If you look at the blurb for this thing, you can see the basic core concept that made me think this might be fun: "Laura Thorsen returns to Canada only to run afoul of the mob". "Canada" and "mob" are not two concepts I expect to encounter in the same book. Nor are "ghosts" and "mob", since Laura's mother turns out to be haunted by the ghosts of her husband and a former lover. So yeah, this sounded fun and I was happy to get a chance to read it.
Overall I found the characters engaging, although the story felt a bit more weighted than I'd have liked towards the paranormal side of things. The backstory on Laura's mother and the ghosts is excellent, as is the uneasy relationship between Laura and her mother. On the other hand, the suspense side of things, involving the newspaper expose that puts Laura on the run in the first place, doesn't quite come together for me and I'm not sure why. I can't say in fairness that it didn't get as much development as the haunting plot, because it did--it's just that it seemed like the book was weighted more towards the haunting and the mother/daughter tension than it was towards the mobster/story plot. I think I'd have liked a bit more balance between the two, or perhaps a bit more buildup to the presence of the ghosts in the plot.
Laura and her love interest Mack had some nice lightly played chemistry, and my only regret here is that Mack struck me as almost too laid-back a character. Writing this review several weeks after I actually read the book, I couldn't remember the poor guy's name. I couldn't help it; this is what the book gets for one of the ghosts being named Sawyer, which promptly trumped Mack in my head. (Thank you, Lost!) Three stars.
If you look at the blurb for this thing, you can see the basic core concept that made me think this might be fun: "Laura Thorsen returns to Canada only to run afoul of the mob". "Canada" and "mob" are not two concepts I expect to encounter in the same book. Nor are "ghosts" and "mob", since Laura's mother turns out to be haunted by the ghosts of her husband and a former lover. So yeah, this sounded fun and I was happy to get a chance to read it.
Overall I found the characters engaging, although the story felt a bit more weighted than I'd have liked towards the paranormal side of things. The backstory on Laura's mother and the ghosts is excellent, as is the uneasy relationship between Laura and her mother. On the other hand, the suspense side of things, involving the newspaper expose that puts Laura on the run in the first place, doesn't quite come together for me and I'm not sure why. I can't say in fairness that it didn't get as much development as the haunting plot, because it did--it's just that it seemed like the book was weighted more towards the haunting and the mother/daughter tension than it was towards the mobster/story plot. I think I'd have liked a bit more balance between the two, or perhaps a bit more buildup to the presence of the ghosts in the plot.
Laura and her love interest Mack had some nice lightly played chemistry, and my only regret here is that Mack struck me as almost too laid-back a character. Writing this review several weeks after I actually read the book, I couldn't remember the poor guy's name. I couldn't help it; this is what the book gets for one of the ghosts being named Sawyer, which promptly trumped Mack in my head. (Thank you, Lost!) Three stars....more
Bernita Harris' Dark and Disorderly did not at first impress me by its title. But as I thought the concept sounded fun, I made sure to pick it up whenBernita Harris' Dark and Disorderly did not at first impress me by its title. But as I thought the concept sounded fun, I made sure to pick it up when Carina Press went live earlier this year. Turns out, I was very glad I did. Dark and Disorderly turned out to be a lively book indeed.
Coming out of an imprint of Harlequin, you'd expect this book to lean more towards the "paranormal romance" end of the urban fantasy/paranormal romance spectrum. And while you could make a good case for that, for me as a reader it read more like pure urban fantasy, for two reasons: 1) good worldbuilding, and 2) way less emphasis on the romance between the leads, although of course there was one.
Let's talk worldbuilding first. This is a universe where ghosts and the other expected batch of supernaturals exist, and our heroine, Lillie St. Claire, is essentially a city-employed ghostbuster. I quite liked the scenario Harris lays down, that supernatural incidents have been on the rise only in the last couple of decades, and that Lillie is one of a generation of children known as Talents--and in her particular case, maybe even something above and beyond. It was just the right blend of supernatural and real-world for me, with a city trying to work out its infestation of ghosts as a municipal problem; this felt very real and believable.
Props as well for the story starting off with a serious bang, when what Lillie thinks is the corpse of her recently deceased husband assaults her in her own bathroom. That seized my attention nicely, and once that initial punch was delivered, the arrival in the plot of police sergeant John Thresher made a great followup. And when Harris described her hero as "not ugly, exactly, just... rugged" and with "a face like a box of hammers and jaws like angle irons", I was instantly charmed. I've had a surfeit of super-sexy heroes, not to mention overly florid description of heroine's reactions to them, so this won me right out of the gate. So did the chemistry between Lillie and John, which was quite strong and yet never over the top. Major, major points for that.
This is Book 1 in a series, not terribly surprisingly, but I'll definitely look forward to coming back for more. Intriguing questions are raised about Lillie's background that hopefully will be answered in forthcoming books--not to mention the bigger picture of supernatural happenings in the world at large, and I'm quite interested in seeing how Lillie and John will play into that. My only quibbles with the story were minor stylistic ones, and overall I found this highly enjoyable. Four stars.
Merged review:
Bernita Harris' Dark and Disorderly did not at first impress me by its title. But as I thought the concept sounded fun, I made sure to pick it up when Carina Press went live earlier this year. Turns out, I was very glad I did. Dark and Disorderly turned out to be a lively book indeed.
