Julia Larkin sometimes thinks she loves her sister-in-law, Sienna, more than her own husband, Jason. Though to Sienna, Jason can do no wrong. For JuliJulia Larkin sometimes thinks she loves her sister-in-law, Sienna, more than her own husband, Jason. Though to Sienna, Jason can do no wrong. For Julia, things are more complicated, especially with Jason working long hours to try to earn a promotion--and a recent betrayal that has Julia questioning everything. Things get even worse when Jason's boss, Gavin, is brutally murdered and Jason is then in a car accident. While he's in a coma, the police tell Julia and Sienna he's the main suspect in Gavin's murder. The two have to try to clear Jason's name while keeping their own friendship intact.
This is a character-driven exploration with a mystery behind it, as Julia and Sienna attempt to discover who killed Gavin. This story focuses more on Julia and Sienna at its core than Gavin's death, delving into their friendship and each of their (oft complicated) relationships with Jason. Sienna, it seems, is infinitely loyal to Jason, while the revelations about Jason make things more complicated for Julia, a pushover in her relationship with her husband. It also seems that she has no problem pretty much abandoning her 14-year-old Aiden, the poor kid, who is left at home while his father festers in a coma and his mother is off doing who knows what.
There's a lot of talk about the past and an incident with Sienna and Jason as teens. For me, there was too much repetition and discussion of feelings (so much angst and emotion) and less forward movement on finding out what happened the night Gavin died. There are no huge surprises in this one--there are some twists, but none were too surprising. Overall, I liked the story, but it wasn't too memorable or spectacular. 3 stars.
I received a copy of this book from Simon & Schuster and Edelweiss in return for an unbiased review. ...more
Charlotte is a doting mom who adores her five-year-old daughter, Daisy. She's also extremely overprotective and anxious, watching and worrying over DaCharlotte is a doting mom who adores her five-year-old daughter, Daisy. She's also extremely overprotective and anxious, watching and worrying over Daisy's every move. Charlotte and her brother, Rocco, had a tough childhood. Rocco reacts by dating a variety of troubled women. But it seems like he's finally found someone special in his latest girlfriend, Ruth. Ruth really seems to love Rocco--and Daisy. But Charlotte rankles at how much Ruth likes Daisy and vice versa. Then Daisy is kidnapped from school, and Charlotte is convinced that Ruth took her. Is she right, or is it just Charlotte's fears rearing up again?
This was a twisty read that kept me guessing the entire time. It makes you work a bit to keep up, going back and forth between different perspectives and time periods, but it is interesting, dark, and compelling, with several good surprises thrown in. I was constantly switching my allegiances between Charlotte and Ruth, wondering which one (if either) I should trust. The ending felt a little abrupt and quick, but I would certainly read Bell's other work. 3.5 stars.
I received a copy of this book from Harper Paperbacks and LibraryThing in return for an honest review.
Research librarian Hester Thursby returns in THE MISSING ONES, but she's not the same. Shaken by the traumatic series of events that occurred in book Research librarian Hester Thursby returns in THE MISSING ONES, but she's not the same. Shaken by the traumatic series of events that occurred in book one, Hester is anxious and guilty. This affects her parenting of four-year-old, Kate, the daughter of her partner Morgan's sister, Daphne. (Follow that?) Daphne has now been gone for over a year, and Hester and Morgan are still caring for Kate. Meanwhile, on Finisterre Island in Maine, Rory, a local cop, is watching the ferry come in yet again. He's ignoring the whispers and suspicion of others on the island, who believe he is responsible for taking Oliver, a four-year-old who disappeared over the summer--and whom Rory found, safe and sound. Now another child is missing. Soon Hester gets a text--asking her to come to the island. In short order, she'll find a body there, and connect it to the missing children. But Finisterre Island is a small place, and not one to give up its secrets easily.
Reading this novel has definitely secured Edwin Hill and the Hester Thursby series as a go-to author/series combo for me. This was an excellent and compelling read. Hester is a wonderful, complex protagonist, and I hated to see her so fragile and struggling. I love Hill's stable of regular characters--Hester, Morgan, Kate, and their dog, Waffles. Plus, several folks from the last book pop up again, which was fun. Always hovering in the background is the missing Daphne, and Hester's complicated feelings: Daphne is her best friend; Morgan's sister; and Kate's mother. Of course she wants her back in their lives, but by now, she fiercely loves Kate and feels like her mother. It adds a deeper layer to the books and an aspect that I really enjoy. And Kate, while "just" four, is a total trip. I love that kid.
The mystery presented here is wonderfully plotted and complex. Introducing Finisterre Island gives us a whole host of new characters: Rory; Annie, Faith, and young Ethan, who are all squatting in a broken down Victorian on the Island; Lydia, Oliver's mother, who runs the local inn and bakery and her husband Trey, a state cop; and others. With a small island comes intense and tangled relationships, and Hill presents and handles them all deftly. The story kept me guessing and intrigued--fascinated both by the murder and mysteries, as well as Hester's own personal issues. Seeing a vulnerable side to her was difficult due to my adoration for her character, but it was so well-done. And, of course, she's still able to solve crimes, because she's amazing.
