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I'd rate this 3.5 stars. (I know, it's killing me, too.)

Sometimes one of my greatest frustrations with books I read is that it is difficult for me to believe that a character would do something egregious as a knee-jerk reaction to something they don't agree with. I know, I'm reading fiction, which isn't always directly based on real life, but sometimes a character's actions are so ridiculous and ring so false that they really change my feelings about a book.

Other times a character is so unlikable (although you may discover it's all an act) that they're just so off-putting, and they detract from the book's appeal.

Both things happened for me while reading Celeste Ng's new book, Little Fires Everywhere , and I'm so disappointed, because I wanted to love it. While I found much of the book simply beautiful, the plot—and one character—travel down a path that I found a little too far-fetched and irritating that it spoiled how I felt.

To someone on the outside looking in, the Richardson family seems like the quintessential Shaker Heights, Ohio family—two successful and driven parents, four good-looking children, sure to follow in their parents' footsteps. The perception isn't all false—Elena Richardson, who returned to her hometown after college to raise a family, is a reporter for the local paper; her husband is a successful attorney. Their children, each one year apart, are each popular and successful in their own way, except the youngest, Izzy, who has a knack for standing out, especially if it means pushing her mother's buttons.

When Mia Warren, an enigmatic, slightly bohemian artist, and her daughter Pearl arrive in Shaker Heights, and move into the Richardsons' rental apartment, the family quickly falls under their spell. Pearl, who has moved more times than she can count, always on her mother's whim, has finally extracted a promise from Mia that they will stay in Shaker Heights, and she is excited to finally be able to make friends and cement relationships instead of biding her time until she leaves town again.

Pearl and the Richardsons' younger son, Moody, become close friends, although quickly she becomes a part of the family. Mia, too, in addition to working on her art, begins working for the Richardsons, becoming an unexpected confidante for older daughter Lexie, and forging a relationship with Izzy that she can't have with her mother. But Mia is also wary of the Richardsons and doesn't quite trust that all is as perfect as it seems.

When a custody battle involving one of Elena's oldest friends becomes fodder for the media, everyone in town has an opinion. Elena discovers that she and Mia are on opposite sides of this fight, which causes Elena to view Mia with suspicion. Suddenly she feels the need to find more about this mysterious woman who holds her family in her thrall, and Elena doesn't realize—or care, really—about what damage the truth may cause, for everyone.

"All her life, she had learned that passion, like fire, was a dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never—could never—set anything ablaze. Carefully controlled. Domesticated. Happy in captivity. The key, she thought, was to avoid conflagration."

Little Fires Everywhere is a powerful meditation on motherhood and the sometimes-tenuous bond between mother and child. It's also a book about the destructive power of secrets, misunderstandings, and miscommunication, and how easily problems could be avoided if people would just say what they thought, or speak up rather than let a person roll over them. At its most poignant, this is a book about the damage that can be done by neglect or mistreatment, even when it's unintended, and how finding someone who seems to care about you can be a life-changing force.

Ng is a storyteller with such quiet power. As she did in her spectacular first novel, Everything I Never Told You , she captures the routine and dramatic moments in a family's life, uncovering just how much goes on underneath the silences. While I appreciate her fearlessness in creating unappealing characters, I really was unhappy with some of her choices, which I won't reveal for fear of spoiling the plot, but they just seemed so ludicrous (and in one case, just a wee bit convenient and predictable) that one character and her treatment of others became almost one-dimensional.

I've seen many glowingly positive reviews of this book, so I wouldn't let my criticisms dissuade you from reading it if it interests you. Ng is an immense talent, and I look forward to seeing what's next for her. If you do read this, I would love to talk to you after you're finished, to see what you thought about the things that frustrated me.

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