Emily May's Reviews > The Handmaid’s Tale
The Handmaid’s Tale (The Handmaid's Tale, #1)
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There are only a small handful of books that have affected me in a REALLY personal way. In a way that I always try to put into words and always, ultimately, fail. I have read a lot of books over the years and I've liked many, disliked plenty too, loved and hated a smaller amount... but out of the thousands I've read, there's less than ten - maybe even less than five, now I think about it - that honestly hit me so hard that I would go so far as to say they changed me.
The Handmaid's Tale is a book that changed my life.
I know, I know, big dramatic statement to make. I hear you. And normally I wouldn't say that, even about books I give five glowing stars; but with this book it is nothing short of the truth. This book was the spark that turned me into a feminist. It was the spark that made me interested in gender politics and, through that, politics in general. One of my favourite teachers in the world gave me this book and said "I think you'll like this one."
She was so wrong.
I didn't like this book; I loved it. And I hated it. I lost sleep over it. I lived in it. I was so completely absorbed into this world, into this dark but oddly quiet dystopian reality. There is something about the tone of Atwood's novels that works like a knife to my heart. Quiet, rich, the drama just bubbling under the surface of the prose. Atwood doesn't waste words, she doesn't sugarcoat her stories with meaningless phrases, everything is subtle and everything is powerful.
This dystopia is a well-told feminist nightmare. An horrific portrait of a future that seems far too reminiscent of aspects of our own society and its very real recent history. The best kind of dystopian fiction is, for me, that which convinces me this world might or could happen. Atwood's world-building may be sparse and built up gradually as the story unfolds, but she slowly paints a portrait of stifling oppression and injustice that had me hanging on her every word.
For someone like me who was so caught up in Offred's experiences, this book was truly disturbing. In the best possible way. There are so many themes and possible interpretations that can be taken from this book - plenty of which I've literally written essays on - but I'll let new readers discover and interpret the book for themselves. I will issue you one warning, though: the ending is ambiguous and puts many people off the book. But, for me, it's one of the very few cases where an open ending has worked 100%. It made the story even more powerful, in my opinion, and guaranteed I would never be able to forget Offred and, indeed, this whole book.
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by


There are only a small handful of books that have affected me in a REALLY personal way. In a way that I always try to put into words and always, ultimately, fail. I have read a lot of books over the years and I've liked many, disliked plenty too, loved and hated a smaller amount... but out of the thousands I've read, there's less than ten - maybe even less than five, now I think about it - that honestly hit me so hard that I would go so far as to say they changed me.
The Handmaid's Tale is a book that changed my life.
I know, I know, big dramatic statement to make. I hear you. And normally I wouldn't say that, even about books I give five glowing stars; but with this book it is nothing short of the truth. This book was the spark that turned me into a feminist. It was the spark that made me interested in gender politics and, through that, politics in general. One of my favourite teachers in the world gave me this book and said "I think you'll like this one."
She was so wrong.
I didn't like this book; I loved it. And I hated it. I lost sleep over it. I lived in it. I was so completely absorbed into this world, into this dark but oddly quiet dystopian reality. There is something about the tone of Atwood's novels that works like a knife to my heart. Quiet, rich, the drama just bubbling under the surface of the prose. Atwood doesn't waste words, she doesn't sugarcoat her stories with meaningless phrases, everything is subtle and everything is powerful.
This dystopia is a well-told feminist nightmare. An horrific portrait of a future that seems far too reminiscent of aspects of our own society and its very real recent history. The best kind of dystopian fiction is, for me, that which convinces me this world might or could happen. Atwood's world-building may be sparse and built up gradually as the story unfolds, but she slowly paints a portrait of stifling oppression and injustice that had me hanging on her every word.
For someone like me who was so caught up in Offred's experiences, this book was truly disturbing. In the best possible way. There are so many themes and possible interpretations that can be taken from this book - plenty of which I've literally written essays on - but I'll let new readers discover and interpret the book for themselves. I will issue you one warning, though: the ending is ambiguous and puts many people off the book. But, for me, it's one of the very few cases where an open ending has worked 100%. It made the story even more powerful, in my opinion, and guaranteed I would never be able to forget Offred and, indeed, this whole book.
“We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom. We lived in the gaps between the stories.�
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Reading Progress
Started Reading
November 17, 2008
–
Finished Reading
December 5, 2010
– Shelved
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Thank you, Kammera, though I'm sorry to hear it wasn't to your liking.



I was wrong.
I'm not worthy.
I'm not worthy.
She doesn't need quotation marks. There rules don't apply to her.
She got away with it anyway.
The author knows better. She's the one who lost sleep over the ending. She was first, anyway.
The book is brilliant brilliant brilliant brilliant.
There is more between the lines than on them.
There is more unsaid than expressed in words.
There is more in the swing of her hips than the words of her lips.
There is more between the words than in them them.
There is more in the margins than between them.
There is more on the cutting floor than in the can.
There is even stuff between the lines of the glosses in the margins.
She gave us nothing for free.
We had to work for every piece of information.
Atwood didn't storm into the kitchen and sat down noisily; she didn't then begin to blab. Oh no, no. The horror wasn't poured over our heads out of a bucket of eel parts and human blood.
Oh no no no.
It was built underneath our consciousness in byte-sized data bits.
Brilliant brilliant brilliant.
The writer's writer.
The original Dracula scared the shit out of me (as a precocious brat who shouldn't have been reading that stuff at that age) because nobody died. Right away. There were just two small holes in the girl's throat. No big deal, right? Wrong.
The Handmaid's Tale is like that.
What a book!






But nevertheless, couldn't take my eyes off of it.


Quiet, rich, the drama just bubbling under the surface of the prose. Atwood doesn't waste words, she doesn't sugarcoat her stories with meaningless phrases, everything is subtle and everything is powerful." YESSYEYSYEYSYEYSYEYSYYES this review is amazing omfg
I imagine this is pretty much what life was like after the revolution in Iran. Educated, liberated women lost everything in a heartbeat, without much warning.