This was a beautiful story and an even more beautiful audiobook. It wasn't perfect, the ending was a little anti-climactic for me because I wanted morThis was a beautiful story and an even more beautiful audiobook. It wasn't perfect, the ending was a little anti-climactic for me because I wanted more death and horror, but it was so enjoyable, I'm just giving it five stars.
There's some true blue poetry in this. Songs with actual singing in the audiobook. Multiple jokes that actually made me laugh out loud, (it's almost like a really long set piece of "epic fantasy standup comedy").
Loved it.
Dark comedy meets dark fantasy. Perfect. It took me back to reading The Name of the Wind and Joe Abercrombie for the first time, but this was even better. It's good storytelling and the writing is so enjoyable... There are chapters I listened to twice, just because of how excellent it sounded in my ears. Yup.
This was the first time I actually slowed down an audiobook, just a little, so I could hear every word without missing a single thing. That's how excellent it was.
It's American Psycho for people who didn't like American Psycho but wanted to.
Since Psycho is up there in my list of favourites, this was a little weIt's American Psycho for people who didn't like American Psycho but wanted to.
Since Psycho is up there in my list of favourites, this was a little weird. It's skating somewhere in between ripoff and honourable tribute. The trouble is, unlike Patrick, Joe is still a little too in reality. There are no explosive shoot-outs with cops, no video tapes that need to be returned after midnight on Sunday... The satire and deprecating commentary is still there, but all the little quirks are gone and it gets tedious only hours in because Joe is the same, from chapter to chapter. He doesn't descend into deepening madness, he isn't redeemed, there's no real arc, positive or negative for him, so what you end up with is a too-big slice of a very dull person's unremarkable life....more
This is the best book that I might never recommend to anyone.
You know how most people in the writing business recommend that you have likable characteThis is the best book that I might never recommend to anyone.
You know how most people in the writing business recommend that you have likable characters? Or a strong plot? A clear three act structure of events? Or at the very least, no matter how they change things up, they'll stick to the chorus of "Show, don't tell?"
Well, Chandler Klang Smith is the badass bitch who didn't have time for that.
Don't get lost in the worldbuilding, you said? She doesn't stop. It's constant worldbuilding. Constant. She doesn't set the stage for her characters so much as put a hammer in their hands and tell them to "Build, godammit!"
Sympathy? Empathy? Likability?
Ha.
They're the worst of the worst. One POV character is essentially Logan Paul. The other is an obese, mutant anachronistic character out of a Jane Austen novel... (Northanger Abbey, if I had to guess). And the third is every portrayal of the airhead kawaii girl from every shounen story in existence.
Ugh, you would think.
But it's not ugh. Because her character development is on point.
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At least half of this book is worldbuilding info-dumping and the parts of the story that is actual plot might as well be an info-dump because of the way it is told... I mean...
Who the fuck uses an omniscient narrator in this day and age? It's like she's the long lost descendant of William Thackeray risen up to claim the throne for Most Entertaining and Most Batshit Shit-Lit...
It's a lot like Vanity Fair in the way that there are no heroes. There are no villains either... It's either a satire of the strong female protagonist dystopian novels... Or a parody of Jane Austen novels... Or a scathing criticism of literature itself... Or she could have just been trying to prove that grimdark chick lit is a thing.
I really don't know at this point what the fuck this novel was, or what the real theme was... But it's brilliant. Horrible in a certain way, but genius.
I didn't like it as a child, but now as a proper adult with an appreciation for good classic literature I thought I'd give it another shot.
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It'sI didn't like it as a child, but now as a proper adult with an appreciation for good classic literature I thought I'd give it another shot.
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It's still very meh, and I think that that's because it was most definitely meant to be a bedtime story for a sleepy child... as opposed to an edgy grinder who's always on the hustle like myself. ...more
This story is what you'd get if you combined all the characters of The Boondocks into one person, and if that one person grew up to do stand-up[image]
This story is what you'd get if you combined all the characters of The Boondocks into one person, and if that one person grew up to do stand-up after only having learnt stand-up from watching Mike Birbiglia and Dave Chappelle.
And that's the review right there.
It's an automatic 5 stars before you even finish the book. I'm a sucker for sentences like these:
I’m headed toward the barn to check on my newly purchased Swedish sheep. My baby Roslags are huddled under the persimmon tree; it’s their first night in the ghetto and they’re afraid the goats and the pigs are going to jack them.
