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“Spectators learn to assign every shot a cause internal to the film's narrative. Jean-Pierre Oudart used the word suture to describe how fillms thus produce the impression of contiguous space by soliciting the viewer's unconscious cooperation. The classical Hollywood film follows the model of Velázquez's Las Meninas, a painting that envelops the space in which we viewers stand, yet erases us in the process.
In the classical Hollywood cinema, editing moves far too quickly and efficiently to let us savor this paradox. It solicits, even exploits, our psychic labor in knitting the film together and sells us back that labor as entertainment.”