Joel's Reviews > Doomsday Book
Doomsday Book (Oxford Time Travel, #1)
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Joel's review
bookshelves: 2010, audiobooks, sci-fi-fantasy, minus-half-a-star, wishlist, time-travels
Nov 23, 2009
bookshelves: 2010, audiobooks, sci-fi-fantasy, minus-half-a-star, wishlist, time-travels
** spoiler alert **
Somehow, by the year 2053, we'll have invented time travel but lost the use of cell phone technology. You'd think that was a pretty good trade-off, right? Well, if you've read a few of Connie Willis' "future historian" time travel books, you know that we're probably better off as we are, because without cell phones, it seems humanity would spend most of its days in fevered attempts to place calls by landline video phone, narrowly missing one another, encountering busy circuits, unable to locate anyone not at his home or office. This would go on for hundreds of pages.
Or look at it this way: Connie Willis really needs an editor. Because this is 1/2 of a fantastic book grafted to 250 pages of tiresome running about with no real purpose. This is the same format Willis prefers for all of her longer works: lots of really great writing and compelling characters, but you have to wade through a bunch of repetitive "funny bits" to get to them, most of which seem to have to do with telephones. I also could have done without nearly a dozen scenes of characters almost dispensing vital information, then falling into unconsciousness.
But after a few hundred pages, all the annoying stuff is over with and suddenly you're falling in love with all of the characters, and dreading what's going to happen to them, especially the ones in the Middle Ages, because the Black Death wasn't known for leaving a whole lot of survivors. And I'll say one thing for Willis, she isn't afraid to kill characters you like, and here she kills a lot of them. The end of the book is profoundly sad, and only a tiny bit uplifting; the ultimate message is that there is value in the struggle even if the outcome is failure. And yet it's not a depressing read, somehow. It's also not quite as gross and plague-y as you might fear, with only a small portion of the text devoted to lancing sores and vomiting blood. So that's always nice.
Or look at it this way: Connie Willis really needs an editor. Because this is 1/2 of a fantastic book grafted to 250 pages of tiresome running about with no real purpose. This is the same format Willis prefers for all of her longer works: lots of really great writing and compelling characters, but you have to wade through a bunch of repetitive "funny bits" to get to them, most of which seem to have to do with telephones. I also could have done without nearly a dozen scenes of characters almost dispensing vital information, then falling into unconsciousness.
But after a few hundred pages, all the annoying stuff is over with and suddenly you're falling in love with all of the characters, and dreading what's going to happen to them, especially the ones in the Middle Ages, because the Black Death wasn't known for leaving a whole lot of survivors. And I'll say one thing for Willis, she isn't afraid to kill characters you like, and here she kills a lot of them. The end of the book is profoundly sad, and only a tiny bit uplifting; the ultimate message is that there is value in the struggle even if the outcome is failure. And yet it's not a depressing read, somehow. It's also not quite as gross and plague-y as you might fear, with only a small portion of the text devoted to lancing sores and vomiting blood. So that's always nice.
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Reading Progress
November 23, 2009
– Shelved
June 10, 2010
–
Started Reading
June 10, 2010
– Shelved as:
2010
June 10, 2010
– Shelved as:
audiobooks
June 10, 2010
– Shelved as:
sci-fi-fantasy
June 14, 2010
–
20.76%
"you know what is exciting are repeated scenes of a guy repeatedly passing out just before delivering crucial plot information, followed by a long scene told from the point of view of a feverish, delirious character who thinks she's on fire."
page
120
June 27, 2010
–
Finished Reading
June 28, 2010
– Shelved as:
minus-half-a-star
July 9, 2010
– Shelved as:
wishlist
March 21, 2011
– Shelved as:
time-travels
Comments Showing 51-91 of 91 (91 new)
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message 51:
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Rosie
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rated it 3 stars
Jun 18, 2014 06:23PM

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First of all, as was mentioned numerous times, the book was released in1992, and I imagine it took a few years to write and in the late 1980's - early 1990's almost no one knew about them while video capable phones (wirely connected) were in many science fiction books / shows.
And second of all, nowadays, whenever there's an emergency and everybody's trying to use their cell phones at the same time mobile networks crash. That happened at nearly every disaster site for the past 15 years. Why would that be any different in case of an epidemic?

I loved everything about the book otherwise, and will now happily look up others by the same author.



Reading it now I wonder what a revision or rewrite might do - in terms of tech - to make it more credible for 21st century readers?


And I think it's easy to point to missing cell phones as a flaw. It's really not the missing cell phones, but the contrived nature of most of the plot. They are having trouble reaching the Dean because it is the holidays and he is fishing. Are you kidding me? I don't even remember the justification why they had to do the trip while the Dean was out, but it wasn't a good one. They can't go into the time travel lab because the temporary Dean is afraid of a plague coming through time. (Um, if that's the case it's already here and being quarantined... let us in so we can determine if that's what happened!) The main character is so spineless he keeps trying to get the temporary Dean to let him in instead of trying another plan. The plague coming through time is a complete red herring. Everything that happens is inorganic, and worse, uninteresting.
If there had been cell phones in this version of the future, the author would still have been putting up temporary barriers just to keep the characters from figuring out what happened to Kivren. It would have been OK if the characters had been interesting enough to ignore the weak plotting, but unfortunately they weren't.


The entire part with Kivrin was just fantastic though. The author did such a good job of making us care for these characters which made the outcome do devastating. But the fact that that incredibly compelling story kept being punctured by the boring Oxford story kind of deflated it.




Never put down a book once I start. This might be one of them.








That's, literally, one of the definitions of 'creche'



About that... 😅