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and:
Stevie, a hardcore gangster as ruthless as the free market and unemotional as a Vulcan with Asperger’s, has a tear running down one cheek.
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and:
I always liked the sound of seat belts unbuckling. That emancipating click and whir of the belt recoiling to wherever it goes never ceases to give me pleasure.
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My new favourite genre is indie-ghetto. It's really genius how Beatty manages to fuse his super poetic and deep literary styling with this preternaturally absurd content that involves a man delegating his slave-whipping duties to a bunch of SM sex-workers...
I'm not much into literary novels and their prizes, but give this man everything! 10 stars easy. Especially if you listen to the audiobook!!! Prentice Onayemi is one of the best. The narration is perfect. Awarding winning. Like, if there was an award for best audiobook narrator of all books ever, this guy would be one of the front-runners on the shortlist. Fantastic audio performance. [image]...more
It is one thing to decide to write a novel about a bunch of super-white blond women being killed, withInitial reaction to the last 20% of this:
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It is one thing to decide to write a novel about a bunch of super-white blond women being killed, with a Scandinavian anti-hero protagonist who meets and falls instantly in love with a super-white redhead while working as a drunk detective...
But when the women are only important because "WHITE!" "BLONDE!" "MUST PROTECT THE PRECIOUS!" (They are such non-existent characters, to call them 2-dimensional would be generous)... and one of the two aboriginals in the story is a dirty cop heroin junkie, the other one being an insane gay psycho rapist-of-white-women who basically goes on a monologue about how his life is all about raping very white women and nothing else as though he's some kind of Dothraki Horselord...
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Well, then... I'm going to have to give you one star and a mild frown of disgust.
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I'm not sure how diverse Norway is - I want to guess not very - so on his first book it's probably a valid excuse that he didn't know better... but I feel like an editor or any casual non-Norwegian or Australian person could have been like, "Dude..."
There are lots of other things wrong with this despite the only woman in the novel being some kind of manic pixie bartender.
What's with all the backstory dialogues?
There are at least 50 occasions where people broke out into half-hour long narrative monologues that were either personal backstory or aboriginal folklore.
I live in a region with thriving storytelling and folklore... We don't just bust out stories for the white tourists any chance we get.
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Like, how would this be feasible even in the context of police officers on the job? I get that he's trying to include the culture and the natural history of the aboriginal people to compensate for how he used them to be the standard junkie-rapist villains of his story... To sort of hang a lampshade on the issues and be like , "Hey, I appreciate cultural diversity. See how much research I did?! How could I be racist if I know some of your myths and put them in my novel?!"
But no.
The last 30-40-60%, it's all cliche and coincidence and Chekhov Shark Pools in Chekhov Aquariums.
Absolutely horrible, all in all. Despite the good prose. He has style, but his content is ghastly. There are little bursts of excellence that promise so much, but this is basically a shit book. I'd wanted to get to Snowman but I'm not sure I want to anymore because there's something really ridiculously disgusting about this.
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Snowman got made into a movie, but The Bat is something you'd find on CW.
And it's gonna have fans, CW shows are popular for a reason, but I'm not about that life. I actually feel like I need to apologize to someone for reading this, because I feel complicit as I add yet another rating to this dude's popularity.
This is offensive to:
1) All women in general.
2) All Australians police officers.
3) All Australians in general.
4) Especially aboriginal men..
5) All non-white women who don't even exist in this Harry Hole Extended Universe. There's just too much of this novel that can be classified as horribly wrong...
6) People who appreciate plots that go beyond "the black people did it... because that's how they do... because they're black... like bats... which are creatures of the night... which is the time raping is likely to occur... and also because drugs... and gayness."
And I can't even credit him for his writing style, because it's really a really poorly constructed mystery where Harry is supposed to be some sort of super dertective who observes all and stores it in his steel-trap memory even though he spends roughly a half of the book being black-out drunk.
And this is tolerated by the Australian police because... they'll take direction from any random Norwegian. Being descended from convicts they have it in their genetic memory to cow to European Authority?
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It's so bad I can't tell if it's wrong in conception, execution or both. There's really nothing that works. Even the reveal is done in the cheesiest, least dramatic, most monotone way possible. It's basically the type of book you delete, just to make sure that no one casually browsing through your audiobooks sees it.
What can one reader do against such reckless fail?
I don't know how to describe it. The author can write words good, which is all I ever really ask for, and the magic system was nice - aUnconventional?
