Sarah Lin hates Patrick Chevalier. She hates his golden good looks, his charming manner, the way he seems to be able to create magic with his bare hanSarah Lin hates Patrick Chevalier. She hates his golden good looks, his charming manner, the way he seems to be able to create magic with his bare hands and does absolutely everything flawlessly, without seeming to expend even the slightest bit of effort. She hates him because every time he brushes past her, or winks at her, or jokingly flirts with her, her heart beats faster and she has trouble breathing. He is her boss, and he is godlike, and he would never even look twice at a lowly little intern who never seems to be able to do anything right.
Patrick Chevalier is madly in love with Sarah Lin, the intern in the world-famous French restaurant where they work. He is the second in command in the kitchen, he is her boss, and he knows that it is grossly inappropriate for him to even consider seducing her while she's under his tutelage. But she claims that she's going to go back to California once her internship is over in little over a month, and he might go insane if he doesn't get a chance to show her how she feels. His entire life, he has learned to keep his true hopes and dream deeply hidden, so they can't be snatched away from him. He's come to the conclusion that he has to use his wit and charm and skill to manipulate those around him to reach his goals. When Sarah in an unguarded moment lets it slip that she hates him, he's determined to turn that hate to love, just as he can turn sugar and chocolate into edible treasures.
Sarah's mother fled from North Korea and found a new life in the USA because she got pregnant and Sarah was born there. Becoming an engineer at Caltech to make her mother proud, Sarah feels as if she's let her entire family down when she gave up her high paying job as an engineer to pursue her dream to study as a pastry chef in Paris. Five months into her internship, she's wondering if she made a huge mistake. She can barely afford to pay the rent, she works until she drops, and all around her, the others in the kitchen create marvels while she feels she's a constant failure. The only woman in the whole kitchen, she struggles to keep up with the intense work, and spending so much time around a gorgeous man she's convinced could have any woman he turned his attention to, she's decided that the only way to guard her heart is by hating him intensely.
Patrick may be incredibly successful for his young age, although he never really wanted to become a chef, but an engineer. His messed-up mother made sure to crush any dream he ever had, and when he was apprenticed to up and coming Luc Leroi, one of his foster brothers, he made the best of it, using his inventiveness and intellect to excel in the kitchen. Even though no one understands why he's still content being Luc's second, when he could go off and get a brilliant career in a restaurant of his own, he knows that he is needed, and can't bring himself to leave. He also knows that he mustn't harass his pretty intern, but can't help from watching over her, trying to shield her from the hardest jobs in the kitchen, surreptitiously feeding her and making sure that he is the one who most often teaches her new techniques. He knows that she is clever and driven and just as perfectionistic as Luc, but he can't resist his protective urges. He believes himself to be sneaky, devious and ruthless and the way in which he tricks Sarah into inviting him in after a night out after work is certainly not entirely chivalrous, but while he has decided alpha male qualities (as do all of Florand's heroes), he never forces Sarah to do anything she doesn't really very much want to do.
Sarah needs to decide whether she actually wants to follow her dream to be a pastry chef and accept that she may not be a failure just because she can't keep up with insanely driven craftsmen who are at the top of their field. She comes to realise that while her birth gave her mother and sister a safe home in America, she doesn't have to live her entire life to fulfil some sort of imagined standard of perfection to prove herself worthy to them. Patrick has clearly been burned so many times growing up, and has turned the very bitter lemons of his cruddy upbringing into some fairly awesome lemonade. Yet he's desperately worried about losing Sarah once he gets his chance with her, and of all the dreams he has ever dared nurture, a relationship with her is the one that he daren't even hope he might achieve.
Compared to some of the deep emotional issues of Florand's earlier couples, Sarah and Patrick's troubles seemed a bit more low key, and it was a relief after the last two, with some very messed up protagonists and drama to work through. Parts of this book overlaps with Florand's previous book in the series, The Chocolate Heart, but I suspect it works fine on its own as well. Florand has played around with fairy tale and mythology elements in previous novels, with influences from Rapunzel, Beauty and the Beast and the myth of Hades and Persephone. In this book, there are hints of Cinderella, but while Patrick may be a prince (his surname is even Chevalier - knight), Sarah is much more than the girl who loses her shoe and heart at the ball. The author's note at the end of the book and her blog suggests that this may be the last in her Amour et Chocolat series (apparently Luc's book was supposed to be the final one, but Patrick kept stealing scenes so she had to write his story too), but she has more books planned, set in the south of France, so I suspect I will still have her delectable writing to look forward to for a while yet.
Merged review:
Sarah Lin hates Patrick Chevalier. She hates his golden good looks, his charming manner, the way he seems to be able to create magic with his bare hands and does absolutely everything flawlessly, without seeming to expend even the slightest bit of effort. She hates him because every time he brushes past her, or winks at her, or jokingly flirts with her, her heart beats faster and she has trouble breathing. He is her boss, and he is godlike, and he would never even look twice at a lowly little intern who never seems to be able to do anything right.
Patrick Chevalier is madly in love with Sarah Lin, the intern in the world-famous French restaurant where they work. He is the second in command in the kitchen, he is her boss, and he knows that it is grossly inappropriate for him to even consider seducing her while she's under his tutelage. But she claims that she's going to go back to California once her internship is over in little over a month, and he might go insane if he doesn't get a chance to show her how she feels. His entire life, he has learned to keep his true hopes and dream deeply hidden, so they can't be snatched away from him. He's come to the conclusion that he has to use his wit and charm and skill to manipulate those around him to reach his goals. When Sarah in an unguarded moment lets it slip that she hates him, he's determined to turn that hate to love, just as he can turn sugar and chocolate into edible treasures.
Sarah's mother fled from North Korea and found a new life in the USA because she got pregnant and Sarah was born there. Becoming an engineer at Caltech to make her mother proud, Sarah feels as if she's let her entire family down when she gave up her high paying job as an engineer to pursue her dream to study as a pastry chef in Paris. Five months into her internship, she's wondering if she made a huge mistake. She can barely afford to pay the rent, she works until she drops, and all around her, the others in the kitchen create marvels while she feels she's a constant failure. The only woman in the whole kitchen, she struggles to keep up with the intense work, and spending so much time around a gorgeous man she's convinced could have any woman he turned his attention to, she's decided that the only way to guard her heart is by hating him intensely.
Patrick may be incredibly successful for his young age, although he never really wanted to become a chef, but an engineer. His messed-up mother made sure to crush any dream he ever had, and when he was apprenticed to up and coming Luc Leroi, one of his foster brothers, he made the best of it, using his inventiveness and intellect to excel in the kitchen. Even though no one understands why he's still content being Luc's second, when he could go off and get a brilliant career in a restaurant of his own, he knows that he is needed, and can't bring himself to leave. He also knows that he mustn't harass his pretty intern, but can't help from watching over her, trying to shield her from the hardest jobs in the kitchen, surreptitiously feeding her and making sure that he is the one who most often teaches her new techniques. He knows that she is clever and driven and just as perfectionistic as Luc, but he can't resist his protective urges. He believes himself to be sneaky, devious and ruthless and the way in which he tricks Sarah into inviting him in after a night out after work is certainly not entirely chivalrous, but while he has decided alpha male qualities (as do all of Florand's heroes), he never forces Sarah to do anything she doesn't really very much want to do.
Sarah needs to decide whether she actually wants to follow her dream to be a pastry chef and accept that she may not be a failure just because she can't keep up with insanely driven craftsmen who are at the top of their field. She comes to realise that while her birth gave her mother and sister a safe home in America, she doesn't have to live her entire life to fulfil some sort of imagined standard of perfection to prove herself worthy to them. Patrick has clearly been burned so many times growing up, and has turned the very bitter lemons of his cruddy upbringing into some fairly awesome lemonade. Yet he's desperately worried about losing Sarah once he gets his chance with her, and of all the dreams he has ever dared nurture, a relationship with her is the one that he daren't even hope he might achieve.
