欧宝娱乐

Playwriting


Playwriting: Structure, Character, How and What to Write
Playwriting For Dummies
The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives
The Playwright's Guidebook: An Insightful Primer on the Art of Dramatic Writing
The Art and Craft of Playwriting
Backwards and Forwards: A Technical Manual for Reading Plays
Harry Potter and the Cursed Child: Parts One and Two (Harry Potter, #8)
Three Uses of the Knife: On the Nature and Purpose of Drama
Playwriting In Process: Thinking and Working Theatrically
The Dramatic Writer's Companion: Tools to Develop Characters, Cause Scenes, and Build Stories (Chicago Guides to Writing, Editing, and Publishing)
Playwriting: A Writers' and Artists' Companion (Writers鈥� and Artists鈥� Companions)
Theory and Technique of Playwriting,
Playwriting: Writing Producing and Selling Your Play
The Elements of Playwriting
Save the Cat: The Last Book on Screenwriting You'll Ever Need
Plastic Figurines by Ella Carmen GreenhillANTIGONE by Yves FlorennePosh by Laura WadeThis Beautiful Future by Rita KalnejaisLungs by Duncan Macmillan
Plays I've Read in 2022
8 books — 1 voter
The Empty Space by Peter BrookAngels in America by Tony KushnerWuthering Heights by Emma RiceContemporary Theatre in Egypt by Marvin A. CarlsonHedda Gabler by Henrik Ibsen
Contemporary Theatre Studies
45 books — 2 voters

Waiting for 2000 by Zack LoveSaving Juliet by Suzanne SelforsPride, Prejudice and Jasmin Field by Melissa NathanThe Patron Murders by Edwin  WilsonUntouchable Things by Tara Guha
Theater-Themed Novels
34 books — 34 voters
Playwriting by Stephen JeffreysPlay-Making by William ArcherAristotle by AristotleThe Crafty Art of Playmaking by Alan AyckbournThe Seven Basic Plots by Christopher Booker
Playwriting Books
33 books — 1 voter

John Osborne
In truth, there was no systematic policy except that which engaged the various personalities that grew around the original nucleus assembled by George Devine and Tony Richardson. Most of these were, in the mild climate of the time, left of centre, though they would now be regarded as soft-meringue-liberals by the drowsy commissars who have long since taken over.
John Osborne, Looking Back: Never Explain, Never Apologise

As a youth I enjoyed 鈥� indeed, like most of my contemporaries, revered 鈥� the agitprop plays of Brecht, and his indictments of Capitalism. It later occurred to me that his plays were copyrighted, and that he, like I, was living through the operations of that same free market. His protestations were not borne out by his actions, neither could they be. Why, then, did he profess Communism? Because it sold. The public鈥檚 endorsement of his plays kept him alive; as Marx was kept alive by the fortune En ...more
David Mamet, The Secret Knowledge: On the Dismantling of American Culture

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