Jon Reading Books's Reviews > The Storyteller: Tales of Life and Music
The Storyteller: Tales of Life and Music
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Grohl's prose is surprisingly effective. If this was written without a ghostwriter, it's an admirable effort. However, I found the overall work to be a bit scattered and shallow. Grohl jumps back and forth through time a bit too often, and grants entire chapters to episodes of questionable interest. I'd have appreciated a bit more of a deep dive into some of the things that have made Grohl's life so special; his jump from high school student to international touring drummer of the band Scream seemed so abrupt that I almost felt I had skipped a chapter.
In one moment, Grohl is talking about his first girlfriend. Then, it seemed, in the next, he was playing a show with Scream in the Netherlands. How did such a jump change a teenager? How did this new perspective alter his worldview, cause him to grow as a human being? These sorts of engaging questions are abandoned for amusing, though ultimately disposable anecdotes about being chased through European alleyways by junkies and skinheads. This issue is exacerbated by Grohl's questionable inclusion of chapters on seemingly disposable events, such as being hit in the head as a child and the claims that Grohl does not feel physical pain.
The Nirvana chapters are also comparatively light. Grohl and Cobain lived together in the pacific Northwest during their time in Nirvana, but very little of Cobain is shared beyond what everyone already knows: that he was a brilliant songwriter, that he was a depressive, that he was staunchly anti-establishment. So desperate for Cobain crumbs was I that I found Grohl's mention of Cobain's endless love of strawberry milk to be one of my favorite tidbits in the book.
Too much of this reads as a surface-level description of Grohl's life, and the man—although undoubtedly having lived an incredibly interesting, eventful life—seems to lack the insight as to what, exactly, makes his life so incredible and eventful. Thus we're regaled with pitter-patter, here-and-there stories which seem scattershot and don't dive into any real meaning or cohesive theme which drives Grohl's experience, and seem more instead like a smattering of unrelated tidbits from an old-but-gold rocker. Which is fine, if that's what you're looking for. But Grohl has been there for such monumental events in recent music history that I'd hoped for a bit more.
Foo Fighters and Grohl fans will undoubtedly enjoy this, but those of us on the outside of those descriptors will likely be left wanting more. A solid effort nonetheless, but there's nothing profound to be had here.
In one moment, Grohl is talking about his first girlfriend. Then, it seemed, in the next, he was playing a show with Scream in the Netherlands. How did such a jump change a teenager? How did this new perspective alter his worldview, cause him to grow as a human being? These sorts of engaging questions are abandoned for amusing, though ultimately disposable anecdotes about being chased through European alleyways by junkies and skinheads. This issue is exacerbated by Grohl's questionable inclusion of chapters on seemingly disposable events, such as being hit in the head as a child and the claims that Grohl does not feel physical pain.
The Nirvana chapters are also comparatively light. Grohl and Cobain lived together in the pacific Northwest during their time in Nirvana, but very little of Cobain is shared beyond what everyone already knows: that he was a brilliant songwriter, that he was a depressive, that he was staunchly anti-establishment. So desperate for Cobain crumbs was I that I found Grohl's mention of Cobain's endless love of strawberry milk to be one of my favorite tidbits in the book.
Too much of this reads as a surface-level description of Grohl's life, and the man—although undoubtedly having lived an incredibly interesting, eventful life—seems to lack the insight as to what, exactly, makes his life so incredible and eventful. Thus we're regaled with pitter-patter, here-and-there stories which seem scattershot and don't dive into any real meaning or cohesive theme which drives Grohl's experience, and seem more instead like a smattering of unrelated tidbits from an old-but-gold rocker. Which is fine, if that's what you're looking for. But Grohl has been there for such monumental events in recent music history that I'd hoped for a bit more.
Foo Fighters and Grohl fans will undoubtedly enjoy this, but those of us on the outside of those descriptors will likely be left wanting more. A solid effort nonetheless, but there's nothing profound to be had here.
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October 29, 2021
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October 29, 2021
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Camilla
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rated it 2 stars
Dec 09, 2021 03:39PM

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He’s a rocker, not an esteemed writer. That said, I, too, hope he wrote most of the book himself because if he did, he is a decent writer, given that writing books isn’t his profession.
The other thing that he is still up against is Cobain’s shadow. Grohl’s bubbly personality and supportive upbringing (for the most part, based on this book) is so different from Cobain’s that I found it hard to accept Dave as a separate entity from what grunge/alt rock (whatever we are calling it now) and Nirvana have represented for me for all these years, grunge being so intricately intertwined with Cobain’s suicide and his rejection of the mainstream. Denting the mythical hold of the genre is one reason, honestly, that I have continued reading Grohl’s book. For Gen. X’ers who came of age at a time when the genre was at its height and who were also fans, it is nearly impossible to imagine that Cobain would be able to stomach Grohl’s level of zeal for pomp-and-circumstance celebrities, crowded arenas, and Pantera-owned strip clubs. Nevertheless, the two were friends then—and maybe even would be now, were Kurt alive. And in whichever direction Grohl might have veered had we not lost Kurt Cobain, I have a feeling Grohl would still have been this upbeat—Cobain’s opinion he damned. While Grohl is eagerly starstuck and grossly romantic, he also strikes as authentic, which I can appreciate. I am not going to say that I love when he geeks out over McCartney, but I do understand it, and I believe that he probably did geek out that hard.
In writing all of this, I still agree with the original poster. As a reader, I wanted more emotional reflection and smoother & more intriguing transitions. As a supporter of Grohl’s career and persistence and authenticity, though, what Grohl has written will work.







And the last third of the book - after he'd become one of the biggest rock personalities in the world - was a parade of stories about his kids (which is fine), and all the amazing musicians that he couldn't believe gave him the time of day. Half-way through I ddin't expect I'd get much more information about his troubled relationship with his father, so I was pleased to get as much as I did in the end.
Dave has nothing bad to say about anyone - even his fall out with William Goldsmith (the Foo Fighter's Pete Best) was detailed briefly, but in a kind way without dragging anyone through the dirt. I listened to the audiobook and Dave was an excellent narrator. I'm not sure I'd have gotten through the paperback.