Compared to some of the deep emotional issues of Florand's earlier couples, Sarah and Patrick's troubles seemed a bit more low key, and it was a relief after the last two, with some very messed up protagonists and drama to work through. Parts of this book overlaps with Florand's previous book in the series, The Chocolate Heart, but I suspect it works fine on its own as well. Florand has played around with fairy tale and mythology elements in previous novels, with influences from Rapunzel, Beauty and the Beast and the myth of Hades and Persephone. In this book, there are hints of Cinderella, but while Patrick may be a prince (his surname is even Chevalier - knight), Sarah is much more than the girl who loses her shoe and heart at the ball. The author's note at the end of the book and her blog suggests that this may be the last in her Amour et Chocolat series (apparently Luc's book was supposed to be the final one, but Patrick kept stealing scenes so she had to write his story too), but she has more books planned, set in the south of France, so I suspect I will still have her delectable writing to look forward to for a while yet....more
Disclaimer! This was granted to me by Open Road Integrated Media through in return for a fair and unbiased review.
Aerin is the lonely, ostraDisclaimer! This was granted to me by Open Road Integrated Media through in return for a fair and unbiased review.
Aerin is the lonely, ostracised daughter of the ruler of Damar. She has pale skin and fiery red hair amongst a people who are bronzed with dark hair. She cannot even remember who first told her the story, but she has known for as long as she can remember that her mother was a commoner witch-woman who came from the North, who ensorcelled the king into marrying her, swearing she would bear him an heir. When she bore a daughter, she died of despair. While most of the common folk and the servants love her for her gentle, generous and unspoiled manner and the fact that she has taken upon herself to rid the countryside of the small, yet fierce dragons who threaten livestock and snatch the occasional baby to eat. The higher born, especially most of her royal cousins are deeply scornful of her, calling her names, mocking her and never letting her forget her half-blood status.
The one exception is Tor, the heir to the throne, one of her cousins. Since she was young, he has been kind to her, and he has taught her to ride, to use a sword and other soldierly arts. As she comes of age, it becomes very obvious to everyone in Damar that Tor is in love with the witch-woman's daughter. That she has managed to combine herbs to make a fire-proof ointment to help her hunt dragons or successfully trained the king's old, injured war horse back to health is turned into sinister and negative things rather than admirable and impressive ones.
There is more discord spreading in Damar, and the common belief is that all the problems would be solved if the ancient crown, lost some generations ago, was found. Even after Aerin is nearly killed, becoming severely damaged when single-handedly killing Maur, one of the enormous, ancient dragons, the popular opinion of the court is against her. While recovering, she has dreams about a mysterious man, who claims she needs to find him, so he can aid her further in saving Damar, and when she's at her absolute lowest, convinced everyone will be better off without her, she goes off to find him. Can Luthe, this stranger from her dreams, heal her and train her into facing her greatest fears? If she fails, it means the destruction of Damar and all the people she loves.
In late September, I started reading Robin McKinley's most recent book, Shadows, which I didn't even make it a third of the way through before I had to abandon it. It was written in some made up teen speak and the characters and story was so unengaging that I just didn't have the patience to finish it. Now, considering the literary quality of some of the books I HAVE managed to read this year, this says a lot. So when I was offered one of her classic works through Netgalley, the prequel to possibly my favourite of her books The Blue Sword, which I will be re-reading as soon as I can dig out my paperback (as it sadly doesn't exist in e-book format yet), it seemed like a very good way of getting the figurative bad taste out of my mouth.
While Aerin has a pretty sucky childhood, growing up with only the older Tor or her maid as her closest friends, she seems to grow more confident, or at least less self-conscious and bothered about what others think of her and the possible motives of her long dead mother. She's brave, kind and persistent, with a gift for scientific thought that allows her, after years of trial and error, to recreate a long believed to be mythical ointment that is immune to dragon fire. Her patience and perseverance wins her the loyalty of her father's injured and anti-social war horse, who through the training that Aerin slowly coaxes him to do, eventually becomes almost his old self again.
Her father and Tor clearly love her, and it is made clear that many people in rural Damar see her as a hero. Yet Aerin cannot get over the constant digs and misgivings from those around her, and their malicious gossip is also what lets her fall under the spell of the evil dragon Maur, whose powers don't diminish even though he has been killed. Some enterprising people drag his skull back to the capital, and the dragon's malevolence, combined with the horrible burns (her ointment doesn't work against the fire of ancient dragons) and injuries she sustained, nearly kills her.
This is a great book, generally aimed for a middle grade to younger adult audience, I think. Aerin is a wonderful role model for young women. She's an outcast, but works to overcome her many challenges. She rarely masters something on the first try, all Mary Sue like, but practises and trains, using her perseverance and inner strength to succeed. She is loyal and brave, risking her life time and time again at thankless tasks, only to have most of those who should have been her strongest allies undermine her and gossip about her perceived evil intentions. While I didn't love it as much as some other McKinley books, I'm so glad I got a chance to read this, especially after Shadows turned out to be such a disappointment. Turns out that McKinley's early career is a lot more to my taste than her recent literary efforts. ...more
Once again, I'm going to make things easier for myself, by using a blurb:
Justine knows she's going to die. Any second now.
Justine Jones has a secret. Once again, I'm going to make things easier for myself, by using a blurb:
Justine knows she's going to die. Any second now.
Justine Jones has a secret. A hardcore hypochondriac, she's convinced a blood vessel is about to burst in her brain. Then, out of the blue, a startlingly handsome man named Packard peers into Justine's soul and invites her to join his private crime-fighting team. It's a once-in-a-lifetime. With a little of Packard's hands-on training, Justine can weaponize her neurosis, turning it outward on Midcity's worst criminals, and finally get the freedom from the fear she's always craved. End of problem.
Or is it? In Midcity, a dashing chief of police is fighting a unique breed of outlaw with more than human powers. And while Justine's first missions, one against a nymphomaniac husband-killer, are thrilling successes, there is more to Packard than meets the eye. Soon, while battling her attraction to two very different men, Justine is plunging deeper into the world of wizardry, eroticism and cosmic secrets. With Packard's help, Justine has freed herself from madness - only to discover a reality more frightening than anyone's worst fears.
November's main pick for Vaginal Fantasy is a bit of a slow starter, and I found myself actually wishing for a bit more exposition in order to establish the world in which these books take place. The concept of the trilogy is so clever, though, and I was very quickly hooked, to the point where I couldn't stop after the first book (which is quite frequently the case with the VF books), but read the whole series in less than a week.
The books are set in Midcity, an urban fantasy city that reminds me a lot of Chicago. There are some people with special powers, known as highcaps, who can do everything from move objects with their minds, manipulate matter, invade people's dreams or psychologically manipulate their victims. There are some who suggest that the highcaps are just an urban legend, but as more and more people are dying from bricks flying out of nowhere, it seems very likely that highcaps exist and are very dangerous. Midcity is in the midst of a crime wave, and handsome new police chief Otto Sanchez seems to be the only one willing to try to make a change.
Justine is not a highcap, she's a neurotic young woman whose mother died of a particular kind of aneurysm, called a vein star, and Justine is convinced this is what's going to kill her too. She gets panic attacks at the most inconvenient moments and has spent a small fortune going to doctors and the emergency room when she's convinced she's near death. It's putting serious strain on her relationship with her boyfriend, who just wants her to get over her irrational fears. So when she meets the mysterious Packard while at a Mongolian restaurant and he claims that unless she accepts his help, her fear is leading her on a rapid path into crippling insanity. He says he can teach her to channel her fears into other people, using it as a weapon to destabilise them. Justine scoffs at this idea, but can't quite put the idea out of her mind. She returns to the restaurant, and Packard introduces her to some of the other Disillusionists who work for him. He has a secret, private group of vigilantes, who use their powers to psychologically bring criminals towards rock bottom, forcing them to change their ways and minds. They can channel rage, ennui, addiction, gambling problems and the like and Packard thinks Justine could be an invaluable asset because of her health fears.
