Steven Godin's Reviews > Art in the Light of Conscience: Eight Essays on Poetry
Art in the Light of Conscience: Eight Essays on Poetry
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This was the first non poetry book I'd read by Tsvetaeva, and her remarkable prose is evident to see.
These richly diverse essays provided much insight into not only her poetry and the poetic process, but also her life, and the admiration for other Russian poets. It was a quite fascinating read, and I don't think I will get to read essays on poetry as unique, as moving, or as passionately written ever again.
As a poet, Tsvetaeva wrote on male themes such as war and valor as well as on traditional female ones such as love, jealousy, and abandonment. Her voice throughout is unapologetically, and her poetic personae are the whole of female mythology, from peasant girl to the Tsar-Maiden, Joan of Arc to Phaedra. Her insistent, magnetic voice, her innovative modernist poetics were officially ignored in the Soviet Union for decades but nevertheless influenced several generations of Russian poets.
She began writing in short lyric forms, then gradually moved on to greater depth and length with complexities in epic poems, before eventually arriving at prose. The move to prose was both natural and necessary, and a stroke of genius. She found her true voice, and it's a voice that never go away.
These richly diverse essays provided much insight into not only her poetry and the poetic process, but also her life, and the admiration for other Russian poets. It was a quite fascinating read, and I don't think I will get to read essays on poetry as unique, as moving, or as passionately written ever again.
As a poet, Tsvetaeva wrote on male themes such as war and valor as well as on traditional female ones such as love, jealousy, and abandonment. Her voice throughout is unapologetically, and her poetic personae are the whole of female mythology, from peasant girl to the Tsar-Maiden, Joan of Arc to Phaedra. Her insistent, magnetic voice, her innovative modernist poetics were officially ignored in the Soviet Union for decades but nevertheless influenced several generations of Russian poets.
She began writing in short lyric forms, then gradually moved on to greater depth and length with complexities in epic poems, before eventually arriving at prose. The move to prose was both natural and necessary, and a stroke of genius. She found her true voice, and it's a voice that never go away.
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Reading Progress
April 10, 2018
– Shelved
April 10, 2018
– Shelved as:
to-read
April 10, 2018
– Shelved as:
poetry
April 10, 2018
– Shelved as:
russia-ukraine
September 14, 2018
– Shelved as:
non-fiction
November 17, 2018
– Shelved as:
essays
May 4, 2019
–
Started Reading
May 5, 2019
–
43.75%
"I may fall behind in ideas and life, I do fall behind, I defend what's gone, what's remained beyond the edge of the earth, but my poems, without my knowledge or will, carry me out to the front lines. One can't order from God either poems or children - it's they who order fathers!"
page
98
May 6, 2019
–
Finished Reading