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FA11 20.2 - You read
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If I can find a good place for The Tin Drum, I am planning on reading Cat and Mouse by Günter Grass.


Sorry to be so long in responding, Denae. I got interrupted and then forgot to look. From what I can tell, this does not have enough 2nd person narrative to qualify for 20.2. "
I actually want to question this, based on some of the items on the list given in the task. For instance, The Things They Carried is on there. Only parts of two chapters in the book are this voice. The entirety of Snowdrops is addressed to a person off-stage. Could you clarify why it does not count?


"In Russia they don't go in so much for the phoney self-restraint, the sham waiting and feints, the whole dating war that you and I played in London"
"If I was being blunt with you, I guess I might call it 'falling in love'"
"I've never found what people like my brother had, what my sister thought she had until she didn't, what you and me are signing up for now"
"In England, before you, I'd only ever had one thing with a woman that you might seriously call a relationship. You know about her, I think"
Those are some of several examples from the first two chapters. The book is written in the first person as a story being related to his fiancee.

The example from Snowdrops is first person and the "you" and "your" is used to address some one other than the main character writing as "I".
In second person, there is no "I" in the narrative and the "you" and "your" is the main character. From You:
"You run your finger down the list of homeroom assignments until you spot your name."
The main character is talking about himself with "you" instead of "I".

Here are a few sentences from A Prayer for the Dying
Not that you mind earning your money, but when folks need you it's someone's misfortune one way or the other. The undertaking is easy; being a constable is hard. When you put them together it can be too much, though that's only happened once since you've been back. And you got through that fine, did the Soderholms proud.
I haven't read more than this, finding it online, but I'm pretty sure that narrator is talking to himself, that the you is the narrator, not some other person.

Read a book written in second person, a narrative mode in which the narrator refers to one of the characters as "you". Examples can be found here."
Is this explanation incorrect then?
I'm also completely perplexed as to the inclusion of The Things They Carried, because the sections that could possibly qualify it are most certainly addressed to the reader.





The description does not say that "you" requires that it refer to the person narrating the book. It specifically states "a narrative mode in which the narrator refers to one of the characters as "you"" which implies an expanded definition.
Karen GHHS wrote: "That's a good question, Denae. I don't think the "you" has to be the main character and I think it's still a different feeling than the example from Snowdrops, but I don't have a copy of The Things..."
The sections in The Things They Carried that are second-person are directed towards the reader, whereas those in Snowdrops are directed towards another character. They have a different feel, but they are both one person addressing another in the second-person. In The Things They Carried the author is addressing the reader and in Snowdrops the narrating character is addressing another character.

Actually, Denae is right in saying the description was wrong; the perils of depending too much on wiki. The incorrect task description was too loose -- if it just involves a narrator addressing another character as "you", any book with a section of written dialogue would qualify. That was not the intent.
Hopefully, the revised version is better and does not make everything even more confusing?


Stolen

See message #10 above. The problem with The Lightning Thief is that a lot of it appears to be written in the first person. It isn't so much whether another character or the reader is addressed as "you" as that the second person is the primary narrative.

"You are not the kind of guy who would be at a place like this at this time of the morning. But here you are, and you cannot say that the terrain is entirely unfamiliar, although the details are fuzzy. You are at a nightclub talking to a girl with a shaved head. The club is either Heartbreak of Lizard Lounge. All might come clear if you could just slip into the bathroom and do a little more Bolivian Marching Powder. Then again, it might not. A small voice inside you insists that this epidemic lack of clarity is a result of too much of that already. The night has already turned on that imperceptible pivot where 2 AM changes to 6 AM. You know the moment has come and gone, but you are not yet willing to concede that you have crossed the line beyond which all is gratuitous damage and the palsy of unraveled nerve endings...."
There is no use of "I" or "we". The narrator is not describing what "she" "he" or "they" did and does not detail the thoughts of I, we, s/he, or they.

"You are not the kind of guy who would be at a place like this at this time of the morning. But here you are, and you cannot say that th..."
I think I kind of get it but to be sure, I'm getting this book, Bright Lights, Big City at the library this week.
Books mentioned in this topic
Bright Lights, Big City (other topics)Bright Lights, Big City (other topics)
The Lightning Thief (other topics)
Stolen (other topics)
A Prayer for the Dying (other topics)
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Read a book written in second person, a narrative mode in which the protagonist or another main character is referred to by employment of second-person personal pronouns, for example the English second-person pronoun "you". Examples can be found .