I rarely mark Christmas these days, but this Charles Dickens classic tale of redemption always make for cheerful reading at this time of year. This yeI rarely mark Christmas these days, but this Charles Dickens classic tale of redemption always make for cheerful reading at this time of year. This year especially I couldn’t help letting cynicism slide in because the fact is the only reason Scrooge sees the light is because of a supernatural intervention of unlikely proportions.
Knowing how authors of great talent rarely tell a story on one level of reading only, it occurs to me now that Dickens must’ve agreed with my assessment that certain people never change, especially when they happen to be corrupted by greed and a complete lack of empathy for other peoples feelings or needs. Religious types believe in redemption and no doubt read the story on a surface level, as do children. A cheerful tale of how a mean old man has been shown how he deviated from his good character and what a terrible end his choices have in store for him. Some individuals decide to make radical changes in their lives. Miracles happen. But we’d be wise to remember that people who only take, and like putting everyone down and making others miserable very seldom change their ways, though they may change their methods to give the impression they are rehabilitated.
This year’s Audible recording of the story was narrated by Hugh Grant. Funny anecdote, I’m terrible with names & expected to listen to Hugh Laurie & found him strangely bland & really unlike himself initially. ...more
“On the contrary," said Lady Slane, "that is another thing about which I've made up my mind. You see, Carrie, I am going to become completely self-
“On the contrary," said Lady Slane, "that is another thing about which I've made up my mind. You see, Carrie, I am going to become completely self-indulgent. I am going to wallow in old age. No grandchildren. They are too young. Not one of them has reached forty-five. No great grandchildren either; that would be worse.  I want no strenuous young people, who are not content with doing a thing, but must needs know why they do it. And I don’t want them bringing their children to see me, for it would only remind me of the terrible  effort the poor creatures will have to make before they reach the end of their lives in safety. I prefer to forget about them. I want no one about me except those who are nearer to their death than to their birth.
These things—the straw, the ivy frond, the spider—had had the house all to themselves for many days. They had paid no rent, yet they had made free with the floor, the window, and the walls, during a light and volatile existence. That was the kind of companionship that Lady Slane wanted; she had had enough of bustle, and of competition, and of one set of ambitions writhing to circumvent another. She wanted to merge with the things that drifted into an empty house, though unlike the spider she would weave no webs. She would be content to stir with the breeze and grow green in the light of the sun, and to drift down the passage of years, until death pushed her gently out and shut the door behind her.�
When Lady Slane’s husband passes away, well into his 90s, her six patronising and self-important children and their spouses decide she must spend the rest of her life dividing her time between each couple, living in their homes and contributing to the expenses in a manner which will be amply profitable to them, while presenting this to her as being in the interest of maintaining her correct place in society. But 88 year-old Deborah, Lady Slane, who has always effaced herself behind her husband, a former Viceroy of India and a member of the House of Lords, has always dreamed of becoming an artist, and decides otherwise; she will move into her own house in Hampstead, thank you very much, and furthermore, she will only invite elderly people like herself who have similar priorities and share her views on life. Now that she is closer than ever to dying, she wants nothing to do with the constant striving and ambitions of the young. Having installed herself in her new home, she makes a very good friend of the cottage’s owner, the elderly and very thoughtful Mr Bucktrout, who sets about renovating and redecorating the house at his own expense so she can live in greater comfort. Then a vague acquaintance, a man from her distant past in India, Mr FitzGeorge, who has become a millionaire and an eccentric, renown for his collection of fine art, reintroduces himself into her life. He has always been in love with the once beautiful Lady Slane, and they form a special kind of friendship which will influence the rest of her ladyship’s few remaining years.
Vita Sackville-West, among her many passionate love affairs, was very famously a lover and companion to Virginia Woolf. Here she borrows a theme which the two women and their friends no doubt often discussed together, and explores how a woman who has money at her disposal, and access to more than a mere Room of Her Own, might choose to live out her final years, when she has the wherewithal and mental fortitude to free herself of social constraints imposed on her by her own familial obligations—the most binding of all.
