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Maureen Coyle > Maureen's Quotes

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  • #1
    Rick Yancey
    “He didn’t like to see animals in captivity. When he looked into their eyes, something in their eyes looked back at him.”
    Rick Yancey, The Infinite Sea

  • #2
    Maya Angelou
    “There is no greater agony than bearing an untold story inside you.”
    Maya Angelou, I Know Why the Caged Bird Sings

  • #3
    J.D. Salinger
    “What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.”
    J.D. Salinger, The Catcher in the Rye

  • #4
    Ernest Hemingway
    “There is nothing to writing. All you do is sit down at a typewriter and bleed.”
    Ernest Hemingway

  • #5
    John Fante
    “She was forcing it with her scorn, the kiss she gave me, the hard curl of her lips, the mockery of her eyes, until I was like a man made of wood and there was no feeling within me except terror and a fear of her, a sense that her beauty was too much, that she was so much more beautiful than I, deeper rooted than I. She made me a stranger unto myself, she was all of those calm nights and tall eucalyptus trees, the desert stars, that land and sky, that fog outside, and I had come there with no purpose save to be a mere writer, to get money, to make a name for myself and all that piffle. She was so much finer than I, so much more honest, that I was sick of myself and I could not look at her warm eyes, I suppressed the shiver brought on by her brown arms around my neck and the long fingers in my hair. I did not kiss her. She kissed me, author of The Little Dog Laughed. Then she took my wrist with her two hands. She pressed her lips into the palm of my hand. She placed my hand upon her bosom between her breasts. She turned her lips towards my face and waited. And Arturo Bandini, the great author dipped deep into his colourful imagination, romantic Arturo Bandini, just chock-full of clever phrases, and he said, weakly, kittenishly, 'Hello.”
    John Fante, Ask the Dust

  • #6
    John Fante
    “I felt his hot tears and the loneliness of man and the sweetness of all men and the aching haunting beauty of the living”
    John Fante, Full of Life

  • #7
    John Fante
    “Listen closely. There’s a remote possibility that you might learn something: First, I don’t give a damn if my work is commercial or not…I’m the writer. If what I write is good, then people will read it. That’s why literature exists. An author puts his heart and guts on the page. For your information, a good novel can change the world. Keep that in mind before you attempt to sit down at a typewriter. Never waste time on something you don’t believe in yourself.”
    John Fante

  • #8
    John Fante
    “Arturo Bandini: -What does happiness mean to you Camilla?
    Camilla: -That you can fall in love with whoever you want to,
    and not feel ashamed of it.”
    John Fante, Ask the Dust

  • #9
    John Fante
    “Oh, God, help me! And I walked faster, my thoughts pursuing me, and I began to run, my frozen shoes squealing like mice, but running didn't help, the thoughts to the left and right and behind me. But as I ran, The Arm, that good left arm, took hold of the situation and spoke soothingly: ease up, Kid, it's loneliness, you're all alone in the world; your father, your mother, your faith, they can't help you, nobody helps anybody, you only help yourself, and that's why I'm here, because we are inseperable, and we'll take care of everything.”
    John Fante, 1933 Was a Bad Year

  • #10
    John Fante
    “IT'S MORNING, TIME to get up, so get up, Arturo, and look for a job. Get out there and look for what you'll never find. You're a thief and you're a crab-killer and a lover of women in clothes closets. You'll never find a job!
    Every morning I got up feeling like that. Now I've got to find a job, damn it to hell. I ate breakfast, put a book under my arm, pencils in my pocket, and started out. Down the stairs I went, down the street, sometimes hot and sometimes cold, sometimes foggy and sometimes clear. It never mattered, with a book under my arm, looking for a job.
    What job, Arturo? Ho ho! A job for you? Think of what you are, my boy! A crab-killer. A thief. You look at naked women in clothes closets. And you expect to get a job! How funny! But there he goes, the idiot, with a big book. Where the devil are you going, Arturo? Why do you go up this street and not that? Why go east - why not go west? Answer me, you thief! Who'll give you a job, you swine - who? But there's a park across town, Arturo. It's called Banning Park. There are a lot of beautiful eucalyptus trees in it, and green lawns. What a place to read! Go there, Arturo. Read Nietzsche. Read Schopenhauer. Get into the company of the mighty. A job? fooey! Go sit under a eucalyptus tree reading a book looking for a job. ”
    John Fante, The Road to Los Angeles