Once the Disillusionists "zing" their worst impulses into their victims, they themselves are free of them for up to a month and feel great as a result. However, according to Packard, they can't just go around channelling their fears or rage or cravings into anyone, or the psychic backlash could kill them. Packard is a highcap with unique psychological insight into everyone he meets and this allows him to see exactly how they can be broken down, or whether they can. He alone also seems immune to the "zings" of the various Disillusionists, allowing them to channel even when there isn't a suitable criminal that needs taking down. This allows him to show Justine just how good it can feel when she gets rid of her crazy health fears. She agrees to help him, as she is loving the normal life she is suddenly able to enjoy with her boyfriend, free of anxiety and stress, but she is only intending to do it short term, not comfortable with the moral implications of psychologically attacking people, even criminals.
Then she discovers that Packard is quite ruthless in achieving his goals. One of the other Disillusionists is surprised when Justine claims she's only part of their little team for a short while. It seems that once they start "zinging" others, their brain chemistry is gradually altered and if they suddenly stop, they're going to be overwhelmed by the very negative impulses they have gotten used to channelling and will end up in a vegetative state. Packard didn't tell Justine because he, very correctly, knew she'd never agree to join up if she knew. He isn't just destabilising criminals from the kindness of his heart, he makes a lot of money from people these criminals wronged, and his ultimate endgame is revenge against the individual who trapped him in the very restaurant Justine first met him. For more than eight years, Packard has been unable to leave the place. He's also unable to change the decor, or the menu and if things get destroyed, they're back the way they were before the very next day. Justine, who during her training has grown more and more attracted to Packard, is appalled and swears that she will figure out a way to be free of his manipulative control. She and the other Disillusionists can't really help themselves from trying to figure out exactly who trapped their boss, and how they can work together to free him.
In the second book, Double Cross, Justine and the other Disillusionists are working to rehabilitate a number of criminals that Packard's nemesis had kept locked away in various locations in the city, just like he had Packard. A trio of men nicknamed the Dorks (because former Chief of Police, now Mayor, Otto Sanchez, has forbidden the media from glorifying criminals with cool monikers, and all criminals written about in the media now have randomly selected humiliating names instead) are targeting highcaps, and mysteriously seem to be completely immune to all their powers, while able to identify them from normal humans. As both the men Justine feels drawn to are highcaps and thus in danger of being the next victim, she is feeling stressed and affected, even though she's able to channel her fears away. If Packard is killed by the Dorks, Justine and her dysfunctional friends will all eventually become drooling wrecks, so they work together to discover the true identies of the killers.
In the third book, Head Rush, Justine should be blissfully happy. She's finally free of Packard's control and doesn't have to channel her crippling fear into others to stay sane. She's attending nursing school (not just posing as a fake nurse like when she was a Disillusionist), she's engaged to the man of her dreams and the big hero of Midcity, planning the wedding of the year. Her best friends are going to be attending her at the wedding, so why is she plagued by constant headaches, vague nightmares, anxiety and an unsettling distrust for her beloved fiancee?
Midcity is under martial law, with a strict curfew being enforced because sleep-walking cannibals are roaming the streets at night. There are more dangerous criminals around than ever before, but Mayor Otto Sanchez is staunchly promising that things will change very soon. Thanks to the help of her reclusive, paranoid father and a few of her very loyal friends, Justine is able to unravel the mysteries surrounding her and figure out who her heart really belongs to.
Product warning from book three: This book contains high-speed rollerblade chases, a mysterious green dashboard ornament, a father of the bride in full hazmat gear and a delicious kebab.
I read a lot of urban/paranormal fantasy, and finding something a bit different from your kickass heroine with a sword/crossbow/magical powers/shapeshifting/shiny daggers is very refreshing. Justine is a wreck, a self-absorbed, neurotic hypochondriac who constantly lies to herself about what she really wants from her life. She's not stupid, but certainly no genius. She's not exactly a coward, but she's certainly no action heroine. She's stubborn, quick to anger, quite often petty and very easily persuaded. Yet she's a loyal friend, she's not afraid to speak her mind and she quite naturally just wants a normal life and a reliable guy who loves her.
Neither of the two men that she falls for in this trilogy are exactly stable, reliable, trustworthy sort of people. They are childhood friends and long time enemies, sometimes working together, but more often to destroy one another. They are dangerous, ruthless, powerful and extremely manipulative. One of the things I liked about the series is how many times the status quo is completely turned on its head. You think you know what's going on, and then there is a surprise twist, and another, and a third, until you're really not sure who you should be rooting for. Who is the hero and who is the villain? Is it ok to completely destabilise and rewrite people's psyche to turn them from a life of crime? Is it ok to keep people under house arrest without any verdict or trial to protect the majority of the populace? Just how far can one person go to impose their unique idea of justice and order? While I'm really not a huge fan of love triangles, this one was very central to the plot of the series and the fact that the reader, as well as Justine, honestly doesn't entirely know who to trust, or who she should choose, makes for interesting reading.
I liked that all the various Disillusionists were severely screwed up individuals who would have been crazy or worse if they hadn't joined up with Packard and learned how to channel away the worst of their impulses into others. They all make for an interesting supporting cast of characters, although some are given a lot more prominence than others. I loved the idea that someone crippled by drug or alcohol addiction, or chronic gambling problems, or debilitating anxiety and hypochondria could transfer this to someone else, and use it as a weapon. It's such a very unusual idea and one of the reasons I really just dropped everything else to read these books. While by no means flawless, the books were different and extremely entertaining. I suspect I will be checking out what else Carolyn Crane has written, and I hope her other works are as fun as these books. ...more
I've been reading Dan Savage's Savage Love for years and years now, and when I'm in the mood for Podcasts (which I have to admit, I rarely am, I just I've been reading Dan Savage's Savage Love for years and years now, and when I'm in the mood for Podcasts (which I have to admit, I rarely am, I just can't seem to get into them, it puzzles me greatly), I often listen to his Savage Lovecast. He's generally quite open about himself, his life and his experiences, so I already knew that he was married and that they had an adopted child. My BFF Lydia recommended this audio book to me when I visited her in the States in early October, and as my husband and I are trying to get me pregnant, I figured it could be pretty topical.
In this book, Dan relates what happened when he and his then boyfriend (now husband, as far as I'm aware) decided to adopt a child together, at a time and a place where gay adoption was not always a popular choice. They used an organisation which arranged open adoptions, which means that the adoptive parents and the birth mother keep in contact after the adoption and agree on a schedule in which the birth mother can visit her child, should she choose to do so. Dan and Terry were the first gay men to successfully adopt through the agency they used.
The book is divided into three parts, chronicling the couple's decision process, the application stage, the waiting period where they were wondering if they'd ever get picked, followed by the period in which they got to know the birth mother of their child, a street punk (a girl who is voluntarily homeless) from Portland..Due to her history of drinking and recreational drug experimentation before she realised she was pregnant, there were possibilities for complications with the baby, and Dan and Terry had to consider carefully whether they wanted to adopt this young woman's child.
Dan manages to be very honest and personal, without the reader feeling as if they now know everything about him and his family. He deals with serious issues, but intersperses it with humorous anecdotes. Savage wrote the book in 1999, and as I knew full well from reading his columns and listening to his podcasts that he has a kid, there was never any element of suspense or surprise as to whether he and Terry would be successful in their adoption. It was a very interesting book, well narrated by Savage himself. I must admit that hearing him talking about several of the straight couples they met when trying to adopt, who had mostly all tried to go through all manner of fertility treatments before settling on adoption, made me a bit more worried about my own future, considering I'm already experiencing difficulties with conceiving. As adoption is a very slow, time consuming, not to mention extremely costly process in Norway, it is sadly unlikely to ever be an option for my husband and I. So I'm just going to have to hope that we have luck either the natural way or somewhat assisted by science.
