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Cinema


Hitchcock/Truffaut
Sculpting in Time
Notes on the Cinematographer
Making Movies
The Magic Lantern
In the Blink of an Eye: A Perspective on Film Editing
Story: Substance, Structure, Style, and the Principles of Screenwriting
Film Art: An Introduction
Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'n' Roll Generation Saved Hollywood
What is Cinema? Volume I
Cinema 1: The Movement-Image
My Last Sigh
Something Like an Autobiography
Screenplay: The Foundations of Screenwriting Paperback – November 29, 2005
Film History: An Introduction
There either is or is not, that’s the way things are. The colour of the day. The way it felt to be a child. The saltwater on your sunburnt legs. Sometimes the water is yellow, sometimes it’s red. But what colour it may be in memory, depends on the day. I’m not going to tell you the story the way it happened. I’m going to tell it the way I remember it. � Great Expectations (1998) directed by Alfonso Cuarón
Mitch Glazer

Martin Amis
I am easily moved to tears and rarely survive a visit to the cinema without shedding them, racked, as I am, by the most perfunctory, meretricious or even callously sentimental attempts at poignancy (something about the exterior of the human face, so vast and palpable, with the eyes and the lips: it is all writ too large for me, too immediate for me.)
Martin Amis, Experience: A Memoir

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