Overall, this was an excellent read. I love Hester--and her little created family. Hill is an amazing writer and does a great job at creating a suspenseful world that easily sucks you in. 4.5 stars.
I received a copy of this book from Kensington Books in return for a honest review.
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The second book in The Burial Society series finds its founder Catherine juggling a variety of "cases," so-to-speak. When Eva Lombard and her husband The second book in The Burial Society series finds its founder Catherine juggling a variety of "cases," so-to-speak. When Eva Lombard and her husband Peter take a trip to Hong Kong to celebrate their anniversary, Peter wakes in their hotel to find an empty bed. Eva has vanished without a trace. Eva thought she was being followed, and now Peter wonders if she was right. As he quickly becomes a suspect in her disappearance, he turns to his boss, Forrest "Holly" Holcomb, who recommends Catherine (his old lover) to assist. Catherine sends two of her associates to Hong Kong while she tends to other work--mainly, protecting a family in Mexico City whose father knows too much about a pharmaceutical company. Meanwhile, a determined FBI agent is working on tracking down a missing mother and child of a wealthy businessman and threatening Catherine's secret agency.
I enjoyed this book. It's told in short chapters from varying points of view--Eva, Catherine, and Jake and Stephanie (Catherine's associates), etc. The result is a story that moves at a brisk pace, with almost a cinematic-type feel. This is no surprise, considering Sadowsky's background in film and as a screenwriter. The three stories intertwine somewhat--with Catherine as the center--and while a lot of information flies at you, I never found the book confusing.
I really like Catherine, and I enjoyed learning even more about her crew in this one. It's fun seeing some of the proteges interact. The novel kept me guessing and putting together the pieces was quite enjoyable. There are plenty of twists and turns to keep you engaged.
Overall, this is an interesting thriller. The whole idea of the Burial Society fascinates me, and I liked the quick pace of this book, along with its twisty and engaging plot. 4 stars.
I received a copy of this book from Ballantine Books and Librarything in return for a honest review.
Tessa has started her life over at Haywood, an elite boarding school in coastal Maine. She teaches English there and is married to a well-respected feTessa has started her life over at Haywood, an elite boarding school in coastal Maine. She teaches English there and is married to a well-respected fellow professor, Harmon. Her seventeen-year-old son, Rudy, while troubled in the past, seems to be doing well. This is much in part to his girlfriend, Lila Zeller, a smart and focused teen. But then Tessa gets an early morning text from Rudy, asking her to pick him up. He and Lila had a fight, and Tessa finds him wet and shivering. Later that morning they receive the devastating news that Lila's dead body was found on the beach, not far from where Tessa picked Rudy up. Soon there are whispers of murder surrounding Lila's death, and both Tessa's husband and son find themselves under investigation. And the more she delves into Haywood's past, the more she realizes she isn't the only one keeping secrets.
"When we landed here in this pretty harbor town with its sailboats and white clapboard houses I'd thought we'd come to a place where we'd always be safe. But Rudy has always had a nose for darkness."
I love Carol Goodman's books, and I'm always into a good boarding school book, so picking up this one was a no-brainer. She doesn't disappoint. This is a quick, captivating story that keeps you guessing the entire time. While Tessa isn't always the most likeable character, I was certainly invested in her story.
Goodman deftly weaves two storylines together--the present, featuring Tessa's family and Lila's death and the past, which revolves around the titular lost girls, whom tie back to Haywood in its earlier days. We also learn more about Tessa's past and her long-hidden secrets, many of which also link into Haywood itself. Somehow all of this works together. It's a mysterious, sometimes dark story, and one that keeps you wondering. I changed my mind several times about who could have harmed Lila. I love a book that keeps me on my toes. I also enjoyed the story of the lost girls and the school's eerie stories.
Goodman is a master storyteller, and this book flies by. She brings in links such as "The Crucible," which the Haywood students are performing, and ties to the #metoo movement. They all augment this strong story about the power of lies and hidden secrets. The parallels between the past and present are expertly woven together. 4 stars.
I received a copy of this novel from Edelweiss and William Morrow in return for an honest review.
Alicia Berenson is a well-known painter married to a famous photographer, Gabriel. They have a picture-perfect life, so-to-speak. But all that changesAlicia Berenson is a well-known painter married to a famous photographer, Gabriel. They have a picture-perfect life, so-to-speak. But all that changes when Gabriel returns home from work one evening and Alicia shoots him five times. Then she goes silent, refusing to speak. Her silence makes her case even more famous, causing intense public speculation. Her paintings become coveted objects. Alicia, meanwhile, is sent to the Grove, a secluded psychiatric forensic unit, for treatment. There, Theo Faber, a psychotherapist, gains a job primarily just to work with Alicia, determined to be the one to help her speak again. But he becomes consumed with her case--something that may put his own health and safety into jeopardy.