I don't know how to describe it. The author can write words good, which is all I ever really ask for, and the magic system was nice - a bit like Boy finds dragon meets Witches get an animal to serve as their familiar after selling souls...
But it's also a bit difficult to follow the plot, and the murder-mystery that's set up in the beginning became more of a missing persons case for 90% of the book before becoming a murder mystery again, so at that point I checked out a little bit.
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Otherwise, it was solid. The main character was a refreshing change to all the other American Urban Fantasy heroines out there floating around solving crime and falling in love with the hot dude who's super powerful and super good-looking. It's possibly the most urban Urban fantasy I've ever read, so plot issues aside, it got extra points for that. ...more
Why I wanted to give it 5 stars If writing was a sport, this lady would qualify for the Olympics. [image] She doesn't write like Stephen King or MurakamWhy I wanted to give it 5 stars If writing was a sport, this lady would qualify for the Olympics. [image] She doesn't write like Stephen King or Murakami where you think, "Whoa, they woke up like this." It doesn't feel like words just flow from her fingertips. You can smell the effort and the sweat that went into it, but she's precise like a motherfucker with those metaphors.
Where it lost two stars - Plot
This is a PSA novel written by an adult but intended for teens dealing with things like rape culture and misogyny. [image]
Not really my cup of tea, because I like themes to be subtle and I like messages to be open to interpretation. Not done with a hand on the nape of my neck and a finger wagging in my face. "Rape is bad. Just say no."
It's also very aggressive with it. It's trying to juggle two priorities: 1 - highlighting a plethora of amoral adolescent activities, and 2 - being appealing, so it's like a parent or teacher hanging out at a high school party trying to be cool and pretending to get drunk to blend in. They are distracting flare-ups from time to time that remind you that, whoa, this is really a lecture. And it gets very aggressive during these flare-ups... [image]
Ridiculously aggressive. The over-arching message is "Don't rape, and don't let rapists escape. Otherwise there will be gruesome gory murder and intense psychological scarring that will never heal." And the small town becomes this place just riddled with rapists and pedophiles to a point where you're thinking, "Wait, so the cop was a rapist? Who raped who again?" And there's this place that's part hang-out spot and half local place-to-rape where potential rape victims and rapists hang out...
And the moral is eventually lost in all the over-the-top rape culture highlighting. [image]
I've read a couple of these types of books. I like good subversive comedy and satires and all that. But this is something special. Jasper Fford[image]
I've read a couple of these types of books. I like good subversive comedy and satires and all that. But this is something special. Jasper Fforde is a genius storyteller. I'm not going to have any children, but if I ever get a job babysitting someone's firstborn, I'll offer it to him. Because he deserves it.
Nothing more to say. Except, again to give Fforde a thumbs up...
When it was good, it was very very good When it was bad it was... meh
It was very very good for exactly 49%. [image]
And then it turned into a cheesy 80s When it was good, it was very very good When it was bad it was... meh
It was very very good for exactly 49%. [image]
And then it turned into a cheesy 80s Mighty Man vs primitive aliens... Childish nonsense. Perry starts getting promoted and moving up in the ranks for having done the most basic things. "Brushed your teeth today? Here get a medal." [image]
I really, really, really don't like when men write about Gary Stu men who just go through life #winning. Why does this happen with space operas so often? They all go in as random Huckleberries and then turn into Tom Cruise.
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The other thing with the wife, I don't even want to talk about it.
I don't know how, but somewhere along the way, it started taking on political overtones, and the thought came to me, "This is probably the kind of sci-fi novels Trump people read." It got very strange......more
Or, That Awkward Moment When You Realise How Much Your Life Resembles a Junkie's
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I don't know how to rank the guys, they all have their good sidOr, That Awkward Moment When You Realise How Much Your Life Resembles a Junkie's
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I don't know how to rank the guys, they all have their good sides and bad sides, except for maybe Begsbie, but even he has a certain silver lining peeking through by the end of all the stories. It's sad, maybe it's a tragedy, but it's a very funny tragedy and for some reason, I like autobiographical stories of junkies who know better than to be a junkie. There's always a sort of hope and inspiration with these people.
And it's well written. Which seems like an oxymoron, given that you can't read it for more than two hours at a time without thinking that your ears are bleeding, but everything else is spot on, and the dialect helps establish a real intimacy with the characters that more than compensates for what is lost by having words not make sense on the page...