The back story about the close friendship between these two authors was far from my mind when I chose to read this book, so it turned out to be a very timely read so shortly after revisiting Woolf’s A Room of One's Own in September of 2012. I loved and took comfort in these reflections on old age, and how one might eventually look back on life from the distance of a great many decades, having acquired completely different priorities from those of earlier years. I also found it strange and intriguing that these reflections resonated perfectly with my own at that stage in my life, albeit my then 93-year old friend Liselotte considered me to be a mere young girl, when I was still in my early 40s, and as all things are relative, I suppose she was right.
I found this review again on LibraryThing, surprised I hadn't posted it here yet, but then seeing it needed some editing, and decided to revise it a little before publishing it here on Å·±¦ÓéÀÖ. What led me to it in the first place is when I noticed today I'd failed to catalogue a green Virago edition of this book I'd purchased in 2017 from a UK seller. Failing to catalogue a book can have serious consequences for me, such as purchasing more copies of similar editions (unbearable drama!). When I already have the title in other edition, which really is an inexcusable waste of time and money and space. I thumbed through it to check on the quotes from the book I had only transcribed from the audio version previously, which of course had many small mistakes, mostly do do with punctuation, but also a word contraction or two, which I attribute to the wonderful interpretation of Dame Wendy Hiller for the audiobook. I reflected that this novel has gained further relevance to me in these six or seven years later, as I was rereading passages from the book. Most people my age are still running around, overachieving as a part of their daily routine, but my lifestyle is one of a disabled pensioner because of lifelong health problems which grew in intensity and made me unable to have a normal life anymore, whatever that is anyway. I've had to make my own choices and surmount many people's expectations—people in my own family especially, had to disappoint them to put my priorities and my wellbeing first, without consulting anyone once I knew what their own ideas on the matter were, just as Lady Slane does in the novel. And just as my beloved Liselotte did, in her own way, may she rest in peace now. In that way, the novel is ageless, and Lady Slane is ageless. She lives the life that any woman should be able to live. She lives a life of her own choosing. I suppose this is a book to grow old and comfortable with, a literary equivalent to Lady Slane's house in Hampstead which is always being improved upon and gets prettier and cozier over time. Though of course life is full of surprises. Some are good, some are not. Some just are.
I look forward to reading All Passion Spent again very soon.
The title of the novel comes from the last line of John Milton’s Samson Agonistes, a portion of which Sackville-West used as the book’s epigraph:
324. From 'Samson Agonistes
ALL is best, though we oft doubt, What th' unsearchable dispose Of highest wisdom brings about, And ever best found in the close. Oft he seems to hide his face, But unexpectedly returns And to his faithful Champion hath in place Bore witness gloriously; whence Gaza mourns And all that band them to resist His uncontroulable intent. His servants he with new acquist Of true experience from this great event With peace and consolation hath dismist, And calm of mind all passion spent.
I read this book in 1977. I was a lot like Anna then. Still am now. Probably the most formative book of my life. Read it countless times as a childI read this book in 1977. I was a lot like Anna then. Still am now. Probably the most formative book of my life. Read it countless times as a child in that bubblegum pink French edition, starting age seven or eight when my lapsed catholic communist atheist feminist bilingual mother gave it to me, probably because I was asking lots of questions about god and stuff, because I was always going to have my own notion of spirituality no matter what. Also because she didn't want me to forget my French while I was living overseas with my father. Something like that. I can't ask her anymore why she gave it to me because I'm no longer speaking to her, so I've decided that's the story of why she got it for me, and it's as good as any since she's a writer and she makes stuff up as she goes along anyway.