Based on this book, I would absolutely be interested in checking out more of Savage's written work. He is just as charming and interesting when narrating his own audio book as he is on his podcast (and he generally speaks more slowly). ...more
In an alternate history Victorian London with Steampunk gadgets, werewolves, a ruling nobility known as the Echelon, where the men are all enhanced wiIn an alternate history Victorian London with Steampunk gadgets, werewolves, a ruling nobility known as the Echelon, where the men are all enhanced with vampire blood, Miss Honoria Todd (who certainly doesn't in any way dress or appear anything like the burlesque streetwalker on the cover of the book) has been forced to move to the Rookeries of Whitechapel after the death of her father. She is working as an elocution coach under an assumed name to support her younger sister (who also takes in mending) and ailing brother, and they are all hiding from the rich, powerful and very dangerous former protector of her father's, who wants Honoria for a number of nefarious purposes. They are barely making ends meet, and when Honoria's brother takes a turn for the worse and Honoria loses her job, she has no choice but to turn to Blade, the master of the Rookeries, for help.
Normally only the members of the Echelon and their chosen servants are allowed the blue blood that gives enhanced abilities, speed, strength and an extended lifespan, but Blade survived the experiments of a nobleman and escaped into the Rookeries, where he and his men rule with an iron fist, challenging the authority of the ruling lords. He desperately wants revenge on the corrupt duke ruined his life and when he discovers that Honoria and her siblings are hiding from the same man, he extends his protection to the little Todd family. Doesn't hurt that he's instantly drawn to the prim, yet fiery Honoria, determined to make her his.
It shouldn't surprise me that books with absolutely prepostrous covers in the paranormal fantasy/romance genre can contain entertaining and well-written stories. I've seen Bec McMaster's book mentioned on a number of "If you like books by X, you'll probably enjoy..." lists, but always avoided it because of the horrible cover. In October, it was the alt book in Vaginal Fantasy Hangout and I decided to finally give it a chance. I'm glad that I did. The world building is clever and I like both the alternate history Steampunk twist and the variation on vampires and werewolves here. Apparently all the men of Echelon, the ruling families of England, are given the blood of vampires when they turn sixteen, to give them enhanced abilities and skills. They have thralls - servants, retainers, even highly cherished mistresses that they drink blood from (and who frequently get a sexual thrill from donating the blood) and are carefully monitored at all times to make sure they don't turn all the way into out of control crazed vampires.
Honoria's father was a doctor and a scientist, apparently working on a cure for the vampirism, but died before he had a chance to perfect it. The duke who was his patron wasn't above medical experiments, which early on resulted in Blade getting turned and in his initial blood craze killing his own sister. So he's pretty motivated for revenge. Honoria and her siblings were also given the "vaccine", but her brother seems to have reacted badly to it, and is slowly turning into a vampire, something Honoria is trying desperately to prevent. She is terrified of Blade, but even more scared of the duke hunting them and realises that she had to get help somewhere, even if it means surrendering as a blood thrall to the master of the Rookeries.
The characters are all interesting, and it's quite clear that McMaster is setting up a number of story lines for later books. I liked both Honoria and Blade and their romance builds gradually, even though they're attracted to one another from the start. I also liked Blade's werewolf lieutenant (who is the hero of the second book) and some of the more sympathetic Echelon lords portrayed in the book. I was especially taken with the one ruling lady who was turned by her father in general violation of the wishes of polite society, and some poking about online reveals that she's the heroine of the fifth and final book in the series. Having now tried the books, I will most likely read the full set and I really must try to remember that a dreadful paranormal romance cover doesn't always reflect the quality of the contents inside. ...more
Pretty much exactly a year after his girlfriend Merrin Williams was found raped and murdered, Ignatius "Ig" Perrish wakes up after getting bl3.5 stars
Pretty much exactly a year after his girlfriend Merrin Williams was found raped and murdered, Ignatius "Ig" Perrish wakes up after getting blackout drunk and discovers horns spouting from his forehead. He's not entirely sure they're not a hallucination at first, but when he discovers how people behave around him due to the horns, he realises that they are sadly all too real. Turns out the horns make everyone around him spill their deepest, darkest secrets. They confess to their most shameful wishes and desires and they bluntly tell Ig to his face what they actually think of him. Pretty much everyone in town is convinced that he murdered Merrin, and that it was only through the wealth and position of his parents that he got off without a trial. Ig faces harsh truths from the local priest, his new girlfriend, his grandmother and his parents.
The terrible compulsion from the horns allows Ig to not only stop deluding himself of what his life has become, but he eventually discovers who raped and murdered Merrin. He is determined to get revenge any way he can, and wants to use his demonic new powers to get it. But what if the murderer is the only one seemingly immune to Ig's new "gift"?
As well as the story of Ig, his horns and his quest for revenge, the book shows much of Merrin and Ig's relationship together, from before their first meeting until the bitter argument they had on the fateful night that Merrin was abused and killed. The many players in this revenge drama are introduced, all part of Ig's life from an early age. We see him meet Merrin and fall in love with her. We see him with his brother and his friends. The book cuts between the present and the past throughout, alternating from the horror of Ig's current situation with the privileged upbringing and past he had.
I normally don't read a whole lot of horror. I suspect that this year I have read more of the genre than in several of the past years combined. Because I really liked what I've read of Joe Hill's Locke & Key so far, and having discovered that this book was being adapted into a movie starring Daniel Radcliffe (say what you want, but the boy has been in a LOT of different things since he finished the last Harry Potter movie. He seems determined not to risk being typecast), I was intrigued, and when in need of some entertainment while on vacation in New York, I picked this up. Normally I hate movie tie-in covers, but the original cover was boring and ugly, and the non-mass market paperback was more than twice as expensive. There are limits to how much money I'm willing to spend on my light holiday reads.
Looking on Å·±¦ÓéÀÖ, I see that several other Cannonballers really loved this book. It's been very highly rated twice so far this year on the group blog. Unfortunately, it wasn't really my sort of thing. I think the way the book alternated between the mundane, almost boring at times and the gruesome was distracting and I kept wanting to reach into the book and slap some sense into Ig, because to me, it was obvious who the real killer was even before this is revealed. I also thought the book got more and more surreal towards the end, and am not thrilled with how the dramatic climax played out. I did like the slow reveal of some stuff (being extremely vague here so as not to spoil for anyone), and Merrin's last letter to Ig was very touching.
The film seems to have gotten more negative than positive , with Vivian on really hating it. As I thought the trailer made it look as if it really could go either way, I doubt I will be watching it. I also suspect that I will be donating the paperback to my school library. ...more
Henry Middlebrook was a promising young artist before he went off to war. Now, after the Napoleonic wars, he's completely lost the use of his right arHenry Middlebrook was a promising young artist before he went off to war. Now, after the Napoleonic wars, he's completely lost the use of his right arm. He can no longer paint, and feels cast adrift, without purpose. His sister-in-law is determined for him to make a promising match, hoping that the love of a good woman will help him become someone closer to the cheerful, carefree man he was before the war. She introduces him to Lady Caroline Stratton, possibly the most sought after women of the season. A wealthy, charming and beautiful widow, Lady Stratton has a wealth of suitors and her drawing room is filled to the brim with elaborate floral arrangements every afternoon. A clever strategist, Henry realises he's going to need an ally to win Lady Caroline over and convinces her companion, Mrs Frances Whittier to assist him. She's usually ignored by her cousin's suitors and enjoys the novelty of being asked to help.
When Henry receives a letter written on Lady Caroline's stationary, he immediately assumes that he's made a stronger impression on Lady Stratton than he first imagined. Of course, he's mistaken, and the letter is from Frances. She's too embarrassed to tell him, when he comes to her asking for help to continue the correspondence with Lady Caroline. She reluctantly agrees and he precedes to woo a woman who's not even vaguely intending to get remarried with the assistance of the woman who actually likes him. The longer they work together, the closer they grow, and it becomes harder and harder for Frances to tell Henry the truth without completely destroying their closeness.