  • #11
    John Fante
    “Dear Woman Who Gave Me Life:

    The callous vexations and perturbations of this night have subsequently resolved
    themselves to a state which precipitates me, Arturo Bandini, into a
    brobdingnagian and gargantuan decision. I inform you of this in no uncertain
    terms. Ergo, I now leave you and your ever charming daughter (my beloved sister
    Mona) and seek the fabulous usufructs of my incipient career in profound
    solitude. Which is to say, tonight I depart for the metropolis to the east � our
    own Los Angeles, the city of angels. I entrust you to the benign generosity of your brother, Frank Scarpi, who is, as the phrase has it, a good family man
    (sic!). I am penniless but I urge you in no uncertain terms to cease your
    cerebral anxiety about my destiny, for truly it lies in the palm of the immortal gods. I have made the lamentable discovery over a period of years that living
    with you and Mona is deleterious to the high and magnanimous purpose of Art, and I repeat to you in no uncertain terms that I am an artist, a creator beyond question. And, per se, the fumbling fulminations of cerebration and intellect find little fruition in the debauched, distorted hegemony that we poor mortals, for lack of a better and more concise terminology, call home. In no uncertain
    terms I give you my love and blessing, and I swear to my sincerity, when I say
    in no uncertain terms that I not only forgive you for what has ruefully
    transpired this night, but for all other nights. Ergo, I assume in no uncertain terms that you will reciprocate in kindred fashion. May I say in conclusion that I have much to thank you for, O woman who breathed the breath of life into my
    brain of destiny? Aye, it is, it is.

    Signed.

    Arturo Gabriel Bandini.

    Suitcase in hand, I walked down to the depot. There was a ten-minute wait for
    the midnight train for Los Angeles. I sat down and began to think about the new novel.”
    John Fante, The Road to Los Angeles

  • #12
    John Fante
    “(...) I let go, crying and unable to stop because God was such a dirty crook, contemptible skunk, that's what he was for doing that thing to that woman. Come down out of the skies, you God, come on down and I'll hammer your face all over the city of Los Angeles, you miserable unpardonable prankster. If it wasn't for you, this woman would not have been so maimed, and neither would the world, (...)”
    John Fante, Ask the Dust

  • #13
    John Fante
    “All that was good in me thrilled in my heart at that moment, all that I hoped for in the profound, obscure meaning of my existence. Here was the endlessly mute placidity of nature, indifferent to the great city; here was the desert beneath these streets, around these streets, waiting for the city to die, to cover it with timeless sand once more. There came over me a terrifying sense of understanding about the meaning and the pathetic destiny of men. The desert was always there, a patient white animal, waiting for men to die, for civilizations to flicker and pass into the darkness. Then men seemed brave to me, and I was proud to be numbered among them. All the evil of the world seemed not evil at all, but inevitable and good and part of that endless struggle to keep the desert down.”
    John Fante, Ask the Dust

  • #14
    John Fante
    “I went to the library. I looked at the magazines, at the pictures in them. One day I went to the bookshelves, and pulled out a book. It was Winesburg, Ohio.. I sat at a long mahogany table and began to read. All at once my world turned over. The sky fell in. The book held me. The tears came. My heart beat fast. I read until my eyes burned. I took the book home. I read another Anderson. I read and I read, and I was heartsick and lonely and in love with a book, many books, until it came naturally, and I sat there with a pencil and a long tablet, and tried to write, until I felt I could not go on because the words would not come as they did in Anderson, they only came like drops of blood from my heart.”
    John Fante, Dreams from Bunker Hill

  • #15
    Friedrich Nietzsche
    “I am not upset that you lied to me, I am upset that from now on I cannot believe you.”
    Fredrich Nietzche

  • #16
    Martin Heidegger
    “The small are always dependent on the great; they are "small" precisely because they think they are independent. The great thinker is one who can hear what is greatest in the work of other "greats" and who can transform it in an original manner.”
    Martin Heidegger

  • #17
    Friedrich Nietzsche
    “When man does not have firm, calm lines on the horizon of his life- mountain and forest lines, as it were- then a man's innermost will becomes agitated, preoccupied, and wistful.”
    Friedrich Nietzche

