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“As embarrassed as she was of her stomach and her freckles and the fact that her bra was held together with two safety pins, she wanted Park to touch her more than she could ever feel embarrassed. And when he touched her, he didn't seem to care about any of those things. Some of them he even liked. Like her freckles. He said she was candy-sprinkled.”
― Rainbow Rowell, Eleanor & Park

“The ultimate freedom for creative groups is the freedom to experiment with new ideas. Some skeptics insist that innovation is expensive. In the long run, innovation is cheap. Mediocrity is expensive—and autonomy can be the antidote.â€�   TOM KELLEY General Manager, IDEO”
― Daniel H. Pink, Drive: The Surprising Truth About What Motivates Us

“Greatness and nearsightedness are incompatible. Meaningful achievement depends on lifting one's sights and pushing toward the horizon.”
― Daniel H. Pink, Drive: The Surprising Truth About What Motivates Us

“People can have two different mindsets, she says. Those with a “fixed mindsetâ€� believe that their talents and abilities are carved in stone. Those with a “growth mindsetâ€� believe that their talents and abilities can be developed. Fixed mindsets see every encounter as a test of their worthiness. Growth mindsets see the same encounters as opportunities to improve.”
― Daniel H. Pink, Drive: The Surprising Truth About What Motivates Us

“We aren’t the things we collect, acquire, read. We are, for as long as we are here, only love. The things we loved. The people we loved. And these, I think these really do live on”
― Gabrielle Zevin, The Storied Life of A.J. Fikry

“You know everything you need to know about a person from the answer to the question, What is your favorite book?”
― Gabrielle Zevin, The Storied Life of A.J. Fikry

“The words you can’t find, you borrow.
We read to know we’re not alone. We read because we are alone. We read and we are not alone. We are not alone.
My life is in these books, he wants to tell her. Read these and know my heart.
We are not quite novels.
The analogy he is looking for is almost there.
We are not quite short stories. At this point, his life is seeming closest to that.
In the end, we are collected works.”
― Gabrielle Zevin, The Storied Life of A.J. Fikry

“I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn't be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children's books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires.”
― Gabrielle Zevin, The Storied Life of A.J. Fikry

“They had only ever discussed books but what, in this life, is more personal than books?”
― Gabrielle Zevin, The Storied Life of A.J. Fikry

“Why is any one book different from any other book? They are different, A.J. decides, because they are. We have to look inside many. We have to believe. We agree to be disappointed sometimes so that we can be exhilarated every now and again.”
― Gabrielle Zevin, The Storied Life of A.J. Fikry

“... the story of my marriage, which is the great joy and astonishment of my life, is too much like a fairy tale, the German kind, unsweetened by Disney.”
― Ann Patchett, This Is the Story of a Happy Marriage

“I think the best vacation is the one that relieves me of my own life for a while and then makes me long for it again.”
― Ann Patchett, This Is the Story of a Happy Marriage

“If you want to write, practice writing. Practice it for hours a day, not to come up with a story you can publish, but because you long to learn how to write well, because there is something that you alone can say.”
― Ann Patchett, This Is the Story of a Happy Marriage

“Part of what I love about novels and dogs is that they are so beautifully oblivious to economic concerns. We serve them, and in return they thrive. It's not their responsibility to figure out where the rent is coming from.”
― Ann Patchett, This Is the Story of a Happy Marriage

“You don't know when you're twenty-three.
You don't know what it really means to crawl into someone else's life and stay there. You can't see all the ways you're going to get tangled, how you're going to bond skin to skin. How the idea of separating will feel in five years, in ten - in fifteen. When Georgie thought about divorce now, she imagined lying side by side with Neal on two operating tables while a team of doctors tried to unthread their vascular systems.
She didn't know at twenty-three.”
― Rainbow Rowell, Landline

“Nobody's lives just fit together. Fitting together is something you work at. It's something you make happen - because you love each other.”
― Rainbow Rowell, Landline

“How could she ever doubt that he loved her? When loving her was what he did better than all the things he did beautifully?”
― Rainbow Rowell, Landline

“Having kids sent a tornado through your marriage, then made you happy for the devastation. Even if you could rebuild everything just the way it was before, you’d never want to.”
― Rainbow Rowell, Landline

“When she finally got to the desk, the airline employee was surprisingly upbeat. "Your best bet is to Apparate."
"Sorry?"
"Just a little Harry Potter humor," he said.”
― Rainbow Rowell, Landline

“Someone had given Georgie a magic phone and all she'd wanted to do with it is stay up late talking to her old boyfriend. If they'd given her a proper time machine, she probably would have used it to cuddle with him. Let someone else kill Hitler.”
― Rainbow Rowell, Landline

“Heather's face followed her around the room like a sunflower chasing daylight.”
― Rainbow Rowell, Landline

“So you think that most people bet everything, their whole lives, on hope. Just hoping that what they're feeling is real.'

'Real isn't relevant,' Georgie said, turning completely to face Heather. 'It's like . . . you're tossing a ball between you, and you're just hoping you can keep it in the air. And it has nothing to do with whether you love each other or not. If you didn't love each other, you wouldn't be playing this stupid game with the ball. You love each other--and you just hope you can keep the ball in play.'

'What's the ball a metaphor for?'

'I'm not sure,' Georgie said. 'The relationship. Marriage.”
― Rainbow Rowell, Landline

“And if you got that part right, how far wrong could you go? If you were standing next to the person you loved more than everything else, wasn't everything else just scenery?”
― Rainbow Rowell, Landline

“Georgie. You cannot be jealous of Dawn--that's like the sun being jealous of a lightbulb.”
― Rainbow Rowell, Landline

“But now I see there's no such thing as "a" woman, "one" woman. There are dozens inside every one of them. I probably should have figured this out sooner, but what child can see the women inside her mom, what with all the Motherness blocking out everything else?”
― Kelly Corrigan, Glitter and Glue

“Your father's the glitter but I'm the glue.”
― Kelly Corrigan, Glitter and Glue

“The mother is the most essential piece on the board, the one you must protect. Only she has the range. Only she can move in multiple directions. Once she's gone, it's a whole different game.”
― Kelly Corrigan, Glitter and Glue

“Raising people is not some lark. It's serious work with serious repercussions. It's air-traffic control. You can't step out for a minute; you can barely pause to scratch your ankle.”
― Kelly Corrigan, Glitter and Glue

“Our lives are like a complex musical score. Filled with all sorts of cryptic writing, sixteenth and thirty-second notes and other strange signs. It's next to impossible to correctly interpret these, and even if you could, and could then transpose them into the correct sounds, there's no guarantee that people would correctly understand, or appreciate, the meaning therein. No guarantee it would make people happy. Why must the workings of people's lives be so convoluted?”
― Haruki Murakami, Colorless Tsukuru Tazaki and His Years of Pilgrimage

“We truly believed in something back then, and we knew we were the kind of people capable of believing in something - with all our hearts. And that kind of hope will never simply vanish.”
― Haruki Murakami, Colorless Tsukuru Tazaki and His Years of Pilgrimage