I'm due for a reread to figure out what that early programming was all about! lol. I did reread it again in the original English version around Y2K, but that's already so long ago it's gone all fuzzy again. Mostly I remember an amazingly beautiful and heartbreaking story about an untainted friendship between a young man and a dazzlingly brilliant and scruffy 4-year-old little girl who teaches HIM a few things about life. Our little spitfire called Anna has a passion for maths which she sees everywhere and which in turn makes her see evidence of Mister God's doing in everything. And yet is allergic to churches and obnoxious priests. Or something like that. I remember thinking it all made lots of sense. It works well now with my firm understanding that the universe is filled with magic. I'll come back and add more notes to be sure!...more
"Part 1: First Day Without Bill Bill is gone. What is the sound of an 89 year-old heart breaking? It might not be much more than sile
(Review: Jan 2012)
"Part 1: First Day Without Bill Bill is gone. What is the sound of an 89 year-old heart breaking? It might not be much more than silence, and certainly a small, slight sound."*
Lily Bere has just lost her grandson Bill. She is 89 years old and, having lived a long life filled with heartbreak and loss, she has decided that she no longer wants to go on. She is determined to take her life, but first, she decides to write her memoirs, with each chapter's heading counting off the days since the loss of her grandson. During seventeen days and seventeen chapters, she recalls the events of her life which have led her to the present circumstances; from her girlhood with her family in Ireland, to a pressing escape to America with her beloved, and all the many people, adventures and experiences she has accumulated. Though her story is filled with sorrow, the telling of it is sometimes quite amusing. Though she writes in what could be considered a conversational tone, there is also much poetry in the choosing of her words. To say I loved this book does it little justice. I was completely immersed in it, and felt like I was living life right alongside Lily. I'm sure one of the things that made it such an unforgettable experience, was the fact that the audiobook I listened to is narrated by the excellent Wanda McCaddon, aka Nadia May, whose sensitive reading along with the slight Irish accent she uses made Lily seem that much more real. Wholeheartedly recommended, and I predict: one of my favourites of the year.
"To remember sometimes is a great sorrow. But when the remembering has been done, there comes afterwards a very curious peacefulness—because you have planted your flag on the summit of the sorrow, you have climbed it. And I notice again in the writing of this confession that there is nothing called "long ago" after all. When things are summoned up, it is all present time, pure and simple. So that much to my surprise, people I have loved are allowed to live again." �Fifteenth Day Without Bill
*quotes are transcripts from the audio version, and as such aren't fully consistent with the original, though I've tried to render them as meticulously as possible....more
Please note: the point of this review is not to discuss the plot of THGttG, but rather to convert those who are diehard fans of the books and are not Please note: the point of this review is not to discuss the plot of THGttG, but rather to convert those who are diehard fans of the books and are not familiar with the radio show into devotees of the BBC radio series which first aired in 1978, since it, after all, was the basis for the books, and not the other way around. But if you're not familiar with The Hitchhiker's Guide to the Galaxy, read on to find out what all the fuss is about.
Skip this first paragraph if you are already familiar with THGttG since most of this content is lifted from Wikipedia:
In the [Primary Phase], Earthman Arthur Dent is about to have his house demolished to make way for a new road, but before work can start his friend Ford Prefect informs him that the world is going to be demolished by a Vogon constructor fleet "to make way for a hyperspace bypass" and that he, Ford, is in fact an alien writer for a book called "The Hitchhiker's Guide to the Galaxy". Hitching a ride aboard the Vogon ship which has just destroyed Earth, the pair eventually find themselves aboard a stolen spaceship called The Heart of Gold. Onboard is Ford's two-headed semi-cousin and President of the Galaxy, Zaphod Beeblebrox, a woman Dent once met at a party called Trisha MacMillan (who has styled herself "Trillian") and a depressed robot called Marvin. Beeblebrox is searching for the mythical planet of Magrathea and the answer to the "Ultimate Question of Life, the Universe and Everything". Dent and the others later find themselves at The Restaurant at the End of the Universe and are ultimately held captive aboard a Golgafrincham ship which is just about to crash-land on Prehistoric Earth.
