Å·±¦ÓéÀÖ

Peter's Reviews > Orlando

Orlando by Virginia Woolf
Rate this book
Clear rating

by
32887118
's review

really liked it
bookshelves: women-s-life, uk-ireland, classic

„Orlando� was my first book by Virginia Woolf. I hardly knew anything other than the author’s name and the fact that she is often mentioned in a feminist context. The context of her life, however, is essential for the understanding of this book. Orlando is the doppelgänger of Vita Sackville-West, born in one of the oldest families in England, rich, glamourous, a writer herself and enamoured in and by both sexes. Vita and Virginia’s relationship manoeuvred between close friendship and a love affair, but was always overshadowed by Woolf’s mental instability. This novel is a literary monument Mrs. Woolf for her friend.



What makes this book unique is the description of a personality that is not bound by borders, neither those of time nor those of sex. At the end of the novel she had a great variety of selves to call upon and realizes that the true self is the compact of all the selves we have it in us to be. This insight is universal. While I do not have Orlando’s longevity nor ever changed my sex, there is clearly the notion of me having lived in rather different places, circumstances and roles, almost different lives. And regarding sex, we know from science that sexual identity is not binary. Being attracted by a person of a different gender than usually happens to much more people than religions and conventions want to make us believe. For me as a physicist this is not a new concept at all. Quantum physics, in fact, tell us that all systems are an overlay of states. Which state can be observed, depends on the specific way that we look at this system, i.e. the experiment.

Now, did I like this novel? Not really. It cost me a lot of effort to read it along with the collaterals required for its understanding. I did enjoy, though, the language. And the fact that I underlined so many passages tell me, that it was worth it.
33 likes ·  âˆ� flag

Sign into Å·±¦ÓéÀÖ to see if any of your friends have read Orlando.
Sign In »

Reading Progress

February 24, 2020 – Shelved
February 24, 2020 – Shelved as: to-read
December 7, 2020 – Started Reading
December 7, 2020 –
page 16
7.96% "This is my first encounter with Virginia Woolf. I am reading in English and the first pages already tell me that Mrs Woolf is a master of language."
December 11, 2020 –
page 41
20.4% "Orlando's affair with a Russian princess was about losing my interest, only to regain full attention, when the ice breaks up after the great frost and many people die on the melting sheets of ice. Virgina Woolf paints a horrifying, but very imaginative picture."
December 19, 2020 –
page 84
41.79% "Truth! Thruth! Truth! we have no choice left but confess - he was a woman. The central sentence of this novel marks the change of Orlando's sex. But this is not the only mythical element. Only unnoticed Orlandos lifetime has spread from the late days of Queen Elizabeth I. (end of 16th century) to King George I (beginning of 18th)!"
December 21, 2020 –
page 103
51.24% "Orlando sails home to Britain. During the voyage she is confronted with the opportunites and limits of being a woman. As a young man she had insisted that women must be obient, chaste and scented, and exquisitely apparelled. Now she herself has to pay the price for those convictions, "Heavens! What fools they make of us - what fools we are!""
December 24, 2020 –
page 114
56.72% "Different though the sexes are, they intermix. In every human being a vacillitation from one sex to the other takes place, and often it is only the clothes that keep the male or female likeness, while underneath, the sex is the very opposite of what it is above.

I guess this is the central and - at that time - revolutionary sentence of the novel."
December 25, 2020 –
page 136
67.66% "Bored by the conversations at ladies' invitations Orlando starts to invite the top three poets of her time, Pope, Addison and Swift, to her home. But every secret of a writer's soul ... is written large in his works and the gentlemen are less entertaining in real life. Finally Orlando professed great enjoyment in the society of her own sex and starts to vacillate between roles and sexes."
December 26, 2020 –
page 160
79.6% "19th century brings along abundant growth, crinoline and love. Marmaduke Bonthrop Shelmerdine (what a name!) finds Orlando with a hurt ankle like Willoughby finds Marianne Dashwood in "Sense and Sensibility". Their shared ambiguity of sex - "Mar" has rather feminine appearance - brings them close. They marry and mate, but must separate after few days. End of Chapter 5"
December 29, 2020 –
page 188
93.53% "Orlando finally arrived in the present tense of the author, 1928. She is only 36 years old, but feels: Time has passed over me. ... I am sick of this particular self. I want another. And although she had a great variety of selves to call upon stacked one on top of another as plates are piled on a waiter's hand, she cannot find her TRUE self."
December 29, 2020 – Finished Reading
December 30, 2020 – Shelved as: women-s-life
December 30, 2020 – Shelved as: uk-ireland
December 30, 2020 – Shelved as: classic

Comments Showing 1-1 of 1 (1 new)

dateDown arrow    newest »

message 1: by Berengaria (new)

Berengaria Woolf is certainly an acquired taste. This one is not one of her "lighter" reads. Good on you for getting through it in the end! That's an enlightening comparison between quantum physics and the way Woolf wrote.


back to top