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“Walking and talking are two very great pleasures, but it is a mistake to combine them. Our own noise blots out the sounds and silences of the outdoor world; and talking leads almost inevitably to smoking, and then farewell to nature as far as one of our senses is concerned. The only friend to walk with is one who so exactly shares your taste for each mood of the countryside that a glance, a halt, or at most a nudge, is enough to assure us that the pleasure is shared.”
― C.S. Lewis, Surprised by Joy: The Shape of My Early Life

“Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.”
― Rebecca Solnit, Wanderlust: A History of Walking

“[Walking] is the perfect way of moving if you want to see into the life of things. It is the one way of freedom. If you go to a place on anything but your own feet you are taken there too fast, and miss a thousand delicate joys that were waiting for you by the wayside.”
― Elizabeth von Arnim, The Adventures of Elizabeth in Rügen

“Fairies with gossamer wings,
Bring forth beauty, grace and joyful things.
Fairies of the earth are caretakers of our soil, water and trees,
They watch over beautiful creatures such as bears, bunnies and bees.
Fairies ask that you breathe in and appreciate the vantage point from which you stand,
Then trod carefully and respectfully with each intentional step you make across this beautiful land.”
― Molly Friedenfeld

“The famous Zen parable about the master for whom, before his studies, mountains were only mountains, but during his studies mountains were no longer mountains, and afterward mountains were again mountains could be interpreted as an allegory about [the perpetual paradox that when one is closest to a destination one is also the farthest).”
― Rebecca Solnit, Wanderlust: A History of Walking

“Walking shares with making and working that crucial element of engagement of the body and the mind with the world, of knowing the world through the body and the body through the world.”
― Rebecca Solnit, Wanderlust: A History of Walking

“Every walker is a guard on patrol to protect the ineffable.”
― Rebecca Solnit, Wanderlust: A History of Walking

“A lone peak of high point is a natural focal point in the landscape, something by which both travelers and local orient themselves. In the continuum of landscape, mountains are discontinuity -- culminating in high points, natural barriers, unearthly earth.”
― Rebecca Solnit, Wanderlust: A History of Walking

“Walk some night on a suburban street and pass house after house on both sides of the same street each with the lamplight of the living room, shining golden, and inside the little blue square of the television, each living family riveting its attention on probably one show; nobody talking; silence in the yards; dogs barking at you because you pass on human feet instead of wheels.”
― Geoff Nicholson, The Lost Art of Walking: The History, Science, and Literature of Pedestrianism

“In great cities, spaces as well as places are designed and built: walking, witnessing, being in public, are as much part of the design and purpose as is being inside to eat, sleep, make shoes or love or music. The word citizen has to do with cities, and the ideal city is organized around citizenship -- around participation in public life.”
― Rebecca Solnit, Wanderlust: A History of Walking

“Meanwhile it's got stormy, the tattered fog even thicker, chasing across my path. Three people are sitting in a glassy tourist cafe between clouds and clouds, protected by glass from all sides. Since I don't see any waiters, it crosses my mind that corpses have been sitting there for weeks, statuesque. All this time the cafe has been unattended, for sure. Just how long have they been sitting here, petrified like this?”
― Werner Herzog, Of Walking on Ice

“The long poem of walking manipulates spatial organizations, no matter how panoptic they may be: it is neither foreign to them (it can take place only within them) nor in conformity with them (it does not receive its identity from them). It creates shadows and ambiguities within them. It inserts its multitudinous references and citations into them (social models, cultural mores, personal factors). Within them it is itself the effect of successive encounters and occasions that constantly alter it and make it the other's blazon: in other words, it is like a peddler carrying something surprising, transverse or attractive compared with the usual choice. These diverse aspects provide the basis of a rhetoric. They can even be said to define it.”
― Michel de Certeau, The Practice of Everyday Life

“You have to go head, even if no one goes with you.”
― Lailah Gifty Akita, Think Great: Be Great!

“...the subject of walking is, in some sense, about how we invest universal acts with particular meanings. Like eating or breathing, it can be invested with wildly different cultural meanings, from the erotic to the spiritual, from the revolutionary to the artistic.”
― Rebecca Solnit, Wanderlust: A History of Walking

“I might walk vast expanses
of earth and always be beginning
and I love beginning
or could learn
to love it.”
― S. Jane Sloat

“Phileas Fogg, having shut the door of his house at half-past eleven, and having put his right foot before his left five hundred and seventy-five times, and his left foot before his right five hundred and seventy-six times, reached the Reform Club”
― Jules Verne, Around the World in Eighty Days

“A garden path,' write the landscape architects Charles W. Moore, William J. Mitchell, and William Turnbull, 'can become the thread of a plot, connecting moments and incidents into a narrative. The narrative structure might be a simple chain of events with a beginning, middle, and end. It might be embellished with diversions, digressions, and picaresque twists, be accompanied by parallel ways (subplots), or deceptively fork into blind alleys like the alternative scenerios explored in a detective novel.”
― Rebecca Solnit, Wanderlust: A History of Walking

