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“The germ containing an inverted reflection of contemporary art and Christianity is discernible in the historical conflation of the good and the beautiful. Though it is nowadays evident that what is good is not always beautiful and vice versa—a distinction perhaps best illustrated in Christian art by the contrast between depictions of Christ, scourged and gruesome, with depictions of Lucifer, radiant and alluring—the notion still lingers. Even nowadays, it is tempting when faced with such contrasting images to revert: to instinctually reimagine Christ in shining brilliance and Lucifer in gory horror. But this stems from a fundamentally pagan impulse: to search for Christ in the guise of a hastily baptized Apollo is to bend to the charm of the very contradiction which Christianity itself reconciles.”