Several of the reviewers on Smart Bitches, Trashy Books are big fans of Theresa Romain's novels, so when I saw this in an e-book sale I decided to buy it. As with so many books, it then languished on my shelf for months until one of the words for September's Monthly Keyword challenge made me remember it again. There was a lot of stuff I liked about it, such as the characters and the somewhat unusual situation for the hero to be in. You very rarely see genuinely physically damaged romance heroes, or if they have some sort of injury, they are magically healed by the love of a good woman and some unlikely medical breakthrough before the book ends. In this, Henry isn't any less crippled at the end of the book, but having finally opened up a bit about some of his experiences during the war, he's closer to emotional healing than he was at the beginning. Which is perfectly realistic and fine. He's also better at writing with his left hand, but only because he's practised diligently.
The book is well written, but I kept waiting for it to do more than mildly divert me. It was just a thoroughly ok book, nothing more, nothing less. I didn't hate it, but I didn't love it either. I liked the various relationships between the characters, like the affectionate way Henry's sister-in-law emotionally blackmails him or the way Caroline and Frances converse when no one else is around. I liked the way Henry and Frances helped each other get over their difficult pasts, but the convoluted letter plot just didn't do anything for me. Because I keep hearing such good things about her books, I will try other Romain romances, hoping that some of the others impress me more than this one. ...more
From the published synopsis, because it's been a month since I read it, and the blurb is part of what drew me in:
Newly arrived in New Fiddleh4.5 stars
From the published synopsis, because it's been a month since I read it, and the blurb is part of what drew me in:
Newly arrived in New Fiddleham, New England, 1892, and in need of a job, Abigail Rook meets R.F. Jackaby, an investigator of the unexplained with a keen eye for the extraordinary - including the ability to see supernatural beings. Abigail has a gift for noticing ordinary but important details, which makes her perfect for the position of Jackaby's assistant. On her first day, Abigail finds herself in the midst of a thrilling case: A serial killer on the loose. The police are convinced it's an ordinary villain, but Jackaby is certain it's a nonhuman creature, whose existence the police - with the exception of a handsome young detective named Charlie Cane - deny.
Doctor Who meets Sherlock in William Ritter's debut novel which features a detective of the paranormal as seen through the eyes of his adventurous and intelligent assissant in a tale brimming with cheeky humour and a dose of the macabre.
I can absolutely see why the publishers decided to mention both Doctor Who and Sherlock in an attempt to draw readers to this book, which I first saw mentioned by The Book Smugglers. The gorgeous cover and the interesting blurb made me curious, and I saved the book to read during October's 24-hour Readathon. I'm glad I did. I'm assuming the Doctor Who comparisons come from the fact that we see the story through the eyes of a clever young woman, like so many of the Doctor's companions through the years. Jackaby himself is clearly at least partly modelled on Benedict Cumberbatch's Sherlock, both in looks and mannerisms. Sir Arthur Conan Doyle's fictional detective is even name checked early in the book. Yet there is a supernatural twist to this Victorian mystery, involving a number of creatures from Gaelic mythology. There are ghosts, a man turned into a duck, a werewolf and some fairly gruesome murders.
Abigail Rook is a delightful narrator. Having run away from her family's expectations to join an archaeological dig (and finding it rather dull), she ends up on a ship to America. Trying to find a job, so she doesn't have to return home, she meets the eccentric and mysterious Jackaby, who's looking for a new assistant. He's not at all sure she is suited for the position, but after accompanying him to a crime scene and impressing him with her quick thinking and admirable common sense, a nice balance to his own off-beat thinking, he agrees to keep her on for a trial basis.
Having been granted room and board, Abigail discovers that Jackaby's landlady appears to be the ghost of the woman who once owned the house, one of his former assistants is now a duck who lives by a pond on the third floor and there are more things between heaven and earth than was dreamt of in her philosophy. As it becomes obvious that they're dealing with a dangerous serial killer, Ms. Rook grows closer to Charlie Cane, probably the only police detective in New Fiddleham who will give Jackaby the time of day.
I figured out the identity of the murderer fairly early on in the story, but it didn't detract from my enjoyment in the slightest, as the main thrust of the story doesn't really seem to be unmasking the killer, but just watching Abigail and Jackaby's partnership develop. I loved that there isn't even a hint of romance between the two of them, although there are romantic possibilities elsewhere in the story. I loved the faerie elements and the various supernatural entities that make up part of Jackaby's world. While Abigail can see some of them, she is in some ways the Scully to his Mulder, and there is nothing wrong with that. The story had a very nice build towards a very tense and dramatic conclusion, the world building is creative, the characters are lots of fun to spend time with. As this is Ritter's debut novel, I have no idea if he is planning any more books about the characters, but the ending is open enough that there are promising possibilities. I will happily spend more time with Ms. Abigail Rook and her strange boss. ...more
DISCLAIMER! I got this ARC from NetGalley in return for a fair and unbiased review.
David Rivera, known as the Gentleman of Rock for his nice manners DISCLAIMER! I got this ARC from NetGalley in return for a fair and unbiased review.
David Rivera, known as the Gentleman of Rock for his nice manners and penchant for wearing bespoke suits, is the drummer in famous rock band Schoolboy Choir. He's in love with Thea Arsana, the band's publicist, and has told her about his feelings, but she has a firm policy not to mix business with pleasure. That's even before you factor in the fact that her last boyfriend was a complete bastard, who she walked in on, having sex with a younger woman, so she has natural trust issues with guys. So David pines in silence for Thea for months, until her younger sister, Molly, suggests that he send her a memo. Yup. Not an e-mail. Not a tweet. A memo. He takes her advice.
The memo arrives just as Thea is going off on vacation, and David's carefully worded arguments start to make Thea waver. She does some thinking, then refutes his every persuasive bullet point with one of her own. She's charmed, though, and they continue sending memos back and forth. David knows about Thea's relationship history, they were friends before he fell for her, but even then, he never liked her ex. He knows he needs to work hard to persuade Thea that he will never cheat on her and is willing to do anything to make her happy. They continue to communicate via memos, text messages and on the phone. Thea is worried that entering into a relationship with him will ruin their friendship, and if they were to end badly, it would affect her career and his band. With his patient courtship, David wins her over.
This romance is pretty much exactly the opposite of Rock Addiction, where the couple go from insta-lust to insta-love in less than a month. David and Thea have known each other for a long time. They were friends, and Thea is naturally wary about jeopardising what they do have by taking it to the next level. Their courtship is slow and gradual and David is very sweet and romantic. When they finally decide to start a romantic relationship, it feels earned.
As I said in my review for Rock Addiction, I really like the supporting characters in these books and while the last book didn't exactly thrill me, this novella has ensured that I'll continue checking out Nalini Singh's contemporary romances. I'm assuming the other members of the band have to find their own HEAs at some point. ...more
I refuse to spoilertag anything in this review, because people, this book is nearly 200 years old. You've had ample time to read this book, if anythinI refuse to spoilertag anything in this review, because people, this book is nearly 200 years old. You've had ample time to read this book, if anything in my review spoils it for you, on your own head be it.
Captain Robert Walton writes letters to his sister Margaret, recounting his journey to the North Pole in a quest for scientific fame. He writes of the strange and charismatic man they rescue in the wilderness, a Victor Frankenstein. Through Walton's letters, we also get Frankenstein's tale of terrible hubris, as well as the story within the story of the creature Frankenstein in his arrogance created and abandoned to ultimately wreak havoc.
