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“Well, you see, there are some people whom one loves, and others whom it’s almost more fun to be with.��

Torvald is not John Proctor. Torvald is in fact Reverend Parris.

Urgent and all-encompassing; I can imagine the immense ripples this play had when it originally premiered in the late 1800s. The sacredness of marriage held under a microscope; the agency of women, or at the very least, an examination of how their voices are silenced by the men in their lives.

“I know what despair can drive a man like you to.��

Some wonderful exchanges of dialogue and some iconic monologues. Nora is one of the best characters of the form.

The secondary plot of Mrs. Linde and Krogstad had some of my favorite sentiments and wonderfully counterbalances the suffocation of Nora and Torvald’s dollhouse relationship.

“I must work if I’m to find life worth living. I’ve always worked, for as long as I can remember. It’s been the greatest joy of my life �� my only joy. But now I’m alone in the world, and I feel so dreadfully lost and empty. There’s no joy in working just for oneself. Oh, Nils, give me something �� someone �� to work for.��

I got a used copy from the Strand Book Store. But I didn’t even consider that maybe I should’ve held out for the Amy Herzog version. Alas, I can always visit that one later.

Wonderful, essential text. Torvald’s bipolar and honor-driven monologues in Act III are quite great; his character is ‘justified�� because of his flawed worldviews and societal expectations; can absolutely imagine Arian Moayed KILLING this role. And it goes without saying that Jessica Chastain was undoubtedly marvelous as Nora.