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Duhamel's use of the conceits around Barbie fascinate even if some of the concerns are phrased in a way particular to the late 1990s. Hinting at Barbie's origins as a fetish doll and building on her particular focus as a fetishization of gender and sexuality in US, Duhamel creates an engaging conceit to overlay social satire and commentary upon, on ethnic erasure, body imagery, etc. Yet Duhamel's humor reigns it all in an accessible and yet brave package.