This is a book that I read solely based on the recommendations of Å·±¦ÓéÀÖ and #bookstagram friends. It was quite hyped, and sometimes I shy away from all the hype, ha. I really did enjoy it, though I probably always feel a little let down by the crazily hyped books. It's just my nature. That being said, I do think this is a really good read and extremely captivating.
It's incredibly bizarre and puzzling--told via excerpts from Alicia's journal (pre-murder) and then Theo's viewpoints. We are left to wonder if, indeed, Alicia is truly crazy. The fact that she shot her husband, Gabriel, isn't really up for debate. But why? What led this talented artist to kill, and so violently? Reading her journal, we ponder, is she mentally ill? Is what she's telling us even really happening? Some of the narratives may or may not contradict each other, and the result is a fast-paced, twisty tale that keeps you guessing the entire time. I was sucked into both Alicia and Theo's minds. One of the best things about this book is that you may not always like Theo or Alicia, but you'll want to know about them. You'll find yourself completely engaged in their story--a sign of a good read, if you ask me.
"There's so much pain everywhere, and we just close our eyes to it. The truth is we're all scared. We're terrified of each other. I'm terrified of myself--and of my mother in me. Is her madness in my blood? Is it?"
I stayed up late to finish this one, as I absolutely had to know what happened. There are several twists and turns, and, as I mentioned, it keeps you guessing. The perspective in this book is unique, and I really welcomed how different it felt. It's a consuming, shocking read that basically absorbs you and as different parts of the story are revealed, it grows more and more intense.
Overall, this is a really excellent psychological thriller. It's nearly impossible to put down. It is different, with damaged characters that will draw you in from the start. 4+ stars!
Sometimes I foolishly put off reading a book because I think it sounds “too smart� or something for me. I made that mistake with The Wolf Wants In, anSometimes I foolishly put off reading a book because I think it sounds “too smart� or something for me. I made that mistake with The Wolf Wants In, and I was such an idiot! This was such a wonderful, well-written psychological thriller. I don’t know what I was thinking!
Wolf is told from the perspectives of Sadie and Henley, who both live in the same small Kansas town. Sadie has recently lost her brother, Shane, and she’s looking for answers about how he died—even if no one else seems too concerned. Meanwhile eighteen-year-old Henley comes from a long line of known troublemakers: many of whom are drug dealers and users. She’s determined to leave town and her family behind. But events transpire that make that harder than she envisioned. Overshadowing everything is the town’s opioid crisis and the discovery of a child’s skull in the woods.
The characters in Wolf are vivid and nuanced. They have such depth and feeling. McHugh captures small town life so well—as well as how easily addiction can ravage families. What I loved was how she layered a mystery against all of this: the result was a completely compelling read. I was totally captivated by this one: definitely recommend! 4+ stars.
This is a very quick read about a rather twisted neighborhood. On one hand, you have a teenage kid breaking into houses and hacking his neighbor's comThis is a very quick read about a rather twisted neighborhood. On one hand, you have a teenage kid breaking into houses and hacking his neighbor's computers. Then, you have a murdered neighbor. Are the two related? I had an inkling and suspicion about what was going on, but still found it to be a compelling read. There are a lot of suspects--hey, a whole neighborhood--and plenty of messed up people to choose from. 3.5 stars. ...more
A few seconds change Shay Miller's life forever. It's almost ironic, as Shay, 31, and a market researcher, is obsessed with data. She's been keeping dA few seconds change Shay Miller's life forever. It's almost ironic, as Shay, 31, and a market researcher, is obsessed with data. She's been keeping data books since age eleven, listing statistics and facts the way other girls write in diaries. Shay's recently lost her job, and her roommate and best friend, Sean, spends more time with his girlfriend than her. She feels hopeless and isolated. Then everything changes, and Shay finds herself swept up in the glamorous world of the Moore sisters, Cassandra and Jane. They have a way of making Shay feel different. They also seem to be everywhere, shaping Shay's life in strange ways.
I've learned by now when I pick up a book by the Hendricks-Pekkanen duo that I need to just suspend disbelief for a bit and go with it. If I can do that and enjoy the ride, then the book is a fun little escape mechanism. When looked at via this prism, You Are Not Alone was very successful.
The book is told from different points of view that often stray into various time periods, and it took me a while to keep all the characters straight. Cassandra and Jane have a host of friends, and I had to bookmark the page that introduced them all so I could remember who was who for a while. There seem to be unreliable narrators galore for a while--can we trust Shay? The sisters? Their friends?
I don't want to get too much into the plot and give anything away. It's a crazy story and again, not really probable (I hope). However, it's highly addictive, and I found the book to be compulsively readable. I also really grew to like Shay, even if I was suspicious about her.
