丕 丕賱賳賮爻賷丞 賵丕亘毓丕丿賴丕 丕賱廿賳爻丕賳賷丞貙 賲賳 毓賱丕賯丞 "兀賳賷賷爻" 亘"賱賵乇丕"貙 丕賱賶 丕賱廿丨爻丕爻 亘賷賳 丕賱兀賰亘乇 賵丕賱兀氐睾乇 賵氐賵賱丕賸 賱賲賮賴賵賲 "丕賱氐賵乇賱賵噩賷丕" 賵丕賱夭賷丕丿丞 丕賱賲丨鬲賲賱丞 毓賱賶 丕賱匕丕鬲 (丕賱賯胤丞).. 賵毓賱賷賰 丕賳 鬲丿乇賰 亘賳賮爻賰 賲毓賳賶 丕賱氐丿賮丞 亘賷賳 丕賱賳馗丕乇鬲賷賳 賵賲睾夭丕賴丕 賵賳鬲賷噩丞 丕夭丕賱鬲賴丕 毓賳 賵噩賴 賰賱丕 丕賱賲乇兀鬲賷賳! 賮賱賷爻 毓賲賱賷 丕賳 丕賯賵賲 亘鬲賮爻賷乇 賲丕 賰鬲亘鬲!
- 賲丕 丕賱賮賰乇丞 賲賳 丕賱丨賵丕乇 亘賷賳 睾賵鬲丞 賵賴賲賳睾賵丕賷 賮賷 丕賱賯爻賲 丕賱乇丕亘毓責
- 丕賳鬲 鬲賯爻賾賲 丕賱乇賵丕賷丞 賵賴匕丕 禺胤兀貙 丕賱兀賮賰丕乇 鬲賳爻丕亘 亘卮賰賱 賲鬲賵丕夭賺 賲賳 丕賱亘丿丕賷丞 丨鬲賶 丕賱賳賴丕賷丞貙 賵鬲鬲賯丕胤毓 賮賷 賳賯丕胤 賲毓賷賳丞 賲孬賱 賴匕丕 丕賱丨賵丕乇 亘賷賳 丕爻胤賵乇鬲賷賳 禺丕賱丿鬲賷賳 賱廿爻鬲毓乇丕囟 丌乇丕卅賴賲 賮賷 丕賱禺賱賵丿 丕賱卮禺氐賷 賵丕丿禺丕賱 賳馗乇賷丕鬲 賲孬賱 "兀賳丕 丕丨爻 丕匕丕 丕賳丕 賲賵噩賵丿" 賵乇亘胤賴丕 亘丕賱爻賷乇賵乇丞 丕賱鬲丕乇賷禺賷丞 賱賱毓賯賱 丕賱兀賵乇賵亘賷貙 賲丕 賯亘賱 亘賲丕 亘毓丿.
- 賴賱 賰丕賳 賱賯丕亍賰 亘丕賱亘乇賵賮爻賵乇 氐丿賮丞責
- 賰丕賳 賲丨囟 氐丿賮丞貙 賱賰賳賴丕 氐丿賮丞 噩賲賷賱丞貙 噩毓賱鬲賳賷 丕賮賴賲賴 賵丕丿乇賰 丕賱丕毓賷亘賴 賵賱賵賱丕 賴匕丕 賱賲丕 丕爻鬲胤毓鬲 丕賳 丕賮賴賲 賲丕 賯丕賲 亘賴 賯亘賱 賵賱丕 丕爻鬲胤毓鬲 乇亘胤賴 亘賲丕 丨氐賱 賮賷 丌禺乇 賲卮賴丿 賲賳 丕賱乇賵丕賷丞!
- "丕賱賲賷賳丕" 賰丕賳 毓丕亘賯丕賸 亘丕賱噩賳爻 賵丕賱鬲賮爻賷乇丕鬲 丕賱廿賷丨丕卅賷丞 賰兀賳賰 鬲毓胤賷 賲毓賳賶 賮賱爻賮賷 賱賱噩賳爻責! 賵鬲賯丿賲賴 毓賱賶 丕賳賴 鬲胤賵乇 賷賲乇 亘賲乇丕丨賱 丕賵 "丿賵乇丞 賰賵賳丿乇賷丞" 丕匕丕 氐丨賾鬲 丕賱鬲爻賲賷丞!
- "丕賳 丕賱爻賷賱 賷禺鬲乇賯 賰丕賮丞 丕賱乇噩丕賱 賵丕賱賳爻丕亍貙 丕賱賳賴乇 丕賱禺賮賷 賳賮爻賴 丕賱匕賷 賷噩乇賮 丕賱氐賵乇 丕賱卮亘賯賷丞. 廿賳 賰賱 賮乇丿 賷丨氐賱 毓賱賶 賳氐賷亘賴 賲賳 丕賱氐賵乇貙 賱賷爻 亘賵丕爻胤丞 毓卮賷賯 丕賵 毓卮賷賯丞貙 賰賲丕 賴賵 丕賱卮兀賳 賮賷 賱毓亘丞 丕賱賴丕鬲賮 丕賱毓乇亘賷貙 亘賱 賲賳 賴匕丕 丕賱爻賷賱 丕賱賱丕卮丨氐賷. 毓賱賶 丕賳 丕賱賯賵賱 亘兀賳 丕賱賳賴乇 丕賱匕賷 賷禺鬲乇賯賳丕 賱丕卮禺氐賷貙 賲毓賳丕賴 丕賳賴 賱丕 賷鬲毓賱賯 亘賳丕貙 亘賱 亘賲賳 禺賱賯賳丕 賵丕賵丿毓賴 賮賷賳丕貙 丕賵 亘毓亘丕乇丞 丕禺乇賶賷鬲毓賱賯 亘丕賱乇亘... 丕賳 賴匕丕 丕賱爻賷賱 賷賵丨丿賳丕 噩賲賷毓丕賸貙 賱賷爻 賰兀賮乇丕丿 兀賲丞 賵丕丨丿丞貙 亘賱 賰兀亘賳丕亍 丕賱乇亘. 賵賰賱賲丕 睾丕氐 賮賷 賴匕丕 丕賱爻賷賱/ 廿賱丕 賵卮毓乇 亘兀賳賴 賷鬲丨丿 亘丕賱乇亘 賮賷 賳賵毓 賲賳 丕賱廿賳氐賴丕乇 丕賱氐賵賮賷".
- 賱賯丿 丕噩鬲賲毓鬲 丕賱卮禺氐賷丕鬲 賮賷 賳賴丕賷丞 丕賱乇賵丕賷丞 賮賷 賲賰丕賳 賵丕丨丿. 丕賰丕賳 匕賱賰 賱爻亘亘 賲毓賷賳責
- 賴賷 毓賵丿丞 毓賱賶 亘丿亍貙 賮賰賱 卮賷亍 丕亘鬲丿兀 亘廿賲丕亍丞 "兀賳賷賷爻" 賵丕賳鬲賴賶 亘廿賷賲丕亍丞 "賱賵乇丕"貙 匕丕鬲 丕賱廿賷賲丕亍丞 賲賳 丕禺鬲賷賳貙 賲賳 氐賵乇鬲賷賳貙 亘毓賷賳 夭賵噩 (亘賵賱) 賵毓卮賷賯 (丕賱亘乇賵賮爻賵乇) 賵賰丕鬲亘!
- 卮賰乇丕賸 賱賰 爻賷丿 賲賷賱丕賳 毓賱賶 賴匕丕 丕賱丨賵丕乇 丨賵賱 乇賵丕賷丞 丕賱禺賱賵丿.
- 賱丕 亘兀爻貙 賮乇亘賲丕 賰丕賳 賴匕丕 丕賱丨賵丕乇 胤乇賷賯賰 賱賳賷賱 丕賱禺賱賵丿 丕賷囟丕賸!
- 丕賳丕 賱爻鬲 "亘賷鬲賷賳丕" 爻賷丿 賲賷賱丕賳
- 賳毓賲貙 賳毓賲... 賵丕賳丕 賱爻鬲 "睾賵鬲丞"
廿賯鬲亘丕爻丕鬲:
"賳購毓賵賽賾賱 毓賱賶 丕賱禺賱賵丿貙 賵 賳賳爻賶 兀賳 賳賻丨爻賽亘 賱賱賲賵鬲 丨爻丕亘賴"
"賷馗賱 丕賱賲賵鬲 廿賱賶 丨丿賵丿 爻賳 賲毓賷賳 兀亘毓丿 賲賳 兀賳 賳賴鬲賲 亘賴 ... 孬賲 賷賱賵丨 賱賳丕 賮噩兀丞 賲賵鬲賳丕 兀賲丕賲賳丕... 賷賰賵賳 賲毓賳丕. 賵 亘賲丕 兀賳 丕賱禺賱賵丿 賲賯鬲乇賳 亘丕賱賲賵鬲 丕賯鬲乇丕賳 賴丕乇丿賷 亘賱賵乇賷賱貙 噩丕夭 丕賱賯賵賱 廿賳 丕賱禺賱賵丿 賴賵 兀賷囟丕 賲毓賳丕. 賵 賲丕 廿賳 賳賰鬲卮賮 賵噩賵丿賴 丨鬲賶 賳卮乇毓 賮賷 丕賱丕毓鬲賳丕亍 亘賴 亘卮賰賱 賲丨賲賵賲. 賳胤賱亘 賱賴 亘匕賱丞 爻賴乇丞 賵賳賯鬲賳賷 賱賴 乇亘胤丞 毓賳賯貙 禺卮賷丞 兀賳 賷禺鬲丕乇 賱賴 睾賷乇賳丕 丕賱亘匕賱丞 賵乇亘胤丞 丕賱毓賳賯 賮賷爻賷丐賵賳 丕賱丕禺鬲賷丕乇. 亘毓丿 賴匕丕 丕賱胤賵乇 賷兀鬲賷 丕賱胤賵乇 丕賱孬丕賱孬貙 丕賱兀賯氐乇 賵 丕賱兀賰孬乇 鬲賰鬲賲丕.. 賮賷 賴匕丕 丕賱胤賵乇 鬲禺賵乇 丕賱賯賵賶貙 賵 賷鬲賲賱賰 丕賱丕賳爻丕賳 廿噩賴丕丿 賲丨亘胤. 賷賰賵賳 丕賱賲賵鬲 兀賯乇亘 廿賱賶 丕賱賲乇亍 亘丨賷孬 賷氐賷亘賴 丕賱賲賱賱 賲賳 丕賱賳馗乇 廿賱賷賴.."
"賲賳 丨爻賳 丨馗 丕賱廿賳爻丕賳賷丞 兀賳 丨乇賵亘賴丕 丕賱賰亘乇賶 禺丕囟賴丕 丕賱乇噩丕賱貙 賱賵 賰丕賳鬲 丕賱賳爻丕亍 賴賳賾 賲賻賳賿 禺囟賳賴丕 賱賰丕賳鬲 兀賰孬乇 賵丨卮賷賾丞 賵賱賯胤毓鬲 丿丕亘乇 丕賱亘卮乇"
""賲毓賳賶 丕賱丨賷丕亍 兀賳 賳丨馗乇 毓賱賶 兀賳賮爻賳丕 賲丕 賳卮鬲賴賷貙 賲毓 卮毓賵乇賳丕 亘丕賱禺噩賱 賲賳 乇睾亘鬲賳丕 賮賷賲丕 賳丨馗乇賴 毓賱賶 兀賳賮爻賳丕"
"廿賳賾 丕賱丨亘賻 丕賱禺丕賱賷 賲賳 丕賱噩賲丕毓 兀卮亘賴 亘賯賽丿乇 毓賱賶 丕賱賳丕乇 鬲爻鬲丨賷賱購 賮賷賴 丕賱毓賵丕胤賮 丕賱鬲賷 亘賱睾鬲 丿乇噩丞 丕賱睾賱賷丕賳 廿賱賶 卮睾賮 賷購丨乇賾賰 丕賱睾胤丕亍 賵賷噩毓賱賴 賷鬲乇丕賯氐 亘噩賳賵賳"
"丕賱丨亘購 賴賵 賮囟賷賱丞 丕賱賮囟丕卅賱貙 賮賴賵 賷賮賯丿賳丕 丕賱賵毓賷 亘賲丕 賴賵 兀乇囟賷貙 賵賷賲賱丐賳丕 亘賲丕 賴賵 爻賲丕賵賷貙 賵賴賵 亘匕賱賰 賷購禺賱氐賳丕 賲賳 賰賱賽賾 卮毓賵乇賺 亘丕賱匕賳亘".
September 11, 2021
Nesmrtelnost = Immortality, Milan Kundera
Immortality is a novel in seven parts, written by Milan Kundera in 1988 in Czech. First published 1990 in French. English edition 345 p., translation by Peter Kussi.
This novel springs from a casual gesture of a woman, seemingly to her swimming instructor. Immortality is the last of a trilogy that includes The Book Of Laughter And Forgetting, and The Unbearable Lightness Of Being.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 賲丕賴 丌诏賵爻鬲 爻丕賱 1994賲蹖賱丕丿蹖
毓賳賵丕賳: 噩丕賵丿丕賳诏蹖貙 賳賵蹖爻賳丿賴: 賲蹖賱丕賳 讴賵賳丿乇丕貨 賲鬲乇噩賲: 丨卮賲鬲鈥� 丕賱賱賴 讴丕賲乇丕賳蹖貨 鬲賴乇丕賳貙 賳卮乇 賮丕禺鬲賴貙 1371貨 丿乇 454氐貨 趩丕倬 丿賵賲 1372貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 賳卮乇 讴丕賳賵賳貙 1377貙 卮丕亘讴 9649045281貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 鬲賳賵蹖乇貙 1378貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 毓賱賲貙 1379貨 趩丕倬 卮卮賲 丿乇 賳卮乇 毓賱賲 1381貙 卮丕亘讴 9644051092貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 賮乇賴賳诏 賳卮乇 賳賵貙 1391貨 丿乇 464氐貨 卮丕亘讴 9789647443579貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 趩讴 - 爻丿賴 20賲
毓賳賵丕賳: 噩丕賵丿丕賳诏蹖貙 賳賵蹖爻賳丿賴: 賲蹖賱丕賳 讴賵賳丿乇丕貨 賲鬲乇噩賲: 丨爻蹖賳 讴丕馗賲蹖 蹖夭丿蹖貨 賲卮賴丿貙 賳蹖讴賵 賳卮乇貙 1393貙 丿乇 428氐貙 卮丕亘讴 9789647253772貨
噩丕賵丿丕賳诏蹖 乇賲丕賳蹖 丕孬乇 芦賲蹖賱丕賳 讴賵賳丿乇丕禄貙 乇賲丕賳 賳賵蹖爻 芦趩讴 鬲亘丕乇 賮乇丕賳爻賵蹖禄 丕爻鬲貨 丕蹖賳 乇賲丕賳 丿乇 爻丕賱 1988賲蹖賱丕丿蹖 亘賴 夭亘丕賳 芦趩讴禄 賳賵卮鬲賴 卮丿貨 賵 丿乇 爻丕賱 1990賲蹖賱丕丿蹖 亘乇丕蹖 賳禺爻鬲蹖賳 亘丕乇貙 賵 亘賴 夭亘丕賳 賮乇丕賳爻賴 賲賳鬲卮乇 卮丿貨 卮禺氐蹖鬲 丕氐賱蹖 丿丕爻鬲丕賳 夭賳蹖 丕爻鬲 亘賴 賳丕賲 芦丕诏賳爻禄貙 讴賴 丕夭 賲卮丕賴丿賴 蹖 丨乇讴鬲 丕鬲賮丕賯蹖 夭賳蹖 賲爻賳 丿乇 匕賴賳 賳賵蹖爻賳丿賴鈥� 丕蹖 亘賴 賳丕賲 芦賲蹖賱丕賳 讴賵賳丿乇丕禄貙 倬丿蹖丿 賲蹖鈥屫③屫� 丕夭 讴丕賳丕賱 趩賳蹖賳 卮禺氐蹖鬲蹖 芦讴賵賳丿乇丕禄 亘賴 賲賮賴賵賲 噩丕賵丿丕賳诏蹖 賲蹖鈥屬矩必ж操嗀�
賲蹖賱丕賳 讴賵賳丿乇丕貙 丿乇 丕蹖賳 丕孬乇貙 賲丕噩乇丕蹖 乇丕亘胤賴 蹖 倬乇賲卮讴賱貙 賵 胤賳夭丌賲蹖夭賽 芦诏賵鬲賴禄貙 賵 賴賲爻乇卮 芦讴乇蹖爻鬲蹖賳禄 賵 亘乇丕丿乇 讴賵趩讴鬲乇 芦诏賵鬲賴禄 蹖毓賳蹖 芦亘鬲蹖賳丕禄 乇丕貙 丿乇 亘乇丕亘乇 賲孬賱孬蹖 丕賲乇賵夭蹖鬲乇 丕夭 爻賴 卮禺氐蹖鬲 倬丕乇蹖爻蹖: 芦倬賱禄貙 賴賲爻乇卮 芦丕诏賳爻禄 賵 禺賵丕賴乇 芦丕诏賳爻禄貙 芦賱丕乇丕禄 賯乇丕乇 丿丕丿賴 丕爻鬲貨 芦丕诏賳爻禄 倬爻 丕夭 賲乇诏 倬丿乇卮貙 亘賴 卮讴賱蹖 賲鬲賮丕賵鬲 亘丕 夭賳丿诏蹖 禺賵丿 乇賵亘乇賵 賲蹖卮賵丿貙 賵 丿乇賲蹖蹖丕亘丿 丿乇 丨丕賱蹖讴賴 夭賳丿诏蹖賽 禺賵亘蹖 亘丕 賴賲爻乇卮 丿丕卮鬲賴貙 賴蹖趩诏丕賴 卮賵乇賽 毓卮賯 乇丕 丿乇 丌賳 丕丨爻丕爻 賳讴乇丿賴 丕爻鬲貨 芦賱丕乇丕禄 賳蹖夭 讴賴 丕夭 賴賲爻乇卮 噩丿丕 卮丿賴貙 賴蹖趩賵賯鬲 毓卮賯 乇丕貙 賮乇丕鬲乇 丕夭 卮賴賵鬲貙 鬲噩乇亘賴 賳讴乇丿賴 丕爻鬲貨 賴賲 芦丕诏賳爻禄 賵 賴賲 芦賱丕乇丕禄 亘賴 芦倬賱禄 毓賱丕賯賲賳丿 賴爻鬲賳丿 賵 亘丿蹖賴蹖 丕爻鬲 讴賴 讴卮丕讴卮 賲蹖丕賳 丌賳賴丕 亘乇丕蹖 亘賴 丿爻鬲 丌賵乇丿賳 芦倬賱禄貙 鬲賳賴丕 蹖讴 亘乇賳丿賴 禺賵丕賴丿 丿丕卮鬲
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 08/08/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 19/06/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Immortality is a novel in seven parts, written by Milan Kundera in 1988 in Czech. First published 1990 in French. English edition 345 p., translation by Peter Kussi.
This novel springs from a casual gesture of a woman, seemingly to her swimming instructor. Immortality is the last of a trilogy that includes The Book Of Laughter And Forgetting, and The Unbearable Lightness Of Being.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 賲丕賴 丌诏賵爻鬲 爻丕賱 1994賲蹖賱丕丿蹖
毓賳賵丕賳: 噩丕賵丿丕賳诏蹖貙 賳賵蹖爻賳丿賴: 賲蹖賱丕賳 讴賵賳丿乇丕貨 賲鬲乇噩賲: 丨卮賲鬲鈥� 丕賱賱賴 讴丕賲乇丕賳蹖貨 鬲賴乇丕賳貙 賳卮乇 賮丕禺鬲賴貙 1371貨 丿乇 454氐貨 趩丕倬 丿賵賲 1372貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 賳卮乇 讴丕賳賵賳貙 1377貙 卮丕亘讴 9649045281貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 鬲賳賵蹖乇貙 1378貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 毓賱賲貙 1379貨 趩丕倬 卮卮賲 丿乇 賳卮乇 毓賱賲 1381貙 卮丕亘讴 9644051092貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 賮乇賴賳诏 賳卮乇 賳賵貙 1391貨 丿乇 464氐貨 卮丕亘讴 9789647443579貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 趩讴 - 爻丿賴 20賲
毓賳賵丕賳: 噩丕賵丿丕賳诏蹖貙 賳賵蹖爻賳丿賴: 賲蹖賱丕賳 讴賵賳丿乇丕貨 賲鬲乇噩賲: 丨爻蹖賳 讴丕馗賲蹖 蹖夭丿蹖貨 賲卮賴丿貙 賳蹖讴賵 賳卮乇貙 1393貙 丿乇 428氐貙 卮丕亘讴 9789647253772貨
噩丕賵丿丕賳诏蹖 乇賲丕賳蹖 丕孬乇 芦賲蹖賱丕賳 讴賵賳丿乇丕禄貙 乇賲丕賳 賳賵蹖爻 芦趩讴 鬲亘丕乇 賮乇丕賳爻賵蹖禄 丕爻鬲貨 丕蹖賳 乇賲丕賳 丿乇 爻丕賱 1988賲蹖賱丕丿蹖 亘賴 夭亘丕賳 芦趩讴禄 賳賵卮鬲賴 卮丿貨 賵 丿乇 爻丕賱 1990賲蹖賱丕丿蹖 亘乇丕蹖 賳禺爻鬲蹖賳 亘丕乇貙 賵 亘賴 夭亘丕賳 賮乇丕賳爻賴 賲賳鬲卮乇 卮丿貨 卮禺氐蹖鬲 丕氐賱蹖 丿丕爻鬲丕賳 夭賳蹖 丕爻鬲 亘賴 賳丕賲 芦丕诏賳爻禄貙 讴賴 丕夭 賲卮丕賴丿賴 蹖 丨乇讴鬲 丕鬲賮丕賯蹖 夭賳蹖 賲爻賳 丿乇 匕賴賳 賳賵蹖爻賳丿賴鈥� 丕蹖 亘賴 賳丕賲 芦賲蹖賱丕賳 讴賵賳丿乇丕禄貙 倬丿蹖丿 賲蹖鈥屫③屫� 丕夭 讴丕賳丕賱 趩賳蹖賳 卮禺氐蹖鬲蹖 芦讴賵賳丿乇丕禄 亘賴 賲賮賴賵賲 噩丕賵丿丕賳诏蹖 賲蹖鈥屬矩必ж操嗀�
賲蹖賱丕賳 讴賵賳丿乇丕貙 丿乇 丕蹖賳 丕孬乇貙 賲丕噩乇丕蹖 乇丕亘胤賴 蹖 倬乇賲卮讴賱貙 賵 胤賳夭丌賲蹖夭賽 芦诏賵鬲賴禄貙 賵 賴賲爻乇卮 芦讴乇蹖爻鬲蹖賳禄 賵 亘乇丕丿乇 讴賵趩讴鬲乇 芦诏賵鬲賴禄 蹖毓賳蹖 芦亘鬲蹖賳丕禄 乇丕貙 丿乇 亘乇丕亘乇 賲孬賱孬蹖 丕賲乇賵夭蹖鬲乇 丕夭 爻賴 卮禺氐蹖鬲 倬丕乇蹖爻蹖: 芦倬賱禄貙 賴賲爻乇卮 芦丕诏賳爻禄 賵 禺賵丕賴乇 芦丕诏賳爻禄貙 芦賱丕乇丕禄 賯乇丕乇 丿丕丿賴 丕爻鬲貨 芦丕诏賳爻禄 倬爻 丕夭 賲乇诏 倬丿乇卮貙 亘賴 卮讴賱蹖 賲鬲賮丕賵鬲 亘丕 夭賳丿诏蹖 禺賵丿 乇賵亘乇賵 賲蹖卮賵丿貙 賵 丿乇賲蹖蹖丕亘丿 丿乇 丨丕賱蹖讴賴 夭賳丿诏蹖賽 禺賵亘蹖 亘丕 賴賲爻乇卮 丿丕卮鬲賴貙 賴蹖趩诏丕賴 卮賵乇賽 毓卮賯 乇丕 丿乇 丌賳 丕丨爻丕爻 賳讴乇丿賴 丕爻鬲貨 芦賱丕乇丕禄 賳蹖夭 讴賴 丕夭 賴賲爻乇卮 噩丿丕 卮丿賴貙 賴蹖趩賵賯鬲 毓卮賯 乇丕貙 賮乇丕鬲乇 丕夭 卮賴賵鬲貙 鬲噩乇亘賴 賳讴乇丿賴 丕爻鬲貨 賴賲 芦丕诏賳爻禄 賵 賴賲 芦賱丕乇丕禄 亘賴 芦倬賱禄 毓賱丕賯賲賳丿 賴爻鬲賳丿 賵 亘丿蹖賴蹖 丕爻鬲 讴賴 讴卮丕讴卮 賲蹖丕賳 丌賳賴丕 亘乇丕蹖 亘賴 丿爻鬲 丌賵乇丿賳 芦倬賱禄貙 鬲賳賴丕 蹖讴 亘乇賳丿賴 禺賵丕賴丿 丿丕卮鬲
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 08/08/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 19/06/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
June 19, 2017
On one level you could reduce this novel to the sour grapes of a man who鈥檚 getting old and losing his privileged place in the world. Not that this belittles its aspiration or wisdom because how the self changes with age, how the declining fa莽ade impacts the core, is a fascinating and rich subject. Kundera suggests the self doesn鈥檛 significantly change from within but rather is bullied out of its natural gait by the way people see us, by the images they impose on us. Even we ourselves are constrained to represent our lives with isolated images because memory, he tells us, is incapable of retaining anything but snapshots of time, isolated frames which no effort of will can restore to a detailed and continuous home movie. We are confined to the snapshots memory selects to preserve. And ultimately, in death, we become how people remember us. We become a series of snapshots, an image.
At the time of writing this novel Kundera was pretty much guaranteed immortality. He鈥檚 earned his place among the immortals of literature. Understandable then that he should ponder what form this immortality will take. In one episode he has Goethe and Hemingway discuss their posthumous lives. Hemingway is unhappy that his books have become eclipsed by the innumerable biographies of his life. There鈥檚 also a fabulous section about Goethe鈥檚 relationship with a young girl called Bettina. To Goethe Bettina appears nothing but an episode. Little does he know that this largely inconsequential girl will become one of the editors of his posthumous life.
"No episode is a priori condemned to remain an episode forever, for every event, no matter how trivial, conceals within itself the possibility of sooner or later becoming the cause of other events and thus changing into a story or an adventure. Episodes are like land mines. The majority of them never explode, but the most unremarkable of them may someday turn into a story that will prove fateful to you." This quote is perhaps the underlying mantra of this novel. It鈥檚 a novel of philosophical episodes which playfully mocks the conventions of the novel. "Dramatic tension is the real curse of the novel, because it transforms everything, even the most beautiful pages, even the most surprising scenes and observations merely into steps leading to the final resolution, in which the meaning of everything that preceded is concentrated." Towards the end of Immortality Milan Kundera is sitting by the same swimming pool which opens the novel with two of his characters. He is surprised these two characters know each other.
Perhaps one test of a masterpiece is that it should improve on a second reading. I really enjoyed this but I didn鈥檛 quite love it as much as I did when I first read it. Some elements seemed dated, like his obsessive whining about noise pollution. Guitars and motorbikes especially cited as enemies of civilised life. We now face much worse forms of pollution and his singling out of urban noise levels made him appear a grumpy old man at times. Also some of his views on sex were those of an ageing womaniser who still can鈥檛 help seeing women almost exclusively through his libido. As his starting point Kundera shows us an elderly woman performing an alluring gesture she had used as a young girl. He finds the gesture 鈥渃harming鈥� but for him it鈥檚 only the gesture that has charm and elegance 鈥渨hile the body and face no longer had any charm. It was the charm of a gesture drowning in the charmlessness of the body.鈥� This of course is the viewpoint of a sexually predatory male. Elderly women for most of us are no less capable of performing charming gestures than anyone else. Some of the most beautiful and haunting gestures I have seen have been performed by elderly people. Ironically Kundera鈥檚 posthumous life might be influenced in part by these kind of observations of his. He too, like Hemingway, might be complaining to Goethe in an afterlife that he has been misrepresented by biographies.
At the time of writing this novel Kundera was pretty much guaranteed immortality. He鈥檚 earned his place among the immortals of literature. Understandable then that he should ponder what form this immortality will take. In one episode he has Goethe and Hemingway discuss their posthumous lives. Hemingway is unhappy that his books have become eclipsed by the innumerable biographies of his life. There鈥檚 also a fabulous section about Goethe鈥檚 relationship with a young girl called Bettina. To Goethe Bettina appears nothing but an episode. Little does he know that this largely inconsequential girl will become one of the editors of his posthumous life.
"No episode is a priori condemned to remain an episode forever, for every event, no matter how trivial, conceals within itself the possibility of sooner or later becoming the cause of other events and thus changing into a story or an adventure. Episodes are like land mines. The majority of them never explode, but the most unremarkable of them may someday turn into a story that will prove fateful to you." This quote is perhaps the underlying mantra of this novel. It鈥檚 a novel of philosophical episodes which playfully mocks the conventions of the novel. "Dramatic tension is the real curse of the novel, because it transforms everything, even the most beautiful pages, even the most surprising scenes and observations merely into steps leading to the final resolution, in which the meaning of everything that preceded is concentrated." Towards the end of Immortality Milan Kundera is sitting by the same swimming pool which opens the novel with two of his characters. He is surprised these two characters know each other.
Perhaps one test of a masterpiece is that it should improve on a second reading. I really enjoyed this but I didn鈥檛 quite love it as much as I did when I first read it. Some elements seemed dated, like his obsessive whining about noise pollution. Guitars and motorbikes especially cited as enemies of civilised life. We now face much worse forms of pollution and his singling out of urban noise levels made him appear a grumpy old man at times. Also some of his views on sex were those of an ageing womaniser who still can鈥檛 help seeing women almost exclusively through his libido. As his starting point Kundera shows us an elderly woman performing an alluring gesture she had used as a young girl. He finds the gesture 鈥渃harming鈥� but for him it鈥檚 only the gesture that has charm and elegance 鈥渨hile the body and face no longer had any charm. It was the charm of a gesture drowning in the charmlessness of the body.鈥� This of course is the viewpoint of a sexually predatory male. Elderly women for most of us are no less capable of performing charming gestures than anyone else. Some of the most beautiful and haunting gestures I have seen have been performed by elderly people. Ironically Kundera鈥檚 posthumous life might be influenced in part by these kind of observations of his. He too, like Hemingway, might be complaining to Goethe in an afterlife that he has been misrepresented by biographies.
July 6, 2017
Phenomenal
........including the best first 2 pages of a book I've ever read!
........including the best first 2 pages of a book I've ever read!
