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“By the time they'd finished their tea, they were almost in love with each other â€� not quite yet, because true love took time and memories, but as close to love as first impressions could take them. The days had not yet come when Ramy wore Victoire's sloppily knitted scarves with pride, when Robin learned exactly how long Ramy liked his tea steeped so he could have it ready when he inevitably came to the Buttery late from his Arabic tutorial, or when they all knew Letty was about to come to class with a paper bag full of lemon biscuits because it was a Wednesday morning and Taylor's bakery put out lemon biscuits on Wednesdays. But that afternoon they could see with certainty the kind of friends they would be, and loving that vision was close enough.”
― R.F. Kuang, Babel

“No one will understand you. It is not, ultimately, that important. What is important is that you understand you.”
― Matt Haig, The Humans

“THE WORLD IS increasingly designed to depress us. Happiness isn’t very good for the economy. If we were happy with what we had, why would we need more? How do you sell an anti-ageing moisturiser? You make someone worry about ageing. How do you get people to vote for a political party? You make them worry about immigration. How do you get them to buy insurance? By making them worry about everything. How do you get them to have plastic surgery? By highlighting their physical flaws. How do you get them to watch a TV show? By making them worry about missing out. How do you get them to buy a new smartphone? By making them feel like they are being left behind. To be calm becomes a kind of revolutionary act. To be happy with your own non-upgraded existence. To be comfortable with our messy, human selves, would not be good for business.”
― Matt Haig, Reasons to Stay Alive

“It can be boring to watch snowflakes falling with your eyes fixed in one place, but when you follow a single snowflake from up high, when you follow its aerobatics, you embark on an intoxicating adventure.”
― Timothée de Fombelle, Vango: Entre ciel et terre

“Dead kids are put on pedestals, but mentally ill kids get hidden under the rug.”
― Neal Shusterman, Challenger Deep

“Wherever you are, at any moment, try and find something beautiful. A face, a line out of a poem, the clouds out of a window, some graffiti, a wind farm. Beauty cleans the mind.”
― Matt Haig, Reasons to Stay Alive

“Make sure, as often as possible, you are doing something you’d be happy to die doing.”
― Matt Haig, The Humans

“A paradox: The things you don’t need to live—books, art, cinema, wine, and so on—are the things you need to live.”
― Matt Haig, The Humans

“In the fog, she kissed me once, very quickly, and it felt like courage.”
― Julia Drake, The Last True Poets of the Sea

“By comparison, the Titanic sank in two hours, forty minutes. Pretty impressive, to have sunk to the bottom even faster than the twentieth century’s greatest shipwreck. Especially considering I was only sixteen. I didn’t even have a driver’s license, but I was an expert in the art of catastrophe.”
― Julia Drake, The Last True Poets of the Sea

“In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.”
― Madeline Miller, The Song of Achilles

“English did not just borrow words from other languages; it was stuffed to the brim with foreign influences, a Frankenstein vernacular. And Robin found it incredible, how this country, whose citizens prided themselves so much on being better than the rest of the world, could not make it through an afternoon tea without borrowed goods.”
― R.F. Kuang, Babel

“But what is the opposite of fidelity?' asked Professor Playfair. He was approaching the end of his dialitic; now he needed only to draw it to a close with a punch. 'Betrayal. Translation means doing violence upon the original, it means warping and distorting it for foreign, unintended eyes. So, where does that leave us? How can we conclude except by acknowledging that an act of translation is always an act of betrayal?”
― R.F. Kuang, Babel

“I miss you more than I remember you.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“Because the sunset, like survival, exists only on the verge of its own disappearing. To be gorgeous, you must first be seen, but to be seen allows you to be hunted.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“I am writing because they told me to never start a sentence with because. But I wasn't trying to make a sentence—I was trying to break free. Because freedom, I am told, is nothing but the distance between the hunter and its prey.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“I am writing you from inside a body that used to be yours. Which is to say, I am writing as a son.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“As Hegel said, tragedy was not the conflict between right and wrong but right and right , a dilemma none of us who wanted participate in history could escape.”
― Viet Thanh Nguyen, The Sympathizer

“All of us who are living are dying. The only ones not dying are the dead.,,To live was to be haunted by the inevitability of one's own decay, and to be dead was to be haunted by the memory of living.”
― Viet Thanh Nguyen, The Sympathizer

“Americans are a confused people because they can't admit this contradiction. They believe in a universe of divine justice where the human race is guilty of sin, but they also believe in a secular justice where human beings are presumed innocent.”
― Viet Thanh Nguyen, The Sympathizer

“I pitied the French for their naïveté in believing they had to visit a country in order to exploit it. Hollywood was much more efficient, imagining the countries it wanted to exploit.”
― Viet Thanh Nguyen, The Sympathizer

“I did not want to write this book as a way of explaining the humanity of Vietnamese. Toni Morrison says in Beloved that to have to explain yourself to white people distorts you because you start from a position of assuming your inhumanity or lack of humanity in other people’s eyes. Rather than writing a book that tries to affirm humanity, which is typically the position that minority writers are put into, the book starts from the assumption that we are human, and then goes on to prove that we’re also inhuman at the same time.”
― Viet Thanh Nguyen, The Sympathizer