There are some great twists and turns in this thriller, which I really enjoyed. I liked how this one kept me guessing, even if there was an eye roll or two in there too. It was definitely wild! 4 stars.
I received a copy of this book via a Å·±¦ÓéÀÖ Giveaway.
Marianne's heart drops when she realizes her husband, Sam, has bought a flat for her in the town where she grew up, Nusstead. It's in the town's formeMarianne's heart drops when she realizes her husband, Sam, has bought a flat for her in the town where she grew up, Nusstead. It's in the town's former mental asylum--all prettied up and converted into beautiful apartments. But Sam doesn't know about the dark secrets the asylum holds for Marianne and her teenage boyfriend, Jesse. Marianne fled Nusstead--and Jesse--as soon as she could, making a new life for herself with daughter Honor and Sam. Jesse never really forgave her and now that she's back, he's threatening to expose their long buried secrets. Marianne is determined to keep her husband and daughter from knowing about her past. But how far must she go to protect her secrets? And what doesn't she know about the past?
This was my first Erin Kelly book; it was a different sort of thriller. First off, please note there is a trigger warning for self-harm and suicide.
The book started off slow, and honestly, this is why I have such a hard time with being able to DNF a book. I was tempted for a little while, because I couldn't get into Marianne's voice or story. But then, as the book progressed, things picked up, and I actually became pretty engrossed in the plot. The story is sort of told backward, almost. It starts with the present and Marianne and then we get some different points of view, as well as timelines in the 80s and even 50s. (I don't want to say more than that.) The portion in the 80s is still told by Marianne, but I really liked her younger voice and was caught up in what was happening by then. I was glad I had kept reading. Initially, the book had seemed a little confusing--a lot is made about the fact that something has happened in the past and yet we don't know what it is--and yes, keeping us in suspense is the point, but still. It was a little much at times.
There are some interesting twists and connections in this one. I enjoyed how it shone a spotlight on women's issues and mental health stories. It's always rather scary to see how women's mental health was treated in the past, though I suppose women's health isn't being treated with much more respect right now, is it?
The book was a tad repetitive at the end as the storyline wrapped back around to the present, but it was still pretty interesting. I wasn't always sure if I was reading a thriller, a character driven novel, or a treatment on mental health and women's issues: sometimes it seemed like the book was struggling to find itself and maybe the ending faltered a little bit because of that. Still, overall, I enjoyed this book. It became progressively more interesting, and the intersecting stories, especially the ones in the past, were very compelling. I enjoyed the focus on mental health, especially. I have Erin Kelly's He Said/She Said on my TBR shelf, and I'll definitely pick it up at some point. 3.5 stars.
Alex Taylor is excited to head off to a nice dinner with her boyfriend. But instead, she wakes up strapped to an operating table. She quickly realizesAlex Taylor is excited to head off to a nice dinner with her boyfriend. But instead, she wakes up strapped to an operating table. She quickly realizes the man above her isn't a doctor, but he intends to do unspeakable things to her. However, when Alex wakes up, she appears unharmed. She's back in the parking lot of the hospital where she works. Even worse, no one believes her when she shares her story. Not her boyfriend, not her friends, and not her medical colleagues. Alex becomes haunted by what happened that night, performing badly at work and becoming convinced that there are other victims like her. Did something really happen to Alex, or is she going crazy?
This was one of those books that I won on Librarything and then totally enjoyed being introduced to a new author. It was a little wild and crazy in places, but it kept me engrossed and reading, which I really appreciated. I was amazed that absolutely no one seemed to believe Alex: I understand that she had no real evidence to back up her story, but it seemed tragic to me how quickly her friends and family abandoned her to sadness and despair.
I wasn't sure I would like this book at first, because I'm not a huge fan of the unreliable narrator to begin with, especially the self-pitying alcoholic one, which seemed to fit Alex quite well. But, I won't lie, she definitely grew on me. This was *even with* the fact that something else had happened in Alex's life thirteen months ago--something that her friends and co-workers felt she had conflated with her "pretend attack," and everyone, including Alex, referred to incessantly. But, of course, it took forever for anyone to tell us what had actually happened, which drove me a little insane. There's dragging something out for suspense and then there's annoying your reader to no end!
However, I really enjoyed the fact that we couldn't trust any of our characters--even the policewoman investigating Alex's case, Laura Best, who was only out to further her career, not actually seek justice for Alex. My favorite character was Laura's boss, Greg Turner. He was a great detective, and I could totally root for him in his own series. Not being able to trust anybody else, though, was kind of fun. It kept me constantly guessing. The book was surprisingly compelling: truly a page-turner. There were some great twists and turns in this one. I guessed a couple of pieces, but not all of them. In the end, I stayed up late to finish this book, which is always a sign of a winner for me (my sleep is a precious commodity!).
