Jason's Reviews > No-No Boy
No-No Boy (Classics of Asian American Literature)
by
by

While John Okada鈥檚 novel could be read for its historical perspective on the internment of Japanese-Americans and their experiences post-WWII, it was not written as a historical novel. No-No Boy was published just over a decade after the end of the war and is a vibrant, fresh exploration of the complex issues of identity (ethnic/cultural/racial/national).
With his cast of characters Okada is able to get at the reality and illusion of identity. Not only does he portray Ichiro鈥檚 struggle, but each character is also caught in his own struggle for identity, so that he become a symbol of himself. This is the ultimate paradox of the 鈥渋dentity crisis鈥�.
No-No Boy was well ahead of its time and remains so. I read it looking for insight into the experience of others who find themselves outside the dominant social order. Okada is unflinching and accurate in his portrayal of the intersection of identity. The book may have been written more than half a century ago, but not very much has changed. The players might be different but its still the same game
With his cast of characters Okada is able to get at the reality and illusion of identity. Not only does he portray Ichiro鈥檚 struggle, but each character is also caught in his own struggle for identity, so that he become a symbol of himself. This is the ultimate paradox of the 鈥渋dentity crisis鈥�.
No-No Boy was well ahead of its time and remains so. I read it looking for insight into the experience of others who find themselves outside the dominant social order. Okada is unflinching and accurate in his portrayal of the intersection of identity. The book may have been written more than half a century ago, but not very much has changed. The players might be different but its still the same game
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Reading Progress
December 26, 2009
– Shelved
December 29, 2009
–
1.92%
"Okada using "white" literary tactics but trying to place japanese-american outside of white culture? very fine (invisible) line..."
page
5
December 31, 2009
–
34.23%
"Okada skillfully makes the unbelievable, believable: "If Kenji had sad another word or allowed a tiny smile, Ichiro would run out.""
page
89
January 6, 2010
–
46.54%
""It was because he was <<-->> and, at the same time, had to prove to the world that he was not <<-->> that the turmoil was in his soul...""
page
121
January 11, 2010
–
59.23%
"Okada: "-he glimpsed the real nature of the country he had turned against, and saw its mistake was no less unforgivable than his own.""
page
154
Started Reading
January 26, 2010
–
87.69%
"Okada captures the alternating currents hope and despair as the reject comes to terms."
page
228
January 26, 2010
–
97.69%
"Frank Chin: "[No-No Boy] was so good it freed me to be trivial.""
page
254
January 26, 2010
–
Finished Reading