The son of a rich and loving parents, Victor Frankenstein is able to pursue his dreams as a student of science and natural philosophy. He goes to Ingolstadt in Germany and becomes obsessed with the idea of reanimating dead matter. He labours for years with his theories and eventually creates a disfigured giant cobbled together of all sort of scavenged corpses and manages to infuse the creature with life. He's so horrified by its yellow skin and ghastly visage that he runs away from the flat where he conducted his experiments and promptly has a nervous breakdown.
Being a scientific genius doesn't go so well for Victor Frankenstein. The creature he created and then ran away from is a sentient being, not all too pleased that its creator made it into such a terrifying monster. The creature longs for companionship and friendship, but has been met with only shrieks of terror and rejection whereever it goes. Victor meets the creature again, after becoming convinced it murdered his younger brother and allowed an innocent woman to hang for the crime (he's not wrong). The monster has taught himself to speak and reason and rails at his creator for basically giving him life he never asked for and then abanoning him to a life of loneliness and despair. He demands that Victor make him a companion, as he, like all living creatures is entitled to a mate and happiness.
Victor goes off into the wilds of Scotland to create a bride for the monster, but is so plagued by guilt because of the actions of his first creation that he cannot go through with it. He destroys the female he was making, causing the creature to appear and swear his vengeance. Suffice to say, things don't go well for Frankenstein, or most of his extended family and he eventually ends up nearly frozen to death in the Arctic telling his story to an explorer.
Frankenstein was not what I expected, mainly because most of my impressions come from pop culture references and my knowledge of movies (none of which I've actually seen). I was pretty sure there wasn't going to be a a mob with pitchforks trying to kill anyone, or a hunchbacked servant with a lisp or Victor Frankenstein triumphantly exclaiming: "It's alive!" but I wasn't expecting to feel so much sympathy with the creature, who really is dealt a very shitty hand. It goes on quite the murderous rampage throughout the book, which isn't exactly a nice thing to do, but I feel that Victor bears at least half, if not more of the blame, as he is the one who imbued a freakish patchwork of corpseparts with life and then ran away, forcing the creature to fend for itself. If you're an awful and neglectful parent, you don't get to turn around and be upset when your child turns out less than stellar in the morals department.
While I didn't exactly love the book, it was very interesting to me, and I am in awe of young Mary Shelley who started the book when she was 18. On a dare. Really, that girl was wicked talented. Her Frankenstein is so much more of a lasting classic than the poetry of her then much more famous husband and still inspires people today. One of the reasons I wanted to read the book was so that I could finally start watching Frankenstein, M.D, from the creators of The Lizzie Bennet Diaries and Emma Approved. I love getting my classics retold in YouTube video form, it seems. I wasn't expecting such a sophisticated book. The story within a story within a story narrative, the philosophical and moral quandries that are discussed throughout the the book, the genuine horror of the situation - girl is a genius. The book is frequently described as the first science fiction novel, and it's certainly a very good creaping horror story. Having read up on her on Wikipedia before writing this review, I also had no idea just how awesome a lady Mary Shelley seems to have been, and how scandalous her relationship with Percy Shelley actually was.
I will leave you with this webcomic by the extremely talented Kate Beaton:
(yeah, I haven't figured out how to post pictures or gifs in my Å·±¦ÓéÀÖ reviews yet)...more
I'm sorry, but if I'm ever going to reach my double Cannonball, I'm going to have to cut corners somewhere:
Atticus O'Sullivan, last of the Druids, livI'm sorry, but if I'm ever going to reach my double Cannonball, I'm going to have to cut corners somewhere:
Atticus O'Sullivan, last of the Druids, lives peacefully in Arizona, running an occult bookshop and shape-shifting in his spare time to hunt with his Irish wolfhound. His neighbours and customers think that this handsome, tattooed Irish dude is about twenty-one years old, when in actuality, he's twenty-one centuries old. Not to mention: he draws his power from the earth, possesses a sharp wit, and wields an even sharper magical sword, known as Fragarach, the Answerer.
Unfortunately, a very angry Celtic god wants that sword, and he's hounded Atticus for centuries. Now the determined deity has tracked him down, and Atticus will need all his power - plus the help of a seductive goddess of death, his vampire and werewolf team of attorneys, a bartender possessed by a Hindu witch, and some good old-fashioned luck of the Irish - to kick some Celtic arse and deliver himself from evil.
Having at long last caught up with the Dresden Files and with others of the current paranormal series that I've been following for years already finished (the Southern Vampire Mysteries/Sookie Stackhouse books although Lord knows it was hard going to hang on till the end) or about to finish (Kim Harrison's the Hollows series - review of final book to follow soon), I felt the need to try out some new paranormal/urban fantasy books, and this is one I've seen mentioned in positive terms by a lot of people on the internet that I trust. Since I also have more Audible credits than I know what do do with now that I'm no longer downloading a Jim Butcher book a month, I decided to get Hounded as an audio book, even though I was also given the paperback as a gift for my birthday last year. The good thing about that is that I get the correct pronunciation of all the Celtic/Gaelic names, which tend to be spelled one way and pronounced wildly differently. I liked Christopher Ragland's narration style, but he's not as excellent as James Marsters on the Dresden books.
But what did you actually think of the book, I hear my readers complain? As the first instalment of an urban/paranormal fantasy series, it really was a lot better than many others that come to mind. As fellow readers of this genre are probably aware, it can take anything from one to three (or in the case of the Dresden Files - four) books for the characters, world building and story to be fully established and the series to get really engrossing and entertaining. Unless the books are very frustrating indeed, I'm always willing to read at least two in a series to see if I'm going to stick with it. Kevin Hearne managed to get me, if not hooked, certainly interested enough to keep reading. It wasn't even Atticus as the main character, although he is a lot more likable than say Harry Dresden, Kate Daniels or Toby Daye in his first book. What really got me curious to try more books was the rich gallery of supporting characters, including Oberon the hilarious wolfhound, the Morrigan and the little old lady (who's name slips my mind) who Atticus helps do yard work.
As far as I can see, there are seven books so far in the series, all rated higher than 4.0 on Å·±¦ÓéÀÖ. While that doesn't always mean all that much (after all, Edenbrooke, the worst book I read in 2012, is rated 4.35 and [book:This Heart of Mine|, the worst book I've read this year, is rated 4.12), I choose to see it as a promising indicator of the quality of the series. I'll try to portion the books out slowly, so I don't catch up with the series too fast. I already spend way too much of my time waiting for new installments of my book series to come out. ...more
Jane lives a pampered and privileged life, the only child of a wealthy and influential woman. She's lonely, insecure and immature. She has no real friJane lives a pampered and privileged life, the only child of a wealthy and influential woman. She's lonely, insecure and immature. She has no real friends, just people who mainly seem to take pleasure in bullying her. One day, she encounters a robot minstrel, one in a new line of highly realistic, artificially intelligent androids and her life is never the same. Though she is initially frightened by the robot, she's also fascinated by him and can't put him out of her mind.
She runs away from home, giving up everything just to be with Silver, as she names her robot lover. She learns to fend for herself and makes a life on her own. She refuses any contact with her mother or former "friends" and begins to discover a wholly different, much happier existence. Yet the factory who first created Silver wants all the advanced robots destroyed and they are searching for Jane and Silver. How long until their happy romance comes to an end?
The Silver Metal Lover was written in 1981 and for as long as I've been reading young adult fiction with any sort of romantic element, this book has been on my radar. It appears on countless lists of romantic YA and has clearly meant a great deal to a lot of readers over the years. Yet the book never seemed to interest me all that much, probably because science fiction is not a genre I read all that much and robots are a lot less appealing to me than vampires, werewolves, faeries and witches. When this was the alt book in Vagina Fantasy book club in August, and the book also fit with my Monthly Key Word AND Monthly Motif reading challenges, I decided to check it out. I suspect that it would have made a much greater impact on me if I read it when I was actually a teen in the mid-90s than it did now.