Overall, this was probably a 3.5 star book in many ways, but I was impressed that this was the author's debut. I also enjoyed how it kept me madly flipping the pages, trying to figure out what happened. In the end, a 4-star rating. I see Liz Lawler has another book out now, and I'll definitely be checking that one out at some point.
I received a copy of this novel from the publisher and Librarything in return for an unbiased review (thank you!).
This book wasn't what I was expecting, but, pleasantly, in a good way. Jules is hired as an apartment sitter (apparently those exist) at the ritzy BarThis book wasn't what I was expecting, but, pleasantly, in a good way. Jules is hired as an apartment sitter (apparently those exist) at the ritzy Bartholomew in New York City. She's incredibly broke and down on her luck, so getting paid to stay in a beautiful apartment seems like a dream come true. But the job comes with a lot of rules: no overnight guests, spend every night at the apartment, don't bother any of the other residents, and more. Jules finds a friend in another sitter, Ingrid, who tells her everything isn't as it seems at the Bartholomew. Jules figures she's just exaggerating. Until Ingrid disappears. Hunting for her friend, Jules finds out some dark secrets about the Bartholomew--and starts to believe Ingrid was right.
LOCK EVERY DOOR is a total page-turner. Jules is an engaging, if occasionally frustrating protagonist, who is easy to like. The premise of this one is certainly interesting and just when you think it's going off on in one direction, it completely surprises you. Sager nails the creepy atmosphere coupled with the NYC setting, allowing you to get completely lost in the book for a couple of hours. 4 stars.
I received my copy of this book through one of my favorite websites, , where you can swap copies of all your favorite books (hardcover, paperback, and more).
One of the most hyped books in ages--about a murderous married couple--completely fell flat for me. What a disappointment! I slogged through most of tOne of the most hyped books in ages--about a murderous married couple--completely fell flat for me. What a disappointment! I slogged through most of this one waiting for it to get good and see what all the fuss was about. I felt nothing for the characters except irritation. This was the ultimate epitome of a slow start. It picked up a bit, but there was nothing to redeem these hateful characters. The entire book was incredibly anticlimactic until a rushed, uncertain ending. Ugh. Still, I can see bits and pieces of why others found it so interesting, and I'll still be intrigued to read Downing's next book. 2.5 stars, though, for me. ...more
After the death of her husband, Jocelyn "Jo" must return home with her ten-year-old daughter, Ruby. His death has left her in financial trouble, and sAfter the death of her husband, Jocelyn "Jo" must return home with her ten-year-old daughter, Ruby. His death has left her in financial trouble, and she has no choice but to head back to Lake Hall, the aristocratic home she shared with her parents when growing up. It's a far cry from California where she lived with Chris and Ruby, escaping a stifling childhood with her mother. Jo's happiest childhood memories involve her nanny, Hannah, but Hannah disappeared suddenly one summer when Jo was seven. Her mother blamed Jo, and the two never repaired their relationship. Back now, thirty years later, Jo must deal with her mother and their fractured relationship. And when she and Ruby find a skull in the lake behind the house, she begins to wonder exactly what happened to Hannah. Jo isn't sure of anything anymore, or who she can trust, even her own memories.
"I'll never be able to change this place, but if we stay here long enough, I'm afraid it will change my daughter and me."
I've loved Gilly Macmillan and her books since I won one of them in a Librarything giveaway a few years ago. She's an excellent writer, and I quite enjoy how different each book is from the next. This one was very different and quite unexpected. It's told from a variety of alternating viewpoints--the primary ones being Jocelyn and her mother, Virginia, but we even get a local policeman and a mysterious woman dating back to the 1970s. I liked the way Macmillan wove all of of these perspectives together. At first, it seemed really easy to trust everyone, and then quickly, you realize that you can't be sure if you can believe either Jo or her mother.
I don't want to go too far or reveal too much, because it's probably better to let most of the plot reveal itself organically, but it's definitely easy to say that much of the book is a little befuddling (in a good way). I found myself drawn to Ruby, the young girl, and oddly, Virginia, despite her history as a pretty terrible parent. Jo frustrated me, with her somewhat naive nature. She would trust some things at face value, yet not others, and I wanted to shake her at points.
There are definitely some convoluted plot points in this one--there's quite a saga with the Holt legacy. I didn't really question it while I was reading, but after, I find myself wondering if it was all necessary. Still, I loved reading about the slightly faded grandeur of Lake Hall--it's just not something you get in America, and it's fun to picture when you read these type of novels. Macmillan does an excellent job of portraying her characters and the setting.
I definitely was caught up in the plot. I thought I had it figured out for a while, then I realized I didn't, and then the ending was a little crazy. I'm still not a 100% sure about it, but I appreciate Macmillan for embracing it. Overall, I enjoyed the varying viewpoints and the slightly fusty, aristocratic setting. I was interested in the characters and wondering what happened with Hannah. A few things seemed a little far-fetched, hence my 3.5-star rating, but still a good read.