One of the best audiobooks. A bunch of guys. Round of applause to them, more to them than maybe even Irvine Welsh. Not sure how this would come off the page, but the audiobook was stellar.
More usage of the "C" word than maybe even in a Jim Jeffries comedy special, extremely hard to understand and follow at the best of times, involves AIDS, animal cruelty, child death, child abuse, maybe even paedophilia at one point, but it's still an easy five stars.
Five minutes after finishing, I can't tell you what the plot involved in any significant detail. Something about a gun and England and terrorism... BuFive minutes after finishing, I can't tell you what the plot involved in any significant detail. Something about a gun and England and terrorism... But that is what happens, I guess when you take more than a month to listen to a book and when you're also listening to it the same way you listen to stand up comedy.
The only reason I took out a star is the love interest/ femme fatale girl - Sarah. Didn't really love her and every time she popped up, I had a little inner groan. Insta-love is not my thing.
But like everything else in this story, extreme attention is not required. There's so much wittiness about this, dry, unfunny but absurd, ironic wittiness in this novel... I was laughing too much to really follow the plot properly. Top notch satire. Love it. It's like having an old uncle or grandfather tell you a story while you drift in and out of sleep because it's too idiotic to be real.
You cannot walk the streets of Casablanca with fair skin.
Or, at least, you can, but only if you're prepared to do it at the head of a crowd of fifty scampering children, who call, and shout, and point, and laugh, and try to sell you American dollars, good price, best price, and hashish likewise.
If you're a tourist with fair skin, you take this as it comes. Obviously. You smile back, and shake your head, and say la, shokran - which causes even more laughter, and shouting, and pointing, which in turn causes another fifty children to come and follow your pied pipe, all of whom, strangely, have also got the best price for American dollars, and, generally, you do your best to enjoy the experience. After all, you're a visitor, you look strange and exotic, you're probably wearing shorts and a ridiculous Hawaiian shirt, so why the hell shouldn't they point at you? Why shouldn't a fifty yard journey to the tobacconist take three-quarters of an hour and stop traffic in all directions, and just about make the late editions of the Moroccan evening papers. This is why you went abroad, after all. To be abroad.
That's if you're a tourist.
If, on the other hand, you went abroad to take over an american consulate building with automatic weapons, so that you could hold the consul and his staff to ransom, demand ten million dollars and the immediate release of two hundred and thirty prisoners of conscience, and then leave by private jet having mined the building with sixty kilos of C4 explosives - if that's what you nearly put in the Purpose Of Visit box on the immigration form but didn't because you're a highly-trained professional who doesn't make slips like that - then frankly you can do without the staring and pointing stuff from kids on the street.
Like with any and all Norm stories, at some point you inevitably ask yourself "What crazy nonsen10 stars
This is perfect. This is a perfect audiobook.
Like with any and all Norm stories, at some point you inevitably ask yourself "What crazy nonsense shit is this?" See any of his rambling stories on Conan or anywhere else if you doubt his ability to derail himself and lose all semblance of plot. Usually the ramble involves a punchline that relies on a pun or horribly unclever wordplay. This is what he is famous for...
But this novel takes the cake.
If you thought his standup lacks direction, you ain't seen nothing yet.
He narrates his life in two modes. One mode is "I'm a jaded, cynical degenerate with a gambling and morphine addiction from the dingy alleys of Sin City..." [image] ...and the other part is "I'm a harmless, bumbling, going-on-senile, possibly illiterate, low IQ deep American South farmer...
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And then those two flavours bleed together...
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...and result in this work of idiotic brilliance where he laughingly narrates real life anecdotes about going to hell and seeing the pet dog that he'd had to put down after it killed a child.
It gets even more idiotic/brilliant when it goes super-meta and the ghostwriter becomes an in-story character who winds up in trouble because he's a method writer who has to also become a morphine addict in order to find Norm's essence.
It becomes a masterpiece at that point, but it was already so much incoherent nonsense. It goes through his beginnings as the yarn-spinning farmer from Ottawa Valley in flashbacks to stories about rapists and magical squirrels with a blend of delusional narcissism and hyperbolic self-deprecation... Really,it reads like a Stephen King parody...
There's the additional juxtaposition of an apparently ghostwritten Norm against Real Norm who is a pure dirty mouthed, money hungry incoherent unintelligible desperate bum. It's comedy on one hand until you start to wonder if he's being jungian about his battle with his shadow self...