First of all, Jane really is somewhat of an exhausting protagonist. She cries ALL the damn time. She cries so much she even points out that it's amazing she doesn't dehydrate herself from all of it. She's lived a sheltered and not very exciting life, so it's not actually surprising that she has the personality of a wet sponge, I just really didn't like her much at all. Even when she developed the backbone to run away to be with her robot lover, I didn't like her all that much. The best thing she had going for her was that every single character in the book, with the exception of Silver was so much worse than her.
Silver was pretty cool actually. I prefer my robots more of the Terminator variety, frankly, but as sentient robots go, he wasn't bad. I'm sure he could have done better than Jane though. Their romance didn't really work for me, as I found Jane dull as dish-water. The book had an interesting concept, but there are just so many better YA sci-fi romances out there now, and while it was a perfectly ok book, it didn't wow me in any way. ...more
Synopsis from Å·±¦ÓéÀÖ because I read this way too long ago:
Budding designer Lola Nolan doesn't believe in fashion ... she believes in costume. The mSynopsis from Å·±¦ÓéÀÖ because I read this way too long ago:
Budding designer Lola Nolan doesn't believe in fashion ... she believes in costume. The more expressive the outfit - more sparkly, more fun, more wild - the better. But even though Lola's style is outrageous, she's a devoted daughter and friend with some big plans for the future. And everything is pretty perfect (right down to her hot rocker boyfriend) until the dreaded Bell twins, Calliope and Cricket, return to the neighbourhood.
When Cricket - gifted inventor- steps out from his twin sister's shadow and back into Lola's life, she must finally reconcile a lifetime of feelings for the boy next door.
At the very start of the book, Lola shares her top three wishes with the reader - she wants to attend the winter formal at her school dressed as Marie Antoinette, in a magnificent and opulent dress of her own making, and combat boots. She wants her dads (a successful lawyer and a stay at home pie caterer) to approve of her boyfriend Max, who is 22 and therefore quite a bit older than Lola's 17. Finally, she never wants to see the Bell twins, who grew up next door, ever again. Calliope, the brilliant figure skater who may have a chance at winning gold in the upcoming Olympics, and Cricket, the brilliant inventor who she had a crush on her entire childhood.
Lola is adorable, but also quite clueless. I imagined her a bit like a teenage Lady Gaga, determined never to wear the same outfit twice, with costumes and wigs to suit her every mood. It quickly becomes obvious why her two (awesome) dads don't like Max. It's because Max is a selfish douche canoe. He's so obviously Lola's good-girl attempt at living dangerously, and the thing that annoyed me the most about her (it seems I always have to seriously want to shake Perkins' heroines for one reason or another) was her complete obliviousness with regards to how bad a boyfriend Max was, especially with Cricket being there (or at college, not that far away) all adorable and infatuated with her.
I liked that while there were very good reasons for Calliope to act the way she did towards Lola, which were explained in time, there was no attempt for the two girls to suddenly put their differences aside and become BFFs. Calliope was wrong about a lot of things in her dealings with Lola, and their past cannot be completely forgotten, even as Lola and Cricket continue to grow closer. I loved pretty much everything about Cricket, except maybe that he nearly turned himself into a doormat for Lola. I loved Lola's friendship with Lindsey, and Lindsey's adorable attempts at junior sleuthing. Any girl who tries to emulate Veronica Mars is ok in my book. A couple of characters from Perkins' first book, Anna and the French Kiss also appear as supporting cast in the book and it was nice to see that they are doing well.
Stephanie Perkins' books keep earning rave reviews over on Forever Young Adult, and I can see why. They are delightful reads, even though each heroine has a particular trait that annoys the heck out of me. ...more
Isla has been in love with Josh since their first year together at the American boarding school in Paris, but he's been unattainable for most of her tIsla has been in love with Josh since their first year together at the American boarding school in Paris, but he's been unattainable for most of her time there. Instead she's been pining for him from a distance, hanging out with her platonic BFF Kurt (who has Aspergers' Syndrome). Now in their final year together, it looks as if all of Isla's dreams are coming true. Josh not only notices her, he wants to be her boyfriend! True love's path doesn't exactly run smoothly though, and when Josh gets expelled and sent back to New York, Isla and Josh discover that they're really going to have to fight for their Happily Ever After.
This is the final book in the Anna and the French Kiss trilogy. All three books can easily be read without any prior knowledge of the other books, but this book may be more satisfying if you've read at the other two, as the main characters show up as supporting cast during parts of the story.
The son of a successful senator and an aspiring graphic novelist, Josh Wasserman isn't really happy at his posh boarding school in Paris (I really want to smack all these ingrate kids who don't realise how good they have it). As a result, he's been acting out a lot over the years, which comes to a head after he convinces Isla to break school rules and go to Barcelona with him for a few days. As she's got a fairly spotless record, she just gets a month's detention, but he is fetched home by his furious mother.
Isla is very smart, but clearly deeply insecure about her relationship to Josh. She's a very good friend to Kurt, but she can be quite self-centred at times, and while she's very close to her older sister, she clearly pretty much completely ignores and/or underestimates her younger sister for much of the book. While Josh has all sorts of hopes and dreams for the future, Isla keeps working for that perfect grade point average, but doesn't actually have any idea what she wants to do with her future. She is entirely directionless and it scares her. She's also completely convinced that she's not really worth loving and when things start getting tough between her and Josh, she seems to think that sabotaging the relationship before things get more difficult is the way to go. Silly girl.
Of all of Perkins' heroines, Isla is probably the one with the most character growth over the course of the story (and all three girls do a fair bit of growing up) and she discovers that in order to have a proper HEA, she doesn't just need to make things right with Josh, but make herself happy in other areas of her life. While Isla has a very close friendship with Kurt, she clearly underestimates his ability to socialise with others and has to face up to the harsh truth that she may be the reason they have very few friends at school, not Kurt and his Aspergers'. The reason her younger sister is such a brat may be because Isla never takes her even a little bit seriously.
Josh is sweet, but he can't compete with Cricket as my favourite of Perkins' heroes. I also found his way of dealing with his dissatisfaction with school annoying. His parents really don't seem like bad people and it seemed strange to me that he didn't try to communicate with them more, but then, he is a teenager, and they are not always rational or sensible.
What I do like about the book is that it really does show both sides of a relationship, not just the happy flush of first love and infatuation, but that some couples really have to work to find lasting happiness and long distance relationships are not just fun and games. I will keep an eye out for Perkins' next book and hope it's as good as her first three. ...more
MINOR SPOILERS FOR THE PLOT OF THIS BOOK IN THE REVIEW:
Maddie Faraday is cleaning out her husband's car and discovers a pair of women's underpants undMINOR SPOILERS FOR THE PLOT OF THIS BOOK IN THE REVIEW:
Maddie Faraday is cleaning out her husband's car and discovers a pair of women's underpants under the seat that certainly aren't hers. This isn't the first time he's cheated on her, and she decides that enough is enough. Even though she knows her mother and much of their little town will be utterly scandalised if she files for divorce, she just cannot take it any more. That C.L, the cute guy she lost her virginity in high school has just appeared in town again, looking gorgeous and available just makes her wonder further about the wrong choices she feels she's taken in life.
As Maddie contacts a lawyer (in the town over, so it'll take longer for her snoopy mother to discover what she's done) and starts trying to gather proof of her husband's financial assets, she finds that not only was her husband cheating on her, he seems to have been cheating his clients and has huge amounts of cash in a safe deposit box in the bank, as well as passports for himself and their daughter, along with plane tickets to Brazil. Then her husband turns up dead, and Maddie is suddenly the main suspect in a murder case.
When Jennifer Crusie is good, she's very good indeed. I adore Welcome to Temptation and am very fond of Bet Me, Faking It and Agnes and the Hitman. Crusie more often than not writes after a certain formula. There will be a smart-mouthed heroine, a love of food, often overbearing or controlling mothers, an adorable plot moppet and a cute, unconventional-looking dog involved in the story. The other books of hers that I've read don't tend to feature married heroines, but rather single women who find their happily ever after over the course of the book, after much hijinks has ensued.