  • #18
    ميلان كونديرا
    “فشعر عندها فجأة برغبة غامضة لا تقاوم في سماع موسيقى هائلة، في سماع ضجيج مطلق وصخب جميل وفرح يكتنف كل شيء ويُغرق ويخنق كل شيء، فيختفي إلى الأبد الألم والغرور وتفاهة الكلمات.”
    ميلان كونديرا, The Unbearable Lightness of Being

  • #19
    ميلان كونديرا
    “الموسيقى بالنسبة لفرانز هي الفن الأكثر قرباً من الجمال الديونيسي الذي يقدّس النشوة. يمكن لرواية أو للوحة أن تدوّخنا ولكن بصعوبة. أما مع السمفونية التاسعة لبيتهوڤن، أو مع السوناتة المؤلفة من آلتيْ بيانو وآلات النقر لبارتوك، أو مع أغنية للبيتلز، فإن النشوة تعترينا. من جهة أخرى فإن فرانز لا يفرّق بين الموسيقى العظيمة والموسيقى الخفيفة. فهذا التفريق يبدو له خبيثاً وبالياً، فهو يحب موسيقى الروك وموزار على حد سواء.
    الموسيقى بالنسبة له محرّرة: إذ تحرره من الوحدة والانعزال ومن غبار المكتبات. وتفتح في داخل جسده أبواباً لتخرج النفس وتتآخى مع الآخرين. كما أنه يحب الرقص إلى جانب ذلك ويشعر بالأسى لأن سابينا لا تشاركه هذا الولع.”
    ميلان كونديرا, The Unbearable Lightness of Being

  • #20
    J.D. Salinger
    “I mean they don't seem able to love us just the way we are. They don't seem able to love us unless they can keep changing us a little bit. They love their reasons for loving us almost as much as they love us, and most of the time more.”
    J.D. Salinger, Nine Stories

  • #21
    J.D. Salinger
    “She wrote to him fairly regularly, from a paradise of triple exclamation points and inaccurate observations.”
    J.D. Salinger, Nine Stories

  • #22
    Chloé Caldwell
    “I get drunk and high like in high school. I smoke weed out of a can, I drink wine out of a box. I used to be more hardcore in my self-destruction, but I am back to basics now.”
    Chloe Caldwell, Women

  • #23
    Chloé Caldwell
    “I always want to feel good and I never want to feel bad. Because of this, I’m experienced in substance abuse issues.”
    Chloe Caldwell, Women

  • #24
    Richard Brautigan
    “Im haunted a little this evening by feelings that have no vocabulary and events that should be explained in dimensions of lint rather than words.

    Ive been examining half-scraps of my childhood. They are pieces of distant life that have no form or meaning. They are things that just happened like lint.”
    Richard Brautigan

  • #25
    John Green
    “Sometimes, you read a book and it fills you with this weird evangelical zeal, and you become convinced that the shattered world will never be put back together unless and until all living humans read the book.”
    John Green, The Fault in Our Stars

  • #26
    Robert Fulghum
    “We’re all a little weird. And life is a little weird. And when we find someone whose weirdness is compatible with ours, we join up with them and fall into mutually satisfying weirdness—and call it love—true love.”
    Robert Fulghum, True Love

  • #27
    Elizabeth Gilbert
    “People think a soul mate is your perfect fit, and that's what everyone wants. But a true soul mate is a mirror, the person who shows you everything that is holding you back, the person who brings you to your own attention so you can change your life.

    A true soul mate is probably the most important person you'll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then leave.

    A soul mates purpose is to shake you up, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light can get in, make you so desperate and out of control that you have to transform your life, then introduce you to your spiritual master...”
    Elizabeth Gilbert, Eat, Pray, Love

  • #28
    Charles Bukowski
    “I remember awakening one morning and finding everything smeared with the color of forgotten love.”
    Charles Bukowski, What Matters Most is How Well You Walk Through the Fire

  • #29
    Charles Bukowski
    “It was like the beginning of life and laughter. It was the real meaning of the sun”
    Charles Bukowski, Factotum

  • #30
    Charles Bukowski
    “The fuckers. There, I feel better. God-damned human race. There, I feel better.”
    Charles Bukowski, The Captain is Out to Lunch and the Sailors Have Taken Over the Ship



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