You get crazy spirals where nothing happens, crazy metaphors like the wolves of irrelevance, the plot of an Elmore Leonard story with Adam Sandler-ish side characters who may or may not be real, all written up with some shockingly excellent prose meshed in with Norm's typical and laughably bad/excellent joke delivery.
This book is maybe 10% biography... or 90% biography in a deeper way, and when I really think about it, it feels sort of like a mocking parody of autobiographies... Especially the sort of biography like Stephen King's On Writing: A Memoir of the Craft where King goes on in detail about his drug abuse and how it affected his life and his work.
It's like saying "Don't write TMI autobiographies unless you really put TMI in it that includes things like the time you talked to God or that time your best friend was a prostitute." I mean the only thing technically separating this from a King novel aside from the laughs is a character wearing a blue chambray shirt and the vague hint of racism.
But it doesn't feel right giving Norm the benefit of the doubt and saying it was all intentional and he's really some kind of genius comedian and the greatest comic of all time... That doesn't sound right at all, but suffice it to say then, that Norm, King of the Stale Joke and Owner of all Shaggy Dog Stories Told Everywhere like some kind of White Canadian Anansi, has mastered whatever this book is...
It became a horror novel about 2 hours in. Psychological erotic-gothic horror? This is a children's story, as much as Pan's Labrynth was a family fun It became a horror novel about 2 hours in. Psychological erotic-gothic horror? This is a children's story, as much as Pan's Labrynth was a family fun movie.
No downside to reading this. It's 5.50. Not a bad way to spend 6 hours and Gaiman is a surprisingly awesome narrator. I feel now that this guy grew up reading bedtime stories and decided, whoa, this is what I'm going to do with my life. I'mma be a fairy tale specialist....more
This is the type of book, where as soon as you put the headphones in, your first thought is to scroll through the library for what's next.
It's[image]
This is the type of book, where as soon as you put the headphones in, your first thought is to scroll through the library for what's next.
It's a grueling 6 hours and 12 minutes. Took me 10 torturous days. The guy probably read a psych book or two on transcendental parenting or took a child psychology class and thought, "Okay, I have enough research material for a novel," without ever thinking of who would want to read it and what entertainment it would provide.
Good idea. Juvenile execution.
Remember Stefon from SNL? [image] Now imagine if he wrote an entire novel and you had to listen to it. That's exactly what this book is. Exactly.
It gets an extra star for the premise and the thought that must have gone into it because I like when people try to inject their characters with some genuine psychopathology instead of having them be just nominally, self-declared weirdos... but it's so hard to finish.
Marc Maron is basically my hero, at this point. He's right up there with Zidane and Achilles. Can't explain why, but it is what it is. Marc Maron is basically my hero, at this point. He's right up there with Zidane and Achilles. Can't explain why, but it is what it is. ...more
Gaiman's penchant for trivialising evil and making the Devil and his demons just regular Joe's combines remarkably well with Prachett's way of making Gaiman's penchant for trivialising evil and making the Devil and his demons just regular Joe's combines remarkably well with Prachett's way of making bit characters out of everything (including Death).
The prose is beyond lovely (if you love rambling sentences in rambling paragraphs that read like something out of a modern Vanity Fair). Several laugh out loud moments...
It's just not at all urgent. It's like Hitchhikers Guide, the stakes are infinitely large but it doesn't matter at all. It's all witty nonsense, going absolutely nowhere. My favourite moment is probably Crawley in the burning car and the old stooge wondering if he should say something about it....more
On paper, this doesn't sound like it would work, but in the hands of a true *King* it is sheer brilliance.
To say how good it is exactly is a spoiler. On paper, this doesn't sound like it would work, but in the hands of a true *King* it is sheer brilliance.
To say how good it is exactly is a spoiler. I'm only glad I didn't read this when I was young. Listening to this is an active process. I can't even imagine the myriad ways this would go if you had to read it off the page.
The potential in this series is blowing my brain. This is excellence. So excellent, I'm not even writhing in envy as I read it. The feeling is more like a giddy euphoria, so it is.
Steven King is the master of horror and that is the truth.
The Dark Tower Series is the greatest epic fantasy ever written and that is the truth.
Frank Muller is the greatest audiobook narrator and that is the truth.
I apparently am into Sci-Fi post-apocalyptic AU westerns and that is the truth.
I am afraid to finish this series and that is the truth....more