Why the original radio version is zillions of times better than the book:
It's like comparing the experience between a mono radio show featuring a crappy banjo player with front and centre seats at a live symphony orchestra playing a concert hall. Well, sort of. THGttG was the first radio comedy show to be recorded in stereophonic sound and it was acted out by a full cast of professional actors, but what really sets this show apart is the sound effects which were completely innovative at the time. "One of Adams's stated goals was to be experimental in the use of sound. Being a fan of Pink Floyd and The Beatles (and especially the experimental concept albums both bands produced in the late 1960s and early 1970s), Adams wanted the programme to have the feel of a "rock album...to convey the idea that you actually were on a spaceship or an alien planet � that sense of a huge aural landscape".
Of course today, there is a quaint quality to those sound effects, but that is part of what adds to the overall charm of the experience. But best of all, though some kind of alchemical process, what might seem funny in the book, here actually SOUNDS absolutely hilarious. I first discovered this show in the late 80s when a local radio station aired the series, and must say that more than 20 years later, a reading of the book (which not surprisingly seemed awfully flat) it felt just as fresh, off the wall and yes, innovative as it did the first time around. Not convinced? Well you might want to give Vogon poetry a try, you just might like it. —From June 2011
Masked parties, Savage parties, Victorian parties, Greek parties, Wild West parties, Russian parties, Circus parties, parties where one had to dres
Masked parties, Savage parties, Victorian parties, Greek parties, Wild West parties, Russian parties, Circus parties, parties where one had to dress as somebody else, almost naked parties in St John’s wood, parties in flats and studios and houses and ships and hotels and night clubs, in windmills and swimming-baths, tea parties at school where one ate muffins and meringues and tinned crab, parties at Oxford where one drank brown sherry and smoked Turkish cigarettes, dull dances in London and comic dances in Scotland and disgusting dances in Paris � all that succession and repetition of massed humanity � Those vile bodies �
Describing the dissolute life of the "Bright Young Things", the posh Mayfair crowd of London between the wars, Vile Bodies is a fast-paced, disjointed and delirious affair which perfectly captures the spirit of the times. From the first, we're thrown in with a bunch of characters with risible names (Miles Malpractice, "last weeks prime-minister" Mr Outrage, Lady Throbbing and so on) who are running around from party to party, getting stinking drunk, being promiscuous and losing themselves in one empty thrill after another. The only things holding the novel together are the unflappable narrator and the ongoing travails of the protagonist, Adam Fenwick-Symes, a down on his luck writer whose memoirs are burned in the opening scenes, which puts him under obligation to deliver twelve books—which he imagines he'll be able to write within a year—to make up for the publisher's advance payment (with cumulated interest). He is engaged to be married to the beautiful and rich Nina Blount, one of the figureheads of the Bright Young Things, and throughout the novel there is the ongoing farce of his talking to Nina over the phone and from moment to moment telling her he's secured enough money to finally marry her, and in the next (after repeatedly failing to come into the fortune which eludes him) telling her they can't get married after all. At one point, Adam finds a job that brings him a regular income after Lord Simon Balcairn, who writes a gossip column under the name "Mr Chatterbox", commits suicide when he finds himself shut out of all the important parties which he relies upon to write his juicy stories. The narrator, in his detached and unflappable style tells us of his death:
"He shut the door and the window and opened the door of the gas-oven. Inside it was very black and dirty and smelled of meat. He spread a sheet of newspaper on the lowest tray and lay down, resting his head on it. Then he noticed that by some mischance he had chosen Vanburgh’s gossip-page in the Morning Despatch. He put in another sheet. At first he held his breath. Then he thought that was silly and gave a sniff. The sniff made him cough, and coughing made him breathe, and breathing made him feel very ill; but soon he fell into a coma and presently died...Then Adam became Mr Chatterbox."
