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I read this book while listening to the Fournier CDs ( recorded in Basel 1962) and the Jacqueline Du Prè ( London recording) as I don’t have a Casals version. I also was so inspired that I purchased a secondhand cello and have begun the slow process of trying to get my brain out of the habit of reading notes as if they’re on the treble clef. I thoroughly enjoyed this book but I am a bit surprised that he didn’t once mention Jacqueline Du Prè, she and Casals knew each other and she undertook his Masterclass in Zermatt and received accolades from him, strange that in a book about the Bach Cello Suites Siblin didn’t mention her once. I recommend this for anyone who loves Bach ( and really, who can hear the Cello Suites and not love Bach?).