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Much must be said about the panels in an Alan Moore graphic novel. I still remember the bloodiness of "From Hell"--messy like innards. In Top 10, the context of the panels is incredible: so much occurs in that snapshot moment. Always, Moore displays much more than the eye can catch; and plot-wise, also much more than we can understand at the moment, & if some details were never caught oh well. That is part of it--his world of everyday superheroes (in this world, everyone is born with their own personalized powers!) is so alive, that often three characters found within one enigmatic frame can be saying three things at once. The word bubble (like his fine characters, his outrageous dilemmas, like Moore's medium itself) contains multitudes...