Adam proceeds to invent various fads in the column, such as black suede shoes and green bowler hats which are sometimes picked up by his readers and meets with great approval when he makes up people with fictional accounts of their tragic life stories. (possible spoiler ahead) The novel was published in 1930, but Waugh seems to have predicted WWII, since at the end of the book, we find Adam as a solider lost in no man's land, but even here, in what seems a bleak ending, Waugh throws in a last twist of irony, when the young protagonist gets picked up by an old drunk General who's lost his division, and they drive off drinking champagne in a Daimler Limousine. (end of spoiler)
There were lots of absurd and laugh out loud moments in this story, but beyond the mirth and silliness is a powerful commentary about the tragedy that underscores the empty lives of these bright young things in the light of the calamity they've escaped and the one that lays ahead. The audiobook version features an English narrator who enacts the various scenes and brings the characters to life very convincingly. �April 2011...more
This book, written when SÃs's daughter was a mere toddler, is dedicated to her so that she can look back on part of the rich heritage that he has tranThis book, written when SÃs's daughter was a mere toddler, is dedicated to her so that she can look back on part of the rich heritage that he has transmitted to her. Peter SÃs was born in Czechoslovakia and left his beloved city of Prague in 1968. Here he tells the tale of a man in a balloon, who lands in the middle of Prague and sets out to find his childhood home. When he finds it, there are three padlocks keeping the front doors locked. A cat greets him and encourages him to follow her as she takes him to three important landmarks, where the man is handed a scroll and a golden key. Each of the scrolls contains a legend taken from the rich cultural history of Prague. The illustrations are simply gorgeous, and this books was especially meaningful to me since I visited Prague in the late 90s and was forever transformed by this trip; the book brought me right back to this beautiful and unique place, and I can attest that it is an excellent way to discover Prague right from your living room....more
"Two weeks after the meeting in the hut, the night before an ancestor worship day, Percival dreamt of his father. It was an old dream from his chil
"Two weeks after the meeting in the hut, the night before an ancestor worship day, Percival dreamt of his father. It was an old dream from his childhood, one of flying. They soared high over a cold, jagged peak. It was the Gold Mountain for which Chen Kai had abandoned his home, a mass of sharp glittering angles and dagger crags of lustrous wealth. Percival congratulated his father on his success, but bragged that he himself would become yet more wealthy. Even as Chen Kai nodded with approval, saying that a son must surpass the father, Percival began to fall from the sky. His power of flight was gone. He hurtled towards the ground, calling out in terror to his father, but falling alone to be impaled by gold shards." � Chapter 7
This novel connected with me a deep level, and it's difficult to explain why I loved it so much. It's not by any means a happy story, nor does it have any likeable characters. It takes place at a time and place plagued by bitter conflict and brutality, Vietnam during the 60s and 70s. The protagonist, the Headmaster of the title, is a deeply flawed man who prefers to hold on to his outdated beliefs and unrealistic ideals rather than allowing even a glimpse of reality to sink in, and I was sometimes tempted to shake him by the neck to snap him out of his willful blindness. He has the arrogance to believe he's the master of the little world he inhabits, while ignoring the forces that have the power to take it all away. He is a man who can love deeply, but whose attempts at filling a great void might impel him to gamble everything away. Yet there is also great charm here, with glimpses of a beautiful place; Vincent Lam paints sceneries with words that are so vivid, I sometimes had the impression I was watching it all happen before my eyes. And not least of all, there is the presence of a woman who beguiles us, who cannot do otherwise than make the reader fall a little bit in love with her.
Percival Chen defines himself first and foremost by his Chinese heritage, which identity informs his every decision. He is a businessman, a father, a gambler and womanizer, and the owner of the Percival Chen English Academy, located in Cholon, Vietnam. Chinese born, he has always fervently held on to his Chinese values and culture, which he has scrupulously handed down to his son, Dai Jai. Percival's father established what became a thriving business in Cholon, and built a large, well appointed residence, Chen Hap Sing, which also accommodated storerooms for the rice from which he made his fortune. Now in Percival's hands, Chen Hap Sing houses his English Academy, which is run with the help of one of his teachers and employees, his longtime friend Mak. Through a network of mysterious contacts and discreet bribes to the authorities, Mak is instrumental in ensuring that the academy keeps its elite status, making it a highly profitable enterprise.