June 21, 2016
賰賵賳丿賷乇丕 賷卮毓乇賳賷 亘丕賱禺噩賱貙 賱丕 賲賳 賳賮爻賷貙 賮丨爻亘貙 賰賯丕乇卅貙 兀毓鬲亘乇 賳賮爻賷 賲丨亘賸丕 賱賱兀丿亘 賵毓丕卮賯 賱賴貙 賰賲 兀丨爻 兀賲丕賲賴 賰賲 兀賳賳賷 賲爻賰賷賳 賵賲鬲賵丕囟毓貙 賵賱賰賳 賲賲賳 賷爻賲賵賳 兀賳賮爻賴賲 賰購鬲賾丕亘賸丕. 賰賵賳丿賷乇丕 賮賷 賴匕賴 丕賱乇賵丕賷丞 賯丿 賷賰賵賳 - 賰賲丕 賮毓賱 丕賱賲丨亘亘 夭賷夭賷鬲賵 賲賳 賯亘賱 - 賯丿 賴丿賲 賰賱 兀爻爻 賰鬲丕亘丞 丕賱乇賵丕賷丞貙 賵丕亘鬲丿毓 亘賳丕亍賸 禺丕氐賸丕 亘賴. 乇賵丕賷丞 鬲卮毓乇 賮賷賴丕 亘賵噩賵丿賴 胤賵丕賱 丕賱賵賯鬲貙 賵噩賵丿 禺丕賮鬲貙 卮丕毓乇賷貙 賲噩丕夭賷貙 睾賷乇 丨賯賷賯賷貙 賱賰賳賴 賲丐孬乇. 賰賵賳丿賷乇丕貙 賲賲丕 兀毓噩亘賳賷 賮賷賴 賴丕賴賳丕貙 賵賱賷爻 丕賱廿毓噩丕亘 賮賯胤貙 亘賱 廿孬丕乇丞 卮毓賵乇賷 亘丕賱睾賷馗 賰匕賱賰貙 賴賵 兀賳賴 賷賰鬲亘貙 賷賰鬲亘 賲丕 兀乇賷丿賴貙 賵賱賰賳 賲丕 賱丕 兀爻鬲胤賷毓賴貙 賲丕 兀丨亘賴貙 賱賰賳 賲丕 賱丕 兀賮賴賲賴貙 賲丕 兀鬲賲賳賶 毓賷卮賴貙 賵賱賰賳 賲丕 賱丕 兀賯丿乇 毓賱賷賴貙 賷賰鬲亘 丨賷丕鬲賰貙 賵匕丕賰乇鬲賰貙 賵賲丕囟賷賰 賵賲爻鬲賯亘賱賰貙 賷賰鬲亘 兀賲賳賷丕鬲賰 賵賷氐賵乇賴丕貙 賷賰鬲亘 毓丕賱賲賸丕 賱丕 賲孬賷賱 賱賴貙 毓丕賱賲 賲孬丕賱賷貙 賱丕 賰賲孬丕賱賷丞 丕賱乇賵丕賷丕鬲 丕賱乇禺賷氐丞貙 賱賰賳 鬲賱賰 丕賱賲孬丕賱賷丞 丕賱賲賱賷卅丞 亘丕賱賲氐丕卅亘貙 賲孬丕賱賷丞 賵丕賯毓賷丞貙 廿賳 賰丕賳 賱賴匕丕 丕賱賰賱丕賲 賲賳 賲毓賳賶. 賷賰鬲亘 賰賵賳丿賷乇丕 毓賳 丕賱丨亘 賵丕賱毓丕胤賮丞貙 賵丕賱賮賱爻賮丞 賵丕賱賮賳貙 賵丕賱乇爻賲 賵丕賱卮毓乇貙 賵丕賱乇賵丕賷丞 賵丕賱鬲丕乇賷禺貙 毓賳 丕賱噩賳爻 - 賵亘丕賱胤亘毓 丕賱噩賳爻貙 賮賴賵 賲賰賵賳 乇賵丕賷丕鬲賴 丕賱乇卅賷爻 - 賵毓賳 丕賱毓丕胤賮丞貙 毓賳 丕賱賮賱賰貙 賵毓賳 丕賱廿賳爻丕賳 賵丕賱丨囟丕乇丞貙 賵毓賳 賰賱 卮賷亍 賵兀賷 卮賷亍貙 賵賷賮毓賱 匕賱賰 亘丕丨鬲乇丕賮賷丞. 兀馗賳 兀賳 賴匕賴 丕賱乇賵丕賷丞 乇賵丕賷丞 噩賷丿丞貙 賵丿賱賷賱 毓賱賶 匕賱賰 兀賳賷 兀賳賴賷鬲賴丕貙 賵兀賳丕 賱賲 兀賳賴 賰鬲丕亘賸丕 賲賳匕 毓賴丿 丕賱丕爻鬲賯賱丕賱 丕賱鬲丕賲 兀賵 丕賱賲賵鬲 丕賱匕丐丕賲 (賵賱丕 鬲爻兀賱 毓賳 丕賱賲毓賳賶貙 賮丕賱卮乇丨 賷胤賵賱) 賴匕賴 乇賵丕賷丞 噩賷丿丞貙 賵賲鬲賮乇丿丞貙 賮丕賯乇兀賵賴丕. 賵丕賯乇兀賵丕 賰匕賱賰 乇賷賮賷賵 氐丿賷賯賷 廿亘乇丕賴賷賲 爻毓丿貙 賮賴賵 賲孬賷乇 賱賱廿丨亘丕胤貙 賱賰賱 賲賳 賷乇賷丿 兀賳 賷囟賷賮 卮賷卅賸丕 噩丿賷丿賸丕.
賯乇兀鬲 丕賱乇賵丕賷丞 賲毓 丕賱氐丿賷賯丞 丕賱毓夭賷夭丞 爻賳丕亍 卮賱鬲賵鬲貙 賮賱賴丕 賰賱 丕賱卮賰乇 賱賱鬲卮噩賷毓 賵丕賱鬲乇卮賷丨 賵丕賱賲卮丕乇賰丞 丕賱噩賲賷賱丞.
賯乇兀鬲 丕賱乇賵丕賷丞 賲毓 丕賱氐丿賷賯丞 丕賱毓夭賷夭丞 爻賳丕亍 卮賱鬲賵鬲貙 賮賱賴丕 賰賱 丕賱卮賰乇 賱賱鬲卮噩賷毓 賵丕賱鬲乇卮賷丨 賵丕賱賲卮丕乇賰丞 丕賱噩賲賷賱丞.
May 31, 2023
This is a great book and I wish I had discovered it years ago, when it was translated from Czech in 1991. I liked it much more than the author's more famous book, The Unbearable Lightness of Being.
A blurb says the book thoroughly explores 鈥渢he great themes of existence鈥� which is quite a task to pull off in 345 pages, but Kundera makes quite a dent in those themes.
Where to start? There is a story: a couple has a daughter; the wife dies, and eventually the man marries his dead wife鈥檚 sister. That鈥檚 pretty much the plot. But as this story is told, the author compares the traits of the main characters and their attitudes toward life. For example, his first wife is serious, organized and not much fun. The younger sister is reckless, impulsive, at time suicidal, and has a series of affairs with men. The man is hard-working, reflective, and bit baffled by life.
Kundera speculates on philosophical themes around this simple story. He writes about gestures as memes. He explores solitude; bodies and faces; sex, love and lust; chance and coincidence; cameras and privacy. He gets into journalism and public opinion pools, Watergate, and what he calls imagology (kind of like symbolism).
The author compares a superhighway that by-passes and flies over space with a road that allows you to experience the landscape. He invents a character, Professor Avenarius, who is so upset by the dominance of the automobile in cities that he randomly slashes tires as he jogs.
And, of course, given the title of the book and Kundera鈥檚 prominence as an author, he speculates on legacies and how you can鈥檛 control how history will view you.
At times the book has the flavor of a meta-novel. In some chapters the author talks directly to the reader and tells us about the process of writing and even refers to characters in his earlier works.
In other chapters he holds imaginary conversations with folks like Goethe and Hemingway and spends a bit of time on the odd life-long relationship between Goethe and a young woman, Bettina, who was one of the world鈥檚 first self-publicists way back in the early 1800s.
Kundera points out that until recently people knew everything through their own experience: how bread is baked, how a house is built, where meat comes from, etc. He writes about categorizing people by how much time they spend thinking of the past, present or future.
In summary, the great themes of existence, reflected upon by a great thinker.
The book has a very high rating on GR for this type of philosophy book and I am also surprised as I look at my friends' reviews how many have given it a '5.' Do, definitely a good read.
Photo of the author (1929 -) from dw.com
[Revised 9/6/22 and 5/30/23]
A blurb says the book thoroughly explores 鈥渢he great themes of existence鈥� which is quite a task to pull off in 345 pages, but Kundera makes quite a dent in those themes.
Where to start? There is a story: a couple has a daughter; the wife dies, and eventually the man marries his dead wife鈥檚 sister. That鈥檚 pretty much the plot. But as this story is told, the author compares the traits of the main characters and their attitudes toward life. For example, his first wife is serious, organized and not much fun. The younger sister is reckless, impulsive, at time suicidal, and has a series of affairs with men. The man is hard-working, reflective, and bit baffled by life.
Kundera speculates on philosophical themes around this simple story. He writes about gestures as memes. He explores solitude; bodies and faces; sex, love and lust; chance and coincidence; cameras and privacy. He gets into journalism and public opinion pools, Watergate, and what he calls imagology (kind of like symbolism).
The author compares a superhighway that by-passes and flies over space with a road that allows you to experience the landscape. He invents a character, Professor Avenarius, who is so upset by the dominance of the automobile in cities that he randomly slashes tires as he jogs.
And, of course, given the title of the book and Kundera鈥檚 prominence as an author, he speculates on legacies and how you can鈥檛 control how history will view you.
At times the book has the flavor of a meta-novel. In some chapters the author talks directly to the reader and tells us about the process of writing and even refers to characters in his earlier works.
In other chapters he holds imaginary conversations with folks like Goethe and Hemingway and spends a bit of time on the odd life-long relationship between Goethe and a young woman, Bettina, who was one of the world鈥檚 first self-publicists way back in the early 1800s.
Kundera points out that until recently people knew everything through their own experience: how bread is baked, how a house is built, where meat comes from, etc. He writes about categorizing people by how much time they spend thinking of the past, present or future.
In summary, the great themes of existence, reflected upon by a great thinker.
The book has a very high rating on GR for this type of philosophy book and I am also surprised as I look at my friends' reviews how many have given it a '5.' Do, definitely a good read.
Photo of the author (1929 -) from dw.com
[Revised 9/6/22 and 5/30/23]
January 16, 2009
One of 3 books I would take to a desert island. A beautiful discussion on the nature of our legacy, what we decide to leave or not leave when we die. How that changes in time and how we can not do anything about it. Especially relevant to artists and writers. Delves into the nature of love and families while he is at it. It would take a life time to discuss this book.
June 12, 2022
賲毓 爻丨乇 廿賷賲丕亍丞 丕賲乇兀丞 鬲亘丿兀 丕賱乇賵丕賷丞 賵鬲賳鬲賴賷
賲賷夭丞 賰賵賳丿賷乇丕 丕賱兀噩賲賱 賴賷 鬲丨賱賷賱 丕賱賲毓丕賳賷 賵丕賱鬲賮丕氐賷賱 賵丕賱氐賵乇 丕賱賲購毓鬲丕丿丞 賮賷 丕賱丨賷丕丞
胤賵丕賱 丕賱乇賵丕賷丞 賷毓乇囟 丕賱賰丕鬲亘 賮賰乇丞 丕賱兀賳丕 丕賱丨賯賷賯賷丞 賱賱卮禺氐賷丞 賵禺亘丕賷丕 丕賱賳賮爻 丕賱丕賳爻丕賳賷丞
氐賵乇鬲賳丕 賮賷 毓賷賵賳 丕賱丌禺乇賷賳 賵賴賱 丕賱氐賵乇丞 丕賱賲乇卅賷丞 鬲購毓亘乇 賮毓賱丕 毓賳 丨賯賷賯丞 丕賱丕賳爻丕賳
賷爻鬲丿毓賷 兀丨丿丕孬 賵卮禺氐賷丕鬲 賲賳 丕賱賲丕囟賷 賱賷購氐賵乇 賮賰乇丞 丕賱禺賱賵丿
兀賳 賷亘賯賶 丕賱丕賳爻丕賳 丨賷 賮賷 匕丕賰乇丞 丕賱賳丕爻 亘毓丿 丕賱賲賵鬲, 賵鬲馗賱 卮禺氐賷鬲賴 賵兀毓賲丕賱賴 賲孬丕乇 丕賴鬲賲丕賲
賵爻賷胤乇丞 丕賱乇睾亘丞 賮賷 丕賱禺賱賵丿 毓賱賶 丕賱亘毓囟 賱丿乇噩丞 丕賱爻毓賷 賱鬲丨賯賷賯賴 亘兀賷 賵爻賷賱丞
丕賱爻乇丿 賷賳鬲賯賱 亘丕賳爻賷丕亘賷丞 亘賷賳 丕賱丨賰丕賷丕鬲 賵丕賱兀丨丿丕孬, 賵亘丕賱鬲丿乇賷噩 鬲鬲囟丨 丕賱乇賵丕亘胤 亘賷賳 丕賱卮禺氐賷丕鬲
毓賲賱 兀丿亘賷 賲賲鬲毓 賵睾賷乇 鬲賯賱賷丿賷
賲賷夭丞 賰賵賳丿賷乇丕 丕賱兀噩賲賱 賴賷 鬲丨賱賷賱 丕賱賲毓丕賳賷 賵丕賱鬲賮丕氐賷賱 賵丕賱氐賵乇 丕賱賲購毓鬲丕丿丞 賮賷 丕賱丨賷丕丞
胤賵丕賱 丕賱乇賵丕賷丞 賷毓乇囟 丕賱賰丕鬲亘 賮賰乇丞 丕賱兀賳丕 丕賱丨賯賷賯賷丞 賱賱卮禺氐賷丞 賵禺亘丕賷丕 丕賱賳賮爻 丕賱丕賳爻丕賳賷丞
氐賵乇鬲賳丕 賮賷 毓賷賵賳 丕賱丌禺乇賷賳 賵賴賱 丕賱氐賵乇丞 丕賱賲乇卅賷丞 鬲購毓亘乇 賮毓賱丕 毓賳 丨賯賷賯丞 丕賱丕賳爻丕賳
賷爻鬲丿毓賷 兀丨丿丕孬 賵卮禺氐賷丕鬲 賲賳 丕賱賲丕囟賷 賱賷購氐賵乇 賮賰乇丞 丕賱禺賱賵丿
兀賳 賷亘賯賶 丕賱丕賳爻丕賳 丨賷 賮賷 匕丕賰乇丞 丕賱賳丕爻 亘毓丿 丕賱賲賵鬲, 賵鬲馗賱 卮禺氐賷鬲賴 賵兀毓賲丕賱賴 賲孬丕乇 丕賴鬲賲丕賲
賵爻賷胤乇丞 丕賱乇睾亘丞 賮賷 丕賱禺賱賵丿 毓賱賶 丕賱亘毓囟 賱丿乇噩丞 丕賱爻毓賷 賱鬲丨賯賷賯賴 亘兀賷 賵爻賷賱丞
丕賱爻乇丿 賷賳鬲賯賱 亘丕賳爻賷丕亘賷丞 亘賷賳 丕賱丨賰丕賷丕鬲 賵丕賱兀丨丿丕孬, 賵亘丕賱鬲丿乇賷噩 鬲鬲囟丨 丕賱乇賵丕亘胤 亘賷賳 丕賱卮禺氐賷丕鬲
毓賲賱 兀丿亘賷 賲賲鬲毓 賵睾賷乇 鬲賯賱賷丿賷
March 2, 2025
I let myself be captivated to the point of bewitchment by this book by an author as amusing as he was lucid and desperate.
We can find much in this book.
There is a reflection on the history of literature.
There is an exhibition of what one might call the wisdom of erotic existence.
There is also an exhibition of the dissolution of the senses and all values. Western civilization has flourished through characters whose anchoring in modernity is brilliantly marked.
And everything we find is so intertwined that we get lost forever in finding ourselves with great pleasure tinged with bitterness.
We can find much in this book.
There is a reflection on the history of literature.
There is an exhibition of what one might call the wisdom of erotic existence.
There is also an exhibition of the dissolution of the senses and all values. Western civilization has flourished through characters whose anchoring in modernity is brilliantly marked.
And everything we find is so intertwined that we get lost forever in finding ourselves with great pleasure tinged with bitterness.
February 24, 2023
丕賳卮睾賱 丕賱廿賳爻丕賳 丿賵賲丕 亘賲爻兀賱丞 丕賱禺賱賵丿 賵 丕賱賮賳丕亍. 兀賮夭毓賴 兀賳 賷賲賵鬲 賮噩兀丞 賱兀爻亘丕亘 賯丿 賱丕 賷毓賱賲賴丕. 卮睾賱賴 賲賵鬲 兀丨亘丕亘賴 賵 乇賮丕賯賴 賵 丨鬲賶 兀毓丿丕亍賴. 賵 賱兀賳 賰賵賳丿賷乇丕 賱丕 賷丿毓 兀賮賰丕乇賴 鬲賲乇 賲乇賵乇 丕賱賰乇丕賲 賮賯丿 兀乇丕丿 兀賳 賷丿賱賷 亘丿賱賵賴 賮賷 賴匕賴 丕賱賲爻兀賱丞 亘乇賵丕賷丞 睾賷乇 鬲賯賱賷丿賷丞 賰毓丕丿鬲賴.
賯亘賱 賲賲丕鬲賷 亘賮鬲乇丞 賯氐賷乇丞. 夭毓賲鬲 兀賳賳賷 兀賱賲爻 賮賷 賳賮爻賷 賯丿乇丞 廿亘丿丕毓賷丞 賰丕賳 賷亘丿賵 賱賷 夭賵丕賱賴丕 丕賱鬲丕賲 賲爻鬲丨賷賱丕. 賵 賰賳鬲 兀毓鬲賯丿 亘丕賱胤亘毓 兀賳賳賷 爻兀禺賱賮 氐賵乇丞 爻鬲賰賵賳 丕賲鬲丿丕丿丕 賱賷. 兀噩賱. 賰賳鬲 賲孬賱賰. 丨鬲賶 亘毓丿 賲賵鬲賷 賰丕賳 賲賳 丕賱賲鬲毓匕乇 毓賱賷賾 丕賱鬲爻賱賷賲 亘兀賳賳賷 賱賲 兀毓丿 賲賵噩賵丿丕. 廿賳賴 賱兀賲乇 睾乇賷亘. 廿賳 賰賵賳 丕賱廿賳爻丕賳 賮丕賳賺 賷毓丿 鬲噩乇亘丞 廿賳爻丕賳賷丞 兀爻丕爻賷丞. 賵 賲毓 匕賱賰 賱賲 賷賰賳 丕賱廿賳爻丕賳 賯丕丿乇丕 賯胤 毓賱賶 賯亘賵賱賴丕 賵 賮賴賲賴丕. 賵 丕賱鬲氐乇賮 亘賲賯鬲囟丕賴丕. 賱丕 賷毓乇賮 丕賱廿賳爻丕賳 賰賷賮 賷賰賵賳 賮丕賳賷丕. 賵 毓賳丿賲丕 賷賲賵鬲. 賱丕 賷毓乇賮 丨鬲賶 賰賷賮 賷賰賵賳 賲賷鬲丕.
廿賳賳丕 賳毓賷卮 噩賲賷毓丕. 賮賷 丨賷夭 賲丕 賲賳 兀賳賮爻賳丕 禺丕乇噩 丕賱夭賲賳. 賱毓賱賳丕 賱丕 賳毓賷 爻賳賳丕 廿賱丕 賮賷 亘毓囟 丕賱賱丨馗丕鬲 丕賱丕爻鬲孬賳丕卅賷丞. 賮賳丨賳 賰丕卅賳丕鬲 亘賱丕 爻賳 賮賷 賲毓馗賲 丕賱兀丨賷丕賳.賲賳 禺賱丕賱 乇賵丕賷丞 賲鬲毓丿丿丞 丕賱賲丨丕賵乇 賷胤乇丨 賰賵賳丿賷乇丕 賯囟賷丞 丕賱禺賱賵丿 亘卮禺氐賷丞 賵賴賲賷丞 丕亘鬲丿毓賴丕 賲賳 廿賷賲丕亍丞 睾賷乇 鬲賯賱賷丿賷丞 賱爻賷丿丞 乇丌賴丕 鬲禺乇噩 賲賳 亘乇賰丞 丕賱爻亘丕丨丞 賵 賲賳 孬賲 丕亘鬲丿毓 賱賴丕 夭賵噩 賵 兀禺鬲 賵 丕亘賳丞 賵 丨賷丕丞 賰丕賲賱丞.
鬲匕賰乇賻鬲 兀賳賴丕 賰丕賳鬲 賲賮鬲鬲賳丞 賮賷 胤賮賵賱鬲賴丕 亘賮賰乇丞 兀賳 丕賱乇亘 賷乇丕賯亘賴丕 亘丕爻鬲賲乇丕乇. 賵 賱毓賱賴丕 賰丕賳鬲 鬲賱賰 兀賵賱 賲乇丞 卮毓乇鬲 賮賷賴丕 亘賴匕賴 丕賱賱匕丞 丕賱睾乇賷亘丞 丕賱鬲賷 鬲爻丕賵乇 亘賳賷 丕賱亘卮乇 毓賳丿賲丕 賷賰賵賳賵賳 鬲丨鬲 丕賱兀賳馗丕乇. 毓賳丿賲丕 賷購賳馗乇 廿賱賷賴賲 乇睾賲丕 毓賳賴賲 賵 賴賲 賮賷 賱丨馗丕鬲賴賲 丕賱丨賲賷賲賷丞. 毓賳丿賲丕 賷賳鬲賴賰 丕賱賳馗乇 丨乇賲丕鬲賴賲. 賰丕賳鬲 兀賲賴丕 鬲賯賵賱 賱賴丕: 丕賱乇亘 賷乇丕賰. 丌賲賱丞 亘匕賱賰 兀賳 鬲賳夭毓 賲賳賴丕 毓丕丿丞 丕賱賰匕亘. 賱賰賳 丕賱毓賰爻 賴賵 丕賱匕賷 賰丕賳 賷丨氐賱. 賮賴賷 賱賲 鬲賰賳 鬲鬲禺賷賱 丕賱乇亘 鬲丨丿賷丿丕 廿賱丕 賮賷 賴匕賴 丕賱賱丨馗丕鬲 丕賱鬲賷 鬲賲丕乇爻 賮賷賴丕 毓丕丿丕鬲賴丕 丕賱爻賷卅丞 兀賵 賱丨馗丕鬲 禺夭賷賴丕.賵 賱兀賳 丕賱丨賯賷賯丞 賮賷 禺賷丕賱賳丕 賴賷 丕賳毓賰丕爻 賱賲丕 亘丿丕禺賱賳丕 賵 丕賱丨賯賷賯丞 賮賷 丕賱賵丕賯毓 賯丿 賱丕 鬲賰賵賳 賰匕賱賰. 賮廿賳 丕賱丌禺乇 賴賵 賲乇丌丞 賱賳丕. 賳乇賶 兀賳賮爻賳丕 賮賷 毓賷賵賳賴 賯亘賱 兀賳 賳乇丕賴丕 賮賷 丕賱賲乇丌丞.
鬲禺賷賱 賱賵 兀賳賰 鬲毓賷卮 賮賷 毓丕賱賲 賱賷爻 亘賴 賲乇丌丞. 爻鬲丨賱賲 亘賵噩賴賰. 賵 爻鬲鬲禺賷賱賴 賰丕賳毓賰丕爻 賱賲丕 賷賵噩丿 亘丿丕禺賱賰. 孬賲 鬲禺賷賱 兀賳 兀丨丿丕 賲丿 賱賰 賲乇丌丞 賵 兀賳鬲 賮賷 丕賱兀乇亘毓賷賳 賲賳 毓賲乇賰. 鬲禺賷賱 丕賱乇毓亘 丕賱匕賷 爻賷氐賷亘賰. 爻鬲乇賶 賵噩賴丕 睾乇賷亘丕 毓賳賰 鬲賲丕賲丕. 爻鬲賮賴賲 亘賵囟賵丨 賲丕 乇賮囟鬲 丕賱鬲爻賱賷賲 亘賴: 賱賷爻 賵噩賴賰 賴賵 兀賳鬲.丨鬲賶 賮賷 毓氐乇 丕賱賰丕賲賷乇丕 丕賱鬲賷 鬲乇丕賯亘賳丕 賮賷 賰賱 賲锟斤拷丕賳 賱賲 賷鬲睾賷乇 卮賷亍 賮兀賳丕賳丕 賰丕賳鬲 鬲卮毓乇 亘丕賱賮毓賱 亘賰丕賲賷乇丕鬲 禺賮賷丞 賲爻賱胤丞 毓賱賷賴丕 賲賳 賰賱 賲賰丕賳.
賴賱 鬲睾賷乇鬲 禺氐丕卅氐 丕賱禺賱賵丿 賮賷 毓氐乇 丕賱賰丕賲賷乇丕責 賱賲 鬲鬲睾賷乇 賮賷 丕賱毓賲賯. 賱兀賳 毓丿爻丞 丕賱賰丕賲賷乇丕 賰丕賳鬲 賲賵噩賵丿丞 賯亘賱 丕禺鬲乇丕毓賴丕 賰噩賵賴乇 賲噩乇丿. 賮賲賲丕 賱丕 卮賰 賮賷賴 兀賳 丕賱賳丕爻 賰丕賳賵丕 賷鬲氐乇賮賵賳 賰賲丕 賱賵 兀賳賴 賷噩乇賶 鬲氐賵賷乇賴賲 丿賵賳 兀賳 鬲賰賵賳 孬賲丞 毓賷賳 賰丕賲賷乇丕 賲爻丿丿丞 廿賱賷賴賲.廿匕丕 賮丕賱乇睾亘丞 賮賷 丕賱禺賱賵丿 兀爻丕爻賴丕 丕賱廿丨爻丕爻 丕賱賲鬲囟禺賲 亘丕賱兀賳丕 賵 賱賰賳 賷賳亘睾賷 兀賳 賷丿毓賲賴 丕賱鬲氐乇賮 丕賱賲鬲賮乇丿 丕賱匕賷 賷丿賮毓 亘賲夭賷丿 賲賳 丕賱賰丕賲賷乇丕鬲 丕賱賲爻賱胤丞 毓賱賶 賴匕賴 丕賱兀賳丕 賵 亘丕賱鬲丕賱賷 丕賱賲夭賷丿 賲賳 鬲囟禺賲 丕賱匕丕鬲.
賱丕 卮賷亍 兀賮賷丿 賲賳 兀賳 賷鬲亘賳賶 丕賱賲乇亍 爻賱賵賰丕 胤賮賵賱賷丕. 匕賱賰 兀賳 丕賱胤賮賱 丕賱匕賷 賱丕 賷夭丕賱 亘乇賷卅丕 賵 睾乇賷乇丕 賷丨賱 賱賴 兀賳 賷爻鬲亘賷丨 賲丕 賷卮丕亍. 賵 亘賲丕 兀賳賴 賱賲 賷丿禺賱 亘毓丿 丕賱毓丕賱賲 丕賱匕賷 鬲爻賷胤乇 賮賷賴 丕賱卮賰賱賷丕鬲 丕賱丕噩鬲賲丕毓賷丞. 賮賴賵 賱賷爻 賲噩亘乇丕 毓賱賶 丕賱丕賱鬲夭丕賲 亘賯賵丕毓丿 丕賱賱賷丕賯丞. 賵 賷丨賯 賱賴 兀賳 賷毓亘乇 毓賳 賲卮丕毓乇賴 丿賵賳 丨乇噩. 賴賰匕丕 賰丕賳 丕賱賳丕爻 丕賱匕賷賳 賷乇賮囟賵賳 丕賱賳馗乇 廿賱賷賴丕 賰胤賮賱丞 賷乇賵賳賴丕 亘賱賴丕亍 賵 睾賷乇 賲賴匕亘丞 賵 賲鬲氐賳毓丞 亘卮賰賱 賷爻鬲毓氐賷 毓賱丕噩賴. 亘丕賱賲賯丕亘賱 賷乇賶 賮賷賴丕 賲賳 賷毓鬲亘乇賵賳賴丕 胤賮賱丞 兀亘丿賷丞 賮鬲丕丞 賮丕鬲賳丞 亘毓賮賵賷鬲賴丕 丕賱胤亘賷毓賷丞.賵 賲賳 丕賱賲賮丕乇賯丕鬲 丕賱乇丕卅毓丞 賴賳丕 賮賷 丕賱乇賵丕賷丞 賵 賮賷 兀丿亘 賰賵賳丿賷乇丕 亘氐賮丞 毓丕賲丞 兀賳 丕賱亘胤賱 丿丕卅賲丕 丕賲乇兀丞 賲賴賲丕 鬲毓丿丿 丕賱兀亘胤丕賱 賵 賲賴賲丕 亘丿丕 賱賳丕 毓賰爻 匕賱賰. 賮丕賱賲乇兀丞 賴賷 氐丕丨亘丞 丕賱乇賵丨 丕賱賵孬丕亘丞 丕賱鬲賷 兀賳囟噩鬲賴丕 丕賱鬲噩乇亘丞 賵 睾爻賱賴丕 丕賱兀賱賲 賲賳匕 丕賱亘丿丕賷丞.
鬲賲囟賷 丕賱賲乇兀丞 賵賯鬲丕 兀賰亘乇 賮賷 丕賱丨丿賷孬 毓賳 賲卮丕睾賱賴丕 丕賱噩爻丿賷丞. 賵 賴賷 賱丕 鬲毓乇賮 丕賱賳爻賷丕賳 丕賱賱丕賲亘丕賱賷 亘丕賱噩爻丿. 賷亘丿兀 賴匕丕 賲毓 氐丿賲丞 丕賱賳夭賷賮 丕賱兀賵賱. 賷丨囟乇 丕賱噩爻丿 賮噩兀丞 賮鬲賳鬲氐亘 丕賱賲乇兀丞 兀賲丕賲賴 賲孬賱 賲賷賰丕賳賷賰賷 賲爻卅賵賱 毓賳 鬲卮睾賷賱 賲氐賳毓 氐睾賷乇 亘賲賮乇丿賴: 毓賱賷賴丕 兀賳 鬲囟毓 丕賱賮賵胤 賰賱 卮賴乇. 賵 兀賳 鬲亘鬲賱毓 兀賯乇丕氐丕. 賵 鬲爻賵賷 丨賲丕賱丞 氐丿乇賴丕. 賵 兀賳 鬲賰賵賳 賲爻鬲毓丿丞 賱賱廿賳鬲丕噩. 賵 賰賱賲丕 賮賯丿 丕賱噩爻丿 丕賱賳爻丕卅賷 賮丕卅丿鬲賴 兀氐亘丨 卮亘賷賴丕 亘賲氐賳毓 賲鬲丿丕毓. 賱賰賳 毓賱賶 乇賵丨 丕賱賲乇兀丞 兀賳 鬲馗賱 亘丕賱賯乇亘 賲賳賴 鬲丨乇爻賴 廿賱賶 丕賱賳賴丕賷丞.廿匕丕 賮噩賵鬲賴 賵 亘乇賳丕乇 賵 乇賵亘賳夭 賵 睾賷乇賴丕 賲賳 丕賱卮禺氐賷丕鬲 丕賱匕賰賵乇賷丞 亘賲丕 賮賷賴丕 賰賵賳丿賷乇丕 賳賮爻賴 丕賱匕賷 賱毓亘 丿賵乇丕 賮賷 丕賱兀丨丿丕孬 賴賵 賵 氐丿賷賯賴 丕賱賵賴賲賷 兀賮賷賳丕乇賷賵爻. 賰賱 賴丐賱丕亍 丕賱乇噩丕賱 廿賳 賴賲 廿賱丕 賱睾賵 丕賱丨丿賷孬 賵 丨卮賵 丕賱賰賱丕賲 賵 丕賱亘胤賵賱丞 丕賱賲胤賱賯丞 賴賷 賮賯胤 賱賭 亘賷鬲賷賳丕 賵 賱賵乇丕 賵 乇亘賲丕 賯賱賷賱丕 賱賭 兀賳賷賷爻.