Here, Maddie is married, but not happily so. This brings me to one of the things I wasn't all that happy with about the book. The adultery aspect. She's upset because she's caught her husband cheating, and not for the first time. Having always been the good girl, the one who does the right thing, Maddie has never done anything entirely for herself since the time she seduced C.L in high school, and then promptly broke his heart by ignoring him for the rest of their time in school. He's never been able to forget her, and is more than happy to step in and comfort Maddie when she's seething about her husband. Since Crusie suddenly decides to make this more than a farcical romp by introducing a murder in the middle of the plot, I would have been SO much happier if SPOILER! Maddie had waited until after her cheating, wife-beating piece of shit husband was dead before she decided to sleep with C.L as revenge. Two wrongs do not make a right. Cheating on your cheating spouse just makes you as bad as they are.
As well as some questionable judgement in the revenge department, Maddie exhibits some TSTL moments after her husband has been murdered, and it's clear that someone is trying to frame her for his death. Despite these plot niggles, after a somewhat slow start, where I was undecided, the book grabbed hold of me and I was pretty much unable to put it down until I got to the end. I read it the weekend I went to a friend's wedding, and actually wished I could have snuck the book with me to read during slower parts of the reception. Because of this, the book gets a full four stars. My enjoyment of the good parts were a lot greater than my annoyance at the less than great parts. ...more
This is the third book in the Stage Dive series, and while the books can be read as stand-alones and independently of each other, the series is best rThis is the third book in the Stage Dive series, and while the books can be read as stand-alones and independently of each other, the series is best read in order. Start with Lick and if you like it, move on to Play. If you don't like the first two, then book three is probably not going to be your thing either.
James "Jimmy" Ferris is the lead singer of the hugely popular, world famous rock band Stage Dive and he's had a rough few months. Having hit rock bottom after years of drinking, doing drugs and generally enjoying being a bit of a d*ck, he's gone through rehab and is now trying to clean up his act. His band mates hire Lena Morrissey to be his personal assistant, and well, babysitter. She lives with him, makes sure he stays sober and generally tries to keep him from acting like an out of control asshole. She has a long history of falling for the wrong guy, most recently, her boyfriend dumped her for her own sister, and she now has to decide whether she's going to cause her family a huge amount of upset by refusing to show up at their wedding.
Preparing for the funeral of the Ferris brothers' surrogate mother of sorts, Jimmy is sorely tempted to give in and drink. The Ferris brothers' own mother is a horrible woman, who is still drunk, constantly trying to cash in on the fame of her two sons (David is the songwriter and guitarist in the band). Lena manages to stop him, but has trouble staying impersonal and detached after Jimmy basically breaks down and cries all over her. Despite their sizzling chemistry, Lena knows that it would be a monumentally bad idea to fall for her damaged and messed up boss, and tries to stay professional at all times. She even agrees to go out on a number of dates arranged for her by Jimmy and the other members of the band, when all she really wants is to jump Jimmy.
In the previous two Stage Dive books, Jimmy hasn't been the villain, exactly, but he sure hasn't been very likable. A drunken, loutish douchebag, who made an unwelcome pass on his new sister-in-law and generally made life difficult for his brother and band mates. I was interested in seeing how Scott was going to redeem him in this book, and am sorry to say that I don't think she really did. It's clear that there are reasons for Jimmy's uncontrollable behaviour, his partying, the drink and the drugs, not helped by his shitty upbringing and his awful excuse for a mother. He's managed to shelter his younger brother from realising just how toxic their mother was, but for all that there are good reasons for his life being messed up, I didn't think he needed to act the way he did. He's frequently quite rude and unpleasant to those around him, not least Lena, who he tries to force into quitting by being as disagreeable as possible.
I've said before, romances where you think the heroine should end up with someone else, are just not all that effective. Lena is amazing. She's tough, snarky and I would love for her to be my friend. She doesn't suffer fools gladly, and is hired to be Jimmy's live in assistant and sobriety companion after the band's manager fires her for sarcastically talking back at him. She's actively trying to avoid her family, as having to deal with your ex marrying your younger sister is trying at the best of times. So falling in love with her extremely sexy, but clearly damaged employer is not going to make her life easier. Lena and the rest of the band with their assorted spouses and friends is what made this book worth it for me. If I had my way, Lena would have found someone truly worthy of her, and Jimmy would emerge a better person after years of therapy, but even then, would be unlikely to be good enough for Lena. Absolutely the weakest of the series so far.
This doesn't mean I'm not looking forward to Deep, the concluding volume of the series, when drummer Mal and his girlfriend are going to get married in Vegas, and the bassist of Stage Dive finally succumbs to his own happily ever after. Most of this series has been a lot of fun, and the reviews Lead has on Å·±¦ÓéÀÖ suggests that a lot of people disagree with me about Jimmy's effectiveness as a hero. ...more
DISCLAIMER! This ARC was given to me through NetGalley in return for a fair and unbiased review.
WARNING. This will be a somewhat spoilery review, becaDISCLAIMER! This ARC was given to me through NetGalley in return for a fair and unbiased review.
WARNING. This will be a somewhat spoilery review, because I'm sick with a cold and can't be bothered to find a non-spoilery way of describing the plot.
Molly Harper is a shy and timid librarian present at a glamorous celebrity party because her older half-sister is a hot shot publicist. Present at the party are the members of Schoolboy Choir, one of the hottest rock bands in the world right now. Zachary Fox, the lead singer, has apparently fallen madly for Molly, having seen her from across the room and when she leaves, he follows, propositioning her in the lift. Molly, despite having a number of psychological issues from her teenage years and who's still a virgin, decides to take Fox home for a steamy one night stand.
Fox pretty much immediately decides that Molly is the woman for him and he is ready to settle down now. As Molly has a number of trust issues and is worried about commitment, he decides not to tell her that it took him about 48 hours to decide she was his soul mate. It takes about two weeks of passionate smexy times before Molly realises that the rock god who has women throwing themselves at him all the time is the right guy for her. They move to LA together. They keep having awesome sex. Molly tells Fox about her creepy cheating scumbag of a dad and her alcoholic mother and he helps her deal with her trust issues. There's some complications involving the paparazzi and constantly being in the spotlight. They work past it.
There is no real conflict in this book. Seemingly mousy, but in reality really pretty, librarian meets rock frontman at a party and they more or less find insta-love. In less than a month of hooking up, they are living together. Molly moves from NEW ZEALAND to Los Angeles, quitting her job, abandoning all her friends, for this guy she's known for a few weeks. She's super wary of media attention because of a scandal caused by her father when she was fifteen, yet she happily moves in with a man who the tabloids constantly follow. They keep having great sex. All the minor obstacles thrown in the couple's way are dealt with easily, with no real ramifications.
It's not that Molly and Fox aren't a cute couple. I just wish there had been some buildup to their relationship. Since Molly's sister is Schoolboy Choir's publicist, there could have been some legitimate backstory, where they'd met a few times before - but no. They observe each other across the room at a crowded party, then go home together and that's pretty much it. Soul mates. I don't like it, and kept hoping that the book was going to go somewhere more interesting. But it didn't.
So why have you given it a full 3 stars if there was so much that annoyed you, Malin? Because the supporting cast of characters was great. I loved the female friendships in this book, between Molly and her sister and Molly and her best friend. They felt really believable. I'm also expecting that at some point Nalini Singh will release a book or a novella chronicling the probably extremely hot romance between Molly's BFF and her corporate boss, which is hinted at throughout the book. The friendships between the guys in the band is also really well done. It's not like I didn't like Fox and Molly as characters, I just wanted a plausible explanation for why they they became a couple that didn't amount to: they had great sex when he deflowered her and they keep having great sex. I like a good build up. This book had none. ...more
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