Beth Cato's Reviews > House of Frank
House of Frank
by
by

I received an advance copy via NetGalley.
House of Frank is a queer, cozy fantasy that delves deep into hearty emotional issues around death and letting go.
Saika is a witch without magical power, a fact that she hides just as she hides her hair and her hands. She goes to the Ash Arboretum to at long last fulfill her sister's final wish that she be interred there, magicked to grow into a beautiful tree. Saika is defensive and angry, resistant to the overtures of the diverse staff of a household headed up by Frank, a unique monster. As Saika's heart softens, she realizes that the house and its residents hold many secrets, and their pasts--like hers--will soon be exposed.
I really like the vibe of this book. I love a good found family story, and this setting is incredibly original: witches are common, as are extraordinary beings. I was frustrated, though, because details about the greater world are teased but never explained. Such as, there is never an explanation for how death and grief are usually handled in this setting (much less how religion works as a comfort, if it does), which means context is nonexistent around the arboretum's beautiful work.
House of Frank is a queer, cozy fantasy that delves deep into hearty emotional issues around death and letting go.
Saika is a witch without magical power, a fact that she hides just as she hides her hair and her hands. She goes to the Ash Arboretum to at long last fulfill her sister's final wish that she be interred there, magicked to grow into a beautiful tree. Saika is defensive and angry, resistant to the overtures of the diverse staff of a household headed up by Frank, a unique monster. As Saika's heart softens, she realizes that the house and its residents hold many secrets, and their pasts--like hers--will soon be exposed.
I really like the vibe of this book. I love a good found family story, and this setting is incredibly original: witches are common, as are extraordinary beings. I was frustrated, though, because details about the greater world are teased but never explained. Such as, there is never an explanation for how death and grief are usually handled in this setting (much less how religion works as a comfort, if it does), which means context is nonexistent around the arboretum's beautiful work.
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