I received a copy of this book from William Morrow and LibraryThing in return for an honest review.
Rowan Caine feels like her life is at a bit of a dead end when she finds the advertisement: it's for a live-in nanny, and the pay is amazing. Rowan haRowan Caine feels like her life is at a bit of a dead end when she finds the advertisement: it's for a live-in nanny, and the pay is amazing. Rowan has a background in nannying and working with children, so she submits her CV and crosses her fingers. Still, she can't believe her luck when she interviews at the gorgeous Heatherbrae House in Scotland. It's isolated, but beautiful. And then she gets the job caring for four seemingly lovely children: Rhiannon, 14; Maddie, 8; Ellie, 5; and Petra, eighteen months. But the position isn't all it cracked up to be. The children are nothing like the sweet kids they appeared when she interviewed. The entire house is a smart home, controlled by a home management app, and it seems to go haywire constantly. The parents leave nearly the moment she arrives. And it really seems like the rumors of ghosts and a haunted house that drove away the past four nannies are true. We know Rowan is writing about all of this from prison--jailed for the death of one of the children. She claims she's innocent. What really happened at Heatherbrae House?
This was a very intriguing, eerie thriller, made all the more creepy by reading it alone in a cabin in the woods with no one beside me but my dog. Perhaps choosing this read for my short getaway was a mistake? Ha, I actually liked getting a little spooked by this Gothic mystery. It was an enjoyable slow-burning read that kept me hooked.
As mentioned, the entire book is told in letter form--albeit mostly one long letter--as Rowan sits in Scottish prison, trying to convince a Mr. Wrexham to take up her case. She's innocent, she says, and here is her story. And quite a story it is. From the moment Rowan arrives at the Elincourt's beautiful home, Heatherbrae House, it seems like things go wrong--she hasn't memorized the 300-page "manual" required to watch the girls, the "smart" house is out of control, and the children are absolute terrors.
"I guess it comes down to this in the end. I am the nanny in the Elincourt case, Mr. Wrexham. And I didn't kill that child."
But the more we hear from Rowan, we learn she may not be completely guilt-free in all of this, as perhaps there is more to her story than meets the eye. It all unfurls easily in Ware's deft hands. It may take a while to get to some of the major twists and turns, but there's plenty of little bits of creepiness along the way. Rowan is sure she's being haunted, and it's quite fun to try to figure out what exactly is happening. Ghosts? The smart house gone awry? While Rowan isn't always the easiest character to root for, I still sympathized with her (I wouldn't want to be left with four combative children) and yet I found myself getting attached to the kids anyway (clearly they didn't choose to be left behind by their rich and distracted parents).
"I need you to understand why I did what I did."
Overall, this one is a fun, eerie read. I enjoyed the combination of creepy Gothic plus smart home craziness. I also couldn't always foresee what was coming up next, which I appreciated. It's engaging and surprising, despite our limited cast of characters. 4 stars.
I received a copy of this novel from Gallery/Scout Press and Edelweiss in return for a honest review.
When Mattie, a social worker, gets the call that a woman and child are arriving on a bus and need her assistance, she's ready. The call came into the When Mattie, a social worker, gets the call that a woman and child are arriving on a bus and need her assistance, she's ready. The call came into the hotline at the Sanctuary, and they know Mattie is always available to help out and take those in need--especially domestic violence victims--to a nearby shelter or safe house. But when Mattie sees Alice and ten-year-old Oren get off the bus that snowy night, she somehow can't drop them off at the shelter. Is it because Oren reminds her so much of her own little brother, Caleb, frozen in time forever at the age of ten? Mattie isn't the only one breaking the rules and holding things back, though. Alice and Oren have secrets too. And as the snowstorm around them intensifies, so does the danger.
I just love Carol Goodman's books. She has eerie, creepy, Gothic writing down perfectly, and this book was certainly no exception. I was hooked from the beginning. This novel alternates between Mattie and Alice's perspectives. Mattie is older (fifties), living alone in her decrepit home, damaged by her past.
"When I told Anita that I didn't believe in God she'd pressed the medal into my hand and told me that I should just say a prayer to whatever I did believe in. So I say my prayers to Anita Esteban, who left her drunk, no-good husband, raised three children on her own, went back to school, and earned a law degree. She's what I believe in."
I took to her immediately. You know that there's definitely more to each woman's story than meets the eye, and it's fascinating to watch their stories unfold. Alice shows up with a story about running away from an abusive relationship. Oren, she claims, is all she cares about. Is that true? How much can we trust either of the women? What I loved was that the book had me guessing the entire time. It was incredibly captivating, and both women seemed so real.
