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Aleks > Aleks's Quotes

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  • #31
    Erich Maria Remarque
    “Sometimes I used to think that one day i should wake up, and all that had been would be over. forgotten, sunk, drowned. Nothing was sure - not even memory.”
    Erich Maria Remarque, Three Comrades

  • #32
    Margaret Atwood
    “Male fantasies, male fantasies, is everything run by male fantasies? Up on a pedestal or down on your knees, it's all a male fantasy: that you're strong enough to take what they dish out, or else too weak to do anything about it. Even pretending you aren't catering to male fantasies is a male fantasy: pretending you're unseen, pretending you have a life of your own, that you can wash your feet and comb your hair unconscious of the ever-present watcher peering through the keyhole, peering through the keyhole in your own head, if nowhere else. You are a woman with a man inside watching a woman. You are your own voyeur.”
    Margaret Atwood, The Robber Bride

  • #33
    Margaret Atwood
    “Another belief of mine: that everyone else my age is an adult, whereas I am merely in disguise.”
    Margaret Atwood, Cat’s Eye

  • #34
    Margaret Atwood
    “Farewells can be shattering, but returns are surely worse. Solid flesh can never live up to the bright shadow cast by its absence. Time and distance blur the edges; then suddenly the beloved has arrived, and it's noon with its merciless light, and every spot and pore and wrinkle and bristle stands clear.”
    Margaret Atwood, The Blind Assassin

  • #35
    Franz Kafka
    “Youth is happy because it has the capacity to see beauty. Anyone who keeps the ability to see beauty never grows old.”
    Franz Kafka

  • #36
    Franz Kafka
    “I cannot make you understand. I cannot make anyone understand what is happening inside me. I cannot even explain it to myself.”
    Franz Kafka, The Metamorphosis

  • #37
    Franz Kafka
    “I am constantly trying to communicate something incommunicable, to explain something inexplicable, to tell about something I only feel in my bones and which can only be experienced in those bones. Basically it is nothing other than this fear we have so often talked about, but fear spread to everything, fear of the greatest as of the smallest, fear, paralyzing fear of pronouncing a word, although this fear may not only be fear but also a longing for something greater than all that is fearful.”
    Franz Kafka, Letters to Milena

  • #38
    Sylvia Plath
    “Perhaps when we find ourselves wanting everything, it is because we are dangerously close to wanting nothing.”
    sylvia plath

  • #39
    Sylvia Plath
    “I felt my lungs inflate with the onrush of scenery—air, mountains, trees, people. I thought, "This is what it is to be happy.”
    Sylvia Plath, The Bell Jar

  • #40
    Sylvia Plath
    “I shut my eyes and all the world drops dead;
    I lift my lids and all is born again.
    (I think I made you up inside my head.)”
    Sylvia Plath

  • #41
    Thomas Mann
    “It is remarkable how a man cannot summarize his thoughts in even the most general sort of way without betraying himself completely, without putting his whole self into it, quite unawares, presenting as if in allegory the basic themes and problems of his life.”
    Thomas Mann, The Magic Mountain

  • #42
    Thomas Mann
    “The diaries of opium-eaters record how, during the brief period of ecstasy, the drugged person's dreams have a temporal scope of ten, thirty, sometimes sixty years or even surpass all limits of man's ability to experience time--dreams, that is, whose imaginary time span vastly exceeds their actual duration and which are characterized by an incredible diminishment of the experience of time, with images thronging past so swiftly that, as one hashish-smoke puts it, the intoxicated user's brain seems "to have something removed, like the mainspring from a broken watch.”
    Thomas Mann, The Magic Mountain
    tags: time

  • #43
    Thomas Mann
    “Whoever is unable to stand up for an ideal with his person, his arm, his blood, is unworthy of that ideal, and no matter how intellectual one may become, what matters is that one remains a man.”
    Thomas Mann, The Magic Mountain

  • #44
    Haruki Murakami
    “Memories warm you up from the inside. But they also tear you apart.”
    Haruki Murakami, Kafka on the Shore

  • #45
    Haruki Murakami
    “And once the storm is over, you won’t remember how you made it through, how you managed to survive. You won’t even be sure, whether the storm is really over. But one thing is certain. When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about.”
    Haruki Murakami, Kafka on the Shore

  • #46
    Haruki Murakami
    “I think you still love me, but we can’t escape the fact that I’m not enough for you. I knew this was going to happen. So I’m not blaming you for falling in love with another woman. I’m not angry, either. I should be, but I’m not. I just feel pain. A lot of pain. I thought I could imagine how much this would hurt, but I was wrong.”
    Haruki Murakami, South of the Border, West of the Sun

  • #47
    Haruki Murakami
    “If you remember me, then I don't care if everyone else forgets.”
    Haruki Murakami, Kafka on the Shore

  • #48
    Haruki Murakami
    “Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.

    And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.

    And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.”
    Haruki Murakami, Kafka on the Shore

  • #49
    Haruki Murakami
    “Sometimes when I look at you, I feel I'm gazing at a distant star.
    It's dazzling, but the light is from tens of thousands of years ago.
    Maybe the star doesn't even exist any more. Yet sometimes that light seems more real to me than anything.”
    Haruki Murakami, South of the Border, West of the Sun

  • #50
    Haruki Murakami
    “It's like Tolstoy said. Happiness is an allegory, unhappiness a story.”
    Haruki Murakami, Kafka on the Shore

  • #51
    Haruki Murakami
    “But who can say what's best? That's why you need to grab whatever chance you have of happiness where you find it, and not worry about other people too much. My experience tells me that we get no more than two or three such chances in a life time, and if we let them go, we regret it for the rest of our lives.”
    Haruki Murakami, Norwegian Wood

  • #52
    Haruki Murakami
    “Anyone who falls in love is searching for the missing pieces of themselves. So anyone who's in love gets sad when they think of their lover. It's like stepping back inside a room you have fond memories of, one you haven't seen in a long time.”
    Murakami, Haruki

  • #53
    Haruki Murakami
    “Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.”
    Haruki Murakami, Kafka on the Shore

  • #54
    Haruki Murakami
    “I want you always to remember me. Will you remember that I existed, and that I stood next to you here like this?”
    Haruki Murakami, Norwegian Wood

  • #55
    Haruki Murakami
    “Unfortunately, the clock is ticking, the hours are going by. The past increases, the future recedes. Possibilities decreasing, regrets mounting.”
    Haruki Murakami, Dance Dance Dance

  • #56
    Haruki Murakami
    “I have this strange feeling that I'm not myself anymore. It's hard to put into words, but I guess it's like I was fast asleep, and someone came, disassembled me, and hurriedly put me back together again. That sort of feeling.”
    Haruki Murakami, Sputnik Sweetheart

  • #57
    Haruki Murakami
    “If you can love someone with your whole heart, even one person, then there's salvation in life. Even if you can't get together with that person.”
    Haruki Murakami, 1Q84

  • #58
    Haruki Murakami
    “Death is not the opposite of life, but a part of it.”
    Haruki Murakami, Blind Willow, Sleeping Woman: 24 Stories

  • #59
    Haruki Murakami
    “Closing your eyes isn't going to change anything. Nothing's going to disappear just because you can't see what's going on. In fact, things will even be worse the next time you open your eyes. That's the kind of world we live in. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won't make time stand still.”
    Haruki Murakami, Kafka on the Shore

  • #60
    Haruki Murakami
    “I have a million things to talk to you about. All I want in this world is you. I want to see you and talk. I want the two of us to begin everything from the beginning.”
    Haruki Murakami, Norwegian Wood



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