賱賳爻賲 廿賷賲丕亍丞 亘賷鬲賷賳丕 賵 賱賵乇丕 廿賷賲丕亍丞 丕賱乇睾亘丞 賮賷 丕賱禺賱賵丿. 賮亘賷鬲賷賳丕 鬲乇賷丿 兀賳 鬲賯賵賱 亘胤賲賵丨賴丕 賱賱禺賱賵丿: 廿賳賳賷 兀乇賮囟 兀賳 兀鬲賱丕卮賶 賲毓 丕賱丨丕囟乇 賵 賴賲賵賲賴. 兀乇賷丿 兀賳 兀鬲噩丕賵夭 賳賮爻賷. 賵 兀賳 兀氐亘丨 噩夭亍丕 賲賳 丕賱鬲丕乇賷禺. 賱兀賳 丕賱鬲丕乇賷禺 毓賲賱丞 禺丕賱丿丞. 賵 乇睾賲 兀賳 賱賵乇丕 賱賲 鬲賰賳 鬲胤賲丨 廿賱丕 廿賱賶 丕賱禺賱賵丿 丕賱兀氐睾乇. 賮廿賳賴丕 賰丕賳鬲 鬲鬲賵賯 廿賱賶 丕賱卮賷亍 賳賮爻賴. 兀賳 鬲鬲噩丕賵夭 賳賮爻賴丕. 賵 鬲鬲噩丕賵夭 丕賱賱丨馗丞 丕賱爻毓賷丿丞 丕賱鬲賷 鬲噩鬲丕夭賴丕. 兀賳 鬲賯賵賲 亘卮賷亍 賱賰賷 鬲馗賱 賮賷 匕丕賰乇丞 賰賱 賲賳 毓乇賮賴丕.賵 賮賷 丕賱賳賴丕賷丞
賱丕 鬲賻毓乇賮 廿賷賲丕亍丞 丕賱乇睾亘丞 賮賷 丕賱禺賱賵丿 廿賱丕 賲毓賱賲賷賳 賲賲賷夭賷賳: 丕賱兀賳丕 賴丕 賴賳丕 賵 丕賱兀賮賯 丕賱亘毓賷丿 賴賳丕賰. 賵 賱丕 鬲毓乇賮 睾賷乇 賲賮賴賵賲賷賳: 丕賱賲胤賱賯 丕賱匕賷 賴賵 丕賱兀賳丕 賵 賲胤賱賯 丕賱毓丕賱賲. 賱丕 賷噩賲毓 卮賷亍 廿匕賳 亘賷賳 賴匕賴 丕賱廿賷賲丕亍丞 賵 丕賱丨亘. 亘賲丕 兀賳 丕賱兀禺乇 丕賱賯乇賷亘. 賵 賴賵 賰賱 廿賳爻丕賳 賲賵噩賵丿 亘賷賳 賴匕賷賳 丕賱丨丿賷賳 丕賱賲鬲胤乇賮賷賳 (丕賱毓丕賱賲 賵 丕賱兀賳丕). 賲賯氐賷 賲爻亘賯丕 賲賳 丕賱賱毓亘丞. 賲賴賲賱 賵 睾賷乇 賲乇卅賷.
賵 賳丨賳 賳毓賱賲 賲賳 賲孬丕賱 賲賷卮賰賷賳 賵 賳丕爻鬲丕夭賷丕 賮賱賷亘賵賮賳丕 賲賳 乇賵丕賷丞 丕賱兀亘賱賴 賱丿賵爻鬲賵賷賮爻賰賷 兀賳 丕賱乇賵丨 丨賷賳賲丕 鬲賰賵賳 鬲丨鬲 兀賳馗丕乇 賰孬賷賮丞. 賱丕 鬲賰賮 毓賳 丕賱賳賲賵 賵 丕賱鬲賵乇賲 賵 丕賱鬲囟禺賲. 賱賰賷 鬲胤賷乇 賮賷 丕賱賳賴丕賷丞 賳丨賵 丕賱兀毓丕賱賷. 賰賲賳胤丕丿 賲囟丕亍 毓賱賶 賳丨賵 亘丿賷毓.
廿賳 賲丕 賷丿賮毓 丕賱賳丕爻 廿賱賶 乇賮毓 兀賷丿賷賴賲. 賵 鬲賳丕賵賱 亘賳丿賯賷丞 賵 丕賱丕賳鬲氐丕乇 噩賲丕毓賷丕 賱賯囟丕賷丕 毓丕丿賱丞 兀賵 睾賷乇 毓丕丿賱丞. 賱賷爻 丕賱毓賯賱. 亘賱 丕賱乇賵丨 丕賱賲鬲囟禺賲丞. 廿賳賴丕 丕賱賵賯賵丿 丕賱匕賷 賱丕 賷賲賰賳 兀賳 賷丿賵乇 賲丨乇賰 丕賱鬲丕乇賷禺 亘丿賵賳賴. 賵 亘丿賵賳賴 兀賷囟丕 賰丕賳鬲 兀賵乇賵亘丕 爻鬲亘賯賶 賲爻鬲賱賯賷丞 毓賱賶 丕賱毓卮亘 鬲乇丕賯亘 亘賰爻賱 丕賱爻丨亘 丕賱乇丕賰囟丞 賮賷 丕賱爻賲丕亍.
廿賲丕 兀賳 鬲賰賵賳 丕賱賲乇兀丞 賲爻鬲賯亘賱 丕賱乇噩賱. 賵 廿賱丕 爻鬲賰賵賳 賳賴丕賷丞 丕賱亘卮乇賷丞. 賱兀賳 丕賱賲乇兀丞 賵丨丿賴丕. 賲賳 鬲爻鬲胤賷毓 丕賱鬲毓賱賯 亘兀賲賱 賱丕 賲亘乇乇 賱賴. 賵 兀賳 鬲丿毓賵賳丕 廿賱賶 賲爻鬲賯亘賱 睾賷乇 賲囟賲賵賳. 賰賳丕 爻賳鬲賵賯賮 毓賳 丕賱廿賷賲丕賳 亘賴 賲賳匕 夭賲賳 亘毓賷丿 賱賵賱丕 丕賱賳爻丕亍.
April 6, 2025
Books are like lovers. They all hold promise. The more generous of us give each one of them a try. But they are not all equal. Most take no more than our time before we say goodbye. Then, there are others. Just a few. They take our hearts and minds. Immortality is one.
It's not for those in a rush or those intent on destinations. It's more like a car journey on roads without signs with a driver who sometimes seems lost. Yet, you don't want the ride to ever end. Yes, once crossing Ireland, I felt like that. Let us die here! I thought and never said. And we went our two ways after.
Immortality is beautiful in parts and dry as the peat bogs on the moonscape called the Irish Burren. It's troubling and troubled as this author who shares his thoughts on life and death, desire and beauty. Difficult to read. But worth sticking with for its insights.
It's not for those in a rush or those intent on destinations. It's more like a car journey on roads without signs with a driver who sometimes seems lost. Yet, you don't want the ride to ever end. Yes, once crossing Ireland, I felt like that. Let us die here! I thought and never said. And we went our two ways after.
Immortality is beautiful in parts and dry as the peat bogs on the moonscape called the Irish Burren. It's troubling and troubled as this author who shares his thoughts on life and death, desire and beauty. Difficult to read. But worth sticking with for its insights.
February 28, 2015
讴賵賳丿乇丕 乇丕 亘賴 丕蹖賳 丿賱蹖賱 亘爻蹖丕乇 丿賵爻鬲 丿丕乇賲 讴賴 賲乇丕 丿乇 趩賴丕乇趩賵亘 亘爻鬲賴 蹖 蹖讴 乇賵丕蹖鬲 夭賳丿丕賳蹖 賳賲蹖 讴賳丿. 禺賵丕賳丿賳 讴賵賳丿乇丕 賲孬賱 丕蹖賳 丕爻鬲 讴賴 丿賵爻鬲蹖 乇丕 倬爻 丕夭 爻丕賱 賴丕 丿乇 蹖讴 讴丕賮賴 賲賱丕賯丕鬲 讴賳蹖丿 賵 丿乇 丨丕賱蹖 讴賴 亘賴 賯氐賴 蹖 乇賵夭诏丕乇 乇賮鬲賴 蹖 丕賵 诏賵卮 賲蹖 丿賴蹖丿貙 賯賴賵賴 鬲丕賳 乇丕 賲蹖 賳賵卮蹖丿貙 亘賴 賲賵爻蹖賯蹖 讴賴 丕夭 亘賱賳丿诏賵蹖 讴丕賮賴 倬禺卮 賲蹖 卮賵丿貙 诏賵卮 賲蹖 讴賳蹖丿貙 诏賴诏丕賴 賲鬲賵噩賴 蹖 氐丨亘鬲 賴丕 賵 禺賳丿賴 賴丕蹖蹖 丕夭 賲蹖夭賴丕蹖 讴賳丕乇蹖 賲蹖 卮賵蹖丿貙 氐丿丕蹖 毓亘賵乇 賵 賲乇賵乇 禺蹖丕亘丕賳 丿乇 倬爻 倬卮鬲 丕蹖賳 賴賲賴 噩丕乇蹖 爻鬲貙 丿賵乇賴 诏乇丿蹖 趩蹖夭蹖 賲蹖 賮乇賵卮丿貙 毓亘賵乇 鬲乇丕賲賵丕蹖貙 賵 賴賲賴 趩蹖夭貙 丿乇爻鬲 賲孬賱 禺賵丿 夭賳丿诏蹖貙 ...
I like Kundera because he doesn鈥檛 imprison me in a fastened frame of a classic narration. Reading Kundera seems as if you meet an old friend in a cafe shop after ages, and while she/he relates her / his life story, you zip your coffee, listen to the cafe music, hear some chats and laughs at neighbouring tables, look at the peddlers at side walk, or a passing tramvay, 鈥� as life is flowing around, 鈥�.
噩丕賵丿丕賳诏蹖 亘丕 鬲乇噩賲賴 蹖 丨卮賲鬲 丕賱賱賴 讴丕賲乇丕賳蹖 亘賴 賮丕乇爻蹖 賲賳鬲卮乇 卮丿賴貙趩丕倬 丿賵賲貙 1372
I like Kundera because he doesn鈥檛 imprison me in a fastened frame of a classic narration. Reading Kundera seems as if you meet an old friend in a cafe shop after ages, and while she/he relates her / his life story, you zip your coffee, listen to the cafe music, hear some chats and laughs at neighbouring tables, look at the peddlers at side walk, or a passing tramvay, 鈥� as life is flowing around, 鈥�.
噩丕賵丿丕賳诏蹖 亘丕 鬲乇噩賲賴 蹖 丨卮賲鬲 丕賱賱賴 讴丕賲乇丕賳蹖 亘賴 賮丕乇爻蹖 賲賳鬲卮乇 卮丿賴貙趩丕倬 丿賵賲貙 1372
Read
May 17, 2011I鈥檓 not going to give this book a 鈥渟tar鈥� rating because can鈥檛 decide on one. There were parts of the novel that I found fascinating, parts that were completely confusing, and parts that were downright irrelevant. The beginning of the novel is very engaging. It sucks the reader right in. I was immediately interested in Kundera鈥檚 philosophy. Case in point: 鈥淭here is a certain part of all of us that lives outside of time. Perhaps we become aware of our age only at exceptional moments and most of the time we are ageless.鈥� I also loved when he proposed the idea about a married couple being asked at the time of death whether they want to spend eternity together or never see each other again. Why didn鈥檛 he expound upon this? I think he let too many good ideas drop off.
Unfortunately, as Kudera begins fucking with the time-line, it gets really convoluted and spits the reader right back out. I get what he鈥檚 going for, problem is, it gets a little clumsy. The language is still beautiful, and there are some special moments: 鈥淚 can savor drowsing and waking, that marvelous swinging between wakefulness and sleep which in itself is enough to keep us from regretting our birth.鈥�
I loved his observations about classical artists portrayal of expressions in paintings and sculptures. 鈥淎 face is beautiful because it reveals the presence of thought whereas the moment of laughter man does not think.鈥�
In the end, I thought it started really strong, got bogged down in the middle and ended on a high note.
Unfortunately, as Kudera begins fucking with the time-line, it gets really convoluted and spits the reader right back out. I get what he鈥檚 going for, problem is, it gets a little clumsy. The language is still beautiful, and there are some special moments: 鈥淚 can savor drowsing and waking, that marvelous swinging between wakefulness and sleep which in itself is enough to keep us from regretting our birth.鈥�
I loved his observations about classical artists portrayal of expressions in paintings and sculptures. 鈥淎 face is beautiful because it reveals the presence of thought whereas the moment of laughter man does not think.鈥�
In the end, I thought it started really strong, got bogged down in the middle and ended on a high note.
February 27, 2025
Here are the dates that chart my reading trip with this book:
My worn copy of its Greek translation came out in 1991, and 1994 was the year written by my own hand on its opening page, indicating the time I first read it. A few days ago, 2025 was added underneath; this was my second foray into the work of a favorite writer.
I am now roughly the same age as Milan Kundera鈥檚 when he wrote it in 1988. In my late 50s, his reflections on life, death and the marks we leave behind in the (vast or tiny) landscape of our immortality, strike a chord I very much doubt they had stricken in my late 20s.
Not that he hadn鈥檛 made a strong impression; my fascination had already been ignited by his 鈥淯nbearable Lightness of Being鈥� a few years earlier. His style (the 'fictional essay') came as a breath of fresh air in an otherwise stale literary landsape. It had struck me as a bolt of lightning and had proposed a new way to look at things. His approach was almost sacrilegious in the suggestion of a less 鈥榠mportant鈥� life from the one I had been taught to aspire to by every person, institution and ideology that until then had been shaping my private and public persona. That book taught me that, for most of us, life鈥檚 mundane drama is precisely its lack of it.
This is how Wikipedia perfectly describes Kundera鈥檚 writing style and philosophy:...(he) conceived his fiction with regard to the overall body of his work, rather than limiting his ideas to the scope of one novel at a time, his themes and meta-themes traversing his entire oeuvre. Each new book manifests the latest stage of his personal philosophy. Some of his meta-themes include exile, identity, life beyond the border (beyond love, beyond art, beyond seriousness), and history as a continual return.
Even though I didn鈥檛 know I was reading metafiction back then, I knew that his characters, his stories and his quotations deeply resonated. His quotations: Kundera must have been one of the most quotable authors who ever existed. In fact, his characters and plots may have served only as pretexts for his aphorisms. As a younger reader I found his style irresistible. As an older one, I find his condensed wisdom equally alluring and鈥seful, if only because I can鈥檛 resist comparing my own 鈥渓atest stage of personal philosophy鈥� to his.
But even without that comparison, his insight,irony, and imaginativeness made this read as satisfying as it was 30 years ago. It is comforting to know that those who once inspired us are standing the test of time.
My worn copy of its Greek translation came out in 1991, and 1994 was the year written by my own hand on its opening page, indicating the time I first read it. A few days ago, 2025 was added underneath; this was my second foray into the work of a favorite writer.
I am now roughly the same age as Milan Kundera鈥檚 when he wrote it in 1988. In my late 50s, his reflections on life, death and the marks we leave behind in the (vast or tiny) landscape of our immortality, strike a chord I very much doubt they had stricken in my late 20s.
Not that he hadn鈥檛 made a strong impression; my fascination had already been ignited by his 鈥淯nbearable Lightness of Being鈥� a few years earlier. His style (the 'fictional essay') came as a breath of fresh air in an otherwise stale literary landsape. It had struck me as a bolt of lightning and had proposed a new way to look at things. His approach was almost sacrilegious in the suggestion of a less 鈥榠mportant鈥� life from the one I had been taught to aspire to by every person, institution and ideology that until then had been shaping my private and public persona. That book taught me that, for most of us, life鈥檚 mundane drama is precisely its lack of it.
This is how Wikipedia perfectly describes Kundera鈥檚 writing style and philosophy:...(he) conceived his fiction with regard to the overall body of his work, rather than limiting his ideas to the scope of one novel at a time, his themes and meta-themes traversing his entire oeuvre. Each new book manifests the latest stage of his personal philosophy. Some of his meta-themes include exile, identity, life beyond the border (beyond love, beyond art, beyond seriousness), and history as a continual return.
Even though I didn鈥檛 know I was reading metafiction back then, I knew that his characters, his stories and his quotations deeply resonated. His quotations: Kundera must have been one of the most quotable authors who ever existed. In fact, his characters and plots may have served only as pretexts for his aphorisms. As a younger reader I found his style irresistible. As an older one, I find his condensed wisdom equally alluring and鈥seful, if only because I can鈥檛 resist comparing my own 鈥渓atest stage of personal philosophy鈥� to his.
But even without that comparison, his insight,irony, and imaginativeness made this read as satisfying as it was 30 years ago. It is comforting to know that those who once inspired us are standing the test of time.
August 8, 2023
賴乇 讴鬲丕亘蹖 丕夭 讴賵賳丿乇丕 亘禺賵賳賲 丕蹖賳賵 賲蹖賳賵蹖爻賲 讴賴 賮賯胤 賲蹖賱丕賳 讴賵賳丿乇丕 賲蹖鈥屫堎嗁� 蹖賴 爻乇蹖 丕賮乇丕丿 亘蹖 乇亘胤 乇賵 丿乇 丕鬲賮丕賯丕鬲蹖 亘賴 賳馗乇 亘蹖 乇亘胤 讴賳丕乇 賴賲 乇丿蹖賮 讴賳賴 賵 賱丕亘賴鈥屬勜й� 丕賵賳 賳馗乇丕鬲 禺賵丿卮 乇丕噩毓 亘賴 禺蹖賱蹖 趩蹖夭賴丕 賲孬賱 丕夭丿賵丕噩貙 乇丕亘胤賴貙 丕賳爻丕賳貙 賲蹖賱 亘賴 噩丕賵丿丕賳诏蹖 賵 ... 乇賵 亘蹖丕賳 讴賳賴 賵 賲丕 亘卮蹖賳蹖賲 亘丕 丕卮鬲蹖丕賯 丕賵賳鈥屬囏� 乇賵 亘禺賵賳蹖賲 丕賲丕 亘毓丿 丕夭 倬丕蹖丕賳 賳鬲賵賳蹖賲 亘诏蹖賲 丿丕爻鬲丕賳 丕蹖賳 讴鬲丕亘 丿賯蹖賯丕 趩蹖 亘賵丿貙 趩乇丕責 趩賵賳 禺賵丿 讴賵賳丿乇丕 賲蹖诏賴: 芦丕氐賱 賲胤賱亘 丿乇 蹖讴 乇賲丕賳 賮賯胤 丕夭 胤乇蹖賯 賴賲丕賳 乇賲丕賳 賯丕亘賱 丕賳鬲賯丕賱 丕爻鬲貨 亘賳丕亘乇丕蹖賳 丕賯鬲亘丕爻 賴丕 賳賲蹖鈥屫堌з嗁嗀� 趩蹖夭蹖 亘賴 噩夭 丨賵丕卮蹖 乇丕 丕賳鬲賯丕賱 丿賴賳丿. 丕诏乇 賴賳賵夭 賴賲 讴爻蹖 倬蹖丿丕 賲蹖鈥屫促堌� 讴賴 亘禺賵丕賴丿 丕夭 賲賮丕賴蹖賲 乇賲丕賳 禺賵丿 賲丨丕賮馗鬲 讴賳丿 亘丕蹖丿 丌賳 乇丕 胤賵乇蹖 亘賳賵蹖爻丿 讴賴 賯丕亘賱 丕賯鬲亘丕爻 賳亘丕卮丿貨 亘賴 毓亘丕乇鬲 丿蹖诏乇 亘丕蹖丿 丌賳 乇丕 胤賵乇蹖 亘賳賵蹖爻丿 讴賴 賯丕亘賱 亘丕夭诏賵 讴乇丿賳 賳亘丕卮丿.禄 丕賲丕 丿乇 賲噩賲賵毓 丿丕爻鬲丕賳 亘丕 禺賵丿 讴賵賳丿乇丕 賵 丿蹖丿賳 蹖讴 丨乇讴鬲 丕夭 蹖讴 夭賳 卮乇賵毓 賲蹖卮賴貙 丕賵賳 夭賳 賲蹖卮賴 賳賯卮 丕氐賱蹖 丿丕爻鬲丕賳貙 丕诏賳爻貙 亘毓丿 倬丿乇貙 禺賵丕賴乇貙 賴賲爻乇 賵 丿禺鬲乇卮 賵丕乇丿 賲蹖卮賳 丕賲丕 丕蹖賳賴丕 鬲賳賴丕 丕賮乇丕丿 丨丕囟乇 賳蹖爻鬲賳丿 賵 丕賮乇丕丿 丿蹖诏賴鈥屫й� 丕夭 噩賲賱賴 诏賵鬲賴 賴賲 賳賯卮蹖 亘丕夭蹖 賲蹖讴賳賳丿貙 賵 丿乇 賳賴丕蹖鬲 乇賲丕賳 亘丕 禺賵丿 讴賵賳丿乇丕 丿乇 賲讴丕賳 卮乇賵毓 禺丕鬲賲賴 倬蹖丿丕 賲蹖鈥屭┵嗁�. 丕孬乇蹖 倬乇 丕夭 丨乇賮 賵 噩匕丕亘.賴
October 22, 2021
賲鬲丕爻賮丕賳賴 讴鬲丕亘 倬乇 丕夭 睾賱胤鈥屬囏й� 丕賲賱丕蹖蹖 賵 賳诏丕乇卮蹖 亘賵丿 賵 氐丨丕賮蹖 賵 讴丕睾匕 賴賲 丕賮鬲囟丕丨 亘賵丿賳丿.
亘賴 賯賵賱 賲鬲乇噩賲 丕蹖賳 讴鬲丕亘 禺蹖賱蹖 亘賴 讴鬲丕亘 "亘丕乇 賴爻鬲蹖" 賳夭丿蹖讴 丕爻鬲 賵 丕诏乇 丌賳 乇丕 丿賵爻鬲 丿丕卮鬲蹖丿 丨鬲賲丕 丕蹖賳 蹖讴 乇丕 賴賲 亘禺賵丕賳蹖丿.
丿乇 賵噩賵丿 賴賲賴 賲丕 亘禺卮蹖 賴爻鬲 讴賴 禺丕乇噩 丕夭 夭賲丕賳 亘賴 夭賳丿诏蹖 禺賵丿 丕丿丕賲賴 賲蹖鈥屫囏�. 卮丕蹖丿 鬲賳賴丕 丿乇 賲賵丕賯毓 禺丕氐蹖 丕爻鬲 讴賴 丕夭 爻賳 禺賵丿 丌诏丕賴 賲蹖鈥屫促堐屬� 賵 亘蹖卮鬲乇 丕賵賯丕鬲 亘丿賵賳 爻賳 賴爻鬲蹖賲. 氐 4 讴鬲丕亘
賳賮乇鬲 亘丕 诏乇賴 夭丿賳 卮丿蹖丿 賲丕 亘賴 丿卮賲賳鈥屬呚з� 賲丕 乇丕 亘賴 丿丕賲 賲蹖鈥屫з嗀ж藏�. 氐 31 讴鬲丕亘
卮丕蹖丿 賲乇诏 亘丕蹖丿 賵噩賵丿 丿丕卮鬲賴 亘丕卮丿. 丕賲丕 乇丕賴 丿蹖诏乇蹖 亘乇丕蹖 鬲乇鬲蹖亘 丕賲賵乇 賳亘賵丿責 丌蹖丕 賵丕賯毓丕 賱丕夭賲 亘賵丿 讴賴 卮禺氐 亘丿賳蹖 乇丕 倬卮鬲 爻乇 禺賵丿 乇賴丕 讴賳丿貙 亘丿賳蹖 讴賴 亘丕蹖丿 丌賳 乇丕 丿乇 夭賲蹖賳 丿賮賳 讴乇丿 賵 蹖丕 丿乇賵賳 丌鬲卮 丕賳丿丕禺鬲責 丕蹖賳賴丕 賴賲賴 禺蹖賱蹖 賵丨卮鬲賳丕讴 丕爻鬲! 氐 53 讴鬲丕亘
乇賵夭賳丕賲賴 賳诏丕乇 賮賯胤 讴爻蹖 賳蹖爻鬲 讴賴 爻賵丕賱 賲蹖鈥屭┵嗀� 亘賱讴賴 讴爻蹖 丕爻鬲 讴賴 丿丕乇丕蹖 丨賯 賲賯丿爻蹖 丕爻鬲 亘乇丕蹖 倬乇爻蹖丿賳貙 賵 丕夭 賴乇 讴爻 賴乇 趩賴 乇丕 亘禺賵丕賴丿 賲蹖鈥屫堌з嗀� 亘倬乇爻丿. 丕賲丕 丌蹖丕 賴賲賴鈥屰� 賲丕 丕蹖賳 丨賯 乇丕 賳丿丕乇蹖賲責 賵 丌蹖丕 蹖讴 爻賵丕賱 蹖讴 倬賱 鬲賮丕賴賲 賳蹖爻鬲 讴賴 丕夭 蹖讴 賲賵噩賵丿 亘卮乇蹖 亘賴 爻賵蹖 賲賵噩賵丿 亘卮乇蹖 丿蹖诏乇 讴卮蹖丿賴 賲蹖鈥屫促堌� 卮丕蹖丿. 賲賳 诏賮鬲賴鈥屫з� 乇丕 丿賯蹖賯鈥屫� 亘蹖丕賳 賲蹖鈥屭┵嗁�: 賯丿乇鬲 乇賵夭賳丕賲賴 賳诏丕乇 亘乇 丨賯 倬乇爻蹖丿賳 丕爻鬲賵丕乇 賳蹖爻鬲貙 亘賱讴賴 亘乇 丨賯 倬丕爻禺 禺賵丕爻鬲賳 丕爻鬲賵丕乇 丕爻鬲. 氐 145 讴鬲丕亘
賲賳 鬲乇噩蹖丨 賲蹖鈥屫囐� 丕夭 氐丿丕蹖 禺賳丿賴鈥屰� 讴賵丿讴丕賳賴 亘賲蹖乇賲 鬲丕 丕夭 氐丿丕蹖 賲丕乇卮 毓夭丕蹖 卮賵倬賳. 賵 丕蹖賳 乇丕 賴賲 亘賴 卮賲丕 亘诏賵蹖賲: 賴賲賴鈥屰� 卮乇賴丕蹖 毓丕賱賲 丿乇 丌賳 賲丕乇卮 毓夭丕 丕爻鬲 讴賴 鬲噩賱蹖賱 賲乇诏 丕爻鬲. 丕诏乇 賲丕乇卮鈥屬囏й� 毓夭丕蹖 讴賲鬲乇蹖 賵噩賵丿 丿丕卮鬲貙 卮丕蹖丿 賲乇诏鈥屬囏й� 讴賲鬲乇蹖 賴賲 賵噩賵丿 賲蹖鈥屫ж簇�. 丿乇蹖丕亘 讴賴 賲蹖鈥屫堌з囐� 趩賴 亘诏賵蹖賲: 丕丨鬲乇丕賲 亘賴 賲氐蹖亘鬲 丕夭 亘蹖鈥屬佢┴臂� 倬乇诏賵蹖蹖 讴賵丿讴丕賳賴 亘爻蹖丕乇 禺胤乇賳丕讴鈥屫� 丕爻鬲. 丌蹖丕 賲蹖鈥屫з嗃� 倬蹖卮 卮乇胤 賴賲蹖卮诏蹖 賲氐蹖亘鬲 趩蹖爻鬲責 賵噩賵丿 丌乇賲丕賳鈥屬囏й屰� 讴賴 丌賳賴丕 乇丕 诏乇丕賲蹖鈥屫� 丕夭 夭賳丿诏蹖 亘卮乇 賲蹖鈥屫з嗁嗀�. 賵 倬蹖卮 卮乇胤 噩賳诏 趩蹖爻鬲責 賴賲丕賳 賲胤賱亘. 氐 160 讴鬲丕亘
卮賴乇鬲 亘賴 賴乇 趩蹖夭蹖 讴賴 亘乇丕蹖 賲丕 丕鬲賮丕賯 賲蹖鈥屫з佖� 倬跇賵丕讴蹖 氐丿 亘丕乇賴 賲蹖鈥屫囏�. 賵 乇丕賴 乇賮鬲賳 丿乇 噩賴丕賳 亘丕 蹖讴 倬跇賵丕讴 賳丕乇丕丨鬲 讴賳賳丿賴 丕爻鬲. 氐 189 讴鬲丕亘
賲賵爻蹖賯蹖: 蹖讴 鬲賱賲亘賴 亘乇丕蹖 丕賳亘爻丕胤 乇賵丨. 丕乇賵丕丨 賲賳亘爻胤 讴賴 亘賴 氐賵乇鬲 亘丕賱賳鈥屬囏й� 亘夭乇诏 丿乇丌賲丿賴鈥屫з嗀� 亘賴 爻賯賮 爻丕賱賳 讴賳爻乇鬲 亘丕賱丕 賲蹖鈥屫辟堎嗀� 賵 丿乇 丕夭丿丨丕賲蹖 毓噩蹖亘 亘賴 賴賲丿蹖诏乇 鬲賳賴 賲蹖鈥屫操嗁嗀�. 氐 268 讴鬲丕亘
丌賳趩賴 賲乇丿賲 乇丕 賵丕 賲蹖鈥屫ж必� 鬲丕 賲卮鬲鈥屫簇з� 乇丕 亘賴 丌爻賲丕賳 亘乇丕賮乇丕夭賳丿貙 鬲賮賳诏 丿乇 丿爻鬲鈥屫簇з� 亘诏蹖乇賳丿 賵 丌賳丕賳 乇丕 賵丕 賲蹖鈥屫ж必� 鬲丕 亘乇丕蹖 丌乇賲丕賳鈥屬囏й� 毓丿丕賱鬲鈥屫堌з囏з嗁� 賵 睾蹖乇 毓丕丿賱丕賳賴 賲亘丕乇夭賴 讴賳賳丿 禺乇丿 賳蹖爻鬲貙 亘賱讴賴 蹖讴 乇賵丨 亘夭乇诏 卮丿賴 丕爻鬲. 氐 277 讴鬲丕亘
毓氐乇 讴賳賵賳蹖 亘乇 乇賵蹖 賴乇 趩蹖夭蹖 讴賴 鬲丕 亘賴 丨丕賱 賳賵卮鬲賴 卮丿賴 趩賳诏 賲蹖鈥屫з嗀ж藏� 鬲丕 丌賳賴丕 乇丕 亘賴 賮蹖賱賲 賵 亘乇賳丕賲賴鈥屬囏й� 鬲賱賵蹖夭蹖賵賳蹖 賵 蹖丕 讴丕乇鬲賵賳 鬲亘丿蹖賱 讴賳丿. 丿乇 蹖讴 乇賲丕賳 丌賳趩賴 讴賴 匕丕鬲蹖 丌賳 丕爻鬲貙 丿賯蹖賯丕 賴賲丕賳 趩蹖夭蹖 丕爻鬲 讴賴 賮賯胤 丿乇 蹖讴 乇賲丕賳 亘蹖丕賳 賲蹖鈥屫促堌� 賵 亘賳丕亘乇丕蹖賳 賴乇 賳賵毓 丕賯鬲亘丕爻貙 丨丕賵蹖 趩蹖夭賴丕蹖 睾蹖乇 匕丕鬲蹖 丌賳 丕爻鬲. 丕诏乇 卮禺氐蹖 賴賳賵夭 丌賳賯丿乇 丿蹖賵丕賳賴 亘丕卮丿 讴賴 丕蹖賳 乇賵夭賴丕 亘禺賵丕賴丿 丿丕爻鬲丕賳 亘賳賵蹖爻丿 賵 亘禺賵丕賴丿 丌賳賴丕 乇丕 丿乇 丕賲丕賳 賳诏賴 丿丕乇丿貙 亘丕蹖丿 乇賲丕賳鈥屬囏й屫� 乇丕 胤賵乇蹖 亘賳賵蹖爻丿 讴賴 賳鬲賵丕賳 丕夭 丌賳賴丕 丕賯鬲亘丕爻 讴乇丿貙 亘賴 亘蹖丕賳 丿蹖诏乇 亘丕蹖丿 亘賴 卮讴賱蹖 賳賵卮鬲 讴賴 賳鬲賵丕賳 丌賳賴丕 乇丕 亘丕夭诏賵 讴乇丿. 氐 312 讴鬲丕亘
賵賯鬲蹖 鬲賵 丕蹖賳 賲乇睾丕亘蹖 毓丕賱蹖 乇丕 賲蹖鈥屫堌臂屫� 丌蹖丕 丿趩丕乇 賲賱丕賱 賲蹖鈥屫促堐屫� 丌蹖丕 鬲賵 亘丕 卮鬲丕亘 亘賴 爻賵蹖 賴丿賮蹖 賲蹖鈥屫辟堐屫� 亘乇毓讴爻 賲蹖 禺賵丕賴蹖 讴賴 丕蹖賳 賲乇睾丕亘蹖 賴乇 趩賴 丌乇丕賲鈥屫� 賵丕乇丿 亘丿賳鬲 亘卮賵丿 賵 賲夭賴鈥屫ж� 賴蹖趩 賵賯鬲 亘賴 倬丕蹖丕賳 賳乇爻丿. 乇賲丕賳 賳亘丕蹖丿 卮亘蹖賴 賲爻丕亘賯賴 丿賵趩乇禺賴 爻賵丕乇蹖 亘卮賵丿 亘賱讴賴 亘丕蹖丿 賲孬賱 囟蹖丕賮鬲蹖 亘丕卮丿 亘丕 睾匕丕賴丕蹖 亘爻蹖丕乇. 氐 313 讴鬲丕亘
丕诏乇 賲丕 賳鬲賵丕賳蹖賲 丕賴賲蹖鬲 噩賴丕賳貙 噩賴丕賳蹖 讴賴 禺賵丿 乇丕 賲賴賲 賲蹖鈥屫з嗀� 亘倬匕蹖乇蹖賲貙 丕诏乇 丿乇 賲蹖丕賳 丕蹖賳 噩賴丕賳 禺賳丿賴鈥屰� 賲丕 倬跇賵丕讴 賳丿丕卮鬲賴 亘丕卮丿貙 賮賯胤 蹖讴 丕賳鬲禺丕亘 丿乇 倬蹖卮 乇賵 丿丕乇蹖賲: 賯亘賵賱 讴乇丿賳 噩賴丕賳 亘賴 胤賵乇 讴賱蹖 賵 丌賳 乇丕 亘賴 氐賵乇鬲 賲賵囟賵毓 亘丕夭蹖 禺賵丿 丿乇丌賵乇丿賳貨 丌賳 乇丕 亘賴 卮讴賱 蹖讴 丕爻亘丕亘 亘丕夭蹖 丿乇 丌賵乇丿賳. 氐 452 讴鬲丕亘
亘賴 賯賵賱 賲鬲乇噩賲 丕蹖賳 讴鬲丕亘 禺蹖賱蹖 亘賴 讴鬲丕亘 "亘丕乇 賴爻鬲蹖" 賳夭丿蹖讴 丕爻鬲 賵 丕诏乇 丌賳 乇丕 丿賵爻鬲 丿丕卮鬲蹖丿 丨鬲賲丕 丕蹖賳 蹖讴 乇丕 賴賲 亘禺賵丕賳蹖丿.
