Jamie's Reviews > Moby-Dick or, The Whale
Moby-Dick or, The Whale
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So, Herman Melville's Moby Dick is supposed by many to be the greatest Engligh-language novel ever written, especially among those written in the Romantic tradition. Meh.
It's not that I don't get that there's a TON of complexity, subtlety, and depth to this book about a mad captain's quest for revenge against a great white whale. And on the surface it's even a pretty darn good adventure story. And, honestly, Melville's prose is flowing, elegant, and as beautiful as any writing can possibly be. It's magnificent, actually.
It's just that any enjoyment or satisfaction I got out of the book was overshadowed by the tedious, largely pointless stretches of encylopedic descriptions about the whaling industry. Melville strikes me as one of those people who would corner you at a party and talk incessantly about whaling, whaling ships, whales, whale diet, whale etymology, whale zoology, whale blubber, whale delacies, whale migration, whale oil, whale biology, whale ecology, whale meat, whale skinning, and every other possible topic about whales so that you'd finally have to pretend to have to go to the bathroom just to get away from the crazy old man. Only he'd FOLLOW YOU INTO THE BATHROOM and keep talking to you about whales while peering over the side of the stall and trying to make eye contact with you the whole time.
Look, it's not that I don't get it. Or at least some of it. I get, for example, that Ishmael's description of the absurdities of whale classification systems provide a backdrop against which to project the recurring theme of mankind's doomed quest for complete understanding of truths that are ineffable and forever hidden (sometimes literally) under the surface. I get that. I just wish the guy didn't feel like he had to take it to such absurd lengths. I do not need twenty pages about how to properly coil a harpoon line! I can see why most people don't make it through this book without judicious skimming.
Still, I feel like I accomplished something and that I can now nod sagely the next time someone makes an oblique reference to Captain Ahab, mentions the Pequod, or refers to something as "that person's Great White _______." And chances are they skimmed more than I did, anyway.
It's not that I don't get that there's a TON of complexity, subtlety, and depth to this book about a mad captain's quest for revenge against a great white whale. And on the surface it's even a pretty darn good adventure story. And, honestly, Melville's prose is flowing, elegant, and as beautiful as any writing can possibly be. It's magnificent, actually.
It's just that any enjoyment or satisfaction I got out of the book was overshadowed by the tedious, largely pointless stretches of encylopedic descriptions about the whaling industry. Melville strikes me as one of those people who would corner you at a party and talk incessantly about whaling, whaling ships, whales, whale diet, whale etymology, whale zoology, whale blubber, whale delacies, whale migration, whale oil, whale biology, whale ecology, whale meat, whale skinning, and every other possible topic about whales so that you'd finally have to pretend to have to go to the bathroom just to get away from the crazy old man. Only he'd FOLLOW YOU INTO THE BATHROOM and keep talking to you about whales while peering over the side of the stall and trying to make eye contact with you the whole time.
Look, it's not that I don't get it. Or at least some of it. I get, for example, that Ishmael's description of the absurdities of whale classification systems provide a backdrop against which to project the recurring theme of mankind's doomed quest for complete understanding of truths that are ineffable and forever hidden (sometimes literally) under the surface. I get that. I just wish the guy didn't feel like he had to take it to such absurd lengths. I do not need twenty pages about how to properly coil a harpoon line! I can see why most people don't make it through this book without judicious skimming.
Still, I feel like I accomplished something and that I can now nod sagely the next time someone makes an oblique reference to Captain Ahab, mentions the Pequod, or refers to something as "that person's Great White _______." And chances are they skimmed more than I did, anyway.
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Started Reading
August 7, 2007
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Finished Reading
August 3, 2008
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Michaela
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Jan 07, 2009 05:10PM

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CETOLOGY! HE'D CORNER YOU AT A PARTY AND DROWN YOU IN BORING DIATRIBES ON CETOLOGY! IT'S THE TITLE OF A CHAPTER!


