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Noir character edge, apocalyptic tone, Marx Brothers meets Beckett (if they are at all different) dialogue, comic but sinister duos, stark prose, identity and reality in doubt, and probing moral questions are all present and mark Immobility as both a representative and a thoroughly accomplished example of what one our best writers, Brian Evenson, does. This is his take on the post-apocalyptic genre and it is lighter in language and tone then his previous venture (the beautiful and singular Dark Property: An Affliction being a prime example) into the territory. As a literary example of the genre, comparisons to Cormac McCarthy’s The Road are inevitable, but the characters in this book are the ones the son and father in that book cower in woods and attics to avoid. Evocative of absurdist drama, seventies science fiction, lean, experimental tinged writing, and nasty noir, this book is recommended for any fan of such styles and of course fans of Evenson’s particular brilliance.