丿乇 賵噩賵丿 賴賲賴 賲丕 亘禺卮蹖 賴爻鬲 讴賴 禺丕乇噩 丕夭 夭賲丕賳 亘賴 夭賳丿诏蹖 禺賵丿 丕丿丕賲賴 賲蹖鈥屫囏�. 卮丕蹖丿 鬲賳賴丕 丿乇 賲賵丕賯毓 禺丕氐蹖 丕爻鬲 讴賴 丕夭 爻賳 禺賵丿 丌诏丕賴 賲蹖鈥屫促堐屬� 賵 亘蹖卮鬲乇 丕賵賯丕鬲 亘丿賵賳 爻賳 賴爻鬲蹖賲. 氐 4 讴鬲丕亘
賳賮乇鬲 亘丕 诏乇賴 夭丿賳 卮丿蹖丿 賲丕 亘賴 丿卮賲賳鈥屬呚з� 賲丕 乇丕 亘賴 丿丕賲 賲蹖鈥屫з嗀ж藏�. 氐 31 讴鬲丕亘
卮丕蹖丿 賲乇诏 亘丕蹖丿 賵噩賵丿 丿丕卮鬲賴 亘丕卮丿. 丕賲丕 乇丕賴 丿蹖诏乇蹖 亘乇丕蹖 鬲乇鬲蹖亘 丕賲賵乇 賳亘賵丿責 丌蹖丕 賵丕賯毓丕 賱丕夭賲 亘賵丿 讴賴 卮禺氐 亘丿賳蹖 乇丕 倬卮鬲 爻乇 禺賵丿 乇賴丕 讴賳丿貙 亘丿賳蹖 讴賴 亘丕蹖丿 丌賳 乇丕 丿乇 夭賲蹖賳 丿賮賳 讴乇丿 賵 蹖丕 丿乇賵賳 丌鬲卮 丕賳丿丕禺鬲責 丕蹖賳賴丕 賴賲賴 禺蹖賱蹖 賵丨卮鬲賳丕讴 丕爻鬲! 氐 53 讴鬲丕亘
乇賵夭賳丕賲賴 賳诏丕乇 賮賯胤 讴爻蹖 賳蹖爻鬲 讴賴 爻賵丕賱 賲蹖鈥屭┵嗀� 亘賱讴賴 讴爻蹖 丕爻鬲 讴賴 丿丕乇丕蹖 丨賯 賲賯丿爻蹖 丕爻鬲 亘乇丕蹖 倬乇爻蹖丿賳貙 賵 丕夭 賴乇 讴爻 賴乇 趩賴 乇丕 亘禺賵丕賴丿 賲蹖鈥屫堌з嗀� 亘倬乇爻丿. 丕賲丕 丌蹖丕 賴賲賴鈥屰� 賲丕 丕蹖賳 丨賯 乇丕 賳丿丕乇蹖賲責 賵 丌蹖丕 蹖讴 爻賵丕賱 蹖讴 倬賱 鬲賮丕賴賲 賳蹖爻鬲 讴賴 丕夭 蹖讴 賲賵噩賵丿 亘卮乇蹖 亘賴 爻賵蹖 賲賵噩賵丿 亘卮乇蹖 丿蹖诏乇 讴卮蹖丿賴 賲蹖鈥屫促堌� 卮丕蹖丿. 賲賳 诏賮鬲賴鈥屫з� 乇丕 丿賯蹖賯鈥屫� 亘蹖丕賳 賲蹖鈥屭┵嗁�: 賯丿乇鬲 乇賵夭賳丕賲賴 賳诏丕乇 亘乇 丨賯 倬乇爻蹖丿賳 丕爻鬲賵丕乇 賳蹖爻鬲貙 亘賱讴賴 亘乇 丨賯 倬丕爻禺 禺賵丕爻鬲賳 丕爻鬲賵丕乇 丕爻鬲. 氐 145 讴鬲丕亘
賲賳 鬲乇噩蹖丨 賲蹖鈥屫囐� 丕夭 氐丿丕蹖 禺賳丿賴鈥屰� 讴賵丿讴丕賳賴 亘賲蹖乇賲 鬲丕 丕夭 氐丿丕蹖 賲丕乇卮 毓夭丕蹖 卮賵倬賳. 賵 丕蹖賳 乇丕 賴賲 亘賴 卮賲丕 亘诏賵蹖賲: 賴賲賴鈥屰� 卮乇賴丕蹖 毓丕賱賲 丿乇 丌賳 賲丕乇卮 毓夭丕 丕爻鬲 讴賴 鬲噩賱蹖賱 賲乇诏 丕爻鬲. 丕诏乇 賲丕乇卮鈥屬囏й� 毓夭丕蹖 讴賲鬲乇蹖 賵噩賵丿 丿丕卮鬲貙 卮丕蹖丿 賲乇诏鈥屬囏й� 讴賲鬲乇蹖 賴賲 賵噩賵丿 賲蹖鈥屫ж簇�. 丿乇蹖丕亘 讴賴 賲蹖鈥屫堌з囐� 趩賴 亘诏賵蹖賲: 丕丨鬲乇丕賲 亘賴 賲氐蹖亘鬲 丕夭 亘蹖鈥屬佢┴臂� 倬乇诏賵蹖蹖 讴賵丿讴丕賳賴 亘爻蹖丕乇 禺胤乇賳丕讴鈥屫� 丕爻鬲. 丌蹖丕 賲蹖鈥屫з嗃� 倬蹖卮 卮乇胤 賴賲蹖卮诏蹖 賲氐蹖亘鬲 趩蹖爻鬲責 賵噩賵丿 丌乇賲丕賳鈥屬囏й屰� 讴賴 丌賳賴丕 乇丕 诏乇丕賲蹖鈥屫� 丕夭 夭賳丿诏蹖 亘卮乇 賲蹖鈥屫з嗁嗀�. 賵 倬蹖卮 卮乇胤 噩賳诏 趩蹖爻鬲責 賴賲丕賳 賲胤賱亘. 氐 160 讴鬲丕亘
卮賴乇鬲 亘賴 賴乇 趩蹖夭蹖 讴賴 亘乇丕蹖 賲丕 丕鬲賮丕賯 賲蹖鈥屫з佖� 倬跇賵丕讴蹖 氐丿 亘丕乇賴 賲蹖鈥屫囏�. 賵 乇丕賴 乇賮鬲賳 丿乇 噩賴丕賳 亘丕 蹖讴 倬跇賵丕讴 賳丕乇丕丨鬲 讴賳賳丿賴 丕爻鬲. 氐 189 讴鬲丕亘
賲賵爻蹖賯蹖: 蹖讴 鬲賱賲亘賴 亘乇丕蹖 丕賳亘爻丕胤 乇賵丨. 丕乇賵丕丨 賲賳亘爻胤 讴賴 亘賴 氐賵乇鬲 亘丕賱賳鈥屬囏й� 亘夭乇诏 丿乇丌賲丿賴鈥屫з嗀� 亘賴 爻賯賮 爻丕賱賳 讴賳爻乇鬲 亘丕賱丕 賲蹖鈥屫辟堎嗀� 賵 丿乇 丕夭丿丨丕賲蹖 毓噩蹖亘 亘賴 賴賲丿蹖诏乇 鬲賳賴 賲蹖鈥屫操嗁嗀�. 氐 268 讴鬲丕亘
丌賳趩賴 賲乇丿賲 乇丕 賵丕 賲蹖鈥屫ж必� 鬲丕 賲卮鬲鈥屫簇з� 乇丕 亘賴 丌爻賲丕賳 亘乇丕賮乇丕夭賳丿貙 鬲賮賳诏 丿乇 丿爻鬲鈥屫簇з� 亘诏蹖乇賳丿 賵 丌賳丕賳 乇丕 賵丕 賲蹖鈥屫ж必� 鬲丕 亘乇丕蹖 丌乇賲丕賳鈥屬囏й� 毓丿丕賱鬲鈥屫堌з囏з嗁� 賵 睾蹖乇 毓丕丿賱丕賳賴 賲亘丕乇夭賴 讴賳賳丿 禺乇丿 賳蹖爻鬲貙 亘賱讴賴 蹖讴 乇賵丨 亘夭乇诏 卮丿賴 丕爻鬲. 氐 277 讴鬲丕亘
毓氐乇 讴賳賵賳蹖 亘乇 乇賵蹖 賴乇 趩蹖夭蹖 讴賴 鬲丕 亘賴 丨丕賱 賳賵卮鬲賴 卮丿賴 趩賳诏 賲蹖鈥屫з嗀ж藏� 鬲丕 丌賳賴丕 乇丕 亘賴 賮蹖賱賲 賵 亘乇賳丕賲賴鈥屬囏й� 鬲賱賵蹖夭蹖賵賳蹖 賵 蹖丕 讴丕乇鬲賵賳 鬲亘丿蹖賱 讴賳丿. 丿乇 蹖讴 乇賲丕賳 丌賳趩賴 讴賴 匕丕鬲蹖 丌賳 丕爻鬲貙 丿賯蹖賯丕 賴賲丕賳 趩蹖夭蹖 丕爻鬲 讴賴 賮賯胤 丿乇 蹖讴 乇賲丕賳 亘蹖丕賳 賲蹖鈥屫促堌� 賵 亘賳丕亘乇丕蹖賳 賴乇 賳賵毓 丕賯鬲亘丕爻貙 丨丕賵蹖 趩蹖夭賴丕蹖 睾蹖乇 匕丕鬲蹖 丌賳 丕爻鬲. 丕诏乇 卮禺氐蹖 賴賳賵夭 丌賳賯丿乇 丿蹖賵丕賳賴 亘丕卮丿 讴賴 丕蹖賳 乇賵夭賴丕 亘禺賵丕賴丿 丿丕爻鬲丕賳 亘賳賵蹖爻丿 賵 亘禺賵丕賴丿 丌賳賴丕 乇丕 丿乇 丕賲丕賳 賳诏賴 丿丕乇丿貙 亘丕蹖丿 乇賲丕賳鈥屬囏й屫� 乇丕 胤賵乇蹖 亘賳賵蹖爻丿 讴賴 賳鬲賵丕賳 丕夭 丌賳賴丕 丕賯鬲亘丕爻 讴乇丿貙 亘賴 亘蹖丕賳 丿蹖诏乇 亘丕蹖丿 亘賴 卮讴賱蹖 賳賵卮鬲 讴賴 賳鬲賵丕賳 丌賳賴丕 乇丕 亘丕夭诏賵 讴乇丿. 氐 312 讴鬲丕亘
賵賯鬲蹖 鬲賵 丕蹖賳 賲乇睾丕亘蹖 毓丕賱蹖 乇丕 賲蹖鈥屫堌臂屫� 丌蹖丕 丿趩丕乇 賲賱丕賱 賲蹖鈥屫促堐屫� 丌蹖丕 鬲賵 亘丕 卮鬲丕亘 亘賴 爻賵蹖 賴丿賮蹖 賲蹖鈥屫辟堐屫� 亘乇毓讴爻 賲蹖 禺賵丕賴蹖 讴賴 丕蹖賳 賲乇睾丕亘蹖 賴乇 趩賴 丌乇丕賲鈥屫� 賵丕乇丿 亘丿賳鬲 亘卮賵丿 賵 賲夭賴鈥屫ж� 賴蹖趩 賵賯鬲 亘賴 倬丕蹖丕賳 賳乇爻丿. 乇賲丕賳 賳亘丕蹖丿 卮亘蹖賴 賲爻丕亘賯賴 丿賵趩乇禺賴 爻賵丕乇蹖 亘卮賵丿 亘賱讴賴 亘丕蹖丿 賲孬賱 囟蹖丕賮鬲蹖 亘丕卮丿 亘丕 睾匕丕賴丕蹖 亘爻蹖丕乇. 氐 313 讴鬲丕亘
丕诏乇 賲丕 賳鬲賵丕賳蹖賲 丕賴賲蹖鬲 噩賴丕賳貙 噩賴丕賳蹖 讴賴 禺賵丿 乇丕 賲賴賲 賲蹖鈥屫з嗀� 亘倬匕蹖乇蹖賲貙 丕诏乇 丿乇 賲蹖丕賳 丕蹖賳 噩賴丕賳 禺賳丿賴鈥屰� 賲丕 倬跇賵丕讴 賳丿丕卮鬲賴 亘丕卮丿貙 賮賯胤 蹖讴 丕賳鬲禺丕亘 丿乇 倬蹖卮 乇賵 丿丕乇蹖賲: 賯亘賵賱 讴乇丿賳 噩賴丕賳 亘賴 胤賵乇 讴賱蹖 賵 丌賳 乇丕 亘賴 氐賵乇鬲 賲賵囟賵毓 亘丕夭蹖 禺賵丿 丿乇丌賵乇丿賳貨 丌賳 乇丕 亘賴 卮讴賱 蹖讴 丕爻亘丕亘 亘丕夭蹖 丿乇 丌賵乇丿賳. 氐 452 讴鬲丕亘
September 13, 2016
Playful ... moving ... didactic ... erotic ... misleading ... satisfying ...
A couple years ago I bought four of Kundera鈥檚 books at once 鈥� this one, The Joke, Ignorance, and of course The Unbearable Lightness of Being 鈥� never having read a word written by him.
Immortality is the first that I鈥檝e read.
I don鈥檛 know much about postmodernism in literature. I鈥檝e read some novels that are called postmodernist. But there are many more 鈥� Some readers rave about a certain type of postmodernist novel, one which present the reader with a dense thicket of cross-referencing passages, unreliable narrators, made up words 鈥� basically a thousand (or 10,000) piece jigsaw puzzle with no picture of what it鈥檚 supposed to look like. This is definitely not for me (I reiterate 鈥� if you read the spoiler). If I want to work hard, I鈥檒l do it in non-fiction reading, not a damn novel. Fiction is mostly for pleasure at my age.
Immortality has faint traces of this sort of postmodernism. But not enough to deter me. I found it a very interesting read, to say the least.
The first character we gradually discover is Agnes. Agnes is built from a gesture that the narrator sees an older woman make at a swimming pool.
To answer the second first, no, the narrator is in fact Milan Kundera, the author. Not fictional, so far as I know.
The first question requires a couple more pages of reading. Then,
So we鈥檙e off. This first section of the novel, 鈥淭he face鈥�, introduces the people surrounding Agnes 鈥� her mother and father, her husband Paul, her daughter Brigitte, her sister Laura.
These are the remaining sections of the novel
Two. Immortality. An essay about Goethe, his longing for immortality, and a bizarre relationship he had (and/or tried not to have) with Bettina 鈥� aka Bettina von Arnim. Fascinating.
Three. Fighting. The longest section of the novel, the story of the relationships between Agnes and the other characters, including newly introduced characters. The subparts have their own titles, such as The sisters; Dark glasses; Older woman, younger man; Imagology; A complete ass; To be a victim of one鈥檚 fame; Professor Avenarius; The gesture of longing for immortality.
Four. Homo sentimentalis. Back to Goethe, including (like other sections) many comments on, and conversations with, such as Rilke, Hemingway, Rimbaud, Aristotle, Stendahl, Schnitzler.
Five. Chance. Swinging back and forth between a conversation between the narrator and Prof. Avenarius, himself (wholly or in part) a character in the novel.
Six. The dial. A connected story about Rubens. Not the noted artist, but a contemporary man, once having had ambitions to be an artist, but instead consumed by a desire to explore the phases and ages of love. The connection to the rest of the novel is only slowly revealed. The 鈥渄ial鈥� variously described as the dial of a clock, then 鈥淓urope鈥檚 dial鈥�, ultimately the dial of life
Seven. The celebration. Short. A reunion. Professor Avenarius, the narrator, the other characters (as it were, in search of an author). The celebration 鈥�(perhaps a real 鈥� a longing for immortality, the unbearable longing to not be forgotten.
Playful ... moving ... didactic ... erotic ... misleading ... satisfying ...
Did I like it? Guess.
Milan Kundera, in 1980 (wiki)
A couple years ago I bought four of Kundera鈥檚 books at once 鈥� this one, The Joke, Ignorance, and of course The Unbearable Lightness of Being 鈥� never having read a word written by him.
Immortality is the first that I鈥檝e read.
I don鈥檛 know much about postmodernism in literature. I鈥檝e read some novels that are called postmodernist. But there are many more 鈥� Some readers rave about a certain type of postmodernist novel, one which present the reader with a dense thicket of cross-referencing passages, unreliable narrators, made up words 鈥� basically a thousand (or 10,000) piece jigsaw puzzle with no picture of what it鈥檚 supposed to look like. This is definitely not for me (I reiterate 鈥� if you read the spoiler). If I want to work hard, I鈥檒l do it in non-fiction reading, not a damn novel. Fiction is mostly for pleasure at my age.
Immortality has faint traces of this sort of postmodernism. But not enough to deter me. I found it a very interesting read, to say the least.
The first character we gradually discover is Agnes. Agnes is built from a gesture that the narrator sees an older woman make at a swimming pool.
At that instant I felt a pang in my heart! That smile and that gesture belonged to a twenty-year-old girl! Her arm rose with bewitching ease. It was as if she were playfully tossing a brightly colored ball to her lover. That smile and that gesture had charm and elegance, while the face and the body no longer had any charm. It was the charm of a gesture drowning in the charmlessness of the body ... I was strangely moved. And then the word Agnes entered my mind. Agnes. I had never known a woman by that name.But wait. Is this elderly woman, charmless, possibly named Agnes, really a character in the novel? And what about that first-person narrator? Is he not a character, in a sense?
To answer the second first, no, the narrator is in fact Milan Kundera, the author. Not fictional, so far as I know.
The first question requires a couple more pages of reading. Then,
When I wake up, at almost eight-thirty, I try to picture Agnes. She is lying, like me, in a wide bed. The right side of the bed is empty. Who could her husband be? Clearly, somebody who leaves the house early on Saturday mornings. That鈥檚 why she is alone, sweetly swinging between waking and sleeping.
Then she gets up. Facing her is a TV set, standing on one long, storklike leg. She throws her nightgown over the tube, like a white, tasseled theater curtain. She stands close to the bed, and for the first time I see her naked. Agnes, the heroine of my novel. I can鈥檛 take my eyes off this beautiful woman, and as if sensing my gaze she hurries off to the adjoining room to get dressed.
Who is Agnes? 鈥� Agnes sprang from the gesture of that sixty-year-old woman at the pool 鈥� whose features are already fading from my memory. At the time, that gesture aroused in me immense, inexplicable nostalgia, and this nostalgia gave birth to the woman I call Agnes.
So we鈥檙e off. This first section of the novel, 鈥淭he face鈥�, introduces the people surrounding Agnes 鈥� her mother and father, her husband Paul, her daughter Brigitte, her sister Laura.
These are the remaining sections of the novel
Two. Immortality. An essay about Goethe, his longing for immortality, and a bizarre relationship he had (and/or tried not to have) with Bettina 鈥� aka Bettina von Arnim. Fascinating.
Three. Fighting. The longest section of the novel, the story of the relationships between Agnes and the other characters, including newly introduced characters. The subparts have their own titles, such as The sisters; Dark glasses; Older woman, younger man; Imagology; A complete ass; To be a victim of one鈥檚 fame; Professor Avenarius; The gesture of longing for immortality.
Four. Homo sentimentalis. Back to Goethe, including (like other sections) many comments on, and conversations with, such as Rilke, Hemingway, Rimbaud, Aristotle, Stendahl, Schnitzler.
Five. Chance. Swinging back and forth between a conversation between the narrator and Prof. Avenarius, himself (wholly or in part) a character in the novel.
Six. The dial. A connected story about Rubens. Not the noted artist, but a contemporary man, once having had ambitions to be an artist, but instead consumed by a desire to explore the phases and ages of love. The connection to the rest of the novel is only slowly revealed. The 鈥渄ial鈥� variously described as the dial of a clock, then 鈥淓urope鈥檚 dial鈥�, ultimately the dial of life
Seven. The celebration. Short. A reunion. Professor Avenarius, the narrator, the other characters (as it were, in search of an author). The celebration 鈥�(perhaps a real 鈥� a longing for immortality, the unbearable longing to not be forgotten.
Playful ... moving ... didactic ... erotic ... misleading ... satisfying ...
Did I like it? Guess.
Milan Kundera, in 1980 (wiki)
December 7, 2020
賴噩丿賴 賳賵夭丿賴 爻丕賱賲 亘賵丿 讴賴 亘乇丕蹖 丕賵賱蹖賳 亘丕乇 丕夭 讴賵賳丿乇丕 禺賵賳丿賲. 亘丕乇 賴爻鬲蹖. 賮讴乇 讴賳賲 禺賵卮賲 丕賵賲丿 賵 丨丕賱 讴乇丿賲. 讴鬲丕亘鈥屬囏й� 丿蹖诏賴鈥屫� 乇賵 禺賵賳丿賲 賵 丿乇 毓蹖賳 丕蹖賳 讴賴 賱匕鬲 賲蹖鈥屫ㄘ必呚� 賳賲蹖鈥屬佡囐呟屫�. 丕夭 丕爻鬲丕賱蹖賳 丨乇賮 賲蹖鈥屫藏� 賵 丕賵賳 賲賵賯毓 趩蹖夭賴丕蹖 夭蹖丕丿蹖 丕夭 鬲丕乇蹖禺 噩賴丕賳 賳賲蹖鈥屫堎嗀池�. 鬲丕 丕蹖賳 讴賴 夭賲丕賳 亘蹖卮鬲乇 诏匕卮鬲 賵 亘丕夭 亘賴 讴鬲丕亘鈥屬囏ж� 乇噩賵毓 讴乇丿賲. 丕蹖賳 亘丕乇 亘賴鬲乇 賲蹖鈥屬佡囐呟屫�. 丕蹖賳 亘丕乇 亘蹖卮鬲乇 賲蹖鈥屫屫� 讴賴 趩賴 卮丕賴讴丕乇賴丕蹖蹖 禺賱賯 讴乇丿賴 丕蹖賳 丌賯丕蹖 讴賵賳丿乇丕.
倬爻 丕夭 賲丿鬲鈥屬囏� 丕賵賲丿賲 爻乇丕睾 噩丕賵丿丕賳诏蹖.
丿丕爻鬲丕賳 丕夭 噩丕蹖蹖 卮乇賵毓 賲蹖鈥屫促� 讴賴 蹖賴 倬蹖乇夭賳蹖 丿爻鬲卮賵 賲蹖鈥屫ㄘ辟� 亘丕賱丕 賵 亘乇丕蹖 蹖讴蹖 丿爻鬲 鬲讴賵賳 賲蹖鈥屫�. 乇丕賵蹖 丕蹖賳 丨乇讴鬲 乇賵 賲蹖鈥屫ㄛ屬嗁� 賵 卮乇賵毓 賲蹖鈥屭┵嗁� 亘賴 賮讴乇 讴乇丿賳 乇丕噩毓 亘賴 丨乇讴丕鬲貙 跇爻鬲鈥屬囏� 賵 丕賳爻丕賳鈥屬囏�. 亘丕乇賴丕 丿乇 讴鬲丕亘 丕蹖賳 噩賲賱賴 賳賯賱 賲蹖鈥屫促� 讴賴 丨乇讴丕鬲貙 丕蹖丿賴鈥屬囏� 讴賲鈥屫з嗀� 賵 丕賳爻丕賳鈥屬囏� 亘爻蹖丕乇. 丿丕乇賴 丕夭 丿丕蹖乇賴鈥屬堌ж� 亘賵丿賳 丕賳爻丕賳 賵 乇賮鬲丕乇賴丕卮 丨乇賮 賲蹖鈥屫操嗁囏� 丨乇讴鬲蹖 讴賴 丿丕乇蹖賲 賵 丿乇 丕賳鬲賴丕 亘乇賲蹖鈥屭必屬� 亘賴 锟斤拷丕蹖蹖 讴賴 亘賵丿蹖賲貙 鬲讴乇丕乇 鬲讴乇丕乇 賵 賳亘賵丿賳 趩蹖夭賴丕蹖 噩丿蹖丿.
讴鬲丕亘 丕夭 丕蹖丿賴鈥屬囏й� 夭蹖丕丿蹖 丨乇賮 賲蹖鈥屫操嗁�. 趩蹖夭賴丕蹖蹖 賲孬賱 賲蹖賱 亘賴 噩丕賵丿丕賳诏蹖貙 丕賳賵丕毓 噩丕賵丿丕賳賴 卮丿賳貙 亘賵丿賳 丿乇 匕賴賳 丿蹖诏乇蹖貙 丿賵爻鬲 丿丕卮鬲賴 卮丿賳貙 丿賵爻鬲 丿丕卮鬲賳貙 賱丨馗賴鈥屬囏й� 丕乇賵鬲蹖讴貙 禺丕胤乇賴 賵 丨丕賮馗賴 賵 蹖丕丿丌賵乇蹖 賵 丕夭 賴賲賴 賲賴賲鈥屫� 亘乇丕蹖 賲賳 跇爻鬲鈥屬囏�.
丕蹖賳 讴鬲丕亘 亘丕毓孬 噩乇賯賴鈥屫й� 丿乇 賲賳 卮丿. 乇丕賵蹖 鬲蹖夭亘蹖賳 讴鬲丕亘貙 (讴賵賳丿乇丕) 趩蹖夭賴丕蹖蹖 乇賵 丿乇 乇賮鬲丕乇 丌丿賲丕 賲蹖鈥屫屫� 讴賴 鬲丕 亘賴 丨丕賱 亘賴卮賵賳 丿賯鬲 賳讴乇丿賴 亘賵丿賲. 跇爻鬲鈥屬囏�. 賳丨賵賴鈥屰� 丕賳噩丕賲 讴丕乇賴丕. 卮蹖賵賴 诏乇賮鬲賳 賱蹖賵丕賳 丿乇 丿爻鬲. 卮蹖賵賴 乇丕賴 乇賮鬲賳 卮蹖賵賴 睾匕丕 禺賵乇丿賳. 亘賴 禺賵丿賲 丕賵賲丿賲 賵 丿蹖丿賲 丕蹖 丿賱! 賲賳 賴賲 趩賯丿乇 丕夭 丕蹖賳 鬲氐賵蹖乇賴丕 丕夭 丌丿賲鈥屬囏� 丿丕乇賲. 趩賯丿乇 丌丿賲鈥屬囏й屰� 讴賴 丕夭卮賵賳 丿賱 禺賵卮蹖 賳丿丕乇賲貙 卮丕蹖丿 丿乇 蹖讴 丌賳 丨爻 禺賵亘蹖 丕夭卮賵賳 賳诏乇賮鬲賲 賵 賵賯鬲蹖 亘賴卮賵賳 賮讴乇 賲蹖鈥屭┵嗁� 跇爻鬲鈥屬囏й屰� 丿乇 匕賴賳賲 蹖丕丿丌賵乇蹖 賲蹖鈥屫促� 讴賴 夭蹖亘丕 賳蹖爻鬲賳 賵 趩賴 丌丿賲鈥屬囏й屰� 讴賴 亘賴 賳馗乇賲 丿賱乇亘丕貙 噩匕丕亘 蹖丕 丿丕乇丕蹖 讴卮卮 賲蹖丕賳 賵 亘丕夭 賴賲 賵賯鬲蹖 亘賴卮賵賳 賮讴乇 賲蹖鈥屭┵嗁� 爻賱爻賱賴 鬲氐丕賵蹖乇蹖 丕夭 跇爻鬲鈥屬囏ж促堎� 鬲賵蹖 匕賴賳賲 賲蹖丕丿貨 跇爻鬲鈥屬囏й屰� 讴賴 噩匕亘賲 讴乇丿賳貙 跇爻鬲鈥屬囏й屰� 讴賴 賲毓賱賵賲 賳蹖爻鬲 乇蹖卮賴鈥屰� 毓賱丕賯賴 丿丕卮鬲賳 蹖丕 倬爻 夭丿賳鈥屫促堎� 讴噩丕蹖 賳丕禺賵丿丌诏丕賴賲賴 賵賱蹖 讴丕賲賱丕 丨囟賵乇 丿丕乇賳 賵 乇賮鬲丕乇賴丕 賵 毓賱丕蹖賯 賲賳 乇賵 卮讴賱 丿丕丿賳.
丕蹖賳 賮讴乇賴丕 乇賵 賲蹖鈥屭┴必� 賵 亘乇丕蹖 禺賵丿賲 丕蹖賳 賮乇囟蹖賴 乇賵 賲胤乇丨 讴乇丿賲 讴賴 丕氐賱丕 毓卮賯 丕夭 賴賲蹖賳 跇爻鬲鈥屬囏� 賲蹖丕丿. 丕賵賳 趩蹖夭蹖 讴賴 賳賲蹖鈥屫堎嗃屬� 趩蹖賴 賵 賵賯鬲蹖 讴爻蹖 乇賵 賲蹖鈥屫ㄛ屬嗃屬� 丕夭卮 禺賵卮賲賵賳 賲蹖丕丿 蹖丕 亘丿賲賵賳 賲蹖丕丿貙 卮丕蹖丿 賴賲蹖賳 跇爻鬲鈥屬囏з�. 賴賲蹖賳 讴賴 賲蹖鈥屫ㄛ屬嗃屬� 胤乇賮 趩胤賵乇 丕蹖爻鬲丕丿賴 賵 趩胤賵乇 乇丕賴 賲蹖鈥屫辟� 賵 趩胤賵乇 趩卮賲鈥屬囏ж� 鬲讴賵賳 賲蹖鈥屫堌辟� 賵 丕賳诏卮鬲鈥屬囏ж� 賲賵賯毓 丨乇賮 夭丿賳 趩胤賵乇 鬲讴賵賳 賲蹖鈥屫堌辟�. 賴賲賴 丕蹖賳 跇爻鬲鈥屬囏� 卮丕蹖丿 蹖賴 噩丕蹖蹖 丕夭 匕賴賳 賵 賳丕禺賵丿丌诏丕賴 賲丕 乇賵 鬲丨乇蹖讴 賲蹖鈥屭┵嗁� 賵 賲丕 丕夭 丕賵賳 丌丿賲 禺賵卮賲賵賳 賲蹖丕丿 蹖丕 丕夭卮 亘丿賲賵賳 賲蹖丕丿.