By the way, the Cetology chapter also includes sentences like "But I have swam through libraries and sailed through oceans; I have had to do with whales with these visible hands; I am in earnest; and I will try." Drops the jaw, but not for a yawn.
One more thing about the whaling chapters: They aren't without context. Notice how riveting the surrounding chapters are--the point is to make you sensitive to information, to add to the texture of narrative. The novel is absolutely loaded with action, regardless of whether harpoons are being thrown. What we find, if we read, is the action of language and the mind's comprehension of language.
Better luck next time, and do yourself a favor: make sure there's a next time. You might not always be so impatient.


I doubt very much that Herman Melville would corner you at a party and engage you about whales. You would be lucky to get Herman Melville to *go* to a party that you were attending.
Something that I think people take for granted when it comes to books is that there is often too much deviation from reality and not enough of the complexity of the narrator's personality. The way that Herman wrote the story made it seem more like a real person was telling me about the Pequod and captain Ahab's obsession, and not some perfect human being without oratory flaw or divergence from plot. People who tell stories put their own personality into it, and writers who write about people telling stories should try harder to maintain a personality in a real sense through the words of that chosen character.
For God's sake he was writing as if he were a whaler telling a story; he wasn't some *dude* at an artsy party drinking an apple-martini. If you don't want any side info about whales- then don't read Moby Dick. On the other hand, if you do want to learn something about the MAIN SUBJECT of a book- then a good thing is to read it through.
This is the precise reason that I am mainly a criticizer of critics... At least Herman Melville set out to write a book instead of judging other people's hard work. Think about it.
Postscript: skimmers are NOT readers... merely in my humble opinion, of course.


By the way, the whole encyclopedic stuff is tied up with the nineteenth century concept of the novel.

Well said

How many pages alone were dedicated to the analysis of the attempts at painting sperm whales? How many pages were dedicated to the rope used in harpoons? How many pages were dedicated to the economy of whale hunting? And I am sure there were plenty of other chapters about the physiognomies and general anatomy of whales that well exceeded 18 pages.
Yeah, you can see where I am going.
The book could've been written as effectively without all of these details, Melville's intentions of the cliché "We all have our white whale" is so blatantly obvious that bombarding us with useless, and yes, it is useless information is only beneficial for serving pseudo-intellectuals who are joining the crowd in putting this on a pedestal and denying any possibility of fault within it.
If it was your attempt to take out one small part of the unnecessary details of the novel and try to make it appear as if the remainder of the story was focused on plot, character development etc., you are sorely mistaken and the only people who will agree with you are people who:
1) Did not read the book
or
2) Skim-read it


I guess I can't correct typos.
Land ho mate!






Sam wrote: "Um, I think that the description of whales and whaling made it a better read- because it is easier to understand characters when you understand something about what it is that they are actually doi..."
Right on! I agree with you!! I do have to say though, I am going through a tough chapter (for me) right now -- The Chart -- and I ain't skimmin'!! I have been on this chapter for a while. The Whiteness of the Whale was very grueling. But it's funny, after reading it thoroughly, I really liked it and probably will remember that chapter the most. It was very powerful. I agree with you, skimming is not reading!! Once you REALLY read Moby Dick, you have to feel a great accomplishment! Like I said I am only on the Chart, so I have a way to go.








Throw away all the other stuff and just let's agree that this opinion about the whaling parts being whatever and what have you is not the God's proclaimed TRUTH of the book. That is an OPINION to which everyone is entitled, but that doesn't make those who don't adhere to it unintelligent or in any way less because of the opinion they have.
Why people would take someone else's appreciation of something as an opportunity to judge them, I'll never understand.
The fact is that a lot of people who criticize acclaimed things (without respect for anything good about what brought a thing to be acclaimed) are doing exactly the same thing as those who boast their love for a thing like this in order to be accepted. It is another attempt to seem intelligent; don't undress it of its hypocrisy. There are people who say that they admire things for the wrong reasons and there are people who criticize things for the wrong reasons. There are also people who admire for the right reasons and people who constructively criticize from a position of good intent.
Plainly, if you have made no attempt to appreciate a thing first then you have NO place criticizing it. If you did put forth effort and still find a point to address a criticism then that's another thing. Still, don't parade your opinions as if they are gospel, don't put down everyone whose opinion is not the same as yours, or at least don't expect not to be judged in return for it.
Thank you.