Coming out of an imprint of Harlequin, you'd expect this book to lean more towards the "paranormal romance" end of the urban fantasy/paranormal romance spectrum. And while you could make a good case for that, for me as a reader it read more like pure urban fantasy, for two reasons: 1) good worldbuilding, and 2) way less emphasis on the romance between the leads, although of course there was one.
Let's talk worldbuilding first. This is a universe where ghosts and the other expected batch of supernaturals exist, and our heroine, Lillie St. Claire, is essentially a city-employed ghostbuster. I quite liked the scenario Harris lays down, that supernatural incidents have been on the rise only in the last couple of decades, and that Lillie is one of a generation of children known as Talents--and in her particular case, maybe even something above and beyond. It was just the right blend of supernatural and real-world for me, with a city trying to work out its infestation of ghosts as a municipal problem; this felt very real and believable.
Props as well for the story starting off with a serious bang, when what Lillie thinks is the corpse of her recently deceased husband assaults her in her own bathroom. That seized my attention nicely, and once that initial punch was delivered, the arrival in the plot of police sergeant John Thresher made a great followup. And when Harris described her hero as "not ugly, exactly, just... rugged" and with "a face like a box of hammers and jaws like angle irons", I was instantly charmed. I've had a surfeit of super-sexy heroes, not to mention overly florid description of heroine's reactions to them, so this won me right out of the gate. So did the chemistry between Lillie and John, which was quite strong and yet never over the top. Major, major points for that.
This is Book 1 in a series, not terribly surprisingly, but I'll definitely look forward to coming back for more. Intriguing questions are raised about Lillie's background that hopefully will be answered in forthcoming books--not to mention the bigger picture of supernatural happenings in the world at large, and I'm quite interested in seeing how Lillie and John will play into that. My only quibbles with the story were minor stylistic ones, and overall I found this highly enjoyable. Four stars....more
Carina Press had already grabbed me hook, line, and sinker before they released The Sergeant's Lady, but I went from zero to "I MUST HAVE THIS NOW" onCarina Press had already grabbed me hook, line, and sinker before they released The Sergeant's Lady, but I went from zero to "I MUST HAVE THIS NOW" on the strength of several delightful things, only one of which is actually immediately pertinent to the book: i.e., the author, Susanna Fraser, cheerfully admitting she'd modeled Will Atkins, her hero, on Malcolm Reynolds in Firefly. This, as you might imagine, was music to my Browncoat ears.
Happily, the book proved to be quite solid even above and beyond the pleasure of envisioning the hero played in my brain by (a strangely British-accented) Nathan Fillion. Class conflict is generally always good for setting up the sparks of a romance, and this one's particularly crunchy with the added bonuses of Will being in the military, Anna being a married (although widowed during the course of the plot) woman, and her husband being a raging douchebucket. Fraser does a delightful job having Will and Anna try very, very, very hard to maintain the proprieties as Will must escort Anna out of enemy territory, and even more importantly, making me genuinely like these people. That Will is a voracious reader charmed me immensely, as did the scenes of him and Anna not only fighting off mutual attraction, but also talking to one another and liking each other. It was very clear to me that these two had more going on than just raw hormones, and it was awesome.
Bonus points as well for Fraser not pulling any punches with the ending, about which I will say simply that Will, as a military man, is not exempt from the dangers thereof even if he IS the hero. All that's keeping me from giving this five stars are the scattered moments when I was thinking "yes yes get on with it"--but those moments were few and far between. (Browncoats who may read this book, keep a sharp eye out as well for the name of Will's best friend; soon as I noticed that, I had to tweet the author and go I SEE WHAT YOU DID THERE.)
All in all, this was a fine read and I'm very much looking forward to reading Fraser's newly released second book.
Merged review:
Carina Press had already grabbed me hook, line, and sinker before they released The Sergeant's Lady, but I went from zero to "I MUST HAVE THIS NOW" on the strength of several delightful things, only one of which is actually immediately pertinent to the book: i.e., the author, Susanna Fraser, cheerfully admitting she'd modeled Will Atkins, her hero, on Malcolm Reynolds in Firefly. This, as you might imagine, was music to my Browncoat ears.
Happily, the book proved to be quite solid even above and beyond the pleasure of envisioning the hero played in my brain by (a strangely British-accented) Nathan Fillion. Class conflict is generally always good for setting up the sparks of a romance, and this one's particularly crunchy with the added bonuses of Will being in the military, Anna being a married (although widowed during the course of the plot) woman, and her husband being a raging douchebucket. Fraser does a delightful job having Will and Anna try very, very, very hard to maintain the proprieties as Will must escort Anna out of enemy territory, and even more importantly, making me genuinely like these people. That Will is a voracious reader charmed me immensely, as did the scenes of him and Anna not only fighting off mutual attraction, but also talking to one another and liking each other. It was very clear to me that these two had more going on than just raw hormones, and it was awesome.
Bonus points as well for Fraser not pulling any punches with the ending, about which I will say simply that Will, as a military man, is not exempt from the dangers thereof even if he IS the hero. All that's keeping me from giving this five stars are the scattered moments when I was thinking "yes yes get on with it"--but those moments were few and far between. (Browncoats who may read this book, keep a sharp eye out as well for the name of Will's best friend; soon as I noticed that, I had to tweet the author and go I SEE WHAT YOU DID THERE.)
All in all, this was a fine read and I'm very much looking forward to reading Fraser's newly released second book....more
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