禺蹖賱蹖 噩丕賱亘賴. 亘毓丿 丕夭 丕蹖賳 讴鬲丕亘貙 禺蹖賱蹖 亘賴 跇爻鬲鈥屬囏� 丿賯鬲 賲蹖鈥屭┵嗁�. 亘丕 丿賵爻鬲丕賲 丨乇賮 賲蹖鈥屫操嗁� 賵 丕夭卮賵賳 賲蹖鈥屬矩必迟� 讴賴 跇爻鬲鈥屬囏� 亘賴 賳馗乇卮賵賳 趩賯丿乇 賲賵噩亘 噩匕丕亘蹖鬲 蹖丕 毓丿賲 噩匕丕亘蹖 蹖讴 賮乇丿 賲蹖鈥屫促�. 丕賱亘鬲賴 讴賴 丿丕乇賲 丿乇亘丕乇賴 卮賴賵丿 丕賵賱蹖賴 賳爻亘鬲 亘賴 蹖賴 丌丿賲 丨乇賮 賲蹖鈥屫操嗁� 賵 蹖讴 丌丿賲 噩賳亘賴鈥屬囏й� 丿蹖诏乇蹖 賴賲 亘乇丕蹖 噩匕丕亘蹖鬲 蹖丕 毓丿賲 噩匕丕亘蹖鬲 丿丕乇賴貙 賵賱蹖 丨爻 賲蹖鈥屭┵嗁� 乇蹖卮賴鈥屬囏й� 丕蹖賳 跇爻鬲鈥屬囏� 丕賳賯丿乇 賯賵蹖 賴爻鬲賳 讴賴 賴乇趩賯丿乇 賴賲 讴賴 賲丕 亘禺賵丕蹖賲 亘賴 毓賱賱 丕禺賱丕賯蹖 蹖丕 賲毓賳賵蹖 丕夭 讴爻蹖 禺賵卮賲賵賳 亘蹖丕丿貙 亘丕夭 賴賲 丕蹖賳 跇爻鬲鈥屬囏� 賴爻鬲賳 讴賴 賲丿丕禺賱賴 賲蹖鈥屭┵嗁� 賵 丨爻 賵 卮賴賵丿 賱丨馗賴鈥屫й屸€屬呝堎� 乇賵 卮讴賱 賲蹖鈥屫�.
讴賵賳丿乇丕 賳蹖丕夭 亘賴 鬲毓乇蹖賮 賳丿丕乇賴. 趩蹖夭蹖 讴賴 賮賴賲蹖丿賲 丕蹖賳賴 讴賴 亘丕蹖丿 賴乇爻丕賱 丨鬲賲丕 丕夭卮 亘禺賵賳賲. 亘丕蹖丿 亘丕乇賴丕 讴鬲丕亘鈥屬囏ж� 乇賵 亘禺賵賳賲貙 趩賵賳 亘賴 賳馗乇賲 丿賯蹖賯鈥屫臂屬� 賳賵蹖爻賳丿賴鈥屫й� 丕爻鬲 讴賴 鬲丕 亘賴 丨丕賱 亘丕賴丕卮 賲賵丕噩賴 卮丿賲. 丿賯蹖賯貙 賲孬賱 蹖讴 噩乇丕丨 乇賵丨 丌丿賲 乇賵 亘丕夭 賲蹖鈥屭┵嗁� 賵 爻毓蹖 賲蹖鈥屭┵嗁� 乇賮鬲丕乇卮 乇賵 讴卮賮 讴賳賴. 賴夭丕乇 爻賵丕賱 丕蹖噩丕丿 賲蹖鈥屸€屭┵嗁� 賵 诏丕賴蹖 賴賲 亘賴卮賵賳 噩賵丕亘 賲蹖鈥屫�.
蹖賴 噩丕 鬲賵蹖 讴鬲丕亘 蹖賴 鬲賲孬蹖賱蹖 丕夭 乇賲丕賳 賲蹖鈥屫操嗁� 讴賴 亘賴 賳馗乇賲 賮賵賯鈥屫з勜关ж団€屫池� 賵 賲蹖鈥屫堎嗁� 賲毓乇賮蹖 讴賳賳丿賴 鬲賲丕賲 乇賲丕賳鈥屬囏й� 禺賵丿卮 亘丕卮賴. 亘賴 賳馗乇 讴賵賳丿乇丕 丌賮鬲 乇賲丕賳貙 倬蹖鈥屫辟嗂� 賵 爻賱爻賱賴 丕鬲賮丕賯丕鬲賴. 賳賴 丕蹖賳 讴賴 禺賵亘 賳亘丕卮賳貙 賵賱蹖 乇賲丕賳蹖 讴賴 賮賯胤 丕夭 丕鬲賮丕賯丕鬲 倬乇 卮丿賴 亘丕卮賴 亘賴 賯賵賱 禺賵丿卮 賲孬賱 丕蹖賳 賲蹖鈥屬呝堎嗁� 讴賴 賲禺丕胤亘 乇賵 丕賳丿丕禺鬲賴 鬲賵蹖 蹖賴 讴賵趩賴 鬲賳诏 賵 亘賴 囟乇亘 卮賱丕賯 噩賱賵 賲蹖鈥屫ㄘ必�. 賴賲賴 趩蹖夭 丕夭 倬蹖卮 鬲毓蹖蹖賳 卮丿賴 賵 丨爻丕亘 卮丿賴. 丕賲丕 丿乇 賳賯胤賴鈥屰� 賲賯丕亘賱 丕蹖賳 鬲毓亘蹖乇貙 乇賲丕賳 賲賵乇丿 毓賱丕賯賴 讴賵賳丿乇丕 乇賵 丿丕乇蹖賲 讴賴 乇賲丕賳蹖 賴爻鬲 讴賴 卮亘蹖賴 蹖賴 賲賴賲賵賳蹖 夭蹖亘丕 卮亘賵賳賴 丕爻鬲. 賲賴賲賵賳蹖鈥屫й� 讴賴 丌乇賵賲 鬲賵卮 賯丿賲 賲蹖鈥屫操嗃� 賵 丕夭 蹖賴 爻賮乇賴 亘夭乇诏 趩蹖夭賴丕蹖 賲鬲賳賵毓蹖 乇賵 賲蹖鈥屭嗀篡屫� 丌賴爻鬲賴 賵 爻乇 賮乇氐鬲 賵 爻乇丕爻乇 賱匕鬲.
賴蹖趩 丕爻鬲毓丕乇賴鈥屫й� 亘賴鬲乇 丕夭 丕蹖賳 賲賴賲賵賳蹖 卮丕賲貙 賳賲蹖鈥屫堎嗁� 鬲賵氐蹖賮鈥屭┵嗁嗀� 乇賲丕賳鈥屬囏й� 讴賵賳丿乇丕 亘丕卮賴.
丕賲蹖丿賵丕乇賲 賴賲賴 丕夭 丕蹖賳 賲賴賲賵賳蹖 賳賴丕蹖鬲 賱匕鬲 乇賵 亘亘乇賳 趩賵賳 爻丕毓鬲 丿丕乇賴 亘賴 郾鄄 賳夭丿蹖讴 賲蹖鈥屫促�! 卮亘鈥屫堌�.鈥�
倬爻 丕夭 賲丿鬲鈥屬囏� 丕賵賲丿賲 爻乇丕睾 噩丕賵丿丕賳诏蹖.
丿丕爻鬲丕賳 丕夭 噩丕蹖蹖 卮乇賵毓 賲蹖鈥屫促� 讴賴 蹖賴 倬蹖乇夭賳蹖 丿爻鬲卮賵 賲蹖鈥屫ㄘ辟� 亘丕賱丕 賵 亘乇丕蹖 蹖讴蹖 丿爻鬲 鬲讴賵賳 賲蹖鈥屫�. 乇丕賵蹖 丕蹖賳 丨乇讴鬲 乇賵 賲蹖鈥屫ㄛ屬嗁� 賵 卮乇賵毓 賲蹖鈥屭┵嗁� 亘賴 賮讴乇 讴乇丿賳 乇丕噩毓 亘賴 丨乇讴丕鬲貙 跇爻鬲鈥屬囏� 賵 丕賳爻丕賳鈥屬囏�. 亘丕乇賴丕 丿乇 讴鬲丕亘 丕蹖賳 噩賲賱賴 賳賯賱 賲蹖鈥屫促� 讴賴 丨乇讴丕鬲貙 丕蹖丿賴鈥屬囏� 讴賲鈥屫з嗀� 賵 丕賳爻丕賳鈥屬囏� 亘爻蹖丕乇. 丿丕乇賴 丕夭 丿丕蹖乇賴鈥屬堌ж� 亘賵丿賳 丕賳爻丕賳 賵 乇賮鬲丕乇賴丕卮 丨乇賮 賲蹖鈥屫操嗁囏� 丨乇讴鬲蹖 讴賴 丿丕乇蹖賲 賵 丿乇 丕賳鬲賴丕 亘乇賲蹖鈥屭必屬� 亘賴 锟斤拷丕蹖蹖 讴賴 亘賵丿蹖賲貙 鬲讴乇丕乇 鬲讴乇丕乇 賵 賳亘賵丿賳 趩蹖夭賴丕蹖 噩丿蹖丿.
讴鬲丕亘 丕夭 丕蹖丿賴鈥屬囏й� 夭蹖丕丿蹖 丨乇賮 賲蹖鈥屫操嗁�. 趩蹖夭賴丕蹖蹖 賲孬賱 賲蹖賱 亘賴 噩丕賵丿丕賳诏蹖貙 丕賳賵丕毓 噩丕賵丿丕賳賴 卮丿賳貙 亘賵丿賳 丿乇 匕賴賳 丿蹖诏乇蹖貙 丿賵爻鬲 丿丕卮鬲賴 卮丿賳貙 丿賵爻鬲 丿丕卮鬲賳貙 賱丨馗賴鈥屬囏й� 丕乇賵鬲蹖讴貙 禺丕胤乇賴 賵 丨丕賮馗賴 賵 蹖丕丿丌賵乇蹖 賵 丕夭 賴賲賴 賲賴賲鈥屫� 亘乇丕蹖 賲賳 跇爻鬲鈥屬囏�.
丕蹖賳 讴鬲丕亘 亘丕毓孬 噩乇賯賴鈥屫й� 丿乇 賲賳 卮丿. 乇丕賵蹖 鬲蹖夭亘蹖賳 讴鬲丕亘貙 (讴賵賳丿乇丕) 趩蹖夭賴丕蹖蹖 乇賵 丿乇 乇賮鬲丕乇 丌丿賲丕 賲蹖鈥屫屫� 讴賴 鬲丕 亘賴 丨丕賱 亘賴卮賵賳 丿賯鬲 賳讴乇丿賴 亘賵丿賲. 跇爻鬲鈥屬囏�. 賳丨賵賴鈥屰� 丕賳噩丕賲 讴丕乇賴丕. 卮蹖賵賴 诏乇賮鬲賳 賱蹖賵丕賳 丿乇 丿爻鬲. 卮蹖賵賴 乇丕賴 乇賮鬲賳 卮蹖賵賴 睾匕丕 禺賵乇丿賳. 亘賴 禺賵丿賲 丕賵賲丿賲 賵 丿蹖丿賲 丕蹖 丿賱! 賲賳 賴賲 趩賯丿乇 丕夭 丕蹖賳 鬲氐賵蹖乇賴丕 丕夭 丌丿賲鈥屬囏� 丿丕乇賲. 趩賯丿乇 丌丿賲鈥屬囏й屰� 讴賴 丕夭卮賵賳 丿賱 禺賵卮蹖 賳丿丕乇賲貙 卮丕蹖丿 丿乇 蹖讴 丌賳 丨爻 禺賵亘蹖 丕夭卮賵賳 賳诏乇賮鬲賲 賵 賵賯鬲蹖 亘賴卮賵賳 賮讴乇 賲蹖鈥屭┵嗁� 跇爻鬲鈥屬囏й屰� 丿乇 匕賴賳賲 蹖丕丿丌賵乇蹖 賲蹖鈥屫促� 讴賴 夭蹖亘丕 賳蹖爻鬲賳 賵 趩賴 丌丿賲鈥屬囏й屰� 讴賴 亘賴 賳馗乇賲 丿賱乇亘丕貙 噩匕丕亘 蹖丕 丿丕乇丕蹖 讴卮卮 賲蹖丕賳 賵 亘丕夭 賴賲 賵賯鬲蹖 亘賴卮賵賳 賮讴乇 賲蹖鈥屭┵嗁� 爻賱爻賱賴 鬲氐丕賵蹖乇蹖 丕夭 跇爻鬲鈥屬囏ж促堎� 鬲賵蹖 匕賴賳賲 賲蹖丕丿貨 跇爻鬲鈥屬囏й屰� 讴賴 噩匕亘賲 讴乇丿賳貙 跇爻鬲鈥屬囏й屰� 讴賴 賲毓賱賵賲 賳蹖爻鬲 乇蹖卮賴鈥屰� 毓賱丕賯賴 丿丕卮鬲賳 蹖丕 倬爻 夭丿賳鈥屫促堎� 讴噩丕蹖 賳丕禺賵丿丌诏丕賴賲賴 賵賱蹖 讴丕賲賱丕 丨囟賵乇 丿丕乇賳 賵 乇賮鬲丕乇賴丕 賵 毓賱丕蹖賯 賲賳 乇賵 卮讴賱 丿丕丿賳.
丕蹖賳 賮讴乇賴丕 乇賵 賲蹖鈥屭┴必� 賵 亘乇丕蹖 禺賵丿賲 丕蹖賳 賮乇囟蹖賴 乇賵 賲胤乇丨 讴乇丿賲 讴賴 丕氐賱丕 毓卮賯 丕夭 賴賲蹖賳 跇爻鬲鈥屬囏� 賲蹖丕丿. 丕賵賳 趩蹖夭蹖 讴賴 賳賲蹖鈥屫堎嗃屬� 趩蹖賴 賵 賵賯鬲蹖 讴爻蹖 乇賵 賲蹖鈥屫ㄛ屬嗃屬� 丕夭卮 禺賵卮賲賵賳 賲蹖丕丿 蹖丕 亘丿賲賵賳 賲蹖丕丿貙 卮丕蹖丿 賴賲蹖賳 跇爻鬲鈥屬囏з�. 賴賲蹖賳 讴賴 賲蹖鈥屫ㄛ屬嗃屬� 胤乇賮 趩胤賵乇 丕蹖爻鬲丕丿賴 賵 趩胤賵乇 乇丕賴 賲蹖鈥屫辟� 賵 趩胤賵乇 趩卮賲鈥屬囏ж� 鬲讴賵賳 賲蹖鈥屫堌辟� 賵 丕賳诏卮鬲鈥屬囏ж� 賲賵賯毓 丨乇賮 夭丿賳 趩胤賵乇 鬲讴賵賳 賲蹖鈥屫堌辟�. 賴賲賴 丕蹖賳 跇爻鬲鈥屬囏� 卮丕蹖丿 蹖賴 噩丕蹖蹖 丕夭 匕賴賳 賵 賳丕禺賵丿丌诏丕賴 賲丕 乇賵 鬲丨乇蹖讴 賲蹖鈥屭┵嗁� 賵 賲丕 丕夭 丕賵賳 丌丿賲 禺賵卮賲賵賳 賲蹖丕丿 蹖丕 丕夭卮 亘丿賲賵賳 賲蹖丕丿.
禺蹖賱蹖 噩丕賱亘賴. 亘毓丿 丕夭 丕蹖賳 讴鬲丕亘貙 禺蹖賱蹖 亘賴 跇爻鬲鈥屬囏� 丿賯鬲 賲蹖鈥屭┵嗁�. 亘丕 丿賵爻鬲丕賲 丨乇賮 賲蹖鈥屫操嗁� 賵 丕夭卮賵賳 賲蹖鈥屬矩必迟� 讴賴 跇爻鬲鈥屬囏� 亘賴 賳馗乇卮賵賳 趩賯丿乇 賲賵噩亘 噩匕丕亘蹖鬲 蹖丕 毓丿賲 噩匕丕亘蹖 蹖讴 賮乇丿 賲蹖鈥屫促�. 丕賱亘鬲賴 讴賴 丿丕乇賲 丿乇亘丕乇賴 卮賴賵丿 丕賵賱蹖賴 賳爻亘鬲 亘賴 蹖賴 丌丿賲 丨乇賮 賲蹖鈥屫操嗁� 賵 蹖讴 丌丿賲 噩賳亘賴鈥屬囏й� 丿蹖诏乇蹖 賴賲 亘乇丕蹖 噩匕丕亘蹖鬲 蹖丕 毓丿賲 噩匕丕亘蹖鬲 丿丕乇賴貙 賵賱蹖 丨爻 賲蹖鈥屭┵嗁� 乇蹖卮賴鈥屬囏й� 丕蹖賳 跇爻鬲鈥屬囏� 丕賳賯丿乇 賯賵蹖 賴爻鬲賳 讴賴 賴乇趩賯丿乇 賴賲 讴賴 賲丕 亘禺賵丕蹖賲 亘賴 毓賱賱 丕禺賱丕賯蹖 蹖丕 賲毓賳賵蹖 丕夭 讴爻蹖 禺賵卮賲賵賳 亘蹖丕丿貙 亘丕夭 賴賲 丕蹖賳 跇爻鬲鈥屬囏� 賴爻鬲賳 讴賴 賲丿丕禺賱賴 賲蹖鈥屭┵嗁� 賵 丨爻 賵 卮賴賵丿 賱丨馗賴鈥屫й屸€屬呝堎� 乇賵 卮讴賱 賲蹖鈥屫�.
讴賵賳丿乇丕 賳蹖丕夭 亘賴 鬲毓乇蹖賮 賳丿丕乇賴. 趩蹖夭蹖 讴賴 賮賴賲蹖丿賲 丕蹖賳賴 讴賴 亘丕蹖丿 賴乇爻丕賱 丨鬲賲丕 丕夭卮 亘禺賵賳賲. 亘丕蹖丿 亘丕乇賴丕 讴鬲丕亘鈥屬囏ж� 乇賵 亘禺賵賳賲貙 趩賵賳 亘賴 賳馗乇賲 丿賯蹖賯鈥屫臂屬� 賳賵蹖爻賳丿賴鈥屫й� 丕爻鬲 讴賴 鬲丕 亘賴 丨丕賱 亘丕賴丕卮 賲賵丕噩賴 卮丿賲. 丿賯蹖賯貙 賲孬賱 蹖讴 噩乇丕丨 乇賵丨 丌丿賲 乇賵 亘丕夭 賲蹖鈥屭┵嗁� 賵 爻毓蹖 賲蹖鈥屭┵嗁� 乇賮鬲丕乇卮 乇賵 讴卮賮 讴賳賴. 賴夭丕乇 爻賵丕賱 丕蹖噩丕丿 賲蹖鈥屸€屭┵嗁� 賵 诏丕賴蹖 賴賲 亘賴卮賵賳 噩賵丕亘 賲蹖鈥屫�.
蹖賴 噩丕 鬲賵蹖 讴鬲丕亘 蹖賴 鬲賲孬蹖賱蹖 丕夭 乇賲丕賳 賲蹖鈥屫操嗁� 讴賴 亘賴 賳馗乇賲 賮賵賯鈥屫з勜关ж団€屫池� 賵 賲蹖鈥屫堎嗁� 賲毓乇賮蹖 讴賳賳丿賴 鬲賲丕賲 乇賲丕賳鈥屬囏й� 禺賵丿卮 亘丕卮賴. 亘賴 賳馗乇 讴賵賳丿乇丕 丌賮鬲 乇賲丕賳貙 倬蹖鈥屫辟嗂� 賵 爻賱爻賱賴 丕鬲賮丕賯丕鬲賴. 賳賴 丕蹖賳 讴賴 禺賵亘 賳亘丕卮賳貙 賵賱蹖 乇賲丕賳蹖 讴賴 賮賯胤 丕夭 丕鬲賮丕賯丕鬲 倬乇 卮丿賴 亘丕卮賴 亘賴 賯賵賱 禺賵丿卮 賲孬賱 丕蹖賳 賲蹖鈥屬呝堎嗁� 讴賴 賲禺丕胤亘 乇賵 丕賳丿丕禺鬲賴 鬲賵蹖 蹖賴 讴賵趩賴 鬲賳诏 賵 亘賴 囟乇亘 卮賱丕賯 噩賱賵 賲蹖鈥屫ㄘ必�. 賴賲賴 趩蹖夭 丕夭 倬蹖卮 鬲毓蹖蹖賳 卮丿賴 賵 丨爻丕亘 卮丿賴. 丕賲丕 丿乇 賳賯胤賴鈥屰� 賲賯丕亘賱 丕蹖賳 鬲毓亘蹖乇貙 乇賲丕賳 賲賵乇丿 毓賱丕賯賴 讴賵賳丿乇丕 乇賵 丿丕乇蹖賲 讴賴 乇賲丕賳蹖 賴爻鬲 讴賴 卮亘蹖賴 蹖賴 賲賴賲賵賳蹖 夭蹖亘丕 卮亘賵賳賴 丕爻鬲. 賲賴賲賵賳蹖鈥屫й� 讴賴 丌乇賵賲 鬲賵卮 賯丿賲 賲蹖鈥屫操嗃� 賵 丕夭 蹖賴 爻賮乇賴 亘夭乇诏 趩蹖夭賴丕蹖 賲鬲賳賵毓蹖 乇賵 賲蹖鈥屭嗀篡屫� 丌賴爻鬲賴 賵 爻乇 賮乇氐鬲 賵 爻乇丕爻乇 賱匕鬲.
賴蹖趩 丕爻鬲毓丕乇賴鈥屫й� 亘賴鬲乇 丕夭 丕蹖賳 賲賴賲賵賳蹖 卮丕賲貙 賳賲蹖鈥屫堎嗁� 鬲賵氐蹖賮鈥屭┵嗁嗀� 乇賲丕賳鈥屬囏й� 讴賵賳丿乇丕 亘丕卮賴.
丕賲蹖丿賵丕乇賲 賴賲賴 丕夭 丕蹖賳 賲賴賲賵賳蹖 賳賴丕蹖鬲 賱匕鬲 乇賵 亘亘乇賳 趩賵賳 爻丕毓鬲 丿丕乇賴 亘賴 郾鄄 賳夭丿蹖讴 賲蹖鈥屫促�! 卮亘鈥屫堌�.鈥�
September 1, 2018
Cerebral Crosswinds over Parisian Fields
4.5 stars
Immortality is so rejuvenating to the reading experience, pulling Goethe and Hemingway from beyond, effortlessly using magical literary devices in pleasing ways. It should leave an indelible mark on the way you view a novel. One cannot describe the plot/theme without spoiling the trip.
When you begin reading Kundera, if you haven't read him before, it may help you to understand that he involves the writer (often a fictional character in himself) in the reading process. That is to say, he often adopts the personna of a friendly writer, much like Roth's Zuckerman, and will allow a view into his thinking in the writing of the novel. Here, this novel begins with his (the writer's) imagining the life of a woman who fascinates him as he lounges beside a hotel pool.
I found this the best place to begin the endeavor of reading Milan Kundera. Enjoy.
4.5 stars
Immortality is so rejuvenating to the reading experience, pulling Goethe and Hemingway from beyond, effortlessly using magical literary devices in pleasing ways. It should leave an indelible mark on the way you view a novel. One cannot describe the plot/theme without spoiling the trip.
When you begin reading Kundera, if you haven't read him before, it may help you to understand that he involves the writer (often a fictional character in himself) in the reading process. That is to say, he often adopts the personna of a friendly writer, much like Roth's Zuckerman, and will allow a view into his thinking in the writing of the novel. Here, this novel begins with his (the writer's) imagining the life of a woman who fascinates him as he lounges beside a hotel pool.
I found this the best place to begin the endeavor of reading Milan Kundera. Enjoy.
April 20, 2025
A motley assortment without any concrete sync and a lot of digressions
It was absolute awe of "the unbearable lightness of being" (The beauty of whose poetic title I will always adore) that made me pick this one up, but I gotta say, that "Immortality" was off-guard. For the most part, the plot seemed to lurk around without any concrete idea or some kind of centralized plot. It was more of a decentralized novel ( if that's the correct word to describe this situation ). No wonder, as Kundera himself mentions in the novel, "A novel shouldn鈥檛 be like a bicycle race but a feast of many courses".
But still, I know that this decentralized thing is an indispensable aspect of Kundera's novels ( paradigm example of this is "the unbearable lightness of being") and that there are a plethora of ideas present throughout the book, but in my opinion, Immortality lacks any concrete sync. There were parts, wherein I could relate the concepts but the occurrence of this was low.
On the contrary, although the unbearable lightness of being was also a motley assortment, yet the fizzing emporium of ideas seemed much more germane over there.
Having said all that, I'm still perplexed about how I feel about this book. The first two parts of this seven-part novel were better than the upcoming ones. I feel that towards the fag end, the book got downright irrelevant and just sucks the reader.
Moreover, I found the multifarious, ever-changing complexity of the world around the characters more interesting than the clever lucubrations of the self-satisfied characters themselves.
Coming to the rating, I'm a bit confused as I ain't too sure about how I feel about this book. But, owing to my love for the philosophical fiction of Kundera and a few ideas which were a banquet for the brain, I cannot resist but round my 3.35-star rating to 4. (how I wish yet again, that 欧宝娱乐 should have a decimal rating system, which would help readers to "precisely" rate a book)
It was absolute awe of "the unbearable lightness of being" (The beauty of whose poetic title I will always adore) that made me pick this one up, but I gotta say, that "Immortality" was off-guard. For the most part, the plot seemed to lurk around without any concrete idea or some kind of centralized plot. It was more of a decentralized novel ( if that's the correct word to describe this situation ). No wonder, as Kundera himself mentions in the novel, "A novel shouldn鈥檛 be like a bicycle race but a feast of many courses".
But still, I know that this decentralized thing is an indispensable aspect of Kundera's novels ( paradigm example of this is "the unbearable lightness of being") and that there are a plethora of ideas present throughout the book, but in my opinion, Immortality lacks any concrete sync. There were parts, wherein I could relate the concepts but the occurrence of this was low.
On the contrary, although the unbearable lightness of being was also a motley assortment, yet the fizzing emporium of ideas seemed much more germane over there.
Having said all that, I'm still perplexed about how I feel about this book. The first two parts of this seven-part novel were better than the upcoming ones. I feel that towards the fag end, the book got downright irrelevant and just sucks the reader.
Moreover, I found the multifarious, ever-changing complexity of the world around the characters more interesting than the clever lucubrations of the self-satisfied characters themselves.
Coming to the rating, I'm a bit confused as I ain't too sure about how I feel about this book. But, owing to my love for the philosophical fiction of Kundera and a few ideas which were a banquet for the brain, I cannot resist but round my 3.35-star rating to 4. (how I wish yet again, that 欧宝娱乐 should have a decimal rating system, which would help readers to "precisely" rate a book)
July 4, 2011
" 賲丕 賱丕 賷購胤丕賯購 賮賷 丕賱丨賷丕丞 賱賷爻 兀賳 鬲賰賵賳 , 亘賱 兀賳 鬲賰賵賳 兀賳丕賰 !
丕賱毓賷卮 , 賱賷爻 賮賷 匕賱賰 兀賷賾賴 爻毓丕丿丞 .
兀賳 鬲毓賷卮 : 賴賵 兀賳 鬲丨賲賱 兀賳丕賰 丕賱賲鬲兀賱賾賲丞 毓亘乇 丕賱毓丕賱賲 .
兀賲賾丕 丕賱賰賷賳賵賳丞 , 賮丕賱賰賷賳賵賳丞 爻毓丕丿丞 .
兀賳 鬲賰賵賳 : 賷毓賳賷 兀賳 鬲鬲丨賵賾賱 廿賱賶 賳亘毓 , 賮爻賯賷賾丞 賲賳 丕賱丨噩乇 賷賴胤賱賱 賮賷賴丕 丕賱賰賵賳 賲孬賱 賲胤乇 丿丕賮卅 ... ! "
賲賷賱丕賳 賰賵賳丿賷乇丕 丕賱賲睾乇賯丞 賮賷 丕賱賲鬲毓丞 賵 丕賱兀爻乇丕乇 賵 丕賱賰卮賮 賵 丕賱丨賯賷賯丞 賵 丕賱丿賴卮丞 , 丕賱賲丿丕毓亘 賱賱毓亘孬 , 丕賱乇丕賳賷 賳丨賵 丕賱禺賱賵丿 !
賲賳 賰賲亘賷賵鬲乇 丕賱禺丕賱賯 , 廿賱賶 禺丿毓丞 丕賱丨賷丕亍 丕賱兀賱匕賾 , 廿賱賶 賲毓賳賶 丕賱胤乇丨 賵 丕賱噩賲毓 賮賷 " 丕賱兀賳丕 " , 廿賱賶 丕賱爻乇賾 丕賱賲爻鬲賰賳賾 賮賷 丨乇賰丞 賱丕 賲毓賳賶 賱賴丕 廿賱賾丕 兀賳 鬲賴丕賲爻 丕賱禺賱賵丿 , 賵 丨鬲賶 賲賷賳丕亍 丕賱爻丕毓丞 , 賲乇賵乇丕 亘丕賱爻賷丕乇丕鬲 丕賱鬲賷 丕睾鬲丕賱鬲 丕賱賰丕鬲丿乇丕卅賷丕鬲 賵 丕賱賲丿賳 , 賵 丕賱氐丿賮 丕賱鬲賷 賷亘毓孬乇賴丕 丕賱賯丿乇 - 丕賱賰賲亘賷賵鬲乇 - 賱賳賴賷賲 丿賵丕卅乇 丕賱賱丕賲毓賳賶 丕賱匕賷 賳賵賴賾賲賴 賲毓賳賶 , 兀賵 丕賱賲毓賳賶 丕賱爻乇賾 丕賱匕賷 賷鬲亘丿賾賶 亘賱丕 賲毓賳賶 ,
兀賷賳 " 丕賱兀賳丕 " ... 賲賷賮 ... 賱賲丕匕丕責!
賴賳丕 丕賱爻丐丕賱 !
賵 亘賷賳 孬賳丕賷丕賴 毓賵丕賱賲 賰賵賳丿賷乇丕 賵 毓賵丕賱賲賳丕 丕賱賲睾乇賯丞 賮賷 鬲丿丕禺賱 丕賱丿賴卮丞 賵 鬲賰丕卮賮 丕賱兀爻乇丕乇 .. 丨鬲賾賶 賮賷 兀亘爻胤 賲丕 賱丕 賳亘氐乇賴
丕賱毓賷卮 , 賱賷爻 賮賷 匕賱賰 兀賷賾賴 爻毓丕丿丞 .
兀賳 鬲毓賷卮 : 賴賵 兀賳 鬲丨賲賱 兀賳丕賰 丕賱賲鬲兀賱賾賲丞 毓亘乇 丕賱毓丕賱賲 .
兀賲賾丕 丕賱賰賷賳賵賳丞 , 賮丕賱賰賷賳賵賳丞 爻毓丕丿丞 .
兀賳 鬲賰賵賳 : 賷毓賳賷 兀賳 鬲鬲丨賵賾賱 廿賱賶 賳亘毓 , 賮爻賯賷賾丞 賲賳 丕賱丨噩乇 賷賴胤賱賱 賮賷賴丕 丕賱賰賵賳 賲孬賱 賲胤乇 丿丕賮卅 ... ! "
賲賷賱丕賳 賰賵賳丿賷乇丕 丕賱賲睾乇賯丞 賮賷 丕賱賲鬲毓丞 賵 丕賱兀爻乇丕乇 賵 丕賱賰卮賮 賵 丕賱丨賯賷賯丞 賵 丕賱丿賴卮丞 , 丕賱賲丿丕毓亘 賱賱毓亘孬 , 丕賱乇丕賳賷 賳丨賵 丕賱禺賱賵丿 !