As for Oren, he was great, too, and you immediately wanted to protect him. The novel definitely has some creepy and mysterious pieces to it. It's less about suspending disbelief than just engaging with the story--becoming a part of it. I certainly found myself spooked a few times. It's a compelling tale, which will keep you engaged, intrigued by the characters, and culminates is a really great twisty (and twisted) story. This one isn't necessarily for the faint of heart; there are some brutal moments here. But what I really loved is that while this can be a very dark story, it's also weirdly sweet, too. I was very touched in places--a true sign that I'd grown to love these characters.
Overall, another enjoyable book from Goodman. She has a way of sucking you into the landscape of her books--and suddenly you are engrossed by the story and its characters. This one was eerie, captivating, mysterious, and yet oddly heartwarming at times. 4+ stars.
I received a copy of this book from the publisher and Edelweiss in return for an unbiased review (thank you!); it is available everywhere as of 03/26/2019.
This is the second book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let'This is the second book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Louise has a pretty boring life. A single mom and part-time secretary, most of her life revolves around her young son. But then one night she meets a man in a bar and feels an instant attraction. Though it stops with a kiss, she feels excited by the prospect of finally having met someone. So imagine Louise's surprise when, the next morning, she sees the man again. At work. He's her new boss. And he's also very married, to a beautiful younger wife, Adele. Soon, Louise accidentally runs into Adele and the two form a friendship. Louise knows it's wrong, but she feels drawn to Adele as well. She appears lonely. Plus, the more Louise learns about Adele, the more she feels something is off: Adele seems afraid and almost controlled by David. Before she knows it, Louise is spending time with Adele and David, unable to tell the other about what she's doing. She's also realizing that there's something very wrong with this marriage. But how wrong, Louise has no idea.
"You can never know everything about a person. You'd go mad trying to."
Well, this was a spellbinding thriller. It's a wild ride that keeps you guessing the entire time, wondering who is twisting whose mind and what on earth is going on between David, Adele, and even Louise. Is David an abusive husband controlling his wife? Is Adele a cowed and crazy housewife? What happened between David and Adele when they were young and Adele's parents died? Is Louise complicit in their games? I felt befuddled and mesmerized as I madly flipped the pages, trying to figure out what on earth was going on.
"The more I fall for David, the more fascinated I become with Adele. It's a vicious circle."
I knew I didn't really like any of these people, but I didn't care, as I had to know what was going to happen next. Trying to put together the pieces in this psychological puzzle is nearly impossible; it seems like everyone is playing mind games with everyone else. It's told in a Now and Then format, with perspectives from Adele and Louise. But who can we trust? Does anyone tell the truth in this book? I won't spoil it for you, but I can say that the short chapters and flip in time periods make for a captivating read.
Some of the plot is strange and again, the characters are not particularly likeable (Louise, come on, let's make better choices), but the book makes up for it in psychological thrills and twists. Behind Her Eyes has been on my shelf for a while, as I'd heard about its surprises and big ending. I'm glad I used this challenge to pick it up. It was a different read and a crazy one. 3.75 stars, rounded to 4 here.
Lisa lives a quiet life with her teenage daughter, Ava. She keeps a close-hold on her, which chafes on Ava, who is ready for independence from her motLisa lives a quiet life with her teenage daughter, Ava. She keeps a close-hold on her, which chafes on Ava, who is ready for independence from her mother. But Lisa has a good reason. She has a secret past: one she's never shared with Ava or even her best friend and co-worker, Marilyn. All that changes when Ava rescues a young boy from drowning at a local fair. Her picture and Lisa's are splashed across the news and papers, threatening the world Lisa has so carefully constructed. As things begin to fall apart, each of the three women must begin to confront the many secrets they have been keeping.
I wasn't sure what to expect with this book. I seem to be one of the few people left on the planet who hasn't read Pinborough's Behind Her Eyes. However, all the hype about that one probably raised my expectations for this novel. I will admit, I found it to be oddly captivating. It's told from the points of view of Lisa, Ava, and Marilyn and oscillates between the present and the past. As a result the story unfurls slowly, releasing details in increments. It certainly adds to the tension and suspense of the book.
It's clear that all three women have their own secrets, but figuring out what they are is pretty fascinating. The book definitely kept me guessing until the end. Just when I thought I had something figured out, it threw me another curveball. I didn't particularly love Lisa or Ava--Ava more because I felt like I didn't get to know her that well, but I really liked Marilyn. Pinborough is very good at capturing the voices of her characters--each was unique and easy to picture.
In the end, I found the plot for this one to be interesting, and it kept me reading. Still, it's something that I can't really explain, except to say that nothing about this book "wowed" me. I liked it, but didn't love it. There's no real reason that I can put my finger on, just a feeling. Still, this is a very intriguing psychological thriller. It's twisty, with interesting characters. I still need to get to BEHIND HER EYES. 3.5 stars.