“The same is true of stories and legends that haunt urban space like superfluous or additional inhabitants. They are the object of a witch-hunt, by the very logic of the techno-structure. But [the extermination of proper place names] (like the extermination of trees, forests, and hidden places in which such legends live) makes the city a 'suspended symbolic order.' The habitable city is thereby annulled. Thus, as a woman from Rouen put it, no, here 'there isn't any place special, except for my own home, that's all...There isn't anything.' Nothing 'special': nothing that is marked, opened up by a memory or a story, signed by something or someone else. Only the cave of the home remains believable, still open for a certain time to legends, still full of shadows. Except for that, according to another city-dweller, there are only 'places in which one can no longer believe in anything.”
― Michel de Certeau, The Practice of Everyday Life

“At present, in this vicinity, the best part of the land is not private property; the landscape is not owned, and the walker enjoys comparative freedom. But possibly the day will come when it will be partitioned off into so-called pleasure-grounds, in which a few will take a narrow and exclusive pleasure only,—when fences shall be multiplied, and man-traps and other engines invented to confine men to the public road, and walking over the surface of God’s earth shall be construed to mean trespassing on some gentleman’s grounds. To enjoy a thing exclusively is commonly to exclude yourself from the true enjoyment of it. Let us improve our opportunities, then, before the evil days come.”
― Henry David Thoreau, Walking

“Paths are the habits of a landscape. They are acts of consensual making. It's hard to create a footpath on your own...Paths connect. This is their first duty and their chief reason for being. They relate places in a literal sense, and by extension they relate people.

Paths are consensual, too, because without common care and common practice they disappear: overgrown by vegetation, ploughed up or built over (through they may persist in the memorious substance of land law). Like sea channels that require regular dredging to stay open, paths NEED walking.”
― Robert MacFarlane, The Old Ways: A Journey on Foot

“In Islam, and especially among the Sufi Orders, siyahat or 'errance' - the action or rhythm of walking - was used as a technique for dissolving the attachments of the world and allowing men to lose themselves in God. The aim of a dervish was to become a 'dead man walking': one whose body stays alive on the earth yet whose soul is already in Heaven. A Sufi manual, the Kashf-al-Mahjub, says that, toward the end of his tourney, the dervish becomes the Way not the wayfarer, i.e. a place over which something is passing, not a traveller following his own free will...it was quite similar to an Aboriginal concept, 'Many men afterwards become country, in that place, Ancestors.' By spending his whole life walking and singing his Ancestor's Songline, a man eventually became the track, the Ancestor and the song. The Wayless Way, where the Sons of God lose themselves and, at the same time, find themselves.”
― Meister Eckhart

“The way you walk is slash and burn.
Like understatement's now a crime.”
― Justin Quinn

“First, if it is true that a spatial order organizes an ensemble of possibilities (e.g., by a place in which one can move) and interdictions (e.g., by a wall that prevents one from going further), than the walked actualizes some of these possibilities. In that way, he makes them exist as well as emerge. But he also moves them about and he invents others, since the crossing, drifting away, or improvisation of walking privilege, transform, or abandon spatial elements.”
― Michel de Certeau, The Practice of Everyday Life

“But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.”
― Frédéric Gros, A Philosophy of Walking

“what does travel ultimately produce if it is not, by a sort of reversal, 'an exploration of the deserted places of my memory,' the return to nearby exoticism by way of a detour through distant places, and the 'discovery' of relics and legends: 'fleeting visions of the French countryside,' 'fragments of music and poetry,' in short, something like an 'uprooting in one's origins (Heidegger)? What this walking exile produces is precisely the body of legends that is currently lacking in one's own vicinity; it is a fiction, which moreover has the double characteristic like dreams or pedestrian rhetoric, or being the effect of displacements and condensations. As a corollary, one can measure the importance of these signifying practices (to tell oneself legends) as practices that invent spaces.”
― Michel de Certeau, The Practice of Everyday Life

“The promenade is a special subset of walking.”
― Rebecca Solnit, Wanderlust: A History of Walking

“Las Vegas suggests that the thirst for places, for cities and gardens and wilderness, is unslaked, that people will still seek out the experience of wandering about in the open air to examine the architecture, the spectacles, and the stuff for sale, will still hanker after surprises and strangers. That the city as a whole is one of the most pedestrian-unfriendly places in the world suggests something of the problems to be faced, but that its attraction is a pedestrian oasis suggests the possibility of recovering the spaces in which walking is viable.”
― Rebecca Solnit, Wanderlust: A History of Walking

“They become liberated spaces that can be occupied. A rich indetermination gives them, by means of a semantic rarefaction, the function of articulating a second, poetic geography on top of the geography of the literal, forbidden or permitted meaning. They insinuate other routes into the functionalist and historical order of movement. Walking follows them: 'I fill this great empty space with a beautiful name.”
― Michel de Certeau, The Practice of Everyday Life

“Every trail, however erratic and circuitous, is a kind of life-line, a trajectory of growth. 6 This image of life as a trail or path is ubiquitous among peoples whose existential orientations are founded in the practices of hunting and gathering, and in the modes of environmental perception these entail. Persons are identified and characterised not by the substantive attributes they carry into the life process, but by the kinds of paths they leave.”
― Tim Ingold, The Perception of the Environment: Essays on Livelihood, Dwelling and Skill

“I walked and walked, sometimes with an objective- a friend's house, a shop, the church or school- but mostly at random, to outrun oppression.”
― Jessica Anderson, Tirra Lirra by the River