The story takes off in 1966, when an official new directive is given that every school must include Vietnamese language in its curriculum. The Vietnam war is raging and tensions are high, and Percival's refusal to make this concession will have far-reaching consequence. When Dai Jai, wanting to make his father proud gets in trouble with the local authorities and is put in detention, Percival rightfully fears for his son's life when it is suspected he is being kept at the National Police Headquarters, where prisoners are routinely tortured and put to death. Relying on Mak and his connections, Percival is willing to pay any price to free his son. An anonymous contact is found; he may be able to rescue the young man, a nearly impossible mission, but demands an extortionary fee. With no other options and time being of essence, Percival empties his coffers and borrows heavily against the value of his property to ensure Dai Jai's safety. But following his rescue, the authorities are still hell-bent on making an example of Dai Jai, and once again Percival sees no other choice than to send him away, once again having to rely on costly contacts and incurring yet more debt. Dai Jai is to go to China, where Percival is certain he belongs, against his ex-wife's better judgment. Percival has always focused on making money solely in order to finance his taste for gambling and whores, choosing to ignore the political turmoil that surrounds him. Therefore he has no notion that in the re-baptized People's Republic of China, sons of businessmen and landowners are prime targets for punishing measures. He chooses to hold on to his romanticized memory of a homeland he left long ago, where he imagines he will join Dai Jai eventually.
With his son gone and Mak taking over the administration of the school, the lure of gambling as a means to pay off his debts proves impossible to resist, and before long Percival is spending all his spare time playing high-stakes mah-jong tournaments, where alcohol and beautiful women add fuel to his obsession. When he first sees the exquisite Jacqueline at a casino, he loses him mind and is willing to risk all his gains for one night of pleasure with this splendid woman, never thinking of the consequences such an encounter will have for him and everyone he holds dear. All the while, the war gets fiercer day by day and the fall of Saigon is imminent. The reader knows this, but Percival lost in self-delusion, is far from suspecting the harsh realities he will be forced to face. A tragic story beautifully told.
Might there be hope for a sequel? Probably unlikely, but I will certainly look forward to Vincent Lam's next literary effort. —From September 2012...more
This is the companion piece to , and is a copy of the very book that Lisbeth had discovered in her grandma's attic. While the first This is the companion piece to , and is a copy of the very book that Lisbeth had discovered in her grandma's attic. While the first book features beautiful illustrations and tells a cute little story, this book is a real stunner. It’s put together a bit like an encyclopedia, with a double page spread introducing each witch, then followed by one or two double page spreads with short descriptions and the "history" of each woman along with pictures and drawings of "artifacts" related to them. What I found absolutely astonishing here is that Lacombe has redrawn and remade each of those using his own style (including coins, paper money, sculptures, mosaics and more), something I might not have noticed right away had I not seen on his blog before getting the book. Definitely among my favourites by him. These two books are available as a set and I do strongly recommend reading them in order. The've been translated into several languages and were supposed to be published in English too, so hopefully it's just a matter of time before they become available.
*it's a long thread so keep scrolling and you'll see them all...more
It all really began, all the terrible business that followed, on the day Aunt Rosamud's door handle went missing. It was my
How it started
It all really began, all the terrible business that followed, on the day Aunt Rosamud's door handle went missing. It was my aunt's particular door handle, a brass one. [...] There hadn't been such a fuss since my Great Uncle Pitter lost his safety pin. On that occasion there was searching all the way up and down the building only for it to be discovered that poor old Uncle had had it all along, it had fallen through the ripped lining of his jacket pocket. I was the one that found it. They looked at me queerly afterwards, my family did, or I should say more queerly, because I was never absolutely trusted and was often shooed from place to place. After the safety pin was found it seemed to confirm something more in my family, and some of my aunts and cousins would steer clear of me, not even speaking to me, [...] 'But how could you tell Clod?' my relations wondered. 'How could you know the safety pin was there?' 'I heard it,' I said, 'calling out.'
