Amanda Spacaj-Gorham's Reviews > The Masnavi: Book One
The Masnavi: Book One
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The first Episode resonates with the love, mercy and wit that I have associated with Rumi since my first introduction to the great poet.
The second Episode, "The King and the Slave Girl" tells the story of, then justifies the murder of a goat herder on the basis of divine enlightenment being the motivation.
As much as I admire all the poetry of Rumi I have read before this story, this passage is hard to get past. Full disclosure, I also disregard most of Leviticus from the Old Testament. I strive to acknowledge the context in which ancient texts were written, but this one is still tricky.
I'm listening to this book on Podiobooks as a free podcast version of the whole book. The flute the musical accompaniment enhances the spoken poetry.
This is a direct quote from the website that I agree with based on the first two parts:
"Rumi's poetry is celebrated for its musicality. This translation, the Oxford World's Classics edition of which was awarded the 2004 Lois Roth Prize, follows the Persian original by using rhyming couplets. Toure Moumouni and Alain Kersanty perform Rumi's favourite musical instruments, the ney, the robab, the tar, and the daf, to give you a complete and authentic listening experience."
The second Episode, "The King and the Slave Girl" tells the story of, then justifies the murder of a goat herder on the basis of divine enlightenment being the motivation.
As much as I admire all the poetry of Rumi I have read before this story, this passage is hard to get past. Full disclosure, I also disregard most of Leviticus from the Old Testament. I strive to acknowledge the context in which ancient texts were written, but this one is still tricky.
I'm listening to this book on Podiobooks as a free podcast version of the whole book. The flute the musical accompaniment enhances the spoken poetry.
This is a direct quote from the website that I agree with based on the first two parts:
"Rumi's poetry is celebrated for its musicality. This translation, the Oxford World's Classics edition of which was awarded the 2004 Lois Roth Prize, follows the Persian original by using rhyming couplets. Toure Moumouni and Alain Kersanty perform Rumi's favourite musical instruments, the ney, the robab, the tar, and the daf, to give you a complete and authentic listening experience."
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