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I've been reading retelling of Greek mythology all my life, so it's probably time to read it in a more authentic form. There are many English translations for Metamorphoses. I think the enjoyment of reading depends very much on the quality of translation, so this review compares the various versions.

Translated by Charles Martin (Norton) 2004
I bought this after reading . It's subtly but undeniable frustrating to me. I guess the first paragraph (invocation) is not the best passage to get a good idea. So here is the beginning of Book 3, the story of Cadmus:

And now, his taurine imitation ended,
the god exposed himself for what he was
to cowed Europa on the isle of Crete.
In an action both paternal and perverse,
the captured maiden's baffled father bids
her brother Cadmus to locate the girl
or face an endless term of banishment.

by David Raeburn (new Penguin edition) 2004
Same passage:

Now they had landed on the Cretan soil, when Jupiter dropped
the disguise of a bull, to reveal himself as the god who he
was.
Anxious for news, Europa's father commanded Cadmus
to search for his kidnapped sister. 'Find her, or go into
exile,'
he said--an iniquitous action, if also inspired by devotion.

Hmm . . . some readers might find the line breaks annoying. Not sure if it's any better or worse than Martin translation . . .

by Allen Mandelbaum, 1993

But his false semblance soon is set aside:
on reaching Crete, Jove shows his own true guise.
Meanwhile the father of the ravished girl,
not knowing what had taken place, commands
Cadmus, his son, to find Europa or
to suffer exile from Agenor's land--
a cruel threat, but born of love!

A notable feature of this edition is that it has no Introduction, Translator's Notes, and annotations. It only has modest Afterword. So you jump in, just as you would when you read contemporary books. I like it--I read for fun, so the less hassle, the better. However, because all explanatory points are incorporated in the main text, some people might find it slow.

by A.D. Melville (Oxford World's Classic) 1986

Now safe in Crete, Jove shed the bull's disguise
And stood revealed before Europa's eyes.
Meanwhile her father, baffled, bade his son
Cadmus, set out to find the stolen girl
And threatened exile should he fail--in one
Same act such warmth of love, such wickedness!

I like this, too. Simple and elegant, and I like how it flows. It sounds more literary and slightly antiquated, which may or may not suit your preference.
(The Kindle eBook has a strange format, with wide margin on the left.)

No clear winner. I'd say, if you like poetic language and have no problem figuring out what is happening in poetically abbreviated and slightly classic language, go for Melville. If you'd rather read it like a novel, Mandelbaum (although it is a verse translation). Or you might like the newest translation.

Disclaimer
I only read two languages, and Latin is not one of them. So I cannot tell how accurate these translation may be.

P.S. Oh, the content. In case you don't know, it's filled with murders, rapes, and treacheries.

Being a Roman, and being a creative mind, Ovid edits some myths. For instance, he skips the part about Cronus (Saturn) killing his children, and Zeus (Jove/Jupiter) killing him, his father. This way, Ovid makes it sound as if all evils started with humans.

I wonder how Ovid really felt about Greek/Roman mythology. Rome conquered Greece about 150 years before his time, but culturally, Greeks influenced the Romans and their empire. Did he feel indignant about the strong Greek influence?