From the publisher's summary: 'The extensive Iremonger family of Filching (“kings of mildew, moguls of mould�) has made a fortune from junk, building a dark and sprawling mansion from salvage scrap. Heap House is surrounded by the dangerous, noxious, shifting Heaps that stretch beyond its bounds, while within its walls, certain objects begin to display strange signs of life.'
I simply loved this book which is beyond a doubt Dickensian in some of its themes; we've got orphans and dirt heaps (taken directly from Dickens's [Our Mutual Friend]) as the main protagonists of the story, and though each book isn't especially long, I suppose the trilogy as a whole might be considered Dickensian in length as well, if it ever gets published in one tome. Clod Iremonger is a descendant of a family dynasty which was literally built out of garbage. The family home, commonly referred to as Heap House is composed of sections of former London dwellings and places of business and it stands in the midst of The Heaps; mounds of discarded objects from the big city which unfortunate workers spend their days sorting through. Unfortunate because it seems the heaps have their own laws of physics and are constantly in motion, and anyone can go under and disappear for good if they aren't properly tethered and dressed in full protective gear before approaching them.
The story takes place in an alternative 19th century England. The year is 1875, during which times common folk are known to suffer from a terrible disease which literally 'objectifies' them: one day cracks start appearing on a person's body, and the next they are transformed into an object—anything from a bathtub to a teapot to a box of matches or nose tweezers. The Iremongers, who lord it over everyone, live by one strict rule, which is that each family member is given a "birth object" from early infancy, and they are instructed to keep this object about their person at all times. This can be easily done when the object is portable, such as Clod's universal plug, but less so when it takes the form of a marble fireplace, such as his venerable grandmother has been saddled with, which has always prevented her from leaving her rooms, though it hasn't stopped her from ruling with an iron fist (she is the one who assigns the birth objects, which are thought to be highly personal and indicative of an individual's personality). Clod's peculiar gift for "hearing" the objects has gotten him in trouble with the family. Already shunned by his grandmother who holds him responsible for the death of her daughter, who died giving him birth, he is considered strange and unstable. Most of the objects in the house call out names to Clod, and the one he hears most often is his own universal plug, which continually calls out 'James Henry Hayward' in a young pleasant voice. Other than specific names, which they repeat whenever they are within hearing distance, they seem to have nothing else to say however... but surely there is a deeper significance here?! and of course there is, as we discover with the unfolding of events.
As any proper Victorian household, the family live 'upstairs' and the servants live 'downstairs'. The lower orders must never be seen by the family, although they themselves are considered as family too. In fact each person who works in Heap House is called 'Iremonger' and has forgotten whatever her or his name was before entering the house. We meet Lucy Pennant in the third chapter; she like Clod is another orphan, who lost both her parents to the strange disease (we learn what objects they've become in the second book). She has just been brought to the house and is assigned the task of looking after the house's fire grates. Lucy Pennant is a redhead with a strong personality, who is 'freckled and spotted and moled' and has teeth which are 'not quite white' and one tooth which is crooked... she has no intention of letting anyone letting her forget her own name. She also has no intention of blindly following the rules, which forbid her from exploring around the house, which is how she comes to meet Clod Iremonger. Inevitably, a friendship develops between them, which will turn Heap House inside out and be the cause of incredible events.
An exciting adventure story with great themes: 'Delightful, eccentric, heartfelt, surprising, philosophical.' is what Booker Prize winner Eleanor Catton had to say about this trilogy, and I must say I wholeheartedly agree with her. I'm more than halfway through [Foulsham], book 2 in the trilogy, and will no doubt tackle [Lungdon], which came to my attention via NPR's praise in their 2015 roundup, very soon too....more