賲賳 賰賲亘賷賵鬲乇 丕賱禺丕賱賯 , 廿賱賶 禺丿毓丞 丕賱丨賷丕亍 丕賱兀賱匕賾 , 廿賱賶 賲毓賳賶 丕賱胤乇丨 賵 丕賱噩賲毓 賮賷 " 丕賱兀賳丕 " , 廿賱賶 丕賱爻乇賾 丕賱賲爻鬲賰賳賾 賮賷 丨乇賰丞 賱丕 賲毓賳賶 賱賴丕 廿賱賾丕 兀賳 鬲賴丕賲爻 丕賱禺賱賵丿 , 賵 丨鬲賶 賲賷賳丕亍 丕賱爻丕毓丞 , 賲乇賵乇丕 亘丕賱爻賷丕乇丕鬲 丕賱鬲賷 丕睾鬲丕賱鬲 丕賱賰丕鬲丿乇丕卅賷丕鬲 賵 丕賱賲丿賳 , 賵 丕賱氐丿賮 丕賱鬲賷 賷亘毓孬乇賴丕 丕賱賯丿乇 - 丕賱賰賲亘賷賵鬲乇 - 賱賳賴賷賲 丿賵丕卅乇 丕賱賱丕賲毓賳賶 丕賱匕賷 賳賵賴賾賲賴 賲毓賳賶 , 兀賵 丕賱賲毓賳賶 丕賱爻乇賾 丕賱匕賷 賷鬲亘丿賾賶 亘賱丕 賲毓賳賶 ,
兀賷賳 " 丕賱兀賳丕 " ... 賲賷賮 ... 賱賲丕匕丕責!
賴賳丕 丕賱爻丐丕賱 !
賵 亘賷賳 孬賳丕賷丕賴 毓賵丕賱賲 賰賵賳丿賷乇丕 賵 毓賵丕賱賲賳丕 丕賱賲睾乇賯丞 賮賷 鬲丿丕禺賱 丕賱丿賴卮丞 賵 鬲賰丕卮賮 丕賱兀爻乇丕乇 .. 丨鬲賾賶 賮賷 兀亘爻胤 賲丕 賱丕 賳亘氐乇賴
February 19, 2016
賱賲丕匕丕 丕賱禺賱賵丿責 賱賲丕匕丕 賰賵賳丿賷乇丕責 賵 賱賲丕匕丕 丕賱丕丿亘責
爻丐丕賱 爻賷胤乇丨丞 丕賱匕賴賳 丕丨賷丕賳丕 丨賷賳 賷爻鬲賴賱賰 亘賷賳 乇丨丕賷丕 丕賱丕爻鬲賴賱丕賰 賵 丕賱鬲禺賱賷氐 賵 丕賱賲賱禺氐丕鬲 賵 丕賱丕毓賱丕賳丕鬲 賵 丕賱爻乇毓丞 ... 賱賲丕匕丕 賷噩亘 丕賳 賳禺氐氐 賵賯鬲 賱賯乇丕亍丞 丕乇亘毓丞 賲賳 丕賱賲卅丕鬲 賲賳 丕賱氐賮丨丕鬲 丕賱賲鬲鬲丕賱賷賴責 ... 乇亘賲丕 丕賱丕噩丕亘賴 丕賱丕賰孬乇 丿賯丞 賵 丕亘鬲匕丕賱丕 賴賶 "賱賳賮賴賲 丨賷丕鬲賳丕 賵 丕賳賮爻賳丕 丕賰孬乇" ... 賲賴賲丕 丕睾囟亘鬲賳丕 鬲賱賰 丕賱丕噩丕亘丞
賷賲鬲賱賰 賰賵賳丿賷乇丕 賯丿乇丞 賴丕卅賱丞 毓賱賶 鬲丨賵賷賱 賳馗乇鬲賰 賱賱丨賷丕丞 丕賱賶 噩丿賷丿 , 賷囟毓 毓賱賶 毓賷賳賷賰 毓丿爻丞 鬲亘賴乇賰 賰賲賳 賷乇賶 丕賱丨賷丕丞 賱丕賵賱 賲乇丞 氐丨賷丨 丕賱賳馗乇 , 賷丨賵賱 丕丨丿丕孬賰 丕賱賲毓鬲丕丿丞 賵 毓丕賱賲賰 丕賱鬲賯賱賷丿賶 丕賱賶 賲賱丨賲丞 賲鬲賰丕賲賱丞 丕賱丕乇賰丕賳 ...賷賲鬲賱賰 賰賵賳丿賷乇丕 毓賷賳丕 賱賷爻鬲 賰毓賷賵賳賳丕
毓賱丕賯丞 賲鬲賮乇丿丞 亘賷賳 賰賵賳丿賷乇丕 賵 卮禺氐賷丕鬲賴 賷乇爻賲賴丕 孬賱丕孬賷丞 丕賱丕亘毓丕丿 賰亘卮乇 賵 賱賷爻鬲 丕亘丿丕 賳賲丕匕噩 丕丿亘賷丞 賮賷噩毓賱賴丕 鬲丨賲賱 賴賲賵賲 賵 毓丕丿丕鬲 睾乇賷亘丞 賵 賰孬賷乇 賲賳 丕賱賲禺丕賵賮 ... 賵 賴賵 毓丕丿丞 賲丕 賷鬲噩丕賵夭 丿賵乇賴 賰乇丕賵賶 賵 賲丐賱賮 賱賱毓賲賱 丕賵 丨鬲賶 氐丕賳毓 賱賱丕丨丿丕孬, 鬲賱賰 毓丕丿丞 賰賵賳丿賷乇丕 丕賱爻丨乇賷丞 丕賱鬲賶 賱賲 鬲鬲丕賱賯 丕亘丿丕 賰賲丕 鬲兀賱賯鬲 賮賶 "丕賱禺賱賵丿" 賮賴賳丕 賷賲鬲夭噩 丕賱賵丕賯毓 亘丕賱禺賷丕賱 丨丿 賵囟毓 賰賵賳丿賷乇丕 賱賳賮爻賴 賰卮禺氐賷丞 賮賶 丕賱毓賲賱
賲噩賲賵毓丞 賲鬲賯胤毓丞 賲賳 丕賱賮氐賵賱 賷賵毓丿賳丕 丕賱睾賱丕賮 丕賱禺賱賮賷 賱賱賳爻禺丞 丕賱賵乇賯賷丞 亘丕賳賴丕 "鬲鬲卮丕亘賰 亘賰賷賮賷丞 賲丿賴卮丞 賵 賲丐孬乇丞 毓賱賶 賲丿丕乇 丕賱丨賰丕賷丞" 賱賰賳 賴匕丕 賱賲 賷丨丿孬 賵 賱賲 賷乇賷丿賴 賰賵賳丿賷乇丕 賲賳 丕賱丕氐賱 丕賳 賮賴賲鬲 丕賱賲睾夭賶 賮賴賵 賷毓卮賯 丕賱丕丨丿丕孬 丕賱毓丕亘乇丞 賵 賷囟乇亘 亘賯丕毓丿丞 鬲卮賷禺賵賮 丕賱丿乇丕賲賷丞 "丕匕丕 馗賴乇 賲爻丿爻 賮賷噩亘 丕胤賱丕賯 丕賱賳丕乇" 毓乇囟 丕賰亘乇 丨丕卅胤 賯丿 賷噩丿賴 賵 賷匕賰乇賳丕 丕賳 丕賱丕丨丿丕孬 丕賱毓丕亘乇丞 賯賳丕亘賱 丕睾賱亘賷賴丕 丕賱爻丕丨賯丞 賱賳 鬲賳賮噩乇 丕亘丿丕 , 賷毓卮賯 丕賳 賷丿禺賱 卮禺氐賷丞 丿乇丕賲賷丞 賱賱毓賲賱 賮賱丕 鬲賮毓賱 卮賷卅丕 丕賱丕 丕賱禺乇賵噩 賲賳賴 賱丕丨賯丕, 賷毓卮賯 丕孬乇 丕賱賮乇丕卮丞 賵 賷丨鬲賯乇賴 , 賵 賴賵 賷賯丿爻 賯賷賲丞 丕賱丨丕囟乇 賵 丕賱賱丨馗丞 賵 丕賱夭賲賳 賵賱丕 賷毓鬲亘乇賴丕 丕亘丿丕 賲噩乇丿 賵氐賱 亘賷賳 賳賯胤鬲賷賳
賷兀禺匕 賰賵賳丿賷乇丕 丕乇賵丨賳丕 丕賱賯賱賯丞 賮賱丕 賷夭賷丿賴丕 丕賱丕 賯賱賯丕 , 賷毓乇賮賳丕 賯賷賲丞 丕賱賵丨丿丞, 賷囟睾胤 毓賱賶 乇丕丨鬲賳丕 賱賷噩毓賱賳丕 賳賯丿乇 丕賳 賳賵噩丿 賮賶 賲賰丕賳 亘賱丕 毓賷賵賳 賵 亘賱丕 賵噩賵賴 , 丕賳 鬲賯囟賷 丕賱賷賵賲 亘賷賳 賮乇丕卮 丕賱夭賵噩賷丞 丕賱賲卮鬲乇賰 賵 丕賱賲賰鬲亘 丕賱丕丿丕乇賶 丕賱賲夭丿丨賲 賵 丕氐賵丕鬲 丕賱噩賲賴賵乇 鬲丨賷胤 亘賳丕 胤賷賱丞 丕賱賵賯鬲 , 賷噩賱爻 賱賷亘賵丨 賱賳丕 亘丕賳 爻乇 丕乇賴丕賯賳丕 賴賶 丕賱賳馗乇丕鬲 丕賱鬲賶 賰丕賳鬲 賵 爻鬲馗賱 毓亘卅丕 爻丕丨賯丕 賵 丕賳 禺賳丕噩乇 丕賱賳馗乇丕鬲 賴賶 丕賱鬲賶 賳賯卮鬲 丕賱鬲噩丕毓賷丿 毓賱賶 賵噩賵賴賳丕
爻賷賮乇睾 賰賵賳丿賷乇丕 匕賴賳賴 賮賶 噩賱爻鬲賳丕 丕賱賲卮鬲乇賰丞 賱賷禺亘乇賳丕 丕賳 丕賱賲賵鬲 賱丕 賷毓賳賶 丕賱丕 丕賱賲賷鬲 賵 丕賳 丕賱鬲毓亘賷乇 丕賱丨丿賷孬 賱賲賯賵賱丞 "丿毓 丕賱賲賵鬲賶 賷丿賮賳賵賳 賲賵鬲丕賴賲" 賴賵 丕賱丕賰孬乇 鬲胤亘賷賯丕 賵 丕賱丕賯賱 鬲毓亘賷乇丕 毓賳賴 ... 賲丕匕丕 賴賵 丕賱賲賵鬲 亘丕賱賳爻亘丞 賱賲氐賵乇 賷爻噩賱 丨丿孬 鬲賯賱賷丿賶 賲賲賱 賵 丕匕 賮噩丕丞 鬲爻賯胤 胤丕卅乇丞 賲卮鬲毓賱丞 賲賳 丕賱爻賲丕亍責... 丕賱賲賵鬲 賴賳丕 亘賱丕 卮賰 賴賵 卮賴乇丞 賵 爻毓丕丿丞 賵 丨馗 賵 乇亘賲丕 亘丿丕賷丞 賱丨賷丕丞 賲賴賳賷丞 毓馗賷賲丞 ... 賷毓賱賲賳丕 賰賵賳丿賷乇丕 丕賳 丕賱爻毓丕丿丞 乇亘賲丕 鬲爻賯胤 賲賳 丕賱爻賲丕亍
毓賱賶 賴賷卅丞 胤丕卅乇丞 賲卮鬲毓賱丞
賷亘賵丨 賱賳丕 賰賵賳丿賷乇丕 丕賳 賮乇丕卮 丕賱夭賵噩賷丞 賴賵 賲匕亘丨 丕賱夭賵丕噩 , 賷囟丨賶 胤乇賮丕賳 賮賱丕 賷噩丿 丕賷賴賲丕 丕賱賳賵賲 賲禺丕賮 丕賯賱丕賯 丕賱丕禺乇 賲鬲丨丕卮賷丕 丕賱丨乇賰丞 賲禺丕賮丞 賲賳 丕賱丕夭毓丕噩 ... 丕賳 賮乇丕卮 丕賱夭賵噩賷丞
賴賵 噩賮丕亍 丕賱賳賵賲 賵 丕賱丕賲鬲賳丕毓 毓賳 丕賱丨乇賰丞
賱賲 賷毓丿 賴賳丕賰 賴鬲賱乇 賷賲孬賱 賱賳丕 丕賱卮乇 丕賱賲胤賱賯 , 氐丕乇 丕賱禺賷乇 賵 丕賱卮乇 賳爻亘賷賷賳 亘卮賰賱 賲夭毓噩 , 賱賲 賷毓丿 賴賳丕賰 睾丕賳丿賶 賵 丕賱丕賲 鬲賷乇賷夭丕 賱賷賲孬賱 丕賱禺賷乇 丕賱賲胤賱賯 , 賱賲 鬲亘賯賷 睾賷乇 丕賱丕賱丕賮 賲賳 丕賱丿乇噩丕鬲 丕賱乇賲丕丿賷丞 鬲禺鬲亘乇 賳馗乇賳丕 丕賱賶 丨丿賵丿賴 丕賱丕禺賷乇丞.... 賳禺鬲夭賱 丕賱丕賮賰丕乇 賵 丕賱賳馗乇賷丕鬲 丕賱賶 丨丿賴丕 丕賱丕丿賳賶 賮鬲鬲卮亘孬 丕賱卮毓丕乇丕鬲 丕賱噩匕丕亘丞 賮賯胤 亘賷賳賲丕 賷爻賯胤 賮賶 賮禺 丕賱賳爻賷丕賳 賰賱 丕賱鬲賮丕氐賷賱 賵 丕賱禺胤賵丕鬲 , 孬賲 賲丕 鬲賱亘孬 丕賳 鬲禺鬲賮賷 丕賱卮毓丕乇丕鬲 丨鬲賶 賱鬲馗賴乇 丕賱氐賵乇丞 賵丨丿賴丕 賱賱丕亘丿 , 丕賱卮賷賵毓賷丞 氐賵乇丞 毓丕賲賱 賷亘鬲爻賲 丨丕賲賱 賲胤乇賯鬲賴 賵 丕賱爻賱丕賲 丨賲丕賲丞 鬲丨賲賱 睾氐賳 丕禺囟乇 賵 丨爻亘 .... 賳丿乇賰 賮噩兀丞 丕賳 丕賱賳丕爻 賷賳馗乇賵賳 丕賱賷賳丕 亘卮賰賱 賲禺丕賱賮 賱賳 賳毓賱賲 丕亘丿丕 丕賱賰賷賮賷丞 , 賳丨賳 賱賳 賳毓賱賲 丕亘丿丕 爻亘亘 鬲亘乇賲 丕賱丕禺乇賷賷賳 賲賳賳丕 賵 賮賷賲 賳夭毓噩賴賲 賵 賮賷賲 賳亘丿賵 賱賴賲 賱胤賮丕亍 賵 賮賷賲 賳亘丿賵 賱賴賲 爻禺賮丕亍 , 氐賵乇鬲賳丕 賴賶 丕賱賱睾夭 丕賱丕賰亘乇 亘丕賱賳爻亘丞 丕賱賷賳丕
賷氐賲賲 賰賵賳丿賷乇丕 丕賳 賷賰賵賳 睾賷乇 賯丕亘賱 賱賱丨賰賶 , 賷賰丕賮丨 囟丿 鬲賱賮夭丞 賲丕 賷賰鬲亘 , 囟丿 毓丕賱賲 賷賲賰賳 鬲丨賵賷賱 賰賱 賲丕 賷賰鬲亘 賮賷賴 丕賱賶 丿乇丕賲丕 賵 乇爻賵賲 賲鬲丨乇賰丞 ... 賷乇丕賴丕 丕賱胤乇賷賯丞 丕賱丕禺賷乇丞 賱丨賲丕賷丞 賮賳 丕賱乇賵丕賷丞 匕丕鬲賴
賲丕匕丕 賱賵 賰賳丕 -賮賯胤- 賮賶 丕賱毓氐乇 丕賱禺胤兀責 賲丕匕丕 賰丕賳 爻賷賮毓賱 卮賰爻亘賷乇 賮賶 夭賲賳 賱賲 賷毓丿 賮賷賴 賱賱賲爻乇丨 賵噩賵丿責 兀賰丕賳 爻賷賰鬲亘 爻賷賳丕乇賷賵賴丕鬲 賴賵賱賷賵丿責 ...賲丕匕丕 賱賵 禺賱賯 亘賷賰丕爻賵 賮賶 毓丕賱賲 丕賱賮賳 賮賷賴 賴賵 賮賯胤 乇爻賵賲 丕賱賰丕乇鬲賵賳責 ... 賲丕匕丕 賱賵 賰賳丕 賮賶 毓氐乇賳丕 丕賱氐丨賷丨 賱賰賳 賳賮賵爻賳丕 賷賳賯氐賴丕 丕賱賯胤毓丞 丕賱爻丨乇賷丞 丕賱鬲賶 賷丨賲賱賴丕 賰賵賳丿賷乇丕 賮賶 匕丕鬲賴 賱賷賳鬲噩 賱賳丕 丕丿亘 毓馗賷賲 賰賴匕丕責
賱賲丕匕丕 賱丕 鬲亘毓孬 賲賵爻賷賯賷 乇孬丕亍 毓賳丿賲丕 賷賲賵鬲 賲賳 賳丨亘責 賱賲丕匕丕 賷爻鬲賲乇 丕賱賰賵賳 賮賶 丨賱賯丕鬲 氐毓賵丿賴 賵 賴亘賵胤賴 丕賱賲鬲賵丕賱賶責 .... 賴賱 爻賳亘丨孬 毓賳 氐賷睾 賮賰丕賴賷丞 丕毓賱丕賳賷丞 賱賳毓賱賳 毓賳 丨乇亘 毓丕賱賲賷丞 孬丕賱孬丞 丕賵 賰賵丕乇孬賳丕 丕賱賳賵賵賷丞責 賴賱 賲丕夭丕賱鬲 丨丿賵丿 丕賱賲賴賲 賵 丕賱賱丕 賲賴賲 賲賵噩賵丿丞 賰賲丕 賮賶 禺賷丕賱賳丕 丕賱氐賱亘責 ... 賴賱 爻賷禺鬲賮賷 丕賱丕丿亘 賷賵賲丕 賱鬲鬲爻賰毓 丕賱丕賯鬲亘丕爻丕鬲 賱賱丕亘丿 毓亘乇 丕賱毓丕賱賲責 ... 賵 丕賱賶 賲鬲賶 爻賳卮賷丿 賰丕鬲丿乇丕卅賷丕鬲 丕賱賱丕噩丿賵賶 丨賵賱 丕賱賰賵賳責 賵 賳亘賰賶 毓賳丿賲丕 賱丕 賷卮丕乇賰賳丕 丕賱賳丕爻 賮賶 毓亘丕丿丕鬲賴丕責
丕賱禺賱賵丿 乇賵丕賷丞 毓馗賷賲丞 賱丕賳賴丕 爻鬲孬賷乇 賮賷賳丕 丕賱丕爻卅賱丞 丿丕卅賲丕 賵賱兀賳 賲丐賱賮賴丕 賴賵 丕賱毓馗賷賲 丿丕卅賲丕 賲賷賱丕賳 賰賵賳丿賷乇丕 丕賱匕賶 爻鬲丨乇賲賴 賱噩賳丞 賳賵亘賱 賲賳 丨賯賴 丕賱卮乇毓賶 丿丕卅賲丕
丿賷賳丕 賳亘賷賱
賷賳丕賷乇 2016
November 12, 2018
螖蔚 渭蔚 魏蔚蟻未喂蟽蔚 蟿慰蟽慰 慰蟽慰 畏 "伪尾伪蟽蟿伪蠂蟿畏 蔚位伪蠁蟻慰蟿畏蟿伪.." , 蠅蟽蟿慰蟽慰 魏伪喂 蟺伪位喂, 畏 蠂蔚喂蟻慰蟿蔚蟻畏 蟽蠀纬纬蟻伪蠁喂魏畏 渭蔚蟻伪 蟿慰蠀 螝慰蠀谓蟿蔚蟻伪 蠀蟺慰胃蔚蟿蠅 慰蟿喂 蔚喂谓伪喂 蟺伪谓蠅 伪蟺慰 慰蟺慰喂慰谓未畏蟺慰蟿蔚 渭蔚蟽慰 慰蟻慰.尾蟻畏魏伪 蟺慰位位蔚蟼 蠁蟻伪蟽蔚喂蟼-未喂伪渭伪谓蟿喂伪 魏伪喂 蟽蔚 伪蠀蟿慰 蟿慰 尾喂尾位喂慰 蟿慰蠀.未畏位蠅谓蠅 渭伪纬蔚渭蔚谓畏 渭蔚 蟿慰 渭蠀伪位慰 蟿慰蠀..馃檹馃檹
April 5, 2015
丨賷賳 胤賵賷鬲 丕賱氐賮丨丞 丕賱兀禺賷乇丞 兀丿乇賰鬲 兀賳賷 亘丿兀鬲購 賯乇丕亍丞 丕賱乇賵丕賷丞 亘賯丿賲賷賳 孬丕亘鬲鬲賷賳 毓賱賶 丕賱兀乇囟貙 賵兀賳賴賷鬲賴丕 噩丕賱爻賸丕 毓賱賶 爻丨丕亘丞.
賷賯賵賱 賰賵賳丿賷乇丕: "毓賱賶 賰賱 賲賳 賷鬲賵丕賮乇 賱丿賷賴 丕賱賯丿乇 丕賱賰丕賮賷 賲賳 丕賱噩賳賵賳 賱賰賷 賷爻鬲賲乇 丕賱賷賵賲 賮賷 賰鬲丕亘丞 丕賱乇賵丕賷丕鬲貙 兀賳 賷賰鬲亘賴丕 亘胤乇賷賯丞 鬲噩毓賱 丕賯鬲亘丕爻賴丕 賲鬲毓匕乇賸丕貙 丨賲丕賷丞賸 賱賴丕貙 亘毓亘丕乇丞 兀禺乇賶貙 胤乇賷賯丞賸 鬲噩毓賱賴丕 睾賷乇 賯丕亘賱丞賺 賱兀賳 鬲購乇賵賶!"
賲丕賮毓賱賴 賰賵賳丿賷乇丕 賮賷 賴匕賴 丕賱乇賵丕賷丞 亘丕禺鬲氐丕乇: 兀賳賴 賰鬲亘 毓賲賱丕 賷爻鬲丨賷賱 丕賯鬲亘丕爻賴 賵賷爻鬲丨賷賱 丕賱丨丿賷孬 毓賳賴貙 鬲丿丕禺賱鬲 丕賱亘丿丕賷丞 亘丕賱賳賴丕賷丞 亘丕賱賵爻胤貙 賰賱賲丕 丕賳睾賲爻鬲 賮賷 卮禺氐賷丞 賱賵丨丿賴丕 丕賳氐丿賲鬲 亘丿禺賵賱賴丕 廿賱賶 賲噩丕賱 丕賱乇賵丕賷丞 丕賱毓丕賲 賵丕賱鬲氐丕賯賴丕 亘丨丿孬賴貙 丨鬲賶 丕賱乇賵丕卅賷 亘賳賮爻賴 丿禺賱 賮賷 乇賵丕賷鬲賴 賱丕 亘卮禺氐賷丞賺 乇賲夭賷丞 亘賱 亘兀賳丕賴賽 丕賱兀氐賷賱丞! 賲丕 噩毓賱賳賷 賰賯丕乇卅 兀丿禺賱 賮賷 丨丕賱丞 丿賵丕乇 賱匕賷匕. 廿賳賴丕 毓亘賯乇賷丞 賴丕卅賱丞 鬲賱賰 丕賱鬲賷 鬲噩毓賱 丕賱乇賵丕賷丞 丕賱賲賱賷卅丞 噩丿丕貙 禺賮賷賮丞 噩丿丕 賵馗乇賷賮丞貙 賮賮賷 馗賱 賴匕丕 丕賱丨卮丿 丕賱賰亘賷乇 賲賳 丕賱卮禺氐賷丕鬲 丕賱鬲丕乇賷禺賷丞 賵丕賱禺賷丕賱賷丞 (賲賳 睾賵鬲賴 丨鬲賶 丌賳賷賷爻) 賵賮賷 馗賱 丕賱鬲毓賲賯 賮賷 兀賮賰丕乇 鬲丨賲賱 賲爻丨丞賸 賮賱爻賮賷丞 賱賳 鬲鬲睾賷乇 禺賮丞 丕賱賰丕鬲亘 賵乇卮丕賯鬲賴 賮賷 丕賱丨賰丕賷丞.
賱賯丿 賰丕賳 賲賷賱丕賳 賰賵賳丿賷乇丕 賷禺賱賽賾丿購 賳賮爻賻賴購 賵賴賵 賷賰鬲亘 毓賳 丕賱禺賱賵丿!
賷賯賵賱 賰賵賳丿賷乇丕: "毓賱賶 賰賱 賲賳 賷鬲賵丕賮乇 賱丿賷賴 丕賱賯丿乇 丕賱賰丕賮賷 賲賳 丕賱噩賳賵賳 賱賰賷 賷爻鬲賲乇 丕賱賷賵賲 賮賷 賰鬲丕亘丞 丕賱乇賵丕賷丕鬲貙 兀賳 賷賰鬲亘賴丕 亘胤乇賷賯丞 鬲噩毓賱 丕賯鬲亘丕爻賴丕 賲鬲毓匕乇賸丕貙 丨賲丕賷丞賸 賱賴丕貙 亘毓亘丕乇丞 兀禺乇賶貙 胤乇賷賯丞賸 鬲噩毓賱賴丕 睾賷乇 賯丕亘賱丞賺 賱兀賳 鬲購乇賵賶!"
賲丕賮毓賱賴 賰賵賳丿賷乇丕 賮賷 賴匕賴 丕賱乇賵丕賷丞 亘丕禺鬲氐丕乇: 兀賳賴 賰鬲亘 毓賲賱丕 賷爻鬲丨賷賱 丕賯鬲亘丕爻賴 賵賷爻鬲丨賷賱 丕賱丨丿賷孬 毓賳賴貙 鬲丿丕禺賱鬲 丕賱亘丿丕賷丞 亘丕賱賳賴丕賷丞 亘丕賱賵爻胤貙 賰賱賲丕 丕賳睾賲爻鬲 賮賷 卮禺氐賷丞 賱賵丨丿賴丕 丕賳氐丿賲鬲 亘丿禺賵賱賴丕 廿賱賶 賲噩丕賱 丕賱乇賵丕賷丞 丕賱毓丕賲 賵丕賱鬲氐丕賯賴丕 亘丨丿孬賴貙 丨鬲賶 丕賱乇賵丕卅賷 亘賳賮爻賴 丿禺賱 賮賷 乇賵丕賷鬲賴 賱丕 亘卮禺氐賷丞賺 乇賲夭賷丞 亘賱 亘兀賳丕賴賽 丕賱兀氐賷賱丞! 賲丕 噩毓賱賳賷 賰賯丕乇卅 兀丿禺賱 賮賷 丨丕賱丞 丿賵丕乇 賱匕賷匕. 廿賳賴丕 毓亘賯乇賷丞 賴丕卅賱丞 鬲賱賰 丕賱鬲賷 鬲噩毓賱 丕賱乇賵丕賷丞 丕賱賲賱賷卅丞 噩丿丕貙 禺賮賷賮丞 噩丿丕 賵馗乇賷賮丞貙 賮賮賷 馗賱 賴匕丕 丕賱丨卮丿 丕賱賰亘賷乇 賲賳 丕賱卮禺氐賷丕鬲 丕賱鬲丕乇賷禺賷丞 賵丕賱禺賷丕賱賷丞 (賲賳 睾賵鬲賴 丨鬲賶 丌賳賷賷爻) 賵賮賷 馗賱 丕賱鬲毓賲賯 賮賷 兀賮賰丕乇 鬲丨賲賱 賲爻丨丞賸 賮賱爻賮賷丞 賱賳 鬲鬲睾賷乇 禺賮丞 丕賱賰丕鬲亘 賵乇卮丕賯鬲賴 賮賷 丕賱丨賰丕賷丞.
賱賯丿 賰丕賳 賲賷賱丕賳 賰賵賳丿賷乇丕 賷禺賱賽賾丿購 賳賮爻賻賴購 賵賴賵 賷賰鬲亘 毓賳 丕賱禺賱賵丿!
February 20, 2024
賵 噩丕賵丿丕賳诏蹖 賴賲 鬲賲丕賲 卮丿.
丿蹖丿蹖丿 禺蹖賱蹖 丕夭 賳賵蹖爻賳丿賴鈥屬囏ж� 亘乇丕蹖 噩匕丕亘鈥屫� 讴乇丿賳 倬蹖乇賳诏 丿丕爻鬲丕賳鈥屫促堎嗀� 亘賴 乇賲丕賳卮賵賳 亘賴 賲孬丕亘賴鈥屰� 蹖讴 倬丕夭賱 賳诏丕賴 賲蹖鈥屭┵嗁嗀� 賵 亘毓丿卮 趩賴 賲蹖鈥屭┵嗁嗀� 丕蹖賳 賳賵蹖爻賳丿賴鈥屬囏� 賴乇 蹖讴 亘賴 賳賵毓蹖貙 爻毓蹖 亘乇 賲毓乇賮蹖 賵 卮賳丕爻丕賳丿賳 鬲讴賴鈥屬囏й� 倬丕夭賱 禺賵丿 亘賴 賲禺丕胤亘 賲蹖鈥屭┵嗁嗀� 賵 丿乇 丕賳鬲賴丕蹖 丕孬乇卮賵賳 (賵 卮丕蹖丿 氐乇賮丕 丿乇 蹖讴 賳賯胤賴 丕賵噩 丿丕爻鬲丕賳) 賴賲賴 鬲讴賴鈥屬囏й� 倬丕夭賱 讴賳丕乇 賴賲 賯乇丕乇 賲蹖鈥屭屫辟嗀� 賵 蹖讴 讴賱 乇賵 鬲卮讴蹖賱 賲蹖鈥屫囐嗀� 丨丕賱丕 亘乇丕蹖 賴乇 賯爻賲鬲 丕夭 丕蹖賳 乇賵丕賱 乇賵鬲蹖賳貙 禺賱丕賯蹖鬲鈥屬囏� 賵 噩匕丕亘蹖鬲鈥屬囏й� 賲鬲賮丕賵鬲蹖 賯丕卅賱 賲蹖鈥屫促�.
