Lucy's Reviews > Bel Canto
Bel Canto
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This book came highly recommended, and once I started reading, I kept thinking I had already but couldn't, for the life of me, remember how it ended. Turns out, it only seemed familiar to me because it is based on a real life experience. In 1995, the president of Peru and many of his guests were taken hostage and held for months. Bel Canto is a fictitious story based loosely on those events.
I only liked Bel Canto. I understand its appeal - the coming together of hostages and terrorists alike, but the writing was a bit too ethereal and romantic for me. SO much emphasis placed on opera, as if it's the universal band-aid. I know a lot of people that don't enjoy opera at all. In fact, a music lover myself, I'd have to admit that most of opera is an acquired taste. The hugeness of the voice, the strong vibrato and foreign languages take some getting used to. However, according to the author, there is no politician, businessman, servant or gunman that doesn't fall into a deep state of hypnosis when a soprano begins her song. I tend to think that perhaps the terrorist from a South American country, where musical tastes are a bit different, might not have been so cast under her spell, but I could be wrong. I've never thought of it as the only offered solace to a terrifying situation.
Which leads me to the other thing that I find a hard time believing. Terrorists...with guns....coming through air vents into a vice presidential palace and no one seems particularly petrified throughout it all. Again, I think this was the author's way of romanticizing the event by leaving out the crapping of pants and desperate pleas for loved ones, but everyone was annoyingly contrite and calm, even the terrorists themselves, who seemed awfully nice and understanding.
The end was appropriately tragic. I read a few reviews that described this as an example of magical realism, a genre I try and avoid so this labeling surprised me. Maybe all the lack of fear, suspended time and happy hostage household was part of it. The ending, while sad and tragic, satisfied my need for logic and realism. This event seemed to have a larger psychological effect on the survivors then the original hostage takeover. Whether or not that is realistic or not, I have no idea.
I wish she hadn't written her epilogue. It was unnecessary and unbelievable. Sort of like how all doctors on a hospital television show end up as couples, as if there were no one else in the world to date or socialize with. (view spoiler) .
The book as a whole, however, is not void of greatness. The Russian cabinet member and his story of the box was poetic. Cesar's natural talent and love of performing made me cheer. And the inward look at most regarding their professions and priorities was very appropriate.
All combined, it makes for an enjoyable, flawed book.
I only liked Bel Canto. I understand its appeal - the coming together of hostages and terrorists alike, but the writing was a bit too ethereal and romantic for me. SO much emphasis placed on opera, as if it's the universal band-aid. I know a lot of people that don't enjoy opera at all. In fact, a music lover myself, I'd have to admit that most of opera is an acquired taste. The hugeness of the voice, the strong vibrato and foreign languages take some getting used to. However, according to the author, there is no politician, businessman, servant or gunman that doesn't fall into a deep state of hypnosis when a soprano begins her song. I tend to think that perhaps the terrorist from a South American country, where musical tastes are a bit different, might not have been so cast under her spell, but I could be wrong. I've never thought of it as the only offered solace to a terrifying situation.
Which leads me to the other thing that I find a hard time believing. Terrorists...with guns....coming through air vents into a vice presidential palace and no one seems particularly petrified throughout it all. Again, I think this was the author's way of romanticizing the event by leaving out the crapping of pants and desperate pleas for loved ones, but everyone was annoyingly contrite and calm, even the terrorists themselves, who seemed awfully nice and understanding.
The end was appropriately tragic. I read a few reviews that described this as an example of magical realism, a genre I try and avoid so this labeling surprised me. Maybe all the lack of fear, suspended time and happy hostage household was part of it. The ending, while sad and tragic, satisfied my need for logic and realism. This event seemed to have a larger psychological effect on the survivors then the original hostage takeover. Whether or not that is realistic or not, I have no idea.
I wish she hadn't written her epilogue. It was unnecessary and unbelievable. Sort of like how all doctors on a hospital television show end up as couples, as if there were no one else in the world to date or socialize with. (view spoiler) .
The book as a whole, however, is not void of greatness. The Russian cabinet member and his story of the box was poetic. Cesar's natural talent and love of performing made me cheer. And the inward look at most regarding their professions and priorities was very appropriate.
All combined, it makes for an enjoyable, flawed book.
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Reading Progress
September 11, 2007
– Shelved
Started Reading
October 1, 2007
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Finished Reading
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rated it 5 stars
May 19, 2009 10:36AM

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I love ethereal, romantic writing. Perhaps that's what I love about this book. The epilogue was hard to swallow but made me take a hard look at what I would do in that situation...




I also didn't like the epilogue because I felt that the reader should have been left in that final operatic scene.
A composer from South America,Jimmy Lopez, has created an opera from this book and it will premier in Chicago next month. I expect the epilogue to be absent.






COULD care less? How could Ms. Patchett make this egregious, jarring error?



I feel Patchett's writing style (so far) reminds me so much in this book of Marquez - One Hundred Years of Solitude and magical realism - which is why the terrorists don't seem so terrible and the writing so romantic and poetic. Also, I think opera is just a metaphor for the love of music - the same could be said of any style of music - though obviously opera lends itself to fan-worship of singers and singing. And for the record, I am not an opera fan.





The other error was her description of shingles which does not take weeks to creep across the face and then infect the eye.
Just some trivia to share.


The writing is great she has a way with words but the story overall left me disappointed.










