Trevor's Reviews > Zen and the Art of Motorcycle Maintenance
Zen and the Art of Motorcycle Maintenance
by
by

I started reading this book because i'd heard from a number of people, including comedian Tim Allen, that it was good. In fact i read an entire Tim Allen book ("I'm Not Really Here") which was kind of about his experience reading Zen and the Art of Motorcycle Maintainence. Tim Allen, although not exactly a respectable philosopher (maybe not even just respectable), had some of Robert Pirsig's philosophy without all his inane bullshit. At least Tim Allen's book was funny.
Admittedly, i enjoyed the book in the beginning. I could tell that the plot was going nowhere specific, but i like books like that. In fact i wrote one. But as i pressed on, page after page, chapter after chapter, i became first bored with it, then irritated. There are essentially three parts to this book, all of which are intertwined at irregular intervals:
1. The philosophy stuff. I really like this aspect of the book; all the time he spends talking about Phaedrus and Phaedrus's experiences was mostly fascinating to me. Phaedrus is the real star of the story and the only character i really liked.
2. The motorcycle maintainence stuff. Despite the fact that i had no idea what most of it meant, it's factual and to the point, and somehow intersted me just by the way it was written. At some point i even thought about buying a motorcycle, just from inspiration by this book.
3. The main story. It's a story about the narrator (Pirsig himself) and his son, Chris, on a motorcycle journey across the country with some friends. Chris is 11 or 12 and mostly just annoying, but the interactions between Pirsig and his son just make me think that Pirsig is a bad father. He always seems angry at Chris for no particular reason and Chris seems to cry a lot due to it. I wonder what Chris thought when he read this book. And it's no wonder to me that the guy's wife left him shortly after it was published (Wikipedia: []).
The main thing that i think the book suffers from is the way he abruptly switches between the topics. I've no problem with a rapidly shifting story, if the transitions work. Here, Pirsig would get me going enthusiastically through a Phaedrus segment, and right at the climax...dump me back into him and Chris doing something boring. Then we'd trudge along through that for a while, and suddenly he'd see something that reminded him of Phaedrus, and we'd come to another Phaedrus segment which was not a continuation of the previous.
I gave up on the book shortly after the halfway point where Phaedrus began repeating everything over and over and going absolutely nowhere. Sure, i'd like to see what ultimately got him committed to an asylum, but i don't feel like reading any more of this repetitive and bland crap to get there. Ok, you can't put a definition on "quality," i get it, move on to something else. I feel like what Pirsig is saying to me is, "I've got a point...but i'll never tell you what it is!" and i hate being taunted. Especially while reading. If this were a movie, chances are i'd tough it out and wait for it to finish just because i know it'll be done soon. But reading, although often more enjoyable, is more time consuming and nobody can deny that. And after wasting weeks of my life reading Robert Jordan's "The Shadow Rising," i've learned my lesson. Life is too short to waste on crappy books. There's lots of good stuff out there, i'mma go get it.
Admittedly, i enjoyed the book in the beginning. I could tell that the plot was going nowhere specific, but i like books like that. In fact i wrote one. But as i pressed on, page after page, chapter after chapter, i became first bored with it, then irritated. There are essentially three parts to this book, all of which are intertwined at irregular intervals:
1. The philosophy stuff. I really like this aspect of the book; all the time he spends talking about Phaedrus and Phaedrus's experiences was mostly fascinating to me. Phaedrus is the real star of the story and the only character i really liked.
2. The motorcycle maintainence stuff. Despite the fact that i had no idea what most of it meant, it's factual and to the point, and somehow intersted me just by the way it was written. At some point i even thought about buying a motorcycle, just from inspiration by this book.
3. The main story. It's a story about the narrator (Pirsig himself) and his son, Chris, on a motorcycle journey across the country with some friends. Chris is 11 or 12 and mostly just annoying, but the interactions between Pirsig and his son just make me think that Pirsig is a bad father. He always seems angry at Chris for no particular reason and Chris seems to cry a lot due to it. I wonder what Chris thought when he read this book. And it's no wonder to me that the guy's wife left him shortly after it was published (Wikipedia: []).
The main thing that i think the book suffers from is the way he abruptly switches between the topics. I've no problem with a rapidly shifting story, if the transitions work. Here, Pirsig would get me going enthusiastically through a Phaedrus segment, and right at the climax...dump me back into him and Chris doing something boring. Then we'd trudge along through that for a while, and suddenly he'd see something that reminded him of Phaedrus, and we'd come to another Phaedrus segment which was not a continuation of the previous.
I gave up on the book shortly after the halfway point where Phaedrus began repeating everything over and over and going absolutely nowhere. Sure, i'd like to see what ultimately got him committed to an asylum, but i don't feel like reading any more of this repetitive and bland crap to get there. Ok, you can't put a definition on "quality," i get it, move on to something else. I feel like what Pirsig is saying to me is, "I've got a point...but i'll never tell you what it is!" and i hate being taunted. Especially while reading. If this were a movie, chances are i'd tough it out and wait for it to finish just because i know it'll be done soon. But reading, although often more enjoyable, is more time consuming and nobody can deny that. And after wasting weeks of my life reading Robert Jordan's "The Shadow Rising," i've learned my lesson. Life is too short to waste on crappy books. There's lots of good stuff out there, i'mma go get it.
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Reading Progress
Started Reading
June 1, 2007
–
Finished Reading
June 27, 2007
– Shelved as:
abandoned
June 27, 2007
– Shelved
Comments Showing 1-5 of 5 (5 new)
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As with Pirsig's digressions into the characters' physical world, I felt that Pirsig's development of his philosophical thesis shows continuity. On the occasions where there is a disconnect between ideas in neighboring chapters, Pirsig directly reminds the reader of prior passages in the narritive that he would now like to build on.
"Sure, i'd like to see what ultimately got him committed to an asylum, but i don't feel like reading any more of this repetitive and bland crap to get there."
If you read through this book to the half-way point, you should have already figured out that he was committed because he was unable to define "quality" and had a nervous breakdown. There are several places in the book where he also describes Chris as having similar characteristics and being scared that he might suffer the same crisis. I'm sure this lead most of us who read the book to conclude that he had a genetic predisposition for depression.
What gets him out of the hospital is discovering a cohesive metaphysics of quality (which he has been teaching the reader the whole time).
"The motorcycle maintainence stuff. Despite the fact that i had no idea what most of it meant, it's factual and to the point, and somehow intersted me just by the way it was written. At some point i even thought about buying a motorcycle, just from inspiration by this book."
He was using the motorcycle as a metaphor for value systems.
Hope you'll give this one a re-read. It's actually a very interesting book.