丕賲丕 賲蹖賱丕賳 讴賵賳丿乇丕 趩蹖讴丕乇 賲蹖鈥屭┵嗁囏� 亘賴鈥屫蒂堌必� 賳賯蹖囟賴鈥屰� 乇蹖卮禺賳丿诏賵賳賴 (parody) 賵 亘乇毓讴爻 丕蹖賳鈥� 讴丕乇 乇賵 賲蹖鈥屭┵嗁�! 賲蹖賱丕賳 讴賵賳丿乇丕 蹖讴 讴購賱 (讴賴 賴賲賵賳 讴賱 夭賳丿诏蹖 亘丕 噩賳亘賴鈥屬囏й� 亘蹖鈥屫促呚ж必促�) 乇賵 亘乇鈥屬呟屸€屫ж辟囏� 亘賴 賯胤毓丕鬲 讴賵趩讴鈥屫� 賵 讴噩鈥屬堎呚官堌� 賵 毓噩蹖亘鈥屬堌贺臂屫ㄛ� 禺購乇丿卮 賲蹖鈥屭┵嗁� 賵 丿乇 賳賴丕蹖鬲貙 賴賲卮賵賳 乇賵 丿乇 讴賳丕乇 賴賲 賵貙 亘賴 馗丕賴乇貙 亘賴 氐賵乇鬲 賳丕賲賳馗賲 丕乇丕卅賴 賲蹖鈥屭┵嗁�. 丨丕賱丕 丕蹖賳 鬲讴賴鈥屬囏� 賴乇趩蹖夭蹖 賴爻鬲賳 噩夭 賴賲賵賳 讴購賱 (夭賳丿诏蹖) 賵 賴賲鈥屫操呚з嗀� 賴蹖趩鈥屭嗃屫槽� 賳蹖爻鬲賳丿 噩夭 賴賲賵賳 讴賱. 丕蹖賳 賯胤毓丕鬲 讴賴 讴賵賳丿乇丕 鬲乇爻蹖賲 賲蹖讴賳賴 丕賳诏丕乇 賴蹖趩 倬丕夭賱 賵 卮讴賱 賲卮禺氐 賵 賲鬲丿丕賵賱蹖 乇賵 賳賲蹖爻丕夭賳丿貙 賵賱蹖 賴賲卮賵賳 丿乇 讴賳丕乇 賴賲 賲蹖鬲賵賳賳 鬲卮讴蹖賱鈥屫囐嗀団€屰� 鬲賲丕賲 倬丕夭賱鈥屬囏й� 噩賴丕賳 亘丕卮賳貨 賲蹖鬲賵賳賳 賴乇 讴購賱賽 賲賵賴賵賲蹖 乇賵 亘乇丕蹖 卮賲丕 鬲丿丕毓蹖 讴賳賳貨 賲蹖鈥屫堎嗁� 夭賳丿诏蹖 賴賲賴 丕賳爻丕賳鈥屬囏ж辟� 丿乇 亘乇 丿丕卮鬲賴 亘丕卮賳. 賵 賲毓噩夭賴 讴賵賳丿乇丕 丿乇 賴賲蹖賳賴: 亘丕夭鬲乇爻蹖賲 夭賳丿诏蹖 賲賵噩賵丿蹖 亘賴 賳丕賲 丕賳爻丕賳 亘丕 丕爻鬲賮丕丿賴 丕夭 蹖讴 乇賵蹖讴乇丿 賵 讴賵賱丕跇賽 倬爻丕鈥屬矩ж操勨€屭必й屫з嗁�!
噩丕賵丿丕賳诏蹖 賴賲賴 趩蹖夭 丿丕乇賴. 噩丕賵丿丕賳诏蹖 亘蹖卮鈥� 丕夭 賴乇趩蹖夭蹖貙 毓蹖賳 趩賳丿 丕孬乇 丿蹖诏乇蹖 讴賴 丕夭 讴賵賳丿乇丕 禺賵賳丿賲貙 禺胤丕亘賴鈥屫й屬� 賮賱爻賮蹖 讴賴 丿乇 讴賳丕乇卮貙 趩賳丿 丿丕爻鬲丕賳 賴賲 乇賵丕蹖鬲 賲蹖卮賴. 賴乇趩賯丿乇 丕夭 丿乇禺卮丕賳 亘賵丿賳 鬲兀賲賱丕鬲 賮賱爻賮蹖 讴賵賳丿乇丕 丿乇 噩丕賵丿丕賳诏蹖 亘诏賲 讴賲 诏賮鬲賲. 賴乇趩賯丿乇 亘诏賲 讴賴 鬲賵氐蹖賮丕鬲 賵 讴賳讴丕卮鈥屬囏й� 讴賵賳丿乇丕 丿乇 賲賮賴賵賲 噩丕賵丿丕賳诏蹖貙 讴賴 乇賳诏 賵 亘賵蹖 賲噩蹖讴丕賱 乇卅丕賱蹖爻賲 诏乇賮鬲賴 (丕賱亘鬲賴 卮丕蹖丿 丿乇爻鬲 賵 丿賯蹖賯 賳亘丕卮賴 诏賮鬲賳 丕蹖賳讴賴 丕蹖賳噩賵乇蹖賴) 賵 丕夭 夭亘丕賳 賵 丨丕賱 賵 乇賵夭 诏賵鬲賴 賵 賴賲蹖賳诏賵蹖 賵 丿蹖诏乇丕賳 乇賵丕蹖鬲 賲蹖卮賴貙 趩賯丿乇 禺賮賳賴貙 讴賲 诏賮鬲賲. 讴賵賳丿乇丕 趩胤賵乇 鬲賵賳爻鬲賴 丕賳賯丿乇 毓賲蹖賯 丕賳爻丕賳 乇賵 亘亘蹖賳賴責 丨蹖乇鬲貙 鬲賳賴丕 賵丕讴賳卮 賲賳 亘賴 丕蹖賳 乇賲丕賳賴. 賴乇 亘禺卮 丕夭 讴鬲丕亘 蹖讴 丿賳蹖丕 趩蹖夭 噩丕賱亘 亘乇丕蹖 讴卮賮 賵 鬲兀賲賱 丿丕乇賴. 賵賱蹖 亘禺卮鈥屬囏й屰� 賲孬賱 賮乇賲丕賳 蹖丕夭丿賴賲貙 丕蹖賲丕跇賵賱賵跇蹖貙 賴賲鈥屬聚屬呚з� 诏賵乇讴賳鈥屬囏й� 禺賵丿 賵... 賵丕賯毓丕 賵 賵丕賯毓丕 丨蹖乇鬲鈥屫ㄘ必з嗂屫操�. 讴鬲丕亘 倬乇 丕夭 鬲賵氐蹖賮丕鬲 賵 丕爻鬲毓丕乇丕鬲 賮賱爻賮蹖賴 讴賴 賴乇 蹖讴貙 亘賴鈥屬嗁堌观� 賲賳丨氐乇亘賴鈥屬佖必� 賵 丨丕讴蹖 丕夭 丿蹖丿 讴丕賲賱丕 亘蹖鈥屬嗀港屫� 讴賵賳丿乇丕 亘賴 夭賳丿诏蹖 賵 丿賳蹖丕蹖 賲毓丕氐乇賴.
鬲賵蹖 噩丕賵丿丕賳诏蹖 讴賵賳丿乇丕 倬丕蹖丕賳 賴乇 乇賵丕蹖鬲鈥屫ж� 乇賵 睾蹖乇賲賳鬲馗乇賴 賵 趩乇蹖讴蹖(!)貙 鬲賮 賲蹖讴賳賴 鬲賵 氐賵乇鬲 賲禺丕胤亘! 賳賲蹖鬲賵賳賲 丕孬乇 丿蹖诏賴鈥屫й� 乇賵 賳丕賲 亘亘乇賲 蹖丕 賲鬲氐賵乇 卮賲 讴賴 賳賵蹖爻賳丿賴鈥屫ж� 亘賴 丕賳丿丕夭賴 讴賵賳丿乇丕貙 丕爻鬲丕丿丕賳賴 亘丕 禺胤鈥屬囏й� 丿丕爻鬲丕賳蹖鈥屫ж� 亘丕夭蹖 亘讴賳賴 賵 丿乇 毓蹖賳 丨丕賱貙 丕賳诏丕乇 賴蹖趩讴丿賵賲 賯賵丕賳蹖賳 禺胤 丿丕爻鬲丕賳蹖 賵 倬蹖乇賳诏 亘乇丕蹖 賳賵蹖爻賳丿賴鈥屫ж� 丕賴賲蹖鬲 賳丿丕卮鬲賴 亘丕卮賴. 讴賵賳丿乇丕 賲蹖爻丕夭賴 賵 禺乇丕亘 賲蹖讴賳賴 賵 禺乇丕亘 賲蹖讴賳賴 賵 賲蹖爻丕夭賴 賵 賴蹖趩讴丿賵賲 亘乇丕卮 賳賴 丕乇夭卮 賲蹖卮賳 賳賴 囟丿丕乇夭卮.
乇賲丕賳 噩丕賵丿丕賳诏蹖 ( 賵 賴乇 丌賳趩賴 丿乇賵賳卮 賴爻鬲) 毓蹖賳 禺賵丿賽 禺賵丿 夭賳丿诏蹖 賴爻鬲卮: 賴蹖趩讴爻 賵丕賯毓丕 賲毓賳丕卮 乇賵 賳賲蹖丿賵賳賴貨 賴蹖趩讴爻 丨鬲蹖 賳賲蹖丿賵賳賴 賲毓賳丕蹖蹖 丿丕乇賴 蹖丕 賳丿丕乇賴. 賴賲賴 爻毓蹖 賲蹖讴賳賳丿 賴賲賴鈥屭┴ж� 讴賳賳丿 賵 亘賴 賴賲賴鈥屭嗃屫� 趩賳诏鈥� 亘夭賳賳丿 鬲丕 夭賳丿诏蹖 讴賳賳丿 賵 噩丕賵丿丕賳賴 亘賲丕賳賳丿. 丕賲丕 卮禺氐蹖鬲鈥屬囏й� 丕蹖賳 乇賲丕賳 賮賯胤 亘賴 丕蹖賳 毓丕賲賴 丕賮乇丕丿 讴賴 丕卮丕乇賴 讴乇丿賲 禺賱丕氐賴 賳賲蹖卮賳 賵 卮禺氐蹖鬲鈥屬囏й� 禺蹖賱蹖 禺丕氐蹖鈥屫臂� 賴賲 丿丕禺賱 讴鬲丕亘 賵噩賵丿 丿丕乇賴.
丕賲丕 蹖讴 趩蹖夭蹖 鬲賵 賮囟丕蹖 丕蹖賳 讴鬲丕亘 噩乇蹖丕賳 丿丕乇賴 讴賴 賵丕賯毓丕 賱丕夭賲賴 亘賴卮 丕卮丕乇賴 讴賳賲: 蹖讴鈥屫堌� 賱胤丕賮鬲 禺丕氐貨 蹖讴噩賵乇 賱胤丕賮鬲 賵丕賯毓丕 毓噩蹖亘. 賴賲賴鈥屰� 賴賳噩丕乇卮讴賳蹖鈥屬囏ж� 禺卮賵賳鬲鈥屬囏ж� 丕毓賲丕賱 噩賳爻蹖 毓賳丕賳 诏爻蹖禺鬲賴 賵 诏丕賴丕 賮乇丕蹖 趩丕乇趩賵亘鈥屬囏й� 丕禺賱丕賯蹖貙 鬲賮讴乇丕鬲 賵 鬲兀賲賱丕鬲 鬲蹖乇賴貙 爻乇賳賵卮鬲鈥屬囏й� 賲丨鬲賵賲貙 噩丕賵丿丕賳诏蹖鈥屬囏й� 噩賴賳賲蹖 賵 丕亘賱賴丕賳賴 賵 賴夭丕乇丕賳 趩蹖夭 夭賲禺鬲 賵 蹖睾賵乇 丿蹖诏賴貙 亘丕 蹖讴 賱胤丕賮鬲 賵 胤賳丕夭蹖 毓噩蹖亘蹖 亘丕夭诏賵 賲蹖卮賳. 讴賵賳丿乇丕 噩賵乇蹖 丕賳爻丕賳 賵 鬲賲丕賲 丕賳爻丕賳蹖鬲 乇賵 亘賴 鬲氐賵蹖乇 賲蹖讴卮賴 讴賴 丕賳诏丕乇 蹖讴 讴丕讴鬲賵爻 亘丕 鬲蹖睾鈥屬囏й� 夭賴乇丌賴诏蹖賳貙 亘爻蹖丕乇 鬲蹖夭 賵賱蹖 賳乇賲 賵 賱胤蹖賮蹖 乇賵 丿丕乇賴 鬲賵氐蹖賮 賲蹖讴賳賴貨 賵 爻乇賳賵卮鬲蹖 噩夭 禺卮讴 卮丿賳 乇賵 亘乇丕蹖 讴丕讴鬲賵爻鈥屬囏� 賲鬲氐賵乇 賳蹖爻鬲. 噩丕賵丿丕賳诏蹖 蹖賴 夭亘乇蹖 賱胤蹖賮蹖 丿丕乇賴貨 蹖賴 丌卮賵亘賽 丌乇賵賲貨 蹖賴 丿乇賴賲鈥屫臂屫� 賲賳馗賲. 蹖賴 趩蹖夭蹖 讴賴 讴賱 賵 噩夭亍 丕賵賳貙 丿乇 毓蹖賳 賲卮禺氐 賵 毓蹖丕賳 亘賵丿賳貙 丕賳诏丕乇 诏賳诏賴 賵 亘丿賵賳 賲乇夭賴 賵 賲毓賳丕蹖蹖 賳丿丕乇賴: 夭賳丿诏蹖 丿乇 賯丕賱亘 丕亘乇蹖 丕夭 丕丨鬲賲丕賱丕鬲 讴賵賳丿乇丕蹖蹖!
倬.賳1:
噩丕賵丿丕賳诏蹖 乇賵 亘丕蹖丿 匕乇賴鈥屫柏辟� 賲夭賴 讴乇丿. 賲賳 賮讴乇 讴賳賲 鬲丕 丨丕賱丕 讴鬲丕亘蹖 乇賵 丿賵亘丕乇 賳禺賵賳丿賲 賵賱蹖 丌孬丕乇 讴賵賳丿乇丕 (賵 鬲丕 丕蹖賳噩丕蹖 讴丕乇貙 賲禺氐賵氐丕 噩丕賵丿丕賳诏蹖) 乇賵 賯胤毓丕 亘丕蹖丿 蹖讴亘丕乇 丿蹖诏賴 亘禺賵賳賲. 賲賳 倬蹖卮賳賴丕丿 賲蹖丿賲 丕蹖賳 乇賲丕賳 乇賵 丨鬲賲丕 賵 丨鬲賲丕 亘丕 鬲乇噩賲賴 讴丕馗賲蹖 蹖夭丿蹖 亘禺賵賳蹖丿 讴賴 鬲賯乇蹖亘丕 丨匕賮蹖丕鬲 禺丕氐蹖 賳丿丕乇賴貨 丕诏乇趩賴 讴賴 亘丕 鬲胤亘蹖賯蹖 讴賴 賲賳 丿丕丿賲貙 丕夭 賳馗乇 讴蹖賮蹖鬲貙 亘丕蹖丿 鬲賵賯毓 爻胤丨 賳爻亘鬲丕 賲鬲賵爻胤蹖 丕夭 丕蹖賳 鬲乇噩賲賴 丿丕卮鬲賴 亘丕卮蹖丿.
倬.賳2:
丕蹖賳 乇蹖賵蹖賵 乇賵 丿乇 鬲賵丕賱鬲 賳賵卮鬲賲 賵 亘蹖乇賵賳 丕夭 鬲賵丕賱鬲 丕丿蹖鬲 讴乇丿賲. 丕诏賴 趩蹖夭蹖 丕夭 讴鬲丕亘丕蹖 讴賵賳丿乇丕 蹖丕丿 诏乇賮鬲賴 亘丕卮賲 賴賲蹖賳賴 讴賴 丕蹖賳 丿乇 鬲賵丕賱鬲 賳賵卮鬲賳 賲賳 蹖賴 趩蹖夭 毓丕丿蹖 丿乇 丿賳蹖丕蹖 讴賵賳丿乇丕蹖蹖賴 賵 丌丿賲丕 賲賲讴賳賴 亘賴 爻丕丿诏蹖貙 蹖讴 乇蹖賵蹖賵 乇丕噩毓 亘賴 蹖讴蹖 丕夭 賲賵乇丿 毓賱丕賯賴鈥屫臂屬� 讴鬲丕亘丕卮賵賳 乇賵 丿乇 鬲賵丕賱鬲 亘賳賵蹖爻賳! 亘賴 賳馗乇賲 丕诏賴 禺賵丿 讴賵賳丿乇丕 亘賵丿貙 蹖賴 噩爻鬲丕乇蹖 賴賲 乇丕噩毓 亘賴 賳賵蹖爻賳丿诏蹖 丿乇 鬲賵丕賱鬲 賲蹖鈥屬嗁堌簇�.
倬.賳3:
亘乇丕蹖 丕蹖賳 乇賲丕賳 賲蹖鬲賵賳賲 賲丿鬲鈥屬囏й� 賲鬲賳 亘賳賵蹖爻賲 賵 亘賳賵蹖爻賲 賵賱蹖 亘賴 賴賲蹖賳 丕丿蹖鬲 丌禺乇 亘爻賳丿賴 賲蹖讴賳賲 賵 賱匕鬲 亘蹖鈥屫� 賵 丨氐乇 丨丕氐賱 丕夭 丕蹖賳 乇賲丕賳 乇賵貙 亘乇丕蹖 禺賵丿賲 賵 丌賳 丕賴賱 丿賱丕賳蹖 讴賴 乇賲丕賳 乇賵 禺賵賳丿賳 賳诏賴 賲蹖丿丕乇賲:)
丿蹖丿蹖丿 禺蹖賱蹖 丕夭 賳賵蹖爻賳丿賴鈥屬囏ж� 亘乇丕蹖 噩匕丕亘鈥屫� 讴乇丿賳 倬蹖乇賳诏 丿丕爻鬲丕賳鈥屫促堎嗀� 亘賴 乇賲丕賳卮賵賳 亘賴 賲孬丕亘賴鈥屰� 蹖讴 倬丕夭賱 賳诏丕賴 賲蹖鈥屭┵嗁嗀� 賵 亘毓丿卮 趩賴 賲蹖鈥屭┵嗁嗀� 丕蹖賳 賳賵蹖爻賳丿賴鈥屬囏� 賴乇 蹖讴 亘賴 賳賵毓蹖貙 爻毓蹖 亘乇 賲毓乇賮蹖 賵 卮賳丕爻丕賳丿賳 鬲讴賴鈥屬囏й� 倬丕夭賱 禺賵丿 亘賴 賲禺丕胤亘 賲蹖鈥屭┵嗁嗀� 賵 丿乇 丕賳鬲賴丕蹖 丕孬乇卮賵賳 (賵 卮丕蹖丿 氐乇賮丕 丿乇 蹖讴 賳賯胤賴 丕賵噩 丿丕爻鬲丕賳) 賴賲賴 鬲讴賴鈥屬囏й� 倬丕夭賱 讴賳丕乇 賴賲 賯乇丕乇 賲蹖鈥屭屫辟嗀� 賵 蹖讴 讴賱 乇賵 鬲卮讴蹖賱 賲蹖鈥屫囐嗀� 丨丕賱丕 亘乇丕蹖 賴乇 賯爻賲鬲 丕夭 丕蹖賳 乇賵丕賱 乇賵鬲蹖賳貙 禺賱丕賯蹖鬲鈥屬囏� 賵 噩匕丕亘蹖鬲鈥屬囏й� 賲鬲賮丕賵鬲蹖 賯丕卅賱 賲蹖鈥屫促�.
丕賲丕 賲蹖賱丕賳 讴賵賳丿乇丕 趩蹖讴丕乇 賲蹖鈥屭┵嗁囏� 亘賴鈥屫蒂堌必� 賳賯蹖囟賴鈥屰� 乇蹖卮禺賳丿诏賵賳賴 (parody) 賵 亘乇毓讴爻 丕蹖賳鈥� 讴丕乇 乇賵 賲蹖鈥屭┵嗁�! 賲蹖賱丕賳 讴賵賳丿乇丕 蹖讴 讴購賱 (讴賴 賴賲賵賳 讴賱 夭賳丿诏蹖 亘丕 噩賳亘賴鈥屬囏й� 亘蹖鈥屫促呚ж必促�) 乇賵 亘乇鈥屬呟屸€屫ж辟囏� 亘賴 賯胤毓丕鬲 讴賵趩讴鈥屫� 賵 讴噩鈥屬堎呚官堌� 賵 毓噩蹖亘鈥屬堌贺臂屫ㄛ� 禺購乇丿卮 賲蹖鈥屭┵嗁� 賵 丿乇 賳賴丕蹖鬲貙 賴賲卮賵賳 乇賵 丿乇 讴賳丕乇 賴賲 賵貙 亘賴 馗丕賴乇貙 亘賴 氐賵乇鬲 賳丕賲賳馗賲 丕乇丕卅賴 賲蹖鈥屭┵嗁�. 丨丕賱丕 丕蹖賳 鬲讴賴鈥屬囏� 賴乇趩蹖夭蹖 賴爻鬲賳 噩夭 賴賲賵賳 讴購賱 (夭賳丿诏蹖) 賵 賴賲鈥屫操呚з嗀� 賴蹖趩鈥屭嗃屫槽� 賳蹖爻鬲賳丿 噩夭 賴賲賵賳 讴賱. 丕蹖賳 賯胤毓丕鬲 讴賴 讴賵賳丿乇丕 鬲乇爻蹖賲 賲蹖讴賳賴 丕賳诏丕乇 賴蹖趩 倬丕夭賱 賵 卮讴賱 賲卮禺氐 賵 賲鬲丿丕賵賱蹖 乇賵 賳賲蹖爻丕夭賳丿貙 賵賱蹖 賴賲卮賵賳 丿乇 讴賳丕乇 賴賲 賲蹖鬲賵賳賳 鬲卮讴蹖賱鈥屫囐嗀団€屰� 鬲賲丕賲 倬丕夭賱鈥屬囏й� 噩賴丕賳 亘丕卮賳貨 賲蹖鬲賵賳賳 賴乇 讴購賱賽 賲賵賴賵賲蹖 乇賵 亘乇丕蹖 卮賲丕 鬲丿丕毓蹖 讴賳賳貨 賲蹖鈥屫堎嗁� 夭賳丿诏蹖 賴賲賴 丕賳爻丕賳鈥屬囏ж辟� 丿乇 亘乇 丿丕卮鬲賴 亘丕卮賳. 賵 賲毓噩夭賴 讴賵賳丿乇丕 丿乇 賴賲蹖賳賴: 亘丕夭鬲乇爻蹖賲 夭賳丿诏蹖 賲賵噩賵丿蹖 亘賴 賳丕賲 丕賳爻丕賳 亘丕 丕爻鬲賮丕丿賴 丕夭 蹖讴 乇賵蹖讴乇丿 賵 讴賵賱丕跇賽 倬爻丕鈥屬矩ж操勨€屭必й屫з嗁�!
噩丕賵丿丕賳诏蹖 賴賲賴 趩蹖夭 丿丕乇賴. 噩丕賵丿丕賳诏蹖 亘蹖卮鈥� 丕夭 賴乇趩蹖夭蹖貙 毓蹖賳 趩賳丿 丕孬乇 丿蹖诏乇蹖 讴賴 丕夭 讴賵賳丿乇丕 禺賵賳丿賲貙 禺胤丕亘賴鈥屫й屬� 賮賱爻賮蹖 讴賴 丿乇 讴賳丕乇卮貙 趩賳丿 丿丕爻鬲丕賳 賴賲 乇賵丕蹖鬲 賲蹖卮賴. 賴乇趩賯丿乇 丕夭 丿乇禺卮丕賳 亘賵丿賳 鬲兀賲賱丕鬲 賮賱爻賮蹖 讴賵賳丿乇丕 丿乇 噩丕賵丿丕賳诏蹖 亘诏賲 讴賲 诏賮鬲賲. 賴乇趩賯丿乇 亘诏賲 讴賴 鬲賵氐蹖賮丕鬲 賵 讴賳讴丕卮鈥屬囏й� 讴賵賳丿乇丕 丿乇 賲賮賴賵賲 噩丕賵丿丕賳诏蹖貙 讴賴 乇賳诏 賵 亘賵蹖 賲噩蹖讴丕賱 乇卅丕賱蹖爻賲 诏乇賮鬲賴 (丕賱亘鬲賴 卮丕蹖丿 丿乇爻鬲 賵 丿賯蹖賯 賳亘丕卮賴 诏賮鬲賳 丕蹖賳讴賴 丕蹖賳噩賵乇蹖賴) 賵 丕夭 夭亘丕賳 賵 丨丕賱 賵 乇賵夭 诏賵鬲賴 賵 賴賲蹖賳诏賵蹖 賵 丿蹖诏乇丕賳 乇賵丕蹖鬲 賲蹖卮賴貙 趩賯丿乇 禺賮賳賴貙 讴賲 诏賮鬲賲. 讴賵賳丿乇丕 趩胤賵乇 鬲賵賳爻鬲賴 丕賳賯丿乇 毓賲蹖賯 丕賳爻丕賳 乇賵 亘亘蹖賳賴責 丨蹖乇鬲貙 鬲賳賴丕 賵丕讴賳卮 賲賳 亘賴 丕蹖賳 乇賲丕賳賴. 賴乇 亘禺卮 丕夭 讴鬲丕亘 蹖讴 丿賳蹖丕 趩蹖夭 噩丕賱亘 亘乇丕蹖 讴卮賮 賵 鬲兀賲賱 丿丕乇賴. 賵賱蹖 亘禺卮鈥屬囏й屰� 賲孬賱 賮乇賲丕賳 蹖丕夭丿賴賲貙 丕蹖賲丕跇賵賱賵跇蹖貙 賴賲鈥屬聚屬呚з� 诏賵乇讴賳鈥屬囏й� 禺賵丿 賵... 賵丕賯毓丕 賵 賵丕賯毓丕 丨蹖乇鬲鈥屫ㄘ必з嗂屫操�. 讴鬲丕亘 倬乇 丕夭 鬲賵氐蹖賮丕鬲 賵 丕爻鬲毓丕乇丕鬲 賮賱爻賮蹖賴 讴賴 賴乇 蹖讴貙 亘賴鈥屬嗁堌观� 賲賳丨氐乇亘賴鈥屬佖必� 賵 丨丕讴蹖 丕夭 丿蹖丿 讴丕賲賱丕 亘蹖鈥屬嗀港屫� 讴賵賳丿乇丕 亘賴 夭賳丿诏蹖 賵 丿賳蹖丕蹖 賲毓丕氐乇賴.
鬲賵蹖 噩丕賵丿丕賳诏蹖 讴賵賳丿乇丕 倬丕蹖丕賳 賴乇 乇賵丕蹖鬲鈥屫ж� 乇賵 睾蹖乇賲賳鬲馗乇賴 賵 趩乇蹖讴蹖(!)貙 鬲賮 賲蹖讴賳賴 鬲賵 氐賵乇鬲 賲禺丕胤亘! 賳賲蹖鬲賵賳賲 丕孬乇 丿蹖诏賴鈥屫й� 乇賵 賳丕賲 亘亘乇賲 蹖丕 賲鬲氐賵乇 卮賲 讴賴 賳賵蹖爻賳丿賴鈥屫ж� 亘賴 丕賳丿丕夭賴 讴賵賳丿乇丕貙 丕爻鬲丕丿丕賳賴 亘丕 禺胤鈥屬囏й� 丿丕爻鬲丕賳蹖鈥屫ж� 亘丕夭蹖 亘讴賳賴 賵 丿乇 毓蹖賳 丨丕賱貙 丕賳诏丕乇 賴蹖趩讴丿賵賲 賯賵丕賳蹖賳 禺胤 丿丕爻鬲丕賳蹖 賵 倬蹖乇賳诏 亘乇丕蹖 賳賵蹖爻賳丿賴鈥屫ж� 丕賴賲蹖鬲 賳丿丕卮鬲賴 亘丕卮賴. 讴賵賳丿乇丕 賲蹖爻丕夭賴 賵 禺乇丕亘 賲蹖讴賳賴 賵 禺乇丕亘 賲蹖讴賳賴 賵 賲蹖爻丕夭賴 賵 賴蹖趩讴丿賵賲 亘乇丕卮 賳賴 丕乇夭卮 賲蹖卮賳 賳賴 囟丿丕乇夭卮.
乇賲丕賳 噩丕賵丿丕賳诏蹖 ( 賵 賴乇 丌賳趩賴 丿乇賵賳卮 賴爻鬲) 毓蹖賳 禺賵丿賽 禺賵丿 夭賳丿诏蹖 賴爻鬲卮: 賴蹖趩讴爻 賵丕賯毓丕 賲毓賳丕卮 乇賵 賳賲蹖丿賵賳賴貨 賴蹖趩讴爻 丨鬲蹖 賳賲蹖丿賵賳賴 賲毓賳丕蹖蹖 丿丕乇賴 蹖丕 賳丿丕乇賴. 賴賲賴 爻毓蹖 賲蹖讴賳賳丿 賴賲賴鈥屭┴ж� 讴賳賳丿 賵 亘賴 賴賲賴鈥屭嗃屫� 趩賳诏鈥� 亘夭賳賳丿 鬲丕 夭賳丿诏蹖 讴賳賳丿 賵 噩丕賵丿丕賳賴 亘賲丕賳賳丿. 丕賲丕 卮禺氐蹖鬲鈥屬囏й� 丕蹖賳 乇賲丕賳 賮賯胤 亘賴 丕蹖賳 毓丕賲賴 丕賮乇丕丿 讴賴 丕卮丕乇賴 讴乇丿賲 禺賱丕氐賴 賳賲蹖卮賳 賵 卮禺氐蹖鬲鈥屬囏й� 禺蹖賱蹖 禺丕氐蹖鈥屫臂� 賴賲 丿丕禺賱 讴鬲丕亘 賵噩賵丿 丿丕乇賴.
丕賲丕 蹖讴 趩蹖夭蹖 鬲賵 賮囟丕蹖 丕蹖賳 讴鬲丕亘 噩乇蹖丕賳 丿丕乇賴 讴賴 賵丕賯毓丕 賱丕夭賲賴 亘賴卮 丕卮丕乇賴 讴賳賲: 蹖讴鈥屫堌� 賱胤丕賮鬲 禺丕氐貨 蹖讴噩賵乇 賱胤丕賮鬲 賵丕賯毓丕 毓噩蹖亘. 賴賲賴鈥屰� 賴賳噩丕乇卮讴賳蹖鈥屬囏ж� 禺卮賵賳鬲鈥屬囏ж� 丕毓賲丕賱 噩賳爻蹖 毓賳丕賳 诏爻蹖禺鬲賴 賵 诏丕賴丕 賮乇丕蹖 趩丕乇趩賵亘鈥屬囏й� 丕禺賱丕賯蹖貙 鬲賮讴乇丕鬲 賵 鬲兀賲賱丕鬲 鬲蹖乇賴貙 爻乇賳賵卮鬲鈥屬囏й� 賲丨鬲賵賲貙 噩丕賵丿丕賳诏蹖鈥屬囏й� 噩賴賳賲蹖 賵 丕亘賱賴丕賳賴 賵 賴夭丕乇丕賳 趩蹖夭 夭賲禺鬲 賵 蹖睾賵乇 丿蹖诏賴貙 亘丕 蹖讴 賱胤丕賮鬲 賵 胤賳丕夭蹖 毓噩蹖亘蹖 亘丕夭诏賵 賲蹖卮賳. 讴賵賳丿乇丕 噩賵乇蹖 丕賳爻丕賳 賵 鬲賲丕賲 丕賳爻丕賳蹖鬲 乇賵 亘賴 鬲氐賵蹖乇 賲蹖讴卮賴 讴賴 丕賳诏丕乇 蹖讴 讴丕讴鬲賵爻 亘丕 鬲蹖睾鈥屬囏й� 夭賴乇丌賴诏蹖賳貙 亘爻蹖丕乇 鬲蹖夭 賵賱蹖 賳乇賲 賵 賱胤蹖賮蹖 乇賵 丿丕乇賴 鬲賵氐蹖賮 賲蹖讴賳賴貨 賵 爻乇賳賵卮鬲蹖 噩夭 禺卮讴 卮丿賳 乇賵 亘乇丕蹖 讴丕讴鬲賵爻鈥屬囏� 賲鬲氐賵乇 賳蹖爻鬲. 噩丕賵丿丕賳诏蹖 蹖賴 夭亘乇蹖 賱胤蹖賮蹖 丿丕乇賴貨 蹖賴 丌卮賵亘賽 丌乇賵賲貨 蹖賴 丿乇賴賲鈥屫臂屫� 賲賳馗賲. 蹖賴 趩蹖夭蹖 讴賴 讴賱 賵 噩夭亍 丕賵賳貙 丿乇 毓蹖賳 賲卮禺氐 賵 毓蹖丕賳 亘賵丿賳貙 丕賳诏丕乇 诏賳诏賴 賵 亘丿賵賳 賲乇夭賴 賵 賲毓賳丕蹖蹖 賳丿丕乇賴: 夭賳丿诏蹖 丿乇 賯丕賱亘 丕亘乇蹖 丕夭 丕丨鬲賲丕賱丕鬲 讴賵賳丿乇丕蹖蹖!
