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Botany

The scientific study of plants.

The Botany of Desire: A Plant's-Eye View of the World
Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants
The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World
Botany in a Day: The Patterns Method of Plant Identification
The Signature of All Things
Wicked Plants: The Weed That Killed Lincoln's Mother and Other Botanical Atrocities
The Drunken Botanist: The Plants That Create the World's Great Drinks
Gathering Moss: A Natural and Cultural History of Mosses
Botany for Gardeners
Lab Girl
The Triumph of Seeds: How Grains, Nuts, Kernels, Pulses, and Pips Conquered the Plant Kingdom and Shaped Human History
Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures
What a Plant Knows: A Field Guide to the Senses
The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth
Plant Identification Terminology: An Illustrated Glossary
What Moves the Dead by T. KingfisherMexican Gothic by Silvia Moreno-GarciaSorrowland by Rivers SolomonThe Beauty by Aliya WhiteleyRosewater by Tade Thompson
Fungus Fiction
50 books — 42 voters
Wicked Plants by Amy  StewartBraiding Sweetgrass by Robin Wall KimmererIn the Shadow of Slavery by Judith A. CarneyGinseng Dreams by Kristin JohannsenPapyrus by John Gaudet
Ethnobotany
48 books — 12 voters


Elizabeth Gilbert
Alma wrote in depth about laurel, mimosa, and verbena. She wrote about grapes and camellias, about the myrtle orange, about the cosseting of figs, She published under the name "A. Whittaker." Neither she nor George Hawkes believed that it would much benefit Alma to announce herself in print as female. In the scientific world of the day, there was still a strict division between "botany" (the study of plants by men) and "polite botany" was often indistinguishable from "botany"- except that one fi ...more
Elizabeth Gilbert, The Signature of All Things

Susan Orlean
I wanted a Fakahatchee ghost orchid, in full bloom, maybe attached to a gnarled piece of custard apple tree, and I wanted its roots to spread as broad as my hand and each root to be only as wide as a toothpick. I wanted the bloom to be snow-white, white as sugar, white as lather, white as teeth. I knew its shape by heart, the peaked face with the droopy mustache of petals, the albino toad with its springy legs. It would not be the biggest or the showiest or the rarest or the finest flower here, ...more
Susan Orlean, The Orchid Thief

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45 members, last active 5 years ago