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As a child, Kaye had faery friends; throughout her life, she has always been unusual. Now, following an barfight, Kaye and her would-be-rock star mother return to Kaye's childhood home. There, Kaye meets another faery, and discovers that her childhood friends really do exist and that she is far more unusual than she ever suspected. She soon falls into the middle of the power struggle between two rival faery courts, a struggle which could easily spill into the human world. Tithe is a mix of wonderful and horrible aspects: the characters are difficult to like or identify with, and the writing style is inconsistent and immature, but the plot is realistically complex (even though it ends abruptly) and the faeries are dark, enthralling, and vividly conceived (if overdrawn). I found this book at times both frustrating and wonderful, and though it has many faults, I still recommend it for its plot and atmosphere, as well as its great potential.

At the beginning of reading Tithe, the weaknesses far outweigh the strengths. Kaye, her mother, and her friends are neither likable nor identifiable—Kaye's mother is a struggling rock vocalist, Kaye is a high school drop out, Janet is a superficial teenager, Corny is an unattractive gas station attendant; everyone drinks too much and smokes too much. Maybe I just lived a sheltered life, but wouldn't have identified with any of these characters as a young adult, and I still don't now as an adult. They are not likable, nor are their flaws realistic—instead, they are exaggerated and simplistic. Along with difficult characterization, the writing style is inconsistent and immature, replete with adverbs, repeated gestures, and dull dialog and episodes. This is clearly a first novel, and accordingly it feels unfinished and unpolished. The book would have benefited from a rewrite, to tighten the language and unify the style.

But for all of these negative qualities, Tithe remains readable and exhibits some real jewels and true potential as it goes on. The plot moves just fast enough that it is not frustrating and slow enough that it is still intriguing. There are many points where the book could have ended prematurely, wrapping up the plot into a nice and neat package; Black, however, rejects these endings, instead introducing new complications to build a plot that is is political, complex, and ongoing. The unfortunate effect of the ongoing story is that the book has an indistinct ending—although not a cliffhanger, it seems arbitrary and incomplete. On the whole, however, the complex plot fits the book's wide political premise and makes for a satisfying read. The faeries are equally satisfying: they are otherworldly, diverse, and carefully imagined. Some of the dark faeries are overdrawn and excessively macabre, but on the whole the faeries are the highlight of the text. Black's imagination is lively and wide; her descriptions (in particular Kaye's transformation) shine off of the page in vivid language that is at once ethereal and tactile.

I found this to be an alternately frustrating and delightful book. The characters disappointed me, the writing style annoyed me, but whenever I became too frustrated, another new aspect would shine: a banquet scene in a faery court, a new plot development, some measure of character growth. So while I can't rate this book very highly on account of its many faults, I do recommend it. Less critical readers may not find it so frustrating as I did; no matter the reader, the magic and imagination make this a book worth reading. There is great potential here, and where it is realized, Tithe is a truly enjoyable read. I look forward to reading more of Black's published work—I expect that as she matured as a writer, her books became more readable and less frustrating.