倬.賳1:
噩丕賵丿丕賳诏蹖 乇賵 亘丕蹖丿 匕乇賴鈥屫柏辟� 賲夭賴 讴乇丿. 賲賳 賮讴乇 讴賳賲 鬲丕 丨丕賱丕 讴鬲丕亘蹖 乇賵 丿賵亘丕乇 賳禺賵賳丿賲 賵賱蹖 丌孬丕乇 讴賵賳丿乇丕 (賵 鬲丕 丕蹖賳噩丕蹖 讴丕乇貙 賲禺氐賵氐丕 噩丕賵丿丕賳诏蹖) 乇賵 賯胤毓丕 亘丕蹖丿 蹖讴亘丕乇 丿蹖诏賴 亘禺賵賳賲. 賲賳 倬蹖卮賳賴丕丿 賲蹖丿賲 丕蹖賳 乇賲丕賳 乇賵 丨鬲賲丕 賵 丨鬲賲丕 亘丕 鬲乇噩賲賴 讴丕馗賲蹖 蹖夭丿蹖 亘禺賵賳蹖丿 讴賴 鬲賯乇蹖亘丕 丨匕賮蹖丕鬲 禺丕氐蹖 賳丿丕乇賴貨 丕诏乇趩賴 讴賴 亘丕 鬲胤亘蹖賯蹖 讴賴 賲賳 丿丕丿賲貙 丕夭 賳馗乇 讴蹖賮蹖鬲貙 亘丕蹖丿 鬲賵賯毓 爻胤丨 賳爻亘鬲丕 賲鬲賵爻胤蹖 丕夭 丕蹖賳 鬲乇噩賲賴 丿丕卮鬲賴 亘丕卮蹖丿.
倬.賳2:
丕蹖賳 乇蹖賵蹖賵 乇賵 丿乇 鬲賵丕賱鬲 賳賵卮鬲賲 賵 亘蹖乇賵賳 丕夭 鬲賵丕賱鬲 丕丿蹖鬲 讴乇丿賲. 丕诏賴 趩蹖夭蹖 丕夭 讴鬲丕亘丕蹖 讴賵賳丿乇丕 蹖丕丿 诏乇賮鬲賴 亘丕卮賲 賴賲蹖賳賴 讴賴 丕蹖賳 丿乇 鬲賵丕賱鬲 賳賵卮鬲賳 賲賳 蹖賴 趩蹖夭 毓丕丿蹖 丿乇 丿賳蹖丕蹖 讴賵賳丿乇丕蹖蹖賴 賵 丌丿賲丕 賲賲讴賳賴 亘賴 爻丕丿诏蹖貙 蹖讴 乇蹖賵蹖賵 乇丕噩毓 亘賴 蹖讴蹖 丕夭 賲賵乇丿 毓賱丕賯賴鈥屫臂屬� 讴鬲丕亘丕卮賵賳 乇賵 丿乇 鬲賵丕賱鬲 亘賳賵蹖爻賳! 亘賴 賳馗乇賲 丕诏賴 禺賵丿 讴賵賳丿乇丕 亘賵丿貙 蹖賴 噩爻鬲丕乇蹖 賴賲 乇丕噩毓 亘賴 賳賵蹖爻賳丿诏蹖 丿乇 鬲賵丕賱鬲 賲蹖鈥屬嗁堌簇�.
倬.賳3:
亘乇丕蹖 丕蹖賳 乇賲丕賳 賲蹖鬲賵賳賲 賲丿鬲鈥屬囏й� 賲鬲賳 亘賳賵蹖爻賲 賵 亘賳賵蹖爻賲 賵賱蹖 亘賴 賴賲蹖賳 丕丿蹖鬲 丌禺乇 亘爻賳丿賴 賲蹖讴賳賲 賵 賱匕鬲 亘蹖鈥屫� 賵 丨氐乇 丨丕氐賱 丕夭 丕蹖賳 乇賲丕賳 乇賵貙 亘乇丕蹖 禺賵丿賲 賵 丌賳 丕賴賱 丿賱丕賳蹖 讴賴 乇賲丕賳 乇賵 禺賵賳丿賳 賳诏賴 賲蹖丿丕乇賲:)
August 11, 2016
Of my favourite authors, Haruki Murakami is like my enigmatic, bohemian tutor; Fyodor Dostoyevsky my reclusive, yet highly proficient counselor; and Milan Kundera an amiable uncle full of wit and wisdom. While Kundera's stories in themselves are beautiful, it's his philosophical insights and observations about mankind which I can't get enough of - yes, this is someone who I can truly respect in raising their voice about the human condition.
Reading Kundera, you're put face-to-face with many questions about your present and identity, but you're also pulled back to your past, with your childhood, family home, regrets and first steps in love; as well as the future, where your dreams and aspirations lie, what we want in love and matrimony, how we want to be seen by the world in life, and in death. Personally I think too little of the present, sandwiched between my past and future.
August 5, 2015
2016 edit: Kundera isn't on my Favourite Authors list any more, but I still love this work and The Unbearable Lightness of Being.
When someone is young, he is not capable of conceiving of time as a circle, but thinks of it as a road leading forward to ever-new horizons; he does not yet sense that his life contains just a single theme; he will come to realise it only when his life begins to enact its first variations.There are countless themes swimming inside this novel (or are they merely variations on life and death?), and every few pages you're left wondering how you feel about what he's just touched on - have I ever thought about this?; yes, he has put it perfectly; that's what I've always wanted to put into words but never could!
'Just imagine living in a world without mirrors. You'd dream about your face and imagine it as an outer reflection of what is inside you. And then, when you reached forty, someone would put a mirror before you for the first time in your life. Imagine your fright! You'd see the face of a stranger. And you'd know quite clearly what you are unable to grasp: your face is not you.'One of the strongest forces in our lives, and perhaps a natural human constant, is identifying with ourselves. Could you go a day without looking in the mirror? Isn't your name so dear to you that it even feels like it's something you yourself created out of talent and inspiration? Are our gestures, familial relations, mannerisms in making love and what we hold as our own peculiarities, actually unique when the sheer number of people on Earth suggests otherwise? If we created art, do we wish for its immortality or our own as the creator? Just how well do we think we know how others perceive us?
Reading Kundera, you're put face-to-face with many questions about your present and identity, but you're also pulled back to your past, with your childhood, family home, regrets and first steps in love; as well as the future, where your dreams and aspirations lie, what we want in love and matrimony, how we want to be seen by the world in life, and in death. Personally I think too little of the present, sandwiched between my past and future.
'I long for an experiment that would examine, by means of electrodes attached to the human head, exactly how much of one's life a person devotes to the present, how much to the memories and how much to the future. This would let us know who a man really is in relation to his time. What human time really is.'I especially liked Agnes in this novel; I felt that her own world and dignity were precious to her over anything else, and I could relate to that. While she realises she loved and truly connected with her father, there's always an insurmountable gap between her and her mother, sister, lovers, even husband and daughter.
Agnes subtracts from her self everything that is exterior and borrowed, in order to come closer to her sheer essence (even with the risk that zero lurks at the bottom of the subtraction). Laura's method is precisely the opposite: in order to make her self ever more visible, perceivable, seizable, sizeable, she keeps adding to it more and more attributes and she attempts to identify herself with them (with the risk that the essence of the self may be buried by the additional attributes).The only reason I didn't give this book five stars is that it fell just short of the standards of which touched me deeper, but I must say that Immortality easily overpowers most novels I've rated four stars. If you haven't read Kundera before, I highly recommend these two, in my eyes, works of art that speak through their wisdom, insights, and most of all, love.
August 5, 2015
2016 edit: Kundera isn't on my Favourite Authors list any more, but I still love this work and The Unbearable Lightness of Being.
December 27, 2016
倬蹖乇夭賳蹖 亘丕 丿爻鬲 鬲讴丕賳 丿丕丿賳 亘乇丕蹖 賲乇亘蹖 卮賳丕蹖 禺賵丿 爻毓蹖 亘乇 賮乇蹖賮賳賳 丕賵 丿丕乇丿 賵 賴賲蹖賳 讴賵賳丿乇丕 乇丕 賵丕 賲蹖 丿丕乇丿鬲丕 卮禺氐蹖鬲 丕诏賳爻 乇丕 禺賱賯 讴賳丿.讴賵賳丿乇丕 賴賲 禺丕賱賯 賵 賴賲 噩夭蹖蹖 丕夭 讴鬲丕亘 丕爻鬲 賵 丕蹖賳 讴丕乇 賲禺氐賵氐丕 丿乇 丌禺乇蹖賳 賮氐賱 讴賴 卮禺氐蹖鬲 賴丕 蹖讴丿蹖诏乇 乇丕 賲賱丕賯丕鬲 賲蹖讴賳賳丿 亘賴 丕賵噩 禺賵丿 賲蹖 乇爻丿.
噩丕賵丿丕賳诏蹖 丕夭 趩賳丿蹖賳 丿丕爻鬲丕賳 賲噩夭丕 亘丕 賲丨賵乇蹖鬲 賴丕蹖 賲鬲賮丕賵鬲 丕賲丕 賲乇鬲亘胤 鬲卮讴蹖賱 卮丿賴 丕爻鬲:倬賱 賵 丕诏賳爻貙诏賵鬲賴 賵 賲毓卮賵賯賴 丕卮 亘鬲蹖賳丕貙丿丕爻鬲丕賳 乇賵亘賳爻 賵 夭賳丕賳卮貙丿禺鬲乇 鬲賳賴丕.
丕 賵 丕夭 賲毓丿賵丿 賳賵蹖爻賳丿诏丕賳 賲乇丿蹖 爻鬲 讴賴 爻乇诏卮鬲诏蹖 賵 丌卮賮鬲诏蹖 乇賵丨 夭賳 乇丕 賵氐賮 賲蹖 讴賳丿 . 卮丕蹖丿 賳賴 讴丕賲賱丕 丕賲丕 鬲丕 丨丿 夭蹖丕丿蹖 讴丕賱亘丿 蹖讴 夭賳 丨賯蹖賯蹖 丿乇 卮禺氐蹖鬲 丕诏賳爻 倬蹖丿丕 亘賵丿 賵 賲蹖卮丿 亘丕 丕賵 賴賲夭丕丿 倬賳丿丕乇蹖 讴乇丿.
丿乇 丿丕爻鬲丕賳 诏賵鬲賴貙丕賵 爻毓蹖 丿丕乇丿 鬲賱丕卮 丕賳爻丕賳賴丕 亘乇丕蹖 噩丕賵丿丕賳诏蹖(讴賴 禺賵丿 亘賴 丿賵 丿爻鬲賴 鬲賯爻蹖賲 賲蹖 卮賵丿:噩賴丕賳蹖貙毓丕胤賮蹖) 亘蹖丕賳 讴賳丿.賲丨賵乇蹖鬲 丿丕爻鬲丕賳 乇賵蹖 亘鬲蹖賳丕 亘賵丿讴賴 鬲賲丕賲 鬲賵丕賳 禺賵丿 乇丕 亘乇丕蹖 噩丕賵丿丕賳诏蹖 賳賴丕丿.
丿丕爻鬲丕賳 乇賵亘賳爻 讴賴 亘賴 毓賯蹖丿賴 讴賵賳丿乇丕 蹖讴 丿丕爻鬲丕賳 卮賴賵蹖 鬲乇丕跇蹖讴(亘丕 爻丕賳爻賵乇 賮乇丕賵丕賳!!)丕爻鬲.賳诏丕賴卮 乇丕 亘賴 爻賲鬲 賳蹖丕夭 噩賳爻蹖 賵 丕夭丿賵丕噩 賵 乇賵丕亘胤 毓丕卮賯丕賳賴 爻賵賯 丿丕丿.
亘禺卮蹖 賳蹖夭 賲乇亘賵胤 亘賴 丿禺鬲乇讴 胤乇丿 卮丿賴 亘賵丿 丿禺鬲乇蹖 讴賴 氐丿丕蹖卮 亘賴 诏賵卮 讴爻蹖 賳乇爻蹖丿 賲诏乇 賴賳诏丕賲 賮丕噩毓賴!讴賵賳丿乇丕 亘丕 亘蹖丕賳 丕丨爻丕爻丕鬲 賵 丿乇丿 丕賵貙 夭蹖亘丕鬲乇蹖賳 亘禺卮 讴鬲丕亘 乇丕 毓乇囟賴 丿丕丿.
鬲賯丕亘賱 馗丕賴乇 賵 亘丕胤賳貙賳賮蹖 賯囟丕賵鬲 丿蹖诏乇丕賳貙丕賴賲蹖鬲 丨乇賮 賲乇丿賲 丕夭 丿蹖诏乇 賳讴丕鬲 賲賮蹖丿 丕蹖賳 讴鬲丕亘 亘賵丿.
倬禺鬲诏蹖 丿乇 丕蹖賳 丕孬乇 賳爻亘鬲 亘賴 亘賯蹖賴 丌孬丕乇 讴賵賳丿乇丕 讴丕賲賱丕 丌卮讴丕乇 亘賵丿 賵 禺賵丿 丕賵 丕蹖賳 讴鬲丕亘 乇丕 亘賴鬲乇蹖賳 卮讴賱 卮乇丨 賲蹖丿賴丿:
'丕蹖賳 乇賲丕賳 賲丕賳賳丿囟蹖丕賮鬲蹖 爻鬲 亘丕 睾匕丕賴丕蹖 亘爻蹖丕乇 賳賴 蹖讴 賲爻丕亘賯賴 丿賵趩乇禺賴 爻賵丕乇蹖.'
噩丕賵丿丕賳诏蹖 丕夭 趩賳丿蹖賳 丿丕爻鬲丕賳 賲噩夭丕 亘丕 賲丨賵乇蹖鬲 賴丕蹖 賲鬲賮丕賵鬲 丕賲丕 賲乇鬲亘胤 鬲卮讴蹖賱 卮丿賴 丕爻鬲:倬賱 賵 丕诏賳爻貙诏賵鬲賴 賵 賲毓卮賵賯賴 丕卮 亘鬲蹖賳丕貙丿丕爻鬲丕賳 乇賵亘賳爻 賵 夭賳丕賳卮貙丿禺鬲乇 鬲賳賴丕.
丕 賵 丕夭 賲毓丿賵丿 賳賵蹖爻賳丿诏丕賳 賲乇丿蹖 爻鬲 讴賴 爻乇诏卮鬲诏蹖 賵 丌卮賮鬲诏蹖 乇賵丨 夭賳 乇丕 賵氐賮 賲蹖 讴賳丿 . 卮丕蹖丿 賳賴 讴丕賲賱丕 丕賲丕 鬲丕 丨丿 夭蹖丕丿蹖 讴丕賱亘丿 蹖讴 夭賳 丨賯蹖賯蹖 丿乇 卮禺氐蹖鬲 丕诏賳爻 倬蹖丿丕 亘賵丿 賵 賲蹖卮丿 亘丕 丕賵 賴賲夭丕丿 倬賳丿丕乇蹖 讴乇丿.
丿乇 丿丕爻鬲丕賳 诏賵鬲賴貙丕賵 爻毓蹖 丿丕乇丿 鬲賱丕卮 丕賳爻丕賳賴丕 亘乇丕蹖 噩丕賵丿丕賳诏蹖(讴賴 禺賵丿 亘賴 丿賵 丿爻鬲賴 鬲賯爻蹖賲 賲蹖 卮賵丿:噩賴丕賳蹖貙毓丕胤賮蹖) 亘蹖丕賳 讴賳丿.賲丨賵乇蹖鬲 丿丕爻鬲丕賳 乇賵蹖 亘鬲蹖賳丕 亘賵丿讴賴 鬲賲丕賲 鬲賵丕賳 禺賵丿 乇丕 亘乇丕蹖 噩丕賵丿丕賳诏蹖 賳賴丕丿.
丿丕爻鬲丕賳 乇賵亘賳爻 讴賴 亘賴 毓賯蹖丿賴 讴賵賳丿乇丕 蹖讴 丿丕爻鬲丕賳 卮賴賵蹖 鬲乇丕跇蹖讴(亘丕 爻丕賳爻賵乇 賮乇丕賵丕賳!!)丕爻鬲.賳诏丕賴卮 乇丕 亘賴 爻賲鬲 賳蹖丕夭 噩賳爻蹖 賵 丕夭丿賵丕噩 賵 乇賵丕亘胤 毓丕卮賯丕賳賴 爻賵賯 丿丕丿.
亘禺卮蹖 賳蹖夭 賲乇亘賵胤 亘賴 丿禺鬲乇讴 胤乇丿 卮丿賴 亘賵丿 丿禺鬲乇蹖 讴賴 氐丿丕蹖卮 亘賴 诏賵卮 讴爻蹖 賳乇爻蹖丿 賲诏乇 賴賳诏丕賲 賮丕噩毓賴!讴賵賳丿乇丕 亘丕 亘蹖丕賳 丕丨爻丕爻丕鬲 賵 丿乇丿 丕賵貙 夭蹖亘丕鬲乇蹖賳 亘禺卮 讴鬲丕亘 乇丕 毓乇囟賴 丿丕丿.
鬲賯丕亘賱 馗丕賴乇 賵 亘丕胤賳貙賳賮蹖 賯囟丕賵鬲 丿蹖诏乇丕賳貙丕賴賲蹖鬲 丨乇賮 賲乇丿賲 丕夭 丿蹖诏乇 賳讴丕鬲 賲賮蹖丿 丕蹖賳 讴鬲丕亘 亘賵丿.
倬禺鬲诏蹖 丿乇 丕蹖賳 丕孬乇 賳爻亘鬲 亘賴 亘賯蹖賴 丌孬丕乇 讴賵賳丿乇丕 讴丕賲賱丕 丌卮讴丕乇 亘賵丿 賵 禺賵丿 丕賵 丕蹖賳 讴鬲丕亘 乇丕 亘賴鬲乇蹖賳 卮讴賱 卮乇丨 賲蹖丿賴丿:
'丕蹖賳 乇賲丕賳 賲丕賳賳丿囟蹖丕賮鬲蹖 爻鬲 亘丕 睾匕丕賴丕蹖 亘爻蹖丕乇 賳賴 蹖讴 賲爻丕亘賯賴 丿賵趩乇禺賴 爻賵丕乇蹖.'
December 9, 2011
This was my first time reading Kundera. I picked it up in a bookstore on a whim and was completely enthralled. This author has a way of saying things I've always wanted to say, but never found the words to do so. He has a talent for observation that is cleverly, if not blatantly, philosophical. He's also very funny.
But enough about him, since one of his main points is that we all concern ourselves way too much with the personal lives of creative artists rather than their actual work. Hence, I suppose, the reason he gives himself a role in the storyline of the book, Alfred-Hitchcock style. He also throws in Goethe, Beethoven, Napoleon, and Hemingway and several others to help explain his ideas, and coins terms like "ridiculous immortality" and "hypertrophy of the soul" to give us his own "sound bites" for our minds to chew on.
The main storyline reads kind of like a modern Greek tragedy with a twist of French existentialism and several intermissions. I don't know if I could recommend it to everyone, but for creative types, depressives, beatniks, and anyone else who has felt like they didn't fit in with the rest of the world, this is a great book.
But enough about him, since one of his main points is that we all concern ourselves way too much with the personal lives of creative artists rather than their actual work. Hence, I suppose, the reason he gives himself a role in the storyline of the book, Alfred-Hitchcock style. He also throws in Goethe, Beethoven, Napoleon, and Hemingway and several others to help explain his ideas, and coins terms like "ridiculous immortality" and "hypertrophy of the soul" to give us his own "sound bites" for our minds to chew on.
The main storyline reads kind of like a modern Greek tragedy with a twist of French existentialism and several intermissions. I don't know if I could recommend it to everyone, but for creative types, depressives, beatniks, and anyone else who has felt like they didn't fit in with the rest of the world, this is a great book.
March 6, 2019
"廿匕丕 乇賮囟賳丕 廿毓胤丕亍 丕賱兀賴賲賷丞 賱毓丕賱賲 賷毓鬲亘乇 賳賮爻賴 賲賴賲丕貙 賵廿匕丕 賱賲 賷噩丿 囟丨賰賳丕 兀賷 氐丿賶 賮賷 賴匕丕 丕賱毓丕賱賲貙 賱丕 賷毓賵丿 兀賲丕賲賳丕 廿賱丕 丨賱 賵丕丨丿: 兀賳 賳兀禺匕 丕賱毓丕賱賲 丿賮毓丞 賵丕丨丿丞貙 賵賳噩毓賱 賲賳賴 賲賵囟賵毓賸丕 賱賱毓亘貙 兀賳 賳丨賵賾賱賴 廿賱賶 賱毓亘丞"
賮賷 丌禺乇 乇賵丕賷丕鬲賴 賷賰鬲卮賮 丌賱丕賳 卮賷卅賸丕 賲賴賲丕: "丕賱鬲賮丕賴丞 賷丕 氐丿賷賯賷 賴賷 噩賵賴乇 丕賱賵噩賵丿". 賴匕賴 賴賷 廿丨丿賶 賲賮丕鬲賷丨 賰賵賳丿賷乇丕 丕賱匕賷 鬲爻賷胤乇 毓賱賶 兀睾賱亘 乇賵丕賷丕鬲賴 亘丿丕賷丞 賲賳 丕賱賲夭丨丞 賵氐賵賱賸丕 廿賱賶 丨賮賱丞 丕賱鬲賮丕賴丞.
賮賷 賴匕賴 丕賱乇賵丕賷丞 賷禺亘乇 賰賵賳丿賷乇丕 兀賮賷賳丕乇賷賵爻 賮賷 丨賵丕乇賴賲丕 亘兀賳賴 賷賰鬲亘 乇賵丕賷丞 丕爻賲賴丕 "賰丕卅賳 賱丕 鬲丨鬲賲賱 禺賮鬲賴"貙 賮賷禺亘乇賴 兀賮賷賳丕乇賷賵爻 亘兀賳 賴匕丕 丕爻賲 賱乇賵丕賷丞 賲賵噩賵丿丞 亘丕賱賮毓賱貙 賮賷乇丿 賰賵賳丿賷乇丕 亘兀賳賴丕 乇賵丕賷鬲賴 兀賷囟賸丕 賱賰賳 丕賱乇賵丕賷丞 丕賱鬲賷 賷賰鬲亘 賮賷賴丕 丕賱丌賳 賴賷 丕賱鬲賷 賷噩亘 兀賳 鬲賰賵賳 亘丕爻賲 賰丕卅賳 賱丕 鬲丨鬲賲賱 禺賮鬲賴.
賮賷 賮賳 丕賱乇賵丕賷丞 亘鬲丨丿孬 賰賵賳丿賷乇丕 毓賳 兀賳賴 賳丿賲 毓賱賶 鬲爻賲賷丞 賰丕卅賳 賱丕 鬲丨鬲賲賱 禺賮鬲賴 亘賴匕丕 丕賱丕爻賲貙 賰丕賳 賱賴丕 丕爻賲 丌禺乇 賱賰賳賴 睾賷乇賴 亘廿賱丨丕丨 賲賳 丕賱兀氐丿賯丕亍.
丕賱丨賯賷賯丞 兀賳 賰賵賳丿賷乇丕 賲丨賯貙 賴匕賴 丕賱乇賵丕賷丞 毓賳 丕賱賰丕卅賳 丕賱匕賷 賱丕 鬲丨鬲賲賱 禺賮鬲賴 亘丕賲鬲賷丕夭貙 賮賷 賰丕卅賳 賱丕 鬲丨鬲賲賱 禺賮鬲賴 賰丕賳 賴賳丕賰 氐乇丕毓 亘賷賳 丕賱禺賮丞 賵丕賱孬賯賱貙 丕賱卮禺氐賷丕鬲 賴賳丕 賱丕 鬲丨鬲賲賱 禺賮賾鬲賴丕 亘丨賯. 孬賳丕卅賷丞 丕賱禺賮丞 賵丕賱孬賯賱 賵丕賱乇賵丨 賵丕賱噩爻丿 賷鬲賲 賴賳丕 丕賱鬲毓丕賲賱 賲毓賴丕 亘卮賰賱 賲禺鬲賱賮 毓賳 賰丕卅賳 賱丕 鬲丨鬲賲賱 禺賮鬲賴 賱賰賳賴丕 鬲丨賲賱 賳賮爻 丕賱賲毓賳賶.
賱丕 賷賲賰賳 丕禺鬲夭丕賱 賲丕 賷賰鬲亘賴 賰賵賳丿賷乇丕 賵賱丕 賮賴賲賴 丿賵賳 乇亘胤 賲卮乇賵毓賴 丕賱乇賵丕卅賷 亘兀賰賲賱賴. 噩丿賷乇 亘丕賱匕賰乇 兀賳賴 賵丕丨丿 賲賳 兀賴賲 丕賱乇賵丕卅賷賷賳 賮賷 丕賱鬲丕乇賷禺 亘賱 賷賲賰賳賳丕 兀賳 賳氐亘丨 兀賰孬乇 鬲胤乇賮丕 賵賳賯賵賱 兀賳賴 匕乇賵丞 鬲丕乇賷禺 丕賱乇賵丕賷丞 丨賷孬 賷賯賮 卮丕賴丿賸丕 毓賱賶 賲賵鬲 賴匕丕 丕賱賮賳 賵鬲丨噩乇賴 毓賳丿 賳賯胤丞 賲丨丿丿丞.
鬲購毓丿 賴匕賴 丕賱乇賵丕賷丞 亘噩賵丕乇 賰丕卅賳 賱丕 鬲丨鬲賲賱 禺賮鬲賴 匕乇賵丞 兀毓賲丕賱 賰賵賳丿賷乇丕貙 丨賷孬 賷賲賰賳 兀賳 賳毓丿 賲丕 亘毓丿賴丕 鬲賳賵賷毓丕鬲 亘卮賰賱 賲禺鬲賱賮 毓賱賶 賲賵囟賵毓丕鬲賴 丕賱兀孬賷乇丞 毓賳 丕賱匕丕賰乇丞 賵丕賱賳爻賷丕賳 賵丕賱禺賮丞 賵丕賱孬賯賱 賵丕賱噩丿賷丞 賵丕賱賴夭賱 賵丕賱乇賵丨 賵丕賱噩爻丿 賵丕賱賴賵賷丞 賵丕賱賮乇丿賷丞貙 賵睾賷乇賴丕 賲賳 丕賱賲賵丕囟賷毓 丕賱賵噩賵丿賷丞 賵丕賱噩賲丕賱賷丞 丕賱賲鬲賳賵毓丞.
賮賷 丌禺乇 乇賵丕賷丕鬲賴 賷賰鬲卮賮 丌賱丕賳 卮賷卅賸丕 賲賴賲丕: "丕賱鬲賮丕賴丞 賷丕 氐丿賷賯賷 賴賷 噩賵賴乇 丕賱賵噩賵丿". 賴匕賴 賴賷 廿丨丿賶 賲賮丕鬲賷丨 賰賵賳丿賷乇丕 丕賱匕賷 鬲爻賷胤乇 毓賱賶 兀睾賱亘 乇賵丕賷丕鬲賴 亘丿丕賷丞 賲賳 丕賱賲夭丨丞 賵氐賵賱賸丕 廿賱賶 丨賮賱丞 丕賱鬲賮丕賴丞.
賮賷 賴匕賴 丕賱乇賵丕賷丞 賷禺亘乇 賰賵賳丿賷乇丕 兀賮賷賳丕乇賷賵爻 賮賷 丨賵丕乇賴賲丕 亘兀賳賴 賷賰鬲亘 乇賵丕賷丞 丕爻賲賴丕 "賰丕卅賳 賱丕 鬲丨鬲賲賱 禺賮鬲賴"貙 賮賷禺亘乇賴 兀賮賷賳丕乇賷賵爻 亘兀賳 賴匕丕 丕爻賲 賱乇賵丕賷丞 賲賵噩賵丿丞 亘丕賱賮毓賱貙 賮賷乇丿 賰賵賳丿賷乇丕 亘兀賳賴丕 乇賵丕賷鬲賴 兀賷囟賸丕 賱賰賳 丕賱乇賵丕賷丞 丕賱鬲賷 賷賰鬲亘 賮賷賴丕 丕賱丌賳 賴賷 丕賱鬲賷 賷噩亘 兀賳 鬲賰賵賳 亘丕爻賲 賰丕卅賳 賱丕 鬲丨鬲賲賱 禺賮鬲賴.
賮賷 賮賳 丕賱乇賵丕賷丞 亘鬲丨丿孬 賰賵賳丿賷乇丕 毓賳 兀賳賴 賳丿賲 毓賱賶 鬲爻賲賷丞 賰丕卅賳 賱丕 鬲丨鬲賲賱 禺賮鬲賴 亘賴匕丕 丕賱丕爻賲貙 賰丕賳 賱賴丕 丕爻賲 丌禺乇 賱賰賳賴 睾賷乇賴 亘廿賱丨丕丨 賲賳 丕賱兀氐丿賯丕亍.
丕賱丨賯賷賯丞 兀賳 賰賵賳丿賷乇丕 賲丨賯貙 賴匕賴 丕賱乇賵丕賷丞 毓賳 丕賱賰丕卅賳 丕賱匕賷 賱丕 鬲丨鬲賲賱 禺賮鬲賴 亘丕賲鬲賷丕夭貙 賮賷 賰丕卅賳 賱丕 鬲丨鬲賲賱 禺賮鬲賴 賰丕賳 賴賳丕賰 氐乇丕毓 亘賷賳 丕賱禺賮丞 賵丕賱孬賯賱貙 丕賱卮禺氐賷丕鬲 賴賳丕 賱丕 鬲丨鬲賲賱 禺賮賾鬲賴丕 亘丨賯. 孬賳丕卅賷丞 丕賱禺賮丞 賵丕賱孬賯賱 賵丕賱乇賵丨 賵丕賱噩爻丿 賷鬲賲 賴賳丕 丕賱鬲毓丕賲賱 賲毓賴丕 亘卮賰賱 賲禺鬲賱賮 毓賳 賰丕卅賳 賱丕 鬲丨鬲賲賱 禺賮鬲賴 賱賰賳賴丕 鬲丨賲賱 賳賮爻 丕賱賲毓賳賶.
賱丕 賷賲賰賳 丕禺鬲夭丕賱 賲丕 賷賰鬲亘賴 賰賵賳丿賷乇丕 賵賱丕 賮賴賲賴 丿賵賳 乇亘胤 賲卮乇賵毓賴 丕賱乇賵丕卅賷 亘兀賰賲賱賴. 噩丿賷乇 亘丕賱匕賰乇 兀賳賴 賵丕丨丿 賲賳 兀賴賲 丕賱乇賵丕卅賷賷賳 賮賷 丕賱鬲丕乇賷禺 亘賱 賷賲賰賳賳丕 兀賳 賳氐亘丨 兀賰孬乇 鬲胤乇賮丕 賵賳賯賵賱 兀賳賴 匕乇賵丞 鬲丕乇賷禺 丕賱乇賵丕賷丞 丨賷孬 賷賯賮 卮丕賴丿賸丕 毓賱賶 賲賵鬲 賴匕丕 丕賱賮賳 賵鬲丨噩乇賴 毓賳丿 賳賯胤丞 賲丨丿丿丞.
鬲購毓丿 賴匕賴 丕賱乇賵丕賷丞 亘噩賵丕乇 賰丕卅賳 賱丕 鬲丨鬲賲賱 禺賮鬲賴 匕乇賵丞 兀毓賲丕賱 賰賵賳丿賷乇丕貙 丨賷孬 賷賲賰賳 兀賳 賳毓丿 賲丕 亘毓丿賴丕 鬲賳賵賷毓丕鬲 亘卮賰賱 賲禺鬲賱賮 毓賱賶 賲賵囟賵毓丕鬲賴 丕賱兀孬賷乇丞 毓賳 丕賱匕丕賰乇丞 賵丕賱賳爻賷丕賳 賵丕賱禺賮丞 賵丕賱孬賯賱 賵丕賱噩丿賷丞 賵丕賱賴夭賱 賵丕賱乇賵丨 賵丕賱噩爻丿 賵丕賱賴賵賷丞 賵丕賱賮乇丿賷丞貙 賵睾賷乇賴丕 賲賳 丕賱賲賵丕囟賷毓 丕賱賵噩賵丿賷丞 賵丕賱噩賲丕賱賷丞 丕賱賲鬲賳賵毓丞.
Displaying 1 - 30 of 2,754 reviews
Can't find what you're looking for?
Get help and learn more about the design.