How many pages alone were dedicated to the analysis of the attempts at painting sperm whales? How many pages..."
You seem to have joined that crowd of people who like to turn their noses up at "the crowd" as if we don't all look like a blot in space. You're in there too, buddy... I hate to break the news to you.
Also, I don't know if you've been informed of this either but people are allowed to appreciate this book differently from you so persecuting them just makes you stick out and not for your intellect.
If it was your attempt to make us all think that you are the height of expertise in appreciating literature, then you are sorely mistaken in that expectation.
Your comment could've been written as effectively without all that disrespect for everyone who has a different opinion from you.

This could be illustrated any number of ways. The pattern repeats over and over. For instance, Chapter 60 is ostensibly about whale lines; it purports to be describing the rope that whalers use to catch their prey. But in fact it is an elaborate build-up for a meditation about mortality. The chapter ends:
"All men live enveloped in whale-lines. All are born with halters round their necks; but it is only when caught in the swift, sudden turn of death, that mortals realize the silent, subtle, everpresent perils of life. And if you be a philosopher, though seated in the whale-boat, you would not at heart feel one whit more of terror, than though seated before your evening fire with a poker, and not a harpoon, by your side."
Likewise, the "Fast-Fish and Loose-Fish" chapter is not really about "the laws and regulations of the whale fishery." It is a metaphor for the plight of the world:
"What are the Rights of Man and the Liberties of the World but Loose-Fish? What all men's minds and opinions but Loose-Fish? What is the principle of religious belief in them but a Loose-Fish? What to the ostentatious smuggling verbalists are the thoughts of thinkers but Loose-Fish? What is the great globe itself but a Loose-Fish? And what are you, reader, but a Loose-Fish and a Fast-Fish, too?"
Melville is a literary ninja. While you think he is talking about one thing, he sneaks up from behind and blows your mind.
In the maligned "Cetology" chapter, Ishmael, "waiving all argument," declares "that the whale is a fish [instead of a mammal]." Background information?? He is rejecting established science and building his own scheme of classification. He is not a even reliable narrator (what is his real name anyway?), but he operates on his own terms. In fact, he rejects anything that resembles dogma--even the meaning of the color "white" (!!). He is trying to escape society (both literally and figuratively) and the easy conventions that it offers, in order to find for himself the answers to life's questions.
It is significant that Ishmael alludes to suicide right in Chapter 1. By going to sea, he is attempting to come to grips with the meaning of his own existence; to understand his relationship to an incomprehensible universe. He is hunting for himself. So, incidentally, is the rest of the crew. It is no coincidence that Ahab physically resembles Moby Dick. Or that pipe-smoking Stubb kills a whale that "looked like a portly burgher smoking his pipe."
Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all."
This is a powerful book. It may not be for everybody, but for those attuned to it, it can change lives.

It is foolish to criticize Melville for using an "obvious cliché" considering that he is the one who invented it. Nor do I even agree that that was his intention, let alone that he should be faulted for it. The interpretation is a lot more faithful than the oversimplified (and cliché) one.




I totally agree. That is one of my favorite chapters. Truly profound.



I don't know of a comic book but you might try reading "Mocha Dick" which is the 1839 journal story which Melville got the plot for his 1851 book from. It may not be quite so full of whale symbolism, etc. but it gives the basic plot points.
Mocha Dick: Or the White Whale of the Pacific