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“What began as a form of self-defense (I will reassert myself as the owner of my ideas, my identity, my name!) became, gradually, a form of self-release. By creating a crisis in my personal brand (the one I always denied I had), and by introducing a hefty dose of ridiculousness into the seriousness with which I once took my public persona, and by showing me how terribly grim it is to spend your life chasing clout, Other Naomi has left me with no choice but to loosen the grip on that performed and partitioned version of me.”