Eighteen-year-old Alexandra O'Connor and Rosie Shaw are backpacking in Thailand for three months. But when they don't contact their families as scheduEighteen-year-old Alexandra O'Connor and Rosie Shaw are backpacking in Thailand for three months. But when they don't contact their families as scheduled, panic ensues. They are reported missing, and journalist Kate Waters begins covering the case as well. But this one feels especially close to her heart, as she can't help but think of her own son, Jake, who has been overseas traveling for two years. As it quickly becomes clear that there's more to Rosie and Alex's case than meets the eye, Kate will soon be drawn to into their world.
For some reason, I must have forgotten that this was another Kate Waters book, so I was really excited when I started reading and realized that both she and DI Bob Sparkes were back in this one. I really liked Barton's previous two books featuring Kate and Bob, THE WIDOW and The Child, and this one was no exception. By this point, they are starting to feel like old friends.
The story is told via short chapters from various points of view: Kate, Bob, and Alex's mother, Lesley. We also get flashbacks to Alex in Bangkok. It's all very effective, as the result is very easy-to read. The story moves along steadily, and it kept me very interested and wondering what had happened to the girls. I also found the story a little frightening and, as many thrillers do, it made me quite frightened for my children to grow up and leave the house!
Kate was her usual self--I just always find myself drawn to her. She's determined and tough, yet vulnerable. I don't know much about the press, especially not in the U.S., but Barton's take on Kate always seems really authentic to me. This makes sense, considering Barton is a former U.K. journalist: it shows. I always enjoy how focused Kate is: ready to do nearly anything to get her story. What's great about this novel is that Barton throws in a compelling personal aspect for both Kate and Bob; for Kate, it really shakes up her take on reporting, which is truly her one constant in life. While it's not easy for her (or for me, really, since I have grown to care for her), I found it interesting to watch her grapple with this. Kate also has to look at the truth and how she might present it when it's more personal for her. It's a stark dilemma, and made the book more fascinating.
"Being a reporter is touchy-feely...We're not here to observe the news happening through a telescope--or Google. You've got to plunge yourself into this job so you can feel things, see things up close, understand them. You've got to get your hands dirty. Right up to the elbows."
At the core, though, there's a very intriguing plot here: what happened to Alex and Rosie? I found the book to be really interesting, and I was sucked up along with Kate and Bob, trying to piece together the various clues as to what had happened. There are several great twists and turns thrown in: a few I guessed at, several that really surprised me. The book does a great job at exploring how the media can put a person on trial, as well as the way we portray ourselves on social media versus what's really happening behind the scenes. All the various shades of truth being presented in different facets--all quite interesting.
Overall, this one was a winner for me. It featured some characters that are old favorites, a compelling mystery, and some intriguing personal elements for said characters. 4+ stars. I certainly hope Bob and Kate make a return appearance in another Barton book.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!); it is available in the U.S. everywhere as of 1/22/2019.
Aimee Sinclair is an actress. She's not really famous yet, but you might have heard of her. Aimee is working on her latest film when she comes home anAimee Sinclair is an actress. She's not really famous yet, but you might have heard of her. Aimee is working on her latest film when she comes home and discovers that her husband, Ben, has vanished without his wallet, phone, keys, coat, or shoes. Initially she isn't too worried as the two had a large fight the night before. But he isn't home the next morning, and Aimee's card is declined when she tries to use it. The bank tells her her account has been emptied. She immediately suspects Ben, but the bank tells her it was her. Aimee has a history of "forgetting," but she's sure she would remember this. Soon the police are at Aimee's door, and her world starts to turn upside down.
"My husband is gone"
I really enjoyed Alice Feeney's first book, SOMETIMES I LIE, and this one lived up to expectations. I have to say that Feeney has cornered the market on confusing books with unreliable narrators who bring along messed up backstories. (How's that for a mouthful?) Aimee is an interesting character--an actress with a spotty past and flitty mentions of her "forgetting"--yet you can't help but feel somewhat drawn to her. Things go south pretty quickly once Ben disappears, and we are sucked down with her. Yet Aimee is tough, and she's pretty determined to figure out what is going on.
"Acting is easy; it's being me that I find difficult"
Like Feeney's first book, this one will leave you feeling confused and disjointed as you read, much like Aimee's brain. What is going on? Can we trust her? Can we trust anyone? Complicating things is the fact that Aimee's story alternates with that of a young girl who wanders away from home and, well, let's just say that doesn't end well. These two storylines are oddly captivating, motivating you to madly flip the pages. Eventually, I found myself caring not so much about what actually happened to Ben, but just caught up in Aimee's overall story and saga.
"Sometimes it's the people who love us the most that hurt us the hardest; because they can."
Now, be warned. This is not just a befuddling tale, but a twisted one. Feeney goes dark, very dark with our story here. Oh man, but it's a really good surprise, and while I saw hints of it, I loved it, and quite enjoyed how everything came together. (Or, conversely, fell apart?) The book keeps you guessing, that's for sure.
Overall, this is a really twisted, mesmerizing thriller that keeps you engaged. I will definitely be reading anything Alice Feeney writes. 4+ stars.
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